Behringer High Performance 3D Multi Engine Effects Processor Fx2000 Users Manual VIRTUALIZER

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2015-02-04

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High-Performance 3D Multi-Engine
Eects Processor
71 breathtaking new algorithms—
true RSM (Real Sound Modeling)
stereo and 3D eects
Wave-adaptive virtual Room
reverb algorithms for natural reverb
and delay
Awesome modulation, dynamic,
psychoacoustic and EQ algorithms
Authentic amp simulation, distortion
and special eects
11 eect combinations with selectable
serial / parallel conguration
Up to 7 adjustable parameters plus
2-band EQ per eect
24-bit A/D and D/A converters with
64/128-times oversampling
True stereo processing for realistic
channel separation in stereo image
100 factory presets plus 100 user
memory locations
Extensive MIDI implementation
Accurate LED level meters for perfect
level setting and optimum
performance
Servo-balanced XLR and ¼'' TRS
inputs and outputs
High-quality components and
exceptionally rugged construction
ensure long life
Conceived and designed by
BEHRINGER Germany
Continued on next page
Get even more mind-expanding power
for your keyboard, bass, guitar or vocals
with the VIRTUALIZER 3D FX2000 Eects
Processor. This amazing rack unit has 71
incredible new algorithms, including true
studio-grade stereo and 3D eects that
will add a head-spinning new dimension
to your sound, both live and in the studio.
The FX2000 employs BEHRINGER RSM
(Real Sound Modeling) technology to
simulate acoustic environments with
stunning accuracy. Eects options include
powerful modulation, amp simulation,
distortion and special eects,
as well as eective dynamic and
psychoacoustics processing.
Performance is further enhanced
through user-addressable high and low
EQ and wave-adaptive VIRTUAL ROOM
reverb algorithms. The FX2000 has a total
of 200 presets (100 factory / 100 user)
that can be recalled or switched via an
optional MIDI foot controller, such as
our FCB1010.
Reverbs & Delays
Because it is one of the most desired
eects, the FX2000 provides 12 dierent
reverb programs, so you always have the
ideal reverb for your live performance or
studio needs.
Reverbs include:
• CATHEDRAL
• GOLD PLATE
• SMALL HALL
• ROOM
• STUDIO
• CONCERT
• STAGE
• SPRING REVERB
• AMBIENCE
• EARLY REFLECTIONS
Specialty reverbs include:
• GATED REVERB – reverb is synthetically
turned o after a predetermined
amount of time
• REVERSE REVERB – reverb envelope
is reversed—it slowly gets louder
Delays include:
• STEREO DELAY – delay is processed
across the entire stereo image
• TAPE ECHO – simulates classic tape
echo devices, pre-dating the advent
of digital delays
• PING PONG – delay signal is
“bounced” from left to right at
an adjustable tempo
VIRTUALIZER 3D
FX2000
Multi-Eects Processors
Page 2 of 4
Much More than Just Reverb and Delay
The FX2000 has some of the best-
sounding reverb and delay programs,
but that’s not all. It also provides excellent
modulation eects (such as chorus,
anger and phaser), including special
variations like musical pitch shifter,
tremolo and even a leslie simulation.
Modulation and Pitch Shifter FX:
• STEREO FLANGER – originally generated
by playing back two synchronized reel to
reel” tape recorders with a nger rubbing
on the ange of one of the take-up reels
• VINTAGE FLANGER – simulates a guitar
anger stomp box
• JET STREAM FLANGER – sounds like a
classic analog anger
• STEREO CHORUS – combines a slightly
detuned signal with the original
• ANALOG CHORUS – simulates a guitar
chorus stomp box
• VINTAGE CHORUS – imitates a classic
analog studio chorus
• ULTRA CHORUS – creates the sound of an
eight-person chorus
• STEREO PHASER – combines a second,
phase-shifted signal to the original
• VINTAGE PHASER – represents a guitar
phaser stomp box
• DUAL PHASER – processes the left and
right channels separately
• LESLIE – simulation of the rotating
speakers typically used on an organ –
Slow or Fast
• PITCH SHIFTER – changes the pitch of the
original signal – can be used to create
harmonies with the original signal or
replace it entirely with the altered pitch.
Choices include stereo, two and three
vocal pitch shifter
• VIBRATO – the peak frequency of the tone
is periodically and uniformly changed
(quickly or slowly)
• TREMOLO – common vintage guitar
amplier eect – a fast or slow periodic
variation in volume
• AUTO PANNING – signal is
automatically sent from one side of
the stereo image to the other, either
once or multiple times
Dynamic FX:
• COMPRESSOR – reduces the
dynamic range of the signal,
maintains consistent signal
level and thus avoids distortion
associated with input levels
• EXPANDER – eectively broadens the
dynamic range of source signals while
reducing background noise
• GATE – this noise gate algorithm
helps to reduce background clutter by
setting a specic threshold level which
mutes all surrounding noise below
this threshold. Particularly eective on
drum mics and vocals
• ANALOG COMPRESSOR/LIMITER –
similar to COMPRESSOR but with
Limiting functionality
• ULTRAMIZER – analyses incoming
signal and automatically applies
compression across two independent
frequency bands
• DENOISER – eliminates or reduces
noise and other interference
• DE-ESSER – reduces or removes
sibilance (Ssss sound) from signal
• WAVE DESIGNER – allows you to
inuence the envelope by adjusting
Attack and Release of the signal
Psychoacoustic FX:
• EXCITER – adds articially generated
overtones to the original signal,
increasing presence and perceived
loudness without signicant increase
in signal level
• ENHANCER – a dynamic equalizer
which brings more clarity and a better
stereo locating to your sound, similar
to the eect of an exciter
Continued on next page
Studio Application (stereo return)
Live Performance (mono)
X1622USB mixer
FX2000 REAR Panel
AUX
RETURNS
LeftRight
AUX
SEND
FCB1010 MIDI foot controller
Electric
Guitar
MIDI Out RETURN SEND
FX2000 REAR Panel
412H-BK
BUGERA 1990
Half-Stack
VIRTUALIZER 3D
FX2000
Page 3 of 4
• ULTRA BASS – sub-harmonic processor
combined with bass exciter and limiter
• STEREO IMAGER – divides the signal
into middle and side signals, allowing
individual signals to be amplied when
desired and placed on the stereo image
• ULTRA WIDE – creates a broader
stereo image
• BINAURALIZER – also creates a broader
stereo image and compensates for
crosstalk between both speakers
Filter/EQ FX:
• AUTO FILTER – inuences the frequency
response of a signal: Three lter types in
dierent variations are included: low pass,
band pass and high pass
• LFO FILTER – similar to the auto lter
algorithm, but modulated by an
oscillator with dierent wave types and
speed adjust
• PARAMETRIC EQ – allows you to control
the bandwidth, frequency and amplitude
of a signal
• GRAPHIC EQ – the sound spectrum is
divided into six (6) adjacent frequency
bands, which can be cut or boosted,
bandwidth is predetermined
Distortion FX and Amp Simulations
The FX2000 is also equipped with
distortion, amplier and speaker
simulation including VOCAL DISTORTION,
TUBE DISTORTION, GUITAR AMP, TRI FUZZ,
SPEAKER SIMULATION, RING MODULATOR
and LO-FI.
Special FX:
• VINYLIZER – adds clicks and/or noise to
the signal, reminiscent of old vinyl records
and tape machines
• SAMPLER – allows you to record and
playback up to ve (5) seconds of
program material
Continued on next page
LEVEL METERS display
signal level relative to
setting of OPERATING LEVEL
button on rear panel
DISPLAY shows eect
name, parameter
name, and parameter
value of current preset
Front Panel
Rear Panel
MIX knob adjusts
wet/dry mix of
output signal
EFFECT button enables
JOG WHEEL to scroll
through 71 basic
eect algorithms
PRESET button
enables JOG WHEEL
to scroll through
200 presets
SETUP button enters
Setup Mode, enabling
EDIT KNOBS to select
categories within MIDI,
INPUT, OUTPUT, and
CONFIGURATION
EDIT button selects
function and LEDs
indicate active function
COMPARE button
temporarily
restores altered
preset’s settings
for comparison to
original sound
JOG WHEEL scrolls
through presets
and adjusts
parameter values
POWER button
STORE button saves
altered preset to
desired location
STATUS LEDs
indicate type of
value ready for edit
EFFECT GROUP LEDs
indicate category of
current eect
EDIT KNOBS adjust
various eect parameters,
EQ settings, MIDI functions and
INPUT/ OUTPUT congurations
EDIT LEDs indicate which
parameters are adjusted
by the EDIT KNOBS
MIDI IN, MIDI OUT, and MIDI
THRU connectors transmit
and receive MIDI commands
INPUT and OUTPUT connections
are available as balanced
¼" TRS and XLR jacks
OPERATING LEVEL button
switches between
-10 dBV and +4 dBu
VIRTUALIZER 3D
FX2000
Page 4 of 4
For service, support or more information contact the BEHRINGER location nearest you:
Technical specifications and appearances are subject to change without notice and accuracy is not guaranteed. BEHRINGER is part of the MUSIC Group (music-group.com). All trademarks are the property of their respective owners. MUSIC Group accepts no liability for any loss
which may be suffered by any person who relies either wholly or in part upon any description, photograph or statement contained herein. Colors and specifications may vary from actual product. MUSIC Group products are sold through authorized fullfillers and resellers only.
Fullfillers and resellers are not agents of MUSIC Group and have absolutely no authority to bind MUSIC Group by any express or implied undertaking or representation. This manual is copyrighted. No part of this manual may be reproduced or transmitted in any form or by any
means, electronic or mechanical, including photocopying and recording of any kind, for any purpose, without the express written permission of MUSIC Group IP Ltd. ALL RIGHTS RESERVED. © 2012 MUSIC Group IP Ltd. Trident Chambers, Wickhams Cay, P.O. Box 146, Road Town,
Tortola, British Virgin Islands.
Europe
MUSIC Group Services UK
Tel: +44 156 273 2290
Email: CARE@music-group.com
USA/Canada
MUSIC Group Services NV Inc.
Tel: +1 702 800 8290
Email: CARE@music-group.com
Australia
MUSIC Group Services AU Pty Ltd
Tel.: +61 03 9877 7170
Email: CARE@music-group.com
Japan
MUSIC Group Services JP K.K.
Tel.: +81 3 6231 0454
Email: CARE@music-group.com
• VOCODER – allows the input signal
to modulate another signal (usually a
synthesizer sound), creating the familiar
“talking synthesizer eect
• VOICE CANCELER – removes mono
vocal parts from stereo recordings for
“instant Karaoke
• RESONATOR – simulates an oscillating
system that amplies a specic frequency
Our FX Combinations Go to 11
Sometimes you want to add a little
(or a lot) of color to your reverb and delay
patches. The FX2000 allows you to layer
modulation eects like chorus, anger,
pitch or tremolo with your reverb or
delay selections.
FX Combinations include:
• Chorus & Reverb
• Phaser & Reverb
• Flanger & Reverb
• Chorus & Delay
• Leslie & Reverb
• Flanger & Delay
• Pitch & Reverb
• Pitch & Delay
• Delay & Reverb
• Tremolo & Delay
• Tremolo & Reverb
Enhanced User Editability
Logical grouping of parameters,
along with the combination of encoders,
buttons, LEDs and an easily readable LED
display, make operating the FX2000 a
breeze. You are free to edit up to seven
parameters per preset, and then save
them for future use in the 100 provided
memory locations.
Value
With its extremely powerful processing
capability and versatile array of features,
the FX2000 will become the busiest
tool in your audio arsenal. Stop by your
BEHRINGER dealer today and nd out why
professional sound engineers all over the
world are turning to the FX2000 as their
primary FX processor—both in the studio
and on the road.
Specications
Analog Inputs
Connectors XLR and ¼" TRS
Type RF ltered, servo-balanced
input stage
Impedance 80 k Ω balanced
Nominal Operating Level -10 dBV or +4 dBu (selectable)
Max. Input Level +15 dBu at +4 dBu nominal level,
+1 dBV at -10 dBV nominal level
Analog Outputs
Connectors XLR and ¼" TRS
Type Electronically servo-balanced
output stage
Impedance 80 Ω balanced
Max. Output Level +15 dBu at +4 dBu nominal level,
+1 dBV at -10 dBV nominal level
System Specications
Bandwidth 20 Hz to 20 kHz, +/- 3 dB
SNR 91 dB, unweighted, 20 Hz to 20 kHz
THD 0.018 % typ. @ +4 dBu, 1 kHz,
0 dBu input, gain 1
Crosstalk < -76 dB
MIDI Interface
Type 5-pin DIN-socket IN / OUT / THRU
Digital Processing
Converters 24-bit Sigma-Delta,
64/128-times oversampling
Sampling Rate 46.875 kHz
Display
Type 4-digit 14 segment alpha-numeric
LED-Display
Power Supply
Voltage/Fuses
USA/Canada 120 V~, 60 Hz
Europe/U.K./Australia 230 V~, 50 Hz
Japan 100 V~, 50 - 60 Hz
General export model 120/230 V~, 50 - 60 Hz
Fuse 100 - 120 V~: T 200 mA H 250 V
200 - 240 V~: T 100 mA L 250 V
Power Consumption 15 Watts max.
Mains Connection Standard IEC receptacle
Physical
Dimensions (H x W x D) 8.54 x 1.75 x 19.01"
217 x 44.5 x 483 mm
Net Weight approx. 4.18 lbs / 1.9 kg
Please note these specifications are preliminary and conceptual in nature, and as such are subject
to change as product development progresses. This information is supplied for market research
purposes only and is not to be made public in any manner. This document is solely the property of
The MUSIC Group, or one of its subsidiaries, and must be surrendered upon request of the owner.
VIRTUALIZER 3D
FX2000

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