Behringer Eurodesk Sx3282 Brochure
2015-06-29
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Page Count: 6
If you’re looking for old-school analog
handling in a package armed to the teeth
with modern reliability, the search is over.
This mixer’s British EQ, 24 mic inputs (each
with its own built-in studio-grade XENYX
preamp), 8 stereo inputs and 8 buses give
you enough leeway to craft the recording
of your dreams or create the perfect mix
for a live show.
What the heck is “British EQ”?
British EQ is a smashing thing to have
on your side when you start reaching for
those channel equalization knobs at a
live concert or in the studio.
The EQ’s on British consoles from the
60s and 70s are what many engineers
believe does their sound the best justice.
When it comes to tweaking your sound,
they’re kind, gentle and above all, musical.
It’s like drinking a ne scotch instead of
fortied wine—or maybe receiving a
warm hug instead of a kick to the crotch.
British EQ’s distinct conguration
of wider curves/lower Q and harmonic
phase characteristics allows you to add
or subtract EQ more generously than you
can with conventional EQ circuit designs.
When you add low midrange, you get
a rmer sound instead of a nasty bonk.
When you back high frequencies o a
bit, treble backs o just a hair instead of
turning mued.
The Ins and Outs
Some manufacturers make what
they call 32-input mixers that count
features like CD/TAPE IN as an input. But
the SX3282 really gives you 24 mono
channels and four stereo channels (with
two ¼" inputs apiece—an additional 8
inputs), making it easy to accommodate a
wide variety of studio or live performance
congurations. That means you can
connect up to 24 microphones or other
mono instruments and up to four stereo
instruments (keyboards, for example).
EURODESK — Ultra-Low Noise
Design 32-Input 8-Bus Studio/Live
Mixer with XENYX Mic Preampliers
and British EQs
Continued on next page
Ultra-low noise, high-headroom
analog mixer for studio, live,
front-of-house, monitor, corporate
and touring audio applications
24 state-of-the-art XENYX Mic
Preamps with switchable
+48 V phantom power plus
4 stereo Line inputs
Neo-classic “British” 4-band EQ
(stereo channels) and 3-band EQ
with semi-parametric mid band
(mono channels) for warm
and musical sound
8 subgroups with independent Pan
controls, Solo and Main functions
and insert connections
Clip and -20 dB LEDs plus Low Cut,
Mute, Solo/PFL, Subgroup and Main
routing switches on all channels
8 Aux sends per channel: 4 pre/post
fader switchable for exible routing
Main Aux sends with Level controls
and Solo functions
4 multi-functional stereo Aux returns
featuring Level and Balance controls,
Solo and extensive routing functions
Solo-In-Place with PFL function plus
full-featured Talkback, Phones and
Monitor section
EURODESK
SX3282
Large Format Mixers
Page 2 of 6
You also get eight buses, allowing you to
assign multiple channels—say all the mics
on a drum kit or all the backup singers’
mics—to a single fader.
Best of all, you don’t need a black belt
in engineering to operate the SX3282.
The mono channels are grouped along
two-thirds of the board, featuring dials
in uniform primary colors (Gain in white;
EQ in blue; AUX in red; Pan in black).
Sub groups are located next door to the
Main and Mono faders in the bottom right
corner. Directly above, there’s a handy
built-in talkback mic that sends signal to
your AUX 1-2 monitors via a push button,
as well as a multi-purpose 13-LED master
level meter to give you a dynamic visual
gauge of the selected output.
The SX3282’s intuitive patch bay
makes it equally at home in the club
or studio. You get two balanced XLR
MAIN outputs as well as a two ¼" TRS
MAIN outs. There’s also a ¼" MONO
OUT (perfect for a subwoofer output).
Eight SUBGROUP OUT jacks allow you to
send your buses to an external recording
device. This section also includes AUX
SEND jacks for connection to monitors,
CD/TAPE input and output jacks, and FX
send/return jacks for use with outboard
eects processors. Directly below,
you’ll nd the ¼" headphone/control
room out jack.
A Million Ways To Change
The Channel
At the top of each mono channel,
you’ll nd both a balanced XLR input
with a XENYX mic preamp and a ¼"
input. A phantom power switch located
on the back near the main power switch
accommodates condenser mics.
Each mono channel has a 3-band EQ
with semi-parametric mids (giving you
control of the Mid level and a sweepable
frequency with a boost or cut of 15dB)
and a Trim control for adjusting input
gain via a Level Set LED. A Low Cut
button eliminates the frequencies
where unwanted infrasonics such as mic
handling noise occur. The eight AUX dials
control the volume of the AUX SEND ¼"
output signals (more on that below).
Stereo channels feature the same
functions, but a with dual ¼" inputs and
a dierent EQ. Instead of sweepable
mids, stereo channels feature High Mid
and Low Mid dials, both with bell center
frequencies set at 8 kHz and 800 Hz,
respectively. This is especially useful for
EQ’ing the critical midrange frequency
content found in keyboard signals.
Near every mono channel’s fader you’ll
nd a 1-2, 3-4, 5-6, 7-8 and MAIN button.
By engaging the MAIN button, the signal
is sent to the main mix. Or, if you engage
the 1-2 button, the channel becomes
part of a bus. Twist the PAN control all
the way to the left to assign it to Sub 1,
or all the way to the right for Sub 2. The
same principle applies to the 3-4, 5-6 and
7-8 buttons.
A Mute button with accompanying
LED cuts the signal from the channel,
and a Clip LED helps you dial in a
distortion-free post-EQ signal. The Solo
button on individual channels routes
the subgroup signal to the solo bus
or Pre-Fader Listen—depending on
whether the signal has been included
in a subgroup.
Finally, each of the eight buses feature
an independent fader, Solo switch,
and Left and Right buttons to assign
them to Left or Right stereo channels.
Hitch your art to the AUX
The SX3482 has eight AUX
SEND outputs as well as eight AUX
return inputs, giving you more routing
options than a Los Angeles road map.
AUX SEND 1-8 allow you to send the
signal governed by an individual channel
to an outboard FX unit or EQ.
Meanwhile, the AUX returns can be
thought of as eight extra line inputs
working as four stereo pairs. You can
apply up to 20 dB of gain to these inputs.
AUX returns 1, 2, 7 and 8 allow returning
FX to be sent to tape, and, along with
5 and 6, are also good for cuing artists
via headphones. AUX returns 3 and 4 are
always assigned to the main bus.
Continued on next page
Inserts on all mono channels,
subgroups and main
Balanced inputs and Main outputs
for highest signal integrity
High-precision, 13-segment LED
meter for main mix
Long-wearing 60-mm
logarithmic-taper faders and
sealed rotary controls
Internal autorange power
supply for maximum exibility
(100 - 240 V~), noise-free audio,
superior transient response plus
low power consumption for
energy saving
High-quality components and
exceptionally rugged construction
ensure long life
Conceived and designed by
BEHRINGER Germany
EURODESK
SX3282
Page 3 of 6
Buy it now. Teach your great grandkids
how to run it.
BEHRINGER mixers last and last. We use top
quality parts such as long-wear faders, sealed
rotary controls and premium circuit boards. We
have 20 years of experience guring out how to
compensate for clumsy load-ins, spilled
drinks, crazed guitarists and millions
of road miles. The result is a mixer you
can count on day after day and night
after night.
Take On The World
Not every town on the planet uses
the same voltage common in yours.
Unfortunately, this sometimes doesn’t
occur to jet-setting sound technicians
until they’re 5,000 miles from home.
With the SX3282, this is never an issue.
The internal autorange power supply can
run on anything from 100 to 240 V with
noise-free audio, top-quality transient
response and low power consumption.
Why do you need this mixer?
• Built-in pristine XENYX mic preamps
• British-style EQ dials give you the
sound and control preferred by top
studio engineers
• Awesomely complete I/O – everything
from bus inserts to mono output
Live Performance Setup
Drums
ULTRAVOICE
XM8500 mics
(horn section)
ULTRAVOICE
XM8500 mics
(vocals)
Keyboard
ADI 21
BDI 21
Bass Guitar
Acoustic Guitar
Electric Guitar
V-AMP3
Inserts DSP2024P
DSP2024P
HPS3000
Synth
Module
B1800X PRO
B2520 PRO
DCX2496
EP2000
Low L Low R
EP4000
B1800X PRO
B2520 PRO
Low R
High RHigh L
Tape/CD recorder
MDX4600
MDX4600
EUROLIVE F1220A
Monitor mix 1
EUROLIVE F1220A
Monitor mix 2
EUROLIVE F1220A
Monitor mix 3
EUROLIVE F1220A
Monitor mix 4
AUX RETURNS 1-4
CD/TAPE OUT
CD/TAPE IN
MAIN R OUT
MAIN L OUT
AUX SENDS 5-8
AUX SENDS 1-4
Low L
High L High R
Lead Vocals
Bkgd Vocals
Horns
Guitars
Drums
Drums
Keyboards
Keyboards
MAINS
SUB 7-8 button
pressed, PAN
channels center,
GROUP 7 & 8
SUB 3-4
button
pressed,
PAN
channels
left,
GROUP 3
SUB 3-4
button
pressed,
PAN
channels
right,
GROUP 4
SUB 1-2
button
pressed,
PAN
channels
right,
GROUP 2
SUB 1-2
button
pressed,
PAN
channels
left,
GROUP 1
SUB 5-6 button pressed, PAN
channels center, GROUP 5 & 6
P
an channels to usual values for a live drum kit.
Pan left channels to L and right channels to R
EURODESK
SX3282
Page 4 of 6
Recording Setup
Drums
C-3 Studio
Condenser
mics
(horn section)
T-1 Studio
Condenser
Tubes mics
(vocals)
Keyboard
ADI 21
BDI 21
Bass Guitar
Acoustic Guitar
Electric Guitar
V-AMP3
V-AMP3
Electric Guitar
MDX4600
MDX4600
MDX4600
DSP2024P
PX3000
To/From
Inserts
DSP2024P
DSP2024P
DSP2024P
HA4700
HA4700
DSP2024P
PX3000
Lead Vocals
Bkgd Vocals
HEADPHONES
HPS3000
Synth
Module
TRUTH
B3031A
Studio
monitor
TRUTH
B3031A
Studio
monitor
HEADPHONES
HPS3000
CTRL L OUT
SUBS 1-8 OUT
STEREO INS 1-8
CTRL R OUT
Horns
Guitars
Drums
Drums
Keyboards
Keyboards
MAINS
SUB 7-8 button
pressed, PAN
channels center,
GROUP 7 & 8
SUB 3-4 button
pressed, PAN
channels right,
GROUP 4
SUB 3-4
button
pressed,
PAN
channels
left,
GROUP 3
SUB 1-2
button
pressed,
PAN
channels
right,
GROUP 2
SUB 1-2
button
pressed,
PAN
channels
left,
GROUP 1
SUB 5-6 button pressed, PAN
channels center, GROUP 5 & 6
Pan channels to usual values for a live drum kit.
Pan left channels to L and right channels to R
Computer
Tape/CD recorder
EURODESK
SX3282
Page 5 of 6
¼" TRS balanced/
unbalanced input
Insert I/O for signal
processing on
individual channels
(pre-fader, pre-EQ
and pre-aux send)
GAIN control
adjusts input gain
via Level Set LED
LOW CUT lter
(mono channels)
eliminates
unwanted
infrasonics
12 kHz shelving
HIGH EQ
Semi-parametric
MID EQ sweepable
from 100 Hz to
8 kHz
80Hz shelving
LOW EQ
AUX 1-8 controls
with PRE/post
switch
PAN control sets
position of signal
in stereo mix
MUTE switch (with
bright LED) also
mutes aux buses
set to post-fader
Channel CLIP LED
SOLO routes
subgroup signal to
solo bus (Solo In
Place) or PFL bus
(Pre Fader Listen)
Routing switches
for assigning
channel to MAIN or
Subgroups
Silky-smooth faders
on all channels and
buses
16 mono channels
with balanced
XLR with XENYX
mic preamp and
phantom power for
condenser mics
(Stereo In section) EIGHT LINE IN-ONLY
CHANNELS, Left and right balanced/
unbalanced line level ¼" TRS inputs (stereo
channels 25/26, 27/28, 29/30 and 31/32)
Master AUX SENDs
1-8 to external
eects devices or
monitor speakers
STEREO AUX
RETURNs inputs
return eect
signals from
external eects
processors
SUBGROUP inputs
SUBGROUP outputs
Gold-plated CD/TAPE
OUTPUT RCA connectors
for output to USB
interface/hard disk
recorder or DAT Gold-plated CD/TAPE
INPUT RCA connectors
for connecting Tape/
MP3/CD players or
other line-level devices
Balanced XLR
MAIN outputs
Balanced ¼"
MAIN outputs
MAIN INSERTs
for connecting
external processor
12V/5-Watt BNC
lamp sockets
PHONES Level control and
assignment switches
CONTROL ROOM Level
control and assignment
switches
AUX SENDS level
controls with SOLO
switches
13-segment Main mix
LED meter
STEREO AUX RETURN controls
with LEVEL, BALance, SOLO
and assignment switches
STEREO AUX RETURNs 3 & 4
feature only a LEVEL control
and SOLO switch
SOLO SECTION with LEVEL
control and SOLO/PFL switch
TALKBACK section with LEVEL
control and assignment
switches
MAIN MIX with talkback
mic switch and Left &
Right faders
Subgroup controls with
faders, assignment
switches and PAN
controls
Four-band EQ on
stereo channels, with
HIGH, HI MID, LO MID
and LOW controls
EURODESK
SX3282
Page 6 of 6
For service, support or more information contact the BEHRINGER location nearest you:
Europe
MUSIC Group Services UK
Tel: +44 156 273 2290
Email: CARE@music-group.com
USA/Canada
MUSIC Group Services NV Inc.
Tel: +1 702 800 8290
Email: CARE@music-group.com
Japan
MUSIC Group Services JP K.K.
Tel.: +81 3 6231 0454
Email: CARE@music-group.com
Technical specifications and appearances are subject to change without notice and accuracy is not guaranteed. BEHRINGER is part of the MUSIC Group (music-group.com). All trademarks are the property of their respective owners. MUSIC Group accepts no liability for any loss
which may be suffered by any person who relies either wholly or in part upon any description, photograph or statement contained herein. Colors and specifications may vary from actual product. MUSIC Group products are sold through authorized fullfillers and resellers only.
Fullfillers and resellers are not agents of MUSIC Group and have absolutely no authority to bind MUSIC Group by any express or implied undertaking or representation. This manual is copyrighted. No part of this manual may be reproduced or transmitted in any form or by any
means, electronic or mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of MUSIC Group IP Ltd. ALL RIGHTS RESERVED. © 2012 MUSIC Group IP Ltd. Trident Chambers, Wickhams Cay, P.O. Box 146, Road Town,
Tortola, British Virgin Islands. 985-10000-00381
INPUT CHANNELS
Mic input
Type XLR connector, electronically
balanced, discrete input circuit
Phantom power +48 V DC
MIC E.I.N. (22 HZ - 22 KHZ)
@ 150 ohms source –129.0 dBu
Input shortened –132.0 dBu
Distortion (THD + Noise) 0.007 % @ +4 dBu, 1 kHz,
bandwidth 80 kHz
Gain range +10 dB to +60 dB
Max. input level +12 dBu
Line input
Type ¼" TRS jack,
electronically balanced
Impedance 20 kΩ balanced, 10 kΩ unbalanced
Gain range Mono channels: –10 dB to +40 dB
Stereo channels: –20 dB to +20 dB
Max. input level +22 dBu
Channel fader range +10 dB to o
Aux send gain range +15 dB to o
EQ MONO CHANNELS
Hi shelving 12 kHz, ±15 dB
Mid sweep 100 Hz to 8 kHz, ±15 dB,
Q xed at 2 oct.
Lo shelving 80 Hz, ±15 dB
Lo out (HPF) 75 Hz, 18 dB/oct.
EQ STEREO CHANNELS
Hi shelving 12 kHz, ±15 dB
Hi Mid peaking 3 kHz, ±15 dB, Q xed at 2 oct.
Lo Mid peaking 500 Hz, ±15 dB, Q xed at 2 oct.
Lo out (HPF) 75 Hz, 18 dB/oct.
CHANNEL INSERTS
Type ¼" TRS jack, unbalanced
Max. in/out +22 dBu
Channel to channel crosstalk –95 dB @ 1 kHz
SUBGROUP SECTION
Noise
Bus noise, fader @ 0 dB –105.0 dBr
All input channels assigned & set
@ 0 dB gain, channels muted
–92.0 dBr
All input channels assigned & set
@ 0 dB gain –87.0 dBr
Submaster max. output level
+22 dBu, balanced/unbalanced
Fader range +10 dB to o
MAIN MIX SECTION
Noise
Bus noise, fader @ 0 dB –102.0 dBr All input channels
assigned & set @ 0 dB gain,
channels muted –92.0 dBr
All input channels assigned & set
@ 0 dB gain–87.0 dBr
Submaster max. +28 dBu,
balanced/output level +22 dB,
unbalanced
Fader range +10 dB to o
Aux returns gain range +20 dB to o
Aux sends max. output level +22 dBu
SYSTEM DATA
Distortion 0.007% @ +4 dBu,
(THD + Noise) 1 kHz, bandwidth 80 kHz
Frequency response
20 Hz to 40 kHz –1 dB (any input to any output)
10 Hz to 120 kHz –3 dB
POWER SUPPLY
Power consumption max. 150 W
Fuse 100 - 240 V~, 50/60 Hz
T 2 A H 250 V
Mains connector Standard IEC receptacle
PHYSICAL/WEIGHT
Dimensions 3.5 x 40x 20.7"
(H x W x D) 89 x 1016 x 526 mm
Weight 53 lbs/24 kg
Please note these specications are preliminary and conceptual in nature,
and as such are subject to change as product development progresses.
This information is supplied for market research purposes only and is not
to be made public in any manner. This document is solely the property of
The MUSIC Group, or one of its subsidiaries, and must be surrendered upon
request of the owner.
EURODESK
SX3282
