Beyerdynamic Opus 100 Users Manual
Opus 100 to the manual c438e762-e56f-4911-995a-487e4ecb68c7
2015-02-02
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BEDIENUNGSANLEITUNG OPERATING INSTRUCTIONS NOTICE D’UTILISATION Opus 100 Drahtloses System Wireless System Système sans fil OPERATING INSTRUCTIONS Opus 100 Thank you for selecting the Opus 100 wireless system. Please take some time to read carefully through this manual before setting up the equipment. The Opus 100 system has a single frequency in the VHF frequency range 174 to 236 MHz or in the UHF frequency range 798 to 862 MHz. 1. 1.1 NE 100 Diversity Receiver Controls and Indicators Front view Squelch min max On/Mute Opus (1) (1) (2) (3) (4) (5) Out Level min max Antenna A Antenna B beyerdynamic)))) NE 100 V VHF Receiver (2) (3) (4) (5) Telescopic antennae (fixed) Power On / Mute LED Diversity LEDs A/B (Antenna A Antenna B) Squelch control Output level control (balanced output signal, 3-pin XLR) Rear view xxx,xxx MHZ beyerdynamic )))) Wireless Stage Systems 12V AC/DC Made in EC Output (6) (6) AF-output, 3-pin XLR, balanced output signal (7) DC-connection for external power supply unit 16 (7) 1.2 Antennae Fully extend the antennae and set them at an angle of 60° between each antenna. The two antennae are positioned this way to achieve the best pick-up reception. Setting up 1. Place the NE 100 diversity receiver in the same room or area as the transmitters. Ensure that the NE 100 is installed as close as possible to the mixing console or amplifier so that all indications can be seen at all times. 2. Do not place the NE 100 diversity receiver near digitally controlled equipment. 3. Connect the XLR-output (6) to the corresponding input of the mixing console or amplifier. Using the output level control (5) you can adjust the gain. 4. Make sure the mains voltage shown on the power supply unit corresponds to the local mains voltage. 5. Connect the power supply unit to the receiver and to AC power. The receiver has no separate On/Off switch. The power On / Mute LED (2) is illuminated red. 6. To adjust the input gain turn the squelch control (4) to maximum. 7. If the On/Mute LED (2) is illuminated green when there is no transmitter switched on, there is RF noise present. Turn the squelch control (4) counter clockwise to minimum until the RF noise is disappeared. 8. As soon as you switch on the transmitter, the On/Mute LED (2) should go out and the diversity LEDs (3) indicate which antenna input is active. 1.4 english 1.3 Diversity Indication of the Receiving Channel The NE 100 has two separate receiving circuits for each of the antennae A and B. The signal with the better S/N ratio is silently switched to the output. The received diversity channel A or B is shown on the LEDs (3). 1.5 Squelch Switch off the transmitter before you change the squelch. Now the receiver should be muted. If it is not, then slowly adjust the squelch (4) until all unwanted signals are muted. As soon as the receiver has been muted, the On/Mute LED (2) is illuminated red. Setting the level too high, however, will reduce the range of your system. Squelch control (4) to the left = minimum range Squelch control (4) to the right = maximum range - Caution: Interferences can occur! 17 1.6 Setting the Gain First adjust the gain of your transmitter (only TS 100; refer to chapter 3.3). Once the transmitter gain is optimised, it is necessary to match the receiver’s output gain to your mixing console or PA system. Adjust the gain control (5). Setting the gain too high may cause distortion. 1.7 Mounting NE 100 into ZTE 100/200 Mounting Bracket NE 100 ZTE 100/200 Illustration 1 • • • • • 18 NE 100 ZTE 100/200 Illustration 2 For mounting the NE 100 receiver into the ZTE 100/200 mounting bracket the NE 100 has one hole on the right and on the left side at the bottom. The NE 100 can be mounted into the ZTE 100/200 in two ways. If the receiver is to be mounted further to the back refer to illustration 1. If the receiver is to be mounted further to the front refer to illustration 2. The ZTE 100/200 is supplied with 2 screws for mounting the NE 100 into the ZTE 100/200 and 4 screws for 19"-rack mounting. 2. 2.1 SDM 159, SDM 169 and SEM 181 Handheld Transmitters Controls and Indicators (1) (1) (2) (3) (4) (5) Microphone head (fixed) Battery compartment Power On battery condition LED On/Off switch Mute switch (2) A L K A L I N E S I Z E A A A 1 . 5 V O L T S A L K A L I N E S I Z E A A A 1 . 5 V O L T S (3) (5) (4) On Off Mute On Off Power english SEM 181 V 2.2 Setting up 1. Switch on the NE 100 receiver. 2. Rotate the microphone under the microphone head (1) counter clockwise and carefully slide the transmitter shaft down. Insert two 1.5 V alkaline batteries (AAA type - micro). Observe the polarity marks. 3. Slide the transmitter into the shaft again and rotate the microphone clockwise to lock. 4. Switch on the microphone by switching the On/Off switch (4) to the “On” position. The Power On battery condition LED (3) is illuminated. If the transmitter is properly working one of the diversity LEDs of the NE 100 receiver should be illuminated. 5. Make sure that the mute switch (5) is switched to the “Off” position. The mute switch (5) is for muting the transmitter during pauses of speech. Please note that the microphone is still consuming power when it is muted. 6. When the battery capacity is too low for operation, the power on battery condition LED (3) will flash for around 1 hour before the transmitter switches off (LED (3) goes out). 19 7. To avoid popping, try holding the microphone at a slight angle below your mouth. 8. To avoid covering the integrated antenna by your hand, do not hold the microphone at the microphone head as this could reduce the transmission strength. Furthermore, feedback can occur. 2.3 Maintenance Protect the microphone from humidity, knocks and shock. Avoid dropping the microphone at all times. If your microphone sounds dull, clean the integrated foam pop shield. To do this, follow the instructions below. • SDM 169: Unscrew the microphone upper basket counter clockwise. SDM 159, SEM 181: Unscrew the whole microphone basket clockwise. • Pull out the foam pop shield and clean it under clear running water. If necessary, use a mild washing-up liquid. Dry it afterwards with a hairdryer or allow it to dry overnight. • Place the dry pop shield inside the microphone basket and replace the microphone basket by screwing it on clockwise or counter clockwise. 3. 3.1 TS 100 Beltpack Transmitter Controls and Indicators On Off On Mute Peak Vol (1) (2) (3) (4) Off Batt Power (5) (6) Opus (1) (2) (3) (4) (5) (6) (7) (8) 3.2 Mute switch red Peak LED (audio) Gain control (audio) (7) Connection for microphones / instruments, 3.5 mm stereo jack (female), screw-type green Power On battery condition LED On / Off switch Antenna Battery compartment TS 100 V VHF Transmitter (8) Setting up 1. Open the battery compartment (8) by pulling the cover downwards. Insert a 9 V alkaline battery or rechargeable battery observing the polarity +/- marks. 20 2. Connect the supplied microphone or instrument cable to the jack socket (4). 3. Switch on the beltpack transmitter by switching the On / Off switch (6) to the “On” position. The power on battery condition LED (5) is illuminated green when the battery has been inserted correctly and has full capacity. If the transmitter is properly working, one of the diversity LEDs of the NE 100 receiver should be illuminated. 4. Make sure that the mute switch (1) is switched to the “Off” position. The mute switch (1) is for muting the transmitter during pauses of speech. Please note that the microphone is still consuming power when it is muted. 5. When the battery capacity is too low for operation, the power on battery condition LED (5) will flash for around 1 hour before the transmitter switches off (LED (5) goes out). Adjusting Input Gain 1. Switch on the NE 100 diversity receiver. 2. Switch the transmitter on by switching the On / Off switch (6) to the “On” position. Turn the gain control (3) to minimum sensitivity (fully counter clockwise). 3. If you have no suitable sound source, you can speak into the microphone at the maximum level you expect to use. We recommend you choose a “U”, because a spoken “U” has a relatively good sine-shape. Turn the gain control (3) clockwise until the peak LED (2) does not illuminate or should only flash momentarily during the loudest passages. Important: There are various microphones available for the TS 100. As their characteristics vary, the sensitivity has to be re-adjusted with each change of microphone. 4. 4.1 • • • • • • english 3.3 General Instructions for all Transmitters Battery Change Switch the transmitter off before changing the battery (On / Off switch to the “Off” position). If you do not intend to use the transmitter for several weeks or months, please remove the battery as it can leak after some time and damage parts of the transmitter. Even “leak proof” batteries are no guarantee that they will not leak after some time. Failing to comply will render the warranty null and void. Different brands of batteries may vary in length of up to 2 - 3 mm. When you change the battery make sure there is a good contact and adjust the spring in the battery compartment if necessary. Clean the battery contacts from time to time. Use a soft cloth or cotton swab moistened with methylated spirits or alcohol. Please do not throw used battery packs away with your household rubbish, but take them to your local collection points. When using rechargeable batteries use conventional chargers. 21 4.2 Before the Soundcheck 1. Make sure that the transmitter and receiver are on the same frequency (refer to type plate). 2. Check the transmitter battery and replace or recharge it if necessary. Use fresh alkaline batteries only. 3. Check the performance area for dropouts (i.e. areas where poor reception is encountered). If you find any dropouts try to eliminate them by repositioning the antennae or the receiver. 4. Adjust the sensitivity of the receiver and beltpack transmitter correctly to avoid distortions. 5. Try and avoid feedback, especially when you use omnidirectional microphones (e.g. MCE 50). 4.3 What to do about Feedback Feedback is caused when the microphone is too close to a loudspeaker. We recommend: • Reduce the volume of the sound system. • Move away from the loudspeaker. • Turn the microphone away from the loudspeaker. • Use a microphone with a cardioid, hypercardioid or supercardioid polar pattern. Caution: Feedback can also be caused if the sensitivity has been adjusted too high. In this case the transmitter is no longer working in the linear range, but in the limiter range. Therefore, if the level of the input sound drops, the gain is increased and feedback can occur. Turning down the input sensitivity of the transmitter to the correct position will prevent this from happening. 5. 5.1 Trouble Shooting NE 100 Diversity Receiver Problem No function Possible Cause • Power supply is interrupted. Power supply unit is not connected to the mains and/or Solution • Connect the power supply unit to the mains and/or to the receiver to the receiver No reception • Transmitter is not switched on • Switch on the transmitter • Transmitter works on a different • Make sure that the transmitter and frequency • Receiving antennae are not positioned correctly Distorted sound • Input amplifier of the connected mixer is overloaded • Input sensitivity is too high (TS 100 only) 22 receiver are on the same frequency • Position the receiving antennae correctly • Use the reduction of the mixer or adjust the volume (5) • Reduce sensitivity 5.2 SEM 181, SDM 159, SDM 169, TS 100 Transmitters Problem No function Possible Cause Solution • Transmitter and receiver have different • Make sure the transmitter and the frequencies receiver are on the same frequency • Insufficient battery voltage • Replace the battery • Insufficient battery contact, battery • Check the battery and insert it again inserted incorrectly No RF on the • Transmission distance between transmitter and receiver is too far receiver • Defective antenna (TS 100 only) • Reduce the distance between transmitter and receiver • Check the antenna and replace it, if necessary Noise/chirping • Interference from other transmitters • Switch off the other transmitters • Two transmitters using the same frequency • Avoid using two transmitters with the • Battery of the transmitter is too weak • Replace the battery • Battery of the transmitter is too weak • Replace the battery Power On battery condition LED 6. english same frequency Maintenance In the unlikely event of equipment failure, the product should be returned to your beyerdynamic dealer. Failure to do so will render the guarantee null and void. 7. Licensing In most countries around the world, wireless systems must be approved for use by the authorities and it may be necessary to obtain a licence to use it legally. Your local beyerdynamic dealer will be able to give you details on wireless system regulations for your area. The components of the Opus 100 system are approved according to the directive 99/5/EEC under the CE 0682 ! identification. 23 8. Versions Opus 100 V Opus 150 V Opus 154 V Opus 159 V Opus 169 V Opus 181 V Set consisting of: NE 100 V VHF diversity receiver, TS 100 V VHF beltpack transmitter, instrument cable and bag Set consisting of: NE 100 V VHF diversity receiver, TS 100 V VHF beltpack transmitter, MCE 60.100 clip-on microphone and bag Set consisting of: NE 100 V VHF diversity receiver, TS 100 V VHF beltpack transmitter, Opus 54.100 headset and bag Set consisting of: NE 100 V VHF diversity receiver, SDM 159 V VHF microphone and bag Set consisting of: NE 100 V VHF diversity receiver, SDM 169 V VHF microphone and bag Set consisting of: NE 100 V VHF diversity receiver, SEM 181 V VHF microphone and bag The a.m. VHF sets are available with different frequencies. Transmitters and receiver are also individually available. Opus 100 U Opus 150 U Opus 154 U Opus 159 U Opus 169 U Opus 181 U Set consisting of: NE 100 U UHF diversity receiver, TS 100 U UHF beltpack transmitter, instrument cable and bag Set consisting of: NE 100 U UHF diversity receiver, TS 100 U UHF beltpack transmitter, MCE 60.100 clip-on microphone and bag Set consisting of: NE 100 U UHF diversity receiver, TS 100 U UHF beltpack transmitter, Opus 54.100 headset and bag Set consisting of: NE 100 U UHF diversity receiver, SDM 159 U UHF microphone and bag Set consisting of: NE 100 U UHF diversity receiver, SDM 169 U UHF microphone and bag Set consisting of: NE 100 U UHF diversity receiver, SEM 181 U UHF microphone and bag The a.m. UHF sets are available with different frequencies. Transmitters and receiver are also individually available. 24 9. Optional Accessories NE 100 Diversity Receiver 19"-Option ZTE 100/200 Shelf for 19"-rack mounting of one NE 100 receiver . . . . . . . Order # 457.051 SDM 159, SDM 169 and SEM 181 Microphones Microphone clamp MKV 11 Microphone clamp . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Order # 407.232 Stands GST 400 GST 500 Microphone stand, 3/8", height 0.90 - 1.65 m, with G 400 boom . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Order # 421.294 Microphone stand, 3/8", height 0.80 - 1.60 m, with G 500 telescopic boom . . . . . . . . . . . . . . . . . . . . . . . . . . Order # 406.252 *other colours available 10. english Pop shields / Wind shields PS 20/40 Pop shield for SDM 159, SDM 169, colour: charcoal-grey . . . Order # 437.972 PS 81* Pop shield for SEM 181, colour: charcoal-grey . . . . . . . . . . . . Order # 407.593 Technical Specifications NE 100 V / NE 100 U Diversity Receiver Frequency range NE 100 V (VHF) . . . . . . . NE 100 U (UHF) . . . . . . Nominal deviation . . . . Frequency response . . . T.H.D. . . . . . . . . . . . . . . Noise reduction . . . . . . S/N ratio at RF-level 70 dBm . . . . at RF-level 85 dBm . . . . RF-bandwidth. . . . . . . . Audio output . . . . . . . . Temperature range . . . Power supply . . . . . . . . Dimensions (W x H x D) Weight . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 frequency between 174 - 236 MHz 1 frequency between 798 - 862 MHz 35 kHz 50 - 15,000 Hz < 1% (30 kHz) (transmitter and receiver) LN compander . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . > 100 dB(A) > 90 dB(A) < 200 kHz 3-pin XLR, balanced +10° to 55°C external Power Supply Unit (11 - 15 V, 200 mA) DC/AC 226 x 39 x 115 mm 650 g 25 SDM 159 V / U, SDM 169 V / U and SEM 181 V / U Microphones Polar pattern . . . . . . . . . . . . . . . . Supercardioid (SDM 169) / Supercardioid (SDM 159) Cardioid (SEM 181) Transducer type . . . . . . . . . . . . . . Dynamic (SDM 159, SDM 169) / electret condenser (SEM 181) Frequency SDM 159 V / SDM 169 V / SEM 181 V (VHF) . . . . . . . . . . . . . 1 frequency between 174 - 236 MHz SDM 159 U / SDM 169 U / SEM 181 U (UHF) . . . . . . . . . . . . . 1 frequency between 798 - 862 MHz RF output power . . . . . . . . . . . . . < 20 mW (output power) Nominal deviation . . . . . . . . . . . . 35 kHz Frequency response . . . . . . . . . . . 50 - 15,000 Hz Noise reduction . . . . . . . . . . . . . . LN compander S/N ratio at RF level 70 dBm. . . . . > 100 dB(A) Sensitivity . . . . . . . . . . . . . . . . . . . fixed Max. SPL . . . . . . . . . . . . . . . . . . . . 130 dB Temperature range . . . . . . . . . . . +10° to 55°C Antenna . . . . . . . . . . . . . . . . . . . . integrated in housing Power supply . . . . . . . . . . . . . . . . 2 x 1.5 V alkaline batteries (AAA type “micro”) Current consumption . . . . . . . . . . 130 mA (UHF), 100 mA (VHF) Operating time . . . . . . . . . . . . . . > 5 hrs. with alkaline batteries TS 100 V / TS 100 U Beltpack Transmitters Frequency TS 100 V (VHF) . . . . . . . . . . . TS 100 U (UHF) . . . . . . . . . . . RF output power . . . . . . . . . Nominal deviation . . . . . . . . Frequency response . . . . . . . Noise reduction . . . . . . . . . . S/N ratio at RF level 70 dBm. Sensitivity . . . . . . . . . . . . . . . Audio input . . . . . . . . . . . . . Power supply . . . . . . . . . . . . Current consumption TS 100 U (UHF) . . . . . . . . . TS 100 V (VHF) . . . . . . . . . Temperature range . . . . . Operating time with 9 V alkaline battery TS 100 U (UHF) . . . . . . . . . TS 100 V (VHF) . . . . . . . . . 26 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 frequency between 174 - 236 MHz 1 frequency between 798 - 862 MHz < 20 mW (output power) 35 kHz 50 - 15,000 Hz LN compander > 100 dB(A) adjustable, 40 mV - 1 V 3.5 mm jack locking (female), 3-pole, screw-type 9 V alkaline battery or corresponding NiMH-rechargeable battery . . . . . . 65 mA . . . . . . 50 mA . . . . . . +10° to 55°C . . . . . . > 6 hrs. . . . . . . > 8 hrs. 27 english
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