Barco Clm R10 R9050100 Users Manual

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CLM R10+

Users manual

R9050100

R90501001

R90501005

R59770021/11

11/10/2010

Barco nv Events

Noordlaan 5, B-8520 Kuurne

Phone: +32 56.36.82.11

Fax: +32 56.36.88.24

E-mail: sales.events@barco.com

Visit us at the web: www.barco.com

Printed in Belgium

Changes

Barco provides this manual ’as is’ without warranty of any kind, either expressed or implied, including but not limited to the implied war-

ranties or merchantability and ﬁtness for a particular purpose. Barco may make improvements and/or changes to the product(s) and/or the

program(s) described in this publication at any time without notice.

This publication could contain technical inaccuracies or typographical errors. Changes are periodically made to the information in this

publication; these changes are incorporated in new editions of this publication.

stored in a retrieval system without the prior written consent of Barco.

Trademarks

Brand and product names mentioned in this manual may be trademarks, registered trademarks or copyrights of their respective holders.

All brand and product names mentioned in this manual serve as comments or examples and are not to be understood as advertising for

the products or their manufacturers.

Federal Communications Commission (FCC Statement)

This equipment has been tested and found to comply with the limits for a class A digital device, pursuant to Part 15 of the FCC rules.

These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial

environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with

the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area may

cause harmful interference, in which case the user will be responsible for correcting any interference at his own expense

EN55022/CISPR22 Class A ITE (Information Technology Equipment)

Class A ITE is a category of all other ITE which satisﬁes the class A ITE limits but not the class B ITE limits. Such equipment should not

be restricted in its sale but the following warning shall be included in the instructions for use:

Warning : This is a class A product. In a domestic environment this product may cause radio interference in which case the user may be

required to take adequate measures.

Guarantee and Compensation

Barco provides a guarantee relating to perfect manufacturing as part of the legally stipulated terms of guarantee. On receipt, the purchaser

must immediately inspect all delivered goods for damage incurred during transport, as well as for material and manufacturing faults Barco

must be informed immediately in writing of any complaints.

The period of guarantee begins on the date of transfer of risks, in the case of special systems and software on the date of commissioning,

at latest 30 days after the transfer of risks. In the event of justiﬁed notice of complaint, Barco can repair the fault or provide a replacement

at its own discretion within an appropriate period. If this measure proves to be impossible or unsuccessful, the purchaser can demand a

reduction in the purchase price or cancellation of the contract. All other claims, in particular those relating to compensation for direct or

indirect damage, and also damage attributed to the operation of software as well as to other services provided by Barco, being a component

of the system or independent service, will be deemed invalid provided the damage is not proven to be attributed to the absence of properties

guaranteed in writing or due to the intent or gross negligence or part of Barco.

If the purchaser or a third party carries out modiﬁcations or repairs on goods delivered by Barco, or if the goods are handled incorrectly,

in particular if the systems are commissioned operated incorrectly or if, after the transfer of risks, the goods are subject to inﬂuences not

agreed upon in the contract, all guarantee claims of the purchaser will be rendered invalid. Not included in the guarantee coverage are

system failures which are attributed to programs or special electronic circuitry provided by the purchaser, e.g. interfaces. Normal wear as

well as normal maintenance are not subject to the guarantee provided by Barco either.

The environmental conditions as well as the servicing and maintenance regulations speciﬁed in the this manual must be complied with by

the customer.

Software License Agreement

You should carefully read the following terms and conditions before using this software. Your use of this software indicates your acceptance

of this license agreement and warranty.

Terms and Conditions:

1. No redistribution of the software is allowed.

2. Reverse-Engineering. You may not reverse engineer, decompile, disassemble or alter anyhow this software product.

Disclaimer of Warranty:

This software and the accompanying ﬁles are sold “as is” and without warranties as to performance or merchantability or any other war-

ranties whether expressed or implied. In no event shall Barco be liable for damage of any kind, loss of data, loss of proﬁts, business

interruption or other pecuniary loss arising directly or indirectly. Any liability of the seller will be exclusively limited to replacement of the

product or refund of purchase price.

GNU-GPL code

If you would like a copy of the GPL source code contained in this product shipped to you on CD, please contact Barco. The cost of preparing

and mailing a CD will be charged.

Disposal Information

This equipment has required the extraction and use of natural resources for its production. It may contain hazardous substances for health

and environment. In order to avoid the dissemination of those substances in the environment and to diminish the pressure on natural

resources, we encourage you to use the appropriate take-back systems. Those systems will reuse or recycle most of the materials of your

end of life equipment in a sound way.

The crossed-out wheeled bin symbol invites you to use those systems. If you need more information on the collection, reuse and recycling

systems, please contact your local or regional waste administrator. You can also contact us for more information on the environmental

performances of our products.

Table of contents
TABLE OF CONTENTS
Safety................................................................................................................. 5
1 General ............................................................................................................................... 5
2 Important safety instructions ......................................................................................................... 6
3 Recycling guidelines.................................................................................................................. 8
4 Important warnings concerning CLM ﬂight cases ................................................................................... 9
General..............................................................................................................11
1 Installation requirements . . . ......................................................................................................... 11
2 Unpacking the projector ............................................................................................................. 12
3 Box content .......................................................................................................................... 13
4 Projector conﬁgurations ............................................................................................................. 14
5 Projector air inlets and outlets....................................................................................................... 17
6 Free download of Projector Toolset................................................................................................. 17
Physical installation ..............................................................................................19
1 Remote control unit (RCU) ..........................................................................................................19
1.1 RCU battery installation.......................................................................................................20
1.2 RCU rugged case installation ................................................................................................21
1.3 RCU XLR adaptor installation ................................................................................................ 21
1.4 Using the XLR adaptor of the RCU. . . ........................................................................................ 22
1.5 RCU usage possibilities ......................................................................................................22
2 Lenses ...............................................................................................................................23
2.1 Available lenses...............................................................................................................23
2.2 Lens selection.................................................................................................................24
2.3 Lens formulas .................................................................................................................25
2.4 Lens formulas .................................................................................................................25
3 Alignment of a table mounted CLM projector.......................................................................................26
4 Suspension of the CLM projector with rigging clamps . ............................................................................26
5 Alignment of a ceiling mounted CLM projector . . ...................................................................................30
Stacking CLM projectors.........................................................................................33
1 Stacking CLM projectors ............................................................................................................33
2 Aligning stacked CLM projectors....................................................................................................35
Connections........................................................................................................39
1 Power connection . . .................................................................................................................39
2 Input source connections. . . .........................................................................................................41
3 Communication connections ........................................................................................................42
Getting started.....................................................................................................47
1 RCU & Local keypad ................................................................................................................ 47
2 Terminology overview ...............................................................................................................47
3 Operating the projector..............................................................................................................49
3.1 Switching on...................................................................................................................49
3.2 Errors, warnings and messages during start up . . ...........................................................................50
3.3 Switching to standby ..........................................................................................................50
3.4 Switching off................................................................................................................... 51
4 Using the RCU.......................................................................................................................51
5 Quick setup adjustments ............................................................................................................ 52
5.1 Text boxes ON or OFF........................................................................................................52
5.2 Quick Lens Adjustment .......................................................................................................52
5.2.1 Quick Lens Adjustment via LENS key ................................................................................. 52
5.2.2 Direct Lens Adjustment (RCU). ........................................................................................ 53
5.3 Quick picture in picture ....................................................................................................... 54
5.4 Quick layout selection with Rigging key......................................................................................54
5.5 Quick language selection . . . ..................................................................................................55
6 Use of the AUTO button.............................................................................................................55
7 Projector Address.................................................................................................................... 55
7.1 Displaying and Programming addresses. . ...................................................................................55
7.2 Controlling the projector ......................................................................................................56
8 Source selection..................................................................................................................... 57
9 Controlling the Projector............................................................................................................. 57
Start up of the Adjustment mode...............................................................................59
1 About the adjustment mode ......................................................................................................... 59
2 About the use of the remote control and the local keypad .........................................................................59
3 Start up the adjustment mode....................................................................................................... 59
4 Navigation and adjustments.........................................................................................................60
5 On screen menus versus LCD display menus . ....................................................................................60
6 Test patterns in adjustment mode. ..................................................................................................61
7 Menu memory .......................................................................................................................61
R59770021 CLM R10+ 11/10/2010 1

Table of contents
Input menu .........................................................................................................63
1 Overview ﬂow........................................................................................................................63
2 Slot module type.....................................................................................................................63
2.1 About Input Setup............................................................................................................. 63
2.2 Input conﬁguration ............................................................................................................64
3 Input locking . ........................................................................................................................ 65
4 Minimum delay....................................................................................................................... 67
5 Native resolution.....................................................................................................................67
6 Source switching ....................................................................................................................69
7 No signal ............................................................................................................................. 69
7.1 Background color .............................................................................................................69
7.2 Shutdown setting..............................................................................................................70
7.3 Shutdown retarding time......................................................................................................70
Image menu ........................................................................................................73
1 Overview ﬂow........................................................................................................................73
2 How to select the image adjustments? . . . . . ........................................................................................74
3 Image Settings....................................................................................................................... 74
3.1 Contrast ....................................................................................................................... 75
3.2 Brightness.....................................................................................................................75
3.3 Saturation .....................................................................................................................76
3.4 Tint (hue)......................................................................................................................77
3.5 Phase..........................................................................................................................77
3.6 Sharpness.....................................................................................................................78
3.7 Noise reduction ...............................................................................................................79
3.8 Color temperature.............................................................................................................79
3.8.1 Predeﬁned color temperature.......................................................................................... 80
3.8.2 Set a custom color temperature .......................................................................................80
3.9 Input balance..................................................................................................................81
3.9.1 Introduction to Input Balance . . ........................................................................................81
3.9.2 Adjusting the input balance ............................................................................................83
4 Aspect ratio ..........................................................................................................................85
5 Timings...............................................................................................................................87
5.1 Source timings ................................................................................................................87
5.2 Advanced settings ............................................................................................................ 88
5.3 Advanced settings, ﬁlm mode detection .....................................................................................90
5.4 Advanced setting, brilliant color look.........................................................................................91
6 Image ﬁles services ................................................................................................................. 92
6.1 Files and ﬁle manipulations. .................................................................................................. 92
6.2 Manual Load ﬁle ..............................................................................................................93
6.3 Delete ﬁle......................................................................................................................93
6.4 Delete all custom ﬁles ........................................................................................................ 94
6.5 Rename a ﬁle .................................................................................................................95
6.6 Copy a ﬁle..................................................................................................................... 95
6.7 File options....................................................................................................................96
7 Save custom settings................................................................................................................97
Layout menu .......................................................................................................99
1 Overview ﬂow........................................................................................................................99
2 Main window . ........................................................................................................................99
2.1 Source selection .............................................................................................................100
2.2 Size adjustment..............................................................................................................100
2.3 Position adjustment..........................................................................................................103
3 PIP window . . .......................................................................................................................104
3.1 Introduction to PIP . . . ........................................................................................................104
3.2 Picture in Picture activation..................................................................................................104
3.3 Picture in Picture source selection ..........................................................................................105
3.4 Picture in Picture size of the window . .......................................................................................106
3.5 Picture in Picture, position window . . . .......................................................................................108
4 Layout ﬁle services .................................................................................................................109
4.1 Load layout . . . ................................................................................................................109
4.2 Rename a layout .............................................................................................................110
4.3 Delete a layout...............................................................................................................110
4.4 Copy / Save as a layout .....................................................................................................111
Lamp menu....................................................................................................... 113
1 Overview ﬂow.......................................................................................................................113
2 Lamp power mode..................................................................................................................113
3 Lamp power.........................................................................................................................114
4 Lamp Identiﬁcation .................................................................................................................115
5 Status and run time overview lamps...............................................................................................116
6 Lamp mode .........................................................................................................................116
Alignment menu ................................................................................................. 117
1 Overview ﬂow.......................................................................................................................117
2 Orientation ..........................................................................................................................118
3 Lens adjustment ....................................................................................................................119
2R59770021 CLM R10+ 11/10/2010

Table of contents
4 Side keystone.......................................................................................................................120
5 Blanking.............................................................................................................................121
6 Intensity.............................................................................................................................122
7 Gamma .............................................................................................................................122
8 Internal pattern......................................................................................................................123
9 Color space.........................................................................................................................124
10 White peaking ......................................................................................................................125
11 ScenergiX ...........................................................................................................................126
11.1 Introduction. . . ................................................................................................................126
11.2 Preparations. . ................................................................................................................127
11.3 ScenergiX activation .........................................................................................................127
11.4 ScenergiX pattern............................................................................................................128
11.5 ScenergiX overlap zone (horizontal ScenergiX) . . ..........................................................................128
11.6 ScenergiX overlap zone (vertical ScenergiX) ...............................................................................130
11.7 ScenergiX size adjustment (White level). . ..................................................................................131
11.8 Adjusting the black level of the images . . ...................................................................................133
Projector control ................................................................................................ 137
1 Overview ﬂow.......................................................................................................................137
2 Projector address . . . ................................................................................................................138
2.1 Individual projector address .................................................................................................138
2.2 Common address ............................................................................................................139
3 Serial communication...............................................................................................................139
3.1 Baud rate setup ............................................................................................................. .139
3.2 Interface standard............................................................................................................140
3.3 RS422 termination .......................................................................................................... . 141
4 Network .............................................................................................................................141
4.1 Introduction to a Network connection .......................................................................................141
4.2 DHCP setup . . ................................................................................................................142
4.3 IP-address set up ............................................................................................................142
4.4 Subnet-mask set up..........................................................................................................143
4.5 Default Gateway set up......................................................................................................144
5 IR control switching.................................................................................................................144
6 DMX.................................................................................................................................145
6.1 DMX address. ................................................................................................................145
6.2 DMX universe............................................................................................................... .146
6.3 DMX monitor .................................................................................................................147
6.4 DMX mode . . . ................................................................................................................148
6.5 Art-Net Activation ............................................................................................................149
7 Buttons..............................................................................................................................149
7.1 APA button ...................................................................................................................149
7.2 Shortcut keys.................................................................................................................150
8 Menu position.......................................................................................................................151
9 Local LCD contrast .................................................................................................................151
10 Language selection.................................................................................................................152
Service menu..................................................................................................... 153
1 Overview ﬂow.......................................................................................................................153
2 Identiﬁcation ........................................................................................................................153
3 Diagnosis ...........................................................................................................................155
3.1 How to start up the diagnosis? ..............................................................................................155
3.2 Versions ......................................................................................................................155
3.3 Voltages ......................................................................................................................156
3.4 I²C diagnosis .................................................................................................................157
3.5 Temperatures ................................................................................................................157
3.6 Fan speeds overview ........................................................................................................158
3.7 SPI............................................................................................................................159
3.8 Error logging overview...................................................................................................... . 159
4 Internal service patterns............................................................................................................160
5 Restore factory defaults............................................................................................................160
6 Save custom settings...............................................................................................................161
7 Reﬁll mode . . . .......................................................................................................................162
8 USB memory .......................................................................................................................163
9 Over temperature DMD safety .....................................................................................................164
Maintenance...................................................................................................... 167
1 Cleaning the lens . . . ................................................................................................................167
2 Cleaning the exterior of the projector ..............................................................................................167
3 Level check of cooling liquid .......................................................................................................167
Servicing.......................................................................................................... 169
1 Replacement of the dust ﬁlter on the top side.....................................................................................169
2 Replacement of the dust ﬁlters on the front side ..................................................................................170
3 Lens installation ....................................................................................................................171
4 Lens removal .......................................................................................................................172
5 Removal of a lamp unit.............................................................................................................173
6 Mounting a new lamp unit . . ........................................................................................................175
R59770021 CLM R10+ 11/10/2010 3

Table of contents

16.7 Removal of an input module .......................................................................................................176

16.8 Inserting an input module . . ........................................................................................................177

16.9 Top-up the reservoir with cooling liquid............................................................................................177

17. Projector covers, removal and installation ................................................................. 181

17.1 Removal of the front cover.........................................................................................................181

17.2 Removal of the lamp door. . ........................................................................................................182

17.3 Removal of the back cover.........................................................................................................183

17.4 Removal of the top cover...........................................................................................................184

17.5 Removal of the side cover..........................................................................................................184

17.6 Installation of the side cover .......................................................................................................185

17.7 Installation of the top cover.........................................................................................................186

17.8 Installation of the back cover.......................................................................................................186

17.9 Installation of the front cover.......................................................................................................187

17.10 Installation of the lamp door........................................................................................................188

A. Dimensions ........................................................................................................ 191

A.1 Dimensions of the CLM R10+......................................................................................................191

B. Standard Source Files ........................................................................................... 193

B.1 Table overview......................................................................................................................193

C. DMX Chart.......................................................................................................... 195

C.1 CLM control channel mapping (Full mode) . .......................................................................................195

C.2 CLM control channel mapping (Basic mode) ......................................................................................196

D. Speciﬁcations ..................................................................................................... 199

D.1 Speciﬁcations CLM R10+ ..........................................................................................................199

D.2 Speciﬁcations CLM 5 cable input (multi purpose).................................................................................200

D.3 Speciﬁcations CLM HDSDI – SDI input. . . . . .......................................................................................201

D.4 Speciﬁcations CLM DVI input ......................................................................................................202

D.5 Speciﬁcations CLM DVI HDCP input ..............................................................................................202

E. Troubleshooting.. ............................ .. .. .. .......................... .. .. .. ............................... 203

E.1 Error codes . ........................................................................................................................203

F. Mounting optional Carry handle ... .. .. ................ .. .................... .. .. .................... .. .. ....... 209

F.1 Mounting stacking points on top cover.............................................................................................209

F.2 Preparing the new carry handle . . . .................................................................................................210

F.3 Preparing the projector .............................................................................................................211

F.4 Mounting the carry handle. . ........................................................................................................212

G. Order info .......................................................................................................... 215

G.1 Spare part order info ...............................................................................................................215

Glossary ............................................................................................................... 217

Index.................................................................................................................... 219

4R59770021 CLM R10+ 11/10/2010

1. Safety

1. SAFETY

About this chapter

Read this chapter attentively. It contains important information to prevent personal injury while installing and using an CLM R10+

projector. Furthermore, it includes several cautions to prevent damage to the CLM R10+. Ensure that you understand and follow

all safety guidelines, safety instructions and warnings mentioned in this chapter before installing your CLM projector. After this

chapter, additional “warnings” and “cautions” are given depending on the installation procedure. Read and follow these “warnings”

and “cautions” as well.

Overview

• General

• Important safety instructions

• Recycling guidelines

• Important warnings concerning CLM ﬂight cases

1.1 General

Notice on safety

This equipment is built in accordance with the requirements of the international safety standards IEC60950-1, EN60950-1,

UL60950-1 and CAN/CSA C22.2 No.60950-1, which are the safety standards of information technology equipment including

electrical business equipment. These safety standards impose important requirements on the use of safety critical components,

materials and insulation, in order to protect the user or operator against risk of electric shock and energy hazard, and having

access to live parts. Safety standards also impose limits to the internal and external temperature rises, radiation levels, mechanical

stability and strength, enclosure construction and protection against the risk of ﬁre. Simulated single fault condition testing ensures

the safety of the equipment to the user even when the equipment’s normal operation fails.

Installation instructions

• Before operating this equipment please read this manual thoroughly, and retain it for future reference.

• Installation and preliminary adjustments should be performed by qualiﬁed Barco personnel or by authorized Barco service deal-

ers.

• All warnings on the projector and in the documentation manuals should be adhered to.

• All instructions for operating and use of this equipment must be followed precisely.

Deﬁnition of “qualiﬁed service technicians” or ”qualiﬁed technicians”: Persons having appropriate technical

training and experience necessary to be aware of hazards to which they are exposed in performing a task and

of measures to minimize the danger to themselves or other persons.

Owners record

The part number and serial number are located at the right side of the projector. Record these numbers in the spaces provided

below. Refer to them whenever you call upon your Barco dealer regarding this product.

Product article number

Product serial number

Dealer

R59770021 CLM R10+ 11/10/2010 5

1. Safety

1.2 Important safety instructions

To prevent the risk of electrical shock

•Warning: This apparatus must be grounded (earthed) via the supplied 3 conductor AC power cable. If none of the supplied

power cables are the correct one, consult your dealer.

If you are unable to insert the plug into the outlet, contact your electrician to replace your obsolete outlet. Do not defeat the

purpose of the grounding-type plug.

The wires of the power cord are colored in accordance with the following code:

International plug:

Green/Yellow: ground.

Blue: neutral.

Brown: line (live)

North American plug:

Green/Yellow or Green: ground.

Blue or White: neutral.

Brown or Black: line (live)

• Do not allow anything to rest on the power cord. Do not locate this product where persons will walk on the cord. To disconnect

the cord, pull it out by the plug. Never pull the cord itself.

• If an extension cord is used with this product, make sure that the total of the ampere ratings on the products plugged into the

extension cord does not exceed the extension cord ampere rating.

• Use only the power cord supplied with your projector. While appearing to be similar, other power cords have not been safety

tested at the factory and may not be used to power the projector. For a replacement power cord, contact your dealer.

• Never push objects of any kind into this product through cabinet slots as they may touch dangerous voltage points or short out

parts that could result in a risk of ﬁre or electrical shock.

• Never spill liquid of any kind on the product. Should any liquid or solid object fall into the cabinet, unplug the set and have it

checked by qualiﬁed service personnel before resuming operations.

• Lightning - For added protection for this video product during a lightning storm, or when it is left unattended and unused for

long periods of time, unplug it from the wall outlet. This will prevent damage to the projector due to lightning and AC power-line

surges.

To prevent personal injury

• Caution: High pressure lamp may explode if improperly handled. Refer servicing to qualiﬁed service personnel. The customer

should never attempt to disassemble the lamp casing or to dispose of the lamp casing other than by returning it to Barco.

• To prevent injury and physical damage, always read this manual and all labels on the system before inserting the lamp casing,

connecting to the wall outlet or adjusting the projector.

• To prevent injury, take note of the weight of the projector. Minimum 2 persons are needed to carry the projector.

• To prevent injury, ensure that the lens and all cover plates are correctly installed. See installation procedures.

• Warning: high intensity light beam. NEVER look into the lens ! High luminance could result in damage to the eye.

• Before attempting to remove any of the projector’s covers, you must turn off the projector and disconnect from the wall outlet.

• When performing setup work to a ceiling mounted projector, to prevent injury caused by falling objects or the system, set out

a keep out area.

• Consult a professional structural engineer prior to suspending the projector from a structure not intended for that use. Always

ensure that the working load limit of the structure can handle the load of the projector.

• Never stack more than two (2) CLM projectors in a hanging conﬁguration (truss) and never stack more than three (3) CLM

projectors in a base stand conﬁguration (table mount).

• The power input at the projector side is considered as the disconnect device. When required to switch off the projector, to

access parts inside, always disconnect the power cord at the projector side. In case the power input at the projector side is not

accessible (e.g. ceiling mount), the socket outlet supplying the projector shall be installed nearby the projector and be easily

accessible, or a readily accessible general disconnect device shall be incorporated in the ﬁxed wiring.

• Do not place this equipment on an unstable cart, stand, or table. The product may fall, causing serious damage to it and

possible injury to the user.

• When mounting the projector to the ceiling or to a rigging system, always mount security chains.

•Warning: Protection from ultraviolet radiation: Do not look directly in the light beam. The lamp contained in this product is

an intense source of light and heat. One component of the light emitted from this lamp is ultraviolet light. Potential eye and skin

hazards are present when the lamp is energized due to ultraviolet radiation. Avoid unnecessary exposure. Protect yourself and

your employees by making them aware of the hazards and how to protect themselves. Protecting the skin can be accomplished

by wearing tightly woven garments and gloves. Protecting the eyes from UV can be accomplished by wearing safety glasses

that are designed to provide UV protection. In addition to the UV, the visible light from the lamp is intense and should also be

considered when choosing protective eye wear.

•Exposure to UV radiation: Some medications are known to make individuals extra sensitive to UV radiation. The American

Conference of Governmental Industrial Hygienists (ACGIH) recommends occupational UV exposure for an-8hour day to be

less than 0.1 microwatts per square centimeters of effective UV radiation. An evaluation of the workplace is advised to assure

employees are not exposed to cumulative radiation levels exceeding these government guidelines.

6R59770021 CLM R10+ 11/10/2010

1. Safety

•Mercury Vapor Warnings: Keep the following warnings in mind when using the projector. The lamp used in the projector

contains mercury. In case of a lamp rupture, explosion there will be a mercury vapor emission. In order to minimize the potential

risk of inhaling mercury vapors:

- Ensure the projector is installed only in ventilated rooms.

- Replace the lamp module before the end of its operational life.

- Promptly ventilate the room after a lamp rupture, explosion has occurred, evacuate the room (particularly in case of a preg-

nant woman).

- Seek medical attention if unusual health conditions occur after a lamp rupture, explosion, such as headache, fatigue, short-

ness of breath, chest-tightening coughing or nausea.

•Cooling liquid circuit. The projector contains a cooling circuit ﬁlled with Blue antifreeze diluted 1,2 ethanediol (1/3 ethanediol

– 2/3 Demi water).

When the cooling circuit leaks, switch off the projector and contact a service technician.

The liquid is not for household use. Keep out of reach of children. Harmful by oral intake. Avoid exposure to pregnant women.

Avoid contact with eyes, skin and clothing. Avoid inhale of the noxious fumes.

• Never use the projector with its backside downwards. Forbidden area is +70° and -70° compared with the vertical axis.

To prevent projector damage

• If the Air Filters are not regularly replaced, the air ﬂow inside the projector could be disrupted, causing overheating. Overheating

may lead to the projector shutting down during operation.

• In order to ensure that correct airﬂow is maintained, and that the projector complies with electromagnetic compatibility (EMC)

requirements, and for safety requirements, it should always be operated with all of it’s covers in place.

• Slots and openings in the cabinet are provided for ventilation. To ensure reliable operation of the product and to protect it from

overheating, these openings must not be blocked or covered. The openings should never be blocked by placing the product

on a bed, sofa, rug, or other similar surface. This product should never be placed near or over a radiator or heat register. The

projector should not be placed in a built-in installation or enclosure unless proper ventilation is provided.

• Do not block the projector cooling fans or free air movement under and around the projector. Loose papers or other objects

may not be nearer to the projector than 40 cm (16") on any side.

• The projector must always be mounted in a manner which ensures free ﬂow of air into its air inlets and unimpeded evacuation

of the hot air exhausted from its cooling system. Heat sensitive materials should not be placed in the path of the exhausted air.

Leave at least a free safety area of 1 meter (40”) at the rear of the projector.

• Ensure that nothing can be spilled on, or dropped inside the projector. If this does happen, switch off and unplug the mains

supply immediately. Do not operate the projector again until it has been checked by qualiﬁed service technicians.

• Consult a professional structural engineer prior to suspending the ceiling mount from a structure not intended for that use.

Always ensure the working load limit of the structure supporting the projector.

• Do not use this equipment near water.

• Special care should be used when DLP projectors are used in the same room as high power laser equipment. Direct or indirect

hitting of a laser beam on to the lens can severely damage the Digital Mirror DevicesTM in which case there is a loss of warranty.

• Save the original shipping carton and packing material; they will come in handy if you ever have to ship your equipment. For

maximum protection, repack your set as it was originally packed at the factory.

• Unplug this product from the wall outlet before cleaning. Do not use liquid cleaners or aerosol cleaners. Use a damp cloth for

cleaning. Never use strong solvents, such as thinner or benzine, or abrasive cleaners, since these will damage the cabinet.

Stubborn stains may be removed with a cloth lightly dampened with mild detergent solution.

• To ensure the highest optical performance and resolution, the projection lenses are specially treated with an anti-reﬂective

coating, therefore, avoid touching the lens. To remove dust on the lens, use a soft dry cloth. Do not use a damp cloth, detergent

solution, or thinner.

• Never use the projector with its backside downwards. Forbidden area is +70° and -70° compared with the vertical axis.

• Never use the projector when not all four lamps are installed.

To prevent battery explosion

• Danger of explosion if battery is incorrectly installed.

• Replace only with the same or equivalent type recommended by the manufacturer.

• Dispose of used batteries according to the manufacturer’s instruction.

To prevent ﬁre hazard

• Warning “Risk of ﬁre”. Do not place ﬂammable or combustible materials near the projector !

This projector radiates heat on its external surfaces and from ventilation ducts during normal operation, which is both normal

and safe. Exposing ﬂammable or combustible materials into close proximity of this projector could result in the spontaneous

ignition of that material, resulting in a ﬁre. For this reason, it is absolutely necessary to leave an “exclusion zone” around all

external surfaces of the projector whereby no ﬂammable or combustible materials are present. The exclusion zone must be not

less than 40 cm (16”) for all Barco DLP projectors. The exclusion zone on the lens side must be at least 2 meter (80”).

• Do not cover the projector or the lens with any material while the projector is in operation.

• To reduce the lamp heat of the projector, switch the projector ﬁrst to standby and let the projector lamp cool down for at least 5

minutes. Then the projector may be switched off with the power switch.

• Mount the projector in a well ventilated area away from sources of ignition and out of direct sun light.

• Never expose the projector to rain or moisture.

R59770021 CLM R10+ 11/10/2010 7

1. Safety

• In the event of ﬁre, use sand, CO2, or dry powder ﬁre extinguishers; never use water on an electrical ﬁre.

• This product should never be placed near or over a radiator or heat register.

• This projector should not be placed in a built-in installation or enclosure unless proper ventilation is provided.

• Projection rooms must be well ventilated or cooled in order to avoid build up of heat.

On servicing

• Do not attempt to service this product yourself, as opening or removing covers may expose you to dangerous voltage potentials

and risk of electric shock.

• Refer all servicing to qualiﬁed service personnel.

• Fence off a restricted area of at least 3 meters around the projector using an eye-catching fence and “KEEP OUT” signs. This

to prevent unauthorized persons coming near the projector during servicing.

• Unplug this product from the wall outlet and refer servicing to qualiﬁed service technicians under the following conditions:

- When the power cord or plug is damaged or frayed.

- If liquid has been spilled into the equipment.

- If the product has been exposed to rain or water.

- If the product does not operate normally when the operating instructions are followed. Adjust only those controls that are

covered by the operating instructions since improper adjustment of the other controls may result in damage and will often

require extensive work by a qualiﬁed technician to restore the product to normal operation.

- If the product has been dropped or the cabinet has been damaged.

- If the product exhibits a distinct change in performance, indicating a need for service.

• Replacement parts: When replacement parts are required, be sure the service technician has used original Barco replacement

parts or authorized replacement parts which have the same characteristics as the Barco original part. Unauthorized substitu-

tions may result in degraded performance and reliability, ﬁre, electric shock or other hazards. Unauthorized substitutions may

void warranty.

• Safety check: Upon completion of any service or repairs to this projector, ask the service technician to perform safety checks

to determine that the product is in proper operating condition.

1.3 Recycling guidelines

WARNING:Do not break or crush lamps because this may pose health and environmental risks when mercury

vapors are released.

CAUTION:To avoid breaking the lamps, repack carefully when storing and transporting them.

CAUTION:Lamps may not be disposed as normal household trash.

Contact your local waste disposal facility for information on the recycling program for HID (High Intensity

Discharge ) lamps in your area.

Image 1-1

Disposal options for mercury-containing lamps

• Recycle through a municipal or solid waste district household hazardous waste collection program in accordance with local

regulations.

• Direct shipment to lamp recycler

• Shipment through a hazardous waste transporter

8R59770021 CLM R10+ 11/10/2010

1. Safety

1.4 Important warnings concerning CLM ﬂight cases

Important warnings concerning stacking/transporting CLM rental ﬂight cases

• Stack maximum two (2) CLM rental ﬂight cases high. Never higher.

• Surface on which ﬂight case is standing must be level to ensure that the total load is evenly spread out among the four wheels.

The surface must also be able to support the load safely.

• Before stacking or transporting ﬂight cases, check the wheels and their ﬁxation screws for wear or defects.

• Before stacking or transporting ﬂight cases, check that the four lock handles on each ﬂight case are in good working order and

locked securely.

• When stacked, make sure the wheels of the upper ﬂight case are precisely positioned in the stacking dishes of the ﬂight case

below.

•Stackedﬂight cases may not be moved. Before stacking, the lower ﬂight case must already be in its ﬁnal resting position before

placing the second upon it.

• Never stack loaded ﬂight cases in a truck or other transport medium, unless each ﬂight case is rigidly strapped tight.

• In the event of a wheel breaking, ﬂight cases must be rigidly strapped tight to prevent a stack collapsing.

• Use an appropriate forklift to raise ﬂight cases and take the necessary precautions to avoid personnel injury.

R59770021 CLM R10+ 11/10/2010 9

1. Safety

10 R59770021 CLM R10+ 11/10/2010

2. General

2. GENERAL

About this chapter

Read this chapter before installing your CLM R10+. It contains important information concerning installation requirements for the

CLM R10+, such as minimum and maximum allowed ambient temperature, humidity conditions, required safety area around the

installed projector, required power net, compatible signal sources, etc.

Furthermore, careful consideration of things such as image size, ambient light level, projector placement and type of screen to use

are critical to the optimum use of the projection system.

Overview

• Installation requirements

• Unpacking the projector

• Box content

• Projector conﬁgurations

• Projector air inlets and outlets

• Free download of Projector Toolset

2.1 Installation requirements

Ambient temperature conditions

The maximum allowed ambient temperature for an operating Barco CLM R10+ may not exceed +40 ºC (+104 ºF).

The minimum allowed ambient temperature for an operating Barco CLM R10+ may not drop below +10 ºC (+50 ºF).

The projector will not operate if the ambient air temperature falls outside this range (+10 ºC →+40 ºC or +50 ºF →+104 ºF). Be

aware that room heat rises to the ceiling. Check if the temperature near the installation site is not excessive.

The minimum storage temperature is -35 ºC (-31 ºF) and the maximum storage temperature is +65 ºC (+149 ºF).

Humidity conditions

Storage: 0 to 98% relative humidity, non-condensing.

Operation: 0 to 95% relative humidity, non-condensing.

High Altitude

For an optimal performance of the CLM at high altitude, make sure that sufﬁcient air ﬂow is available (maximum ambient temperature

30°C).

Projector weight

Do not underestimate the weight of one Barco CLM R10+, which is about ±31 kg (±68 lb.). Be sure that the table or truss installation

on which the projector(s) has to be installed is capable of handling ﬁve (5) times the complete load of the complete system.

Power requirements

One Barco CLM R10+ (order number R9050100 and R90501001) requires 100-120/200-240V 12/8A 50/60Hz.

One Barco CLM R10+ (order number R90501005) requires 100-120/200-240V 16/8A 50/60Hz.

Clean air environment

A projector must always be mounted in a manner which ensures the free ﬂow of clean air into the projectors ventilation inlets. For

installations in environments where the projector is subject to airborne contaminants such as that produced by smoke machines or

similar (these deposit a thin layer of greasy residue upon the projectors internal optics and imaging electronic surfaces, degrading

performance), then it is highly advisable and desirable to have this contamination removed prior to it reaching the projectors clean

air supply. Devices or structures to extract or shield contaminated air well away from the projector are a prerequisite, if this is not a

feasible solution then measures to relocate the projector to a clean air environment should be considered.

Only ever use the manufacturer’s recommended cleaning kit which has been speciﬁcally designed for cleaning optical parts, never

use industrial strength cleaners on the projector’s optics as these will degrade optical coatings and damage sensitive optoelectronics

components. Failure to take suitable precautions to protect the projector from the effects of persistent and prolonged air contam-

inants will culminate in extensive and irreversible ingrained optical damage. At this stage cleaning of the internal optical units will

be noneffective and impracticable. Damage of this nature is under no circumstances covered under the manufacturer’s warranty

and may deem the warranty null and void. In such a case the client shall be held solely responsible for all costs incurred during any

repair. It is the clients responsibility to ensure at all times that the projector is protected from the harmful effects of hostile airborne

particles in the environment of the projector. The manufacturer reserves the right to refuse repair if a projector has been subject to

knowingly neglect, abandon or improper use.

R59770021 CLM R10+ 11/10/2010 11

2. General

Which screen type ?

There are two major categories of screens used for projection equipment. Those used for front projected images and those for rear

projection applications.

Screens are rated by how much light they reﬂect (or transmit in the case of rear projection systems) given a determined amount

of light projected toward them. The ‘GAIN’ of a screen is the term used. Front and rear screens are both rated in terms of gain.

The gain of screens range from a white matte screen with a gain of 1 (x 1) to a brushed aluminized screen with a gain of 10 (x 10)

or more. The choice between higher and lower gain screens is largely a matter of personal preference and another consideration

called the viewing angle. In considering the type of screen to choose, determine where the viewers will be located and go for the

highest gain screen possible. A high gain screen will provide a brighter picture but reduce the viewing angle. For more information

about screens, contact your local screen supplier.

What image size? How big should the image be?

The projector is designed for projecting an image size : minimum 2 meter (6.6 ft.) to maximum 10 meter (32.8 ft.) (depending on

the ambient light conditions), with an aspect ratio of 4 to 3 .

2.2 Unpacking the projector

What has to be done ?

At delivery the projector is packed in a cardboard box upon a wooden pallet and secured with banding and fastening clips. Futher-

more, to provide protection during transport, the projector is surrounded with foam. Once the projector has arrived at the installation

site, it has to be removed from the cardboard box and wooden pallet in a safe manner without damaging the projector.

Necessary tools

Side cutter

How to unpack the projector

1. Remove the banding around the carton box, by releasing the fastening clips.

2. Cut open the box but do not insert the cutter too deep, otherwise the projector could be damaged. (image 2-1)

3. Take out the cardboard box with the accessories such as manuals, remote control and power cord.

4. Take the projector out of the cardboard box and place it on a stable table. (image 2-2)

5. Remove the foam rubber.

Image 2-1

12 R59770021 CLM R10+ 11/10/2010

2. General

Image 2-2

Save the original shipping carton and packing material, they will be necessary if you ever have to ship your

projector. For maximum protection, repack your projector as it was originally packed at the factory.

A rubber foam inside a plastic bag is placed into the lens opening of the projector. It’s recommended to reuse

this foam and plastic back each time you transport the projector. This to prevent intrusion of dust and foreign

particles.

CAUTION:Always remove the lens before transporting the projector !

2.3 Box content

Content

• One Barco CLM R10+, weight ±31 kg (±68 lb.).

• One Remote Control Unit (RCU).

• Two AA size batteries for the RCU.

• Two power cord of 2.5 meter, one CEEC19 and one NEM6C19.

• One user manual.

• One safety manual.

Initial inspection

Before shipment, the projector was inspected and found to be free of mechanical and electrical defects. As soon as the projector is

unpacked, inspect for any damage that may have occurred in transit. Save all packing material until the inspection is completed. If

damaged is found, ﬁle claim with carrier immediately. The Barco sales and service ofﬁce should be notiﬁed as soon as possible.

The packaging of the CLM R10+ is provided with a shock-watch label. If this shock-watch label was triggered

(red colored at arrival) during transport, that indicates the package was possibly roughly handled by the trans-

port company. In this case, the instructions mentioned on the label, should be followed, which are: adding a

note on the transportation document and informing the transport company and the Barco sales and service

ofﬁce as soon as possible.

Mechanical check

This check should conﬁrm that there are no broken knobs or connectors, that the cabinet and panel surfaces are free of dents and

scratches, and that the operating panel are not scratched of cracked. The Barco sales and service ofﬁce should be notiﬁed as soon

as possible.

R59770021 CLM R10+ 11/10/2010 13

2. General

2.4 Projector conﬁgurations

The different conﬁgurations

Depending on the installation the projector can be mounted in different ways, the 4 different conﬁgurations are:

1. Front / Table (F/T)

2. Front / Ceiling (F/C)

3. Rear / Table (R/T)

4. Rear / Ceiling (R/C)

For a ceiling mounted conﬁguration, the optional carry handle kit is required.

Front projection

F/C

AUDIENCE

F/T

FLOOR

SCREEN

Image 2-3

Front projection

Rear projection

AUDIENCE BACKSTAGE

R/C

R/T

FLOOR

SCREEN

Image 2-4

Rear projection

14 R59770021 CLM R10+ 11/10/2010

2. General

Positioning the projector

FLOOR

SCREENSCREEN

ACD

SCREEN

SHB

Image 2-5

On-Axis / Off-Axis projection

The position of the projector with reference to the screen may also be different depending on the installation. Basically the projector

can be positioned in On-Axis or Off-Axis conﬁguration. On-Axis conﬁguration means that the projector is positioned so as to have

the centre of the lens coinciding with the centre of the screen. Off-Axis projection is obtained by shifting the lens up, down, left or

right. Several parameters can be calculated determining the position in any installation.

Formula to calculate the distance CD for On-Axis projection: CD=SH/2+B-A

Shift range

The lens can be shifted with respect to the DMD (P) which result in a shifted image on the screen (Off-Axis). A 100% shift means that

the centre point of the projected image is shifted by half the screen size. In other words, the centre point of the projected image falls

together with the outline of the image in an On-Axis projection. Due to mechanical and optical limitations it’s recommended to keep

the shift values within the ﬁeld of view (F) as illustrated below. Within these shift ranges the projector and lens perform excellently.

Conﬁguring the projector outside these shift ranges will result in a slight decline of image quality.

R59770021 CLM R10+ 11/10/2010 15

2. General

+110%

-29%

-103% +17.5%

L R

SIDE VIEW

+110%

-29%

TOP VIEW

-103%

+17.5%

Image 2-6

Shift range

PDMD

F Field of view

It’s mechanical possible to shift outside the recommended ﬁeld of view (±100% UP/DOWN and ±70%

LEFT/RIGHT), but this will result in a slightly decline of image quality depending on the used lens and the

zoom position of the used lens. Furthermore, shifting too much in both directions will result in a blurred

image corner.

Horizontal and vertical projector tilt ranges

The projector is designed to work in a table or ceiling mounted position, but tilting is allowed. Never tilt the backside of the projector

inside the forbidden area A.

360°

140°

Image 2-7

Tilt area

16 R59770021 CLM R10+ 11/10/2010

2. General

2.5 Projector air inlets and outlets

Air inlets and outlets

Image 2-8

The CLM R10+ has 2 inlet channels and one air outlet. The air outlet is located at the rear of the projector. The air inlets are located

at the front and top of the projector.

2.6 Free download of Projector Toolset

About Projector Toolset

Projector Toolset is a software tool to set up, conﬁgure, manage and control Barco projectors.

The concept of this Projector Toolset software is modular. The basic package can be extended with several optional device plug-in

modules, now and in the future available.

The Projector Toolset software works with conﬁgurations that can be loaded. Within a conﬁguration, different snapshots can be

taken. A snapshot represents a current state of a conﬁguration and can be reloaded to return to this typical state. These terms will

be used through the complete software.

Projector Toolset is a stand-alone application that runs on a Java Virtual Machine and that does not require extra services to run.

Several conﬁgurations can be controlled simultaneously. Even when the conﬁgurations are connected via different ways.

Projector Toolset is only available in a download version, no CD can be ordered.

Where to ﬁnd the download ﬁle(s)

The program and all necessary plug-ins, as well as the Reference manual can be downloaded for free from Barco’s Partnerzone,

URLhttps:\\my.barco.com. Registration is necessary.

If you are not yet registered, click on Partnerzone registration and follow the instructions. With the created login and password, it is

possible to enter the partnerzone where you can download the Projector Toolset software and the device plug-in updates as well as

the corresponding reference manual.

When downloading the complete Projector Toolset, this software contains already the latest device plug-ins. When you already have

the latest core version of Projector Toolset, it is possible to download only device plug-in updates from the same web site location.

As Projector Toolset is a stand alone application, it is not necessary to install any other software. A Java virtual machine is included

with this download.

Installation

Download ﬁrst the reference manual (Part number: R59770052) and follow the installation instructions as written in this manual.

R59770021 CLM R10+ 11/10/2010 17

2. General

18 R59770021 CLM R10+ 11/10/2010

3. Physical installation

3. PHYSICAL INSTALLATION

About this chapter

This chapter explains how to install and set up your CLM projector. If you are familiar with the projector and want to quickly set it

up for temporary use, follow the “Quick setup” instructions below. For a more complete setup, follow the instructions and guides

covered in the remaining subsections.

Quick setup

The following steps describe brieﬂy how to setup your CLM projector in a table mount front projection. Note that each step refers to

a corresponding procedure, which is more detailed and illustrated.

1. Install the batteries of the remote control, see "RCU battery installation", page 20.

2. Place the projector on a solid table in front of the screen at the expected throw distance. Ensure that the projector is installed

at right angles (horizontally and vertically) with the screen.

3. Select and install an appropriate lens, which covers the throw ratio ( = screen size / projector screen distance). For more details

see "Lens selection", page 24, and "Lens formulas", page 25.

4. Connect the projector with the local power net, see "Power connection", page 39.

5. Connect your source to the appropriate input module, see "Input source connections", page 41.

6. Switch ON the projector, see procedure "Switching on", page 49.

7. Select the input slot at which your source is connected with. Do this by pressing the numeric key “1” or “2” on the remote control

unit or on the local keypad, see "Source selection", page 57.

8. Zoom and shift the lens until the image is properly projected on the screen, Do this by using the “ZOOM” and “FOCUS” key on

the remote control unit or on the local keypad, see"Quick Lens Adjustment via LENS key", page 52 or "Direct Lens Adjustment

(RCU)", page 53. If necessary, level the projector from side to side by turning the adjustable feet in or out, see "Alignment of a

table mounted CLM projector", page 26.

Overview

• Remote control unit (RCU)

• Lenses

• Alignment of a table mounted CLM projector

• Suspension of the CLM projector with rigging clamps

• Alignment of a ceiling mounted CLM projector

3.1 Remote control unit (RCU)

Introduction

The standard remote control unit (A) can be equipped with the optional rugged case (B) and an XLR adapter (C).

The remote control unit can be used wired via mini-jack or via optional rugged XLR. Note that the backlight of the remote control unit

illuminate continuously when used with a wire.

Image 3-1

R59770021 CLM R10+ 11/10/2010 19

3. Physical installation

Overview

• RCU battery installation

• RCU rugged case installation

• RCU XLR adaptor installation

• Using the XLR adaptor of the RCU

• RCU usage possibilities

3.1.1 RCU battery installation

Where to ﬁnd the batteries for the remote control ?

The batteries are not placed in the remote control unit to avoid control operation in its package, resulting in a shorter battery life

time. At delivery the batteries can be found in a separated bag attached to the remote control unit. Before using your remote control,

install the batteries ﬁrst.

How to install the batteries in the remote control ?

1. Push the battery cover tab with the ﬁngernail a little backwards (1) and pull, at the same time, the cover upwards (2). (image 3-2)

2. Insert the two AA size batteries, making sure the polarities match the + and - marks inside the battery compartment. (image 3-3)

3. Insert (1) the lower tab of the battery cover in the gap at the bottom of the remote control, and press (2) the cover until it clicks

in place. (image 3-4)

Image 3-2

Image 3-3

Image 3-4

To prevent battery explosion

• Danger of explosion if battery is incorrectly installed.

• Replace only with the same or equivalent type recommended by the manufacturer.

• Disposal of used batteries must be done according to the manufacturer’s instruction.

20 R59770021 CLM R10+ 11/10/2010

3. Physical installation

3.1.2 RCU rugged case installation

Only with optional rugged case kit which is part of the touring kit (R9861000).

Necessary tools

No tools.

Necessary parts

Touring kit

How to install the rugged case of the remote control ?

1. Slide the bottom of the RCU into the rugged case and then pull the top of the rugged case over the top of the RCU as illustrated.

(image 3-5)

Image 3-5

3.1.3 RCU XLR adaptor installation

Install the rugged case before installing the XLR adaptor. Vice-versa, remove the XLR adaptor before removing

the rugged case from the RCU.

Necessary tools

5mmﬂat screw driver.

Necessary parts

XLR adapter (part of the touring kit)

How to install the XLR adaptor of the remote control unit ?

1. Push the XLR adaptor (C) upon the rugged case of the remote control unit as illustrated. (image 3-6)

Note: Ensure that the text of the XLR adaptor is on top.

2. Fasten the two screws (S) of the XLR adaptor. Turn each screw repeatedly one or two turns until both screws are tight.

R59770021 CLM R10+ 11/10/2010 21

3. Physical installation

Image 3-6

Mounting the XLR adapter

3.1.4 Using the XLR adaptor of the RCU

How to use the XLR adaptor of the remote control unit ?

1. Connect a cable with XLR plug into the XLR adaptor.

2. Connect the other end of the cable with your CLM R10+.

3. Push the XLR adaptor completely against the rugged case of the remote control unit, as illustrated in the left image below, for

wired communication. Pull out the XLR adaptor (about 8 mm) to switch over to wireless communication. (image 3-7)

Image 3-7

3.1.5 RCU usage possibilities

Summarized possibilities

Ref. Possibility description Comment

a. RCU not wired

b. RCU wired (mini-jack) Backlight illuminates continuously when wire is connected. Infra red

disabled.

c. RCU with rugged case not wired

d. RCU with rugged case wired (mini-jack) Backlight illuminates continuously when wire is connected. Infra red

disabled.

e. RCU with rugged case and XLR adaptor

pulled out “REMOTE” and not wired

The XLR adaptor must be in the pulled out position “REMOTE”, otherwise

the RCU will not function.

f. RCU with rugged case and XLR adaptor

pulled out “REMOTE” and wired

The RCU will send the commands via infra red to the projector.

g. RCU with rugged case and XLR adaptor

pushed in “WIRED” and wired

The RCU will send the commands via the cable connected with the XLR

adaptor to the projector. Backlight illuminates continuously when wire

is connected. Infra red disabled.

22 R59770021 CLM R10+ 11/10/2010

3. Physical installation

abcd fge

Image 3-8

3.2 Lenses

Overview

• Available lenses

• Lens selection

• Lens formulas

3.2.1 Available lenses

Overview

First series lenses:

Image 3-9

R9849870: CLD zoom lens (1.2 - 1.6 : 1)

Image 3-10

R9861100: CLD zoom lens (1.6 - 2.4 : 1)

Image 3-11

R9849890: CLD zoom lens (2.4–4.3 : 1)

Second generation lenses :

R59770021 CLM R10+ 11/10/2010 23

3. Physical installation

Image 3-12

R9861060: CLD zoom lens (1.2–1.5 : 1)

Image 3-13

R9861070: CLD zoom lens (1.5–2.2 : 1) R9861071:

CLD zoom lens (1.5–2.2 : 1 ) HD

Image 3-14

R9861080: CLD zoom lens (2.2–4.4 : 1)

Image 3-15

R98610890: CLD zoom lens (4.4–7.0 : 1)

Lens Order number

CLD 1.2 - 1.5 R9861060

CLD 1.5 - 2.2 R9861070

CLD 2.2 - 4.4 R9861080

CLD 4.4 - 7.0 R9861090

CLD 0.85 R9849860

3.2.2 Lens selection

How to select the right lens for your application

1. Determine the required screen width (SW).

2. Determine the position of the projector in the projection room with regard to the screen and measure the projector-screen distance

(PD).

3. Use the lens formulas to ﬁnd the best corresponding PD with regard to the measured projector-screen distance for the required

screen width SW. (image 3-16)

Tip: Divide PD by SW to determine the approximate throw ratio. Choose a Lens, which captures the calculated throw ratio.

Use the lens formula of the chosen Lens to recalculate exactly.

24 R59770021 CLM R10+ 11/10/2010

3. Physical installation

SCREEN

Image 3-16

PD for lens selection

3.2.3 Lens formulas

Formulas

Lens Throw ratio for

CLM

Metric formulas (meter) Inch formulas (inch)

CLD (1.2 - 1.6 : 1) 1.2 - 1.6 PDmin=1.216 x SW - 0.05

PDmax=1.657 x SW - 0.097

PDmin=1.216 x SW - 1.97

PDmax=1.657 x SW - 3.80

CLD (1.6 - 2.4 : 1) 1.6 - 2.4 PDmin=1.60 x SW - 0.04

PDmax=2.38 x SW - 0.11

PDmin=1.60 x SW - 1.73

PDmax=2.38 x SW - 4.25

CLD (2.4–4.3 : 1) 2.4 - 4.3 PDmin=2.42 x SW - 0.09

PDmax=4.39 x SW - 0.22

PDmin=2.42 x SW - 3.74

PDmax=4.39 x SW - 8.75

CAUTION:Never transport the projector with a Lens mounted in the Lens Holder. Always remove the Lens

before transporting the projector. Neglecting this can damage the Lens Holder and Prism.

3.2.4 Lens formulas

Formulas

Lens Throw ratio for

CLM

Metric formulas (meter) Inch formulas (inch)

CLD (1.2 - 1.5 : 1) 1.25 - 1.58 PDmin=1.25 x SW - 0.13

PDmax=1.58 x SW - 0.05

PDmin=1.25 x SW - 5.12

PDmax=1.58 x SW - 1.97

CLD (1.5 - 2.2 : 1) 1.57 - 2.36 PDmin=1.57 x SW - 0.01

PDmax=2.36 x SW - 0.53

PDmin=1.57 x SW - 0.39

PDmax=2.36 x SW - 20.87

CLD (2.2 - 4.4 : 1) 2.24 - 4.45 PDmin=2.24 x SW - 0.07

PDmax=4.45 x SW - 0.13

PDmin=2.24 x SW - 2.76

PDmax=4.45 x SW - 5.12

CLD (4.4 - 7.0 : 1) 4.40 - 6.92 PDmin=4.40 x SW - 0.25

PDmax=6.92 x SW - 0.04

PDmin=4.40 x SW - 9.84

PDmax=6.92 x SW - 1.58

CAUTION:Never transport the projector with a Lens mounted in the Lens Holder. Always remove the Lens

before transporting the projector. Neglecting this can damage the Lens Holder and Prism.

R59770021 CLM R10+ 11/10/2010 25

3. Physical installation

3.3 Alignment of a table mounted CLM projector

How to align a table mounted CLM projector

1. Place the projector in the desired location. Take into account the zoom range of the used lens and the size of the screen.

2. Project one of the internal hatch patterns on the screen.

3. Turn the adjustable feet in or out until the projected hatch pattern is perfectly rectangle shaped and leveled. (image 3-17)

When this is achieved, the projector is set horizontal and vertical at right angles to the screen. (image 3-18)

Image 3-17

Level adjustment

SCREEN

Image 3-18

3.4 Suspension of the CLM projector with rigging clamps

Before the projector can be suspended, the optional carry handle must be mounted on the projector. For more

information about the optional carry handle, see "Mounting optional Carry handle", page 209.

CAUTION:Consult a professional structural engineer to ensure that the suspension system is suitable for

this task.

Rigging points and rigging clamps

The carry handle is provided with six slots. Four slots are longitudinally oriented (A) and two slots are transversely oriented (B). In

each slot, a rigging point can be inserted (this rigging point is mounted on the clamps) and the position in the slot can be adjusted

depending of the size of the truss installation. The rigging clamps turn in these rigging points and these clamps allow an easy and

fast physical setup of the projector in a hanging conﬁguration.

26 R59770021 CLM R10+ 11/10/2010

3. Physical installation

Image 3-19

Riggingslotsandclamps

Necessary tools

Open end spanner 17 mm

Necessary parts

• Four rigging clamps (R855943)

• Safety cable (B361213)

• Two snap hook locks (B361212)

Mounting the rigging points into the handle

1. Push the cup square neck bolt through the slot input and slide the bolt into the slot. (image 3-20)

Note: Take the bolt by its thread so that it does not fall inside the carry handle.

The cover plate will move down while pushing with the head but comes back to its position once the bolt is in the slot.

2. Slide a washer on the bolt and turn on a nut.

3. Measure the distance, center tube as reference, between the two used support bars of the truss. (image 3-21)

4. Slide the rigging points on there place in the slots, according the measured distance and secure this position by fastening the

nut completely. Ensure that the rigging points are symmetrically lined up, so that the projector will hang in balance. If necessary

move point B from a transversal position to a longitudinal position. (image 3-22)

Warning: Always secure the rigging points after adjustment.

5. Turn the rigging clamps on the bolts. (image 3-23)

6. Place all four rigging clamps in open position as illustrated. (image 3-24)

7. Place the projector (upside down) under the truss installation and lower the truss until the support bars of the truss are nearby

the rigging clamps on the projector. (image 3-25)

8. Lift up the projector and hook the four rigging clamps over the support bars of the truss.

9. Lock all four rigging clamps.

10.Install the safety cable. Hook one end into a provided hole. Route the cable around the truss and hook the other end into a

second hole in the carry handle. (image 3-26)

R59770021 CLM R10+ 11/10/2010 27

3. Physical installation

Image 3-20

Mount rigging points

X mm

Image 3-21

x mm

Image 3-22

Set up truss width

28 R59770021 CLM R10+ 11/10/2010

3. Physical installation

Image 3-23

Mounting rigging clamps

Image 3-24

Opening clamps

R59770021 CLM R10+ 11/10/2010 29

3. Physical installation

Image 3-25

Mounting to truss

Image 3-26

Security cable

CAUTION:Always mount the safety cable when suspending the projector.

3.5 Alignment of a ceiling mounted CLM projector

Necessary tools

Spanner 17 mm

30 R59770021 CLM R10+ 11/10/2010

3. Physical installation

How to align a ceiling mounted CLM projector

1. Install the projector in the desired location. See "Suspension of the CLM projector with rigging clamps", page 26. Take into

account the zoom range of the used lens and the size of the screen.

2. Project one of the internal hatch patterns on the screen.

3. Adjust the height of the rigging clamps with respect to the projector, until the projected hatch pattern is rectangle shaped and

leveled. Separate skew adjustment is still possible. (image 3-27)

4. Adjust the skew adjustment until the rectangle is perfectly shaped. (image 3-28)

Image 3-27

Ceiling mount alignment

Skew

Image 3-28

Skew adjustment

R59770021 CLM R10+ 11/10/2010 31

3. Physical installation

32 R59770021 CLM R10+ 11/10/2010

4. Stacking CLM projectors

4. STACKING CLM PROJECTORS

Stacking of CLM projectors is only possible with optional touring kit. See "Mounting optional Carry handle",

page 209 for more information.

Overview

• Stacking CLM projectors

• Aligning stacked CLM projectors

4.1 Stacking CLM projectors

Preparations

Install ﬁrst a carry handle on the upper projector.

Install at minimum the 3 locking points on the lower projector or install a complete carry handle kit.

How to stack CLM projectors

1. Place the projectors on top of each other. Ensure that all three interlocking pins (A) match with their corresponding interlocking

sockets (B). (image 4-1)

Tip: In case of stacking projectors for a ceiling mount conﬁguration, ﬁrst turn the projectors upside down before placing the

projectors on top of each other.

2. Attach the two projectors together by closing all three interlocking adapters as illustrated. (image 4-2)

3. Are these projectors stacked for a ceiling mounted conﬁguration?

If yes, mount a safety cable from one side of the projector around the truss installation to the other side of the projector. Repeat

this for the second projector. (image 4-3)

Image 4-1

Stacking projectors

R59770021 CLM R10+ 11/10/2010 33

4. Stacking CLM projectors

A B C D

Image 4-2

Close the interlocking

Image 4-3

Ceiling mounted stacked projectors

How to open an interlocking adapter

1. Open an interlocking adapter as illustrated. (image 4-4)

34 R59770021 CLM R10+ 11/10/2010

4. Stacking CLM projectors

Image 4-4

Open the interlocking

WARNING:Never open an interlocking adapter of a stacked projector which is still suspended. First place

the stacked projectors on the ﬂoor.

4.2 Aligning stacked CLM projectors

How to align two stacked CLM projectors

1. Make sure that the internal hatch pattern projected by the reference projector is sharp and has a perfect rectangle outline. If this

is not the case, readjust the reference projector before aligning the other stacked projector(s) with the reference hatch pattern.

Note: The reference projector in a stacked conﬁguration is the lowest projector in case of table mount and the uppermost

projector in case of ceiling mount.

2. Project with the stacked projector the same internal hatch pattern as the reference projector.

Tip: Use a white colored hatch pattern for the reference projector and e.g. green colored for the stacked projector. This

makes it easier to see the difference between both hatch patterns projected.

3. If necessary, adjust the rotation of the stacked projector with respect to the reference projector by turning in or out the height

adjustment ring of the interlocking adaptors at the front of the stacked projector. Adjust until the outline of the hatch pattern is

most symmetric with the reference hatch pattern. (image 4-5)

Tip: You can increase leverage by using a screw driver in the holes of the adjustment ring

4. If necessary, adjust the inclination of the stacked projector with respect to the reference projector by turning the height adjustment

ring of the interlocking adaptor at the rear of the stacked projector in or out. Adjust until the outline of the hatch pattern is most

symmetric with the reference hatch pattern. (image 4-6)

5. If necessary, adjust the skew of the stacked projector with respect to the reference projector by turning the screw on the right

front side. Adjust until the outline of the hatch pattern is most symmetric with the reference hatch pattern. (image 4-7)

6. Shift the hatch pattern horizontally and vertically until the outline of the hatch pattern is most symmetrically placed with respect

to the reference hatch pattern. (image 4-8)

Note: Note that the “Shift” function is motorized, which means that you have to access the projector software, via the local

keypad or remote control unit, to operate the “Shift” function.

7. Zoom the hatch pattern in or out until the outline of the hatch pattern matches exactly the outline of the reference hatch pattern.

(image 4-9)

Note: Note that the “Zoom” function is motorized, which means that you have to access the projector software, via the local

keypad or remote control unit, to operate the “Zoom” function.

R59770021 CLM R10+ 11/10/2010 35

4. Stacking CLM projectors

Rotation

Image 4-5

Rotation adjustment

Inclination

Image 4-6

Inclination adjustment

Skew

Image 4-7

Skew adjustment

Shift

Image 4-8

Shift adjustment

36 R59770021 CLM R10+ 11/10/2010

4. Stacking CLM projectors

Zoom

Image 4-9

Zoom adjustment

R59770021 CLM R10+ 11/10/2010 37

4. Stacking CLM projectors

38 R59770021 CLM R10+ 11/10/2010

5. Connections

5. CONNECTIONS

About this chapter

This chapter describes more in detail the power (P), the input source (S) and the communication (C) connections of the CLM R10+.

C S PC

Image 5-1

Overview

• Power connection

• Input source connections

• Communication connections

5.1 Power connection

CAUTION:Use only the power cord provided with the projector.

How to connect with the local power net

1. Ensure that the power switch (S) stands in the “0” (OFF) position.

2. Connect the power cord with the power input socket of the projector (P).

3. Secure the power plug by locking the plug holder clamp (H). (image 5-2)

4. Connect the male side of the power cord to the local power net.

Caution: Ensure that the power net meets the power requirements of the projector.

For order number R9050100 and R90501001 100-120/200-240V 12/8A 50/60Hz

For order number R90501005 : 100-120/200-240V 16/8A 50/60Hz

R59770021 CLM R10+ 11/10/2010 39

5. Connections

Image 5-2

Power input

WARNING:Do not attempt operation if the AC supply and cord are not within the speciﬁed voltage and power

range.

CAUTION:Once the projector is switched to standby, the lamp cooling fans will continue to run for approx-

imately ﬁve minutes to ensure that the projector and lamp have sufﬁciently cooled, at which point the fans

will automatically decrease to standby. To avoid thermal stress that can lead to premature lamp failure, never

unplug the power cord while the lamp cooling fans are running. Never unplug the power cord to power down

the projector, ﬁrst switch off the power switch and then unplug the power cord.

Fuses

The projector is protected with an automatic circuit breaker of 20 A which is built in into the power switch.

Power input voltage versus light output (for R9050100 and R90501001)

When the input power is between 170V and 264V the maximum light output with 4 lamps can be reached.

In the low input power ranges the light output will be reduced to protect the projector.

When the input power is between 100V and 140V, 75% of the light output with 3 lamps can be reached.

When the input power is between 90V and 100V the light output is reduced to 62.5% with only 3 lamps.

100

Light

output %

100

110 140 Input

voltage

max. 3 lamps on 4 lamps on

170 264

Image 5-3

40 R59770021 CLM R10+ 11/10/2010

5. Connections

Power input voltage versus light output (for R90501005)

Input power between 100V and 264V, the maximum light output with 4 lamps can be reached.

Input power between 90V and 99V, 83% of the light output with 4 lamps.

5.2 Input source connections

General

The input and communication unit is equipped with two input slots, which accept any type of input designed for the CLM projector.

The modularity of the input modules makes the CLM projector very ﬂexible regarding input source connectivity. Note that the slot

numbering is done from top to bottom. So, the uppermost slot is slot number “1”, the second is slot number “2”. All input modules

have two status LED’s. The green LED lights up if the input module is selected as the active input module. The yellow LED lights

up if the input module has detected valid input syncs.

Image 5-4

CAUTION:Always install a cover plate on an unused input slot. This to prevent dust intrusion into the pro-

jector.

Available input modules

Image 5-5

5 Cable input (Multi purpose) (R9854430).

Image 5-6

HDSDI - SDI input (R9854450).

Image 5-7

DVIinput(R9854460).

Image 5-8

HDCP DVI input (R9854465)

Image 5-9

Cover plate for unused input slot (R848607).

R59770021 CLM R10+ 11/10/2010 41

5. Connections

The CLM R10+ is standard equipped with one 5 cable input module and one DVI input module.

5.3 Communication connections

Communication interface

1 2

RS232 / 422 OUT RS232 / 422 INUSB

DIAGNOSTIC CODE IR RECEIVER

STBY / ON

OK REC

WARNING IR

10/100 ACT

10/100

BASE-T

IN OUT

DMX

REMOTE

CTRL

Image 5-10

Communication connections

A Projector status LED

B Warning LED

C IR signal acknowledged LED

D IR signal received LED

E Ethernet port

F DMX in port

G DMX out port

H USB port

I RS232/422 output port

J RS232/422 input port

K XLR input port for remote control

L IR receiver

M Two digit 7-segment display for diagnostic code

Projector status

The projector “status” LED (A) lights up green while in operation. The same LED lights up red when the projector is switched to

standby.

Besides the projector status LED (A) the communication interface has also a “warning” LED (B) which blinks in case the projector

encounters an internal problem concerning fan speed, temperature, supply voltages, ... etc. These type of problems still allows

the projector to operate (the show can go on) but an action will be required within a short time period. More information about the

involved problem is given on the local LCD display of the projector.

A two character 7-segment display (M) shows, during normal operation, the selected input slot number. If an error has occurred

then an error code appears on this two digit display.

42 R59770021 CLM R10+ 11/10/2010

5. Connections

IR communication (RC5)

An IR receiver (L) is mounted on the communication interface. Note that there is also an IR receiver mounted at the front and at the

back of the projector. When using the remote control unit (wired or wireless), the “IR REC” (D) and the “IR OK” (C) LED’s will light

up indicating an IR signal was received and recognized.

Wired remote control

If desired the remote control unit can be wired and plugged in into the male XLR port (K) on the communication interface.

XLR – Remote CTRL in

Pin Description

1GND

2RC5 in

3 XLR present sense

RS232/422 serial communication

The communication interface of the CLM R10+ supports RS232 and RS422 serial communication. You can use the RS232/RS422

input port (J) to connect a local PC to your CLM projector. This way you can conﬁgure and control your CLM projector from your

local PC.

Do not forget to set the projector’s baud rate to match that of the computer.

The communication interface has also an active RS232/RS422 loop through output port. Whenever the projector has no power, a

passive loop through is created from the RS232/RS422 input port to the RS232/RS422 output port. So, the following projector in

the daisy chain will still receive his RS232/RS422 commands.

Advantages of using RS232/RS422 serial communication:

• easy adjustment of the projector via PC (or MAC).

• allow storage of multiple projector conﬁgurations and set ups.

• wide range of control possibilities.

• address range from 0 to 255.

• sending data to the projector (update).

• copying data from the projector (backup).

RS232/422 input port RS232/422 output port

Pin Description Pin Description

1DCD : Data Carrier Detect 1— (not connected) —

2 RXD- : Receive Data 2 RXD- : Receive Data

3 TXD- : Transmitted Data 3 TXD- : Transmitted Data

4DTR : Data Terminal Ready [RS232]

TXD+ : Transmitted Data [RS422]

4DTR : Data Terminal Ready [RS232]

TXD+ : Transmitted Data [RS422]

5GND : Ground 5GND : Ground

6DSR : Data Set Ready [RS232]

RXD+ : Received Data [RS422]

6DSR : Data Set Ready [RS232]

RXD+ : Received Data [RS422]

7— (not connected) — 7— (not connected) —

8CTS : Clear To Send 8— (not connected) —

9 RI:RingIndicator 9 — (not connected) —

R59770021 CLM R10+ 11/10/2010 43

5. Connections

54321

12345

9876

6789

A B

Image 5-11

A Pin numbering male DB–9 connector.

B Pin numbering female DB-9 connector.

RS232

An Electronic Industries Association (EIA) serial digital interface standard specifying the characteristics of the commu-

nication path between two devices using either D-SUB 9 pins or D-SUB 25 pins connectors. This standard is used for

relatively short-range communications and does not specify balanced control lines. RS-232 is a serial control standard

with a set number of conductors, data rate, word length and type of connector to be used. The standard speciﬁes com-

ponent connection standards with regard to computer interface. It is also called RS-232-C, which is the third version

of the RS-232 standard, and is functionally identical to the CCITT V.24 standard. Logical ’0’ is > + 3V, Logical ’1’ is < -

3V. The range between -3V and +3V is the transition zone.

RS422

An EIA serial digital interface standard that speciﬁes the electrical characteristics of balanced (differential) voltage,

digital interface circuits. This standard is usable over longer distances than RS-232. This signal governs the asyn-

chronous transmission of computer data at speeds of up to 920,000 bits per second. It is also used as the serial port

standard for Macintosh computers. When the difference between the 2 lines is < - 0.2V that equals with a logical ’0’.

When the difference is > +0.2V that equals to a logical ’1’..

Ethernet network communication

The CLM projector can be connected to a LAN (local area network) using the Ethernet port (E) on the communication interface. Once

connected to the LAN, users are capable of accessing the projector from any location, inside or outside (if allowed) their company

network using the CLM control software: Projector Toolset. This toolset locates the projector on the network in case there is a DHCP

server or the user can insert the correct IP-address of the projector to access the projector. Once accessed, it is possible to check

and manipulate all the projector settings. Remote diagnostics, control and monitoring of the projector can then become a daily and

very simple operation. The network connectivity permits to detect potential errors and consequently improve the time to servicing.

Both Ethernet port (E) is equipped with a yellow and green a LED. The yellow LED lights up in case the port is connected with a

100Mbit network. The green LED blinks in case there is network activity.

The connector used for the Ethernet ports (E) are of rugged Neutrik EtherCon RJ45 type, which is compatible

with standard RJ45 cable connector. Straight (most common) as well as cross linked network cables can be

used.

10/100 Base-T — RJ45 port

Pin Description

1TXD+

2TXD-

3RXD+

4—

5—

6RXD-

7—

8—

USB port

The communication interface is equipped with a master USB port, type “A” connector (H). This USB port will simplify the service

procedures for software updates or for taking backup ﬁles from the projector without network connection. An USB-stick is plugged

into the USB port and ﬁles can be transferred from or to the projector using the local or remote control unit. Note that the USB-stick

has to be Linux FAT16 compatible.

DMX interface

The communication interface of the CLM R10+ supports DMX.

44 R59770021 CLM R10+ 11/10/2010

5. Connections

DMX is used as communication bus between different devices in the light technic. Each device has an input and an output, so that

the bus can be looped between the different devices. According the standard a ﬁve wire cable with XLR connector is used but mostly

3-wire cables are used.

You can use the DMX input port (G) to connect a DMX device to the CLM projector. This way you can control the CLM projector

from that DMX device. The DMX output port (G) can be connected with the next device in the loop.

Pin Description

1Earth

2Cold

3Hot

4 Return - (or not used)

5Return + (or not used)

DMX

DMX-512 Lighting protocol over RS-485 interface. Carries information of 512 channels from a lighting controller to

lighting devices. Standardized by USITT.

R59770021 CLM R10+ 11/10/2010 45

5. Connections

46 R59770021 CLM R10+ 11/10/2010

6. Getting started

6. GETTING STARTED

About this chapter

This chapter describes the functions on the remote control and local keypad and gives an overview how to start up the projector. It

gives also a brief overview of the direct adjustment possible with these controls.

Overview

• RCU & Local keypad

• Terminology overview

• Operating the projector

• Using the RCU

• Quick setup adjustments

• Use of the AUTO button

• Projector Address

• Source selection

• Controlling the Projector

6.1 RCU & Local keypad

How controlling the projector ?

The projector can be controlled by the local keypad or by the remote control unit.

Location of the local keypad ?

The local keypad is located on the input side of the projector.

Remote control functions.

This remote control includes a battery powered infrared (IR) transmitter that allows the user to control the projector remotely. This

remote control is used for source selection, control, adaptation and set up.

Other functions of the remote control are :

• switching between stand by and operational mode.

• switching to "pause" (blanked picture, full power for immediate restarting)

• direct access to all connected sources.

6.2 Terminology overview

Overview

The following table gives an overview of the different functionality of the keys.

R59770021 CLM R10+ 11/10/2010 47

6. Getting started

EXIT

ENTER

PAUSE

TEXT

PHASE

TINT

COLOR

BRIGHTN

CONTR

LENS

ZOOM

LENS

SHIFT

LENS

FOCUS

122

SHARPN

LENS

SHIFT

890

EXIT

ENTER

RGB

STBY PAUSE

TEXT

PATTERN

WINDOW

PIP

LENS

RIGGING

AUTO

310 10 19

920166

Image 6-1

Local keypad & remote control

Ind. Key name Description

1 Pattern key Direct access key to the internal pattern selection menu.

2RGB Toggle key to enable and disable colors in the adjustment mode. Toggle between red,

green, blue and full RGB.

3 MENU Access key to the menu structure and key to quickly quit the adjustment menus.

4 Address key (recessed key), to enter the address of the projector (between 0 and 9) in the remote

control. Press the recessed address key with a pencil, followed by pressing one digit

button between 0 and 9.

5LENS Direct access key to the lens adjustment menus. Toggling this key will change the

projected pattern.

6 PAUSE To stop projection for a short time, press ’PAUSE’. The image disappears but full power

is retained for immediate restarting. Shutter is closed.

7STBY Standby function switch off the lamp and lamp electronics. The lamp cooling fans remain

active for about 5 minutes. The speed of the other fans is reduced.

8 Rigging Direct access key to layout selection. Rigging key + sequence number opens directly

the desired layout.

9Auto User programmable key to get different functions from auto image, auto

contrast/brightness to auto align. This key can open an Auto image menu so that the

user has access to these different functions.

10 Digit buttons Direct input selection or numeric entries

11 Lens zoom/focus Zoom and focus controls of the lens

12 Lens shift Shift control of the lens, to shift the lens up/down or left/right

13 Picture controls Use these buttons to obtain the desired picture level.

48 R59770021 CLM R10+ 11/10/2010

6. Getting started

Ind. Key name Description

14 PHASE Used to remove the horizontal instability of the image (usually for RGB source). It adjusts

the phase of the pixel sampling clock relative to the incoming signal.

15 FREEZ To freeze the actual projected image. Freeze sign is displayed in the upper left corner (a

short press on the key).

When pressing for 5 sec, the projector goes into stand-by. The lamp cooling fans remain

active for about 5 minutes. The speed of the other fans is reduced.

16 TEXT Toggle key to activate or deactivate on screen text boxes while adjusting a setting.

When adjusting one of the image controls, e.g.during a meeting, the normally displayed

bar scale can be deactivated by pressing ’TEXT’ key ﬁrst. To re-display the bar scale

on the screen, press ’TEXT’ key again. When TEXT is ’off’, no adjustment menu’s

will be displayed on the screen when entering the adjustment mode. All menus and

adjustments remain active on the local LCD panel.

17 ENTER Key to conﬁrm an adjustment or selection in the adjustment mode.

18 Cursor keys To make menu selections when in the adjustment mode

19 EXIT Key to go one menu stage higher than the actual position when in the adjustment mode.

20 WINDOW Selection of the active window, also in PIP mode.

21 PIP Direct access key for picture in picture selection.

22 RC Operating indication Lights up when a button on the remote control is pressed. (This is a visual indicator to

check the operation of the remote control)

Table 6- 1

6.3 Operating the projector

Overview

• Switching on

• Errors, warnings and messages during start up

• Switching to standby

• Switching off

All four lamps must be physically installed before operating the projector.

6.3.1 Switching on

Howtoswitchon.

1. Press the power switch to switch on the projector. (image 6-2)

- When ’0’ is visible, the projector is switched off.

- When ’1’ is visible, the projector is switched on.

The projector starts up in standby. The menus are accessible via the local LCD panel.

To display an image, the standby key must be pressed once.

Image 6-2

Power switch

R59770021 CLM R10+ 11/10/2010 49

6. Getting started

Starting image projection via the standby key.

1. Press Stand by key once on the local keypad or on the remote control. (image 6-3)

The projector status LED lights up.

The projector starts up on the last saved source.

Some lamp and runtime warnings can be displayed when an image is displayed after a start up.

MENU EXIT

ENTER

PAUSE TEXT

PHASE

TINT

COLOR

BRIGHTN

CONTR

LENS

ZOOM

LENS

SHIFT

LENS

FOCUS

SHARPN

LENS

SHIFT

12345

67890

MENU EXIT

ENTER

RGB

STBY PAUSE TEXT

PATTERN WINDOW PIP LENS

RIGGING

AUTO

Image 6-3

Stand by indication

A Stand by indication on local keypad

B Stand by indication on remote control

6.3.2 Errors, warnings and messages during start up

Temperature error DMD

When the temperature of the DMD is too low or too high, the projector produces an error message.

When the DMD temperature is too low:

• Lower than 0°C, warning is displayed on the LCD panel and yellow warning LED is on. Both remains until the temperature is

above 10°C.

• Between 0°C and 10°C, projector starts up normally with a warning on the LCD panel and the yellow warning LED lights up,

but only for 10 minutes. When the temperature is then not above 10°C the projector goes in standby.

When the DMD temperature is too high:

• When temperature is between 60°C and 65°C, the lamp mode will be reduced from 4 lamps to 2 lamps or 1 lamp.

• When temperature is higher than 65°C, the projector switches to standby.

For a list of possible error codes, see "Error codes", page 203.

6.3.3 Switching to standby

How to switch to standby?

1. Press Standby to switch the projector to standby.

A cool-down counter (after cooling) starts counting down for 5 minutes (only visible on the local LCD panel). During this period

the fans are still running.

A restart is possible during this period.

50 R59770021 CLM R10+ 11/10/2010

6. Getting started

Switching to Standby. When the projector is running and you want to go to standby, press the standby key

for 2 seconds. Do not press any longer on the standby key otherwise the projector will restart.

All custom settings are written to the internal backup device. A message ’Save data ...’ indicates this process.

Never switch off the projector while this message is displayed.

When pressing for at least 5 seconds on the Freeze button, the projector goes to standby without the risk of

restart..

6.3.4 Switching off

How to switch off the projector?

1. Press ﬁrst Standby.

2. Let cool down the projector until the fans decrease, at least 5 min.

3. Switch off the projector with the power switch.

CAUTION:Never switch off the projector while the message ’Save data ... ’ is displayed !

6.4 Using the RCU

Pointing to the reﬂective screen

1. Point the front of the RCU to the reﬂective screen surface. (image 6-4)

JEX

IR Sensor (C)

Screen (B)

Remote Control (A)

Image 6-4

IR control via the reﬂective screen

Hardwired to the XLR input

1. Plug one end of the remote cable in the connector on the bottom of the RCU

2. Plug the other end in the big connector in the input panel of the projector labelled Remote CTRL in.

Directly to one of the IR sensors

When using the wireless remote control, make sure you are within the effective operating distance (30m, 100ft in a straight line). The

remote control unit will not function properly if strong light strikes the sensor window or if there are obstacles between the remote

control unit and the projector IR sensor.

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6. Getting started

JEX

F1F2F3F4F5

DJEX

PHASE

SHARPN

LEBA

SSVO

45° 45°

JEX

EPH

LEBA

45° 45°

Image 6-5

RCU to one of the IR sensors

6.5 Quick setup adjustments

Overview

• Text boxes ON or OFF

• Quick Lens Adjustment

• Quick picture in picture

• Quick layout selection with Rigging key

• Quick language selection

6.5.1 Text boxes ON or OFF

Text toggle function

The on-screen text boxes can be switched OFF so that an adjustment during the operation of the projector are not visible on the

screen. The adjustment indication remains visible on the local LCD screen.

To toggle Text ON or OFF, press the TEXT key on the remote control or local keypad.

6.5.2 Quick Lens Adjustment

6.5.2.1 Quick Lens Adjustment via LENS key

Quick zoom/focus adjustment

1. Press the LENS key on the remote control or local keypad.

The zoom/focus menu will be displayed. (image 6-6)

2. Push the cursor key ▲or ▼to zoom and ◄or ►to focus the image.

3. When ﬁnished, press EXIT key to return or ENTER to continue to the shift adjustment.

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6. Getting started

Image 6-6

Press the LENS key to switch to another pattern. Different patterns are available.

Quick shift adjustment

1. Press the LENS key on the remote control or local keypad.

The zoom/focus menu will be displayed. (image 6-7)

2. Press ENTER.

The shift menu will be displayed. (image 6-8)

3. Push the cursor key ▲or ▼to shift the image up or down and ◄or ►to shift the image left or right.

4. When ﬁnished, press EXIT key to return or ENTER to continue to zoom/focus.

Image 6-7 Image 6-8

Press the LENS key to switch to another pattern. Different patterns are available.

6.5.2.2 Direct Lens Adjustment (RCU)

Lens adjustment buttons on the Remote Control

On the Remote Control four buttons with double action are provided, allowing direct alignment for lens ZOOM, FOCUS, HORIZON-

TALSHIFTandVERTICALSHIFT.

1. Press LENS ZOOM button [-] or [+] (A) for correct image size on the screen. (image 6-9)

2. Press LENS FOCUS button [-] or [+] (C) for an overall focus of the image.

3. Press ▲LENS SHIFT ▼button for correct vertical position of the image on the screen.

4. Press ◄LENS SHIFT ►button for correct horizontal position of the image on the screen.

CONTR

LENS

ZOOM

LENS

SHIFT

LENS

FOCUS

LENS

SHIFT

Image 6-9

Direct lens adjustment keys

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6. Getting started

AZoom

B Vertical shift

CFocus

D Horizontal shift

6.5.3 Quick picture in picture

Quick On - Off

Press on the PIP key on the remote control or the local keypad to activate the Load layout window.

Use the ▲▼key to scroll to the desired layout and press ENTER to activate.

Select Main full screen to switch off PIP.

Image 6-10

6.5.4 Quick layout selection with Rigging key

What can be done ?

When the projector is playing, changing from one layout to another is possible without displaying any on screen selection menu.

The current image is not disturbed as long no selection is made. Press the Rigging key followed by one or two digits to jump to a

new layout.

When Rigging is pressed, an overview of the possible layouts with a sequence number is given on the local LCD panel. That

sequence number is the number that should be pressed after Rigging is pressed to change the layout to the new selection.

How to make a selection

1. Press Rigging followed by one or two digits and wait.

Note: If you press only one digit, the projector wait a few time to check if a second digit will follow. If not, it switches to the

selected layout.

The selected layout is loaded.

Or,

press Rigging.

The layout selection menu is displayed on the local LCD panel. (image 6-11)

2. Enter the digit or the two digits of your choice.

The selected layout is loaded.

Or,

scroll with the arrow keys to the desired layout and press ENTER.

The selected layout is loaded.

Image 6-11

54 R59770021 CLM R10+ 11/10/2010

6. Getting started

When no digit is pressed after Rigging is pressed, the layout selection menu disappears after a few seconds

without a layout change.

6.5.5 Quick language selection

Language selection

1. Press Menu to activate the menus and select with the ▲or ▼key Projector Control and press ENTER.

2. Select with the ▲or ▼key Language and press ENTER.

The language menu opens.

3. Select with the ▲or ▼key the desired language and press ENTER to activate.

The current active language is indicated with an asterisk (*). (image 6-12, image 6-13, image 6-14)

Image 6-12 Image 6-13

Image 6-14

6.6 Use of the AUTO button

What is possible?

The AUTO button can be conﬁgured as an auto align of the projected source or as an auto image button which calls a choice menu.

Within this choice menu, the user can execute an auto align of the image, an auto contrast/brightness and an auto phase.

To use this button, just press Auto on the remote control or the local key path.

When the button is conﬁgured as align only, the projected image will be aligned.

When the button is conﬁgured as auto image, the auto image menu will be displayed.

Image 6-15

Use the ▲or ▼key to select the desired function and press ENTER to activate.

6.7 Projector Address

6.7.1 Displaying and Programming addresses

Displaying the Projector Address on the Screen.

1. Press Address key (recessed key on the RCU) with a pencil.

The projector’s address is displayed as ﬁrst item in the Identiﬁcation screen. (image 6-16)

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6. Getting started

Image 6-16

To continue using the RCU with that speciﬁc address, it is necessary to enter the same address with the

digit buttons (address between 0 and 9) within 5 seconds after pushing the address key. For example : if the

Address key displays projector address 003, then press "3" digit button on the RCU to set the RCU’s address

to match the projector’s address. Do not press 003 digits. This will address the remote control to ’0’ and

control all projectors in the room. If the address is not entered within 5 seconds, the RCU returns to its default

address (zero address) and control all projectors in the room.

How to Program an Address into the RCU?

1. Press the Address key (recessed key on the RCU) with a pencil.

2. Enter the address with the digit buttons within 5 seconds after pushing the address key.

Note: That address can be any digit between 0 and 9.

The LED on the remote control must lit up while pressing a digit key. Otherwise the address is not entered in

the remote control.

6.7.2 Controlling the projector

Projector address

Address installed in the projector to be individually controlled.

Common address

Projector will always execute the command coming from a RCU programmed with that common address.

Why a projector address ?

As more than one projector can be installed in a room, each projector should be separately addressable with an RCU or computer.

Therefore each projector has its own address.

Set up an individual Projector Address.

The set up of a projector address can be done via the software. See chapter ’Projector Control’, ’Projector address’.

Projector controlling.

Every projector requires an individual address between 0 and 255 which can be set in the Service mode.

When the address is set, the projector can be controlled now:

• RCU for addresses between 0 and 9.

• computer, e.g. IBM PC (or compatible), Apple MAC, etc. for addresses between 0 and 255.

Common Address

Every projector has a common address ’0’ or ’1’. The choice between ’0’ and ’1’ can be selected in Projector Control →Projector

address →Common address.

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6. Getting started

6.8 Source selection

Source selection when no picture in picture is active

Use the digit keys on the remote control or local keypad to active the desired source.

Source selection when picture in picture is active

Use the Window button on the remote control or the local keypad to select the main window or the picture in picture (PiP) window.

MENU EXIT

ENTER

PAUSE TEXT

PHASE

LENS

12345

67890

MENU EXIT

ENTER

RGB

STBY PAUSE TEXT

PATTERN WINDO W PIP LENS

RIGGING

AUTO

Image 6-17

Window selection button

The outline of the selected window gets a colored rectangle to indicate the selection. For the main window, the color is blue. For the

picture in picture window, the color is orange.

Once the desired window is activated (main window or picture in picture window) all keys on the remote control or local keypad can

now control that selected window.

To select the source for the picture in picture window, press Window button until PiP window is activated and then select the desired

source with the digit keys.

To select the source for the main window, press Window button until the main window is activated and then select the desired source

with the digit keys.

6.9 Controlling the Projector

Picture Controls

When an image control is pressed, a text box with a bar scale, icon and function name of the control, e.g. ’brightness...’ appears on

the screen (only if text is ON). See example screen. The length of the bar scale and the value of the numeric indication indicate the

current memorized setting for this source. The bar scale changes as the control buttons on the RCU are pressed.

Brightness A correct ’brightness’ setting is important for good image reproduction.

Use the + button for a higher brightness.

Use the - button for a lower brightness.

Contrast A correct ’contrast’ setting is important for good image reproduction. Adjust the contrast to the level

you prefer, according to room lighting conditions.

Use the + button for a higher contrast.

Use the - button for lower contrast.

Color Color saturation is only active for all type of video sources, such as Video, S-Video, SDI, HDSDI.

Adjust the color intensity of the picture.

Use the + button for richer colors.

Use the - button for lighter colors.

Tint Tint is only active for Video and S-Video when using the NTSC 4.43 or NTSC 3.58 system.

Use the + button for more tint

Use the - button for less tint.

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6. Getting started

Sharpness The sharpness function is used to adjust the image sharpness of video signals.

Use the + button for more sharpness

Use the - button for less sharpness

Phase Use the + or - side of the phase control button to adjust the phase.

The Pause Key

When the Pause key is pressed, the image projection is stopped, a black screen will be displayed and the projector remains with full

power for immediate restart. The 7-segment display on the projector will show a "P". The shutter is closed.

To restart the image, press one of the following keys:

•PressPause key.

• Select a source number.

The Stand-by Key

When the Stand-by key is pressed, the image projection is stopped and the projector goes to stand-by. This situationisusedwhen

a projection stop is planned for a longer period. All custom settings are saved to an internal backup device. A message ’Save data

...’ is displayed during this backup operation.

The Freeze key

When pressing for 5 seconds on the Freeze button, the projector goes to stand-by. This function is very useful when multiple projec-

tors have to be switched to stand-by. Set the RCU address to the common address and press Freeze for 5 seconds. All projectors

go to stand-by without the risk of restart.

When pressing shortly on Freeze, the current image is frozen.

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7. Start up of the Adjustment mode

7. START UP OF THE ADJUSTMENT MODE

Overview

• About the adjustment mode

• About the use of the remote control and the local keypad

• Start up the adjustment mode

• Navigation and adjustments

• On screen menus versus LCD display menus

• Test patterns in adjustment mode

• Menu memory

7.1 About the adjustment mode

Overview

As the adjustment mode is the central place to control and align the projector, the following functions can be done:

• Input setup: the different inputs can be conﬁgured for a speciﬁc format or input source.

• Image adjustment: these adjustments are organized per image source and contain the aspect ratio, timings and image settings.

• Layout adjustment: set up of the main window and the picture in picture window.

• Lamp: manage the lamp mode, the lamp use, lamp type and history

• Alignment: groups all controls necessary during the setup of the projector onto a screen.

• Projector control: contains the accessibility settings of the projector, such as address and communication setup.

• Service: contains information about how the projector is performing. This information will be useful when calling for a service

intervention.

7.2 About the use of the remote control and the local keypad

Overview

All navigations and adjustments can be done either with the remote control or with the local keypad.

Almost all the keys on the remote control have an equivalent on the local keypad.

Exceptions:

•▲on the remote control corresponds with the up + key on the local keypad.

•▼on the remote control corresponds with the down - key on the local keypad.

•◄on the remote control corresponds with the left - key on the local keypad

•►on the remote control corresponds with the right + key on the local keypad

7.3 Start up the adjustment mode

Start up tools

To start up the adjustment mode, use the remote control or the local keypad.

How to start up?

1. Press Menu on the remote control (RCU) or on the local keypad to start up the Adjustment mode.

The main menu of the adjustment mode opens. (image 7-1)

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7. Start up of the Adjustment mode

Image 7-1

7.4 Navigation and adjustments

How to navigate in the menu structure?

Once in the menu structure, use the ▲or ▼keys on the remote control (or the ▲or ▼(+ or -) key on the local keypad) to scroll

through the items in the displayed menu. The selected item will get a background color. To activate a selected submenu or function,

press ENTER.

When on a submenu, to return one step to the parent menu, press EXIT.

To escape the menu structure when on a menu, press MENU.

How to make an adjustment?

With the remote control, press the ▲or ▼keys until the desired value (setup) is reached. Press EXIT to ﬁnalize the adjustment.

With the local keypad, press the ▲or ▼(+ or -) keys until the desired value (setup) is reached. Press EXIT to ﬁnalize the adjustment.

All adjustments will be indicated with an on-screen box with the name of the adjustment in the title bar, the length of the progress

bar indicates the actual value. The value at the start and at the end of the progress bar indicates the adjustment ranges.

Image 7-2

While a bar scale is displayed, it is also possible to enter the desired value directly with the digit keys. Therefore, press ENTER.

The menu changes to a Enter new value menu with the current value ﬁlled out. The ﬁrst digit is selected.

Image 7-3

Use the ◄or ►key to jump to the next digit or enter a new value for the selected digit with the digit keys and then the selection will

jump also to the next digit. Repeat this action for all other digits and press ENTER to ﬁnalize the input.

If applicable in direct input, toggle between + and - with the left arrow key (◄).

7.5 On screen menus versus LCD display menus

Overview

As the projector is equipped with an 8 lines LCD panel, the on-screen menus are also displayed on that LCD panel in the same

structure as the on screen menus. These menus can be used in the same way as the on-screen menus.

The menus on the LCD panel are still reachable even when the projector lamp is not activated and when Text is in the off mode.

When quitting the menu structure, the backlighting of the LCD panel is switched off after a few seconds.

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7. Start up of the Adjustment mode

7.6 Test patterns in adjustment mode

Overview

When the adjustment mode is started, a test pattern can be called at any moment just by pressing the Pattern key on the RCU or the

local key path. Press as many times on the Pattern key as necessary to display the desired test pattern. The test pattern remains

on the screen as long as the adjustment mode is selected, even when selecting other menus. When leaving the adjustment mode,

the selected test pattern is cleared and the normal image is displayed again.

7.7 Menu memory

Overview

Each menu with sub menus, remembers its last selected sub item even when leaving the menu structure and that as long as the

projector is running. When restarting the projector from stand-by, the menu memory is reset.

After re-opening the main menu and selecting an item, the previous selected sub item of that selected item is highlighted and can

be opened just by pressing ENTER.

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7. Start up of the Adjustment mode

62 R59770021 CLM R10+ 11/10/2010

8. Input menu

8. INPUT MENU

Overview

•Overviewﬂow

• Slot module type

• Input locking

• Minimum delay

• Native resolution

• Source switching

• No signal

8.1 Overview ﬂow

Overview

Level 1 Level 2 Level 3

Input

Slot module type 5-cable

HD-SDI - SDI

DVI

DVI HDCP

Input locking Freerun

Automatic

Input 1 to 2

Minimum delay [On/Off]

Native resolution [On/Off]

Source switching Effect

Transition time

No signal Color [black/blue]

Shutdown [Off/On]

Shutdown time

8.2 Slot module type

Overview

• About Input Setup

• Input conﬁguration

8.2.1 About Input Setup

Overview

Each input module must be conﬁgured before these module can be used. This conﬁguration is necessary so that the projector knows

which type of signal is connected to its input.

The projector has 2 input slots and these slots can be ﬁlled up in a random order with the available modules. Identical modules are

allowed.

For more information about the available input modules and how to install, see "Input source connections", page 41.

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8. Input menu

CAUTION:Always install a cover plate on an unused input slot. This to prevent dust intrusion into the pro-

jector.

8.2.2 Input conﬁguration

How to change?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Input and press ENTER.

The Input menu is displayed.

3. Use the ▲or ▼key to select Slot module type and press ENTER.

The slot overview window is displayed with the actual situation ﬁlled out.

4. Use the ▲or ▼key to select a slot.

Press ENTER to open the Slot module type conﬁguration window. This window is different for each module type.

5. Use the ▲or ▼key to select desired mode for the selected slot. (image 8-1, image 8-2, image 8-3, image 8-4)

Image 8-1

Image 8-2

Image 8-3

Image 8-4

Possible results.

Input

module

Indication Description

RGB AUTO RGB input. Projector searches for the sync signal and projects the correct image.

YUV AUTO YUV input. Projector searches for the sync signal and projects the correct image.

CVS/S-VIDEO AUTO Video or S-Video input. Projector detects automatically which type of video is

connected to the inputs.

RGB HS/VS - CS RGB input with separate horizontal and vertical sync or separate composite sync.

RGB CV RGB input with composite video as sync signal

5 cable

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8. Input menu

Input

module

Indication Description

RGB SOG RGB input with sync on green

YUV HS/VS - CS Component video with separate horizontal and vertical sync or separate composite

sync.

YUV CV Component video with composite video as sync signal

YUV SOY Component video with sync on Y

CVBS Composite video

S-Video Super video

INP 1 PRIORITY When signal on both inputs, input 1 has the priority.

INP 2 PRIORITY When signal on both inputs, input 2 has the priority.

INP1 Input 1 selected

HD-SDI -

SDI

INP2 Input 2 selected

DVI HDCP DVI HDCP High deﬁnition content protected DVI input

DVI equalization

When a standard DVI module is selected, press ENTER to go in edit mode. Use ◄or ►to key to change the equalization value.

Default value = 13.

For non DVI-compliant transmitter, stronger equalization may be necessary even for shorter cables.

For longer cables adjust between 0 and 13 (more equalization).

For shorter cables adjust between 13 and 15 (least equalization).

Advanced settings for 5 cable input

For RGB with separate sync or YUV with separate sync the sync level can be toggled between Analog or Digital.

Use the ▲or ▼key to select Advanced settings.The5 cable advanced box opens.

Press ENTER to toggle between Analog or Digital.

Image 8-5

8.3 Input locking

What is possible?

The output signal can be locked on an internal sync signal or on the sync signal of one of the input sources. Input locking can avoid

that some windows in the output signal are slowly moving or trembling.

When automatic is selected, the lock will be set on the input signal of the main window.

How to set up?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Input and press ENTER.

The Input menu is displayed.

3. Use the ▲or ▼key to select Input locking and press ENTER.

The input locking window is displayed. The actual selected locking method is indicated by an arrow.

4. Use the ▲or ▼key to select the desired locking and press ENTER. (image 8-6, image 8-7, image 8-8)

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8. Input menu

When:

Free run Output is locked on an internal sync (60 Hz)

Automatic Output is locked on the selected input for the main window

Input 1 Output is locked on source 1

Input 2 Output is locked on source 2

The options menu changes depending on the selection.

Image 8-6

Image 8-7

Image 8-8

When Input locking is set to Automatic or on a speciﬁc input and there is no sync signal available, the locking

will be switched to Free run without changing the user settings. Once the sync is available, it applies again

the user settings.

Options for Free run

When Free run is selected (arrow in front of it) and then the Options are selected, the following menu appears:

Image 8-9

Use the ▲or ▼key to select Manual lock and press ENTER to toggle between On and Off.

Manual lock on : locking is done on the indicated vertical frequency which can be changed by the user.

Manual lock off : locking is done on an internal sync (60 Hz).

To change the locking frequency for manual lock on, use the ▲or ▼key to select Vert freq and press ENTER to activate. The ﬁrst

digit is selected.

Use the ▲or ▼key to select the desired digit and press ◄or ►key to select the next digit in the address or enter the value with

the digit keys on the remote control or local keypad. The next digit in the value will be automatically selected.

Options for Automatic or speciﬁc input

When Automatic or speciﬁc input is selected (arrow in front of it) and then the Options are selected, the following menu appears:

Image 8-10

Use the ▲or ▼key to select Genlock and press ENTER to toggle between On and Off.

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8. Input menu

Genlock off (default position) locking done on input source of main window, when automatic was selected or on the

selected input source when a speciﬁc input was selected. Projector detects automatically the vertical

frequency and clock frequency of the input signal. A slightly difference with the source is possible.

Genlock on locking done on indicated vertical frequency and clock frequency. This vertical frequency and clock frequency

must be exactly the same as those of the source.

Only use genlock ON for very stable sources and preferable for broadcast sources.

For Genlock on,

to change the locking frequency, use the ▲or ▼key to select Vert freq and press ENTER to activate. The ﬁrst digit is selected.

Use the ▲or ▼key to select the desired digit and press ◄or ►key to select the next digit in the address or enter the value with

the digit keys on the remote control or local keypad. The next digit in the value will be automatically selected.

to change the clock frequency, use the ▲or ▼key to select Clock freq and press ENTER to activate. The ﬁrst digit is selected.

Use the ▲or ▼key to select the desired digit and press ◄or ►key to select the next digit in the address or enter the value with

the digit keys on the remote control or local keypad. The next digit in the value will be automatically selected.

For older custom ﬁles, created with software packages older than package 1.5.6, the Genlock function will

be grayed out. If you want to use this genlock function, a new custom ﬁle must be created starting from the

standard ﬁle. Copying the custom ﬁle in a new ﬁle do not solve this issue.

8.4 Minimum delay

Purpose

In normal mode, the processing (scaling and de-interlacing) in DLP projectors introduces a few frames delay (from input to screen).

Setting the option Minimum Delay to "ON" disables all scaling and de-interlacing in the processing and reduces frame delay of the

projector (from input to screen) to ONE frame, caused by the formatter board (DLP technology restriction). The intended use of this

option is to apply native and progressive data to the projector and displaying it with minimum delay, using the full resolution of the

projector. Other formats will be displayed either unscaled and/or interlaced.

This feature can be used if additional delay in the projector is not acceptable. For instance if a projector is showing the DVI loop out

of another DLP or if an external scaler/de-interlacer does the processing.

How to toggle the delay?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Input and press ENTER.

The Input menu is displayed.

3. Use the ▲or ▼key to select Minimum delay and press ENTER to toggle between [On] and [Off]. (image 8-11, image 8-12)

Image 8-11

Image 8-12

8.5 Native resolution

What can be done

The aim here is to always show the resolution of the source independently of the resolution of the DMD panels.

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8. Input menu

Image 8-13

When the show native resolution function is in the ON position, the projector handles the source as follows:

Source Projected image

Name Ratio Resolution Ratio Resolution

XGA 4:3 1024x768 4:3 1024x768 image projected with black

borders

SXGA 5:4 1280x1024 5:4 1280x1024 image projected with black

borders

SXGA+ 4:3 1400x1050 4:3 1400x1050 normal image projected

UXGA 4:3 1600x1200 4:3 1600x1200 part of the image displayed,

image scroll possible

How to toggle to native resolution?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Input and press ENTER.

The Input menu is displayed.

3. Use the ▲or ▼key to select Native resolution and press ENTER to toggle between [On] and [Off].

[On] : images displayed in native resolution

[Off] : images scaled to ﬁll the complete screen (image 8-14, image 8-15)

Image 8-14

Image 8-15

When native resolution is on, some other menus such as Aspect ratio,timings are greyed out.

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8. Input menu

8.6 Source switching

Switching from one source to another

To minimize undesired effects when switching from one source to another one can use the switching mode, using the fade effect.

Image 8-16

Example of fade effect

Switching mode set up

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Input and press ENTER.

The Input menu is displayed.

3. Use the ▲or ▼key to select Source switching and press ENTER.

The Source switching menu is displayed.

4. Use the ▲or ▼key to select Effect and press ENTER to toggle between No transition and Fade.

No transition No source switching effect is activated.

Fade Fade in, fade out effect is activated. Transition time can be set up.

5. Use the ▲or ▼key to select Effect time and press ENTER.

6. Enter the desired time with the digit keys

Or,

use the ▲or ▼key to scroll until the desired time is reached. Press ENTER to activate. (image 8-17, image 8-18, image 8-19)

Image 8-17

Image 8-18

Image 8-19

8.7 No signal

Overview

• Background color

• Shutdown setting

• Shutdown retarding time

Whatcanhappenwhennosignal

When no signal available, a blue or black background color can be displayed or the projector can be shutdown with a certain retarding

time.

8.7.1 Background color

How to change the color

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Input and press ENTER.

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8. Input menu

The Input menu is displayed.

3. Use the ▲or ▼key to select No signal and press ENTER to toggle between [Black] and [Blue]. (image 8-20, image 8-21,

image 8-22)

Image 8-20

Image 8-21

Image 8-22

8.7.2 Shutdown setting

How to change the shutdown setting

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Input and press ENTER.

The Input menu is displayed.

3. Use the ▲or ▼key to select Shutdown and press ENTER to toggle between [On] and [Off]. (image 8-23, image 8-24, im-

age 8-25)

Image 8-23

Image 8-24

Image 8-25

8.7.3 Shutdown retarding time

Only accessible when Shutdown is set to [On].

How to set the retarding time?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Input and press ENTER.

The Input menu is displayed.

3. Use the ▲or ▼key to select Shutdown time and press ENTER.

4. Use the ▲or ▼key to change the value.

Or,

enter the desired value with the keyboard.

When trying to exceed the maximum allowed value, the system will set it back to the maximum value. (image 8-26, image 8-27,

image 8-28)

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8. Input menu

Image 8-26

Image 8-27

Image 8-28

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8. Input menu

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9. Image menu

9. IMAGE MENU

Overview

•Overviewﬂow

• How to select the image adjustments?

• Image Settings

• Aspect ratio

•Timings

• Image ﬁles services

• Save custom settings

9.1 Overview ﬂow

Overview

Level 1 Level 2 Level 3 Level 4

Image

Image settings

Contrast

Brightness

Saturation

Tint

Phase

Sharpness

Noise reduction

Color temperature

Projector white

Computer 9300K

Video 6500K

Film 5400K

Broadcast 3200K

Custom balance

Input balance

Aspect ratio

4/3

16/9

5/4

2.35

1.88

1.78

Custom

Timings

To t a l p i x e l s

Active pixels

Horizontal start

Period

Total lines

Active lines

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9. Image menu

Level 1 Level 2 Level 3 Level 4

Vertical start

Advanced settings Clamp delay

Clamp width

Field polarity

Film mode detection

Image ﬁle services

Manual load

Delete

Delete all

Rename

Copy

Options

Load ﬁle

Save custom settings

9.2 How to select the image adjustments?

Start up

1. Use the ▲or ▼key to select Image.

2. Press ENTER to select.

The Image menu opens. (image 9-1, image 9-2)

Image 9-1

Image 9-2

9.3 Image Settings

Overview

• Contrast

• Brightness

• Saturation

• Tint (hue)

•Phase

• Sharpness

• Noise reduction

• Color temperature

• Input balance

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9. Image menu

9.3.1 Contrast

About Contrast

The contrast function is used to adjust the contrast between the light and dark areas of the displayed image.

How to change the contrast?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Image and press ENTER.

3. Use the ▲or ▼key to select Image settings and press ENTER.

4. Use the ▲or ▼key to select Contrast and press ENTER.

The Contrast progress bar appears.

5. Use ◄or ►to change the contrast.

The higher the value, the higher the contrast. (image 9-3, image 9-4, image 9-5, image 9-6)

Image 9-3

Image 9-4

Image 9-5

Image 9-6

9.3.2 Brightness

About Brightness

The Brightness function is used to adjust the overall light output.

How to change the brightness?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Image and press ENTER.

3. Use the ▲or ▼key to select Image settings and press ENTER.

4. Use the ▲or ▼key to select Brightness and press ENTER.

The Brightness progress bar appears.

5. Use ◄or ►to change the brightness.

The higher the value, the higher the brightness. (image 9-7, image 9-8, image 9-9, image 9-10)

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9. Image menu

Image 9-7

Image 9-8

Image 9-9

Image 9-10

9.3.3 Saturation

About (color) saturation

The color function is used to adjust the color saturation levels.

How to change the saturation?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Image and press ENTER.

3. Use the ▲or ▼key to select Image settings and press ENTER.

4. Use the ▲or ▼key to select Saturation and press ENTER.

The Saturation progress bar appears.

5. Use ◄or ►to change the color saturation.

The higher the value, the higher the color saturation. (image 9-11, image 9-12, image 9-13, image 9-14)

Image 9-11

Image 9-12

Image 9-13

Image 9-14

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9. Image menu

9.3.4 Tint (hue)

About Tint

The Tint function is used to adjust color hue to obtain true color reproduction and is only active for Video and S-Video when the

NTSC color system is used. For PAL and SECAM sources, Tint is not accessible.

How to change the saturation?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Image and press ENTER.

3. Use the ▲or ▼key to select Image settings and press ENTER.

4. Use the ▲or ▼key to select Tint and press ENTER.

The Tint progress bar appears.

5. Use ◄or ►to change the tint.

The higher the value, the higher the tint. (image 9-15, image 9-16, image 9-17, image 9-18)

Image 9-15

Image 9-16

Image 9-17

Image 9-18

9.3.5 Phase

About Phase adjustment

When displaying computer patterns or graphics (RGB or YUV signals) which are very detailed (tilting, vertical stripes, etc. ), jitter

in picture (mis-sampling) may occur, causing horizontal stripes in portions of the screen. When this jitter occurs, adjust ’Phase’ for

optimum image.

Image 9-19

Jittering on image

How to change the phase?

1. Press MENU to activate the menus.

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9. Image menu

2. Use the ▲or ▼key to select Image and press ENTER.

3. Use the ▲or ▼key to select Image settings and press ENTER.

4. Use the ▲or ▼key to select Phase and press ENTER.

The Phase progress bar appears.

5. Use ◄or ►to change the phase and reﬁne the jitter. (image 9-20, image 9-21, image 9-22, image 9-23)

Note: Don’t mix up with wrong number of total pixels. If the jitter doesn’t disappear with the phase adjustment, check the total

number of pixels. (Best image = pixel on pixel off pattern. For example: shut down screen of a PC)

Image 9-20

Image 9-21

Image 9-22

Image 9-23

9.3.6 Sharpness

About Sharpness

The sharpness function is used to adjust the image sharpness of video signals.

How to change the sharpness?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Image and press ENTER.

3. Use the ▲or ▼key to select Image settings and press ENTER.

4. Use the ▲or ▼key to select Sharpness and press ENTER.

The Sharpness progress bar appears.

5. Use ◄or ►to change the sharpness.

The higher the value, the higher the sharpness. (image 9-24, image 9-25, image 9-26, image 9-27)

Image 9-24

Image 9-25

Image 9-26

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9. Image menu

Image 9-27

9.3.7 Noise reduction

About Noise reduction

Reduces noise and pixel jitter in all video sources.

How to change?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Image and press ENTER.

3. Use the ▲or ▼key to select Image settings and press ENTER.

4. Use the ▲or ▼key to select Noise reduction and press ENTER.

The Noise reduction progress bar appears.

5. Use ◄or ►to change the noise reduction.

The higher the value, the higher the noise reduction. (image 9-28, image 9-29, image 9-30, image 9-31)

Image 9-28

Image 9-29

Image 9-30

Image 9-31

9.3.8 Color temperature

What can be done ?

The color temperature can be selected according to the type of source:

There are 5 different preset color temperatures:

•Projectorwhite

• computer : 9300 K

• Video : 6500 K

• Film : 5400 K

• Broadcast : 3200 K

These calibrated presets can be selected and will provide optimum color tracking, the projector allows however the setting of a

personal color temperature, this is done in custom balance

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9. Image menu

Color temperature selection is only possible when Color space is OFF

Color temperature

The coloration (reddish, white, bluish, greenish, etc.) of white in an image, measured using the Kelvin (degrees K)

temperature scale. Higher temperatures output more light.

9.3.8.1 Predeﬁned color temperature

Projector white will provide maximum projector light output. The calibrated ’Broadcast’, ’Film’, ’Video’ and

’Computer’ presets will provide optimum color tracking.

How to select?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Image and press ENTER.

3. Use the ▲or ▼key to select Image settings and press ENTER.

4. Use the ▲or ▼key to select Color temperature and press ENTER.

5. Use the ▲or ▼key to select a predeﬁned color temperature value, e.g. Video, and press ENTER.

The colors of the image is switched to the selected value. (image 9-32, image 9-33, image 9-34, image 9-35)

Image 9-32

Image 9-33

Image 9-34

Image 9-35

9.3.8.2 Set a custom color temperature

How to enter a custom value?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Image and press ENTER.

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9. Image menu

3. Use the ▲or ▼key to select Image settings and press ENTER.

4. Use the ▲or ▼key to select Color temperature and press ENTER.

5. Use the ▲or ▼key to select Custom balance and press ►.

The Gain adjustment bar scales are displayed.

6. Adjust gain red with ◄or ►key and gain blue with ▲or ▼key. Adjust gain blue in the same way as gain red.

7. When gain adjustment is ﬁnished press ENTER. (image 9-36, image 9-37, image 9-38, image 9-39, image 9-40)

Image 9-36

Image 9-37

Image 9-38

Image 9-39 Image 9-40

9.3.9 Input balance

Overview

• Introduction to Input Balance

• Adjusting the input balance

9.3.9.1 Introduction to Input Balance

Introduction: Unbalanced color signals

When transporting signals, there is always a risk of deterioration of the information contained in the signals.

In case of information contained in the amplitude of the signals which is the case of data color signals (R, G, B),image 9-41 , we are

quite sure that the amplitude of these color signals is subject to alterations.

An example of alteration may be a DC component added to the signal, in the form of a DC offset repositioning the black level, since

this black level (“brightness”) will become crucial later on (clamping circuit) it will result in “black not being black”.

Another value that is subject to alteration is the amplitude of the signal, resulting in an altered “Gain” of the signal (“white level” or

contrast).

The alterations of the three color signals will happen independently i.e. the colors will end to be unbalanced, image 9-42

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9. Image menu

Black level

0.7V

Image 9-41

Black level

ΔΒ

Image 9-42

One can conclude here that a good color tracking can only be met by using three previously (input) balanced

color signals

Analog Digital Conversion

The analog color signals must pass through an Analog/Digital conversion circuit prior to any digital processing in the PMP.

A typical ADC transforms the analog value into an 8 bit coded digital signal.

The graphic shows that when converting a signal containing a DC offset component the range of the converter is not optimally used.

Black level

ADC

255

i1 : superfluous information

i2 : video information

Image 9-43

One can conclude here that a good data conversion can only be met by using three previously (input) balanced

color signals

The objective of input balancing

The objective in input balancing is to “set” the same black level and the same white level for the three colors of a particular input

source.

Black level setting : brightness

White level setting : contrast

The same absolute black and white level for the three colors allows the same reference for Brightness and Contrast control of the

picture !

These two references also set the range in which the ADC will work for that particular source (this explains also why each input

balance setting is linked to a particular source and thus saved in the image ﬁle).

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9. Image menu

9.3.9.2 Adjusting the input balance

How can it be done ?

To balance the three color signals of a particular source there are conditions; in fact we must know the black and the white level of

the source i.e. :

1. The source in question must be able to generate a white signal, ideally a 100% white (background) full screen pattern

2. The source in question must be able to generate a black signal, ideally a 100% black (background) full screen pattern

Image 9-44

White balance : In the projector, we will set the contrast for each color until we get a 100% light output picture when projecting a

100% white image (image A)

Black balance : In the projector, we will set the brightness for each color until we get a 0% light output picture when projecting a

100% black image (image B).

The changeover from min to max is indicated by the apparition of bright spots also called “digital noise”

An alternative to a full screen White/black pattern is the standard gray scale pattern, the white bar will be used

for white balance and the black bar for black balance.

Image 9-45

Black balance

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Image and press ENTER.

3. Use the ▲or ▼key to select Image settings and press ENTER.

4. Use the ▲or ▼key to select Input balance and press ENTER.

5. Do you want to use an internally generated test pattern ?

If yes, Use the ▲or ▼key to select Test p attern and press ENTER to toggle between [on] and [off]

If no, Adjust on the selected source.

6. Use the ▲or ▼key to select Black balance and press ENTER.

Depending whether a test pattern is selected or not, the adjustment image is displayed.

7. Toggle with ▲or ▼key to select Black balance red. (image 9-46, image 9-47, image 9-48, image 9-49, image 9-50)

8. Adjust the red black level on a minimal value

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9. Image menu

9. Toggle with ▲or ▼key to Black balance blue and adjust the blue black level on a minimal value.

Note: This minimal value is not necessary , provided that the 2 other colors are not inﬂuencing too much the color to be adjusted,

in fact the aim is to minimize the effect of the two other colors since there is a risk of reaching too soon the 50% transition

due to the contribution of these two other colors signals.

10.Toggle with ▲or ▼key to Black balance green and adjust the Green black level until bright spots appear on the screen.

11.Toggle with ▲or ▼key to Black balance blue adjust the Blue black level until bright spots appear on the screen.

12.Toggle with ▲or ▼key to Black balance red adjust the Red black level until bright spots appear on the screen.

The projected image should now be noisy full black

Image 9-46

Image 9-47

Image 9-48

Image 9-49

Image 9-50

If one uses a gray scale pattern, the bright spots should appear in the black bar.

Performing White input balance

1. Connect the source you want to project.

2. Press MENU to activate the menus.

3. Use the ▲or ▼key to select Image and press ENTER.

4. Use the ▲or ▼key to select Image settings and press ENTER.

5. Use the ▲or ▼key to select Input balance and press ENTER.

6. Do you want to use an internally generated test pattern?

If yes, Use the ▲or ▼key to select Test p attern and press ENTER to toggle between [on] and [off]

If no, select a white pattern (or gray scale as alternative).

7. Use the ▲or ▼key to select White balance and press ENTER.

The white balance bar scale for a typical color is displayed.

8. Toggle with the ▲or ▼key to select White balance red. (image 9-51, image 9-52, image 9-53, image 9-54, image 9-55)

9. Adjust the red white level (gain) on a minimal value

10.Toggle with ▲or ▼key to Whitebalanceblueand adjust the blue white level (gain) on a minimal value.

Note: This minimal value is not necessary , provided that the 2 other colors are not inﬂuencing too much the color to be adjusted,

in fact the aim is to minimize the effect of the two other colors since there is a risk of reaching too soon the transition

(bright spots) due to the contribution of these two other colors signals.

11.Toggle with ▲or ▼key to White balance green and adjust the Green white level (gain) until bright spots appear on the screen.

12.Toggle with ▲or ▼key to White balance blue adjust the Blue white level (gain) until bright spots appear on the screen.

13.Toggle with ▲or ▼key to White balance red adjust the Red white level (gain) until bright spots appear on the screen.

The projected image should now be noisy neutral gray.

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9. Image menu

Image 9-51

Image 9-52

Image 9-53

Image 9-54

Image 9-55

9.4 Aspect ratio

What can be done?

The aspect ratio setting forces the projector to project an image using a deﬁned aspect ratio

Aspect ratio Description

4:3 Standard television format

16:9 Wide screen television format / anamorphic format

5:4 Workstation format

2.35 Film format

1.88

1.78 Wide screen television format / anamorphic format

Custom Any custom format can be set up

Type of input signal is indicated above each image row. The image row shows how the image will be projected in the different aspect

ratio settings.

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9. Image menu

4/3 5/4 16/9

Video Signal Pal/Secam

Video Signal NTSC

Video Signal 16/9

4/3 RGB Signal

Image 9-56

Some examples for aspect ratio

How to select an Aspect ratio?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Image and press ENTER.

3. Use the ▲or ▼key to select Aspect ratio and press ENTER.

The aspect ratio menu will be displayed.

4. Use the ▲or ▼key to select the desired aspect ratio and press ENTER. (image 9-57, image 9-58, image 9-59)

Image 9-57

Image 9-58

Image 9-59

How to set up a custom aspect ratio?

1. Select ﬁrst Custom and press ENTER to activate.

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9. Image menu

The Custom aspect ratio dialog box opens.

2. Use the ▲or ▼key to adjust the vertical size of the image.

Use the or key to adjust the horizontal size of the image.

When the desired aspect ratio is obtained, press EXIT. (image 9-60, image 9-61)

Image 9-60

Image 9-61

9.5 Timings

9.5.1 Source timings

Adjustable items

• Horizontal start in pixels : number of pixels between the beginning of the input signal and the start of the video information in

the signal.

• Width = Active horizontal pixels : determine the width of the window on the screen. This value is normally given in the source

speciﬁcations. If not, adjust until full image is displayed (no missing pixels).

• Vertical start in lines : number of lines between the start of the input signal and start of the image on the screen.

• Height = Active vertical lines : number of horizontal lines determining the height of the projected image. this value is normally

given in the speciﬁcation of the source. If not, adjust until full image height is displayed (no missing lines).

• Total pixels: Total horizontal pixels in the source. If the value is wrong, sampling mistakes (small vertical bars in the projected

image) will be seen in the image.

• Total lines: Total vertical lines in the source.

How to start up?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Image and press ENTER.

3. Use the ▲or ▼key to select Timings and press ENTER.

The timings menu will be displayed. (image 9-62, image 9-63, image 9-64)

4. To change a setting, use the ▲or ▼key to select and press ENTER.

The corresponding adjustment box is displayed. E.g. Horizontal total pixels. (image 9-65)

5. Use the ▲or ▼key (or ◄or ►key) to change the value.

6. Press ENTER to activate the new value.

7. If necessary to change other settings, repeat from step 4.

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9. Image menu

Image 9-62

Image 9-63

Image 9-64

Image 9-65

9.5.2 Advanced settings

About the advanced settings

Clamp delay The time between the leading edge of the clamp pulse and the locked edge of the sync pulse. Can be

any value between 0 and 255.

Clamp width The width of the clamp pulse can be any value between 0 and 255.

Sync

pulse

Clamp

pulse

Clamp

delay

Clamp

width

Leading edge

Trailinging edge

Image 9-66

Field polarity The ﬁeld polarity function is used for interlaced images. Both rasters of the image could be shifted in a

wrong way (double lines are visible in the image). This can be corrected by forcing the ﬁeld polarity

to [neg] or [pos].

How to change the clamp delay - clamp width?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Image and press ENTER.

3. Use the ▲or ▼key to select Timings and press ENTER.

4. Use the ▲or ▼key to select Advanced settings and press ENTER.

The Advanced settings menu is displayed.

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9. Image menu

5. Use the ▲or ▼key to select Clamp delay or Clamp width and press ENTER.

A progress bar appears.

6. Use the ▲or ▼key to change the setting. (image 9-67, image 9-68, image 9-69, image 9-70)

Image 9-67

Image 9-68

Image 9-69

Image 9-70

How to change the ﬁeld polarity?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Image and press ENTER.

3. Use the ▲or ▼key to select Advanced settings and press ENTER.

The Advanced settings menu is displayed.

4. Use the ▲or ▼key to select Field polarity and press ENTER to toggle between [neg] or [pos]. (image 9-71, image 9-72,

image 9-73, image 9-74)

Image 9-71

Image 9-72

Image 9-73

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9. Image menu

Image 9-74

9.5.3 Advanced settings, ﬁlm mode detection

About ﬁlm mode detection

This mode detects whether ﬁlm or video is displayed.

When enabled, the hardware looks for tell-tale signs of 3:2 or 2:2 pull-down sequences. These are the result of converting cinema

material recorded at 24 frames-per-second to the television frequencies of 60 or 50 interlaced ﬁelds per second respectively. When

FILM conversion is detected, the original 24 frames-per-second are restored. This avoids deinterlacing artefacts, and results in a

perfect artefact-free display. Note that in some cases (video clips, scrolling newstickers,...) FILM and VIDEO material are mixed

on one screen. This may confuse the detector and cause it to go into FILM restoration mode. This will cause "jaggies" or motion

artefacts. In such cases, disabling FILM mode processing is the best cure.

Film mode detection is only for interlaced sources.

3:2 pull-down

Method used to map the 24 fps of ﬁlm onto the 30 fps (60 ﬁelds) or 25 fps (50 ﬁelds), so that one ﬁlm frame occupies

three video ﬁelds, the next two, etc. It means the two ﬁelds of every other video frame come from different ﬁlm frames

making operations such as rotoscoping impossible, and requiring care in editing. Some sophisticated equipment can

unravel the 3:2 sequence to allow frame-by-frame treatment and subsequently re-compose 3:2. The 3:2 sequence

repeats every ﬁve video frames and four ﬁlm frames, the latter identiﬁed as A-D. Only ﬁlm frame A is fully on a video

frame and so exists at one time code only, making it the editable point of the video sequence.

2:2 pull-down

The process of transferring 24-frames/sec ﬁlm format into video by repeating each frame (used for PAL DVD’s) as two

video ﬁelds. ( AD )

Artefacts

Undesirable elements or defects in a video picture. These may occur naturally in the video process and must be

eliminated in order to achieve a high-quality picture. Most common in analog are cross color and cross luminance.

Most common in digital are macroblocks, which resemble pixelation of the video image.

How to set up

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Image and press ENTER.

3. Use the ▲or ▼key to select Advanced settings and press ENTER.

The Advanced settings menu is displayed.

4. Use the ▲or ▼key to select Film mode and press ENTER to toggle between [auto] or [off].

Auto Detects for ﬁlm and it starts to avoid deinterlacing artefacts, and it results in a perfect artefact-free display.

Off no detection for ﬁlm mode.

When ﬁlm with a banner is projected at the same time, and ﬁlm mode is auto, the banner will shown possible artefacts as the

software will detect a ﬁlm. (image 9-75, image 9-76, image 9-77, image 9-78)

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9. Image menu

Image 9-75

Image 9-76

Image 9-77

Image 9-78

9.5.4 Advanced setting, brilliant color look

What can be done ?

The BrilliantColor™ technology is conﬁgured to process the spoke regions of the color wheel as a secondary color which improves

the brightness of the display and gives the viewer a truly life-like image. The look means the shape of the curve of white added to

the image. The amount of added white can be different in the low light than in the high lights. Some predeﬁned looks, optimized for

either computer images or video images are selectable with the brilliant color look function.

Select [data] when projecting computer images.

Select [Vid 1] or [Vid 2] when producing video images.

The brilliant color look setting is stored per source.

How to switch

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Image and press ENTER.

3. Use the ▲or ▼key to select Advanced settings and press ENTER.

The Advanced settings menu is displayed.

4. Use the ▲or ▼key to select Brilliant color look and press ENTER to toggle between [Data] or [Vid. 1] or [Vid 2]. (image 9-79,

image 9-80, image 9-81, image 9-82)

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9. Image menu

Image 9-79

Image 9-80

Image 9-81

Image 9-82

9.6 Image ﬁles services

Overview

• Files and ﬁle manipulations

• Manual Load ﬁle

• Delete ﬁle

• Delete all custom ﬁles

• Rename a ﬁle

• Copy a ﬁle

• File options

9.6.1 Files and ﬁle manipulations

Connecting a new source.

Before using a new source, a correct ﬁle has to be installed. The projector’s memory contains a list of ﬁles corresponding to the most

used sources. When the new source corresponds with one of these ﬁles, the ﬁle can be loaded and saved for future use. When

there is a little difference, the ﬁle can also be loaded and then edited until the source specs are reached.

VESA standards and video standards are pre-programmed.

Possible ﬁle Manipulations

The following ﬁle manipulations are possible :

• Load : installation of a ﬁle for a new source.

• Rename : renaming a ﬁle.

• Delete : deleting a ﬁle (only custom ﬁles)

• Delete all : delete all custom ﬁles

• Options : way of loading a ﬁle when a source is selected.

A loaded ﬁle can be edited via the Timings menu. Once a ﬁle is edited, it will be saved with the same name as the original ﬁle,

followed by a sequence number between rounded brackets.

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9. Image menu

9.6.2 Manual Load ﬁle

How to load?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Image and press ENTER.

3. Use the ▲or ▼key to select File services and press ENTER.

The File service menu is displayed.

4. Use the ▲or ▼key to select Manual load and press ENTER.

The manual load window opens. (image 9-83, image 9-84, image 9-85, image 9-86)

Depending on the ﬁlter setup, the following is displayed:

-Fit:onlyﬁtting ﬁles for the selected source will be in the list

- All: all ﬁles in the system will be in the list.

5. Do you want to see only the ﬁtting ﬁle in the manual load menu?

If yes, Select Filter and use ►till [FIT] is on the menu.

If no, Select Filter and use ►till [ALL] is on the menu.

6. Use the ▲or ▼key to select the appropriate ﬁle. While scrolling over the ﬁles, a preview is shown on the screen.

7. Press ENTER to select.

The selected ﬁle is loaded.

Image 9-83

Image 9-84

Image 9-85

Image 9-86

The image is not perfect?

If the displayed image is not correct after selecting the best ﬁtting ﬁle,gototheTimings menu and change the ﬁle settings.

9.6.3 Delete ﬁle

How to delete?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Image and press ENTER.

3. Use the ▲or ▼key to select File services and press ENTER.

The File service menu is displayed.

4. Use the ▲or ▼key to select Delete and press ENTER.

The delete window opens.

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9. Image menu

5. Use the ▲or ▼key to select the ﬁle which must be deleted.

Note: Only custom ﬁles can be deleted.

6. Press ENTER to delete the selected ﬁle. (image 9-87, image 9-88, image 9-89, image 9-90)

Image 9-87

Image 9-88

Image 9-89

Image 9-90

No recovery possible !

9.6.4 Delete all custom ﬁles

How to delete?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Image and press ENTER.

3. Use the ▲or ▼key to select File services and press ENTER.

The File service menu is displayed.

4. Use the ▲or ▼key to select Delete all and press ENTER.

A delete all conﬁrmation window opens.

5. Use the ▲or ▼key to select Yes if you are sure to delete all custom ﬁles and press ENTER to activate the selection. (image 9-91,

image 9-92, image 9-93, image 9-94)

Or,

if you are not sure to delete all custom ﬁles, select No and press ENTER to activate the selection.

Image 9-91

Image 9-92

Image 9-93

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9. Image menu

Image 9-94

9.6.5 Rename a ﬁle

How to rename?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Image and press ENTER.

3. Use the ▲or ▼key to select File services and press ENTER.

The File service menu is displayed.

4. Use the ▲or ▼key to select Rename and press ENTER.

The rename window opens.

5. Use the ▲or ▼key to select the ﬁle which must be renamed.

Note: Only custom ﬁles can be renamed.

6. Press ENTER to select.

The rename window opens. The ﬁrst character is selected.

7. Use the ▲or ▼key to change the selected character.

Use the ◄or ►key to selected another character.

Note: Digits can be entered with the digit keys on the remote control or on the local keypad. When a digit is entered in that

way, the next character will be selected automatically.

8. Press ENTER to ﬁnalize the rename action. (image 9-95, image 9-96, image 9-97, image 9-98, image 9-99)

Image 9-95

Image 9-96

Image 9-97

Image 9-98

Image 9-99

9.6.6 Copy a ﬁle

How to copy?

1. Press MENU to activate the menus.

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9. Image menu

2. Use the ▲or ▼key to select Image and press ENTER.

3. Use the ▲or ▼key to select File services and press ENTER.

The File service menu is displayed.

4. Use the ▲or ▼key to select Copy and press ENTER.

The copy window opens.

5. Use the ▲or ▼key to select the ﬁle which must be copied.

6. Press ENTER to select.

The copy window opens. The ﬁrst character is selected.

7. Use the ▲or ▼key to change the selected character.

Use the ◄or ►key to selected another character.

Note: Digits can be entered with the digit keys on the remote control or on the local keypad. When a digit is entered in that

way, the next character will be selected automatically.

8. Press ENTER to ﬁnalize the copy action. (image 9-100, image 9-101, image 9-102, image 9-103, image 9-104)

Image 9-100

Image 9-101

Image 9-102

Image 9-103

Image 9-104

9.6.7 File options

How to set the options?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Image and press ENTER.

3. Use the ▲or ▼key to select Image services and press ENTER.

The Image service menu is displayed.

4. Use the ▲or ▼key to select Options and press ENTER. (image 9-105, image 9-106, image 9-107)

The options window opens.

5. Use the ▲or ▼key to select Load ﬁle and press ENTER to toggle between [Automatic], [Manual] and [Custom only].

- [Automatic]: correct ﬁle will be loaded automatically.

- [Manual]: correct ﬁle has to be loaded manually.

- [Custom only]: correct ﬁle will be loaded automatically out of the available custom ﬁles. (image 9-108)

6. Use the ▲or ▼key to select Auto picture alignment and press ENTER to toggle between [Off], [Always] and [File load]. (im-

age 9-109)

- [Off]: no auto picture alignment activated.

- [Always]: always auto picture alignment activated. When sync disappears and comes back, an auto picture alignment is

executed.

- [Load ﬁle]: auto picture alignment executed each time a new ﬁle is loaded.

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9. Image menu

Image 9-105

Image 9-106

Image 9-107

Image 9-108 Image 9-109

9.7 Save custom settings

What is done?

The current custom settings can be saved to the internal backup device in the same way as it would be done when the projector

was switched to standby.

How to save

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Image and press ENTER.

3. Use the ▲or ▼key to select Save custom settings and press ENTER.

The custom settings are written to the internal backup device. A message menu “Save data ...” is displayed during the save

operation. (image 9-110)

Image 9-110

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9. Image menu

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10. Layout menu

10. LAYOUT MENU

Overview

•Overviewﬂow

• Main window

• PIP window

• Layout ﬁle services

10.1 Overview ﬂow

Overview

Level 1 Level 2 Level 3 Level 4

Layout

Main window

Source

Size

Position

PIP window

PIP window [ON/OFF]

Source

Size

Position

Layout ﬁle services

Load

Main full screen

PIP top right

Split top bottom

Rename

Delete

Copy / Save as

Zoom/Focus Same for each layout yes

10.2 Main window

Overview

• Source selection

• Size adjustment

• Position adjustment

When active layout is read only

When the active layout is a read only layout, the projector will ask to create a new layout.

Use the ▲or ▼key to select Yes or No and press ENTER.

If Yes is selected an Enter layout name window opens.

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10. Layout menu

Image 10-1

Image 10-2

The ﬁrst character is highlighted. Use the ▲or ▼key to select the desired character and press or key to select the next

character in the name.

Press EXIT to return. The new ﬁle is generated.

10.2.1 Source selection

What can be done ?

The source of the main window can be selected via the Main window menu.

How to select a source

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Layout and press ENTER.

3. Use the ▲or ▼key to select Main Window and press ENTER.

The main window opens.

4. Use the ▲or ▼key to select Source and press ENTER.

The source selection window opens.

5. Use the ▲or ▼key to select the desired source and press ENTER to activate. (image 10-3, image 10-4, image 10-5, image 10-6)

Image 10-3

Image 10-4

Image 10-5

Image 10-6

10.2.2 Size adjustment

What can be done?

The size of the main window can be adjusted until the desired window dimensions are reached.

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10. Layout menu

Image 10-7

Size adjustment main window

A width adjustment

B height adjustment

The size can be changed with respect to the original aspect ratio.

How to adjust with respect to the original aspect ratio?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Layout and press ENTER.

3. Use the ▲or ▼key to select Main Window and press ENTER.

The main window opens.

4. Use the ▲or ▼key to select Size and press ENTER.

The size adjustment window opens. (image 10-8, image 10-9, image 10-10)

5. Toggle with ENTER till Lock is set to [x]. (image 10-11)

[ ] = no lock between height and width.

[x] = width and height are locked.

6. Use or▲▼to adjust the size with respect to the original aspect ratio.

When the desired size is reached, press EXIT.

A Save window opens. (image 10-12)

Image 10-8

Image 10-9

Image 10-10

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10. Layout menu

Image 10-11

Image 10-12

How to adjust height and width separately?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Layout and press ENTER.

3. Use the ▲or ▼key to select Main Window and press ENTER.

The main window opens.

4. Use the ▲or ▼key to select Size and press ENTER.

The size adjustment window opens. (image 10-13, image 10-14, image 10-15)

5. Toggle with ENTER till Lock is set to [ ]. (image 10-16)

[ ] = no lock between height and width.

[x] = width and height are locked.

6. Use the ▲or ▼key to adjust the height.

Use the ◄or ►key to adjust the width.

When the desired size is reached, press EXIT.

A Save window opens. (image 10-17)

7. Select with the ▲or ▼key Yes and press ENTER.

Select with the ▲or ▼key No, when no save is desired and press ENTER.

Image 10-13

Image 10-14

Image 10-15

Image 10-16

Image 10-17

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10. Layout menu

10.2.3 Position adjustment

What can be done?

The main window can be repositioned on the screen. The upper left corner is the reference.

Image 10-18

Positioning the window

How to position?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Layout and press ENTER.

3. Use the ▲or ▼key to select Main Window and press ENTER.

The main window opens.

4. Use the ▲or ▼key to select Position and press ENTER.

The position adjustment window opens.

5. Use the ▲or ▼key to adjust top start point.

Use the ◄or ►key to adjust left start point.

When the desired size is reached, press EXIT.

A Save window opens. (image 10-19, image 10-20, image 10-21, image 10-22, image 10-23)

6. Select with the ▲or ▼key Save and press ENTER.

Select with the ▲or ▼key Delete, when no save is desired and press ENTER.

Image 10-19

Image 10-20

Image 10-21

Image 10-22

Image 10-23

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10. Layout menu

10.3 PIP window

Overview

• Introduction to PIP

• Picture in Picture activation

• Picture in Picture source selection

• Picture in Picture size of the window

• Picture in Picture, position window

10.3.1 Introduction to PIP

PiP

PiP stands for "Picture in Picture" and allows to display multiple windows containing each of them an image. The

windows may be of the video or data type.

What are the different possibilities within the PiP mode ?

The input section of the projector allows a combinations of different input signals which may be projected in the 2 windows of the

PiP screen. The PiP window can be placed anywhere, with any dimensions, on the screen by changing its position and its size.

Image 10-24

Position of PiP

A Top position

B Left position

10.3.2 Picture in Picture activation

How to activate PIP?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Layout and press ENTER.

3. Use the ▲or ▼key to select PIP Window and press ENTER.

The PIP window opens.

4. Use the ▲or ▼key to select On or Off and press ENTER to toggle between [On] and [Off]. (image 10-25, image 10-26, im-

age 10-27)

5. Press EXIT to quit the menu.

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10. Layout menu

Image 10-25

Image 10-26 Image 10-27

When PIP is activated (ON state), the PIP window becomes the active window. Switching to the main window

is still possible with the window button on the RCU.

10.3.3 Picture in Picture source selection

What can be done ?

The input source for the picture in picture window can be selected.

How to select a source

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Window and press ENTER.

3. Use the ▲or ▼key to select PIP Window and press ENTER.

The PIP window dialog opens.

4. Use the ▲or ▼key to select Source and press ENTER.

The source selection window opens.

5. Use the ▲or ▼key to select the desired source and press ENTER to activate this source. (image 10-28, image 10-29, im-

age 10-30, image 10-31)

Image 10-28

Image 10-29 Image 10-30

Image 10-31

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10. Layout menu

10.3.4 Picture in Picture size of the window

What can be done?

The width and height of the picture in picture window can be changed till the desired dimensions are obtained.

Image 10-32

Size PIP window

AWidthPIPwindow

B Height PIP window

The size of the picture in picture window can be changed with respect to the original aspect ratio of the PIP image.

Remark: when e.g. the PIP window is a 4 by 3 window and the projected image has a 16 by 9 format, then it is possible that image

jumps inside the PIP window during a re-scaling. Due to the fact that the re-scale is done on the vertical dimensions of the PIP

window and the image inside it will be re-scaled so that the aspect ratio is still correct.

Image 10-33

Size PIP window remark

How to change the size with respect to the aspect ratio?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Window and press ENTER.

3. Use the ▲or ▼key to select PIP Window and press ENTER.

The main window opens.

4. Use the ▲or ▼key to select Size and press ENTER.

The size adjustment window opens. (image 10-34, image 10-35, image 10-36)

5. Toggle with ENTER till Lock is set to [x]]. (image 10-37)

[ ] = no lock between height and width.

[x] = width and height are locked.

6. Use the ▲▼or ◄►key to adjust the size with respect to the aspect ratio.

When the desired size is reached, press EXIT.

A Save window opens. (image 10-38)

7. Select with the ▲or ▼key Yes and press ENTER.

Select with the ▲or ▼key No, when no save is desired and press ENTER.

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10. Layout menu

Image 10-34

Image 10-35 Image 10-36

Image 10-37

Image 10-38

How to change the height and width separately?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Window and press ENTER.

3. Use the ▲or ▼key to select PIP Window and press ENTER.

The main window opens. (image 10-39, image 10-40, image 10-41)

4. Use the ▲or ▼key to select Size and press ENTER.

The size adjustment window opens.

5. Toggle with ENTER till Lock is set to [ ]. (image 10-42)

[ ] = no lock between height and width.

[x] = width and height are locked.

6. Use the ▲or ▼key to adjust the height.

Use the ◄or ►key to adjust the width.

When the desired size is reached, press EXIT.

A Save window opens. (image 10-43)

7. Select with the ▲or ▼key Yes and press ENTER.

Select with the ▲or ▼key No, when no save is desired and press ENTER.

Image 10-39

Image 10-40 Image 10-41

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10. Layout menu

Image 10-42

Image 10-43

10.3.5 Picture in Picture, position window

What can be done?

The picture in picture window can be position on any place on the display just by changing its start coordinates. The reference is

the upper left corner of the window.

How to position?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Window and press ENTER.

3. Use the ▲or ▼key to select PIP Window and press ENTER.

The PIP window opens.

4. Use the ▲or ▼key to select Position and press ENTER.

The size adjustment window opens.

5. Use the ▲or ▼key to adjust Top

Use the ◄or ►key to adjust Left

When the desired position is reached, press EXIT.

A Save window opens. (image 10-44, image 10-45, image 10-46, image 10-47, image 10-48)

6. Select with the ▲or ▼key Yes and press ENTER.

Select with the ▲or ▼key No, when no save is desired and press ENTER.

Image 10-44

Image 10-45 Image 10-46

Image 10-47

Image 10-48

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10. Layout menu

10.4 Layout ﬁle services

Overview

• Load layout

• Rename a layout

• Delete a layout

• Copy / Save as a layout

10.4.1 Load layout

When loading a layout which required two sources, the PIP window On/Off setting will be switched to ON.

How to load?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Window and press ENTER.

3. Use the ▲or ▼key to select Layout and press ENTER.

The layout services window opens.

4. Use the ▲or ▼key to select Load and press ENTER.

The load layout window opens. (image 10-49, image 10-50, image 10-51, image 10-52)

5. Use the ▲or ▼key to select the desired layout and press ENTER to select.

The ﬁrst 4 layouts are default layouts, all others are customer created layouts. The menu shows only the ﬁrst 10 layouts, but use

the ▼to scroll through the rest of the layouts until the desired layout is found.

Image 10-49

Image 10-50

Image 10-51

Image 10-52

Rigging key + sequence number opens directly the desired layout.

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10. Layout menu

10.4.2 Rename a layout

Only custom created layouts can be renamed.

How to rename?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Window and press ENTER.

3. Use the ▲or ▼key to select Layout and press ENTER.

The layout services window opens.

4. Use the ▲or ▼key to select Rename and press ENTER.

The Rename layout location window opens.

5. Use the ▲or ▼key to select the layout to rename and press ENTER.

The edit layout name window opens. The ﬁrst character is selected.

6. Use the ▲or ▼key to change the selected character.

Use the ◄or ►key to selected another character.

Note: Digits can be entered with the digit keys on the remote control or on the local keypad. When a digit is entered in that

way, the next character is selected automatically.

7. Press ENTER to save the new name. (image 10-53, image 10-54, image 10-55, image 10-56)

Image 10-53

Image 10-54

Image 10-55

Image 10-56

10.4.3 Delete a layout

What is possible?

Custom created layouts can be removed from the projector memory.

How to delete?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Window and press ENTER.

3. Use the ▲or ▼key to select Layout services and press ENTER.

The layout services window opens.

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10. Layout menu

4. Use the ▲or ▼key to select Delete and press ENTER.

The Delete window opens. (image 10-57, image 10-58, image 10-59, image 10-60)

The ﬁrst 3 layouts are default layouts and cannot be delete.

5. Use the ▲or ▼key to select the layout that must be deleted.

6. Press ENTER to ﬁnalize the delete operation.

Image 10-57

Image 10-58

Image 10-59

Image 10-60

10.4.4 Copy / Save as a layout

What is possible,

An existing layout, system layout or custom created layout, can be copied into a new ﬁle.

How to copy / save as?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Window and press ENTER.

3. Use the ▲or ▼key to select Layout and press ENTER.

The layout services window opens.

4. Use the ▲or ▼key to select Copy/Save as and press ENTER.

The Save layout location window opens.

5. Use the ▲or ▼key to select the layout to copy/save as and press ENTER.

The edit layout name window opens. The ﬁrst character is selected.

6. Use the ▲or ▼key to change the selected character.

Use the ◄or ►key to selected another character.

Note: Digits can be entered with the digit keys on the remote control or on the local keypad. When a digit is entered in that

way, the next character is selected automatically.

7. Press ENTER to copy to the new name.

The new layout will be added to the list of layouts. (image 10-61, image 10-62, image 10-63, image 10-64)

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10. Layout menu

Image 10-61

Image 10-62

Image 10-63

Image 10-64

112 R59770021 CLM R10+ 11/10/2010

11. Lamp menu

11. LAMP MENU

Overview

•Overviewﬂow

• Lamp power mode

• Lamp power

• Lamp Identiﬁcation

• Status and run time overview lamps

• Lamp mode

11.1 Overview ﬂow

Overview

Level 1 Level 2 Level 3 Level 4

Lamp

Power

Mode

Normal

Economic

Normal High Altitude

Economic High Altitude

Power (reduction)

Identiﬁcation

Serial number

Article number

Run time

Remaining run time

Number of strikes

Version

Status

Overview

Lamp mode

1lamp

2 lamps

4 lamps

11.2 Lamp power mode

What can be done?

The lamp power mode can be switched between Normal ,Economic,Normal High Altitude and Economic High Altitude. When

playing in Economic mode, the life time of the active lamp(s) will increase.

Normal : maximum allowed power is fed to the lamp(s). Maximum light output is reached in this way.

Economic : a reduced wattage is fed to the lamp(s). Reduced light output but a longer life time for the lamp(s).

Normal high altitude : maximum allowed power is fed to the lamp(s). Maximum light output is reached in this way and a correct

cooling is started even when the air density is less (fans are turning faster).

Eco high altitude : a reduced wattage is fed to the lamp(s). Reduced light output but a longer life time for the lamp(s). A correct

cooling is started even when the air density is less (fans are turning faster).

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11. Lamp menu

How to switch?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Lamp and press ENTER.

3. Use the ▲or ▼key to select Power and press ENTER.

4. Use the ▲or ▼key to select Mode.

5. Press ENTER to toggle between [Normal],[Economic],[Normal high altitude] and [Eco high altitude]. (image 11-1, image 11-2,

image 11-3)

Image 11-1

Image 11-2

Image 11-3

11.3 Lamp power

What can be done?

Within the normal power mode, the light output of the active lamp(s) can be reduced by reducing the lamp power between 100%

and 83%.

No lamp power adjustment possible when the Lamp power mode is Economic.

How to dim?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Lamp and press ENTER.

3. Use the ▲or ▼key to select Power and press ENTER.

4. Use the ▲or ▼key to select Power and press ENTER.

Note: Only possible when lamp mode is [Normal].

5. Use the ▲or ▼key to change the lamp power. (image 11-4, image 11-5, image 11-6, image 11-7)

Image 11-4

Image 11-5

Image 11-6

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11. Lamp menu

Image 11-7

About over-temperature protection

When the projector software detects a too high lamp temperature it automatically reduce the lamp power with 20%. This reduction

will be visible on the Lamp power menu.

It is possible to adjust the lamp power again to a higher value but the software will reduce the lamp power again if the temperature

is still to high.

At the same time, an message will be displayed on the LCD panel.

11.4 Lamp Identiﬁcation

About

The lamp identiﬁcation menu gives an overview of the most important parameters of the used lamps. It starts with the ﬁrst lamp.

Scrolling to other lamps is possible with the cursor keys.

These parameters are:

• Serial number lamp

• Article number of the used lamp

• Run time since ﬁrst start up of the lamp

• Remaining run time for a safe operation of the lamp

• Number of strikes since the ﬁrst start up of the lamp

• Status of the lamp

These parameters are useful when calling for a service intervention.

How to display?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Lamp and press ENTER.

3. Use the ▲or ▼key to select Identiﬁcation and press ENTER.

The identiﬁcation overview is displayed.

4. Use the ◄or ►key to select another lamp.

The status is given lamp per lamp. (image 11-8, image 11-9, image 11-10)

Image 11-8

Image 11-9

Image 11-10

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11. Lamp menu

11.5 Status and run time overview lamps

Overview

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Lamp and press ENTER.

3. Use the ▲or ▼key to select Overview and press ENTER.

The status and the run time for each lamp are displayed. (image 11-11, image 11-12, image 11-13)

Image 11-11

Image 11-12

Image 11-13

11.6 Lamp mode

What can be done?

In 4 lamps mode, the projector will always ignite all 4 lamps.

In 2 lamps mode, the projector will always ignite lamp 1 & 3 or 2 & 4 depending on the current run time. It will always use those with

the lowest run time.

In 1lampmode, the projector will always ignite lamp 3 or 4, depending on the current run time. It will always use the lamp with the

lowest run time.

How to change the lamp mode

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Lamp and press ENTER.

3. Use the ▲or ▼key to select Lamp mode and press ENTER.

The Lamp mode selection menu is displayed.

4. Use the ▲or ▼key to select the desired lamp mode and press ENTER. (image 11-14, image 11-15, image 11-16)

Image 11-14

Image 11-15 Image 11-16

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12. Alignment menu

12. ALIGNMENT MENU

About this chapter

This chapter describes the alignment of the projector once the physical installation is ﬁnished. Via the software, the image will be

perfectly aligned on the screen.

Overview

•Overviewﬂow

• Orientation

• Lens adjustment

• Side keystone

• Blanking

• Intensity

• Gamma

• Internal pattern

• Color space

• White peaking

• ScenergiX

12.1 Overview ﬂow

Overview

Level 1 Level 2 Level 3

Alignment

Orientation

Front Table

Front Ceiling

Rear Table

Rear Ceiling

Lens

Zoom/Focus

Shift

Side keystone

Blanking

Top

Bottom

Left

Right

Reset

Intensity

Gamma

Internal patterns

Checker board

Color bars

Convergence

Focus

Full screen black

Full screen blue

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12. Alignment menu

Level 1 Level 2 Level 3

Full screen green

Full screen red

Full screen white

Hatch

Outline

Purity

ScenergiX

Color space

Projector

EBU

SMPTE

Custom

White peaking

ScenergiX

Status

White level

Bottom

Black level

Show pattern

Reset

12.2 Orientation

What can be done?

The way of physical installation of the projector can be deﬁned to the projector.

The following installation are possible:

• front/table

• front/ceiling

• rear/table

• rear/ceiling

Set up the correct orientation

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Alignment and press ENTER.

3. Use the ▲or ▼key to select Orientation and press ENTER.

4. Use the ▲or ▼key to select the correct orientation and press ENTER. (image 12-1, image 12-2, image 12-3)

Image 12-1

Image 12-2

Image 12-3

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12. Alignment menu

For more information about the physical installation, see chapter “General”, “Projector conﬁgurations”.

12.3 Lens adjustment

Quick way to enter the lens adjustment setting; press the lens button on the local keypad or the remote control.

Access to the lens adjustments

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Alignment and press ENTER.

3. Use the ▲or ▼key to select Lens and press ENTER.

The lens adjustment menu is displayed. (image 12-4, image 12-5, image 12-6)

Image 12-4

Image 12-5

Image 12-6

Zoom/focus the lens

1. Use the ▲or ▼key to select Zoom/Focus and press ENTER. (image 12-7, image 12-8)

2. Use the ▲or ▼key to zoom the lens.

Use the ◄or ►key to focus the lens.

3. Press ENTER to go to the shift adjustments.

Image 12-7 Image 12-8

Lens shift

1. Use the ▲or ▼key to select Shift and press ENTER or when in the Zoom/Focus menu press ENTER to toggle to the Shift menu.

(image 12-9, image 12-10)

2. Use the ▲or ▼key to shift the lens upwards or downwards.

Use the ◄or ►key to shift the lens to the left or to the right.

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12. Alignment menu

Image 12-9 Image 12-10

12.4 Side keystone

What can be done?

The side keystone adjustment is used to align the image if the projector is mounted at a non standard projection angle.

Image 12-11

Side keystone

A Keystone adjustment with positive values

B Keystone adjustment with negative values

Side keystone adjustment

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Alignment and press ENTER.

3. Use the ▲or ▼key to select Side keystone and press ENTER.

The keystone dialog box appears.

4. Use the ◄or ►key to adjust the keystone of the image.

When the upper part of the image is wider than the lower part of the image, push the ◄key. The value below the bar scale will

be negative.

When the upper part of the image is smaller than the lower part of the image, push the ►key. The value below the bar scale will

be positive. (image 12-12, image 12-13, image 12-14)

Image 12-12

Image 12-13

Image 12-14

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12. Alignment menu

12.5 Blanking

What can be done ?

Blanking adjustments affect only the edges of the projected image and are used to frame the projected image on to the screen and

to hide or black out unwanted information (or noise). A ’0’ on the bar scale indicates no blanking.

Which blanking adjustments are available ?

• top blanking

• bottom blanking

•leftblanking

• right blanking

Image 12-15

Blanking

A Top blanking

B Bottom blanking

C Left blanking

D Right blanking

The reset function brings all blanking settings back to zero.

How to adjust the blanking?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Alignment and press ENTER.

3. Use the ▲or ▼key to select Blanking and press ENTER.

4. Use the ▲or ▼key to select the desired blanking adjustment and press ENTER.

5. Use the ▲or ▼key to adjust until the desired blanking is reached.

6. Press EXIT to return. (image 12-16, image 12-17, image 12-18)

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12. Alignment menu

Image 12-16

Image 12-17

Image 12-18

12.6 Intensity

What can be done

The light in the optical light path can be dimmed with a mechanical shutter plate. This way of light dimming will enhance the contrast

of the image. Optical light dimming can reduce the light more than the lamp power reduction and it will enhance the contrast at the

same time. Both dimming methods can be combined.

Maximum intensity (255) has the same result as closing the shutter by pushing the projector in pause.

When set on 0 (zero): no dimming.

When set on 255 : maximum dimming.

How to dim?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Alignment and press ENTER.

3. Use the ▲or ▼key to select Optical dimming and press ENTER.

The Optical dimming progress bar appears.

4. Use ◄or ►key to change the optical dimming setting and press EXIT. (image 12-19, image 12-20, image 12-21)

Image 12-19

Image 12-20

Image 12-21

12.7 Gamma

About Gamma

Gamma is an image quality enhancement function that offers a richer image by brightening the already darker portions of the image

without altering the brightness of the brighter portions (contrast feeling enhanced).

How to adjust gamma?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Alignment and press ENTER.

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3. Use the ▲or ▼key to select Gamma and press ENTER.

The Gamma progress bar appears.

4. Use ◄or ►key to change the gamma setting and press EXIT.

Gamma can be set to one of the 8 available steps. (image 12-22, image 12-23, image 12-24)

Image 12-22

Image 12-23

Image 12-24

12.8 Internal pattern

What can be done with these patterns?

The projector is equipped with different internal patterns which can be used for measurement and alignment purposes.

How to select?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Alignment and press ENTER.

3. Use the ▲or ▼key to select Internal patterns and press ENTER.

The internal patterns menu is displayed.

4. Use the ▲or ▼key to scroll through the possible selection and press ENTER to activate the selected pattern.

Select ▲or ▼in the menu to display the previous or next page with possible internal patterns. (image 12-25, image 12-26,

image 12-27)

The selected pattern is displayed.

The following patterns are available:

- Checker board

- Color bars

-Focus

- Full screen black

- Full screen blue

- Full screen green

- Full screen red

- Full screen white

-Hatch

- Outline

-Purity

- ScenergiX

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12. Alignment menu

Image 12-25

Image 12-26

Image 12-27

12.9 Color space

Color space

A color space or color standard is a mathematical representation for a color. For example the RGB color space is

based on a Cartesian coordinate system.

What can be adjusted ?

The color space (gamut), the collection of colors which can be reproduced by the projector, can be adjusted to 4 predeﬁned stored

values (one projector speciﬁc, 2 international standards and one custom preset). A temporary custom adjustment is possible. The

maximum color space which can be displayed is the projector color space. This color space is measured at the factory and stored

inside the projector.

How to select a color standard?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Alignment and press ENTER.

3. Use the ▲or ▼key to select Color space and press ENTER.

4. Use the ▲or ▼key to select the [On] or [Off] selection and ENTER to toggle color space on or off.

5. When color space is [On], use the ▲or ▼key to select the desired color standard and press ENTER to activate. Use the ►key

to view the details or to edit the details when Custom is selected.

Projector Maximum color space

EBU European Broadcasting Union. This organization deﬁnes a European standard.

SMPTE American standard.

Custom The user can deﬁne the x and y coordinates for red, green and blue which forms the corners of the color space.

By changing the coordinates, the color reproduction can be changed.

See image 12-28, image 12-29, image 12-30.

6. When custom is selected, use the ►key to view the details. To adjust the custom values, select the desired color point using

the ▲or ▼key and change the value with ◄or ►key until the desired value is reached. When ﬁnished, press EXIT to return.

(image 12-31)

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12. Alignment menu

Image 12-28

Image 12-29

Image 12-30

Image 12-31

When selecting a ﬁxed color space, the values of this selected color space overwrite the custom selected

color space.

12.10 White peaking

About white peak and brilliant color

In video centric applications true color reproduction is generally a priority over brightness. To achieve this a typical design will not

utilize a white segment of the color wheel. This has the side effect of reducing the amount of light allowed through the color wheel,

which reduces the overall brightness. To compensate for this a technique can applied called Spoke Light Capture (SLR). The spokes

are deﬁned to be the time between colors. If the light is passed through the spokes, the average over time across them is made up

of a mixture of the two adjacent colors. This will result in a secondary color. Color processing can take advantage of this situation.

Combining red with green yields yellow light. Similarly, combining red with blue yields magenta while combining blue with green

yields cyan. The BrilliantColor™ technology is conﬁgured to process the spoke regions as a secondary color which improves the

brightness of the display and gives the viewer a truly life-like image.

If after all, the viewer is still not satisﬁed with the color reproduction, this can further be improved by diminishing the white peaking.

With the white peaking on 10 the full white segment is used in projecting the image. At the other end when the white peaking is

on 0, the white segment is cancelled out from the projected image. This makes the colors look more pronounced as with full white

peaking on.

How to change the white peaking value

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Alignment and press ENTER.

3. Use the ▲or ▼key to select White peaking and press ENTER.

4. Use ◄or ►key to change the white peaking setting and press EXIT.

White peaking can be set between 0 and 10.

The default value is 10.

With 0, no white peaking, spokes not used to enhance the secondary colors and 10, full white peaking, spokes are fully used to

enhance the secondary colors to show a truly life-like image. (image 12-32, image 12-33, image 12-34)

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12. Alignment menu

Image 12-32

Image 12-33

Image 12-34

12.11 ScenergiX

Overview

• Introduction

• Preparations

• ScenergiX activation

• ScenergiX pattern

• ScenergiX overlap zone (horizontal ScenergiX)

• ScenergiX overlap zone (vertical ScenergiX)

• ScenergiX size adjustment (White level)

• Adjusting the black level of the images

12.11.1 Introduction

Why ScenergiX ?

When working in a multichannel setup the FLM R20+ Performer and its Soft Edge possibilities enable an image blending that gives

the appearance of a single view, thus achieving realistic immersion for the majority of wide screen applications.

Image 12-35

Why Soft Edge?

What is the Basic Principal of ScenergiX ?

The principle of edge blending is achieved by linear modulation of the light output in the overlap zone so that the light output in that

zone equals the light output of the rest of the image.

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12. Alignment menu

Adjustable overlapping area

50%

100%

50%

100%

image 2image 1

Light output per image

Total composite light output

Image 12-36

ScenergiX Basic Principle

12.11.2 Preparations

ScenergiX Preparations

To ensure proper ScenergiX adjustment, be sure that the following adjustments are done perfectly on all projectors:

• Convergence

• Geometry

• Color Matching (Color Temperature, Color Standard, Input Balance, Gamma)

12.11.3 ScenergiX activation

How to activate?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Alignment and press ENTER.

3. Use the ▲or ▼key to select ScenergiX and press ENTER.

4. Use the ▲or ▼key to select Status and press ENTER to toggle between [On] and [Off].

On ScenergiX is active

Off ScenergiX is not active

See image 12-37, image 12-38, image 12-39.

Image 12-37

Image 12-38

Image 12-39

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12. Alignment menu

12.11.4 ScenergiX pattern

What can be done?

To make the ScenergiX adjustment more easy, an internal pattern can be displayed.

How to display or remove the pattern?

1. Use the ▲or ▼key to select Show pattern and press ENTER.

The internal ScenergiX pattern is displayed. (image 12-40, image 12-41)

2. To remove the internal pattern, use the ▲or ▼key to select Hide pattern and press ENTER. (image 12-42)

Image 12-40

10509013017021025029033037010 50 90 130 170 210 250 290 330 370

10 50 90 130 170 210 250 290 330 370 10

5090130170210250290330370

40 80 120 160 200 240 280 320 360 400 4080120160200240280320360400

Image 12-41

ScenergiX pattern

Image 12-42

12.11.5 ScenergiX overlap zone (horizontal ScenergiX)

Deﬁnitions

Image 12-43

ScenergiX set up

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12. Alignment menu

Overlap : number of pixels that overlap

Horizontal resolution of 1 projector

Total horizontal screen resolution : [(horizontal resolution of 1 projector) x 2] minus overlap.

Horizontal Resolution source : number of active pixels of the source.

How to set for the ﬁrst projector

1. Go to Layout →Main window →Size

2. Enter the value for the Width as follow: Total horizontal screen resolution / 2 - 0.5 x overlap zone.

3. Position remains the same. (image 12-44, image 12-45, image 12-46, image 12-47)

Image 12-44

Image 12-45

Image 12-46

Image 12-47

How to set for the second projector

1. Go to Layout →Main window →Size

2. Enter the value for the Width as follow: Total horizontal screen resolution / 2 - 0.5 x overlap zone.

3. Position = original start + horizontal width of projector 1 - overlap zone (image 12-48, image 12-49, image 12-50, image 12-51,

image 12-52)

Image 12-48

Image 12-49

Image 12-50

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12. Alignment menu

Image 12-51

Image 12-52

12.11.6 ScenergiX overlap zone (vertical ScenergiX)

Deﬁnitions

Image 12-53

Scenergix overlap zone vertical

Overlap : number of pixels that overlap

Vertical resolution of 1 projector

Total vertical screen resolution : [(Vertical resolution of 1 projector) x 2] minus (overlap)

Vertical Resolution source : number of active lines of the source

How to set for the ﬁrst projector

1. Go to Layout →Main window →Size

2. Enter the value for the Height as follow: Total Vertical screen resolution / 2 - 0.5 x overlap zone.

3. Position remains the same. (image 12-54, image 12-55, image 12-56, image 12-57)

Image 12-54

Image 12-55

Image 12-56

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12. Alignment menu

Image 12-57

How to set for the second projector

1. Go to Layout →Main window →Size

2. Enter the value for the Width as follow: Total Vertical screen resolution / 2 - 0.5 x overlap zone.

3. Position = original start + Vertical height projector 1 - overlap zone (image 12-58, image 12-59, image 12-60, image 12-61,

image 12-62)

Image 12-58

Image 12-59

Image 12-60

Image 12-61

Image 12-62

12.11.7 ScenergiX size adjustment (White level)

What can be done with the white level menu?

The white level menu contains top, bottom, left or right item to set the blending zone.

The ScenergiX menu items are only accessible when status is [On].

How to set the blending zone?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Alignment and press ENTER.

3. Use the ▲or ▼key to select ScenergiX and press ENTER.

4. Use the ▲or ▼key to select White level and press ENTER.

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12. Alignment menu

5. Use the ▲or ▼key to select one of the four size adjustments and press ENTER. (image 12-63, image 12-64, image 12-65,

image 12-66)

A pattern with the different areas is displayed. (image 12-67)

6. Use the cursor keys to move the border of the overlap area to the desired position.

Set ﬁrst the width for the ﬁrst projector and repeat for the second one. (image 12-68, image 12-69)

Image 12-63

Image 12-64

Image 12-65

Image 12-66

Image 12-67

Width selections

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12. Alignment menu

Image 12-68

Width set up for projector 1

Image 12-69

Width set up for projector 2

12.11.8 Adjusting the black level of the images

Why black level adjustment

For dark images, the overlap zone will be brighter then the rest of the images. Typically for DLP projectors, next to the overlap

zone, a brighter area is recognized. This area is known as a DLP leakage area. This area must also be exclude for the black level

adjustment. Therefore we can rise the black level of the remaining image (excluding the overlap zone and the DLP leakage area).

First, the width of the leakage area must be set. The white cursor line indicates the border of the overlap area. The green cursor

line indicates the current installed DLP leakage area border and starts at the position of the white cursor line (no width installed).

This green line can be moved to the border of the DLP leakage area with the cursor keys.

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12. Alignment menu

Image 12-70

DLP Leakage area set up

After the area is set, use TEXT key to remove the area border lines when adjusting the black level.

How to set the leakage area width

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Alignment and press ENTER.

3. Use the ▲or ▼key to select ScenergiX and press ENTER.

4. Use the ▲or ▼key to select Black level and press ENTER.

5. Use the ▲or ▼key to select one of the four size adjustments and press ENTER. (image 12-71, image 12-72, image 12-73,

image 12-74, image 12-75)

6. Use the cursor keys to move the green border line to the desired position.

The leakage area for this overlap is deﬁned and will be excluded during black level adjustment.

Image 12-71

Image 12-72

Image 12-73

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12. Alignment menu

Image 12-74

Image 12-75

DLP leakage area

1 Overlap area

2 DLP Leakage area

How to adjust

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Alignment and press ENTER.

3. Use the ▲or ▼key to select ScenergiX and press ENTER.

4. Use the ▲or ▼key to select Black level and press ENTER. (image 12-76, image 12-77, image 12-78, image 12-79)

5. Adjust the black level of area A until the black level of area A, B and C are equal. Use the Adjust function All, Red, Green and

Blue in the Black level menu. (image 12-80)

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12. Alignment menu

Image 12-76

Image 12-77

Image 12-78

Image 12-79

RGB

Image 1 Image 2

Image 12-80

Black level adjustment

Use the Reset function to bring all ScenergiX settings back to zero.

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13. Projector control

13. PROJECTOR CONTROL

About this chapter

This chapter explains the setup of the control part of the software such as projector address and all types of communication with the

external world.

Overview

•Overviewﬂow

• Projector address

• Serial communication

•Network

• IR control switching

•DMX

• Buttons

• Menu position

• Local LCD contrast

• Language selection

13.1 Overview ﬂow

Overview

Level 1 Level 2 Level 3

Projector control

Projector address

Common address

Serial communication

Baud rate [115200]

Interface standard [RS232/RS422]

RS422 termination [Off/On]

Network

DHCP [ON/OFF]

IP-address

Subnet mask

Default gateway

IR control

IR Front [On/Off]

IR Back [On/Off]

IR Side [On/Off]

DMX

DMX address

DMX universe

DMX monitor

DMX mode

Buttons

APA [auto image menu]

Shortcut keys

Menu position

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13. Projector control

Level 1 Level 2 Level 3

Menu [Center]

Bar scale [Bottom]

Local LCD contrast

Language

English

Français

Deutsch

Español

Italiano

13.2 Projector address

Overview

• Individual projector address

• Common address

13.2.1 Individual projector address

About individual projector address

Before a projector, and only this projector, can be controlled via a remote control, an individual address must be entered in the

projector.

This individual projector address can then be used to control the projector via remote control or via a serial connection.

Next to an individual projector address, each projector has also a common address for group control.

How to set an individual address?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Projector control and press ENTER.

3. Use the ▲or ▼key to select Projector address and press ENTER.

4. Use the ▲or ▼key to select Projector Address and press ENTER.

The edit projector address window opens.

5. Use the ▲or ▼key to select a new value

Or,

enter a new value with the digit keys on the remote control or local keypad.

6. Use the ◄or ►key to select the next digit and repeat step 5.

7. When the desired address is entered, press ENTER to store that address. (image 13-1, image 13-2, image 13-3, image 13-4)

Image 13-1

Image 13-2

Image 13-3

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13. Projector control

Image 13-4

13.2.2 Common address

About common address

A common address can be ’0’ or ’1’.

Any command coming from a remote control programmed with that common address will be executed.

How to change the common address?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Projector control and press ENTER.

3. Use the ▲or ▼key to select Projector address and press ENTER.

4. Use the ▲or ▼key to select Common address and press ENTER.

The edit common address window opens.

5. Use the ▲or ▼key to select ’0’ or ’1’

Or,

enter ’0’ or ’1’ with the digit keys on the remote control or local keypad.

6. When the desired address is entered, press ENTER to store that address. (image 13-5, image 13-6, image 13-7, image 13-8)

Image 13-5

Image 13-6

Image 13-7

Image 13-8

13.3 Serial communication

Overview

• Baud rate setup

• Interface standard

• RS422 termination

13.3.1 Baud rate setup

What can be done?

The baudrate for a serial connection with a computer can be set up.

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13. Projector control

How to set up?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Projector control and press ENTER.

3. Use the ▲or ▼key to select Serial communication and press ENTER.

The serial communication menu opens.

4. Use the ▲or ▼key to select Baudrate and press ENTER to toggle between the available baud rates.

The following baud rates can be selected:

- 9600

- 19200

- 38400

- 57600

- 115200

5. Press EXIT to return. (image 13-9, image 13-10, image 13-11)

Image 13-9

Image 13-10

Image 13-11

13.3.2 Interface standard

What can be done?

The communication protocol for the communication between the projector and a computer can be set to RS232 or RS422.

How to set up

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Projector control and press ENTER.

3. Use the ▲or ▼key to select Serial communication and press ENTER.

The serial communication menu opens.

4. Use the ▲or ▼key to select Interface standard and press ENTER to toggle between [RS232] or [RS422].

Default: [RS232] (image 13-12, image 13-13, image 13-14)

Image 13-12

Image 13-13

Image 13-14

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13. Projector control

13.3.3 RS422 termination

What can be done?

When the interface standard is set to RS422, the last projector in a line should be RS422 terminated (ON position). All others in the

line should be in the OFF position.

How to set

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Projector control and press ENTER.

3. Use the ▲or ▼key to select Serial communication and press ENTER.

The serial communication menu opens.

4. Use the ▲or ▼key to select RS422 termination and press ENTER to toggle between [On] or [Off].

Default: [On] (image 13-15, image 13-16, image 13-17)

Image 13-15 Image 13-16

Image 13-17

13.4 Network

Overview

• Introduction to a Network connection

• DHCP setup

• IP-address set up

• Subnet-mask set up

• Default Gateway set up

13.4.1 Introduction to a Network connection

DHCP

Dynamic host conﬁguration protocol. DHCP is a communications protocol that lets network administrators manage

centrally and automate the assignment of IP addresses in an organization’s network. Using the Internet Protocol, each

machine that can connect to the Internet needs a unique IP address. When an organization sets up its computer users

with a connection to the Internet, an IP address must be assigned to each machine. Without DHCP, the IP address

must be entered manually at each computer and, if computers move to another location in another part of the network,

a new IP address must be entered. DHCP lets a network administrator supervise and distribute IP addresses from

a central point and automatically sends a new IP address when a computer is plugged into a different place in the

network.

Internet Protocol. The network layer of TCP/IP. Required for communication with the internet.

Subnet mask

A number that is used to identify a subnetwork so that IP addresses can be shared on a local area network.

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13. Projector control

Default Gateway

A router that serves as an entry point into and exit point out of a network. For example, a local network (LAN) may

need a gateway to connect it to a wide area network (WAN) or to the Internet.

MAC address

Media Access Control address. Unique hardware number, used in combination with the IP-address to connect to the

network (LAN or WAN).

What should be set up for an Ethernet address?

2 ways can be used to assign an address:

• use the DHCP setting so that an automatic address will be assigned.

• Assign manually an IP address, Net-mask (subnet-mask), (default) gateway address.

- Set the IP-Address ﬁeld to the desired value. This must NOT be 0.0.0.0 for static IP-Address assignment. The IP address

identiﬁes a projector’s location on the network in the same way a street address identiﬁes a house on a city block. Just as

a street address must identify a unique residence, an IP address must be globally unique and have a uniform format.

- Set the Subnet-Mask as appropriate for the local subnet.

- Set the Default-Gateway to the IP-Address of the local router (MUST be on the local subnet!) on the same network as this

projector that is used to forward trafﬁc to destinations beyond the local network. This must not be 0.0.0.0. If there is no

router on the projector’s local subnet then just set this ﬁeld to any IP-Address on the subnet.

13.4.2 DHCP setup

How to switch DHCP setting?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Projector control and press ENTER.

3. Use the ▲or ▼key to select Ethernet and press ENTER.

The Ethernet menu opens.

4. Use the ▲or ▼key to select DHCP.

5. Press ENTER to toggle the DHCP setting.

[ON] = DHCP is activated. Automatic assigning of an address is activated.

[OFF ] = DHCP is deactivated. A ﬁxed address will be used. (image 13-18, image 13-19, image 13-20)

Image 13-18

Image 13-19

Image 13-20

13.4.3 IP-address set up

How to set up?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Projector control and press ENTER.

3. Use the ▲or ▼key to select Network and press ENTER.

The Network menu opens.

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4. Use the ▲or ▼key to select IP-address and press ENTER to select.

Note: An address contains 4 octets with a maximum value of 255.

This must NOT be 0.0.0.0 for static IP-Address assignment.

5. Use the ▲or ▼key to select the desired digit and press ◄or ►key to select the next digit in the address.

Or,

enter the value with the digit keys on the remote control or local keypad. The next digit in the address will be selected automati-

cally.

6. Press EXIT to return. (image 13-21, image 13-22, image 13-23, image 13-24)

Image 13-21

Image 13-22

Image 13-23

Image 13-24

13.4.4 Subnet-mask set up

How to set up?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Projector control and press ENTER.

3. Use the ▲or ▼key to select Network and press ENTER.

The Ethernet menu opens.

4. Use the ▲or ▼key to select Subnet mask and press ENTER to select.

Note: An address contains 4 octets with a maximum value of 255.

Fill out the 4 ﬁelds as appropriate for the local subnet.

5. Use the ▲or ▼key to select the desired digit and press ◄or ►key to select the next digit in the address.

Or,

enter the value with the digit keys on the remote control or local keypad. The next digit in the address will be selected automati-

cally.

6. Press EXIT to return. (image 13-25, image 13-26, image 13-27, image 13-28)

Image 13-25

Image 13-26

Image 13-27

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Image 13-28

13.4.5 Default Gateway set up

How to set up?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Projector control and press ENTER.

3. Use the ▲or ▼key to select Network and press ENTER.

The Ethernet menu opens.

4. Use the ▲or ▼key to select Default Gateway and press ENTER to select.

Note: An address contains 4 octets with a maximum value of 255.

Set the default gateway to the IP-address of the router (MUST be on the local subnet!). If there is no router on the projector’s

local subnet then just set this ﬁeld to any IP-address on the subnet.

5. Use the ▲or ▼key to select the desired digit and press ◄or ►key to select the next digit in the address.

Or,

enter the value with the digit keys on the remote control or local keypad. The next digit in the address will be selected automati-

cally. (image 13-29, image 13-30, image 13-31, image 13-32)

Note: This must NOT be 0.0.0.0

6. Press EXIT to return.

Image 13-29

Image 13-30

Image 13-31

Image 13-32

13.5 IR control switching

What can be done?

Each IR receiver inside the projector can be activated or deactivated. When an IR receiver is deactivated, no IR signal send to this

IR receiver will be processed. When entering an Activation code with the remote control all IR receivers can be activated at the

same time.

How to switch

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Projector control and press ENTER.

3. Use the ▲or ▼key to select IR Control and press ENTER.

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4. Use the ▲or ▼key to select the desired IR receiver and press ENTER to toggle this receiver [on] or [off]. (image 13-33,

image 13-34, image 13-35)

Image 13-33

Image 13-34

Image 13-35

Activation key

1. Use the ▲or ▼key to select Activation key and press ENTER.

The Activation key window opens. The ﬁrst digit is selected.

2. Enter a new value with the digit buttons. The next digit is selected. Or use ◄or ►key to select another digit.

3. Press ENTER to activate the key. (image 13-36, image 13-37)

Image 13-36

Image 13-37

13.6 DMX

Overview

• DMX address

• DMX universe

• DMX monitor

• DMX mode

• Art-Net Activation

While the local LCD display on the CLM is active (backlight is on), the DMX response time may increase.

13.6.1 DMX address

How to set the DMX address

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Projector control and press ENTER.

3. Use the ▲or ▼key to select DMX and press ENTER.

4. Use the ▲or ▼key to select DMX address and press ENTER.

The edit DMX address window opens.

5. Use the ▲or ▼key to select a new value

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13. Projector control

Or,

enter a new value with the digit keys on the remote control or local keypad.

6. Use the ◄or ►key to select the next digit and repeat step 5.

7. When the desired address is entered, press ENTER to store that address. (image 13-38, image 13-39, image 13-40, image 13-41)

Image 13-38

Image 13-39

Image 13-40

Image 13-41

13.6.2 DMX universe

About DMX universe

One DMX universe can contain a limited number of projectors depending on the DMX mode. Only 512 channels can be connected

to one universe. When the number of channels exceed the universe space, a new universe has to be created

How to set the DMX universe

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Projector control and press ENTER.

3. Use the ▲or ▼key to select DMX and press ENTER.

4. Use the ▲or ▼key to select DMX universe and press ENTER.

The edit DMX universe window opens.

5. Use the ▲or ▼key to select a new value

Or,

enter a new value with the digit keys on the remote control or local keypad.

6. Use the ◄or ►key to select the next digit and repeat step 5.

7. When the desired universe is entered, press ENTER to store that universe. (image 13-42, image 13-43, image 13-44, im-

age 13-45)

Image 13-42

Image 13-43

Image 13-44

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Image 13-45

13.6.3 DMX monitor

What can be done?

If a DMX device is connected, the settings per channel can be displayed in an on screen menu.

How to start up the monitoring

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Projector control and press ENTER.

3. Use the ▲or ▼key to select DMX and press ENTER.

4. Use the ▲or ▼key to select DMX monitor and press ENTER.

The DMX monitor window opens. Depending on the DMX mode, the Normal view or the Simple view of the DMX monitor window

opens. (image 13-46, image 13-47, image 13-48, image 13-49, image 13-50)

Image 13-46

Image 13-47

Image 13-48

Image 13-49

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13. Projector control

Image 13-50

When selecting DMX monitor and no DMX device is connected, the message “No DMX data, check connection

<ENTER> to display channels” appears on the screen. When ENTER is pressed the same window appears as

DMX Monitor but without values.

About motor control (channel 6 and 7)

If channel #6 is brought to 32 or more, this is the same as “motor” forward (as pushing the button on the side panel). It also disables

control of channel 7.

If channel #7 is brought to 32 or more, this is the same as “motor” reverse (as pushing the button on the side panel). It also disables

control of channel 6.

Both channels above 32 means no action.

Channel 6 and 7:

0 - 31 No action

31 - 255 Action start

About channel 4 and 5

Channel 4:

0 - 31 Input 1

32 - 63 Input 2

64 - 255 No image (pause)

Channel 5:

0-31 Off

32 - 63 Focus

64 - 95 Zoom

96 - 127 Horizontal shift

128 - 255 Vertical shift

13.6.4 DMX mode

What can be done ?

2 modes for DMX are available:

• Basic which has currently 2 channels implemented.

• Full which has currently 9 channels implemented and 10th free channel.

Depending on the DMX application the correct mode has to be selected.

For the complete DMX chart, see "DMX Chart", page 195.

How to set the mode

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Projector control and press ENTER.

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3. Use the ▲or ▼key to select DMX and press ENTER.

4. Use the ▲or ▼key to select DMX mode and press ENTER to toggle between [Basic] and [Full]. (image 13-51, image 13-52,

image 13-53)

Image 13-51

Image 13-52

Image 13-53

13.6.5 Art-Net Activation

What can be done ?

DMX via Art-Net can be activated [On] or blocked [Off].

Default value : off

How to toggle

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Projector control and press ENTER.

3. Use the ▲or ▼key to select DMX and press ENTER.

4. Use the ▲or ▼key to select ArtNet and press ENTER to toggle between [Off] and [On]. (image 13-54, image 13-55, image 13-56)

Image 13-54

Image 13-55

Image 13-56

13.7 Buttons

Functionality

Some buttons on the RCU or local keypad can have a different functionality depending on the need of the projector owner.

Overview

• APA button

• Shortcut keys

13.7.1 APA button

What can be done?

The function of the APA button can be conﬁgured according the wishes of the user.

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13. Projector control

The function can be:

• Auto align (only aligning of the preview window is executed).

• Auto-image menu. This function opens a auto image menu where the user can make his choice between auto align, auto

contrast/brightness and auto phase.

How to conﬁgure the Auto button?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Projector control and press ENTER.

3. Use the ▲or ▼key to select Buttons and press ENTER.

4. Use the ▲or ▼key to select APA and press ENTER to toggle between [Align only] and [Auto-image menu]. (image 13-57,

image 13-58, image 13-59)

Image 13-57

Image 13-58

Image 13-59

13.7.2 Shortcut keys

What can be done?

An overview of the shortcut allocations with the corresponding menu is given. Those printed in bold are allocated.

The allocated shortcut keys can be cleared within this menu.

How to clear a shortcut key

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Projector control and press ENTER.

3. Use the ▲or ▼key to select Buttons and press ENTER.

4. Use the ▲or ▼key to select Shortcut keys and press ENTER.

5. Use the ▲or ▼key to select a shortcut with allocation and press ENTER to remove the allocation.

The indication becomes No allocation and the key is free again for a new shortcut association. (image 13-60, image 13-61,

image 13-62, image 13-63)

Image 13-60

Image 13-61

Image 13-62

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13. Projector control

Image 13-63

13.8 Menu position

What is possible?

The on screen menu and the bar scale can be positioned on different places on the screen.

Both can be positioned :

• Center

•Top

• Bottom

How to change the position?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Projector control and press ENTER.

3. Use the ▲or ▼key to select Menu position and press ENTER.

The Menu position window opens

4. Use the ▲or ▼key to select Menu or Barscale and press ENTER to toggle between [Center], [Bottom] or [Top]. (image 13-64,

image 13-65, image 13-66)

Image 13-64

Image 13-65

Image 13-66

13.9 Local LCD contrast

What is possible?

The contrast of the local LCD can be adapted to the needs of the environment.

How to change?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Projector control and press ENTER.

3. Use the ▲or ▼key to select Local LCD contrast and press ENTER.

4. Use the ▲or ▼key to adjust the local contrast. (image 13-67, image 13-68, image 13-69)

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13. Projector control

Image 13-67

Image 13-68

Image 13-69

13.10 Language selection

What can be done?

The user can change the language of the on screen menus and the local display menus to one of the available languages.

The following languages are available:

•English

• French

•German

• Spanish

• Italian

All available languages are indicated in the language of the country. The current active language is indicated by an asterisk (*).

How to change the language

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Projector control and press ENTER.

3. Use the ▲or ▼key to select Language and press ENTER.

4. Use the ▲or ▼key to select the desired language. The change will take effect immediately. (image 13-70, image 13-71,

image 13-72)

Image 13-70

Image 13-71

Image 13-72

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14. Service menu

14. SERVICE MENU

About this chapter

This chapter refers to the Service menu in which the owner can ﬁnd valuable information when calling the Barco help desk.

Overview

•Overviewﬂow

• Identiﬁcation

• Diagnosis

• Internal service patterns

• Restore factory defaults

• Save custom settings

•Reﬁll mode

• USB memory

• Over temperature DMD safety

14.1 Overview ﬂow

Overview

Level 1 Level 2 Level 3

Service

Identiﬁcation

Diagnosis

Version

Voltages

Temperatures

Fan speeds

Error logging

Internal service patterns

PNP IN

OSD

PMP OUT

FIB

Formatter

Restore factory defaults

Save custom settings

Reﬁll mode

USB memory

Safety

Overtemperature DMD

14.2 Identiﬁcation

What can be seen on the identiﬁcation screen?

The identiﬁcation screen shows the general information about the projector.

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14. Service menu

The following items will be displayed:

•Typeofprojector

• Projector address

• Package

•Conﬁguration

• Baud rate

• IP address

• MAC address

•Text

• Serial number of projector: this number can be useful when calling for technical assistance.

• Runtime

• Lamp runtimes

•CustomerID

How to display the screen?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Service and press ENTER.

The service window opens.

3. Use the ▲or ▼key to select Identiﬁcation and press ENTER.

The identiﬁcation screen is displayed. (image 14-1, image 14-2, image 14-3)

Image 14-1

Image 14-2

Image 14-3

Add a customer ID to identiﬁcation window

When on the identiﬁcation window:

1. Use the ▲or ▼key to select Customer ID and press ENTER.

The Customer ID input window opens. (image 14-4)

2. Use the ▲or ▼key to change the selected character.

Use the ◄or ►key to selected another character.

Note: Digits can be entered with the digit keys on the remote control or on the local keypad. When a digit is entered in that

way, the next character will be selected automatically.

Image 14-4

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14. Service menu

14.3 Diagnosis

What can be seen?

The diagnosis menu gives the possibility to get an overview of the working of the projector.

14.3.1 How to start up the diagnosis?

Start up

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Service and press ENTER.

The service window opens.

3. Use the ▲or ▼key to select Diagnosis and press ENTER.

The diagnosis screen will be displayed. (image 14-5, image 14-6, image 14-7)

Image 14-5

Image 14-6

Image 14-7

14.3.2 Versions

How to display an overview?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Service and press ENTER.

The service window opens.

3. Use the ▲or ▼key to select Diagnosis and press ENTER.

The diagnosis screen is displayed.

4. Use the ▲or ▼key to select Versions and press ENTER.

The Versions overview is displayed.

To see also the package info and to make a comparison with the current version, press on ►.

An indication is given of the current installed software is equal, smaller then or greater then the one in the package. (image 14-8,

image 14-9, image 14-10, image 14-11)

Image 14-8

Image 14-9

Image 14-10

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14. Service menu

Image 14-11

Use the ▲or ▼item in the menu to select the previous or next page with information.

14.3.3 Voltages

How to display an overview?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Service and press ENTER.

The service window opens.

3. Use the ▲or ▼key to select Diagnosis and press ENTER.

The diagnosis screen will be displayed.

4. Use the ▲or ▼key to select Voltages and press ENTER.

The Voltage overview menu will be displayed. (image 14-12, image 14-13, image 14-14, image 14-15)

Image 14-12

Image 14-13

Image 14-14

Image 14-15

Use the ▲or ▼item in the menu to select the previous or next page with information.

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14.3.4 I²C diagnosis

How to select?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Service and press ENTER.

The service window opens.

3. Use the ▲or ▼key to select Diagnosis and press ENTER.

The diagnosis screen is displayed.

4. Use the ▲or ▼key to select I2C and press ENTER.

The I²C diagnosis overview is displayed. (image 14-16, image 14-17, image 14-18, image 14-19)

Image 14-16

Image 14-17

Image 14-18

Image 14-19

14.3.5 Temperatures

How to get an overview?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Service and press ENTER.

The service window opens.

3. Use the ▲or ▼key to select Diagnosis and press ENTER.

The diagnosis screen will be displayed.

4. Use the ▲or ▼key to select Temperatures and press ENTER.

The Temperature overview menu will be displayed. (image 14-20, image 14-21, image 14-22, image 14-23)

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14. Service menu

Image 14-20

Image 14-21

Image 14-22

Image 14-23

Use the ▲or ▼item in the menu to select the previous or next page with information.

14.3.6 Fan speeds overview

How to get an overview?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Service and press ENTER.

The service window opens.

3. Use the ▲or ▼key to select Diagnosis and press ENTER.

The diagnosis screen will be displayed.

4. Use the ▲or ▼key to select Fan speeds and press ENTER.

The Fan speeds overview menu will be displayed.

The current value is given together with the minimum required value in the following way : current value > minimum required

value. (image 14-24, image 14-25, image 14-26, image 14-27)

Image 14-24

Image 14-25

Image 14-26

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14. Service menu

Image 14-27

Use the ▲or ▼item in the menu to select the previous or next page with information.

14.3.7 SPI

How to get an overview

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Service and press ENTER.

The service window opens.

3. Use the ▲or ▼key to select Diagnosis and press ENTER.

The diagnosis screen will be displayed.

4. Use the ▲or ▼key to select SPI and press ENTER.

The SPI overview menu will be displayed. (image 14-28, image 14-29, image 14-30, image 14-31)

Image 14-28

Image 14-29

Image 14-30

Image 14-31

14.3.8 Error logging overview

How to get an overview?

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Service and press ENTER.

The service window opens.

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14. Service menu

3. Use the ▲or ▼key to select Diagnosis and press ENTER.

The diagnosis screen will be displayed.

4. Use the ▲or ▼key to select Error logging and press ENTER.

The Error logging overview menu is displayed.

For more explanation about the stored error message, see "Error codes", page 203. (image 14-32, image 14-33, image 14-34)

Image 14-32

Image 14-33

Image 14-34

14.4 Internal service patterns

How to select

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Service and press ENTER.

The service window opens.

3. Use the ▲or ▼key to select Internal service patterns and press ENTER.

The internal service pattern window opens.

4. Use the ▲or ▼key to select the desired patterns and press ENTER.

When a pattern is selected, press ENTER to toggle to other patterns of the selected type. Press EXIT to return to the internal

service pattern menu. (image 14-35, image 14-36, image 14-37)

Image 14-35

Image 14-36

Image 14-37

14.5 Restore factory defaults

What can be done?

All settings of the projector will be set to the original factory settings with the exception of the IP address, serial settings, DMX settings

and High altitude mode. For these settings the choice exists to exclude them in the reset operation. .

Howtomakeanexception

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Service and press ENTER.

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14. Service menu

The service window opens.

3. Use the ▲or ▼key to select Restore factory defaults and press ENTER.

The factory defaults conﬁrmation window opens.

4. Use the ▲or ▼key to select the setting to exclude and press ENTER to toggle between [No] and [Yes].

Repeat this step if necessary for the other settings. (image 14-38, image 14-39, image 14-40)

Image 14-38

Image 14-39

Image 14-40

How to return to the default settings

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Service and press ENTER.

The service window opens.

3. Use the ▲or ▼key to select Restore factory defaults and press ENTER.

The factory defaults conﬁrmation window opens.

4. Use the ▲or ▼key to select Yes or No and press ENTER.

If you are sure to restore the factory defaults and to erase the custom settings, select Yes.

If you are not sure, select No. (image 14-41, image 14-42, image 14-43)

Image 14-41

Image 14-42

Image 14-43

14.6 Save custom settings

What is done?

The current custom settings can be saved to the internal backup device in the same way as it would be done when the projector

was switched to standby.

How to save

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Service and press ENTER.

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The service window opens.

3. Use the ▲or ▼key to select Save custom settings and press ENTER.

The custom settings are written to the internal backup device. A message menu “Save data ...” is displayed during the save

operation. (image 14-44, image 14-45)

Image 14-44

Image 14-45

14.7 Reﬁll mode

Before selecting Reﬁll mode, take ﬁrst all preparations necessary to reﬁll the cooling circuit.

What can be done?

When all preparations are taken, the reﬁll mode will automatically activate the reﬁll process.

How to start the reﬁll mode

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Service and press ENTER.

The service window opens.

3. Use the ▲or ▼key to select Reﬁll mode and press ENTER.

Areﬁll conﬁrmation message is displayed.

4. Use the ▲or ▼key to select Yes or No and press ENTER.

Yes will switch the projector in reﬁll mode.

When No is selected, the projector stays in normal mode. (image 14-46, image 14-47, image 14-48)

Image 14-46

Image 14-47

Image 14-48

When the projector was in standby while selecting Reﬁll mode, then the water-cooling pump will start pump-

ing. Repower the projector to ﬁnish the reﬁlll mode.

When the projector was playing, it remains playing.

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14.8 USB memory

What is possible with an USB device?

An USB device, FAT 16 formatted can be used, to save custom settings from the projector or to load custom settings to the projector.

This function is very handy to clone projectors.

The following settings can be transported via an USB device:

• baudrate

• address

• common address

• orientation

• text on/off

•ﬁle load mode

• eco mode & dimming

• rs232 interface & rs232 termination

• no signal setup settings

• IR receiver settings

• native resolution

• min delay

• current language of on screen menus

•customerid

• Network settings (DHCP, IP address, net mask, gateway address)

• blanking & keystone

• ScenergiX

• gamma

• color standard

• source switching

• effect settings

• menu position

• button settngs

• locking settings

Saving custom settings

1. Connect a FAT 16 formatted USB device to the USB port.

2. Press MENU to activate the menus.

3. Use the ▲or ▼key to select Service and press ENTER.

The service window opens.

4. Use the ▲or ▼key to select USB memory and press ENTER.

5. Use the ▲or ▼key to select Save custom settings and press ENTER.

The custom settings on the projector are stored on the USB device together with the serial number of the projector. Different

saves can be made from different projectors on the same USB device.

When there is no USB device connected to the USB slot, a message, No USB device found,isdisplaye

d. (image 14-49, im-

age 14-50, image 14-51)

Image 14-49

Image 14-50

Image 14-51

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14. Service menu

Load custom settings

1. Connect a FAT 16 formatted USB device to the USB port.

2. Press MENU to activate the menus.

3. Use the ▲or ▼key to select Service and press ENTER.

The service window opens.

4. Use the ▲or ▼key to select USB memory and press ENTER.

5. Use the ▲or ▼key to select Load custom settings and press ENTER.

An list of serial numbers is given.

6. Use the ▲or ▼key to select the serial number to start from to load the settings.

The settings from the selected projector on the USB device are loaded into the current attached projector. The current projector

settings are overwritten with these settings. (image 14-52, image 14-53, image 14-54)

Image 14-52

Image 14-53

Image 14-54

14.9 Over temperature DMD safety

What can be done

When the temperature of the DMD becomes higher than the normal operation temperature (between 60 and 64 °C) it is possible to

switch the lamp mode of the projector automatically from 4 lamps to 2 lamps so that the DMD temperature can cool down. A warning

remains on the local LCD panel and the warning LED is on as long as the temperature is too high. When the temperature exceeds

64°C then the projector is switched to standby and an error is displayed on the LCD panel.

How to conﬁgure the over temperature safety

1. Press MENU to activate the menus.

2. Use the ▲or ▼key to select Service and press ENTER.

3. Use the ▲or ▼key to select Safety and press ENTER.

4. Use the ▲or ▼key to select Overtemp DMD and press ENTER to toggle between [On] and [Off].

On When temperature is too high, lamp mode is switched from 4 to 2 lamps. The 4 lamps mode can only be restored

after switching ﬁrst to standby and restarting the projector.

If the temperature exceeds 64 °C, the projector is switched to standby.

Off for a temperature between 60 and 64 °C the projector continues in normal operation but the warning is set on the

LCD display. Once the temperature is higher then 64 °C, then the projector is switched to standby.

The following text is displayed on the LCD: “DMD temperature to high. Please, check cooling liquid level ! Check

dust ﬁlters ! Press any key to conﬁrm.”

See image 14-55, image 14-56, image 14-57.

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14. Service menu

Image 14-55

Image 14-56

Image 14-57

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14. Service menu

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15. Maintenance

15. MAINTENANCE

About this chapter

This chapter contains detailed maintenance procedures like lens cleaning, etc. These procedures can easily be performed by the

operator of the projector.

Overview

• Cleaning the lens

• Cleaning the exterior of the projector

• Level check of cooling liquid

15.1 Cleaning the lens

To minimize the possibility of damage to optical coatings, or scratches to lens surfaces, we have developed

recommendations for cleaning. FIRST, we recommend you try to remove any material from the lens by blowing

it off with clean, dry deionized air. DO NOT use any liquid to clean the lenses.

Necessary tools

To r ay s e e TM cloth (delivered together with the lens kit). Order number : R379058.

Howtocleanthelens?

1. Always wipe lenses with a CLEAN TorayseeTM cloth.

2. Wipe lenses in a one single direction.

Warning: Do not wipe back and forwards across the lens surface as this tends to grind dirt into the coating.

3. Do not leave the cleaning cloth in either an open room or lab coat pocket, as doing so can contaminate the cloth.

4. If smears occur when cleaning lenses, replace the cloth. Smears are the ﬁrst indication of a dirty cloth.

CAUTION:Do not use fabric softener when washing the cleaning cloth or softener sheets when drying the

cloth.

Do not use liquid cleaners on the cloth as doing so will contaminate the cloth.

Other lenses can also be cleaned safely with this TorayseeTM cloth.

15.2 Cleaning the exterior of the projector

How to clean the exterior of the projector ?

1. Switch off the projector and unplug the power cord at the projector side.

2. Clean the housing of the projector with a damp cloth. Stubborn stains may be removed with a cloth lightly dampened with a mild

detergent solution.

15.3 Level check of cooling liquid

What should be done ?

The projector is liquid cooled. When running with a low liquid cooling level then the cooling capacity is strongly reduced which results

in higher temperatures inside the projector. These higher temperatures can cause an interruption of your show as the lamps can be

switched off by the software as a preventive step.

To avoid this problem, we strongly advise to check at least every 3 months the cooling level in the cooling reservoir of the projector.

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15. Maintenance

WARNING:Switch off the projector and pull out the power cord before starting the check procedure !

How to check

Remove :

- lamp door, see "Removal of the lamp door", page 182.

- front cover, see "Removal of the front cover", page 181.

- back cover, see "Removal of the back cover", page 183.

- top cover, see "Removal of the top cover", page 184.

- side cover, see "Removal of the side cover", page 184.

1. Check the cooling liquid level.

When the white indication line is in the service area, then the reservoir has to be topped-up again. To top-up the reservoir, see

chapter "16. Servicing", "Top-up the reservoir with cooling liquid", page 177.

When the white indication is in the good area, no corrective action should be taken. Close the top cover and fasten both captive

screws. (image 15-1)

Image 15-1

Check cooling liquid

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16. Servicing

16. SERVICING

About this chapter

This chapter contains general servicing procedures like lamp replacement, input unit replacement etc. Note that some of these

procedures may only be performed by qualiﬁed technical service personnel. These procedure are marked with a warning.

Extra service information

Extra service information for qualiﬁed service technicians can be found on Barco’s Partnerzone (URL:www.partner-

zone.events.barco.com). Registration is necessary.

If you are not yet registered, click on Partnerzone registration and follow the instructions. With the created login and password, it is

possible to enter the partnerzone where you can ﬁnd extra service information about the projector.

HEPA

High Efﬁciency Particulate Absorbing

Overview

• Replacement of the dust ﬁlter on the top side

• Replacement of the dust ﬁlters on the front side

• Lens installation

• Lens removal

• Removal of a lamp unit

• Mounting a new lamp unit

• Removal of an input module

• Inserting an input module

• Top-up the reservoir with cooling liquid

CAUTION:All HEPA ﬁlters of the projector must be replaced on a regular basis, depending on the environment

conditions of the projector.

16.1 Replacement of the dust ﬁlter on the top side

All dust ﬁlters in the projector are identical.

Necessary parts

New HEPA dust ﬁlter.

How to replace the ﬁlter on top of the projector

1. Switch off the projector and unplug the power cord from the wall outlet.

2. Remove the lamp door, see "Removal of the lamp door", page 182.

3. Take the ﬁlter on the side parallel with the cover and pull it upwards (A). Pivot it a little and take it out (B). (image 16-1)

4. Insert a new HEPA ﬁlter ﬁrst with the side next to the lamp housing and pull down the other side to lock the ﬁlter.

5. Reinstall the lamp door, see "Installation of the lamp door", page 188.

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16. Servicing

Image 16-1

Filter top replacement

CAUTION:Never install a used HEPA ﬁlter. Always install a new HEPA ﬁlter.

CAUTION:Never use the projector with a removed cover. Always reinstall the removed cover.

16.2 Replacement of the dust ﬁlters on the front side

Necessary parts

Two new HEPA dust ﬁlters.

How to replace the ﬁlters on the front side of the projector

1. Switch off the projector and unplug the power cord from the wall outlet.

2. Remove the front cover, see "Removal of the front cover", page 181.

3. Remove the HEPA ﬁlter on the front side by pulling the spring clamp (A) on the upper side away from the ﬁlter and then pivot the

ﬁlter a little ( B) and take it out (C). (image 16-2)

4. Insert a new HEPA ﬁlter by pulling the spring clamp away and insert the ﬁlter into its position. Release the spring clamp.

5. Reinstall the front cover of the projector, see "Installation of the front cover", page 187.

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16. Servicing

Image 16-2

Front ﬁlter replacement

CAUTION:Never install a used HEPA ﬁlter. Always install a new HEPA ﬁlter.

CAUTION:Never use the projector with a removed cover. Always reinstall the removed cover.

16.3 Lens installation

How to install the lens

1. Remove the front cover of the projector. See "Removal of the front cover", page 181.

2. Remove the foam rubber in the opening of the lens holder if not yet removed.

3. Place the lock handle A is in its right position (table mounted projector). (image 16-3)

4. Insert the lens in such a way that the female jack (C) is in front of the male jack (upper left corner) (B) and ensure the lens touches

the front plate of the lens holder.

Caution: Do not release the lens yet, as the lens may fall out of the lens holder.

5. Secure the lens in the lens holder by sliding the lens lock handle A into the “locked” position (left position for table mounted

projector).

6. Check if the lens is really secured by trying to pull the lens out of the lens holder.

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16. Servicing

Image 16-3

Mounting the lens

CAUTION:Never transport the projector with a Lens mounted in the Lens Holder. Always remove the Lens

before transporting the projector. Neglecting this can damage the Lens Holder and Prism.

16.4 Lens removal

How to remove the lens

1. Remove the front cover of the projector. See "Removal of the front cover", page 181.

2. Support the lens with one hand and push the lens lock handle to the right. (image 16-4)

3. Pull out the lens backward until the jack connection is open (A). Slide the lens out of the lens holder. (image 16-5)

Image 16-4

Lens removal

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16. Servicing

Image 16-5

Slide out lens

16.5 Removal of a lamp unit

WARNING:This procedure may only be performed by qualiﬁed technical service personnel.

CAUTION:Never attempt to disassemble the lamp from its housing or to dispose of it. Due to its high internal

pressure, the lamp may explode in either hot or cold states if improperly handled. For recycling guidelines,

see "Recycling guidelines", page 8.

About the lamps

The projector contains 4 lamps, each of them in a separate lamp house. Each lamp can be individually replaced by a spare lamp.

Each lamp position has a number. That number is also used in the software to identify the parameters of the corresponding lamp.

Lamp 1

Lamp 2

Lamp 3

Lamp 4

Image 16-6

Lamp position

When servicing a projector with exploded lamp

Keep the following warning in mind when servicing a projector with exploded lamp.

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16. Servicing

Mercury Vapor Warnings: The lamp used in the projector contains mercury. In case of a lamp rupture, explosion there will be a

mercury vapor emission. In order to minimize the potential risk of inhaling mercury vapors:

• Ensure the projector is installed only in ventilated rooms.

• Replace the lamp module before the end of its operational life.

• Promptly ventilate the room after a lamp rupture, explosion has occurred, evacuate the room (particularly in case of a pregnant

woman).

• Seek medical attention if unusual health conditions occur after a lamp rupture, explosion, such as headache, fatigue, shortness

of breath, chest-tightening coughing or nausea.

Necessary tools

No tools.

How to remove a lamp

1. Switch off the projector and unplug the power cord from the wall outlet.

2. Remove the lamp door, see "Removal of the lamp door", page 182.

3. Unplug the cable of the lamp which must be removed. (image 16-7)

4. Pull up the ﬁxation handle and rotate it fully upwards. (image 16-8)

5. Clasp the lamp and pull upwards. (image 16-9)

Image 16-7

Image 16-8

Lamp removal

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16. Servicing

Image 16-9

Take out the lamp

For recycling guidelines of the lamp, see "Recycling guidelines", page 8.

16.6 Mounting a new lamp unit

About the lamp units

All four lamp units are equal. A spare lamp can be inserted in any position without problems. See spare part list for the order

numbers.

WARNING:This procedure may only be performed by qualiﬁed technical service personnel.

CAUTION:Never attempt to disassemble the lamp from its housing or to dispose of it. Due to its high internal

pressure, the lamp may explode in either hot or cold states if improperly handled. For recycling guidelines,

see "Recycling guidelines", page 8.

CAUTION:Never touch the reﬂector or the lamp bulb with your ﬁngers. That will reduce the lifetime of the

lamp.

Never touch the UV ﬁlter when a lamp is removed.

Necessary tools

No tools.

How to insert a lamp unit

1. Insert the lamp vertically into the housing, with the front of the lamp facing the middle of the projector. (image 16-10)

2. Rotate the ﬁxation handle and close it. Push till it clicks.

3. Insert the cable connector into lamp unit socket.

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16. Servicing

Image 16-10

Lamp insertion

16.7 Removal of an input module

Necessary tools

Phillips screw driver PH1

How to remove an input module

1. Switch off the projector and unplug the power cord at the projector side.

2. Release the two captive screws of the input module. (image 16-11)

3. Pull out the input module via the two provided knobs.

Image 16-11

Input module removal

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16. Servicing

CAUTION:Ensure that an unused slot is always covered with a dummy front plate. Immediately install after

removing an input module a new input module or a dummy front cover.

16.8 Inserting an input module

Necessary tools

Phillips screw driver PH1

How to insert an input module

1. Ensure the projector is switched off and the power cord at the projector side is unplugged.

2. Slide the input module into the guides of the input slot. (image 16-12)

3. Push the input module forward until you feel that the connector of the input module ﬁt in the socket of the input slot. The back of

the front plate of the module must touch the front plate of the input unit.

4. Secure the input module by fastening both captive screws in the top corners of the module.

Image 16-12

Insert module

16.9 Top-up the reservoir with cooling liquid

Access to the reservoir

1. Switch off the projector and pull out the power cord from the power outlet.

Remove :

- lamp door, see "Removal of the lamp door", page 182.

- front cover, see "Removal of the front cover", page 181.

- back cover, see "Removal of the back cover", page 183.

- top cover, see "Removal of the top cover", page 184.

- side cover, see "Removal of the side cover", page 184.

The reservoir is mounted half a way of the side of the projector.

Top-up procedure

1. Turn the bolt to release the pressure (1) . Turn until the white indication line is in the Open area (membrane is at the bottom of

the reservoir) or until you feel to much resistance.

2. If you feel to much resistance, turn off the main lid on top of the reservoir (A). (image 16-13)

3. Loosen the bleed lid a little so that air can enter and close the bleed lid again.

4. Turn on the bolt so that the white indication line is in the Open area (membrane is at the bottom of the reservoir).

5. Turn the bleed lid a little and take it out (B)

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16. Servicing

6. Turn out the third lid using the back of the main lid. (image 16-14)

7. Top-up the reservoir with cooling liquid until the level is somewhat higher than the hole in the reservoir. (image 16-15)

8. Close the third lid again using the back of the main lid. Use a cloth to dab the residue of cooling liquid.

Note: Make sure that no cooling liquid is spilled in the projector.

9. Turn in the bleed lid.

10.Close the main lid.

11.Pressurize the circuit by turning the bolt to the left until there is 2 cm free threat between the bolt and the bottom of the reservoir

(the white indication line should be in the good area). (image 16-16)

Reinstall all projector covers :

- side cover, see "Installation of the side cover", page 185.

- top cover, see "Installation of the top cover", page 186.

- back cover, see "Installation of the back cover", page 186.

- front cover, see "Installation of the front cover", page 187.

- lamp door, see "Installation of the lamp door", page 188.

Image 16-13

Open reservoir

Image 16-14

Remove third lid

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16. Servicing

Image 16-15

Top-up reservoir

2 cm

Image 16-16

Pressurize circuit

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16. Servicing

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17. Projector covers, removal and installation

17. PROJECTOR COVERS, REMOVAL AND

INSTALLATION

Overview

• Removal of the front cover

• Removal of the lamp door

• Removal of the back cover

• Removal of the top cover

• Removal of the side cover

• Installation of the side cover

• Installation of the top cover

• Installation of the back cover

• Installation of the front cover

• Installation of the lamp door

WARNING:The cover removal procedures may only be performed by qualiﬁed technical service personnel.

17.1 Removal of the front cover

Necessary tools

Flat screwdriver

How to remove the front cover

1. Release the captive screw at the middle bottom of the front cover (a) (image 17-1)

2. Release the front cover from the projector doing the following:

a) stand in front of the projector and pull the bottom side of the cover a little toward you (b)

b) In that slightly pivoted position, pull the cover downwards to release it from the top cover (c) (image 17-2)

Image 17-1

Release captive screw

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17. Projector covers, removal and installation

Image 17-2

Remove the front cover

17.2 Removal of the lamp door

WARNING:This procedure may only be performed by qualiﬁed technical service personnel.

Necessary tools

Flat screwdriver

How to remove the lamp door

1. Release the captive screw at the middle upper side of the side cover on the input side. (image 17-3)

2. Take the lamp door with both hands, one on each side, and pull it upward until the cover comes free from its 4 locks. (image 17-4)

Image 17-3

Release captive screw

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17. Projector covers, removal and installation

Image 17-4

Remove lamp door

17.3 Removal of the back cover

Necessary tools

Flat screwdriver

How to remove the back cover

1. Release the 3 captive screws in the back cover. (image 17-5)

2. Pull off the back cover. (image 17-6)

Image 17-5

Release captive screws

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17. Projector covers, removal and installation

Image 17-6

Remove back cover

17.4 Removal of the top cover

To remove the top cover, ﬁrst remove the front and back cover and the lamp door.

Necessary tools

Flat screwdriver

How to remove the top cover

1. Release the captive screw in the middle of the top cover. (image 17-7)

2. Pull the cover out of its locks and take it off.

Image 17-7

Remove top cover

17.5 Removal of the side cover

To remove the side cover, ﬁrst remove the front, back and top cover.

Necessary tools

Flat screwdriver

How to remove the side cover

1. Loosen both screws. (image 17-8)

2. Lift up the side cover and pull them forward to take off. (image 17-9)

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17. Projector covers, removal and installation

Image 17-8

Loosen screws

Image 17-9

Side cover removal

17.6 Installation of the side cover

Necessary tools

Allen wrench 3 mm

How to install

1. Hook the side cover on the ﬁxation screws and pull the cover downwards until it matches with the bottom cover. (image 17-10)

2. Fixate both screws. (image 17-11)

Image 17-10

Mount side cover

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17. Projector covers, removal and installation

Image 17-11

Fixate side cover

17.7 Installation of the top cover

How to install

1. Place the top cover on the projector and push on the front side and back side of the cover until it clicks into its locks (4 locks).

(image 17-12)

2. Secure the cover by turning the captive screw clockwise.

Image 17-12

Mount top cover

17.8 Installation of the back cover

How to install

1. Hook the back cover on the top and side covers so that the edges of all three covers are ﬁxed in the back cover. No open space

allowed between two covers. (image 17-13)

2. Secure this position by turning the 3 captive screw clockwise. (image 17-14)

Image 17-13

Mount back cover

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17. Projector covers, removal and installation

Image 17-14

Secure back cover

17.9 Installation of the front cover

Front cover can only be installed after that the side covers and top cover are installed.

Necessary tools

Flat screwdriver

How to install the front cover

1. Insert the top of the front cover behind the front of the top cover (slant the cover a little bit before inserting (A) ). (image 17-15)

2. Pull the bottom side of the front cover toward the projector (B).

The sides of the front cover overlap the sides of the side covers.

3. Fasten the captive screw at the middle bottom of the front cover (C). (image 17-16)

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17. Projector covers, removal and installation

Image 17-15

Install front cover

Image 17-16

Secure front cover

17.10 Installation of the lamp door

Lamp door can only be installed when the top cover is installed.

Necessary tools

Flat screwdriver

How to install the lamp door

1. Place the lamp door with its pins (B) on its sockets (A) and push on it until clicks (image 17-17)

2. Fasten the captive screw at the middle upper side of the side cover on the input side. (image 17-18)

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17. Projector covers, removal and installation

Image 17-17

Lamp door installation

Image 17-18

Secure the lamp door

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17. Projector covers, removal and installation

190 R59770021 CLM R10+ 11/10/2010

A. Dimensions

A. DIMENSIONS

Overview

• Dimensions of the CLM R10+

A.1 Dimensions of the CLM R10+

Dimensions without carry handle

691.18

442

293.26

Image A-1

Dimensions

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A. Dimensions

Dimensions with optional carry handle

392.55

515

257.5

775

532145.5 97.5

305 105

105

Image A-2

192 R59770021 CLM R10+ 11/10/2010

B. Standard Source Files

B. STANDARD SOURCE FILES

B.1 Table overview

Table overview

The following standard image ﬁles are pre-programmed in the projector.

Name1Fvert

Hz2

FHor

kHz3

Fpix

MHz4

Ptot5Pact6Ltot7Lact8

640x350@85 85,079 37,860 31,500 832 640 445 350

640x400@85 85,079 37,860 31,500 832 640 445 400

640x480@60 59,940 31,668 25,175 800 640 525 480

640x480@72 72,888 30,288 19,687 832 640 520 480

640x480@75 74,999 37,500 31,500 840 640 500 480

640x480@85 85,009 43,270 36,000 832 640 509 480

720x400@85 85,040 37,928 35,500 936 720 446 400

800x600@56 56,251 35,157 36,001 1024 800 625 600

800x600@60 60,317 37,879 40,000 1056 800 628 600

800x600@72 72,188 48,077 50,000 1040 800 666 600

800x600@75 75,001 46,876 49,501 1056 800 625 600

800x600@85 85,062 53,674 56,250 1048 800 631 600

848x480@60 60,000 31,020 33,750 1088 848 517 480

1024x768@60 60,004 48,363 65,000 1344 1024 806 768

1024x768@70 70.068 56,475 74,999 1328 1024 806 768

1024x768@75 75,030 60,024 78,751 1312 1024 800 768

1024x768@85 84,996 68,677 94,499 1376 1024 808 768

1152x864@75 74,999 67,499 107,999 1600 1152 900 864

1280x768@60 59,870 47,776 79,499 1664 1280 798 768

1280x768@75 74,992 60,288 102,249 1696 1280 805 768

1280x768@85 84,838 68,634 117,502 1712 1280 809 768

1280x768RB@60 59,994 47,396 68,250 1440 1280 790 768

1280x960@60 59,999 59,999 107,998 1800 1280 1000 960

1280x960@85 85,005 85,940 128,505 1728 1280 1011 960

1280x1024@60 60,018 63,980 107,997 1688 1280 1066 1024

1280x1024@75 75,023 79,974 134,997 1688 1280 1066 1024

1280x1024@85 85,027 91,149 157,506 1728 1280 1072 1024

1360x768@60 59,898 47,619 85,333 1792 1360 795 768

1400x1050@50 50,015 54,517 94,641 1736 1400 1090 1050

1400x1050@60 59,979 65,317 121,751 1864 1400 1089 1050

1400x1050@75 74,866 82,277 155,998 1896 1400 1099 1050

1400x1050@85 84,958 93,879 179,497 1912 1400 1105 1050

1. Name: name of file, contains the settings.

2. Fvert Hz: vertical frame frequency of the source

3. FHor kHz: horizontal frequency of the source

4. Fpix MHz: pixel frequency

5. Ptot : total pixels on one horizontal line.

6. Pact: active pixels on one horizontal line.

7. Ltot: total lines in one field

8. Lact: active lines in one field.

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B. Standard Source Files

Name1Fvert

Hz2

FHor

kHz3

Fpix

MHz4

Ptot5Pact6Ltot7Lact8

1400x1050RB@60 59,946 64,742 100,997 1560 1400 1080 1050

1600x1200@60 60,001 75,002 162,004 2160 1600 1250 1200

1600x1200@65 64,998 81,248 175,496 2160 1600 1250 1200

1600x1200@70 69,997 87,497 188,993 2160 1600 1250 1200

1600x1200@75 74,998 93,747 202,414 2160 1600 1250 1200

1600x1200@85 84,998 106,247 229,494 2160 1600 1250 1200

1792x1344@60 60,000 83,640 204,751 2448 1792 1394 1344

1792x1344@75 74,996 106,270 260,999 2456 1792 1417 1344

1856x1392@60 59,995 86,333 218,251 2528 1856 1439 1392

1920x1140@60 60,001 90,001 234,002 2600 1920 1500 1140

1920x1200@60 59,883 74,555 193,235 2592 1920 1245 1200

1920x1200RB@60 59,952 74,041 154,006 2080 1920 1235 1200

1920x1440@60 60,001 90,001 234,002 2600 1920 1500 1200

hd-1280x720@60p 60,001 45,000 74,251 1650 1280 750 720

hd-1920x1035@30i 60,000 33,720 74,184 2200 1920 562 517

hd-1920x1080@24p 24,000 27,000 74,250 2750 1920 1125 1080

hd-1920x1080@24sf 48,001 54,002 148,504 2750 1920 1125 1080

hd-1920x1080@25i 50,044 28,125 74,249 2640 1920 562 540

hd-1920x1080@25p 25,000 28,125 74,249 2640 1920 1125 1080

hd-1920x1080@30i 60,000 33,720 74,184 2200 1920 562 540

hd-1920x1080@30p 30,000 33,750 74,249 2200 1920 1125 1080

hd-1920x1080@25i 50,000 31.25 74,250 2376 1920 625 540

hd-1920x1080@60p 60,011 67,513 148,528 2200 1920 1125 1080

VIDEO525 62,437 15,734 13,500 858 712 252 242

VIDEO525p 59,940 31,468 27,000 858 712 525 484

VIDEO625 50,080 15,625 13,500 864 702 312 287

VIDEO625p 50,080 31,250 27,000 864 702 625 574

no-signal 100,00 20,000 8,000 400 300 200 100

no-signal-i 100,00 20,000 8,000 400 300 200 100

Ta bl e B - 1

194 R59770021 CLM R10+ 11/10/2010

C. DMX Chart

C. DMX CHART

Overview

• CLM control channel mapping (Full mode)

• CLM control channel mapping (Basic mode)

C.1 CLM control channel mapping (Full mode)

Overview

Chan-

nel

Function Type Range Default Action Comments

1 Intensity Xfade0 - 255 0 - 100%

2 Brightness Xfade0 - 255 128 0 - 100% The value is + / - so the value needs to be 128

to be “Normal”

3 Contrast Xfade0 - 255 128 0 - 100% The value is + / - so the value needs to be 128

to be “Normal”

0-7 0 No function

8-15 Layout Main Full Screen

16 - 23 Layout PiP top right

24 - 31 Layout Split left - right

32 - 39 Layout Split top - bottom

40 - 47 Layout 5

48 - 55 Layout 6

56 - 63 Layout 7

64 - 71 Layout 8

72 - 79 Layout 9

80 - 87 Layout 10

88 - 95 Input 1

96 -

103

Input 2

104 -

111

Input 3 Not for CLM

112 -

119

Input 4 Not for CLM

4Input Select

120 -

255

Future assignment

0 - 31 No function

31 - 63 Focus motor

64 - 95 Zoom motor

96 -

127

Lens R - L

128 -

159

Lens Up - Down

160 -

191

Power On / Lamp On Together with both Motor Go channels (channel

6 & 7) held in 255 for 5 seconds.

192 -

223

Stand By / Lamp off Together with both Motor Go channels (channel

6 & 7) held in 255 for 5 seconds.

5Function Select

224 -

255

Future assignment

R59770021 CLM R10+ 11/10/2010 195

C. DMX Chart

Chan-

nel

Function Type Range Default Action Comments

0-31 Stop

31 - 63 Run

64 - 95 Future assignment Same as Stop

96 -

127

Future assignment Same as Stop

128 -

159

Future assignment Same as Stop

160 -

191

Future assignment Same as Stop

192 -

223

Future assignment Same as Stop

6 Motor Go >>

224 -

255

Activates Function Channels

Command

Held for 5 seconds

0-31 Stop

31 - 63 Run

64 - 95 Future assignment Same as Stop

96 -

127

Future assignment Same as Stop

128 -

159

Future assignment Same as Stop

160 -

191

Future assignment Same as Stop

192 -

223

Future assignment Same as Stop

7Motor Go <<

224 -

255

Activates Function Channels

Command

Held for 5 seconds

8 White peaking 0 - 255 100 - 0% Inverted to avoid bad reproduction, action

needed to remove white peaking.

0 - 26 0 100% Inverted to avoid bad reproduction, action

needed to dim down the power.

27 - 52 98%

53 - 79 96%

80 -

105

94%

105 -

131

91%

132 -

157

89%

158 -

183

86%

184 -

209

84%

210 -

235

82%

9 Lamp Power

236 -

255

80%

10 Free 0 - 255 Reserved for Future expansion

C.2 CLM control channel mapping (Basic mode)

Overview

Chan-

nel

Function Type Range Default Action Comments

1 Dimmer Xfade0 - 255 0 - 100%

196 R59770021 CLM R10+ 11/10/2010

C. DMX Chart

Chan-

nel

Function Type Range Default Action Comments

0 - 7 No function

8 - 15 Activate Layout 1 (Main full

screen)

If held for 2 Sec

16 - 23 Activate Layout 2 (PiP top right) If held for 2 Sec

24 - 31 Activate Layout 3 (Split top -

bottom)

If held for 2 Sec

32 - 39 Activate Layout 4 (Split left -

right)

If held for 2 Sec

40 - 47 Activate Layout 5 If held for 2 Sec

48 - 55 Activate Layout 6 If held for 2 Sec

56 - 63 Activate Layout 7 If held for 2 Sec

64 - 71 Activate Layout 8 If held for 2 Sec

72 - 79 Activate Layout 9 If held for 2 Sec

80 - 87 Activate Layout 10 If held for 2 Sec

88 - 95 Input 1 If held for 2 Sec

96 -

103

Input 2 If held for 2 Sec

104 -

111

Input 3 If held for 2 Sec (Not for CLM)

112 -

119

Input 4 If held for 2 Sec (Not for CLM)

120 -

207

Future assignment

208 -

215

Power On / Lamp On If held for 2 Sec

216 -

223

Stand By / Lamp Off If held for 2 Sec

2 Function Select

224 -

255

Future assignment Future assignment

R59770021 CLM R10+ 11/10/2010 197

C. DMX Chart

198 R59770021 CLM R10+ 11/10/2010

D. Specifications

D. SPECIFICATIONS

Overview

•Speciﬁcations CLM R10+

•Speciﬁcations CLM 5 cable input (multi purpose)

•Speciﬁcations CLM HDSDI – SDI input

•Speciﬁcations CLM DVI input

•Speciﬁcations CLM DVI HDCP input

D.1 Speciﬁcations CLM R10+

Overview

AC power 100 - 240 VAC (±10%)/50-60 Hz

Aspect Ratio 4:3

Brightness uniformity 95%

Communication Port 10/100 Mb/s Ethernet (on RJ45)

RS-232/422 (on D9)

IR external

XLR wired

Contrast ratio 1,200:1 (full ﬁeld)

Dimensions 293 x 442 x 692 mm

Display Single-chip DLP (0.95’ DMD™ x1)

Electromagnetic Interference Complies with FCC rules & regulations, part 15 Class A and CE EN55022 Class A

Features Picture in picture (up to two sources on-screen simultaneously)

Optional 3D

Input Input

DVI

1x YUV1 (on RCA/cinch)

1x Composite video (on RCA/cinch)

1x S-Video (on 4-pin mini-DIN)

Compatibility

All current video sources (PAL, SECAM, NTSC) in Composite, S-VHS, Component or

RGB formats

All current HDTV sources

All computer graphics formats from VGA, SVGA, XGA, SXGA, full HD to UXGA

Lamp lifetime (typical) 750/1,250hrs

Lamp type & power 4x300W UHP

Lens Shift Vertical: x> -20% to +110%

Horizontal: x> -15% to +100%

(small differences occur per lens type)

(short throw lenses have less shift)

Light Output Typically 9,500 ANSI lumens (±10%)

Typically 10,000 center lumens (±10%)

Network connection 10/100 base - T

Projector Toolset control

3rd party device control

Noise Level 49 dB

R59770021 CLM R10+ 11/10/2010 199

D. Specifications

Orientation table/ceiling/side (portrait)/ vertical

Power consumption 1,600 W

Resolution 1,400 x 1,050 pixels (SXGA+)

Safety Regulations Compliant with UL1950 and EN60950

ScenergiX Horizontal and vertical edge blending

Weight 30kg (excluding lens and rigging frame)

D.2 Speciﬁcations CLM 5 cable input (multi purpose)

Front view 5 cable input

SYCN OK

SEL

5-CABLE INPUT

R/P

G/Y/VIDEO B/P

H/S V/C

Image D-1

Signal connectivity

Input signal R / PRG/Y/VIDEO B/P

BH/S V/C

RGBHV R G B H V

RGBS R G B S

composite sync or VIDEO

as sync

—

RGsB RGs

sync on green

B——

Composite Video —VIDEO ———

Super Video —Y

Luma

—— C

Chroma

Component Video

-SS

PR/(R-Y) YPB/(B-Y) S

composite sync or VIDEO

as sync

—

Component Video

-SOY

PR/(R-Y) Ys PB/(B-Y) ——

Speciﬁcations

• Data and HD sources RGB and YUV [HS/VS, CS or SOG(Y)]:

- Pixel clock maximum 275 MHz

- 8 bit digital output

• Video sources CVBS, S-VIDEO, RGB and YUV [CS, CV or SOG(Y)]:

- PAL B/D/I/G/H, PAL60, PAL M, PAL N, PAL Nc

- NTSC M/J, NTSC 4.43

- SECAM B/D/G/K/L

- 525i, 625i, 525p, 625p

- Macrovision copy protection robust

- 10 bit digital output

- Standard images “video525” and “video625”

• Automatic detection of sync inputs but with manual override:

- automatic modes : RGB, YUV, VIDEO

- manual modes : RGB HS/VS - CS, RGB CV, RGB SOG, YUV HS/VS - CS, YUV CV, YUV SOY, CVBS, S-VIDEO

• Possible to disconnect 75 Ohm terminations on HS and VS (TTL sync level selection)

200 R59770021 CLM R10+ 11/10/2010

D. Specifications

• Signal requirements:

- Component Video (BNC)

oR-Y : 0,7Vpp ±3dB 75 Ohm termination.

oYs : 1Vpp ±3dB (0,7V Luma +0,3V Sync) 75 Ohm termination.

oB-Y : 0,7Vpp ±3dB 75 Ohm termination.

-RG(s)B

oR : 0,7Vpp ±3dB 75 Ohm termination.

oG(s) : 1Vpp ±3dB (0,7Vpp G + 0,3Vpp Sync) 75 Ohm termination.

oB : 0,7Vpp ±3dB 75 Ohm termination.

• Diagnostic LED’s on front panel:

- Green LED: Lights up in case input module is selected

- Yellow LED: Lights up in case sync detected

D.3 Speciﬁcations CLM HDSDI – SDI input

Input front view HDSDI – SDI input

HDSDI - SDI input

Input 1 Input 2 Loop output Sync OK

Sel

Image D-2

Speciﬁcations

• SD SMPTE 259M-C and HD SMPTE 292M input data

• 2 inputs (BNC), 1 active loop-through output (BNC) of selected input

• Automatic selection of active input with manual override

• 10 bit digital output

• Diagnostic LED’s on front panel:

- Green LED: Lights up in case input module is selected

- Yellow LED: Lights up in case sync detected

• SDI: 270 Mbit/s transmission (SMPTE 259M-C).

• SDI: 525/625 interlaced.

• Coax (75 Ohm).

• Supported HDSDI standards:

- Progressive:

o1280x720/60/1:1/ (SMPTE 296M)

o1280x720/59.94/1:1/ (SMPTE 296M)

o1920x1080/30/1:1/ (SMPTE 274M)

o1920x1080/29.97/1:1/ (SMPTE 274M)

o1920x1080/25/1:1/ (SMPTE 274M)

o1920x1080/24/1:1/ (SMPTE 274M)

o1920x1080/23.98/1:1/ (SMPTE 274M)

- Interlaced:

o1920x1035/60/2:1/ (SMPTE 260M)

o1920x1035/59.94/2:1/ (SMPTE 260M)

o1920x1080/60/2:1/ (SMPTE 274M)

o1920x1080/59.94/2:1/ (SMPTE 274M)

o1920x1080/50/2:1/ (SMPTE 274M)

o1920/1080/50/2:1 (1250)/ (SMPTE 295M)

o1920x1080/24/Segmented/ (SMPTE 274M)

o1920x1080//23.98/Segmented/ (SMPTE 274M)

R59770021 CLM R10+ 11/10/2010 201

D. Specifications

D.4 Speciﬁcations CLM DVI input

Input front view

Sync OK

Sel

DVI input

Image D-3

Speciﬁcations

• DVI type: DVI-I (DVI-Integrated), but the analog signals are not supported. Single-link conﬁguration.

• Single link dvi for pixelclocks up to 165MHz

• Vertical frequencies: 24 - 75 Hz

• Horizontal frequencies: 20 - 90 kHz

• Supported resolutions: up to UXGA (1600 x 1200) at 60 Hz.

• Cable lengths: up to 3 meter at UXGA speed.

• Compliance: DDC2B support according to VESA EDID Version 1.2

• Diagnostic LED’s on front panel:

- Green LED: Lights up in case input module is selected

- Yellow LED: Lights up in case sync detected

D.5 Speciﬁcations CLM DVI HDCP input

Input front view

Sync OK

Sel

HDCP DVI input

Image D-4

Speciﬁcations

• DVI type: DVI-I (DVI-Integrated), but the analog signals are not supported. Single-link conﬁguration.

• Supports UXGA Resolution (1600 x 1200) (Output Pixel Rates up to 165 MHz)

• True-Color, 24 Bits/Pixel, 48-Bit Dual Pixel Output Mode, 16.7M Colors at 1 or 2 Pixels Per Clock

• Digital Visual Interface (DVI) and High-Bandwidth Digital Content Protection (HDCP) Speciﬁcation Compliant

• Vertical frequencies: 24 - 75 Hz

• Horizontal frequencies: 20 - 90 kHz

• Cable lengths: up to 3 meter at UXGA speed.

• Compliance: DDC2B support according to VESA EDID Version 1.2

• Diagnostic LED’s on front panel:

- Green LED: Lights up in case input module is selected

- Yellow LED: Lights up in case sync detected

202 R59770021 CLM R10+ 11/10/2010

E. Troubleshooting

E. TROUBLESHOOTING

E.1 Error codes

Overview

When the error code is preceded by a ’-’ sign, then the error means a real error for the projector.

When the error code is preceded by a ’+’ sign, then the error code means a warning. The projector does not fail yet, but take care

for the warning and try to resolve the problem. A warning state can turn into an error state.

Not all error codes can have two states. When the state is available, it is indicated by a Yes in the overview table. When the state

is not available, it is indicated by a No.

Error

code

Description Error Warning Caused by Action

1001 Wrong lamp 1

parameters

Yes -Wrong lamp/ no communication

with lamp

Check lamp type

Call a qualiﬁed service engineer

1002 Wrong lamp 2

parameters

Yes -Wrong lamp/ no communication

with lamp

Check lamp type

Call a qualiﬁed service engineer

1003 Wrong lamp 3

parameters

Yes -Wrong lamp/ no communication

with lamp

Check lamp type

Call a qualiﬁed service engineer

1004 Wrong lamp 4

parameters

Yes -Wrong lamp/ no communication

with lamp

Check lamp type

Call a qualiﬁed service engineer

1011 Lamp 1 missing Yes Yes No lamp inserted in position 1 Insert a lamp in position 1

1012 Lamp 2 missing Yes Yes No lamp inserted in position 2 Insert a lamp in position 2

1013 Lamp 3 missing Yes Yes No lamp inserted in position 3 Insert a lamp in position 3

1014 Lamp 4 missing Yes Yes No lamp inserted in position 4 Insert a lamp in position 4

1021 Lamp 1 broken Yes -Lamp 1 is not ON Check installation of lamp 1

(connection, cable, etc.)

1022 Lamp 2 broken Yes -Lamp 2 is not ON Check installation of lamp 2

(connection, cable, etc.)

1023 Lamp 3 broken Yes -Lamp 3 is not ON Check installation of lamp 3

(connection, cable, etc.)

1024 Lamp 4 broken Yes -Lamp 4 is not ON Check installation of lamp 4

(connection, cable, etc.)

1399 I²C open error Yes

1398 I²C read error Yes

1397 I²C write error Yes

1699 Formatter busy

1697 Formatter init

failed

Yes -no communication with formatter

ctrl

Call a qualiﬁed service engineer

1696 Formatter ctrl

init failed

Yes -no communication with formatter

ctrl

Call a qualiﬁed service engineer

1695 Formatter start

failed

Yes -no communication with formatter Call a qualiﬁed service engineer

1693

1692

1691

2100 LPS 1 error Yes -Replace LPS

2400 LPS 2 error Yes -Replace LPS

2700 LPS 3 error Yes -Replace LPS

3000 LPS 4 error Yes -Replace LPS

R59770021 CLM R10+ 11/10/2010 203

E. Troubleshooting

Error

code

Description Error Warning Caused by Action

4198 FPGA PMP init

failed

Yes -

6099 Board ID

unkown

version

Yes

6098 Board ID

invalid string

Yes

7999 DMD temp low Yes Yes Low temperature on DMD turning on the lamp(s) will heat up

the DMD

7998 DMD temp high Yes Yes High temperature on DMD check if air slots are free, clean air

ﬁlters.

If problem persists, call a qualiﬁed

service engineer.

7997 Ambient temp

low

Yes Yes Ambient temperature out of

speciﬁcations

take measurements to increase the

temperature

7996 Ambient temp

high

Yes Yes Ambient temperature out of

speciﬁcations

check ambient conditions

check if air slots are free, clean air

ﬁlter.

7995 TEC temp low

7994 TEC temp high Yes Yes

7992 LPS1 temp

high

Yes Yes High temperature on LPS1 check if air slots are free, clean air

ﬁlters.

If problem persists, call a qualiﬁed

service engineer.

7990 LPS2 temp

high

Yes Yes High temperature on LPS2 check if air slots are free, clean air

ﬁlters.

If problem persists, call a qualiﬁed

service engineer.

7988 LPS3 temp

high

Yes Yes High temperature on LPS3 check if air slots are free, clean air

ﬁlters.

If problem persists, call a qualiﬁed

service engineer.

7986 LPS4 temp

high

Yes Yes High temperature on LPS4 check if air slots are free, clean air

ﬁlters.

If problem persists, call a qualiﬁed

service engineer.

7978 Lamp4 temp

high

Yes Yes High temperature on lamp 4 check if air slots are free, clean air

ﬁlters.

If problem persists, call a qualiﬁed

service engineer.

7924 Fan radiator A

low

Yes Yes Fan is running too slow or not at all If problem persists, call a qualiﬁed

service engineer

7922 Fan radiator B

low

Yes Yes Fan is running too slow or not at all If problem persists, call a qualiﬁed

service engineer

7920 Fan outlet A

low

Yes Yes Fan is running too slow or not at all If problem persists, call a qualiﬁed

service engineer

7918 Fan outlet B

low

Yes Yes Fan is running too slow or not at all If problem persists, call a qualiﬁed

service engineer

7916 Fan power

supply A low

Yes Yes Fan is running too slow or not at all If problem persists, call a qualiﬁed

service engineer

7914 Fan power

supply B low

Yes Yes Fan is running too slow or not at all If problem persists, call a qualiﬁed

service engineer

7912 Fan LPS A low Yes Yes Fan is running too slow or not at all If problem persists, call a qualiﬁed

service engineer

7910 FanLPSBlow Yes Yes Fan is running too slow or not at all If problem persists, call a qualiﬁed

service engineer

204 R59770021 CLM R10+ 11/10/2010

E. Troubleshooting

Error

code

Description Error Warning Caused by Action

7908 Fan inlet A low Yes Yes Fan is running too slow or not at all If problem persists, call a qualiﬁed

service engineer

7906 Fan inlet B low Yes Yes Fan is running too slow or not at all If problem persists, call a qualiﬁed

service engineer

7904 Fan lamp 1

back low

Yes Yes Fan is running too slow or not at all If problem persists, call a qualiﬁed

service engineer

7902 Fan lamp 2

back low

Yes Yes Fan is running too slow or not at all If problem persists, call a qualiﬁed

service engineer

7900 Fan lamp 3

back low

Yes Yes Fan is running too slow or not at all If problem persists, call a qualiﬁed

service engineer

7899 Fan lamp 3

back high

-Yes

7898 Fan lamp 4

back low

Yes Yes Fan is running too slow or not at all If problem persists, call a qualiﬁed

service engineer

7896 Fan prism low Yes Yes Fan is running too slow or not at all If problem persists, call a qualiﬁed

service engineer

7894 Fan color

wheel low

Yes Yes Fan is running too slow or not at all If problem persists, call a qualiﬁed

service engineer

7892 Fan lamp 1

front low

Yes Yes Fan is running too slow or not at all If problem persists, call a qualiﬁed

service engineer

7890 Fan lamp 2

front low

Yes Yes Fan is running too slow or not at all If problem persists, call a qualiﬁed

service engineer

7888 Fan lamp 3

front low

Yes Yes Fan is running too slow or not at all If problem persists, call a qualiﬁed

service engineer

7886 Fan lamp 4

front low

Yes Yes Fan is running too slow or not at all If problem persists, call a qualiﬁed

service engineer

7884 Pump speed

low

Yes Yes Badornowaterﬂow in the cooling

circuit

If problem persists, call a qualiﬁed

service engineer

7883 Pump speed

high

-Yes Ignore this message

7878 Over temp Yes Yes extreme overheading of DMD or

lamps

If problem persists, call a qualiﬁed

service engineer

7877 Under temp DMD too cold Warm up the projector

7876 SMPS input

range

Supplied voltage is out of range Check supplied voltage range

7875 DMD temp

open

Yes Yes Sensor not connected If problem persists, call a qualiﬁed

service engineer

7874 DMD temp

short

Yes Yes short circuit in sensor circuit If problem persists, call a qualiﬁed

service engineer

7873 Ambient temp

open

Yes Yes Sensor not connected If problem persists, call a qualiﬁed

service engineer

7872 Ambient temp

short

Yes Yes short circuit in sensor circuit If problem persists, call a qualiﬁed

service engineer

7871 TEC temp open Yes Yes Sensor not connected If problem persists, call a qualiﬁed

service engineer

7870 TEC temp short Yes Yes short circuit in sensor circuit If problem persists, call a qualiﬁed

service engineer

7865 Lamp 1 run

time msg

exceeded

-Yes Run time of lamp 1 will be exceeded Replace the lamp with a new one.

Call a qualiﬁed service engineer

7864 Lamp 1 run

time warning

exceeded

-Yes Run time of lamp 1 is exceeded Replace the lamp with a new one.

Call a qualiﬁed service engineer

7863 Lamp 1 run

time max

exceeded

-Yes The maximum run time for the lamp

is exceeded

Replace the lamp with a new one.

Call a qualiﬁed service engineer

R59770021 CLM R10+ 11/10/2010 205

E. Troubleshooting

Error

code

Description Error Warning Caused by Action

7862 Lamp 1 run

time shtdwn

exceeded

-Yes

7861 Lamp 2 run

time msg

exceeded

-Yes Run time of lamp 2 will be exceeded Replace the lamp with a new one.

Call a qualiﬁed service engineer

7860 Lamp 2 run

time warning

exceeded

-Yes Run time of lamp 2 is exceeded Replace the lamp with a new one.

Call a qualiﬁed service engineer

7859 Lamp 2 run

time max

exceeded

-Yes The maximum run time for the lamp

is exceeded

Replace the lamp with a new one.

Call a qualiﬁed service engineer

7858 Lamp 2 run

time shtdwn

exceeded

-Yes

7857 Lamp 3 run

time msg

exceeded

-Yes Run time of lamp 3 will be exceeded Replace the lamp with a new one.

Call a qualiﬁed service engineer

7856 Lamp 3 run

time warning

exceeded

-Yes Run time of lamp 3 is exceeded Replace the lamp with a new one.

Call a qualiﬁed service engineer

7855 Lamp 3 run

time max

exceeded

-Yes The maximum run time for the lamp

is exceeded

Replace the lamp with a new one.

Call a qualiﬁed service engineer

7854 Lamp 3 run

time shtdwn

exceeded

-Yes

7853 Lamp 4 run

time msg

exceeded

-Yes Run time of lamp 4 will be exceeded Replace the lamp with a new one.

Call a qualiﬁed service engineer

7852 Lamp 4 run

time warning

exceeded

-Yes Run time of lamp 4 is exceeded Replace the lamp with a new one.

Call a qualiﬁed service engineer

7851 Lamp 4 run

time max

exceeded

-Yes The maximum run time for the lamp

is exceeded

Replace the lamp with a new one.

Call a qualiﬁed service engineer

7850 Lamp 4 run

time shtdwn

exceeded

-Yes

7600 Color wheel not

spinning

Yes Yes If problem persists, call a qualiﬁed

service engineer

7500 Failed to set

FCB mode

7499 FCB time out

7498 FCB I2C

7497 FCB

parameters

7496 FCB

monitoring

8000 Opening

shutter failed

No Yes If problem persists, call a qualiﬁed

service engineer

8001 Closing shutter

failed

No Yes If problem persists, call a qualiﬁed

service engineer

8002 Failed reading

lamp info mode

No Yes If problem persists, call a qualiﬁed

service engineer

9199 Scaler unit

failed

Yes -Initialization of the scaler failed If problem persists, call a qualiﬁed

service engineer

9198 Scaler pixel

clock too high

Yes -BW or refresh rate of input source

too high

206 R59770021 CLM R10+ 11/10/2010

E. Troubleshooting

Error

code

Description Error Warning Caused by Action

9399 Error image

9398 Maximum

image ﬁles

reached

Yes No Reaching the maximum allowed

number of ﬁles

Delete some unnecessary ﬁles

10499 Error input

10498 Unsupported

module

Yes No Module with obsolete ﬁrmware Call a qualiﬁed service engineer

10497 Init DVI input

failed

Yes Check DVI input module and input

source

If problem persists, call a qualiﬁed

service engineer

27999 OSD no font Yes Call a qualiﬁed service engineer

27998 OSD font error Yes Call a qualiﬁed service engineer

27997 OSD memory Yes Call a qualiﬁed service engineer

27996 OSD out of

range

Yes Call a qualiﬁed service engineer

27995 OSD out of

pos.

Yes Call a qualiﬁed service engineer

27994 OSD ﬁfo full Yes Call a qualiﬁed service engineer

R59770021 CLM R10+ 11/10/2010 207

E. Troubleshooting

208 R59770021 CLM R10+ 11/10/2010

F. Mounting optional Carry handle

F. MOUNTING OPTIONAL CARRY HANDLE

About this chapter

This chapter describes the procedures to mount the optional carry handle to CLM projector. When this optional carry handle is

mounted, the projector can be suspended with the rigging clamps and stacking of projector is possible.

Overview

• Mounting stacking points on top cover

• Preparing the new carry handle

• Preparing the projector

• Mounting the carry handle

CAUTION:While mounting the carrying handle, save the removed bolts.

When removing a mounted carrying handle again and mounting the original feet back, always use the original

bolts (M10x16) !

Never use the bolts which are used to mount the carrying handle. These bolts will damage the heat exchanger

with a cooling liquid leakage as result.

Image F-1

F.1 Mounting stacking points on top cover

Why mounting the stacking points ?

The stacking points must be mounted for the following reasons:

• To turn the projector upside down and place it on the top cover.

• To stack two projectors on each other.

How to mount the stacking points

1. Break out the circular holes in the top cover. (image F-2)

2. Place a stacking point (A) in each hole.

3. For the front stacking points, turn in for each a long bolt (B). For the back stacking point, turn in a short bolt (C). (image F-3)

R59770021 CLM R10+ 11/10/2010 209

F. Mounting optional Carry handle

Image F-2

Mounting the stacking points

Image F-3

Stacking points mounted

F.2 Preparing the new carry handle

What has to be done?

The back stacking point must be removed before the carry handle can be mounted on the CLM projector. The ﬁxation hole for the

ﬁxation bolt of the carry handle is covered by the stacking point construction.

How to remove the stacking point construction

1. Turn out the 4 bolts, 2 on each side. Be aware that there is a nut for each bolt on the inside of the carry handle. (image F-4)

210 R59770021 CLM R10+ 11/10/2010

F. Mounting optional Carry handle

Image F-4

Remove stacking point construction

F.3 Preparing the projector

CAUTION:Before turning the projector upside down, be sure the stacking points on the top cover are

mounted.

What has to be done?

Before the carry handle can be mounted, the projector feet must be removed and an extra support point must be added.

Necessary tools

• 8 mm Allen wrench.

• 22 mm open-end wrench.

Necessary parts

Back support point.

How to handle?

1. Turn the projector upside down.

2. Remove the 3 feet. First unscrew the foot cap (reference 1) and than loosen the foot adapters (reference 3). Use a 4 mm Allen

wrench to unscrew the hexagon socket head cap screws (reference 2). (image F-5)

3. Insert next to the removed back foot the extra support point (reference 1). Use a 22mm open-end wrench to fasten the extra

support.

Due to its construction, the support is still a bit movable. (image F-6)

R59770021 CLM R10+ 11/10/2010 211

F. Mounting optional Carry handle

Image F-5

Image F-6

F.4 Mounting the carry handle

Necessary tools

• 8 mm Allen wrench.

• 4 mm Allen wrench.

• 2,5 mm Allen wrench.

Necessary parts

• One spacer rotation ring.

•Oneﬂat spacer.

• One hexagon socket head cap screws M10 x 20.

• Three hexagon socket head cap screws M10 x 40.

• Four hexagon socket head cap screws M5 x 10.

How to mount the carry handle?

1. Place the carry handle upon the bottom of the projector as illustrated.

2. Insert the spacer rotation ring (reference 4) and a hexagon socket head cap screw M10 x 40 (reference 1) in the back ﬁxation

hole so that a small rotation of the carry handle is still possible.

3. Insert a ﬂat spacer (reference 3) and a hexagon socket head cap screw M10 x 20 (reference 2) in the ﬁxation hole of the extra

support point.

4. Insert a hexagon socket head cap screw (reference 1) into both ﬁxation holes at the front of the carry handle. (image F-7)

Note: If both front holes are not completely free, turn on the skew adjustment (reference 5) at the right side of the carry handle

until the holes are free.

5. Fasten all screws (reference 1 & 2). Use a 8 mm Allen wrench.

6. Place the removed stacking point construction back on its place and secure with four hexagon socket head cap screws M5 x 10.

Use a 2,5 mm Allen wrench. (image F-8)

212 R59770021 CLM R10+ 11/10/2010

F. Mounting optional Carry handle

Image F-7

Image F-8

R59770021 CLM R10+ 11/10/2010 213

F. Mounting optional Carry handle

214 R59770021 CLM R10+ 11/10/2010

G. Order info

G. ORDER INFO

G.1 Spare part order info

Order info:

Order info Description

R9854430 5 cable input module

R9854450 HDSDI - SDI input module

R9854460 DVI input module

R848607 Cover plate for unused input slot

R98610206 CLM dust ﬁlter kit, 6 pack

R986102012 CLM dust ﬁlter kit, 12 pack

R9861030 CLM lamp kit, single lamp

R9861040 CLM lamp kit, two lamps

R9861050 CLM lamp kit, four lamps

R9861000 Optional rigging kit for CLM + rugged remote control

R9861010 CLM ﬂight case

R764988 CLM remote control unit

R9849870 CLD (1.2-1.6:1) zoom lens

R9861080 CLD (1.6-2.4:1)[ zoom lens

R9849890 CLD (2.4-4.3:1) zoom lens

R59770021 CLM R10+ 11/10/2010 215

G. Order info

216 R59770021 CLM R10+ 11/10/2010

Glossary

GLOSSARY

2:2 pull-down

The process of transferring 24-frames/sec ﬁlm format into video by repeating each frame (used for PAL DVD’s) as two video ﬁelds.

(AD)

3:2 pull-down

Method used to map the 24 fps of ﬁlm onto the 30 fps (60 ﬁelds) or 25 fps (50 ﬁelds), so that one ﬁlm frame occupies three video

ﬁelds, the next two, etc. It means the two ﬁelds of every other video frame come from different ﬁlm frames making operations

such as rotoscoping impossible, and requiring care in editing. Some sophisticated equipment can unravel the 3:2 sequence to

allow frame-by-frame treatment and subsequently re-compose 3:2. The 3:2 sequence repeats every ﬁve video frames and four ﬁlm

frames, the latter identiﬁed as A-D. Only ﬁlm frame A is fully on a video frame and so exists at one time code only, making it the

editable point of the video sequence.

Artefacts

Undesirable elements or defects in a video picture. These may occur naturally in the video process and must be eliminated in

order to achieve a high-quality picture. Most common in analog are cross color and cross luminance. Most common in digital are

macroblocks, which resemble pixelation of the video image.

Color space

A color space or color standard is a mathematical representation for a color. For example the RGB color space is based on a

Cartesian coordinate system.

Color temperature

The coloration (reddish, white, bluish, greenish, etc.) of white in an image, measured using the Kelvin (degrees K) temperature

scale. Higher temperatures output more light.

Common address

Projector will always execute the command coming from a RCU programmed with that common address.

Default Gateway

A router that serves as an entry point into and exit point out of a network. For example, a local network (LAN) may need a gateway

to connect it to a wide area network (WAN) or to the Internet.

DHCP

Dynamic host conﬁguration protocol. DHCP is a communications protocol that lets network administrators manage centrally and

automate the assignment of IP addresses in an organization’s network. Using the Internet Protocol, each machine that can connect

to the Internet needs a unique IP address. When an organization sets up its computer users with a connection to the Internet,

an IP address must be assigned to each machine. Without DHCP, the IP address must be entered manually at each computer

and, if computers move to another location in another part of the network, a new IP address must be entered. DHCP lets a network

administrator supervise and distribute IP addresses from a central point and automatically sends a new IP address when a computer

is plugged into a different place in the network.

DMX

DMX-512 Lighting protocol over RS-485 interface. Carries information of 512 channels from a lighting controller to lighting devices.

Standardized by USITT.

HDCP

High-bandwidth Digital Content Protection (HDCP) is a form of digital copy protection developed by Intel Corporation to protect digital

audio and video content as it travels across DisplayPort, Digital Visual Interface (DVI), High-Deﬁnition Multimedia Interface (HDMI),

Gigabit Video Interface (GVIF), or Uniﬁed Display Interface (UDI) connections. The speciﬁcation is proprietary, and implementing

HDCP requires a license.

HEPA

High Efﬁciency Particulate Absorbing

Internet Protocol. The network layer of TCP/IP. Required for communication with the internet.

R59770021 CLM R10+ 11/10/2010 217

Glossary

MAC address

Media Access Control address. Unique hardware number, used in combination with the IP-address to connect to the network (LAN

or WAN).

PiP

PiP stands for "Picture in Picture" and allows to display multiple windows containing each of them an image. The windows may be

of the video or data type.

Projector address

Address installed in the projector to be individually controlled.

Qualiﬁed (service) technician

Persons having appropriate technical training and experience necessary to be aware of hazards to which they are exposed in per-

forming a task and of measures to minimize the danger to themselves or other persons.

RS232

An Electronic Industries Association (EIA) serial digital interface standard specifying the characteristics of the communication path

between two devices using either D-SUB 9 pins or D-SUB 25 pins connectors. This standard is used for relatively short-range

communications and does not specify balanced control lines. RS-232 is a serial control standard with a set number of conductors,

data rate, word length and type of connector to be used. The standard speciﬁes component connection standards with regard to

computer interface. It is also called RS-232-C, which is the third version of the RS-232 standard, and is functionally identical to the

CCITT V.24 standard. Logical ’0’ is > + 3V, Logical ’1’ is < - 3V. The range between -3V and +3V is the transition zone.

RS422

An EIA serial digital interface standard that speciﬁes the electrical characteristics of balanced (differential) voltage, digital interface

circuits. This standard is usable over longer distances than RS-232. This signal governs the asynchronous transmission of computer

data at speeds of up to 920,000 bits per second. It is also used as the serial port standard for Macintosh computers. When the

difference between the 2 lines is < - 0.2V that equals with a logical ’0’. When the difference is > +0.2V that equals to a logical ’1’..

Subnet mask

A number that is used to identify a subnetwork so that IP addresses can be shared on a local area network.

218 R59770021 CLM R10+ 11/10/2010

Index

INDEX

Address 55

Program 55

RCU 55

Adjustment 52–54

Quick set up 52–54

Lens 52

Lens functions 53

Lens key 52

PIP 54

Adjustment mode 59–61

About 59

LCD display menus 60

Local keypad 59

Menu memory 61

Navigation 60

On screen menus 60

RCU 59

Start up 59

Test patterns 61

Alignment 117–128, 130–131, 133, 137

Blanking 121

Color space 124

Color standard 124

Gamma 122

Intensity 122

Internal pattern 123

Lens 119

Focus 119

Shift 119

Zoom 119

Lens adjustment 119

Orientation 118

Overview ﬂow 117, 137

ScenergiX 126–128, 130–131, 133

Activation 127

Black level 133

Horizontal overlap 128

Introduction 126

Pattern 128

Preparations 127

Size adjustment 131

Vertical overlap 130

White level 131

Side keystone 120

White peaking 125

Art-Net activation 149

Aspect ratio 85–86

Custom 86

Back cover 183, 186

Installation 186

Remove 183

Background color 69

No signal 69

Blanking 121

Brightness 75

Brilliant color look 91

Buttons 150

Shortcut keys 150

Carry handle 209–212

Mounting 212

Preparation 210–211

Carry handle 210

Projector 211

cleaning 167

lens 167

Cleaning 167

Exterior 167

Color saturation 76

Color space 124

Color standard 124

Color temperature 79–80

Custom values 80

Predeﬁned values 80

Communication 43–44

Ethernet 44

IR communication 43

RS232 43

RS422 43

USB port 44

Communication connections 42

Conﬁgurations 14

Front projection 14

Rear projection 14

Connections 39, 41–42, 51

Communication connections 42

Input source 41

Power 39

Switching off 51

Contrast 75

Cooling liquid 167, 177

Level check 167

Top-up reservoir 177

Cooling liquid circuit warning 7

Copy 111

Layout 111

Custom aspect ratio 86

Custom color temperature 80

Delete 110

Layout 110

Diagnosis 155, 157–159

Fan speeds 158

SPI 159

Start up 155, 157

Temperatures 157

Dimensions 191

CLM R10+ 191

DMX 145

DMX address 145

DMX Chart 195–196

Basic mode 196

Full mode 195

DMX mode 148

DMX monitor 147

DMX universe 146

Download plug-in 17

Download Projector Toolset 17

Dust ﬁlters 169–170

Replacement 169–170

Front side 170

Top side 169

Error codes 203

Error logging 159

Start up 159

Ethernet 44

Exterior 167

Cleaning 167

Fan speeds 158

Diagnosis 158

R59770021 CLM R10+ 11/10/2010 219

Index

File services 93

Manual load ﬁle 93

Film mode detection 90

Front cover 181, 187

Installation 187

Removal 181

Front projection 14

Gamma 122

General 11–14, 17

Air inlets 17

Air outlets 17

Box content 13

Download plug-in 17

Download Projector Toolset 17

Projector conﬁgurations 14

Unpacking 12

Getting started 47, 49, 52, 55, 57

Auto button 55

Operating projector 49

Projector address 55

Quick setup 52

Source selection 57

Terminology overview 47

Getting Started 47, 49, 51, 57

Controlling the projector 57

RCU & local keypad 47

Switching on 49

Using the RCU 51

Guidelines 8

Recycling 8

Lamp 8

Hue 77

Identiﬁcation 115

Lamp 115

Image 73–79, 81, 83, 85, 87–88, 90–97

Advanced settings 88, 90–91

Brilliant color look 91

Clamp delay 88

Clamp width 88

Field polarity 88

Film mode detection 90

Aspect ratio 85

Brilliant color look 91

File services 93

Manual load ﬁle 93

Film mode detection 90

Image ﬁle services 92

Image services 92–96

Copy ﬁle 95

Delete ﬁle 93–94

File manipulations 92

File options 96

Files 92

Rename ﬁle 95

Image settings 74–79, 81, 83

Brightness 75

Color saturation 76

Color temperature 79

Contrast 75

Hue 77

Input balance 81

Input balance adjusting 83

Noise reduction 79

Phase 77

Saturation 76

Sharpness 78

Tint 77

Overview ﬂow 73

Save custom settings 97

Source timings 87

Start up 74

Timings 87–88

Advanced settings 88

Image ﬁle services 92

Image ﬁles 193

standard 193

Image services 92–97

Copy ﬁle 95

Delete ﬁle 93–94

File manipulations 92

File options 96

Files 92

Rename ﬁle 95

Save custom settings 97

Infra red 43

Input 63–65, 67, 69–70

Conﬁguration 64

Input locking 65

Minimum delay 67

Native resolution 67

No signal 69–70

Background color 69

Shutdown 70

Shutdown retarding time 70

Overview ﬂow 63

Slot module type 63

Source switching 69

Input balance 81, 83–84

Adjusting 83

Black balance 83

Introduction 81

White balance 84

Input module 176–177

Inserting 177

Removal 176

Input setup 63

About 63

Input source connection 41

Installation 11, 19, 26, 30, 185–188

Back cover 186

Ceiling mount 30

Front cover 187

Lamp door 188

RCU 19

Requirements 11

Side cover 185

Suspension 26

Rigging clamps 26

Table mount 26

Top cover 186

Installation requirements 11–12

Ambient temperature 11

Clean air 11

Humidity 11

Image size 12

Projector weight 11

Screen type 12

Intensity 122

Internal pattern 123

Selection 123

IR communication 43

IR control 144

Keystone 120

Lamp 113–116

Identiﬁcation 115

220 R59770021 CLM R10+ 11/10/2010

Index

Lamp mode 116

Overview 113

Power 114

Power mode 113

Runtimeoverview 116

Status overview 116

Lamp door 182, 188

Installation 188

Removal 182

Lamp identiﬁcation 115

Lamp mode 116

Lamp power mode 113

Lamp run time overview 116

Lamp status overview 116

Lamp unit 173, 175

Mounting 175

Removal 173

Language 55, 152

Selection 55, 152

Layout 99–100, 103–106, 108–111

Copy 111

Delete 110

Layout ﬁle services 109

Layout services 109–111

Copy 111

Delete 110

Load 109

Rename 110

Save as 111

Load 109

Main window 99–100, 103

Position 103

Size 100

Source 100

Overview ﬂow 99

PIP 104–106, 108

Activation 104

Position 108

Size 106

Source 105

Rename 110

Save as 111

LCD display menus 60

lens 167

cleaning 167

Lens 119

Focus 119

Shift 119

Zoom 119

Lens adjustment 119

Lens formulas 25

Lens installation 171

Lens removal 172

Lens selection 24

Lenses 23–25, 171–172

Available 23

Formulas 25

Lens installation 171

Lens removal 172

Lens selection 24

Load 109

Layout 109

Maintenance 167, 169–170

Dust ﬁlters 169–170

Front side 170

Top side 169

Menu memory 61

Mercury vapor warnings 7

Minimum delay 67

Native resolution 67

Navigation 60

Adjustment mode 60

Network 141–144

DHCP 142

Gateway 144

Introduction 141

IP-address 142

Subnet-mask 143

No signal 69–70

Background color 69

Shutdown 70

Shutdown retarding time 70

Noise reduction 79

Notice on safety 5

Off-Axis 15

On screen menus 60

On-Axis 15

Order info 215

Spare part 215

Orientations 14

Front projection 14

Rear projection 14

Phase 77

PIP 104–106, 108

Activation 104

Introduction 104

Position 108

Size 106

Source 105

Position 103

Main window 103

Positioning 15

Power 114

Power connection 39

Preset color temperature 80

Prevent 6–7, 20

Battery explosion 7, 20

Electrical shock 6

Fire hazard 7

Personal injury 6

Projector damage 7

Projector 14–16

Conﬁgurations 14

Orientations 14

Positioning 15

Shift range 15

Tilt range 16

Projector address 55–56, 138–139

Address 138

Common address 139

Controlling 56

Projector conﬁgurations 14

Projector control 137–152

Art-Net activation 149

Buttons 149–150

APA button 149

Shortcut keys 150

DMX 145

DMX address 145

DMX mode 148

DMX monitor 147

DMX universe 146

IR control 144

Language 152

Selection 152

Local LCD contrast 151

Menu position 151

R59770021 CLM R10+ 11/10/2010 221

Index

Network 141–144

DHCP 142

Gateway 144

Introduction 141

IP-address 142

Subnet-mask 143

Projector address 138–139

Address 138

Common address 139

Serial communication 139–141

Baud rate setup 139

Interface standard 140

RS422 termination 141

Projector covers 181–182, 185–188

Back cover 186

Installation 186

Front cover 181, 187

Installation 187

Removal 181

Lamp door 182, 188

Installation 188

Removal 182

Side cover 185

Installation 185

Top cover 186

Installation 186

Projector status 42

Quick language 55

Selection 55

Quick layout 54

Rigging key 54

Selection 54

Quick set up 52–54

Lens 52–53

Lens functions 53

LENS key 52

PIP 54

Text on/off 52

Quick setup 19

RCU 19, 21–22

Possibilities 22

Rugged case 21

XLR adaptor 21–22

Rear projection 14

Recycling 8

Reﬁll mode 162

Remote control 20–21, 43

Battery 20

Rugged case 21

Remote Control 53–54

Lens functions 53

PIP 54

Remove 181–184

Back cover 183

Front cover 181

Lamp door 182

Side cover 184

Top cover 184

Rename 110

Layout 110

Restore factory defaults 160

Rigging key 54

Quick layout selection 54

RS232 43

RS422 43

Safety 5–9, 20

Battery explosion 7, 20

Cooling liquid circuit 7

Electrical shock 6

Fire hazard 7

Flight cases 9

General 5

Instructions 6

Mercury vapor warnings 7

Personal injury 6

Projector damage 7

Replacement parts 8

Servicing 8

Ultraviolet radiation 6

UV radiation 6

Saturation 76

Save as 111

Layout 111

Save custom settings 161

ScenergiX 126–128, 130–131, 133

Activation 127

Black level 133

Horizontal overlap 128

Introduction 126

Pattern 128

Preparations 127

Size adjustment 131

Vertical overlap 130

White level 131

Serial communication 43, 139–141

Baud rate setup 139

Interface standard 140

RS422 termination 141

Service 153, 155–164

Diagnosis 155, 157–159

Fan speeds 158

SPI 159

Start up 155, 157

Temperatures 157

Error logging 159

Start up 159

Identiﬁcation 153

Internal service patterns 160

Overview ﬂow 153

Reﬁll mode 162

Restore factory defaults 160

Safety 164

DMD safety 164

Save custom settings 161

USB memory 163

Versions 155

Start up 155

Voltages 156

Start up 156

Service patterns 160

Internal patterns 160

Servicing 169, 173, 175–177

Input module 176–177

Inserting 177

Removal 176

Lamp unit 173, 175

Mounting 175

Removal 173

Sharpness 78

Shift range 15

Shutdown, automatic 70

No signal 70

Retarding time 70

Side cover 184–185

Installation 185

Remove 184

Side keystone 120

Size 100

Main window 100

Source ﬁles 193

Source selection 57

Source switching 69

222 R59770021 CLM R10+ 11/10/2010

Index

Source timings 87

Speciﬁcations 199–202

5 cable input 200

CLM R10+ 199

DVI HDCP 202

DVI input 202

HDSDI–SDI input 201

SPI 159

Diagnosis 159

Stacking 33, 35

Align projectors 35

Projectors 33

Stacking points 209

Mounting 209

Start up 50, 59

Adjustment mode 59

Errors and warnings 50

Startup errors 50

Startup warnings 50

Switching off 51

Switching to standby 50

Temperatures 157

Diagnosis 157

Test patterns 61

Adjustment mode 61

Text on/off 52

Tilt range 16

Timings 87

Tint 77

Top cover 184, 186

Installation 186

Remove 184

Troubleshooting 203

Error codes 203

Ultraviolet radiation 6

Unpacking 12

USB memory 163

USB port 44

UV radiation 6

Versions 155

Start up 155

Voltages 156

Start up 156

Warnings 6–7

Cooling liquid circuit 7

Mercury vapor warnings 7

Ultraviolet radiation 6

UV radiation 6

White peaking 125

Window 104

PIP window 104

R59770021 CLM R10+ 11/10/2010 223

Index

224 R59770021 CLM R10+ 11/10/2010

Revision Sheet

To:

Barco nv Events/Documentation

Noordlaan 5, B-8520 Kuurne

Phone: +32 56.36.82.11, Fax: +32 56.36.88.24

E-mail: service.mne@barco.com, Web: www.barco.com

From:

Date:

Please correct the following points in this documentation (R59770021/11):

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R59770021 CLM R10+ 11/10/2010

Barco Clm R10 R9050100 Users Manual

R90501005 to the manual 2f5528d8-1ca4-4d0d-a65e-b9dc2ade72bc

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