Behringer C 2 Users Manual STUDIO CONDENSER MICROPHONES

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User Manual

STUDIO CONDENSER
MICROPHONES C-2
2 Matched Studio Condenser Microphones

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STUDIO CONDENSER MICROPHONES C-2 User Manual

Important Safety
Instructions

Terminals marked with this symbol
carry electrical current of sufficient
magnitude to constitute risk
of electric shock. Use only high-quality
commercially-available speaker cables
with ¼" TS plugs pre-installed. All other
installation or modification should be
performed only by qualified personnel.
This symbol, wherever it appears,
alerts you to the presence of
uninsulated dangerous voltage
inside the enclosure - voltage that may be
sufficient to constitute a risk of shock.
This symbol, wherever it appears,
alerts you to important operating
and maintenance instructions in the
accompanying literature. Please read the manual.
Condenser microphones are
extremely moisture-sensitive.
Never use your microphone in close
proximity to water (e.g. bath tubs, wash basins,
sinks, washing machines, pools, etc.). When doing
voice recordings, always use the enclosed
windscreen to safely protect the capsule
from moisture.
Always use the power
supply specified in the
operating instructions.

Take care not to drop
your microphone as this can
lead to severe damage.
BEHRINGER assumes no liability for any
damage caused by the user.
After each use, wipe the
microphone down with a soft
cloth and place it back into its
protective casing (included with the microphone).
Then, lay the small bag containing the
moisture-absorbing crystals on top of the
microphone head.

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STUDIO CONDENSER MICROPHONES C-2 User Manual

LIMITED WARRANTY
Please register your new BEHRINGER
equipment right after your purchase by visiting
behringer.com and read the terms and conditions
of our warranty carefully.
LEGAL DISCLAIMER
TECHNICAL SPECIFICATIONS AND APPEARANCES
ARE SUBJECT TO CHANGE WITHOUT NOTICE AND
ACCURACY IS NOT GUARANTEED. BEHRINGER IS
PART OF THE MUSIC GROUP (MUSIC-GROUP.COM).
ALL TRADEMARKS ARE THE PROPERTY OF THEIR
RESPECTIVE OWNERS. MUSIC GROUP ACCEPTS
NO LIABILITY FOR ANY LOSS WHICH MAY BE
SUFFERED BY ANY PERSON WHO RELIES EITHER
WHOLLY OR IN PART UPON ANY DESCRIPTION,
PHOTOGRAPH OR STATEMENT CONTAINED HEREIN.
COLORS AND SPECIFICATIONS MAY VARY FROM
ACTUAL PRODUCT. MUSIC GROUP PRODUCTS
ARE SOLD THROUGH AUTHORIZED FULLFILLERS
AND RESELLERS ONLY. FULLFILLERS AND
RESELLERS ARE NOT AGENTS OF MUSIC GROUP
AND HAVE ABSOLUTELY NO AUTHORITY TO BIND
MUSIC GROUP BY ANY EXPRESS OR IMPLIED
UNDERTAKING OR REPRESENTATION. THIS MANUAL
IS COPYRIGHTED. NO PART OF THIS MANUAL
MAY BE REPRODUCED OR TRANSMITTED IN
ANY FORM OR BY ANY MEANS, ELECTRONIC OR
MECHANICAL, INCLUDING PHOTOCOPYING AND
RECORDING OF ANY KIND, FOR ANY PURPOSE,
WITHOUT THE EXPRESS WRITTEN PERMISSION OF
MUSIC GROUP IP LTD.
ALL RIGHTS RESERVED.
© 2012 MUSIC Group IP Ltd.
Trident Chambers, Wickhams Cay, P.O. Box 146,
Road Town, Tortola, British Virgin Islands

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STUDIO CONDENSER MICROPHONES C-2 User Manual

1. Introduction
Congratulations! By purchasing the BEHRINGER C‑2, you have obtained 2 condenser
microphones that offer the highest quality standards and the best audio characteristics.
Both microphones have been matched to one another (matched pair), and are
therefore particularly well-suited for stereo recordings. Of course, you can also use
the microphones individually.
Their outstanding characteristics make these microphones a valuable tool in the studio and
on the stage.

2. Power Supply
Phantom power (+48 V) is required to operate your microphone. We assume no liability
for damage caused to your C‑2 through deffective phantom power. Before activating
phantom power, mute your playback system and connect the C‑2 to the microphone input
of your mixing console. After activating phantom power, the C‑2 requires several seconds to
stabilize itself.

3. Pickup Patterns
Both microphones feature a capsule with a cardioid pickup pattern. Microphones with this
polar pattern are most sensitive to sound coming from in front of the microphone, and also
to a lesser extent from the sides. Sound coming from behind the microphone will be greatly
attenuated. This makes the caqrdioid polar pattern most suitable for recording individual
instruments or vocals within a group.
The so-called proximity effect is typical for microphones with the cardioid pickup pattern.
Depending on the distance between the microphone and the sound source, a slight increase
in the lower frequency range occurs. The shorter the distance, the more pronounced
this effect. By cleverly selecting the position and the angle of your microphone, you can
effectively manipulate the proximity effect and thus affect how your recording sounds.
Experiment with various positions in order to gain more experience.

4. Possible Applications
Both microphones have been matched to one another (matched pair). Therefore, they are
particularly well-suited for stereo recordings. Regardless of whether you are miking an
entire ensemble or a single sound source (e.g. drums, piano or background vocals), this pair
of condenser microphones lets you achieve outstanding spatial impressions in every
recording session.

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STUDIO CONDENSER MICROPHONES C-2 User Manual

Of course, you can use your microphones individually as well. A cardioid pattern capsule
is often used in recording situations in which several sound sources are present. Since this
capsule selectively tones down the pickup of sounds located to the side of the microphone,
this way you can achieve good separation of sound sources, thus easily avoiding feedback.

5. Low Cut-Filter and Signal Level
Attenuation (-10 dB)
The C‑2 studio microphones feature a switchable low-cut filter that lets you eliminate
low-frequency disturbances such as subsonic noise. Set the switch to its middle position to
activate the low-cut filter.
A switchable level attenuation is provided on your C‑2s for applications in which the
microphones are exposed to extremely high sound pressures. When the switch is in its
“−10 dB” position, the level attenuation is activated.
When the switch is in its top-most position, the signal is not influenced in any way.

6. Microphone Installation
To attach the microphones to the microphone stands, two clamps are included with the
delivery. First screw a clamp onto the stand before attacting the microphone itself.

7. Audio Connection
Use a balanced XLR microphone cable with the following pin assignment: pin 1 = shielding;
pin 2 = +; pin 3 = -. Since your C‑2 features gold-plated contact points throughout,
we recommend that you use only microphone cables with gold-plated connectors.

8. Level Setting/Adjusting the Basic Sound
Adjust the gain control in the microphone channel of your mixing console so that the peak
LED lights up only occasionally or never at all. The EQ controls in the microphone channel
should be set to mid-travel position to start with; low-cut filter and signal level attenunation
should be switched off. To get the sound you want, try changing the mic position relative to
the sound source or even move the microphone around in the recording room of your studio.
Adjusting the angle at which walls face the sound source can also be helpful. Only when
the desired basic sound has been achieved, should you start to use equalizers and signal
processors, if any at all. Remember: less is often more!

22

STUDIO CONDENSER MICROPHONES C-2 User Manual

0˚

30˚

0˚

30˚

60˚

60˚

90˚

90˚

dB
-30
-20

120˚

120˚

-10
150˚

150˚

0
180˚

180˚

250 Hz
500 Hz
1 kHz
2 kHz

4 kHz
8 kHz
16 kHz

Polar pattern

20
10
0
-10
-20

20

50

Frequency response

100

200

500

1k

2k

5k

10k

20k

23

STUDIO CONDENSER MICROPHONES C-2 User Manual

9. Specifications
Transducer type	

condenser, 16 mm (0.63'')

Operating principle	

pressure gradient

Polar pattern	

cardioid

Connector	

gold-plated balanced XLR connector

Open circuit sensitivity (@ 1 kHz)	

−41 dBV (0 dBV = 1 V/Pa)

Frequency response	

20 Hz to 20 kHz

level attenuation	

−10 dB, switchable

Low-cut filter	

6 dB/oct. @ 120 Hz (switchable)

Max. SPL (≤ 1% THD @ 1 kHz)	

140 dB (0 dB), 150 dB (−10 dB)

Equivalent noise level (IEC 651)	

19 dBA

Signal-to-noise ratio	

75 dB

Nominal impedance	

75 Ω

Load impedance	

> 1 kΩ

Mains Voltage/Fuse
Supply voltage	

+48 V

Supply current	

3 mA

Physical/Weight
Dimensions	
	

0 shaft: 0.8" / 20 mm
length: 3.7" / length: 94 mm

Weight	

approx. 0.2 lbs / 0.09 kg

We Hear You



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Metadata Date                   : 2012:04:19 14:54:28+08:00
Creator Tool                    : Adobe InDesign CS5 (7.0.4)
Page Image Page Number          : 1, 2
Page Image Format               : JPEG, JPEG
Page Image Width                : 256, 256
Page Image Height               : 256, 256
Page Image                      : (Binary data 6510 bytes, use -b option to extract), (Binary data 7112 bytes, use -b option to extract)
Doc Change Count                : 2756
Format                          : application/pdf
Title                           : STUDIO CONDENSER MICROPHONES C-2
Creator                         : BEHRINGER
Producer                        : Adobe PDF Library 9.9
Trapped                         : False
Page Count                      : 8

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