Behringer Bass Synthesizer Bs Y600 Users Manual BSY600
BS Y600 to the manual eb36712c-56d7-41ca-b13d-e36ed00abe0d
2015-02-04
: Behringer Behringer-Bass-Synthesizer-Bs-Y600-Users-Manual-362930 behringer-bass-synthesizer-bs-y600-users-manual-362930 behringer pdf
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BASS SYNTHESIZER BSY600 Ultimate Bass Synthesizer Effects Pedal Thank you for showing your confidence in us by purchasing the BEHRINGER BASS SYNTHESIZER BSY600. This high-quality effects pedal reproduces the fat and powerful sound of classic analog synthesizers— at the touch of a footswitch. 1. Controls (3) (1) (7) (1) The DIRECT control adjusts the level of the direct, unaffected signal. (6) (2) The EFFECT control adjusts the level of the (2) (5) synthesizer effect signal. (4) (3) The RES(onance) control adjusts the (9) strength of the low-pass filter frequency peak (see below). (10) (4) The FREQ(uency) control adjusts the (11) low-pass/allpass filter frequency which cuts the high-frequencies and therefore determines the upper and lower limit of the frequency range the filter moves along. (5) The DECAY/RATE control has 2 different (8) functions. Depending on the MODE switch position (see below) it adjusts either the LFO speed that modulates the amplitude of the filter frequency (RATE: mode 3 and 6 only) or sets the time over which the filter frequency moves (DECAY). When the decay time is set to MAX, the cut-off filter frequency is fixed. (6) Use the MODE switch to dial up one of 11 synthesizer modes with 4 different waveforms. 1. SAW (sawtooth wave that produces sharp-edged sound) 2. SAW (sawtooth wave one octave lower than mode 1) 3. SAW (sawtooth wave with automatic filter frequency shifting) 4. SQUARE (square wave that produces milder sound than the sawtooth modes) 5. SQUARE (similar to mode 4 with additional square wave one octave below) 6. SQUARE (square wave with automatic filter frequency shifting) 7. PULSE (pulse wave that produces sharp-edged sound different from sawtooth modes) 8. PULSE (pulse wave with all-pass filter for more depth and motion) 9. PULSE (pulse wave with pulse width modulation for fat, spre ading sound) 10. WAVE (input signal is directly transformed to a synthesizer sound. Filter rises when string is played and returns gradually) 11. WAVE (similar to mode 10, but filter drops when string is played and returns gradually) (7) The ON/BATT LED illuminates when the effect is activated and flashes when the PITCH HOLD function is active (see below). It also serves as a battery level indicator. (8) Use the footswitch to activate/deactivate the effect. Keeping the footswitch depressed will activate the PITCH HOLD function (modes 1 - 9 only) that causes the unit to output the effect signal continuously, even if the bass is not played at this moment (ON/BATT LED flashes). You can also play the bass while keeping the footswitch pressed and mix the continuously output effect signal with the direct bass signal. Release the footswitch to deactivate this function. (9) Use this 1/4" TS IN connector to plug in the instrument cable. (10) The two 1/4" TS OUT and DIR OUT connectors send the signal to your amp. Use both connectors if you want to separate the unprocessed input signal (> DIR OUT) and the synthesized signal (> OUT). To mix both signals together use OUT only. BASS SYNTHESIZER BSY600 (11) Use the 1/4" TRS EXP(ression) connector to connect an expression pedal. This way you can externally control the movement of the filter frequency (DECAY) or—for mode 3 and 6—the speed of the effect (RATE). When using an expression pedal the DECAY/RATE control determines the max. value (expression pedal fully pressed). Use the DC IN connection at the front of the unit to plug in a 9 V power supply (not included). The BATTERY COMPARTMENT is located underneath the pedal cover. To install or replace the 9 V battery, press the hinges with a ballpen and remove the pedal cover. Be careful not to scratch the unit. ◊ The BSY600 has no on/off switch. As soon as you insert the plug into the in connector, the BSY600 begins running. When not using the BSY600, remove the plug from the in connector. This extends the life of the battery. The SERIAL NUMBER is located at the underside. ◊ In rare cases interferences of the normal function may appear by external influence (e.g. electrostatic discharge), as for example sound disturbances or malfunctions. If this occurs, please turn down the volume on subsequent amplifiers and disconnect the input connector briefly to restart the application. 2. Safety Instructions Do not use near water, or install near heat sources. Use only authorized attachments/accessories. Do not service product yourself. Contact our qualified servicing personnel for servicing or repairs, especially when power supply cord or plug is damaged. 3. Warranty Please register your new BEHRINGER equipment right after your purchase by visiting http://behringer.com and read the terms and conditions of our warranty carefully. 4. Specifications In Connector Impedance 1/4" TS 500 kΩ Out Connector Impedance 1/4" TS 1 kΩ DIR OUT Connector Impedance 1/4" TS 1 kΩ Power Supply 9 V𝌂, 100 mA regulated BEHRINGER PSU-SB USA/Canada 120 V~, 60 Hz Europe/U.K./ 230 V~, 50 Hz Australia China Korea Japan Power connector Battery Power consumption 220 V~, 50 Hz 220 V~, 60 Hz 100 V~, 50/60 Hz 2 mm DC jack, negative center 9 V type 6LR61 30 mA Physical/Weight Dimensions (H x W x D) Weight approx. 2 1/8 x 2 3/4 x 4 4/5" approx. 54 x 70 x 123 mm approx. 0.73 lbs / 0.33 kg BEHRINGER is constantly striving to maintain the highest professional standards. As a result of these efforts, modifications may be made from time to time to existing products without prior notice. Specifications and appearance may therefore differ from those listed or shown. TECHNICAL SPECIFICATIONS AND APPEARANCES ARE SUBJECT TO CHANGE WITHOUT NOTICE AND ACCURACY IS NOT GUARANTEED. BEHRINGER IS PART OF THE MUSIC GROUP (MUSIC-GROUP.COM). ALL TRADEMARKS ARE THE PROPERTY OF THEIR RESPECTIVE OWNERS. MUSIC GROUP ACCEPTS NO LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED BY ANY PERSON WHO RELIES EITHER WHOLLY OR IN PART UPON ANY DESCRIPTION, PHOTOGRAPH OR STATEMENT CONTAINED HEREIN. COLORS AND SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT. MUSIC GROUP PRODUCTS ARE SOLD THROUGH AUTHORIZED FULLFILLERS AND RESELLERS ONLY. FULLFILLERS AND RESELLERS ARE NOT AGENTS OF MUSIC GROUP AND HAVE ABSOLUTELY NO AUTHORITY TO BIND MUSIC GROUP BY ANY EXPRESS OR IMPLIED UNDERTAKING OR REPRESENTATION. THIS MANUAL IS COPYRIGHTED. NO PART OF THIS MANUAL MAY BE REPRODUCED OR TRANSMITTED IN ANY FORM OR BY ANY MEANS, ELECTRONIC OR MECHANICAL, INCLUDING PHOTOCOPYING AND RECORDING OF ANY KIND, FOR ANY PURPOSE, WITHOUT THE EXPRESS WRITTEN PERMISSION OF MUSIC GROUP IP LTD. ALL RIGHTS RESERVED. © 2012 MUSIC Group IP Ltd. Trident Chambers, Wickhams Cay, P.O. Box 146, Road Town, Tortola, British Virgin Islands
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15:39:45+08:00, 2012:01:25 16:10:25+08:00, 2012:01:25 17:28:52+08:00, 2012:01:25 17:36:53+08:00, 2012:01:25 17:36:53+08:00, 2012:01:25 17:59:01+08:00, 2012:01:26 10:14:20+08:00, 2012:01:26 10:25:51+08:00, 2012:01:31 11:22:19+08:00, 2012:01:31 11:33:20+08:00, 2012:01:31 11:33:20+08:00, 2012:01:31 11:41:48+08:00, 2012:02:08 10:41:05+08:00, 2012:02:08 11:19:05+08:00, 2012:02:08 11:34:36+08:00, 2012:02:08 12:17:12+08:00, 2012:02:08 14:09:31+08:00, 2012:02:08 14:11:20+08:00, 2012:02:13 14:38:15+08:00, 2012:02:13 15:40:45+08:00, 2012:02:13 15:40:45+08:00, 2012:02:13 16:32:10+08:00, 2012:02:13 17:14:04+08:00, 2012:02:13 17:14:23+08:00, 2012:02:14 10:13:58+08:00, 2012:02:14 10:43:01+08:00, 2012:02:14 10:43:01+08:00, 2012:02:14 11:14:47+08:00, 2012:02:14 11:14:47+08:00, 2012:02:14 11:38:22+08:00, 2012:02:14 11:39:57+08:00, 2012:02:14 14:20:30+08:00, 2012:02:14 14:20:30+08:00, 2012:02:14 15:21:13+08:00, 2012:02:14 16:18:19+08:00, 2012:02:14 16:18:19+08:00, 2012:02:14 17:37:33+08:00, 2012:02:14 17:48:46+08:00, 2012:02:15 12:30:05+08:00, 2012:02:15 12:30:05+08:00, 2012:02:15 14:35:39+08:00, 2012:02:15 14:43:13+08:00, 2012:02:15 14:51:02+08:00, 2012:02:16 14:50:14+08:00, 2012:02:16 14:54:55+08:00, 2012:02:16 14:58:02+08:00, 2012:02:16 14:58:02+08:00, 2012:02:16 15:20:17+08:00, 2012:02:17 14:30:21+08:00, 2012:02:21 12:05:51+08:00, 2012:02:21 12:06:08+08:00, 2012:02:21 12:09:20+08:00, 2012:02:21 12:09:20+08:00, 2012:02:21 12:12:20+08:00, 2012:02:21 12:13:50+08:00, 2012:02:21 12:17:10+08:00, 2012:02:21 12:18:07+08:00, 2012:02:21 12:29:29+08:00, 2012:02:21 12:29:43+08:00, 2012:02:22 10:36:55+08:00, 2012:02:22 10:36:55+08:00, 2012:02:22 10:38:28+08:00, 2012:02:22 11:15:41+08:00, 2012:02:22 11:17:05+08:00, 2012:02:22 11:17:05+08:00, 2012:02:22 16:18:29+08:00, 2012:02:22 16:45:41+08:00, 2012:02:28 10:25:48+08:00, 2012:02:28 10:29:51+08:00, 2012:02:28 10:32:50+08:00, 2012:02:28 10:33:11+08:00, 2012:02:29 10:08:06+08:00, 2012:02:29 10:08:06+08:00, 2012:02:29 10:28:17+08:00, 2012:03:02 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