Canon Ef Lenses Users Manual *EF LENS_1/2_KA_030723

EF Lenses to the manual 81dab951-705f-43c1-9b54-4ad33ff053a4

2015-01-23

: Canon Canon-Ef-Lenses-Users-Manual-240879 canon-ef-lenses-users-manual-240879 canon pdf

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Lens Attachment EF 135mm EF 180mm EF 200mm EF 200mm EF 300mm EF 300mm EF 400mm EF400mm

f/2L USM f/3.5L Macro USM f/1.8L USM f/2.8L II USM f/2.8L IS USM f/4L IS USM f/2.8L IS USM f/4.0L DO IS USM

Focal Length (mm)

189 252 280 280 420 420 560 560

f-stop (f)

2.5 ~ 45 4.5

~ 45 2.5 ~ 32 2.5 ~ 32 4 ~ 45 5.6 ~ 45 4 ~ 45 5.6 ~ 45

Max. Magnification (x)

0.27 1.40 0.12 0.22 0.15 0. 33 0.22 0.17

*10

KKKK K K

Lens Attachment EF 135mm EF 180mm EF 200mm EF 200mm EF 300mm EF 300mm EF 400mm EF400mm

f/2L USM f/3.5L Macro USM f/1.8L USM f/2.8L II USM f/2.8L IS USM f/4L IS USM f/2.8L IS USM f/4.0 L DO IS USM

Focal Length (mm)

270 360 400 400 600 600 800 800

f-stop (f)

4 ~ 64 6.7

~ 64 3.5 ~ 45 5.6 ~ 64 5.6 ~ 64 8 ~ 64 5.6 ~ 64 8 ~ 64

Max. Magnification (x)

0.38 2.00 0.18 0.32 0.28 0.47 0.31 0.24

K×KKKK

*11 *12

K×

Lens Attachment EF 400mm EF 500mm EF 600mm EF 1200mm EF 70-200mm EF 70-200mm EF 70-200mm EF100-400mm

f/5.6L USM f/4L IS USM f/4L IS USM f/5.6L USM f/2.8L IS USM f/2.8 L IS USM f/4L USM f/4.5-5.6L IS USM

Focal Length (mm)

800 1,000 1,200 2,400 140 ~ 400 140 ~ 400 140 ~ 400 200 ~ 800

f-stop (f)

11 ~ 64 8 ~ 90 8 ~ 90 11 ~ 64 5.6 ~ 64 5.6 ~ 64 8 ~ 64 9.5 ~ 76

Max. Magnification (x)

0.18 0.25 0.24 0.18 0.33 0.33 0.45 0.41

×K

*11*12

×K

*11

*12

(

possible ×

impossible

)

*1. Maximum number of Hood III / IV attachable. In the case of zoom lenses,

the maximum number applies to the shortest focal length.

*2. Mechanical full-time manual focusing built-in.

*3. Micro motor.

*4.Data based on EOS models with exposures displayed in 1/2 stop

increments. It varies slightly with the EOS-1Ds, EOS-1D, EOS-1V, EOS-1N,

EOS-1 and EOS-3.

*5. With EF 50mm f/2.5 Compact Macro.

*6. Extension Tube EF 12 can be used with EF lenses except the EF 14mm

f/2.8L USM, 50mm f/1.0L USM, and lenses which cannot be focused

manually.

*7. Extension Tube EF 25 can be used with EF lenses except the EF 14mm

f/2.8L USM, 15mm f/2.8 Fisheye, 20mm f/2.8 USM, 24mm f/1.4L USM,

50mm f/1.0L USM, 17-35mm f/2.8L USM at the shorter focal lengths,

20-35mm f/3.5-4.5 USM at the shorter focal lengths, TS-E 45mm, and

lenses which cannot be focused manually.

*8. Image circle dia. 58.6 mm.

*9. If the EF 70-200mm f/2.8L USM lens is attached to an EOS camera having

multiple focusing points and an Extender is attached to the lens, only the

center focusing point will be usable for AF.

*10. The autofocusing range is from 0.8m / 2.6ft to infinity.

*11. With the EOS-1Ds, EOS-1D, EOS-1V and EOS-3, AF is possible with the

center focusing point.

*12. The Image Stabilizer does not operate with the following cameras:

EOS 650, 620, 630 / 600, RT, 700, 750, 850, EOS-1, A2/A2E, 10s, Elan,

Rebel / Rebel S, Rebel II / Rebel SII.

NC : Not compatible with Gelatin Filter Holder III / IV.

Extender EF 1.4x II

Lens Attachment EF 400mm EF 500mm EF 600mm EF 1200mm EF 70-200mm EF70-200m EF 70-200mm EF100-400mm

f/5.6L USM f/4L IS USM f/4L IS USM f/5.6L USM f/2.8L USM F/2.8L IS USM f/4L USM f/4.5-5.6L IS USM

Focal Length (mm)

560 700 840 1,680 98 ~ 280 98 ~ 280 98 ~ 280 140 ~ 560

f-stop (f)

8 ~ 45 5.6 ~ 64 5.6 ~ 64 8 ~ 45 4 ~ 45 4 ~ 45 5.6 ~ 45 6.7 ~ 54

Max. Magnification (x)

0.18 0.17 0.17 0.12 0.22 0.24 0.31 0.28

*11

KK ×K

KKK

*11*12

Extender EF 2.5x II

LENSES

ForEOS Cameras

Images From Your Imagination,

Delivered by Canon EF Lenses

Ever noticed that “imagination” contains the word “image”?

That’s because creating an image starts with your imagination.

When you have an image in mind, you must choose a lens

which can capture that image. And whatever that image

may be, you can be sure that Canon has the lens you need.

Whether it is a 15mm fisheye or a 1200mm super telephoto,

all Canon EF lenses feature the finest materials (especially

the L-series lenses) and technologies. They include Fluorite,

UD (Ultra-low Dispersion) glass, Aspherical lenses, lens-

based Ultrasonic Motors, inner and rear focusing, Image

Stabilizer, Diffractive Optics, and a fully-electronic interface.

Only the variety and versatility of EF lenses can match your

wondrous imagination.

ULTRA-WIDE ZOOM LENSES

EF 20-35mm f/3.5-4.5 USM

A superior performance ultra-wide-

angle zoom lens, covering the entire

range of popular wide-angle focal

lengths. A ring-type USM and an inner

focus design provide fast and silent AF,

along with full-time manual focus

override. Priced within the range of

serious photo enthusiasts, it’s a great

all-around choice.

●Aspherical lens ●UD lens

Getting Everything In

If your mind’s eye calls for a very wide shot, how about one of the

three ultra-wide zoom lenses? The zoom range of these lenses suits

the vast majority of wide-angle shots you will ever take. Or, try a

standard zoom lens with a focal length from wide to telephoto to

get the most out of your camera.

EF 16-35mm f/2.8L USM

A superb lens that covers nearly every

professional wide-angle task. Out-

standing optical performance comes

from three Aspherical lens elements,

and (for the first time ever in an EF

wide-angle zoom lens) two Ultra-low

Dispersion UD elements. Weather-

resistant construction, a rear gel filter

holder, close-focusing to 11 inches

(0.28m), and a circular diaphragm are

among its many highlights.

EF 17-40mm f/4L USM

About half the price of the 16-35 f/2.8

lens, this L-series lens has an entirely

new optical design with three Aspherical

elements and a Super UD-glass element.

The combination provides superb

contrast and sharpness, even at the

widest settings. It’s ideal for both film

and digital SLRs, and features the same

weather-resistant design, rear gel filter

holder, and high-speed Ultrasonic

Motor as the EF 16-35mm lens.

* The icons are described on pages 34-38

“EF Lens Technologies”

EF 16-35mm f/2.8L USM

•f/2.8 •2 sec.

EF 17-40mmf/4L USM

•f/8 •1/250 sec.

STANDARD ZOOM LENSES

EF 28-80mm f/3.5-5.6 II

For many EOS users, this is their first EF

lens. Light, compact and affordable, it

covers a practical range of focal lengths

—ideal for almost everything from

family snapshots and travel to event

photography. A lightweight DC-focusing

motor provides brisk autofocus, as

close as 1.3 feet (0.38m), enough to fill

the frame with a subject about the size

of a postcard.

●Aspherical lens ●UD lens

All-Around, Practical Lenses

Very likely, your first EF lens will be (or was) one of these lenses.

After all, they feature the most popular focal lengths. From wide-angle

to telephoto, you get the best of both worlds. The ten lenses in this

category give you a choice of zoom ranges and maximum apertures.

The smaller the maximum aperture, the smaller and lighter the lens.

Take a look at them all and get the one suiting your needs and budget.

EF 24-70mm f/2.8L USM

A superb new professional lens that

offers an even wider zoom range than its

predecessor—ideal for digital cameras.

It now features two types of Aspherical

elements, and an entirely new UD-glass

element for superb optical performance

even wide-open. It focuses closer than

before, and even faster with revised

electronics and a new processor. And,

it’s now sealed against dust and moisture

at the lens mount, the zoom and focus

rings, and the switch plate. The ultimate

professional standard zoom lens just

got better.

EF 24-85mm f/3.5-4.5 USM

An excellent all-around zoom lens that

covers the range from ultra-wide-angle

to true portrait-length telephoto. Its

solid construction, fast USM autofocus

and smooth operation are matched by

its excellent optical quality. This compact

lens is an ideal choice for shooters who

want wider coverage than provided by

most standard zooms. The extra-wide

coverage also makes it a great standard

zoom for digital SLRs.

EF 24-70mm f/2.8L USM

•f/11 •1/60 sec.

EF 28-90mm f/4-5.6 II USM

•f/5.0 •1/200 sec.

EF-S 18-55mm f/3.5-5.6

Available only with Digital Rebel Kit

A standard zoom exclusively for the

Digital Rebel SLR camera with APS-C

size image circle equivalent to an

approx. 28-90mm focal length.

Compact and ultra-lightweight with

impressive close-focusing ability of 0.9

ft (0.28m). Features optimized coating

for digital imaging sensor to minimize

ghost images and flare. The lens can

only be mounted on the Digital Rebel

with shorter back focus than ordinary

EF lenses.

new

STANDARD ZOOM LENSES

EF 28-135mmf/3.5-5.6 IS USM

An unbeatable combination of zoom

range, silent and fast USM autofocus,

excellent optics and Canon’s Image

Stabilization technology. IS allows

steady hand-held operation at shutter

speeds up to two full stops slower

than would normally be possible,

and makes this a practical lens even

in low-light situations. It’s one of the

most versatile lens choices in the

entire EF line-up for the advanced

EOS photographer.

EF 28-200mm f/3.5-5.6 USM

The ultimate all-in-one zoom lens, and

one of the world’s closest-focusing

28-200mm zooms with internal

focusing down to 17.7 inches (0.45m)

at all focal lengths. Canon’s Micro USM

provides the quick and quiet AF, and

sixteen optical elements (with two

Aspheric elements) provide the highest

optical quality in its class. A brilliant

choice when you need one zoom lens to

perform many different tasks.

EF 35-80mm f/4-5.6 III

The most affordable zoom lens in the

entire EF lens system. Light and ultra-

compact, this lens isn’t lacking for

optical performance— it has an

Aspherical lens element for better

optical quality, and its close-focusing

allows filling the frame with a subject

the size of a postcard at its 80mm focal

length. It’s a great entry into SLR

photography and the EOS system.

●Aspherical lens

EF 28-105mm f/3.5-4.5 II USM

This lens is an outstanding choice

as a standard zoom for advanced

photographers looking for durability

and performance. It has the same

optical formula (and quality) as the

previous highly-regarded EF 28-105mm

USM lens, but with a refined exterior

appearance. Its ring-type USM gives

the silent and fast autofocus that EOS

users expect, along with full-time

manual focusing capability— even when

in the AF mode.

EF 28-105mm f/4-5.6 USM

This incredible lens is the smallest and

lightest in its class. It’s totally new

optically, with an Aspherical element to

keep the quality up and the size down.

Even more noteworthy is an entirely

new Micro USM, that’s about half the

length of previous designs—with the

same focusing power and performance.

Features like circular diaphragm blades

(for natural backgrounds) and internal

focusing (the front element never

rotates) round out this great new lens.

EF 28-105mm f/3.5-4.5 II USM

•f/8 •1/180 sec.

EF 28-90mm f/4-5.6 II USM

Super-light and compact like its

predecessor, but now with even faster

AF due to new internal electronics and a

faster lens CPU. It’s optically unchanged,

which is a good thing —images are

sharp and crisp throughout the zoom

range, and the Micro USM provides

quick and ultra-quiet AF. It’s an ideal

standard lens, and one of the most

popular in the entire EOS system.

TELEPHOTO ZOOM LENSES

EF 75-300mm f/4-5.6 III USM

With the addition of a Micro USM for

faster and even quieter autofocus, this

version of the EF 75-300mm is well-

suited for sports and other applications

requiring fast AF. The USM version

shares the compact size, close focusing

range, and accessory compatibility of

the non-USM lens. For many advanced

amateurs, the 75-300 range is ideal

as a versatile entry into telephoto

photography.

●Fluorite lens ●UD lens

Isolate the Interesting Part

The eye tends to see the whole rather than the individual parts. It

also sees what’s near and not what’s far. By bringing attention to

those things missed by the eye, you can create many interesting

pictures. It could be the grimace of an athlete, the grill of a classic

car, or a girl against a blurred background. Telephoto lenses can

also compress images to give dramatic effects. You are limited only

by your imagination.

EF 70-200mm f/2.8L IS USM

A spectacular professional lens,

combining the virtues of the legendary

EF 70-200 f/2.8L with the Canon’s

newest Image Stabilization technology.

The IS system now offers up to a three-

stop improvement in hand-held ability,

responds faster than ever before, and

functions on a solid tripod. Additional

improvements include faster AF response

and tracking speed, weather-resistant

construction, and the entirely new optical

system focuses even closer (to 4.6 feet/

1.4m) than the non-IS version.

EF 70-200mm f/2.8L USM

For years, the most popular professional

lens in the entire Canon line-up. Superbly

sharp and versatile, its constant f/2.8

maximum aperture makes it a favorite

of photojournalists and low-light

shooters. Four UD-glass elements

contribute to its excellent performance.

Full compatibility with the EF Extenders

1.4x II and 2x II extends its usefulness,

and it’s also compatible with the EF

Extension Tubes 12 and 25, and the

77mm Close-up Lens 500D.

EF 70-200mm f/4L USM

A truly professional L-series telephoto

zoom lens, with reduced size and weight

for applications where portability is

important. Superb optically, it combines

a Fluorite element with two UD-glass

elements for outstanding contrast and

performance. Its ring-type USM is fast,

silent, and permits full-time minimum

focus, as well as the closest MF of any

of the L-series 70-200 designs. It’s also

compatible with EF Extenders 1.4x II and

2x II, and accepts an optional accessory

tripod collar.

EF 80-200mm f/4.5-5.6 II

The ultimate compact telephoto zoom

lens in the EF system, and a great

choice for travel and other applications

where portability is a priority. It’s

especially well-suited for compact SLR

bodies such as the EOS Rebel and Elan

series, and even compact digital EOS

SLRs, with a weight of only 8.8 oz.

(250g). Its optical quality is assured by

a five-group zooming system.

EF 70-200mm f/2.8L USM

•f/4 •1/1500 sec.

EF 55-200mm f/4.5-5.6 II USM

Super-compact and light, this lens is

ideal for digital SLRs– used on the

Digital Rebel, it’s equivalent to an

approx. 90-320mm lens. The 13-element

design’s new optical coatings are

optimized for digital cameras, it’s a

lightweight telephoto that’s perfect for

any EOS SLR. It focuses down to under

4 feet (1.2m), and its Micro USM-powered

AF is faster than ever, due to new

electronics within the lens.

new

TELEPHOTO ZOOM LENSES

EF 35-350mm f/3.5-5.6L USM

A unique professional L-series lens,

covering an amazing 10x zoom range

from wide-angle to super-telephoto. It’s a

magnificent choice for travel photography

and other outdoor applications. The

zoom control has a separate ring to adjust

or lock the zooming action, enhancing

its already excellent handling. The 21-

element optical formula includes two

UD-glass elements, and at its 135mm

zoom setting, close-focusing to two feet

(0.6m) is possible.

EF 100-300mm f/4.5-5.6 USM

This affordable and lightweight zoom

differs from the 75-300mm models

with its higher-performance ring-type

Ultrasonic focusing motor and superior

AF speed. It also uses rear group

focusing, so the front elements never

rotate during focusing, and adds full-

time manual focusing capability. It’s

excellent not just for outdoor sports,

butany subjects requiring the versatility

of a telephoto zoom.

EF 100-400mm f/4.5-5.6L IS USM

A truly professional L-series telephoto

zoom lens with Image Stabilization,

making hand-holding practical even at

its 400mm focal length. Both a Fluorite

and a Super UD-glass element ensure

outstanding contrast and sharpness,

and it accepts the EF Extenders 1.4x II

and 2x II. A ring-type USM makes AF

fast and silent down to 5.9 feet (1.8m),

and of course it offers full-time manual

focusoverride. This durable L-series

lens is regarded by many pros as one of

the world’s finest telephoto zooms for

hand-held outdoor use.

●Fluorite lens ●UD lens ●Super UD lens

EF 75-300mm f/4-5.6 III

The most affordable of Canon’s long

telephoto zooms, this lens is excellent

for subjects from portraits to wildlife and

nature. It shares the same 13-element

optical system as the 75-300mm USM

lens, but uses a DC motor for autofocus.

Close-focusing down to 4.9 feet (1.5m)

allows filling the frame (at 300mm) with

a subject the size of a dollar bill, and

it’s compatible with the Canon 58mm

Close-up lens 500D for even more

spectacular shots of small objects.

EF 75-300mm f/4-5.6 IS USM

A significant lens in the history of Canon

optics, this was the first SLR lens in the

world to offer Image Stabilization—

providing up to two stops of improvement

in hand-held capability at slow shutter

speeds. Its 15-element optical formula

is unique, but it offers capabilities

similar to Canon’s 75-300 versions

without IS. Image Stabilization gives

this lens amazing real-world sharpness

in many situations, and is especially

advantageous when combined with

lightweight camera bodies.

EF 100-400mm f/4.5-5.6L IS USM

•f/14 •1/80 sec.

ULTRA-WIDE & WIDE LENSES

EF 20mm f/2.8 USM

The optical performance, fast f/2.8

speed and ultra-wide-angle coverage

make this a great choice for many

applications, like interiors, scenics,

travel and photojournalism. It uses a

“floating” optical system for excellent

sharpness even at its minimum focusing

distance of under 10 inches (0.25m),

and with a ring-type USM and full-time

manual focusing capability, offers the

speed and handling pros expect.

EF 24mm f/1.4L USM

That f/1.4 is not a typo —this is the

fastest ultra-wide-angle lens in the

world. The first EF lens to combine

Aspherical and UD Ultra-low Dispersion

glass L-series optical technologies, the

24mm f/1.4L provides outstanding

sharpness and contrast even wide open.

It focuses down to 10 inches/0.25m,

and the AF is what you’d expect from a

professional Canon lens with USM— fast

and silent, with smooth full-time

manual focus available at any time.

●Aspherical lens ●UD lens

Wide and Fast

If you need an ultra-wide angle and a large aperture, one of the

following lenses will fit the bill. Ultra-wide-angle lenses can capture

scenes beyond your natural field of vision. The EF 15mm f/2.8

Fisheye, the widest of them all, has a 180˚ angle of view. For more

normal-looking wide-angle shots, there are longer wide-angle lenses

up to 35mm with the maximum aperture you need.

EF 15mm f/2.8 Fisheye

A full-frame fisheye lens that’s ideal for

special effects with any EOS camera,

film or digital. It focuses as close as

eight inches (0.2m), and is tack-sharp

throughout its focus range. Up to three

gel filters can be inserted into its built-in

rear filter holder.

EF 14mm f/2.8L USM

This is a true rectilinear ultra-wide-angle

lens that’s absolutely corrected for

linear distortion— straight lines remain

straight. It’s outstanding for shooting

in confined areas and interiors, and is

often used by professionals because of

the unique “look” its extreme wide-

angle perspective provides. The optics

are superb, highlighted by a ground

and polished aspherical element. It

hasa gelfilter holder in the rear that

allows up to three gel filters to be used

for color correction.

EF 15mm f/2.8 Fisheye

•f/16 •1/640 sec.

EF 24mm f/1.4L USM

•f/8 •5 sec.

ULTRA-WIDE & WIDE LENSES

EF 28mm f/1.8 USM

Combine a fast f/1.8 aperture with

28mm wide-angle focal length, and add

Canon’s Ultrasonic Motor AF. The result

is this surprisingly affordable fixed focal

length alternative to wide-angle zooms

that’s ideal for low-light shooting.

Internal, rear-group focusing means the

front element never moves, so it’s easy

to use with filters and accessories. The

autofocus is virtually silent, and full-

time manual focus is always available.

EF 28mm f/2.8

The most affordable fixed focal length

wide-angle lens in the Canon EF line-up

continues to give benefits difficult or

impossible to find with zooms. The fast

f/2.8 aperture makes it easy to use in

lowlight, and provides a bright viewfinder

image in the camera. It focuses as close

as 10 inches/0.25m without accessories.

And optically, it provides excellent

edge-to-edge contrast and sharpness

along with superior correction of linear

distortion, so straight lines in a subject

(such as architecture) remain straight.

EF 35mm f/1.4L USM

Long requested by professionals, it’s

the standard lens for many photo-

journalists and others who value its

low-light capability and performance.

With the help of an Aspheric lens

element, its contrast and sharpness

are stunning, even wide-open at f/1.4.

Solid construction, a powerful ring-type

USM for smooth and fast AF, and full-

time manual focusing make this a great

lens for film or digital shooters.

EF 35mm f/2

An affordable lens that’s ideal for tasks

like group photos and other applications

calling for excellent optical performance

and moderately wide focal length. It’s

compact and lightweight, and with f/2.0

speed, it’s a compelling alternative to

a wide-angle zoom lens for low-light

shooting.

●Aspherical lens

EF 24mm f/2.8

Another superb ultra-wide-angle choice,

with floating optics for superior

performance throughout its focus range

and a fast f/2.8 aperture that makes

it a great alternative to a zoom lens for

low-light shooting. Its rear-group

focusing system reaches down to less

than 10 inches (0.25m).

EF 35mm f/1.4 L USM

•f/1.4 •1/500 sec.

Medium and Standard

A medium telephoto lens with a large aperture brings the subject closer,

creates excellent background blur, gives a longer flash range, and affords

a faster shutter speed to freeze the action. A standard zoom lens, with

its natural angle of view and perspective, captures the subject plainly,

with no special effects. However, you can use standard lenses in creative

ways by varying the subject distance, aperture, and angle. Three medium

telephoto lenses and two standard telephoto lenses are available.

EF 50mm f/1.4 USM

The ultimate “normal” lens in the EF

system. This superb lens is sharp even

wide-open, and of course its f/1.4 speed

makesitperfect for available-light

shooting. For many, it’s an ideal lens to

accompany a zoom when shooting in

low-light conditions. Compact and

affordable, it’s the only lens in the EF

system to combine the extra-small Micro

USM and still provide full-time manual

focusing when the lens is in the AF mode.

EF 50mm f/1.8 II

Lightweight and affordable, this sharp

lens with a fast f/1.8 aperture is an

excellent first lens for those who prefer

a fixed focal length, and makes an

excellent addition to any photographer’s

system for available-light shooting. A

traditional Gauss-type optical design

ensures sharp performance even wide-

open, and it focuses as close as 18

inches/0.45m.

MEDIUM & STANDARD TELEPHOTO LENSES

EF 85mm f/1.2L USM

The fastest telephoto lens in the entire

Canon EF line-up, and the world’s fastest

85mm autofocus lens. This exquisite

professional lens is obviously popular

for its available-light capabilities, but its

proven performance makes it ideal for

portraits, fashion and even sports. Two

Aspherical elements provide thorough

correction of spherical aberrations. A

ring-type USM means silent AF from 3ft./

0.9m to infinity, and full-time electronic

manual focusing is also available.

EF 85mm f/1.8 USM

Sharp. Lightweight. Responsive. These

are just a few adjectives that describe

this terrific portrait-length telephoto

lens. With a powerful ring-type USM

and fast f/1.8 aperture, subjects zip

into focus in the viewfinder. It’s great

for all types of work calling for moderate

telephoto power, but comes into its

own in low-light situations, and offers a

1/3-stop speed advantage over the

100mm f/2 USM lens.

EF 100mm f/2 USM

Another option in high-speed moderate

telephotos, this compact lens is ideal for

portraits and low-light work. Compared

to the 85mm f/1.8 USM lens, it provides

that little bit extra of telephoto power

sometimes necessary outdoors or for

candid shooting. Like the 85mm, it’s

super-sharp (even wide-open), and has

fast USM autofocus along with full-time

manual focusing.

●Aspherical lens

EF 85mm f/1.2L USM

•f/1.2 •1/750 sec.

TELEPHOTO LENSES

EF 135mm f/2L USM

One of the finest lenses of its type in the

world today. This magnificent telephoto

lens uses two UD-glass elements to

provide incredible sharpness and

contrast, even wide-open. It’s perfect

for outdoor portraits, but comes into its

own in low-light situations. It focuses

down to 3 feet (0.9m), and is fully

compatible with both the EF 1.4x II and

2x II tele extenders.

EF 135mm f/2.8 with Softfocus

A unique, compact telephoto lens that

gives the choice of razor-sharp images,

or with the twist of a ring, two degrees of

soft focus. It works by applying “softness

over sharpness,” using deliberate

spherical aberration on top of a sharp

“core” image at apertures from f/2.8 thru

5.6; images taken at apertures smaller

than f/5.6 are always sharp. Autofocus

continues to function, with or without

the soft focus in use. This lens is an

ideal addition to a portrait or scenic

photographer’s arsenal. A perfect

combination with an EOS Digital SLR,

with the camera enabling review of soft

focus effect on the LCD monitor.

EF 200mm f/2.8L II USM

Lighter by more than 1.2 pounds (545g)

than the 70-200 f/2.8L zoom lens, this

fast telephoto lens is a perfect alternative

for low-light shooting or just reducing

weight in the gadget bag. Two UD-glass

elements and internal rear-group

focusing are among its optical highlights,

and it’s fully compatible with Canon’s

EF 1.4x II and 2x II tele extenders. A

detachable hood is included, and Tripod

Ring A (B) is available as an accessory.

●Aspherical lens ●UD lens

Long and Fast

A telephoto lens is essential to any serious photographer. For

sports action, you will need a fast shutter speed and a long focal

length. A large maximum aperture allows a faster shutter speed.

In this telephoto lens line-up, the focallengths range from 135mm

to 300mm. If you want compactness, choose a lens with a smaller

maximum aperture.

EF 135mm f/2.8 with Softfocus

•Soft level: 2

EF 135mm f/2.8 with Softfocus

•Soft level: 0

EF 135mm f/2L USM

•f/2 •1/200 sec.

TELEPHOTO LENSES

EF 300mm f/2.8L IS USM

Image Stabilization adds to what’s

already a legendary professional lens.

The 300mm f/2.8L IS lens focuses

closer (down to 8.2 feet/2.5m), offers

the world’s fastest autofocus when

used with EOS bodies having 45-point

AF, is gasketed and sealed against dust

and moisture, and has a lightweight

magnesium alloy barrel and tripod

collar. Its image quality, aided by both

Fluorite and UD-glass, is stellar, and

its advanced IS even works on a rock-

steady tripod—as well as on a

monopod or when hand-held.

EF 300mm f/4L IS USM

Excellent optics and superb handling

in a compact package with Image

Stabilization. The IS allows safe hand-

holding at shutter speeds up to two

stops slower than otherwise possible—

making it even more useful in low-light

levels. It’s less than half the weight of

the 300mm f/2.8L IS, and it focuses to

an incredibly close 4.9 ft/1.5m, filling

the frame with a subject the size of a

postcard. Like all of Canon’s fixed focal

length L-series lenses above 135mm,

it’s compatible with Canon’s EF Extenders

1.4x II and 2x II.

●Fluorite lens ●UD lens

EF 300mm f/2.8L IS USM

•f/3.5 •1/180 sec.

EF 300mm f/4L IS USM

•f/13 •1/60 sec.

World’s First Diffractive Optics Lens for Photography

EF 400mm f/4 IS DO USM

•f/4 •1/1250 sec.

SUPER TELEPHOTO LENSES

EF 400mm f/5.6L USM

Light. Portable. Excellent handling.

Sharp. And amazingly fast autofocus.

The 400mm f/5.6L is all of these things,

and a premier choice for wildlife and

nature photographers —one of the

finest telephoto lenses in the world for

fast-moving subjects such as birds in

flight or motor sports. It uses UD-glass

elements to provide outstanding optical

quality, even wide-open, and image

quality is preserved when used with

either the EF 1.4x II or EF 2x II tele

extenders. It accepts 77mm filters, and

hasa built-in removable tripod collar.

EF 500mm f/4L IS USM

Always a favorite of motor sports,

wildlife and nature shooters, the

relatively lightweight 500mm lens now

adds Image Stabilization for an

unbeatable package of handling and

sharpness. Fluorite and UD-glass— a

combination available from no other

lens manufacturer— provide great

performance, even with the EF 1.4x II or

2x II tele extender attached. It focuses

down to less than 15 feet (4.5m), and

offers the same weather-resistant

design and incredible AF speed as its

300mm, 400mm and 600mm siblings.

●Fluorite lens ●UD lens

●Super UD lens ●Diffractive Optical lens

See a Different Dimension

A super telephoto lens can make an ordinary scene into an extraordinary

one. Its ability to see surpasses that of the human eye. It can compress

images and make them look as if they come from another dimension.

It opens up new realms of photographic expression. All EF super

telephoto lenses are L-series lenses to provide the highest quality.

The USM provides quiet and high-speed autofocusing. These lenses

promise outstanding delineation and put your imagination to the test.

EF 400mm f/2.8L IS USM

Virtually the standard lens for many

professional sports shooters, this

optical powerhouse is ideal for any film

or digital application where you need

telephoto power and low-light capability.

With one Fluorite element and two UD-

glass elements, it’s one lens you won’t

need to stop down to get a good image.

The Image Stabilization only adds to its

all-around abilities. Details include a

network of weather-resistant seals

and gaskets, and a focus preset that

enables instant return to a memorized

focusing distance.

EF 400mm f/4 DO IS USM

An entirely new optical technology for

SLR camera lenses, Multi-Layer

Diffractive Optics, makes possible a

400mm super-telephoto lens that’s

about 1/3rd shorter and significantly

lighter. Diffractive Optics don’t end

there— combined with a small Fluorite

element, they permit almost total

elimination of chromatic aberrations,

and at the same time are able to

combat spherical aberrations.

Combining portability and easy handling,

Image Stabilization, weather-resistant

construction, superb optics and incredible

AF performance, the 400mm DO IS lens

is ideal for photographers who want

super-telephoto power along with good

lens speed in a hand-holdable package.

SUPER TELEPHOTO LENSES

27 ●Fluorite lens ●UD lens

EF 600mm f/4L IS USM

An outstanding professional lens for

bridging distances in sports, wildlife,

and many other applications— including

commercial and fashion for the distinct

“compressed” telephoto character and

totally out-of-focus backgrounds its

images can possess. Fluorite and UD-

glass are combined for incredible

image quality, even wide-open. Image

Stabilization adds a new dimension

in this long lens’ usefulness, even in

marginal lighting. It works beautifully

with both 1.4x II and 2x II extenders,

and now focuses as close as 17.5 feet/

5.4 m. It has the same weather-resistant

gaskets and sealed focusing and focus

pre-set rings as Canon’s other Image

Stabilized super-telephoto lenses.

Extender EF 1.4x II

A powerful addition to any serious

photographer’s arsenal, this compact

extender is compatible with every fixed

focallength L-series lens 135mm and

over, as well as the 70-200/2.8L, 70-200/

2.8L IS, 70-200/4L, and 100-400/4.5-

5.6L IS lenses. It multiplies the lens’

marked focal length 1.4 times, with a light

loss of only one stop. Most impressively,

its superior optics preserve the lens’

inherent image quality. New with the

version II extender are improved internal

anti-reflective blackening, and enhanced

weather resistance.

Extender EF 2x II

A totally new 7-element optical design

for this version II extender means superior

image quality combined with a doubling

of the lens’ marked focal length (with a

two-stop reduction in effective aperture).

Compatible with the same lenses as the

1.4x II extender, the EF 2x II still allows

autofocus with any EOS body when used

with a lens f/2.8 or faster. It shares the

improved anti-reflection internal design

and weather-resistant exterior, including

seals at its front and rear lens mounts

matching those on Canon’s newest

professional lenses and camera bodies.

EF 600mm f/4L IS USM

•f/10 •1/500 sec. 15mm Fisheye

Focal Length Comparison

14mm

17mm

20mm

24mm

28mm

35mm

50mm

70mm

85mm

100mm

135mm

200mm

300mm

400mm

500mm

600mm

1200mm

MACRO

EF 50mm f/2.5 Compact Macro

A versatile macro lens with focusing

from infinity down to half life-size

(0.5x), and floating optics to insure

sharpness and contrast at any focusing

distance. With f/2.5 speed, it’s actually

an ideal general-purpose normal lens

that adds true macro capability, and it’s

great for photographing flat artwork or

subjects because of its outstanding

center-to-corner flat field performance.

A dedicated optional accessory Life

Size Converter, available separately,

allows focusing down to full life-size

(1x magnification) and its optics

actually increase working distance from

the front of the lens to the subject.

Life-Size Converter EF

A unique accessory, dedicated

exclusively for the EF 50mm f/2.5

Compact Macro lens. Unlike a

conventional extension tube, the Life

Size Converter EF has a 4-element

optical design that acts like a tele

extender, allowing magnifications from

0.26x to 1x (full life-size) while increasing

the working distance from the front of

the lens to the subject. Optical quality

is outstanding with the Life Size

Converter EF in place.

MP-E 65mm f/2.8 1-5x

Macro Photo

This special-purpose lens is strictly for

high-magnification shooting between

1x (life-size) and 5x— at its closest

focus distance, you can fill the frame

with a grain of rice. Its optics, dedicated

for macro work, are superb. Focus is

manual only, and there’s a detailed

magnification scale engraved on the

barrel. It includes a tripod collar, and is

fullycompatible with Macro Ring Lite

MR-14EX and Macro Twin Lite MT-24EX.

●UD lens

Discovering a Small World

The small things we see and ignore every day can actually reveal

much surprise and fascination up close. A world all their own.

Canon offers several ways to discover this world. The four EF macro

lenses are the most effective and versatile, while the three screw-on

Close-up lenses are the most convenient. Also available are the

Life-Size Converter EF and two Extension Tubes.

MP-E 65mm f/2.8 1-5x Macro Photo

•f/11 •1/125 sec. (3.0x)

About Macro Magnification

A life-size macro lens—that is, a 1x

magnification records an image on film

at its actual size. If you’re photographing

a flower, for example, and it has a

diameter of 1 in., it will occupy 1 in. on

your film. Other macro lenses have

lower or higher magnifications. A lens

with 0.5x magnification would produce

an image on film that is half the size of

the actual subject. Your 1 in. flower,

then, would only occupy 0.5 in. on film.

In the other direction, a 5x magnification

lens would convert the 1 in. flower to a

5 in. diameter image. Since the entire

image wouldn’t fit in the frame of your

film, you would have an enlarged image

of a detail of the flower. Magnification

is not the same thing as focal length. A

50mm lens and a 135mm might both

be macro lenses with, for example,

1.0x magnification. The advantage of

the longer lens is that it allows greater

distance from a subject. You would

choose the 135mm macro lens to

photograph a butterfly or a bird.

The 50mm lens would be more suitable

for a subject that won’t move away

when you approach it.

MACRO

31 ●UD lens

EF 100mm f/2.8 Macro USM

Many EOS shooters consider this two

professional lenses in one: a superior-

performance portrait-length tele with a

fast f/2.8 aperture and lightning-quick

USM AF; and a superb macro lens

that focuses to life-size (1x) without

accessories. It has a unique internal

focusing design and floating optics for

sharpness throughout its vast focus

range, and allows a working distance

of 5.9 inches (149mm) at life-size. Full-

time manual focusing and an available

Tripod Mount B with adapter round out

this terrific macro lens.

EF 180mm f/3.5L Macro USM

One of the sharpest lenses in the entire

EOSsystem, and a brilliant all-around

telephoto lens that can focus to true

life-size (1x)— with a working distance

of almost 10 inches (0.25m) from the

subject! Three UD-glass elements, a

floating optical system, and internal

focusing assure superb performance at

any distance. It’s even compatible with

the EF 1.4x II and 2x II tele extenders.

A powerful ring-type USM means fast

and silent AF, along with full-time manual

focus. It includes a tripod collar and

detachable lens hood.

Extension Tube EF 12 II

Extension Tube EF 25 II

Extension tubes are one method of

getting closer with EF lenses. A powerful

tool when attached to standard and

wide-angle lenses, they’re also used

with telephotos to get just a bit closer.

With any lens, the longer the extension

tube, the greater the close-up effect.

The 12mm EF 12 II is often used with

wide-angle lenses, while the longer EF 25 II

is a better choice for normal or telephoto

lenses. Auto exposure continues to

work reliably, but manual focus is

recommended in most instances. The

version II extension tubes are also

compatible with EF-S 18-55mm f/3.5-5.6.

Close-up Lens 250D

Close-up Lens 500D

Close-up Lens 500

An effective close-up method with

telephoto lenses, and the only close-up

accessory that doesn’t lose light. The

250D is optimized for lenses between

50 and 135mm, while the 500D works

best with lenses from 75mm through

300mm. Both have a double-element

design, so their optical quality is

excellent. The Close-up lens 500, a

single-element design, offers an even

more affordable alternative.

EF 100mm f/2.8 Macro USM

•f/5.6 •1/6 sec.

0.25x

0.5x

1.0x

3.0x

5.0x

new

TS-E LENSES

33 ●Aspherical lens

For Advanced Photo Work

With a Canon TS-E lens, you can control the angle of the plane of

focus and the picture’s perspective. The effects of large-format camera

movements can be obtained with TS-E lenses for EOS cameras.

Although manual focusing is required, automatic aperture control

enables autoexposure and autoexposure bracketing. The tilt and

shift axes intersect at a 90˚ angle. They can be made parallel at an

authorized Canon Service Facility (modified at owner’s expense).

TS-E 24mm f/3.5L

The widest tilt-shift lens in the Canon

system, and a marvelous problem-

solver for architecture, scenics, and

many other applications calling for a

wide-angle perspective. With floating

optics, it’s sharp from infinity down to

1 ft. (0.3m), and it uses a ground and

polished Aspherical front element to

assure excellent quality. Like all the

TS-E lenses, it has a fully automatic

diaphragm, so there’s never a risk of

forgetting to stop the lens down.

TS-E 45mm f/2.8

The normal lens in the TS-E system,

and an excellent choice for product

shooting and other applications calling

for a natural perspective. It allows up

to 11mm of shift off-center, and even

more impressive, tilting of the front

standard up to 8° to modify the plane

of focus. Among the TS-E 45mm f/2.8’s

optical highlights are a floating optical

system (focusing down to 1.3 ft/0.4m),

and a precise rear-group focusing system.

TS-E 90mm f/2.8

Telephoto perspective, f/2.8 speed,

and full tilt and shift movements in a

compact, professional package.

Impressively sharp, its ability to alter

the plane of focus can provide a “look”

that previously required a view camera

to achieve. Pros have found it a great

option for portraits, products and

even fashion work. At its closest

focus distance (1.6 ft/0.5m), it gives

magnifications of about 1/3 life-size.

TS-E 45mm f/2.8

•f/4 •1/30 sec.

TS-E Lens Movements

TS-E lenses are capable of tilt and shift movements which greatly

expand picture-taking possibilities. Tilt movements alter the angle

of the plane of focus between the lens and film plane, and shift

movements move the lens’ optical axis in parallel.

Tilt Movements

If you want to bring the entire length of

the hedge into focus, you could use a

wide-angle lens and a small aperture to

obtain a wide depth of field (Photo 1-a).

With tilt movements, you can achieve

this wide depth of field even at the max-

imum aperture. By tilting the center of

the TS-E lens barrel, you can tilt the lens

so that the plane of focus is uniform on

the film plane (Photo 1-b).

Depth of field with tilt movements

Plane of optimum focus

Film plane

Using Tilt Movement to Focus

an Oblique Subject Plane

Shift Movements

Normally, when you point your camera

up at a tall building, the building will

look slimmer toward the top. It becomes

trapezoidal (Photo 2-a). This perspective

effect is more pronounced with shorter

lens focal lengths, distorting the building

even more. By altering the parallel

position between the lens and the film

plane with the TS-E lens, this perspective

effect can be corrected. With the camera’s

film plane set parallel to the building,

shifting the lens upward will obtain a

more rectangular-looking building

(Photo 2-b).

Photo 1-a

Uncorrected

Photo 1-b

Corrected with tilt

Photo 2-a

Uncorrected

Photo 2-b

Corrected with

shift

Using Shift Movements to Focus Tall Building

With a normal lens

With a TS-El lens

Aspherical Lenses

Ordinary spherical elements have an

inherent flaw in that the point of focus

for the lens center does not match that

of the lens periphery. Spherical

aberrations of large-aperture lenses and

distortion by ultra-wide-angle lenses

cannot be resolved with spherical

elements alone. The Aspherical lens

element was therefore developed. The

curvature of the lens element is calculated

and shaped to achieve the ideal single

point of focus. The result is high contrast

with minimal flare even with a large-

aperture lens. Distortion can also be

effectively corrected in ultra-wide-angle

lenses. Canon started to develop

manufacturing technology for Aspherical

elements early on. We eventually

succeeded in establishing a mass-

production grinding and polishing

process with a polishing precision of

5/10,000 mm. In 1971, Canon marketed

the FD 55mm f/1.2AL lens, the world’s

first large-aperture Aspherical lens for

SLRs. This was followed by many other

Canon lenses incorporating Aspherical

elements and they were well received.

Also, Canon developed mass-production

technology for glass-molded aspherical

elements and replicated Aspherical

lenses. The former was produced by an

ultra-high-precision aspherical lens-

molding machine which shaped the glass

directly. For the latter, the Aspherical

surface was formed by ultraviolet-

hardened resin film applied on a spherical

element. Canon has developed

numerous compact-size lenses, taking

full advantage of Aspherical elements

to attain high image quality.

Ultrasonic Motors (USM)

The Ultrasonic Motor (USM) in Canon

EF lenses is the world’s first lens-based

motor. Based on a totally new

technology, the motor spins by ultrasonic

oscillation energy. The USM is quiet

and quick. It has made EF lenses almost

noiseless and autofocusing fast,

precise, and practical. The direct-drive

construction is very simple, with no gear

train. This makes it durable and efficient.

It also consumes little power. Two types

of USM are used: Ring-type USM and

Micro USM. The former type is found in

large-aperture and super telephoto

lenses, while the latter is used in more

compact lenses. Using the optimum

type of USM in the lens results in

maximum efficiency and effectiveness.

Technology Where It Counts

Canon’s innovations put your images on film quickly, quietly, and

easily with outstanding results.

MRing-type USM

Micro USM

Spherical aberration of spherical lens.

Convergence of parallel light rays by

an Aspherical lens.

Diffractive Optics

Another world’s first in camera lens

optical design, Canon introduced new

technology in order to build a super

telephoto that complements its latest

compact film and digital SLR cameras.

This cutting-edge technology employs

diffractive optical elements that use the

principle of diffraction to change the

direction of the lightwave’s path. This

revolutionary element has Aspherical

characteristics, which help define

superior maximum aperture image

quality, as well as optical qualities

superior to UD-glass to totally correct

color fringing. The Multi-Layer Diffractive

Optical Elements exhibit outstanding

ability to correct chromatic aberrations

(color defects), and are especially effective

in super telephoto lens design where

these specific types of optical defects

are most likely to happen. You can see

how well the technology works in your

own pictures by examining the straight

edges of a subject in your picture. You

will see a crisp, clear edge without

the

telltale, prismatic color fringing that is visible

with images shot using inferior optics.

Glass lens elements refract, or bend

lightwaves, as they pass through to

form an image. That’s simply the

naturallyoccurring physics of light. We

use multiple elements and special glass

to help keep the waves focused like a

pinpoint instead of spreading them into

the rainbow of color seen when light

passes through a glass prism. To

diffract a lightwave means

that the ray goes through a change in

direction before passing through the lens.

The change in direction is caused by a

diffraction grating— very fine parallel

grooves or slits on the surface. Canon

found that using a concentric diffraction

grating that gets smaller toward the

edges— some as fine as tenths of a

micrometer— solved many of one

inherent physical limitations of camera

optics. The design also makes it

possible to obtain the same effect as an

Aspherical lens. And taking the

technology a step beyond, we actually

use two single-layer diffractive optical

elements whose diffraction gratings are

bonded together face-to-face. Since

longer wavelengths form an image closer

to the lens due to the large diffractive

angle, and shorter wavelengths form an

image farther from the lens due to the

smaller diffractive angle, putting the DO

elements with conventional glass optics

actually cancels out each other’s

chromatic aberrations and is exceptionally

effective in correcting this optical defect.

The diffraction that occurs with Canon’s

Multi-Layer Diffractive optical elements

actually corrects the optical system’s

chromatic aberrations and improves the

image formation performance.

The net result of Canon’s DO technology

is a lens design with reduced size and

weight while offering higher image quality

than a comparable focal length lens that

incorporates conventional glass optical

elements. It means a new generation of

high-performance lenses that complement

the more compact designs of our latest

SLR film and digital cameras.

Refractive Optical Element

Chromatic aberration

canceled out

Refractive Optical

Element and Multi-

Layer Diffractive

Optical Element

Combined

Chromatic aberrations

reversed from

that of a

refractive optical element

Image formation in the red, green,

and blue wavelength order

Red Green Blue

Multi-Layer Diffractive

Optical Element

Image formation in

the blue, green, and

red wavelength order

Chromatic aberrations

Diffractive

grating

Glass

lenses

Cross section Front view

Correction of Chromatic Aberration by the

Multi-Layer Diffractive Optical Element

Multi-Layer Diffractive Optical Element Construction

400mm f/4 Lens Designed with a Refractive

Optical Element Only

400mm f/4 DO IS USM

(Incorporates Multi-Layer Diffractive Optical Element)

UD element 317mm Weight: 3,000g

Fluorite

Multi-layer diffractive optical element

232.7mm Weight: 2,080g

(Including removable

tri

od collar)

Fluorite

Lens Downsizing with the Multi-Layer Diffractive

Optical Element

Note: If a very bright spotlight like a mercury lamp

is photographed with a DO lens, a ring of light may

occasionally appear around the light source, due to

the imaging characteristics of the Multi-Layer

Diffractive Optical Element.

Image Stabilizer

No matter how great the lens is, camera

shake can spoil the shot. Blurred

photos due to camera shake usually

occur when the shutter speed is slower

than the reciprocal of the lens focal

length. For example, a shutter speed

slower than 1/200 sec. at the 200mm

focal length can invite a blurred photo

caused by camera shake. In such

cases, a tripod is necessary. However,

a tripod can be a heavy and troublesome

burden when you go hiking or traveling.

There are even places where using

tripods is prohibited. Using a slow

shutter speed then becomes difficult.

To resolve this problem, Canon became

the first manufacturer to incorporate an

Image Stabilizer in an SLR camera lens.

Optical shake is detected by gyro

sensors which provide the data

necessary to shift the image-stabilizing

lens group in parallel to neutralize the

shake. This increases the usable

shutter speed range by up to 2 full

steps for hand-held shooting. Except

for the EF 28-135mm f/3.5-5.6 IS USM

and EF 75-300mm f/4-5.6 IS USM

lenses, IS lenses have two IS modes.

One is for normal image stabilization

and the other is for panned shots. With

a monopod, the Image Stabilizer on all

IS lenses operates normally as during

hand-held shooting. Also, the EF 300mm

f/2.8L IS USM, EF 400mm f/2.8L IS USM,

EF 500mm f/4L IS USM, and EF 600mm

f/4L IS USM lenses have a mechanism

that prevents having the Image Stabilizer

turned on while the lens is mounted on

a tripod.

Floating System

Ordinary lenses are designed to give

the best results when the correction of

aberrations is most effective. This is

usually at the most commonly-used

focusing distances. At other focusing

distances, especially at the closest

focusing distance, aberrations tend to

appear. Canon’s floating system

suppresses aberrations at close

focusing distances. This system adjusts

the gap between certain lens elements

in correspondence to the focusing

distance. The aberration is effectively

corrected. The result is high image

quality with aberrations suppressed at

all focusing distances.

Circular Aperture

Certain Canon lenses feature a new

Circular Aperture diaphragm unit, which

uses curved aperture blades to provide

for a more rounded opening as the lens

is stopped down. It’s especially effective

at rendering out-of-focus background

highlights as natural rounded shapes. In

lenses such as the EF 70-200mm f/2.8L

IS lens, the lens opening is virtually

circular from f/2.8 to f/5.6. These lenses

retain all the benefits previously available

with Canon’s Electromagnetic Diaphragm

—smooth and consistent stop-down

operation (even at up to 10 fps with the

EOS-1v), near-silent aperture control, and

total absence of mechanical levers or

switches in the lens mount.

1: No camera shake

2: Lens front shakes downward

3: Image-stabilizing group counteracting

downward camera shake

Group 1 (focusing group)

Group 2 (image-stabilizing group)

Object Group 3 to 6

Film

plane

Direction of Group 2

movement

How the Image Stabilizer Works in the EF 75-300mm

f/4-5.6 IS USM

Astigmatism

Floating Effect (TS-E 24mm f/3.5L)

Floating System

Closest

shooting

distance

TS-E 24mm f/3.5L Floating System

Floating

Film plane

With Image

Stabilizer on

With Image

Stabilizer off

AF Stop Feature

AF stop is featured on the EF 300mm

f/2.8L IS USM, EF 400mm f/2.8L IS USM,

EF 500mm f/4L IS USM, and EF 600mm

f/4L IS USM lenses. If something passes

between the camera and subject during

autofocusing, pressing the AF stop buttons

momentarily locks the AF to prevent the

focus from shifting to the obstruction

passing by. After the obstruction is gone,

the focus is still maintained on the subject

and you can quickly resume shooting.

The AF stop buttons are positioned at

four locations around the lens grip at the

front of the lens for easy access during

both horizontal and vertical shooting.

Dust- and Water-Resistant

Construction

The new EF 300mm f/2.8L IS USM, EF

400mm f/2.8L IS USM, EF 500mm f/4L IS

USM, and EF 600mm f/4L IS USM

lenses are highly dust- and water-

resistant. The switch panel, exterior

seams, and drop-in filter compartment

have rubber linings. Moving parts such

as the focusing ring and switches are

also designed to prevent water and

dust from entering. These lenses can

therefore be used in harsh conditions

without dust and water getting inside.

The lens is equipped with a rubber ring

on the mount to improve its dustproofing

and waterproofing characteristics. As

the lens is repeatedly mounted and

detached, the rubber ring will leave fine

abrasion marks on the outside of the

camera mount. This will not affect operation.

Full-Time Manual Focusing

Canon EF lenses and EOS cameras have

very high AF precision. Optimum focus

can be achieved quickly for almost any

shooting situation. Recent EOS cameras

have been equipped with multiple

focusing points for higher flexibility in

composing a photo while using AF.

Picture-taking is even more flexible with

Canon’s full-time manual focusing which

overrides the autofocusing mode. Lenses

with this feature allow you to switch to

manual focusing even in the AF mode.

You can keep looking through the

viewfinder and touch up the focus

manually without switching the focus

mode switch. Since the focusing ring

does not rotate during autofocusing, we

could make it wider for better holding

comfort and easier manual focusing.

Another ergonomic design which lets

you convey your intentions quickly. Full-

time manual focusing comes in two types.

One is electronic manual focusing where

the rotation amount of the focusing ring

is detected and the focusing motor is

driven electronically. The other type is

mechanical manual focusing where the

rotation of the focusing ring adjusts

the focus mechanically.

Manual focus ring

Focus key

Ring 1

RollerRoller Rotor

Stator

Pressing spring

USM Unit

Focusing unitFocusing lens group

Ring 2

Input pulse board

for electronic manual

focusing

Full-time mechanical manual focus mechanism

General Purpose Filters for Black and

White or Color Film

Sky (1A), Haze (UV-1), ND (03 • 0.6)

• 52mm • 58mm • 72mm

Conversion Filters for Color Film

80A, 80B, 85, 85B, FCB, FCD

• 52mm • 58mm • 72mm

General Purpose Filters for Black

and White Film

Yellow 2, Green 11, Orange 15, Red 25A

• 52mm • 58mm • 72mm

Softmat Filters

Softmat filters mildly soften the focus for

flattering portraits and dreamy landscapes.

These filters utilize the effect of diffraction which

occurs between light passing through the

transparent part and light passing through the

coated part. Use Softmat No. 1 filter for a gentle

softfocus effect, and Softmat No. 2 for a

stronger effect.

No.1, No.2

• 52mm • 58mm

Warming Filters for Color Film

81A, 81B

• 52mm • 58mm • 72mm

Circular Polarizing Filters PL-C

Polarizing filter enhances picture quality by

blocking harmfulreflected light. Use it to

reduce polarized light reflections from glass

and water surfaces or to improve color satura-

tion. Simple to use, circular polarizing filters

(such as Canon’s PL-C) polarize light circularly,

rather than linearly, so it does not interfere

with autofocus or TTL light metering.

• 52mm • 58mm • 67mm • 72mm • 77mm

(Type II)

Loupe 8x & 4x

The Canon Loupe 4x is a high-performance

magnifier for viewing the entire picture area

(24 x 36mm) of a 35mm-format slide or nega-

tive. With three lens elements in three groups,

chromatic aberration and distortion are effec-

tively corrected to give crystal-clear images.

Eye fatigue is not a problem even after pro-

longed use. Loupe 8x is another magnifier for

viewing the entire picture area, but with spe-

cial emphasis on a 24mm-diameter area at the

center. The four lens elements in four groups

attain high performance and a high magnifica-

tion. All elements have Super Spectra Coating

to make image viewing clear enough for you to

effectively check the quality of photos taken

with EF lenses. These two loupes can make

your evaluation of photos more accurate.

Focus Preset

With the focus preset feature, you can

set the desired focusing distance in

memory and later instantly focus the lens

at that distance. Normal picture-taking

and focusing are possible even while

focus preset has been set. At a soccer

game, for example, you can preset the

focus for the goal. You can focus normally

while the player approaches the goal,

then when the ball is shot into the goal,

you can obtain instant focus.

Fluorite (CaF2) and UD-Glass

The refraction of light differs depending

on the wavelength. The point of focus

therefore differs depending on the

different wavelengths or colors. When

the different wavelengths are focused

at different points, the colors look

smeared. This iscalled chromatic

aberration. The longer the focal length,

the more pronounced chromatic aberration

becomes. Usually, an achromatic

element is used in a lens to correct

chromatic aberration. However, normal

optical glass can only be corrected for

two primary spectral colors. An exception

to this limitation is Fluorite, an ideal

material. Fluorite, which is crystalline,

has abnormally low refraction and low

dispersion characteristics, which optical

glass cannot achieve. It also has

anomalous dispersion from the green

to blue wavelengths. Canon developed

production technologies to manufacture

Fluorite. By incorporating Fluorite in

lenses, the points of focus of the three

primary spectral colors of red, green,

and blue all meet at one point for ideal

correction of chromatic aberration. There

is also UD-glass, which is a special type

of optical glass whose properties nearly

match those of Fluorite. The effect of

two UD-glass elements is equivalent to

having one Fluorite element. And one

super UD-glass element gives almost

the same effect as one Fluorite element.

38 39 40

Large, Fully Electronic

Mount System

The conventional interface between the

lens and camera body was mechanical,

with the use of engaging levers and gears.

This method caused physical problems

such as wear and rattle. It was limited

and more diverse information could not

be exchanged. Canon EF lenses do not

use such mechanical links at all. About

50 items of information are exchanged

as digital signals between the lens and

camera in real time. This enables high-

speed and high-precision control. And

since the lens mount diameter is an

ample 54 mm, special lenses such as

large-aperture lenses and TS-E lenses

can be used. The EF mount is an

advanced interfacing system with

infinite possibilities.

Built-In Motor and EMD

Canon EF lenses (except TS-E and

MP-E lenses) have a built-in AF motor.

Compared to camera body-based AF

motors, lens-based motors have driving

energy with lower transmission loss.

The optimum AF motor for the particular

lens can also be selected and installed.

The AF operation is therefore quick, quiet,

and highly precise. The lenses also have

an EMD (Electromagnetic Diaphragm) to

control the aperture electronically. The

aperture can be set either with an

electronic dial or with the electronic pulse

signal sent according to the exposure

reading. Aperture control precision is

therefore unmatched.

Inner Focusing and

Rear Focusing

An inner focusing lens has the focusing

lens group(s) in front of the diaphragm,

while a rear focusing lens has the focus-

ing lens group(s) behind the diaphragm.

Both focusing systems allow the focusing

lens group to be small. This minimizes

the load on the actuator which drives

the autofocus. In turn, the AF speed is

faster. The whole optical system can also

be made more compact. Also, since the

lens does not rotate during focusing,

the effects of a circular polarizing filter

or gelatin filter remain intact.

Ring-type USM

EMD

Built-in motor and EMD

Comparison of optical characteristics

between optical glass and Fluorite

Anomalous

dispersion

Glass

Fluorite

Red

Blue

Red

Blue

Fluorite and UD glass

Description of Lens Designation

The lens designations follow a standard format to identify the lens.

EF 75-300mm f/4-5.6 IS USM

Focal length:

Indicates the focal

length range from

the shortest to

longest length.

(See below for

details.)

Maximum aperture:

Indicates the lens’

maximum aperture.

(See below for

details.)

Special Function:

Any special

feature such as an

image stabilizer,

macro feature, etc.,

is indicated.

USM: Indicates

that the lens uses

an Ultrasonic

Motor for

autofocusing.

(See page 34 for

details.)

Focal Length

A focal length of 50mm is closest to

what the eye sees. This focal length is

used as a reference point for lens

categories. For example, lenses with a

shorter focal length are called wide-angle

lenses, while those with a longer focal

length are called telephoto lenses.

Single focal length lenses have only one

focal length, while zoom lenses have a

range of focal lengths. (When EF lenses

are used with the EOS IX, the focal

length corresponds to 1.25 times that

indicated for 35mm cameras.)

Angle of View

This indicates how much coverage of

the scene you can see through the lens.

Telephoto lenses have a narrower angle

of view than wide-angle lenses.

Angle of View and Perspective

Perspective refers to the distance

between the near and far objects that

you can see at the same time. When the

angle of view is wide (with a shorter focal

length), the perspective becomes more

apparent. And with a narrow angle of

view (with a longer focal length), the

perspective becomes less apparent. The

image also becomes more compressed,

with the far objects looking like they are

right behind the nearer objects.

Maximum Aperture

This indicates the speed of the lens. A

fast lens has a large maximum aperture,

allowing more light to enter. The smaller

the maximum aperture’s f-number, the

larger the aperture opening is. A larger

maximum aperture makes the image

look brighter and easier to see through

the viewfinder. You can also use a

faster shutter speed or obtain better

background blur. On the other hand, a

smaller maximum aperture (the f-number

is larger) allows the lens to be more

compact and light. Single focal length

lenses have only one maximum

aperture while zoom lenses may have

two, one for each end of the focal

length range. For example, a EF 28-80mm

f/3.5-5.6 lens has a maximum aperture

of f/3.5 at 28mm and f/5.6 at 80mm.

Aperture and Shutter Speed

Under the same light level, if the

aperture opening is made larger by one

step, the shutter speed can be increased

by one step. For example, if an aperture

of f/5.6 and shutter speed of 1/60 sec.

are set, adjusting the aperture to f/4 will

enable a shutter speed of 1/125 sec. to

be used. An aperture of f/2.8 will allow

a faster shutter speed of 1/250 sec. while

the same exposure level is maintained.

Depth of Field

Normally, there is only one point of

optimum focus. However, we often see

objects in front of or behind this point

also in focus. This is made possible by

a wide depth of field.

Depth of Field with the

Aperture and Focal Length

The depth of field is mainly determined

by the lens focal length, aperture, and

subject distance. For example, if a wide-

angle lens is used at the minimum

aperture, almost everything in the picture

will be in focus. However, if a telephoto

lens is used at maximum aperture, the

background will be really blurred, making

the subject in focus stand out.

Canon EF Lens Accessories

Drop-in Filters

Drop-in Filters PL-C

Drop-in Filters PL-C can be

rotated from the outside

without removing them from

the lens for precise control.

The 48mm PL-C filter can be

used with the following lens-

es – EF 200mm f/1.8L USM

and EF 1200mm f/5.6L USM;

the 52mm PL-C filter is

designed for use with the

EF 300mm f/2.8L IS USM,

EF400mm f/2.8L IS USM,

EF 500mm f/4L IS USM and

EF 600mm f/4L IS USM.

Drop-in Gelatin Filter

Holders

These glass-backed

holders accept up to three

commercially available cut-

to-size gelatin filters for

rear-insertion lenses. A 48mm

holder is provided standard

with EF 200mm f/1.8L USM

and EF 1200mm f/5.6L USM;

and a 52mm holder, with

EF 300mm f/2.8L IS USM,

EF 400mm f/2.8L IS USM,

EF 500mm f/4L IS USM and

EF 600mm f/4L IS USM.

Drop-in Screw Filter

Holders With Protect

Filters

The enclosed regular filter

can be exchanged with other

commercially available screw-

type filters. Note that only

filters with correct filter frame

thickness can be mounted

on the lens.

• 48mm • 52mm

Only Canon filters are guaranteed for use

with EF lenses.

Gelatin filter Holders III & IV

Gelatin Filter Holder III uses 3 x 3-inch gelatin

filters and Gelatin Filter Holder IV uses 4 x 4-

inch gelatin filters. Holders III and IV both

provide extension hoods and ø52 mm, 58 mm,

67 mm, 72 mm and 77 mm adapters. Refer to

the EF Lens Accessory Table for information on

lens combinations.

• 52mm • 58mm • 67mm • 72mm • 77mm

• Adapter III for EF 50mm 1: 1.4

Gelatin Filter

Holder IV

Gelatin Filter

Holder III

41 42 43

Canon EF Lenses

Limited only by your imagination.

Macro Lenses

Ultra-Wide Zoom

TS-E Lenses

Life Size

Converter EF

EF 100mm f/2.8

Macro USM

EF 15mm f/2.8

Fisheye

EF 135mm f/2.8

w/ Softfocus

Extension

Tube EF 12 II

Extension

Tube EF 25 II

EF 28-80mm

f/3.5-5.6 II

EF 16-35mm

f/2.8L USM

EF 75-300mm

f/4-5.6 llI

EF 35-80mm

f/4-5.6 lll

EF 24mm f/2.8

EF 28mm f/2.8

EF 35mm f/2.0

EF 80-200mm

f/4.5-5.6 ll

EF 50mm f/2.5

Compact Macro

EF 50mm

f/1.8 ll

MP-E 65 mm f/2.8

1-5x Macro Photo

TS-E 24mm f/3.5L

Tilt-Shift

TS-E 45mm

f/2.8 Tilt-Shift

TS-E 90mm f/2.8

Tilt-Shift

EF 28-90mm

f/4-5.6 II

Standard Zoom

Telephoto Zoom

Wide Angle

Standard & Medium Telephoto

Telephoto

Tele-Extenders

EF 17-40mm

f/4 L USM

EF 28-135mm

f/3.5-5.6 IS USM

EF 28-200mm

f/3.5-5.6 USM

EF 135mm

f/2L USM

EF 300mm f/2.8L IS USM

EF 300mm f/4L IS USM

EF 14mm

f/2.8L USM

EF 20mm

f/2.8 USM

EF 24mm

f/1.4L USM

EF 28mm

f/1.8 USM

EF 35mm

f/1.4L USM

EF 50mm

f/1.4 USM

EF 85mm

f/1.2L USM

EF 100mm

f/2 USM

EF 70-200mm

f/2.8L USM

EF 70-200mm

f/4L USM

EF 75-300mm

f/4-5.6 Ill USM

EF 100-400mm

f/4.5-5.6L IS USM

EF 400mm

f/2.8 IS USM

EF 400mm f/4

DO IS USM

EF 400mm f/5.6L

USM

EF 600mm f/4L

IS USM

EF 1200mm f/5.6L USM

EF 20-35mm

f/3.5-4.5 USM

Extender EF 2x II

Extender EF 1.4x II

EF 24-70mm

f/2.8L USM

EF 24-85mm

f/3.5-4.5 USM

EF 28-90mm

f/4-5.6 II USM

EF 28-105mm

f/3.5-4.5 II USM

EF 200mm f/2.8L II USM

EF 85mm

f/1.8 USM

EF 35-350mm

f/3.5-5.6L USM

EF 180mm f/3.5L

Macro USM

EF 70-200mm

f/2.8L IS USM

EF 75-300mm

f/4-5.6 IS USM

EF 100-300mm

f/4.5-5.6 USM

EF 500mm f/4L

IS USM

EF 28-105mm

f/4-5.6 USM

EF-S 18-55mm

f/3.5-5.6

Available only with the

EOS Digital Rebel kit.

Compatible only with

EOS Digital Rebel.

EF 55-200mm

f/4.5-5.6 II USM

ne w

Extension Tubes

ne w ne w

44 45 46

Canon EF Lens Specifications & Accessories Table

EEFF 1166--3355mmmm ff//22..88LL UUSSMM98˚~ 54˚ • 74˚10´~ 38˚ • 108˚10´~ 63˚ 14 / 10 7 22

EEFF 1177--4400mmmm ff//44LL UUSSMM84˚~ 34˚ • 53˚~ 19˚ 30´ • 74˚~ 29˚ 12 / 9 7 22

EEFF 2200--3355mmmm ff//33..55--44..55 UUSSMM84˚~ 54˚ • 62˚~ 38˚ • 94˚~ 63˚ 12 / 11 5 22 ~ 27

EEFF--SS 1188--5555mmmm ff//33..55--55..66**

65˚ 30´ ~ 23˚ 20´• 45˚ 30´ ~ 15˚ 40´ • 75˚ 20´ ~ 75˚ 50´

11 / 9 6 22 ~ 38

EEFF 2244--7700mmmm ff//22..88LL UUSSMM84˚~ 34˚ • 53˚~ 19˚30´ • 74˚~ 29˚ 16 / 13 8 22

EEFF 2244--8855mmmm ff//33..55--44..55 UUSSMM74˚~ 24˚ • 53˚~ 16˚ • 84˚~ 28˚30´ 15 / 12 6 22 ~ 32

EEFF 2288--8800mmmm ff//33..55--55..66 IIII75˚~ 30˚ • 46˚~ 17˚ • 65˚~ 25˚ 10 / 10 5 22 ~ 38

EEFF 2288--9900mmmm ff//44--55..66 IIII UUSSMM65˚~ 22˚40´ • 46˚~ 15˚10´ • 75˚~ 27˚ 10 / 8 5 22 ~ 32

EEFF 2288--9900mmmm ff//44--55..66 IIII65˚~ 22˚40´ • 46˚~ 15˚10´ • 75˚~ 27˚ 10 / 8 5 22 ~ 32

EEFF 2288--110055mmmm ff//33..55--44..55 IIII UUSSMM65˚~ 19˚20´ • 46˚~ 13˚ • 75˚~ 23˚20´ 15 / 12 7 22 ~ 27

EEFF 2288--110055mmmm ff//44--55..66 UUSSMM65˚~ 19˚20´ • 46˚~ 13˚ • 75˚~ 23´20˚ 10 / 9 6 22 ~ 32

EEFF 2288--113355mmmm ff//33..55--55..66 IISS UUSSMM65˚~ 15˚ • 46˚~ 10˚ • 75˚~ 18˚ 16 / 12 6 22 ~ 36

EEFF 2288--220000mmmm ff//33..55--55..66 UUSSMM65˚~ 10˚ • 46˚~ 7˚ • 75˚~ 12˚ 16 / 12 6 22 ~ 36

EEFF 3355--8800mmmm ff//44--55..66 IIIIII54˚~ 25˚ • 38˚~ 17˚ • 63˚~ 30˚ 8 / 8 5 22 ~ 32

EEFF 3355--335500mmmm ff//33..55--55..66LL UUSSMM54˚~ 6˚ • 38˚~ 4˚ • 63˚~ 7˚ 21 / 15 8 22 ~ 32

EEFF 5555--220000mmmm ff//44..55--55..66 IIII UUSSMM36˚~ 10˚ • 25˚~ 7˚ • 43˚~ 12˚ 13 / 13 6 22 ~ 27

EEFF 7700--220000mmmm ff//22..88LL IISS UUSSMM29˚~ 10˚ • 19˚30´~ 7˚ • 34˚~ 12˚ 23 / 18 8 32

EEFF 7700--220000mmmm ff//22..88LL UUSSMM29˚~ 10˚ • 19˚30´~ 7˚ • 34˚~ 12˚ 18 / 15 8 32

EEFF 7700--220000mmmm ff//44LL UUSSMM29˚~ 10˚ • 19˚30´~ 7˚ • 34˚~ 12˚ 16 / 13 8 32

EEFF 7755--330000mmmm ff//44--55..66 IISS UUSSMM27˚~ 6˚50´ • 18˚11´~ 4˚35´ • 32˚11´~ 8˚15´ 15 / 10 8 32 ~ 45

EEFF 7755--330000mmmm ff//44--55..66 IIIIII UUSSMM27˚~ 6˚50´ • 18˚11´~ 4˚35´ • 32˚11´~ 8˚15´ 13 / 9 7 32 ~ 45

EEFF 7755--330000mmmm ff//44--55..66 IIIIII27˚~ 6˚50´ • 18˚11´~ 4˚35´ • 32˚11´~ 8˚15´ 13 / 9 7 32 ~ 45

EEFF 8800--220000mmmm ff//44..55--55..66 IIII25˚~ 10˚ • 17˚~ 7˚ • 30˚~ 12˚ 10 / 7 5 22 ~ 27

EEFF 110000--330000mmmm ff//44..55--55..66 UUSSMM20˚~ 6˚50´ • 14˚~ 4˚35´ • 24˚~ 8˚15´ 13 / 10 8 32 ~ 38

EEFF 110000--440000mmmm ff//44..55--55..66LL IISS UUSSMM20˚~ 5˚10´ • 14˚~ 3˚30´ • 24˚~ 6˚10´ 17 / 14 8 32 ~ 38

EEFF 1144mmmm ff//22..88LL UUSSMM104˚ • 81˚ • 114˚ 14 / 10 5 22

EEFF 1155mmmm ff//22..88 FFiisshheeyyee141˚54´ • 91˚44´ • 180˚ 8 / 7 5 22

EEFF 2200mmmm ff//22..88 UUSSMM84˚ • 62˚ • 94˚ 11 / 9 5 22

EEFF 2244mmmm ff//11..44LL UUSSMM74˚ • 53˚ • 84˚ 11 / 9 7 22

EEFF 2244mmmm ff//22..8874˚ • 53˚ • 84˚ 10 / 10 6 22

EEFF 2288mmmm ff//11..88 UUSSMM65˚ • 46˚ • 75˚ 10 / 9 7 22

EEFF 2288mmmm ff//22..8865˚ • 46˚ • 75˚ 5 / 5 5 22

EEFF 3355mmmm ff//11..44LL UUSSMM54˚ • 38˚ • 63˚ 11 / 9 8 22

EEFF 3355mmmm ff//2254˚ • 38˚ • 63˚ 7 / 5 5 22

EEFF 5500mmmm ff//11..44 UUSSMM40˚ • 27˚ • 46˚ 7 / 6 8 22

EEFF 5500mmmm ff//11..88 IIII40˚ • 27˚ • 46˚ 6 / 5 5 22

EEFF 8855mmmm ff//11..22LL UUSSMM24˚ • 16˚ • 28˚30´ 8 / 7 8 16

EEFF 8855mmmm ff//11..88 UUSSMM24˚ • 16˚ • 28˚30´ 9 / 7 8 22

EEFF 110000mmmm ff//22 UUSSMM20˚ • 14˚ • 24˚ 8 / 6 8 22

EEFF 113355mmmm ff//22LL UUSSMM15˚ • 10˚ • 18˚ 10 / 8 8 32

EEFF 113355mmmm ff//22..88 wwiitthh SSooffttffooccuuss15˚ • 10˚ • 18˚ 7 / 6 6 32

EEFF 220000mmmm ff//22..88LL IIII UUSSMM10˚ • 7˚ • 12˚ 9 / 7 8 32

EEFF 330000mmmm ff//22..88LL IISS UUSSMM6˚50´ • 4˚35´ • 8˚15´ 17 / 13 8 32

EEFF 330000mmmm ff//44LL IISS UUSSMM6˚50´ • 4˚35´ • 8˚15´ 15 / 11 8 32

EEFF 440000mmmm ff//22..88LL IISS UUSSMM5˚10´ • 3˚30´ • 6˚10´ 17 / 13 8 32

EEFF 440000mmmm ff//44..00LL DDOO IISS UUSSMM5˚10´ • 3˚30´ • 6˚10´ 17 / 13 8 32

EEFF 440000mmmm ff//55..66LL UUSSMM5˚10´ • 3˚30´ • 6˚10´ 7 / 6 8 32

EEFF 550000mmmm ff//44LL IISS UUSSMM4˚ • 2˚45´ • 5˚ 17 / 13 8 32

EEFF 660000mmmm ff//44LL IISS UUSSMM3˚30´ • 2˚20´ • 4˚10´ 17 / 13 8 32

EEFF 11220000mmmm ff//55..66LL UUSSMM1˚45´ • 1˚10´ • 2˚05´ 13 / 10 8 32

EEFF 5500mmmm ff//22..55 CCoommppaacctt MMaaccrroo40˚ • 27˚ • 46˚ 9 / 8 6 32

LLiiffee--SSiizzee CCoonnvveerrtteerr EEFF— • — • — 4 / 3 — —

MMPP--EE6655mmmm ff//22..88 11--55xx MMaaccrroo PPhhoottoo

15˚40´ • 10˚35´ • 18˚40´ 10 / 8 6 16

EEFF 110000mmmm ff//22..88 MMaaccrroo UUSSMM20˚ • 14˚ • 24˚ 12 / 8 8 32

EEFF 118800mmmm ff//33..55LL MMaaccrroo UUSSMM11˚25´ • 7˚40´ • 13˚40´ 14 / 12 8 32

TTSS--EE 2244mmmm ff//33..55LL74˚~ 53˚ • 84˚ (without tilt or shift)

11 / 9 8 22

TTSS--EE 4455mmmm ff//22..8844˚~ 33˚ • 51˚ (without tilt or shift)

10 / 9 8 22

TTSS--EE 9900mmmm ff//22..8822˚37´~ 15˚11´ • 27˚ (without tilt or shift)

6 / 5 8 32

EExxtteennddeerr EEFF 11..44xx IIII— • — • — 5 / 4 — —

EExxtteennddeerr EEFF 22xx IIII— • — • — 7 / 5 — —

EExxtteennssiioonn TTuubbee EEFF 1122 IIII*6

EExxtteennssiioonn TTuubbee EEFF 2255 IIII*7

0.87 ~ 0.36 1.09 ~ 0.80 EW-83E — LP1319 NC (0)

0.83 ~ 0.32 1.02 ~ 0.40 EW-83E — LP1319 NC (0)

0.70 ~ 0.36 1.00 ~ 0.80 EW-83II LH-D11 LP1214 NC (0)

0.81 ~ 0.23 0.92 ~ 0.51 EW-60C — LP814 (0) (0)

0.63 ~ 0.18 1.25 ~ 0.40 EW-83F — LP1219 (0) (0)

0.59 ~ 0.15 1.23 ~ 0.33 EW-73II LH-C13 ES-C9 / LP1014 NC (0)

0.57 ~ 0.16 1.14 ~ 0.35 EW-60C — LP814 (0) (0)

0.56 ~ 0.14 1.13 ~ 0.31 EW-60C — LP814 (0) (0)

0.53 ~ 0.12 0.75 ~ 0.27 EW-63II LH-C13 ES-C13 / LP814 (0) (0)

0.54 ~ 0.12 1.11 ~ 0.27 EW-63B — LP814 (0) (0)

0.53 ~ 0.09 1.09 ~ 0.21 EW-78BII — LP1116 (0) (0)

0.54 ~ 0.06 1.10 ~ 0.14 EW-78D — LP1116 NC (0)

0.50 ~ 0.16 0.97 ~ 0.35 EW-54II LH-C13 ES-C9 / LP814 (1) (1)

0.43 ~ 0.04 0.82 ~ 0.08 EW-78II LH-D22 LZ1324 NC (0)

0.26 ~ 0.06 0.50 ~ 0.14 ET-54 — LP1016 (3) (3)

0.22 ~ 0.06 0.41 ~ 0.14 ET-86 — LZ1324 (0) (1)

0.22 ~ 0.06 0.41 ~ 0.14 ET-83II LH-D24B LZ1324 (2) (2)

0.23 ~ 0.06 0.39 ~ 0.13 ET-74 — LP1224 (2) (3)

0.21 ~ 0.04 0.39 ~ 0.09 ET-64II LH-D18B LP1022 (5) (4)

0.21 ~ 0.04 0.39 ~ 0.09 ET-60 — LP1019 (5) (4)

0.21 ~ 0.06 0.39 ~ 0.14 ET-54 LH-B12 ES-C13 / LP1014 (5) (4)

0.26 ~ 0.04 0.37 ~ 0.09 ET-65III — ES-C17 / LP1019 (5) (4)

0.19 ~ 0.03 0.35 ~ 0.07 ET-83C — LZ1324 (4) (5)

——Built-In LH-C13 ES-C13 / LP1016 NC NC

0.94 ~ 0.80 — Built-In LHP-C10 ES-C9 / LP814 NC NC

0.72 ~ 0.60 — EW-75II LH-D13 LP1214 NC NC

0.66 ~ 0.50 — EW-83DII — LP1214 NC (0)

0.64 ~ 0.50 1.22 ~ 1.11 EW-60II LH-B9 ES-C9 / LP811 (0) (0)

0.61 ~ 0.43 1.13 ~ 0.96 EW-63II LHP-C10 ES-C9 / LP814 (0) (0)

0.56 ~ 0.43 1.09 ~ 0.95 EW-65II LHP-B9 ES-C9 / LP1011 (1) (1)

0.54 ~ 0.36 0.97 ~ 0.79 EW-78C — LP1214 NC (0)

0.58 ~ 0.35 1.00 ~ 0.77 EW-65II LH-B9 ES-C9 / LP1011 (2) (2)

0.39 ~ 0.24 0.68 ~ 0.53 ES-71II LHP-C10 ES-C9 / LP1014 (2) (2)

0.39 ~ 0.24 0.68 ~ 0.53 ES-62 LH-B9 ES-C9 / LP1014 (2) (1)

0.25 ~ 0.15 0.42 ~ 0.33 ES-79II LH-D12 LP1219 (5) (5)

0.27 ~ 0.15 0.44 ~ 0.32 ET-65III LH-B12 ES-C13 / LP1014 (5) (4)

0.27 ~ 0.13 0.42 ~ 0.28 ET-65III LH-B12 ES-C13 / LP1014 (5) (4)

0.29 ~ 0.09 0.41 ~ 0.20 ET-78II LH-D16II LP1219 (5) (5)

0.22 ~ 0.09 0.33 ~ 0.20 ET-65III LH-C13 ES-C13 / LP1016 (5) (4)

0.23 ~ 0.06 0.32 ~ 0.14 ET-83BII LH-D18II LP1222 (5) (5)

0.18 ~ 0.04 0.24 ~ 0.09 ET-120 Lens Case 300 — NC NC

0.30 ~ 0.04 0.37 ~ 0.09 Built-In LH-D27 LZ1128 (5) (5)

0.19 ~ 0.03 0.23 ~ 0.06 ET-155 Lens Case 400 — NC NC

0.16 ~ 0.03 0.20 ~ 0.07 ET-120 Lens Trunk — NC NC

0.16 ~ 0.03 0.21 ~ 0.07 Built-In LH-D29 LZ1132 (5) (5)

0.15 ~ 0.03 0.18 ~ 0.05 ET-138 Lens Case 500 — NC NC

0.14 ~ 0.02 0.17 ~ 0.05 ET-160 Lens Case 600 — NC NC

0.12 ~ 0.01 0.13 ~ 0.02 Built-in Exclusive — NC NC

0.74 ~ 0.24 1.04 ~ 0.54 — LHP-C10 ES-C9 / LP814 (2) (2)

———LHP-C10 ES-C9 / LP811 (5)

(5)

————LP1216 (0) (0)

1.19 ~ 0.12 1.39 ~ 0.26 ET-67 — LP1219 (4) (4)

1.09 ~ 0.07 1.21 ~ 0.15 ET-78II LH-D24C LZ1324 (5) (5)

0.62 ~ 0.49 1.21 ~ 1.10 EW-75BII LH-D14 LP1216 NC (0)

0.44 ~ 0.27 — EW-79BII LH-D14 LP1216 NC (2)

0.43 ~ 0.14 0.60 ~ 0.31 ES-65III LH-D14 LP1016 (5) (4)

———LH-B8 LP811 — —

———LHP-B9 LP811 — —

————Exclusive——

———LH-B8 LP811 — —

with

Adapter Ring

0.28 / 0.9 0.22 USM 77 83.5 / 3.3 x 103 / 4.1 600 / 1.3 lb.

0.28 / 0.92 0.24 (at 40mm) Ring USM

77 83.5 / 3.3 x 96.8 / 3.8 500 / 17.6

0.34 / 1.1 0.13 (at 35mm) USM

77 83.5 / 3.3 x 68.9 / 2.7 340 / 12.0

0.28 / 0.92 0.28 (at 55mm) MM 58 69 / 2.7 x 66.2 / 2.6 190 / 6.7

0.38 / 1.25 0.29 (at 70mm) USM

77 83.2 / 3.3 x 123.5 / 4.9 950 / 2.1

0.5 / 1.6 0.16 (at 85mm) USM

67 73.0 / 2.9 x 69.5 / 2.7 380 / 13.4

0.38 / 1.25 0.26 (at 80mm) MM

58 67 / 2.6 x 71 / 2.8 200 / 7.8

0.38 / 1.3 0.30 (at 90mm) Micro USM 58 67 / 2.6 x 71 / 2.8 190 / 6.7

0.38 / 1.3 0.30 (at 90mm) 58 67 / 2.6 x 71 / 2.8 190 / 6.7

0.5 / 1.64 0.19 (at 105mm) USM

58 72.0 / 2.8 x 75.0 / 3.0 375 / 13.1

0.48 / 1.57 0.19 (at 105mm) Micro USM 58 67 / 2.6 x 68 / 2.7 210 / 7.4

0.5 / 1.64 0.19 (at 135mm) USM

72 78.4 / 3.1 x 96.8 / 3.8 540 / 18.9

0.45 / 1.5 0.28 (at 200mm) Micro USM 72 78.4 / 3.1 x 89.6 / 3.5 500 / 17.6

0.4 / 1.3 0.23 (at 80mm) MM

52 65.0 / 2.6 x 63.5 / 2.5 175 / 6.2

0.6 / 2 (at 135mm) 0.25 (at 135mm) USM

72 85.0 / 3.3 x 167.4 / 6.7 1,385 / 3.1 lb.

1.2 / 3.9 0.21 (at 200mm) Micro USM 52 70.4 / 2.8 x 97.3 / 3.8 310 / 10.9

1.4 / 4.6 0.17 USM 77 86.2 / 3.4 x 197 / 7.8 1,470 / 3.24 lb.

1.5 / 4.9 0.16 (at 200mm) USM

77 84.6 / 3.3 x 193.6 / 7.6 1,310 / 2.9 lb.

1.2 / 3.9 0.21 (at 200mm) USM

67 76 / 3.0 x 172 / 6.8 705 / 25

1.5 / 4.9 0.26 (at 300mm) Micro USM 58 78.5 / 3.1 x 137.2 / 5.4 650 / 1.4 lb.

1.5 / 4.9 0.25 (at 300mm) Micro USM 58 71.0 / 2.8 x 122 / 4.8 480 / 16.8

1.5 / 4.9 0.25 (at 300mm) MM

58 71.0 / 2.8 x 122 / 4.8 480 / 16.8

1.5 / 4.9 0.16 (at 200mm) MM

52 69.0 / 2.7 x 78.5 / 3.1 250 / 8.8

1.5 / 4.9 0.20 (at 300mm) USM

58 73.0 / 2.9 x 121.5 / 4.8 540 / 1.2 lb.

1.8 / 5.9 0.20 (at 400mm) USM

77 92.0 / 3.6 x 189.0 / 7.4 1,380 / 3.0 lb.

0.25 / 0.8 0.10 USM

Rear Gel Holder 77.0 / 3.0 x 89.0 / 3.5 560 / 1.2 lb.

0.2 / 0.7 0.14 AFD Rear Gel Holder 73.0 / 2.9 x 62.2 / 2.4 330 / 11.6

0.25 / 0.8 0.14 USM

72 77.5 / 3.1 x 70.6 / 2.8 405 / 14.3

0.25 / 0.82 0.16 USM

77 83.5 / 3.3 x 77.4/ 3.0 550 / 19.4

0.25 / 0.8 0.16 AFD 58 67.5 / 2.7 x 48.5 / 1.9 270 / 9.5

0.25 / 0.8 0.18 USM

58 73.6 / 2.9 x 55.6 / 2.2 310 / 10.9

0.3 / 1 0.13 AFD 52 67.4 / 2.7 x 42.5 / 1.7 185 / 6.5

0.3 / 0.98 0.18 USM

72 79.0 / 3.1 x 86.0 / 3.4 580 / 20.5

0.25 / 0.8 0.23 AFD 52 67.4 / 2.7 x 42.5 / 1.7 210 / 7.4

0.45 / 1.5 0.15 Micro USM

58 73.8 / 2.9 x 50.5 / 2.0 290 / 10.2

0.45 / 1.5 0.15 MM

52 68.2 / 2.7 x 41.0 / 1.6 130 / 4.6

0.95 / 3.1 0.11 USM 72 91.5 / 3.6 x 84.0 / 3.3 1,025 / 2.3 lb.

0.85 / 2.8 0.13 USM

58 75.0 / 3.0 x 71.5 / 2.8 425 / 15.0

0.9 / 3 0.14 USM

58 75.0 / 3.0 x 73.5 / 2.9 460 / 1.0 lb.

0.9 / 3 0.19 USM

72 82.5 / 3.2 x 112.0 / 4.4 750 / 1.7 lb.

1.3 / 4.3 0.12 AFD 52 69.2 / 2.7 x 98.4 / 3.9 390 / 13.8

1.5 / 4.9 0.16 USM

72 83.2 / 3.3 x 136.2 / 5.4 765 / 1.7 lb.

2.5/ 8.2 0.13 USM

52 Drop-in 128.0 / 5.0 x 252.0 / 9.9 2,550 /5.6 lb. (lens only)

1.5/ 4.9 0.24 USM

77 90.0 / 3.5 x 221.0 / 8.7 1,190 /2.6 lb.

3 / 9.8 0.15 USM

52 Drop-in

163.0 / 6.4 x 349.0 / 13.7

5,370 / 11.8 lb.

3.5/11.48 0.12 USM 52 Drop-in 128.0 / 5.0 x 232.7 / 9.4 1,940 /4.3 lb

3.5 / 11.5 0.12 USM

77 90.0 / 3.5 x 256.5/ 10.1 1,250 / 2.8 lb.

4.5 / 14.8 0.12 USM

52 Drop-in

146.0 / 5.8 x 387.0 / 15.2

3,870 / 8.5 lb.

5.5 / 18 0.12 USM

52 Drop-in

168.0 / 6.6 x 456.0 / 18.0

5,360 / 11.8 lb.

14 / 45.9 0.09 USM 48 Drop-in

228.0 / 9.0 x 836.0 / 32.9

16,500 / 36.4 lb.

0.23 / 0.8 0.50 AFD 52 67.6 / 2.7 x 63.0 / 2.5 280 / 9.9

0.24 / 0.8 1.00 — — 67.6 / 2.7 x 34.9 / 1.4 160 / 5.6

0.24 / 0.8 5.00 — 58 81.0 / 3.2 x 98.0 / 3.9 730 / 25.8 (lens only)

0.31 / 1 1.00 USM

58 79.0 / 3.1 x 119.0 / 4.7 600 / 21.1

0.48 / 1.6 1.00 USM

72 82.5 / 3.2 x 186.6 / 7.3 1,090 / 2.4 lb.

0.3 / 1 0.14 — 72 78.0 / 3.1 x 86.7 / 3.4 570 / 1.3 lb.

0.4 / 1.3 0.16 — 72 81.0 / 3.2 x 90.1 / 3.5 645 / 1.4 lb.

0.5 / 1.6 0.29 — 58 73.6 / 2.9 x 88.0 / 3.5 565 / 1.2 lb.

— / — — — — 72.8 / 2.9 x 27.2 / 1.1 220 / 7.8

— / — — — — 71.8 / 2.8 x 57.9 / 2.3 265 / 9.3

— / — — — — 66.5 / 2.6 x 12.3 / 0.5 66 / 2.3

— / — — — — 66.5 / 2.6 x 27.3 / 1.1 95 / 3.4

LLeennssAAnnggllee ooff VViieeww ((hhoorriizzoonnttaall •• vveerrttiiccaall •• ddiiaaggoonnaall))

LLeennss CCoonnssttrruuccttiioonn

((eelleemmeennttss//ggrroouuppss))

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DDiiaapphhrraaggmm

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DDiissttaannccee

((mm// fftt))

MMaaxxiimmuumm MMaaggnniiffiiccaattiioonn ((xx))AAFF AAccttuuaattoorrFFiilltteerr DDiiaammeetteerr ((mmmm))MMaaxx.. DDiiaammeetteerr xx LLeennggtthh ((mmmm// iinn))WWeeiigghhtt ((gg//oozz))

MMaaggnniiffiiccaattiioonn wwiitthh

EExxtteennssiioonn TTuubbee EEFF 1122 IIII

MMaaggnniiffiiccaattiioonn wwiitthh

EExxtteennssiioonn TTuubbee EEFF 2255 IIIILLeennss HHooooddHHaarrdd CCaasseeSSoofftt CCaasseeGG..FF.. HHoollddeerr IIIIII

((HHoooodd IIIIII )) **11

GG..FF.. HHoollddeerr IIVV

((HHoooodd IIVV )) **11

*Available only with Digital Rebel kit, can be mounted ONLY on Digital Rebel.

New

Canon Ef Lenses Users Manual *EF LENS_1/2_KA_030723

EF Lenses to the manual 81dab951-705f-43c1-9b54-4ad33ff053a4

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