Behringer Umx250 Users Manual U CONTROL

UMX250 UMX250

UMX250 to the manual c402459f-e629-497b-a66f-c5968becebaf

2015-02-04

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ENGLISH

User Manual

U-CONTROL UMX250
The Ultimate Studio in a Box:
25-Key USB/MIDI Controller
Keyboard with USB/Audio
Interface, 100 Software
Instruments, 50 VST Effects,
energyXT2.5 Compact Music
Production Software and
NI KorePlayer Software
Sound Module

Thank you

Table of Contents

Thank you for showing your confidence in BEHRINGER
products by purchasing the UMX250. The UMX250 is an
extremely flexible master keyboard with a controller unit that
can be used for a wide array of applications. Whether you need
independent control of computer rack synthesizers, general
MIDI sound modules or effects devices, or want to use the
UMX250 for conveniently operating sequencing software or
computer plugins — the UMX250 offers you tremendous
ease of use and allows you to realize your ideas intuitively.

Thank you...................................................................... 1
Important Safety Instructions.................................... 2
1. Before you get started............................................ 3
2. Introduction to MIDI................................................ 4
3. Control elements and connections....................... 6
4. Operation.................................................................. 7
5. Specifications......................................................... 12
6. Appendix . .............................................................. 13
Warranty...................................................................... 15
Legal Disclaimer......................................................... 16

This manual is available in English, German, French,
Spanish, Italian, Russian, Polish, Dutch, Finnish, Swedish,
Danish, Portuguese, Greek, Japanese and Chinese. There may
also be more current versions of this document. Download them
by going to the appropriate product page at:

www.behringer.com
A50-A1I30-08001

U-CONTROL UMX250 User Manual

ENGLISH

Important Safety Instructions

Caution

To reduce the risk of electric shock, do not remove the top
cover (or the rear section). No user serviceable parts inside;
refer servicing to qualified personnel.

Caution

To reduce the risk of fire or electric shock, do not expose
this appliance to rain and moisture. The apparatus shall not
be exposed to dripping or splashing liquids and no objects
filled with liquids, such as vases, shall be placed on the
apparatus.

Caution

This symbol, wherever it appears, alerts you to the presence
of uninsulated dangerous voltage inside the enclosure—
voltage that may be sufficient to constitute a risk of shock.

Caution

This symbol, wherever it appears, alerts you to important
operating and maintenance instructions in the accompanying literature. Please read the manual.

Read these instructions.
Keep these instructions.
Heed all warnings.
Follow all instructions.
Do not use this device near water.
Clean only with a dry cloth.
Be sure to mount your speakers on a solid, stable and level base or
stand. Vibrating floors do not provide reliable support for speaker
enclosures or stacks.
{8}. Do not install near any heat sources such as radiators, heat
registers, stoves, or other apparatus (including amplifiers) that
produce heat.
{9}. Only use attachments/accessories specified by the manufacturer.
[10].
Use only with the cart, stand, tripod, bracket, or
table specified by the manufacturer, or sold with
the device. When a cart is used, use caution
when moving the cart/device combination to
avoid injury from stumbling over it.
[11].
Refer all servicing to qualified service personnel.
Servicing is required when the unit has been damaged in any way,
liquid has been spilled or objects have fallen into the device, the unit
has been exposed to rain or moisture, does not operate normally, or
has been dropped.
[12].
Do not block any ventilation openings. Install in accordance with the
manufacturer’s instructions.

{1}.
{2}.
{3}.
{4}.
{5}.
{6}.
{7}.

1. Before you get started
1.1 Shipment

The U-CONTROL was carefully packed at the assembly plant
to assure secure transport. Should the condition of the
cardboard box suggest that damage may have taken place,
please inspect the unit immediately and look for physical
indications of damage.
◊ Damaged equipment should NEVER be sent directly to us.
Please inform the dealer from whom you acquired the unit
immediately as well as the transportation company from
which you took delivery of the unit. Otherwise, all claims
for replacement/repair may be rendered invalid.
◊ To assure optimal protection of your UMX250 during
transport, we recommend utilizing a carrying case.
◊ Please always use the original packaging to avoid damage
due to storage or shipping.
◊ Never let unsupervised children play with the device or
with its packaging.
◊ Please dispose of all packaging materials in an
environment-friendly fashion.

1.2 Initial operation and power supply

Please make sure that the unit is provided with sufficient ventilation, and never place the UMX250 on top of an amplifier or in
the vicinity of a heater to avoid the risk of overheating.
The power supply can be realized in different ways depending on
the main application area. For the installation of the UMX250 in
a studio environment, it is possible to connect the device directly
to a free USB port of the computer using the USB cable provided
(see Fig. 1.1).
In case it is not possible to establish the power supply over
USB (e.g. because of an overload of the host computer due to
several USB devices connected), it is also possible to operate the
UMX250 with three 1.5-Volt batteries (type “AA”, see Fig.1.2).

Figure 1.2: The battery compartment on the bottom side of the UMX250

Open the battery compartment by pressing the shutter clamp
carefully in the direction of the battery compartment, while
pulling the cover of the compartment upwards.
Please note the following points when inserting the batteries:
• The +symbol of the batteries must coincide with the
+symbol of the compartment! Incorrect polarity will damage
the electronics!
• Do not mix old and new batteries! When you change the
batteries, always change all 3 batteries at the same time.
• Do not use damaged batteries. The UMX250 could be
damaged due to the leakage of chemicals.
• If you do not use the unit for an extended period of time,
please remove the batteries from the compartment. Here
again, the batteries could leak and damage the device.
After inserting the batteries, please close the battery compartment and make sure the shutter clamp snaps into place again.
If you do neither want to connect the power supply over USB nor
operate the unit with batteries, there is yet another possibility
to connect the UMX250 over an external power pack. Please
observe the correct operational data (DC 9 V; 100 mA) and
correct polarity of the connector plug; you will find information
about this above the DC input on the rear of the unit. Reverse
polarity can damage the electronics.

1.3 Online registration
USB Cable (included)

U-CONTROL UMX250

Fig. 1.1: Power supply via USB

Please remember to register your new BEHRINGER equipment
right after your purchase by visiting www.behringer.com (alternatively www.behringer.de) and read the terms and conditions
of our warranty carefully.
Should your BEHRINGER product malfunction, our goal is to
have it repaired as quickly as possible. To arrange for warranty
service, please contact the retailer from whom the equipment
was purchased. Should your BEHRINGER dealer not be
located in your vicinity, you may directly contact one of our
subsidiaries. Corresponding contact information is included in
the original equipment packaging (Global Contact Information/
European Contact Information). Should your country not be

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U-CONTROL UMX250 User Manual

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4
listed, please contact the distributor nearest to you. A list of
distributors can be found in the support area of our website
(www.behringer.com).
Registering your purchase and equipment with us helps us
process your repair claims quicker and more efficiently.
Thank you for your cooperation!

1.4 System requirements

For USB operation, a current WINDOWS PC or MAC with a
USB connection is sufficient. Both USB 1.1 and USB 2.0 are
supported.
◊ The UMX250 supports the USB MIDI compatibility of
WINDOWS XP, Vista and MAC OS X operating systems.
◊ The UMX250 can also be operated as a stand-alone MIDI
controller with no PC connected. Software control via
MIDI is also possible, provided your computer has a MIDI
interface.

2. Introduction to MIDI
2.1 MIDI control for beginners

Application possibilities for the UMX models are truly wideranging. We’ll start with a couple of general explanations and
examples that should quickly let you get a good understanding
of MIDI basics.
The definition of the MIDI standard began in 1982 with the
cooperation of various international companies (MIDI: Musical
Instrument Digital Interface). At that time, musicians were
looking for a possibility of managing the communication
of electronic musical instruments of different makes with
one another.
What exactly does the UMX250 do?
Simply put, this is a remote control for all kinds of MIDI equipment. Using the faders, rotary knobs and buttons, the foot pedal
and the keyboard, an entire array of control instructions can be
generated, which in turn can control the most diverse functions
of external devices.
What kinds of equipment can I control with the UMX250?
You can basically control any device supporting the MIDI
format. Both hardware and software MIDI devices are controlled
in exactly the same way. The only difference is in the wiring.

U-CONTROL UMX250 User Manual
Here are a couple of suggestions on how you can use your
UMX250:
◊ Editing sound parameters of (virtual) synthesizers, sound
samplers, GM/GS/XG sound generators.
◊ Controlling parameters on effects equipment/software
plug-ins such as effects processors, reverbs, compressors,
equalizers.
◊ Remotely controlling software mixers (volume, panorama,
mute functions, etc.).
◊ Remotely controlling transport functions (playback,
forward, stop, etc.) on sequencers, hard disk recorders,
drum computers, etc.
◊ Live control of volume and sound parameters on expanders
◊ Remotely controlling groove boxes, step sequencers, MIDIgenerators and other “live” software
◊ Program changes and volume control on sound generators
(just like on a master keyboard)
◊ Can be used by band keyboardists, solo entertainers,
organists, electronic music performers, DJs, sound engineers, home/project studio owners, theater technicians, etc.
And how does it work?
Remote control is realized by assigning the individual control
elements of the UMX250 to individual MIDI parameters.
Whenever one of these control elements is operated, the
UMX250 generates the control data assigned to this control
element, which are then transferred to external devices over
a data link. Thus, for example, the VOLUME/DATA fader
is factory-set to send data controlling the volume level of a
channel.
The data connection is usually a standard MIDI cable with a
5-pin DIN plug on each end. Such cables should not exceed a
length of 15 meters. With the UMX250 there is one more data
connection available: the USB cable to the host computer. Here,
the cable should not exceed a length of 5 meters.
The data transmission takes place over 16 channels.
The control data generated by the individual control elements
are also called MIDI messages, which can be divided into
3 major groups:

◊ Channel Messages: Here, channel-specific control information
is transmitted. An example of a channel message is the note-on
instruction. As soon as a key is played on the keyboard of the
UMX250, the device generates an instruction which contains the
pitch, channel number and velocity. The receiving sound generator
“knows” which tone has to be played.
◊ System Messages: These messages are not channel-specific but
relate to the entire system to which they are sent. They are divided
into 3 groups: System Exclusive Messages (for operating system
backup, updates, management of memory contents); System RealTime Messages (e.g. for remote control of other devices); System
Common Messages (e.g. for the synchronization of several devices).
◊ Control Messages: Also known as Control Changes or
Controllers, abbreviated as “CC… (Control Change)”. There are
128 controllers in total, which are numbered from 0 to 127.
Controllers are always channel-specific.
• Please refer to Table 6.1 to find out which type of controller
you are currently working with.
• MIDI data are only control data and contain no audible
audio information! The data transmission takes place over
16 channels.
What settings do I have to make? Where? How?
Basically, which control element generates which controller
must be set on the UMX250, and how incoming controller commands should be interpreted must be set on the receiving device.
Regarding controller assignment, there are two possible
principles:
◊ You use the preset controller configuration set in the factory (see
Fig. 3.1, (10) ). In this case, you only need to make the assignments
on the receiving device.
◊ You use your own controller configuration set up in ASSIGN mode.
How to assign controllers to the UMX250 is described in Chapter 4
“OPERATION”.

2.2 USB mode and stand-alone
operation

The UMX250 can be operated as a USB interface or stand-alone
device. The two modes are different with respect to the MIDI
signal flow.

2.2.1 USB mode

When the UMX250 is linked via USB to a computer, the
signalflow is as shown below (Fig. 2.1).
After the UMX250 has been connected to the host computer,
a virtual MIDI IN and MIDI OUT interface is emulated.MIDI
data generated in the UMX250 are first sent over the USB
interface to the host computer, where they are received at the
emulated MIDI IN. A sequencer software running on the host
computer receives the MIDI data via the MIDI IN and relays
them to the emulated MIDI OUT—if all sequencer parameters
are set properly. The data are then sent back to the UMX250 via
the USB interfaces on the computer/UMX250, where they are
looped through to the physical MIDI OUT (14). From here, the
MIDI data are sent to the devices connected to the MIDI OUT.
The MIDI OUT connector (14) can also be used as a normal MIDI
interface, independently of the sequencer software operating
the UMX250.
Sound-Module

IN
OUT

(intern)

MIDI

USB

(intern)

Fig. 2.1: Block diagram of MIDI signal flow

2.2.2 Stand-alone operation

When the UMX250 is not linked via USB to a computer, it is
automatically set to stand-alone mode. In this case, the UMX250
can only send out MIDI data from its MIDI OUT connector.

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3. Control elements and connections

Fig. 3.1: Top view

The following factory settings refer to GLOBAL MIDI channel 1.
{1}. The keyboard of the UMX250: 25 large, velocity-sensitive keys for
maximum playing comfort. The keyboard not only provides for
playing, but also functions as an encoder in the context of the
assignment procedure.
{2}. The MODULATION wheel functions ex works as a conventional
modulation wheel (MIDI CC 1). In ASSIGN mode, any MIDI controller can be assigned to it. When you release the MODULATION
wheel, it retains its adjusted value.
{3}. The PITCH BEND wheel is normally used to change the pitch in
real time. In this way, a sound can be “bent” upwards/downwards
by several semitones while playing. The specific amount of pitch
bending applied to a sound can be set on the device controlled by
the UMX250.
{4}. Ex works, the VOLUME/DATA fader controls the volume of the
notes played on the keyboard (MIDI CC 7). In ASSIGN mode, it can
be set to control any MIDI controller.
{5}. The ASSIGN button allows you to assign different functions to the
various control elements.
The basic principle is always the same:
1) Press the ASSIGN button and keep it pressed. The status
LED above the button lights up. The UMX250 signals that
it has entered ASSIGN mode.
2) Select the control element to which you would like to
assign a new MIDI function by operating it.

{6}.

{7}.

{8}.

3) Release the ASSIGN button.
4) Depending on the choice you made, you may have to
define an additional value range (see below for more
details).
5) Press the ENTER button on the keyboard to confirm your
assignments. To discard your assignments either press the
CANCEL button or the ASSIGN button again. In either
case, the ASSIGN LED goes out and the UMX250 quits
ASSIGN mode.
The USER MEMORY button is used to recall the internal memory.
The internal memory contains all assignment information set in
ASSIGN mode. Any changes that were made after USER MEMORY
selection are automatically saved without further user prompts. The
USER MEMORY is retained even after the unit is switched off.
The two OCTAVE SHIFT buttons are preset to shift the keyboard
range by several octaves up or down. The associated LEDs help you
identify the current octave setting (see Table 3.1). Since the
OCTAVE SHIFT buttons can also be assigned to any MIDI
controller, we would like to refer you to Chapters 4.2.8 and 4.2.9 for
detailed information.
The eight high-resolution rotary controls R1 – R8 generate
continuous controller information. They are the controllers that are
shown above the buttons in the table (10). All rotary controllers can be
assigned to any controller in ASSIGN mode.

{9}. The eight buttons B1 – B8 generate switch controllers. Again, these
are factory-set functions (see table (10) on the device). Like the rotary
controls the buttons can be freely assigned to any controller in
ASSIGN mode.
[10].
The table shows the controller assignment preset at the factory.
[11].
Keyboard legend: Informs you about the special functions
performed by individual keys on the keyboard. The individual
elements of the keyboard legend are described in detail in
Chapter 4 “OPERATION”.
Operation

Octave shift
Shift one octave
press once
up or down
press 2nd
Shift 2 octaves
time
up or down
Shift 3 octaves
press 3rd time
up or down
press both
Reset (all octave
buttons
shifts are reversed)

LED
LED on
flashing
flashing
LED off

Table 3.1: LED activity depending on the OCTAVE SHIFT status

◊ Please close all programs if you want to switch off the
UMX250 while the computer is running or terminate the
USB connection.

4. Operation
In the following, we will explain the operation of the UMX250
in detail. Please note the differentiation between buttons (see
control elements (9) ) and keys (control element (1) )! Please do
not confuse these!

4.1 PLAY mode

After power-up the UMX250 is in PLAY mode. You can start
playing, modify filter sweeps with the rotary controls, determine
program changes intuitively, realize panorama changes, controlsoft synths, and so on.

4.1.1 The FACTORY MEMORY

Fig. 3.2: Rear panel connectors

The FACTORY MEMORY is the internal memory storing the
basic settings of the UMX250. The most important feature of the
FACTORY MEMORY is the controller map described in point
(10). These settings define a number of useful parameters and are
automatically loaded when the device is switched on.
Assignments that are modified during a session, will be discarded when the unit is switched off. In order to save the
modified assignments, the UMX250 has been provided with a
USER MEMORY.

[12].
Use this socket to supply the UMX250 with current from an

4.1.2 The USER MEMORY

external power supply unit (not included).

[13].
The USB connector of the UMX250. The connector (type B) on the

device is connected using the cable supplied to a free slot on the host
computer (where you will find a type A connector). It is compatible
with the USB 1.1 and USB 2.0 standards.
[14].
In addition to the connection to the computer, you can use the MIDI
OUT to connect additional MIDI devices, so that the UMX250
transforms into a fully-featured, easily accessible MIDI interface for
your host computer.
[15].
Use the FOOT SWITCH connector to connect a sustain pedal. This
port is factory-set and assigned to the MIDI parameter “Foot Pedal”
(CC 64), which represents a switch controller. When the pedal is
pressed (and held) in normal Play mode, it generates a controller
with the value 127. When the pedal is released, the controller falls
back to 0 (typical piano sustain pedal behavior). Apart from that the
pedal assignment is the same as the button assignment, i.e. you can
assign any MIDI controller to it.
[16].
The POWER switch is used to switch the unit on and off.

Settings that are stored in the USER MEMORY, are stored permanently in the internal flash ROM and will be retained even
after switching the unit off.
Change to the USER MEMORY by pressing button 6. When you
access the USER MEMORY for the first time, it stores a copy of
the FACTORY MEMORY settings. As soon as you make changes
to the existing controller map, they are stored automatically
without your intervention.
The following control element assignments including channel
information can be permanently stored in the USER MEMORY:
• FOOT SWITCH connector
• OCTAVE SHIFT button
• VOLUME/DATA fader
• PITCH BEND wheel
• MODULATION wheel
• Rotary controls R1 – R8
• Buttons B1 – B8

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U-CONTROL UMX250 User Manual

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4.2 ASSIGN mode

As already mentioned in the preceding chapters, the ASSIGN
mode is a powerful tool which allows you to re-configure the
UMX250 to an extremely easy-to-use controller.
The fundamental logic of the assignment procedure was already
presented in Chapter 3 “Control elements and connections”.

4.2.1 Setting the GLOBAL CHANNEL

MIDI channels are classified into two types: one GLOBAL
CHANNEL and 16 SINGLE CHANNELS.
The GLOBAL MIDI CHANNEL is a factory setting and
all MIDI instructions are sent over this channel: messages
of various control elements as well as note-on and note-off
messages. Please proceed as follows to modify the GLOBAL
MIDI CHANNEL:
1) Press the ASSIGN button and keep it pressed.
2) Press the GLOBAL key.
3) Release the ASSIGN button.
4) Now define the GLOBAL CHANNEL by entering a number
between 1 and 16 using the number keys. If you enter a
number greater than 16, your entry will be rejected.
Examples:
- If you want to enter channel 14, press keys (1) and (4).
- To enter channel 7 press key (7)
5) In order to confirm your selection, press the ENTER key. To
discard your assignments either press the CANCEL button
or the ASSIGN button again. In either case the ASSIGN
LED goes out.
◊ Ex works the GLOBAL CHANNEL is set to channel 1.

4.2.2 Individual channel assignment

The assignment of individual control elements to a certain
channel is useful if you want to control external devices independently of one another.
Example:
You play synthesizer A over channel 2 from the keyboard,
while synthesizer B is controlled on channel 5 by a sequencer
software. Now you can control the filter frequency of device B in
real time using one of the eight rotary controls, and at the same
time continue playing device A without changes to the filter
frequency.
1) Press the ASSIGN button and keep it pressed.
2) Operate the control element whose channel shall be set to
differ from the GLOBAL CHANNEL. If it is a controller
or a fader, move it briefly. If it is a button, press it once.
Now theUMX250 “knows” which control element shall be
assigned to a SINGLE CHANNEL.
3) Release the ASSIGN button.
4) Press the SINGLE key.

U-CONTROL UMX250 User Manual
5) Now define the SINGLE CHANNEL by entering a number
between 1 and 16 using the number keys. If you enter a
number greater than 16, your entry will be rejected.
Example:
- If you want to enter channel 11, press keys (1) and (1).
- To enter channel 4 press key (4).
◊ Special case: If you want to assign the control element to
the GLOBAL CHANNEL again, please press the 0 key next
to the ENTER key (instead of the number keys 1 to 9).
6) To finalize your settings, press the ENTER button. To
discard your assignments either press the CANCEL button
or the ASSIGN button again. In either case the ASSIGN
LED goes out.
◊ The channel set-up of all control elements of the UMX250 is
based on the GLOBAL CHANNEL. This means that a control
element is always set to the GLOBAL CHANNEL until you
assign a different channel to it. Whenever you change the
GLOBAL CHANNEL you also change the channels assigned
to the various control elements!

4.2.3 GLOBAL CHANNEL assignment

In comparison to the procedure described in the previous
chapter, the advantage of the method shown here is that you
have to press fewer buttons to make adjustments.
1) Press the ASSIGN button and keep it pressed.
2) Operate the control element whose GLOBAL CHANNEL
shall be set.
3) Release the ASSIGN button.
4) Press the SINGLE-key.
5) Press the 0-key.
6) Press ENTER to confirm. Press CANCEL or the ASSIGN
button again to discard your assignments. In either case the
ASSIGN LED goes out.

4.2.4 The PANIC key combination

Imagine you have already worked several hours on a song and
suddenly one of your sound modules produces a “hanging note”.
If you execute a PANIC instruction, a sound module receiving
this instruction will be muted immediately.
1) Press the ASSIGN button and keep it pressed.
2) Press RESET ALL or NOTES OFF.
3) Release the ASSIGN button. The device automatically enters
Play mode again.
◊ The instruction chosen will be sent immediately after
pressing one of the two buttons mentioned above.

4.2.5 The SNAPSHOT SEND command

The SNAPSHOT command transmits all parameters including
their current values: all control element assignments as well as
the current channel settings are sent out from the MIDI OUT
connector and the USB output of the UMX250.
In this way it is possible to transmit the entire UMX250
mapping to a sequencer software at the beginning of a song. The
song can then be played back with the final controller values
adjusted for it. If the parameters of an external device have been
changed, you can also use SNAPSHOT to correct the values.
1) Press the ASSIGN button and keep it pressed.
2) Press the SNAP SEND key.
3) Release the ASSIGN button. The device automatically enters
Play mode again.
◊ The SNAPSHOT command is sent immediately after playing
the keyboard.

4.2.6 Local Off

The effect of LOCAL OFF is that any data entries made with
the control elements will NOT be passed on to the MIDI OUT
connector or the USB OUT. In LOCAL OFF mode you can, for
example, re-adjust the rotary controls without sending any
information to the external devices connected—which would
normally be the case.
1) Press the ASSIGN button and keep it pressed.
2) Press the LOCAL OFF key.
3) Release the ASSIGN button and adjust the control elements
as required.
4) Finalize your selection with ENTER, CANCEL or ASSIGN.
In either case the ASSIGN LED goes out and the UMX250
enters Play mode again.

4.2.7 Control elements assignment

In Chapter 4.2.2 we described how to assign an individual
channel to each control element. Here you will learn how to
assign new controllers.
This procedure applies to the MODULATION wheel, the DATA/
VOLUME fader, the rotary controls R1 – R8, the buttons B1 –
B8 and to the optional sustain pedal connected to jack (15).
1) Press the ASSIGN button and keep it pressed.
2) Move or press the corresponding controller or button
respectively, or hold down the sustain pedal.
3) Release the ASSIGN button.
4) Press the number keys on the keyboard to enter the
controller number of your choice. Only values between 0 and
127 can be entered. Higher values are ignored by the device.
Examples:
- To enter CC 14 press keys (1) and (4).
- If you want to select CC 107, press (1), (0) and (7).

9
5) Press ENTER to confirm. To discard your assignments
either press the CANCEL button or the ASSIGN button
again. In either case the ASSIGN LED goes out.
Please note two special cases with regard to a button or the
sustain pedal:
◊ If you assign CC 07 (Channel Volume) to a button, the
channel volume “0” is sent each time you press the
button. This will always mute the channel, which is a very
interesting feature when playing live.
◊ If you use the controller CC 10 (Panorama) for the buttons
or sustain pedal, pressing the control element will send out
a value of 64. As a consequence, the channel will always be
set to center position in the stereo panorama.

4.2.8 Program and bank change

The UMX250 provides three options to change programs on
external devices. This is a very powerful function which allows
you to fully exploit the multitude of functions of your sound
modules.
Options a) and b) allow you to select any programs using a
defined selection procedure. Option c) speeds up the procedure,
so that you can select programs at the touch of a button.
a) If you are sure to select only one of 128 different
programs, you can effect program changes in ASSIGN
mode as shown below. However, if the number of
128 is exceeded, you will have to use the procedure
described in section b).
1)
2)
3)
4)

Press the ASSIGN button and keep it pressed.
Press the SINGLE key.
Release the ASSIGN button.
Now define the SINGLE CHANNEL by entering a number
from 1 to 16 using the number keys. In order to assign the
GLOBAL CHANNEL, please press the (0) instead.
5) Press the PROGRAM button.
6) Press the number keys on the keyboard to enter the program
number of your choice. Only values between 0 and 127 can
be entered. Higher values are ignored by the device.
Examples:
- To enter program 15, press keys (1) and (5)
- If you want to select program 127, press (1), (2) and (7).
7) Confirm your selection with ENTER. If you do not like the
selected program, discard your selection with CANCEL or
press the ASSIGN button again. In either case, the ASSIGN
LED goes out.

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10
b) If you want to make a selection from more than
128 programs, please use the following program
change procedure. In this case your programs will
be organized in banks, which can be selected with a
special MIDI instruction called BANK SELECT.
Here’s how it works:
The BANK SELECT instruction consists of two parts: one MSB
part and one LSB part.
The MSB part describes a value range comprising 128 different
values. On many devices this is the more important part of the
BANK SELECT instruction.
The LSB part describes each of the 128 MSBs using
128 additional single steps. In both cases the numbering is from
0 to127.
In total, the BANK SELECT instruction offers the enormous
value range of 128 x 128 = 16,384 different values. In theory,
this means that you could use external devices with as many
different banks. Considering the fact that each single bank
includes another 128 single programs, you get the unbelievably
large number of 2,097,152 programs for you to organize.
1) Press the ASSIGN button and keep it pressed.
2) Press the SINGLE key.
3) Release the ASSIGN button.
4) Now define the SINGLE CHANNEL by entering a number
from 1 to 16 using the number keys (as described in chapter
4.2.2). In order to assign the GLOBAL CHANNEL, please
press (0) instead.
5) Press the BANK MSB key. Press the number keys on the
keyboard to enter the BANK MSB number of your choice.
Only values between 0 and 127 can be entered. Higher
values are ignored by the device. The BANK MSB is now
defined.
Examples:
- To enter MSB 14, press keys (1) and (4).
- If you want to select MSB 107, press (1), (0) and (7).
6) Now define the BANK LSB by pressing the BANK LSB key.
Use the procedure described above to enter the BANK LSB
value (see step 5). The entry follows the same rules as were
described for the BANK MSB.
In steps 5 and 6 you have defined the bank from which the
desired program will be selected. Now define the program
itself:
7) Press the PROGRAM key followed by the number keys on
the keyboard to enter the program number of your choice.
Only values between 0 and 127 can be entered. Higher
values are ignored by the device. That’s all!
8) Confirm your selection with ENTER. To discard your assignments either press the CANCEL key or the ASSIGN button
again. In either case, the ASSIGN LED goes out.

U-CONTROL UMX250 User Manual
Example:
You want to use the UMX250 to select preset #49 in bank #25
on an external device over channel 14. Since the bank number of
sound modules is often smaller than 128, only the LSB is used to
define the bank. The MSB is 0 in this case.
1) Press the ASSIGN button and keep it pressed.
2) Press the SINGLE key.
3) Release the ASSIGN button.
4) Define the MIDI channel by pressing keys (1) and (4).
5) Press the BANK MSB key and then (0).
6) Press the BANK LSB key and then keys (2) and (5) to select
bank #25.
7) Define the program by pressing the PROGRAM key followed
by keys (4) and (9) to select program #49.
8) Press the ENTER key.
c) Direct program selection using the OCTAVE SHIFT
buttons.
1) Press the ASSIGN button and keep it pressed.
2) Press the one of the two OCTAVE SHIFT buttons to which
you want to assign the program change function.
3) Release the ASSIGN button.
4) Press the PROG DIR key. Press the number keys on the
keyboard to enter the preset number of your choice. Only
values between 0 and 127 can be entered. Higher values are
ignored by the device.
5) Confirm your selection with ENTER. To discard your assignments either press the CANCEL key or the ASSIGN button
again. In either case the ASSIGN LED goes out.
◊ If you have not yet assigned an individual MIDI channel
to the OCTAVE SHIFT buttons (see Chapter 4.2.2), the
direct selection of programs always refers to the GLOBAL
CHANNEL!
◊ As soon as you have assigned the direct program selection
feature to one of the two OCTAVE SHIFT buttons, pressing
both buttons simultaneously will do NOTHING at all!

4.2.9 Other functions of the OCTAVE SHIFT
buttons

After power-up, the OCTAVE SHIFT buttons are set to their
initial state (see Table 3.1 on page 7). In addition to the program
change and octave shift functions already described, you can
assign a few special functions to the OCTAVE SHIFT buttons in
ASSIGN mode:
a) Transposition by single half-tones
b) Scrolling in program libraries
c) Various controller functions:
◊ As soon as a function has been assigned to one of the two
buttons, the second button automatically performs the same
function—however with limited functionality. As long as
you have not assigned a particular function to this button
in ASSIGN mode, it will not send any data.
a) Transposition by single semitones:
1)
2)
3)
4)

Press the ASSIGN button and keep it pressed.
Press the TRANSP +/- key.
Release the ASSIGN button.
Confirm your selection with ENTER. To discard your
assignments either press the CANCEL key or the ASSIGN
button again.
Pressing the right-hand button transposes the pitch up by one
half-tone, pressing the left-hand button transposes the pitch
down by one semitone. Pressing both buttons simultaneously
cancels any transposition made before.
◊ According to the MIDI standard, a keyboard comprises a
maximum of 128 semitones. When you reach the lower and
upper limits of this range using the transpose function, any
further keypress will not raise or lower the pitch any more.
This also applies to the transposition by octaves.
b) Scrolling in program libraries:
Most sound modules allow you to store presets in a separate
bank, often referred to as user bank. If the order of the songs to
be played during a gig is fixed, you can use the user bank to store
all sounds used in concert one after the other and concentrate
entirely on your performance. Thanks to the OCTAVE SHIFT
buttons you don’t have to bother any more with searching sounds
in your various sound modules.
1) Press the ASSIGN button and keep it pressed.
2) Press the PROG +/- key.
3) Release the ASSIGN button.

11
4) Confirm your selection with ENTER. To discard your
assignments either press the CANCEL key or the ASSIGN
button again.
Pressing the right-hand OCTAVE SHIFT button switches
the presets up by one number on the external sound module,
pressing the left-hand OCTAVE SHIFT button switches
the presets down by one number. Pressing both buttons
simultaneously switches back to preset 0 in the current bank.
Remember to assign the OCTAVE SHIFT buttons to an
individual MIDI channel if you do not want to use the GLOBAL
CHANNEL (see Chapter 4.2.2).
◊ When using the stepwise search function, the channel
assignment involves both buttons. Assigning an individual
channel to one of the two buttons is not supported.
c) Various controller functions:
Please note that the OCTAVE SHIFT buttons generate switch
controller information if assigned to a controller. They always
generate a value of 0 or 127.
◊ Two exceptions: If you assign the OCTAVE SHIFT buttons
to controller CC 07 (Channel Volume), pressing either of the
two buttons generates the value 0. With controller CC 10
(Panorama), the value generated by pressing either of the
buttons is 64.
◊ Please note that when a controller has been assigned,
pressing both buttons simultaneously has no effect.
1) Press the ASSIGN button and keep it pressed.
2) Press the one of the two OCTAVE SHIFT buttons to which
you want to assign a controller.
3) Release the ASSIGN button.
4) Press the number keys on the keyboard to enter the
controller number of your choice (as described in
Chapter 4.2.7).
5) Confirm your selection with ENTER. To discard your
assignments either press the CANCEL key or the ASSIGN
button again. In either case the ASSIGN LED
goes out.
Remember to assign the OCTAVE SHIFT buttons to an
individual MIDI channel if you do not want to use the GLOBAL
CHANNEL (see Chapter 4.2.2).

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U-CONTROL UMX250 User Manual

ENGLISH

4.2.10 Velocity Sensitivity

The sensitivity of the UMX250 can be regulated so that the
velocity of the keys has an effect on the volume level.
1) Press the ASSIGN button and keep it pressed.
2) Use the number keys to enter the keyboard velocity
(see Table 4.1).
3) Release the ASSIGN button.
4) Confirm your selection with ENTER. To discard your
assignments either press the CANCEL key or the ASSIGN
button again.
KEY

EFFECT ON KEY V ELOCITY
OFF: velocity value is f ixed to 110.
Change of key pressure has no ef f ect on
volume level.
SOFT: key pressure is very sensitive; low
velocity changes create high changes in
volume level
MEDIUM: key pressure is “normal”; (very)
hard hit notes are (very ) loud, (very) sof t
hit notes produce (very) low volume

5. Specifications
USB CONNECTIONS
Type

Type B; USB1.1

MIDI CONNECTIONS
Type

5-pin DIN plug OUT

CONTROL ELEMENTS
Controller

Buttons
Keyboard
SWITCH PLUG
Foot pedal
POWER SUPPLY
USB
Battery
Power connector

HA RD: key pressure is more unsusceptible
compared to all other settings
to

invalid input

Power consumption
Table 4.1: Effect of RANGE definition on keyboard velocity

4.2.11 The FACTORY RESET command

Please proceed as follows to reset all UMX250 settings to their
factory defaults:
1) Press the ASSIGN button and keep it pressed.
2a) Press both OCTAVE SHIFT buttons for a temporary
FACTORY RESET. All currently modified control elements
will be reset to their factory defaults. However, the USERMEMORY remains as before and is not reset!
2b) Press keys (8), (9) and (0) simultaneously for a complete
FACTORY RESET: Now not only the control elements of the
FACTORY MEMORY but also those of the USER MEMORY
will be overwritten.
3) Release the ASSIGN button. The ASSIGN LED stays on.
4) Confirm your selection with ENTER. If you do not want
to RESET the unit, either press the CANCEL key or the
ASSIGN button again.

DIMENSIONS/WEIGHT
Dimensions (H x W x D)
Weight

1 control wheel with center reset
1 control wheel without center reset
8 rotary knobs
1 fader
12 buttons
25 keys; velocity-sensitive
¼" mono jack with automatic
polarity recognition

3 x 1.5 Volt Mignon (Type “AA”)
2 mm DC jack, negative center
9 V , 100 mA regulated
USA/Canada
120 V~, 60 Hz
China/Korea
220 V~, 50 Hz
UK/Australia
230 V~, 50 Hz
Europe
230 V~, 50 Hz
Japan
100 V~, 50 – 60 Hz
max. 0.9 W
approx. 8 15/32" x 3 26/32" x 19 15/32"
(215 mm x 97 mm x 495 mm)
approx. 4 30/32 lbs. (2.24 kg)

BEHRINGER is constantly striving to manintain the highest professional standards. As a result of these
efforts, modifications may be made from time to time to existing products without prior notice.
Specifications and appearance may differ from those listed or liiustrated.

6. Appendix

Table 6.1

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U-CONTROL UMX250 User Manual

ENGLISH

FEDERAL COMMUNICATIONS
COMMISSION COMPLIANCE
INFORMATION
U-CONTROL UMX250

Responsible party name: BEHRINGER USA, Inc.
Address:
18912 North Creek Parkway,
Suite 200 Bothell, WA 98011,
USA
Phone/Fax No.:
Phone: +1 425 672 0816
Fax: +1 425 673 7647
hereby declares that the product

U-CONTROL UMX250
complies with the FCC rules as mentioned in the following
paragraph:
This equipment has been tested and found to comply
with the limits for a Class B digital device, pursuant to part
15 of the FCC Rules. These limits are designed to provide
reasonable protection against harmful interference in a
residential installation. This equipment generates, uses
and can radiate radio frequency energy and, if not installed
and used in accordance with the instructions, may cause
harmful interference to radio communications. However,
there is no guarantee that interference will not occur in a
particular installation. If this equipment does cause harmful
interference to radio or television reception, which can be
determined by turning the equipment off and on, the user is
encouraged to try to correct the interference by one or more
of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and
receiver.
• Connect the equipment into an outlet on a circuit different
from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician
for help.
This device complies with Part 15 of the FCC rules. Operation
is subject to the following two conditions:
(1) this device may not cause harmful interference, and
(2) this device must accept any interference received,
including interference that may cause undesired operation.

Important information:
Changes or modifications to the equipment not expressly
approved by BEHRINGER USA can void the user’s authority
to use the equipment.

Warranty
§ 1 Warranty
[1]. This limited warranty is valid only if you purchased the product from a BEHRINGER
authorized dealer in the country of purchase. A list of authorized dealers can be found
on BEHRINGER’s website www.behringer.com under “Where to Buy”, or you can contact
the BEHRINGER oﬃce closest to you.
[2] BEHRINGER* warrants the mechanical and electronic components of this product
to be free of defects in material and workmanship if used under normal operating
conditions for a period of one (1) year from the original date of purchase (see the
Limited Warranty terms in § 4 below), unless a longer minimum warranty period
is mandated by applicable local laws. If the product shows any defects within the
speciﬁed warranty period and that defect is not excluded under § 4, BEHRINGER
shall, at its discretion, either replace or repair the product using suitable new or
reconditioned product or parts. In case BEHRINGER decides to replace the entire
product, this limited warranty shall apply to the replacement product for the remaining
initial warranty period, i.e., one (1) year (or otherwise applicable minimum warranty
period) from the date of purchase of the original product.
[3] Upon validation of the warranty claim, the repaired or replacement product will
be returned to the user freight prepaid by BEHRINGER.
[4] Warranty claims other than those indicated above are expressly excluded.
PLEASE RETAIN YOUR SALES RECEIPT. IT IS YOUR PROOF OF PURCHASE COVERING
YOUR LIMITED WARRANTY. THIS LIMITED WARRANTY IS VOID WITHOUT SUCH PROOF
OF PURCHASE.

[2] This limited warranty does not cover the product if it has been electronically or
mechanically modiﬁed in any way. If the product needs to be modiﬁed or adapted in
order to comply with applicable technical or safety standards on a national or local
level, in any country which is not the country for which the product was originally
developed and manufactured, this modiﬁcation/adaptation shall not be considered
a defect in materials or workmanship. This limited warranty does not cover any such
modiﬁcation/adaptation, regardless of whether it was carried out properly or not.
Under the terms of this limited warranty, BEHRINGER shall not be held responsible for
any cost resulting from such a modiﬁcation/adaptation.
[3] This limited warranty covers only the product hardware. It does not cover
technical assistance for hardware or software usage and it does not cover any software
products whether or not contained in the product. Any such software is provided “AS IS”
unless expressly provided for in any enclosed software limited warranty.
[4] This limited warranty is invalid if the factory-applied serial number has been
altered or removed from the product.
[5] Free inspections and maintenance/repair work are expressly excluded from this
limited warranty, in particular, if caused by improper handling of the product by the
user. This also applies to defects caused by normal wear and tear, in particular, of
faders, crossfaders, potentiometers, keys/buttons, tubes, guitar strings, illuminants and
similar parts.

Please do remember to register your new BEHRINGER equipment right after your
purchase at www.behringer.com under “Support” and kindly read the terms and
conditions of our limited warranty carefully. Registering your purchase and equipment
with us helps us process your repair claims quicker and more eﬃciently. Thank you for
your cooperation!

[6] Damage/defects caused by the following conditions are not covered by this
limited warranty:
• improper handling, neglect or failure to operate the unit in compliance with
the instructions given in BEHRINGER user or service manuals;
• connection or operation of the unit in any way that does not comply with the
technical or safety regulations applicable in the country where the product is
used;
• damage/defects caused by acts of God/Nature (accident, ﬁre, ﬂood, etc) or any
other condition that is beyond the control of BEHRINGER.

§ 3 Return authorization number

[7] Any repair or opening of the unit carried out by unauthorized personnel (user
included) will void the limited warranty.

§ 2 Online registration

[1]. To obtain warranty service, please contact the retailer from whom the equipment
was purchased. Should your BEHRINGER dealer not be located in your vicinity, you
may contact the BEHRINGER distributor for your country listed under “Support” at
www.behringer.com. If your country is not listed, please check if your problem can
be dealt with by our “Online Support” which may also be found under “Support”
at www.behringer.com. Alternatively, please submit an online warranty claim at
www.behringer.com BEFORE returning the product. All inquiries must be accompanied
by a description of the problem and the serial number of the product. After verifying
the product’s warranty eligibility with the original sales receipt, BEHRINGER will then
issue a Return Materials Authorization (“RMA”) number.

[8] If an inspection of the product by BEHRINGER shows that the defect in question is
not covered by the limited warranty, the inspection costs are payable by the customer.
[9] Products which do not meet the terms of this limited warranty will be repaired
exclusively at the buyer’s expense. BEHRINGER or its authorized service center will
inform the buyer of any such circumstance. If the buyer fails to submit a written repair
order within 6 weeks after notiﬁcation, BEHRINGER will return the unit C.O.D. with a
separate invoice for freight and packing. Such costs will also be invoiced separately
when the buyer has sent in a written repair order.

[3] Shipments without freight prepaid will not be accepted.

[10] Authorized BEHRINGER dealers do not sell new products directly in online
auctions. Purchases made through an online auction are on a “buyer beware” basis.
Online auction conﬁrmations or sales receipts are not accepted for warranty veriﬁcation
and BEHRINGER will not repair or replace any product purchased through an online
auction.

§ 4 Warranty Exclusions

§ 5 Warranty transferability

[1]. This limited warranty does not cover consumable parts including, but not limited
to, fuses and batteries. Where applicable, BEHRINGER warrants the valves or meters
contained in the product to be free from defects in material and workmanship for a
period of ninety (90) days from date of purchase.

This limited warranty is extended exclusively to the original buyer (customer of
authorized retail dealer) and is not transferable to anyone who may subsequently
purchase this product. No other person (retail dealer, etc.) shall be entitled to give any
warranty promise on behalf of BEHRINGER.

[2] Subsequently, the product must be returned in its original shipping carton,
together with the return authorization number to the address indicated by BEHRINGER.

ENGLISH

U-CONTROL UMX250 User Manual

ENGLISH

U-CONTROL UMX250 User Manual

Legal Disclaimer
§ 6 Claim for damage
Subject only to the operation of mandatory applicable local laws, BEHRINGER shall
have no liability to the buyer under this warranty for any consequential or indirect loss
or damage of any kind. In no event shall the liability of BEHRINGER under this limited
warranty exceed the invoiced value of the product.

§ 7 Limitation of liability
This limited warranty is the complete and exclusive warranty between you and
BEHRINGER. It supersedes all other written or oral communications related to this
product. BEHRINGER provides no other warranties for this product.

§ 8 Other warranty rights and national law
[1]. This limited warranty does not exclude or limit the buyer’s statutory rights as a
consumer in any way.
[2] The limited warranty regulations mentioned herein are applicable unless they
constitute an infringement of applicable mandatory local laws.
[3] This warranty does not detract from the seller’s obligations in regard to any lack of
conformity of the product and any hidden defect.

§ 9 Amendment
Warranty service conditions are subject to change without notice. For the latest
warranty terms and conditions and additional information regarding BEHRINGER’s
limited warranty, please see complete details online at www.behringer.com.
* BEHRINGER Macao Commercial Offshore Limited of Rue de Pequim No. 202-A, Macau Finance Centre 9/J,
Macau, including all BEHRINGER group companies

Technical specifications and appearance are subject to change without
notice. The information contained herein is correct at the time of printing.
BEHRINGER accepts no liability for any loss which may be suffered by any
person who relies either wholly or in part upon any description, photograph
or statement contained herein. Colors and specifications may vary slightly
from product. BEHRINGER products are sold through authorized dealers
only. Distributors and dealers are not agents of BEHRINGER and have
absolutely no authority to bind BEHRINGER by any express or implied
undertaking or representation. This manual is copyrighted. No part of
this manual may be reproduced or transmitted in any form or by any
means, electronic or mechanical, including photocopying and recording
of any kind, for any purpose, without the express written permission of
Red Chip Company Ltd.
ALL RIGHTS RESERVED. © 2009 Red Chip Company Ltd.
Trident Chambers, Wickhams Cay, P.O. Box 146,
Road Town, Tortola, British Virgin Islands

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U-CONTROL UMX250 User Manual

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www.behringer.com

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Author                          : BEHRINGER

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Behringer Umx250 Users Manual U CONTROL

UMX250 UMX250

UMX250 to the manual c402459f-e629-497b-a66f-c5968becebaf

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