Canon Xh G1 Brochure

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1-800-OK-CANON

www.usa.canon.com

Canon U.S.A., Inc.

One Canon Plaza

Lake Success, NY 11042 U.S.A.

Canon Canada, Inc.

6390 Dixie Road

Mississauga, Ontario L5T 1P7 Canada

Canon Latin America, Inc.

703 Waterford Way, Suite 400

Miami, FL 33126 U.S.A.

Canon Mexicana, S. de R.L. de C.V.

Blvd. Manuel Ávila Camacho No. 138, Piso 17

Col. Lomas de Chapultepec

C.P. 11000 México, D.F. México

0067W571 10/07

©2006 CANON U.S.A., INC.

PRINTED IN U.S.A.

www.canondv.com

C

Specifications are subject to change without notice. Weight and

dimensions are approximate. Canon is a registered trademark

of Canon Inc. in the United States and may also be a registered

trademark or trademark in other countries. IMAGEANYWARE is

a trademark of Canon. “HDV” and “HDV” logo are trademarks

of Sony Corporation and Victor Company of Japan, Limited (JVC).

Other names and products not mentioned above may be registered

trademarks or trademarks of their respective companies.

Warning: Unauthorized recording of copyrighted materials may

infringe on the rights of copyright owners and be contrary to

copyright laws.

The XH G1and XH A1High Definition camcorders reflect

decades of Canon leadership and know-how in the design

and manufacture of cameras and lenses for professional

video and still photography. Videographers get not only outstanding HD image quality but

also the operability, flexibility, reliability, and connectivity that professionals demand of

their gear. The Canon XH G1and XH A1deliver the technologies, performance, and features

that make them serious tools for the capture of creative HD content. Put them to work.

They’ll help videographers get the job done with efficiency, excellence, and expression.

Your Vision...

XH A1

XH G1

in High Definition.

54

Super-Range Optical Image Stabilization

Canon’s Optical Image Stabilization (OIS) uses a

gyro sensor to detect camera movement and acti-

vate the Lens Shift System to continuously compensate for

shake and jitter. The 20x HD video zoom lens on the XH G1

and XH A1incorporates Canon’s Super-Range IS Technology,

which further improves low-frequency vibration control by

using two detection methods (gyro and vector). The image at

the CCD sensor is analyzed, providing additional feedback

to the lens shift element for even greater compensation and

precision. The result is highly reliable camera shake correction, even

at long focal lengths, without any image degradation.

Comprehensive Focus and Zoom Control

The Focus, Zoom, and Manual Iris Rings provide the “feel” of a

professional broadcast lens. It allows fine, smooth adjustment in

1/8th-stop increments manually. The XH G1and XH A1provide

superb response, enabling zoom speed control by varying the

angle of rotation of the zoom ring with a High-Speed Zoom Mode.

Zoom speed can be variable or constant with 16 possible speed

level settings. Programmable lens presets enable repetitive focus

and zoom actions to be memorized for instant recall.

True HD 1080 Capture with Choice of

Frame Rates

The XH G1and XH A1capture true 1080 High-Definition video, pro-

viding images of stunning clarity. Moreover, the frame rate is selectable:

Capture and output video in 60i, 30F, or 24F as needed to deliver

spectacular clarity or evoke the look and feel of film and episodic TV. A

50i/25F option is available, requiring modification at a Canon Service

Center. Modified cameras offer the option of switching to 50i or 60i

capture in HD mode and PAL or NTSC compatibility in SD modes.

Built-In Neutral Density Filters

Two built-in Neutral Density (ND) filters (1/6and 1/32) reduce expo-

sure by two or five stops for added image control. They can be used,

for example, when shooting bright, sunlit exteriors or to decrease

depth of field for a more dramatic, cinematic look. A focus distance

readout in the viewfinder assists in setting manual focus.

Instant AF

Instant AF is Canon’s next-genera-

tion autofocus technology. A new

external sensor works in combi-

nation with Canon’s proven high-

performance internal AF system

to dramatically reduce focusing time and increasing

accuracy, even in low-light or high brightness situa-

tions. Focusing performance is also much improved with difficult

subjects. The high resolution of HD video makes focus more critical

than ever, and Canon’s Instant AF helps videographers capture HD

images with expert precision.

Genuine Canon 20x HD L Series Zoom Lens

HD image quality starts

with optics, and the XH G1

and XH A1deliver the many benefits

of Canon’s world-renowned lens

technologies. The Genuine Canon 20x

HD video zoom lens is a professional

L Series lens, incorporating Fluorite

and Ultra-Low-Dispersion elements. This state-of-the-art design

ensures outstanding resolution, contrast, and color reproduction,

delivering image quality throughout the entire zoom range unmatched

by conventional optics. The 20x zoom covers an exceptionally wide

and useful range of focal lengths—from 32.5–650mm (35mm

photography equivalent), an optional 0.8x HD Wide Angle Adapter

is available—assuring unmatched versatility for a wide range of

shooting applications.

Three 1/3" Native 16:9 CCDs (1440 x 1080)

A sophisticated 3CCD design employs sepa-

rate native 16:9sensors for each primary

color. With 1.67 million pixels (1440 x1080)

per sensor, the effective pixel count of the

XH G1and XH A1is significantly higher than

that of comparable HD camcorders. Canon’s

superior design thus delivers outstanding picture quality at 1080

HD resolution. It further ensures highly accurate color with wide

dynamic range and virtually no color noise.

DIGIC DV II HD Image Processor

Engineered and manufactured by Canon,

the DIGIC Digital Signal Processing chip

(DSP) uses proprietary algorithms and architecture

to deliver the highest image quality at the highest

operating speeds. The latest-generation DIGIC DV II

HD Processor is designed for HD video, operating

at 1440 x1080 pixels with 4:2:2color sampling. A new hybrid

noise reduction system uses dual processes to improve image

clarity in monotone and shadow areas. Color reproduction has

also been improved, especially in skin tone areas and with dark

and light scenes. The DSP also enables high-quality still image

recording in either video or digital camera color spaces.

without Super-Range Optical Image Stabilizer

True HD Image Quality...

Because Professional Standard is Canon’s Standard.

Industry Standard Connection Terminals (XH G1 only)

While there are many situations that call for smaller,

lighter HD cameras, most such products are unsuit-

able for professional applications because they

lack the necessary interface capability. The Canon

XH G1features HD-SDI (SMPTE 299M) or SD-SDI

(SMPTE 272M) output, Genlock input, and SMPTE

Time Code in/out connectors.

HD-SDI—The HD-SDI output provides a 1,485Gbps

60i signal at 1920 x 1080 resolution and with

4:2:2 color sampling with embedded audio and

time code. Because a single industry standard connection carries

video, audio, SMPTE (LTC) Time Code, and digital audio, cabling

complexity is significantly reduced. It enables longer cable runs,

improves operator mobility, and simplifies cabling.

Genlock—The Genlock input enables multi-camera synchroniza-

tion in live-switched environments. It can accept either an SD

(black burst) or HD (tri-level) sync signal when shooting HD.

SMPTE Time Code—A switchable SMPTE input/output port accom-

modates time code requirements during multi-camera shoots and

post-production.

Shutter Speeds

When shooting with the shutter priority auto exposure mode, the

XH G1and XH A1provide 14 different shutter speeds ranging from

1/3to 1/15,000 of a second. The 24F mode includes a 1/48 second

setting that perfectly matches the shutter speed of a motion picture

film camera. (For NTSC 60i/30F and PAL 50i/25F, there are 13 avail-

able settings.)

Superior Connectivity

The XH G1and XH A1include a full complement of input and output

ports to meet just about any interface requirement. Two XLR mic/line

audio inputs accommodate professional balanced connections.

Also provided are industry standard connectors, including component

(HD/SD) and composite video outputs (BNC/RCA), an IEEE 1394

(Firewire) port, a LANC terminal, and a headphone jack.

Audio Recording Control

Individual audio level controls, switchable 20 dB mic attenuation,

12 dB mic gain boost, and various monitoring options provide full

control over the sound as it is recorded. They even include switch-

able phantom power (+48V) to eliminate the need for any external

power supply with direct mic input. An external microphone holder

is provided for on-camera mounting and for an optionalprofessional

shotgun microphone.

6

A Perfect Fit for Professional

Production Environments.

7

HD -SDI

HD -SDI

HD -SDI

Sync Generator

HD Switcher

Program

Out

Mixer

HDV / DV Interface DV (IEEEE 1394) Cable

HDV (Video, Sound, Time Code)

mic 1

mic 2

Mixer

mic 1

mic 2

GENLOCK in

GENLOCK in

GENLOCK in

HDV

HDV

HDV

HDV

HD -S DI

TC inTC in

GENLOCK in GENLOCK in

VTR (HDCAM, HD D5,

DVD PRO HD etc)

VTR (HDCAM, HD D5,

DVD PRO HD etc)

Time code Generator

Sync Generator

TC in

GENLOCK in

Audio

in

GENLOCK in Audio

out

GENLOCK in

Audio recorder

(DAT etc)

Non-linear

Editing

System

or

Linear

Editing

System

HDV

HDV

HD Live Solution

HD-SDI Solution

HD/HDV NLE Solution

Representative Block Diagram of Interconnections between Various

Production Equipment

Image Enhancement

The XH G1and XH A1provide advanced features that improve image

viewability and maximize visual appeal. Skin Detail mode minimizes

imperfections, such as blemishes and wrinkles, without removing

detail in other areas of the image. Three intensity levels are provided,

and an alternating zebra pattern in the viewfinder simplifies

the process of selecting the desired

area for the effect. Sky Detail can be

used to enhance outdoor footage by

removing unwanted detail and noise in

the sky. Clear Scan eliminates the flicker

and black bands that usually result

when shooting a computer or other CRT

screen. Frequency is adjustable from

50.2Hz to 200.3Hz to accommodate a

wide variety of monitors.

Program AE Modes

Seven programmed Auto Exposure modes

simplify the selection of camera settings

for a variety of everyday and special

shooting situations.

Easy Recording—This “point-and-shoot”

mode lets the camera make all the key

decisions. The camcorder automatically

sets focus, shutter speed, aperture,

gain, white balance, and AE program

shift as required to deliver the most

pleasing video images.

Auto—Similar to Easy Recording, this

mode also provides point-and-shoot

operating simplicity. However, it gives

the operator the option of manually

changing the settings.

Shutter Priority—The user selects the

shutter speed, and the camera auto-

matically selects the proper aperture

for correct exposure.

Aperture Priority—The user selects

the lens aperture, and the camera auto-

matically selects the proper shutter

speed for correct exposure.

Manual—The user can select any

combination of aperture and shutter

speed. Indicators in the viewfinder

show the relation of selected combina-

tions to the exposure as metered by

the camera.

Spotlight—This mode automatically

adjusts exposure for optimum results when the subject is illumi-

nated by concentrated light source (such as a spotlight) while the

background is relatively dark.

Night—The camera uses slower shutter speeds to enable capture

as ambient light levels begin to fall.

Total Image Control

By giving the operator total control of more than 23 independently

adjustable variables, the XH G1and XH A1enable the capture of

the perfect look in HD.

Gain Settings—Select automatic gain control or one of 3preset gains

(low, medium, or high), which can be assigned values from -3dB

to +36 dB.

White Balance—Numerous white balance modes are provided to

ensure color accuracy in a variety of shooting situations. The auto-

matic modes use a high-precision 128-segment through-the-lens

metering system.

Auto—Provides automatic adjustment of white balance.

Outdoor—Balances for bright sunlight (5600°K), can be customized.

Indoor—Balances for incandescent lighting (3200°K), can be cus-

tomized.

Color Temperature—Balances to a specifically selected value between

2800–12000°K in 100°K increments.

Custom Presets A and B—Enables two manual

white balance settings to be programmed for

instant recall.

Black—Three settings (STRETCH, MIDDLE, PRESS)

provide a choice of dynamic range adjustment

affecting the dark areas of the image. STRETCH

expands the range, providing greater shadow

detail. PRESS narrows the range, increasing the deep black con-

tent of the image.

Knee—Four settings (AUTO, HIGH, MIDDLE, LOW) provide a choice

of dynamic range (knee point) adjustment in the highlight areas

to control overexposure when shooting high-brightness subjects.

The HIGH setting enables high-key shooting, while the LOW setting

provides maximum protection from overexposure.

Gamma—The NORMAL gamma curve provides the best results for

conventional viewing on a TV monitor. CINE 1creates images that

resemble the quality and appearance of film as viewed on TV. The

CINE 2setting selects an appropriate gamma curve for images that

are to be transferred to film.

Master Pedestal—Adjustments from -9to +9sets the video refer-

ence black. Higher values brighten the darker areas of the image,

reducing overall contrast.

Setup Level—Black level can be adjusted from -9to +9.

Sharpness—Image sharpness can be adjusted from -9to +9.

Horizontal Detail Frequency (HIGH, MIDDLE, LOW)—Adjusts the H

detail center frequency. Horizontal/Vertical Detail Balance (-9to +9)

adjusts the H/V proportion of the detail correction.

Noise Reduction 1and Noise Reduction 2(both with OFF, HIGH,

MIDDLE, LOW settings)—Provide a variety of methods and levels

of noise reduction to accommodate numerous shooting situations

and desired image qualities.

Color Matrix—NORMAL, CINE 1, and CINE 2adjust the color during the

shooting. The NORMAL setting is a matrix based on the assumption

that images will be reviewed on a TV monitor. If CINE 1is selected,

the resulting quality and grayscale resemble those of a movie film.

This is a matrix for creating images on TV that appear like movies. The

CINE 2setting is a matrix that is for images being transferred to film.

Color Gain/Phase—Adjustable from -50 to +50 and -9 to +9

respectively.

Master Red, Blue, and Green Gain settings—Independently adjustable

from -50 to +50, provide precise control over color balance.

Six Color Matrixes—RG, RB, GR, GB, BR, and BG matrixes, each

independently adjustable from -50 to +50, provide even finer color

control capability by altering two of the three primaries.

98

Canon Console Software

Canon Console is an advanced software package developed to

address the creative needs of XH G1and XH A1users. Incorporating

many of the traditional aspects of a camera control unit, Console

runs on a laptop or desktop computer and provides tools for creative

expression as well as remote access to basic camera settings and

operations. Functions, such as a vectorscope and waveform monitor,

enable critical evaluation of the

camera signal. Users can also

capture the camera’s video output

directly to a computer’s hard drive.

Console’s REC PANEL includes

five windows:

Rec Viewer—Live video, clip count-

er, audio meter and controls,

color/monochrome settings,

split-screen, and zebra levels.

Camera Control—Remote opera-

tion of most camera functions.

Vector and Waveform Monitors—

Professional tools for checking

video signal quality.

Focus Assist—Aids for achieving

precise focus, such as electronic zoom and black-and-white view.

Custom Preset—Multiple settings for comprehensive image control.

Console’s PLAY PANEL features three windows that enable review

of captured footage or recall of any existing clips or stills that may

be stored on a hard drive or memory card:

Play Viewer—Displays selected clip with a running counter. Users

can adjust playback speed and view audio monitor settings.

File Browser—Enables users to select the clip to be shown in the

Play Viewer.

Vector and Waveform Monitors—Enables critical evaluation of

recorded material.

Black

Noise Reduction 1

Vector and Waveform Monitors

Canon Console Software

Skin Detail

Sky Detail

Shutter Priority

Create with Precision.

Control Your Capture...

1110

Professional Operability

With Unrivaled Customization Capability.

Compact and Lightweight

The XH G1and XH A1share a lightweight, compact design that

employs an internal battery compartment. Size, therefore, is not

materially affected by the battery used. The compartment will

house any BP-900 series battery or DC coupler. The reduced size

and weight of these camcorders make them easily transportable

and maneuverable—major advantages for location work and

specialized “tight-space” shooting, often making it possible to

capture footage not possible with larger cameras.

An optional 0.8x HD Wide Angle Adapter is also available. Their

compactness in combination with their superb HD image quality

make the XH G1and XH A1ideal not only as support cameras in

larger production environments but also as primary capture devices

for smaller organizations, such as local news stations, event

videographers, and independent filmmakers.

Unique Customization Features (see chart on page 14)

The unmatched customization capability built into the XH G1and

XH A1make them exceptionally versatile and flexible. The customiza-

tion features enable them to be precision-tailored for different

environments, different users, and different jobs. In all, there are

23 image adjustment, 22 display option, and 21 custom function

settings that define the cameras’ performance and operating char-

acteristics. Groups of these settings can be saved and exported to

other XH G1and XH A1camcorders using an SD memory card or

Canon’s Console software. Organizations that

use many cameras can take advantage of this

feature to easily set up multiple units for uni-

form capture characteristics.

Custom Presets

Up to 9sets of customized image adjustments

can be stored in the camera’s internal mem-

ory for instant recall. In addition, two Custom

Keys can be programmed to provide instant

access to a number of shooting functions to

suit the user or the particular application.

Two Built-in Digital Still Cameras

In addition to the capture and recording of motion video, the XH G1

and XH A1can also capture digital still images and store them on a

memory card. Still images can be captured at full HD (1920 x1080)

resolution in either video color space or digital camera color space.

Still images captured in video color space include time code and

camera set-up metadata. Still images

captured in digital still color space includes

EXiF metadata. Also included are numerous

advanced still camera features expected

from Canon, such as auto exposure brack-

eting, selectable metering modes, con-

tinuous shooting and the option to use

select EOS System Speedlite flashes. With

many pre/post production, storyboarding, and continuity applica-

tions, still image recording is just another way the XH G1and XH A1

deliver versatility.

High-Resolution

Widescreen EVF and LCD

With both an EVF and an LCD, the XH G1

and XH A1provide a choice of precise, informative displays for image

composition and data readout. The 0.57" widescreen EVF is approxi-

mately 269,000 pixels. The separate 2.8" widescreen LCD also provides

a clear, high-resolution image with approximately 207,000 pixels.

Operators can choose from 22 levels of displayed shooting data,

including an image-only setting that hides all information overlay.

Two focusing aids are available: peaking, which highlights the edges

of in-focus areas; and magnifying, which provides a 2x enlargement

of the central portion of screen.

Zebra Pattern Display

High-brightness portions of the image are displayed as a black-and-

white zebra pattern. The sensitivity level can be adjusted from 70

to 100 IRE in 5IRE-unit increments.

Frame Overlays

The 16:9color viewfinders

include aspect guides for

industry-standard picture

formats, including 4:3, 13:9,

14:9, 1.66:1, 1.75:1, 1.85:1,

and 2.35:1. Also, 80 and

90 percent picture and title safe areas can be superimposed. Other

available overlays include a center crosshair mark, horizontal level

marker, and a grid.

4:3 Output

The XH G1and XH A1include 4:3output capability, which is highly

useful in field situations where a widescreen monitor is not available

for viewing 16:9footage. The “letterboxed” 16:9image output enables

the entire frame to be viewed on a standard-definition 4:3set.

Memory Card Slot

The memory card slot on the XH G1 and XH A1

accepts SDHC, SD, and MultiMediaCards

(MMC). In addition to enabling camera-to-

camera transfer of custom settings, memory

cards can be used to store digital still images

taken with the camcorder.

Flash Accessory Shoe

The accessory shoe on the XH G1 and XH A1 can be used to mount

optional accessories. It can also be used

with an optional flash unit for still photog-

raphy. The shoe is compatible with E-TTL II

Canon Speedlite flashes, designed for use

with the Canon EOS SLR camera system,

such as the EX-series models.

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POWER Dial

External Control Mode

VCR/PLAY Mode

Power Off

Auto

Shutter-Priority

Aperture-Priority

Manual

Spotlight

Night

Easy Recording

Tv

OFF

A

Av

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Cassette Compartment

Start/Stop Button

STANDBY Lever

TIME CODE Switch

LOCK Switch

MIC (External Microphone) Terminal

XLR MIC ATT. Switches

Lens Hood

LINE/MIC Switch

Input Channel Selection Switch

Lens Hood Locking Screw

Switches

CH1/CH2 Input Terminals

(Pause) Button/DRIVE MODE Button

(Stop) Button/ (Metering Mode) Button

(Rewind) Button/ – Button

(Play) Button/SLIDESHOW Button

(Fast Forward) Button/ + Button

SHUTTER Dial/ Dial

Focus Mode Switch

EXP. LOCK Button

GAIN Switch

AGC (Automatic Gain Control) Switch

OUTPUT Switch

AWB (Automatic White Balance) Switch

WHITE BAL. (White Balance) Switch

WHITE BAL. Button

CUSTOM KEYS

CUSTOM PRESET ON/OFF Button

CUSTOM PRESET SELECT Button

Grip Zoom Lever

PHOTO Button

Zoom Speed Adjustment Dial

VIDEO2 Terminal

/ (Card/Tape) Switch

ZOOM SPEED Switch

DISP. (Display) Button

PEAKING Button

MAGN. (Magnification) Button

(Record Review) Button

POSITION PRESET Switch

POSITION PRESET ON/SET Switch

PUSH AF Button

Focus Ring

Zoom Ring

Iris Ring

Side Panel

POWER Indicator

Open (Open The LCD Display) Switch

CH1/CH2 Dials

SELECT/SET Dial

AUDIO LEVEL Switch

MENU Button

ND FILTER Switch

REC (Record) Button

Start/Stop Button

LOCK Switch

Microphone

Hot Shoe

Strap Mount

Handle Zoom Lever

RESET Button

MIC ATT. Switch

WHITE BAL. PRESET Switch

END SEARCH Button

Grip Zoom Lever

PHOTO Button

Zoom Speed Adjustment Dial

OPEN/EJECT Switch

Strap Mount

LCD Display

PHOTO Button

External Microphone Holder

Remote Sensor

Tally Lamp

Grip Belt

External Sensor for the Instant AF

Attachment Sockets for the Optional

TA-100 Tripod Adapter

Tripod Socket*

Viewfinder

Dioptric Adjustment Lever

OPEN (Open The Battery Compartment) Switch

Battery/Memory Card Compartment

CARD Access Indicator

Terminal

HDV/DV Terminal

HDV Indicator

(Headphones) Terminal

Video Output Selection Switch

* Do not use tripods with fastening screws longer than 5.5mm as it may damage

the camcorder.

About the Terminal (LANC) stands for Local Application Control Bus System.

The terminal allows you to connect and control connected devices. Connect

only devices with the mark to the terminal.

• Operation cannot be guaranteed for connections with devices not bearing

the mark.

• Some buttons of connected devices may not operate or may operate differently

than the buttons on the camcorder.

A/V1 Terminal

COMPONENT OUT Terminal

HD/SD SDI Terminal (G1 Only)

GENLOCK Terminal (G1 Only)

TIME CODE Terminal (G1 Only)

Memory Card Slot

Battery Attachment Unit

BATT. RELEASE Latch

Nomenclature

1312

Customization Chart

CUSTOM DISPLAY CUSTOM FUNCTION

Description

Gamma Curve

Knee Point Adjustment

Black Stretch/Black Press

Master Pedestal

Setup Level

Sharpness

Horizontal Detail Frequency

Horizontal/Vertical Detail Balance

Coring

Noise Reduction 1

Noise Reduction 2

Color Matrix

Color Gain

Color Phase

R Gain

G Gain

B Gain

R-G Matrix

R-B Matrix

G-R Matrix

G-B Matrix

B-R Matrix

B-G Matrix

Custom

Function No. Description

C.Fn-00 Recording Mode Icon

C.Fn-01 Camera Data 1

C.Fn-02 Camera Data 2

C.Fn-03 Zoom Indicator

C.Fn-04 Focus Distance Display

C.Fn-05 ND Filter displays

C.Fn-06 Image Effects

C.Fn-07 Focus Assist Functions

C.Fn-08 Customized Functions

C.Fn-09 HD Standard Icon

C.Fn-10 Recording Mode in Standard Definition

C.Fn-11 Frame Rate Display

C.Fn-12 Tape-Related Icons and Displays

C.Fn-13 Remaining Time on the Tape

C.Fn-14 Tape/Card-Related Displays

C.Fn-15 Light Metering-Related Displays

C.Fn-16 Still Images-Related Icons

C.Fn-17

Remaining Still Images on the Memory Card

C.Fn-18 Audio-Related Displays

C.Fn-19 Condensation Warning Icon

C.Fn-20 Battery-Related Displays

C.Fn-21 Wireless Remote Display

Custom

Function No. Function Description

C.Fn-00 SHCKLSS WB/GN Shockless White Balance/Gain: Softens transitions when changing white balance or gain.

C.Fn-01 AE RESPONS AE Response: Selects the speed with which the camcorder responds to changes in AE settings.

C.Fn-02 HIGH-SPEED

ZOOM High-Speed Zoom: Constant zoom speed settings 14–16 are shifted to even faster zoom speeds.

C.Fn-03 FOCUS RING CTRL Focus Ring Control: Selects the sensitivity of the Focus Ring control.

C.Fn-04 BUTTONS OPER. Buttons Operation: Changes control button response time—longer times to prevent accidental operation.

C.Fn-05 RINGS DIRECTION Rings Direction: The directional response of the Zoom, Focus, and Iris rings can be changed to suit

operator preference.

C.Fn-06 DIALS DIRECTION Dials Direction: The directional response of the Shutter and Select/Set dials can be changed to

suit operator preference.

C.Fn-07 FOCUS PRIORITY Focus Priority: When ON, still images can be recorded only after autofocus is complete.

C.Fn-08 SIMULT.IMG.REC Simultaneous Still Image Recording: Selects whether a still image can be captured to the memory card

while recording video to tape.

C.Fn-09 MARKER LEVEL Marker Intensity Level: Selects the intensity of the frame overlays and markers on screen—40% (gray)

or 100% (white)

C.Fn-10 F.AST BW-MOD Focus Assist B/W Mode: Selects whether to change the display to black-and-white when Focus

Assist is activated.

C.Fn-11 OBJ DST UNIT Object Distance Units Display: Selects whether distance to object is displayed in feet or meters.

C.Fn-12 ZOOM INDICATOR Zoom Indicator Display: Selects whether the zoom indicator is a graphic bar or a numeric display.

C.Fn-13 COLOR BARS Color Bars Signal: Selects EBU SD (Type 1) or ARIB multiformat HDTV (Type 2) color bars.

C.Fn-14 1kHz TONE 1 kHz Reference Audio Signal: Selects the level of the reference audio tone—OFF, -12 dB, or -20 dB.

C.Fn-15 WIRELESS REMOTE Wireless Remote Controller: Selects whether or not the camcorder will respond to wireless controller

commands.

C.Fn-16 POWER SAVE Power Save Mode: Selects whether to shut off the camcorder after about 5 minutes of inactivity

(under battery power).

C.Fn-17 TALLY LAMP Tally Lamp: Controls the function of the Tally Lamp—ON, Blink, or OFF by wireless control.

C.Fn-18 LED LED Indicators: Selects whether and which set of LED indicators on the camcorder will be active.

C.Fn-19 BEEP Beep: Selects the volume level of the camcorder’s operational and warning “beeps.”

C.Fn-20 CHARACTER REC Superimposed Character Recorder: Selects whether superimposed display characters, such as

date and time, will be part of the video recording.

Specifications

SYSTEM

Image Sensor: 1/3 in. CCD x 3 (horizontal pixel

shift), approx. 1,670,000 pixels

Effective Pixels:

approx. 1,560,000

4:3 approx. 1,170,000

16:9 approx. 1,560,000

Lens: 20x HD zoom lens, f=4.5–90mm, f/1.6–3.5,

20x HD video zoom Fluorite and UD (Ultra-Low

Dispersion) glass elements

Video Recording System: Rotary head, helical

scanning, digital component recording

High Definition Video 1080i

Consumer digital VCR SD system

Audio Recording System:

MPEG-1 audio layer 2, 16-bit (48 kHz),

Transfer rate: 384kbps (2CH)

PCM digital sound, 16-bit (48 kHz) or 12-bit

(32 kHz)

Television System:

High Definition Video (HDV) 1080i/60i

NTSC standard (525 lines, 60 fields)

color signal

Tape Format: Videocassettes bearing the “HDV”

or “miniDV” mark

Tape Speed:

18.83mm/s

SP: 18.83mm/s, LP: 12.57mm/s

Maximum Recording Time (60 min. cassette):

60 min.

SP: 60 min., LP: 90 min.

Fast Forward/Rewind Time: Approx. 2 min. 20 sec.

(with a 60 min. cassette)

Viewfinder: 0.57 in. wide, 16:9 aspect ratio TFT

color, approx. 269,000 pixels

LCD Screen: 2.8 in. wide, 16:9 aspect ratio TFT

color, approx. 207,000 pixels

Microphone: Stereo electret, Cross-layout microphone

AF System: TTL autofocus, manual focusing with

focus ring

White Balance: Auto white balance, pre-set white

balance (indoor, outdoor), custom white balance,

or color temperature setting

Minimum Illumination: 0.4 lx (60i/24F mode,

Manual mode, 1/3 shutter, F1.6, Gain 18 dB)

Recommended Illumination: More than 100 lx

(60i/24F)

MEMORY CARD

Recording Media: SDHC (SD High Capacity) memory

card, SD memory card, MultiMediaCard (MMC)*

Size of Images on the Card: 1920 x 1080, 1440

x 1080, 848 x 480, 640 x 480 pixels

File Format: Design rule for Camera File System

(DCF), Exif 2.2** compliant, DPOF compliant

Image Compression Method: JPEG compression

(Super Fine, Fine Normal)

INPUT/OUTPUT TERMINALS

Video Terminals: A/V1: ø 3.5mm mini-jack (audio

and video), V2: BNC jack (video only) 1 Vp-p/75

ohms unbalanced

Audio Out Terminals: A/V1: ø 3.5mm mini-jack

(audio and video) -10 dBV 47 kohms load/3 kohms

or less, unbalanced

Audio In Terminals: MIC: ø 3.5 stereo mini-jack

(unbalanced), ATT: 20 dB, -64 dBV (Auto mode)/600

ohms, Max: -76 dBV (Manual mode, max. volume)

A/V1: ø 3.5mm mini-jack (audio and video), -10 dBV/

47 kohms

XLR: XLR jack (pin1: shield, pin2: hot, pin3: cold)

ATT: 20dB, -59.5 dBV (Auto mode)/10 kohms

(LINE/MIC switch set to LINE), Max 1: -71.5 dBV

(Auto mode, XLR GAIN UP at 12 dB), Max 2: -71.5 dBV

(manual mode, max. volume), Max 3: -83.5 dBV

(manual mode, max. volume, XLR GAIN UP at 12 dB)

HDV/DV Terminal: Special 4-pin connector (IEEE

1394 compliant) input/output

Headphone Terminal: ø 3.5mm stereo mini-jack,

-23.5 dBV (16 ohm load)/50 ohms

LANC Terminal: ø 2.5mm stereo mini-jack

GENLOCK Terminal: BNC jack, input:

1 Vp-p/75 ohms

TIME CODE Terminal: BNC jack, input:

0.5V–18 Vp-p/10 kohms; output: 1 Vp-p/75 ohms

HD/SD-SDI Terminal: BNC jack, output

only, 0.8 Vp-p/75 ohms, unbalanced

SDI 576/50i: ITU-R BT.656, SMPTE 272M, SMPTE

RP 188 (LTC)

HD-SDI: SMPTE 292M, SMPTE 299M, SMPTE RP

188 (LTC)

COMPONENT OUT

Terminal: 1080i (D3)/480i (D1) compatible

POWER/OTHERS

Power Supply: 7.4V (battery pack)

Power Consumption: 7.8W (recording with auto-

focus, HD mode)

Operating Temperature: 32–104°F/0–40°C

Dimensions (W x H x D): 6.4 x 7.4 x 13.8 in./163 x

189 x 350mm (excluding the gripbelt)

Weight (Body only):

4.6 lbs./2,100g

4.5 lbs./2,030g

HDV

DV

DV

HDV

HDV

DV

DV

HDV

DV

HDV

DV

HDV

DV * The camcorder’s operations have been tested with SD memory card up

to 4GB. Performance cannot be guaranteed for all memory cards.

** The camcorder supports Exif 2.2 (also called “Exif Print”) Exif Print is a

standard for enhancing the communication between camcorders and

printers. By connecting to an Exif Print-compliant printer, the camcorder’s

image data at the time of shooting is used and optimized, yielding

extremely high quality prints.

CUSTOM PRESET

1514

Kit Contents

•XH G1 or XH A1

•Lens Hood

•Compact Power Adapter CA-920

•DC Coupler DC-920

•Component Video Cable DTC-1000

•Stereo Video Cable STV-290N

•Wireless Controller WL-D5000

•Shoulder Strap SS-1000

•Battery Pack BP-950G

•SD Memory Card SDC-16M

•HDV Tape HDVM-E63PR

Optional Accessories

Car Battery Adapter CB-920

This powers the XH G1/A1 or

charges the battery by plugging

into a car's cigarette lighter socket.

System Case HC-4200

This lockable and certified for

overhead airline bins case holds

the XH G1/A1 with lens hood and

battery pack attached.

Battery Video Light VL-10Li/10Li II

A small and powerful video light.

Rated at 10 watts, it accepts a

Lithium-Ion battery pack.

Zoom Remote Controller ZR-2000

When connected to the LANC termi-

nal, this device can be used to con-

trol recording start/stop, focusing,

and 16 different zoom speeds.

Battery Pack BP-950G/970G

The BP-950G is a 9,500 mAH

battery and the BP-970G provides

over 35% more record time.

Dual Battery Charger/Holder CH-910

It can charge batteries with any

combination of Canon BP-900

series batteries one after the other.

Speedlite

Canon Speedlite EX series flashes

are for professional use with maxi-

mum guide number at up to

105mm setting.

Wide Converter WD-H72

It gives you a 0.8x wider angle

view, useful when shooting in a

confined area or scenic shots.

Filter Set FS-72U

Includes Neutral Density (ND8),

polarizing and ultra-violet filters,

72mm thread size.

Tripod Adapter TA-100

It allows you to quickly mount and

dismount the XH G1/A1 on or from

a tripod.