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User Manual: Canon EOS RP Camera User Manual

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E Advanced User Guide Introduction Before Starting to Shoot, Be Sure to Read the Following To avoid shooting problems and accidents, first read the “Safety Instructions” (=25–=27) and “Handling Precautions” (=28–=30). Also, read this manual carefully to ensure that you use the camera correctly. Refer to This Manual while Using the Camera to Further Familiarize Yourself with the Camera While reading this manual, take a few test shots and see how they come out. You can then better understand the camera. Be sure to store this manual safely, too, so that you can refer to it again when necessary. Testing the Camera Before Use and Liability After shooting, play images back and check whether they have been properly recorded. If the camera or memory card is faulty and the images cannot be recorded or downloaded to a computer, Canon cannot be held liable for any loss or inconvenience caused. Copyrights Copyright laws in some countries prohibit the unauthorized use of images recorded with the camera (or music/images with music transferred to the memory card) for purposes other than personal enjoyment. Also be aware that certain public performances, exhibitions, etc. may prohibit photography even for private enjoyment. 2 Item Check List Before starting, check that all the following items are included with your camera. If anything is missing, contact your dealer. Camera (with body cap) Battery Pack LP-E17 (with protective cover) Battery Charger LC-E17/LC-E17E* Strap * Battery Charger LC-E17 or LC-E17E is provided. (The LC-E17E comes with a power cord.) oo The camera does not come with a memory card (=10), interface cable, or HDMI cable. oo For details on the Advanced User Guide and Instruction Manuals, see the next page. oo If you purchased a Lens Kit, check that the lenses are included. oo Be careful not to lose any of the above items. oo When you need Lens Instruction Manuals, download them from the Canon website (=4). oo The Lens Instruction Manuals (PDF files) are for lenses sold individually. Note that when purchasing the Lens Kit, some of the accessories included with the lens may not match those listed in the Lens Instruction Manual. 3 Instruction Manuals The Instruction Manual included with the camera provides basic instructions for the camera and Wi-Fi functions. The Advanced User Guide (this PDF file), which provides complete instructions, can be downloaded from the Canon website to a computer or other device. Downloading the Advanced User Guide/Instruction Manuals The Advanced User Guide and Instruction Manuals for lenses and software (PDF files) can be downloaded from the Canon website to a computer or other device. zzDownload site www.canon.com/icpd Advanced User Guide Lens Instruction Manual Software Instruction Manual oo To view the PDF files, an Adobe PDF viewing software such as Adobe Acrobat Reader DC (most recent version recommended) is required. oo Adobe Acrobat Reader DC can be downloaded for free from the Internet. oo Double-click the downloaded PDF file to open it. oo To learn how to use PDF viewing software, refer to the software’s Help section or the like. 4 Instruction Manuals Downloading the Advanced User Guide/Instruction Manuals Using QR Code The Advanced User Guide and Instruction Manuals for lenses and software (PDF files) can be downloaded to a smartphone or tablet using the QR code. www.canon.com/icpd oo A software app is required to read the QR code. oo Select your country or region of residence, then download the Advanced User Guide/Instruction Manuals. oo Select [5: Manual/software URL] to display the QR code on the camera screen. 5 Quick Start Guide 1 2 3 4 5 6 Insert the battery (=42). zz Upon purchase, charge the battery to start using (=40). Insert the card (=42). zz With the card’s label facing toward the back of the camera, insert it into the card slot. Attach the lens (=48). zz Align the red mount index on the lens with the red mount index on the camera to attach the lens. zz Make sure the lens’s focus mode switch is set to <2> (=48). Set the power switch to <1> (=46). Flip out the screen (=45). zz When the date/time/zone setting screen is displayed, see =374. Quick Start Guide 6 7 8 9 Set the Mode dial to (=68). zz All the necessary camera settings will be set automatically. Focus on the subject (=54). zz

mode, [Qw] (White priority) is set.) the button (9). 1 Press zz With an image displayed on the screen, press the button. the white balance item. 2 Select zz Turn the <5> dial to select the white balance setting item. a white balance setting. 3 Select zz Turn the <6> dial to make a selection. oo For [Q] and [Qw] setting instructions, see =142. 140 Setting the White Balance (Approx.) Display Q Qw Mode Auto (Ambience priority, =142) Auto (White priority, =142) Color Temperature (K: Kelvin) 3000–7000 W Daylight 5200 E Shade 7000 R Cloudy, twilight, sunset 6000 Y Tungsten light 3200 U White fluorescent light D Flash 4000 Automatically set* O Custom (=143) 2000–10000 P Color temperature (=144) 2500–10000 * Applicable with Speedlites having a color temperature transmission function. Otherwise, it will be fixed to approx. 6000K. White Balance To the human eye, a white object looks white regardless of the type of lighting. With a digital camera, the white for color correction basis is decided depending on the color temperature of the illumination, and then the color is adjusted with software to make the white areas look white. With this function, you can take the pictures with natural color tones. 141 Setting the White Balance [Q] Auto White Balance With [Q] (Ambience priority), you can slightly increase the intensity of the image’s warm color cast when shooting a tungsten-light scene. If you select [Qw] (White priority), you can reduce the intensity of the image’s warm color cast. If you want to match the Auto white balance of previous EOS DIGITAL camera models, select [Q] (Ambience priority). 1 Select [z: White balance]. [Q]. 2 Select zz With [Q] selected, press the button. 3 Select an item. Cautions for Setting [Qw] (White priority) oo The warm color cast of subjects may fade. oo When multiple light sources are included in the scene, the warm color cast of the picture may not be reduced. oo When using flash, the color tone will be the same as with [Q] (Ambience priority). 142 Setting the White Balance [O] Custom White Balance With custom white balance, you can manually set the white balance for the specific light source of the shooting location. Make sure to perform this procedure under the light source at the actual location of the shoot. a white object. 1 Shoot zz Aim the camera at a plain white subject, so that white fills the screen. zz Focus manually and shoot with the standard exposure set for the white object. zz You can use any of the white balance settings. 2 Select [z: Custom White Balance]. the white balance data. 3 Import zz Press the keys to select the image captured in step 1, then press <0>. gg Select [OK] to import the data. 4 Select [z: White balance]. the custom white balance. 5 Select zz Select [O]. 143 Setting the White Balance oo If the exposure obtained in step 1 differs greatly from the standard exposure, a correct white balance may not be obtained. oo The following images cannot be selected: Images captured with the Picture Style set to [Monochrome], multiple-exposure images, cropped images, and images shot with another camera. oo Instead of shooting a white object, you can also shoot a gray chart or standard 18% gray reflector (commercially available). [P] Setting the Color Temperature A value can be set representing the white balance color temperature. 1 Select [z: White balance]. the color temperature. 2 Set zz Select [P]. zz Turn the <6> dial to set the desired color temperature, then press <0>. zz The color temperature can be set from approx. 2500K to 10000K in 100K increments. oo When setting the color temperature for an artificial light source, set the white balance correction (magenta or green bias) as necessary. oo If you set [P] to the reading taken with a commercially available color temperature meter, take test shots and adjust the setting to compensate for the difference between the color temperature meter’s reading and the camera’s color temperature reading. 144 White Balance Correction N You can correct the white balance that is set. This adjustment will have the same effect as using a commercially available color temperature conversion filter or color compensating filter. Each color can be corrected to one of nine levels. White Balance Correction 1 Select [z: WB Shift/Bkt.]. the white balance correction. 2 Set zz Press the cross keys to move the Sample setting: A2, G1 “■” mark to the appropriate position. zz B is for blue, A for amber, M for magenta, and G for green. The image’s color balance will be adjusted toward the color in the direction of the move. gg On the right of the screen, “Shift” indicates the direction and correction amount, respectively. zz Pressing the button will cancel all the [WB Shift/Bkt.] settings. zz Press <0> to exit the setting. oo One level of the blue/amber correction is equivalent to approx. 5 mireds of a color temperature conversion filter. (Mired: Unit of measure for color temperature used to indicate values such as the density of a color temperature conversion filter.) 145 White Balance Correction White Balance Auto Bracketing White balance bracketing (WB Bkt.) enables you to capture three images at once with different color tones. Based on the color temperature of the current white balance setting, the image will be bracketed with a blue/amber bias and magenta/green bias. White balance bracketing is possible up to ±3 levels in single-level increments. B/A bias ±3 levels Set the white balance bracketing amount. zz In step 2 for “White Balance Correction”, when you turn the <5> dial, the “■” mark on the screen will change to “■ ■ ■” (3 points). zz Turning the dial clockwise sets the B/A bracketing, and turning it counterclockwise sets the M/G bracketing. gg On the right, “Bracket” indicates the bracketing direction and correction amount. zz Pressing the button will cancel all the [WB Shift/Bkt.] settings. zz Press <0> to exit the setting. oo During white balance bracketing, the maximum burst for continuous shooting will be lower. oo Since three images are recorded for one shot, it takes longer to record the image to the card. oo The images will be bracketed in the following sequence: 1. Standard white balance, 2. Blue (B) bias, and 3. Amber (A) bias, or 1. Standard white balance, 2. Magenta (M) bias, and 3. Green (G) bias. oo You can also set white balance correction and AEB together with white balance bracketing. If you set AEB in combination with white balance bracketing, a total of nine images will be recorded for a single shot. oo The white balance icon blinks when white balance bracketing is set. oo “Bracket” stands for bracketing. 146 Setting the Color Space N The range of reproducible colors is called “color space”. With this camera, you can set the color space for captured images to sRGB or Adobe RGB. For normal shooting, sRGB is recommended. 1 Select [z: Color space]. 2 Set a color space option. Adobe RGB This color space is mainly used for commercial printing and other industrial uses. Recommended when using equipment such as Adobe RGBcompatible monitors or DCF 2.0 (Exif 2.21 or later) compatible printers. oo If the still photo is shot in the Adobe RGB color space, the first character in the file name will be an underscore “_”. oo The ICC profile is not appended. For the descriptions about the ICC profile, refer to the Digital Photo Professional Instruction Manual (EOS software). oo In Basic Zone modes, [sRGB] is set automatically. 147 Selecting a Picture Style N Just by selecting a preset Picture Style, you can obtain image characteristics effectively matching your photographic expression or the subject. In Basic Zone modes, [D] (Auto) is set automatically. 1 Select [z: Picture Style]. 2 Select a Picture Style. 148 Selecting a Picture Style Picture Style Characteristics zz[D] Auto The color tone will be adjusted automatically to suit the scene. The colors will look vivid for blue skies, greenery and sunsets, particularly in nature, outdoor and sunset scenes. oo If the desired color tone is not obtained with [Auto], use another Picture Style. zz[P] Standard The image looks vivid, sharp, and crisp. This is a general-purpose Picture Style suitable for most scenes. zz[Q] Portrait For nice skin tones. The image looks softer. Suited for close-up portraits. By changing the [Color tone] (=153), you can adjust the skin tone. zz[R] Landscape For vivid blues and greens, and very sharp and crisp images. Effective for impressive landscapes. zz[u] Fine Detail Suited for detailed outline and fine texture description of the subject. The colors will be slightly vivid. zz[S] Neutral Suited for processing the image with a computer. For natural colors and subdued images with modest brightness and color saturation. 149 Selecting a Picture Style zz[U] Faithful Suited for processing the image with a computer. The color of a subject that is captured in sunlight at a color temperature of 5200K will be adjusted to match the subject’s colorimetrical color. For subdued images with modest brightness and color saturation. zz[V] Monochrome Creates black-and-white images. oo Color images cannot be recovered from JPEG images shot with the [Monochrome] Picture Style. zz[W] User Defined 1–3 You can register a basic style such as [Portrait], [Landscape], a Picture Style file, etc. and adjust it as desired (=155). With any of the User Defined Picture Style that has not yet been set, pictures will be taken with the same characteristics settings as with the default settings of [Auto]. 150 Selecting a Picture Style Symbols The Picture Style selection screen has icons for [Strength], [Fineness], or [Threshold] for [Sharpness] as well as [Contrast] and other settings. The numbers indicate the values for these settings specified for the respective Picture Style. Symbols Sharpness g A Strength B Fineness C Threshold h Contrast i Saturation j Color tone k Filter effect (Monochrome) l Toning effect (Monochrome) oo During movie recording, an asterisk “*” will be displayed for both [Fineness] and [Threshold] for [Sharpness]. [Fineness] and [Threshold] will not be applied to movies. 151 Customizing a Picture Style N You can customize the Picture Styles. You can adjust Picture Style settings such as [Contrast] or [Sharpness] ([Strength], [Fineness], and [Threshold]). To customize [Monochrome], see =154. 1 Select [z: Picture Style]. a Picture Style. 2 Select zz Select the Picture Style to adjust, then press the button. an item. 3 Select zz See the next page for details on the settings and effects. 152 Customizing a Picture Style 4 Set the effect level. zz Press the button to save the adjusted setting and return to the Picture Style selection screen. gg Any settings you change from default values are displayed in blue. Settings and Effects Sharpness g A Strength 0: Weak outline emphasis 7: Strong outline emphasis 1 B Fineness* 1: Fine 5: Grainy 2 C Threshold* 1: Low 5: High h Contrast -4: Low contrast +4: High contrast i Saturation -4: Low saturation +4: High saturation j Color tone -4: Reddish skin tone +4: Yellowish skin tone *1: Indicates the fineness of the outlines to be emphasized. The smaller the number, the finer the outlines that can be emphasized. *2: Sets how much the outline is emphasized based on the difference in contrast between the subject and the surrounding area. The smaller the number, the more the outline will be emphasized when the contrast difference is low. However, noise tends to be more noticeable when the number is smaller. oo For movie recording, [Fineness] and [Threshold] for [Sharpness] cannot be set (not displayed). oo By selecting [Default set.] in step 3, you can revert the parameter settings of the respective Picture Style to their defaults. oo To shoot with the Picture Style you adjusted, first select the adjusted Picture Style, then shoot. 153 Customizing a Picture Style [V] Monochrome Adjustment Besides the effects described on the preceding page such as [Contrast], or [Strength], [Fineness] and [Threshold] for [Sharpness], you can also set [Filter effect] and [Toning effect]. [k] Filter effect Filter With a filter effect applied to a monochrome image, you can make white clouds or green trees stand out more. Sample Effects N: None Normal black-and-white image with no filter effects. Ye: Yellow The blue sky will look more natural, and the white clouds will look crisper. Or: Orange The blue sky will look slightly darker. The sunset will look more brilliant. R: Red The blue sky will look quite dark. Fall leaves will look crisper and brighter. G: Green Skin tones and lips will appear muted. Green tree leaves will look crisper and brighter. oo Increasing the [Contrast] will make the filter effect more pronounced. [l] Toning effect 154 By applying a toning effect, you can create a monochrome image in the selected color. Effective when you want to create more impressive images. Registering a Picture Style N You can select a base Picture Style such as [Portrait] or [Landscape], adjust it as desired, and register it under [User Def. 1], [User Def. 2], or [User Def. 3]. Useful when creating several Picture Styles with different settings. Picture Styles that you have registered on the camera using EOS Utility (EOS software) can also be modified here. 1 Select [z: Picture Style]. [User Def.]. 2 Select zz Select [User Def. *], then press the button. <0>. 3 Press zz With [Picture Style] selected, press <0>. the base Picture Style. 4 Select zz Select the base Picture Style. zz Also select styles this way when adjusting styles registered to the camera with EOS Utility (EOS software). 155 Registering a Picture Style 5 Select an item. the effect level. 6 Set zz For details, see “Customizing a Picture Style” (=152). zz Press the button to save the adjusted setting and return to the Picture Style selection screen. gg The base Picture Style will be indicated on the right of [User Def. *]. gg Blue style names indicate that you have changed the settings from default values. oo If a Picture Style is already registered under [User Def. *], changing the base Picture Style will clear the parameter settings of the previously registered User Defined Picture Style. oo If you perform [5: Clear all camera settings] (=410), all the [User Def. *] settings will revert to their defaults. oo To shoot with a registered Picture Style, select the registered [User Def. *], then shoot. oo Regarding the procedure to register a Picture Style file to the camera, refer to the EOS Utility Instruction Manual. 156 Setting Noise Reduction N High ISO Speed Noise Reduction This function reduces the noise generated in the image. This function is especially effective when shooting at high ISO speeds. When shooting at low ISO speeds, the noise in the darker parts of the image (shadow areas) can further be reduced. 1 Select [z: High ISO speed NR]. 2 Set the level. zz[M] Multi Shot Noise Reduction Applies the noise reduction with higher image quality than [High]. For a single photo, four shots are taken continuously and aligned and merged automatically into a single JPEG image. If the image quality is set to RAW or RAW+JPEG, you cannot set [Multi Shot Noise Reduction]. the picture. 3 Take gg The image will be recorded with noise reduction applied. 157 Setting Noise Reduction Cautions for Setting Multi Shot Noise Reduction oo If there is significant misalignment in the image due to camera shake, the noise reduction effect may become smaller. oo If you are handholding the camera, keep it steady to prevent camera shake. Using a tripod is recommended. oo If you shoot a moving subject, the moving subject may leave afterimages. oo Auto image alignment may not function properly with repetitive patterns (lattice, stripes, etc.) or flat, single-tone images. oo If the subject’s brightness changes as the four consecutive shots are taken, irregular exposure in the image may result. oo After shooting, it may take some time to record an image to the card after performing noise reduction and merging the images. [BUSY] is displayed as images are processed, and shooting is not possible until processing is finished. oo [Multi Shot Noise Reduction] is not available with bulb shooting, shooting with AEB or WB bracketing, shooting RAW or RAW+JPEG images, or with features such as long exposure noise reduction, multiple exposures, or HDR mode. oo Flash photography is not possible. Note that the AF-assist beam of EOSdedicated, external Speedlites will be emitted according to the [z: AF-assist beam firing] setting. oo [Multi Shot Noise Reduction] is not available (not displayed) when recording movies. oo Automatically switches to [Standard] if you set the power switch to <2>, replace the battery or card, switch to a Basic Zone or shooting mode, or switch to movie recording. 158 Setting Noise Reduction Long Exposure Noise Reduction For images exposed for 1 sec. or longer, noise (dots of light and banding) typical of long exposures can be reduced. [z: Long exp. noise 1 Select reduction]. 2 Set a reduction option. zz[AUTO] Automatic For exposures of 1 sec. or longer, noise reduction is performed automatically if noise typical of long exposures is detected. This [Auto] setting is effective enough in most cases. zz[ON] Enable Noise reduction is performed for all exposures of 1 sec. or longer. The [Enable] setting may reduce noise that cannot be detected with the [Auto] setting. the picture. 3 Take gg The image will be recorded with noise reduction applied. 159 Setting Noise Reduction oo With [Auto] or [Enable] set, the noise reduction process after the picture is taken may take the same amount of time as that for the exposure. oo Images may look grainier with the [Enable] setting than with the [Disable] or [Auto] setting. oo [BUSY] is displayed as noise is reduced, and the shooting screen is not displayed until processing is finished, when you can shoot again. 160 Appending Dust Delete Data N Dust Delete Data used to erase dust spots can be appended to images in case sensor cleaning leaves dust on the sensor. The Dust Delete Data is used by Digital Photo Professional (EOS software) to erase the dust spots automatically. Preparation zz Use an RF or EF lens. zz Prepare a solid white object such as a sheet of paper. zz Set the lens focal length to 50 mm or longer. zz Set the lens’s focus mode switch to and set the focus to infinity (∞). If the lens has no distance scale, rotate the camera to face toward you and turn the focusing ring clockwise all the way. Obtaining the Dust Delete Data 1 Select [z: Dust Delete Data]. [OK]. 2 Select gg After the automatic self-cleaning of the sensor is performed, a message will appear. Although there will be a mechanical sound of the shutter during the cleaning, no picture is taken. 161 Appending Dust Delete Data a plain white object. 3 Shoot zz Shoot with a plain white object (such as a new sheet of white paper) filling the screen, at a distance of 20–30 cm (0.7–1.0 ft.). zz Since the image will not be saved, the data can still be obtained even if there is no card in the camera. gg When the picture is taken, the camera will start collecting the Dust Delete Data. When the Dust Delete Data is obtained, a message will appear. zz If the data is not obtained successfully, an error message will appear. Follow the “Preparation” procedure on the preceding page, then select [OK]. Take the picture again. Dust Delete Data The camera will append the Dust Delete Data obtained to all shots from now on. Acquiring Dust Delete Data before shooting is recommended. For details about using Digital Photo Professional (EOS software) to erase dust spots automatically, refer to the Digital Photo Professional Instruction Manual. File size is essentially unaffected by Dust Delete Data appended to images. oo Dust Delete Data is not obtained when EF-S lenses are used, or when [z: zCropping/aspect ratio] is set to [1.6x (crop)]. oo If the object has any pattern or design, it may be recognized as dust data and affect the accuracy of the dust deletion with the Digital Photo Professional (EOS software). 162 Shooting with the Touch Shutter Just by tapping on the screen, you can focus and take the picture automatically. the Touch Shutter. 1 Enable zz Tap [y] on the screen’s bottom left. zz Each time you tap on the icon, it will toggle between [y] and [x]. zz [x] (Touch Shutter: Enable) The camera will focus on the spot you tap on, then the picture will be taken. zz [y] (Touch Shutter: Disable) You can tap on a spot to perform focusing on the spot. Press the shutter button completely to take the picture. on the screen to shoot. 2 Tap zz Tap on the face or subject on the screen. gg On the point you tap, the camera will focus (Touch AF) with the AF method that was set (=188). gg When [x] is set, the AF point turns green when focus is achieved, then the picture is taken automatically. gg If focus is not achieved, the AF point turns orange and the picture cannot be taken. Tap on the face or subject on the screen again. 163 Shooting with the Touch Shutter oo Even if you set the drive mode to or , the camera will still shoot in the single shooting mode. oo Even if [AF operation] is set to [Servo AF], tapping on the screen will focus on the image with [One-Shot AF]. oo Tapping on the screen in magnified view will not focus or take the picture. oo If you shoot by tapping on the screen with [z: Image review] set to [Hold], you can press the shutter button halfway to take the next shot. oo To shoot with bulb exposure, tap on the screen twice. The first tap on the screen will start the bulb exposure. Tapping it again will stop the bulb exposure. Be careful not to shake the camera when tapping on the screen. 164 Multiple Exposures N As you shoot multiple exposures (2–9), you can see how the images will be merged into a single image. 1 Select [z: Multiple exposure]. a [Multiple exposure] option. 2 Set zz Select [Enable]. zz To exit shooting multiple exposures, select [Disable]. 3 Set [Multi-expos ctrl]. zzAdditive The exposure of each single image captured is added cumulatively. Based on the [No. of exposures], set a negative exposure compensation. Follow the basic guide below to set the exposure compensation amount. Exposure Compensation Setting Guide by Number of Exposures Two exposures: -1 stop, three exposures: -1.5 stop, four exposures: -2 stops zzAverage Based on the [No. of exposures], negative exposure compensation is set automatically as you shoot multiple exposures. If you shoot multiple exposures of the same scene, the exposure of the subject’s background will be automatically controlled to obtain the standard exposure. 165 Multiple Exposures the [No. of exposures]. 4 Set zz Select the number of exposures, then press <0>. zz You can set it from 2 to 9 exposures. a [Continue Mult-exp] option. 5 Set zz With [1 shot only], multiple-exposure shooting will be canceled automatically after the shooting ends. zz With [Continuously], multiple-exposure shooting continues until the setting in step 2 is set to [Disable]. (1) the first exposure. 6 Shoot gg The captured image will be displayed. zz In (1) on the screen, you can check the number of exposures left. zz Pressing the button enables you to view the captured image (=169). the next exposures. 7 Shoot zz Images captured so far are displayed merged. For image-only display, press the button repeatedly. zz Multiple-exposure shooting will end when the set number of exposures are taken. oo The shooting information for the last shot will be recorded and appended to the multiple-exposure image. 166 Multiple Exposures oo The image quality, ISO speed, Picture Style, high ISO speed noise reduction, color space, etc. set for the first single exposure will also be set for the subsequent exposures. oo If [z: Picture Style] is set to [Auto], [Standard] will be applied for shooting. oo With multiple exposures, the more exposures there are, the more noticeable the noise, irregular colors, and banding will be. oo If [Additive] is set, the image processing after taking the multiple exposures will take time. (The access lamp will light up longer.) oo In step 7, the brightness and noise of the multiple-exposure image displayed during shooting will be different from those of the final multiple-exposure image recorded. oo Multiple-exposure shooting is canceled if you set the power switch to <2> or switch batteries or cards. oo Multiple-exposure shooting ends if you switch to a Basic Zone mode or to . 167 Multiple Exposures Merging Multiple Exposures with an Image Recorded on the Card You can select a RAW image recorded on the card as the first single exposure. The image data of the selected RAW image will remain intact. Only 1 or F images can be used. JPEG images cannot be selected. Images you can specify also vary depending on the lens attached. For details, see the table below. [Select image for multi. 1 Select expo.]. the first image. 2 Select zz Use the keys to select the first image, then press <0>. zz Select [OK]. gg The file number of the selected image will be displayed at the bottom of the screen. the picture. 3 Take zz When you select the first image, the number of remaining exposures as set with [No. of exposures] will decrease by 1. zzImages You Can Select Lens Attached RF/ EF lens EF-S lens Cropped Shooting Selectable Images Off RAW images captured at full size On RAW images from cropped shooting or taken with an EF-S lens – oo These images cannot be selected as the first single exposure: Images captured with [z: Highlight tone priority] set to [Enable] or [Enhanced], or images captured with [z: zCropping/aspect ratio] not set to [Full-frame] or [1.6x (crop)]. oo [Disable] is applied for [z: Lens aberration correction] and [z: Auto Lighting Optimizer] regardless of the settings of the image selected as the first single exposure. 168 Multiple Exposures oo The ISO speed, Picture Style, high ISO speed noise reduction, color space, etc. set for the first image will also be applied for the subsequent images. oo If Picture Style is [Auto] for the image selected as the first image, [Standard] will be applied for shooting. oo You cannot select an image taken with another camera. oo [Select image for multi. expo.] is not available unless a lens is attached. oo You can also select a RAW image used in multiple-exposure shooting. oo Select [Deselect img] to cancel image selection. Checking and Deleting Multiple Exposures During Shooting Before you finish shooting your specified number of exposures, you can press the button to view the multiple-exposure image so far, check exposure, and see how the images will be merged. Pressing the button will display the operations possible during multipleexposure shooting. Operation Description 2 Return to previous The screen before you pressed the button will screen reappear. q Undo last image Deletes the last image you shot (shoot another image). The number of remaining exposures will increase by 1. W Save and exit Saves shots up to that point as a multiple-exposure image and exits multiple-exposure shooting. r Exit without saving The multiple-exposure shooting will end without saving the image. oo During multiple-exposure shooting, you can only play back multiple-exposure images. 169 Multiple Exposures FAQ zzAre there any restrictions on the image quality? All single exposures and the multiple-exposure image are captured at your specified image quality. zzCan I merge images recorded on the card? With [Select image for multi. expo.], you can select the first single exposure from the images recorded on the card (=168). Note that you cannot merge multiple images already recorded on the card. zzWill auto power off take effect during multiple-exposure shooting? As long as [Auto power off] under [5: Power saving] is not set to [Disable], the camera automatically turns off after approx. 30 min., which ends multiple-exposure shooting and cancels multiple-exposure settings. 170 HDR (High Dynamic Range) Shooting N You can shoot still photos with clipped highlights and shadows reduced for a high dynamic range of tones even in high-contrast scenes. HDR shooting is effective for landscape and still-life shots. With HDR shooting, three images of different exposures (standard exposure, underexposure, and overexposure) are captured consecutively for each shot and then merged together automatically. The HDR image is recorded as a JPEG image. * HDR stands for High Dynamic Range. 1 Select [z: HDR Mode]. [Adjust dyn range]. 2 Set zz Selecting [Auto] will have the dynamic range set automatically depending on the image’s overall tonal range. zz The higher the number, the wider the dynamic range will be. zz To exit HDR shooting, select [Disable HDR]. 3 Set [Effect]. 171 HDR (High Dynamic Range) Shooting Effects zz[P] Natural For images preserving a wide tonal range where the highlight and shadow details would otherwise be lost. Clipped highlights and shadows will be reduced. zz[A] Art standard While the clipped highlights and shadows will be reduced more than with [Natural], the contrast will be lower, and the gradation flatter to have the picture look like a painting. The subject outlines will have bright (or dark) edges. zz[B] Art vivid The colors are more saturated than with [Art standard], and the low contrast and flat gradation create a graphic art effect. zz[C] Art bold The colors are the most saturated, making the subject pop out, and the picture looks like an oil painting. zz[D] Art embossed The color saturation, brightness, contrast and gradation are decreased to make the picture look flat. The picture looks faded and old. The subject outlines will have bright (or dark) edges. Art standard Art vivid Art bold Art embossed Saturation Standard High Higher Low Outline emphasis Standard Weak Strong Stronger Brightness Standard Standard Standard Dark Tone Flat Flat Flat Flatter oo Each effect will be applied based on the characteristics of the Picture Style currently set (=148). 172 HDR (High Dynamic Range) Shooting a [Continuous HDR] option. 4 Set zz With [1 shot only], HDR shooting will be canceled automatically after the shooting ends. zz With [Every shot], HDR shooting continues until the setting in step 2 is set to [Disable HDR]. [Auto Image Align]. 5 Set zz For handheld shooting, select [Enable]. When using a tripod, select [Disable]. the picture. 6 Take zz When you press the shutter button completely, three consecutive images will be captured, and the HDR image will be recorded to the card. 173 HDR (High Dynamic Range) Shooting oo RAW HDR images are captured in JPEG 73 image quality. RAW+JPEG HDR images are captured in the specified JPEG image quality. oo HDR shooting is not possible with expanded ISO speeds (L, H1, H2). HDR shooting is possible within ISO 100–40000 (varies depending on the settings of [Minimum] and [Maximum] for [ISO speed range]). oo The flash will not fire during HDR shooting. oo AEB is not available. oo If you shoot a moving subject, the moving subject may leave afterimages. oo In HDR shooting, three images are captured with different shutter speeds set automatically. For this reason, even in , ~~, and~~ modes, the shutter speed will change, relative to your specified speed. oo To prevent camera shake, a high ISO speed may be set. 174 HDR (High Dynamic Range) Shooting oo When shooting HDR images with [Auto Image Align] set to [Enable], AF point display information (=352) and Dust Delete Data (=161) will not be appended to the image. oo If you perform handheld HDR shooting with [Auto Image Align] set to [Enable], image periphery will be slightly trimmed and resolution will be slightly lowered. Also, if the images cannot be aligned properly due to camera shake, etc., auto image alignment may not take effect. Note that when shooting with excessively bright (or dark) exposure settings, auto image alignment may not work properly. oo If you perform handheld HDR shooting with [Auto Image Align] set to [Disable], the three images may not be properly aligned and the HDR effect may be reduced. Using a tripod is recommended. oo Auto image alignment may not function properly with repetitive patterns (lattice, stripes, etc.) or flat, single-tone images. oo The color gradation of the sky or white walls may not be reproduced correctly. Irregular colors, irregular exposure or noise may appear. oo HDR shooting under fluorescent or LED lighting may result in unnatural color reproduction of the illuminated areas. oo With HDR shooting, the images will be merged, then saved to the card, so it may take some time. [BUSY] appears on the screen as images are processed, and shooting is not possible until processing is finished. 175 Interval Timer Shooting With the interval timer, you can set the shooting interval and number of shots, so that the camera takes individual shots repeatedly according to your interval until your specified number of shots are taken. 1 Select [z: Interval timer]. [Enable]. 2 Select zz Select [Enable], then press the button. the shooting interval and 3 Set number of shots. zz Select an item to set (hours : minutes : seconds / number of shots). zz Press <0> to display . zz Set the desired number, then press <0>. (Returns to .) zzInterval Can be set in a range of [00:00:01]–[99:59:59]. zzNumber of shots Can be set in a range of [01]–[99]. To keep the interval timer on indefinitely until you stop it, set [00]. 176 Interval Timer Shooting (1) (2) [OK]. 4 Select gg The interval timer settings will be displayed on the menu screen. (1) (2) Interval Number of shots the picture. 5 Take gg First shot is taken and shooting continues according to the interval timer settings. zz During interval timer shooting, will blink. zz After the set number of shots are taken, the interval timer shooting will stop and be automatically canceled. oo Using a tripod is recommended. oo Taking test shots in advance is recommended. oo Even during interval timer shooting, you can still shoot as usual by pressing the shutter button completely. Note that the camera will prepare for the next interval timer shot approx. 5 sec. in advance, which will temporarily prevent operations such as adjusting shooting settings, accessing menus, and playing back images. oo If the next scheduled interval timer shot is not possible because the camera is shooting or processing images, it will be skipped. For this reason, fewer shots than specified will be taken. oo Even during interval timer operation, auto power off is triggered after approx. 8 sec. of inactivity, as long as [Auto power off] under [5: Power saving] is not set to [Disable]. The camera will automatically turn on again approx. 1 min. before the next shot. oo Can also be combined with AEB, white balance bracketing, multiple exposures, and HDR mode. oo To stop interval timer shooting, select [Disable] or set the power switch to <2>. 177 Interval Timer Shooting oo Do not point the camera toward an intense light source, such as the sun or an intense artificial light source. Doing so may damage the image sensor or the camera’s internal components. oo Setting the lens focus mode switch to prevents the camera from shooting unless subjects are in focus. Setting it to and focusing manually before shooting is recommended. oo When shooting over an extended period, consider using an optional household power outlet accessory. oo Shooting long exposures or using shutter speeds longer than the shooting interval will prevent shooting at the specified interval. For this reason, fewer shots than specified will be taken. Using shutter speeds nearly the same as the shooting interval may also reduce the number of shots. oo If the time it takes to record to the card exceeds the shooting interval due to the shooting functions set or card performance, some of the shots may not be taken with the set intervals. oo When using flash with interval timer shooting, set an interval longer than the flash charge time. Intervals that are too short may prevent the flash from firing. oo Intervals that are too short may prevent shooting or autofocusing. oo Interval timer shooting will be canceled and reset to [Disable] if you set the power switch to <2>, set the shooting mode to , or use EOS Utility (EOS software). oo During interval timer shooting, you cannot use remote control shooting (=217) or remote-release shooting with a Speedlite. 178 Reducing Flicker N If you shoot an image with a fast shutter speed under a light source such as fluorescent light, the blinking of the light source causes flicker and the image may be vertically unevenly exposed. If continuous shooting is used under these conditions, uneven exposures or colors across the images may result. Anti-flicker shooting enables you to take pictures when exposure and colors are less affected by flickering. 1 Select [z: Anti-flicker shoot.]. 2 Select [Enable]. the picture. 3 Take zz After setting to [Enable], or when the light source changes, detect flicker before shooting by pressing the button, selecting [Anti-flicker shoot.], then pressing the button. zz The picture will be taken with reduced unevenness of exposure or color tone caused by the flicker. oo With [Enable] set, the shutter-release time lag is longer when you shoot under a flickering light source. Also, the continuous shooting speed may become slower, and the shooting interval may become irregular. oo Flicker at a frequency other than 100 Hz or 120 Hz cannot be detected. Also, if the flickering frequency of the light source changes during continuous shooting, effects of the flicker cannot be reduced. 179 Reducing Flicker oo In the , , or mode, if the shutter speed changes during continuous shooting or if you shoot multiple shots of the same scene at different shutter speeds, the color tone may become inconsistent. To avoid inconsistent color tones, use , , or mode at a fixed shutter speed. oo Color tone of captured images may vary between [Enable] and [Disable]. oo Shutter speed, aperture, and ISO speed may change when you start shooting (even with AE lock). oo If the subject is against a dark background or if there is a bright light in the image, flicker may not be properly detected. oo Flicker reduction may not be possible under special lighting. oo Depending on the light source, flicker may not be detected properly. oo Depending on the light sources or shooting conditions, the expected result may not be obtained even if you use this function. oo Taking test shots in advance is recommended. oo Detect flicker manually if the screen flickers (as when the light source changes) by pressing the button, selecting [Anti-flicker shoot.], then pressing the button. oo Flicker is not reduced in Basic Zone modes. oo Flicker reduction also works with flash photography. However, the expected result may not be obtained for wireless flash photography. 180 Selecting the Display Speed for HighSpeed Continuous Shooting N High-speed display that switches between your shot and the live image is available when shooting with an RF lens, with [z: AF operation] set to [Servo AF], and with the drive mode set to [High speed continuous]. Display is more responsive, making it easier to follow fastmoving subjects. Select [z: 1 display]. High speed an item. 2 Select zz Select [Enable] for display that switches between each shot and the live image. oo Images may waver or flicker during high-speed display. This occurs more often at high shutter speeds. However, this does not affect shooting results. oo High-speed display is not performed under the following conditions. It may also stop as you are shooting. • Shutter speed slower than 1/30 sec., aperture larger than f/11, conditions that make autofocusing difficult, and flash photography, and ISO expansion oo [Enable] is available when all of these conditions apply. • With an RF lens, [AF operation] set to [Servo AF] (=185), drive mode set to [High speed continuous] (=206), [Anti-flicker shoot.] set to [Disable] (=179), [Expo. simulation] set to [Enable] (=139) 181 Card Reminder You can set the camera not to shoot unless there is a card in the camera. The default setting is [Enable]. [z: Release shutter without 1 Select card]. 2 Select [Disable]. 182 Setting Touch & Drag AF You can move the AF point or Zone AF frame by touching or dragging on the screen as you look through the viewfinder. Enabling Touch & Drag AF [z: Touch & drag AF 1 Select settings]. [Touch & drag AF]. 2 Select zz Select [Enable]. Positioning Method You can set how positions are specified by touching or dragging. 1 Set the positioning method. zz[Absolute] The AF point moves to the touched or dragged position on the screen. zz[Relative] The AF point moves in the direction you drag, by an amount corresponding to the amount you drag, no matter where you touch the screen. 183 Setting Touch & Drag AF Active Touch Area You can specify the area of the screen used for touch and drag operations. 1 Set the active touch area. oo Touching the screen when [u+Tracking] is set displays a round orange frame < >. After you lift your finger at the position to move the AF point to, < > is displayed and that subject is tracked. To cancel subject selection, press the button. 184 Selecting the AF Operation N You can select the AF operation characteristics to suit the shooting conditions or subject. 1 Select [z: AF operation]. 2 Select an item. oo If focus cannot be achieved, the AF point will turn orange. If this occurs, the picture cannot be taken even if the shutter button is pressed completely. Recompose the shot and try to focus again. Or, see “Shooting Conditions that Make Focusing Difficult” (=197). 185 Selecting the AF Operation One-Shot AF for Still Subjects (ONE SHOT) Suited for still subjects. When you press the shutter button halfway, the camera will focus only once. zz When focus is achieved, the AF point will turn green and the beeper will sound. zz The focus remains locked while you hold down the shutter button halfway, allowing you to recompose the image before taking the picture. zz For details on the continuous shooting speed for continuous shooting, see =206. oo If [5: Beep] is set to [Disable], the beeper will not sound when focus is achieved. Servo AF for Moving Subjects (SERVO) This AF operation is suited for moving subjects. While you hold down the shutter button halfway, the camera will keep focusing on the subject continuously. zz When focus is achieved, the AF point will turn blue. zz The exposure is set at the moment the picture is taken. zz For details on the continuous shooting speed for continuous shooting, see =206. oo Depending on the lens used, the distance to the subject and the subject’s speed, the camera may not be able to achieve correct focus. oo Zooming during continuous shooting may throw off the focus. Zoom first, then recompose and shoot. oo With Servo AF, the beeper will not sound even when focus is achieved. oo In mode, by default, the camera automatically switches to Servo AF in response to subject movement. If you normally prefer to shoot with One-Shot AF, set [z: A Auto servo] to [Disable]. 186 Selecting the AF Operation AF-Assist Beam The AF-assist beam may fire repeatedly when you press the shutter button halfway under low light or in similar conditions, to make autofocusing easier. oo The AF-assist beam does not fire when [z: AF operation] is set to [Servo AF]. oo The AF-assist beam does not fire when Touch AF is used (when [z: Touch Shutter] is set to [Disable]). oo When you are using an external flash unit, either the camera or the flash unit fires an AF-assist beam as needed. However, only the camera’s AF-assist beam fires when you are using a Speedlite 90EX, Macro Ring Lite, or Macro Twin Lite. oo A small series of flashes is fired even if you set the external flash’s AF-assist beam emission method in the Personal Functions to infrared AF-assist beam firing. To disable AF-assist beam firing, set [z: AF-assist beam firing] to [Disable] (=201). oo Focus range with the AF-assist beam is generally no more than 3.5 m/11.5 ft. 187 Selecting the AF Method You can select the AF method to suit the shooting conditions or subject. The camera attempts to focus on faces of any people in an AF point or Zone AF frame. In mode, [u+Tracking] is set automatically. For instructions on selecting an AF method, see =190. AF Method : Face+Tracking The camera detects and focuses on people's faces.

(an AF point) appears over any face detected, which is then tracked. If no face is detected, the entire AF area is used for auto selection AF. With Servo AF, you can set the initial position for Servo AF (=192). As long as the Area AF frame can track the subject during shooting, focusing will continue. : Spot AF The camera focuses in a narrower area than 1-point AF. : 1-point AF The camera focuses using a single AF point . 188 Selecting the AF Method : Expand AF area (Z) Focusing uses one AF point and points above, below, and to the left and right . Effective for moving subjects, which are difficult to track with 1-point AF. Focusing on your preferred subject is easier than with Zone AF. When Servo AF is used, first you will focus using an AF point . : Expand AF area: Around Focusing uses one AF point and surrounding points , which makes it easier to focus on moving subjects than with Z AF point expansion. Servo AF operation is the same as for Z AF point expansion. : Zone AF Uses auto selection AF in Zone AF frames to cover a larger area than AF point expansion, which makes focusing easier than with AF point expansion. Prioritizes focusing on the nearest subject. Faces of any people in the Zone AF frame are also given priority in focusing. AF points in focus are displayed with . 189 Selecting the AF Method Selecting the AF Method You can select the AF method to suit the shooting conditions or subject. If you prefer to focus manually, see =214. 1 Select [z: AF method]. 2 Select an item. oo In mode, [u+Tracking] is set automatically. oo In mode, only [1-point AF] or [Zone AF] can be set. oo Only [u+Tracking] and [1-point AF] are available when 4K movie recording is set. oo To set the AF method, you can also access the AF method screen by pressing the button and then the button. oo The descriptions on =191–=194 assume that [z: AF operation] is set to [One-Shot AF] (=186). With [Servo AF] (=186) set, the AF point will turn blue when focus is achieved. oo Regarding the Touch Shutter (AF and shutter release by touch operation), see =163. 190 Selecting the AF Method zzu(face)+Tracking: c The camera detects and focuses on human faces. If a face moves, the AF point

~~~~also moves to track the face. the AF point. 1 Check gg~~~~

(an AF point) appears over any face detected. zz You can choose a face with the keys when appears after you press the button. on the subject. 2 Focus zz Once you press the shutter button halfway and the subject is in focus, the AF point turns green and the camera beeps twice. gg An orange AF point indicates that the camera could not focus on subjects. 3 Take the picture. 191 Selecting the AF Method Tapping a Face for Focus Tapping a face or subject to focus on changes the AF point to < > and focuses where you tap. Even if the face or subject moves on the screen, the AF point < > moves to track it. oo If the subject’s face is significantly out of focus, face detection will not be possible. Adjust the focus manually (=214) so that the face can be detected, then perform AF. oo An object other than a human face may be detected as a face. oo Face detection will not work if the face is very small or large in the picture, too bright or too dark, or partially hidden. oo AF cannot detect subjects or people’s faces at the edges of the screen. Recompose the shot to center the subject or bring the subject closer to the center. oo The

will be displayed for images shot with multiple-exposure shooting. * will be displayed for images shot with Multi Shot Noise Reduction. * will be displayed for images created and saved after performing RAW image processing, resizing, cropping, or Creative Assist. * will be displayed for images cropped and then saved. 598 Information Display zzDetailed information display for movies (1) (2) (6) (3) (4) (5) (1) (2) (3) (4) Movie playback Movie recording mode/Time-lapse movie/Video snapshot Image size Frame rate (7) (8) (5) (6) (7) (8) Compression method Movie digital IS Recording time Movie recording format * will be displayed for still photos taken as test shots for time-lapse movies. oo During movie playback, “*, *” will be displayed for [Fineness] and [Threshold] of [Picture Style]’s [Sharpness]. 599 Trademarks oo Adobe is a trademark of Adobe Systems Incorporated. oo Microsoft and Windows are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries. oo Macintosh and Mac OS are trademarks of Apple Inc., registered in the U.S. and other countries. oo SDXC logo is a trademark of SD-3C, LLC. oo HDMI, HDMI logo, and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC. oo The Wi-Fi CERTIFIED logo and the Wi-Fi Protected Setup mark are trademarks of the Wi-Fi Alliance. oo WPS used on camera settings screens and in this manual stands for Wi-Fi Protected Setup. oo The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Canon Inc. is under license. Other trademarks and trade names are those of their respective owners. oo All other trademarks are the property of their respective owners. 600 About MPEG-4 Licensing “This product is licensed under AT&T patents for the MPEG-4 standard and may be used for encoding MPEG-4 compliant video and/or decoding MPEG-4 compliant video that was encoded only (1) for a personal and non-commercial purpose or (2) by a video provider licensed under the AT&T patents to provide MPEG-4 compliant video. No license is granted or implied for any other use for MPEG-4 standard.” * Notice displayed in English as required. Third party software This product includes third party software. ● AES-128 Library Copyright (c) 1998-2008, Brian Gladman, Worcester, UK. All rights reserved. LICENSE TERMS The redistribution and use of this software (with or without changes) is allowed without the payment of fees or royalties provided that: 1. source code distributions include the above copyright notice, this list of conditions and the following disclaimer; 2. binary distributions include the above copyright notice, this list of conditions and the following disclaimer in their documentation; 3. the name of the copyright holder is not used to endorse products built using this software without specific written permission. DISCLAIMER This software is provided 'as is' with no explicit or implied warranties in respect of its properties, including, but not limited to, correctness and/or fitness for purpose. 601 Use of Genuine Canon Accessories Is Recommended This product is designed to achieve optimum performance when used with genuine Canon accessories. Therefore, using this product with genuine accessories is highly recommended. Canon shall not be liable for any damage to this product and/or accidents such as malfunction, fire, etc. caused by the failure of non-genuine Canon accessories (e.g., a leakage and/or explosion of a battery). Please note that repairs arising out of the malfunction of non-genuine accessories will not be covered by the warranty for repairs, although you may request such repairs on a chargeable basis. oo Battery Pack LP-E17 is dedicated to Canon products only. Using it with an incompatible battery charger or product may result in malfunction or accidents for which Canon cannot be held liable. 602 Index Numbers 1-point AF : 188, 193 [4K] 3840×2160 (Movie) : 249 ALL-I : 265 Ambience priority (AWB) : 142 Anti-flicker shooting : 179 4K frame capture : 306 Aperture-priority AE : 100 A (Scene Intelligent Auto) : 68 Area AF frame : 80, 81, 192 Acceleration/deceleration tracking : 531 Aspect ratio → Still photo cropping/ Access lamp : 43 aspect ratio Accessories : 3 Attenuator : 258 Adobe RGB : 147 Autofocus → AF AEB (Auto Exposure Bracketing) : 129 Auto Lighting Optimizer : 136 AE lock : 213 Auto power off : 372 AF Auto reset : 365 AF-assist beam : 187, 201 Auto rotate : 366 AF method : 188 Av (Aperture-priority AE) : 100 AF operation : 185, 196 AF point selection : 193 AF speed : 283 Area AF frame : 80, 81, 192 Beep (Beeper) : 380 Continuous AF : 199 Eye detection AF : 198 Lens drive when AF impossible : 533 Lens electronic MF : 200 Limit AF methods : 533 Manual focusing : 214 Orientation linked AF point : 534 Recomposing : 71 Touch & drag AF : 183 AF point auto switching : 532 AF point expansion : 189, 193 AF start button : 55 Album (video snapshot) : 274, 334 B Background music : 336 Basic information display : 597 Basic Zone : 34 Battery → Power B (Bulb) : 106 Beep (Beeper) : 380 Bluetooth function : 399, 418 Address : 429 Connecting : 421 Bracketing AEB (Auto Exposure Bracketing) : 129 FEB (Flash Exposure Bracketing) : 229 Focus bracketing : 202 White balance bracketing : 146 Bulb exposures : 106 603 Index Bulb timer : 107 BUSY : 118 Contrast : 136, 153 Control ring : 58 Copyright information : 411 C // (Custom shooting) : 408 Camera Camera vibration blur : 107, 210 Default settings : 410 Holding the camera : 53 Camera shake : 54, 70 Creative Assist : 73, 331 Creative Zone : 35 Cropping (images) : 337 Custom Functions : 523 Customize buttons : 538 Custom shooting mode : 408 Custom white balance : 143 Card requirements : 253, 585 D Cards : 10, 30, 42 Date/time : 374 Card reminder : 182 Daylight saving time : 375 Formatting : 367 Default settings : 410 Low-level formatting : 367 Custom Functions : 546 Troubleshooting : 44, 565 Customizing operations : 546 Write protection : 42 Custom shooting mode : 408 Center-weighted average metering : 211 Certification logo : 413 Flash function settings : 230 My Menu : 551 Charger : 37, 40 Depth-of-field preview : 101 Charging : 40, 558 Diffraction correction : 126, 330 Chromatic aberration correction : 126, Digital Lens Optimizer : 125, 329 330 Digital terminal : 32, 556 Cleaning (image sensor) : 382 Dioptric adjustment : 52 Clipped highlights : 351 Display off : 372 Close-up : 84 Display settings : 394 Color space : 147, 329 Distortion correction : 124, 329 Color temperature : 144 Double-tap : 298 Color tone : 153 DPOF (Digital Print Order Format) : 318 Combination IS : 261 Dragging : 64 Continuous (file numbering) : 364 Drive mode : 206 Continuous shooting : 206 Dust Delete Data : 161 604 Index E Flash (Speedlite) : 220 Custom Functions : 230 Eco mode : 371 FEB (Flash Exposure Bracketing) : Electronic level : 388 229 Erasing (images) : 314 FE lock : 220 Err (error codes) : 581 Flash control (function settings) : 222 Evaluative metering : 211 Flash exposure compensation : 220, exFAT : 254, 368 229 Expanded ISO speed : 131, 133, 286, Flash sync speed : 221 588 Manual flash : 226 Exposure compensation : 129 Safety FE : 225 Exposure compensation in M mode with Shutter synchronization (1st/2nd ISO Auto : 103 curtain) : 228 Exposure level increments : 526 Slow synchro : 224 Exposure level indicator : 102, 592 Exposure simulation : 139 Extension grip : 560 External microphone : 258 Wireless : 227 Flash sync contacts : 31 Flexible-priority AE : 104 External Speedlite → Flash Focus bracketing : 202 F Focus lock : 71 Face+Tracking : 188, 191 FAT32 : 254, 368 Feature guide : 370 FEB (Flash Exposure Bracketing) : 229 FE lock : 220 File extension : 116, 252 File size : 254, 583, 586 Filter effect (Monochrome) : 154 Fine (Image quality) : 116 Firmware : 413 First-curtain synchronization : 228 Flash exposure compensation : 220, 229 Flash mode : 226 Focusing → AF Focus mode switch : 48, 51 Folder creation/selection : 361 Food : 85 Formatting (card initialization) : 367 Frame Grab : 306 Frame rate : 252, 378 Full High-Definition (Full HD) (movie) : 249 Fv (Flexible-priority AE) : 104 G GPS : 402 Grid display : 353, 390 605 Index Group Photo : 78 Continuous (file numbering) : 364 Erasing : 314 H File numbering : 363 H1/H2 (Expanded ISO speed) : 133 Highlight alert : 351 Handheld night scene : 87 Histogram : 349 [HD] 1280×720 (Movie) : 249 Importing (to computer) : 556 HDMI : 290, 308, 386 Index display : 300 HDMI HDR : 387 Jump display (image browsing) : 347 HDMI output : 290 Magnifying images : 299 HDR Backlight Control : 88 Manual reset : 365 HDR movie recording : 247 Manual rotation : 313 HDR shooting : 171 Playback : 293 Headphones : 258 Protecting images : 310 Help : 396 Rating : 340 Text size : 397 Search conditions : 345 High dynamic range → HDR High ISO speed noise reduction : 157 Highlight alert : 351 Highlight tone priority : 137 High-speed continuous shooting : 206 High-speed display : 181 Histogram : 349, 391 Hot shoe : 31 I Shooting information : 297, 598 Image search : 345 Importing images to a computer : 556 Index display : 300 INFO button : 59 Initial magnification ratio/position : 355 Interval timer : 176 IPB : 252 ISO speed : 131, 286 ICC profile : 147 Auto range (Still photos) : 134 Icons : 8 ISO Auto range : 134, 582 Image browsing (jump display) : 347 ISO speed range : 133, 286 Image quality : 116, 583 Minimum shutter speed for ISO Auto Image review time : 122 (Still photos) : 135 Images AF point display : 352 Auto reset : 365 Auto rotation : 366 606 J JPEG : 116, 583 Jump display : 347 Index Maximum burst : 118, 583 K Kids : 81 Medium (image quality) : 116 L Menu : 60 Memory cards → Cards Landscape : 79 Custom Functions : 524 Language : 377 Dimmed menu items : 63 Large (image quality) : 116 Function settings : 358 Lens : 48, 50 Movie shooting : 236 Chromatic aberration correction : 126, My Menu : 548 330 Playback : 294 Diffraction correction : 126, 330 Setting procedure : 61 Digital Lens Optimizer : 125, 329 Still photo shooting : 111 Distortion correction : 124, 329 Metering mode : 211 Focus mode switch : 48, 51 Metering timer : 138 Lock release : 49, 51 MF (Manual focusing) : 214 Optical aberration correction : 123, M-Fn button : 55 329 MF peaking : 216 Peripheral illumination correction : Microphone : 258 124, 329 M (Manual exposure) : 102 Lens electronic MF : 200 Mode dial : 34 Location information : 402 Mode guide : 369 LOCK : 58, 407 Monochrome : 150 Long (bulb) exposures : 106 Movies : 235 Long Exposure Noise Reduction : 159 AE lock : 240 Low-speed continuous shooting : 207 AF speed during Movie Servo AF : M 283 Magnifying images : 195, 214, 299 Main dial : 56 Malfunction : 562 Manual exposure : 102 Manual focus : 214 Manual focusing : 214 Manual reset : 365 Attenuator : 258 Autoexposure shooting : 239 Auto slow shutter : 288 Av 1/8-stop increments : 289 Cards that can record movies : 585 Compression method : 252 Cropped shooting : 256 607 Index Editing : 304 Editing out first and last scenes : 304 External microphone : 258 File size : 254, 586 N Night Portrait : 86 Noise reduction High ISO speed : 157 Frame Grab : 306 Frame rate : 252 HDMI output : 290, 386 HDR movie recording : 247 Headphones : 258 Long exposures : 159 Non-Canon flash units : 221 Normal (Image quality) : 116 NTSC : 252, 378 Information display : 593 O Manual exposure shooting : 241 One-Shot AF : 186 Microphone : 258 Orientation linked AF point : 534 Movie digital IS : 260 P Movie recording size : 249 Movie Servo AF : 280, 282, 283 Movie Servo AF tracking sensitivity : 282 Movie shooting button : 31 Playback : 301 Recording time : 255, 586 Shooting area : 251 Sound recording/Sound-recording level : 257 Time-lapse movie : 262 Video snapshots : 274 Wind filter : 257 MP4 : 252 Multi function : 55 Multi-function lock : 58, 407 Multiple exposure : 165 Multi Shot Noise Reduction : 157 My Menu : 548 PAL : 252, 378 Panning : 82 Partial metering : 211 Part names : 31 Peripheral illumination correction : 124, 329 Photobook set-up : 322 Picture Style : 148, 152, 155 Pixel count : 116, 583 Playback : 293 Portrait : 77 Positioning hole : 33 Possible recording time (movie) : 586 Possible shots : 582 Power : 46 Auto power off : 372 Battery information : 381 Battery level : 47 Charging : 40, 558 Possible shots : 582 608 Index Power saving : 372 Scene icons : 72, 595 P (Program AE) : 96 Scene Intelligent Auto : 68 Pressing completely : 54, 395 (Special scene) : 34, 75 Pressing halfway : 54, 395 Screen : 30, 45 Printing Photobook set-up : 322 Print order (DPOF) : 318 Program AE : 96 Program shift : 97 Protecting images : 310 Q [Q] (Quick Control) : 65 Quick Control : 65 Quick control dial : 57 R Angle adjustment : 45 Brightness : 373 SD/SDHC/SDXC cards → Cards Second-curtain synchronization : 228 Self-timer : 209 Sensitivity → ISO speed Sensor cleaning : 382 Serial number : 33 Servo AF Initial AF Point : 535 Movie Servo AF : 280, 282, 283 SERVO : 186 Rating : 340 SERVO (Servo AF) : 186 Rating mark : 340 Sharpness : 153 RAW : 116, 117 Shooting information display : 388, 591 RAW image processing : 325 Shooting mode RAW+JPEG : 116, 583 (Scene Intelligent Auto) : 68 Reduced display : 300 Av (Aperture-priority AE) : 100 Release shutter without card : 182 B (Bulb) : 106 Remote control : 217 // (Custom shooting) : Remote control terminal : 32, 219 408 Remote switch : 219 Fv (Flexible-priority AE) : 104 Resizing : 339 M (Manual exposure) : 102 Rotating (images) : 313, 366 P (Program AE) : 96 S Safety instructions : 25 Safety shift : 529 Saturation : 153 SCN (Special scene mode) : 75 Tv (Shutter-priority AE) : 98 Shooting range : 391 Shutter button : 54 Shutter button functions : 395 609 Index Shutter-priority AE : 98 Troubleshooting : 562 Shutter synchronization : 228 TV display : 308 Silent mode : 89 Tv (Shutter-priority AE) : 98 Single-image display : 296 Single shooting : 206 Slide show : 343 Small (image quality) : 116 Software : 554 Instruction Manual : 555 U UHS-II/UHS-I : 10 USB (digital) terminal : 32, 556 UTC (Coordinated Universal Time) : 406 V Sound recording/Sound-recording level : Video snapshots : 274 257 Video system : 378 Speaker : 33 Viewfinder Special scene mode (SCN) : 75 Dioptric adjustment : 52 Sports : 80 Display format : 393 Spot AF : 188, 193 Grid display : 390 Spot metering : 211 Information display : 389 sRGB : 147 Vertical display : 390 Still photo cropping/aspect ratio : 119, Viewfinder off : 372 584 Volume (movie playback) : 302, 303 Strap : 38 T W White balance : 140 Temperature warning : 232, 291 Auto : 142 Tilt correction : 338 Bracketing : 146 Time-lapse movie : 262 Color temperature setting : 144 Time zone : 374 Correction : 145 Tone priority : 137 Custom : 143 Toning effect (Monochrome) : 154 White priority (AWB) : 142 Touch beeping : 380 Wi-Fi function : 415 Touch operation : 64, 298, 379 Android : 420 Touch Shutter : 163 Camera access point mode : 492 Tracking sensitivity : 530 Camera Connect : 420, 437 Tripod socket : 33 CANON iMAGE GATEWAY : 473 610 Index Clearing wireless communication Virtual keyboard : 517 settings : 498 Wi-Fi settings : 516 Connection history : 493, 516 WPS (Wi-Fi Protected Setup) : 488 Edit device information : 450, 496 Wind filter : 257 EOS Utility : 453 Wireless communication settings : 398, Erase connection information : 497 415 Image Transfer Utility 2 : 458 iOS : 420 IP address : 518 Z Zone AF : 189, 193 MAC address : 499 Network : 434, 454, 462 Network settings : 514 Nickname : 497 Notes : 511 Pairing : 422 Password : 516 PictBridge : 463 Printer : 461 Printing : 464 Print order : 467 Reconnecting : 493 Remote operation : 437 Resize image : 440, 445, 481 Sending all images on the card : 446, 483 Sending images that match search conditions : 447, 485 Send selected : 443, 480 SSID : 434, 454, 462 Switch network : 489 Viewable images : 450 View info screen : 499 Viewing images : 437 611 The descriptions in this Instruction Manual are current as of October 2018. For information on the compatibility with any products introduced after this date, contact any Canon Service Center. For the latest version Instruction Manual, refer to the Canon Web site. CT2-D012-A © CANON INC. 2018

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