Arcam Avr400 Users Manual

AVR surround amplifier AVR400 avr400e_man2

AVR400 to the manual 597b2050-5504-4558-bab9-cffb8cd6287c

: Arcam Arcam-Avr400-Users-Manual-356187 arcam-avr400-users-manual-356187 arcam pdf

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AVR400

HANDBOOK AVR surround amplier

AVR400

HANDBOOK AVR surround amplier

English

E-2

CAUTIONS ON INSTALLATION

For proper heat dispersal, do not install this unit

in a conned space, such as a bookcase or similar

enclosure.

• More than 0.3 m (12 in.) is recommended.

• Do not place any other equipment on this unit.

safety

Important safety instructions

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

4. Follow all instructions.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

Unplug the unit from the mains supply before cleaning.

e case should normally only require a wipe with a so,

lint-free cloth. Do not use chemical solvents for cleaning.

We do not advise the use of furniture cleaning sprays or

polishes as they can cause permanent white marks.

7. Do not block any of the ventilation openings.

Install in accordance with the manufacturer’s

instructions.

8. Do not install near any heat sources such as

radiators, heat registers, stoves, or other apparatus

(including ampliers) that produce heat.

9. Do not defeat the safety purpose of the polarized or

grounding type plug.

A polarized plug has two blades with one wider than the

other. A grounding type plug has two blades and a third

grounding prong. e wide blade or the third prong

is provided for your safety. When the provided plug

does not t into your outlet, consult an electrician for

replacement of the obsolete outlet.

10. Protect the power cord from being walked

on or pinched particularly at plugs, convenience

receptacles, and the point where they exit from the

apparatus.

11. Only use the attachments/accessories specied by

the manufacturer.

12. Use only with a cart, stand,

tripod, bracket, or table specied

by the manufacturer, or sold with

the apparatus.

When a cart is used, use caution

when moving the cart/apparatus combination to avoid

injury from tip-over.

13. Unplug this apparatus during lightning storms or

when unused for long periods of time.

14. Refer all servicing to qualied service personnel.

Servicing is required when the apparatus has been

damaged in any way, such as power supply cord or plug

is damaged, liquid has been spilled or objects have fallen

into the apparatus, the apparatus has been exposed to

rain or moisture, does not operate normally, or has been

dropped.

15. Object or liquid entry

WARNING – Take care that objects do not fall and

liquids are not spilled into the enclosure through any

openings. e equipment shall not be exposed to

dripping or splashing. Liquid-lled objects such as vases

should not be placed on the equipment.

16. Service Instructions

CAUTION – ese servicing instructions are for use by

qualied service personnel only. To reduce the risk of

electric shock, do not perform any servicing other than

that contained in the operating instructions unless you

are qualied to do so.

17. Climate

e equipment has been designed for use in moderate

climates and in domestic situations. Unplug this

equipment during lightning storms to prevent possible

damage from a strike or mains surge.

18. Power sources

Only connect the equipment to a power supply of

the type described in the operating instructions or as

marked on the equipment.

e primary method of isolating the equipment from

the mains supply is to remove the mains plug. e

equipment must be installed in a manner that makes

disconnection possible.

19. Power-cord protection

Power supply cords should be routed so that they are not

likely to be walked on or pinched by items placed upon

or against them. Pay particular attention to the point

where they exit from the equipment.

20. Power lines

Locate any outdoor antenna/aerial away from power

lines.

21. Speaker connections

Any speakers must be connected to the AVR400 using

class II wire (i.e. no connection to Earth should be

made). Failure to observe this precaution may cause the

unit to become damaged.

22. Non-use periods

If the equipment is not being used for an extended

period, we recommend that you unplug the power cord

of the equipment from the outlet, to save power.

23. Abnormal smell

If an abnormal smell or smoke is detected from the

equipment, turn the power o immediately and unplug

the equipment from the wall outlet. Contact your dealer

and do not reconnect the equipment.



   

  

  

   



CAUTION: To reduce the risk of electric shock, do not remove cover (or back). No user serviceable parts inside. Refer servicing to qualified

service personnel.

WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

The lightning flash with an arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of

uninsulated ‘dangerous voltage’ within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric

shock to persons.

The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and

maintenance (servicing) instructions in the literature accompanying the appliance.

CAUTION: In Canada and the USA, to prevent electric shock, match the wide blade of the plug to the wide slot in the socket

and insert the plug fully into the socket.

Class II product

is equipment is a Class II or double

insulated electrical appliance. It has been

designed in such a way that it does not

require a safety connection to electrical

earth (‘ground’ in the U.S.).

zz

z

Wall

z

E-3

English

FCC INFORMATION FOR US CUSTOMERS

1. PRODUCT

is product complies with Part 15 of the FCC Rules.

Operation is subject to the following two conditions:

(1) is device may not cause harmful interference,

and (2) this device must accept any interference

received, including interference that may cause

undesired operation.

2. IMPORTANT NOTICE:

DO NOT MODIFY THIS PRODUCT

is product, when installed as indicated in the

instructions contained in this manual, meets FCC

requirements. Modication not expressly approved

by ARCAM may void your authority, granted by the

FCC, to use the product.

3. NOTE

is product has been tested and found to comply

with the limits for a Class B digital device, persuant

to Part 15 of the FCC Rules. ese limits are designed

to provide reasonable protection against harmful

interference in a residential installation.

is product generates, uses and can radiate radio

frequency energy and, if not installed and used in

accordance with the instructions, may cause harmful

interference to radio communications. However,

there is no guarantee that interference will not occur

in a particular installation. If this product does cause

harmful interference to radio or television reception,

which can be determined by turning the product

OFF and ON, the user is encouraged to try to correct

the interference by one or more of the following

measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment

and receiver.

• Connect the product into an outlet on a circuit

dierent from that to which the receiver is

connected.

• Consult the local retailer authorized

to distribute this type of product or an

experienced radio/TV technician for help.

SAFETY INFORMATION

FOR EUROPEAN CUSTOMERS

• Avoid high temperatures. Allow for sucient

heat dispersion when installed in a rack.

• Handle the power cord carefully. Hold the plug

when unplugging the cord.

• Keep the unit free from moisture, water, and

dust.

• Unplug the power cord when not using the unit

for long periods of time.

• Do not obstruct the ventilation holes.

• Do not let foreign objects into the unit.

• Do not let insecticides, benzene, and thinner

come in contact with the unit.

• Never disassemble or modify the unit in any way.

• Ventilation should not be impeded by covering

the ventilation openings with items, such as

newspapers, tablecloths or curtains.

• Naked ame sources such as lighted candles

should not be placed on the unit.

• Observe and follow local regulations regarding

battery disposal.

• Do not expose the unit to dripping or splashing

uids.

• Do not place objects lled with liquids, such as

vases, on the unit.

• Do not handle the mains cord with wet hands.

• When the switch is in the OFF position, the

equipment is not completely switched o from

MAINS.

• e equipment shall be installed near the

power supply so that the power supply is easily

accessible.

A NOTE ABOUT RECYCLING:

is product’s packaging materials are recyclable and can be reused. Please dispose of any materials in accordance

with the local recycling regulations.When discarding the unit, comply with local rules or regulations.

Batteries should never be thrown away or incinerated but disposed of in accordance with the local regulations

concerning battery disposal.

is product and the supplied accessories, excluding the batteries, constitute the applicable product according to

the WEEE directive.

CORRECT DISPOSAL OF THIS PRODUCT

ese markings indicate that this product should not be

disposed with other household waste throughout the EU.

To prevent possible harm to the environment or human

health from uncontrolled waste disposal and to conserve

material resources, this product should be recycled

responsibly.

To dispose of your product, please use your local return and collection systems or contact the retailer where the

product was purchased.

E-5

English

welcome

ank you and congratulations on purchasing your Arcam FMJ AVR400 Receiver.

Arcam has been producing specialist audio products of remarkable quality for over three

decades and the new AVR400 Receiver is the latest in a long line of award winning Hi-Fi. e

design of the FMJ range draws upon all of Arcam’s experience as one of the UK’s most respected

audio companies, to produce Arcam’s best performing range of products yet – designed and built

to give you years of viewing and listening enjoyment.

is handbook is intended to give you a detailed guide to using the AVR400 Receiver. It starts

by giving advice on installation, moves on to describe how to use the product and nishes with

additional information on the more advanced features. Use the contents list shown on this page

to guide you to the section of interest.

We hope that your FMJ receiver will give you years of trouble-free operation. In the unlikely

event of any fault, or if you simply require further information about Arcam products, our

network of dealers will be happy to help you. Further information can also be found on the

Arcam website at www.arcam.co.uk.

e FMJ development team

Contents

Safety ...........................................................E-2

Welcome .....................................................E-5

Before you begin .......................................E-6

Rear Panel Connectors .............................E-9

Audio/Video Connections .................... E-10

Connection Guide ................................................ E-14

Radio Connectors .................................. E-16

Other Connectors .................................. E-17

Speakers .................................................. E-18

Operation ................................................ E-20

Front Panel Operation .......................... E-22

Remote Control ...................................... E-23

Essential Setup ....................................... E-32

Auto Speaker Setup............................... E-33

Setup Menus ........................................... E-34

Decoding Modes .................................... E-40

Dolby Volume ........................................................E-42

Tuner Operation ..................................... E-44

Network/USB Operation....................... E-45

Multi-Room Set Up ................................ E-46

Multi-Room Connection Guide ......................E-47

Customising the CR102 ........................ E-48

Command Summary .......................................... E-51

Device Codes .........................................................E-51

Trouble shooting .................................... E-52

Specications.......................................... E-54

Product Guarantee ................................ E-55

Device Code Tables ....................................56

Professional Installation?

It may be that the AVR400 has been installed and set up as part of your Hi-Fi installation by a qualied Arcam

dealer. In this case, you may wish to skip the sections of this handbook dealing with installation and setting up,

and move directly to the sections dealing with using the unit. Use the Contents list to guide you to these sections.

DIY setup?

e AVR400 is a powerful and sophisticated piece of AV equipment. If you are setting the unit up yourself,

it is recommended that you read this handbook thoroughly before beginning. For instance, correct speaker

conguration and placement is a key to getting the most out of your AVR400 and making sure that all the

elements of your system work in harmony.

E-6

e AVR400 receiver is designed to produce a level of

performance that will truly bring music and movies

to life.

e AVR400 is a high-quality and high-performance

home-cinema processor and amplier built to Arcam’s

quality design and manufacturing standards. It

combines digital processing with high-performance

audio and video components to bring you an unrivalled

home-entertainment centre.

e AVR400 allows switching and control of seven

analogue and six digital audio sources in addition to

internal AM, FM and DAB radio – as well as networked

and USB audio sources – making it an ideal hub for both

home-cinema and two-channel stereo systems.

Since many of these source components are also capable

of generating video signals, the AVR400 includes

broadcast-quality switching for HDMI, Composite,

S-Video, RGB and Component video signals. BD-Audio

and SACD can be connected via the multi-channel

input. Control of the AVR400 is either by front panel

control buttons, IR remote control or RS232 port.

e CR102 remote control supplied with the AVR400

is an eight-device ‘universal’ learning remote control

which is simple to use, and once set up is able to control

a complete system. It can be programmed using its vast

internal code library to control CD and BD players,

PVRs, TVs and other devices.

e installation of the AVR400 in a listening room

is an important process which requires care at every

stage. For this reason, the installation information is

very comprehensive and should be followed carefully to

achieve an unrivalled level of performance.

before you

begin…

4

E-7

English

Placing the unit

< Place the unit on a level, rm surface, avoiding

direct sunlight and sources of heat or damp.

< Do not place the AVR400 on top of a power

amplier or other source of heat.

< Do not place the amplier in an enclosed space

such as a bookcase or closed cabinet unless there is

good provision for ventilation. e AVR400 will run

warm during normal operation.

< Do not place any other component or item on top of

the amplier as this may obstruct airow around the

heat-sink, causing the amplier to run hot. (e unit

placed on top of the amplier would become hot,

too.)

< Make sure the remote-control receiver on the front

panel display is unobstructed, otherwise this will

impair the use of the remote-control. If line-of-sight

is impractical, a remote-control repeater can be used

with the rear panel connector (see page E-17).

< Do not place your record deck on top of this

unit. Record decks are very sensitive to the noise

generated by mains power supplies which will be

heard as a background ‘hum’ if the record deck is too

close.

Power

e amplier is supplied with a moulded mains plug

already tted to the lead. Check that the plug supplied

ts your supply – should you require a new mains lead,

please contact your Arcam dealer.

If your mains supply voltage or mains plug is dierent,

please contact your Arcam dealer immediately.

e AVR400 can be switched for operation between

220–240V (switch position 230V) and 110–120V

(switch position 115V).

NOTE

Ensure that the AVR400 is switched o and the

power lead removed before changing the position of

the voltage range switch.

Push the IEC plug end of the power cable into the

socket on the back of the amplier, making sure that it

is pushed in rmly. Plug the other end of the cable into

your mains socket and, if necessary, switch the socket

on.

e AVR400 can be turned on using the POWER switch

on the front panel. While switched on, the front panel

LED will glow green.

Standby power

e AVR400 can be switched into standby mode using

the 2 button on the CR102 remote control. While in

standby mode the front panel LED will glow red and

power consumption is less than 0.5 Watts.

While in Standby mode, it may be possible to hear a

slight residual hum coming from the mains transformer

inside the amplier. is is perfectly normal. However,

if the unit is to be le unused for an extended period,

we recommend that you disconnect it from the mains

supply to save power.

Interconnect cables

We recommend the use of high-quality screened cables

that are designed for the particular application. Other

cables will have dierent impedance characteristics

that will degrade the performance of your system (for

example, do not use cabling intended for video use to

carry audio signals). All cables should be kept as short

as is practically possible.

It is good practice when connecting your equipment to

make sure that the mains power-supply cabling is kept

as far away as possible from your audio cables. Failure to

do so may result in unwanted noise in the audio signals.

For information on speaker cabling, please refer to the

‘Speakers’ section, beginning on page E-18.

Radio interference

e AVR400 is an audio device containing

microprocessors and other digital electronics. It has

been designed to very high standards of electromagnetic

compatibility.

is is a Class A product. In a domestic environment

this product may cause radio interference, in which case

the user may be required to take adequate measures.

If the AVR400 causes interference to radio or television

reception (which can be determined by switching the

AVR400 o and on), the following measures should be

taken:

< Re-orient the receiving antenna or route the antenna

cable of the aected receiver as far as possible from

AVR400 and its cabling.

< Relocate the receiver with respect to the AVR400.

< Connect the aected device and the AVR400 to

dierent mains outlets.

If the problem persists, please contact your Arcam

dealer.

E-8

Dolby Volume

Manufactured under license from Dolby

Laboratories. Dolby and the double-D symbol

are trademarks of Dolby Laboratories.

Dolby TrueHD, Digital, Digital Plus,

PL IIx

Manufactured under license from Dolby

Laboratories. Dolby, Pro Logic, and the

double-D symbol are trademarks of Dolby

Laboratories.

DTS-HD Master Audio

Manufactured under license under U.S. Patent

#’s: 5,451,942; 5,956,674; 5,974,380; 5,978,762;

6,226,616; 6,487,535; 7,212,872; 7,333,929;

7,392,195; 7,272,567 & other U.S. and worldwide

patents issued & pending. DTS and the Symbol

are registered trademarks, & DTS-HD, DTS-HD

Master Audio, and the DTS logos are trademarks

of DTS, Inc. Product includes software.

© DTS, Inc. All Rights Reserved.

DTS-HD High Resolution Audio

Manufactured under license under U.S.

Patent #’s: 5,451,942; 5,956,674; 5,974,380;

5,978,762; 6,226,616; 6,487,535; 7,212,872;

7,333,929 & other U.S. and worldwide patents

issued & pending. DTS and the Symbol are

registered trademarks, & DTS-HD, DTS-HD

High Resolution Audio and the DTS logos

are trademarks of DTS, Inc. Product includes

software. © DTS, Inc. All Rights Reserved.

DTS Digital Surround

ES|Neo:6|96/24

Manufactured under license under U.S. Patent

#’s: 5,451,942; 5,956,674; 5,974,380; 5,978,762;

6,226,616; 6,487,535; 7,003,467; 7,212,872 &

other U.S. and worldwide patents issued &

pending. DTS, the Symbol, ES, and Neo:6 are

registered trademarks & DTS Digital Surround,

DTS 96/24 and the DTS logos are trademarks of

DTS, Inc. Product includes software.

© DTS, Inc. All Rights Reserved.

AAC/AAC Plus

aacPlus is a trademark of Coding Technologies.

See www.codingtechnologies.com for more

information.

FLAC

FLAC Decoder Copyright © 2000, 2001, 2002,

2003, 2004, 2005, 2006, 2007, 2008 Josh Coalson

Redistribution and use in source and binary

forms, with or without modification, are

permitted provided that the following conditions

are met:

- Redistributions of source code must retain the

above copyright notice, this list of conditions

and the following disclaimer.

- Redistributions in binary form must

reproduce the above copyright notice, this list of

conditions and the following disclaimer in the

documentation and/or other materials provided

with the distribution.

- Neither the name of the Xiph.org Foundation

nor the names of its contributors may be used

to endorse or promote products derived from

this software without specific prior written

permission.

THIS SOFTWARE IS PROVIDED BY

THE COPYRIGHT HOLDERS AND

CONTRIBUTORS “AS IS” AND ANY EXPRESS

OR IMPLIED WARRANTIES, INCLUDING,

BUT NOT LIMITED TO, THE IMPLIED

WARRANTIES OF MERCHANTABILITY AND

FITNESS FOR A PARTICULAR PURPOSE

ARE DISCLAIMED. IN NO EVENT SHALL

THE FOUNDATION OR CONTRIBUTORS

BE LIABLE FOR ANY DIRECT, INDIRECT,

INCIDENTAL, SPECIAL, EXEMPLARY, OR

CONSEQUENTIAL DAMAGES (INCLUDING,

BUT NOT LIMITED TO, PROCUREMENT OF

SUBSTITUTE GOODS OR SERVICES; LOSS

OF USE, DATA, OR PROFITS; OR BUSINESS

INTERRUPTION) HOWEVER CAUSED AND

ON ANY THEORY OF LIABILITY, WHETHER

IN CONTRACT, STRICT LIABILITY, OR

TORT (INCLUDING NEGLIGENCE OR

OTHERWISE) ARISING IN ANY WAY OUT

OF THE USE OF THIS SOFTWARE, EVEN IF

ADVISED OF THE POSSIBILITY OF SUCH

DAMAGE.

vTuner

This product is protected by certain intellectual

property rights of NEMS and BridgeCo. Use

or distribution of such technology outside of

this product is prohibited without a license

from NEMS and BridgeCo or an authorized

subsidiary.

MP3

MPEG Layer-3 audio decoding technology

licensed from Fraunhofer IIS and Thomson

multimedia

iPod

iPod is a trademark of Apple Inc., registered in

the US and other countries.

Trademark acknowledgements

Arcam is a registered trademark of A & R Cambridge Ltd.

HDMI, the HDMI logo and High-Definition

Multimedia Interface are trademarks or

registered trademarks of HDMI Licensing LLC.

ROVI

This item incorporates copy protection

technology that is protected by U.S. patents

and other intellectual property rights of

Rovi Corporation. Reverse engineering and

disassembly are prohibited.

E-9

English

NOTE

Please read the ‘Placing the unit’, ‘Power’ and

‘Interconnect cables’ sections on page E-7 before

connecting up your AVR400 integrated amplier!

Voltage select

Ensure the voltage selected

matches your local power supply

rear panel

connectors

230V115V

HDMI

For information, see page E-10.

Speaker connectors

For information, see page E-19.

Power inlet

Connect the correct mains

cable here

Video connectors

Component, S-Video and Composite connectors,

see page E-11.

Zone2 connection, see page E-11.

Digital connectors

Optical and electrical digital

audio connectors, seepage E-11.

Audio connectors

Two-channel and multi-

channel, see page E-12.

Preamplier output

See page E-12

Aerials, control and communication

FM/AM/DAB radio, rLead/irDock, RS232,

Network/USB, IR and trigger connectors,

see page E-16, page E-17.

E-10

audio/video

connections

Before connecting your AVR400 to your source

components and speakers, please read through the

next few pages which will explain all the input and

output connectivity that is available. e ‘Speakers’

section explains how to connect up your speakers to

avoid damage to the amplier and how to arrange your

speakers for best performance.

General

e inputs are named to make it easier to reference

connected devices (e.g. ‘BD’ or ‘VCR’). ey all have the

same input circuit, so there is no reason why you should

not connect a dierent device to any of the inputs. For

example, if you had two BD players and the AV input

was not being used, then the second BD player could be

connected to the AV input.

When connecting a video source, its audio must be

connected to the corresponding sockets. For example,

if you a had a satellite decoder plugged into a SAT video

input, the audio must be connected to the SAT audio

inputs!

e hierarchy for video connections for best quality is

as follows:

< HDMI

< Component/RGB

< S-Video

< Composite.

For any video source to be available in Zone2 you must

have a Composite connection between AVR400 and the

source.

Making connections

< Wherever possible, connect both the analogue

and digital outputs of digital sources. is enables

use of a digital input for the main zone and the

corresponding analogue input for the Zone2 output.

< Take care to place cables as far from any power

supply cabling as is practicable, to reduce hum and

other noise problems.

HDMI connectors

AV, SAT, BD, VCR, PVR

Connect the HDMI video outputs of your source equipment to these

corresponding HDMI inputs.

OUTPUT

Connect this output to the HDMI video input of your display device.

is output is compatible with the HDMI 1.4 Audio Return Channel

(ARC). If you have a supported television then sound from the

television’s internal tuner (e.g. Freeview, Freesat, DVB-T) will be

available using the AVR400’s “Display” input.

Important notes about Component/RGB

video inputs and outputs

< When you connect your devices to these

connectors, take care to follow the letter/colour

coding for each input. No damage will occur but

incorrectly coloured or unstable pictures will

result.

< e Component video inputs have sucient

bandwidth for NTSC (525/60) or PAL (625/50)

video and HDTV video signals.

NOTE:

For each input, you must set the “Video Source”

and “Audio Source” settings according to the

connection type.

(see “Input Cong.” on page E-35)

E-11

English

Zone2 connectors

e Z2 out analogue audio connector can be used

to connect the stereo audio output of the AVR400

to an amplier located in a second room. Connect

the analogue video output to your Zone2 display

equipment. See ‘Multi-room Setup’ on E-46 for

information.

S-Video and Composite

connectors

AV, VCR, BD, SAT

Connect these inputs to the S-Video and Composite

outputs of your available source equipment.

Component/RGB video

connectors

ese inputs are suitable for connection to source

devices which output Component (YUV or YPbPr) or

RGB high quality analogue video signals. ese signals

are usually available from BD players, set-top boxes or

games consoles.

If you are connecting up to an RGB source you may also

need to connect the source’s Composite output to the

AVR400 Composite input to act as a video sync (‘RGB

+ Sync’ format). e Composite signal should be on the

same named input as the RGB signals. e AVR400 is

also compatible with ‘Sync on Green’ or ‘RGsB’ signals.

RGB video outputs on source equipment are oen on

SCART connectors. You will need to use a SCART to

‘RGB+Sync on phono’ breakout cable, available from

your Arcam dealer.

NOTE

When setting up the AVR400 menus (later in

this manual), you will need to select whether the

three-wire high quality video input is Component

(‘Normal’), ‘RGsB’ or ‘RGB + Sync’ for each input.

is is done on the ‘Component Mode’ line in the

Input Cong menu. Failure to do this can result in a

green looking picture or a picture that is unstable.

COMPONENT VIDEO IN SAT, AV, BD

Connect the Component video outputs of your source

equipment to these inputs.

COMPONENT VIDEO OUT

Connect this output to the Component video input of

your display device.

Digital audio connectors

VCR, PVR, BD, CD, AV, SAT

Connect these inputs to the digital outputs of your

available source equipment.

NOTE

Analogue RGB video output is not available from

the AVR400. e analogue three-wire high quality

video output is always congured as Component

video.

E-12

Analogue audio inputs

AV, SAT, BD, VCR, PVR, CD

Connect the le and right inputs to the le and right

outputs of your source equipment.

MCH input

is multi-channel analogue

audio input can be connected

to a source device which

outputs surround sound on its

analogue outputs. Such devices

typically include DVD-Audio

and SACD players. is input does not pass through

any of the audio processing in the AVR400, therefore

functions such as speaker size and distance from the

listening position should be copied from the AVR400

Setup menus into the Setup menus of your multi-channel

source. Note however that speaker level trims are applied

to the MCH input on the AVR400. erefore speaker level

trim settings on multichannel source equipment should be

le unset at zero.

Analogue pre-amplifier outputs

All pre-amplier analogue

outputs are buered, have

a low output impedance,

are at line level and follow

the Zone1 volume control

setting. ey are able to drive

long cables or several inputs in parallel if required.

For more information on connecting speakers or

additional power ampliers, see page E-18 and E-19.

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PHONES

AUX

Front panel AUX input

e front panel AUX input can be

used as an analogue or optical

digital input.

For analogue sources, use a stereo

3.5mm lead; for digital sources

use a 3.5mm optical lead. e

front input is also used for the

auto-setup microphone input.

Front panel PHONES socket

is socket accepts headphones with an impedance

rating between 32 and 600, tted with a 3.5mm

stereo jack plug. e headphone socket is always active,

except when AVR400 is muted.

When the headphone jack is inserted, the speaker

outputs and analogue pre-amplier outputs are

automatically muted.

E-13

English

E-14

BD/SAT

Connection guide

Blu-ray Disc (BD) / DVD player

e diagram shows how to make audio and video

connections from a typical BD/DVD player.

e preferred video hook-up, in order of preference is:

< use the HDMI connector (if HDMI output is

provided by the player), otherwise connect the three

Component or four RGB+Sync video connectors.

< use the S-Video connection if HDMI or Component

/RGB+Sync outputs are not provided by your player.

< use the Composite connection if HDMI,

Component/RGB+Sync or S-Video are not provided

by your player.

In each case, connect the video inputs labelled BD on the

AVR400.

e preferred audio hook-up is using the coaxial digital

connector (usually marked DIGITAL AUDIO OUT), in

addition to the coaxial analogue outputs for le and

right channels.

In each case, use the audio inputs labelled BD on the

AVR400.

Satellite receiver

A satellite receiver is connected in the same way as a BD

player, with the same order of preference according to

the outputs provided by the satellite receiver.

In each case, use the inputs labelled SAT on the AVR400.

Note that digital audio input from a satellite receiver

sometimes requires a coaxial/TOSLINK (digital

connector) interconnect cable, as some satellite receivers

do not implement audio over HDMI properly or at all.

CD player

Connect the digital audio output (if provided by the CD

player) to the digital CD input of the AVR400, using a

high quality coaxial interconnect cable.

Connect the right and le analogue audio outputs of

the CD player to the analogue CD inputs of the AVR400,

using a pair of high quality coaxial interconnect cables.

NOTE:

For each input, you must set the “Audio Source”

setting according to the connection type.

(see “Input Cong.” on page E-35)

E-15

English

Connecting an iPod using the Arcam irDock

e combination of the AVR400 and Arcam’s optional

irDock or rLead accessory provides a great platform for

your iPod.

Connect the irDock as shown, power on the irDock,

slot in your iPod and select iPod as the source. Note that

the default input is VCR but this can be changed in the

General Setup menu.

Navigating through music and podcasts on your iPod is

simple using the CR102 remote, with text appearing on

the AVR400 display.

More information is given in the irDock quick start

guide (or rLead quick start guide) supplied with these

accessory units.

E-16

FM

Connecting an aerial

A suitable FM aerial

must be connected to

the AVR400 before FM

radio can be received.

In strong signal areas,

the wire FM aerial

supplied can be used with

reasonable results.

When installed and

receiving FM radio, check the signal

strength by pressing the front panel or

remote control’s INFO button until the

signal indicator is displayed.

In weak signal areas, or for optimal

FM radio reception, a roof- or lo-

mounted aerial is advised as this

will give superior reception.

In some areas, cable radio may be available or, in an

apartment building, a distributed aerial system may

be installed. In either of these cases you should have

sockets in your home marked FM or VHF (do not use

those marked TV); these should be connected to the FM

coaxial connector on the rear of the AVR400.

AM

Connecting an aerial

An AM aerial is required to receive AM/medium wave

radio signals, so a simple loop aerial is supplied with

the AVR400. Follow the assembly instructions in the

diagram below.

Make sure that the aerial is positioned well away from

the AVR400 itself, TVs, computers and other sources

of RF ‘interference’. Rotate the aerial to discover which

position gives the best reception.

DAB

(where tted)

In strong signal areas,

the DAB ‘T’ wire aerial

supplied can be used

with reasonable results.

Mount the aerial as high

up as possible on a wall.

In the UK the

‘T’-elements need to be positioned vertically for

DAB reception since broadcasts are

vertically polarised. In other localities,

check with your Arcam dealer or try

both horizontal and vertical positions

for best reception.

Try each usable wall of the room

to see which gives best reception

and use tacks or adhesive tape

to secure the aerial in a ‘T’

shape, but note that no tacks

should come into contact with the

internal wire of the aerial.

When installed and receiving DAB,

check the signal strength by pressing

the front panel or remote control’s

INFO button until the signal quality

indicator is displayed.

In weak signal areas, a high-gain, externally-

mounted or roof-mounted aerial is desirable in

order to receive the highest number of services.

In Band III transmission areas (such as the UK),

use a multi-element Yagi aerial with the elements

mounted vertically, as the transmissions are

vertically polarised. If you are close to more

than one transmitter, use an omnidirectional or

folded dipole aerial.

If the DAB services in your area are transmitted

on L-band, then ask your dealer for advice for

the best aerial to use.

radio

connectors

Aerial connectors

e AVR400 is tted with an AM/FM receiver module

and a DAB receiver, depending on the region where it

was sold. e type of aerial you need depends on your

listening preferences and the local conditions.

Your AVR400 is capable of superb radio reception, but

only if it is receiving a good quality transmission signal.

Try the aerials supplied with your unit. If you are in a

medium to strong signal area, these should be adequate

for good reception. In areas with poor signal strength,

you may require a roof or lo mounted aerial.

Contact your local Arcam dealer or aerial installation

experts for advice about local reception conditions.

0V5V

2. Push the tab into the open slot in the

base of the stand. Press until the tab

clicks home.

3. Connect the lead wires to the AM socket

at the rear of the AVR400 (the wires are

not polarised). Rotate the aerial’s stand

until you obtain the best reception.

1. Release the tie-wrap and unwind the

twisted lead. Fold the plastic stand

forward through the loop frame.

E-17

English

other

connectors

Data connectors

rLead/irDock

For use with an Arcam rLead or irDock accessory. See

page E-15 and the accessory documentation for details.

RS232 serial connector

Use with control devices having an RS232 serial

port (for example, Crestron and AMX touch screen

controllers).

Network connector

is section deals with installation of the unit into an

existing home network. For

information on how to use the

AVR400’s network features,

the USB socket, and for a list

of supported le types, refer

to page E-45.

Networking is a large subject

and only the briefest guidelines are presented in

this handbook. Please contact your Arcam dealer

or specialist installer for more information about

introducing the AVR400 into your computer network.

Ethernet

If an Ethernet cable is connected, the AVR400 will

automatically attempt to connect to your network.

You should use CAT5 cable plugged into the RJ45 socket

labelled ETHERNET on the rear panel.

If your network uses static IP addressing rather than

DHCP, you will need to provide IP address, gateway,

DNS and proxy information. See page E-39 for

information on setting up the network.

USB connector

e AVR400 can play les

stored on a USB mass storage

device, typically a pen drive,

but any USB device that

complies with the ‘mass storage

device‘ class is compatible.

e AVR400 only supports the direct connection of USB

devices and will not support devices connected through

a hub. If regular access to the USB socket is required, you

may nd it convenient to use a USB extension lead.

See page E-45 for details of supported le types.

Trigger connectors

e trigger connectors (TRIG Z1 and

TRIG Z2) provide an electrical signal

whenever the AVR400 is switched on and

the relevant zone enabled.

e trigger signal can be used to switch

on and o compatible pieces of home

entertainment equipment, for example,

you could set up a trigger to turn on your

television and BD player whenever the

AVR400 was switched on.

ere are two trigger output sockets on the AVR400,

each capable of outputting a 12V, 70mA switching

signal. e socket is designed for mono 3.5mm jacks: tip

is the trigger output, sleeve is ground.

tip: Trigger output

sleeve: Ground

TRIG Z1

Use for remotely turning on and o power amps or

source equipment for Zone1. On = 12V, O = 0V.

TRIG Z2

Use for remotely turning on and o power amps or

source equipment for Zone2. On = 12V, O = 0V.

Infra-red (IR) connectors

e infra-red inputs (Z1 IR and Z2 IR) allow

the connection of external IR receivers, either

when the AVR400 front panel IR receiver is

fully or partially obstructed or to allow the

use of a remote control in Zone2.

ere are two IR inputs on the AVR400, each

designed for stereo or mono 3.5mm jacks. Tip

is the modulated signal, sleeve is ground.

tip: Modulated signal

sleeve: Ground

1

NOTE

Sockets referring to ‘Z2’ relate to connections used

in multi-room installation. For more information on

these connectors, see page E-46.

Z1 IR

is input is intended for use with a local IR receiver

when the front panel of the AVR400 is blocked.

Connecting an IR receiver to Z1 IR will disable to front

panel IR receiver to prevent problems with multiple

commands if the front panel IR receiver is only partially

obstructed.

Z2 IR

is input is intended for use with an IR receiver in

Zone2 to allow remote control of AVR400 from a

second room.

A supplier of infra-red receivers and emitter accessories

and systems is Xantech. See www.xantech.com for

more information, or ask your Arcam dealer.

NOTE

e IR inputs on the AVR400 are designed for

modulated signals. If the external IR receiver

demodulates the IR signal, it will not work. Also

the AVR400 does not provide power for external

receivers on the IR jack, therefore an external power

source will be required.

E-18

speakers

e AVR400 allows you to connect up to seven speakers

and an active subwoofer in the main system. e output

channels correspond to speakers installed in the front

le, centre, front right, surround le, surround right,

surround back le, surround back right and an active

subwoofer.

e conguration and placement of your speakers

is very important. All speakers, with the exception of

the subwoofer, should be arranged around your normal

viewing/listening position. e subwoofer should be

placed in a position which gives an even frequency

response in all listening positions. Incorrect placement

leads to bass boom in some areas. Oen the only

way to nd a good position for your subwoofer is by

experimentation. A good place to start experimenting

is close to a wall but at least 1m away from any corners.

You can also consult your subwoofer handbook for

placement suggestions.

 







 

Front left and right

Position your front le and right speakers to

achieve a good stereo image for normal musical

reproduction as well as for the multichannel

modes. If they are placed too close together there

will be a lack of spaciousness; if they are placed

too far apart a stereo image will appear to have a

large ‘hole’ in the middle and will be presented in

two halves. If there is no practical alternative to

placing the speakers widely apart, this eect can

be overcome in music reproduction by using the

centre sound extraction from the le and right

speakers (see Dolby Pro Logic II Music mode).

Centre

e centre speaker allows for a more realistic

reproduction of dialogue. e centre speaker

should have a similar tonal balance to the front

le and right speakers and be positioned at a

similar height.

Surround left and right

e surround le and right speakers reproduce

the ambient sound and eects present in a

multichannel home cinema system and should be

installed slightly higher than the listener’s ears.

Surround back left and right

e surround back le and right speakers

are used to add extra depth and better

sound localisation and should be installed

approximately one metre higher than the

listener’s ears. Place the two surround

back speakers such that there is an arc of

approximately 150 degrees between each

surround back speaker and the centre speaker.

e surround back speakers should face the front

of the room as shown in the diagram to provide

the largest ‘sweet spot’.

Subwoofer

A subwoofer will greatly improve the bass performance of

your system. is is useful for reproducing special cinema

eects, especially where a dedicated LFE (Low Frequency

Eects) channel is available, as with many discs encoded

with Dolby or DTS technologies.

More than one subwoofer unit may be required for larger

installations, particularly in rooms of a timber frame

construction. Multiple subwoofers need care in placement

because there may be cancellation eects between the

units and you may require expert advice.

E-19

English

Connecting speakers

To connect each of the speakers, unscrew the

corresponding terminals on the back of the AVR400,

insert the speaker wires through the hole in each post

and screw the terminals back up. Make sure that the

red (positive/+) terminal of the speaker is connected to

the red (positive/+) terminal on the back panel, and the

black (negative/) terminal of the speaker is connected

to the black (negative/) terminal on the back panel.

It is important that no stray strands of wire from these

connections are allowed to touch another cable or the

product casing. Failure to ensure this can cause a short

circuit and damage your AVR400.

Do not over-tighten the loudspeaker terminals, or use a

wrench, pliers, etc., as this could damage the terminals

and this would not be covered under the product’s

warranty.

FL

FR

SBR SBL

Link MUST

be removed

Link MUST

be removed

Bi-Amping the Front Left & Right speakers

Bi-amping is the use of two amplier channels per speaker. Bi-amping can

provide better sound quality than conventional single wiring. If you do not have

Surround Back speakers (i.e. you have a 5.1 surround system, not a 7.1 system)

then you can use the spare Surround Back speaker outputs to bi-amplify the

front le and right speakers, if your speakers support bi-amping. e spare

channels can alternatively be used to power stereo speakers in another room

(Zone 2).

Speakers that support bi-amping have two sets of +/- terminals per speaker,

usually linked together by metal strips. ese metal strips MUST be removed

when bi-amping; failure to remove them will result in damage to the amplier

that is not covered under warranty.

To bi-amp the front le and right speakers, remove the metal strips from

the speaker terminals. Connect the woofer or LF terminals to the FL and FR

terminals on the AVR400. Connect the tweeter or HF terminals to the SBL and

SBR terminals on the AVR400. Finally, navigate to the Setup Menu “Spkr Types”

and set the ‘Use Channels 6+7 for” menu option to “BiAmp L+R” — see page E-32.

Using external power ampliers

e internal power amplier of the AVR400 can

be supplemented or replaced with external power

amplication. Connect the PREAMP OUT sockets to your

power amplier inputs:

FL, FR, C

Connect these to the equivalent (Right, Le and Centre)

front channels of your power amplier.

SUB

Subwoofer output. Connect this to the input of your

active subwoofer, if present.

SR, SL

Surround Right and Surround Le outputs. Connect

these to the Surround Right and Le power amplier

inputs.

SBR, SBL

Surround Back Right and Surround Back Le outputs

(only used in 7.1 channel systems). Connect these to the

Surround Back Right and Surround Back Le power

amplier inputs.

All pre-amplier analogue outputs are buered, have

a low output impedance and are at line level. ey are

able to drive long cables or several inputs in parallel if

required.

Connecting subwoofers

e AVR400 also allows an active subwoofer to be connected to the SUB output.

See your subwoofer handbook for the

correct setting up and connection for

your particular subwoofer.

Speaker cables

e speakers should be connected to the amplier using

good-quality, high-purity, low impedance copper cables.

Cheap speaker cables should be avoided – they are a

false economy and can signicantly degrade the sound

quality.

e cable runs to the speakers should be as short as

practicable. Connections to the speaker terminals

should always be nger tight, whether using bare wires

or spade connectors.

E-20

Operating your AVR400

For information display we recommend you use the

OSD (On-Screen Display) on your display device

whenever possible.

Switching on

Press the front panel power button in. e power

LED will glow green, the front display shows the word

‘ARCAM’. When initialisation is complete, the display

shows the volume setting and the name of the selected

input.

Please wait until the unit has nished initialising before

operating the AVR400. It is recommended that if the

unit is switched o, you should wait at least 10 seconds

before switching the unit back on.

Standby

e AVR400 has a standby mode which can be entered

by pressing STANDBY on the remote control. When in

standby mode, the display is blank and the POWER LED

glows red.

If the unit is to be le unused for an extended period,

we recommend that you disconnect it from the mains

supply to save power.

To switch on from standby

Press the STANDBY button on the remote control or any

key on the front panel (other than the power button).

Front panel display

e AVR400 is ready for use aer about four seconds.

B D 3 7

DOLBY TRUEHD 5.1

e display window shows the currently selected source

and the last selected information view setting (this

information line can be changed using the INFO button).

e current volume setting for Zone 1 (37.0dB in the

above example) is displayed on the front panel. e

volume setting for Zone 2 is displayed temporarily

whenever it is adjusted.

operation

Selecting a source

To select a particular source, press the –INPUT or

INPUT + buttons until that source is shown on the front

panel display, or (if available) press the corresponding

source button on the remote. e following sources are

available:

CD Compact Disc player input

BD Blu-ray Disc player input

AV Audio-Visual input

SAT Satellite receiver input

PVR Personal Video Recorder input

VCR Video Cassette Recorder input

IPOD Requires an iPod® and Arcam irDock

or rLead.

AM Internal tuner input

FM Internal tuner input

DAB* Internal tuner input

NET Internal (Ethernet) and external USB

solid-state device (e.g. pen drive) input.

MCH Selects MCH (multi-channel)

analogue input

AUX Auxiliary (front panel) input

DISPLAY e Audio Return Channel (ARC)

from an HDMI 1.4-compliant display.

Use this with an HDMI 1.4-compliant

television using internal TV tuners.

*ese sources are market dependent and may not be

available on your AVR400

Most audio inputs have both analogue and digital

connections. You must specify the type of connection

used for each input using the “Audio Source” option

in the “Input Cong.” menu, see page E-35. Note that an

incorrect setting will result in no sound — the default is

HDMI audio. If you are not using HDMI audio then this

setting must be changed.

e processing mode and Stereo Direct functions are

remembered and recalled for each individual input.

e MCH input is intended for direct analogue pass-

through of DVD-Audio or SACD sources. Apart from

volume control and level trim, no processing modes

are possible on this input, including AVR400 bass

management and delays. Please set bass management,

speaker size and speaker delays in the source player. You

can copy the distances and relative speaker levels from

the Setup menus in the AVR400.

Stereo Direct

To listen to a pure analogue stereo input, press the

DIRECT button. e Stereo Direct mode automatically

bypasses all processing and any surround functions. In

direct mode, digital processing is shut down to improve

the sound quality and reduces digital noise with the

AVR400 to an absolute minimum.

Note: when Stereo Direct mode is selected, no

digital output is available and no bass management

is performed, meaning that bass signals will not be

redirected to a subwoofer.

Volume control

It is important to realise that the level of the volume

indicator is not an accurate indication of the power

delivered to your loudspeakers. e AVR400 oen

delivers its full output power long before the volume

control reaches its maximum position, particularly when

listening to heavily recorded music. In comparison,

some movie sound tracks can appear very quiet, as

many directors like to keep maximum levels in reserve

for special eect sequences.

Headphones

To use headphones with the AVR400, plug the

headphones into the PHONES socket in the centre of the

front panel.

When headphones are plugged into the front panel

PHONES socket, the outputs for Zone1 are muted and

the audio will be down-mixed to two channels (2.0). e

two-channel down-mix is required so that the centre

channel and surround information can be heard via the

headphones.

E-21

English

Using Zone2

Zone2 provides the option for the occupants of the

master bedroom, conservatory, kitchen, etc. to view or

listen to a dierent source at a dierent volume level

from the main zone (Zone1).

Source selection and volume control for Zone 2 is

achieved either by using an IR receiver in Zone 2 (see

“Zone2 control connections” on page E-46) or by switching

over to Zone 2 control by pressing the front panel zone

button or by pressing AMP followed by SHIFT then OK

on the remote control. e front panel VFD display

indicates that control has been switched to Zone 2.

STANDBY Z2 50

DOLBY TRUEHD 5.1

To turn on Zone 2, press the Zone button (or shi+ok)

then press the standby power button on the remote

control. Press a source select button to select a dierent

source to Zone 1.

FOLLOW Z1 Z2 50

DOLBY TRUEHD 5.1

Note that Zone 2 control from within Zone 1 will pass

automatically back to Zone 1 control aer a few seconds

of inactivity.

Zone 2 can also be controlled using a third-party

programmable remote control or a home automation

system. Please contact your dealer or installer for further

details.

Extended front panel menu

Pressing the MENU key and holding it for longer than

four seconds will bring up the Extended Menu, allowing

you to perform the following:

Restore to factory defaults

is option allows you to restore all settings on your

AVR400 to the defaults that it le the factory with.

Change remote code

e default RC5 system code the AVR400 responds to

is 16. If required, for example due to another device in

your system also using this RC5 system code, it can be

changed to 19.

Restore secure backup

is option allows you to restore all settings to their

state as saved using the ‘Store secure backup’ feature.

is option is useful if settings are accidentally changed.

It also allows the unit to be returned to the saved state

following a rmware update.

Store secure backup

is option allows you to save all the AVR400 settings to

a secure area of memory. e settings can be retrieved

using the Restore option above.

– Enter PIN

Enter the secure backup PIN using the ', ,, <

and > keys on the remote control (do not use the

numeric keypad). The default PIN is 1234.

– Change PIN

Allows the PIN to be changed to a number other

than the default. Enter the current secure backup

PIN using the ', ,, < and > keys on the

remote control (do not use the numeric keypad).

The default PIN is 1234. After the current PIN has

been entered correctly, enter a new PIN as prompted

and again to confirm.

– EXIT

Cancel and return to the extended menu.

Updating firmware via USB

e rmware in your AVR400 can be updated using a

USB ash drive containing a rmware update le.

E-22

4

Remote control receiver. is is positioned behind

the display window, above the MENU button on the

front panel. Ensure the receiver is in a clear line of

sight from the remote control for operation. If this is

not possible, use a separate sensor connected to the

Z1 IR input on the rear panel.

front panel

operation

Power

Switches the main power to the

AVR400 on and o.

Once the unit is switched o,

it should be le for at least ten

seconds before switching on

again.

Volume

Adjusts the analogue output

volume in the selected zone

(line out, speakers and

headphones).

Aux

Multi purpose auxiliary

line level input,

calibration microphone

input and 3.5mm optical

digital (SPDIF) input.

Phones

is socket accepts headphones

with an impedance rating between

32 and 600, tted with a 3.5mm

stereo jack plug.

Input

ese buttons select the source

connected to the corresponding

input (or internal input)

Unused sources can be prevented

from being selected in the setup

menu.

Menu

Selects the Setup menus on the

on-screen display (OSD).

OK

Used to enter selections made in the

Setup menu. Press and hold to reset

video outputs to the lowest resolution

(HDMI: 480p; Component 480i).

Info

Selects the information displayed on the

lower le portion of the front panel.

Mode

Selects between Stereo and the available

surround modes for the current source.

Direct

Stereo Direct on/o. Provides a direct analogue path from

the analogue inputs to the le and right front outputs.

Switches o any surround processing modes and shuts

down the DSP circuits for best stereo sound quality.

Display

is switches the display brightness

between o/dim/bright.

Zone

Selects between Zone1 and

Zone2 control.

Mute

Mutes all analogue audio outputs in the

currently selected zone.

Power / Standby LED

is indicates the status of the receiver and is

green when the AVR400 is powered on. Red

indicates the AVR400 is in Standby mode.

E-23

English

Inserting batteries into the

remote control

The CR102 universal remote

controller

e CR102 is a sophisticated ‘universal’ backlit remote

control that can control up to eight devices. It is pre-

programmed for use with the AVR400 and many other

Arcam products (FM/DAB tuners, CD players and DVD

players).

With its extensive built-in library of codes, it can also

be used with thousands of third party audio-visual

components – TVs, satellite and set-top boxes, PVRs,

CD players, etc. See the list of codes at the back of this

handbook, beginning on page 56.

e CR102 is a ‘learning’ remote, so you can teach it

almost any function from an old single-device remote.

You can also program the CR102 to issue a sequence of

commands (‘macros’) from a single button press.

remote

control

Using the remote control

Please keep in mind the following when using the

remote control:

< Ensure there are no obstacles between the

remote control and the remote sensor on the

AVR400. e remote has a range of about 7

metres. (If the remote sensor is obscured, the Z1

IR remote control input jack on the rear panel is

available. Please consult your dealer for further

information.)

< Remote operation may become unreliable if

strong sunlight or uorescent light is shining on

the remote sensor of the AVR400.

< Replace the batteries when you notice a

reduction in the operating range of the remote

control.

Notes on batteries:

< Incorrect use of batteries can result in hazards such

as leakage and bursting.

< Do not mix old and new batteries together.

< Do not use non-identical batteries together –

although they may look similar, dierent batteries

may have dierent voltages.

< Ensure the plus (+) and minus (-) ends of each

battery match the indications in the battery

compartment.

< Remove batteries from equipment that is not going

to be used for a month or more.

< When disposing of used batteries, please comply

with governmental or local regulations that apply in

your country or area.























 







 





   

   











  

  









1. Open the battery compartment by pressing the

button on the back of the handset.

2. Insert four ‘AAA’ batteries into the battery

compartment – two facing the top of the unit,

and two facing the end, as in the diagram.

3. Lower the end cap onto the plastic locating plate

in the handset. is acts as a hinge, and you

can now push the end cap rmly into its locked

position with a click.

E-24

e CR102 remains in the last selected Device Mode

so it is not necessary to press a Device Mode key before

every command key if all you are doing is playing or

skipping tracks on a CD, for example.

Navigation keys

e Navigation keys steer the cursor in Setup

menus or on-screen menus. ey also replicate

the navigation functions of original remotes

supplied with other home entertainment

devices in your system.

O conrms a setting.

Volume control

By default, the CR102 is set up so that the volume

control buttons always control the volume of the

AVR400, regardless of which Device Mode the remote

is currently set for. is is known as volume ‘punch

through’.

For example, if you are listening to a CD, you will

probably have the CR102 in CD Device Mode to control

the CD player. You can use the volume controls on the

remote directly to adjust the volume of the AVR400

without rst having to press A to put the remote

into AMP Device Mode. e volume buttons ‘punch

through’ the CD Device Mode on the remote to the AMP

Device Mode. Volume ‘punch through’ can be disabled

individually for any Device Mode if desired.

Useful information

Backlight

A blue backlight comes on for ve seconds whenever

a key is pressed. is helps you use the handset in

subdued lighting conditions. It may be possible to hear a

quiet tone being emitted from the remote control when

the backlight is on. is is perfectly normal.

Power LED blinks

Short blinks indicate a valid key press.

Multiple short blinks convey information (such as a

device code) or signal the beginning and successful

completion of a programming sequence.

Long blinks indicate an invalid key press or entry.

e symbol ‘*’ is used in the manual to indicate a

power LED blink.

Timeouts and unassigned keys

Time out – Aer 10 seconds the CR102 exits the

programming state and returns to normal operation.

Stuck key timeout – Aer any key is pressed

continuously for 30 seconds, the CR102 stops sending

IR transmission to conserve battery life. e CR102

remains o until all keys are released.

Unassigned keys – the CR102 ignores any unassigned

key presses for a particular Device Mode and does not

transmit IR.

Low voltage indicator

When the batteries are running down, the IR transmit

indicator on the CD102 (the LED under the Power

button) ashes ve times whenever you press a button:

* * * * *

If this happens, please t four new AAA alkaline

batteries as soon as possible.

Device Mode / Source keys

As the CR102 can control your AVR400 as well as a

range of other equipment, many of the buttons have

more than one function depending on the ‘device mode’

selected on the remote control.

e Device Mode keys (shown below) select the source

on the AVR400. If one of these keys is pressed briey,

a command is transmitted to change the source on the

AVR400. Also the functionality of the remote control

changes to operate the selected source device. it’s like

having eight dierent remotes in your hand!

   

   

DVD DVD player or Blu-ray Disc player

SAT Satellite set-top box

AV Audio-visual sound input (use with TV)

TUN DAB, FM or AM tuner

AMP Controls the amplier and setup features

of the AVR400

PVR Auxiliary input, or an iPod® via an

Arcam irDock or rLead

VCR Personal Video Recorder (or Digital

Video Recorder)

CD Compact Disc player

If you press and hold a Device Mode key for about four

seconds, you change the Device Mode of the CR102

without changing the signal source on the AVR400. is

can also be done by pressing S followed by a Device

Mode key (within two seconds). ese two methods

allow you to change which device the CR102 controls

without also changing the AVR400 source, allowing

uninterrupted listening.

Each Device Mode changes the behaviour of many

of the CR102 keys to control the source device

appropriately. For example:

In CD mode 0 plays the previous CD track.

In AV mode 0 issues the TV ‘channel down’ command.

The CR102 complies with Part 15 of the

FCC rules

is equipment has been tested and found to

comply with the limits for a class B digital device,

pursuant to part 15 of the FCC Rules. ese limits

are designed to provide a reasonable protection

against harmful interference in a residential

installation. is equipment generates, uses, and can

radiated radio frequency energy and if not installed

and used in accordance with the instructions,

may cause harmful interference to radio

communications. However, there is no guarantee

that interference will not occur in a particular

installation. If this equipment does cause harmful

interference to radio or television reception, which

can be determined by turning the equipment o

and on, the user is encouraged to try to correct

the interference by one or more of the following

measures:

Reorient or relocate the receiving antenna.

Increase the separation between the equipment and

receiver.

Connect the equipment into an outlet or a circuit

dierent from that to which the receiver is

connected.

Consult the dealer or an experienced radio/TV

technician for help.

E-25

English

Controlling other devices

Method 1 (Direct code setup)

is section describes the simplest (preferred) way to

program the CR102’s Device Mode keys to control the

non-Arcam devices in your system.

   

   

< Some of the modes are locked to Arcam operation but

can be unlocked if required (see page E-50).

< A mode only controls Arcam equipment.

BD mode Locked

SAT mode Unlocked

AV mode Unlocked

TUN mode Locked

PVR mode Locked

VCR mode Unlocked

CD mode Locked

Here is a specic example of how to program the a

key to control an Addison television. e principles for

controlling other devices are exactly the same.

1. Make sure your device is switched on (not just on

standby).

2. Find the correct Device Code table (e.g. TV) for the

type of device you want to control from the CR102.

3. Find the row containing the codes for the

manufacturer of your device (e.g. Addison) (page 56).

e most popular code is listed rst.

4. Press the appropriate Device Mode key (e.g. a) on

the CR102.

5. Press and hold S until the red Power LED blinks

twice: * * (It actually blinks once when you press

the key, then twice aer about three seconds).

6. Enter the rst four-digit device code using the

number keys. e power key blinks twice: * *.

7. Aim the CR102 at the device and press P. If the

device switches o, the setup is complete.

8. Turn your device back on and test all the CR102’s

functions to ensure they are working properly.

9. Important! Write your device code down on the

right hand side of the page so you can remember it if

you ever reset the CR102.

What if I still can’t control my device?

< If your device doesn’t respond, repeat the above

steps until one of the device codes listed for your

brand works.

< If none of the codes listed for your brand operates

your device, or if your brand is not listed at all, try

the Library Search Method described in the next

section.

Notes:

< Some codes are quite similar. If your device does not

respond or is not functioning properly with one of

the codes, try another code listed under your brand.

< If your device’s original remote control does not have

a P (POWER) key, press $ instead of P when

setting up your device.

< Remember to press the corresponding device key

before operating your device.

< Many TVs do not switch on pressing P. Please try

pressing a number key (‘channel select’) to switch

your TV back on.

< To search for the code for another device follow the

instructions above, but press the appropriate device

key instead of a during step 2.

Method 2 (Library search)

is section describes another way to program the

CR102 to control third-party equipment.

Library Search allows you to scan through all the

codes contained in the CR102’s memory. It can take a

lot longer than the previous method, so only use this

method if:

< Your device does not respond to the CR102 aer you

have tried all the codes listed for your brand.

< Your brand is not listed at all in the Device Code

tables.

Example: To search for a TV code

1. Switch your TV on (not standby) and aim the

CR102 at it.

2. Press a on your CR102.

3. Press and hold S until the power LED blinks twice.

4. Press 9 9 1. e power LED key blinks twice:

* *.

5. Press P.

6. Aim the CR102 at your Television and press [

repeatedly until your Television turns o.

Every time you press [ the CR102 sends out a

POWER signal from the next code contained in its

memory. In the worst case, you may have to press this

key up to 150 times, so patience is required! If you

skip past a code, step back by pressing ]. Remember

to keep pointing the CR102 at your Television while

pressing this key.

7. As soon as your television turns o, press S to

store the code.

Notes:

< Many TVs do not switch on by pressing P. Try

pressing a number key (‘channel select’) to switch

your TV back on.

< If you cannot control your Television properly,

please continue the Search Method: you may be

using the wrong code.

< To search for the code for another device follow the

instructions above, but press the appropriate Device

Mode key instead of a during step 2.

< If your device’s original remote control does not have

a P (STANDBY) key, press $ instead during step 5.

Code blink-back

Once you have set up your CR102, you can blink back

your device set-up codes for future reference.

Example: To blink back your Television code

1. Press the appropriate Device Mode key (e.g. a)

once.

2. Press and hold S until the red Power LED blinks

twice * * (It actually blinks once when you press

the key, then twice aer about three seconds).

3. Press 9 9 0. e P key blinks twice.

4. For the rst digit of your four-digit code, press 1

and count all the red blinks. If there are no blinks,

the digit is ‘0’.

5. For the second, third and fourth digits, repeat the

previous step, pressing 2, 3, or 4 in order.

Now you have the four-digit code.

Make a note of the codes

Write down the codes for your devices in the boxes

below for future reference.

Device Code

1

2

3

4

5

6

7

8

E-26

 AMP Device Mode

e A Device Mode button congures the CR102 to

control the AVR400. Pressing this button does not aect

the currently selected input on the AVR400.

IMPORTANT: e CR102 must also be in AMP Device

Mode to control the following sources: MCH (multi-

channel analogue), AUX, NET (optional network audio),

USB, IPOD (for use with the optional Arcam rLead or

irDock).

However to control the internal Tuner (AM/FM/DAB

(if tted)) the CR102 must rst be in TUN Device Mode

(see later).

e functionality of the CR102 is context sensitive for

the internal sources and is described in the following

table.

P

Single press – Toggles AVR400 power

between standby and on in the current zone

(zone in which the command is received).

Press and hold – Forces all AVR400 zones

into standby, regardless of which zone the

command was received in.

0…9

e number keys can be used for source

selection (without changing the CR102

Device Mode). Alternatively the Device

Mode buttons can also be used with the

SHIFT key.

0 SAT (satellite) input

2 AV input

3 TUNER input

4 BD input

5 DISPLAY input

6 VCR input

7 CD input

8 AUX (front panel) input

9 MCH (multichannel) input

PHONO

ESelects the Display input on the AVR400

(television Audio Return Channel).

RPT

r(for IPOD and NET sources)

SModies many keys (see individual key

descriptions below).

AUX

HSelects MCH (multichannel) input on the

AVR400

SHIFT + H selects AUX input on the AVR400

NET

eSelects IPOD input on the AVR400

SHIFT + e selects network (NET) internal

input on the AVR400

Navigate menus

OK conrms a setting (equivalent to ‘Enter’

or ‘Select’ on some remote controls)

SHIFT + > increases the picture resolution.

SHIFT +

'

turns current zone (in which

command is received) on

SHIFT + , turns current zone (in which

command is received) o.

MCycles through the available surround and

downmix modes.

UDisplays the AVR400 setup menu on the On

Screen Display (see page E-34).

DCycles through the front panel display’s

brightness options

@

Toggles the mute function of the AVR400

] [ (track control for IPOD and NET sources)

SHIFT + [ Follow Zone1 source.

When the command is received in Zone2

the source for that zone follows whatever

input source is selected in Zone1

- +

Decrease () and increase (+) AVR400

volume

DIRECT

)Stereo direct on/o. Provides a direct

analogue path from the analogue inputs to

the le and right front outputs. Switches o

any surround processing modes and shuts

down the DSP circuits for the best stereo

sound quality.

EQ

$Displays the room EQ settings menu

EFFECT

&(for IPOD and NET sources)

BASS

(Calls up a pop-up (and front screen) to

adjust the bass setting for a particular input.

TRIm

!Brings up the speaker trim menu.

Use the B, C, D and E navigation

buttons. Press TRIM again to exit the speaker

trim menu.

As this is a temporary adjustment, these

additional trim levels are reset back to the

values set in the Speaker Levels menu when

the unit is turned o or the unit is put

into standby. ese temporary trim levels

override the speaker levels found in the

setup menu.

SyNC

#Delays may be introduced into the video

signal by video processing which causes

a mismatch between the audio and video

timing. You will notice this by speech sound

being out of synchronization with the lip

movements in the video.

To compensate for this, you can adjust the

lip sync delay. Press the SYNC button and

use the D and E navigation buttons. Press

again to exit the lip sync trim menu.

SUB

%Brings up a temporary subwoofer trim

control. Use the D and E navigation

buttons. Press SUB again to exit the sub trim

menu.

As this is a temporary adjustment, the sub

trim level is reset back to the value set in

the Speaker Levels menu when the unit is

turned o or the unit is put into standby.

TREBLE

hCalls up a pop-up (and front screen) to

adjust the treble setting for a particular

input.

FAV+

u(for IPOD and NET sources)

FAV-

t(for IPOD and NET sources)

HOmE

o(for NET source)

INFO

bCycles through the information displayed

on the lower le portion of the front panel

display.

iPod commands

e iPod interface is selected by pressing e in AMP

Device Mode on the CR102. When connected to an

iPod via an optional rLead/irDock, the keys below are

used to navigate music les in AMP Device Mode.

Navigate the files on screen.

OK selects/play the highlighted file.

RPT

r

Toggles random (shuffle) play of the playlist

on and off.

SHIFT + r cycles through the repeat options

] [ Selects the previous/next track in the

current playlist

$

Begins or resumes playback at the currently

highlighted track

&

Toggles pause and playback of the current

track

#Stops playback

E-27

English

 DVD/BD Device Mode

e d Device Mode button congures the CR102

to control the functions of Arcam Blu-ray Disc and

DVD players, although this can be changed (see page

E-25). Pressing this button also selects BD as the AVR400

source.

PToggles power between standby and on

0…9Searches for and plays the track

corresponding to the key pressed

PHONO

E

Selects Display input on the AVR400.

RPT

r

Toggles random (‘shue’) play on and o.

SHIFT + r cycles through the repeat

options (track, disc, etc)

SModies many keys (see individual key

descriptions, below)

AUX

H

Selects multichannel (MCH) input on the

AVR400

SHIFT + H selects AUX input on the

AVR400

NET

eSelects IPOD input on the AVR400.

SHIFT + e selects network (NET) internal

input on the AVR400

Navigate setup and BD programme

selection menus.

OK conrms a setting (‘Enter’ or ‘Select’ on

some remotes).

SHIFT + B to switch on from standby

SHIFT + C to switch to standby from on.

MCycles through available surround sound

modes.

SHIFT + MODE changes the HDMI setting.

UActivates BD player menu, if available.

DCycles through the front panel display’s

brightness options.

SHIFT + D enables RPT AB functionality

@Toggles the mute function.

By default this key operates the AVR400 Mute

]Press and release to skip back to the

beginning of the current/previous track.

[Press and release to skip forwards to the

beginning of the next track.

- + Decrease () and increase (+) AVR400

volume

)Fast rewind.

SHIFT + 7 cycles through slow play

backwards speeds

$Starts the playback of a BD.

SHIFT + 4 cycles through the Angle options

on an Arcam BD player.

&Pauses BD play-back. Press 4 to restart

playback.

SHIFT + ; cycles through Zoom options.

(Fast forward.

SHIFT + 8 cycles through slow forward

speeds

TRIm

!Ejects disc.

SHIFT + ! displays speaker Trim menu on

Arcam BD players.

#Stop playback of a BD

%Start recording (on products that have this

feature).

hDisplays Search menu with Title, Track and

Time options.

FAV+

uDisplays Setup menu.

SHIFT + SETUP displays programming screen

on Arcam BD players

FAV-

tDisplays Title menu.

SHIFT + TITLE clears bookmark, search and

program display entries on Arcam BD

players

HOmE

oChanges Audio decode format (Dolby

Digital, DTS, etc.).

SHIFT + o displays the ‘Memory’ function

(Bookmarks)

INFO

bCycles through BD subtitle language

options, if available.

SHIFT + b displays STATUS INFO on

Arcam BD players

Network commands

e AVR400 Network client is selected by pressing S +

e in AMP Device Mode on the CR102.

When using the network client, the keys below are used

to navigate music les in AMP Device Mode.

Navigate the files and menus on the screen.

OK selects the highlighted file or enters the

highlighted menu on the screen

RPT

r

Toggles random (‘shuffle’) play of the playlist

on and off

SHIFT + r cycles through the repeat options

] [ Selects the previous/next track in the

current playlist

EQ

$Begins or resumes playback at the currently

highlighted track

EFFECT

&Pauses the currently-playing track

SyNC

#Stops playback

FAV+

uAdds the currently displayed radio station

to favourites list when using the internet

radio function

FAV-

tRemoves the currently displayed radio

station from favourites list when using the

internet radio function

HOmE

oReturns navigation to the top level of the

network client menus (‘Home’)

INFO

bCycles through the information displayed

on the lower le portion of the front panel

display

 TUN Device Mode

e T Device Mode button congures the CR102 to

control the tuner functions of the AVR400. Pressing this

button also selects TUNER as the source.

When switching to TUNER from a dierent source, the

AVR400 enters the last used tuner band, be it AM / FM /

DAB (if tted). Further presses of the TUN Device Mode

button cycle through the available tuner bands.

Further information on the tuner can be found in the

‘Tuner Operation’ section on page E-44.

P(not used)

0…9

Number keypad used to store and recall

presets

' , Allows selection of previously stored Tuner

presets.

< > AM/FM Tuner: allows frequency tuning.

DAB Tuner (where tted): scrolls through

the channel list.

OSelects (tunes to) the currently displayed

preset, or selects the currently displayed

DAB channel when scrolling through the

channel list.

uPage up to the previous 10 presets on

screen

tPage down to the next 10 tuner presets on

screen

oDelete the currently highlighted preset.

INFO

bCycles through the information displayed

on the lower le portion of the front panel

display.

E-28

 SAT Device Mode

e z Device Mode button congures the CR102

to control the functions of a satellite receiver. You will

need to congure this Device Mode to work with your

equipment. Pressing this button also selects SAT as the

AVR400 source.

PToggles power between standby and on

0…9Functions as original remote number key.

PHONO

E

Selects Display input on the AVR400.

TV/AV

r

Toggles between the available inputs on

your satellite receiver

SModies many keys (see individual key

descriptions, below)

AUX

HSelects multichannel (MCH) input on the

AVR400.

SHIFT + H selects AUX input on the

AVR400.

NET

eSelects IPOD input on the AVR400

SHIFT + e selects network (NET) internal

input on the AVR400

Navigate menus.

OK conrms a setting (equivalent to ‘Enter’

or ‘Select’ on some remotes).

MControls Backup function, if available.

UPerforms same function as on original

remote, if available.

DOn some Satellite and Cable set top boxes

this key functions as the Guide key to open

the EPG (Electronic Program Guide).

@Toggles the mute function.

By default this key operates the AVR400 Mute

]Channel down

[Channel up

- + Decrease () or increase (+) AVR400 volume

)Fast rewind

$Starts the playback

&Toggles pause of playback

(Fast forward

!(not used)

#Stop playback

%Start recording

h(not used)

u

(RED)

Duplicates function of RED key for some

Satellite and Cable set-top boxes

t

(GREEN)

Duplicates function of GREEN key for some

Satellite and Cable set-top boxes

o

(yELLOw)

Duplicates function of YELLOW key for some

Satellite and Cable set-top boxes

b

(BLUE)

Duplicates function of BLUE key for some

Satellite and Cable set-top boxes

 AV Device Mode

e a Device Mode button congures the CR102 to

control the functions of a television or other display

device. You will need to congure this Device Mode to

work with your equipment. Pressing this button also

selects AV as the AVR400 source.

PToggles power between standby and on.

(Some TVs require you to use a number

key to turn them on.)

0…9Functions as original remote number key –

usually for channel selection.

PHONO

E

Selects Display input on the AVR400.

TV/AV

r

Toggles between the available inputs on

your display device (e.g. TV/AV)

SModies many keys (see individual key

descriptions, below)

AUX

HSelects multichannel (MCH) input on the

AVR400.

SHIFT + H selects AUX input on the

AVR400.

Navigate setup and programme selection

menus.

OK conrms a selection (equivalent to

‘Enter’ or ‘Select’ on some remotes).

MEXIT function on some models.

UFunctions as original remote key, if

available.

DDisplay INFO or OSD (On Screen Display)

function, if available.

@Toggles the mute function.

By default this key operates the AVR400

Mute

]Channel down

[Channel up

- + Decrease () and increase (+) AVR400

volume.

)Toggles TEXT page on/o

$TEXT page o

&Turns Programme-In-Programme (PIP)

on, if available

(Activates PIP move, if available

!Activates PIP swap, if available

#Activates PIP freeze, if available

%Activates PIP channel up, if available

hActivates PIP channel down, if available

u

(RED)

Duplicates function of RED key for Text TV

t

(GREEN)

Duplicates function of GREEN key for Text

TV

o

(yELLOw)

Duplicates function of YELLOW key for Text

TV

b

(BLUE)

Duplicates function of BLUE key for Text

TV

E-29

English

 VCR Device Mode

e w Device Mode button congures the CR102

to control the functions of a video recorder or similar

device. You will need to congure this Device Mode to

work with your equipment. Pressing this button also

selects VCR as the AVR400 source.

PToggles power between standby and on.

0…9Functions as original remote number key.

PHONO

E

Selects Display input on the AVR400.

TV/AV

r

Toggles between available inputs (e.g. AV1,

AV2)

SModies many keys (see individual key

descriptions, below)

AUX

H

Selects multichannel (MCH) input on

AVR400.

SHIFT + H selects AUX input on the

AVR400.

NET

e

Selects IPOD input on AVR400.

SHIFT + e selects network (NET internal

input on the AVR400.

Navigate setup and programme selection

menus.

OK is equivalent to ‘Enter’ or ‘Select’ on

some remotes.

MOperates the Exit function if the VCR uses

this feature

UTurns on the Menu function if the VCR

uses this feature

DToggles display between TV and VCR

@Toggles the mute function, if available.

By default this key operates the AMP Mute

]Channel down

[Channel up

- + Decrease () and increase (+) amplier

volume

)Fast rewind

$Play

&Toggles pause of playback

(Fast forward

!Ejects tape

#Stop playback

%Starts recording

h(not used)

u

(RED)

Duplicates function of RED key (if used)

t

(GREEN)

Duplicates function of GREEN key (if used)

o

(yELLOw)

Duplicates function of YELLOW key (if used)

b

(BLUE)

Duplicates function of BLUE key (if used).

 PVR Device Mode

e v Device Mode button congures the CR102

to control the functions of a video recorder or similar

device. You will need to congure this Device Mode to

work with your equipment. Pressing this button also

selects PVR as the AVR400 source.

PToggles power between standby and on.

0…9Functions as original remote number key.

PHONO

E

Selects Display input on the AVR400.

TV/AV

r

Toggles between available inputs (e.g. AV1,

AV2)

SModies many keys (see individual key

descriptions, below)

AUX

H

Selects multichannel (MCH) input on

AVR400.

SHIFT + H selects AUX input on the

AVR400.

NET

e

Selects IPOD input on AVR400.

SHIFT + e selects network (NET internal

input on the AVR400.

Navigate setup and programme selection

menus.

OK is equivalent to ‘Enter’ or ‘Select’ on

some remotes.

MOperates the Exit function if the PVR uses

this feature

UTurns on the Menu function if the PVR

uses this feature

DToggles display between TV and PVR

@Toggles the mute function. By default this

key operates the AMP Mute

]Channel down

[Channel up

- + Decrease () and increase (+) AVR400

volume

)Fast rewind

$Play

&Toggles pause of playback

(Fast forward

!Operates the Favourites function if the PVR

uses this feature.

#Stop playback

%Starts recording

h(not used)

u

(RED)

Duplicates function of RED key (if used)

t

(GREEN)

Duplicates function of GREEN key (if used)

o

(yELLOw)

Duplicates function of YELLOW key (if used)

b

(BLUE)

Duplicates function of BLUE key (if used).

E-30

 CD Device Mode

e c Device Mode button congures the CR102

to control the CD functions of Arcam CD players,

although this can be changed (see page E-25). Pressing this

button also selects CD as the AVR400 source.

PToggles power between standby and on.

0…9Functions as original remote number key.

PHONO

E

Selects Display input on the AVR400.

RPT

r

Toggles random (‘shue’) play on and o.

SHIFT + r cycles through the repeat

options (track, disc, etc.).

SModies many keys (see individual key

descriptions, below)

AUX

H

Selects multichannel (MCH) input on

AVR400.

SHIFT + H selects AUX input on the

AVR400.

NET

e

Selects IPOD input on AVR400.

SHIFT + e selects network (NET) internal

input on the AVR400.

Navigates track listings if supported by the

player.

OK selects the currently highlighted track if

supported by the player

MChanges the time display modes on Arcam

CD player

U(not used)

D

Cycles through the front panel display’s

brightness options.

SHIFT + D enables RPT AB functionality if

supported by the player.

@Toggles the mute function. By default this

key operates the AVR400 Mute.

]Press and release to skip back to the

beginning of the current/previous track.

[Press and release to skip forwards to the

beginning of the next track.

- + Decrease () and increase (+) AVR400

volume.

)Fast rewind

$Play

&Toggles pause of playback

(Fast forward

!Open/close disc tray

#Stop playback

%Start recording (on products that have this

feature)

hScans rst 10 seconds of each track on CD,

if supported by the player (Audio search)

FAV+

u Starts Program mode

FAV-

t

Clears programmed item

HOmE

o

(not used)

INFO

b

(not used)

E-31

English

E-32

Before you use your AVR400 it is essential that you

enter some information into the Setup menus about

your speaker conguration. is allows the AVR400 to

process any surround sound digital source to exactly

match your system and give you the ultimate surround

sound experience.

ere are three pieces of vital information which are

outlined in the sections: ‘Speaker Types’, ‘Speaker

Distances’ and ‘Speaker Levels’.

e way you enter this information manually into the

AVR400 is given later in the ‘Setup Menus’ section on

page E-34. e settings can also be established

automatically using the Arcam Auto Speaker Setup

function. However it is important to understand why

these speaker settings must be entered, which is why this

section is presented rst.

essential

setup

Speaker types

You need to set the type of speakers that you have

connected to your AVR400:

Large capable of full frequency range reproduction

Small not capable of full frequency range

reproduction at the low frequency end

None speaker not present in your configuration

e terms ‘Large’ and ‘Small’ do not necessarily relate to

the physical size of your speakers. As a rule of thumb,

if a speaker cannot reproduce a at frequency response

down to about 40Hz (and very few can!) it is oen better

to consider them as ‘Small’ for setup purposes of home

cinema.

When a speaker is set to ‘Small’, very low frequency

sounds are redirected away from that speaker to a ‘Large’

speaker or a subwoofer, which are far better suited to

reproducing these low frequency sounds.

Note that it is not possible to set all speakers to

‘Small’ unless there is a subwoofer in your speaker

conguration. If you do not have a subwoofer, you will

be forced to set your front speakers to ‘Large’.

(Advanced users may wish to automatically override the

‘Small’ speaker setting for purely stereo music listening

when not watching movies. is can be achieved in the

‘Input Cong.’ menu – see page E-35.)

Crossover frequency

If you have set any speakers as being Small, then you will

be required to set a value for the crossover frequency.

is is the frequency below which signals are ltered

away from these Small speakers and redirected to Large

speakers or the subwoofer (if present). A frequency

of 80Hz is oen a good starting point, however you

will probably have to experiment with dierent values

to nd the best value for your system or consult your

speaker handbook.

MCH sub level

If a subwoofer is present, this setting allows for a 10dB

compensation on the subwoofer output when using the

MCH input as required by many DVD-A players with

audio outputs.

Use Channels 6+7 for

If not used in the main zone, it is possible to assign the

Surround Back channels to bi-amp the Front Le/Right

channels or to provide an amplied output to Zone2.

Speaker Distances

It is essential for the distance from each speaker to the

listening position to be accurately measured and entered

into the ‘Setup’ menu. is ensures that the sounds from

the various speakers arrive at the listening position at

the correct time to recreate a realistic surround eect.

e distance can be entered in centimetres or inches.

Speaker Levels

Finally the levels of all the speakers in the system need

to be adjusted to match each other at the listening

position, again to create a proper surround eect. To

help with this the AVR400 can generate a test noise

for each speaker which should be measured with a

sound pressure level (SPL) meter. e meter should

be set to ‘C’ weighting and slow response. e level

of noise measured at the listening position from each

speaker should be adjusted on the Speaker Trims page

of the Setup menu so that the meter reads 75dB SPL.

It does not matter what the system volume setting of

the AVR400 is before turning the test noise on as the

volume setting is over-ridden for the duration of the

speaker noise test.

ere are several basic SPL meters on the market at

reasonable prices aimed at home cinema enthusiasts.

Check your local technology store, search online or ask

your dealer.

If you do not have an SPL meter, you can try to adjust

the noise level of each speaker by ear. In this case it is

not possible to adjust the speakers to the absolute 75dB

SPL volume level, but you should aim for all speakers

sounding equally loud. Setting speaker test noise levels

by ear is not recommended as it is very dicult to do

accurately, but is oen better than doing nothing at all!

E-33

English

auto speaker

setup

ere is a proprietary automatic loudspeaker setup

function built into your AVR400. e Arcam Auto

Speaker Setup function attempts to set all the essential

speaker settings for all the speakers in your system.

It also calculates room equalisation (Room EQ) lter

values to remove some of the worst eects of resonant

frequencies in the listening room.

Your AVR400 package is supplied with a calibration

microphone, which should be inserted into the AUX jack

socket on the front panel and positioned at the main

listening position. is microphone picks up the special

calibration tones generated by the speakers when Auto

Speaker Setup is run. e AVR400 then analyses the

signal and computes:

< which speakers are present,

< speaker type,

< speaker distance,

< speaker level,

< crossover frequency to the subwoofer (or large front

speakers if no subwoofer is present),

< problem resonant frequencies in the room which

need control by ltering.

To help the system be as accurate as possible when

performing Auto Speaker Setup, there are a few

guidance rules that should be followed:

< Minimise any background sounds in the listening

room and other nearby rooms.

< Close all windows and doors in the listening room.

< Turn o all fans including air-conditioning systems.

< If holding the microphone in the hand rather than

mounting on a tripod or similar, keep your hand and

ngers still to avoid generating ‘handling noise’.

< Position the set up microphone pointing upwards at

roughly head height in the normal listening position.

It is not necessary to point the microphone directly

at the speaker generating the test tone. (It helps if

you are able to position the microphone exactly

where your head would normally be for listening,

with the microphone in direct unobstructed view of

all speakers.)

< If your system includes an active subwoofer, start

by setting its output level / gain control to a value

halfway between maximum and minimum.

When activated, a calibration tone is played through

each channel of the AVR400 in turn, including the

subwoofer channel. e calibration tone cycles round

each of the speakers multiple times as the dierent

parameters are calculated. If you do not have a full 7.1

speaker conguration there will be periods of silence

between some speaker channels. Follow the ‘progress’

information on-screen.

Aer all the channels have been measured, a summary

of the speaker conguration will be displayed on-screen.

You can then choose to accept the settings, re-measure

your system again or cancel Auto Speaker Setup without

storing the settings.

e Auto Speaker Setup function is found within the

Setup menus, see page E-36. By default, Room EQ is not

applied to any of the source inputs. You should enable

Room EQ on inputs you think benet from this feature,

as required, by listening when playing typical source

material through each input. is is enabled from within

the Input Cong menu.

While room equalisation can help to reduce problems

with listening room acoustics, it is usually far better

to try to solve these problems with the room directly.

Proper loudspeaker positioning, acoustic wall

treatments and moving the listening position away from

walls should produce far better results overall. However

it may be dicult to do this in a home environment, so

Room EQ is your next best choice.

Problems

We advise you to look over the reported measurements

on the screen following Auto Speaker Setup for any

obviously incorrect results, in particular to ensure the

reported speakers match your conguration and that the

speaker distances to the listening position appear look

roughly correct. If the results are not what you expected

re-run Auto Speaker Setup.

e Auto Speaker Setup function is normally quite

accurate but occasionally false results can be generated.

Problems may be as a result of:

< external sounds or rumbling / handling noises

picked up by the microphone

< sound reections o hard surfaces (e.g. windows or

walls) close to the listening position,

< very strong acoustic resonances within the room,

< obstacles (such as a sofa) between speakers and the

microphone.

If you are still experiencing diculties or you wish to

have the most accurate results for ultimate surround

performance, we recommend using the manual method

of establishing speaker distances and levels.

Using a subwoofer

If your system includes an active subwoofer you may

need to re-run Auto Speaker Setup with the subwoofer

output level / gain control set to a higher or lower value,

if the summary screen reports problems setting the

subwoofer up.

Auto Speaker Setup will attempt to choose a crossover

frequency that allows the smoothest low frequency

transition from the main speakers to the subwoofer.

However if this does not produce pleasing results we

recommend manually trying other crossover frequencies

to nd something more to your preference.

See the next sections for information of how to enter or

change speaker settings manually.

NOTE

Auto calibration is possible only for a 7.1 Or 5.1

Speaker conguration. Oher speaker congurations,

such as a 2.1 setup (le, right and subwoofer),

must be congured manually using the speaker

conguration menus (see page E-37), referring to the

guidelines on page E-32 for speaker types, speaker

distance and speaker levels.

E-34

setup menus

e Setup menus allow you to congure all aspects

of your AVR400. e next few pages will go through

the menu items and explain their function. e Setup

menus will probably look quite daunting if you are new

to setting up home cinema, but the majority of them

need only be congured once when you rst install the

system (or if your system changes or you move house!)

e only way to view the Setup menus is on your display

device (TV or projector) using the on-screen display

(OSD) capability of the AVR400. To view the OSD for

the initial setting up, connect any of the video outputs

to your display device. You do not need to have a video

source connected to the AVR400 video inputs.

Entering Setup mode

To enter the setup menu, press the MENU button on the

remote control or font panel. e front panel display

shows ‘SETUP MENU’ and the setup menu (pictured

right) is displayed.

Unstable OSD menu or picture display?

e default AVR400 output video resolution when rst

powered up out of the box is 525-line/60Hz NTSC for

analogue video and “Preferred” for digital video. is

has been chosen as most display devices can synchronise

to this automatically. is can be changed in the Video

Outputs section of the Setup Menus.

If the output resolution and frame rate is forced to a

setting your display device does not support, the picture

may become unstable or may not display at all. To reset

the output video resolution and frame rate to the default

values to restore the display, press and hold the front

panel OK button for three seconds. Alternatively, press

SHIFT then > on the remote control to cycle between

dierent output resolutions until the picture returns.

Navigating the setup menu

… using the remote control

e setup menu can be navigated by using the cursor

(arrow) keys on the remote control. is is by far the

easiest method.

1. To enter the setup menu, press the MENU button

(which is located immediately under the navigation

buttons).

2. Use the B and C keys to navigate up and down

the main section headings in the le-hand panel.

3. Once you have the main section that you require

highlighted, use the E key to enter the section.

4. Use the B and C keys to navigate up and

down the section settings in the right-hand panel.

Some settings may be greyed out. ese are either

for information only (e.g. incoming sampling

frequency) or are not currently selectable (e.g.

network IP address when DHCP is used). Scroll bars

on the sides of the right hand panel indicate your

position in the settings list where there are more

items than can be displayed at once.

5. Pressing OK selects a setting to change it, pressing OK

again de-selects the setting.

6. At any time, press the MENU button to exit the menu.

Any changes to settings are saved.

… using the keys on the front panel

e AVR400 front panel controls can be used to

congure the unit. Follow the instructions for using

the remote control, in this case using INPUT for down,

INPUT+ for up, INFO for le and OK for right.

Menu panel

e le-hand panel lists the setup

screens available for adjustment. e

selected menu is highlighted with a grey

band.

Help screen

e lower right-hand panel gives a short

help text for the feature being adjusted.

Adjustment panel

e upper right-hand panel lists the

parameters you can change as a user.

e selected line is highlighted with

a black band. Lines that cannot be

selected are greyed-out.

Scroll bars

ese indicate the

position of the

displayed screen

within longer menus.

E-35

English

Input Config.

e audio and video settings on this page of the Setup

menu can be tailored specically and independently to

the currently selected input.

When a dierent input is selected on the Input line, all

the input-specic settings for that input are displayed

below it. ese settings are applied to the named Input

only and are stored in memory and recalled each time

the unit is powered up and whenever that input is

selected.

Input – e currently selected input connectors to

which the settings below relate.

Name – e display name of the input. You can change

the name of any input to more closely match your setup.

For example, if you had two satellite receivers, you could

connect the main receiver to the Sat audio and video

input connectors and change the Name to ‘SAT 1’. You

could then connect the second satellite receiver to the

VCR audio and video input connectors, but change the

VCR Name to ‘SAT 2’. It is then clearer to users of your

AVR400 which inputs they wish to select when scrolling

though.

Lip Sync – Each input can have its own setting

to add a time delay between the audio and video

signals to compensate for the sound and picture not

being synchronised. is is normally required when

video processing is used in the system for scaling or

de-interlacing video. e range of lip sync delay is 0 to

250 milliseconds.

e lip sync adjustment can only correct for delayed

video. If the audio is late set lip sync to its minimum.

Mode – Sets the initial audio decode mode for stereo

sources on this input.

<Last Mode recalls the last used setting for this

input when a stereo source was applied. See section

“Two-channel source modes” on page E-40 for more

information.

Ext. Mode – Sets the initial audio decode mode for

multi-channel digital sources on this input.

<Last Mode recalls the last used setting for this

input when a stereo source was applied. See section

“Multi-channel source modes” on page E-41 for more

information.

Treble –

Bass –

ese allow you to alter the bass and treble tone controls

for all currently active speakers for each individual

input. For example, if your PVR source sounds a little

bass light, you can always correct for this by selecting

PVR on the Input line at the top of this menu and add

2 or 3dB to the Bass control. en, whenever the PVR

input is selected, the bass is automatically boosted for as

long as that input is selected.

Room EQ – When the Auto Speaker Setup function is

run it also calculates Room Equalisation coecients to

remove some of the worst eects of resonant frequencies

of the room at the listening position. By default Room

EQ is not applied to any of the source inputs, however

you can enable them on a per-input basis as you wish.

<Not Calculated: (Information only) Auto Speaker

Setup has not been run or has errors so cannot be

selected.

<On: Room EQ is applied to the current source.

<O: Room EQ is not applied to the current source.

Input Trim – Sets the maximum analogue input

signal level (sensitivity) on this input before the ADC

(Analogue-to-Digital converter) signal path clips.

Options are 1, 2 and 4 volts RMS maximum input. e

default is 2Vrms maximum.

For example, analogue sources with low output levels

may benet by choosing the 1V maximum setting.

is helps maximise signal-to-noise performance of

the AVR400 and also helps keep the various analogue

sources sounding about the same level for any given

AVR400 volume control setting.

Dolby Volume –Dolby Volume is an intelligent system

that improves the perceived audio frequency response

at lower listening levels and corrects for volume

inconsistencies between sources (e.g. a rock radio

station and a BD) and between programming (e.g. a TV

show and advertisement breaks).

<On: Dolby Volume is applied to this input.

<O: (default) Dolby Volume is not applied to this

input.

Dolby Leveller – is setting of Dolby Volume controls

how closely quiet and loud sources and programme

content are matched to each other, based on the

ear’s perception of loudness. e range of values is

0 (minimal levelling) to 10 (maximum levelling).

e default setting is 2, however we recommend

experimenting with higher values if your source

material is less closely matched in level. If the Volume

Leveller function is set o, no level matching between

sources and programme material is performed. Note

however that turning the Dolby Leveller setting of Dolby

Volume to ‘O’ is not the same as turning the entire

function of Dolby Volume to ‘O’, as volume related

frequency response processing is still active. See “Dolby

volume” on page E-42 for more information.

DV Calib. Oset – e Calibration Oset parameter of

Dolby Volume allows you to compensate for speaker

eciencies and listening position. e default value

is 0 and this should normally produce a good result

when the AVR400 speaker levels are set using a sound

pressure level meter.

See “Dolby volume” on page E-42 for further information

on Calibration Oset.

Surround EX – Sets how the AVR400 should congure

its decode mode when a Dolby Digital EX bitstream

is received. Note that this setting only applies if you

have Surround Back loudspeakers. You may wish to

experiment with these two decode modes to see which

you prefer with Dolby Digital EX encoded material.

Options are Auto DD EX, Auto PLIIx and Manual.

< Auto DD EX: When a Dolby Digital EX-agged

bitstream is detected, the decode mode

automatically changes to Dolby Digital EX. is can

be temporarily overridden by pressing the MODE

button on the remote or front panel.

< Auto PLIIx Movie: When a Dolby Digital

EX-agged bitstream is detected, the decode mode

automatically changes to Pro Logic IIx Movie. is

can be temporarily overridden by pressing the MODE

button on the remote or front panel.

< Manual: e received Dolby Digital EX is treated

as if it is an ordinary Dolby Digital stream in that it

does not automatically select the EX or PLIIx decode

modes. Instead, the previously used decode mode

for a multi-channel digital source on this input is

applied. However, either of the EX or PLIIx decode

modes can be applied manually by pressing the

MODE button.

Stereo Mode – If you have congured your system to

have a subwoofer, then you have the exibility to

choose how bass information is distributed between

the front le/right speakers and the subwoofer when

listening to stereo (two channel only) analogue and

digital sources. Choose the option which gives you

the most solid, even sounding bass. If you are using

a subwoofer for stereo, please also see Sub Stereo

below to set the level of the subwoofer. For best

results test with a set-up disc or live programme

material. is setting can be used to override your

normal speaker settings in the Spkr Types menu

whenever the AVR400 plays stereo material. It is

quite common to nd that two channel stereo music

listening is best done with a slightly dierent sub/

speaker setting than for surround movies.

< As Spkr Types: When an analogue or digital stereo

source is played, your normal speaker conguration

(as in Spkr Types menu) is used to reproduce the

signal.

< Le/Right: Full frequency stereo information. All

audio is sent to the front le and right speakers only

without any bass redirection. You can use this setting

if you consider your front le/right speakers to be

able to handle the full frequency range of music.

If you have set your front le/right speaker size as

Small in the Spkr Types setup page, you may wish

to use this option to override the setting to Large

for stereo music listening, if you have full frequency

range le/right speakers.

It can oen be benecial to set full frequency range

speakers to Small in the Spkr Types setup page for

use with movies, if you have a subwoofer in your

system. Doing so may deliver more impact on

movie soundtracks as subwoofers are designed to

handle reproduction of high bass content. However

you may nd that for stereo music a better overall

result is obtained by not using the subwoofer and

eectively treating the front le/right speakers as

Large.

< Le/Right+Sub: Full frequency range stereo is fed to

the front le and right speakers and extracted bass is

sent to the subwoofer. In this case the low frequency

information is eectively duplicated.

< Sat+Sub: Use this setting if you really do have Small

satellite front le and right speakers, or if you prefer

the overall sound of bass being handled by the

subwoofer. Full bass management is used so that

analogue and digital stereo sources are fed to the

DSP where the bass is ltered o front le and right

and redirected to the subwoofer.

NOTE

e Stereo Mode function is not available when

using an analogue source in Stereo Direct mode.

Sub Stereo – If Le/Right+Sub or Sat+Sub is selected in

Stereo Mode above, this setting adjusts the level of the

subwoofer when the source is two channel stereo.

Brightness – Sets the video brightness for this input.

is setting can be used to compensate for an overly

dark or bright source picture on this input when

compared with other video sources.

E-36

Contrast – Sets the video contrast for this input. is

setting can be used to compensate for too much or too

little contrast in the source picture on this input when

compared with other video sources.

Colour – Sets the video colour saturation for this input.

is setting can be used to compensate for too much or

too little colour in the source picture on this input when

compared with other video sources.

Picture Mode – Sets how the video processor in the

AVR400 interprets the video on this input. Normally

the video processor automatically detects the original

source type and correctly sets either Video mode or

Film mode processing. In the unlikely event that the

video processor misinterprets the video type, resulting

in subtle picture artefacts, the video processor can be

manually forced into Video mode or Film mode. is

function should normally be set to Auto.

Edge Enhancement – Sharpens the picture from a

source on this input.

MPEG N.R. – Removes artefacts in overly compressed

digital video from a source on this input.

Noise Reduction – Removes random noise within the

picture from a source on this input.

Component Mode – Congures the current three-wire

high quality analogue video input for component (YUV)

video signals or RGB video signals. It is important

to match the setting to the incoming video format

otherwise the colours will be incorrect and the picture

may be unstable.

Options are Normal, RGsB and RGB+Sync.

< Normal: (default) the three-wire input is congured

for normal Component (YUV / YPbPr) analogue

video.

< RGsB: the three-wire input is congured for RGB

analogue video with video ‘sync-on-green’.

< RGB+Sync: the three wire input is congured for

RGB analogue video, with the video sync signal on

the composite input for the current named source.

You should typically select RGB+Sync if you are using

a standard SCART to 4-wire phono breakout cable to

connect an RGB SCART source.

NOTE: If RGB+Sync is selected, the S-Video and

Composite inputs cannot be selected as video inputs for

the current source.

Video Source – Selects the video signal connection for

this source. e default is HDMI; this setting must be

changed if another connection is used.

< HDMI: the unit is forced to use the HDMI video

input for this source.

< Component: the unit is forced to use the

COMPONENT/RGB video input for this source.

< S-Video: the unit is forced to use the SVIDEO input

for this source.

< Composite: the unit is forced to use the COMPOSITE

video input for this source.

Audio Source – Selects the particular connection type

for each input. e default is HDMI; this setting must be

changed if another connection is used.

Select from the list the audio type you are using on this

source.

< HDMI: the unit is forced to use the HDMI audio

input for this source.

< Digital: the unit is forced to use the optical (TOSLINK)

or coaxial (S/PDIF) digital audio input for this source

< Analogue: the unit is forced to use the analogue

audio input for this source.

General Setup

General information and system controls.

Source Input – (Information only) e currently

selected input to which the settings below relate.

Incoming Format – (Information only) e format

of the digital audio stream connected to this input, if

present.

Incoming Sample Rate – (Information only) e

sample rate of the digital audio stream connected to this

input, if present.

Incoming Bit Rate – (Information only) e bit rate

of the digital audio stream connected to this input, if

present.

Dialnorm – (Information only) If a Dolby Digital audio

stream is connected to this input, this is the Dialogue

Normalisation setting requested by the stream.

Video Input – e currently selected video input. For

inputs that have video connections (e.g. SAT, PVR etc),

audio and video inputs normally switch over together.

However, here you can temporarily select a dierent

video source for the current audio source. is feature

may be useful, for example, if you are watching a sports

game on satellite but on this occasion wish to listen to

the commentary on the radio instead. is temporary

override is reset when the input source is changed so

that the Video Input follows the Audio Input setting (or

the setting in the Video Inputs menu, if applicable).

Audio Compression – Allows selection of compression

which is ideal for late night listening. e compression

eect increases the volume of the quiet passages

and decreases the volume of the louder passages.

Compression only applies to Dolby soundtrack formats

that support this function (DTS is not supported).

< O: (default) no audio compression is applied.

< Medium: compression is applied so that loud

portions of a soundtrack are reduced in level.

< High: the maximum amount of dynamic range

compression is applied, so that the dierence

between loud and quiet portions of a soundtrack is

minimised.

is setting applies to all inputs when a relevant digital

audio stream is detected. It is stored in memory and

recalled each time the unit is powered up.

Balance – To alter the sound balance temporarily

between front le and right speakers. You can alter

the sound stage to either the le or the right by up to

6dB. Note that it is not possible to shi the audio signal

completely over to one channel. is function resets to

equal le/right balance when the input is changed.

PLII Dimension –

PLII Centre Width –

PLII Panorama –

ese allow the adjustment of the sound eld for Dolby

Pro Logic II Music mode decoding of two-channel

sources. ese setting apply to all inputs when PLII or

PLIIx Music decoding is selected. e settings are stored

in memory and recalled each time PLII or PLIIx Music

mode is selected.

< PLII Dimension: Allows the user gradually to

adjust the sound eld either towards the front or

towards the rear. Settings range from -3 to +3. We

recommend Dimension is set to 0 for normal use.

< PLII Centre Width: Controls the centre image

width.With Pro Logic decoding, dominant centre

signals come only from the centre speaker. If no

centre speaker is present, the decoder splits the

centre signal equally to the le and right speakers

to create a ‘phantom’ centre image. e Centre

Width control allows variable adjustment of the

centre image so it may be heard only from the

centre speaker; only from the le/right speakers as a

phantom image; or from all three front speakers to

varying degrees. We recommend Centre Width is set

to 3 for normal use.

< PLII Panorama: Extends the front centre image to

include the surround speakers for an exciting ‘wrap-

around’ eect with side-wall imaging.

Digital Output Freq. – Sets the sampling frequency of

the audio Analogue-to-Digital converter. is setting

applies to all inputs when analogue audio is being

processed (i.e. not Stereo Direct mode). It is stored in

memory and recalled each time the unit is powered up.

Maximum Volume – Limits the maximum volume

setting the system can be turned up to in the main zone.

is is a useful feature to prevent accidental overdriving

of low power-handling speakers (for example). It is

stored in memory and recalled each time the unit is

powered up.

Max On Volume – Limits the maximum volume the

system operates in the main zone when it is switched

on or comes out of Standby. e system comes on at

this stored volume setting if the last used (possibly very

loud) volume exceeds this value. It is stored in memory

and recalled each time the unit is powered up.

Display on time – Sets the time that the front panel

display remains illuminated aer receiving a command.

e default is always on.

Audio In iPod – If you have an iPod connected to the

AVR400 using an Arcam irDock or rLead, this control

allows you to set which audio input is used.

CEC Control – Enables or disables HDMI CEC control,

a system that allows devices connected with HDMI to

control other compatible connected devices.

ARC Control – Enables or disables the HDMI 1.4 Audio

Return Channel. is allows for television sound to be

sent back to the AVR400, via the “Display” input.

HDMI Audio To TV – Enables or disables the

transmission of HDMI audio from the HDMI output

connector. Enable this setting if you wish to be able to

listen using your TV speakers.

RS232 Control – Enables or disables RS232 control,

a system that allows control from various third-party

home automation systems.

Auto Setup

Auto Speaker Setup of your loudspeakers and subwoofer

(if present) is controlled by this menu. A full description

of how Auto Speaker Setup works is given on page E-33.

Remember to insert the calibration microphone into

the AUX input on the front panel and position the

E-37

English

microphone at the listening position before running

Auto Setup.

Run Auto Setup – Press OK (or O on the remote) to

start Auto Speaker Setup. e process will generate test

tones from the speakers and will typically take less than

two minutes. e test tone generator will cycle round

each speaker twice.

Accept Setup – When Auto Speaker Setup has

completed without errors you can choose to accept or

reject the settings

< No: e settings are not stored in memory.

< Yes: All the speaker settings (speakers present, type,

distance, level and crossover frequency) are stored

in the relevant sections of the Setup Menu and

overwrite any previous settings.

Auto Setup Progress – Gives a summary of what Auto

Speaker Setup is doing as it progresses, starting with

which speaker is being tested.

<Noise Level: Checking noise level relative to each

speaker and subwoofer.

<Number of Speakers: Speaker conguration is

detected including the number of surround speakers

and whether a subwoofer and center speaker are

connected.

<Speaker Distance: Accurately detects the

appropriate distance of each speaker position as well

as the subwoofer with respect to the microphone

position.

< Speaker Level and Size: e crossover is set based

on each channel’s signal handling capability and the

subwoofer crossover is automatically set. e SPL

(Sound Pressure Level) of each speaker is matched

with respect to the microphone position.

< Calculating EQ: Data gathered from each of the

speakers is being processed.

< Completed Error: A problem was detected with the

speaker setup. See the descriptions for each of the

individual speakers, below. Alternatively an invalid

speaker conguration was detected.

Front Left –

Centre –

Front Right –

Surr. Right –

Surr. Back Right –

Surr. Back Left –

Surr. Left –

Subwoofer –

If the above speakers are correctly detected as present in

your speaker conguration, their size (Small or Large),

distance from the listening position and trim level

(dB) will be displayed. Note that size does not apply

to the subwoofer. Otherwise an error message will be

displayed:

< Not Present: A speaker was not detected on this

channel.

Crossover Freq. – e frequency at which Auto Speaker

Setup determined is the best point to lter low frequency

sounds away from Small speakers and into the subwoofer

(or Large speakers if a subwoofer is not present).

Spkr Types

Settings for the types of loudspeaker you have connected

in your conguration. ese settings are applied to all

audio inputs and are stored in memory and recalled

each time the unit is powered up.

Front Left / Right –

Centre –

Surr. Left / Right –

Surr. Back L / R –

Here you set the type of speakers that you have

connected to your AVR400:

< Large: capable of full frequency range reproduction

< Small: not capable of full frequency range

reproduction at the low frequency end

< None: speaker not present in your conguration

< Subwoofer: Set whether a subwoofer is present or not.

NOTE

It is not possible to set all speakers to Small unless

there is a subwoofer in your speaker conguration.

If you do not have a subwoofer, you will be forced to

set your front speakers to Large.

Crossover Freq – is is the frequency at which

loudspeakers set as Small start to redirect bass signals to

the Subwoofer or Large speakers in your system. Small

speakers redirect bass to the subwoofer, if present. e

exception is the Centre speaker which, if Small, redirects

its bass to front le/right provided that they themselves

are Large. is is done to help keep Centre bass directly

in front of the listening position.

MCH Sub Levels – is setting controls the subwoofer

level from an externally decoded multi-channel source

(BD-A, SACD, etc). Most BD players require a +10dB

compensation on the subwoofer channel to maintain the

correct balance with the main channels.

< +10dB: for normal BD players which output the

analogue subwoofer channel at the low 0dBr level.

Gain compensation of +10dB is added to the

subwoofer channel of the MCH INPUT in the AVR400.

< 0dB Normal: for BD players which output the

analogue subwoofer channel at the correct +10dBr

level. No subwoofer gain compensation is needed

on the subwoofer channel of the MCH INPUT in the

AVR400.

Use Channels 6+7 for – If your main zone speaker

set up does not include Surround Back Le and Right

speakers, you can choose to use the Surround Back

amplier channels to Bi-Amp the Front Le and Right

pair, or as a stereo power amplier for Zone2.

Spkr Distance

Calibration settings for the distances between the

loudspeakers and the listening position.

NOTE

Speakers that are not present in your conguration

will be greyed out.

ese settings are applied to all audio inputs and are

stored in memory and recalled each time the unit is

powered up.

Units – Select whether you wish to measure distances in

imperial or metric units.

Front Left –

Centre –

Front Right –

Surr. Right –

Surr. Back Right –

Surr. Back Left –

Surr. Left –

Subwoofer –

As described in “essential setup” on page E-32, measure the

distance from each loudspeaker in your system to your

ear in the main listening position and enter the values.

is allows the AVR400 to calculate the correct relative

delay for each loudspeaker.

Spkr Levels

Calibration settings for the test noise signal level

through the loudspeakers and measured at the listening

position.

NOTE

Speakers that are not present in your conguration

will be greyed out.

ese settings are applied to all audio inputs and are

stored in memory and recalled each time the unit is

powered up.

Use the B and C navigation buttons on the remote

control to select the relevant speaker. Press O to

enable/disable the calibration noise and the D and E

navigation buttons to adjust the noise level from each

speaker.

Front Left –

Centre –

Front Right –

Surr. Right –

Surr. Back Right –

Surr. Back Left –

Surr. Left –

Subwoofer –

As described in “essential setup” on page E-32, adjust the

level of the test noise from each speaker so that an SPL

meter at the listening position measures 75dB SPL.

NOTE

Auto calibration is possible only for a 7.1 or

5.1 speaker conguration. For other speaker

congurations such as a 2.1 (stereo + subwoofer)

setup, you must complete setup manually by

referring to the guidelines below for Speaker

Conguration, Speaker Distance and Speaker

Levels.

E-38

Video Inputs

Settings to optionally assign a video source to each of

the normally audio-only inputs.

ese settings are stored in memory and recalled each

time the unit is powered up.

Video Input CD –

Video Input Aux –

Video Input AM / FM –

Video Input MCH –

Video Input iPod –

Video Input Net –

Video In Digital Radio –

e default for each of the audio inputs is ‘None’,

however for example you could associate the satellite

‘Sat’ video with AM, FM and Digital Radio audio if you

wished. is way you could listen to the FM or AM or

Digital Radio commentary of a sports game but have the

pictures from the satellite coverage.

Video Outputs

e settings in this menu control the output resolution

from the video processor in the AVR400. ese settings

are applied to all video inputs and are stored in memory

and recalled each time the unit is powered up.

NOTE

Important points to remember:

For the analogue output

You should set the frame rate (50Hz Interlaced for

PAL, 60Hz Interlaced for NTSC) and the aspect

ratio (4:3 standard or 16:9 widescreen) to match

your display device.

For the HDMI output

e output resolution, frame rate and display

aspect ratio can be automatically determined by

the AVR400. Alternatively these settings can be

manually selected.

Zone1 OSD – Selects whether the main zone pop-up

OSD messages are On or O. It is stored in memory and

recalled each time the unit is powered up.

< When On, all user adjustments that are made

during the general use of the AVR400 are displayed

on screen as well as the front panel display. is

includes the adjustment of volume, subwoofer level,

lip sync, tone controls, etc. It is stored in memory

and recalled each time the unit is powered up.

< When O, the above user adjustments will not

appear on screen, only on the front panel display.

is leaves the picture on your display device clear

of pop-up text. However, regardless of this setting

the Setup menus are always displayed on screen.

Zone2 OSD – Selects whether the Zone 2 pop-up OSD

messages are On or O. It is stored in memory and

recalled each time the unit is powered up.

Analogue Output – is setting controls the output

resolution of the analogue video output of Zone1. e

dropdown list shows all the resolutions that the AVR400

video processor can output.

Analogue Frame Rate – is setting controls the output

frame rate of the analogue video outputs of Zone1. is

setting is only valid if the HDMI output is not being

used at the time. See the Note ‘Important points to

remember’ regarding analogue frame rates.

Display Type – Set the aspect ratio of your display

device; 4:3 standard or 16:9 widescreen.

HDMI Output Resolution – is setting controls the

output resolution of the HDMI output.

<e dropdown list shows all the resolutions that the

AVR400 video processor can output. Resolutions

that are not supported by the connected display

device are greyed out and cannot be selected.

< Preferred: sets the output resolution to be the

preferred resolution that is requested by the display

device. is is oen the highest resolution the

display device can receive.

< Bypass: this is a special mode where video passes

straight through the AVR400 without alteration.

Use this mode to watch 3D content on a 3D

television. is mode also allows the AVR400 to

output video with a 23.976Hz frame rate. e output

resolution and frame rate will be identical to the

input resolution and frame rate. e display must be

capable of supporting the input resolution and frame

rate — if the input video format is not supported by

the display there will be no picture.

Output Frame Rate – is setting controls the output

frame rate of the HDMI output.

<e dropdown list shows all the frame rates that the

AVR400 video processor can output. Frame rates

that are not supported by the connected display

device at the above resolution are greyed out and

cannot be selected.

<Auto sets the HDMI OUT frame rate to be the

preferred frame rate that is requested by the display

device for the currently used resolution.

<Follow input sets the HDMI OUT frame rate to be the

same as the input frame rate. Use this setting if you

regularly switch between 24Hz and 50/60Hz content

and have a 24p compatible TV.

Lipsync – (Information only) Displays how much lip

sync is automatically applied to the HDMI output to

compensate for video processing delays in the attached

display device. Not all display devices support this

function.

Mode

Lists the decode and downmix options you wish to

include when cycling through the options on the MODE

button. Settings are Yes or No. e list is divided into

two sections depending on the source audio type.

See section “decoding modes” on page E-40 for more

information on each processing and decoding mode.

ese settings are applied to all audio inputs and are

stored in memory and recalled each time the unit is

powered up.

For Stereo sources:

Dolby ProLogic –

Dolby PLIIx Movie –

Dolby PLIIx Music –

Dolby PLIIx Game –

Neo:6 Cinema –

Neo:6 Music –

e rst section, ‘Stereo sources’ is the list of processing

modes you wish to make available for stereo signals

(analogue stereo, digital PCM stereo, Dolby 2.0, DTS

2.0, etc). When a stereo signal is applied, each press of

the MODE button cycles through the processing modes

you have enabled in the ‘Stereo sources’ section. e

unprocessed Stereo option is always available for stereo

signals therefore it is not shown in the list.

For Multi-channel sources:

Stereo Downmix –

Dolby Digital EX –

Dolby PLIIx Movie –

Dolby PLIIx Music –

e second section, ‘Multi-channel sources’ is the list

of processing modes you wish to make available for

multi-channel digital signals (any Dolby or DTS digital

stream that has more channels than stereo 2.0). When a

multi-channel digital signal is applied, each press of the

MODE button cycles through the processing modes you

have enabled in the ‘Multi-channel sources’ section.

E-39

English

Zone Settings

Lists the volume and control settings for Zone2 . ese

settings are applied to all audio inputs and are stored in

memory and recalled each time the unit is powered up.

Z2 Input – Selects the analogue audio and composite

video source to be routed to Zone2. e default is

‘Follow Z1’, i.e. the same source as currently selected in

Zone 1.

Zone 2 Status – displays whether Zone 2 is in Standby

or On, for information only.

Zone2 Volume – e current volume in Zone2.

Zone2 Max. Vol – Limits the maximum volume setting

the system can be turned up to in the Zone2. is is a

useful feature to prevent accidental overdriving of low

power-handling speakers, for example.

Zone2 Fixed Vol – e Zone2 volume control can be

locked at the current value for use with an external

amplier with its own volume control in Zone2.

Zone2 Max On Vol – Limits the maximum volume the

system operates in the Zone2 when it is switched on

or comes out of Standby. e system comes on at this

volume if the last used (possibly very loud) volume

exceeds this value.

Zone 2 format – Selects the video format used for the

Zone 2 composite video output. PAL is mostly used in

Europe and NTSC is mostly used in North America.

is setting should only be changed if there is an

unstable OSD on the Zone 2 display.

Network

e AVR400 is tted with an network audio client which

is capable of playing internet radio stations as well as

stored music on a network storage device such as a PC,

or on a USB ash drive.

Use DHCP – Select if your network uses DHCP

<No: To assign a xed IP address manually.

<Yes: To use network parameters given by the DHCP

server.

IP Address – If not using DHCP, enter the IP address

you have assigned to the AVR400 for your network.

Subnet Mask – If not using DHCP, enter the subnet

mask for the AVR400 on your network.

Gateway – If not using DHCP, enter the IP address of

the router the AVR400 is connected to.

Primary DNS – If not using DHCP, enter the Primary

DNS IP address of your internet service provider.

Alternate DNS – If not using DHCP, enter the Secondary

DNS IP address of your internet service provider.

MAC address – (Information only) e unique address

of the network card in your AVR400.

E-40

Introduction

Your AVR400 receiver provides all the key decoding

and processing modes for analogue and digital signals,

including the latest high denition audio formats over

HDMI.

Modes for digital sources

Digital recordings are usually encoded to include

information about their format type. e AVR400

detects automatically the relevant format in a digital

signal – such as Dolby TrueHD, Dolby Digital Plus,

DTS-HD Master Audio, Dolby Digital, or DTS – and

switches in the appropriate decoding.

Modes for analogue sources

Analogue recordings do not contain information about

their encoding formats, so the desired mode – such as

Dolby Pro Logic – needs to be selected manually.

Mode memory

Dolby Digital or DTS audio (including the high

denition formats) can be output in two mix modes,

selected using the MODE button:

< Surround (e.g., ve main channels plus a subwoofer

for a 5.1 source)

< Stereo downmix.

Two-channel audio, regardless of whether it is analogue

or digital can also be output in two mix modes, selected

using the mode button:

< Surround (e.g., Dolby Pro Logic II Movie, Neo:6

Music, etc.)

< Stereo.

e AVR400 stores the settings for each source (except

MCH). us the decoding mode for the following

groups of source material can be stored independently:

< Dolby Digital (multi-channel) and DTS source

material

< Two channel Dolby, PCM or Analogue source

material

Two-channel source modes

e following decoding and surround modes are

available for standard and high denition Dolby Digital

2.0, DTS 2.0, PCM or analogue sources:

Stereo

Pro Logic II Movie

Pro Logic II Music

Pro Logic II Game

Pro Logic IIx Movie

Pro Logic IIx Music

Pro Logic IIx Game

Pro Logic

Neo:6 Cinema

Neo:6 Music

NOTE

Pro Logic IIx modes are only selectable when

Surround Back speakers are present.

Stereo

In this mode the AVR400 works as a conventional high

quality audio amplier. Note that if the subwoofer is

enabled in stereo mode, then some processing of the

signal will be carried out. To achieve ultimate sound

quality with analogue sources, select the Stereo Direct

function if an analogue connection is present.

Dolby Pro Logic II

Dolby Pro Logic II decoding is designed to produce ve-

channel output from two-channel source material.

ere are three dierent modes available in Pro Logic II:

‘Movie’, ‘Music’ and ‘Game’ modes, which are intended

for use as their names suggest. Due to the dierent

recording methods used for movies, music and video

games, it is recommended that the correct decoding

mode for your source material is used to obtain best

results.

< Movie mode: is is intended for use with

‘cinematic’ material, which is mixed and monitored

in a calibrated multi-channel environment. Movie

mode is a ‘xed’ mode that is designed to give a

similar sound when listening using a home cinema

system to that obtained in a cinema.

< Music mode : Stereo music is not designed for

surround processing, although good surround

eects can be obtained through careful production.

decoding

modes

As the optimum decoding method varies according

to the recording, Music mode allows the user

adjustment of the processing characteristics.

< Game mode: Video games today are extremely

sophisticated, with dramatic 5.1 surround

audio tracks. Game mode gives augmented bass

management to capture the full eect of game

sounds panned to the surrounds, ensuring the

bass impact from purer surround eects are fully

delivered to the subwoofer.

Dolby Pro Logic IIx

Dolby Pro Logic IIx is an extension of the Dolby Pro

Logic matrix-decoding method. e decoder allows

the processor to derive seven outputs from a two or

multi-channel (up to 5.1 with EX) source to take better

advantage of all ampliers and speakers in a 7.1 setup.

As with Pro Logic, there are three dierent modes

available: Movie, Music and Game. Due to dierent

recording methods used for movies and music, you

should select the correct mode for your source material.

Dolby Pro Logic

Dolby Pro Logic is a legacy mode that is designed

to produce a ve-channel output from two-channel

source material. It should be used only when the source

material is encoded as Dolby Pro Logic; otherwise,

we recommend the use of Dolby Pro Logic II. is is

because Pro Logic processing on straight stereo sources

can sound mued and compressed.

DTS Neo:6

DTS Neo:6 provides up to six full-band channels of

decoding from stereo material. e AVR400 will derive

separate channels corresponding to the standard home

theatre layout.

< Cinema : A movie mode designed to reproduce

a movie theatre environment. Neo:6 technology

allows various sound elements within a channel or

channels to be steered separately, and in a way which

follows the original presentation naturally.

< Music : A music mode designed to produce a lively,

high-integrity surround-eect from most two-

channel music sources from all available speakers.

Neo:6 music mode expands stereo recordings into

the ve or six-channel layout without diminishing

the subtlety and integrity of the original stereo

recording.

E-41

English

High resolution audio sources

Dolby TrueHD Provides up to 7.1 full channel at 96kHz, 24bit resolution, with potentially no

losses in the compression process. Data rates can be up to 18Mbps.

Dolby Digital Plus Provides up to 7.1 discrete channels of audio with less compression than

traditional Dolby Digital encoding. Data rates can be up to 6Mbps.

DTS-HD Master Audio Provides up to 7.1 full channel at 96kHz, 24bit resolution, with potentially no

losses in the compression process. Data rates can be up to 24.5Mbps.

For Dolby Digital sources

Dolby Digital 5.1 e most commonly used sound format for DVD video, and is also the

standard for US television. Dolby Digital 5.1 sources deliver sound with ve

discrete full-range channels; le, centre, right, surround le, surround right,

plus a low frequency eects (LFE) channel.

Dolby Digital 5.1 Stereo

Downmix

Provides a stereo downmix of the source material for use with headphones.

Dolby Digital EX is is an extension to Dolby Digital decoding that provides a 6-channel output

from a 5-channel input. e extra channel is the centre-surround channel (for

which the two surround back speakers are used), and is derived from the le

and right surround channel information. is decode mode should be used

only when the source material is ‘Surround EX’ encoded (which is normally

indicated on the disc packaging and should be detected automatically by the

AVR400), but may be used at other times if desired.

Dolby Digital 5.1 + Pro Logic

IIx Movie

is mode is used to derive information for the individual surround back

channels from the surround channels, using the Pro Logic IIx Movie decoder.

Dolby Digital 5.1 + Pro Logic

IIx Music

is mode is used to derive information for the individual surround back

channels from the surround channels, using the Pro Logic IIx Music decoder.

e controls for adjusting Pro Logic IIx Music in ‘General Setup’ can be used in

this mode.

For DTS sources

DTS 5.1 Less common than the Dolby Digital format, but generally recognised within

the audio industry as being of superior sound quality. DTS 5.1 delivers

surround sound with ve full range channels plus an LFE channel.

DTS 5.1 Stereo Downmix Provides a stereo downmix of the source material for use with headphones.

DTS-ES 6.1 Matrix is is a 6.1 channel format based on DTS 5.1. It has the sixth channel matrix

encoded into the surround le and surround right channels. e sixth channel

is a surround centre channel and is directed to the surround back le and

surround back right speakers.

DTS-ES 6.1 Discrete is is a true discrete 6.1 channel sound format (unlike DTS-ES Matrix).

DTS-ES discrete mode operates only on sources with DTS-ES 6.1 discrete

audio encoding.

DTS96/24 Provides up to 5.1 channels of audio at 96kHz, 24bit resolution for superior

sound quality compared to standard DTS 5.1

Multi-channel source modes

Digital multi-channel source material is normally

provided as ‘5.1 audio’. e ‘5.1 channels’ comprise

of: le, centre and right front speakers, two surround

speakers and a low frequency eects (LFE) channel.

Since the LFE channel is not a full range channel, it is

referred to as ‘.1’.

Surround systems decode and reproduce the 5.1

channels directly. Dolby Digital EX and DTS-ES matrix

enhanced decoding systems create one extra rear

channel from information buried in the two surround

signals of the 5.1 source. ese EX and ES enhanced

systems are sometimes referred to as ‘6.1’ systems. is

extra surround back channel is normally reproduced

through two separate loudspeakers, creating a ‘7.1’

system.

DTS-ES discrete is a true ‘6.1’ source, with six discretely

encoded channels, plus the ‘.1’ LFE channel.

Dolby Digital Plus, Dolby TrueHD and DTS-HD are

high-resolution surround formats found on Blu-Ray

discs

Decoding modes

e modes given in the following table are available for

multi-channel digital sources.

Special modes such as DTS-ES 6.1 discrete, Dolby

Digital Plus, Dolby TrueHD and DTS-HD are only

available from the correct source material.

E-42

Dolby volume

Dolby Volume is a sophisticated new

technology that resolves the problem of

dierent volume levels between programme content

(e.g. a TV show and advert breaks) and between sources

(e.g. a rock radio station and DVD, or between two

TV stations). It lets the listener enjoy everything at the

same preferred listening level without having to reach

for the volume control to compensate for the dierent

recording/output levels. is is the Volume Leveller

function of Dolby Volume.

Dolby Volume also works in conjunction with the

AVR400 volume control setting to compensate for

the ear’s changing sensitivity at dierent frequencies

depending on how loud the audio is. It is based on

a model of how human hearing works. It properly

balances low, mid and high frequencies to maintain all

the nuances and impact of the original audio regardless

of the actual selected playback volume level. is is the

Volume Modeller function of Dolby Volume.

Dolby Volume measures, analyses and maintains volume

levels based on how people perceive sound. A variety of

audio parameters are monitored including spectral- and

time-based loudness to ensure that perceived dynamics,

timbre and bass performance remain consistent at all

volume levels.

Dolby Volume also lets the listener control a

programme’s dynamic range – the range between loud

and quiet sounds. For example, with the volume turned

down for late-night viewing, dynamic range can be

adjusted so that speech remains clear and loud eects or

music passages retain their impact without waking up

the family.

Settings

Dolby Volume can be applied to any analogue or digital

stereo source or any digital multi-channel source. It is

not available in Stereo Direct or on the analogue multi-

channel input. Dolby Volume can even be applied to

processing of stereo signals (e.g. PLII Music) or when

down-mixing a digital multi-channel source (e.g. Dolby

Digital 5.1 down to stereo).

Dolby Volume can be enabled and congured separately

for each audio input in the Input Cong menu. e

default is ‘O’ for ‘audiophile’ listening. You may wish

to turn Dolby Volume ‘On’ for TV and movie sources

to maintain the same perceived overall listening level

between sources and frequency response regardless of

the volume setting. Most of the controlling parameters

of Dolby Volume are automatic as they are dependent

on analysis of the audio signal and the volume setting

of the AVR400. However, the Volume Leveller and

Calibration Oset controls (see below) can be adjusted

to your preference.

Volume Leveller

e Volume Leveller function of Dolby Volume controls

how closely quiet and loud sources and programme

content are matched to each other, based on the

ear’s perception of loudness. e range of values is 0

(minimal levelling) to 10 (maximum levelling). e

default setting is 2. If the Volume Leveller function

is turned o, no level matching between sources and

programme material is performed. is is not the

same as turning Dolby Volume o as volume related

frequency response processing is still active.

When Dolby Volume is being applied to the current

input, a Dolby Volume processing mode indicator is

shown on the OSD and the front panel display.

Calibration Oset

e Calibration Oset parameter of Dolby Volume

allows you to compensate for speaker eciencies and

listening position – eectively moving the reference

listening level up or down the volume scale. e default

value is 0 and this should normally produce a good

result when the AVR400 speaker levels are set using

a sound pressure level meter at the listening position

(75dB SPL, ‘C’ weighting, slow response).

E-43

English

E-44

tuner

operation

e AVR400 is tted with an internal AM/FM tuner

and a DAB (digital radio) tuner. DAB broadcasts are not

available in all locations.

is section deals with tuner operation, for information

on setting up the tuner and installing aerials, see page E-16.

When a tuner input is selected, the OSD shows a list

of radio presets plus an information panel giving all

available information about the current frequency (for

AM and FM) or station (for DAB).

e front panel will also give the same information,

pressing the INFO key will cycle through the various

items of information:

AM

• Processing mode (default)

• Frequency

• Signal strength

FM

• Processing mode (default)

• Radiotext (if available)

• Programme type (if available)

• Signal strength

DAB

• Processing mode (default)

• Radiotext (if available)

• Programme type

• Signal quality

• Bit-rate of transmission

Tuning/Channel Selection

When switching to the internal TUNER source, the

AVR400 enters the last used tuner band, be it AM / FM

/ DAB (if tted). Repeatedly pressing T cycles through

the available tuner bands on your AVR400.

FM/AM analogue radio

Frequency tuning on FM and AM radio is done using

the < and > buttons on the CR102 remote control in

TUN device mode. Individual presses move the frequency

down and up one step. If you press and hold either of

the tuning buttons for two seconds, the tuner scans to

the next strong signal. You can stop a scan at any time by

pressing one of the tuning buttons again.

In Europe, the internal FM radio is capable of receiving

RDS (Radio Data System) radiotext signals that are

transmitted on some stations. e RDS information

typically includes the radio station name, the music or

speech genre as well as additional information related to

the current programme. On music stations this is oen

information on the currently playing track.

DAB digital radio

If your AVR400 is tted with the optional DAB tuner

you will need to scan for available stations before being

able to listen to them.

To scan for DAB stations, rst select the DAB tuner then

press and hold O until the display indicates scanning

has started. e AVR400 will then scan all the DAB

radio frequencies and compile a list of the stations that

are available.

When the scan is complete, you can scroll through the

station list using the < and > buttons on the CR102

remote control. To listen to the currently displayed

station press the O. If you do not press O within

two seconds, the display will revert to displaying the

currently playing station.

Internet radio

Please see the Network/USB Operation section on

page E-45 for details of internet radio operation.

Saving and selecting Presets

Preset selection uses the B and C keys on the

remote to browse and O to select the preset when the

CR102 is in TUN device mode.

Up to 50 presets can be stored and these can be from

any band, for example Preset 1 could be an AM station,

preset two a DAB station, etc. Pressing the OK key causes

the next available preset number to be displayed, then

pressing the OK key again stores the current frequency/

channel in that preset. If a dierent preset number is

required, press the B or C keys until the desired

number is displayed before pressing the OK key for a

second time.

Deleting Presets

When in tuner browse mode (using B and , to

scroll through the presets), the yellow button on the

CR102 remote is used to delete the currently highlighted

(but not playing) station or frequency.

E-45

English

network/usb

operation

e AVR400 is tted with a network audio client which

is capable of playing internet radio stations as well as

stored music on a network storage device such as a PC,

or from a USB ash drive.

For information on installing the AVR400 on your

network, see page E-17.

e AVR400 supports the following le formats:

< MP3

< WMA (Windows Media Audio)

< WAV

< FLAC (Free Lossless Audio CODEC)

< MPEG-4 AAC (iTunes) with DRM10 support

Favourites

You can store internet radio stations in your ‘favourites’

folder for easy access later. Once playing, pressing

the FAV+ key adds the track to the ‘favourites’ folder.

Pressing FAV- removes the station from the ‘favourites’

folder (this key only has an eect if the station is in the

favourites folder).

Selecting the playback source

Selecting the network client will allow playback of

internet radio stations and stored music on a networked

storage device or USB memory device.

To select the network source the CR102 remote must

rst be in AMP device mode (press A). en press S

+ e on the remote to select the Network source. You

can also cycle to it using the INPUT / INPUT+ keys on the

front panel.

e ‘home’ page has options for playing audio from a

USB device, Internet Radio or from your home network

using the ‘Music Player’ option. Navigate through these

items using the B, C, D and E keys. Folders that

may contain playable les have a symbol, playable

les have a symbol. Once you reach the track you

wish to play, press OK key.

Once playing, pressing ; will pause the track (except

Internet Radio).

Pressing the / key skips forward one track. If the last

track is reached the key is ignored.

Pressing the 0 key skips back one track. If the rst track

is reached, the key is ignored.

Pressing the r key on the remote plays the tracks in

the current folder in a random order.

Pressing the R key on the remote repeats all the les

in the current folder. Pressing it again cancels the repeat

function.

USB playback

Insert a USB device into the socket on the AVR400 and

select the network client input. e USB device appears

in the list of folders that can be navigated. Highlight it

using the Band C keys and press E to navigate the

contents of the USB device. Navigate through folders

(using the B, C, D and E keys) to a music le

and press the OK key to play the le.

Internet radio stations

Although you can manually browse for an internet radio

station, the AVR400 uses the vTuner service to allow

easy selection of favourite internet radio stations and

podcasts. To set up this service for your AVR400, please

visit www.arcamradio.co.uk

ere, you will be asked to enter the Media Access

Controller (MAC) address which is the unique ID of

your AVR400. is MAC address can be found in the

network section of the setup menu.

Once you have entered the MAC address, you can then

browse stations and podcasts and set up groups of

favourite stations. When you next connect your AVR400

to the internet, these groups will appear in the ‘My

favourites’ folder.

Pressing the INFO key will cycle what is shown on the

lower portion of the front panel display between:

< Elapsed Time (default)

< Processing mode

< Album (if available)

< Artist (if available)

< File information (bitrate, type).

iPod

It is possible to connect an iPod to your AVR400 using

either the Arcam rLead or irDock accessories (please

contact your dealer).

Connect the 9-way plug into the socket marked ‘irDock’

and the audio leads to the VCR input (the iPod input

can be changed in the General Setup menu). If your

iPod has video output and you are using the irDock,

connect the composite and S-Video leads to the VCR

video inputs.

To select the iPod input,

press the e key on the

remote while in AMP

Device Mode, or cycle

to it using the  INPUT /

INPUT + keys on the front

panel. Find songs to play by navigating through Artists,

Albums etc. using the B, C, D and E keys.

2 0115

NOTE

For playback from a network device, the network

device needs to running a universal plug and play

(uPnP) service, such as Windows Media Player 11.

is can be downloaded free of charge from

www.microsoft.com or installed via the Windows

update installer. Windows 7 and Vista™ have this

functionality built in. Windows Media Player

requires music library sharing/streaming to be

enabled in order to serve music to the AVR400.

Other free and paid-for uPnP services are available

for other computer operating systems. Some

network attached storage (NAS) systems include a

built-in version of a uPnP service.

E-46

Zone2 control connections

e AVR400 also allows remote control from Zone 2.

Z2 IR

is allows the AVR400 to be

controlled remotely from Zone2

via Infra-red remote control.

Connect a remote IR receiver

in Zone2 to allow control of

the AVR400 from this listening/

viewing area.

For more information on remote IR receivers, see ‘Z1

IR’ on page E-17.

TRIG Z2

is allows the AVR400 to remotely switch on devices

in Zone2 when Zone 2 is selected. For example you

could set your television in Zone2 to switch on when

‘Zone2’ is selected on AVR400.

For more information on triggers, see ‘Trigger

connectors’ on page E-17. Please note that not all AV devices

have this feature, nor are triggers essential for listening

and viewing in a separate zone.

multi-room

set up

e AVR400 allows independent routing and control of

analogue audio and Composite video to a separate set of

equipment, typically used for a second living space, e.g.,

bedroom or lounge.

e connection guide on the following page shows how

the AVR400 is normally connected in a multi-room

installation.

Zone2

Zone2 receives only signals obtained by the AVR400

from the analogue audio and Composite video inputs.

e analogue inputs are required because there is

no analogue-to-digital, digital-to-analogue or DSP

processing available for Zone2 signals – the AVR400

only converts video formats for Zone1.

For this reason, we recommend that in addition to any

digital connections, the analogue audio and Composite

video outputs from your source devices are connected to

the AVR400.

Video outputs

e Z2 Composite video output connectors of the

AVR400 should be connected to the analogue video

inputs (usually labelled VIDEO IN or COMPOSITE VIDEO IN)

of the display device in Zone2.

Audio outputs

e Z2 OUT, R and L phono sockets should be connected

to the analogue audio inputs (Usually labelled

ANALOGUE AUDIO IN) of the Zone2 display device, or

to the inputs of an additional stereo power amplier in

Zone2 (for example, the Arcam P38).

Speaker outputs

If the main zone has a 5.1-channel surround sound

speaker system (not a 7.1-channel system), the spare

SBL and SBR speaker outputs can be used to power

speakers in Zone 2, so that a power amplier is not

required. To congure the outputs, navigate to the “Spkr

Types” option in the Setup Menu and set the option

“Use Channels 6+7 for” to “Zone 2” (see page E-32).

2305

E-47

English

Zone1

Multi-room connection guide

Zone2

E-48

Code Learning

e CR102 comes with a complete library of

preprogrammed codes. Aer you have set up the CR102

for your device, you may nd that there are one or more

functions on your original remote which do not have a

place on the CR102 keypad. For convenience, the CR102

oers a Code Learning feature that allows you to copy

up to 16 functions from an original remote control onto

the CR102 keypad.

Before you start, make sure that:

< e original remote control is working correctly.

< e remotes are not pointing at your device.

< e remotes have new batteries.

< e remotes are not in direct sunlight or under

strong uorescent lights.

Learned functions are mode-dependent: You could

theoretically assign up to eight dierent functions

to a single key (the CR102 can handle a total of 16

learned functions).

Example: To copy the ‘text hold’ function

from a TV remote onto the ( key of your

CR102

1. Place both remotes on a at surface, 2 to 5cm apart,

with the IR ports facing each other.

2. On the CR102, press and hold S until the power

LED blinks twice: * *.

3. Press 9 7 5. e power LED blinks twice:

* *.

4. On the CR102, press the device key that matches the

‘source’ device (e.g. if you’re learning a TV function,

press a).

5. On the CR102, press the key to which you want to

assign the learned function (e.g. (). e device key

blinks rapidly.

6. On the original remote, press and hold the function

key that you want to learn (e.g. TEXT HOLD) until the

CR102 device key blinks twice: * *.

7. If you want to learn other functions from the same

source device, simply repeat steps 5 and 6 pressing

the next key you want to learn.

8. To exit Code Learning mode, press and hold S

until the device key blinks twice: * *.

9. To use the learned function on the CR102, press the

Device Mode key, followed by the function key.

In this example, you’d press

a followed by (

Shifted Learning

You can assign a learned function to a CR102 key

without sacricing its original function.

You can assign Shied Learning functions to any key

except for: Device Mode keys (e.g. a), S, or number

keys (0 to 9).

1. To assign a Shied Learning function, simply follow

Code Learning steps in the previous section. During

step 5, press S once before you press the key to

which you want to assign the learned function.

2. To access the shied function, press S and then the

target key.

Important notes

< Once you start a Code Learning session, you have

approximately 10 seconds to conduct each step. Any

longer, and a timeout means that you’ll have to start

the process again.

< e Learning feature is mode-specic – you can

copy one feature per mode onto a key.

< e CR102 can learn approximately 16 functions in

total.

< To replace a learned function, simply assign a new

one to the same key.

< Learned functions are retained when you change

batteries.

< If Code Learning fails, try altering the distance

between the two remotes; make sure that the light in

the area is not too bright.

To delete a learned function

1. Press and hold S until the power LED blinks twice:

* *.

2. Press 9 7 6. e power LED blinks twice:

* *.

3. Press a Device Mode key once. For example, if you

want to delete one of your learned TV functions,

press a.

4. Press twice on the key you want to deassign. e

handset blinks twice: * * to conrm.

e original function of the CR102 is restored.

To delete a Shifted Learned function:

To delete a Shied Learned function, press S before

you press the key to be deassigned (during step 4 above).

To delete ALL learned functions within a

given Device Mode

1. Press and hold S until the power LED blinks twice:

* *.

2. Press 9 7 6 – the power LED blinks twice:

* *.

3. Press the appropriate Device Mode key twice.

customising

the CR102

E-49

English

Example: To deassign the Macro associated

with the h key

1. Press and hold S until the power LED blinks twice:

* *.

2. Press 9 9 5.

3. Press h.

4. Press and hold S until the power LED blinks twice:

* *.

Volume punch-through

Volume punch-through means that, no matter which

Device Mode is selected, the CR102 controls the

AVR400 volume. You don’t need to press A on your

CR102; this feature is switched on by default.

ere are times, however, when you might want to

control a device’s volume directly when in a specic

Device Mode.

Example: To cancel volume punch-through

for a TV (AV mode)

1. Press a once.

2. Press and hold S until the power LED blinks twice:

* *.

3. Press 9 9 3.

4. Press -. e power LED blinks four times.

Now, while in TV (AV) mode, you will be able to control

the volume or mute functions of your TV directly.

To completely cancel all volume punch-

through settings

1. Press and hold S until the power LED blinks twice:

* *.

2. Press 9 9 3.

3. Press +. e power LED blinks four times * *

* *.

Now, whichever mode you’re in, you will have direct

access to that device’s volume or mute functions,

assuming they are available. You would need to switch to

AMP mode to alter the AVR400 volume.

Example: To restore default volume punch-

through settings to all Device Modes

1. Press and hold S until the power LED blinks twice:

* *.

2. Press 9 9 3.

3. Press A. e power key LED blinks twice: * *.

Key Mover

Sometimes you might nd that a key you use a lot for

your system is in the ‘wrong’ place on the CR102 keypad

for your comfort. It’s quite easy to reassign a favourite

function to a more accessible key. It is even possible

to move a function from one Device Mode to another

Device Mode.

Example: To assign the D function to the U

key in SAT mode

1. Press z.

2. Press and hold S until the power LED blinks twice:

* *.

3. Press 9 9 4.

4. Press the key you want to move (e.g. D)

5. Press the key you want to move the key to (e.g. U).

Now, pressing either D or U while in SAT Device

Mode makes the CR102 transmit the D function.

To completely swap over the functionality of the two

keys to put the U functionality on the D key, repeat

the above process again, but swap over the D and U

key presses in the example.

Note that the function that is copied over to the new key

is always the original function of the old key.

Restore a moved key

To restore a key to its previous function, repeat the

example above, pressing the key to be restored twice

(copy it back to itself).

Restore all moved keys for a Device Mode

To restore all keys in a Device Mode to their original

functional positions, repeat the example above, but press

the relevant Device Mode key (e.g. A) at points 1,4 and

5 in the example.

Creating Macros

You can program your CR102 to issue a sequence of

commands when you press a single key. Any sequence of

commands you regularly use can be reduced to a single

key press for your convenience.

For example, you might want to turn o your TV, VCR

and Satellite at the same time.

< A key programmed with a Macro is available in all

modes; it will replace that key’s dierent functions

for all modes.

< A Macro can consist of up to eight key presses.

Example: To assign a Macro to the h key

1. Press and hold S until the power LED blinks twice:

* *.

2. Press 9 9 5.

3. Press h (the Macro will be assigned to this key).

4. Press a, P, w, P, z, P. (ese are the

Macro steps you wish to record.)

5. To store the Macro, press and hold S until the

power LED blinks twice: * *.

Now, whenever you press h, the CR102 will toggle the

power to your TV, VCR and Satellite.

< e important word here is ‘toggle’. For example, if

the TV and Satellite devices are currently on, but

the VCR is o, pressing h will switch o the TV

and Satellite and switch on the VCR (rather than

switching all three devices on or o).

< When using Macros, remember that you may need

to change mode or use S, and that each key press

(including changing modes and pressing S) counts

as one of the Macro steps. You cannot use a Macro

key within another Macro.

< If the amount of memory storage for a particular

Macro is exceeded, the power LED comes on for ve

seconds. You can, however, save the macro steps up

to that point by pressing S, or you can cancel the

Macro recording by pressing any other key.

< e delay between key presses is recorded as part of

the Macro. A delay of up to 30 seconds is permitted.

E-50

Mode Mover

If your home entertainment setup contains devices of

the same type (e.g. two TVs, perhaps from dierent

manufacturers) you can still control both those devices

with the CR102. You simply need to reassign an unused

Device Mode key.

NOTE

Before using Mode Mover, make sure both the

source and destination Device Mode keys are

unlocked (see next section).

Example: To use the z key to control a

second TV

1. Press and hold S until the power LED blinks twice:

* *.

2. Press 9 9 2.

3. Press the Device Mode key for the type of device you

want to control (e.g. for a TV, press a).

4. Press the Device Mode key you want to use

(e.g. z).

5. Don’t forget to set up the CR102 to control the

second device, using one of the methods on page E-25.

Note that volume punch-through is not applied to a

Device Mode that has been copied using Mode Mover.

However, AVR400 volume punch-through functionality

can be restored when you have used Mode Mover, by

copying -, + and @ from the AMP Device Mode

to the same physical buttons on the new moved Device

Mode using the last example shown in Key Mover.

To restore a moved Device Mode key to its

original state

1. Press and hold S until the power LED blinks twice:

* *.

2. Press 9 9 2.

3. Press the Device Mode key you want to restore

twice.

Locking/Unlocking a specific

Device Mode

When you rst unpack your CR102 and insert the

batteries, for your convenience it is able to control

certain Arcam components automatically (e.g. BD

players, Ampliers, Tuners and CD Players). We achieve

this by preprogramming specic Arcam device codes

onto the relevant Device Mode keys, then locking

the Device Modes so you don’t reprogram them

inadvertently.

If you want to override these locked default settings – to

control a third-party DVD player, for example – you will

rst need to unlock DVD Mode before setting up the

CR102 using one of the methods described at the start

of this guide.

Here are the factory default settings:

Device Mode Default status Default Arcam

codes

DVD Locked 0762

SAT Unlocked 1205

AV Unlocked 0586

TUN Locked 2009

AMP Locked 1242

PVR Unlocked 1930

VCR Unlocked 0111

CD Locked 2010

Alternative codes are available for multi-room solutions,

or in the case of code clashes with other manufacturer’s

products.

For example:

DVD (system code 12) 1655

AMP (system code 19) 1954

You will need to change the system code on the product

you wish to control, as well as the CR102.

NOTE

e AMP Device Mode can only be used to control

Arcam ampliers like the AVR400, either on its

default or alternative IR system codes.

To toggle a Device Mode lock setting:

1. Press the Device Mode key you want to unlock (e.g.

d)

2. Press and hold S until the power LED blinks twice:

* *.

3. Press 9 8 2.

< e power LED blinks twice when being locked, and

blinks four times when being unlocked.

< If you enter an invalid key sequence, the power

LED gives one long blink and returns to normal

operation.

While the Device Mode key is locked, the Direct Code

Setup and Move Mode functions are not available.

Copy a key between Device Modes

It is possible to copy functions between Device Modes.

However, remember that button functions are Device

Mode specic and therefore eectively ‘punch-through’

to the original Device Mode when copied over.

e following example copies the AVR400 DIRECT

function from the CR102 AMP device mode to the

shied function of the # button on AV Device Mode.

1. Press and hold S until the power LED blinks twice:

* *.

2. Press 9 9 4.

3. Press the Device Mode key of the function you want

to move (e.g. A).

4. Press the function key you want to move (e.g.)/

DIRECT)

5. Press the key of the Device Mode you want to copy

the function to (e.g. a)

6. Press the S button graphic

7. Press the key you want to copy the function to (e.g.

#)

If you prefer to copy the key to the main function of the

# button instead of the ‘shied’ function, omit point 6

in the above example.

E-51

English

Device codes

e tables that begin on page 56 (in the nal section of

this Handbook) list the four-gure codes for dierent

manufacturers’ devices.

Use these when setting your CR102 up to control your

devices, as described in Method 1 (see page E-25).

If more than one code number is listed, try the rst

number. If the results are unsatisfactory, continue trying

the numbers for that manufacturer to get the best ‘t’

with the functionality required.

If the manufacturer of your equipment is not listed, you

can try Method 2, the Library Search (see page E-25). is

allows you to scan through every set of codes contained

in the CR102’s memory.

Command summary

Direct code setup

(e.g. AV mode, NNNN=code number)

a S * * NNNN * * P

Library search

(e.g. AV mode)

a S 9 9 1 * * P [ until unit turns o

S to save

Code blink back

a S 9 9 0 **

1 count blinks for rst N

2 count blinks for second N

3 count blinks for third N

4 count blinks for fourth N

Code learning

(e.g. AV mode fast forward key)

S * * 9 7 5 * * a ( * (many

rapid blinks)

(Press key on original remote that you wish to copy)

* * S * *

Delete a learned function

(e.g. AV mode fast forward key)

S * * 9 7 5 * * a ( ( * *

Delete all learned functions with a device

(e.g. AV mode)

S * * 9 7 5 a a

Creating macros

(e.g. SRCH key)

S * * 9 9 5 h a P w P z P S

* *

Deassign macro

S * * 9 9 5 h S * *

Key mover

(e.g. SAT mode, DISP key to MENU key)

z S * * 9 9 4 D U

Mode mover

(e.g. change SAT to TV(AV))

S * * 9 9 2 a z

Restore device mode

(e.g. restore SAT)

S * * 9 9 2 z z

Locking/unlocking a mode

(e.g. DVD mode)

d S * * 9 8 2 * *

(i.e. two blinks for lock)

d S * * 9 8 2 * * * *

(i.e. four blinks for unlock)

Cancel all volume punch-through

S * * 9 9 3 + * * * *

Restore volume punch-through

S * * 9 9 3 A * *

Mode key IR punch-through

S * * 9 7 1 * * A

Cancel mode key IR punch-through

S * * 9 7 1 * * S * *

NOTE

As elsewhere in this Handbook, a single ‘blink’ of

the red LED behind the power button is indicated

by the symbol *.

Mode key IR punch-through

e Mode key IR punch-through default is ‘on’.

Example: To set the Mode key IR punch-

through to AMP

1. Press and hold S until the power LED blinks twice:

* *.

2. Press 9 7 1. e power LED blinks twice: *

*.

3. Press A to punch through IR from it.

Now, whenever you press and release a Mode key, the

IR data assigned to AMP is transmitted, no matter what

the current mode is (i.e. it ‘punches through’ any other

device).

To cancel Mode key IR punch-through

1. Press and hold S until the power LED blinks twice:

* *.

2. Press 9 7 1. e power LED blinks twice: *

*.

3. Press S until the power LED blinks twice: * *.

Resetting the CR102

Resetting the CR102 will erase all learned functions

across all modes, as well as some other programmed

functions like Macros. It will not reset the Device Mode

keys; these will remain programmed to your choice of

component.

1. Press and hold S until the power LED blinks twice:

* *.

2. Press 9 8 0. e power LED blinks four times:

* * * *.

3. Press and hold S until the power LED blinks twice:

* *.

4. Press 9 9 3.

5. Press A. e power key LED blinks twice: * *.

6. Press and hold S until the power LED blinks twice:

* *.

7. Press 9 7 1. e power LED blinks twice: *

*.

8. Press A. e power key LED blinks twice: * *.

E-52

trouble-

shooting

Problem Check that...

ere are no lights on the unit < the power cord is plugged into the AVR400 and the mains socket it is

plugged into is switched on.

< the power button is pressed in.

If a red LED is present, the AVR400 is in standby mode. Press any button on the

front panel or remote control.

e unit responds erratically

or not at all to the remote

control

< there are fresh batteries in the remote control.

< the front panel window is visible and you are pointing the remote control

towards it.

e front panel display is

blank

< the display hasn’t been turned o. Press the DISPLAY button on the front

panel or remote control.

No picture is being produced < your viewing device is turned on and switched to display your AVR400. Test

by pressing the MENU button on the AVR400 or on the remote and look for

the main menu screen on your display device.

< the correct video input is selected on the AVR400.

< the “Video Source” has been set correctly in the “Input Cong.” menu

< the video source is on, is operating normally, and is in ‘play’ mode if

appropriate.

< you have the AVR400 in a video resolution that is compatible with the

connection you are using and with your display device. For example,

composite video is only capable of carrying 480i and 576i resolutions. Test

this by pressing and holding the OK key for more than two seconds to force

480i / 576i output resolutions.

ere are bright edges or

‘ghosts’ on the picture

< the cables used for analogue video connections are designed to carry video

(i.e., they are 75 coaxial cables).

< ensure the ‘sharpness’ control on your display device is switched o or set to

near minimum.

< for HDMI connections, try using a shorter cable or alternatively a dierent

brand.

No sound is produced < the correct input has been selected.

< the “Audio Source” has been set correctly in the “Input Cong.” menu

< the source equipment is on, is operating normally and is in ‘play’ mode if

appropriate.

< the volume is turned up to a reasonable level and the AVR400 is not in mute

mode.

e sound is poor or distorted < you have not excessively increased the input sensitivity (i.e. reduced the

maximum input signal voltage) in the Input Cong. menu if an analogue

input is being used.

< you have selected the correct size of speakers to suit your system in the setup

menu.

E-53

English

Problem Check that...

Sound only comes from some

of the speakers

< you have an appropriate surround source selected and playing.

< the BD/DVD disc is encoded in the appropriate format, and the correct

format has been selected in the disc start menu of the BD player (if

applicable).

< the BD/DVD player has been set to output ‘bitstream’ audio on the digital

output.

< the display window indicates that the disc you are playing is a multichannel

recording (you may need to press the INFO key several times until you get to

the ‘incoming format’ display).

< all the speakers are correctly connected to the speaker terminals and are

secure.

< you have not selected ‘Stereo’ as the decoding mode.

< your speaker balance is correct.

< you have congured the AVR400 to include all the speakers in your system.

Unable to select Dolby Digital

or DTS decoding modes

e AVR400 can only apply Dolby Digital and DTS decoding to sources which

have been encoded in the same format.

Check that:

< digital source is selected and connected.

< the source is playing appropriately encoded material.

< the BD/DVD disc is encoded in the appropriate format and that the

correct format has been selected in the disc start menu of the BD player (if

applicable).

< the BD/DVD player has been set to output ‘bitstream’ audio on the digital

output.

When playing a Dolby Digital

BD, the AVR400 selects Dolby

Pro Logic

< you have a digital connection from your BD player.

< sometimes Dolby Digital BD/DVD discs contain material at either the

beginning or the end of the main movie that is not in full 5.1 format, but in

two-channel or Pro Logic decoding.

Hum on the analogue input < all cables are making a good connection. If necessary withdraw the cable

from the connector and plug it fully in again (turn the power o before

doing this).

< the connections inside the source cable connector are not broken or badly

soldered.

< if the hum originates only when one particular source component is

connected, that an aerial cable, or dish connection to this source is ground

isolated. Contact your installation contractor.

ere is radio or television

reception interference

< where the interference is coming from. Switch o each source component in

turn, then any other equipment. Most electronic equipment does generate

low levels of interference.

< try re-arranging cabling from the nuisance source away from other cabling.

< ensure that the cabling used is high quality, specied for its purpose, and is

properly screened.

< if the problem persists, contact your dealer.

Problem Check that...

e source switching changes

randomly or freezes on one

source

< there are no static or impulse interference problems caused by nearby power

equipment switching, e.g., heating or air conditioning control. Switch the

AVR400 o, wait ten seconds, then switch it on again to clear an operating

problem. Contact your installer if the problem returns or persists.

< there is no direct sunlight shining on the infra-red detector behind the front

panel display.

Volume is always too loud

when I turn on

< the ‘max on volume’ setting is not set too high.

When Zone2 is put into

standby, the main zone is also

switched o

< the ‘zone standby‘ setting in the setup menu is set to LOCAL.

When a USB memory device is

connected, ‘USB’ is not shown

in the network client’s list of

folders

< a USB memory device is connected that conforms to the mass storage class.

< a USB hub is not being used.

If les on a USB memory

device cannot be played:

< the USB device is formatted in FAT16 or FAT32.

< the USB device does not have multiple partitions.

< the les are in a compatible format.

If les on a computer cannot

be played

< the les are in a compatible format.

< the computer is connected via a network and not USB – the AVR400 USB

port cannot be used for a direct connection to a computer

If you cannot connect to a

wired network

< the Ethernet cable you are using is correctly connected between the AVR400

and the network hardware.

< the network is set up for xed IP addressing and you have the AVR400 set to

use DHCP.

< the network is set up for DHCP and you have the AVR400 set to use xed IP

addressing.

If you cannot connect to a

favourite internet radio station

< the station is still broadcasting or is not congested – try again later.

If the internet radio station

sound quality is poor or

broken

< the radio station does not have a low bit rate (use the INFO key to nd this or

look on the OSD).

< the network is not slow or congested.

E-54

Continuous power output, per channel, 8

2 channels driven, 20Hz - 20kHz, <0.02% THD 100W

2 channels driven, 1kHz, 0.2% THD 125W

7 channels driven, 1kHz, 0.2% THD 90W

Residual noise & hum <0.3mV

Inputs

Line inputs:

Nominal sensitivity 1V, 2V, 4V (user adjustable)

Input impedance 47kΩ

Signal/noise ratio (CCIR, 100W) 100dB

Preamplier outputs

Nominal output level 1V RMS

Output impedance 560Ω

THD+N (20Hz—20kHz) -100dB

Video inputs

Component video signal/noise 85dB

Composite video signal/noise 70dB

Headphone output

Maximum output level into 32Ω2Vrms

Output impedance <5Ω

General

Mains voltage 110–120V or 220–240V, 50 –60Hz

Power consumption (maximum) 1.5kW (ermal dissipation approx. 5200 BTU/hour)

Power consumption (idle, typical) 100W (ermal dissipation approx. 340 BTU/hour)

Power consumption (standby) <0.5W

Dimensions

W x D (including speaker terminals) x H (including feet)

433 x 425 x 171mm

Weight (net) 15.5Kg

Weight (packed) 20Kg

Supplied accessories Mains lead

CR102 remote control

4 x AAA batteries

Manual

DAB aerial

FM aerial

AM loop aerial

Calibration microphone

E&OE

NOTE: All specication values are typical unless otherwise stated.

Continual improvement policy

Arcam has a policy of continual improvement for its

products. is means that designs and specications

are subject to change without notice.

specications

E-55

English

product

guarantee

Worldwide Guarantee

is entitles you to have the unit repaired free of charge, during the rst two years aer

purchase, provided that it was originally purchased from an authorised Arcam dealer.

e Arcam dealer is responsible for all aer-sales service. e manufacturer can take no

responsibility for defects arising from accident, misuse, abuse, wear and tear, neglect or

through unauthorised adjustment and/or repair, neither can they accept responsibility

for damage or loss occurring during transit to or from the person claiming under the

guarantee.

The warranty covers:

Parts and labour costs for two years from the purchase date. Aer two years you must pay

for both parts and labour costs. e warranty does not cover transportation costs at any

time.

Claims under guarantee

is equipment should be packed in the original packing and returned to the dealer from

whom it was purchased. It should be sent carriage prepaid by a reputable carrier – not

by post. No responsibility can be accepted for the unit whilst in transit to the dealer or

distributor and customers are therefore advised to insure the unit against loss or damage

whilst in transit.

For further details contact Arcam at:

Arcam Customer Support Department,

Pembroke Avenue, Waterbeach, CAMBRIDGE, CB25 9QR, England

or via www.arcam.co.uk.

Problems?

If your Arcam dealer is unable to answer any query regarding this or any other Arcam

product please contact Arcam Customer Support at the above address and we will do our

best to help you.

On-line registration

You can register your product on-line at www.arcam.co.uk.

56

TV

888 0294

A.R. Systems 0067 0382 0586

0404 0485

Accent 0039 0067 0586

Accusound 0890

Acoustic Research 1299

Acoustic Solutions1179 1067

Acura 0039

Adcom 0655

Addison 0683 0138

ADL 1247 0920

Admiral 0123 0193 0448

0294

Advent 0906

Adyson 0247 0246

AEA 0067 0586

AEG 0636 1067 1179

1193

Aftron 0921

Agashi 0294 0246 0247

Aiko 0039 0067 0586

0246 0065 0463

0910 0294 0247

Aim 0067 0586 0783

0238 0736 0728

0664 0404 0485

0636 0529

Aiwa 1535

Akai 0039 0238 0586

0067 0463 0065

0783 0193 0759

0744 0736 0728

0745 0632 0578

0510 0247 0294

0661 0246 0208

0407 0636 1067

0503 1289 1278

Akashi 0890 0039

Akiba 0485 0067 0586

Akira 0448 0783 0067

Akito 0067 0586

Akura 0067 0294 0586

0698 0039 0744

1393

Alaron 0246

Alba 0039 0067 1067

0586 0744 0448

0400 0698 0246

0193 0517 0473

Alkos 0065

Allorgan 0247

Allstar 0067 0586

All-Tel 0895 1299

Amplivision 0247 0400

Amstrad 0039 0067 0294

0463 0586 1067

Anam 0067 0586 0039

0680

Anam National 0067 0586 0680

Andersson 1193 1179

Anglo 0039 0294

Anitech 0039 0294 0067

0586

Ansonic 0400 0067 0586

0039 0698 0404

0193

AOC 0655 0039 0090

0123 0138 0208

Aolinpike 0294

Apex Digital 1247

Apollo 0503

Arc en Ciel 0139

Arcam 0246 0247

Arçelik 0744

Ardem 0744 0516 0663

0067 0586

Arena 0067

Aristona 0586 0067

Arthur Martin 0193

ASA 0135 0376 0100

0193

Asberg 0067 0586

Asora 0039

Astra 0067 0586

Asuka 0247 0246 0294

ATD 0728

Atlantic 0067 0586 0246

Atori 0039

Auchan 0193

Audiosonic 0039 0067 0404

0850 0586 0139

0744 0745 0247

0400 0294 0516

Audioton 0247 0516 0400

0294

Audioworld 0728

Aumark 0090

Autovox 0247

AWA 0039 0404 0067

0586 0246 0636

0247 0138 0294

1406 0208 0728

Axxent 0039

Axxon 0744

B&D 1247

Baier 0906

Baihe 0039 0294

Baile 0039 0404 0691

Baird 0373 0139 0247

0238 1226 0636

Bang & Olufsen 0595

BaoHuaShi 0294

Baosheng 0039

Barco 0193

Base 0810

Basic Line 0039 0404 1179

0067 0193 0698

0586 0247 0485

1067

Bastide 0247

Bauer 0039 0728 0736

0294

Baur 0039 0067 0542

0225 0586 1535

Bazin 0247

Beaumark 0208

Beijing 0039 0238 0256

0294 0404 0512

0691

Beko 0400 0744 0516

0065 0745 0067

0448 0586 0636

0838

Belson 0728 1221

Bennett 0586 0067

Beon 0067 0586 0448

Berthen 0698 0586

Best 0400

Bestar 0067 0586 0400

0404

Bestar-Daewoo 0404

Binatone 0247

Black Diamond 0850 1067 0586

1193 0783 0617

Black Strip 0065

Blaupunkt 0225 0230 0357

0485 0200

Blauren 0404

Blue Sky 0067 1067 0586

0698 0744 1179

0517 0745 0655

1939 0485 1221

0838 1393

Boots 0247 0039

Bork 1393

Bosch 0357

BPL 0067 0586 0926

Brandt 0139 0655 0365

0373 0590

Brandt

Electronique

0365

Brinkmann 0067 0586 0698

0448 0516

Brionvega 0067 0586

Britannia 0246 0247

Brother 0294

Bruns 0516

BSR 0193

Bush 0039 1067 0067

0744 0698 0404

0193 0728 0294

0517 0238 0247

0586 0808 1289

1278 0617

Caihong 0039

Caishi 0921

Cameron 0586

Camper 0067 0586 0516

Capsonic 0294

Carad 0640 0067 0586

0698 1067

Carena 0485 0067 0586

Carrefour 0100 0067 0586

Carver 0200

Cascade 0039 0067 0586

Casio 0067 0586 0193

Cathay 0067 0586

CCE 0067 0247 0586

Celestial 0850

Centrex 0810 0921 0728

Centrum 1067

Centurion 0067 0586

CGE 0104 0448 0400

0193

Changcheng 0039 0294 0404

0691

Changfei 0039 0404

Changfeng 0294 0783

Changhai 0039

Changhong 0850 0039 0294

0538

Chengdu 0039

Chimei 1535

Ching Tai 0039

Chun Yun 0039

Chunfeng 0039 0294

Chung Hsin 0138

Chunsun 0039

Cimline 0039

Citizen 0090

City 0039

Clarivox 0067 0448 0586

0100

Clatronic 0067 0400 0744

0294 0586 0247

0039 0636 1193

Clayton 1067

CMS 0246

CMS hightec 0247

Cobolt 0921

Concorde 0039

Condor 0067 0400 0586

0246 0039 0448

0193 0294

Conia 0784 0850

Conrac 0838

Conrad 0067 0586

Conrowa 0039 0294 0728

0783 1200

Contec 0039 0246 0294

0067 0586

Continental

Edison

0139 0517

Cosmel 0039 0067 0586

CPTEC 0655 1393

Crosley 0104 0193

Crown 0039 0742 0067

0400 0516 0586

0448 0517 0744

0636 0745 0238

0683 1067 0698

CS Electronics 0246

Curtis Mathes 0090 0123

Cytronix 1328

D.Boss 0067

Daewoo 0664 0691 0529

0404 1939 0067

0586 0039 0246

0247 1167 0208

0200 0910 0138

0906 0895 0728

0744 0736 0808

Dainichi 0246

Dansai 0067 0586 0294

0065 0246 0039

0247 0238

Dantax 0400 0516 0744

1067 0636 0745

Datsura 0238

Dawa 0039 0067 0586

Daytek 0728 0736 1406

0294

Dayton 0039

Daytron 0039 0404 0067

0586

Dayu 0404 0691

de Graaf 0238 0578 0193

DEC 0890 0921 0926

Decca 0067 0586 0247

1167

Deitron 0067 0586 0404

Denko 0294

Denver 0067 0586 0636

1219 0617

Desmet 0067 0586 0039

Diamant 0067 0586

Diamond 0294 0728 0039

0855 0246 0890

0850 0926 0736

DiBoss 0067 0586

Digatron 0067 0586

Digihome 1179

Digiline 0067 0586 0135

0698

DigiLogic 0067 0586

Digimate 0920

Digitex 0850

Digitor 0067 0586

DigiX 0910

DiK 0067 0586

Dixi 0039 0067 0586

0247

DL 0921 0810 0067

0617 0895 1393

Domeos 0698 0067 1067

Domland 0424

Dongda 0039

Donghai 0039

Dream Vision 1734

DSE 0850 0728

DTS 0039

Dual 0247 0373 0067

0586 0382 0424

0193 1167 0661

1179 1067 0808

1193

Dual Tec 0247

Dumont 0100 0247

Dunai 0193

Durabrand 0067 0208 0586

1067

Dux 0067 0586

D-Vision 0067 0586

DVX 0921

Dynatech 0247

Dynatron 0067 0586

e:max 0636

Easy Living 1278 1289 1247

0907

Ecco 0803 0736 0728

ECE 0067 0586

Edison-Minerva 0517

Elbe 0640 0400 0193

0067 0586 0247

Elcit 0193

Electrograph 1785

Elekta 0039 0067 0586

0294

Elfunk 1238 1067

ELG 0067 0586

Elin 0067 0246 0578

0586 0135 0193

0039

Elite 0067 0586

Elta 0039 0294 0246

Emerson 0208 0744 0067

0586 0100 1939

0516 0400 0193

0698

Enzer 0783 0803 0890

Erae 1401 1221

Erres 0067 0586

ESC 0067 0586 0247

Estèle 0193

Ether 0039

Etron 0039 0067 0586

0850 0193

Eurofeel 0294 0247

EuroLine 0067

Euroman 0246 0294 0067

0586 0247 0400

Europa 0067 0586

Europhon 0067 0193 0247

0586 0246

Evesham 1278 1289

Excel 0067 0586

Excello 1067

Expert 0193

Exquisit 0067 0586

Fagor 0067 0586

FairTec 1221

Family Life 0067 0586

Feilang 0039

Feilu 0039

Feiyan 0294

Feiyue 0039

Fenner 0404 0039

tableaux des

codes d’unité

source

code-

tabelle für

fremdgeräte

tabellen

apparaatcodes

device code

tables

57

Ferguson 0067 0139 0655

0365 0373 0590

0586 0065 0683

0138 0578 0473

1067

Fidelity 0193 0246 0542

0067 0586 0294

Filsai 0247

Finlandia 0238 0376 0578

0193 0373

Finlux 0067 0135 0100

0586 0744 0376

0247 0193 0745

0661 0522 0510

0503 0448 0636

0838 1278

Firstar 0039

Firstline 0039 0067 0586

0246 0247 0404

0698 0744 0193

1939 0238 1067

1221 0838 1393

1193 1401

Fisher 0247 0238 0400

0193

Flint 0067 0485 0586

0640 0294

Force 1179

Formenti 0067 0193 0586

0516 0246

Formenti-Phoenix0246

Fortress 0123

Fraba 0067 0586 0400

Friac 0039 0067 0586

0400 0529 0640

Frontech 0193 0294 0247

0039

Fuchsware 0810

Fujimaro 0895

Fujitsu 0713 0883 0247

0193 0039 0382

0067 0586

Fujitsu General 0039 0247 0193

Fujitsu Siemens 1328 1289 1278

1193 0838

Funai 0294 1067 0698

1535 0744

Furi 0294

Furichi 0890

Futronic 0294 0890 0728

Future 0067 0586

Gaba 1067 0067

Galaxi 0067 0586 0193

Galaxis 0400 0448 0067

0586

Galeria 0039

Garza 0586

Gateway 1785

GBC 0193 0039 0404

GE 0373 0208 0123

0590 0139 0365

0655

Geant Casino 0193

GEC 0067 0193 0247

0586

Geloso 0039 0193 0404

General 0139

General Electric 0373

General Technic 0039

Genesis 0039 0067 0586

Genexxa 0193 0067 0586

0039

Gericom 0895 1328 1247

0910 0838

Gevalt 1401 1221

Highline 0294 0067 0586

Hinari 0039 0238 0067

0586 0193 0473

0517 0294

Hisawa 0485 0640 0744

Hisense 1393 0238 0039

0538 0783 0728

0921 0890 0810

1200 1238 0586

Hitachi 1606 0039 0511

0608 0138 0774

1067 1511 0139

0193 1255 0664

0208 0503 0247

0373 0538 1193

0578 0529 1179

1200 0510 0067

0586 1167 0135

0522 0907

Hitachi Fujian 0138 0067 0586

0890 0529

Hitsu 0039 0640 0485

Höher 0744 0895 1193

Home Electronics 0636

Hongmei 0039 0123 0294

Hongyan 0294

Hornyphon 0067 0586

Hoshai 0485

Hua Tun 0039

Huafa 0039

Huanghaimei 0039

Huanghe 0039

Huanglong 0039

Huangshan 0039 0294

Huanyu 0246 0404 0294

Huaqiang 0294

Huari 0294

Hugoson 0920 1247

HYD 1406

Hygashi 0247 0246

Hyper 0039 0246 0247

Hypson 0067 0294 0586

0744 0745 0247

0485 1067 0698

0516

Hyundai 0067 0890 0895

0586 0728 0783

0294 1067 0906

0736 1406 0808

Iberia 0067 0586

ICE 0247 0294 0067

0039 0586 0246

Ices 0246

Ict 0067 1167 0586

IISonic 1406

Iiyama 1247 0920

Imperial 0067 0104 0193

0400 0448 0538

0586

Imperial Crown 0039 0294 0404

0691

Indiana 0067 0586

InFocus 0782 1194

Ingelen 0193 0517 0640

0744

Ingersoll 0039

Inno Hit 0039 1067 0067

0586 0247 1193

Innova 0067

Innovation 0067 0586

Innowert 0895 1328

Inotech 0803 0850

Interactive 0067 0586 0542

0357 0193 0400

0139

G-Hanz 1393

Giant 0247 0039

Go Video 0090

Goldfunk 0698

Goldhand 0246

GoldStar 0067 0039 0208

0400 0407 0247

0586 0246 0193

0139 0636 0744

0745 0485

Gooding 0517

Goodmans 0664 0745 1289

1067 1278 0067

0529 0586 0247

0744 0698 0373

1939 0404 1193

0294 0039 0517

0065 0510 0590

0365 0691 0910

0617 1406 1179

Gorenje 0400

GP 0783

Gradiente 0683 0200 0067

0586

Graetz 0744 0193 0067

0586 1193

Granada 0067 0586 0238

0256 0247 0138

0503 0365 0590

0193 0373 0578

Grandin 0067 0586 0039

0193 0640 0744

0745 0698 0404

0485 1067 0895

1221 0910

Gronic 0247 0193

Grundig 0225 0538 1401

1221 0067 0100

0473 0517 0586

0617 0736 1067

0039 0400 0208

1406 0373 1289

Grunkel 1193

H&B 0838

Haaz 0736

Haier 0728 0294 0067

0538 0617 0926

Haihong 0039

Haiyan 0294

Halifax 0294 0246 0247

Hallmark 0208

Hammerstein 0294 0090

Hampton 0246 0247

Hankook 0208

Hanseatic 0067 0586 0529

0193 0691 0424

0664 0400 0039

0247 0407 0744

0838 0516 0655

Hantarex 0039 0067 0586

0895

Hantor 0067 0586

Harsper 0895

Harwa 0803 1226 1299

Harwood 0039 0067 0586

0517

Hauppauge 0067 0586

Havermy 0123

HCM 0039 0067 0586

0247 0448 0294

1226

Hedzon 0586 0067

Hema 0247 0039

Hicon 1328

Hifivox 0139

Higashi 0246

Interbuy 0039 0067 0294

0542 0586

Interfunk 0067 0193 0586

0542 0357 0400

0139 0230

Internal 0067 0586 0529

0404 1939

International 0246

Intervision 0067 0247 0485

0294 0407 0516

0400 0424 0517

0193 0039 0586

Ipure 1406

Irradio 0039 0067 0586

0744

IRT 0728

Isukai 0067 0586 0485

ITC 0247

ITS 0067 0294 0246

0039 0586

ITT 0193 0510 0578

0503 0376 0238

0640

ITT Nokia 0578 0193 0503

0510 0376 0238

0636 0640 0661

ITV 0067 0294 0586

0404

Jean 0039

JEC 0065

Jialicai 0039 0294

Jinfeng 0238 0256

Jinque 0039 0294

Jinta 0039 0294

Jinxing 0039 0294 0728

0067 0586

JMB 0067 0529 0664

0404 0586 0473

JNC 0906 0926

Jocel 0742

JTV 0890

Jubilee 0586

Juhua 0294

JVC 0683 0761 0636

0538 0713 0448

0123 0680

Kaige 0039 0294

Kaisui 0039 0246 0247

0067 0586 0485

Kambrook 0407 0294

Kamp 0246

Kanghua 0926

Kangli 0039 0294 0404

0691

Kangyi 0039 0294

Kapsch 0193

Karcher 0067 0586 0400

0640 0193 0294

0808 0744 0636

Kathrein 0586 0067 0910

Kawasho 0246

KB Aristocrat 0193

Kendo 0067 0640 0586

0193 0542 0400

0407 1067 0516

1179 1193 1167

Kennedy 0193

Kennex 1067

Kenwood 0135

KIC 0247

Kingsbrook 1067

Kingsley 0246

Kioto 0586 0736

Kiton 0586 0067 0698

KLL 0067

Kneissel 0067 0400 0640

0404 0529 0586

Kobra 1328

Kolin 0138

Kolster 0067 0586

Kongque 0039 0294

Konichi 0039

Konka 0067 0586 0744

0448 0617 0784

0636

Kontakt 0517

Korpel 0067 0586

Korting 0400

Kosmos 0067 0586

Kotron 0294

Koyoda 0039

Kreisen 0906

KTV 0247

Kuaile 0039 0294

Kuba 0193

Kuba Electronic 0193

Kulun 0039

Kunlun 0238 0256 0294

0404 0691

Kyoshu 0448 0294

Kyoto 0193 0246 0247

L&S Electronic 0895 0744

LaSAT 0516 0400

Lavis 1067 0067 0193

Leader 0039

Lecson 0067 0586

Legend 0039

Lenco 0039 0067 0193

0404 0586 0617

1067

Lenoir 0039 1219 0920

Lenoxx 1219

Levis Austria 0067 0586

Lexsor 1226

Leyco 0067 0294 0586

LG 1179 0208 0067

0586 0906 0744

1667 0674 0636

0090 0138 1295

0407 0039 0745

0247 0246 0193

0139 0728 1221

Liesenkötter 0067 0357 0586

Lifetec 0067 0698 1067

1167 0404 0039

0542 0586 0744

0294 0713 1278

1289

Lloyd's 0039

Lodos 1067 1179

Loewe 0542 0663 0820

0586 0400

Logik 0728 0090 0803

0039 0294 0910

1247 1067

Logix 0698

Longjiang 0294

Luma 0067 0193 0586

0404 0039

Lumatron 0067 0586 0193

0247 0294

Lumenio 0067

Lux May 0067 0039 0586

Luxor 1193 0510 0522

0238 0578 0193

0376 0503 1067

0247 0661

LXI 0208

Madison 0067 0586

Magnadyne 0193

Magnafon 0246

Magnavox 0067 0586 0736

0810 0783

Magnum 0744 0067 0586

0745 1319

Mandor 0294

Manesth 0067 0247 0586

0294 0065 0193

Manhattan 0067 0906 0586

0698 1067 0193

0808

Maqma 1328

Marantz 0067 0586

Mark 0067 0586 0247

0246 0404 0039

0744 0745

Mascom 0586 0067

Master's 0529 0067

Masuda 0039 0294 0067

0247 0586

Matsui 0039 0067 1193

0586 0517 0065

0473 0238 0247

0463 0485 0193

0225 0365 0744

1067 0910

Matsushita 0680

Matsuviama 0617

Maxam 0294

Maxdorf 0803 0728 0736

0294

Maxent 1785

MCE 0039

Mediator 0067 0586

Medion 0698 0744 0838

1067 0067 0586

0542 1167 0728

1278 1289 0661

0910 1319 1179

MegaDrive 1289

Megas 0640

Megatron 0208

MEI 1067 0067 0586

Meile 0294

Melectronic 0039 0376 0067

0542 0139 0373

0193 0135 0247

0404 0510 0522

0246 0586 0664

0225 0691 0744

Memorex 0039 1067 0208

0680 0090

Memphis 0039

Mercury 0067 0728 0039

0294 0586 0736

0090

Mermaid 0067

Merritt 0578 0193

Metronic 0655

Metz 1563 0776 0418

0477 1193 0225

0067 0586 0617

0698 1067

MGA 0208 0067 0586

Micromaxx 0067 0586 0698

1067 0838 0744

Microstar 0838

MicroTEK 0850 0728 0890

0736 0294

Mikomi 1179 1193 0774

Minato 0067 0586

Minerva 0100 1278 0517

0225 0138

Minoka 0067 0586

Mirai 1681

Mitsubishi 0138 0123 0542

0208 0067 0586

0238 1067 1423

Mitsuri General 0193

Mivar 0246 0639 0400

0247

Monaco 0039

Moree 0067

Morgan's 0067 0586

Motorola 0123

MTC 0090 0400 0542

0193 0246

MTlogic 0744

Mudan 0039 0238 0256

0294

Multitec 0067 0586 0516

0698 1067

Multitech 0039 0246 0516

0247 0067 0400

0586 0294

Murphy 0246 0193

Musikland 0067 0586

MyCom 1406 0208

Myryad 0586 0067

NAD 0208 0895 0193

Naiko 0067 0636 0586

Nakimura 0404 0067 0586

Nanbao 0039 0294

Nansheng 0294

Naonis 0193

NAT 0256

National 0256 0238 0538

NEC 0200 0617 1200

0208 0039 0906

0485 0404 0247

0067 0586 0294

0538 1734 0529

0683 0691

Neckermann 0067 0400 0586

1535 0230 0193

0357 0448 0247

0542

NEI 0067 0586 0193

1067

NEO 0784

Neovia 0895 1401 0906

1406 1221

Netsat 0067 0586

Neufunk 0067 0039 0586

0640 0744

New Tech 0067 0039 0586

0373 0247

Newave 0039 0208 0123

Nicamagic 0246

Nikkai 0065 0067 0586

0246 0247 0294

0039

Nikkei 0744

Nikko 0208

Nintaus 0921

Nishi 0512

Nobliko 0100 0246

Nogamatic 0139

Nokia 0193 0503 0510

0578 0636 0661

0522 0238 0404

0376 0640 0139

Nordic 0247

Nordmende 0139 0921 0373

0590 0225 0067

0586 0365 0193

1289 1278 0744

1319 0473 1193

Norfolk 0193

58

TV (cont.) Philex 0193

Philharmonic 0247

Philips 0067 0586 0802

0208 0138 0404

0373 0039 0230

Phocus 1319 0744

Phoenix 0067 0586 0400

0516 0193 0246

Phonola 0067 0586 0246

Pilot 0586 0067 0742

0736

Pioneer 1290 0790 0200

0139 0193 0067

0586 0373 0516

0542

Pionier 0400 0516

Plantron 0067 0586 0294

0039

Playsonic 0744 0067 0247

0745

Polar 0067

Polaroid 0895

Policom 0139 0193 0100

0104

Poppy 0039

Portland 0404 1939

Powerpoint 0517 0067 0586

0728

Precision 0247

Premier 0039 0294 0921

President 0890

Prima 0039 0294 1299

1226

Princess 0728

Prinston 1067

Profex 0039 0193

Profi 0039

Profitronic 0067 0586

Proline 0067 0586 0655

0664 1406 1067

Prosonic 0067 0586 0400

0404 0910 0698

1406 0744 0246

0247 0636 0745

1226

Protech 0039 0067 0586

0247 0294 0448

0698 0193 0516

1067

Proton 0208 0039 0674

Provision 0529 0067 0586

1067 0744

PVision 1221 0906

Pye 0067 0586 0404

Pymi 0039

Qingdao 0238 0256 0294

Quadro 0783 0586 0067

1179 1193

Quasar 0680 0895 0039

Quelle 0067 1535 0100

0104 0139 0542

0247 0357 0135

0698 0586 0225

0230 0294 1067

0376 0039

Radialva 0139 0193 0067

0586

Radiola 0067 0586 0247

Radiomarelli 0067 0586

Radionette 0744

RadioShack 0067 0586 0208

Radiotone 0039 0067 0586

0400 0448 0698

0294 1067

Rank 0100

Rank Arena 0632 0783

RBM 0100

RCA 0655 0090 0123

0208 0590 0365

0648 0373 0783

0855

Realistic 0208

Recor 0067 0448 0586

Rectiligne 0067 0586

Rediffusion 0578 0376

Redstar 0067 0586

Reflex 0067 0586 1067

0698

Relisys 0895 0906 0907

1328 1406

Reoc 0744 0664 1939

Revox 0067 0838 0586

0400

Rex 0193 0294

RFT 0400 0294 0067

0586 0516

Rhapsody 0246

Ricoh 0067 0586

Rinex 0803 0448 0728

0294 0736

R-Line 0067 0586 0193

Roadstar 0039 1067 0745

0294 0448 0067

0586 0744 0698

1219

Rodex 0067 0586

Rolsen 1401 1221 0067

0586

Rover 0907

Rowa 0067 0294 0728

0742 0247 0039

0246 0736 0617

0586

Royal 0448 0855 0636

Royal Lux 0400 0365

Rukopir 0586 0067

Saba 0139 0655 0193

0590 0365 0373

0578 0680 0744

Sagem 0640 0485 0860

1343 0648

Saige 0039

Saisho 0039 0664 0404

0294 0247 0193

Saivod 0067 0586 1193

0698 0742 1067

Sakaï 0193

Sakyno 0485

Salora 0193 0578 0238

0510 0661 0808

1401

Salsa 0365

Sampo 1785 0039 0123

0208 0680

Samsung 0674 0796 0090

0648 0208 0617

0123 0039 0586

1279 0512 1265

0067 0294 0247

0400 0238 0256

0246 0193

Sandra 0246 0247

Sanjian 0294

Sansui 0067 0759 0586

0736 0632 0485

0783 1401 1221

0728 0294 0744

1278

Santon 0039

Sanyo 0238 1238 0400

0246 0247 0039

0538 0193 0067

0138 0586 0516

0200 0294 1067

1179 1193

Sanyuan 0039 0123

Save 0067 0586

SBR 0067 0586

Schaub Lorenz 0578 0744 0636

0516 0404 1221

1393 1401 0906

Schneider 0067 1167 0586

0698 0424 0382

0373 0247 1067

0193 0744 1939

0100

Schöntech 1067

Scotch 0208

Scotland 0193

Scott 1219 0208

Sears 0208

Seaway 0664

Seelver 0586 1067 0067

SEG 1067 0247 0067

0294 1193 0586

0698 0517 0039

0193 0664 0246

1939 1179

SEI 1535 0193 0067

0586

Sei-Sinudyne 1535 0067 0586

Seitech 1247

Seleco 0193 0294 0376

Sencora 0039

Sentra 0065 0039

Serie Dorada 0208

Serino 0640 0485 0246

0123

Shancha 0294

Shanghai 0039 0238 0256

0294

Sharp 0123 1223 0039

1423 0680 0230

Shen Ying 0039

Shencai 0039 0294

Sheng Chai 0039

Sheng Chia 0039 0123

Shenyang 0039 0294 0783

Sherwood 0039

Shintoshi 0067 0586

Shivaki 0067 0586 0473

0404 0208

Show 0448 0039 0728

0294 0736 0067

Siarem 0193

Siemens 0067 0225 0230

0357 0586

Siera 0067 0586 0617

Siesta 0400

Silva 0067 0586 0246

Silva Schneider 0783

Silver 0485 0067 0586

0745 0193

SilverCrest 1067 0067 0586

Singer 0039 0728 0067

0586 0365 0193

Sinotec 0803 0448 0636

0728

Sinudyne 0193 1535 0067

0586 0636

Sky 0067 0910 0208

0586 1406 0691

0895

Skymaster 0135

Skysonic 0783

Skyworth 0067 0586 0039

0294 0728 0783

0855

Sliding 0895 0910

SLX 0698

Smaragd 0517

S-Media 1247

Soemtron 0895 1328

Sogo 1406

Solavox 0193 0578 0067

0586

Songba 0039

Sonic 0783

Soniko 0067 0586

Soniq 1328

Sonitron 0238 0400 0247

Sonneclair 0067 0586

Sonoko 0039 0067 0586

0294 0247

Sonolor 0193 0238 1535

0578

Sontec 0067 0586 0400

0039

Sony 1535 1681 0680

1781 0383

Sound & Vision 0404 0067 0586

Soundesign 0208

Soundwave 0067 0448 0586

0745

Sowa 0090 0256 0208

Soyea 0803

Spectra 0039

Ssangyong 0039

Staksonic 0039

Standard 0039 0067 0247

0586 1067 0404

Starion 1067

Starlite 0039 0193 0067

0586 0294

Stern 0193 0294

Strato 0067 0586 0294

0039

Strong 1193 1179 1067

0067 0586

Stylandia 0247

Sungoo 1278

Sunic Line 0067 0586

Sunkai 0485 0640 0067

0586 0517 0895

Sunny 0067

Sunstar 0067 0586 0039

0294

Sunwatt 0485

Sunwood 0067 0586 0039

Super 1219

Superla 0246 0247

SuperScan 0123

Supersonic 0039 0238 0586

0728 0294 0485

0067

SuperTech 0039 0246 0067

0586

Supervision 0728 0294

Supra 0208 0404 0039

0067

Susumu 0365

Sutron 0039

SVA 0617 0728 0294

0485 0895 0238

0736

Svasa 0728 0238 0736

0294

Swisstec 0910 1406 0895

Sydney 0246 0247

Synco 0090 0123 0208

Sysline 0067 0586

Sytong 0246

T+A 0477

Tacico 0208 0039

Tai Yi 0039

Taishan 0039 0404

Tandberg 0139 0193

Tandy 0123 0247 0193

Targa 1401 1221 0648

Tashiko 0247 0680 0200

0246 0193

Tatung 0039 0067 1278

0090 0586 0247

1401 1289 1221

TCL 0655 0728 0736

TCM 0744 1319 0838

Teac 0039 0728 0067

0294 1067 0586

0448 0542 0742

0485 0698 0247

0736 1939 0208

0200 0744 1179

1785 1393 0617

TEC 0247 0039 0365

0067 0586 0193

Tech Line 0067 0586 0698

1193

Tech Lux 1219

Technics 0680

TechniSat 0067 0586 0193

Technisson 0744 1319

Techno 1067

Technol Ace 0728 0294 0664

0404 0246

Technosonic 0067 0586 0529

0910

Techwood 1193 1067

Teckton 1406

Tecnimagen 0586

Teco 1343 0039 0123

0208 0294 0683

Tedelex 0247 0728 0736

0636 0448 0067

0039 0238 0921

0617 0586 0294

Teiron 0039

Tek 0850 0067 0728

0039

Teknika 0090

TELE System 0906

Teleavia 0139 0373

Telecor 0067 0586 0193

0247 0424

Telefunken 0655 0590 0104

0139 0617 0728

0365 0373 0742

0850 0926 0784

0810 0921 0783

0736 0067 0586

0516 0744 0376

Telefusion 0067 0586

Telegazi 0067 0193 0294

0586

Telemeister 0067 0586

Telesonic 0067 0586

Telestar 0039 0067 0586

Teletech 0039 0067 0586

0698 1067

Teleton 0247 0193

Televideon 0193 0246

Teleview 0067 0586

Tempest 0039 0067 0586

0294

Tennessee 0067 0586

Tensai 0067 0586 0247

0039 0135 0404

0407 0745 0193

1067

Tenson 0039

Tesla 1067 0067 0698

0744 0745 1167

0855 0783 0586

0640

Tevion 1328 1278 1289

0067 0586 0838

0895 0698 1167

0744 1067 1319

Texet 0246 0247 0404

0039

Thomson 0590 0655 0373

0139 0783 0365

0067 0586 0246

Thorn 0065 0138 0139

0067 0104 0373

1535 0529 0542

0586 0365 0404

0100

Thorn-Ferguson 0138 0373 0139

0365 0529 0065

Tiane 0123

Tiny 1226 1299

TMK 0208

Tobo 0039 0294

Toka 0067 0586 0698

0193 0247 0404

0039 1067

Tokaido 1067

Tokyo 0246 0065

Tongguang 0294

Tongtel 0810 0617

Top Show 0728 0803 0448

0039 0294 0736

Topline 1067 0698

Toshiba 1538 0538 0680

0090 0039 0065

1734 1194 1319

1295 0744 0100

0123 0294 0648

0674 0247 0139

0225 0728 0067

1067

Towada 0247

Toyoda 0039 0294

Trakton 0039 0294 0247

TRANS-

continents

0698 1067 0895

0586 0067 0516

0247

Transonic 0067 0728 0742

0586 0485 0617

0542 0294 0448

0039 1393 0810

Transtec 0246

Triad 0067 0586 0039

Trident 0247

Trio 1278

Tristar 0294

Triumph 0376 0586 0067

Tuntex 0039

TVTEXT 95 0586

Uher 0067 0586 0404

0448 0516 0400

0510

Ultravox 0404 0246 0193

0067 0586

Unic Line 0067 0586 0503

0485

United 0744 0067 0745

0586 1067 0617

Universal 0744 0067 0586

Normerel 0067 0586

Novak 0067 0586

Novatronic 0067 0135 0404

0586

Nurnberg 0193

NU-TEC 0485 0728 0850

0067 0586 0736

0294

O.K.Line 1067

Oceanic 0193 0238 0503

0578 0510

Odeon 0294

Okano 0400 0067 0586

0294 0039

OKI 1067

Olidata 1406

Omega 0294

Omni 0810 0921 0728

Onida 0683

Onn 1179 0586

Onwa 0632 0463

Opera 0067 0586 0744

Optimus 0680

Optonica 0123

Orava 1067

Orbit 0067 0586

Orion 0067 0473 0744

0586 0039 0294

0910 1226

Orline 0067 0586

Ormond 0698 1067 0067

0586

Osaki 0247 0294 0067

0404 0586

Osio 0067 0586

Osume 0067 0586

Otto Versand 1535 0067 0247

0373 0542 0123

0586 0225 0139

0256 0039

Pacific 0067 0586 1167

0744 1067 0473

Pael 0246

Palladium 0400 0448 0067

0744 1167 1535

0230 0586 0357

0193 0247

Palsonic 0294 0803 0067

0247 0407 0728

0586 0448 0808

1226 1299

Panama 0039 0247 0294

0246 0067 0586

Panasonic 0680 0256 0067

1340 0586 0193

0238 0538 0926

0883 0578 0138

Panavision 0067 0586

Panda 0039 0238 0256

0294 0538 0728

0810 0736 0921

Papouw 0067 0586

Pathe Cinema 0193 0246 0400

Pathe Marconi 0139

Pausa 0039

Peng Sheng 0921

Penney 0208 0090

Perdio 0193 0067 0246

0586

Perfekt 0067 0586

Philco 0104 0448 0067

0193 0586 0400

0208 0511

59

Universum 0838 1067 0067

0104 1193 0294

0376 0400 0698

0135 0510 0225

0503 1179 0542

0522 0230 0448

0100 0193 0586

0357 1535 0247

0139 0661 0039

0200 0648

Univox 0067 0586 0193

Utax 0193

V7 Videoseven 1785 0208 0910

1406 1247 0648

1681 1535

Vanguard 0067 0586

Vestel 0067 1067 1193

0698 0193 0247

0586

Vexa 0039 0067 0586

Victor 0683 0680

Videocon 0538

Videologic 0246

Videologique 0246 0247

VideoSystem 0067 0586

Videotechnic 0246 0247 0404

Videoton 0193

Vidtech 0208

Viewpia 0906

ViewSonic 1785

Visiola 0246

Vision 0067 0294 0586

0247

Vistron 1393

Vivax 0067

Vortec 0067 0586

Voxson 0193 0208 0067

0586 0448

Walker 1179

Waltham 0247 0448 0067

0586 0698 0139

1067 0193 0473

Wards 0208

Warumaia 0404 0691 0664

Watson 0067 1067 1278

1289 0586 0193

0039 0698 0424

1406 0357

Watt Radio 0193 0246 0516

Wega 0067 0586

Wegavox 0039 0067 0586

Weipai 0039

Welltech 0744

Weltblick 0067 0586 0247

Weltstar 1067

Westinghouse 0920

Weston 0067 0586

Wharfedale 0067 0926 0921

0890 0586 0728

0736

White

Westinghouse

0067 0246 0586

1939

Wilson 0586

Windsor 0698 1067

Windy Sam 0586

Wintel 0744

World-of-Vision 0910 0920 0895

1319 1328 0907

1247

Worldview 0485

XDome 0538

Xenius 0664 0691

Xiahua 0039 0294 0728

0803

Xianghai 0039

Xiangyang 0294

Xiangyu 0039

Xihu 0294

Xingfu 0039

Xinghai 0294

Xingyu 0039

XLogic 0728 0890

Xoro 1226 1247

Xrypton 0067 0586

X-View 1221

Yamaha 0680 1606

Yamishi 0485 0067 0586

0247

Yingge 0039

Yokan 0067 0586

Yoko 0067 0247 0294

0586 0039 0400

0246

Yonggu 0039

Yoshita 0855

Yousida 0039

Yuhang 0039

YU-MA-TU 0067

Zaapa 1219

Zanussi 0247

Zenith 1939 0208 1295

Zhuhai 0039 0404

Zonda 0728

VCR

Accent 0102

Adyson 0102

Aim 0308 0672 0378

Aiwa 0030 0378 0382

0067 0772 1167

0062

Akai 0030 0067 0136

0345 0672 0382

0270 0378

Akashi 0102

Akiba 0102

Akura 0102

Alba 0308 0102 0382

0030 0345 0378

0111

Allorgan 0270

Allstar 0111

Amstrad 0030 0308 0102

Anitech 0102

Ansonic 0030

Aristona 0111

ASA 0067 0111

Asuka 0102 0067 0111

0030

Audiosonic 0308

AVP 0382 0030

AWA 0067 0308 0672

0073

Baird 0136 0308 0134

0030

Basic Line 0308 0102 0134

Beko 0134

Bestar 0308

Black Diamond 0672 0308

Black Panther 0308

Blaupunkt 1592 0256 0111

Blue Sky 0067 0378 0102

0382 0308 0030

0510 0672 1167

0772

Bondstec 0102

Brandt 0350

Brinkmann 0378

Broksonic 0378 0772 0382

Bush 0102 0308 0345

0382 0030 0378

0111 0672 0772

Carena 0111

Carrefour 0075

Casio 0030

Cathay 0308

CGE 0030

Cimline 0102

CineVision 1167

Clatronic 0102 0030

Combitech 0382

Condor 0308

Crown 0067 0308 0510

0102

Cyrus 0111

Daewoo 0308 0672 1167

0667 0378 0382

0075

Dansai 0102 0308

Dantax 0382 0772

Daytron 0308

de Graaf 0072 0196 0111

0134 0078

Decca 0030 0111 0097

0378 0382

Deitron 0308

Denko 0102

Denon 0072

Diamant 0067

Diamond 0308

Digitor 0672

DSE 0672

Dual 0111 0308 0030

0378

Dumont 0030 0111 0134

Durabrand 0672

Elbe 0308

Elcatech 0102

Elin 0270

Elsay 0102

Elta 0102 0308

Emerson 0102 0075 0030

1167

ESC 0308 0270

EuroLine 0378

Ferguson 0350 0030 0308

0378 0772

Fidelity 0030 0102 0270

0462 0382

Finlandia 0134 0111 0072

0196 0030 0078

0067 0073 0136

0256

Finlux 0030 0111 0134

0072

Firstline 0102 0378 0073

0067 0075 0072

0308 1167

Fisher 0134

Flint 0378

Frontech 0102

Fujitsu 0030

Fujitsu General 0067

Funai 0030

Galaxi 0030

Galaxis 0308

GE 0350

GEC 0111

General Technic 0378

Genexxa 0134

Go Video 1167

Goldhand 0102

GoldStar 0067 0510 0030

Goodmans 0030 0102 0270

0308 0067 0111

0378 0667 0382

0672

GPX 0067

Graetz 0134 0270

Granada 0134 0078 0111

0270 0067 0256

0072 0030

Grandin 0102 0067 0030

0308

Grundig 0377 0111 0256

0350 0378 0102

0382 0772

Haaz 0378

Hanimex 0382

Hanseatic 0067 0308 0111

Harwood 0102

HCM 0102

Hinari 0102 0382 0308

0270

Hisawa 0382

Hischito 0075

Hitachi 0072 0196 0030

0270 0111 0134

Höher 0308 0672

Hornyphon 0111

Hypson 0102 0378 0308

0382 0030 0067

0510

Imperial 0030 0270

Ingersoll 0270

Inno Hit 0270 0308 0102

Interbuy 0067 0102

Interfunk 0111 0134

Internal 0308 0667

International 0308 0067

Intervision 0030 0308 0067

0378

Irradio 0102 0067 0111

1167

ITT 0136 0134 0270

ITT Nokia 0078

ITV 0308 0067

JMB 0382 0378

Joyce 0030

JVC 0097

Kaisui 0102

Kambrook 0067

Karcher 0308

Kendo 0136 0345 0378

0102 0067 0308

KIC 0030

Kneissel 0382 0378 0067

0308

Kolster 0378

Korpel 0102

Kyoto 0102

Lenco 0308

Leyco 0102

LG 0067 0510 0030

0308 1167

Lifetec 0378

Loewe 0111 1592 0256

0067

Logik 0270 0102 0136

Lumatron 0308

Lux May 0102

Luxor 0136 0073 0102

0134 0078 0345

Magnavox 0111 0672

Magnum 0672

Manesth 0102 0075 0111

Marantz 0111

Mark 0308 0030

Mascom 0672

Mastec 0672

Master's 0308

Matsui 0378 0067 0270

0382 0030 0772

Maxton 0111

Mediator 0111

Medion 0378 0382

Melectronic 0030 0067

Memorex 0134 0030 0067

0078 0378

Memphis 0102

Metronic 0111

Metz 1592 0377 0866

0111 0256 0067

Micormay 0378

Micromaxx 0378

Migros 0030

Mitsubishi 0073 0097 0111

0510 0030 0672

Multitec 0067

Multitech 0030 0102 0134

Murphy 0030

Myryad 0111

NAD 0134

Naiko 0672 0378

National 1592 0256

NEC 0097 0070 0134

0067 0308 1167

Neckermann 0111

Nesco 0102 0030 0382

Neufunk 0067

Nikkai 0102 0308

Nokia 0134 0136 0345

0308 0270 0078

0072 0111

Nordmende 0350 0097 0672

NU-TEC 0378

Oceanic 0030 0350 0078

0136 0111 0134

Okano 0345 0378 0102

0308

Onimax 0672

Orbit 0102

Orion 0378 0382 0772

Orson 0030

Osaki 0030 0067 0102

Osume 0102

Otto Versand 0111

Pace 0382

Pacific 0030

Palladium 0102 0345 0067

0270 0378 0462

Palsonic 0102 0030 0672

Panasonic 1592 0256 0866

Pathe Cinema 0073

Perdio 0030

Philco 0102

Philips 0111

Phoenix 0308

Phonola 0111

Pioneer 0097 0111 0072

Portland 0308 0667

Prinz 0030

Profitronic 0111 0270

Proline 0030 0308 0350

0672

Prosco 0308

Prosonic 0308 0030

Protech 0111 0308

Provision 0308

Pye 0111 0030

Quasar 0308

Quelle 0111

Radialva 0067 0102 0111

0078

Radiola 0111

Radionette 1167 0067

RCA 0136 0350

Reoc 0378 0667 0308

RFT 0102

Roadstar 0270 0102 0067

0308 0772 0111

Royal 0102

Saba 0350 0308

Saisho 0378

Salora 0073 0136 0134

Samsung 0270 0462

Sansui 0097 0136 0102

0378

Sanyo 0134 0270 0078

0097 0378

Saville 0382 0308 0270

SBR 0111

ScanSonic 0270

Schaub Lorenz 0134 0030 0136

0345

Schneider 0102 0030 0067

0111 0308 0270

1167 0072 0382

0672

Seaway 0308

SEG 0308 0102 0270

0672 0111 0667

SEI 0111

Sei-Sinudyne 0111

Seleco 0067

Semp 0075

Sentra 0102

Setron 0102

Sharp 0078 0067 0599

Shintom 0102 0134

Shivaki 0067

Siemens 0067 0134 0111

0350 0377

Siera 0111

Silva 0067

Silver 0308

SilverCrest 0672

Singer 0378 0075

Sinudyne 0111 0382

Skantic 0378

Smaragd 0378

Sonneclair 0102

Sonoko 0308

Sonolor 0078

Sontec 0067 0308

Sonwa 0672

Sony 0062 0136

Soundwave 0067 0378

Ssangyong 0102

Standard 0308

Starlite 0067 0134

Stern 0308

Sunkai 0378 0308

Sunstar 0030

Suntronic 0030

Sunwood 0102

Supra 0067 0270 0378

0308

Symphonic 0030 0102

T+A 1592 0256

Tandberg 0308

Tashiko 0030 0078 0270

0111 0067

Tatung 0030 0111 0078

0073 0378 0382

Tchibo 0378

TCM 0378

Teac 0102 0030 0308

0672 0067 0111

0667

TEC 0308 0102

Tech Line 0102

Technics 0256

TechniSat 0378

Tedelex 0067 0378 0672

Telefunken 0672 0350 0030

0308

Telestar 0067

Teletech 0102 0308 0030

Tenosal 0102

Tensai 0030 0067 0102

0308

Tesla 0111

Tevion 0378 0672

Texet 0308

60

Thomson 0350 0097 0308

Thorn 0134 0067

Thorn-Ferguson 0350

Tokai 0102 0067 0134

Tokiwa 0102

Topline 0378

Toshiba 0075 0073 0111

0772 0382

Towada 0102

Tradex 0111

Tredex 0308

Triad 0308

Uher 0067 0270

Ultravox 0308

Unitech 0270

United 0378 0772

Universum 0030 0111 0270

0067 0136 0378

0134

Victor 0097

Video Technic 0030

Watson 0111 0382 0308

0672

Weltblick 0067

Wharfedale 0672

White

Westinghouse

0102

World 0378

Yamishi 0102 0308

Yokan 0102

Yoko 0067 0102 0270

Yoshita 0102

Zenith 0667 1167

ZX 0378 0382

Stern 0308

STS 0072

Sunkai 0378 0308

Sunstar 0030

Suntronic 0030

Sunwood 0102

Supra 0067 0270 0378

0308

Sylvania 0030 0073 0111

Symphonic 0030 0102

T+A 0256

Tandberg 0308

Tandy 0030 0134

Tashiko 0030 0078 0270

0111 0067

Tatung 0030 0111 0078

0073 0378 0382

Tchibo 0378

TCM 0378

Teac 0102 0030 0308

0672 0067 0111

0667

TEC 0308 0102

Tech Line 0102

Technics 0256

TechniSat 0378

Tedelex 0067 0378 0672

Teknika 0030 0067

Telefunken 0672 0350 0308

Telestar 0067

Teletech 0102 0308 0030

Tenosal 0102

Tensai 0030 0067 0102

0308

Tevion 0378 0672

Texet 0308

Thomas 0030

Thomson 0350 0097 0308

Thorn 0134 0067

Thorn-Ferguson 0350

TMK 0270

Tokai 0102 0067 0134

Tokiwa 0102

Topline 0378

Toshiba 0073 0075 0111

0772 0382

Totevision 0067 0270

Towada 0102

Tradex 0111

Tredex 0308

Triad 0308

Uher 0067 0270

Ultravox 0308

Unitech 0270

United 0378 0772

United Quick Star0308

Universum 0030 0111 0270

0067 0136 0378

0134

Vector 0075

Vector Research 0070

Victor 0097

Video Concepts 0070 0075

Video Technic 0030

Videosonic 0270

Wards 0030 0072 0078

0102 0111 0270

Watson 0111 0382 0308

0672

Weltblick 0067

Wharfedale 0672

White

Westinghouse

0102 0308

World 0378

XR-1000 0030 0102

Yamishi 0102 0308

Yokan 0102

Yoko 0067 0102 0270

Yoshita 0102

Zenith 0030 0667 1167

ZX 0378 0382

Tag McLaren 0187

Tandy 0062

Teac 0423

Technics 0333 0059

Thorens 0187

Thule Audio 0187

Traxdata 0656

Universum 0187

Victor 0102

Wards 0187

Yamaha 0066 0520 0062

TUNER

AEG 1420 1419

AFK 1419

Aim 1420

Aiwa 0151 0219 1088

1188 1288 1652

1752

Akai 0639 1250 1420

All-Tel 1420

Amstrad 1420

Anam 0639

Arcam 0219 1119 1219

1299 1319

ASCOMTEC 1419

Audiolab 1119 1219 1299

1319 0219

Audiosonic 1419

Audiovox 1420

Audioworld 1420

Balanced Audio

Technology

1119 1219 1299

1319 0219

Bang & Olufsen 0829

Basic Line 1584

Belson 1419

Blue Sky 1420

Bonnec 1219

Bose 1259 1385

Bush 1119 1219 1299

1319

Cairn 0219

Cambridge Audio 1219 0219

Carver 0219 1119 1219

CCE 1382

Centrum 1250 1584 1419

Classic 1382

Clatronic 1250

Copland 1119 1219 1299

1319

Denon 1390 1134

Denver 1419

Diamond 1420

DK digital 1450

DMTECH 1420

Dual 1250 1420 1450

Electrocompaniet 1219

Elta 1420

Fisher 1831

Genexxa 0216

Goldmund 0219 1119 1219

1299 1319

Goodmans 0639 1229 1450

1641 1419

Grundig 1119 1219 1299

1319 0219

Hanseatic 1420

Harman/Kardon 1334 1119 1219

1299 1319 0219

HCM 1420

HE 1419

Hitachi 1831 1250 1584

1229

Hiteker 1419

Home Tech

Industries

1419

Integra 0165 1350

JVC 0104 1404 1525

Kenwood 1343 1057 1599

0216 1323

KLH 1420

KXD 1419

Lenoxx 1419 1641

Lenoxx Sound 1641

LG 1323

Linn 0219 1119 1219

1299 1319

Loewe 1119 1219 1299

1319 0219

Magnavox 0219 1119 1219

1299

Magnum 1641

Marantz 1119 1219 1299

1319 0219

Mark 1119 1219 1299

1319

MBO 1382

Medion 1450

MEI 1420

Melectronic 0639

Meridian 1119 1219 1299

1319

Metz 1584

Micromaxx 1450

Micromega 1119 1219 1299

1319 0219

Mustek 1382

Myryad 1219 1119 1299

1319 0219

NAD 0350 0639

Naim 1119 1219 1299

1319

Nexius 1420

Nikkai 1419

Nikko 0639

Norcent 1419

Okano 0639

Onkyo 1350 0165

Optimus 0216 1053

Orava 1419

Palladium 1250

Panasonic 1809 1548 1338

1793 1795 1339

Paramount Pictures1250

Philips 1219 1299 1119

1319 0219

Pioneer 1053 0216 1119

1219 1299 1319

1489

Polk Audio 1319

Proceed 1219

Proline 1420

Proson 0639

Provision 1419

QONIX 1450

Quad 1119 1219 1299

1319

Radiola 1119 1219 1299

1319 0219

Radionette 1664 1323

RCA 1184 1420 1489

Red Star 1419

Restek 0219

Revox 1119 1219 1299

1319 0219 0216

Revoy 1119 1219 1299

1319

Roadstar 1641

Rotel 0823

Saba 1184

Samsung 1325 1229

Sansui 0219 1119 0639

Sanyo 1831

Schneider 1420 1229 1250

SEG 1584

Sharp 0216 1664 1644

Sherwood 0683

Siemens 0639

Silva Schneider 1323

Sony 1188 1888 1789

1688 1088 1288

1752 1652 1142

Soundwave 0639

Sunfire 1343

Sunstech 1450

Tag McLaren 1219

Targa 1323

Teac 1229 0639 1420

Technics 1793 1548 1809

1339 1338 1795

Techwood 0639 1584

Telefunken 1420 1419

Tevion 1641

Thomson 1184 1384

Thorens 1219 1119 1299

1319 0219

Toshiba 1602

United 1420

Universum 1250 1420 0639

1119 1219 1299

1319 0219

Venturer 1420

Victor 0104

Voxson 1450

Waitec 1382

Wards 0219

Wharfedale 0639 1420

Xenon 1419

Yamaha 0206 1361 1306

0742 0216

Yukai 1382

CD

Advantage 0062

AH! 0187

Aiwa 0187

Arcam 0187

Atoll

Electronique

0187

Audio Research 0187

Audiolab 0187

Audiomeca 0187

Audioton 0187

Balanced Audio

Technology

0187

Cairn 0187

California Audio

Labs

0059 0333

Cambridge

Audio

0187

Carver 0187

Copland 0423

Cyrus 0187

Denon 0033 0796 0656

DKK 0030

Dual 0033

Dynaco 0187

Elektra 0423

Garrard 0423

Genexxa 0030 0062

Goldmund 0187

Grundig 0187

Harman/Kardon 0187

Hitachi 0062

JVC 0102

Kenwood 0220 0656 0066

Krell 0187

Linn 0187

Loewe 0187

Magnavox 0187

Marantz 0187 0656 0059

Matsui 0187

MCS 0059

Memorex 0062

Meridian 0187

Micromega 0187

Mission 0187

Musical Fidelity 0423

Myryad 0187

NAD 0751 0030

Naim 0187

NSM 0187

Onkyo 0131

Optimus 0030 0062

Orion 0423

Panasonic 0333 0059

Philips 0187 0656

Pioneer 0062

Primare 0187

Proton 0187

QED 0187

Quad 0187

Quasar 0059

Radiola 0187

Restek 0187

Revox 0187

Rotel 0187

SAE 0187

Sansui 0187

Siemens 0187

Simaudio 0187

Sony 0030 0520 0187

CBL

@Home 1696

ADB 1260 1299

Alice 1654

Amstrad 1252

Auna 1299 1260

Austar 0306

Cablecom 1612

Canal Plus 0473

Com Hem 1696 0847

Comcrypt 0473

Daeryung 0507

Fastweb 1660

Filmnet 0473

Foxtel 1252

France Telecom 0847 1764

freebox 1512

Funai 0049

General

Instrument

0306

Jerrold 0306

KabelBW 1090

Macab 0847

Madritel 1260

MNet 0473 0049

Motorola 0306 1136 1513

Multichoice 0049 0473

Nokia 1599

Noos 0847 1654

NTL 1090 1098

Numericable 0847

Oak 0049

Ono 1098 0306

Optus 0306 1090

Orange 0847 1764

Pace 1098 1607 1090

Philips 0847 1612

Premiere 1607

Sagem 0847 1654

Samsung 1090 1696

Scientific Atlanta 0507

SKY Deutschland1607

StarHub 0306

Tele Danmark 0847

Tele+1 0473

Telepiu 0473

Telewest 1098 1090

Telsey 1660

Thomson 1612 1764

Trans PX 0306

UPC 1612

US Electronics 0306

Virgin Media 1090 1098

Visiopass 0847

YouSee 0847

Ziggo 1599 1696

VIDAC

Elonex 1302

Fujitsu Siemens 1302

Gateway 1302

Hewlett Packard 1302

hFX 1302

Microsoft 1302

Pinnacle Systems 1477

Ricavision 1302

Sony 1302

Trust 1302

Via Technologies 1302

XBox 1302

VCR (cont.)

61

DVD

3 Plus 0520

3D LAB 0569

4Kus 1188

Acoustic Solutions 0760 0743 1258

AEG 0818 0800 0820

1263 0705

AFK 1258 1182 1081

AG Electronics 1258

Aim 0808 1195 0702

0820

Airis 1254 1351 0702

1035 1375 1137

Aiwa 0725 0899 0563

Akai 0820 0809 0818

0800 0725 1145

0928 0705 0746

0743 0882 0735

1725 1263

Akashi 0868

AKI 1035

Akira 0808 1351

Akura 1201 0928 1081

1170

Alba 0747 0743 0753

0725 0760 0569

0702 1170 1081

1560 1725

Alize 1181

All-Tel 0820 1481 0865

Amitech 0800 0880

Amoi 0882

Amoisonic 0865

Amstrad 0743 1145 1181

1601 0820 0800

AMW 0902

Ansonic 0789 0861

Apex Digital 0702 0747 1034

Arena 0882 1145

Aristona 0569 0676

Art Mito 1451

Asono 1254

ATACOM 1254

A-Trend 0744

Audiovox 0820 0747

Audioworld 0820

Audix 1134 1182 0743

Autovox 0743

Auvio 0873

Avious 1195

AWA 0760 0902

Axion 0760

Base 1481

Basic Line 0743

Baze 1195 0928 0702

BBK 0892 1254

Bel Canto Design 1601

Bellagio 0902 1034

Best Buy 0887

Biostek 1035

Black Diamond 0743 0863

Blaupunkt 0747

Blu:sens 1263 1351

Blue Parade 0601

Blue Sky 0743 0725 0702

0873 0808 0681

0820

BNI 1351

Boghe 1034

Boman 0818 0928 1035

Brainwave 0800 1145

Brandt 0681 0581 0533

Broksonic 0725 1449

Bush 0743 0725 0863

1725 0760 0861

0747 0808 0546

0848 0753 1195

1466 1449 1513

1170 1560

Cambridge Audio 1139 0781

Campomatic

Digital

1081

CAT 0819

Celestial 0702

cello 1760

Centrex 0702 1034

Centrum 0743 0819 0809

1035 0705

CGV 0800 0781

Cinea 0871

Cineral 0760

Cinetec 0743 0902

CineVision 0899 0863

Classic 0760 1760

Clatronic 0818 0809 0848

0702 1195 0705

1263

Clayton 0743

Coby 0808 1137 1195

0760 0882

Codex 1263

Compacks 1137

Conia 0702 0882 0546

0865 1351

Contel 0818

Continental

Edison

0902 0861

Craig 0861

Crown 0800 0681

Crypto 1258

C-Tech 0798 1182

Cybercom 0861

CyberHome 0744 0846

Cytron 0746 0681 0735

0861 1377

Daenyx 0902

Daewoo 0863 0899 1513

0735 0800 0744

1466 0902 0808

Dalton 1066

Dansai 0800 1145 1725

Dantax 0753 0725 0743

Daytek 0902 1035

Dayton 0902

DCE 0861

DEC 0808 0848

Decca 0800

Denon 0520 0664 1664

Denver 0808 0818 0928

0848 1137 1351

0702

Denzel 0695

Diamond 0681 0798 0808

0781 0753 0820

1182 0800 1145

Digihome 0743

DigiLogic 0743

digiRED 0747

Digitor 1035 0681

Digitrex 0702 1034

DiK 0861

Dimarson 1263

Dinamic 0818

Disney 1253 0861

DiViDo 0735

DK digital 0861

DMTECH 0820 1301

Dragon 0861

DSE 1760 0863 1182

0705

Dual 0861 0743 0695

0681 0760 0809

0820 1466 1560

1145

Durabrand 0861 0705 0743

1560

D-Vision 1145

DVX 0798 1182

e:max 1263 1351 0800

EagleTec 0744

eBench 1182

E-Boda 0753

Eclipse 0753 0781

E-Dem 1254

Electrohome 0800

Elenberg 1258

Elfunk 0880 0743 0793

Elin 0800

Ellion 0880 1451

Elta 0800 0818 0820

1145 1181 1263

1081

Eltax 1351

Emerson 0621 0735 0899

0705

Enterprise 0621

Enzer 0695 1258 1035

0800

EuroLine 0818 1145 1263

0705

Ferguson 0681 1760 0928

0743 1725

Finlux 0771 0800 0621

0702 0781 1195

Fintec 0743 1560

Firstline 0899 0681 1560

Fisher 0700

Funai 0725 0705

Futronic 1035

Gateway 1188

GE 0747

General Electric 0747

Germatic 1081

Global Link 1254

Global Solutions 0798 1182

Global Sphère 0798 1182

Go Video 0774 1188 0899

0863

GoldStar 0621 0771

Goodmans 0743 1034 0753

0781 0760 0681

0820 0848 0863

1170 1760 1560

GP Audio 1170

GPX 0771

Gradiente 0681

Graetz 0695

Gran Prix 0861 0928

Grandin 0746 0702 0743

Greenhill 0747

Grundig 0725 0805 0569

0681 0735 0820

0743 0700 0753

1725 1034 0581

1760 1466 1513

Grunkel 0800 0861

H&B 0848 0743 0871

0880 1263 1451

Haaz 0798 0781

Haier 0873

Hanseatic 0771 0820 1301

Harman/Kardon 0732

HCM 0818

HDT 0735 1227

HE 0760

Hello Kitty 0861

Henß 0743

Hicon 0702

HiMAX 0887 0873

Hitachi 0694 0809 0695

0603 0887 0743

Hiteker 0702

Höher 0861 1034 1254

0743 1560

Home Electronics 0760 0800

Home Tech

Industries

1254

HYD 1263

Hyundai 0880 1258 0818

0798 1451 1560

1182 0863

ICP 1182

Iekei 1137

Ingelen 0818

Inno Hit 0743

Insignia 0705

Integra 0657

Irradio 0771 1145 1254

1263 0899 0800

ISP 0725

it's 0747

ITT 1263

Jamo 1066

Jaton 0695

JBL 0732

JDB 0760

JDV 1258

Jeken 0808

Jepssen 1213

JGC 1560

JMB 0725

JNC 1301

JVC 0653 0588 1194

0569 0533 0897

jWIN 1081

Kansai 1137

Kansas

Technologies

1263 1560

Kendo 0743 0861 0702

1377 1725

Kennex 0800 0743 0928

Kenwood 0564 0520 1936

KeyPlug 0800

Kiiro 0800

King D'Home 0863

Kingavon 0848

Kiss 0871 0695

KLH 0820

KLH Digital 0747

Koda 0848

Koss 0681

Kreisen 1451

KXD 0887 1137 1351

Lawson 0735 0746 0798

1182

Leiker 0902

Lenco 0681 0800 0808

0848 0743 0861

1195

Lenoir 1258

Lenoxx 0868 1035

Lexia 1182 0798

LG 0771 0621 1936

0899 1263

Lifetec 0681 0861 1377

Limit 0746 1182 0798

LiteOn 1188

Lodos 0743

Loewe 0569 0771

Logic3 0802

LogicLab 0798 1182

Logik 0743

Logix 0735

Lumatron 0735 1145 0771

0863 1351 0743

0760 0928

Luxman 0603

Luxor 1034 0743 1760

0760 0747

Magnavox 0533 0705 0848

1170 0569 0743

Magnex 0753 1195

Magnum 1466 1412

Majestic 1137 1375

Manhattan 0735 0743

Marantz 0569

Mark 0743 0725 1725

Marquant 0800 1481

Mastec 1036

Matsui 0681 0743 0702

0725 1760

Maxdorf 0818

Maxent 1377

Maxim 0743

Maya 1375

MBO 0760

MDS 0808

Mecotek 0800

Medialine 1301

Mediencom 0781

Medion 0861 1377 0681

0746 1375 0660

1195 1036 0771

MEI 0820

Memorex 0861

Memory 0760 1081

Metz 0601 0555 0743

MiCO 0753 0781 1253

Micromaxx 1725 0725 1377

Micromedia 0533 0569

Micromega 0569

Microsoft 0552

Microstar 0861

Minax 0743

Minerva 0735

Minoka 0800 1145

Minowa 1195

Mintek 0747

Mitsubishi 0743

Mizuda 0848 0887 1481

Monyka 0695

MPX 0873

Mustek 0760 1760

Mx Onda 0681 0781 0753

1253

Mystral 0861

NAD 0771

Naiko 0800 1034

NEC 0899 0621 0771

Neovia 1301

Nesa 0747

Neufunk 0695

Nevir 0861 0800 0702

Nexius 0820

Nintaus 1081

Nordmende 0861 1560

Nowa 0873

NU-TEC 0546 1258

Omni 0808 0863 1134

1258

Onix 0868

Onkyo 0657 0533

Oopla 1188

Oppo 1254

Optim 0873

Optimus 0601 0555

Orava 0848

Orbit 0902

Orion 0725 1725 1036

1263 1449 0928

Oritron 0681

P&B 0848 1481

Pacific 0820 1182 0798

0789 0743 0861

Packard Bell 0861

Palladium 0725 0809 0743

Palsonic 0865 0702 0882

0863

Panasonic 0520 1864 1938

Panda 0747 1137

Papouw 0563

Paramount

Pictures

0809

peeKTON 1254 0928

Philips 0569 0676 1370

0705 0533 1188

Philo 1375

Phonotrend 1195

Pioneer 0601 0661 1995

0555 1601

Plu2 0880

Pointer 0800

Polk Audio 0569

Portland 0800

Powerpoint 0902 1035

Presidian 0705

Prima 1258

Prinz 0861

Prism 1036 0861

Pro2 1375

ProCaster 1034

Proline 0681 0702 0820

1034 1513 0863

Proscan 0552

Proson 0743 1035

Prosonic 1137

Provision 0848 1351 1137

0760

Pye 0676 0569

QONIX 0808 1081

Qwestar 0681

Radionette 0771 0899 1936

Radiotone 0743

Raite 0695

RCA 0552 0681 0820

1995

REC 0520

Red Star 0789 0793 0800

0818 0928 1137

1375

Relisys 1377

Reoc 0798 1182

Revoy 0871

Rex 0868

Richmond 1263

Rimax 1181

Rio Audio 0899

Roadstar 0743 0848 0760

1081 0928 0863

1257

Rocksonic 0819

Ronin 0902

Rotel 0653 0588

Rowa 0789 1034 0546

0555 0747

Rownsonic 0819 0753

S&V 1195

Saba 0681 0581

Sabaki 0798

Saivod 0861 0789 0800

Sakyno 1182 0798

Salora 0771

Sampo 1377

Samsung 0603 0774 1962

0520

Sansui 0725 0746 0798

0800 1182 0753

0781 1258 1725

1081 1145 0793

Sanyo 0700 0903 0725

0820 1466 0743

1258

Scan 0735 0865 0880

ScanMagic 0760 1760

ScanSonic 0887

SCE 0819

Schaub Lorenz 0818 1195 0800

1182

Schneider 0861 0809 0569

0735 0818 0743

0681 0899 0820

0676 1257

Schöntech 0743

Scientific Labs 0798 1182

Scott 0681 0702 1066

1263

Seeltech 1254 1481

SEG 0743 0695 0798

1182 0902 0793

1560 1513

Shanghai 0702

Sharp 1286 0660 0743

0725 1449

Sherwood 0747 0771

Shinco 0747

Siemssen 1412

Sigmatek 0887 1254

Siltex 1254

Silva 0818 0928 0861

Silva Schneider 0861 1936 0771

SilverCrest 1182 0798

Singer 0746 0753 0781

0798 1182

Sinotec 0800 1145

Sinudyne 1170

Sistemas 0702

Skymaster 0760 0798 1182

Skyworth 0928

Sliding 1145

Slim Art 0800

Slim Devices 0563

SM Electronic 0760 0798

Smart 0735 0743

Sonashi 0746 0861

Sonic Blue 0899

Soniko 0818

Sonwa 1034

62

Sony 0563 0802 0894

1100 2011 1663

1463

Sound Color 1263

Soundmaster 0798 1182

Soundmax 0798 1182

Soundwave 1560

Spectra 0902

Standard 0681 1182 0798

0818 0861 0928

Star Clusters 0798 1257 1182

StarLogic 1035

Starmedia 0848 1254 1035

Strato 1412 1182

Strong 0743

Sunfly 0887

Sunkai 0800 0880

Sunstech 0861 1301

Sunwood 0818

SuperDigital 1217

Supervision 0760 0798

SVA 0702

Sylvania 0705 0660

Symphonic 0705

Synn 0798 1182

Sytech 0861

Tandberg 0743 1725

Tangent 1351

Targa 1188 1257 1936

0771

Tatung 0800

Tchibo 0771

TCM 0771

Teac 0747 0771 0820

0546 0601 0798

1036 1182 0621

1227 0789 0863

1257 1195 0705

1254 1258

TEC 0928

Technics 0520 1938

Technika 0800 1145 0861

1195 1560 1182

Technisson 0702

Technosonic 1081 1145

Techwood 0743 1560 0569

Tecnimagen 1263

Tedelex 1034 1258 0798

0800 1182

Telefunken 0820 0819 0818

1258 0863 1513

1145 0800 1375

Teletech 0743 1182 0798

Tensai 0681 0800

Tevion 0681 1066 1412

1451 1182 0798

1034 1257 0863

1377 1760

Theta Digital 0601

Thomson 0581 0552 0861

Tokai 0695 0928 0818

1263

Tokiwa 0735 0746

Tom-Tec 0819 0863

Top Suxess 1254

Toshiba 0533 0725 1075

1540

TRANS-

continents

0902 0861 1195

1263 0863

Transonic 0702 1195

Tredex 0873

SAT

@sat 1330

@Sky 1364

ABsat 1353 0743

Acoustic Solutions 1314

ADB 0672 0917 1289

1397 1503 1521

Adcom 0230

Akai 0230

Akura 1656

Alba 1314 0743

Allsat 0230 1047

Allsonic 0399

Alltech 0743

Allvision 1262 1364 1442

Alpha 0230

Amitronica 0743

Ampere 0162

Amstrad 0162 0877 1205

1831 1143 1878

0743

Anglo 0743

Ankaro 0399 0743 1309

AntSat 1047

Apro 1702

Arcon 1309 0162 1105

Arion 1309

Armstrong 0230

Arnion 1330

ASA 0329

Asat 0230

ASCI 1364

ASLF 0743

AssCom 0883

Aston 1159 1291

Astra 0743

Astratec 1773

Astro 0163 0203 0399

0688 1143 1129

1130 0230 1303

Audioline 1459

Aurora 0909 0672 1463

Austar 1289 0672 0909

Avanit 0329

Axil 1487

Axis 1141 0399

Axitronic 1656

B.net 1702

B@ytronic 1442 0329

Balmet 1487

Bentley Walker 1047

Best 0399

Big Sat 1487

Black Diamond 1314

Blaupunkt 0203

Blue Sky 0743

Blue Star 1309

Boca 0162 1396 0743

1262

Boshmann 1443

Boston 0162

Boxer 1488

Brainwave 1244 0688 1702

British Sky

Broadcasting

1205 0877

Broco 0743

BSkyB 1205 0877

BT 1326

Bubu Sat 0743

Bush 1314 1656 1702

1675 1501 1773

1321 0382 0672

Canal Digitaal 0883

Canal Digital 1883 0883 0197

1076 1364

Canal+ 0883 1883

CanalSat 0883

CanalSatellite 0883 1369 1883

Centrex 1577

CGV 1443 1597

Champion 1309

Cherokee 1353

Chesley 1577

Chess 1364 0743 1656

CityCom 1206 1262 0329

0848 0534 1105

0688

Clatronic 1443

Clayton 1656

Colombia 0162

Columbia 0162

Com Hem 1206

Comag 1262 1443 1442

1396 0162

Comsat 1443

Condor 0399

Connexions 0399

Conrad 0399 0162

Coship 1487 1702

Crown 1314

Cyfra+ 1883 1439 0883

Cyfrowy Polsat 0883

Cyrus 0230

Daewoo 1326 1773 0743

1141

Dantax 1656

D-box 1144 0753

Deltasat 1105

DGTEC 1272 1572

Digatron 1324

Digenius 0329 1191

Digi Raum

Electronics

1206

Digiality 1364

DigiFusion 1675 1773

Digihome 1314

Diginet 1577

DigiQuest 1503 1487 1330

DigiSat 1262

Digisky 1487

Digital+ 1883 1076 0883

DigitAlb 1262 1577

DigitalBox 1130

DigitAll World 1257

DiPro 1577 1503 1397

DirecTV 0129

Distratel 1313

Distrisat 0230

DMT 1105

DNT 0230

Doro 1702

DRE 1206

Dream Multimedia 1267

DStv 0672 0909

Dune 0399

Durabrand 1314

Echolink 1396

Echostar 1230 0640 0197

0883 0743 1353

1503 1439 1797

Eco-Star 1443

Edision 1309

Einhell 0162 0743

Elap 0743 1641 1159

1597 1443

Electron 1309

Elsat 0743

Elta 0230 0399

Emme Esse 0399

eMTech 1244

Engel 1047 0743 1281

1831

EuroLine 1281

Europa 0230

Europhon 0329 0162 0743

1364

Europsat 1443 1641

Eurosat 1597

Eurosky 0162 0329 0399

Eurostar 0848

Eutelsat 0743

Eycos 1309

Fagor 1641

Fenner 0743 0399

Ferguson 1321 0741 1773

1309

Finlux 1656 1262

Flair Mate 0743

FMD 1281 1487 1443

Force 1224

Fortec Star 1047

Foxtel 1386 0909 0750

1206 1192

Fracarro 0155

Free Wave

Technology

1773

Freecom 0203

FTEmaximal 0399 0743

Fuba 1831 0399 0203

1191 0329 1281

Fugionkyo 0155

Galaxis 1141 1206 0883

0399 0909

Gardiner 0848

Garnet 1105

GbSAT 1244

Gecco 1442 1303

General Satellite 1206

Globo 1281 1656 1442

1459 1364

GOD Digital 0230

Gold Box 0883

Gold Vision 1047

Golden Interstar 1313

GoldMaster 1364

Goodmans 1314 1321

Gradiente 0917

Grandin 1656

Grocos 1439 1487

Grundig 0203 0877 1321

1314 0909 0883

H&B 1577

Hallo 1656

Hama 1597

Hanseatic 1129 1130

Hänsel & Gretel 0162

Hauppauge 1324 1702

HB 1244 1831

HDT 1189

HE@D 1309

Healing 1577

Hills 1262

Sky XL 1442

SKY+ 1205

Skymaster 1364

skyplus 1364 1442

Stream 1878

Strong 1189 1330

Sunny 1330

Systec 1364

TechniSat 1130

Technosat 1236

Telestar 1130 1364

Televes 1244 1330 1364

Tevion 1364

Thomson 1205 1930

Topfield 1236 1575 1813

TPS 1283

UEC 1386

Worldsat 1244

XSat 1244

Xtreme 1330

Zehnder 1364 1442

Zinwell 1206

PVR

@sat 1330

@Sky 1364

Amstrad 1205

Arnion 1330

ASCI 1364

Astro 1130

Aurora 1463

Austar 1206

B@ytronic 1442

Brainwave 1244

British Sky

Broadcasting

1205

BSkyB 1205

Bush 1675

CanalSatellite 1369

Chess 1364

CityCom 1206

Comag 1442

DigiFusion 1675

DigiQuest 1330

Dream Multimedia1267

eMTech 1244

Foxtel 1206 1386

Galaxis 1206

GbSAT 1244

Gecco 1442

General Satellite 1206

Globo 1364 1442

Hanseatic 1130

HB 1244

HDT 1189

Hirschmann 1442

Homecast 1244

Humax 1206 1457 1705

Hyundai 1189

ID Digital 1206

Imperial 1130 1364

Interstar 1244

Jaeger 1364

Jepssen 1244

Kathrein 1591

Kongque 1330

L&S Electronic 1364

Maximum 1364

Mediacom 1236

Medion 1364 1442

Multichoice 1463

Neotion 1364

Opentel 1442

Orbis 1364 1442

Orbitech 1130

Pace 1205 1386 1453

1880

Panasonic 1334

Pilotime 1369

Pino 1364

Premiere 1130 1206

Rebox 1244

Sagem 1283

Samsung 1236

Sat Control 1330

Satplus 1130

Schaub Lorenz 1244

Schneider 1236

Schwaiger 1364 1442

Siemens 1364

Sky 1205

SKY Italia 1878 1880

Trevi 0861

Trio 0800

TruVision 0887 1481

TSM 1254

TVE 0743

Umax 1181

United 0818 0760 0820

1258 0702 1195

0725 1145 0798

1263 0743 1182

0705

Universal

Multimedia

0798 1182

Universum 0771 0743 0621

0809 1257 0820

1560

Uptek 0793

upXus 1375

Urban Concepts 0533

Venturer 0820

Vestel 0743 1560

Vieta 0735

Viewmaster 0892 1254

Voxson 0760 0861

VTrek 1258

Waitec 1254 0760

Walkvision 0747

Waltham 1560

Welkin 0861

Wellington 0743

Weltstar 0743

Wharfedale 0798 0820 0753

0781 1182 0800

1145

Wilson 0861 1263

Windy Sam 0603

Wintech 1217

Woxter 1181 1254

XBox 0552

XLogic 0800 0798 1182

1258

XMS 0818 0800

Xoro 1213

Yakumo 1034

Yamada 1034 0902 1181

1188

Yamaha 0569 0676 0520

1188

Yamakawa 0695 0902 1134

Yukai 0760

Zenith 0533 0899 0621

0771

DVD (cont.)

63

Hirschmann 1141 1143 0203

0329 1262 0399

0155 1442

Hitachi 1314

HNE 1262 0162

Homecast 1244

Humax 1206 1262 1457

1705 1773 1255

Huth 0162 1047 1105

Hyundai 1189 1105 1446

i-CAN 1397

ID Digital 1206

IDTE 1189

Imperial 1459 1364 1129

1130 1227 1225

0230 1702

Inno Hit 1656

International 0162

Interstar 1047 1244

Inves 1773

iotronic 1443 0162

ITT Nokia 0753

Jadeworld 0672

Jaeger 1364

Jepssen 1244

KabelBW 1225 1227 1076

1206

Kamm 0743

Kansalaisboksi 1577

Kaon 1330

KaTelco 1141

Kathrein 1591 1597 0688

0510 0534 0203

0230 0743 0848

1353 1446

Kennex 0155

Kenwood 0883

Key West 0162

Kongque 1330

König 1309

KPN 1575

Kreiling 0688 1656

Kreiselmeyer 0203

K-SAT 0743

Kyostar 0162

L&S Electronic 0399 0162 1364

Labgear 1326

LaSAT 0399 0162 0329

0203

Leiko 1656

Lemon 1364

Lenco 0743 0399

Lennox 0399

Lenoxx 1641

Lexus 0230

LG 1444 1105

Lifesat 0162 0399 0329

0743

Linsar 1314

Listo 1656

Lodos 1314

Logik 1314

Logix 1047 1105

Lorenzen 0329 1324 1191

0162

Lupus 0399

Macab 0883

Madritel 0672

Manata 0743 0162

Manhattan 1047 1330

Marantz 0230

Maspro 0743 0203

Matsui 1656 0203 1773

Maximum 1105 1364

MDS 1255

Mediabox 0883

Mediacom 1236

MediaSat 0883

Medion 1262 0329 0743

0162 1105 1442

1656 1364 0399

Medison 0743

Mega 0230

Melectronic 0848

Metronic 0743 1309 1313

0848 0162 1443

1702

Metz 0203

Micro 0743 1324

Micro electronic 0743

Micro Technology 0743

Micromaxx 0329 0399

Microstar 1105 0329 1191

Microtec 0743

Morgan's 0162 0743 0230

1262 1442 1439

Motorola 0886 1503

Multichoice 0909 1463 0672

Myryad 0230

Mysat 0743

MySky 1880 1386 1878

Neotion 1364

Netgem 1352

Netsat 0917 0129

Neuf TV 1352

Neuhaus 0743

Neuling 1262 0162

Neusat 0743 1309

Neveling 1191

NextWave 1047

Nikko 0743 0753 0230

Nokia 1144 1753 1053

1253 0753 0883

Noos 0883

Nordmende 1641

Nova 0909

Numericable 0883

OctalTV 1324 1459

OKI 1597 1487

Onn 1314

Opentel 1262 1442

Optex 1313 0743 1641

1656 1443

Optima 1577

Optus 0909 0883 1386

Orbis 1364 1442 1262

Orbitech 1129 1225 1227

1130 0230

P/Sat 1262

Pace 1386 1205 0877

1453 1878 0917

1353 1880 0271

0821 0750 0230

0883

Pacific 1314

Packard Bell 1141

Palcom 0329 1641 1191

1439

Panasat 0909

Panasonic 0877 1334 1434

Panda 0203

Patriot 0162

SAT (cont.) peeKTON 1487

Philips 0129 1144 0883

0163 0230 1702

1773 0848 0203

1459

Phoenix 1303 1577

Phonotrend 1047 1230

Pilotime 1369

Pino 1364

Pioneer 0883 1338 0382

PMB 1641 0743

Portland 1326

Power Sky 1309

Preisner 0162 1143 1396

Premiere 1144 0753 1206

1225 1130 1705

1141 0688

Primacom 1141

Pro Basic 0883

Proline 1314

PYROD 1577

QNS 1434

Quadral 0399 1353

Quelle 0329

Radiola 0230

Radix 1143

RCA 1321

Rebox 1244

Red Star 0399

Regal 1281

RFT 0230

Roadstar 0743 0883

Rollmaster 1443

Rover 0743 0399

Rownsonic 1597

SAB 1281 1330

Sagem 1144 1720

Salora 1262

Samsung 1273 1600 1488

1047 1236 0883

1205

Sansui 1575 1281

Sanyo 1656

Sat Control 1330

Sat Industrie 1641

Sat Team 0743

SAT+ 1439

Satec 0743

Satelco 0399

Satlink 1597

Satplus 1130

Schaub Lorenz 1244

Schneider 1281 1236

Schwaiger 0534 1364 1487

1442 1459 1141

1702 0162 1105

SCS 0329

Sedea Electronique 0155 0162 1313

1656 1309

SEG 1281 0399 1656

1105 1314

Serino 0640

Servimat 1641

ServiSat 1281 0743

Sherwood 1641 1439

Siemens 0203 1656 1364

1459 1702

Silva 0329

Skantin 0743

SKR 0743

SKT 0162

Sky 0129 0886 1205

0877 0917 0741

SKY Deutschland 1144 0753 1206

1225 1130 1705

1141 0688

SKY Italia 1878 1880

Sky XL 1442 1281

SKY+ 1205

Skymaster 1439 1641 0743

1230 1105 1364

1597 1575

Skymax 0230 1443

Skypex 0329

skyplus 1262 1364 1205

1442 1487

SkySat 0743

SL 0162 1702

SM Electronic 0743 1230 1105

Smart 1303 0162 0329

1143 1262 0743

1443 1434

SmartVision 1487

Soniq 1597

Sony 0877 1588 0312

0883

SR 0162

Star Sat 0162

Starland 0743

Stream 1878

Stream System 1330

Strong 1397 1439 0743

1656 1831 0883

1314 1189 1330

0155 0399 0909

1503

Sumin 1442

Sunny 1330

Sunny Sound 0399

Sunsat 0743

Sunstar 0399 0162 0672

SuperMax 1313

Supratech 1443

Systec 0162 1364

S-ZWO 1237

Tarbs 1255

TBoston 1487 1281

Teac 1257 1255 1352

1577

Tecatel 1230

Technika 1314 1702

TechniSat 1225 1227 1130

1129 1352 0230

Technomate 1313

Technosat 1236

Technosonic 1702

Technotrend 1459 1702

Technowelt 0162

Techsan 1047

Techwood 1314 1656 1281

tekComm 1047

TELE System 1641 1831 1189

1439 1281

TeleClub 1397

Telecom 0743

Telestar 1129 1130 0230

1459 1281 1364

1656 1702 1225

1227

Televes 0162 1244 1330

1364 1439

Televisa 0917

Telewire 1262

Tesla 1656

Tevion 1702 1364 0743

1439 1597

Thomson 0741 0877 1321

1883 1076 1205

0883 1930 0743

Tiny 1702

Tioko 0162

Tividi 1459

Tokai 0230

Tonna 1641 0743

Topfield 1575 1813 1236

1237

Toshiba 1314

TPS 1283

Triax 0230 0743 0883

1281 1326 1321

0162 1129 1143

1257 1656 1641

1443

Tricolor TV 1206

Trio 1105

TT-micro 1459

Turnsat 0743

Twinner 0162 0743 1641

UEC 0909 1192 1386

Unimax 1577

Unisat 0230 0162

United 1281

Unitymedia 1459 1206 1225

1227

Universum 0203 0329 1129

Van Hunen 1191 0329

Vantage 1488

Variosat 0203

Vega 0399

Ventana 0230

Vestel 1314 1281

VH Sat 1191 0329

Viasat 1353 1053 1225

1227

Viola Digital 1702

Vision 1656

Visionic 0155 1309

Visiosat 1443 0743 1159

1487

Vitecom 1443

Vivid 1192

Voo 0883

VTech 0848

Wavelength 1262 1443

Wharfedale 1314 0230

Winbox 1831

Wisi 0203 0329 0162

1442 1262

Worldsat 1503 1244 1281

XMS 1105

Xrypton 0399

XSat 0743 1244 0877

1353

Xtreme 1330

Yakumo 1443

YES 0917

Yess 1577

Zehnder 1281 1364 1105

1262 1443 1442

0534 0848 0399

Zenith 0886

Zeta Technology 0230

Zinwell 1206

Zodiac 1831 1309

A&R CAMBRIDGE LTD, PEMBROKE AVENUE, WATERBEACH, CAMBRIDGE CB25 9QR, ENGLAND

SH230 Issue 2