Kawai CA98/CA78 Owner's Manual (English) CA98 CA78 EN R101

User Manual: Kawai

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CA98 / CA78
Owners Manual
Introduction
Playing the Piano
Recorder
Music Screen
Favorite Screen
Settings
Appendix
Thank you for purchasing this Kawai Concert Artist CA98/CA78 digital piano.
This owners manual contains important information regarding the instruments usage and operation.
Please read all sections carefully, keeping this manual handy for future reference.
About this Owners Manual
Before attempting to play this instrument, please read the Introduction section (page 10) of this owners manual. This section
explains the name and function of each part, how to connect the power cable, and how to turn on the power.
The Playing the Piano section (page 22) provides an overview of the instruments commonly used functions, allowing the CA98/
CA78 digital piano to be enjoyed almost immediately after being connected, while the Recorder section (page 39) provides
instructions on how to record pieces both to the instrument’s internal memory, and to a USB memory device.
The Music Screen section (page 52) includes information regarding the built-in demonstration songs, Piano Music pieces, Lesson
and Finger Exercise features, and Concert Magic function. This section also explains how to playback songs recorded to internal
memory, or stored on a USB memory device.
The Favorite Screen section (page 81) provides instructions on how to store, select, and manage favourite sounds, while the
Settings section (page 89) details the various options and settings that can be used to adjust the sound and operation of the
instrument.
Finally, the Appendix section (page 150) includes lists for all internal sounds, songs, and drum rhythms, assembly instructions for the
CA78 model, MIDI reference information, and full specication details.
About Illustrations
All illustrations used within this owner’s manual depict the CA98 model unless stated otherwise.
Important Safety Instructions
Denotes that care should be taken.
The example instructs the user to take care not to allow ngers to be trapped.
Denotes a prohibited operation.
The example instructs that disassembly of the product is prohibited.
Denotes an operation that should be carried out.
The example instructs the user to remove the power cord plug from the AC outlet.
Examples of Picture Symbols
Read all the instructions before using the product.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
AVIS : RISQUE DE CHOC ELECTRIQUE - NE PAS OUVRIR.
TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
The lighting ash with arrowhead symbol, within
an equilateral triangle, is intended to alert the user
to the presence of uninsulated "dangerous
voltage" within the product's enclosure that may
be of sucient magnitude to constitute a risk of
electric shock to persons.
The exclamation point within an equilateral
triangle is intended to alert the user to the
presence of important operating and maintenance
(servicing) instructions in the leterature
accompanying the product.
WARNING
TO REDUCE THE RISK OF FIRE
OR ELECTRIC SHOCK, DO NOT
EXPOSE THIS PRODUCT TO
RAIN OR MOISTURE.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS
SAVE THESE INSTRUCTIONS
1) Read these instructions.
2) Keep these instructions.
3) Heed all warnings.
4) Follow all instructions.
5) Do not use this apparatus near water.
6) Clean only with dry cloth.
7) Do not block any ventilation openings. Install in
accordance with the manufacturer's instructions.
8) Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
ampliers) that produce heat.
9) Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two
blades with one wider than the other. A grounding
type plug has two blades and a third grounding
prong. The wide blade or the third prong are
provided for your safety. If the provided plug does
not t into your outlet, consult an electrician for
replacement of the obsolete outlet.
10) Protect the power cord from being walked on or
pinched particularly at plugs, convenience
receptacles, and the point where they exit from the
apparatus.
11) Only use attachments/accessories specied by the
manufacturer.
12) Use only with the cart, stand, tripod, bracket, or table
specied by the manufacturer, or
sold with the apparatus. When a cart is used,
use caution when moving the cart/apparatus
combination to avoid injury from tip-over.
13) Unplug this apparatus during lightning storms or
when unused for long periods of time.
14) Refer all servicing to qualied service personnel.
Servicing is required when the apparatus has been
damaged in any way, such as power-supply cord or
plug is damaged, liquid has been spilled or objects
have fallen into the apparatus, the apparatus has
been exposed to rain or moisture, does not operate
normally, or has been dropped.
Indique que des précautions doivent être prises.
L’ exemple indique à l’utilisateur qu’il doit faire attention à ne pas se faire coincer les doigts.
Indique une manipulation interdite.
L’ exemple indique que le démontage de l’appareil est interdit.
Indique qu’une manipulation doit être effectuée.
L’ exemple indique à l’utilisateur qu’il doit débrancher le câble d’alimentation de la prise secteur.
Exemples de symboles graphiques
Le symbole de l’éclair avec une pointe de flèche à
l’intérieur d’un triangle équilatéral met en garde
l’utilisateur contre la présence de tension
dangereuse, non isolée, à l’intérieur de l’appareil,
dont l’amplitude peut être suffisante pour induire un
risque d’électrocution d’une personne.
Le point d’exclamation à l’intérieur d’un triangle
équilatéral alerte l’utilisateur de la présence de règles
d’utilisation et d’entretien importantes dans la notice
qui accompagne l’appareil.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOTOPEN
AVIS :RISQUEDECHOCELECTRIQUE -NEPAS OUVRIR.
POURREDUIRE LESRISQUES D’INCENDIE OU D’ELECTROCUTION, NE DEMONTEZPAS LE COUVERCLE
(OUL’ARRIERE). A L’ INTERIEUR, AUCUNE PA RTIE N’EST REPARABLEPAR L’ UTILISATEUR.
POURLAMAINTENANCE, ADRESSEZ-VOUS A DU PERSONNELQUALIFIE.
AVERTISSEMENT
POUR REDUIRELES RISQUES
D’INCENDIE OU D’ELECTROCUTION,
PROTEGEZ CET APPAREILDELA
PLUIEOUDEL’HUMIDITE.
CONSERVEZ CES INSTRUCTIONS
Règles de sécurité (Supplémentairespour le Canada)
AVERTISSEMENT Indique un risque potentiel qui peut entraîner
la mort, ou de graves lésions, si l’appareil
n’est pas manipulé correctement.
L’introduction d’eau, d’aiguilles ou d’épingles à
cheveux, peut provoquer une panne ou un
court-circuit. Ce produit doit être mis à l’abri des
écoulements ou projections d’eau. Ne jamais
placer sur le produit des objets contenant des
liquides, tels que des vases ou autres récipients.
Faite attention de ne pas introduire un
produit étranger à l’intérieur
de l’appareil.
Il est recommandé de placer l’instrument à proximité de la prise de courant et de positionner le câble d’alimentation
secteurdesorte qu’ilpuisstre débranché rapidement en casd’urgence,lecourant électrique étanttoujours
présenttant quela prise est branchée même si le bouton de mise en marche esten position Arrêt.
INSTRUCTIONS DE MISE À LA TERRE
Si vous ne le faisiez pas la foudre pourrait
provoquer un incendie.
Si vous ne le faisiez pas, la surchauffe de
l’appareil pourrait provoquer un incendie.
Ce produit n’est pas totalement déconnecté du circuit électrique
lorsqu’il est mis hors tension par le bouton d’arrêt. Si l’appareil
ne doit pas être utilisé pendant une longue période, débranchez
le câble d’alimentation de la prise secteur.
Ce produit doit être mis à la terre. En cas de défaillance matérielle ou de panne, la mise à la terre fournit un chemin de moindre
résistance au courant électrique afin de réduire le risque d’électrocution. Ce produit est équipé d’un câble avec un conducteur de
protection et une fiche de mise à la terre. La fiche doit être branchée dans une prise appropriée correctement installée et mise à la
terre conformément à tous les codes et règlements locaux.
DANGER - La connexion incorrecte du conducteur de protection peut présenter un risque d’électrocution.
Consultez un électricien ou un réparateur qualifié si vous avez des doutes en ce qui concerne la mise à la terre du produit. Ne
modifiez pas la fiche fournie avec le produit – si elle n’est pas adaptée à la prise, faites installer une prise correcte par un électricien
qualifié.
[Seuls les produits avec 3P fiche]
PRECAUTION Indique un risque potentiel qui peut entraîner la détérioration,
ou des dommages, pour l’appareil ou ses propriétés, si celui-ci
n’est pas manipulé correctement.
Votre piano doit être placé à un endroit tel que sa position n’altère pas sa propre ventilation. Gardez une
distance minimum de 5 cm autour de l’instrument pour une aération suffisante.
Description de la l'emplacement de la reference (Le cas échéant):
Anglais phrase: The nameplate label is located on the underside of the instruments, as indicated below.
Français phrase: La reference commerciale est inscrite sur une etiquette en dessous de votre instrument, conformement
a l’indication ci-dessous.
WARNING Indicates a potential hazard that could result in death or
serious injury if the product is handled incorrectly.
This product shall be near the AC outlet and the power cord plug in a position so that it can readily be
disconnected in an emergency because electricity is always charging while the plug is in the AC outlet
even in a power switch o condition.
This product may be equipped with a polarized line plug (one blade wider
than the other). This is a safety feature.
If you are unable to insert the plug into the outlet, contact an electrician to
replace your obsolete outlet.
Do not defeat the safety purpose of the plug.
Failure to do so may cause re in case of
lightning.
Failure to do so may over-heat the product,
resulting in re.
The product is not completely disconnected from the
power supply even when the power switch is turned
o. If the product will not be used for a long time,
unplug the AC power cord from the AC outlet.
When disconnecting the AC power cord's
plug, always hold the plug
and pull it to remove it.
Pulling the AC power cord itself may damage
the cord, causing a re, electric shock or
short-circuit.
Do not disassemble, repair or modify
the product. Doing so may result in product breakdown, electric
shock or short-circuit.
When using the headphones, do not
listen for long periods of
time at high volume levels.
Doing so may result in hearing problems.
The chair must be used properly (it must be
used only when playing the product).
Do not play with it or stand on it.
Only one person is allowed to sit on it.
Do not sit on it when opening the lid.
Re-tighten the bolts occasionally.
Doing so may cause the chair to fall over or your
ngers to be trapped, resulting in injury.
Do not insert or disconnect the power
cord plug with wet hands. Doing so may cause electric shock.
The product should be connected to
an AC outlet of the specied voltage.
If you are going to use an AC power cord,
make sure that its has the correct plug shape
and conforms to the specied power voltage.
Failure to do so may result in re.
120V 240V230V
Doing so may cause the product to fall over,
resulting in injury.
Do not lean against the keyboard.
Entry of water, needles or hair pins may result
in breakdown or short-circuit.
The product shall not be exposed to dripping or
splashing. No objects lled with liquids, such as
vases, shall be placed on the product.
Take care not to allow any foreign
matter to enter the product.
WARNING - When using electric products, basic precautions should always be followed, including the following.
Indique que des précautions doivent être prises.
L’ exemple indique à l’utilisateur qu’il doit faire attention à ne pas se faire coincer les doigts.
Indique une manipulation interdite.
L’ exemple indique que le démontage de l’appareil est interdit.
Indique qu’une manipulation doit être effectuée.
L’ exemple indique à l’utilisateur qu’il doit débrancher le câble d’alimentation de la prise secteur.
Exemples de symboles graphiques
Le symbole de l’éclair avec une pointe de flèche à
l’intérieur d’un triangle équilatéral met en garde
l’utilisateur contre la présence de tension
dangereuse, non isolée, à l’intérieur de l’appareil,
dont l’amplitude peut être suffisante pour induire un
risque d’électrocution d’une personne.
Le point d’exclamation à l’intérieur d’un triangle
équilatéral alerte l’utilisateur de la présence de règles
d’utilisation et d’entretien importantes dans la notice
qui accompagne l’appareil.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOTOPEN
AVIS :RISQUEDECHOCELECTRIQUE -NEPAS OUVRIR.
POURREDUIRE LESRISQUES D’INCENDIE OU D’ELECTROCUTION, NE DEMONTEZPAS LE COUVERCLE
(OUL’ARRIERE). A L’ INTERIEUR, AUCUNE PA RTIE N’EST REPARABLEPAR L’ UTILISATEUR.
POURLAMAINTENANCE, ADRESSEZ-VOUS A DU PERSONNELQUALIFIE.
AVERTISSEMENT
POUR REDUIRELES RISQUES
D’INCENDIE OU D’ELECTROCUTION,
PROTEGEZ CET APPAREILDELA
PLUIEOUDEL’HUMIDITE.
CONSERVEZ CES INSTRUCTIONS
Règles de sécurité (Supplémentairespour le Canada)
AVERTISSEMENT Indique un risque potentiel qui peut entraîner
la mort, ou de graves lésions, si l’appareil
n’est pas manipulé correctement.
L’introduction d’eau, d’aiguilles ou d’épingles à
cheveux, peut provoquer une panne ou un
court-circuit. Ce produit doit être mis à l’abri des
écoulements ou projections d’eau. Ne jamais
placer sur le produit des objets contenant des
liquides, tels que des vases ou autres récipients.
Faite attention de ne pas introduire un
produit étranger à l’intérieur
de l’appareil.
Il est recommandé de placer l’instrument à proximité de la prise de courant et de positionner le câble d’alimentation
secteurdesorte qu’ilpuisstre débranché rapidement en casd’urgence,lecourant électrique étanttoujours
présenttant quela prise est branchée même si le bouton de mise en marche esten position Arrêt.
INSTRUCTIONS DE MISE À LA TERRE
Si vous ne le faisiez pas la foudre pourrait
provoquer un incendie.
Si vous ne le faisiez pas, la surchauffe de
l’appareil pourrait provoquer un incendie.
Ce produit n’est pas totalement déconnecté du circuit électrique
lorsqu’il est mis hors tension par le bouton d’arrêt. Si l’appareil
ne doit pas être utilisé pendant une longue période, débranchez
le câble d’alimentation de la prise secteur.
Ce produit doit être mis à la terre. En cas de défaillance matérielle ou de panne, la mise à la terre fournit un chemin de moindre
résistance au courant électrique afin de réduire le risque d’électrocution. Ce produit est équipé d’un câble avec un conducteur de
protection et une fiche de mise à la terre. La fiche doit être branchée dans une prise appropriée correctement installée et mise à la
terre conformément à tous les codes et règlements locaux.
DANGER - La connexion incorrecte du conducteur de protection peut présenter un risque d’électrocution.
Consultez un électricien ou un réparateur qualifié si vous avez des doutes en ce qui concerne la mise à la terre du produit. Ne
modifiez pas la fiche fournie avec le produit – si elle n’est pas adaptée à la prise, faites installer une prise correcte par un électricien
qualifié.
[Seuls les produits avec 3P fiche]
PRECAUTION Indique un risque potentiel qui peut entraîner la détérioration,
ou des dommages, pour l’appareil ou ses propriétés, si celui-ci
n’est pas manipulé correctement.
Votre piano doit être placé à un endroit tel que sa position n’altère pas sa propre ventilation. Gardez une
distance minimum de 5 cm autour de l’instrument pour une aération suffisante.
Description de la l'emplacement de la reference (Le cas échéant):
Anglais phrase: The nameplate label is located on the underside of the instruments, as indicated below.
Français phrase: La reference commerciale est inscrite sur une etiquette en dessous de votre instrument, conformement
a l’indication ci-dessous.
Doing so may result in discoloration or deformation
of the product.
When cleaning the product, put a soft cloth in
lukewarm water, squeeze it well, then wipe the
product.
Do not wipe the product with benzene
or thinner.
Failure to do so may damage them, resulting in
re, electric shock or short-circuit.
When connecting the AC power cord
and other cords, take care
not to get them tangled.
CAUTION Indicates a potential hazard that could result in injury or
damage to the product or other property if the product
is handled incorrectly.
The product should be located so that its location or position does not interfere with its proper ventilation. Ensure a
minimum distance of 5cm around the product for sucient ventilation.
Failure to do so may cause breakdown of this
product and other devices.
Before connecting cords, make sure
that the power to this product
and other devices is turned
OFF.
OFF
Doing so may cause the product to generate
noise.
If the product generates noise, move the
product suciently away from the electrical
appliance or connect it to another AC outlet.
Do not place the product near electrical
appliances such as TVs and radios.
Failure to do so may over-heat the product,
resulting in re.
Ensure that the ventilation is not
impeded by covering the ventilation
openings with items, such as newspaper,
table-cloths, curtains, etc.
Doing so may cause the product to become
deformed or fall over, resulting in breakdown
or injury.
Do not stand on the product or exert
excessive force.
Please lift up the product when moving it.
Please note that the product is heavy and must
be carried by more than two persons.
Dropping the product may result in breakdown.
Do not drag the product on the oor.
Take care not to drop the product.
Closing it roughly may trap your ngers,
resulting in injury.
When you close the keyboard cover,
close it gently.
Using the product in such areas may result in
product breakdown.
Use the product only in moderate climates (not
in tropical climates).
Do not use the product in the following areas.
Areas, such as those near windows, where the product is
exposed to direct sunlight
Extremely hot areas, such as near a heater
Extremely cold areas, such as outside
Extremely humid areas
Areas where a large amount of sand or dust is present
Areas where the product is exposed to excessive
vibrations
Doing so may cause the illumination to fall over,
resulting in re.
Do not place naked ame, such as lighted
candles on the product.
The product should be serviced by qualied service personnel when:
The power supply cord or the plug has been damaged.
Objects have fallen, or liquid has been spilled into the product.
The product has been exposed to rain.
The product does not appear to operate normally or exhibits a marked change in performance.
The product has been dropped, or the enclosure damaged.
Notes on Repair
Should an abnormality occur in the product, immediately turn the power OFF, disconnect the power cord plug, and then contact the shop from which
the product was purchased.
CAUTION:
To prevent electric shock, match wide blade of plug to wide slot, fully insert.
ATTENTION:
Pour éviter les chocs électriques, introduire la lame la plus large de la che dans la borne correspondante de la prise et pousser jusqu'au fond.
An information on Disposal for users
If your product is marked with this recycling symbol it means that, at the end of its life, you must dispose of it separately by taking it to an
appropriate collection point.
You should not mix it with general household waste. Disposing of this product correctly will prevent potential negative eects on the environment
and human health which could otherwise arise due to inappropriate waste handling.
For further details, please contact your local authority.
(European Union only)
Instruction for AC power cord (U.K.)
IMPORTANT
THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE : NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug,
proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Do not plug either terminal of the power cord to the the ground od AC outlet on the wall.
FCC Information (U.S.A)
CAUTION : Changes or modications not expressly approved by the party responsible for compliance could void the users authority to operate the
equipment.
NOTE : This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are
designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio
frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there
is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception,
which can be determined by turning the equipment o and on, the user is encouraged to try to correct the interference by one or more of the following
measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit dierent from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
The nameplate label is located on
the
underside of the instrument, as
indicated below.
Declaration of Conformity
Products : Electronic Piano
Model Number : CA98/CA78
Responsible Party Name : Kawai America Corporation
Address : 2055 East University Drive Rancho
Dominguez, CA 90220
Telephone 310-631-1771
This device complies with Part 15 of the FCC Rules.
Operation is subject to the following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received,
including interference that may cause undesired operation.
This applies only to products distributed by Kawai America Corporation.
About Bluetooth
The Bluetooth® word mark and logos are registered trademarks owned by the Bluetooth SIG, Inc. and any
use of such marks by Kawai Musical Instruments Mfg. Co., Ltd. is under license. Other trademarks and trade
names are those of their respective owners.
Frequency Band of Radio: 2400~2483.5 MHz Maximum Transmit Power: 2.5 mW (BLE), 4.5mW (A2DP)
Availability of Bluetooth function dependent on market location.
Nameplate
8
Table of Contents
Important Safety Instructions ....................... 3
Table of Contents. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Introduction
Welcome to the Concert Artist ......................10
Feature Highlights ..................................10
Part Names and Functions ..........................12
Setting Up the Piano ................................14
1. Power .........................................14
2. Key cover and music rest ........................15
3. Volume and headphones. . . . . . . . . . . . . . . . . . . . . . . . 16
4. Pedals .........................................17
5. Touchscreen Operations ........................18
6. User Interface Overview ......................... 19
Playing the Piano
Pianist mode screen .................................22
1. Rendering character and Resonance depth .......23
2. Pianist mode menu .............................24
Sound mode screen .................................26
1. Single. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
2. Dual ...........................................27
3. Split ...........................................29
4. 4Hands ........................................31
5. Reverb .........................................33
6. Eects .........................................34
Metronome / Drum Patterns ........................36
Metronome settings ................................37
Drum rhythms ......................................38
Recorder
About the Recorder .................................39
Song Recorder (Internal memory) ........................40
1. Recording a song: Pianist mode ..................40
2. Recording a song: Sound mode .................. 43
Audio Recorder (USB memory) ..........................49
1. Recording an audio le: Pianist and Sound mode ...49
Music Screen
About the Music Screen .............................52
Demo Songs .........................................53
Piano Music .........................................55
Lesson Songs ........................................57
Concert Magic .......................................63
1. Concert Magic song playback ...................65
2. Concert Magic song performance ................ 67
Recorder Playback ..................................69
USB Memory Player .................................75
Favorite Screen
About the Favorite Screen ..........................81
1. Storing and Selecting Favorite memories .........83
2. Editing Favorite memories ......................85
Settings
About Settings ......................................89
1. Pianist mode menu .............................89
2. Sound mode menu .............................93
Virtual Technician ...................................99
1. Touch Curve ...................................103
User Touch Curve ..............................104
2. Voicing .......................................105
User Voicing ...................................106
3. Damper Resonance ............................107
4. Damper Noise .................................107
5. String Resonance ..............................108
6. Undamped String Resonance ...................109
7. Cabinet Resonance ............................110
8. Key-o Eect ..................................111
9. Fall-back Noise ................................112
10. Hammer Delay ................................113
11. Topboard Simulation ..........................114
12. Decay Time ...................................115
13. Minimum Touch ...............................115
9
Table of Contents
Settings (cont.)
14. Stretch Tuning .................................116
User Tuning ...................................117
15. Temperament .................................118
User Temperament ............................119
16. Temperament Key .............................120
17. Key Volume ...................................121
User Key Volume ..............................122
18. Half-Pedal Adjust ..............................123
19. Soft Pedal Depth ..............................123
Sound Settings .....................................124
1. Tuning ........................................125
2. Damper Hold ..................................125
3. Tone Control ..................................126
User Tone Control. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 127
4. Speaker Volume ...............................128
5. Line In Level ...................................129
6. Wall EQ (CA98 only) ...............................130
7. SHS Mode .....................................131
8. Phones Type ..................................132
9. Phones Volume ................................133
System Settings ....................................134
1. Bluetooth® MIDI ...............................135
2. Bluetooth® Audio ..............................136
3. Bluetooth® Audio Level ........................137
4. Rename File ...................................138
5. Delete File ....................................139
6. USB Format ...................................140
MIDI Overview .....................................141
7. MIDI Channel ..................................143
8. Send Program Change Number .................144
9. Local Control ..................................144
10. Transmit Program Change Numbers ............145
11. Multi-timbral Mode ............................146
12. Channel Mute .................................146
13. LCD Contrast ..................................147
14. Auto Display O ...............................147
Settings (cont.)
15. Auto Power O ................................148
16. Factory Reset ..................................149
Appendix
Assembly Instructions (CA78 only) ....................150
Connecting to Other Devices ......................154
Jack Panel .........................................155
Headphone Panel ..................................155
USB MIDI (USB to Host connector) .........................156
Troubleshooting ...................................157
Demo Song List ....................................160
Sound List (Sound mode) ..........................161
Program Change Number List .....................162
Drum Rhythm List ..................................170
Specications ......................................171
MIDI Exclusive Data Format ........................172
MIDI Implementation Chart .......................173
10
Introduction
Welcome to the Concert Artist
Feature Highlights
Grand Feel II wooden-key action with Ebony & Ivory Touch key surfaces, counterweights, and ‘Let-O mechanism
The CA98 and CA78 digital pianos utilise Kawai’s latest Grand Feel II wooden-key keyboard action, which draws upon 90 years
of acoustic piano craftsmanship to provide an exceptionally realistic playing experience.
As with a grand piano, all eighty-eight black and white keys are crafted entirely from long pieces of wood, pivoting on a
central balance pin in a smooth, seesaw-like motion. The Grand Feel II keys are longer than any other digital piano keyboard
action, with the pivot point distance matching that of a Kawai grand piano. When the front of a key is pressed down, the rear
rises, throwing a hammer which plays the note. These metal hammers have been micro-engineered to optmise their centre
of gravity, and are graded in size and weight to replicate the heavier bass and lighter treble notes of an acoustic grand piano.
The forward and backward movements of each hammer are precisely measured using triple-sensor technology, providing
faster key repetition, improved responsiveness, and enhanced playing realism.
In addition to grade-weighted hammers, the Grand Feel II action also features counterweights placed within each key. As
with an acoustic piano, these nely balanced weights help to lighten the touch of the keyboard during pianissimo passages,
while adding a feel of greater substance when playing with force. The Grand Feel II keyboard action even reproduces the
subtle let-o sensation felt when playing the keys of a grand piano very softly, satisfying the expectations of even the most
discerning pianists.
Finally, the Grand Feel II keyboard action features Kawai’s Ebony & Ivory Touch key surfaces. These nely textured materials
gently absorb moisture to assist playing control, and possess a natural, matte nish that is smooth, but not slippery.
Shigeru Kawai SK-EX concert grand piano reproduced with latest SK-EX Rendering sound technology
The magnicent tone of Kawai’s agship Shigeru Kawai SK-EX full concert grand piano is at the heart of the CA98 and CA78
digital pianos. Widely regarded as the ‘premier pianos of Japan, Shigeru Kawai instruments grace the stages of concert halls
and musical institutions throughout the world, and are prized for their tonal clarity and exceptional dynamic range.
In order to faithfully reproduce the stunning sound of a Shigeru digitally, Kawai has developed SK-EX Rendering – a brand
new piano sound engine that blends multi-channel, 88-key sampling with the latest resonance modelling technology. Multi-
channel sampling captures the sound from dierent points of the Shigeru Kawai concert grand piano, allowing a broader
range of tonal characteristics to be reproduced, and providing a more lively, authentic response to changes in dynamics.
This naturally expressive sound is further enriched by newly developed resonance algorithms, which physically model the
complex tonal interactions produced by the strings, pedals, and various other parts of an acoustic piano, giving players the
impression that they’re sitting at a living, breathing instrument.
Alternative acoustic piano sounds and a strong selection of additional instrument voices
In addition to the latest SK-EX Rendering piano sound engine, the CA98 and CA78 digital pianos also incorporate Kawai’s
highly regarded Harmonic Imaging XL technology, showcasing a variety of alternative acoustic pianos sounds and a strong
selection of additional instrument voices. The Kawai EX full concert grand piano has frequently been selected by professional
pianists in such prestigious events as the Chopin, Tchaikovsky, and Rubinstein international piano competitions, while the
Shigeru Kawai SK-5 chamber grand and Kawai K-60 upright, allow performers to enjoy the contrasting tonal characteristics
of various dierent piano sizes and voicing congurations.
Supplementing these realistic acoustic piano voices, the CA98 & CA78 digital pianos also feature an excellent selection of
additional instrument sounds, ranging from electric pianos and drawbar and church organs, to strings, human choirs, and
even atmospheric synth-style pads, inviting musicians to add greater variety to their performances. Furthermore, the Dual
playing mode also allows two dierent sounds, such as grand piano and strings, to be layered together, while the Split and
4Hands playing modes divide the keyboard into two independent sections.
Virtual Technician adjustments to personalise the instrument’s character
The CA98 & CA78 digital pianos’ Virtual Technician feature allows various characteristics of the selected acoustic piano,
electric piano, or harpsichord sound to be shaped from the instruments’ touchscreen display, with settings to adjust voicing
and regulation, string, damper, and cabinet resonances, and subtle hammer, damper, and key release noises. It is even
possible to adjust the precise tuning and volume of individual notes, before storing one’s favorite instrument conguration
to memory.
11
Introduction
Welcome to the Concert Artist
Integrated Bluetooth® MIDI and Audio connectivity
In addition to standard MIDI jacks for connecting to other instruments, the CA98/CA78 digital piano also boasts integrated
Bluetooth MIDI and Audio technology that allows the instrument to communicate with supported smart devices wirelessly.
Once connected to a phone, tablet, or laptop, CA98/CA78 digital piano owners can enjoy a wide variety of exciting music-
related apps that enhance their learning and playing experience, or stream audio from songs and videos through the
instrument’s speakers without any additional cables.
* Availability of Bluetooth function dependent on market location.
USB to Device functionality, with MP3/WAV le recording and playback
The CA98 & CA78 digital pianos are equipped with USB connectors that not only allow these instruments to be connected
to a computer for MIDI use, but also to load and save data to USB memory devices directly. This USB to Device feature allows
recorded songs stored in internal memory to be saved to USB for posterity, or standard MIDI les (SMF) downloaded from
the internet to be conveniently played back without additional hardware.
USB memory devices can also be used to play back MP3 or WAV audio les, allowing musicians to learn the chords or melody
for a new piece, or to simply play along with their favorite songs. It is even possible to save performances as MP3 or WAV les
for emailing to friends and family, listening to on the move, or for further editing using an audio workstation.
Premium audio hardware, powered by Onkyo
Developed in collaboration with Onkyo, one of Japans leading premium audio equipment manufacturers, the CA98/CA78
digital pianos are the rst musical instruments to utilise specialist components designed for high-end audio reproduction.
With cutting-edge technologies such as 1-bit processing, dual DAC signal conversion, and Onkyos DIRDC ltering, the
CA98/CA78’s optimised power ampliers reproduce the Shigeru Kawai grand piano sound with stunning clarity, richness,
and power, while the high-performance Discrete SpectraModule™ headphone amplier ensures the nest quality listening
experience, even when playing in privacy.
Full-colour touchscreen display for intuitive, button-less operation
The CA98 and CA78 digital pianos are the rst instruments of their kind to feature a full-colour 5” touchscreen display.
Discreetly embedded within the left cheekblock, this high resolution touchscreen allows sounds and settings to be selected
from an attractive user interface with the swipe of a nger. The display can also be set to turn o automatically while playing,
thus preserving the instruments’ acoustic piano-like appearance, and minimising any visual distraction to the pianist.
12
Introduction
Part Names and Functions
L / MONO R
LINE OUTLINE IN
STEREOLEVEL
MIDI
IN OUT
USB to HOST
Max Min
a
b
fg ih
e
d
c
13
Introduction
Part Names and Functions
a POWER button
This button is used to turn the instrument on/o. Be sure to turn
o the instrument after playing.
* The CA98/CA78 digital piano features a power saving mode that
can turn o the instrument automatically after a specied period
of inactivity. For more information, please refer to the Auto Power
O setting on page 148.
b MASTER VOLUME slider
This slider controls the master volume level of the instrument’s
built-in speakers or headphones, if connected.
* The MASTER VOLUME slider will also aect the volume level of the
LINE OUT connectors.
c TOUCHSCREEN display
The touchscreen display provides useful information such as
the currently selected mode, sound name, settings values, and
the status of various functions. The touchscreen is also used to
interact with the instrument by gently tapping on buttons and
icons that appear, or by swiping left and right, or up and down.
* A protective plastic lm is attached to the display during
production. Please remove this lm before attempting to play the
instrument.
* The display can be set to turn o automatically after a period of
inactivity. For more information, please refer to the Auto Display
O setting on page 147.
d USB to DEVICE connector
This port is used to connect a FAT or FAT32 formatted USB
memory device to the instrument in order to load/save recorded
song data, and MP3/WAV/SMF les etc.
e PHONES jacks
These jacks are used to connect stereo headphones to the
CA98/CA78 digital piano. 1/4” and 1/8” connectors are provided
for convenience, and both can be used simultaneously, allowing
two pairs of headphones to be connected at the same time.
f LINE IN STEREO jack
This jack is used to connect the 1/8” stereo output from smart
phones, tablets, computers, or other electronic audio equipment
to the CA98/CA78 digital pianos amplier and speakers.
The input level can be adjusted by using the LEVEL knob.
g LINE OUT jacks
These jacks are used to connect the stereo output (Left/Right
1/4” phone plug) of the CA98/CA78 digital piano to external
ampliers, mixers, recording devices, and similar equipment.
h USB to HOST port
This port is used to connect the CA98/CA78 digital piano to a
computer using a USB ‘B to A type cable in order to send and
receive MIDI data.
i MIDI IN / OUT jacks
These jacks are used to connect the CA98/CA78 digital piano
to external MIDI devices such as other musical instruments or a
computer in order to send and receive MIDI data.
* For more information about the instrument’s connectors and
jacks, please refer to ‘Connecting to Other Devices’ on page 154.
14
Introduction
Setting Up the Piano
1
Power
1. Connecting the power cable to the instrument
CA98
Connect the included power cable to the AC IN’ inlet located on
the back side of instrument in the bottom left corner.
CA78
Connect the included power cable to the AC IN’ inlet located on
the right hand side, towards the back of the instrument.
2. Connecting the power cable to an outlet
Connect the instrument’s power cable to an AC outlet.
3. Turning on the power
Press the POWER button located on the right hand side of the
instrument.
The instrument will turn on and the KAWAI logo will appear in
the touchscreen display. After a short period, the Pianist mode
screen will appear, indicating that the instrument is ready to be
played. To turn o the power, press and hold the POWER button
again for 1~2 seconds.
* Please do not turn o the instrument while the initial KAWAI logo is
displayed.
* The CA98/CA78 digital piano features a power saving mode that
can turn o the instrument automatically after a specied period of
inactivity. For more information, please refer to the Auto Power O
setting on page 148.
15
Introduction
Setting Up the Piano
2
Key cover and music rest
Opening the key cover
Gently lift the key cover with both hands, then slowly push it back, into the instrument’s body.
To close the key cover, slowly pull the handle with both hands, then gently lower it downward.
* Please close the lid slowly in order to avoid injury.
Adjusting the music rest
Lift the music rest, then lower the metal prop (rear side) into the recessed holder to set the desired music rest angle.
* The music rest can be set to one of six dierent angle positions.
To lower the music rest, gently lift the prop from the recessed holder, then lower the music rest.
* Please lower the music rest slowly in order to avoid injury.
Prop and holder
16
Introduction
Setting Up the Piano
3
Volume and headphones

Adjusting the volume
The MASTER VOLUME slider controls the volume level of the
instrument’s speakers, or headphones if connected.
Move the slider up to increase the volume, and down to decrease
the volume.
Use this slider to set the volume to a comfortable listening level
– the middle is often a good starting point.
* The MASTER VOLUME slider will also aect the volume level of the LINE
OUT connectors.
* The maximum volume level of the speakers can be reduced by using
the ‘Speaker Volume’ setting. Please refer to page 128 for more
information.
Using headphones
Use the jacks located beneath the keyboard on the left hand side
to connect stereo headphones to the CA98/CA78 digital piano.
1/4” and 1/8” connectors are provided for convenience.
Two pairs of headphones can be connected and used
simultaneously.
When a pair of headphones is connected, sound will not be
produced by the speakers. In addition, the headphones icon will
appear in the status bar of the touchscreen display.
* The maximum volume level of the headphones output and other
headphone characteristics can be adjusted by using the settings in
the ‘Sound Settings’ menu. Please refer to pages 131~133 for more
information.
Attaching the headphone hook (optional)
A headphone hook is included with the CA98/CA78 digital piano
and can be used to hang headphones when not in use.
If desired, attach the headphone hook to the underside of the
keyboard as shown in the illustration.
* For more information, please refer to the Assembly Instructions’ on
page 150.
Increase Volume
Decrease Volume
Headphone icon
17
Introduction
Setting Up the Piano
4
Pedals
As with a grand piano, the CA98/CA78 digital piano features three pedals: damper, sostenuto, and soft.
Damper pedal (right pedal)
Depressing this pedal sustains the sound after one’s hands have
been lifted from the keyboard – greatly enriching the piano
sound, while also assisting smooth ‘legato’ passages.
The damper pedal is capable of responding to half pedaling.
Soft pedal
Sostenuto pedal
Damper pedal
Soft pedal (left pedal)
Depressing this pedal softens the sound, reducing its volume.
When the rotary speaker eect is selected, the soft pedal is also
used to alternate the speed of the rotary simulation between
‘Slow’ and ‘Fast eect modes.
Sostenuto pedal (centre pedal)
Depressing this pedal after playing the keyboard and before
releasing the keys, sustains the sound of only those notes that
have been played. Any keys that are subsequently played after
the sostenuto pedal is depressed will not be sustained.
Pedal support bolt
A pedal support bolt is attached to the base of the pedal board
to aid stability when the pedals are pushed.
Turn the bolt anti-clockwise until it makes contact with the oor
and supports the pedals rmly. If the pedal support bolt does
not make proper contact with the oor, the pedal board may
become damaged.
When moving the instrument, always adjust or remove the pedal support bolt, then readjust
when the instrument is in its new position.
Caring for the pedals
If the surface of the pedals becomes dirty, clean the pedals using a dry dish-washing sponge.
Do not attempt to clean the pedals using rust-removing solvents, abrasives or les.
Grand Feel Pedal System
The CA98/CA78 digital piano features the Grand Feel Pedal System, which replicates the position and individual weighting of the
damper, soft, and sostenuto pedals of a Shigeru Kawai SK Concert Grand piano. It is also possible to adjust the sensitivity of the
damper pedal, and the eectiveness of the soft pedal using the ‘Half-Pedal Adjust’ and ‘Soft Pedal Depth settings.
* For more information, please refer to page 123.
Pedal support bolt
18
Introduction
Setting Up the Piano
5
Touchscreen Operations
The CA98/CA78 digital pianos touchscreen display is used to provide useful information about the currently selected
sound mode/name, function, and setting. The display is also used to control the instrument’s various features by
tapping on buttons and icons, swiping in dierent directions, or tapping and holding onscreen elements.
The explanations below outline the dierent methods of interacting with the touchscreen, and how these operations
are referenced in this owner’s manual.
Ta p
This operation is the most common method of selecting sounds
and functions, and is performed by momentarily touching areas
of the screen (typically buttons and icons) with a single nger.
In this owners manual, this operation will be referred to as “tap
the xxxx button.
Swipe
This operation is frequently used to cycle through lists of sounds,
songs, and settings. The operation is performed by touching the
screen with a single nger, then sliding up, down, left, or right
while lifting the nger from the screen.
In this owners manual, this operation will be referred to as
swipe left or “swipe up, etc.
Long press
This operation is used when entering numeric values such as the
metronome tempo, and is performed by touching and holding
a button or icon with a single nger for more than two seconds.
In this owners manual, this operation will be referred to as “long
press the xxxx button.
19
Introduction
Setting Up the Piano
6
User Interface Overview
The CA98/CA78 digital pianos user interface is arranged into four dierent screens, which are selected by tapping
the corresponding icons shown at the bottom of the touchscreen display.
Screen Explanation
Pianist mode The instrument’s primary SK-EX Rendering sound engine, recommended for solo piano performance.
This screen will appear automatically when the CA98/CA78 digital piano is turned on.
Sound mode The instrument’s secondary sound engine, featuring a broad selection of high quality acoustic piano, electric
piano, organ, strings and other sounds that can be layered, split, etc.
Music The instruments built-in demonstration songs, piano music pieces, and classical and contemporary lesson
songs.
This screen is also used to playback internal recorder songs and audio les stored on USB memory devices.
Favorite Favorite sounds and settings that can be recalled immediately with a single tap.
Typical screen layout
An example of a typical screen (in this case, Pianist mode) and its main components is shown and explained below.
a Status bar
This area indicates the status of connected devices (headphones,
USB, Bluetooth), and important functions (transpose, eects,
reverb).
b Menu button
This button is used to display the function/settings menu for the
current screen.
c Sound adjustment/selection area
This area is used to change the rendering character and
resonance depth of the SK-EX concert grand piano sound (Pianist
mode screen), or to select the instrument sound for Single/Dual/
Split/4Hands keyboard modes (Sound mode screen).
d Recorder bar
This area is used to start and stop the instrument’s recorder, and
change recorder settings.
* For more information about the Recorder function, please refer to
page 39.
e Metronome bar
This area is used to start and stop the instrument’s built-in
metronome/drum rhythms, and change recorder settings.
* For more information about the Metronome function, please refer
to page 36.
f Screen bar
This area is used to select the main Pianist mode, Sound mode,
Music, and Favorite screens.
The Status bar, Menu button, Recorder bar, Metronome bar, and Screen bar components are shown on most screens, however their
functionality may vary slightly depending on the selected screen.
a
c
d
e
f
b
20
Introduction
Setting Up the Piano
Status bar
a Headphone icon
Appears headphones are connected to the instrument, disabling
the built-in speakers.
b USB Device icon
Appears when a USB memory device is connected to the
instrument.
c Bluetooth icon
Appears when Bluetooth MIDI or Bluetooth Audio is enabled.
d Transpose icon
Appears when the Key Transpose setting is changed.
e Eects icon
Appears when the Eects function is turned on (Sounds screen).
f Reverb icon
Appears when the Reverb function is turned on (Sounds screen).
Recorder bar
a Open Recorder button
Tap to expand the Recorder bar and show additional recorder
settings.
b Recorder status
Indicates the current Recorder status.
c Record Start/Stop button
Tap to place the Recorder in Standby, then tap again to Start/
Stop recording.
* For more information about the Recorder function, please refer to
page 39.
Metronome bar
a Open Metronome button
Tap to expand the Metronome bar and show additional
metronome/rhythm settings.
b Metronome status
Indicates the current Metronome status.
c Metronome Start/Stop button
Tap to Start/Stop the Metronome.
* For more information about the Metronome function, please refer
to page 36.
a bc d e f
a b c
a b c
21
Introduction
Setting Up the Piano
Screen bar
a Pianist button
Show the Pianist mode screen, utilising the SK-EX Rendering
piano sound engine.
b Sound button
Show the Sound mode screen, utilising the multi-instrument
sound engine.
c Music button
Show the Music screen, used for accessing the built-in
demonstration songs, piano music pieces, lesson songs,
recorder songs, and the USB audio player.
d Favorite button
Show the Favorite screen, used for recalling favorite sounds and
settings.
a b c d
22
Playing the Piano
Pianist mode screen
The Pianist mode screen utilises the CA98/CA78 digital piano’s new SK-EX Rendering piano sound engine. This
mode delivers the most realistic acoustic piano playing experience possible, and is therefore recommended for solo
piano performance.
Tap the [Pianist] button to show the Pianist mode screen.
a Menu button
Tap to display the function/settings menu for the Pianist mode
screen.
b Rendering character
Swipe left/right or tap the arrow buttons to change the
rendering character used for the SK-EX Rendering piano sound
engine.
c Resonance depth
Long press and drag up/down to adjust the resonance depth of
the SK-EX Rendering piano sound engine.
Pianist button
b
c
a
23
Playing the Piano
Pianist mode screen
1
Rendering character and Resonance depth
The SK-EX Rendering piano sound engine combines high resolution multi-channel sampling with advanced
modelling algorithms to reproduce 10 dierent acoustic piano rendering characters, suitable for a variety of musical
genres.
Rendering character Description
Classic A standard grand piano sound with a broad dynamic range.
Romantic A mellow grand piano sound with soft hammers.
Full A big grand piano sound with a strong bass and bright character.
Jazz A clean grand piano sound that is suitable for jazz.
Brilliant A bright grand piano sound with emphasised treble.
Rich A rich grand piano sound with emphasised resonances.
Ballad A clear, light grand piano sound that is suitable for ballads.
Pop A strong grand piano sound with emphasised attack that is suitable for pop music.
Vintage A soft grand piano sound with a vintage character.
Boogie A small grand piano with a detuned character.
Selecting the Rendering character
Swipe the Rendering character name left or right, or tap
the arrow buttons to cycle through the available rendering
characters used for the SK-EX Rendering piano sound engine.
Adjusting the Resonance depth
Long press and drag up and down to adjust the Resonance
depth of the SK-EX Rendering piano sound engine.
* The Resonance depth can be set to one of 10 levels.
Rendering character
24
Playing the Piano
Pianist mode screen
2
Pianist mode menu
The Pianist mode menu contains settings and functions related to the Pianist mode screen.
Tap the [Menu] button to show the Pianist mode menu.
Pianist mode menu
a Ambience type
Swipe left/right or tap the arrow buttons to change the ambience
type used for the SK-EX Rendering piano sound engine.
Ambience refers to the sense of sound moving around in a
virtual room.
* The Ambience type can be set to one of 10 types, listed below.
b Ambience depth
Long press and drag the slider to adjust the depth/strength of
the ambience.
c Pianist Demos
Tap to open the Pianist Demos screen, which performs pieces
that demonstrate the SK-EX Rendering piano sound engine.
* Please refer to the table below for more information regarding the
pieces of music played on this screen.
d Virtual Technician
Tap to open the Virtual Technician menu.
This menu is used to adjust various characteristics of the
acoustic piano sound.
* For more information about the Virtual Technician menu, please
refer to page 99.
e Sound Settings
Tap to open the Sound Settings menu.
This menu is used to adjust various settings of the sound.
* For more information about the Sound Settings menu, please refer
to page 124.
f System Settings
Tap to open the System Settings menu.
This menu is used to adjust various system settings.
* For more information about the System Settings menu, please
refer to page 134.
g Store to Favorite
Tap to store the current piano sound and associated settings to
a Favorite memory.
* For more information about the Favorite function, please refer to
page 81.
h Close Menu
Tap to close the menu and return to the Pianist mode screen.
Menu button
h
a
b
c
d
e
f
g
25
Playing the Piano
Pianist mode screen
Ambience types
Ambience Type Description
Natural Simulates the ambience of a natural environment.
Small Room Simulates the ambience of a small room.
Medium Room Simulates the ambience of a medium-sized room.
Large Room Simulates the ambience of a large room.
Studio Simulates the ambience of a recording studio.
Wood Studio Simulates the ambience of a wooden recording studio.
Mellow Lounge Simulates the soft ambience of a lounge.
Bright Lounge Simulates the bright ambience of a lounge.
Live Stage Simulates the ambience of a live stage.
Echo Simulates the ambience of an echo chamber.
Pianist Demos pieces
Piece name Composer
1 Polonaise in A-at major, Op. 53 Frédéric Chopin
2 Suite bergamasque - Prélude Claude Debussy
3 Turkish March Wolfgang Amadeus Mozart
Sound mode screen
26
Playing the Piano
Sound mode screen
The Sound mode screen utilises the CA98/CA78 digital pianos secondary sound engine. This mode features a wide
selection of realistic instrument sounds suitable for various musical styles. These instrument sounds are arranged
into eight categories, with several sounds assigned to each category. In additional to playing instrument sounds
individually, it is also possible to play two sounds simultaneously, either by layering (Dual) or splitting the keyboard
into two sections (Split/4Hands).
* For a complete listing of available instrument sounds, please refer to page 161 of this owner’s manual.
Tap the [Sound] button to show the Sound mode screen.
a Menu button
Tap to display the function/settings menu for the Sound mode
screen.
b Single
Tap to select the Single keyboard mode.
This is the standard mode for playing one sound across the
entire length of the keyboard.
c Dual
Tap to select the Dual keyboard mode.
This mode allows two sounds to be layered together.
d Split
Tap to select the Split keyboard mode.
This mode divides the keyboard into two sections, and allows
dierent sounds to be played in each.
e 4Hands
Tap to select the 4Hands keyboard mode.
This mode divides the keyboard into two 44-key sections with
the same playing range.
f Sound selection area
Tap to open the sound selection pop-up.
Sound button
b c d
a
f
e
27
Playing the Piano
Sound mode screen
1
Single
By default, the SK-EX Concert Grand piano sound will be selected in Single keyboard mode, meaning that one sound
is used across the full width of the keyboard.
Selecting sounds
1. Tap the sound selection area to enter sound selection mode.
2. Swipe left or right to cycle through the dierent instrument
sounds in the current category, or up and down to cycle
through the dierent instrument categories.
* The sound selection mode will close automatically after
approximately 5 seconds of inactivity.
2
Dual
The Dual keyboard mode allows two sounds to be layered together, creating a more complex sound. For example, a
piano sound layered with strings, or a church organ combined with a choir, etc.
Selecting Dual keyboard mode
Tap the [Dual] button to select Dual keyboard mode.
The sound selection area of the Sound mode screen will divide
into two halves. The top half indicates the main sound, while
the bottom half indicates the layered sound. By default, Slow
Strings will be used for the layered sound.
Selecting sounds
Selecting sounds in Dual keyboard mode is identical to that of
Single keyboard mode.
1. Tap the main or layered sound area to enter sound selection
mode.
2. Swipe left/right to change the instrument sound, and up/
down to change the instrument category.
Sound selection
Main sound
Layered sound
Main sound
Layered sound
28
Playing the Piano
Sound mode screen
Dual keyboard mode settings
Dual setting Description Default Setting
Balance Adjust the volume balance between the main and layered sounds. 9 - 9
Layer Octave Shift Raise/lower the pitch of the layered sound in octave steps. 0
Dynamics Adjust the dynamic sensitivity of the layered sound relative to the main sound. 10
Tap the [Menu] button to show the Sound mode menu.
Next, tap [Keyboard Settings] to show the Dual keyboard mode
settings.
a Back button
Tap to return to the Sound mode menu
b Balance
Long press and drag the slider to adjust the volume balance
between the main and layered sounds.
c Layer Octave Shift
Long press and drag the slider to adjust the pitch of the layered
sound in octave steps.
d Dynamics
Long press and drag the slider to adjust the dynamic sensitivity
of the layered sound relative to the main sound.
Keyboard Settings
a
b
c
d
29
Playing the Piano
Sound mode screen
3
Split
The Split keyboard mode function divides the keyboard into two sections, allowing each section to be played with a
dierent sound. For example, a bass sound in the lower section, and a piano sound in the upper section.
Selecting Split keyboard mode
Tap the [Split] button to select Split keyboard mode.
The keyboard will divide into upper and lower sections at key C4.
The sound selection area will divide into two halves. The top
half indicates the upper section sound, while the bottom half
indicates the lower section sound. By default, Wood Bass will be
used for the lower section sound.
Selecting sounds
Selecting sounds in Split keyboard mode is identical to that of Single and Dual keyboard modes.
1. Tap the upper or lower section sound area to enter sound
selection mode.
2. Swipe left/right to change the instrument sound, and up/
down to change the instrument category.
Split keyboard mode settings
Split setting Description Default Setting
Balance Adjust the volume balance between the upper section and lower section sounds. 9 - 9
Lower Octave Shift Raise/lower the pitch of the lower section sound in octave steps. 0
Lower Pedal Enable/disable the damper pedal for the lower section sound. O
Split Point Set the point on the keyboard that divides the upper and lower sections. C4
Upper sound
Lower sound
Upper sound
Lower sound
30
Playing the Piano
Sound mode screen
Tap the [Menu] button to show the Sound mode menu.
Next, tap [Keyboard Settings] to show the Split keyboard mode
settings.
a Back button
Tap to return to the Sound mode menu
b Balance
Long press and drag the slider to adjust the volume balance
between the upper section and lower section sounds.
c Lower Octave Shift
Long press and drag the slider to adjust the pitch of the lower
section sound in octave steps.
d Lower Pedal
Tab to enable/disable the damper pedal for the lower section
sound.
e Split Point
Tap to set the point on the keyboard that divides the upper and
lower sections.
Changing the Split point
Tap the [Split Point] setting. A message will appear prompting
to press a key.
Press the desired split key on the keyboard.
The pressed key will become the new split point.
Keyboard Settings
a
b
c
e
d
Split point
31
Playing the Piano
Sound mode screen
4
4Hands
The 4Hands keyboard mode function divides the keyboard into two sections in a similar way to that of the Split
keyboard mode. However, with 4Hands keyboard mode enabled, the octave/pitch of each section is automatically
adjusted to create two separate 44-key instruments with the same playing range. Furthermore, the damper (right)
pedal and soft (left) pedal act as separate damper pedals for the respective upper and lower sections, allowing two
people to perform piano duets using a single instrument.
Selecting 4Hands keyboard mode
Tap the [4Hands] button to select 4Hands keyboard mode.
The keyboard will divide into right and left sections at key F4.
The sound selection area will divide into two halves. The top
half indicates the right section sound, while the bottom half
indicates the left section sound. By default, the SK-EX Concert
Grand sound will be used for both the right and left sections.
Selecting sounds
Selecting sounds in 4Hands keyboard mode is identical to that of Single, Dual, and Split keyboard modes.
1. Tap the right or left section sound area to enter sound
selection mode.
2. Swipe left/right to change the instrument sound, and up/
down to change the instrument category.
4Hands keyboard mode settings
4Hands setting Description Default Setting
Balance Adjust the volume balance between the right section and left section sounds. 9 - 9
Right Octave Shift Raise/lower the pitch of the right section sound in octave steps. 0
Left Octave Shift Raise/lower the pitch of the left section sound in octave steps. O
Split Point Set the point on the keyboard that divides the right and left sections. F4
Right sound
Left sound
Right sound
Left sound
32
Playing the Piano
Sound mode screen
Tap the [Menu] button to show the Sound mode menu.
Next, tap [Keyboard Settings] to show the 4Hands keyboard
mode settings.
a Back button
Tap to return to the Sound mode menu
b Balance
Long press and drag the slider to adjust the volume balance
between the right section and left section sounds.
c Right Octave Shift
Long press and drag the slider to adjust the pitch of the right
section sound in octave steps.
d Left Octave Shift
Long press and drag the slider to adjust the pitch of the left
section sound in octave steps
e Split Point
Tap to set the point on the keyboard that divides the right and
left sections.
Changing the Split point
Tap the [Split Point] setting. A message will appear prompting
to press a key.
Press the desired split key on the keyboard.
The pressed key will become the new split point.
Keyboard Settings
a
b
c
e
d
Split point
33
Playing the Piano
Sound mode screen
5
Reverb
Reverb adds reverberation to the sound, simulating the acoustic environment of a recital room, stage, or concert
hall. Some sound types, such as acoustic pianos, enable reverb automatically in order to improve acoustic realism.
The CA98/CA78 digital piano features six dierent reverb types, which can be adjusted via the Sound mode menu.
Turning Reverb on/o
Tap the [Menu] button to show the Sound mode menu.
Next, tap the Reverb [ON/OFF] buttons to turn Reverb on/o.
* When Reverb is turned on, the Reverb icon will be shown in the status
bar.
Reverb settings
Reverb setting Description Range
Type Change the type of environment. -
Depth Adjust the depth of the environment (i.e. amount of reverberation to apply). 1~10
Time Adjust the decay length/speed of the reverberation. 1~10
* Reverb settings are independent for each sound variation.
Tap the [Menu] button to show the Sound mode menu.
Next, tap [Reverb] to show the Reverb settings.
a Back button
Tap to return to the Sound mode menu
b Type
Swipe left/right or tap the arrow buttons to change the reverb
type.
c Depth
Long press and drag the slider to adjust the depth of the reverb
(i.e. amount of reverberation to apply).
d Time
Long press and drag the slider to adjust the decay length/speed
of the reverberation.
Reverb types
Reverb type Description
Room Simulates the ambience of a small rehearsal room.
Lounge Simulates the ambience of piano lounge.
Small Hall Simulates the ambience of a small hall.
Concert Hall Simulates the ambience of a concert hall or theatre.
Live Hall Simulates the ambience of a live hall or stage.
Cathedral Simulates the ambience of a large cathedral.
Reverb On/O buttons
a
b
c
d
34
Playing the Piano
Sound mode screen
6
Eects
In addition to reverb, various other eects can be applied to the selected sound, altering the tonal character and
feeling of the instrument. As with reverb, some sound types enable certain eects automatically in order to enhance
tonal quality. The CA98/CA78 digital piano features 19 dierent eect types, with 2 combination eects, and 3
additional amplied eects. Eects are also adjusted via the Sound mode menu.
Turning Eects on/o
Tap the [Menu] button to show the Sound mode menu.
Next, tap the Eects [ON/OFF] buttons to turn Eects on/o.
* When Eects is turned on, the Eects icon will be shown in the status
bar.
Eects settings
Eects setting Description Range
Type Change the type of eect. -
Setting 1 Adjust the primary setting of the eect (e.g. Dry/Wet level). 1~10
Setting 2 Adjust the secondary setting of the eect (e.g. Time). 1~10
* Eects settings are independent for each sound variation.
Tap the [Menu] button to show the Sound mode menu.
Next, tap [Eects] to show the Eect settings.
a Back button
Tap to return to the Sound mode menu
b Type
Swipe left/right or tap the arrow buttons to change the eect
type.
c Setting 1
Long press and drag the slider to adjust the primary eect
setting (e.g. Dry/Wet level).
d Setting 2
Long press and drag the slider to adjust the secondary eect
setting (e.g. Time).
Eects On/O buttons
a
b
c
d
35
Playing the Piano
Sound mode screen
Eect types
Eect type Description
Mono Delay Applies an echo eect to the sound, playing through both speakers simultaneously.
Ping Delay Applies a ‘ping pong’ echo eect to the sound, giving the impression that it is ‘bouncing’ from left to
right.
Triple Delay Similar in principle to Ping Delay, but with an additional centre echo.
Chorus Layers a slightly detuned version of the sound over the original, thus enriching its tonal character.
Classic Chorus Similar in principle to Chorus, but intended for vintage electric piano sounds.
Ensemble Applies a three-phase chorus to the sound, providing additional richness.
Tremolo Continuously varies the volume at a constant speed, adding a vibrato type eect to the sound.
Classic Tremolo Similar in principle to Tremolo, but intended for vintage electric piano sounds.
Vibrato Tremolo Similar in principle to Tremolo, but with an additional Vibrato eect applied.
Auto Pan Alternates the sound output from left to right across the stereo eld using a sine wave.
Classic Auto Pan Similar in principle to Auto Pan, but intended for vintage electric piano sounds.
Phaser Applies a cyclic phase change to the sound, giving the impression that the sound is moving.
Classic Phaser Similar in principle to Phaser, but intended for vintage electric piano sounds.
Rotary (1~6) Simulates the sound of a rotary speaker commonly used with vintage electronic organs.
There are three dierent levels of overdrive, with and without a Chorus eect.
* The soft pedal can be used to alternate the speed of the rotary simulation between ‘Slow and ‘Fast’ eect modes.
Combination Eects Dierent combinations of the above eects, applied simultaneously.
* Combination eect types: Phaser+Chorus, Phaser+AutoPan
Amplied Eects A selection of the above eects, with a vintage electric piano speaker eect applied.
* Amplied eect types: Tremolo+Amp, Auto Pan+Amp, Phaser+Amp
Eect parameters
Eect parameter Eect setting Description
Mono Delay / Ping Delay / Triple Delay Dry / Wet Adjust the intensity of the delay.
Time Adjust the interval of time between each delay.
Chorus / Ensemble Dry / Wet Adjust the intensity of the chorus.
Speed Adjust the speed of the chorus.
Classic Chorus Mono / Stereo Toggle between a Mono or Stereo eect.
Speed Adjust the speed of the chorus.
Tremolo / Classic Tremolo / Vibrato Tremolo Dry / Wet Adjust the intensity of the tremolo.
Speed Adjust the speed of the tremolo.
Auto Pan / Classic Auto Pan Dry / Wet Adjust the intensity of the pan.
Speed Adjust the speed of the pan.
Phaser / Classic Phaser Dry / Wet Adjust the intensity of the phaser.
Speed Adjust the speed of the phaser.
Rotary Accel. Speed Adjust the acceleration speed between slow and fast modes.
Rotary Speed Adjust the speed of the rotary speaker.
Combination Eects / Amplied Eects Dry / Wet Adjust the intensity of the eects.
Speed Adjust the speed of the eects.
36
Playing the Piano
Metronome / Drum Patterns
The Metronome function provides a steady beat to aid practicing the piano at a consistent tempo. In addition to
regular metronome beats, the CA98/CA78 digital piano also features a variety of drum rhythms to accompany most
playing styles and musical genres. The Metronome function is available on both the Pianist mode screen and the
Sound mode screen.
Turning the Metronome on/o
Tap the [Metronome Start/Stop] button.
The Metronome Start/Stop button will change colour, and a 4/4
beat will start to count.
The current metronome beat and tempo will also be shown in
the Metronome status bar.
Tap the [Metronome Start/Stop] button again to stop the
metronome.
Metronome Start/Stop button
Open Metronome button
37
Playing the Piano
Metronome / Drum Patterns
Metronome settings
The Metronome settings allow the tempo, beat, and volume of the metronome to be adjusted.
Tap the [Open Metronome] button to expand the Metronome
bar and show the additional metronome/rhythm settings.
Metronome settings
a Metronome bar
Tap to close the metronome settings.
b Metronome mode button
Tap the [METRONOME] button to select metronome mode, or
the [DRUM] button to select drum rhythm mode.
c Tempo term selection
Swipe left/right or tap the arrow buttons to change the preset
tempo term.
* There are 17 tempo presets, ranging from Grave to Prestissimo.
d Tempo selection
Swipe each digit up/down or tap the arrow buttons to adjust the
metronome tempo.
* The metronome tempo can be adjusted with the range of 10~400
BPM.
e Time signature selection
Swipe left/right or tap the arrow buttons to change the
metronome time signature.
When the metronome is counting, the current beat (of the bar)
will also be shown.
* There are ten dierent time signatures available: 1/4, 2/4, 3/4, 4/4,
5/4, 3/8, 6/8, 7/8, 9/8, and 12/8.
f Metronome volume
Long press and drag the slider to adjust the volume of the
metronome.
g Metronome Start/Stop button
Tap to start/stop metronome.
Open Metronome button
a
c
d
e
f
g
b
Metronome / Drum Patterns
38
Playing the Piano
Drum rhythms
As an alternative to the simple metronome count, it is also possible to select a drum pattern from one of 100 dierent
rhythm styles.
For a complete listing of available drum rhythms, please refer to page 170 of this owner’s manual.
While the metronome settings menu is open, tap the [DRUM]
button to select drum rhythm mode.
Drum rhythm settings
a Metronome bar
Tap to close the metronome settings.
b Metronome mode button
Tap the [METRONOME] button to select metronome mode, or
the [DRUM] button to select drum rhythm mode.
c Drum rhythm category
Swipe left/right or tap the arrow buttons to change the drum
rhythm category.
* There are 11 drum rhythm categories, ranging from 8 Beat to Latin.
d Tempo selection
Swipe each digit up/down or tap the arrow buttons to adjust the
drum rhythm tempo.
* The drum rhythm tempo can be adjusted with the range of 10~400
BPM.
e Drum rhythm pattern selection
Swipe left/right or tap the arrow buttons to change the drum
rhythm pattern.
When the drum rhythm is counting, the current beat (of the bar)
will also be shown.
* There are multiple drum rhythm patterns in each category.
f Drum rhythm volume
Long press and drag the slider to adjust the volume of the drum
rhythm.
g Drum rhythm Start/Stop button
Tap to start/stop the drum rhythm.
DRUM button
a
c
d
e
f
g
b
39
Recorder
About the Recorder
The Recorder function allows performances to be recorded and stored in the CA98/CA78 digital pianos internal
memory, or saved to a connected USB memory device. The recording format and capabilities dier between Pianist
mode and Sound mode.
Recorder le format and capabilities
Internal Recorder USB Audio Recorder
Pianist Mode Sound Mode Pianist Mode & Sound Mode
Recorder Format MP3 audio (256 kbit/s) Kawai song format MP3 audio (256 kbit/s), WAV audio
(1411 kbit/s)
No. of parts 1 part 2 parts 1 part
No. of song memories 3 songs 10 songs n/a (dependent on memory device)
Maximum capacity 10 minutes (per song) 90,000 notes total (all songs) n/a (dependent on memory device)
Changes recorded
& played back
All changes All changes except:
Tempo
Dual/Split balance
Reverb/Eect settings*
Virtual Technician settings*
All changes
Overdubbing possible No Yes Yes
MPEG Layer-3 audio coding technology licensed from Fraunhofer IIS and Thomson.
* In Sound mode, the current Reverb, Eects, and Virtual Technician settings will be used when the internal recorder song is played back.
Record Start/Stop button
The Record Start/Stop button (Pianist mode and Sound mode) provides a quick way to start and stop recording without opening the
main Recorder bar settings.
1. Tap the [Record Start/Stop] button.
The Recorder will enter Standby mode.
* Press and hold the [Record Start/Stop] button to cancel the Standby
mode.
2. Press a key on the keyboard, or tap the [Record Start/Stop]
button again.
The [Record Start/Stop] button will change colour, and the
recording will start.
* Press the [Metronome Start/Stop] button before or during the
recording to turn on the metronome. The metronome click sound
will not be recorded.
3. Tap the [Record Start/Stop] button again to stop the recording.
40
Recorder
Song Recorder (Internal memory)
1
Recording a song: Pianist mode
In Pianist mode, the CA98/CA78 digital piano allows up to 3 dierent songs to be recorded, stored in internal
memory, and immediately played back.
Recorder bar
Tap the Recorder bar to expand the Recorder.
a Recorder bar
Tap to close the Recorder settings.
b Recorder menu
Tap to open the Recorder menu.
c Recorder mode
Tap to select whether the Recorder should record to internal
memory or USB memory.
* If a USB memory device is connected to the CA98/CA78 digital
piano, USB Audio mode will be selected automatically.
If a USB memory device is not connected, this setting will not be
shown, and the Internal recorder mode will be used.
d Song memory selection
Swipe left/right or tap the arrow buttons to change the song
memory to be used for recording.
* In Pianist mode, up to 3 songs can be recorded.
e Play/Stop button
Tap to Play/Stop the currently selected song.
f Record Start/Stop button
Tap to place the Recorder in Standby, then tap again to Start/
Stop recording.
g Metronome bar
Tap to open the Metronome settings and/or Start/Stop the
metronome.
Selecting the song memory
Swipe the song memory left/right or tap the arrow buttons to
change the song memory to be used for recording.
* In Pianist mode, up to 3 songs can be recorded.
b
c
d
e
f
g
a
Song memory selection
41
Recorder
Song Recorder (Internal memory)
Recording a song
1. Tap the [Record Start/Stop] button.
The Recorder will enter Standby mode.
* Press and hold the [Record Start/Stop] button to cancel the Standby
mode.
2. Press a key on the keyboard, or tap the [Record Start/Stop]
button again.
The [Record Start/Stop] button will change colour, and the
recording will start.
* Press the [Metronome Start/Stop] button before or during the
recording to turn on the metronome. The metronome click sound
will not be recorded.
3. Tap the [Record Start/Stop] button again to stop the recording.
* In Pianist mode, the maximum internal recording capacity is
approximately 10 minutes per song memory.
* If the maximum recording capacity is reached during recording, the
recorder will stop automatically.
* Recorder songs will remain in memory after the power is turned o.
* During recording, it will not be possible to select Sound mode.
* Recording to a song memory that has already been recorded to, will
result in that song being overwritten.
Playing the song
1. Tap the [Play/Stop] button.
The previously recorded song will start to play.
Record Start/Stop button
Play/Stop button
42
Recorder
Song Recorder (Internal memory)
2. Tap the [Play/Stop] button again to stop playback.
* For more information about playing back Recorder songs, please
refer to page 69.
Erasing the song
1. Tap the [Menu] button.
The Pianist mode internal recorder menu will be shown.
2. Tap [Erase Song].
A conrmation box will be shown.
3. Tap the [Yes] button to erase the song, or the [No] button to
cancel.
Menu button
43
Recorder
Song Recorder (Internal memory)
2
Recording a song: Sound mode
In Sound mode, the CA98/CA78 digital piano allows up to 10 dierent songs to be recorded, stored in internal
memory, and immediately played back. In addition, each song can consist of two separate tracks – referred to as
‘parts’ – that can be recorded and played back independently. This allows the left-hand part of a song to be recorded
rst on one track, and the right-hand part to be recorded later on the other track.
Recorder bar
Tap the Recorder bar to expand the Recorder.
a Recorder bar
Tap to close the Recorder settings.
b Recorder menu
Tap to open the Recorder menu.
c Recorder mode
Tap to select whether the Recorder should record to internal
memory or USB memory.
* If a USB memory device is connected to the CA98/CA78 digital
piano, USB Audio mode will be selected automatically.
If a USB memory device is not connected, this setting will not be
shown, and the Internal recorder mode will be used.
d Song memory selection
Swipe left/right or tap the arrow buttons to change the song
memory to be used for recording.
* In Sound mode, up to 10 songs can be recorded.
e Play/Stop button
Tap to Play/Stop the currently selected song.
f Part record selection button
Tap to select which part (part 1 or part 2) of the song to record.
When a part is selected for recording, the circle will turn red.
g Part playback selection button
Tap to select which part (part 1 or part 2) of the song to playback.
Part has not been recorded to.
Part has been recorded, and is enabled for playback.
Part has been recorded, but is not enabled for playback.
h Record Start/Stop button
Tap to place the Recorder in Standby, then tap again to Start/
Stop recording.
i Metronome bar /
Metronome Start/Stop button
Tap to open the Metronome settings and/or Start/Stop the
metronome.
b
c
d
e
h
i
a
f
g
44
Recorder
Song Recorder (Internal memory)
Selecting the song memory and part
1. Swipe the song memory left/right or tap the arrow buttons to
change the song memory to be used for recording.
* In Sound mode, up to 10 songs can be recorded.
2. Tap the circle button to the left of the [01] button to select
part1 for recording.
* The circle will turn red to indicate that this part will be recorded to.
* If a part has already been recorded to, the part button will be lled
blue or white.
Recording the song (part1)
1. Tap the [Record Start/Stop] button.
The Recorder will enter Standby mode.
* Press and hold the [Record Start/Stop] button to cancel the Standby
mode.
2. Press a key on the keyboard, or tap the [Record Start/Stop]
button again.
The [Record Start/Stop] button will change colour, and the
recording will start.
* Press the [Metronome Start/Stop] button before or during the
recording to turn on the metronome. The metronome click sound
will not be recorded.
Song memory selection
Part1 selected for
recording
Recorder button
45
Recorder
Song Recorder (Internal memory)
3. Tap the [Record Start/Stop] button again to stop the recording.
The selected [01] button will change colour (blue) to indicate
that part1 has been recorded to.
* In Sound mode, the maximum internal recording capacity is
approximately 90,000 notes, with button and pedal presses also
counted as one note.
* If the maximum recording capacity is reached during recording, the
recorder will stop automatically.
* Recorder songs will remain in memory after the power is turned o.
* During recording, it will not be possible to select Pianist mode.
* Recording to a part that has already been recorded to, will result in that
part being overwritten.
Playing the song (part1)
1. Tap the [Play/Stop] button.
The previously recorded part1 of the song will start to play.
2. Tap the [Play/Stop] button again to stop playback.
* For more information about playing back Recorder songs, please
refer to page 69.
Part recorded
Play/Stop button
46
Recorder
Song Recorder (Internal memory)
Recording the song (part2)
1. Tap the circle button to the right of the [02] button to select
part2 for recording.
* The circle will turn red to indicate that this part will be recorded to.
2. Tap the [Record Start/Stop] button.
The Recorder will enter Standby mode.
* Press and hold the [Record Start/Stop] button to cancel the Standby
mode.
3. Press a key on the keyboard, or tap the [Record Start/Stop]
button again.
The [Record Start/Stop] button will change colour, and the
recording will start.
The previously recorded part1 will also be played.
4. Tap the [Record Start/Stop] button again to stop the recording.
The selected [02] button will change colour (blue) to indicate
that part2 has been recorded to.
Part2 selected for
recording
Recorder button
Part recorded
47
Recorder
Song Recorder (Internal memory)
Playing the song (part2)
1. Tap the [Play/Stop] button.
The previously recorded part1 and part2 of the song will start
to play simultaneously.
2. Tap the [Play/Stop] button again to stop playback.
* For more information about playing back Recorder songs, please
refer to page 69.
3. Tap the [01] button.
The [01] button will change colour (white) to indicate that
part1 has been recorded to, but is not enabled for playback.
4. Tap the [Play/Stop] button.
The previously recorded part2 of the song will start to play,
with part1 muted.
Play/Stop button
48
Recorder
Song Recorder (Internal memory)
Erasing the song/part
1. Tap the [Menu] button.
The Sound mode internal recorder menu will be shown.
2. Tap [Erase Song] or [Erase Song Part1/Part2].
A conrmation box will be shown.
3. Tap the [Yes] button to erase the song/part, or the [No] button
to cancel
Menu button
Yes/No button
49
Recorder
Audio Recorder (USB memory)
1
Recording an audio le: Pianist and Sound mode
The CA98/CA78 digital piano is also capable of recording performances as digital audio – saving the data to a USB
memory device in either MP3 or WAV format. This useful function allows professional quality recordings to be
produced directly on the instrument – without the need for additional sound equipment – then emailed to friends
and family, listened to away from the instrument, or edited and remixed further using an audio workstation.
In addition, the LINE IN audio and Bluetooth Audio (if connected) will also be mixed and recorded to the MP3/WAV
audio le.
* If a USB memory device is connected to the CA98/CA78 digital piano, USB Audio mode will be selected automatically.
Recorder bar
Tap the Recorder bar to expand the Recorder.
a Recorder bar
Tap to close the Recorder settings.
b Recorder menu
Tap to open the Recorder menu.
c Recorder mode
Tap to select whether the Recorder should record to internal
memory or USB memory.
* If a USB memory device is connected to the CA98/CA78 digital
piano, USB Audio mode will be selected automatically.
If a USB memory device is not connected, this setting will not be
shown, and the Internal recorder mode will be used.
d Audio lename
Indicates the lename of the recorded audio le.
* ‘New Song 01’ will be used as the default name for the recorded
audio le, with the number increasing automatically.
e Play/Stop button
Tap to Play/Stop the current audio le.
f Record Start/Stop button
Tap to place the Recorder in Standby, then tap again to Start/
Stop recording.
g Metronome bar /
Metronome Start/Stop button
Tap to open the Metronome settings and/or Start/Stop the
metronome.
c
e
d
a
b
f
g
50
Recorder
Audio Recorder (USB memory)
USB memory recorder menu
Tap the [Menu] button to show the USB memory recorder menu.
a Format select
Tap the [MP3] or [WAV] buttons to select the desired audio
recorder le format.
* MP3 audio les require less storage space than WAV audio les.
* MP3 audio les will be recorded at a bitrate of 256 kbit/s.
b Gain level
Long press and drag the slider to adjust the volume level (gain)
of the recording.
Increasing the gain level may be benecial when recording
quieter pieces of music.
* The gain setting can be adjusted within the range of 0 dB~+15 dB.
* Exercise caution when increasing the gain setting, as higher levels
may result in distorted recordings.
Recording a song
1. Tap the [Record Start/Stop] button.
The Recorder will enter Standby mode.
* Press and hold the [Record Start/Stop] button to cancel the Standby
mode.
2. Press a key on the keyboard, or tap the [Record Start/Stop]
button again.
The [Record Start/Stop] button will change colour, and the
recording will start.
The current recording time will also be shown in the LCD
display.
* Press the [Metronome Start/Start] button before or during the
recording to turn on the metronome. The metronome click sound
will not be recorded, however drum patterns will be recorded.
b
a
Recorder button
51
Recorder
Audio Recorder (USB memory)
3. Tap the [Record Start/Stop] button again to stop the recording.
A conrmation box will be shown prompting to save the le
to USB memory.
4. Tap [Yes], then enter the desired lename for the recorded
audio le using the onscreen keyboard.
* The recorded audio le will be saved in the root folder of the USB
memory device. It is not possible to save the le in a dierent folder.
* During recording, it will not be possible to alternate between
Pianist/Sound modes.
Playing the song
1. Tap the [Play/Stop] button.
The previously recorded song will start to play.
2. Tap the [Play/Stop] button again to stop playback.
* For more information about playing back Recorder songs, please
refer to page 69.
Play/Stop button
About the Music Screen
52
Music Screen
About the Music Screen
The Music screen provides access to the CA98/CA78 digital pianos broad selection of built-in demonstration
songs, piano music pieces, and classical and contemporary lesson books. This screen is also used to access the
Concert Magic function, to playback recorder songs stored in internal memory, and WAV/MP3 audio les saved to a
connected USB memory device.
Tap the [Music] button to show the Music screen.
Music screen
a Demo Songs
Tap to enter the Demo Songs function.
This function will play back demo songs for many of the Sound
mode instrument sounds.
b Piano Music
Tap to enter the Piano Music function.
This function will play back a selection of classical music pieces
using the Shigeru Kawai SK-EX grand piano sound.
c Lesson Songs
Tap to enter the Lesson Songs function.
This function allows aspiring pianists to learn and practise the
piano using a selection of classical and contemporary lesson
books.
d Concert Magic
Tap to enter the Concert Magic function.
This function allows non-pianists to enjoy playing a selection of
pieces by tapping the keyboard with a steady rhythm
e Recorder Playback
Tap to enter the Recorder Playback function.
This function allows recorder songs stored in internal memory
to be played back.
f USB Memory Player
Tap to enter the USB Memory Player function.
This function allows audio les saved to a connected USB
memory device to be played back.
* This function will only be visible when a USB memory device is
connected to the CA98/CA78 digital piano.
Music button
a
b
c
d
e
f
53
Music Screen
Demo Songs
The Demo Songs function provides an excellent introduction to the varied capabilities of CA98/CA78 digital piano.
There are over 35 dierent demonstration songs available, highlighting the instrument’s rich selection of high
quality sounds and its power speaker system.
For a complete listing of demonstration songs, please refer to page 160 of this owners manual.
From the Music screen, tap [Demo Songs] to enter the function.
Demo Songs screen
a Back button
Tap to return to the Music screen.
b Demo songs list
Tap an instrument sound to select the demo song for playback.
Swipe up or down to scroll through the list of demo songs.
Demo Songs
b
a
Demo Songs
54
Music Screen
Selecting a demo song
Tap an instrument sound name to select the demo song for
playback.
The demo song playback screen will be shown, and the selected
song will begin to play.
Demo song playback screen
a Back button
Tap to return to the Demo Songs screen.
b Sound name
Displays the instrument sound name of the currently selected
demo song.
c Previous button
Tap to select the previous demo song for playback.
d Play/Stop button
Tap to Play/Stop the selected demo song.
e Next button
Tap to select the next demo song for playback.
* When the selected song has nished, the next demo song in the same
demo category will begin to play automatically. When all songs in the
category have been played, the rst song in another category selected
at random will be played automatically.
* While a song/piece is playing, selecting the Pianist or Sound modes
will cause playback to stop.
Demo songs list
b
c
d
e
a
55
Music Screen
Piano Music
In addition to the sound demonstration songs, the CA98/CA78 digital piano also features a selection of popular
classical piano works from the Baroque and Romantic periods. Notated scores are provided in the separate ‘Classical
Piano Collection book*, assisting the musical appreciation and study of each piece.
* Depending on market area.
For a complete listing of Piano Music pieces, please refer to the separate ‘Internal Song Lists’ booklet.
From the Music screen, tap [Piano Music] to enter the function.
Piano Music screen
a Back button
Tap to return to the Music screen.
b Piano Music pieces list
Tap a Piano Music title to select the piece for playback.
Swipe up or down to scroll through the list of Piano Music pieces.
Selecting a Piano Music piece
Tap a Piano Music piece to select the piece for playback.
The Piano Music playback screen will be shown, and the selected
piece will begin to play.
Piano Music
b
a
Piano Music pieces list
56
Music Screen
Piano Music
Piano Music playback screen
a Back button
Tap to return to the Piano Music songs screen.
b Piano Music menu button
Tap to open the Piano Music settings menu.
c Piece title
Displays the title of the currently selected Piano Music piece.
d Previous button
Tap to select the previous Piano Music piece for playback.
e Play/Stop button
Tap to Play/Stop the selected Piano Music piece.
f Next button
Tap to select the next Piano Music piece for playback.
* When the selected Piano Music piece has nished, the next piece will
begin to play automatically.
* While a song/piece is playing, selecting the Pianist or Sound modes
will cause playback to stop.
Piano Music settings menu
a Balance
Long press and drag the slider to adjust the volume balance
between the right-hand and left-hand parts of the selected
Piano Music piece.
* Availability of the Piano Music Balance function is dependent on
market location.
b Close Menu
Tap to close the menu and return to the Piano Music playback
screen.
c
d
e
f
a
b
a
b
57
Music Screen
Lesson Songs
The Lesson Songs function allows budding pianists to practice the piano using a selection of built-in song books and
nger exercises. The left and right-hand parts of each piece can be practiced separately, while the tempo can also be
adjusted to perfect dicult passages.
For a complete listing of the built-in lesson material, please refer to the separate ‘Internal Song Lists booklet.
From the Music screen, tap [Lesson Songs] to enter the function.
Built-in Lesson Song Books
Alfred Lesson Books Classical Lesson Books
Alfred’s Premier Piano Course Lesson 1A Burgmüller 25 (25 Etudes Faciles, Opus 100)
Alfred’s Premier Piano Course Lesson 1B Czerny 30 (Etudes de Mécanisme, Opus 849)
Alfred’s Basic Piano Library Lesson Book Level 1A Czerny 100 (Hundert Übungsstücke, Opus 139)
Alfred’s Basic Piano Library Lesson Book Level 1B Beyer 106 (Vorschule im Klavierspiel, Opus 101)
Alfred’s Basic Adult Piano Course Lesson Book Level 1 J.S. Bach: Inventionen
* Lesson books sold separately – please refer to the separate ‘Internal
Song Lists’ booklet for more information.
Sonatinen Album 1
Chopin Walzer (Chopin waltzes series 1-19)
Chopin Etüden (Opus 10 Urtext)
Finger exercises (scales, arpeggios, chords)
Lesson Songs
58
Music Screen
Lesson Songs
Lesson Song screen
a Back button
Tap to return to the Music screen.
b Lesson Song book list
Tap a lesson song book to select the book for practise.
Swipe up or down to scroll through the list of lesson song books.
Selecting a lesson book and song/piece
1. Tap a lesson song book to select the book.
A list of songs/pieces from the selected lesson book will be
shown.
2. Tap a lesson song/piece to select the song/piece for practice.
The Lesson Song playback screen will be shown.
b
a
Lesson Song book list
59
Music Screen
Lesson Songs
Lesson Song playback screen
a Back button
Tap to return to the Lesson Song book screen.
b Lesson Song menu button
Tap to open the Lesson Song settings menu.
c Song/Piece title
Displays the title of the currently selected lesson song/piece.
d Bar/Beat indicator
Displays the bar and beat of the currently playing lesson song/
piece.
Swipe left or right to adjust the playback position.
e Playback mode button
Tap to change the playback mode.
* For more information about Lesson Song playback modes, please
refer to the explanation below.
f Previous button
Tap to select the previous lesson song/piece.
g Play/Stop button
Tap to Play/Stop the selected lesson song/piece.
h Next button
Tap to select the next lesson song/piece.
i A-B Repeat button
Repeat a section of the selected lesson song/piece between
points A and B.
Tap to set the A (start) and B (end) points of the phrase to be
repeated.
* Tap the A-B button for a third time to turn o the A-B repeat
function.
j Metronome bar /
Metronome Start/Stop button
Tap to open the Metronome settings and/or Start/Stop the
metronome.
* While a song/piece is playing, selecting the Pianist or Sound modes
will cause playback to stop.
b
d
j
c
a
e f g h
i
60
Music Screen
Lesson Songs
Lesson Song settings menu
a Balance
Long press and drag the slider to adjust the volume balance
between the right-hand and left-hand parts of the selected
lesson song/piece.
b Close Menu
Tap to close the menu and return to the Lesson Song playback
screen.
Playing the selected lesson song/piece
1. Tap the [Play/Stop] button.
Following a 1 bar count-in, the lesson song/piece will start to
play.
The bar/beat indicator will scroll to indicate the current
playing position.
2. Swipe the bar/beat indicator left or right to adjust the
playback position.
3. Tap the [Play/Stop] button.
The lesson song/piece will stop playing.
4. Tap the [Play/Stop] button again.
The lesson song/piece will resume playback from 2 bars
before the stop position.
* While a song/piece is playing, selecting the Pianist or Sound modes
will cause playback to stop.
a
b
Play/Stop button
Bar/beat indicator
61
Music Screen
Lesson Songs
Changing the lesson song playback mode
Tap the playback mode button to change the lesson song
playback mode.
Play the selected song/piece once, then stop.
Play the selected song/piece repeatedly.
Play the selected song/piece, then play other songs from
the current lesson book in order.
Play the selected song/piece, then play another song from
the current lesson book at random.
Repeating a section of the lesson song/piece (A-B Repeat)
The A-B Repeat function allows sections of the selected lesson song/piece to be looped’ between two points in order to practise
dicult passages continuously.
While the lesson song/piece is playing:
1. Tap the [A-B Repeat] button to specify the start point of the
loop.
An A’ symbol will appear above the button.
2. Tap the [A-B Repeat] button again to specify the end point of
the loop.
A ‘B symbol will appear above the button, and the dened
section will be repeated continuously.
* The repeat will begin two measures before the dened A point.
3. Tap the [A-B Repeat] button again to cancel the repeat
function.
The lesson song/piece will resume normal playback.
Playback mode button
A-B Repeat button:
(start point of loop)
A-B Repeat button:
(end point of loop)
Lesson Songs
62
Music Screen
Adjusting the lesson song/piece playback tempo
It is possible to adjust the playback tempo of the current lesson song/piece, allowing dicult passages to be practised more
conveniently.
1. Tap the [Open Metronome] button to expand the Metronome
bar.
2. Swipe each digit up/down or tap the arrow buttons to adjust
the lesson song/piece playback tempo.
* It is also possible to turn the metronome on/o to assist with timing.
Adjusting the lesson song balance
It is also possible to adjust the volume balance between the right-hand and left-hand parts of the current lesson song/piece, allowing
each hand to be practiced separately.
While the lesson song/piece is playing:
1. Tap the [Menu] button to show Lesson Song menu.
2. Long press and drag the Balance slider to the left-most
position (9-1).
The right-hand part of the selected lesson song/piece will be
muted, allowing this part to be practiced.
3. Long press and drag the Balance slider to the right-most
position (1-9).
The left-hand part of the selected lesson song/piece will be
muted, allowing this part to be practiced.
* If the Beyer lesson book is selected, increasing the left-hand value will
decrease the volume of the student’s part, while increasing the right-
hand value will decrease the volume of the teacher’s part.
Open metronome button
Tempo selection
Metronome Start/Stop
Balance slider
63
Music Screen
Concert Magic
The Concert Magic function allows complete beginners to enjoy playing the piano by simply selecting one of the
176 pre-programmed songs, then tapping the keyboard with a steady rhythm and tempo.
For a complete listing of available Concert Magic songs, please refer to the separate ‘Internal Song Lists’ booklet..
From the Music screen, tap [Concert Magic] to enter the function.
Concert Magic screen
a Back button
Tap to return to the Music screen.
b Concert Magic category list
Tap a category to show the available Concert Magic songs in
that category.
Swipe up or down to scroll through the list of categories.
Selecting a Concert Magic category and song
1. Tap a Concert Magic category.
A list of songs from the selected category will be shown.
2. Tap a song to select the song for playback/performance.
The Concert Magic playback screen will be shown.
Concert Magic
b
a
Concert Magic category
list
64
Music Screen
Concert Magic
Concert Magic playback screen
a Back button
Tap to return to the Concert Magic categories screen.
b Concert Magic menu button
Tap to open the Concert Magic settings menu.
c Song title
Displays the title of the currently selected Concert Magic song.
d Playback mode button
Tap to change the playback mode.
* For more information about Concert Magic playback modes,
please refer to the explanation below.
e Previous button
Tap to select the previous Concert Magic song.
f Play/Stop button
Tap to Play/Stop the selected Concert Magic song.
g Next button
Tap to select the next Concert Magic song.
h Performance mode button
Tap to change the Concert Magic performance mode between
‘Normal’ and ‘Steady Beat’ modes.
* For more information about Concert Magic performance modes,
please refer to the explanation below.
* While a song/piece is playing, selecting the Pianist or Sound modes
will cause playback to stop.
Concert Magic settings menu
a Balance
Long press and drag the slider to adjust the volume balance
between the right-hand and left-hand parts of the selected
Concert Magic song.
b Tempo
Swipe each digit up/down or tap the arrow buttons to adjust the
Concert Magic song playback tempo.
c Close Menu
Tap to close the menu and return to the Concert Magic playback
screen.
b
c
a
d e f g
h
b
a
c
65
Music Screen
Concert Magic
1
Concert Magic song playback
The Concert Magic playback function allows the currently selected song to be played automatically, without pressing
the keyboard.
Playing the selected Concert Magic song
1. Tap the [Play/Stop] button.
The selected Concert Magic song will start to play.
2. Tap the [Play/Stop] button.
The Concert Magic song will stop playing.
* While a song/piece is playing, selecting the Pianist or Sound modes
will cause playback to stop.
Changing the Concert Magic playback mode
Tap the playback mode button to change the Concert Magic
playback mode.
Play the selected song repeatedly.
Play the selected song, then play other songs from the
current category in order.
Play the selected song, then play another song from the
current song group at random.
Adjusting the Concert Magic song playback tempo
It is possible to adjust the playback tempo of the current Concert Magic song.
1. Tap the [Menu] button to show the Concert Magic settings
menu.
2. Swipe each digit up/down or tap the arrow buttons to adjust
the Concert Magic song playback tempo.
Play/Stop button
Playback mode button
Tempo
66
Music Screen
Concert Magic
Adjusting the Concert Magic song balance
It is also possible to adjust the volume balance between the right-hand and left-hand parts of the current Concert Magic song,
allowing each hand to be practiced separately when using the playback function.
1. Tap the [Menu] button to show the Concert Magic settings
menu.
2. Long press and drag the Balance slider to the left-most
position (9-1).
The right-hand part of the selected Concert Magic song will
be muted, allowing this part to be practiced.
3. Long press and drag the Balance slider to the right-most
position (1-9).
The left-hand part of the selected Concert Magic song will be
muted, allowing this part to be practiced.
Balance slider
67
Music Screen
Concert Magic
2
Concert Magic song performance
Concert Magic performance function allows the currently selected song to be performed by pressing the keys with
a steady rhythm and tempo.
Concert Magic songs are divided into three dierent arrangement types, each requiring a dierent level of skill to
be performed correctly.
* The Concert Magic arrangement type is for each song is indicated in the ‘Internal Song Lists’ booklet as ‘EB’, ‘MP’, or ‘SK’.
Easy Beat EB
These are the easiest songs to play. To perform them, simply tap out a constant steady beat on any key on the keyboard.
The following example shows the notated score for ‘Für Elise’, indicating that a constant, steady rhythm should be maintained
throughout the song. This is the distinguishing characteristic of an Easy Beat song.
Key on: X X X X X X X X X XX X X X X X X X X X
Melody Play MP
These songs are also relatively easy to play, especially if they are familiar to the player. To perform them, tap out the rhythm of the
melody on any key of the keyboard. Singing along as the rhythm is tapped can be helpful.
The following example shows the notated score for Twinkle, Twinkle, Little Star’.
* When performing fast Concert Magic songs, it may be easier to tap dierent keys with two alternating ngers in order to play at a greater speed.
Key on: X X X X X X X X X X X X X X
Skillful SK
These songs range in diculty from moderately dicult to dicult. To perform them, tap out the rhythm of both the melody and
the accompaniment notes on any key of the keyboard. The Note Navigator will be very helpful when playing the Skillful type songs.
The following example shows the notated score for Waltz of the Flowers’.
Key on X X X X X X X X X X X X X
Concert Magic
68
Music Screen
Performing the selected Concert Magic song
Press a key on the keyboard.
The song will advance with every key that is pressed. Pressing
the keys gently will produce a soft sound, while pressing heavily
will produce a loud sound.
Changing the Concert Magic performance mode
Tap the [Performance Mode] button to change the Concert
Magic performance mode.
Perform the selected Concert Magic song by tapping any
key, following the song arrangement type.
Perform the selected Concert Magic song by tapping any
key with a constant steady beat, regardless of the song
arrangement type. Performance mode
button
69
Music Screen
Recorder Playback
The Recorder Playback function is used to playback songs that have been recorded to the instruments internal
memory using Pianist mode or Sound mode.
For more information about the internal song recorder, please refer to page 40.
From the Music screen, tap [Recorder Playback] to enter the
function.
Recorder Playback song selection screen
a Back button
Tap to return to the Music screen.
b Recorder Playback song list
Lists the songs that have been recorded to internal memory.
Tap a song to select it for playback.
Swipe up or down to scroll through the list of internal recorder
songs.
The Recorder Playback playback screen will be shown.
Recorder Playback
b
a
70
Music Screen
Recorder Playback
Recorder Playback playback screen
a Back button
Tap to return to the Recorder Playback song selection screen.
b Recorder Playback menu button
Tap to open the Recorder Playback settings menu.
c Song title
Displays the title of the currently selected internal recorder song.
d Position bar
Displays the current playback position of the selected internal
recorder song.
e Previous button
Tap to select the previous internal recorder song.
f Play/Stop button
Tap to Play/Stop the selected internal recorder song.
g Next button
Tap to select the next internal recorder song.
h Overdubbing bar /
Overdubbing Start/Stop button
Tap to open the Overdubbing settings and/or Start/Stop the
Overdubbing function.
* This function will only be visible when a USB memory device is
connected to the CA98/CA78 digital piano, and a Sound song is
selected.
* For more information about the Overdubbing function, please
refer to page 78.
i Metronome bar /
Metronome Start/Stop button
Tap to open the Metronome settings and/or Start/Stop the
metronome.
* For more information about the Metronome function, please refer
to page 36.
* While a song/piece is playing, selecting the Pianist or Sound modes
will cause playback to stop.
b
d
h
i
c
e f g
a
71
Music Screen
Recorder Playback
Recorder Playback settings menu
a Part Select
Swipe left/right or tap the arrow buttons to select the part(s) of
the song to be played back.
* This setting applies to internal songs recorded in Sound mode only.
b Song Transpose
Long press and drag the slider to adjust the playback pitch of
the currently selected internal song in semi-tone steps.
* This setting applies to internal songs recorded in Sound mode only.
c Save to USB (INT)
Tap to save the currently selected internal song to USB memory
in Kawai internal (KSO) format.
* This function applies to internal songs recorded in Sound mode
only.
d Save to USB (SMF)
Tap to save the currently selected internal song to USB memory
in Standard MIDI File (SMF) format.
* This function applies to internal songs recorded in Sound mode
only.
e Load Song from USB
Tap to load a Kawai KSO format song saved to a USB memory
device into one of the instrument’s internal song memories.
f Erase Song
Tap to erase the currently selected recorder song from internal
memory.
g Erase All Songs
Tap to erase all recorded songs from internal memory.
h Close Menu
Tap to close the menu and return to the Recorder Playback
playback screen.
* The Save/Load functions will only be visible when a USB memory
device is connected to the CA98/CA78 digital piano.
Playing the selected internal recorder song
1. Tap the [Play/Stop] button.
The selected internal recorder song will start to play.
2. Tap the [Play/Stop] button.
The selected internal recorder song will stop playing.
* While a song/piece is playing, selecting the Pianist or Sound modes
will cause playback to stop.
g
f
e
b
c
d
a
h
Play/Stop button
72
Music Screen
Recorder Playback
Playing/muting parts of the song
When playing songs recorded in Sound mode, this setting allows the playback part to be changed.
1. Tap the [Menu] button to show Recorder Playback settings
menu.
2. Swipe left/right or tap the arrow buttons to select which
part(s) of the song to be played back.
* This setting applies to internal songs recorded in Sound mode only.
Transposing the song
When playing songs recorded in Sound mode, this setting allows the playback pitch to be changed.
1. Tap the [Menu] button to show Recorder Playback settings
menu.
2. Long press and drag the slider to adjust the playback pitch of
the currently selected internal song in semi-tone steps.
* This setting applies to internal songs recorded in Sound mode only.
Saving the song to USB memory
When playing songs recorded in Sound mode, these functions allow the currently selected song to be saved to USB memory in
internal Kawai (KSO) or Standard MIDI File (SMF) formats.
1. Tap the [Menu] button to show Recorder Playback settings
menu.
2. Tap [Save to USB (INT)] or [Save to USB (SMF)] functions save
the currently selected song in internal or SMF formats.
A lename input screen will appear.
3. Enter the desired lename for the saved song using the
onscreen keyboard, then tap the enter key to conrm the
save.
* The lename length is limited to 12 characters.
* These functions apply to internal songs recorded in Sound mode only.
* These functions will only be visible when a USB memory device is
connected to the CA98/CA78 digital piano.
Part Select
Song Transpose slider
Save to USB
73
Music Screen
Recorder Playback
Loading a song into internal memory
This function allows CA98/CA78 recorder songs (KSO format) stored on a USB memory device to be loaded into the instrument’s
internal memory.
1. Tap the [Menu] button to show Recorder Playback settings
menu.
2. Tap the [Load Song to USB] function.
The internal song memory list will be shown (10 memories).
3. Tap the internal song memory for the song to be loaded into.
A list of les and folders stored on the USB memory device will
be shown.
4. Tap the lename of the song to be loaded into the selected
internal memory.
A conrmation box will be shown.
5. Tap the [Yes] button to load the song into the selected internal
memory, or the [No] button to cancel.
It should now be possible to play the loaded song via the
playback screen.
* This function applies to internal songs recorded in Sound mode only.
* This function will only be visible when a USB memory device is
connected to the CA98/CA78 digital piano.
Load Song to USB
Internal recorder song list
‘Yes’ button
Recorder Playback
74
Music Screen
Erasing the song
This function allows the current internal recorder song to be erased from memory.
1. Tap the [Menu] button to show Recorder Playback settings
menu.
2. Tap [Erase Song].
A conrmation box will be shown.
3. Tap the [Yes] button to erase the song, or the [No] button to
cancel.
Erasing all songs
This function allows all recorder songs to be erased from internal memory.
1. Tap the [Menu] button to show Recorder Playback settings
menu.
2. Tap [Erase All Songs].
A conrmation box will be shown.
3. Tap the [Yes] button to erase all of the recorder songs stored
in internal memory, or the [No] button to cancel..
Erase Song
‘Yes’ button
Erase All Songs
‘Yes’ button
75
Music Screen
USB Memory Player
The USB Memory Player function is used to playback songs and audio les stored on a USB memory device. This
function is particularly useful when attempting to learn the chords or melody to a new piece, or to simply play along
with one’s favorite song.
* This function will only be visible when a USB memory device is connected to the CA98/CA78 digital piano.
From the Music screen, tap [USB Memory Player] to enter the
function.
USB Memory Player supported formats
Song KSO Kawai Song le
SMF Format 0, Format 1
Audio MP3 32 kHz/44.1 kHz/48 kHz, Mono/Stereo, 8-320 kbit/s (xed & variable)
WAV 32 kHz/44.1 kHz/48 kHz, Mono/Stereo, 16 bit
USB Memory Player song selection screen
a Back button
Tap to return to the Music screen.
b USB Memory le list
Lists the song and audio les stored on the connected USB
memory device.
Tap a folder to enter that folder, or tap a song/audio le to select
it for playback.
Swipe up or down to scroll through the list of song/audio les.
The USB Memory Player playback screen will be shown.
USB Memory Player
a
b
76
Music Screen
USB Memory Player
USB Memory Player playback screen
a Back button
Tap to return to the USB Memory Player song selection screen.
b USB Memory Player menu button
Tap to open the USB Memory Player settings menu.
c Song/Audio le title
Displays the title of the currently selected song/audio le.
d Position bar
Displays the current playback position of the selected song/
audio le.
e Playback mode button
Tap to change the playback mode.
* For more information about USB Memory Player playback modes,
please refer to the explanation below.
f Previous button
Tap to select the previous song/audio le in the folder.
g Play/Stop button
Tap to Play/Stop the selected song/audio le.
h Next button
Tap to select the next song/audio le in the folder.
i A-B Repeat button
Repeat a section of the selected song/audio le between points
A and B.
Tap to set the A (start) and B (end) points of the phrase to be
repeated.
* Tap the A-B button for a third time to turn o the A-B repeat
function.
j Overdubbing bar /
Overdubbing Start/Stop button
Tap to open the Overdubbing settings and/or Start/Stop the
Overdubbing function.
* For more information about the Overdubbing function, please
refer to page 78.
k Metronome bar /
Metronome Start/Stop button
Tap to open the Metronome settings and/or Start/Stop the
metronome.
* For more information about the Metronome function, please refer
to page 36.
* While a song/audio le is playing, selecting the Pianist or Sound modes
will cause playback to stop.
b
i
d
j
k
c
a
fe g h
77
Music Screen
USB Memory Player
Playing the selected song/audio le
1. Tap the [Play/Stop] button.
The selected song/audio le will start to play.
The position bar will indicate the current playing position.
2. Tap the [Play/Stop] button.
The song/audio le will stop playing.
3. Tap the [Play/Stop] button again.
The song/audio will start to play once again, from the
beginning.
* While a song/audio le is playing, selecting the Pianist or Sound modes
will cause playback to stop.
Changing the song/audio le playback mode
Tap the [Playback Mode] button to change the song/audio le
playback mode.
Play the selected song/audio le once, then stop.
Play the selected song/audio repeatedly.
Play the selected song/audio, then play other les stored in
the same folder in order.
Play the selected song/piece, then play other les stored in
the same folder at random.
Repeating a section of the song/audio le (A-B Repeat)
The A-B Repeat function allows sections of the selected song/audio le to be ‘looped’ between two points in order to hear the same
passage continuously.
While the song/audio le is playing:
1. Tap the [A-B Repeat] button to specify the start point of the
loop.
An A’ symbol will appear above the button.
Play/Stop button
Playback mode button
A-B Repeat button:
(start point of loop)
78
Music Screen
USB Memory Player
2. Tap the [A-B Repeat] button again to specify the end point of
the loop.
A ‘B symbol will appear above the button, and the dened
section will be repeated continuously.
3. Tap the [A-B Repeat] button again to cancel the repeat
function.
The song/audio le will resume normal playback.
Overdubbing a song/audio le
The Overdubbing function allows the selected audio le to be recorded to a separate MP3/WAV audio le, while also recording any
notes played. This function can also be used to convert a song recorded to internal memory in Sound mode, or a song loaded from
USB memory, to an MP3/WAV audio le. In addition, the LINE IN audio and Bluetooth Audio (if connected) will also be mixed and
recorded to the MP3/WAV audio le.
* This function will only be visible when a USB memory device is connected to the CA98/CA78 digital piano.
1. Tap the [Overdubbing Start/Stop] button.
The Overdubbing function will enter Standby mode.
* Press and hold the [Overdubbing Start/Stop] button to cancel the
Standby mode.
2. Press a key on the keyboard, or tap the [Overdubbing Start/
Stop] button again.
The [Overdubbing Start/Stop] button will change colour, and
the overdubbing will start.
A-B Repeat button
Overdubbing Start/Stop
button
Overdubbing Start/Stop
button
79
Music Screen
USB Memory Player
3. Tap the [Overdubbing Start/Stop] button again to stop the
overdubbing.
A conrmation box will be shown prompting to save the le
to USB memory.
4. Tap [Yes], then enter the desired lename for the overdubbed
audio le using the onscreen keyboard.
* The overdubbed audio le will be saved in the root folder of the USB
memory device. It is not possible to save the le in a dierent folder.
* During overdubbing, it will not be possible to alternate between
Pianist/Sound modes.
USB Memory Player settings menu
a Play Volume
Long press and drag the slider to adjust the playback volume of
the currently selected song/audio le.
b Song Transpose
Long press and drag the slider to adjust the playback pitch of
the currently selected song/audio le.
* This setting applies to KSO/SMF songs only.
c Close Menu
Tap to close the menu and return to the USB Memory Player
playback screen.
Overdubbing Start/Stop
button
b
a
c
USB Memory Player
80
Music Screen
Adjusting the volume of the song/audio le.
This setting allows the volume of the song/audio le to be adjusted.
1. Tap the [Menu] button to show USB Memory Player settings
menu.
2. Long press and drag the slider to adjust the playback volume
of the currently selected song/audio le.
Transposing the song le
This setting allows the playback pitch of the song le to be changed.
1. Tap the [Menu] button to show USB Memory Player settings
menu.
2. Long press and drag the slider to adjust the playback pitch of
the currently selected song/audio le.
* This setting applies to KSO/SMF songs only.
Play Volume slider
Song Transpose slider
81
Favorite Screen
About the Favorite Screen
The Favorite function allows the current instrument setup (sound selections, split point, reverb and eect settings,
and various other panel options) to be stored to a memory and immediately recalled with a single tap. The Favorite
screen displays 4 memories per page, with a maximum of 4 pages, allowing a total of 16 dierent Favorite memories
to be stored.
The Favorite screen is empty by default, but new Favorite memories can be added via the Pianist mode or Sound
mode menus. When created, each Favorite memory will store the settings listed below.
Tap the [Favorite] button to show the Favorite screen.
Functions and Settings stored to Favorite memories
Pianist Mode Metronome Settings
Rendering character Mode
Resonance depth Tempo
Ambience (type/depth) Time Signature/Rhythm
Volume
Sound Mode
Single: Sound Virtual Technician Settings
Dual: Sounds, Balance, Layer Octave Shift, Layer Dynamics Touch Curve (incl. User)
Split: Sounds, Balance, Lower Octave Shift, Lower Pedal, Split Point Voicing (incl. User)
4Hands: Sounds, Left Octave Shift, Right Octave Shift, Split Point Damper Resonance
Reverb (type/depth) Damper Noise
Eects (type/settings) String Resonance
Transpose Undamped String Resonance
Cabinet Resonance
Sound Settings Key-o Eect
Tuning Fall-back Noise
Damper Hold Hammer Delay
Tone Control Topboard Simulation
Decay Time
MIDI Settings Minimum Touch
MIDI Channel Stretch Tuning (incl. User)
Local Control Temperament (incl. User)
Transmit Program Change Numbers Temperament Key
Multi-timbral Mode Key Volume (incl. User)
Channel Mute Half-Pedal Adjust
Soft Pedal Depth
Favorite button
82
Favorite Screen
About the Favorite Screen
Favorite screen
a Menu button
Tap to open the Favorite settings menu.
b Page indicator
Indicates the current Favorite page, and how many Favorite
pages (1~4) are available.
c Favorite memory buttons
Tap to select the desired Favorite memory.
Swipe this area left/right to cycle through the available Favorite
pages.
* This area will be empty by default, but will become populated as
new Favorite memories are stored.
* Favorite memories stored in Pianist mode will be represented by a
piano icon, while Favorite memories stored in Sound mode will be
represented by a musical note icon.
d Recorder bar /
Record Start/Stop button
Tap to open the Recorder settings and/or Start/Stop the
recorder.
* For more information about the Recorder function, please refer to
page 39
e Metronome bar /
Metronome Start/Stop button
Tap to open the Metronome settings and/or Start/Stop the
metronome.
* For more information about the Metronome function, please refer
to page 36.
Favorite settings menu
a Startup with Favorite On/O
Tap to specify whether or not the instrument should startup
with the Favorite screen.
b Edit Favorite
Tap to show the Edit Favorite screen, used to delete or reposition
Favorite memories.
c Rename Selected Favorite
Tap to rename the selected Favorite memory.
a
e
d
c
b
a
b
c
83
Favorite Screen
About the Favorite Screen
1
Storing and Selecting Favorite memories
Storing a Favorite memory
The following procedure will store the current instrument settings to a Favorite memory.
1. In either Pianist or Sound mode, tap the [Menu] button to
show the modes menu.
2. Tap [Store to Favorite] at the bottom of the menu.
* In Sound mode, it may be necessary to scroll the screen in order to
see the ‘Store to Favorite’ function.
The Favorite Name screen will be shown.
3. Enter the desired name for the Favorite memory using the
onscreen keyboard, then tap the enter key to conrm the
store.
Pianist Mode Sound Mode
Menu button
Pianist Mode Sound Mode
Store to Favorite
84
Favorite Screen
About the Favorite Screen
Selecting a Favorite memory
The following procedure will select a previously stored Favorite memory.
1. Tap the [Favorite] button.
The Favorite screen will be shown.
* If a Favorite memory was selected previously, that memory will be
re-selected automatically.
2. Tap the desired Favorite memory.
The Favorite memory will be selected, and its settings will be
recalled.
If necessary, swipe the screen left/right to cycle through the
available Favorite pages.
Favorite button
Favorite memory buttons
85
Favorite Screen
About the Favorite Screen
2
Editing Favorite memories
Renaming a Favorite memory
The following procedure will rename the currently selected Favorite memory.
1. Tap the [Menu] button.
The Favorite settings menu will be shown.
2. Tap [Rename Selected Favorite].
The Favorite Name screen will be shown.
3. Enter the desired name for the Favorite memory using the
onscreen keyboard, then tap the enter key to conrm the
strore.
Menu button
Rename Selected Favorite
86
Favorite Screen
About the Favorite Screen
Deleting a Favorite memory
The following procedure allows Favorite memories to be deleted.
1. Tap the [Menu] button.
The Favorite settings menu will be shown.
2. Tap [Edit Favorite].
The Edit Favorite screen will be shown.
3. Tap the [X] icon in the top-left corner of a Favorite memory to
delete that memory.
If necessary, swipe the screen left/right to cycle through the
available Favorite pages.
4. Tap the [Back] button to exit the Edit Favorite screen and
return to the Favorite settings menu.
Menu button
Edit Favorite
[X] icon
Back button
87
Favorite Screen
About the Favorite Screen
Repositioning a Favorite memory
The following procedure allows a Favorite memory to be repositioned.
1. Tap the [Menu] button.
The Favorite settings menu will be shown.
2. Tap [Edit Favorite].
The Edit Favorite screen will be shown.
3. Long press a favorite memory, then drag the memory into the
desired position.
Release the nger to conrm the new Favorite memory
position.
* It is also possible move a memory onto another page, by dragging
the memory to the left of right edge of the screen.
4. Tap the [Back] button to exit the Edit Favorite screen and
return to the Favorite settings menu.
Menu button
Edit Favorite
Back button
About the Favorite Screen
88
Favorite Screen
Startup with Favorite function
When the Startup with Favorite function is enabled, the CA98/CA78 digital piano will show the Favorite screen when the instrument
is turned on, and will select the rst Favorite memory automatically.
1. Tap the [Menu] button.
The Favorite settings menu will be shown.
2. Tap the Startup with Favorite [ON/OFF] button to enable the
function.
The next time the instrument is turned on, the Favorite
screen will be shown, with the rst (top-left) Favorite memory
selected automatically.
* To startup with a dierent Favorite memory, follow the steps above to
reposition that memory to the rst position.
* To startup in Pianist mode, set the ‘Startup with Favorite function to
O.
Menu button
‘Startup with Favorite
On button
89
Settings
About Settings
The Pianist mode menu and Sound mode menu contain a variety of options to adjust the CA98/CA78 digital piano’s
operation and sound. These settings are grouped by category, providing convenient access to relevant controls.
The available settings will dier depending on whether Pianist mode or Sound mode is being used. Once adjusted,
settings can be stored to one of the instruments 16 Favorite memories for instant recall.
1
Pianist mode menu
The Pianist mode menu contains the following settings and functions.
Pianist mode settings and functions
Setting menu Description Available Settings Page no.
Ambience Adjust the sense of sound moving around in a virtual
room.
Type p. 90
Depth p. 90
Virtual Technician Adjust various characteristics of the simulated grand
piano sound.
Touch Curve p. 103
Voicing p. 105
Damper Noise p. 107
Fall-back Noise p. 112
Hammer Delay p. 113
Minimum Touch p. 115
Key Volume p. 121
Half-Pedal Adjust p. 123
Soft Pedal Depth p. 123
Save to Sound p. 102
Sound Settings Adjust settings related to the overall sound, such as the
volume of speakers, headphones, line inputs, etc.
Tone Control p. 126
Speaker Volume p. 128
Line In Level p. 129
Wall EQ (CA98 only) p. 130
SHS Mode p. 131
Phones Type p. 132
Phones Volume p. 133
System Settings Adjust settings related to the instrument’s operation,
such as Bluetooth and MIDI connectivity, USB
functions, LCD appearance, etc.
Bluetooth MIDI p. 135
Bluetooth Audio p. 136
Bluetooth Audio Volume p. 137
Rename File* p. 138
Delete File* p. 139
USB Format* p. 140
MIDI Channel p. 143
Send PGM# p. 144
Local Control p. 144
Transmit PGM# On/O p. 145
Multi-timbral Mode p. 146
Channel Mute p. 146
LCD Contrast p. 147
Auto Display O p. 147
Auto Power O p. 148
Factory Reset p. 149
* USB functions will only be visible when a USB memory device is connected to the CA98/CA78 digital piano.
90
Settings
About Settings
Pianist mode menu
a Ambience type (p. 90)
Swipe left/right or tap the arrow buttons to change the ambience
type used for the SK-EX Rendering piano sound engine.
Ambience refers to the sense of sound moving around in a
virtual room.
b Ambience depth (p. 90)
Long press and drag the slider to adjust the depth/strength of
the ambience.
c Pianist Demos (p. 91)
Tap to open the Pianist Demos screen, which performs pieces
that demonstrate the SK-EX Rendering piano sound engine.
d Virtual Technician (p. 99)
Tap to open the Virtual Technician menu.
This menu is used to adjust various characteristics of the
acoustic piano sound.
e Sound Settings (p. 124)
Tap to open the Sound Settings menu.
This menu is used to adjust various settings related to the overall
sound if the instrument.
f System Settings (p. 134)
Tap to open the System Settings menu.
This menu is used to adjust various system settings.
g Store to Favorite (p. 98)
Tap to store the current piano sound and associated settings to
a Favorite memory.
h Close Menu
Tap to close the menu and return to the Pianist mode screen.
Adjusting the Ambience Type and Depth
Ambience refers to the sense of sound moving around in a virtual room.
1. Swipe left/right or tap the arrow buttons to change the
ambience type used for the SK-EX Rendering piano sound
engine.
* The Ambience type can be set to one of 10 types, listed below.
2. Long press and drag the slider to adjust the depth/strength of
the ambience.
a
b
c
d
e
f
g
h
Ambience depth
Ambience type
91
Settings
About Settings
Ambience types
Ambience Type Description
Natural Simulates the ambience of a natural environment.
Small Room Simulates the ambience/reverberation of a small room.
Medium Room Simulates the ambience/reverberation of a medium-sized room.
Large Room Simulates the ambience/reverberation of a large room.
Studio Simulates the ambience/reverberation of a recording studio.
Wood Studio Simulates the ambience/reverberation of a wooden recording studio.
Mellow Lounge Simulates the soft ambience/reverberation of a lounge.
Bright Lounge Simulates the bright ambience/reverberation of a lounge.
Live Stage Simulates the ambience/reverberation of a live stage.
Echo Simulates the ambience/reverberation of an echo chamber.
About Pianist Demos screen
This screen contains pieces that demonstrate the SK-EX Rendering piano sound engine.
a Back button
Tap to return to the Pianist mode menu.
b Piece title
Displays the title of the current demo piece.
c Previous button
Tap to select the previous demo piece for playback.
d Play/Stop button
Tap to Play/Stop the selected demo piece.
e Next button
Tap to select the next demo piece for playback.
* When the selected demo piece has nished, the next piece will begin
to play automatically.
* While a demo piece is playing, tapping the Back button will cause
playback to stop.
a
b
c d e
92
Settings
About Settings
About Pianist Demos pieces
Piece name Composer
1 Polonaise in A-at major, Op. 53 Frédéric Chopin
2 Suite bergamasque - Prélude Claude Debussy
3 Turkish March Wolfgang Amadeus Mozart
Other Pianist mode menu settings
For information regarding the other Pianist mode menu settings, please refer to the pages below:
Virtual Technician: page 99
Sound Settings: page 124
System Settings: page 134
93
Settings
About Settings
2
Sound mode menu
The Sound mode menu contains the following settings and functions.
Sound mode settings and functions
Setting menu Description Available Settings Page no.
Reverb Adjust the acoustic environment of a virtual room. Type p. 96
Depth p. 96
Eects Adjust the tonal character of a sound by applying
various eects.
Type p. 97
Settings p. 97
Transpose Adjust the pitch of the keyboard in semi-tone steps. Key p. 98
Keyboard Settings
(not shown when Single
keyboard mode is
selected)
Adjust various settings related to the Dual, Split, and
4Hands keyboard modes.
Dual
Balance, Layer Octave Shift,
Layer Dynamics
p. 98
Split
Balance, Lower Octave Shift,
Lower Pedal, Split Point
p. 98
4Hands
Balance, Right Octave Shift,
Left Octave Shift, Split Point
p. 98
Virtual Technician Adjust various characteristics of the simulated grand
piano sound.
Virtual Technician Mode p. 99
Touch Curve p. 103
Voicing p. 105
Damper Resonance p. 107
Damper Noise p. 107
String Resonance p. 108
Undamped String Resonance p. 109
Cabinet Resonance p. 110
Key-o Eect p. 111
Fall-back Noise p. 112
Hammer Delay p. 113
Topboard Simulation p. 114
Decay Time p. 115
Minimum Touch p. 115
Stretch Tuning p. 116
Temperament p. 118
Temperament Key p. 120
Key Volume p. 121
Half-Pedal Adjust p. 123
Soft Pedal Depth p. 123
Save to Sound p. 102
Smart Mode Type p. 99
94
Settings
About Settings
Setting menu Description Available Settings Page no.
Sound Settings Adjust settings related to the overall sound, such as the
volume of speakers, headphones, line inputs, etc.
Tuning p. 125
Damper Hold p. 125
Tone Control p. 126
Speaker Volume p. 128
Line In Level p. 129
Wall EQ (CA98 only) p. 130
SHS Mode p. 131
Phones Type p. 132
Phones Volume p. 133
System Settings Adjust settings related to the instrument’s operation,
such as Bluetooth and MIDI connectivity, USB
functions, LCD appearance, etc.
Bluetooth MIDI p. 135
Bluetooth Audio p. 136
Bluetooth Audio Volume p. 137
Rename File* p. 138
Delete File* p. 139
USB Format* p. 140
MIDI Channel p. 143
Send PGM# p. 144
Local Control p. 144
Transmit PGM# On/O p. 145
Multi-timbral Mode p. 146
Channel Mute p. 146
LCD Contrast p. 147
Auto Display O p. 147
Auto Power O p. 148
Factory Reset p. 149
* USB functions will only be visible when a USB memory device is connected to the CA98/CA78 digital piano.
95
Settings
About Settings
Sound mode menu
a Reverb settings (p. 96)
Tap to open the Reverb settings menu.
This menu is used to adjust the Reverb type and depth.
b Reverb ON/OFF (p. 96)
Tap to turn Reverb On/O.
c Eects settings (p. 97)
Tap to open the Eects settings menu.
This menu is used to adjust the Eects type and settings.
d Eects ON/OFF (p. 97)
Tap to turn Eects On/O.
e Transpose (p. 98)
Long press and drag the slider to adjust the pitch of the keyboard
in semi-tone steps.
f Keyboard Settings (p. 98)
Tap to open the Keyboard Settings menu.
This menu is used to adjust Dual, Split, and 4Hands keyboard
mode settings.
* This item will not be shown when Single keyboard mode is
selected.
g Virtual Technician (p. 99)
Tap to open the Virtual Technician menu.
This menu is used to adjust various characteristics of the
acoustic piano sound.
h Sound Settings (p. 124)
Tap to open the Sound Settings menu.
This menu is used to adjust various settings of the sound.
i System Settings (p. 134)
Tap to open the System Settings menu.
This menu is used to adjust various system settings.
j Store to Favorite (p. 98)
Tap to store the current sound and associated settings to a
Favorite memory.
k Close Menu
Tap to close the menu and return to the Pianist mode screen.
c
a
b
d
e
f
g
h
i
j
k
96
Settings
About Settings
Adjusting the Reverb settings
Reverb refers to the acoustic environment of a virtual room.
1. Tap the [ON/OFF] buttons to turn Reverb on/o.
2. Tap [Reverb] to open the Reverb settings menu.
3. Swipe left/right or tap the arrow buttons to change the reverb
type.
* The Reverb type can be set to one of 6 types, listed below.
4. Long press and drag the two sliders to adjust the depth and
time of the reverb.
* The Reverb depth and time can be adjusted within the range of
1~10
Reverb types
Reverb type Description
Room Simulates the ambience of a small rehearsal room.
Lounge Simulates the ambience of piano lounge.
Small Hall Simulates the ambience of a small hall.
Concert Hall Simulates the ambience of a concert hall or theatre.
Live Hall Simulates the ambience of a live hall or stage.
Cathedral Simulates the ambience of a large cathedral.
Reverb ON/OFF button
Reverb settings
Menu button
Reverb type
Depth slider
Time slider
97
Settings
About Settings
Adjusting the Eect settings
Eects alter the tonal character and feeling of an instrument sound.
1. Tap the [ON/OFF] buttons to turn Eects on/o.
2. Tap [Eects] to open the Eects settings menu.
3. Swipe left/right or tap the arrow buttons to change the Eect
type.
* The Eect type can be set to one of 24 types. For a full list of available
eect types, please refer to page 35.
4. Long press and drag the two sliders to adjust the settings of
the eect.
Eects ON/OFF button
Eects settings
Menu button
Eect type
Setting 1 slider
Setting 2 slider
About Settings
98
Settings
Adjusting the Transpose setting
The Transpose setting allows the pitch of the CA98/CA78 digital piano keyboard to be raised or lowered in semi-tone steps. This is
particularly useful when accompanying instruments tuned for dierent keys, or when a song learned in one key must be played in
another key. When transposed, the song can be played in the original key, yet heard in a dierent key.
Long press and drag the slider to adjust the value of the
Transpose settings.
* The Transpose value can be adjusted within the range of -12~+12.
Adjusting the Keyboard Settings
The Keyboard Settings menu is used to adjusted Dual, Split, and 4Hands keyboard mode settings.
* This item will not be shown when Single keyboard mode is selected.
The settings in this menu will vary depending on the keyboard
mode selected. For more information regarding the dierent
keyboard modes, and adjusting their relevant settings, please
refer to the pages below:
Dual keyboard mode: page 27
Split keyboard mode: page 29
4Hands keyboard mode: page 31
Store to Favorite function
The Store to Favorite function is used to store the current instrument settings to a Favorite memory.
1. Tap [Store to Favorite].
The Favorite Name screen will be shown.
2. Enter the desired name for the Favorite memory using the
onscreen keyboard, then tap the enter key to conrm the
store.
* For more information about the Favorites function, please refer to
page 81.
Transpose slider
Keyboard Settings
Store to Favorite
99
Settings
Virtual Technician
The Virtual Technician menu contains a variety of settings that allow the character of the CA98/CA78’s acoustic piano
to be dramatically adjusted. There are two methods of using the Virtual Technician: Smart Mode and Advanced
Mode.
Tap [Virtual Technician] to open the Virtual Technician menu.
Smart Mode
In Smart Mode, the Virtual Technician intelligently performs a collection of adjustments for the player, based on ten preset attributes
such as ‘Soft’ or ‘Strong’, ‘Brilliant or ‘Dark. This mode is recommended for musicians that wish to enjoy dierent piano characteristics,
without delving into the individual parameters of Advanced Mode.
* The Smart Mode Virtual Technician is only available in Sound mode.
Tap the [Smart] button to select the Smart Mode Virtual Technician.
a Back button
Tap to return to the Sound mode menu.
b Virtual Technician mode select
Tap to change the Virtual Technician to Smart or Advanced
mode.
c Smart Mode preset
Swipe left/right or tap the arrow buttons to change the Smart
Mode preset.
d Smart Mode preset explanation
Displays information about the currently selected Smart Mode
preset.
e Save to Sound
Tap to save the current Virtual Technician settings to the selected
instrument sound.
* It is also possible to use the Favorites function to store preferred
Virtual Technicians settings to memory. For more information
please refer to pages 83 and 100.
Pianist Mode Sound Mode
Virtual Technician
a
b
c
e
d
100
Settings
Virtual Technician
Changing the Smart Mode preset
Adjust the overall character of the sound using a preset.
1. Swipe left/right or tap the arrow buttons to change the Smart
Mode preset
The tonal character of the piano sound will change, and
information about the selected Smart Mode preset will be
shown in the explanation area.
Storing the Smart Mode preset
Store the current Virtual Technician settings to the selected instrument sound.
1. Tap [Store to Sound].
The current Virtual Technician Smart Mode preset will be
stored to the selected instrument sound, and recalled
automatically whenever that sound is selected.
Smart Mode preset
Store to Sound
101
Settings
Virtual Technician
Advanced Mode
In Advanced Mode, the player is given full control over every aspect of the piano’s conguration, allowing precise adjustments over
hammer hardness, action regulation, cabinet size, and a variety of other acoustic characteristics. This mode is recommended for
musicians that enjoy ne-tuning individual details of the piano sound in order to suit their personal preferences.
In Sound mode, Virtual Technician settings are adjusted and stored independently for each sound, variation, allowing exible control
over the characteristics of each piano voice.
* The Advanced Mode Virtual Technician is available in both Pianist and Sounds modes, however some settings will be hidden in Pianist mode.
* The Advanced Mode Virtual Technician settings in Pianist mode and Sound mode are adjusted independently.
Virtual Technician Advanced mode settings
No. Setting Description
Pianist Mode
Default Page no.
1 Touch Curve Adjust the touch sensitivity of the keyboard. Normal p. 103
2 Voicing Adjust the tonal character of the instrument. Normal p. 105
User Voicing Adjust the individual voicing of each of the 88 keys. p. 106
3 Damper Resonance Adjust the resonance that is heard when pressing the damper pedal. 5 p. 107
4 Damper Noise Adjust the sound that is heard when pressing the damper pedal. 5 p. 107
5 String Resonance Adjust the resonance that is heard when notes are held. 5 p. 108
6 Undamped Str. Res. Adjust the resonance produced by the topmost undamped strings. 5 p. 109
7 Cabinet Resonance Adjust the resonance produced by the piano cabinet itself. 1 p. 110
8 Key-o Eect Adjust the sound that is heard when keys are released. 5 p. 111
9 Fall-back Noise Adjust the sound that is heard when the key action falls back. 5 p. 112
10 Hammer Delay Adjust the delay of the hammer striking strings when playing pianissimo. O p. 113
11 Topboard Simulation Adjust the position of the grand piano topboard. Open 3 p. 114
12 Decay Time Adjust the decay time of the piano sound while the keys are pressed. 5 p. 115
13 Minimum Touch Adjust the minimum key velocity required to produce a sound. 1 p. 115
14 Stretch Tuning Adjust the level of stretch tuning for equal temperaments. Normal p. 116
User Tuning Adjust the individual tuning of each of the 88 keys. p. 117
15 Temperament Adjust the tuning system to suit Renaissance and Baroque periods etc. Equal Temp. p. 118
User Temperament Adjust the tuning of each note in the scale to a custom temperament. p. 119
16 Temperament Key Adjust the key of the selected tuning system. C p. 120
17 Key Volume Adjust the volume balance of the keyboard. Normal p. 121
User Key Volume Adjust the individual volume of each of the 88 keys. p. 122
18 Half-Pedal Adjust Adjust the point at which the damper pedal begins to sustain the sounds. 5 p. 123
19 Soft Pedal Depth Adjust the depth/eectiveness of the soft pedal. 3 p. 123
102
Settings
Virtual Technician
Storing the Virtual Technician settings
Store the current Virtual Technician settings to the selected instrument sound.
1. Tap [Store to Sound].
The current Virtual Technician settings will be saved to the
selected instrument sound, and recalled automatically
whenever that sound is selected.
* In Pianist mode, the Store to Sound function can be used to
automatically recall preferred settings whenever the instrument is
turned on, without needing to use Favorite memories.
About Stored Virtual Technician settings
As mentioned above, in Sound mode, the Virtual Technician settings are adjusted and stored independently for each sound. This
allows dierent Virtual Technician adjustments to be made for each piano voice. For example, it may be desirable to voice the SK
Concert Grand piano a little brighter than the EX Concert Grand piano, or increase the Damper, String, and Cabinet Resonances of the
SK-5 Grand while leaving the Pop Piano unchanged.
Store to Sound
103
Settings
Virtual Technician
1
Touch Curve
As with an acoustic piano, the CA98/CA78 digital piano produces a louder sound when the keys are struck with
force, and a softer sound when the keys are played gently. The volume and tonal character change in relation to the
strength and velocity of playing – on a digital piano this system is referred to as ‘touch sensitivity.
The Touch Curve setting allows the touch sensitivity of the keyboard to be conveniently adjusted. There are six
dierent preset touch curve settings available, with an additional ‘User’ setting allowing performers to customise
the instrument’s keyboard responsiveness to suit their individual playing style.
The default ‘Normal’ setting is designed to accurately recreate the touch of a Kawai concert grand piano. However,
if the keyboard feels too light, or fortissimo playing is achieved too easily, it may be desirable to select a heavier
touch curve. Alternatively, if the keyboard feels too heavy, or fortissimo playing is too dicult to achieve, it may be
desirable to select a lighter touch curve.
* This Virtual Technician setting will aect all sounds.
Touch Curve types
Touch Curve Description
Light + Requires less striking force to achieve a forte note. For players with a very delicate touch.
Light A louder volume is produced even when playing with a soft touch. For those still developing nger strength.
* This touch curve is recommended for children and organ players.
Normal (default) Reproduces the standard touch sensitivity of an acoustic piano.
Heavy Requires a heavier touch to produce a loud volume. Ideally suited to those with stronger ngers.
Heavy + Requires considerably more striking force to achieve a loud volume.
O (constant) A constant volume is produced regardless of how hard the keys are struck.
* This touch curve intended for playing sounds of instruments that have a xed dynamic range (e.g. organ and harpsichord).
User A custom touch curve, created to suit an individual’s personal playing style.
Touch Curve graph
The illustration below provides a visual representation of the dierent Touch Curve settings.
LoudSoft
Gentle Strong
Keyboard Pressure
a
f
edcb
Sound Volume
No. Touch Curve
aLight +
bLight
cNormal (default)
dHeavy
eHeavy +
fO (constant)
Pianist Mode Sound Mode
104
Settings
Virtual Technician
Changing the Touch Curve type
Swipe left/right or tap the arrow buttons to change the Touch
Curve type.
* The Touch Curve can be set to one of 7 types.
The perceived weight of the keyboard will change depending
on the selected touch curve.
* Any changes made to the Touch Curve setting will remain until the
power is turned o.
* Preferred Touch Curve settings can be stored to the sound’s memory
(in Sound mode) or a Favorite memory for convenient recall. Please
refer to pages 83 and 102 for more information.
User Touch Curve
The User Touch Curve function automatically creates a custom touch curve, based on the individual’s playing style.
Creating a User Touch Curve
1. Swipe left/right or tap the arrow buttons to select the User
touch curve type.
2. Tap the [Edit] button.
The User Touch Curve screen will be shown.
3. Tap the [Start] button.
4. Play the piano dynamically from very soft to very loud,
allowing the instrument to examine the personal playing
technique.
* More than one attempt may be required in order to create an
accurate User Touch Curve.
* Reducing the master volume fader to the lowest position before
creating the User Touch Curve may help to reduce user distractions,
thus improving accuracy.
5. Tap the [Stop] button.
The new User Touch Curve will be stored to the User touch
type, and selected automatically.
6. Tap the [Back] button to return to the Virtual Technician menu.
* If desired, tap [Save to Sound] to ensure that the User touch type is
retained after the instrument’s power is turned o.
Touch Curve type
Pianist Mode Sound Mode
Touch Curve type
BACK button
Start button
105
Settings
Virtual Technician
2
Voicing
On an acoustic piano, the shape, density, and texture of the hammers all inuence on the tonal character of the
instrument’s sound. Technicians utilise a variety of tools such as needles, les, and brushes to manipulate these
hammer felts, with the ultimate goal of achieving a balanced tonal character across the keyboard.
The Voicing setting recreates various hammer properties, allowing the overall tonal character of the CA98/CA78
digital piano to be adjusted. There are six dierent preset voicing settings available (applied uniformly to all keys),
with an additional ‘User setting allowing players to perform custom adjustments on each individual key.
While the default ‘Normal’ voicing setting should be appropriate for a broad range of musical genres, it may be
desirable to select a softer, more mellow tonal character for romantic pieces, or a brighter, more aggressive tone for
modern styles.
* This Virtual Technician setting will aect all sounds.
Voicing types
Voicing type Description
Normal (default) The normal tonal character of an acoustic piano throughout the entire dynamic range.
Mellow 1 A softer, more mellow tonal character throughout the entire dynamic range.
Mellow 2 An even softer tonal character than Mellow 1.
Dynamic A tonal character that changes dramatically from mellow to bright, depending on the strength of key strike.
Bright 1 A bright tonal character throughout the entire dynamic range.
Bright 2 An even brighter tonal character than Bright 1.
User A custom tonal character, allowing each key to be individually voiced.
Changing the Voicing type
Swipe left/right or tap the arrow buttons to change the Voicing
type.
* The Touch Curve can be set to one of 7 types.
The tonal character of the sound will change depending on the
selected voicing type.
* Any changes made to the Voicing setting will remain until the power is
turned o.
* Preferred Voicing settings can be stored to the sound’s memory (in
Sound mode) or a Favorite memory for convenient recall. Please refer
to pages 83 and 102 for more information.
Pianist Mode Sound Mode
Voicing type
106
Settings
Virtual Technician
User Voicing
The User Voicing function allows each of the 88 keys to be voiced individually.
Adjusting the User Voicing function
1. Swipe left/right or tap the arrow buttons to select the User
Voicing type.
* In Sound mode, User Voicing is performed and stored independently
for each sound.
2. Tap the [Edit] button.
The User Voicing screen will be shown.
3. Tap [Key], then press the desired key on the keyboard to be
adjusted.
The selected key should be shown.
4. Long press and drag the slider to adjust the User Voicing value
for the selected key.
* The User Voicing value can be adjusted within the range of –5~+5,
with lower values creating a mellower sound and higher values
creating a brighter sound.
5. Tap the [Back] button to return to the Virtual Technician menu.
* If desired, tap [Save to Sound] to ensure that the User Voicing type
is retained after the instrument’s power is turned o.
Pianist Mode Sound Mode
Voicing type
BACK button
Key
User Voicing slider
107
Settings
Virtual Technician
3
Damper Resonance
Pressing the damper pedal of an acoustic piano raises all dampers, allowing the strings to vibrate freely. When a
note or chord is played on the piano with the sustain pedal pressed, not only will the strings of the notes played
vibrate, but also the strings of other notes, vibrating in sympathetic resonance.
The CA98/CA78 digital piano recreates this phenomenon, with the Damper Resonance setting allowing the volume
of this resonance sound to be adjusted.
* This Virtual Technician setting will aect acoustic piano sounds only.
Adjusting the Damper Resonance volume
Long press and drag the slider to increase or decrease the
volume of the Damper Resonance setting.
* The Damper Resonance volume can be adjusted within the range
of O, 1~10, with higher values resulting in a more pronounced
resonance.
* Any changes made to the Damper Resonance setting will remain until
the power is turned o.
* Preferred Damper Resonance settings can be stored to the sound’s
memory (in Sound mode) or a Favorite memory for convenient recall.
Please refer to pages 83 and 102 for more information.
4
Damper Noise
When the damper pedal of an acoustic piano is pressed and released, it is often possible to hear the sound of the
damper head touching and releasing the strings.
The CA98/CA78 digital piano reproduces this sound, with the Damper Noise setting allowing the volume of this
sound to be adjusted. The speed at which the damper pedal is pressed will also inuence the prominence of the
damper noise, with fast pedalling creating a very pronounced sound.
* This Virtual Technician setting will aect acoustic piano sounds only.
Adjusting the Damper Noise volume
Long press and drag the slider to increase or decrease the
volume of the Damper Noise setting.
* The Damper Noise volume can be adjusted within the range of O,
1~10, with higher values resulting in a more pronounced noise.
* Any changes made to the Damper Noise setting will remain until the
power is turned o.
* Preferred Damper Noise settings can be stored to the sound’s memory
(in Sound mode) or a Favorite memory for convenient recall. Please
refer to pages 83 and 102 for more information.
Sound Mode
Damper Resonance slider
Pianist Mode Sound Mode
Damper Noise slider
108
Settings
Virtual Technician
5
String Resonance
String Resonance refers to a phenomenon that exists in acoustic pianos whereby the strings of held notes resonate
sympathetically’ with other notes of the same harmonic overtone series.
The CA98/CA78 digital piano recreates this phenomenon, with the String Resonance setting allowing the volume of
this resonance to be adjusted.
* This Virtual Technician setting will aect acoustic piano sounds only.
Demonstrating String Resonance
To experience the string resonance phenomenon, gently hold down the ‘C’ key as shown in the illustration below, then play (strike and
release quickly) any of the keys marked with a symbol. In addition to the sound of each note played, it should also be possible to
hear the strings of the rst ‘C’ key resonating ‘sympathetically’, thus demonstrating String Resonance.
F GC B F G C G C E G C D E G C
CAA
E
hold
Adjusting the String Resonance volume
Long press and drag the slider to increase or decrease the
volume of the String Resonance setting.
* The String Resonance volume can be adjusted within the range of O,
1~10, with higher values resulting in a more pronounced resonance.
* Any changes made to the String Resonance setting will remain until
the power is turned o.
* Preferred String Resonance settings can be stored to the sound’s
memory (in Sound mode) or a Favorite memory for convenient recall.
Please refer to pages 83 and 102 for more information.
Sound Mode
String Resonance slider
109
Settings
Virtual Technician
6
Undamped String Resonance
The dampers of an acoustic piano span almost the full width of the keyboard. However, the topmost 18 keys
(approximately 1.5 octaves) do not incorporate dampers, as the shorter strings for these treble notes decay quickly
and therefore do not need to be dampened.
Undamped StringsDamped Strings
A0 C8G6
As a result, the strings of these undamped’ treble notes are free to vibrate in sympathetic resonance with those of
lower keys – independently of the damper pedal position – helping to enrich the sound with additional harmonics
and tonal colour.
The CA98/CA78 digital piano recreates this phenomenon, with the Undamped String Resonance setting allowing
the volume of this resonance sound to be adjusted.
* This Virtual Technician setting will aect acoustic piano sounds only.
Adjusting the Undamped String Resonance volume
Long press and drag the slider to increase or decrease the
volume of the Undamped String Resonance setting.
* The Undamped String Resonance volume can be adjusted within the
range of O, 1~10, with higher values resulting in a more pronounced
resonance.
* Any changes made to the Undamped String Resonance setting will
remain until the power is turned o.
* Preferred Undamped String Resonance settings can be stored to the
sound’s memory (in Sound mode) or a Favorite memory for convenient
recall. Please refer to pages 83 and 102 for more information.
Sound Mode
Undamped String
Resonance slider
110
Settings
Virtual Technician
7
Cabinet Resonance
While the fundamental sound of an acoustic piano is produced by vibrating strings, transmitting energy through a
spruce soundboard, the cabinet of the instrument itself also contributes a variety of subtle tonal characteristics that
enrich the playing and listening experience. The keybed, inner and outer rim, iron plate, and beams all play a role in
disseminating sound energy, which in turn gives the piano a living, breathing quality.
The CA98/CA78 digital piano recreates these natural acoustic characteristics, with the Cabinet Resonance setting
allowing the volume of this resonance sound to be adjusted.
* This Virtual Technician setting will aect acoustic piano sounds only.
Adjusting the Cabinet Resonance volume
Long press and drag the slider to increase or decrease the
volume of the Cabinet Resonance setting.
* The Cabinet Resonance volume can be adjusted within the range of
1~10, with higher values resulting in a more pronounced resonance.
* Any changes made to the Cabinet Resonance setting will remain until
the power is turned o.
* Preferred Cabinet Resonance settings can be stored to the sound’s
memory (in Sound mode) or a Favorite memory for convenient recall.
Please refer to pages 83 and 102 for more information.
Sound Mode
Cabinet Resonance slider
111
Settings
Virtual Technician
8
Key-o Eect
When playing an acoustic piano – particularly in the bass region of the keyboard – if a key is played with force and
released quickly, it is often possible to hear the faint sound of the damper touching the strings immediately before
the vibrations are stopped.
In addition, the speed at which keys are lifted will also aect the character of the sound. For example, when lifting
the keys quickly (e.g. staccato playing) the ‘release’ portion of the sound will be noticeably shorter than when lifting
the keys slowly (e.g. legato playing).
The CA98/CA78 digital piano reproduces both characteristics, with the Key-o Eect setting allowing the volume of
the key-o sound to be adjusted, and the key-o release speed detection to be turned on or o.
* This Virtual Technician setting will aect acoustic piano and electric piano sounds.
Adjusting the Key-o Eect volume
Long press and drag the slider to increase or decrease the
volume of the Key-o Eect setting.
* The Key-o Eect volume can be adjusted within the range of O,
1~10, with higher values resulting in a more pronounced eect.
* When the Key-O Eect setting is set to O, the key-o release speed
detection will also be disabled, and the speed at which keys are lifted
will not aect the character of the sound.
* Any changes made to the Key-o Eect setting will remain until the
power is turned o.
* Preferred Key-o Eect settings can be stored to the sound’s memory
(in Sound mode) or a Favorite memory for convenient recall. Please
refer to pages 83 and 102 for more information.
Sound Mode
Key-o Eect slider
112
Settings
Virtual Technician
9
Fall-back Noise
When playing an acoustic piano, it is often possible to hear the faint sound of the keyboard action returning (i.e.
‘falling back’) to the neutral position after a key is released.
The CA98/CA78 digital piano reproduces this sound, with the Fall-back Noise setting allowing the volume of this
sound to be adjusted.
While the default value is intended to simulate the natural volume level of the keys as they return to their neutral
position, it may occasionally be desirable to adjust the volume of this sound. For example, reducing the volume
when playing very soft pieces, where the fall-back noise may become too prominent.
* This Virtual Technician setting will aect acoustic piano and harpsichord sounds.
Adjusting the Fall-back Noise volume
Long press and drag the slider to increase or decrease the
volume of the Fall-back Noise setting.
* The Fall-back Noise volume can be adjusted within the range of O,
1~10, with higher values resulting in a more pronounced noise.
* Any changes made to the Fall-back Noise setting will remain until the
power is turned o.
* Preferred Fall-back Noise settings can be stored to the sound’s memory
(in Sound mode) or a Favorite memory for convenient recall. Please
refer to pages 83 and 102 for more information.
Pianist Mode Sound Mode
Fall-back Noise slider
113
Settings
Virtual Technician
10
Hammer Delay
When playing pianissimo passages using an acoustic piano, there may be a perceived delay between a key being
pressed and the hammer striking the strings.
If desired, the CA98/CA78 digital piano can recreate this delay, with the Hammer Delay setting allowing the delay
length to be adjusted.
While the default value of ‘O is intended to replicate a well-regulated concert grand piano, with an immediate
connection between the keyboard and hammers, some players may nd it desirable to introduce a minor delay, in
order to mimic dierent types of piano or instruments with a slightly worn keyboard action.
* This Virtual Technician setting will aect acoustic piano sounds only.
Adjusting the Hammer Delay value
Long press and drag the slider to increase or decrease the value
of the Hammer Delay setting.
* The Hammer Delay value can be adjusted within the range of O,
1~10, with higher values resulting in an increased delay.
* Any changes made to the Hammer Delay setting will remain until the
power is turned o.
* Preferred Hammer Delay settings can be stored to the sound’s memory
(in Sound mode) or a Favorite memory for convenient recall. Please
refer to pages 83 and 102 for more information.
Pianist Mode Sound Mode
Hammer Delay slider
114
Settings
Virtual Technician
11
Topboard Simulation
When playing an acoustic grand piano, the position of the instrument’s topboard (lid) aects both the volume and
openness’ of the tone produced. A fully open topboard allows sound waves to reect o the polished lid surface
and project into the room, while a closed lid has the opposite eect, resulting in a darker, more opaque tone.
The CA98/CA78 digital piano simulates these characteristics, with four dierent topboard positions.
* This Virtual Technician setting will aect acoustic piano sounds only.
Topboard positions
Topboard position Description
Open 3 (default) Simulates the character of a fully open topboard, with maximum sound projection.
Open 2 Simulates the character of a half open topboard, with reduced sound projection.
Open 1 Simulates the character of a partially open topboard, with limited sound projection.
Closed Simulates the character of a closed topboard, with minimum sound projection.
Changing the Topboard position
Swipe left/right or tap the arrow buttons to change the Topboard
position.
* The Topboard can be set to one of 4 positions.
The tonal character of the sound will change depending on the
selected Topboard position.
* Any changes made to the Topboard setting will remain until the power
is turned o.
* Preferred Topboard settings can be stored to the sound’s memory (in
Sound mode) or a Favorite memory for convenient recall. Please refer
to pages 83 and 102 for more information.
Sound Mode
Topboard position
115
Settings
Virtual Technician
12
Decay Time
When playing an acoustic grand piano, the length of the instrument inuences the speed at which held notes decay,
with longer grand pianos (i.e. longer strings) characterised by longer decay times.
The CA98/CA78 digital piano simulates this characteristic, with the Decay Time setting allowing the length of decay
while keys are pressed to be adjusted.
* This Virtual Technician setting will aect all sounds.
Adjusting the Decay Time value
Long press and drag the slider to increase or decrease the value
of the Decay Time setting.
* The Decay Time value can be adjusted within the range of 1~10, with
larger values resulting in increased decay times.
* Any changes made to the Decay Time setting will remain until the
power is turned o.
* Preferred Decay Time settings can be stored to the sound’s memory (in
Sound mode) or a Favorite memory for convenient recall. Please refer
to pages 83 and 102 for more information.
13
Minimum Touch
The Minimum Touch setting allows the minimum key velocity required to produce a sound to be adjusted. By default,
this setting recreates the extremely ne touch sensitivity of a concert grand piano, allowing a very soft sound to be
produced with the slightest of key touches. However, it may be desirable to reduce this sensitivity, when wishing to
recreate the sensitivity of a small grand piano or an upright piano.
* This Virtual Technician setting will aect acoustic piano and electric piano sounds.
Adjusting the Minimum Touch value
Long press and drag the slider to increase or decrease the value
of the Minimum Touch setting.
* The Minimum Touch value can be adjusted within the range of 1~20,
with larger values requiring greater key force in order to produce
a sound. For example, a value of 10 will require the keyboard to be
played with a velocity of 10 or above in order to produce a sound.
* Any changes made to the Minimum Touch setting will remain until the
power is turned o.
* Preferred Minimum Touch settings can be stored to the sound’s
memory (in Sound mode) or a Favorite memory for convenient recall.
Please refer to pages 83 and 102 for more information.
Sound Mode
Decay Time slider
Pianist Mode Sound Mode
Minimum Touch slider
116
Settings
Virtual Technician
14
Stretch Tuning
Stretch tuning is a piano-specic tuning method used by acoustic piano technicians in which the lower octaves are
tuned slightly atter and the upper octaves are tuned slightly sharper to match the natural harmonics of an acoustic
piano.
The Stretch Tuning setting allows the degree of stretch tuning to be adjusted when Equal temperament is selected,
or for stretch tuning to be completely disabled. It is also possible to create custom tuning methods by adjusting the
pitch of each individual key.
* This Virtual Technician setting will aect all sounds.
Stretch Tuning setting
Stretch Tuning Description
O Stretch tuning is disabled.
Normal (default) Normal stretch tuning is applied.
Wide Wide stretch tuning is applied.
User A custom tuning method, allowing the pitch of each key to be individual tuned.
Changing the Stretch Tuning type
Swipe left/right or tap the arrow buttons to change the Stretch
Tuning type.
* The Stretch Tuning type can be set to one of 4 types.
The tonal character of the sound will change depending on the
selected Stretch Tuning type.
* Any changes made to the Stretch Tuning setting will remain until the
power is turned o.
* Preferred Stretch Tuning settings can be stored to the sound’s memory
(in Sound mode) or a Favorite memory for convenient recall. Please
refer to pages 83 and 102 for more information.
Sound Mode
Stretch Tuning type
117
Settings
Virtual Technician
User Tuning
The User Tuning function allows each of the 88 keys to be tuned individually.
Adjusting the User Tuning function
1. Swipe left/right or tap the arrow buttons to select the User
Tuning type.
* In Sound mode, User Tuning is performed and stored independently
for each sound.
2. Tap the [Edit] button.
The User Tuning screen will be shown.
3. Tap [Key], then press the desired key on the keyboard to be
adjusted.
The selected key should be shown.
4. Long press and drag the slider to adjust the User Tuning value
for the selected key.
* The User Tuning value can be adjusted within the range of –50~+50.
A value of +20 indicates a pitch increase of 20 cents.
5. Tap the [BACK] button to return to the Virtual Technician
menu.
* If desired, tap [Save to Sound] to ensure that the User Tuning type is
retained after the instrument’s power is turned o.
Sound Mode
Stretch Tuning type
BACK button
Key
User Tuning slider
118
Settings
Virtual Technician
15
Temperament
The Temperament setting allows the tuning system used by the CA98/CA78 digital piano to be changed from the
modern ‘Equal Temperament’ standard to one of the various temperaments popularised during the Renaissance
and Baroque periods. It is also possible to create customised temperaments using the User Temperament function.
* This Virtual Technician setting will aect all sounds.
Temperament types
Temperament type Description
Equal Temperament (default)
(Equal)
This temperament is the most popular tuning method, and divides the scale into twelve equal
semi-tones. This produces the same chordal intervals in all twelve keys, and has the advantage
of limitless modulation of the key. However, the tonality of each key becomes less characteristic
and no chord is in pure consonance.
Pure Temperament
(Pure Major/Pure Minor)
This temperament, which eliminates dissonances for thirds and fths, is still popular in choral
music because of its perfect harmony. Any key modulation will result in dissonances.
* The key of the temperament and major/minor setting must be correctly matched.
Pythagorean Temperament
(Pythagorean)
This temperament, which uses mathematical ratios to eliminate dissonance for fths, is very
limited for use with chords, but produces very characteristic melodic lines.
Meantone Temperament
(Meantone)
This temperament, which uses a mean between a major and minor whole tone to eliminate
dissonance for thirds, was devised to eliminate the lack of consonances experienced with certain
fths for the Mersenne pure temperament.
It produces chords that are more beautiful than those played with equal temperament.
Werckmeister Temperament
(Werckmeister)
Kirnberger Temperament
(Kirnberger)
These two temperaments are placed in between Meantone and Pythagorean. For music with
few accidentals, this temperament produces the beautiful chords of the mean tone, but as
accidentals increase, the temperament produces the characteristic melodies of the Pythagorean
temperament.
It is used primarily for classical music written in the Baroque era to revive the original
characteristics.
User Temperament
(User)
A custom temperament, created by raising or lowering the pitch of each note in the scale.
Changing the Temperament type
Swipe left/right or tap the arrow buttons to change the
Temperament type.
* The Temperament type can be set to one of 8 types.
* Any changes made to the Temperament setting will remain until the
power is turned o.
* Preferred Temperament settings can be stored to the sound’s memory
(in Sound mode) or a Favorite memory for convenient recall. Please
refer to pages 83 and 102 for more information.
Sound Mode
Temperament type
119
Settings
Virtual Technician
User Temperament
The User Temperament function allows custom temperaments to be created.
Adjusting the User Temperament function
1. Swipe left/right or tap the arrow buttons to select the User
Temperament type.
2. Tap the [Edit] button.
The User Temperament screen will be shown.
3. Tap [Key], then press the desired key on the keyboard to be
adjusted.
The selected key should be shown.
4. Long press and drag the slider to adjust the User Temperament
value for the selected key.
* The User Temperament value can be adjusted within the range of
–50~+50. A value of +20 indicates a pitch increase of 20 cents.
5. Tap the [Back] button to return to the Virtual Technician menu.
* If desired, tap [Save to Sound] to ensure that the User Temperament
type is retained after the instrument’s power is turned o.
Sound Mode
Temperament type
BACK button
Key
User Temperament slider
120
Settings
Virtual Technician
16
Temperament Key
The Temperament Key setting allows the key of the selected temperament to be specied. When using a temperament
other than Equal temperament, use this setting to specify the key signature of the piece.
* This Virtual Technician setting will aect all sounds.
* This setting will only aect the ‘balance’ of the tuning system, the pitch of the keyboard will remain unchanged.
Changing the Temperament Key
Swipe left/right or tap the arrow buttons to change the
Temperament Key.
* The Temperament Key can be set within the range of C to B.
* Any changes made to the Temperament Key setting will remain until
the power is turned o.
* Preferred Temperament Key settings can be stored to the sound’s
memory (in Sound mode) or a Favorite memory for convenient recall.
Please refer to pages 83 and 102 for more information.
Sound Mode
Temperament Key
121
Settings
Virtual Technician
17
Key Volume
The Key Volume setting allows the volume of dierent regions of the keyboard to be subtly reduced. There are four
dierent damping presets available, with an additional ‘User’ setting allowing players to perform subtle volume
adjustments on each individual key.
While the default ‘Normal’ key volume setting should be appropriate for a broad range of musical genres, it may be
desirable to experiment with dierent damping presets, or the User setting to attenuate or amplify the volume of
individual keys.
* This Virtual Technician setting will aect all sounds.
Key Volume types
Key Volume Description
Normal (default) An evenly balanced volume throughout the keyboard.
High Damping Gradually reduces the volume of the keyboard towards the treble region.
Low Damping Gradually reduces the volume of the keyboard towards the bass region.
High & Low Damping Gradually reduces the volume of the keyboard in both the treble and bass regions.
Center Damping Gradually reduces the volume of the keyboard in the central region.
User A custom keyboard volume, allowing the volume of each key to be individually adjusted.
Changing the Key Volume type
Swipe left/right or tap the arrow buttons to change the Key
Volume type.
* The Key Volume type can be set to one of 6 types.
* Any changes made to the Key Volume setting will remain until the
power is turned o.
* Preferred Key Volume settings can be stored to the sound’s memory (in
Sound mode) or a Favorite memory for convenient recall. Please refer
to pages 83 and 102 for more information.
Pianist Mode Sound Mode
Key Volume type
122
Settings
Virtual Technician
User Key Volume
The User Key Volume settings allows the volume of each of the 88 keys to be adjusted individually.
Adjusting the User Key Volume function
1. Swipe left/right or tap the arrow buttons to select the User
Key Volume type.
* User Key Volume is performed and stored independently for each
sound.
2. Tap the [Edit] button.
The User Key Volume screen will be shown.
3. Tap [Key], then press the desired key on the keyboard to be
adjusted.
The selected key should be shown.
4. Long press and drag the slider to adjust the User Key Volume
value for the selected key.
* The User Key Volume value can be adjusted within the range of
–50~+50, with lower values attenuating the sound and higher
values amplifying the sound.
5. Tap the [Back] button to return to the Virtual Technician menu.
* If desired, tap [Save to Sound] to ensure that the User Key Volume
type is retained after the instrument’s power is turned o.
Pianist Mode Sound Mode
Key Volume type
BACK button
Key
User Key Volume slider
123
Settings
Virtual Technician
18
Half-Pedal Adjust
The Half-Pedal Adjust setting allows the point at which the damper/sustain pedal becomes eective (i.e. when the
dampers of the piano begin to lift from the strings) to be adjusted. This setting may be useful for pianists that
habitually rest their right foot on the damper/sustain pedal, but do not necessarily wish to sustain the sound.
* This Virtual Technician setting will aect all sounds.
Adjusting the Half-Pedal Adjust value
Long press and drag the slider to increase or decrease the value
of the Half-Pedal Adjust setting.
* The Half-Pedal Adjust value can be adjusted within the range of 1~10,
with higher values resulting in a later damper pedal point.
* Any changes made to the Half-Pedal Adjust setting will remain until
the power is turned o.
* Preferred Half-Pedal Adjust settings can be stored to the sound’s
memory (in Sound mode) or a Favorite memory for convenient recall.
Please refer to pages 83 and 102 for more information.
19
Soft Pedal Depth
The Soft Pedal Depth setting adjusts the extent to which the soft (left) pedal of the CA98/CA78 digital piano softens
the sound of played notes.
While the default value is intended to replicate the eectiveness of a concert grand Una Corda pedal, it may be
desirable for players to increase or decrease the value of this setting to suit their playing style.
On an acoustic piano, pressing this Una Corda pedal shifts the keyboard action slightly to the right, causing the
hammers to strike two strings instead of the usual three, thus reducing the volume of each note.
* This Virtual Technician setting will aect all sounds.
Adjusting the Soft Pedal Depth value
Long press and drag the slider to increase or decrease the value
of the Soft Pedal Depth setting.
* The Soft Pedal Depth value can be adjusted within the range of 1~10,
with higher values resulting in a softer sound.
* Any changes made to the Soft Pedal Depth setting will remain until the
power is turned o.
* Preferred Soft Pedal Depth settings can be stored to the sound’s
memory (in Sound mode) or a Favorite memory for convenient recall.
Please refer to pages 83 and 102 for more information.
Pianist Mode Sound Mode
Half-Pedal Adjust slider
Pianist Mode Sound Mode
Soft Pedal Depth slider
124
Settings
Sound Settings
The Sound Settings menu contains settings for adjusting the overall sound of the instrument, such as pitch, tone
control, and headphone enhancements.
* The Sound Settings menu settings in Pianist mode and Sound mode are shared (i.e. adjustments made in Pianist mode will also aect Sound mode
and vice versa).
Tap [Sound Settings] to open the Sound Settings menu.
Sound Settings menu
No. Setting Description Default setting Page no.
1 Tuning* Adjust the pitch of the instrument in 0.5 Hz steps. 440.0 Hz p. 125
2 Damper Hold* Change the eect of pressing the sustain pedal on organ, string, etc.
sounds.
O p. 125
3 Tone Control Adjust the EQ settings of the instruments sound. O p. 126
4Speaker Volume Change the maximum volume level of the speaker output. Normal p. 128
5 Line In Level Adjust the input volume of the Line In connectors. 0 dB. p. 129
6 Wall EQ (CA98 only) Optimise the instrument’s speaker system based on instrument
placement.
O p. 130
7 SHS Mode Select the desired SHS (Spatial Headphone Sound) mode. Normal p. 131
8Phones Type Select the type of headphones to be used with the instrument. Normal p. 132
9Phones Volume Change the maximum volume level of the headphones output. Normal p. 133
* The Tuning and Damper Hold settings will be hidden in Pianist mode.
Pianist Mode Sound Mode
Sound Settings
125
Settings
Sound Settings
1
Tuning
The Tuning setting allows the overall pitch of the CA98/CA78 digital piano to be raised and lowered in 0.5 Hz steps,
and may therefore prove useful when playing with other instruments.
* The Tuning setting will be hidden in Pianist mode.
Adjusting the Tuning value
Swipe up/down or tap the arrow buttons above and below each
digit to adjust the Tuning value.
* The Tuning value can be adjusted in 0.5 Hz increments within the
range of 427.0~453.0 Hz.
* Any changes made to the Tuning setting will remain until the power is
turned o.
* Preferred Tuning settings can be stored to a Favorite memory for
convenient recall. Please refer to page 83 for more information.
2
Damper Hold
The Damper Hold setting is used to determine whether sounds such as organ or strings should be sustained
continuously when the damper pedal is pressed, or whether these sounds should decay, naturally.
* The Damper Hold setting will be hidden in Pianist mode.
Damper Hold setting
Damper Hold Description
O (default) Organ, strings, etc. sounds will gradually decay, even while the sustain pedal is pressed.
On Organ, strings, etc. sounds will be sustained continuously while the sustain pedal is pressed.
Changing the Damper Hold setting
Tap the [ON/OFF] buttons to turn Damper Hold on/o.
* Any changes made to the Damper Hold setting will remain until the
power is turned o.
* Preferred Damper Hold settings can be stored to a Favorite memory for
convenient recall. Please refer to page 83 for more information.
Tuning value
Damper Hold
ON/OFF buttons
126
Settings
Sound Settings
3
Tone Control
The Tone Control setting allows the overall sound character of the CA98/CA78 digital piano to be adjusted to provide
the best sound quality within the area that the instrument is located. There are ve dierent preset EQ settings
available, with an additional ‘User’ setting allowing ner control over the dierent frequency bands.
Tone Control setting
Tone Control type Description
O (default) Tone control adjustment is not applied.
Brilliance Adjusts the overall brightness of the sound, independently of the Virtual Technician Voicing parameter.
Loudness Emphasises frequencies to retain the instruments sound character when playing at low volume levels.
Bass Boost Emphasises low-range frequencies, creating a deeper sound.
Treble Boost Emphasises high-range frequencies, creating a brighter sound.
Mid Cut Reduces mid-range frequencies, creating a clearer sound.
User Allows the low, mid, and high-range frequency bands to be adjusted separately.
Changing the Tone Control type
Swipe left/right or tap the arrow buttons to change the Tone
Control type.
* The Tone Control can be set to one of 7 types.
* Any changes made to the Tone Control setting will remain until the
power is turned o.
* Preferred Tone Control settings can be stored to a Favorite memory for
convenient recall. Please refer to page 83 for more information.
Adjusting the Brilliance value
1. Swipe left/right or tap the arrow buttons to select the
Brilliance tone control type.
2. Tap the [Edit] button.
The Brilliance screen will be shown.
3. Long press and drag the slider to adjust the overall brightness
of the sound.
* The Brilliance value can be adjusted within the range of –10~+10,
with lower values creating a mellower sound and higher values
creating a brighter sound.
4. Tap the [Back] button to return to the Sound Settings menu.
Tone Control type
Tone Control type
Level slider
Back button
127
Settings
Sound Settings
User Tone Control
The User Tone Control option allows ner control over the instrument’s sound character, allowing the volume of four
frequency bands to be adjusted individually. It is also possible to adjust the frequency range of the mid-low and
mid-high frequency bands.
User Tone Control setting
No. User Tone Control Description
1Low Adjusts the volume of the low range frequency band (20~100 Hz).
2 Mid-low Frequency Adjusts the frequency of the mid-low band (355~3150 Hz).
Mid-low dB Adjusts the volume of the mid-low range frequency band.
3 Mid-high Frequency Adjusts the frequency of the mid-high band (355~3150 Hz).
Mid-high db Adjusts the volume of the mid-high range frequency band.
4 High Adjusts the volume of the high range frequency band (5000~20000 Hz).
Adjusting the User Tone Control setting
1. Swipe left/right or tap the arrow buttons to select the User
tone control type.
2. Tap the [Edit] button.
The User Tone Control screen will be shown.
3. Long press and drag the sliders to adjust the volume of the
dierent frequency bands.
* Each frequency band can be adjusted within the range of –6 dB~+6
dB.
4. Swipe left/right or tap the arrow buttons to adjust the Mid-
low/Mid-high freqency.
* Any changes made to the Tone Control setting will remain until the
power is turned o.
* Preferred Tone Control settings can be stored to a Favorite
memory for convenient recall. Please refer to page 83 for more
information.
5. Tap the [BACK] button to return to the Sound Settings menu.
Tone Control type
Back button
frequency bands sliders
Mid-low/Mid-high
freqency
128
Settings
Sound Settings
4
Speaker Volume
The Speaker Volume setting allows the maximum volume level of the CA98/CA78 digital piano’s speaker output to
be reduced, providing ner adjustment control over the master volume. This setting can also function as a volume
limiter, preventing the instrument from being played too loudly in the home or classroom etc.
* This setting does not aect the headphones or Line Out volume.
Speaker Volume setting
Speaker Volume Description
Normal (default) The instrument’s speakers will output sound at the normal volume level.
Low The instrument’s speakers will output sound at a reduced volume level.
Changing the Speaker Volume setting
Swipe left/right or tap the arrow buttons to change the Speaker
Volume setting.
* Any changes made to the Speaker Volume setting will remain until the
power is turned o.
Speaker Volume
129
Settings
Sound Settings
5
Line In Level
The Line In Level setting allows the volume level of the instrument’s Line In input jacks to be adjusted digitally. This
setting may be useful when using the USB Recorder function and attempting to balance an external audio source
with the instrument’s sound.
* The Line In Level can also be adjusted by using the LEVEL knob, located on the jack panel. Please refer to page 155 for more information.
Adjusting the Line In Level setting
Long press and drag the slider to adjust the Line In Level setting.
* The Line In Level can be adjusted within the range of –10 dB~+10 dB.
* Any changes made to the Line In Level setting will remain until the
power is turned o.
Line In Level setting vs Line In LEVEL knob
The CA98/CA78 digital piano provides two methods of adjusting the level of the Line In audio: the Line In LEVEL knob (located beside
the Line In connector on the jack panel), and the Line In Level setting. The LEVEL knob is used to adjust the analogue volume of the
sound entering the instrument, while the Line In Level setting adjusts the digital volume of the sound once it is ‘inside’ the instrument.
To ensure the Line In audio is of a high quality, it is recommended to set the volume of the external audio device (for example a tablet)
to a high level, then adjust the instruments Line In LEVEL knob to a comfortable level, without distortion. If it is necessary to further
increase or decrease the volume of the external audio, the Line In Level setting can then be used as desired.
Line In Level slider
130
Settings
Sound Settings
6
Wall EQ (CA98 only)
The Wall EQ setting optimises the sound character of the soundboard speaker depending on whether the CA98
digital piano (back) is placed beside a wall, or in an area away from a wall.
* This setting does not aect the headphones or Line Out output.
Wall EQ setting
Wall EQ Description
O (default) Optimise the speaker system for placing the CA98 digital piano in an area away from a wall.
On Optimise the speaker for placing the CA98 digital piano beside a wall.
Changing the Wall EQ setting
Tap the [ON/OFF] buttons to turn Wall EQ on/o.
* Any changes made to the Wall EQ setting will remain until the power is
turned o.
Wall EQ ON/OFF buttons
131
Settings
Sound Settings
7
SHS Mode
Spatial Headphone Sound (SHS) is a special feature of the CA98/CA78 digital piano that enhances the depth and
realism of the acoustic piano sound when listening through headphones or earphones.
The SHS Mode setting allows the player to select from one of three dierent acoustic presets that adjust the spatial
positioning of the sound, while also helping to reduce auditory fatigue when using earphones or headphones for
extended periods of time.
* This setting does not aect the speaker or Line Out sound.
SHS Mode setting
SHS Mode Description
O Disable the Spatial Headphone Sound feature.
Forward Front focused, somewhat narrow spatial positioning.
Normal (default) Naturally balanced spatial positioning that is neither forward nor wide.
Wide Wide, very open spatial positioning.
Changing the SHS Mode setting
Swipe left/right or tap the arrow buttons to change the SHS
Mode setting.
* The SHS Mode can be set to one of 3 types, or turned o.
* Any changes made to the SHS Mode setting will remain until the
power is turned o.
SHS Mode
132
Settings
Sound Settings
8
Phones Type
The Phones Type setting optimises the sound of the CA98/CA78 digital piano when listening through dierent types
of headphones or earphones.
* This setting does not aect the speaker or Line Out sound.
Phones Type setting
Phones Type Description
Normal (default) Disables headphone optimisation.
Open Optimises the sound for open type headphones.
Semi-open Optimises the sound for semi-open type headphones.
Closed Optimises the sound for closed type headphones.
Inner-ear Optimises the sound for inner-ear type headphones.
Canal Optimises the sound for canal-type headphones.
Changing the Phones Type setting
Swipe left/right or tap the arrow buttons to change the Phones
Type setting.
* The Phones Type can be set to one of 6 types.
* Any changes made to the Phones Type setting will remain until the
power is turned o.
Phones Type
133
Settings
Sound Settings
9
Phones Volume
The Phones Volume setting allows the maximum volume level of the headphones output to be increased.
The default setting for Phones Volume is ‘Normal’ in order to protect an individual’s ears from excessive volume
levels. The ‘High setting may be selected when using headphones with a high impedance, or in situations where it
is desirable to increase the maximum volume level of the headphones output.
* This setting does not aect the speaker or Line Out sound.
Phones Volume setting
Phones Volume Description
Normal (default) The instrument’s headphone connectors will output sound at the normal volume level.
High The instrument’s headphone connectors will output sound at an increased volume level.
Changing the Phones Volume setting
Swipe left/right or tap the arrow buttons to change the Phones
Volume setting.
* Any changes made to the Phones Volume setting will remain until the
power is turned o.
Phones Volume
134
Settings
System Settings
The System Settings menu contains settings and functions related to the instruments operation, such as Bluetooth
and MIDI connectivity, USB functions, LCD appearance, etc.
* The System Settings menu settings in Pianist mode and Sound mode are shared (i.e. adjustments made in Pianist mode will also aect Sound mode
and vice versa).
Tap [System Settings] to open the System Settings menu.
System Settings menu
No. Setting Description Default setting Page no.
1 Bluetooth MIDI Enable/disable the instrument’s Bluetooth MIDI function. On p. 135
2 Bluetooth Audio Enable/disable the instruments Bluetooth Audio function. On p. 136
3Bluetooth Audio Volume Adjust the volume of Bluetooth Audio playback. 0 dB p. 137
4 Rename File* Rename a le stored on a USB memory device. - p. 138
5 Delete File* Delete a le stored on a USB memory device. - p. 139
6 USB Format* Format a USB memory device, erasing all stored data. - p. 140
7 MIDI Channel Specify the channel that is used to transmit/receive MIDI
information.
1 p. 143
8 Send PGM Change # Send a MIDI program change number from 1 to 128. 1 p. 144
9 Local Control Specify whether internal sounds will be heard when the
keyboard is pressed.
On p. 144
10 Trans. PGM Change Specify whether program change data is sent when sounds are
changed.
On p. 145
11 Multi-timbral Mode Specify whether the instrument can receive Multi-timbral MIDI
information.
O p. 146
12 Channel Mute Specify which channels (1-16) are activated to receive MIDI
information.
Play All p. 146
13 LCD Contrast Adjust the contrast of the instrument’s LCD touchscreen
display.
5 p. 147
14 Auto Display O Enable/disable the touchscreen display’s auto o function. O p. 147
15 Auto Power O Enable/disable the instrument’s Auto Power O energy saving
function.
- p. 148
16 Factory Reset Restore all panel settings to the original factory conguration. - p. 149
* USB functions will only be visible when a USB memory device is connected to the CA98/CA78 digital piano.
Pianist Mode Sound Mode
System Settings
135
Settings
System Settings
1
Bluetooth® MIDI
The Bluetooth MIDI setting is used to enable/disable the CA98/CA78 digital pianos Bluetooth MIDI function. When
enabled, the CA98/CA78 digital piano can be connected to smart phones, tablets, and other smart devices to facilitate
wireless MIDI communication, allowing a wide range of music-related apps to be enjoyed using the instrument.
* Availability of Bluetooth MIDI function dependent on market location.
Bluetooth MIDI setting
Bluetooth MIDI Description
O The instrument’s Bluetooth MIDI function will be turned o.
On (default) The instrument’s Bluetooth MIDI function will be turned on.
Changing the Bluetooth MIDI setting
Tap the [ON/OFF] buttons to turn Bluetooth MIDI on/o.
* Any changes made to the Bluetooth MIDI setting will remain until the
power is turned o.
Connecting the CA98/CA78 digital piano to a smart device using Bluetooth MIDI
After enabling the Bluetooth MIDI function of the CA98/CA78 digital piano, enable Bluetooth communications on the smart device,
then open the desired MIDI app. After a few seconds ‘CA98’ or ‘CA78’ should appear in the app’s device list. Tap the CA98/CA78 entry
to connect the instrument to the smart device. It should now be possible for MIDI apps to communicate wirelessly with the CA98/
CA78 digital piano.
* When the CA98/CA78 digital piano is connected to a smart device via Bluetooth MIDI, the USB MIDI and MIDI IN/OUT connectors will be disabled.
* Please check for Bluetooth MIDI compatibility with the smart device manufacturer and app developer.
* For a list of potential issues and recommended solutions when using Bluetooth communications, please refer to page 158 of this owners manual.
* For more detailed instructions regarding Bluetooth connectivity, please refer to the supplementary Bluetooth® Connectivity Guide, available from
the Kawai Global website: http://www.kawai-global.com/support/bluetooth
Bluetooth MIDI
ON/OFF buttons
136
Settings
System Settings
2
Bluetooth® Audio
The Bluetooth Audio setting is used to enable/disable the CA98/CA78 digital piano’s Bluetooth Audio function.
When enabled, the CA98/CA78 digital piano can be connected to smart phones, tablets, and other smart devices
to facilitate wireless audio communication, allowing music stored on a device to played through the instrument’s
speaker system/headphones.
* Availability of Bluetooth Audio function dependent on market location.
When using the USB audio recorder function, the Bluetooth Audio stream will also be mixed with the instrument’s internal sound and
recorded to the MP3/WAV le.
Bluetooth Audio setting
Bluetooth Audio Description
O The instrument’s Bluetooth Audio function will be turned o.
On (default) The instrument’s Bluetooth Audio function will be turned on.
Changing the Bluetooth Audio setting
Tap the [ON/OFF] buttons to turn Bluetooth Audio on/o.
* Any changes made to the Bluetooth Audio setting will remain until the
power is turned o.
Connecting the CA98/CA78 digital piano to a smart device using Bluetooth Audio
After enabling the Bluetooth Audio function of the CA98/CA78 digital piano, enable Bluetooth communications on the smart device.
After a few seconds ‘CA98 Audio or ‘CA78 Audio should appear in the smart device’s Bluetooth settings device list. Tap the CA98/CA78
Audio entry to connect the instrument to the smart device. It should now be possible for audio produced by the smart device to be
heard through the instrument’s speaker system/headphones.
* If loss of audio/connectivity or noise occurs, please check for Bluetooth Audio compatibility with the smart device manufacturer.
* For a list of potential issues and recommended solutions when using Bluetooth communications, please refer to page 158 of this owners manual.
* For more detailed instructions regarding Bluetooth connectivity, please refer to the supplementary Bluetooth® Connectivity Guide, available from
the Kawai Global website: http://www.kawai-global.com/support/bluetooth
* The Auto Power O setting will still be observed when playing audio via Bluetooth Audio.
Bluetooth Audio
ON/OFF button
137
Settings
System Settings
3
Bluetooth® Audio Level
The Bluetooth Audio Level setting is used to increase or decrease the volume level of Bluetooth Audio playback.
While it’s generally preferable to adjust the audio volume level on the smart device itself, this setting may still be
useful in certain situations.
Adjusting the Bluetooth Audio Level setting
Long press and drag the slider to adjust the Bluetooth Audio
Level setting.
* The Bluetooth Audio Level setting can be adjusted within the range of
–15 dB~+15 dB.
* Increasing the Bluetooth Audio Level setting above normal levels may
result in distortion or reduced audio quality.
* Any changes made to the Bluetooth Audio setting will remain until the
power is turned o.
Bluetooth Audio Level
slider
138
Settings
System Settings
4
Rename File
The Rename File function is used to rename song (SMF/KSO) and audio (MP3/WAV) les stored on a USB memory
device.
* This function will only be visible when a USB memory device is connected to the CA98/CA78 digital piano.
Renaming a le
1. Tap [Rename File].
The Rename File screen will be shown listing song and audio
les stored on the USB device.
2. Tap the le to be renamed.
A lename input screen will be shown.
3. Enter the desired lename for the selected le using the
onscreen keyboard, then tap the enter key to conrm the
name.
* The lename length is limited to 12 characters.
To cancel the rename operation, press the [Back] button.
Rename File
File
BACK button
139
Settings
System Settings
5
Delete File
The Delete File function is used to delete song, audio, and registration les stored on a USB memory device.
Once a le has been deleted from the USB device it cannot be recovered.
* This function will only be visible when a USB memory device is connected to the CA98/CA78 digital piano.
Deleting a le
1. Tap [Delete File].
The Delete File screen will be shown listing song and audio
les stored on the USB device.
2. Tap the le to be deleted.
A conrmation box will be shown.
3. Tap the [Yes] button to conrm the delete operation, or the
[No] button to cancel.
Delete File
File
Yes/No buttons
140
Settings
System Settings
6
USB Format
The USB Format function is used to format the connected USB memory device, erasing all stored data.
* This function will only be visible when a USB memory device is connected to the CA98/CA78 digital piano.
The USB Format function will erase all data stored on the connected USB memory device.
Exercise caution when using this function in order to prevent accidental data loss.
Formatting a USB device
1. Tap [Format USB].
A conrmation box will be shown.
2. Tap the [Yes] button to conrm the format operation, or the
[No] button to cancel.
Format USB
Yes/No buttons
141
Settings
System Settings
MIDI Overview
The term MIDI is an acronym for Musical Instrument Digital Interface, an international standard for connecting
musical instruments, computers, and other devices to allow the exchange of performance data.
MIDI Terminals
MIDI terminal Function
MIDI IN Receiving note, program change, and other data.
MIDI OUT Sending note, program change, and other data.
MIDI channels
MIDI uses channels to exchange data back and forth between MIDI devices. There are receive (MIDI IN) and transmit (MIDI OUT)
channels. Most musical instruments or devices with MIDI functions are equipped with both MIDI IN and OUT jacks and are capable
of transmitting and receiving data via MIDI. The receive channels are used to receive data from another MIDI device, and the transmit
channels are used to transmit data to another MIDI device.
The illustration below shows three musical instruments, connected together using MIDI.
Transmitting instrument aReceiving instrument bReceiving instrument c
Transmitting instrument a sends transmit channel and keyboard information to receiving instruments b/c.
The information arrives at the receiving instruments b/c.
Receiving instruments b/c will respond to MIDI data that is sent if their receive channel is the same as the transmit channel of the
transmitting instrument a. If the channels do not match, the receiving instruments b/c will not respond to any data that is sent.
For both receiving and transmitting, channels 1-16 can be used.
Recording/playing with a sequencer
When connected to a sequencer (or a computer running MIDI
sequencing software), the CA98/CA78 digital piano can be used
to record and playback multi-track songs, with separate sounds
playing simultaneously on each channel.
Sequencer
142
Settings
System Settings
MIDI Functions
The CA98/CA78 digital piano supports the following MIDI functions:
Transmit/receive note information
Transmit/receive note information to/from a MIDI-connected
musical instrument or device.
Transmit/receive program change information
Transmit/receive program change data to/from a MIDI-
connected musical instrument or device.
Transmit/receive channel settings
Specify transmit/receive channels within the range of 1 to 16.
Transmit/receive pedal data
Transmit/receive sustain, sostenuto, and soft pedal data to/
from a MIDI-connected musical instrument or device.
Transmit/receive exclusive data
Transmit/receive front panel or menu function settings as
exclusive data.
Receive volume data
Receive MIDI volume data sent from a MIDI-connected
musical instrument or device.
Multi-timbral mode setting
Receive multiple channel MIDI data from a MIDI-connected
musical instrument or device.
* Please refer to the ‘MIDI Implementation Chart on page 173 for
further information regarding the MIDI capabilities of the CA98/CA78
digital piano.
143
Settings
System Settings
7
MIDI Channel
The MIDI Channel setting allows the transmit/receive channel to be specied. The selected channel will function as
both the transmit and receive channel (separate transmit/receive channels cannot be specied).
Changing the MIDI Channel
Swipe left/right or tap the arrow buttons to change the MIDI
Channel setting.
* The MIDI Channel value can be adjusted within the range of 1~16.
* Any changes made to the MIDI Channel setting will remain until the
power is turned o.
* Preferred MIDI Channel settings can be stored to a Favorite memory for
convenient recall. Please refer to page 83 for more information.
Omni mode
When the CA98/CA78 digital piano is turned on, the instrument is automatically set to omni mode on’, allowing MIDI information to
be received on all MIDI channels (1-16). When the MIDI Channel setting is used to specify a transmit/receive channel, the instrument
will be set to omni mode o.
Multi-timbral mode and Split/Dual modes
Using Split mode with Multi-timbral mode enabled
Notes played in the lower section of the keyboard will be
transmitted on the channel that is 1 channel higher than the
specied channel. For example, if the MIDI channel is set to
3, notes played in the lower section of the keyboard will be
transmitted on channel 4.
Using Dual mode with Multi-timbral mode enabled
Notes played will be transmitted on two channels: the
specied channel and the channel that is 1 channel higher.
For example, if the MIDI channel is set to 3, notes played on
the keyboard will be transmitted on channels 3 and 4.
* If the specied MIDI channel is 16, the lower section / layered part will be transmitted on channel 1.
MIDI Channel
144
Settings
System Settings
8
Send Program Change Number
The Send Program Change Number function is used to send a Program Change Number (1-128) to the connected
MIDI device.
Sending the Program Change Number
1. Swipe up/down or tap the arrow buttons above and below
each digit to set the Program Change Number.
* The program change number can be set within the range of 1~128.
2. Tap the [Send] button to send the specied Program Change
Number.
9
Local Control
The Local Control setting determines whether the instrument will play an internal sound when the keys are pressed.
This setting may be useful when using the CA98/CA78 digital piano to control an external MIDI device that is
connected to the instrument’s amplier/speakers.
Local Control setting
Local Control Description
O The instrument will transmit information to an external MIDI device only.
On (default) The instrument will play an internal sound and transmit information to an external MIDI device.
Changing the Local Control setting
Tap the [ON/OFF] buttons to turn Local Control on/o.
* Any changes made to the Local Control setting will remain until the
power is turned o.
* Preferred Local Control settings can be stored to a Favorite memory for
convenient recall. Please refer to page 83 for more information.
Program Change Number
Send button
Local Control
ON/OFF buttons
145
Settings
System Settings
10
Transmit Program Change Numbers
The Transmit Program Change Numbers setting determines whether the CA98/CA78 digital piano will transmit
program change information via MIDI when the instrument’s panel buttons are pressed.
Transmit Program Change Numbers setting
Transmit PGM# Multi-timbral setting Eect of pressing panel buttons
On (default) O, On1 Sound mode selections will send PGM# shown in the left column*.
On On2 Sound mode selections will send PGM# shown in the right column*.
O O Program Change information will not be transmitted via MIDI.
* Please refer to the ‘Program Change Number List’ on page 162.
Changing the Transmit Program Change Numbers setting
Tap the [ON/OFF] buttons to turn Transmit Program Change
Numbers on/o.
* Any changes made to the Transmit Program Change Numbers setting
will remain until the power is turned o.
* Preferred Transmit Program Change Numbers settings can be stored to
a Favorite memory for convenient recall. Please refer to page 83 for
more information.
Omni mode
When using Dual or Split mode, On/O information and sound
type settings for are transmitted as exclusive data, however
program change numbers will not be transmitted.
Program change numbers will also be transmitted when
Multi-timbral mode is set to On1 or On2.
Transmit Program Change
Numbers
ON/OFF buttons
146
Settings
System Settings
11
Multi-timbral Mode
The Multi-timbral Mode setting determines whether or not the CA98/CA78 digital piano is able to receive MIDI
information on more than one MIDI channel simultaneously. This allows the instrument to play back multi-track,
multi-timbral performance data sent from an external MIDI device.
Multi-timbral Mode setting
Multi-timbral Mode Selected sound
O (default) The sound shown in the left column is selected*.
On1 The sound shown in the left column is selected*.
On2 The sound shown in the right column is selected*.
* Please refer to the ‘Program Change Number List’ on page 162.
Changing the Multi-timbral Mode setting
Swipe left/right or tap the arrow buttons to change the Mulit-
timbral Mode setting.
* Any changes made to the Multi-timbral Mode setting will remain until
the power is turned o.
* Preferred Multi-timbral Mode settings can be stored to a Favorite
memory for convenient recall. Please refer to page 83 for more
information.
12
Channel Mute
The Channel Mute setting determines which MIDI channels (1~16) are activated to receive MIDI information when
Multi-timbral mode is enabled.
Changing the Channel Mute setting
1. Swipe left/right or tap the arrow buttons to select the desired
MIDI channel.
* The MIDI Channel value can be adjusted within the range of 1~16.
2. Tap the [Mute/Play] buttons to change the status of the
selected MIDI channel.
* Any changes made to the Channel Mute setting will remain until
the power is turned o.
* Preferred Channel Mute settings can be stored to a Favorite
memory for convenient recall. Please refer to page 83 for more
information.
Multi-timbral Mode
Selected MIDI channel
Channel Mute/Play
buttons
147
Settings
System Settings
13
LCD Contrast
The LCD Contrast setting is used to adjust the contrast of the CA98/CA78 digital piano’s touchscreen display. The
contrast of the display becomes sharper as the value increases.
Adjusting the LCD Contrast setting
Long press and drag the slider to adjust the LCD Contrast setting.
* The LCD Contrast setting can be adjusted within the range of 0~10.
* Any changes made to the Bluetooth Audio setting will remain until the
power is turned o.
14
Auto Display O
The Auto Display O setting determines whether or not the CA98/CA78 digital piano’s touchscreen display will turn
o automatically after a period of inactivity. This setting may be desirable if the display becomes a distraction when
playing in low-light environments.
Auto Display O setting
Auto Display O Description
O (default) The instrument’s LCD display with remain turned on at all times.
On The instrument’s LCD display with turn o automatically after a period of inactivity.
Changing the Auto Display O setting
Tap the [ON/OFF] buttons to turn Auto Display O on/o.
* When set to ‘On, the LCD display will gradually fade to black after a
period of inactivity. To turn the display on again, simply tap anywhere
on the display.
* The Auto Display O setting will be stored automatically, and recalled
every time the instrument is turned on.
LCD Contrast slider
Auto Display O
ON/OFF buttons
148
Settings
System Settings
15
Auto Power O
The Auto Power O setting can be used to automatically turn o the instrument after a specied period of inactivity.
This function may be enabled by default, depending on the market location.
* This setting will be stored automatically, and recalled every time the instrument is turned on.
Auto Power O settings
Auto Power O Description
O The Auto Power O function is disabled.
15 min. The instrument will turn o automatically after 15 minutes of inactivity.
60 min. The instrument will turn o automatically after 60 minutes of inactivity.
120 min. The instrument will turn o automatically after 120 minutes of inactivity.
Changing the Auto Power O setting
Swipe left/right or tap the arrow buttons to change the Auto
Power O setting.
* The Auto Power O setting will still be observed when playing audio
via Bluetooth Audio.
* The Auto Power O setting will be stored automatically, and recalled
every time the instrument is turned on.
Auto Power O
149
Settings
System Settings
16
Factory Reset
The Factory Reset function clears any user adjustments stored to sound memories and all Favorites memories,
restoring the CA98/CA78 digital piano to its factory default settings.
* This function will not clear recorder songs stored in internal memory.
Restoring Factory settings
1. Tap [Factory Reset].
A conrmation box will be shown.
2. Tap the [Yes] button to conrm the Factory Reset operation,
or the [No] button to cancel.
Factory Reset
Yes/No buttons
Assembly Instructions (CA78 only)
150
Appendix
Assembly Instructions (CA78 only)
Please read these assembly instructions thoroughly before attempting to assemble the CA78 digital piano.
Please ensure that two or more people work on assembling the CA78 digital piano, especially when lifting the
main body of the instrument onto the stand.
Included parts
Before attempting to assemble the CA78 digital piano, ensure that all parts below are included.
A Phillips-head screwdriver (not included) will also be required in order to assemble the instrument.
Main body
A
Side panel (left)
B
Side panel (right)
C
Pedal board
(including adjustor bolt)
D
Back board
E
Power cable
Screw set
Screw (with washer) x 2
Flat headed screw (20mm) x 2
Tapping screw (black, 30 mm) x 4 *
Tapping screw (black, 20 mm) x 4 *
Tapping screw (silver, 16 mm) x 4
* For Satin White nished instruments, black screws will be
replaced with silver screws.
Headphone hook set
Headphone hook Mounting screws (14 mm) x 2
151
Appendix
Assembly Instructions (CA78 only)
2. Attaching the back board
Allow the assembled pedal board and side panels to stand
upright (vertically) on the oor.
* Ensure that the adjustor bolt is attached to the pedal board.
Loosely attach the back board (E) to the left and right side
panels using the four long black tapping screws .
Loosely attach the back board to the pedal board using the
four mid-length black tapping screws .
Adjust the positioning of the pedal board, side panels, and
backboard to ensure that all parts are in alignment, then
tighten the screws in steps and .
B
C
E
adjustor bolt
not aligned
Hole of
back board
Hole of pedal board/side panel
* Ensure that the hole of the back
board is aligned with the hole of
the pedal board/side panel before
tightening the screws.
1. Attaching the side panels to the pedal board
Unfasten and extend the pedal connection cable attached
to the bottom of the pedal board (D).
Attach the pedal board (D) to the left (B) and right (C) side
panels using the temporary mounting screws located on
either end of the pedal board.
Ensure that the pedal board and side panels make close
contact, and that there are no large gaps between the
assembled parts.
Insert the four short silver tapping screws into the holes as
shown, and securely fasten the pedal board to the left and
right side panels.
B
BC
D
D
DD
DD
BB
B B
gap
pedal cable
temporary
mounting
screw
152
Appendix
Assembly Instructions (CA78 only)
3. Mounting the main body onto the stand
Ensure that two or more people undertake the
following step of the assembly process.
Lift the main body and carefully place it onto the stand.
Position the main body slightly towards the back of the
stand, to ensure that the guide screw in the front of the
stand is still visible.
Gently slide the main body forward until it comes to a halt.
When positioned correctly, the attachment screw holes
should be visible from the underside of the main unit.
* If the screw holes are not visible, re-adjust (loosen) the screws
attached in step 4- .
When lifting the main body onto the stand, be
careful not to catch/trap hands and ngers.
A
A
B
C
4. Fastening the main body to the stand
View the front of the instrument to ensure that the main
body and side panels are in alignment.
* If the parts are not in alignment, re-adjust (loosen) the screws
attached in step 4- .
Loosely fasten the front of the main body to the stand from
below, using the two screws (with washer) on either side.
Loosely fasten the rear of the main body to the stand from
below, using the two at headed screws on either side.
When all four screws are attached and the main body is
correctly positioned on top of the stand, securely tighten all
screws.
Tighten all screws securely to ensure that the
main body is rmly attached to the stand.
Front view
A
A
B C
153
Appendix
Assembly Instructions (CA78 only)
5. Connecting the pedal and power cables
Pass the pedal cable (extending from the rear of the pedal
board) through the aperture to the front of the main body,
and connect to the PEDAL terminal.
Connect the power cable to the AC IN terminal on the
underside of the main body, then pass the cable through the
back board aperture, and out to the rear of the instrument.
With the power and pedal cables connected, use the binders
to x the cables in place and tidy their appearance.
A
B
C
Ensure that the pedal cable plug is facing
the direction shown and correctly aligned.
Applying excessive force when connecting the
plug may damage pinsinside the plug.
6. Attaching the headphone hook (optional)
A headphone hook is included with the CA98/CA78 digital piano
and can be used to hang headphones when not in use.
If desired, attach the headphone hook to the underside of
the main body using the two tapping screws provided.
7. Adjusting the pedal support bolt
Turn the pedal support bolt anti-clockwise, extending the
bolt until it makes contact with the oor and supports the
pedals rmly.
When moving the instrument, always adjust or
remove the pedal support bolt, then readjust
when the instrument is in its new position.
Connecting to Other Devices
154
Appendix
Connecting to Other Devices
The CA98/CA78 digital piano features a variety of jacks that allow the instrument to be connected to MIDI devices,
computers, speakers, and mixers. It is also possible to connect external audio sources, such as an MP3 player, tablet,
or a secondary keyboard, to the instruments amplier and speaker system. The illustration below provides a visual
overview of the connectors and their typical applications.
Connect the instrument
to external speakers,
ampliers, mixers, etc.
Connect the instrument
to MIDI modules, other
instruments/devices, etc.
Connect the instrument
to a computer or tablet
to send or receive MIDI
data.
Connect the audio from
other devices to the
instrument’s speakers.
USB type ‘B’
USB type ‘A’
Before connecting the CA98/CA78 digital piano to other devices, ensure that the power to both the instrument
and the other device is turned o. If connections are established while the power is turned on, extraneous
noise that can damage the CA98/CA78 digital piano may activate the instrument’s amplier protection circuit,
preventing any sound from being produced. If this occurs, turn the power o and then on again to reset the
amplier protection circuit.
Do not connect the LINE IN and LINE OUT jacks of the CA98/CA78 digital piano together with the same cable. An
audio loop (oscillation sound) will occur, resulting in damage to the unit.
155
Appendix
Connecting to Other Devices
Jack Panel
LINE IN STEREO jack (1/8” phone jack)
This jack is used to connect the 1/8” stereo outputs from smart
phones, tablets, computers, or other electronic audio equipment
to the CA98/CA78 digital pianos amplier and speakers. The
input level can be adjusted using the LEVEL knob, or by adjusting
the volume of the connected device.
When using the USB audio recorder function, this LINE in audio
will also be mixed with the instrument’s internal sound and
recorded to the MP3/WAV le.
* The ‘Line In Level’ setting can also be used to adjust the level of the
LINE IN signal. Please refer to page 129 for more information.
LINE OUT jacks (1/4” phone jack)
These jacks are used to connect the stereo output of the CA98/
CA78 digital pianos sound to external speakers, ampliers,
mixers, recording devices, and similar equipment.
To output a mono signal, connect a single cable to the L/MONO
jack.
The LINE OUT level can be adjusted using the MASTER VOLUME
slider.
USB to Host port (‘B’ type)
This USB port is used to connect the CA98/CA78 digital piano to
a computer using an inexpensive USB cable. When connected,
the instrument can be used as a standard MIDI device, allowing it
to send a receive MIDI data. Connect a ‘B’ type USB connector to
the instrument, and an A type USB connector to the computer.
* Please refer to page 156 for more information about USB MIDI.
With additional conversion adaptors, this port may also be used
to connect the CA98/CA78 digital piano to tablets and other
mobile devices.
MIDI IN/OUT jacks
These jacks are used to connect the CA98/CA78 digital piano
to external MIDI devices, or to a computer (using a USB-MIDI
interface) as an alternative to the ‘USB to Host port.
* Please refer to page 141 for more information about MIDI.
Headphone Panel
PHONES jacks (1/4” & 1/8” phone jacks)
These jacks are used to connect stereo headphones to the CA98/
CA78 digital piano. Two pairs of headphones can be connected
and used simultaneously. When a pair of headphones is
connected, sound will not be produced by the speakers.
USB to Device port (‘A type)
This USB port is used to connect a USB memory device to the
CA98/CA78 digital piano. This allows MP3/WAV audio les, and
SMF song les to be played directly. It is also possible to record
performances to MP3/WAV audio les, and save recorder songs
stored in internal memory for posterity.
USB device information
The ‘USB to Device’ functionality of the CA98/CA78 digital
piano conforms to USB2.0 Hi-Speed standards. Older USB
devices can still be used, however data transfer speed will be
limited to the maximum transfer speed of the device.
The ‘USB to Device’ port is intended for connecting USB
memory devices, however USB oppy drive devices can also
be used to save recorder songs stored in internal memory, or
play SMF song les.
It may be necessary to format the USB memory device before
it can be used with the CA98/CA78 digital piano. If so, please
refer to the USB Format function instructions on page 140.
Formatting the device will erase all data.
Avoid removing the USB memory device while data is being
loaded or saved, les are being renamed or deleted, or the
device is being formatted.
Other USB devices, such as computer mice, keyboards, or
battery chargers etc. cannot be used with this instrument.
USB MIDI (USB to Host connector)
156
Appendix
USB MIDI (USB to Host connector)
The CA98/CA78 digital piano features a ‘USB to Host’ type connector, allowing the instrument to be connected to a
computer using an inexpensive USB cable and utilised as a MIDI device. Depending on the type of computer and
operating system installed, additional driver software may be required for USB MIDI communication to function
correctly.
USB MIDI driver
Operating System USB MIDI Driver Support
Windows ME
Windows XP (no SP, SP1, SP2, SP3)
Windows XP 64-bit
Windows Vista (SP1, SP2)
Windows Vista 64-bit (SP1, SP2)
Windows 7 (no SP, SP1)
Windows 7 64-bit
Windows 8 / 8.1
Windows 8 / 8.1 64-bit
Windows 10
Windows 10 64-bit
Additional USB MIDI driver software NOT required.
The standard (built-in) Windows USB MIDI driver will be installed automatically when the
instrument is connected to the computer.
* After driver installation, ensure that the ‘USB Audio Device’ (Windows ME/Windows XP) or ‘USB-MIDI’
(Windows Vista/Windows 7/Windows 8) device is correctly selected in the application software.
Windows 98 se
Windows 2000
Windows Vista (no SP)
Additional USB MIDI driver software required.
Please download the USB MIDI driver from the Kawai Japan website:
http://www.kawai-global.com/support/downloads/
* After driver installation, ensure that the ‘KAWAI USB MIDI’ device is correctly selected in the application
software.
Windows Vista 64-bit (no SP) USB MIDI is not supported.
Please upgrade to service pack 1 or service pack 2.
Mac OS X
Additional USB MIDI driver software NOT required.
The standard (built-in) Mac OS X USB MIDI driver will be installed automatically when the
instrument is connected to the computer.
Mac OS 9 USB MIDI is not supported.
Please use the standard MIDI IN/OUT connectors.
USB MIDI information
If the instruments MIDI IN/OUT jacks and USB MIDI port are
both connected simultaneously, the USB MIDI port will be
given priority.
Ensure that the instrument is turned OFF before attempting to
connect the USB MIDI cable.
When connecting the instrument to a computer using the USB
MIDI port, there may be a short delay before communications
begin.
If the instrument is connected to a computer via a USB hub
and USB MIDI communication becomes unreliable/unstable,
please connect the USB MIDI cable directly to the one of the
computer’s USB ports.
Disconnecting the USB MIDI cable suddenly, or turning the
instrument on/o while using USB MIDI may cause computer
instability in the following situations:
– while installing the USB MIDI driver
– while starting up the computer
– while MIDI applications are performing tasks
– while the computer is in energy saver mode
If there are any further problems experienced with USB MIDI
communication while the instrument is connected, please
double-check all connections and relevant MIDI settings in
the computer’s operating system.
* ‘MIDI’ is a registered trademark of the Association of Manufacturers of Electronic Instruments (AMEI).
* ‘Windows’ is registered trademark of Microsoft Corporation.
* ‘Macintosh is registered trademark of Apple Computer, Inc.
* Other company names and product names mentioned referenced herein may be registered trademarks or trademarks of respective owners.
157
Appendix
Troubleshooting
The tables below summarise issues that may be experienced with the CA98/CA78 digital piano, explaining the
typical cause(s), and recommended solution(s).
Power
Issue Possible Cause and Solution Page no.
The instrument does not turn on. Check that the power cable is rmly attached to the instrument, and
connected to an AC outlet.
p. 14
The instrument turns itself o after a
period of inactivity.
Check that the Auto Power O function is not enabled. p. 148
Sound
Issue Possible Cause and Solution Page no.
The instrument is turned on, however
no sound is produced when the keys are
pressed.
Check that the MASTER VOLUME slider is not set to the lowest position. p. 16
Check that a pair of headphones (or headphone adaptor plug) are not
connected to the PHONES jacks.
p. 16
Check that the ‘Local Control’ setting in the MIDI Settings menu is set to On. p. 144
The sound distorts when playing at very
loud volume levels.
Check that the MASTER VOLUME slider is set to an appropriate level,
reducing the volume if excessive distortion is heard.
p. 16
Strange sounds or noises are heard when
playing with piano sounds.
The CA98/CA78 digital piano attempts to reproduce the rich variety of
tones created by an acoustic grand piano as accurately as possible. This
includes various resonances, noises, and other subtle characteristics that
contribute to the overall piano playing experience.
While these additional tones are intended to enhance the realism of the
instrument, it is possible to reduce their prominence, or disable the eects
altogether using the settings in the Virtual Technician menu.
The noise occurs when the damper pedal is depressed and released.
Damper Noise
p. 107
The noise occurs after a key is released.
Fall-back Noise, Key-o Eect
p. 111
p. 112
The sound has a metallic characteristic.
Key-o Eect, Undamped Resonance, String Resonance
p. 108
p. 109
p. 111
The sound is mued or too bright.
Topboard, Voicing
p. 105
p. 114
A particular keys level/volume is higher than other keys.
User Key Volume
p. 122
A particular keys pitch is heard as incorrect.
Temperament, User Temperament, User Stretch Tuning
p. 117
p. 118
p. 119
The top 18 notes of the keyboard sustain
for longer than neighbouring notes, even
when the damper pedal is not pressed.
This is the correct behaviour, and intended to reproduce the undamped
notes (typically the top two octaves) of an acoustic grand piano.
The volume of the device connected to the
Line In jacks is too low/too high (distorted).
Check the position of the Line In LEVEL knob (located on the jack panel),
and adjust as necessary.
p. 155
158
Appendix
Troubleshooting
Pedals
Issue Possible Cause and Solution Page no.
The pedals are unreliable or do not
function at all.
Check that the pedal cable is rmly connected to the instrument (CA78
only).
p. 153
When depressing a pedal, the pedal board
exes and is not rm.
Check that the pedal support bolt is fully extended. p. 17
p. 153
Headphones
Issue Possible Cause and Solution Page no.
The headphone volume is too low. If the ‘Nominal Impedance’ specication of the headphones is less than 100
Ω (ohms), set the ‘Phones Volume setting in the Phones Settings menu to
High.
p. 133
The headphone output sounds strange. Check that the ‘SHS Mode and ‘Phones Type’ settings are set to ‘Normal’. p. 131
p. 132
USB (memory device)
Issue Possible Cause and Solution Page no.
A USB memory device is not detected,
cannot be saved to, or does not appear
to function when connected to the ‘USB
to Device’ port.
Check that the USB memory device is formatted to use the FAT/FAT32
lesystem, and not set to Write Protect’ mode.
p. 155
Disconnect the USB memory device, turn the instrument o then on, then
reconnect the USB device. If the USB device still does not function, it may be
damaged or incompatible. Please try using a dierent USB device.
The instrument pauses briey when
connecting a USB memory device.
This is recognised behaviour when using large capacity (e.g. 8GB+) USB
memory devices.
USB MIDI, MIDI, Bluetooth® MIDI
Issue Possible Cause and Solution Page no.
The instrument is connected to the
computer using a USB cable, however the
software does not respond to key presses.
Check that a USB MIDI driver is installed on the computer. p. 156
Check that ‘USB Audio Device’ or ‘KAWAI USB MIDI’ is selected in the
software’s input/output device settings.
p. 156
Check that the instrument is not connected to a smart device using
Bluetooth MIDI.
p. 135
The instrument cannot connect to the
smart device/app via Bluetooth.
Check that the instrument’s Bluetooth MIDI/Audio function is turned On. p. 135
Ensure that the mobile devices Bluetooth function is turned On.
Ensure that the instrument isn’t already connected to another Bluetooth
device.
Try deleting the instruments Bluetooth connection using the mobile
devices ‘Forget Device function.
Try turning the instrument O and then On, and/or restarting the mobile
device.
159
Appendix
Troubleshooting
MP3/WAV/SMF les
Issue Possible Cause and Solution Page no.
No sound can be heard when playing an
MP3 or WAV audio le stored on a USB
memory device.
Check that the audio player volume is not set to 0. p. 80
Check that the format of the audio le is supported and listed in the ‘USB
Memory Player supported formats table.
p. 75
An MP3/WAV audio le stored on a USB
memory device sounds strange, or does
not play back correctly.
Check that the format of the audio le is supported and listed in the ‘USB
Memory Player supported formats table.
p. 75
The le transfer speed of the USB memory device may be too slow to play
the audio le. Please try using a dierent USB memory device, ensuring that
it conforms to USB2.0 Hi-Speed standards.
p. 155
When recording MP3/WAV audio
les, the volume is too low/too high
(distorted).
Check the gain setting before recording the audio, and if necessary adjust to
increase/decrease the recording level.
p. 49
An SMF MIDI le stored on a USB memory
device sounds strange when played back.
The CA98/CA78 digital piano does not contain the full General MIDI sound
bank selection. Consequently, some SMF song les may not be reproduced
entirely accurately when played through the instrument.
p. 49
Demo Song List
160
Appendix
Demo Song List
Sound Name Song Title Composer
PIANO1
SK Concert Grand Scherzo No.2 Chopin
EX Concert Grand La Campanella Liszt
SK-5 Grand Lieder Ohne Worte No.18 "Duetto" Mendelssohn
Jazz Clean Original Kawai
Warm Grand Sonata No.30 Op.109 Beethoven
Warm Grand 2 La Fille aux Cheveux de lin Debussy
Standard Grand Petit chien Chopin
PIANO2
Pop Grand Original Kawai
Pop Piano Original Kawai
New Age Grand * Original Kawai
Upright Piano Nocturne No. 20 Op. posth. Chopin
Modern Piano Original Kawai
ELECTRIC PIANO
Classic E.Piano Original Kawai
Modern E.P. Original Kawai
Modern E.P. 2 * Original Kawai
ORGAN
Jazz Organ Original Kawai
Blues Organ Original Kawai
Drawbar Organ Original Kawai
Church Organ Chorale Prelude Wachet auf, ruft uns die Stimme. Bach
Diapason Wohl mir, daβ ich Jesum have Bach
Full Ensemble Original Kawai
HARPSI & MALLETS
Harpsichord French Suite No.6 Bach
Harpsichord Oct. Prelude in Ab Bach
Vibraphone Original Kawai
Clavi Original Kawai
STRINGS
Slow Strings Original Kawai
String Pad Original Kawai
String Ensemble Le quattro stagioni La primavera Vivaldi
VOCAL & PAD
Choir Londonderry Air Irish folk song
Choir 2 Original Kawai
Jazz Ensemble Original Kawai
New Age Pad Original Kawai
Atmosphere Original Kawai
BASS & GUITAR
Wood Bass Original Kawai
Finger Bass Original Kawai
Fretless Bass Original Kawai
W. Bass & Ride Original Kawai
Ballad Guitar Original Kawai
Pick Nylon Gt. Original Kawai
* CA98 only.
161
Appendix
Sound List (Sound mode)
Piano 1
SK ConcertGrand
EX ConcertGrand
SK-5 GrandPiano
Jazz Clean
Jazz Old School
Warm Grand
Warm Grand 2
Standard Grand
Piano 2
Pop Grand
Pop Grand 2
Pop Piano
New Age Grand
Upright Piano
Modern Piano
Boogie Piano
Honky Tonk
Electric Piano
Classic Electric Piano
60's Electric Piano
Modern Electric Piano
Classic Electric Piano 2
Classic Electric Piano 3
Crystal Electric Piano
Modern Electric Piano 2
Modern Electric Piano 3
Organ
Jazz Organ
Blues Organ
Ballad Organ
Gospel Organ
Drawbar Organ
Drawbar Organ 2
Drawbar Organ 3
Drawbar Organ 4
Church Organ
Diapason
Full Ensemble
Diapason Oct.
Chiy Tibia
Principal Oct.
Principal Choir
Baroque
Soft Diapasn
Soft Strings
Mellow Flutes
Medium Ensemble
Loud Ensembe
Bright Ensemble
Full Organ
Reed Ensemble
Harpsi & Mallets
Harpsichord
Harpsichord Oct
Vibraphone
Clavi
Marimba
Celesta
Harpsichord 2
Bell Split
Strings
Slow Strings
String Pad
Warm Strings
String Ensemble
Soft Orchestra
Chamber Strings
Harp
Pizzicato Str.
Vocal & Pad
Choir
Pop Ooh
Pop Aah
Choir 2
Jazz Ensemble
Pop Ensemble
Slow Choir
Breathy Choir
New Age Pad
Atmosphere
Itopia
Brightness
New Age Pad 2
Brass Pad
Bowed Pad
Bright Warm Pad
Bass & Guitar
Wood Bass
Finger Bass
Fretless Bass
W.Bass & Ride
E.Bass & Ride
Ballad Guitar
Pick Nylon Gt.
Finger Nylon Gt
* CA98 only.
Program Change Number List
162
Appendix
Program Change Number List
Sound Name
Multi-timbral mode = o/on1 Multi-timbral mode = on2
Program Number Program Number Bank
CA98 CA78 MSB LSB
Piano 1
SK ConcertGrand 1 1 1 121 0
EX ConcertGrand 2 2 1 95 27
SK-5 GrandPiano 3 3 1 95 30
Jazz Clean 4 4 1 121 1
Jazz Old School 5 1 95 32
Warm Grand 6 5 1 121 2
Warm Grand 2 7 6 1 95 29
Standard Grand 8 7 1 95 16
Piano 2
Pop Grand 9 8 1 95 28
Pop Grand 2 10 9 1 95 31
Pop Piano 11 10 2 95 10
New Age Grand 12 1 95 17
Upright Piano 13 11 1 95 25
Modern Piano 14 12 2 121 0
Boogie Piano 15 1 95 33
Honky Tonk 16 4 121 0
Electric Piano
Classic Electric Piano 17 13 5 121 0
60's Electric Piano 18 14 5 121 3
Modern Electric Piano 19 15 6 121 0
Classic Electric Piano 2 20 16 5 121 1
Classic Electric Piano 3 21 17 5 95 1
Crystal Electric Piano 22 18 6 95 1
Modern Electric Piano 2 23 6 121 1
Modern Electric Piano 3 24 6 121 2
Organ
Jazz Organ 25 19 18 121 0
Blues Organ 26 20 17 121 0
Ballad Organ 27 21 17 95 5
Gospel Organ 28 22 17 95 3
Drawbar Organ 29 23 17 95 1
Drawbar Organ 2 30 17 95 2
Drawbar Organ 3 31 18 121 2
Drawbar Organ 4 32 24 17 121 3
Church Organ 33 25 20 121 0
Diapason 34 26 20 95 7
Full Ensemble 35 27 21 95 1
Diapason Oct. 36 28 20 95 6
Chiy Tibia 37 29 20 95 17
Principal Oct. 38 30 20 95 24
Principal Choir 39 20 95 23
Baroque 40 20 95 19
163
Appendix
Program Change Number List
Sound Name
Multi-timbral mode = o/on1 Multi-timbral mode = on2
Program Number Program Number Bank
CA98 CA78 MSB LSB
Soft Diapasn 41 20 95 45
Soft Strings 42 31 20 95 41
Mellow Flutes 43 32 20 95 48
Medium Ensemble 44 33 20 95 42
Loud Ensembe 45 34 20 95 43
Bright Ensemble 46 35 20 95 47
Full Organ 47 36 20 95 44
Reed Ensemble 48 20 95 46
Harpsi & Mallets
Harpsichord 49 37 7 121 0
Harpsichord Oct 50 38 7 121 1
Vibraphone 51 39 12 121 0
Clavi 52 40 8 121 0
Marimba 53 41 13 121 0
Celesta 54 42 9 95 1
Harpsichord 2 55 7 121 3
Bell Split 56 15 95 5
Strings
Slow Strings 57 43 45 95 1
String Pad 58 44 49 95 8
Warm Strings 59 45 49 95 1
String Ensemble 60 46 49 121 0
Soft Orchestra 61 47 50 95 1
Chamber Strings 62 49 95 14
Harp 63 48 47 121 0
Pizzicato Str. 64 46 121 0
Vocal & Pad
Choir 65 49 53 121 0
Pop Ooh 66 50 54 95 39
Pop Aah 67 51 54 95 40
Choir 2 68 52 54 95 53
Jazz Ensemble 69 53 54 95 2
Pop Ensemble 70 54 54 95 7
Slow Choir 71 53 95 2
Breathy Choir 72 53 95 1
New Age Pad 73 55 89 121 0
Atmosphere 74 56 100 121 0
Itopia 75 57 92 121 1
Brightness 76 58 101 95 1
New Age Pad 2 77 89 95 2
Brass Pad 78 59 62 95 2
Bowed Pad 79 60 93 121 0
Bright Warm Pad 80 – 90 95 1
164
Appendix
Program Change Number List
Sound Name
Multi-timbral mode = o/on1 Multi-timbral mode = on2
Program Number Program Number Bank
CA98 CA78 MSB LSB
Bass & Guitar
Wood Bass 81 61 33 121 0
Finger Bass 82 62 34 121 0
Fretless Bass 83 63 36 121 0
W.Bass & Ride 84 64 33 95 1
E.Bass & Ride 85 34 95 2
Ballad Guitar 86 65 26 95 6
Pick Nylon Gt. 87 66 25 95 3
Finger Nylon Gt 88 25 95 4
MIDI Tones
Rock Piano 2 121 1
Electric Grand 3 121 0
Electric Grand2 3 121 1
Wide Honky Tonk 4 121 1
Classic E.P. 4 5 121 2
Legend E.P. 6 121 3
Phase E.P. 6 121 4
WideHarpsichord 7 121 2
Synth Clavi 8 121 1
Celesta 9 121 0
Glockenspiel 10 121 0
Music Box 11 121 0
Wide Vibraphone 12 121 1
Wide Marimba 13 121 1
Xylophone 14 121 0
Tubular Bells 15 121 0
Church Bells 15 121 1
Carillon 15 121 2
Dulcimer 16 121 0
Drawbar Organ 5 17 121 1
60's Organ 17 121 2
Perc. Organ 18 121 1
Rock Organ 19 121 0
Church Organ 2 20 121 1
Church Organ 3 20 121 2
Reed Organ 21 121 0
Pu Organ 21 121 1
FrenchAccordion – 22 121 0
Accordion 22 121 1
Harmonica 23 121 0
Tango Accordion 24 121 0
Nylon Acoustic 25 121 0
Ukulele 25 121 1
Nylon Acoustic2 25 121 2
165
Appendix
Program Change Number List
Sound Name
Multi-timbral mode = o/on1 Multi-timbral mode = on2
Program Number Program Number Bank
CA98 CA78 MSB LSB
Nylon Acoustic3 25 121 3
Steel Guitar 26 121 0
12 String 26 121 1
Mandolin 26 121 2
Steel Guitar 2 26 121 3
Jazz Guitar 27 121 0
Pedal Steel 27 121 1
Electric Guitar 28 121 0
E. Guitar 2 28 121 1
Rhythm Guitar 28 121 2
Muted Electric 29 121 0
Cutting Guitar2 29 121 1
E. Guitar 3 29 121 2
Country Lead 29 121 3
OverdriveGuitar 30 121 0
Dynmic Ov.drive 30 121 1
Distortion 31 121 0
Dist Feedback 31 121 1
Dist Rhythm 31 121 2
E.Gtr Harmonics 32 121 0
Guitar Feedback 32 121 1
FingerSlap Bass 34 121 1
Pick Bass 35 121 0
Slap Bass 37 121 0
Slap Bass 2 38 121 0
Synth Bass 39 121 0
Warm Synth Bass 39 121 1
Synth Bass 3 39 121 2
Clavi Bass 39 121 3
Hammer Bass 39 121 4
Synth Bass 2 40 121 0
Synth Bass 4 40 121 1
Rubber Bass 40 121 2
Attack Bass 40 121 3
Violin 41 121 0
Slow Violin 41 121 1
Viola 42 121 0
Cello 43 121 0
Contrabass 44 121 0
Tremolo Strings 45 121 0
Celtic Harp 47 121 1
Timpani 48 121 0
Strings & Brass 49 121 1
60's Strings 49 121 2
166
Appendix
Program Change Number List
Sound Name
Multi-timbral mode = o/on1 Multi-timbral mode = on2
Program Number Program Number Bank
CA98 CA78 MSB LSB
StringEnsemble2 – 50 121 0
Synth Strings 51 121 0
Synth Strings 3 51 121 1
Synth Strings 2 52 121 0
Choir 3 53 121 1
Voice Oohs 54 121 0
Humming 54 121 1
Synth Vocal 55 121 0
Analog Voice 55 121 1
Orchestra Hit 56 121 0
Bass Hit Plus 56 121 1
6th Hit 56 121 2
Euro Hit 56 121 3
Trumpet 57 121 0
Solo Trumpet 57 121 1
Trombone 58 121 0
Trombone 2 58 121 1
Bright Trombone 58 121 2
Tuba 59 121 0
Muted Trumpet 60 121 0
Muted Trumpet 2 60 121 1
French Horns 61 121 0
Warm FrenchHorn 61 121 1
Brass Section 62 121 0
Brass Section 2 62 121 1
Synth Brass 63 121 0
Synth Brass 3 63 121 1
Analog Brass 63 121 2
Jump Brass 63 121 3
Synth Brass 2 64 121 0
Synth Brass 4 64 121 1
Analog Brass 2 64 121 2
Soprano Sax 65 121 0
Alto Sax 66 121 0
Tenor Sax 67 121 0
Baritone Sax 68 121 0
Oboe 69 121 0
English Horn 70 121 0
Bassoon 71 121 0
Clarinet 72 121 0
Piccolo 73 121 0
Flute 74 121 0
Recorder 75 121 0
Pan Flute 76 121 0
167
Appendix
Program Change Number List
Sound Name
Multi-timbral mode = o/on1 Multi-timbral mode = on2
Program Number Program Number Bank
CA98 CA78 MSB LSB
Blown Bottle 77 121 0
Shakuhachi 78 121 0
Whistle 79 121 0
Ocarina 80 121 0
Square 81 121 0
Square 2 81 121 1
Sine 81 121 2
Classic Synth 82 121 0
Classic Synth 2 82 121 1
Lead 82 121 2
Classic Synth 3 82 121 3
SequencedAnalog – 82 121 4
Caliope 83 121 0
Chi 84 121 0
Charang 85 121 0
Wire Lead 85 121 1
Voice 86 121 0
Fifth 87 121 0
Bass & Lead 88 121 0
Soft Wire Lead 88 121 1
Warm Pad 90 121 0
Sine Pad 90 121 1
Polysynth 91 121 0
Choir Pad 92 121 0
Metallic Pad 94 121 0
Halo Pad 95 121 0
Sweep Pad 96 121 0
Rain Pad 97 121 0
Soundtrack 98 121 0
Crystal 99 121 0
Synth Mallet 99 121 1
Brightness 101 121 0
Goblin 102 121 0
Echoes 103 121 0
Echo Bell 103 121 1
Echo Pan 103 121 2
Sci-Fi 104 121 0
Sitar 105 121 0
Sitar 2 105 121 1
Banjo 106 121 0
Shamisen 107 121 0
Koto 108 121 0
Taisho Koto 108 121 1
Kalimba 109 121 0
168
Appendix
Program Change Number List
Sound Name
Multi-timbral mode = o/on1 Multi-timbral mode = on2
Program Number Program Number Bank
CA98 CA78 MSB LSB
Bag Pipe 110 121 0
Fiddle 111 121 0
Shanai 112 121 0
Tinkle Bell 113 121 0
Agogo 114 121 0
Steel Drums 115 121 0
Woodblock 116 121 0
Castanet 116 121 1
Taiko Drums 117 121 0
Concert BD 117 121 1
Melodic Toms 118 121 0
Melodic Toms 2 118 121 1
Synth Drum 119 121 0
Rhythm Box Tom 119 121 1
Electric Drum 119 121 2
Reverse Cymbal 120 121 0
Gtr Fret Noise 121 121 0
GtrCuttingNoise 121 121 1
Ac Bass Slap 121 121 2
Breath Noise 122 121 0
Flute Key Click 122 121 1
Seashore 123 121 0
Rain 123 121 1
Thunder 123 121 2
Wind 123 121 3
Stream 123 121 4
Bubble 123 121 5
Bird Tweet 124 121 0
Dog Barking 124 121 1
Horse Gallop 124 121 2
Bird Tweet 2 124 121 3
Telephone 125 121 0
Telephone 2 125 121 1
Door Creak 125 121 2
Door Slam 125 121 3
Scratch 125 121 4
Wind Chime 125 121 5
Helicopter 126 121 0
Car Engine 126 121 1
Car Stopping 126 121 2
Car Passing 126 121 3
Car Crash 126 121 4
Siren 126 121 5
Train 126 121 6
169
Appendix
Program Change Number List
Sound Name
Multi-timbral mode = o/on1 Multi-timbral mode = on2
Program Number Program Number Bank
CA98 CA78 MSB LSB
Jet Plane 126 121 7
Starship 126 121 8
Burst Noise 126 121 9
Applause 127 121 0
Laughing 127 121 1
Screaming 127 121 2
Punch 127 121 3
Heartbeat 127 121 4
Foot Step 127 121 5
Gunshot 128 121 0
Machine Gun 128 121 1
Laser Gun 128 121 2
Explosion 128 121 3
Pop Set 1 120 0
Ballad Set 9 120 0
Power Set 17 120 0
Electronic Set 25 120 0
Analog Set 26 120 0
Jazz Set 33 120 0
Brush Set 41 120 0
Orchestra Set 49 120 0
SFX Set 57 120 0
Drum Rhythm List
170
Appendix
Drum Rhythm List
No. Rhythm Name
8 Beat
1 8 Beat 1
2 8 Beat 2
3 8 Beat 3
4 Pop 1
5 Pop 2
6 Pop 3
7 Pop 4
8 Pop 5
9 Pop 6
10 Ride Beat 1
11 Ride Beat 2
12 Dance Pop 1
13 Country Pop
14 Smooth Beat
15 Rim Beat
8 Beat Rock
16 Modern Rock 1
17 Modern Rock 2
18 Modern Rock 3
19 Modern Rock 4
20 Pop Rock
21 Ride Rock
22 Jazz Rock
23 Surf Rock
16 Beat
24 16 Beat
25 Indie Pop 1
26 Acid Jazz 1
27 Ride Beat 3
28 Dance Pop 2
29 Dance Pop 3
30 Dance Pop 4
31 Dance Pop 5
32 Dance Pop 6
33 Dance Pop 7
34 Dance Pop 8
35 Indie Pop 2
36 Cajun Rock
8 Beat Ballad
37 Pop Ballad 1
38 Pop Ballad 2
39 Pop Ballad 3
40 Rock Ballad 1
41 Rock Ballad 2
42 Slow Jam
43 6/8 R&B Ballad
44 Triplet Ballad 1
45 Triplet Ballad 2
16 Beat Ballad
46 16 Ballad 1
47 Dance Ballad 1
48 Dance Ballad 2
49 Dance Ballad 3
50 Electro Pop
51 16 Ballad 2
52 Mod Pop Ballad
No. Rhythm Name
16 Beat Dance
53 Dance 1
54 Dance 2
55 Dance 3
56 Disco
57 Techno 1
58 Techno 2
16 Beat Swing
59 16 Shue 1
60 16 Shue 2
61 16 Shue 3
62 Acid Jazz 2
63 Acid Jazz 3
64 New Jack Swing
65 Modern Dance
66 Indie Pop 3
8 Beat Swing
67 Swing Beat
68 Motown
69 Country 2 Beat
70 Boogie
Triplet
71 8 Shue 1
72 8 Shue 2
73 8 Shue 3
74 Dance Shue
75 Triplet 1
76 Triplet 2
77 Triplet Rock
78 Reggae
Jazz
79 H.H. Swing
80 Ride Swing
81 Fast 4 Beat
82 Afro Cuban
83 Jazz Bossa
84 Jazz Waltz
85 5/4 Swing
Latin / Traditional
86 H.H. Bossa Nova
87 Ride Bossa Nova
88 Beguine
89 Rhumba
90 Cha Cha
91 Mambo
92 Samba
93 Sala
94 Merenge
95 Tango
96 Habanera
97 Waltz
98 Ragtime
99 March
100 6/8 March
171
Appendix
CA98 CA78
Keyboard 88 wooden keys with Ivory and Ebony Touch key surfaces
Grand Feel II (GFII) action with Let-O, Triple Sensor, and Counterweights
Sound Source Pianist mode SK-EX Rendering: 88-key multi-channel piano sampling, 88-key resonance modelling
Sound mode Harmonic Imaging XL: 88-key piano sampling
Internal Sounds Pianist mode SK-EX Concert Grand, 10 rendering characters
Sound mode 88 sounds 66 sounds
Keyboard Modes Dual, Split, 4Hands (Volume/Balance adjustable)
Polyphony max. 256 notes (depending on selected sound)
Eects Pianist mode Resonance Depth (10 types), Ambience (10 types)
Sound mode Reverb (6 types), Eects (24 types)
(Chorus x 3, Delay x 3, Tremolo x 3, Auto pan x 2, Phaser x 2, Rotary x 6, Combination x 5)
Virtual Technician
Pianist mode Touch Curve (incl. User), Voicing (incl. User), Damper Noise, Fall-back Noise, Hammer Delay,
Minimum Touch, Key Volume (incl. User), Half-Pedal Adjust, Soft Pedal Depth
Sound mode
Touch Curve (incl. User), Voicing (incl. User), Damper Resonance, Damper Noise,
String Resonance, Undamped String Resonance, Cabinet Resonance, Key-o Eect,
Fall-back Noise, Hammer Delay, Topboard Simulation, Decay Time, Minimum Touch,
Stretch Tuning (incl. User), Temperament (incl. User), Temperament Key,
Key Volume (incl. User), Half-Pedal Adjust, Soft Pedal Depth
Internal Recorder Pianist mode 3 song recorder (approximately 10 min. per song)
Sound mode 10 song, 2 track recorder (approximately 90,000 note memory capacity)
USB Recorder Playback MP3, WAV, SMF, KSO (internal song le)
Record MP3, WAV, Overdub audio, Save as SMF/KSO, Line In & Bluetooth Audio Recording
Metronome 1/4, 2/4, 3/4, 4/4, 5/4, 3/8, 6/8, 7/8, 9/8, 12/8 + 100 drum rhythms
10~400 bpm (20~800 bpm for eighth note rhythms)
Internal Songs
Demo Songs 39 songs 37 songs
Piano Music 29 or 42 songs ¹
Concert Magic 176 songs
Lesson Books 584 Songs from Alfred, Burgmüller, Czerny, Beyer, Bach, and Chopin lesson books ²,
140 Finger Exercises
Favorites 16 memories (4 x 4 pages)
Transpose Key Transpose: -12~+12 semi-tones, Song Transpose: -12~+12 semi-tones
Other Settings &
Functions
Sound Settings
Tuning (Sound mode only), Damper Hold (Sound mode only), Tone Control (incl. User),
Speaker Volume, Line In Level, Wall EQ (CA98 only), SHS Mode, Phones Type, Phones Volume,
LCD contrast, factory reset, MIDI setting, Bluetooth setting
System Settings
Bluetooth MIDI, Bluetooth Audio, Bluetooth Audio Volume, Rename File, Delete File,
USB Format, MIDI Channel, Send PGM, Local Control, Transmit PGM# On/O,
Multi-timbral Mode, Channel Mute, LCD Contrast, Auto Display O, Auto Power O,
Factory Reset
Display 5” LCD touchscreen (480 x 800 pixels)
Bluetooth Bluetooth (Ver. 4.1; GATT compatible)
Bluetooth Low Energy MIDI Specication compliant, Bluetooth Audio
Jacks LINE IN (1/8” STEREO), LINE IN Level, LINE OUT (1/4” L/MONO, R), Headphones x 2 (1/4”, 1/8”),
MIDI (IN/OUT), USB to Host, USB to Device
Pedals Damper (with half-pedal support), Soft, Sostenuto. Grand Feel Pedal System
Speaker System Speakers
8 cm x 4 (top speakers)
2 cm x 2 (dome tweeters)
Soundboard Speaker System
13 cm x 2 (woofers)
(8 x 12) cm x 2 (top speakers)
5 cm x 2 (tweeters)
Output Power 135 W (45 W x 3) 100 W (50 W x 2)
Power Consumption 55 W 50 W
Dimensions
(Not including music rack)
1455 (W) x 465 (D) x 940 (H) mm
57 1/3” (W) x 18 1/3” (D) x 37” (H)
1455 (W) x 455 (D) x 925 (H) mm
57 1/3” (W) x 18” (D) x 36 1/2” (H)
Weight 85.0 kg / 187 1/2 lbs. 75.0 kg / 163 1/3 lbs.
¹ Depending on market location. Specications are subject to change without notice.
² Lesson books sold separately. * Availability of Bluetooth function dependent on market location.
Specications
MIDI Exclusive Data Format
172
Appendix
1st byte 2nd byte 3rd byte 4th byte 5th byte 6th byte 7th byte 8th byte 9th byte 10th byte
12345678910
Byte ID Description
1 F0 Start code
2 40 Kawai ID number
3 00 - 0F MIDI channel
4 10, 30 Function code (30 when setting Multi-timbre On/O)
5 04 Indicates that the instrument is an electric piano
6 02 Indicates that the piano is a CA/ES model
7 data 1
See table below8 data 2
9 data 3
10 F7 End code
data 1 data 2 data 3 Function
00 00 - Multi-timbre O
01 00 - Multi-timbre On 1
02 00 - Multi-timbre On 2
0F 00 - 7F - Split Point
14 00 - 7F - Dual/Split balance
16 1F - 60 - Tune, 40: 440 Hz
17 00, 7F - 00: Program Change O, 7F: Program Chage On
18 00 - 07 - 00: Light, 01: Normal, 02: Heavy, 03: O, 04: Light +, 05: Heavy +,
06: User1, 07: User2
19 00 - 03 - Lower Octave Shift
20 00 - 3B 00 - 3B Dual, data 2: Main sound, 3: Layer sound
00 - 4F * 00 - 4F *
21 00 - 3B 00 - 3B Split, data 2: Upper sound, data 3: Lower sound
00 - 4F * 00 - 4F *
22 00 - 3B 00 - 3B Four Hands, data 2: Right sound, data 3: Left sound
00 - 4F * 00 - 4F *
25 00 - 08 00 - 0B data 2: Temperament, data 3: Key
26 00, 7F 00 - 0F Multi-timbre channel mute, data 2: 00 (mute On), 7F (mute O), data 3: Channel
* CA98 only.
MIDI Exclusive Data Format
173
Appendix
Function Transmitted Section Remarks
Basic
Channel
Default 1 - 16 1 - 16
Changed 1 - 16 1 - 16
Mode
Default Mode 3 Mode 1 * The default for the OMNI mode
is ON.
Specifying MIDI channels
automatically turns it OFF.
Messages X Mode 1, 3
Altered *****
Note
Number
21 - 108** 0 - 127 ** The value depends on the
Transpose setting.
True Voice ***** 0 - 127
Velocity
Note ON O O
Note OFF O O
After Touch
Key X X
Channel X X
Pitch Bend X X
Control
Change
0, 32
7
10
11
64
66
67
O
X
X
X
O (Right pedal)
O (Middle pedal)
O (Left pedal)
O
O
O
O
O
O
O
Bank Select
Volume
Pan Pot
Expression Pedal
Sustain Pedal
Sostenuto Pedal
Soft Pedal
Program
Change
O 0 - 127 O 0 - 127 *** *** Refer to the Program Change
Number List on p. 162.
True # ***** 0 - 127
System
Exclusive OOOn/O Selectable
Common
Song Position X X
Song Select X X
Tune X X
System
Real Time
Clock X X
Commands O X
Others
Local OFF/ON X O
All Note OFF X O (123-127)
Active Sense X O
Reset X X
Notes
O : Yes
X : No
[DIGITAL PIANO]
MIDI Implementation Chart
Date: August 2017
Kawai CA98/CA78 Version: 1.0
Mode 1 : OMNI ON , POLY Mode 2 : OMNI ON , MONO
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO
CA98/CA78 Owners Manual
818706
KPSZ-0894 R101
OW1109E-S1805
Printed in IndonesiaCopyright © 2018 Kawai Musical Instruments Mfg. Co.,Ltd. All Rights Reserved.

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