Apple CutStudio(2009) Cut Studio Workflows User Manual Studio(2009) 2009

• Final Cut Studio Workflows
  • Contents
  • Introduction
    • About Final Cut Studio Workflows
    • About the Final Cut Studio Documentation
    • Additional Resources
  • Developing a Post-Production Strategy
    • The Overall Post-Production Workflow Explained
    • Why Design Your Workflow in Advance?
    • Types of Overall Workflows
      • Acquired on Video for Output to the Web
      • Acquired on Video for Output to a Consumer Playback Format
      • Acquired on Video for Broadcast Delivery
      • Acquired on Film for Broadcast Delivery
      • Acquired on Film for Theatrical Exhibition
      • Acquired via Digital Cinema Camera for Theatrical Exhibition
  • Ingesting and Organizing Your Media
    • What Is Ingest?
    • Importing Information to Aid in Capturing
    • Choosing the Best Ingest Strategy for Your Workflow
    • Ingest Methods Based on Media Type
      • Ingesting Tapeless Media
      • Ingesting Tape-Based Media
      • Ingesting Film Transferred to Video
      • Ingesting Film Transferred as DPX or Cineon Image Sequences
      • Ingesting Audio
      • Ingesting Individual Still Images
      • Ingesting Animation and Broadcast Design Files
    • Asset Management and Organization
      • Organizing Ingested Media, Project Files, and Other Assets
      • Organizing Your Project Within Final Cut Pro
      • Organizing and Sharing Assets Using Final Cut Server
      • When Is Cinema Tools Involved with Media Organization?
  • Integration During Editorial Development
    • What Is Editorial Development?
    • Importing Editorial Information from Other Sources
    • Integrating Titles and Broadcast Design Elements During Editing
      • Using Design Elements from Motion
        • Editing Media from Motion into a Final Cut Pro Sequence
        • Using Send To Motion Project
        • Using Master Templates in Final Cut Pro
      • Using Graphics and Animation Files from Other Applications
        • Compatible Still-Image Formats
        • Image Sequences
        • Compatible Media Formats for Animation and Effects
        • Tips for Designing Graphics in Third-Party Applications
    • Audio Cleanup and Sound Design During the Offline Edit
      • Sending Specific Clips to Soundtrack Pro for Cleanup
      • Processing Audio Using an External Editor
      • Creating Temporary Music in Soundtrack Pro, GarageBand, or Logic Studio
        • Using Soundtrack Pro
        • Using GarageBand
        • Using Logic Studio
        • Using a Third-Party Audio Application
  • Client Review
    • Arranging for Client Review
    • Local Review Methods
    • Remote Review Methods
  • Finishing
    • What Is Finishing?
    • Finishing Using Compressed Versus Uncompressed Media
    • Format Conversion When Finishing Mixed-Format Sequences
    • Reconforming Media to Online Quality
      • Reconforming Offline Duplicates of Online Media
      • Reconforming Tapeless Media
      • Reconforming Tape-Based Media
      • Reconforming via Telecine Retransfer
      • Reconforming to DPX or Cineon Film Scans
    • Creating Final Broadcast Design Elements and Effects
      • Creating High-Quality Slow-Motion Clips Using Motion
      • Using Effects in Offline/Online Workflows That Change Resolutions
      • When a Color Roundtrip Changes Sequence Resolution
    • Color Correction
      • Color Correcting a Program in Final Cut Pro
      • Sending a Project to Color
        • Preparing Your Sequence to Send to Color
        • Rendering Your Project and Sending It Back to Final Cut Pro
        • Making Color Correction Changes After Your Project Is Back in Final Cut Pro
      • Delivering a Program to Another Facility for Grading
        • Translating Your Project Using XML
        • Delivering a Tape Master for Tape-to-Tape Color Correction
    • Final Sound Editing, Design, and Mixing
      • Organizing Your Audio in Preparation for Mixing
      • Audio Finishing Using Final Cut Pro
      • Audio Finishing Using SoundTrack Pro
      • Audio Finishing Using Third-Party DAW Solutions
        • Delivering Your Program Materials
        • Marrying the Final Mix Back to Your Video
  • Mastering
    • What Is Mastering?
    • Creating Versions of a Program with and Without Titles
    • Format Conversion
    • Subtitling and Closed Captioning
      • Handling Closed Captioning
        • Capturing Video with Closed Captioning Using Final Cut Pro
        • Outputting Video with Closed Captioning Using Final Cut Pro
        • Adding Closed Captioning Using Compressor
        • Adding Closed Captioning Using Third-Party Utilities and Hardware
        • Having Someone Else Do It
      • Handling Subtitles
        • Adding Subtitles Using Text Generators in Final Cut Pro
        • Adding Subtitles in DVD Studio Pro
        • Adding Text Tracks to QuickTime Movies
    • Delivering Audio
      • What Type of Audio Mix Is Required?
        • Stereo
        • 5.1 Surround
        • Left/Center/Right
      • Alternative Audio Mixes for International Distribution
  • Output and Delivery
    • How to Output?
      • Outputting to Tape
      • Creating Standard Definition DVDs
      • Creating Blu-ray Discs
      • Exporting Movies for the Web
      • Printing to Film
      • Digital Cinema Mastering
    • Doing a Negative Conform
    • Long-Term Archiving of the Finished Project and Media