Marshall Amplification Plc CODE100H MD116D Guitar Amplifiers User Manual 1

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OWNER’S MANUAL
WARNING! IMPORTANT SAFETY INSTRUCTIONS
prong. The wide blade or the third prong
are provided for your safety. If the provided
plug does not fit into your outlet, consult an
electrician for replacement of the obsolete
outlet.
1) Read these instructions.
2) Keep these instructions.
3) Heed all warnings.
4) Follow all instructions.
5) Do not use this apparatus near water.
6) Clean only with dry cloth.
7) Do not install near any heat sources
such as radiators, heat registers, stoves, or
other apparatus (including amplifiers) that
produce heat.
8) Do not defeat the safety purpose of
the polarized or grounding-type plug. A
polarized plug has two blades with one
wider than the other. A grounding type
plug has two blades and a third grounding
9) Protect the power cord from being
walked on or pinched particularly at plugs,
convenience receptacles, and the point
where they exit from the apparatus.
10) Only use attachments/accessories
specified by the manufacturer.
11) Unplug this apparatus during lightning
storms or when unused for long periods of
time.
12) Refer all servicing to qualified service
personnel. Servicing is required when
the apparatus has been damaged in any
WARNING! IMPORTANT SETUP INFORMATION
way, such as power-supply cord or plug
is damaged, liquid has been spilled or
objects have fallen into the apparatus,
the apparatus has been exposed to rain or
moisture, does not operate normally, or has
been dropped.
BEFORE GOING ANY FURTHER
Ensure that the specific mains input voltage rating that your amplifier has been
manufactured for matches your electricity supply. This is indicated on the rear panel of
the amplifier.
13) WARNING: To reduce the risk of fire or
electric shock, do not expose this apparatus
to rain or moisture.
Your amplifier is provided with a detachable mains (power) lead, which should be
connected to the MAINS INPUT socket on the rear panel of the amplifier (#24 in this
manual) before the mains electricity outlet.
14) The appliance coupler is used as the
disconnect device, the disconnect device
shall remain readily operable.
15) The apparatus shall not be exposed to
dripping or splashing and that no objects
filled with liquid, such as vases, shall be
placed on the apparatus.
This “bolt of lightning” symbol indicates uninsulated material
within your unit may cause an electric shock. For the safety of
everyone in your household, please do not remove product covering.
The “exclamation point” calls attention to features for which
you should read the enclosed literature closely to prevent
operating and maintenance problems.
Operation is subject to the
following two conditions: (1)
This device may not cause
harmful interference, and (2)
This device must accept any
interference received, including
interference that may cause
undesired operation.
Warning:
Changes
or
modifications to this unit not
expressly approved by the party
responsible for compliance
could void the user’s authority
to operate the equipment.
Note: This equipment has been
tested and found to comply
with the limits for a Class B
digital device, pursuant to
Part 15 of the FCC Rules.
These limits are designed to
provide reasonable protection
against harmful interference in
a residential installation. This
equipment generates, uses and
can radiate radio frequency
energy and, if not installed
and used in accordance with
the instructions, may cause
harmful interference to radio
communications.
However,
there is no guarantee that
interference will not occur
in a particular installation. If
this equipment does cause
harmful interference to radio or
television reception, which can
be determined by turning the
equipment off and on, the user
is encouraged to try to correct
the interference by one or more
of the following measures:
- Reorient or relocate the
receiving antenna.
- Increase the separation
between the equipment and
receiver.
- Connect the equipment into
an outlet on a circuit different
from that to which the receiver
is connected.
CODE is a new generation of Marshall amplifier. Fully programmable, CODE combines
authentic modelling of classic and contemporary Marshall tones with professional
quality FX. CODE preamp, power amp and speaker cabinet models have been developed
in collaboration with audio software pioneers Softube to create Marshall-Softube
(MST) modelling. Featuring Bluetooth® & USB connectivity, and Marshall Gateway™
compatibility, CODE is a powerful tool that lets you make music your way.
OVERVIEW
COMPLIANCE STATEMENT
This device complies with Part
15 of the FCC Rules.
INTRODUCTION
- Consult the dealer or
an
experienced
radio/TV
technician for help.
This
equipment
complies
with FCC RF radiation
exposure limits set forth for an
uncontrolled environment. This
equipment should be installed
and operated with a minimum
distance of 20 centimeters
between the radiator and your
body.
Industry Canada caution.
Francais:
Le présent appareil est
conforme aux CNR d’Industrie
Canada
applicables
aux
appareils radio exempts de
licence.
L’exploitation est autorisée aux
deux conditions suivantes:
(1) l’appareil ne doit pas
produire de brouillage, et
(2) l’utilisateur de l’appareil
doit accepter tout brouillage
radioélectrique subi, même si le
brouillage est susceptible
d’en
compromettre
le
fonctionnement.
This device complies with
Industry Canada licenceexempt RSS standard(s).
Operation is subject to the
following two conditions:
(1) This device may not cause
interference, and (2) This device
must accept any interference,
including interference that may
cause undesired operation of
the device.
ENGLISH
2200
CODE is loaded with sonic possibilities. It has 14 MST preamps, 4 MST power amps
and 8 MST speaker cabinets. CODE features 24 FX: including Compressor, stompbox
Distortions, Auto Wah, Pitch Shifter, Chorus, Vibrato, Phaser, Vibes, Flanger and Tremolo.
It includes Studio, Vintage, Multi and Reverse Delays, Tap Tempo, and studio quality
Reverbs. Including Gate, you can have up to 5 FX simultaneously.
Using the Marshall Gateway App for your iOS or Android device you can control CODE’s
settings remotely via Bluetooth and share Presets with other CODE users. You can stream
audio from your device, computer or music player through CODE’s speaker or headphones
for practice, or jam along with tracks from your music library. Connect via USB to use your
CODE amplifier as a DAW interface.
We sincerely hope that you enjoy your CODE amplifier and we wish you every success,
whatever your performance situation. Thank you for choosing Marshall.
- The Marshall Team
CODE100 TECHNICAL SPECIFICATION
Power (RMS)
100 Watt (at 8 Ohm)
Presets
100 User editable Presets
Speaker
2 x 12” Custom Voiced (CODE100 combo)
Footcontroller
4-Way Programmable (PEDL-91009, sold separately)
Weight
CODE100: 21.0kg & CODE100H: 8.9kg
Size (in mm)
CODE100: 700 x 280x 480 & CODE100H: 525x 200 x 220
Connectivity
Bluetooth® 4.0 & USB 2.0
ENGLISH
MARSHALL AMPLIFIER HISTORY
AMPLIFIER HISTORY (CONT.)
MST modelling recreates the tonal and sonic characteristics of some of the most successful
and respected amplifier preamps from the past fifty plus years.
JVM410H™
When the JVM410H launched in 2006 it caused quite a stir. This 100 Watt head is an allvalve tonal monster that has four channels, each with three modes: Green, Orange and
Red, offering guitarists a range of 12 unique tones. Each mode reconfigures the channel
gain stages in order to develop different amounts of gain and tone. The JVM410H’s vast
tonal spectrum makes it the most versatile amplifier Marshall has ever made, used by many
professional players.
JTM45™
The JTM45 was the first Marshall amplifier. It was made in 1962 by Jim Marshall and his
small team of engineers in a workshop at his music store in Hanwell, London. This 30 Watt
two channel amplifier began a revolution that changed forever the sound of rock and
blues music. The JTM45 is still made today as part of the Vintage Re-Issue™ Series and
Handwired™ Series.
1962 Bluesbreaker™
The 1962 Bluesbreaker was the first combo made by Marshall. Launched in 1965, it had
two 12” speakers with an output of 30 Watts. The 1962 was famously used by Eric Clapton
on the influential blues album ‘John Mayall’s Bluesbreakers’ in 1966 – hence the 1962’s
‘Bluesbreaker’ nickname. The 1962 Bluesbreaker is still made today as part of the Vintage
Re-Issue Series™ and Handwired™ Series.
1959™ Plexi™
To the minds and ears of many, the 100 Watt Super Lead heads of the mid to late 1960s are
the holy grail of great rock tone. Being non-master-volume, when cranked, the 1959 power
valves overdrive producing highly responsive, harmonically rich tones. The 1959 amplifier
is still made today as part of the Vintage Re-Issue Series™ and Handwired™ Series.
JCM800 2203™
The 2203 is one of the most important amplifiers Marshall has ever made. It evolved in the
‘70s from the JMP and 1959 Plexi heads. In the ‘80s the 2203 became the JCM800 2203
we know today: a straightforward single channel amplifier that was favoured by the heavy
metal scene that dominated much of that decade. Its popularity remained well into the ‘90s
with the emergence of Grunge and Britpop, and it’s still revered today and is considered
the benchmark by which modern all metal amplifiers are measured.
JCM2555™ Silver Jubilee™
The 25/50 Silver Jubilee Series was created in 1987 to celebrate the 25th anniversary of
the founding of Marshall Amplification and 50 years of Jim Marshall being in the music
business. Based on the JCM800 2203 and 2204™ Master Volume models, Silver Jubilee
amplifiers had a special preamp circuit that featured three gain ‘modes’ which were Clean,
Rhythm Clip and a switchable Lead Channel. The 2555 was the 100 Watt head in the
Jubilee series, which was a limited edition. By popular demand the JCM2555 was re-issued
as the 2555X™ in 2015.
JCM2000™ DSL100™
Launched in 1997, the JCM2000 Dual Super Lead’s ‘dual mode’ design meant that guitarists
could choose either a Clean or Crunch tone from the Classic Gain Channel, whilst the
Ultra Gain Channel provided two lead sounds: Lead 1 & Lead 2. This tonal versatility was
aided by the Deep and Tone Shift features. It is the JCM2000 DSL100’s tonal range and
versatility that made it massively popular in its day, so much so, that its legacy lives on in
the current DSL Series.
POWER AMPLIFIERS
MST modelling recreates four classic and vintage valve power output topologies. A valve
power stage is a vital part of an all-valve amplifier’s sound and its tonal character.
SPEAKER CABINETS
Marshall speaker cabinets are perhaps as famous as Marshall amplifiers. The iconic 4 x 12”
design has changed little since Jim Marshall designed the first one in 1965. Since then the
Marshall 4 x 12” has become the touchstone for all other speaker cabinets. MST modelling
recreates the sonic characteristics of eight classic Marshall speaker cabinets, including a
variety of 4 x 12”, 2 x 12” & 1 x 12” speaker configurations. Marshall speaker cabinets differ
not only in their speaker configurations, but in the speakers that they use, how they are
wired and the size of the cabinet.
GETTING STARTED
To begin using CODE:
• Ensure that the power ON/OFF switch is set to the OFF position (#14 in this manual).
• Connect the supplied power cord to the MAINS INPUT (#24 in this manual) before
plugging into the mains electricity supply.
• If using the CODE100H head, connect the supplied speaker cable to the speaker cabinet
and to the SPEAKER jack socket on the amplifier’s rear panel (#26 in this manual).
• Plug your guitar cable into the amplifier INPUT jack socket (#2 in this manual).
• Set the MASTER volume control to zero (#8 in this manual).
• Turn the amplifier ON using the ON/OFF switch.
• Gradually turn the MASTER up to your desired volume level.
• Turn the PRESET selector to explore your CODE amplifier’s factory Presets
(#9 in this manual).
ENGLISH
ENGLISH
FRONT PANEL FUNCTIONS
15
16
17
18
19
20
21
1. USB
Connect via USB to use CODE as a DAW interface, to play tracks from your music library,
to get firmware updates and control via MIDI.
To record with CODE using your DAW:
• Connect to your computer via USB.
To get CODE firmware updates:
• Select your CODE amplifier as the input
source on your computer and within
your DAW.
http://my.marshall.com/Downloads/
FirmwareUpdate
To stream audio from your computer
through CODE:
Follow this link to quickly and easily keep
your CODE amplifier’s firmware up to date.
• Connect to your computer via USB.
MIDI data:
• Select your CODE amplifier as your
computer’s output source.
• Your CODE amplifier can also send and
receive MIDI data related to the front
panel controls via the USB.
• Use the MASTER control to adjust the
volume level (#8 in this manual).
ENGLISH
22
23
11
10
2. INPUT
Use this jack socket to connect your
guitar to the amplifier. Use a good quality
screened/shielded guitar cable to help
prevent noise interference.
3. GAIN
Controls the amount of GAIN introduced to
a Preset. The higher the GAIN, the harder
the preamp is driven.
4. BASS
Turning the BASS control will adjust the
warmth and low-end depth of your sound.
5. MIDDLE
Adjusting the MIDDLE control will vary the
amount of body in your sound by boosting
or cutting midrange frequencies.
6. TREBLE
Increasing the TREBLE will make your
12
13
14
sound brighter and more cutting. Turning
the TREBLE down will decrease tonal edge
and make the sound softer.
7. VOLUME
Controls the volume level within a selected
Preset.
Because GAIN, BASS, MIDDLE, TREBLE
& VOLUME are stored as part of a Preset,
these panel tone controls only become active
when they are used. This means that until
they are turned their position is not related to
their setting within a Preset. When you turn
a tone control it becomes active. The display
screen will show its current setting and the
stored setting.
When a GAIN, BASS, MIDDLE, TREBLE
or VOLUME control is activated the
EXIT/STORE LED will flash red to show that
the Preset’s stored settings have changed.
ENGLISH
FRONT PANEL FUNCTIONS (CONT.)
FRONT PANEL FUNCTIONS (CONT.)
8. MASTER
Controls the overall volume level of your
CODE amplifier.
15. PRE FX
This is where you will find FX that would typically plug into a conventional amplifier setup
between the guitar and the amplifier’s input. These FX would typically be in pedal form,
and also known as ‘stompboxes’. The ‘stompbox’ FX in the PRE FX section are:
MASTER volume control settings are not
stored as part of a Preset.
9. PRESET
A Preset is a combination of preamp, power
amp & speaker models, with tonal settings
and FX: Chorus, Flanger, Tremolo, Delay
etc, stored to a single location within your
CODE amplifier’s memory. This is like a
‘snapshot’ of the whole amplifier’s settings
(excluding MASTER), which can be recalled
using the PRESET selector, or with the
optional CODE footcontroller.
Turn the PRESET selector to explore your
CODE amplifier’s factory Presets.
current Section Switch settings.
To discover how to edit a Preset, go to
‘EDITING A PRESET’ in this manual.
11. F/C
Use this jack socket to connect the
supplied 2-way footswitch for scrolling
through Presets, or to connect the CODE
programable footcontroller (PEDL-91009
sold separately).
A:>>|<<
A:>>|<<
Compressor
Compressor affects an audio signal’s dynamic range. CODE’s compressor decreases,
or ‘compresses’, any part of your guitar sound that peaks above a certain threshold.
Any part of your guitar sound that remains below the threshold is unaffected.
Compressor can add clarity and consistency to your guitar sound whether clean or
overdriven. Compressor’s editable parameters are:
12. MP3 PLAYER INPUT
Use this dedicated mini-jack socket to
connect an audio player to practice with or
jam along to music.
13. HEADPHONE OUTPUT
Use this mini-jack socket to connect
headphones for ‘silent’ practice. This can
also be 19
used as a line
out.
18
17
MOD
DELAY
REVERB
10. EDIT
Use the EDIT selector to deep edit a Preset.
Push the EDIT selector to preview the
stored Gain, Bass, Middle, Treble & Volume
settings. Turn the EDIT selector to view the
‘STOMPBOX’ FX
14. ON/OFF
This is the mains power ON/OFF switch.
21
16
15
The Section Switches represent different ‘sections’ in the guitar signal chain. This is the
STOMPBOX
route that a guitar signal travels through a conventional
amplifier setup from the guitar to
the loud speaker(s).
REVERB
18
17
DELAY
15
MOD
16
17
18
19
20
21
Pressing the Section Switches (#15 – #21 in
this manual) will activate (Red LED on) and
bypass (LED off) that Section.
20
VALUE RANGE
DESCRIPTION
Tone
0 - 10
Adjusts the Compressor’s higher and lower
frequencies.
Ratio
0 - 10
Controls how much Compression is applied to a signal
above the threshold.
Compression
0 - 10
Adjusts the point at which Compression is applied to
the signal.
Level
0 - 10
Controls the overall volume level of the Compressor.
20
SECTION SWITCHES (15 - 21)
19
PARAMETER
POWER AMP
PREAMP
16
15
21
Marshall
Distortion
CODE’s stompbox Distortion’s three Modes simulate solid-state Distortion and
Overdrive FX pedals. GUV Mode is a Marshall Guv’nor™ with Drive and Tone
controls. ODR & DIS Modes provide flavours of classic overdrive and distortion
stompboxes. Stompbox Distortion is particularly effective when used with classic
and vintage MST preamp models to provide more drive and sustain. Distortion’s
editable parameters are:
PARAMETER
VALUE RANGE
DESCRIPTION
Mode
GUV, ODR & DIS
Marshall Guv’nor, Classic OD pedal
& Classic Distortion pedal.
Drive
0 - 10
Controls the amount of Overdrive or Distortion
applied to the signal.
Tone
0 - 10
Adjusts the amount of upper mid and higher frequency
content in the Overdrive or Distortion before the
signal reaches the amplifier panel tone controls.
Level
0 - 10
Controls Distortion’s overall volume level.
CABINET
STOMPBOX
ENGLISH
ENGLISH
FRONT PANEL FUNCTIONS (CONT.)
FRONT PANEL FUNCTIONS (CONT.)
15. PRE FX (CONT.)
16. AMP
AMP is short for preamp. MST modelling faithfully recreates classic and modern Marshall
valve tones as well as other famous valve amp tones. Each AMP model creates an authentic
preamp setting. The MST preamp models are classified into three groups: Clean, Crunch &
Overdrive.
‘STOMPBOX’ FX
A:>>|<<
A:>>|<<
Auto Wah
Auto Wah is a dynamic filter, similar to a Wah Wah pedal. A Wah Wah pedal has a
‘rocker’ footplate to control the frequency at which the filter operates. Auto Wah has
no ‘rocker’ footplate, so in ENV Mode the rocker automation responds to input level.
In LFO Mode the rocker motion is fully automated. Auto Wah’s editable parameters
are:
PARAMETER
VALUE RANGE
DESCRIPTION
Mode
ENV & LFO
Envelope Filter & Low Frequency Oscillator.
Frequency
0 - 10
Controls the resting frequency, or fully closed position, of the Wah, thereby setting how far the filter
opens when playing.
Sensitivity
0 - 10
ENV Mode: Controls how much the Wah opens in
relation to the pick attack.
LFO Mode: Controls the speed at which the Wah
opens and closes. Set to zero and Auto Wah acts as a
fixed rocker Wah.
Resonance
0 - 10
Adjusts the magnitude, bandwidth and shape of the
filter’s resonant peak.
Pitch Shifter
Pitch Shifter generates chromatic harmonies with the ability to fine tune. This
enables you to pitch up or down to produce octaves or 3rd, 4th or 5th harmonies.
Pitch Shifter can also produce more discordant, quirkier sounds. Pitch Shifter’s
editable parameters are:
PARAMETER
VALUE RANGE
DESCRIPTION
Semitone
-12 to +12
Selects the pitch of the generated note chromatically
from an octave below to an octave above the note
played.
Fine Tune
-50 to +50
Fine tunes the pitch of the generated note.
Regeneration
0 - 10
Adjusts the percentage of the signal fed back into the
Pitch Shifter. Set to zero for a single pitch shifted tone.
Mix
0 - 10
Adjusts the balance between the guitar signal and the
generated note.
ENGLISH
Your CODE amplifier’s MST preamp models are:
PREAMP MODELS
A:>>|<<
JTM45™
CL DSL
CL American
CL JVM
Acoustic Simulator
Bluesbreaker™
Plexi™
CR American
JCM800™
‘50s British
OD JVM
OD DSL
OD American
OD Silver Jubilee
CLEAN
JTM45 2245 on a clean setting.
DSL100H on the Classic Gain Channel, Clean setting.
Classic American pure-valve sound.
JVM410H on the Clean Channel in Green Mode.
Simulates the sound of an electro-acoustic guitar.
CRUNCH
1962 Bluesbreaker combo overdriven.
1959SLP Overdriven.
Classic American valve overdrive.
JCM800 2203 overdriven (high sensitivity input).
Classic British valve combo overdrive.
OVERDRIVE
JVM410H on OD1 Channel in Red Mode.
JCM2000 DSL Lead 2 Channel.
Classic American higher gain overdrive.
JCM2555 Silver Jubilee Lead Channel.
NATURAL
The Natural preamp is designed to be used with external FX without the tonal
colour of an MST modelled preamp. It provides EQ for tonal shaping and access
to the Gate.
GATE
If the noise Gate is applied, when your sound level drops below the set threshold
it will activate, preventing any signal below that threshold from passing through.
It progressively attenuates the guitar signal, following its dynamics, to suppress
unwanted noise.
PARAMETER
VALUE RANGE
DESCRIPTION
Threshold
0 - 10
Sets the point at which the Gate begins to close.
ENGLISH
FRONT PANEL FUNCTIONS (CONT.)
FRONT PANEL FUNCTIONS (CONT.)
17. MOD
MOD is short for Modulation. Modulation FX in a conventional setup can be in stompbox
or rack form and often connect via an amplifier’s FX loop:
17. MOD (CONT.)
MODULATION FX
MODULATION FX
A:>>|<<
A:>>|<<
Chorus
Chorus and Vibrato FX apply a subtle pitch variation to the guitar signal taking your
sound from shimmering, delicate undulations to full on wobble. This can add depth
and width to clean sounds and fatten up solos. Chorus’s editable parameters are:
PARAMETER
VALUE RANGE
DESCRIPTION
Mode
CLS & VIB
Classic Chorus & Vibrato.
Speed
0 - 10
Controls the rate of the Chorus or Vibrato effect.
Depth
0 - 10
Adjusts the depth of the Chorus or Vibrato effect.
Tone
0 - 10
Boosts or cuts high & low frequency content in the
sound.
Flanger
Flanger can produce Chorus-like sounds, but is more vivid and is harmonically more
complex. It can create weird and wonderful sonic textures, like ‘jet plane’ Doppler FX
and resonant metallic whooshes. Flanger’s editable parameters are:
PARAMETER
VALUE RANGE
DESCRIPTION
Mode
JET & MET
Jet Flanger & Metallic Flanger.
Speed
0 - 10
Controls the rate of the Flanger effect.
Depth
0 - 10
Adjusts the depth of the Flanger effect.
Regeneration
0 - 10
Adjusts the amount of signal that is fed back to the
effect input, which makes the Flanger effect sharper.
Phaser
Phaser uses all-pass filters to shift the guitar signal very slightly, modulating the
shifted, or phased, signal in relation to the original signal produces the classic Phaser
sound - great for tight funky lines, sweeps and swells. Phaser’s editable parameters
are:
PARAMETER
VALUE RANGE
DESCRIPTION
Mode
CLS & VBE
Classic Phaser & Vibe.
Speed
0 - 10
Controls the rate of the Phaser or Vibe effect.
Depth
0 - 10
Adjusts the depth of the Phaser or Vibe effect.
Regeneration
0 - 10
Adjusts the amount of signal that is fed back to the
effect input, which makes the Phaser effect sharper.
ENGLISH
Tremolo
The cool sounding Tremolo effect is created by the signal amplitude being modulated
up and down. Tremolo can produce a variety of sonic characteristics from delicate
shimmer to heavy Tremolo throb. Tremolo’s editable parameters are:
PARAMETER
VALUE RANGE
DESCRIPTION
Mode
VLV & SQR
Valve Tremolo & Square Wave Tremolo.
Speed
0 - 10
Controls the rate of Tremolo oscillation.
Depth
0 - 10
Adjusts the depth of the Tremolo effect.
Skew
-50 to +50
Adjusts the shape of the waveform that is performing
the amplitude modulation. The variation of the wave
shape across the value range moves between vintage
and modern sounding Tremolo.
18. DEL
DEL is short for Delay. Delay FX in a conventional setup can be in stompbox or rack form
and often connect via an amplifier’s FX loop. When you select DEL the switch’s LED will
remain lit red for two seconds before flashing to indicate the current Delay tempo. CODE’s
Delay FX are:
DELAY TYPES
A:>>|<<
Studio
Studio Delay is a high fidelity delay line. Its longer delay time enables you to create
layered loops of up to 4 seconds. Studio Delay’s editable parameters are:
PARAMETER
VALUE RANGE
DESCRIPTION
Time
0 - 4000
Controls the Delay repeat time in milliseconds.
Feedback
0 - 10
Adjusts the number of Delay repeats.
Frequency
0 - 10
Adjusts the amount of higher frequency content in the
Delay repeats.
Level
0 - 10
Adjusts the level of the Delay effect.
ENGLISH
FRONT PANEL FUNCTIONS (CONT.)
FRONT PANEL FUNCTIONS (CONT.)
18. DEL (CONT.)
18. DEL (CONT.)
DELAY TYPES
DELAY TYPES
A:>>|<<
Vintage
Vintage Delay recreates the sound of analogue delays. Vintage Delay’s editable
parameters are:
PARAMETER
VALUE RANGE
DESCRIPTION
Time
0 - 4000
Controls the Delay repeat time in milliseconds.
Feedback
0 - 10
Adjusts the number of Delay repeats.
Age
0 - 10
Adjusts the amount ‘flutter’ and higher frequency
roll-off for a more vintage sounding Delay
Level
0 - 10
Adjusts the volume level of the Delay effect.
Multi
Multi Delay adds a rhythmic repeat for more complex delay patterns. Multi Delay’s
editable parameters are:
PARAMETER
VALUE RANGE
DESCRIPTION
Time
0 - 4000
Controls the Delay repeat time in milliseconds.
Feedback
0 - 10
Adjusts the number of Delay repeats.
Tap Pattern
1-4
Select from four different Delay repeat patterns
Level
0 - 10
Adjusts the volume level of the Delay effect.
A:>>|<<
Tap Tempo
Set the Delay time by tapping the EDIT selector, or by tapping an assigned button on
the optional CODE footcontroller. This enables you to quickly and easily match the
Delay time with the tempo of the music you are playing.
To activate TAP TEMPO:
• Press MOD and DEL Section Switches together.
• The display screen will show the Delay time in milliseconds.
• Either turn the EDIT selector to select the delay time in milliseconds or tap it
repeatedly to find your delay time or to match a tempo.
• Press EXIT/STORE once to exit TAP TEMPO and return to the main Preset screen.
The DEL Section Switch LED will flash in time to the current Delay time or tempo
when active.
18. REV
REV is short for Reverb. Reverb FX in a conventional amplifier setup can be in stompbox
form, rack form or integrated within an amplifier. Your CODE’s Reverb FX are:
REVERB TYPES
A:>>|<<
Reverse
Reverse Delay’s repeats run backwards. This can add texture and an eerie quality to
your sound. Reverse Delay’s editable parameters are:
PARAMETER
VALUE RANGE
DESCRIPTION
Decay
0 - 10
Controls how long the it takes for the reflections to
fade.
Adjusts the number of Delay repeats.
Pre-delay
0 - 10
Adjusts the amount of higher frequency content in the
Delay repeats
Adjusts the amount of time before the first reflection
is heard.
Tone
0 - 10
Adjusts the amount of higher frequency content in the
reflections.
Level
0 - 10
Adjusts the level of the Reverb effect.
PARAMETER
VALUE RANGE
DESCRIPTION
Time
0 - 4000
Controls the Delay repeat time in milliseconds.
Feedback
0 - 10
Frequency
0 - 10
Mix
0 - 10
Room
Room Reverb recreates the acoustic reflections of small to larger rooms. Room
Reverb’s editable parameters are:
Adjusts the level of the Delay effect relative to the
unaffected signal. As the amount to Delay is increased,
the unaffected signal is decreased, and vice versa.
ENGLISH
ENGLISH
FRONT PANEL FUNCTIONS (CONT.)
FRONT PANEL FUNCTIONS (CONT.)
19. REV (CONT.)
19. REV (CONT.)
REVERB TYPES
REVERB TYPES
A:>>|<<
Hall
Hall Reverb recreates the longer acoustic reflections of a hall-sized space. Hall
Reverb’s editable parameters are:
A:>>|<<
Stadium
Stadium Reverb recreates the acoustic reflections of a very large space. Stadium
Reverb’s editable parameters are:
PARAMETER
VALUE RANGE
DESCRIPTION
PARAMETER
VALUE RANGE
DESCRIPTION
Decay
0 - 10
Decay
0 - 10
Controls how long the it takes for the reflections to
fade.
Controls how long the it takes for the reflections to
fade.
Pre-delay
0 - 10
Pre-delay
0 - 10
Adjusts the amount of time before the first reflection
is heard.
Adjusts the amount of time before the first reflection
is heard.
Tone
0 - 10
Tone
0 - 10
Adjusts the amount of higher frequency content in the
reflections.
Adjusts the amount of higher frequency content in the
reflections.
Level
0 - 10
Adjusts the level of the Reverb effect.
Level
0 - 10
Adjusts the level of the Reverb effect.
Spring
Spring Reverb is a classic, analogue way of creating Reverb FX. Conventional Spring
Reverb uses a metal tray containing rows of springs. The guitar signal passes along
the springs creating a vintage sounding Reverb effect. Spring Reverb’s editable
parameters are:
PARAMETER
VALUE RANGE
DESCRIPTION
Decay
0 - 10
Controls how long the it takes for the reflections to
fade.
Pre-delay
0 - 10
Adjusts the amount of time before the first reflection
is heard.
Tone
0 - 10
Adjusts the amount of higher frequency content in the
reflections.
Level
0 - 10
Adjusts the level of the Reverb effect applied to the
unaffected signal.
ENGLISH
20. POWER
This is the section of a conventional amplifier that provides power to drive the speaker(s).
The power valves are an integral part of how an all-valve amplifier sounds. MST modelling
faithfully recreates the four valve power amps models in CODE:
POWER AMP MODELS
A:>>|<<
Classic Marshall 100W
Class A/B 100 Watt with EL34 valves.
PARAMETER
VALUE RANGE
DESCRIPTION
Presence
0 - 10
In a conventional amplifier Presence is a power stage
function that adds higher frequency content to the
sound.
Resonance
0 - 10
In a conventional amplifier Resonance is a power stage
function that adds lower end thud to the sound.
ENGLISH
FRONT PANEL FUNCTIONS (CONT.)
FRONT PANEL FUNCTIONS (CONT.)
20. POWER (CONT.)
21. CAB
CAB is short for Speaker Cabinet. A cab’s speaker configuration and its size play a significant
role in the overall sound produced by the whole amplifier setup.
POWER AMP MODELS
A:>>|<<
The MST modelled speaker cabinets in your CODE amplifier are faithful recreations of
classic Marshall cabs:
Vintage Marshall 30W
Class A/B 30 Watt with 5881 valves.
CABINET TYPES
PARAMETER
VALUE RANGE
DESCRIPTION
Presence
0 - 10
In a conventional amplifier Presence is a power stage
function that adds higher frequency content to the
sound.
Resonance
0 - 10
In a conventional amplifier Resonance is a power stage
function that adds lower end thud to the sound.
British Class A
Class A 30 Watt with EL84 valves.
PARAMETER
VALUE RANGE
DESCRIPTION
Presence
0 - 10
In a conventional amplifier Presence is a power stage
function that adds higher frequency content to the
sound.
Resonance
0 - 10
In a conventional amplifier Resonance is a power stage
function that adds lower end thud to the sound.
A:>>|<<
1960
1960V
1960AX
1960HW
1936
1936V
1912
1974CX
Classic 4 x 12” Celestion G12-T75 speakers.
4 x 12” with Celestion ‘Vintage 30’ speakers.
4 x 12” with Celestion G12M-25 speakers.
4 x 12” with Celestion G12H-30 speakers.
Classic 2 x 12” Celestion G12-T75 speakers.
2 x 12” with Celestion ‘Vintage 30’ speakers.
Classic 1 x 12” Celestion G12-B150 speakers.
1 x 12” Handwired with G12M-20 speaker.
22. EXIT/STORE
While on any screen pressing EXIT/STORE returns you to the main Preset screen.
Press and hold EXIT/STORE while on any screen to QUICK STORE your edited settings.
Your edited settings will store over the current Preset and the display will return you to
the main Preset screen.
To discover how to store and name a Preset, go to STORING A PRESET in this manual.
23. DISPLAY
The Display Screen shows a Preset’s name, number, parameter settings and the tuner
display.
American Class A/B
Class A/B 100 Watt with 6L6 valves.
PARAMETER
VALUE RANGE
DESCRIPTION
Presence
0 - 10
In a conventional amplifier Presence is a power stage
function that adds higher frequency content to the
sound.
Resonance
0 - 10
In a conventional amplifier Resonance is a power stage
function that adds lower end thud to the sound.
ENGLISH
ENGLISH
REAR PANEL FUNCTIONS
EDITING A PRESET (CONT.)
• Turn the EDIT selector to edit the highlighted parameter. You will see the parameter
value change on the screen as you turn.
• When you are happy with your edited parameter value, push the EDIT selector to move
to the next parameter (if there is one).
• Turn the EDIT selector to edit the newly highlighted parameter.
• Repeat for all parameters and parameter values of the Sections that you wish to edit.
24
25
26
24. MAINS INPUT
Connects the amplifier to the mains power supply.
The MAINS INPUT socket has an integrated fuse compartment. Ensure that the value
of a replacement fuse matches the labelling on the amplifier rear panel. You MUST
ALWAYS switch the amplifier OFF and disconnect it from the mains electricity supply
before attempting to access the fuse compartment. If in doubt, contact your Marshall
Dealer.
• When you are happy with your edited Preset you can store it to your CODE amplifier’s
memory.
To learn how to store an edited Preset, refer to STORING A PRESET in this manual.
• If you wish exit without storing your edits, press EXIT/STORE (# 22 in this manual).
This will return you to the main Preset screen.
If you wish to keep your edited settings ensure that you store before moving off that
Preset.
25. FX LOOP
Connect external FX pedals or a signal processor here. The FX LOOP is post DSP in the
signal chain.
STORING A PRESET
26. SPEAKER OUTPUT (CODE100H ONLY)
Connect a speaker cabinet here.
IMPORTANT - Do NOT connect a speaker cabinet of less than 8 Ohm, and NEVER use
CODE100H without a spekaer cabinet conneted, as this may damage the amplifer output
transformer.
To store an edited Preset, Store an edited Preset to a new location, and to rename an
edited Preset:
• When you have finished editing, press & hold EXIT/STORE briefly until the Preset name
begins to auto-scroll to the left into the Preset number.
• If you wish to store your edited Preset to another location, turn the PRESET selector to
find a new location, then press & hold EXIT/STORE until STORED appears on the display
screen.
EDITING A PRESET
To edit PRE FX, AMP, MOD, DEL, REV, POWER and CAB section settings:
Be sure that you want to store to the Preset location that you have selected, as the Preset
in that location will be overwritten.
• Hold down the Section Switch that you wish to edit (#15 - #21 in this manual).
To rename the edited Preset and store to the current location:
• The display screen will show the current section’s settings.
• While the Preset name auto-scrolls to the left, press & hold EXIT/STORE again briefly
until the Preset name is displayed with arrows above and below the first letter or
character.
• Turn the EDIT selector (#10 in this manual) to scroll through the different options within
the current
section: CL DSL, Plexi, JCM800, OD Silver Jubilee in AMP, or Chorus, Flanger,
Phaser, Tremolo in MOD, or Studio, Vintage, Multi, Reverse in DEL, for example.
• Push the EDIT selector to begin editing.
Speaker cabinet models are not editable.
ENGLISH
• Turn the EDIT selector to change the letter or character.
• Turn the PRESET selector to move to the next letter or character, or back to a previous
letter or character.
• Repeat until you have renamed the Preset.
ENGLISH
STORING A PRESET (CONT.)
GUITAR TUNER
The Section Switches act as naming shortcuts:
Pressing the PRE FX and AMP Section Switches (#15 & #16 in this manual) together
accesses the guitar TUNER:
NAMING SHORTCUTS
PRE FX
Clear
AMP
Number
MOD
Upper / Lower Case A
DEL
Upper / Lower Case
REV
Space
POWER
Backspace
CAB
Cancel
A:>>|<<
A:>>|<
• Pluck a string and the note you are playing will display.
• Tune the string until the name of the note you wish to tune to appears on the screen.
• To complete the store process, press & hold EXIT/STORE once more until STORED
appears on the display screen. Your edited Preset has now been stored to CODE’s
memory.
• The bar will move to the left if the note is flat. The bar will move to the right if the note is
sharp.
• When the bar is dead centre, that string is tuned to the displayed note.
• Press EXIT/STORE to exit the Tuner.
BLUETOOTH
FACTORY RESET
Pressing REV and POWER Section Switches together (#19 & #20 in this manual) accesses
the Bluetooth® pairing function:
Performing a factory reset will return CODE’s Presets back to when it was new.
• The display screen will show ‘Bluetooth:’ with your CODE amplifier’s
pairing ID.
• The blue LED on EXIT/STORE (#22 in this manual) will flash while pairing.
• When paired, the blue LED will stop flashing and remain lit.
• When streaming audio, use the MASTER volume control or your music player to set the
volume level.
Streamed audio will bypass CODE’s panel features, with the exception of MASTER
volume.
Before performing a factory reset, be sure that you want to overwrite all of your personal
Presets.
To perform a factory reset:
• Power OFF the amplifier using the ON/OFF switch (#14 in this manual).
• Whilst holding down the AMP Section Switch, turn the power ON.
• The screen will display a notification that the amplifier is about to be returned to its
factory settings.
• If you are sure that you want to perform a factory reset, press and hold the EXIT/STORE
switch to confirm (#22 in this manual).
The Marshall Gateway™ App enables you to control your CODE amplifier remotely using
your iOS or Android device. Create a Marshall Cloud profile and sync your device to
manage your Preset library online. You can share your Presets, access featured Presets,
join the conversaion on the CODE Forum and more. Register and become part of the
CODE online community at: my.marshall.com. Download Marshall Gateway now from the
App Store or Google Play.
• If you do not want to restore the factory presets, pressing any other switch will cancel the
factory reset operation and boot the amplifier as normal.
ENGLISH
ENGLISH
DECLARATION OF CONFORMITY
Manufacturer:
Marshall Amplification Plc,
Denbigh Road,
Bletchley,
Milton Keynes,
Bucks,
United Kingdom
MK1 1DQ
Kind of equipment:
Audio Equipment
Type designation:
CODE100, CODE100H
NOTES
We, Marshall Amplification Plc, declare under our sole responsibility that the above listed products complies with the following
Directives:
1. EMC Directive 2014/30/EU;
2. Low Voltage Directive (LVD) 2014/35/EU;
3. R&TTE Directive 1999/5/EC.
The following harmonised standards have been applied:
1. EMC
• EN 55032:2012
• EN 55020:2007/A12:2016
• EN 61000-3-2:2014
• EN 61000-3-3:2013
2. LVD
• EN 60065:2014
3. R&TTE
Health &
Safety
(Article 3(1)(a))
• EN 62479:2010
• EN 60065:2014
EMC
(Article 3(1)(b))
• ETSI EN 301 489-1 V1.9.2:2011
• ETSI EN 301 489-17 V2.2.1:2012
Spectrum
(Article 3(2))
• ETSI EN 300 328 V1.9.1:2015
Signature:
Name: B. Moon
Date: 1st May 2017
17
Name of the responsible party:
Jam Industries USA, LLC
Address of the responsible party:
1649 Barclay Blvd, Buffalo Grove, IL 60089, United States of America.
Telephone number of the
responsible party:
800-877-6863
Name of equipment:
MD116D Guitar Amplifiers
Model No.:
CODE100, CODE100H
This device complies with part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause
harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired
operation.
ENGLISH
ENGLISH
MARSHALLAMPS.COM
Marshall Amplification plc, Denbigh Road,
Bletchley, Milton Keynes, MK1 1DQ, England.
Telephone: +44 (0) 1908 375411 | Fax: +44 (0) 1908 376118
Registered in England. Registered Number: 805676
Whilst the information contained herein is correct at the time of publication, due to our policy of constant improvement
and development, Marshall Amplification plc reserves the right to alter specifications without prior notice.

---

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