Casio Ctk 591 01 E

593es1 ee9710d9-575d-4be6-a889-c6aab9082028 Casio Electronic Keyboard 593-ES-1 User Guide |

CTK591 CTK591_EN CTK-591 | Electronic Musical Instruments | Manuals | CASIO

2014-07-05

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CTK591/593-ES-1

USER’S GUIDE

GUÍA DEL USUARIO

CTK591_es_Cover.p65 03.10.7, 4:27 PM1

704A-E-002A

GUIDELINES LAID DOWN BY FCC RULES FOR USE OF THE UNIT IN THE U.S.A. (not applicable to other areas).

NOTICE

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15

of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a

residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed

and used in accordance with the instructions, may cause harmful interference to radio communications. However,

there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful

interference to radio or television reception, which can be determined by turning the equipment off and on, the user

is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

• Consult the dealer or an experienced radio/TV technician for help.

FCC WARNING

Changes or modifications not expressly approved by the party responsible for compliance could void the user’s

authority to operate the equipment.

Important!

Please note the following important information before using this product.

• Before using the optional AD-5 Adaptor to power the unit, be sure to check the AC Adaptor

for any damage first. Carefully check the power cord for breakage, cuts, exposed wire and

other serious damage. Never let children use an AC adaptor that is seriously damaged.

• Never attempt to recharge batteries.

• Do not use rechargeable batteries.

• Never mix old batteries with new ones.

• Use recommended batteries or equivalent types.

• Always make sure that positive (+) and negative (–) poles are facing correctly as indicated

near the battery compartment.

• Replace batteries as soon as possible after any sign they are getting weak.

• Do not short-circuit the battery terminals.

• The product is not intended for children under 3 years.

• Use only CASIO AD-5 adaptor.

• The AC adaptor is not a toy.

• Be sure to disconnect the AC adaptor before cleaning the product.

CASIO ELECTRONICS CO., LTD.

Unit 6, 1000

North Circular Road

London NW2 7JD, U.K.

This mark is valid in the EU countries only.

Please keep all information for future reference.

CTK591_e_00.p65 03.10.7, 4:27 PM2

E-1

704A-E-003A

Safety Precautions

Congratulations on your selection of the CASIO

electronic musical instrument.

•Before using the instrument, be sure to carefully

read through the instructions contained in this

manual.

•Please keep all information for future reference.

Symbols

Various symbols are used in this user’s guide and on

the product itself to ensure that the product is used

safely and correctly, and to prevent injury to the user

and other persons as well as damage to property.

Those symbols along with their meanings are shown

below.

DANGER

This symbol indicates information that, if ignored

or applied incorrectly, creates the danger of death

or serious personal injury.

WARNING

This indication stipulates matters that have the risk

of causing death or serious injury if the product is

operated incorrectly while ignoring this indication.

CAUTION

This indication stipulates matters that have the risk

of causing injury as well as matters for which there

is the likelihood of occurrence of physical damage

only if the product is operated incorrectly while

ignoring this indication.

Symbol Examples

This triangle symbol ( ) means that the

user should be careful. (The example at

left indicates electrical shock caution.)

This circle with a line through it ( )

means that the indicated action must not

be performed. Indications within or

nearby this symbol are specifically

prohibited. (The example at left indicates

that disassembly is prohibited.)

The black dot ( ) means that the

indicated action must be performed.

Indications within this symbol are actions

that are specifically instructed to be

performed. (The example at left indicates

that the power plug must be unplugged

from the electrical socket.)

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DANGER

Alkaline Batteries

Perform the following steps immediately if

fluid leaking from alkaline batteries ever

gets into your eyes.

1. Do not rub your eyes! Rinse them with

water.

2. Contact your physician immediately.

Leaving alkaline battery fluid in your eyes

can lead to loss of sight.

WARNING

Smoke, Strange Odor, Overheating

Continued use of the product while it is

emitting smoke, a strange odor, or heat

creates the risk of fire and electric shock.

Take the following steps immediately.

1. Turn off power.

2. If you are using the AC adaptor for

power, unplug it from the wall outlet.

3. Contact your original retailer or an

authorized CASIO Service Provider.

AC Adaptor

Misuse of the AC adaptor creates the risk

of fire and electric shock. Always make sure

you observe the following precautions.

•Be sure to use only the AC adaptor that

is specified for this product.

•Use only a power source whose voltage

is within the rating marked on the AC

adaptor.

•Do not overload electrical outlets and

extension cords.

AC Adaptor

Misuse of the AC adaptor’s electric cord

can damage or break it, creating the risk of

fire and electric shock. Always make sure

you observe the following precautions.

•Never place heavy objects on the cord or

subject it to heat.

•Never try to modify the cord or subject it

to excessive bending.

•Never twist or stretch the cord.

•Should the electric cord or plug become

damaged, contact your original retailer

or authorized CASIO Service Provider.

AC Adaptor

Never touch the AC adaptor while your

hands are wet.

Doing so creates the risk of electric shock.

Batteries

Misuse of batteries can cause them to leak,

resulting in damage to nearby objects, or to

explode, creating the risk of fire and

personal injury. Always make sure you

observe the following precautions.

•Never try to take batteries apart or allow

them to become shorted.

•Never expose batteries to heat or dispose

of them by incineration.

•Never mix old batteries with new ones.

•Never mix batteries of different types.

•Do not charge the batteries.

•Make sure the positive (+) and negative

(–) ends of the batteries are facing

correctly.

Do not incinerate the product.

Never throw the product into fire.

Doing so can cause it to explode, creating

the risk of fire and personal injury.

Water and Foreign Matter

Water, other liquids, and foreign matter

(such as pieces of metal) getting into the

product create the risk of fire and electric

shock. Take the following steps

immediately.

1. Turn off power.

2. If you are using the AC adaptor for

power, unplug it from the wall outlet.

3. Contact your original retailer or an

authorized CASIO Service Provider.

Disassembly and Modification

Never try to take this product apart or

modify it in any way. Doing so creates the

risk of electric shock, burn injury, or other

personal injury. Leave all internal

inspection, adjustment, and maintenance up

to your original retailer or authorized

CASIO Service Provider.

Dropping and Impact

Continued use of this product after it has

been damaged by dropping or subjecting it

to strong impact creates the risk of fire and

electric shock. Take the following steps

immediately.

1. Turn off power.

2. If you are using the AC adaptor for

power, unplug it from the wall outlet.

3. Contact your original retailer or an

authorized CASIO Service Provider.

Safety Precautions

704A-E-004A

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Plastic Bags

Never place the plastic bag the product

comes in over your head or in your mouth.

Doing so creates the risk of suffocation.

Particular care concerning this precaution

is required where small children are

present.

Keep off of the product and stand.*

Climbing onto the product or stand can

cause it to tip over or become damaged.

Particular care concerning this precaution

is required where small children are

present.

Location

Avoid locating the product on an unstable

stand, on an uneven surface, or any other

unstable location. An unstable location can

cause the product to fall over, creating the

risk of personal injury.

CAUTION

AC Adaptor

Misuse of the AC adaptor creates the risk

of fire and electric shock. Always make sure

you observe the following precautions.

•Do not locate the electric cord near a

stove or other sources of heat.

•Never pull on the cord when unplugging

from the electrical outlet. Always grasp

the AC adaptor when unplugging.

AC Adaptor

Misuse of the AC adaptor creates the risk

of fire and electric shock. Always make sure

you observe the following precautions.

•Insert the AC adaptor into the wall outlet

as far as it will go.

•Unplug the AC adaptor from the wall

outlet during lightening storms or before

leaving on a trip or other long-term

absence.

•At least once a year, unplug the AC

adaptor from the wall outlet and wipe

away any dust that is built up in the area

around the prongs of the plug.

Relocating the Product

Before relocating the product, always

unplug the AC adaptor from the wall outlet

and disconnect all other cables and

connecting cords. Leaving cords connected

creates the risk of damage to the cords, fire,

and electric shock.

Cleaning

Before cleaning the product, always unplug

the AC adaptor from the wall outlet first.

Leaving the AC adaptor plugged in creates

the risk of damage to the AC adaptor, fire,

and electric shock.

Batteries

Misuse of batteries can cause them to leak

resulting in damage to nearby objects, or to

explode, creating the risk of fire and

personal injury. Always make sure you

observe the following precautions.

•Use only batteries that are specified for

use with this product.

•Remove batteries from the product if you

do not plan to use it for a long time.

Connectors

Connect only the specified devices and

equipment to the product’s connectors.

Connection of a non-specified device or

equipment creates the risk of fire and

electric shock.

Safety Precautions

704A-E-005A

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Location

Avoid the following locations for this

product. Such locations create the risk of

fire and electric shock.

•Areas subject to high humidity or large

amounts of dust.

•In food preparation areas or other areas

subject to oil smoke.

•Near air conditioning equipment, on a

heated carpet, in areas exposed to direct

sunlight, inside of a vehicle parked in

the sun, or any other area that subjects

the product to high temperatures.

Display Screen

•Never push on the display screen’s LCD

panel or subject it to strong impact. Doing

so can cause the LCD panel’s glass to

crack, creating the risk of personal injury.

•Should the LCD panel ever crack or

break, never touch the liquid inside of

the panel. LCD panel liquid can cause

skin irritation.

•Should LCD panel liquid ever get inside

your mouth, immediately wash out your

mouth with water and contact your

physician.

•Should LCD panel liquid ever get into

your eyes or onto your skin, rinse with

clear water for at least 15 minutes, and

then contact a physician.

Sound Volume

Do not listen to music at very loud volumes

for long periods. Particular care concerning

this precaution is required when using

headphones. High volume settings can

damage your hearing.

Heavy Objects

Never place heavy object on top of the

product.

Doing so can make the product top heavy,

causing the product to tip over or the object

to fall from it, creating the risk of personal

injury.

Correct Stand* Assembly

An incorrectly assembled stand can tip over,

causing the product to fall and creating the

risk of personal injury.

Make sure you assemble the stand correctly,

following the assembly instructions that

come with it. Make sure you mount the

product on the stand correctly.

*Stand is available as an option.

Safety Precautions

704A-E-006A

IMPORTANT!

When using batteries, be sure to replace them or shift to

one of the alternate power sources whenever you notice

any of the following symptoms.

• Dim power supply indicator

• Instrument does not turn on.

• Dim, difficult to read display

• Abnormally low speaker/headphone volume

• Distortion of sound output

• Occasional interruption of sound when playing at high

volumes

• Sudden power failure when playing at high volumes

• Dimming of the display when playing at high volume

• Continued sound output even after you release a key

• A totally different tone may sound

• Abnormal rhythm pattern and demo tune play

• Abnormally low microphone volume

• Distortion of microphone input

• Dim power supply indicator when a microphone is used

• Sudden power failure when using the microphone

• Loss of power, sound distortion, or low volume when

playing from a connected computer or MIDI device

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❐255 tones

A wide selection of tones includes stereo piano and synthesized sounds, drum sets, and much more.

❐PIANO BANK button

The touch of a button takes you directly to piano tones and piano lessons.

❐Advanced 3-Step Lesson System

The 3-Step Lesson System lets you practice at your own pace. The keyboard automatically grades your performances, so you can

trace your progress as you improve.

•3-Step Lesson System: Now you can learn the parts that make up the keyboard’s built-in tunes step-by-step. Guidance that

appears on the monitor screen helps lead you down the path to music proficiency.

•Evaluation System: The keyboard can be configured to rate your performances during Step 1 and Step 2 lessons by assigning

points. You can even have the keyboard report your points vocally, both part way through and at the end of a lesson.

❐Sing-along

Simply connect a commercially available microphone to the microphone jack and you can sing along with the keyboard’s built-in

tunes.

❐100 built-in tunes, including piano pieces

Built-in tunes are divided into two groups: a Song Bank of 50 tunes with Auto Accompaniment, and a Piano Bank of 50 piano

tunes. You can simply enjoy listening to the built-in tunes, or eliminate the melody part of a Song Bank tunes or either hand part

of a Piano Bank tune, and then play along on the keyboard.

❐120 rhythms

A selection of rhythms cover rock, pops, jazz and just about any other musical style imaginable.

❐Auto Accompaniment

Simply play a chord and the corresponding rhythm, bass, and chord parts play along automatically. One Touch Presets instantly

recalls the most suitable tone and tempo settings to match the rhythm you are using.

❐Musical Information System

A big LCD screen graphically shows you fingerings, keyboard keys to be pressed, and notes, making keyboard play more

informative and enjoyable than ever before. A built-in backlight keeps the display easy to read, even in total darkness.

❐Song Memory function

•Record up to two parts in song memory for later playback. Realistic ensemble play can also be created using the Auto

Accompaniment function.

•The on-screen keyboard guide shows fingerings for the melody as recorded songs are played back.

❐General MIDI compatibility

General MIDI tones let you connect to a personal computer and enjoy “desktop music” capabilities. This keyboard can be used as

a desktop music input device or as a sound source, and it’s just the thing for playback of commercially available pre-recorded

General MIDI music software.

❐Display Indications for Received MIDI Messages

When playing General MIDI data, you can have information (keyboard and pedal data) about a specific channel appear on the

display. You can also turn off a specific channel and play its part on the keyboard. You can even turn off the output of a channel

and play along on the keyboard.

Main Features

704A-E-007A

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704A-E-008A

Contents

Safety Precautions ................ E-1

Main Features ........................ E-5

Contents................................. E-6

General Guide........................ E-8

About the display ................................... E-11

Quick Reference .................. E-12

To play the keyboard .............................. E-12

Power Supply ...................... E-14

Using batteries ....................................... E-14

Using the AC Adaptor ............................. E-15

Auto Power Off ....................................... E-15

Settings and Memory Contents .............. E-16

Connections ........................ E-17

Phones/Output Terminal ......................... E-17

Connecting to a Computer or Other

Equipment .............................................. E-17

Assignable jack Terminal........................ E-17

Microphone Jack .................................... E-18

Accessories and Options ....................... E-18

Basic Operations................. E-19

To play the keyboard .............................. E-19

Selecting a Tone..................................... E-19

Practicing on the Piano ...... E-21

Using the PIANO BANK Button ............. E-21

Playing a Built-in Tune........ E-22

To play back a Song Bank tune ............. E-22

To play back a Piano Bank tune ............. E-23

Musical Information System ................... E-23

Adjusting the Tempo............................... E-23

To pause playback ................................. E-24

To fast reverse ....................................... E-24

To fast forward ....................................... E-24

To change the melody tone .................... E-25

To play all tunes in succession ............... E-25

Advanced 3-Step Lesson ... E-26

Evaluation Mode .................................... E-27

Using the Lesson Functions and

Evaluation Mode .................................... E-27

Step 1 – Master the timing. .................... E-28

Step 2 – Master the notes. ..................... E-29

Step 3 – Play at normal speed. .............. E-30

Using the Phrase Practice Mode ........... E-30

Voice Fingering Guide ............................ E-31

Using the Metronome ............................. E-31

Using a Microphone for

Sing Along ........................... E-32

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Contents

Auto Accompaniment ......... E-34

Selecting a Rhythm ................................ E-34

Playing a Rhythm ................................... E-35

Adjusting the Tempo............................... E-35

Using Auto Accompaniment ................... E-35

Using an Intro Pattern ............................ E-38

Using a Fill-in Pattern ............................. E-39

Using a Rhythm Variation....................... E-39

Using a Fill-in Pattern with

a Variation Rhythm ................................. E-39

Synchro Starting Accompaniment with

Rhythm Play ........................................... E-39

Finishing with an Ending Pattern ........... E-40

Using One-touch Preset ......................... E-40

Song Memory Function ...... E-41

Tracks .................................................... E-41

Real-time Recording to Track 1 ............. E-42

Playing Back from Song Memory ........... E-44

Real-time Recording to Track 2 ............. E-44

Deleting the Contents of

a Specific Track ...................................... E-45

Keyboard Settings .............. E-46

Using Layer ............................................ E-46

Using Split .............................................. E-46

Using Layer and Split Together .............. E-47

Transposing the Keyboard ..................... E-48

Using Touch Response .......................... E-48

Adjusting the Accompaniment Volume ... E-49

Tuning the Keyboard .............................. E-50

MIDI....................................... E-51

What is MIDI? ........................................ E-51

General MIDI .......................................... E-52

Changing MIDI Settings ......................... E-52

Messages ............................................... E-56

Troubleshooting .................. E-59

Specifications ...................... E-61

Care of your keyboard ........ E-63

Appendix ................................ A-1

Note Table ................................................ A-1

Drum Assignment List .............................. A-3

FINGERED Chord Chart .......................... A-5

Tone List ................................................... A-6

Rhythm List .............................................. A-9

Song List ................................................ A-10

MIDI Implementation Chart

704A-E-009A

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704A-E-010A

O Q aR U \ ^]

L MK

1 2

N P S VX W Z [ b cYT

E EF G H J

3 4 5 6 7 8 9 0 B C

General Guide

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General Guide

1POWER button

2Power indicator

3VOLUME slider

4MODE switch

●SONG/PIANO BANK/RHYTHM CONTROLLER

5INTRO button

6REW button, NORMAL/FILL-IN button

7FF button, VARIATION/FILL-IN button

8PAUSE button, SYNCHRO/ENDING button

9PLAY/STOP button, START/STOP button

0Song/Piano Bank controller indicator

ARhythm controller indicator

BSONG BANK button

CPIANO BANK button

DTEMPO buttons

ESpeaker

FRHYTHM list

GTONE list

HSONG BANK/SING ALONG list

IDisplay

JPIANO BANK list

KCHORD root names

LPercussion instrument list

MVoice 1 to 5

NMIC jack

OMIC VOLUME knob

PSING ALONG button

QKEY CONTROL/TRANSPOSE buttons

R<PLAY/STOP> button

SSETTING button

TSONG MEMORY button

UONE TOUCH PRESET button

VRHYTHM button

WTONE button

●ADVANCED 3-STEP LESSON SYSTEM

XSPEAK button

YMETRONOME button

ZLEFT button, TRACK 1 button

[RIGHT button, TRACK 2 button

\SCORING 1 button

]PRACTICE PHRASE button

_SCORING 2 button

aSTEP 1 to 3 button

bSPLIT button

cLAYER button

NOTE

•Key, button, and other names are indicated in the text of this manual using bold type.

•This keyboard has two PLAY/STOP buttons. In this manual, the PLAY/STOP button that is located under the SING ALONG

button is indicated as <PLAY/STOP>.

*1 Attaching the Score Stand

Insert the score stand into the slot at the top

of the keyboard as shown in the illustration.

704A-E-011A

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E-10

General Guide

dNumber buttons

e[+]/[–] buttons

•For input of numbers to

change a displayed number

or setting.

•Negative values cannot be

input using the number

buttons. Use [+] (increase)

and [–] (decrease) instead.

Rear Panel

f g

h i j

fMIDI OUT terminal

gMIDI IN terminal

hASSIGNABLE JACK terminal

iDC 9V jack

jPHONES/OUTPUT terminal

704A-E-012A

Controller Indicators

Song/Piano Bank controller indicator

Pressing the SONG BANK, PIANO BANK, or SING ALONG button, or pressing the SONG BANK and PIANO BANK buttons at

the same time to start demo tune play causes the Song/Piano Bank controller indicator to light. This indicates that buttons 5

through 9 are currently functioning as playback control buttons.

Rhythm controller indicator

Pressing the RHYTHM button to enter the Rhythm Mode, or pressing the RHYTHM button and then the SONG MEMORY button

to enter the Song Memory mode causes the Rhythm controller indicator to light. This indicates that buttons 5 through 9 are

currently functioning as rhythm control buttons.

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E-11

General Guide

378

About the display

The icons that appear here indicate whether the keyboard is in the Sing Along Mode, Song Bank Mode, or Piano Bank Mode.

Numeric Area: This area displays tone numbers, song numbers, evaluation values, and other numeric data.

Text Area: This area displays tone names and song names. It is also used as the display area for the Evaluation Mode,

Song Memory, and other functions.

Indicator Area: This area indicates the type of data that is currently displayed in the numeric area and text area.

Example: The indicator points to “SONG BANK” when a Song Bank tune name is displayed.

This area is a staff notation display that shows notes being played in built-in tunes, on the keyboard, or from memory, chord

forms, and MIDI receive data.*1 Notes in the range F6 to C7 are shown in the staff notation display one octave lower, along

with an octave up mark ( ).*2

If you are using a pedal, a pedal mark ( ) appears here whenever you press the pedal.

*1 Received notes outside the range of C2 to C7 do not appear on the display.

*2 Notes in the range of C2 through B2 are not shown while the octave up mark ( ) is on the display.

An indicator appears next to a function that is in use: touch response, General MIDI Mode, song memory, layer, split.

This area shows fingerings and other finger information during 3-step lesson and tune play. The letters “L” (left) and “R” (right)

appear to indicate left and right hand Auto Accompaniment parts and song memory tracks.

This area shows the current measure number and beat number, a graphic metronome, and the current tempo setting (beats

per minute) during rhythm, Auto Accompaniment, built-in tune, song memory play, and metronome.

This area shows chord names during Auto Accompaniment, Song Bank, and Sing Along play.

This area uses a graphic keyboard to show notes being played in built-in tunes, on the keyboard, or from song memory, chord

forms, and MIDI receive data.

The type of star that appears here indicates the accuracy of your timing for each note you play, when the Evaluation Mode is

turned on.

10.

This area displays indicators that show when 3-Step Lesson, the Evaluation Mode, or Voice Fingering is turned on.

NOTE

•Display examples shown in this User’s Guide are intended for illustrative purposes only. The actual text and values that

appear on the display may differ from the examples shown in this User’s Guide.

•Viewing a liquid crystal display screen from an angle can change the appearance of display contrast. The display contrast of

this keyboard is set to allow easy viewing for a person seated on a chair in front of the keyboard. Note that display contrast

is fixed, and cannot be adjusted.

704A-E-013A

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E-12

Quick Reference

This section provides a quick overview of keyboard operation

using steps one and two of the 3-step lesson feature.

With the 3-step lesson feature, the on-screen keyboard guide

keys light to show the next note of the tune.

To play the keyboard

Press the POWER button to turn on power.

•This causes the power indicator to light.

Set the MODE switch to NORMAL.

Press the SONG BANK button.

•This causes the SONG BANK button to light.

Find the tune you want to play in the SONG BANK/

SING ALONG List, and then use the number

buttons to input its two-digit number.

•See page A-10 for the Song Bank/Sing Along List.

Example: To select “42 ALOHA OE”, input 4 and then

Press the STEP 1 button or STEP 2 button.

•The keyboard sounds a count beat and waits for you

to play something on the keyboard. The keys that you

need to press first flash on the display.

Play the melody along with the selected tune’s

accompaniment.

•Play in accordance with the keyboard keys, fingerings

and notes that appear on the display.

Aloha Oe

FingeringKeyboard key used

Note pitch

704A-E-014A

POWER

Power indicator

SONG BANK PIANO BANK

Number buttons

MODE STEP 1

STEP 2

PLAY/STOP

Indicators

appear

Lit

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E-13

If you selected lesson Step 1

•Play the notes on the keyboard.

•Accompaniment (left-hand part) plays in time with

the notes.

•With Step 1, the correct melody note is played no

matter which keyboard key you press.

If you selected lesson Step 2

•Play the correct notes on the keyboard.

•While an on-screen keyboard guide key is lit, press

the corresponding key on the actual keyboard. In the

case of a Piano Bank tune, the keyboard guide

indication turns off when you press a keyboard key,

and the on-screen keyboard guide key lights for the

next note to be played.

•Accompaniment (left-hand part) plays in time with

the notes, as long as you press the correct keyboard

keys.

To stop play at any time, press the PLAY/STOP

button.

To play an Etude or Concert Piece tune

When you get to step 3 of the above procedure,

press the PIANO BANK button in place of the

SONG BANK button.

•This causes the PIANO BANK button to light.

Find the tune you want to play in the PIANO BANK

List, and then use the number buttons to input its

two-digit number.

•See page A-11 for the Piano Bank List.

Next, continue from step 5 of the above procedure.

Quick Reference

704A-E-015A

Indicators

appear

CTK591_e_08-21.p65 03.10.7, 4:27 PM13

E-14

Power Supply

This keyboard can be powered by current from a standard

household wall outlet (using the specified AC adaptor) or by

batteries. Always make sure you turn the keyboard off

whenever you are not using it.

Using batteries

Always make sure you turn off the keyboard before loading

or replacing batteries.

To load batteries

Remove the battery compartment cover.

Load 6 D-size batteries into the battery

compartment.

•Make sure that the positive (+) and negative (–) ends

are facing correctly.

Insert the tabs on the battery compartment cover

into the holes provided and close the cover.

NOTE

•The keyboard may not function correctly if you load or

replace batteries with power turned on. If this happens,

turning the keyboard off and then back on again should

return functions back to normal.

Important Battery Information

■

The following shows the approximate battery life.

Manganese batteries ............................... 6 hours

The above value is standard battery life at normal

temperature, with the keyboard volume at medium

setting. Temperature extremes or playing at very loud

volume settings can shorten battery life.

■

Any of the following symptoms indicate low battery power.

Replace batteries as soon as possible whenever any of

the following occurs.

•Dim power supply indicator

•Instrument does not turn on

•Dim, difficult to read display

•Abnormally low speaker/headphone volume

•Distortion of sound output

•Occasional interruption of sound when playing at high

volumes

•Sudden power failure when playing at high volumes

•Dimming of the display when playing at high volume

•Continued sound output even after you release a key

•A totally different tone may sound

•Abnormal rhythm pattern and demo tune play

•Abnormally low microphone volume

•Distortion of microphone input

•Dim power supply indicator when a microphone is used

•Sudden power failure when using the microphone

•Loss of power, sound distortion, or low volume when

playing from a connected computer or MIDI device

WARNING

Misuse of batteries can cause them to leak, resulting in

damage to nearby objects, or to explode, creating the risk of

fire and personal injury. Always make sure you observe the

following precautions.

•Never try to take batteries apart or allow them to

become shorted.

•Never expose batteries to heat or dispose of them by

incineration.

•Never mix old batteries with new ones.

•Never mix batteries of different types.

•Do not charge the batteries.

•Make sure the positive (+) and negative (–) ends of

the batteries are facing correctly.

CAUTION

Misuse of batteries can cause them to leak resulting in

damage to nearby objects, or to explode, creating the risk of

fire and personal injury. Always make sure you observe the

following precautions.

•Use only batteries that are specified for use with this

product.

•Remove batteries from the product if you do not plan

to use it for a long time.

704A-E-016A

CTK591_e_08-21.p65 03.10.7, 4:27 PM14

E-15

Power Supply

Using the AC Adaptor

Make sure that you use only the AC adaptor specified for

this keyboard.

Specified AC Adaptor: AD-5

[Rear Panel]

Also note the following important warnings and precautions

when using the AC adaptor.

WARNING

Misuse of the AC adaptor creates the risk of fire and electric

shock. Always make sure you observe the following

precautions.

•Be sure to use only the AC adaptor that is specified

for this product.

•Use only a power source whose voltage is within the

rating marked on the AC adaptor.

•Do not overload electrical outlets and extension cords.

•Never place heavy objects on the cord or subject it to

heat.

•Never try to modify the cord or subject it to excessive

bending.

•Never twist or stretch the cord.

•Should the electric cord or plug become damaged,

contact your original retailer or authorized CASIO

Service Provider.

•Never touch the AC adaptor while your hands are wet.

Doing so creates the risk of electric shock.

DC 9V jack

AC adapter AD-5

AC outlet

CAUTION

Misuse of the AC adaptor creates the risk of fire and electric

shock. Always make sure you observe the following

precautions.

•Do not locate the electric cord near a stove or other

sources of heat.

•Never pull on the cord when unplugging from the

electrical outlet. Always grasp the AC adaptor when

unplugging.

•Insert the AC adaptor into the wall outlet as far as it

will go.

•Unplug the AC adaptor from the wall outlet during

lightening storms or before leaving on a trip or other

long-term absence.

•At least once a year, unplug the AC adaptor from the

wall outlet and wipe away any dust that is built up in

the area around the prongs of the plug.

IMPORTANT!

•Make sure that the keyboard is turned off before

connecting or disconnecting the AC adaptor.

•Using the AC adaptor for a long time can cause it to

become warm to the touch. This is normal and does not

indicate malfunction.

Auto Power Off

When you are using battery power, keyboard power turns

off automatically whenever you leave it on without

performing any operation for about 6 minutes. When this

happens, press the POWER button to turn power back on.

NOTE

•Auto Power Off is disabled (it does not function) when

you are using the AC adaptor to power the keyboard.

To disable Auto Power Off

Hold down the TONE button while turning on the keyboard

to disable Auto Power Off.

NOTE

•When this function is turned off, the keyboard does not

turn off automatically no matter how long it is left with

no operation being performed.

•Auto Power Off is enabled again when you manually

turn off power and then turn it back on again.

704A-E-017A

CTK591_e_08-21.p65 03.10.7, 4:27 PM15

E-16

Settings and Memory Contents

Settings

Tone, rhythm, and other “main keyboard settings” in effect

when power is turned off manually with the POWER button

or automatically by Auto Power Off remain in effect when

you next turn power back on.

Main Keyboard Settings

Main keyboard settings are: layer, split, split point,

touch response, rhythm number, rhythm tempo,

accompaniment volume, layered tone, split tone,

layered split tone, General MIDI mode on/off, accomp

MIDI OUT on/off, Assignable jack setting, keyboard

channel, and voice fingering guide on/off.

Song Memory Contents

In addition to the above settings, data stored using the song

memory function is also retained.

Electrical Power

The settings and memory data described above are retained

as long as the keyboard is being supplied with electrical

power. Unplugging the AC adaptor when batteries are not

loaded or when loaded batteries are dead cuts off the

keyboard’s electrical power supply. This causes all settings

to be initialized to their factory defaults and clears all data

stored in memory.

Power Requirements

Note the following precautions whenever you want to ensure

that current keyboard settings and memory contents are not

lost.

•Make sure the keyboard is being supplied power through

the AC adaptor before replacing its batteries.

•Before unplugging the AC adaptor, make sure that fresh

batteries are loaded in the keyboard.

Make sure that keyboard power is turned off before replacing

batteries or unplugging the AC adaptor.

Power Supply

704A-E-018A

CTK591_e_08-21.p65 03.10.7, 4:27 PM16

E-17

Connections

Phones/Output Terminal

PREPARATION

•Before connecting headphones or other external

equipment, be sure to first turn down the volume settings

of the keyboard and the connected equipment. You can

then adjust volume to the desired level after connections

are complete.

[Rear Panel]

White Red

PIN plug

Stereo standard

plug

Audio connection

PHONES/OUTPUT terminal

Keyboard amp,

guitar amp, etc.

LEFT RIGHT

AUX IN or similar terminal

of audio amplifier

Connecting Headphones (Figure 1)

Connecting headphones cuts off output from the keyboard’s

built-in speakers, so you can play even late at night without

disturbing anyone.

Audio Equipment (Figure 2)

Connect the keyboard to a audio equipment using a

commercially available connecting cord with a standard plug

on one end and two PIN plugs on the other end. Note that

the standard plug you connect to the keyboard must be a

stereo plug, otherwise you will be able to output only one of

stereo channels. In this configuration, you normally set the

input selector of the audio equipment to the terminal (usually

marked AUX IN or something similar) where the cord from

the keyboard is connected. See the user documentation that

comes with your audio equipment for full details.

Musical Instrument Amplifier (Figure 3)

Use a commercially available connecting cord to connect the

keyboard to a musical instrument amplifier.

NOTE

•Be sure to use a connecting cord that has a stereo

standard plug on the end you connect to the keyboard,

and a connector that provides dual channel (left and

right) input to the amplifier to which you are connecting.

The wrong type of connector at either end can cause

one of the stereo channels to be lost.

When connected to a musical instrument amplifier, set the

volume of the keyboard to a relatively low level and make

output volume adjustments using the amplifier’s controls.

Connection Example

INPUT 1

INPUT 2

PIN jack

PIN plug (red)

PIN plug (white)

Stereo standard plug Keyboard or

guitar amp

To keyboard’s

PHONES/OUTPUT

terminal

Standard plug

Connecting to a Computer or

Other Equipment

You can also connect the keyboard to a computer or sequencer.

See “MIDI” on page E-51 for details.

Assignable jack Terminal

You can connect an optional sustain pedal (SP-2 or SP-20) to

the ASSIGNABLE JACK terminal to enable the capabilities

described below.

For details on how to select the pedal function you want, see

“ASSIGNABLE JACK (Default: SUS)” on page E-55.

SP-20

ASSIGNABLE JACK Terminal

Sustain Pedal

•With piano tones, depressing the pedal causes notes to

linger, much like a piano’s damper pedal.

•With organ tones, depressing the pedal causes notes to

continue to sound until the pedal is released.

Sostenuto Pedal

•As with the sustain pedal function described above,

depressing the sostenuto pedal causes notes to be sustained.

•This difference between a sostenuto pedal and sustain pedal

is the timing. With a sostenuto pedal, you press the keys

and then depress the pedal before you release the keys.

•Only the notes that are sounding when the pedal is

depressed are sustained.

Soft Pedal

Depressing the pedal softens the sound of the notes being

played.

Rhythm Start/Stop Pedal

In this case, the pedal performs the same functions as the

START/STOP button.

704A-E-019A

CTK591_e_08-21.p65 03.10.7, 4:27 PM17

E-18

Microphone Jack

You can connect a commercially available microphone to the

microphone jack and sing along with notes played on the

keyboard. For details, see “Using a Microphone for Sing

Along” on page E-32.

Accessories and Options

Use only the accessories and options specified for this

keyboard. Use of non-authorized items creates the danger of

fire, electrical shock, and personal injury.

Connections

704A-E-020A

CTK591_e_08-21.p65 03.10.7, 4:27 PM18

E-19

Basic Operations

This section provides information on performing basic

keyboard operations.

To play the keyboard

Press the POWER button to turn the keyboard on.

Set the MODE switch to NORMAL.

Use the VOLUME slider to set the volume to a

relatively low level.

Play something on the keyboard.

•The keyboard’s initial power on default setting is Song

Bank Mode. The tone that is initially assigned to the

keyboard is 096 FLUTE 1, which is the tone used by

Song Bank tune number 00.

Selecting a Tone

This keyboard comes with 255 built-in tones. Use the

following procedure to select the tone you want.

To select a tone

Find the tone you want to use in the TONE List and

note its tone number.

•Not all of the available tones are shown on the tone

list printed on the keyboard console. For a complete

list, see the “Tone List” on page A-6.

Press the TONE button.

•If you were in the Song Bank Mode when you pressed

the TONE button, this will cause the SONG BANK

button to flash. If you were in the Piano Bank Mode,

the PIANO BANK button will flash. If you were in

the Sing Along Mode, the SING ALONG button will

flash.

Use the number buttons to input the three-digit tone

number of the tone you want to select.

Example: To select “049 ACOUSTIC BASS”, input 0, 4

and then 9.

•Press the flashing button (SONG BANK, PIANO

BANK or SING ALONG) to exit the tone select

operation and stop the flashing.

NOTE

•Always input all three digits for the tone number,

including leading zeros (if any). If you input one or two

digits and stop, the display will automatically clear your

input after a few seconds.

•You can also increment the displayed tone number by

pressing [+] and decrement it by pressing [–].

•When one of the drum sets is selected (tone numbers

246 through 254), each keyboard key is assigned a

different percussion sound. See page A-3 for details.

Indicator appears

Aco .Bass

704A-E-021A

PIANO BANK TONE

SONG BANK

SING ALONG

Number buttons

[+] / [–]

MODE

POWER

VOLUME

CTK591_e_08-21.p65 03.10.7, 4:27 PM19

E-20

Polyphony

The term polyphony refers to the maximum number of notes

you can play at the same time. The keyboard has 24-note

polyphony, which includes the notes you play as well as the

rhythms and auto-accompaniment patterns that are played

by the keyboard. This means that when a rhythm or auto-

accompaniment pattern is being played by the keyboard, the

number of notes (polyphony) available for keyboard play is

reduced. Also note that some of the tones offer only 12-note

polyphony.

•When rhythm or auto accompaniment is playing, the

number of sounds simultaneously played is reduced.

Digital Sampling

A number of the tones that are available with this keyboard

have been recorded and processed using a technique called

digital sampling. To ensure a high level of tonal quality,

samples are taken in the low, mid, and high ranges and then

combined to provide you with sounds that are amazingly

close to the originals. You may notice very slight differences

in volume or sound quality for some tones when you play

them at different positions on the keyboard. This is an

unavoidable result of multiple sampling, and it is not a sign

of malfunction.

Basic Operations

704A-E-022A

CTK591_e_08-21.p65 03.10.7, 4:27 PM20

E-21

Practicing on the Piano

Using the PIANO BANK Button

Pressing the PIANO BANK button provides instant access to

piano tones and piano tune selection.

Initial Piano Bank Setting

Tone: 000 Stereo Piano

To use the piano bank

Press the PIANO BANK button.

•This causes the PIANO BANK button to light.

Now try playing something on the keyboard.

•The notes you play sound with a piano tone.

If you want to playback the built-in tune, press the

PLAY/STOP button.

•This causes the currently selected tune to play in an

endless loop.

•To stop playback, press the PLAY/STOP button again.

Indicators

appear

704A-E-023A

PIANO BANK

PLAY/STOP

CTK591_e_08-21.p65 03.10.7, 4:27 PM21

E-22

704A-E-024A

Playing a Built-in Tune

Your keyboard comes with a total of built-in 100 tunes. You

can play back built-in tunes for your own listening pleasure,

or you can use them for practice and even sing-along. Built-

in tunes are divided between the two groups described below.

•Song Bank/Sing Along Group: 50 tunes for one-hand play

The tunes in this group are Auto Accompaniment tunes. A

Song Bank Group tune can be used during a lesson for

melody part practice. If you connect a microphone to the

keyboard and enter the Sing Along Mode*, you can sing

along with the built-in tune.

* The Sing Along Mode reduces the volume of the melody

part of the built-in tunes and changes the tone selection

to one that makes it easier for a vocalist to follow.

•Piano Bank Group: 50 tunes for two-hand play

The piano tunes in this group are subdivided between 20

etudes and 30 concert pieces. A Piano Bank Group tune can

be used during a lesson for left-hand part and right-hand

part practice.

To play back a Song Bank tune

PREPARATION

•Adjust the main volume (page E-19).

Find the tune you want to play in the SONG BANK/

SING ALONG List, and note its number.

•See page A-10 for the Song Bank/Sing Along List.

Press the SONG BANK button to enter the Song

Bank Mode.

•This causes the SONG BANK button to light.

Indicators

appear

Use the number buttons to input the tune’s two-

digit number.

Example: To select “42 ALOHA OE”, input 4 and then 2.

NOTE

•Tune Number 00 is the initial default Song Bank tune

setting whenever you turn on keyboard power.

•You can also increment the displayed tune number by

pressing [+] and decrement is by pressing [–].

Press the PLAY/STOP button to start play of the tune.

Press the PLAY/STOP button to stop playback of

the Song Bank tune.

•The tune you select continues to play until you stop

it.

Aloha Oe

Song number Song name

Aloha Oe

Keyboard keys used Fingering

Staff display

Chord name

PIANO BANK

SONG BANK

Number buttons

[+] / [–]

PLAY/STOP

TEMPO

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E-23

Playing a Built-in Tune

704A-E-025A

To play back a Piano Bank tune

Find the tune you want to play in the PIANO BANK

List, and note its number.

•See page A-11 for the Piano Bank List.

Press the PIANO BANK button to specify the Piano

Bank group.

NOTE

•Pressing the PIANO BANK button changes the tone to

stereo piano (Tone Number 000).

Use the number buttons to input the two-digit tune

number you looked up in step 1.

Example: To select tune number 16 (Ode To Joy), input

1 and then 6.

NOTE

•Tune Number 00 is the initial default Piano Bank tune

setting whenever you turn on keyboard power.

•You can also change the displayed tune number using

the [+] and [–] buttons.

Press the PLAY/STOP button to start playback.

To stop playback, press the PLAY/STOP button.

•The tune you select continues to play until you stop

it.

Musical Information System

When the keyboard is playing one of its built-in tunes, the

display shows a variety of information about the tune.

Example: Display during Song Bank play

NOTE

•Chord names are not displayed for Piano Bank tunes.

Adjusting the Tempo

Each tune has a preset default tempo (beats per minute) that

is set automatically whenever you select a tune. While the

tune is playing, you can change the tempo setting to a value

in the range of 40 to 255.

To set the tempo

Use the TEMPO buttons to set the tempo.

: Increases the tempo value.

: Decreases the tempo value.

NOTE

•While the tempo value is flashing, you can also use the

number buttons or [+] and [–] to input a three-digit value.

Note that you must input leading zeros, so 90 is input

as 090.

•Pressing both the and TEMPO buttons at the same

time automatically returns the currently selected rhythm

to its default tempo.

•Piano Bank tunes have tempo changes part way through

in order to produce specific musical effects. Note that

the tempo setting automatically returns to the default

whenever a tempo change occurs within one of these

tunes.

Indicators

appear

OdeToJo

Aloha Oe

Keyboard keys used Fingering

Staff display

Chord name

Flash

Tempo value

CTK591_e_22-31.p65 03.10.7, 4:27 PM23

E-24

Playing a Built-in Tune

704A-E-026A

To pause playback

Press the PAUSE button while a tune is playing to

pause it.

Pressing the PAUSE button again resumes play from

the point where it was paused.

To fast reverse

While a tune is playing or paused, hold down the

REW button to skip in a reverse direction at high

speed.

•The fast reverse operation skips back one measure at

a time.

•The measure and beat numbers on the display change

while the fast reverse operation is being performed.

Releasing the REW button starts song playback from

the measure whose number is shown on the display.

NOTE

•Fast reverse does not work while tune play is stopped.

•Certain playback conditions can cause it to take some

time before fast reverse starts after you press the REW

button.

Beat numberMeasure number

To fast forward

While a tune is playing or paused, hold down the

FF button to skip forward at high speed.

•The fast forward operation skips forward one measure

at a time.

•The measure and beat numbers on the display change

while the fast forward operation is being performed.

Releasing the FF button starts song playback from

the measure whose number is shown on the display.

NOTE

•Fast forward does not work while tune play is stopped.

Beat numberMeasure number

PIANO BANK TONE

SONG BANK

Number buttons

[+] / [–]

PLAY/STOP

PAUSE

REW

CTK591_e_22-31.p65 03.10.7, 4:27 PM24

E-25

Playing a Built-in Tune

704A-E-027A

To change the melody tone

Press the TONE button.

Find the tone you want in the TONE List, and then

use the number buttons to input its three-digit

number.

Example: To select “057 VIOLIN”, input 0, then 5, then

•You can select any one of the keyboard’s 255 built-in

tones.

NOTE

•You can also use the [+] and [–] buttons to change the

melody tones.

•For two-hand tunes (Piano Bank tunes), the same tone

is applied for both the left and right hand parts.

•Specifying the tune number for the same tune that is

currently selected returns the melody tone to the default

setting for that tune.

Viol i

Indicator appears

To play all tunes in succession

Press the SONG BANK button and PIANO BANK

button at the same time.

•Playback starts from Song Bank tune number 00,

followed in sequence by Piano Bank tunes.

•Both the SONG BANK button and PIANO BANK

button are lit during demo play.

To stop tune play, press the PLAY/STOP button.

NOTE

•While a tune is playing, you can use the number buttons

or [+] and [–] to change to another tune.

•You can play along with the tunes on the keyboard.

CTK591_e_22-31.p65 03.10.7, 4:27 PM25

E-26

Advanced 3-Step Lesson

704A-E-028A

With the Advanced 3-Step Lesson System, you can practice

the built-in tunes and even plot your progress according to

the evaluation points the keyboard awards you.

The 3-Step Lesson System lets you practice at your own pace.

With the Evaluation Mode, you can get an idea of how much

you are progressing. You can even find out what phrases in

your performance need more work and concentrate your

practice there.

Lesson Progress

Step 1

Targeted Practice

Evaluation 1 Evaluation 2Step 2 Step 3

3-Step Lesson

The 3-step lesson feature takes you through the three distinct

steps described below to help you learn to play tunes on the

keyboard.

Step 1 – Master the timing.

In this step, pressing any key on the keyboard plays the

correct note, so you can concentrate on getting the timing

right without worrying about playing the right note.

Accompaniment (left-hand part) waits until you press a key

before proceeding to the next phrase.

Step 2 – Master the notes.

In this step, you learn the keys to press to play the notes. The

keys you need to press light on the on-screen keyboard guide,

so simply follow along as you learn to play. Accompaniment

(left-hand part) waits until your play the correct note, so you

can learn at your own pace.

Step 3 – Play at normal speed.

This is where you enjoy actually playing the tunes you learn

using Step 1 and Step 2. The on-screen keyboard guide still

shows you which keyboard keys to press, but accompaniment

proceeds at normal speed regardless of whether or not you

play the correct notes.

Tune Types and Their Parts

The built-in tunes of this keyboard are divided between two

basic groups: Auto Accompaniment tunes (Song Bank) and

two-hand accompaniment tunes (Piano Bank). The parts

available for 3-step lesson practice depend on the type of tune

you are using.

Auto Accompaniment Tunes (Song Bank)

As their name suggests, these tunes are made up of an Auto

Accompaniment part and a melody part. When using these

tunes for a 3-step lesson, you can practice playing along with

the melody (right hand) part only.

Two-hand Tunes (Piano Bank)

These types of tunes are played with both hands, as in a piano

solo. When using these tunes for a 3-step lesson, you can

practice playing along with both the left hand and right hand

parts.

Display Contents During 3-step

Lesson Play

Whenever you select an Auto Accompaniment tune for 3-

step lesson play, the on-screen keyboard guide and staff

notation shows the note you should play and its length. The

on-screen keyboard guide also shows the notes you play on

the keyboard. The following describes the information that

appears on the display.

Note Pitch

The key you should press lights on the on-screen keyboard

guide, while the actual pitch of the note appears in the

display’s staff notation area. The fingers you should use to

play the notes are also shown on the display.

Note Length

The key stays lit on the on-screen keyboard guide for as long

as the note should be sustained. The staff notation and

fingerings also remain on the display for the length of the

note.

Next Note

An on-screen keyboard guide key flashes to indicate the next

note to be played, while a number appears on the display

near the finger you should use to play the next note.

Series of Same Pitch Notes

The on-screen keyboard guide key turns off momentarily

between the notes, and lights again for each successive note.

The staff notation and fingerings also turn off and back on

again.

Flash

Next note

Current note

Lit Flash Lit Flash

1st Note 2nd Note 3rd Note

Lit

On-screen

keyboard

guide

Example: When play requires pressing keys with fingers

3, 2, and then 1

CTK591_e_22-31.p65 03.10.7, 4:27 PM26

E-27

Advanced 3-Step Lesson

704A-E-029A

NOTE

•Note length is not indicated when you are using two-

hand tunes with 3-step lesson Steps 1 and 2. As soon

as you press a key that is lit on the on-screen keyboard

guide, it goes out and the next key you need to press

starts to flash.

•Note length is indicated by the on-screen keyboard guide

when you use two-hand tunes with Step 3. In this case,

the next key to be pressed does not flash when you

press a lit key and the next finger number does not

appear on the display. Only the current finger number is

shown.

3-step Lesson Tempo Setting

Use the procedure under “Adjusting the Tempo” on page E-

23 to adjust the tempo for 3-step lesson play.

Evaluation Mode

The keyboard’s Evaluation Mode awards points to your

performances during Step 1 and Step 2 of the 3-Step Lesson.

A perfect score is 100. Also, the Evaluation Mode provides

comments about your play, both on the monitor screen and

by means of a simulated human voice.

Evaluation Mode Display

Level Indicator (9 Levels): This indicator shows the evaluation

of your current performance at a glance. The more segments

that appear, the higher your points.

Example: 50 points

Timing Indicator: In the Evaluation Mode, the configuration

of the star changes with each note to let

you know how your timing is. The more

stars, the better your timing.

“****” : indicates that the Evaluation Mode was exited

before an evaluation result could be obtained.

NOTE

•If your play is flawless, the message “Perfect!” appears

before the evaluation result.

•If you press the PLAY/STOP button and interrupt the

Evaluation Mode part way through, the monitor screen

shows the evaluation points you have accumulated up

to that point. In this case, the keyboard does not display

a message and play a sound effect.

Using the Lesson Functions and

Evaluation Mode

Perform the following steps to master your favorite tunes.

Display Message Sound Effect

“Bravo!”Applause and <High>

cheering

“Great”Applause only Evaluation Ranges

“Not bad!”None

“Again!”None <Low>

Using Tone and Voice Guide

When the keyboard senses that your timing is off, it will let

you know by changing the notes you play to a tone that is

different from the one you currently have selected. In the

Evaluation Mode, a simulated human voice will also tell you

your evaluation level. The sound effect keeps you informed

of when your evaluation level is about to change.

Expressions

“Good”<High>

“That’s close”Evaluation Ranges

“Nice try!”

“Keep trying!”<Low>

“Take your time”: This expression is used if you do not

play the correct note for a long time.

Evaluation Results

After you finish playing, the keyboard calculates an

evaluation of your total performance, from beginning to end,

and displays your total score on the monitor screen. The

greater the score, the higher your evaluation is.

Evaluation Rank Display Messages and Sound Effects

CTK591_e_22-31.p65 03.10.7, 4:27 PM27

E-28

704A-E-030A

Step 1 – Master the timing.

Select the tune you want to use.

Press the STEP 1 button to start Step 1 play.

•After a count sounds, they keyboard stands by and

waits for you to play the first note of the tune.

•The hand you should use is indicated by arrows

around it.

Press any keyboard keys to play the notes.

•The key for the next note to be played flashes on the

on-screen keyboard guide and the keyboard waits for

you to play it. When you press any key to play the

note, the on-screen key remains lit as the note plays.

•Accompaniment (left-hand part) waits until you press

any key to play a note.

•If you accidentally press more than one key in

succession, accompaniment is played for the

corresponding number of notes.

•Pressing more than one key at the same time counts

as a single note. Pressing a key while another key is

held down is counted as two notes.

To stop play at any time, press the PLAY/STOP

button.

NOTE

•Left hand practice can also be performed with Piano

Bank tunes. Simply select one of the two-hand tunes in

step 1 of the above procedure, and then press the LEFT

button following step 2.

•3-step lesson does not allow simultaneous practice of

both hands.

•You can also use fast forward and fast reverse operations

with Step 1 play.

•You cannot pause Step 1 play.

•Rhythm does not sound during Step 1 play.

Evaluation 1: Find out how the

keyboard evaluates your Step 1 play.

Use the SCORING 1 button to check the evaluation of your

play in Step 1.

Press the SCORING 1 button.

•This causes the SCORING 1 indicator to appear on

the display.

•A count beat sounds and then evaluation mode starts.

Play in accordance with the guidance on the

monitor screen and as told by the voice.

•To stop evaluation, press the PLAY/STOP button. This

displays only the points accumulated up to that point.

Aloha Oe

Keyboard keys used Fingering

Indicator appearsNote pitch

Indicators

Advanced 3-Step Lesson

Indicator appears

PIANO BANK LEFT

SONG BANK

SCORING 1

PLAY/STOP STEP 2

SCORING 2

STEP 1

CTK591_e_22-31.p65 03.10.7, 4:27 PM28

E-29

Advanced 3-Step Lesson

704A-E-031A

After you finished playing, your evaluation result

appears on the display.

•For information about evaluation ranks and sound

effects, see “Evaluation Results” on page E-27.

•The keyboard will tell you where you scored the

lowest during your performance, so you can find out

where you need the most work. See “Using the Phrase

Practice Mode” on page E-30 for more information.

•Pressing the SONG BANK button or PIANO BANK

button returns to the tune selection screen.

Step 2 – Master the notes.

Select the tune you want to use.

Press the STEP 2 button to start Step 2 play.

•After a count sounds, the keyboard stands by and

waits for you to play the first note of the tune.

Play the notes as indicated by the on-screen

keyboard guide.

•The key for the next note to be played flashes on the

on-screen keyboard guide and the keyboard waits for

you to play it. When you press any key to play the

note, the on-screen key remains lit as the note plays.

•If multiple keys light on the on-screen keyboard guide

when you are using a two-hand tune, it means that

you must press all of the keys that are lit.

To stop play at any time, press the PLAY/STOP

button.

Indicator appears

Brav !o

Aloha Oe

Keyboard keys used Fingering

Indicator appears

NOTE

•Left hand practice can also be performed with Piano

Bank tunes. Simply select one of the two-hand tunes in

step 1 of the above procedure, and then press the LEFT

button following step 2.

•3-step lesson does not allow simultaneous practice of

both hands.

•You can also use fast forward and fast reverse operations

with Step 2 play.

•You cannot pause Step 2 play.

•Rhythm does not sound during Step 2 play.

Evaluation 2: Find out how the

keyboard evaluates your Step 2 play.

Use the SCORING 2 button to check the evaluation of your

play in Step 2.

Press the SCORING 2 button.

•This causes the SCORING 2 indicator to appear on

the display.

•A count beat sounds and then evaluation mode starts.

Play in accordance with the guidance on the

monitor screen and as told by the voice.

•To stop evaluation, press the PLAY/STOP button. This

displays only the points accumulated up to that point.

After you finished playing, your evaluation result

appears on the display.

•For information about evaluation ranks and sound

effects, see “Evaluation Results” on page E-27.

•The keyboard will tell you where you scored the

lowest during your performance, so you can find out

where you need the most work. See “Using the Phrase

Practice Mode” on page E-30 for more information.

•Pressing the SONG BANK button or PIANO BANK

button returns to the tune selection screen.

CTK591_e_22-31.p65 03.10.7, 4:27 PM29

E-30

Advanced 3-Step Lesson

704A-E-032A

Step 3 – Play at normal speed.

Select the tune you want to play.

Press the STEP 3 button to start Step 3 play.

•Accompaniment (left hand part) starts to play at

normal speed.

Play the notes as indicated by the on-screen

keyboard guide.

To stop play at any time, press the PLAY/STOP

button.

NOTE

•Left hand practice can also be performed with Piano

Bank tunes. Simply select one of the two-hand tunes in

step 1 of the above procedure, and then press the LEFT

button following step 2.

•3-step lesson does not allow simultaneous practice of

both hands.

•You can also use pause, fast forward and fast reverse

operations with Step 3 play.

Aloha Oe

Keyboard keys used Fingering

Indicator appears

010-0 41

LEFT

METRONOMESPEAK

Number buttons

[+] / [–]

PRACTICE PHRASE

SCORING 2

PLAY/STOP

STEP 3

STEP 1

STEP 2SCORING 1

TEMPO

Using the Phrase Practice Mode

Perform the following procedure to find out where you scored

the lowest in your performance, so you can find your weak

points and focus your practice on those phrases.

After displaying your evaluation results, press the

PRACTICE PHRASE button.

•This displays the Phrase Practice Mode screen, which

shows the phrase (start measure number and end

measure number) where your evaluation mode was

the lowest. This is the “practice phrase”.

NOTE

•If there are multiple phrases that qualify as the lowest

score, the phrase closest to the beginning of the tune is

used for phrase practice.

•If there is no section that qualifies for phrase practice,

“***-***” is displayed in place of the start and end

measures.

•Phrase practice measures are cleared if you change to

another tune or another mode.

To play back the practice phrase

While the Phrase Practice Mode screen is on the

display, press the PLAY/STOP button.

•This plays back the phrase starting from the start

measure number.

•Playback continues until the end of the tune is

reached. After that, playback automatically jumps to

the beginning of the tune. Note that playback of the

practice phrase is not repeated automatically.

NOTE

•With some tunes, it may take a few seconds for playback

to start after you press the PLAY/STOP button in the

above procedure.

CTK591_e_22-31.p65 03.10.7, 4:27 PM30

E-31

704A-E-033A

Advanced 3-Step Lesson

Bea t

Flash

Tempo value

Indicator

appears

To start the metronome

Press the METRONOME button to start sounding

the metronome.

•This causes “Beat” to appear on the display. Perform

step 2 within five seconds after “Beat” appears.

Use the number buttons or [+] and [–] to change

the number of beats per measure.

•You can specify the number of beats per measure a

value from 1 to 6.

NOTE

•The bell (indicating the first beat of a measure) does not

sound while one beat per measure is specified. All beats

are indicated by a click sound. This setting lets you

practice with a steady beat, without worrying about how

many beats there are in each measure.

Use the TEMPO buttons to set the tempo.

•Press to increase the tempo (make if faster) or to

decrease it (make it slower).

NOTE

•While the tempo value is flashing, you can also use the

number buttons or [+] and [–] to input a three-digit value.

Note that you must input leading zeros, so 90 is input

as 090.

•Pressing both the and TEMPO buttons at the same

time automatically returns the currently selected rhythm

or tune to its default tempo.

To turn off the metronome, press the METRONOME

button.

NOTE

•The metronome is disabled whenever you are using Step

1 or Step 2 of the 3-step lesson.

•Starting play of a two-hand tune or Step 3 of the 3-step

lesson while the metronome is operating or activating

the metronome while either of the two above operations

is already in progress causes the metronome to sound

in time with the Auto Accompaniment played by the

keyboard. At this time, the tempo of the metronome beat

changes to that of the default tempo for the Auto

Accompaniment being played.

To practice the practice phrase

While the Phrase Practice Mode screen is on the

display, press the STEP 1, STEP 2, or STEP 3 button.

•This starts 3-Step Lesson playback of the practice

phrase in accordance with the STEP button you

pressed.

Play along on the keyboard.

•Playback continues until the end of the tune is

reached. After that, playback automatically jumps to

the beginning of the tune. Note that playback of the

practice phrase is not repeated automatically.

•To stop playback, press the PLAY/STOP button.

Voice Fingering Guide

Voice fingering guide uses a simulated human voice to call

out fingering numbers during Step 1 and Step 2 one-hand

part practice. If you need to press a key with your thumb, for

example, voice fingering guide says, “One!” In the case of a

chord to be played with your thumb, middle and little finger,

voice fingering guide says, “One, three, five!”

Voice Fingering Guide calls out fingerings only when you do

not press the proper key when you should.

Voice Fingering Guide

One : Thumb

Two : Forefinger

Three : Middle finger

Four : Ring finger

Five : Little finger

To turn voice fingering guide on or off

Press the SPEAK button to toggle voice fingering guide on

(voice fingering guide indicator displayed) and off (indicator

not displayed).

NOTE

•Note that Voice Fingering is disabled in the Evaluation

Mode. Pressing the SCORING 1 or SCORING 2 button

automatically turns off Voice Fingering.

•Exiting the Evaluation Mode automatically restores the

Voice Fingering setting that was in effect when you

entered the Evaluation Mode.

Using the Metronome

The metronome feature of this keyboard produces a bell

sound for the first beat of each measure, followed by click

sounds for each successive beat of the measure. It is the perfect

tool for practicing tunes without accompaniment (rhythm).

CTK591_e_22-31.p65 03.10.7, 4:27 PM31

E-32

Microphone

Cannon type (3-prong)

Microphone ON/OFF switch

MIC VOLUME knob

704A-E-034A

Using a Microphone for Sing Along

You can select any of the 50 Song Bank/Sing Along Group

tunes and sing along with its accompaniment.

Using the microphone jack

Connecting a commercially available microphone* to the MIC

jack makes it possible to sing along with the keyboard’s built-

in tunes or with output from a MIDI device. When connecting

a microphone, be sure to first adjust the MIC VOLUME to a

relatively low setting, and then adjust to the level you want

after connecting.

*If a microphone was included with your keyboard, use that

microphone. If your keyboard did not come with a

microphone, use a commercially available microphone that

satisfies the stipulated specifications.

Set the MIC VOLUME knob setting so it is on the

“MIN” side.

Turn on the microphone’s ON/OFF switch.

Use the MIC VOLUME knob to adjust microphone

volume to the level you want.

SING ALONG

MIC jack

Number buttons

[+] / [–]

MIC VOLUME

KEY CONTROL/

TRANSPOSE

IMPORTANT!

•Be sure to use the microphone’s ON/OFF switch to turn

off the microphone and to disconnect the microphone

from the keyboard whenever you are not using it.

Required Microphone Specifications

•Microphone Type : Metal shielded (microphone

body)

•Microphone and Cord

Connector : Cannon type (3-prong)

•Keyboard Jack Connector : Standard plug (monaural)

IMPORTANT!

•Connection to the MIDI terminal of an external device

can cause static in the microphone signal. Use of a

Cannon type microphone with a metal-shielded body

helps to prevent static.

•Be sure to disconnect the microphone from the keyboard

whenever you are not using it.

Howling (Feedback Noise)

Any of the following conditions can cause howling (feedback

noise).

•Covering the head of the microphone with your hand

•Positioning the microphone too near to a speaker

Should howling occur, try grasping the microphone further

away from the head, and move away from any nearby

speaker.

Static Noise

Fluorescent lighting can cause static noise in the microphone

signal. When this happens, move away from the lighting you

suspect may be causing the static.

CTK591_e_32-40.p65 03.10.7, 4:27 PM32

E-33

Using a Microphone for Sing Along

704A-E-035A

To use a microphone for sing along

PREPARATION

•Adjust the main volume (page E-19), accompaniment

volume (page E-49), and microphone volume (page E-

32).

Find the tune you want in the SONG BANK/SING

ALONG List, and note its number.

•See page A-10 for the Song Bank/Sing Along List.

Press the SING ALONG button to enter the Sing

Along Mode.

•This causes the SING ALONG button to light.

Use the number buttons to input the two-digit song

number.

Example: To select “ALOHA OE”, which is song number

42, input 4 and then 2.

NOTE

•The initial power on default tune setting is “00”.

•You can also specify the song number using the [+] and

[–] buttons.

Press the <PLAY/STOP> button to start tune play.

•Now use the microphone to sing along with the

playback.

•The Sing Along Mode is similar to the Song Bank

Mode. The only difference is that the melody part in

the Sing Along Mode is played back at a lower

volume. Also a different tone setting is used in the

Sing Along mode to make sing along easier.

Use the KEY CONTROL/TRANSPOSE buttons ( / )

to change the overall key of the playback, if you want.

: Raises the key by one semitone

: Lowers the key by one semitone

Press the <PLAY/STOP> button to stop tune play.

•The same song plays in an endless loop until you stop

it.

Indicators

appear

NOTE

•To return a tune to its default key, press both of the KEY

CONTROL/TRANSPOSE buttons ( and ) at the

same time.

CTK591_e_32-40.p65 03.10.7, 4:27 PM33

E-34

Auto Accompaniment

Selecting a Rhythm

This keyboard provides you with 120 exciting rhythms that

you can select using the following procedure.

To select a rhythm

Find the rhythm you want to use in the RHYTHM

List and note its rhythm number.

•Not all of the available rhythms are shown on the

rhythm list printed on the keyboard console. For a

complete list, see the “Rhythm List” on page A-9.

Press the RHYTHM button.

Use the number buttons to input the three digit

rhythm number for the rhythm you want to select.

Example: To select “076 RHUMBA”, input 0, 7 and then

NOTE

•You can also increment the displayed rhythm number

by pressing [+] and decrement it by pressing [–].

•Some rhythms consist of chord accompaniments only,

without any drums or other percussion instruments. Such

rhythms do not sound unless CASIO CHORD,

FINGERED, or FULL RANGE CHORD is selected as

the accompaniment mode.

This keyboard automatically plays bass and chord parts in

accordance with the chords you finger. The bass and chord

parts are played using sounds and tones that are

automatically selected to select the rhythm you are using.

All of this means that you get full, realistic accompaniments

for the melody notes you play with your right hand, creating

the mood of an one-person ensemble.

Indicator appears

Rhumb

704A-E-036A

RHYTHM

Number buttons

[+] / [–]

START/STOPMODE

TEMPO

CTK591_e_32-40.p65 03.10.7, 4:27 PM34

E-35

Beat number

Metronome Tempo value

Flash

Playing a Rhythm

Use the following procedure to start and stop rhythm play.

To play a rhythm

Set the MODE switch to NORMAL.

Press the START/STOP button to start play of the

currently selected rhythm.

To stop rhythm play, press the START/STOP button

again.

NOTE

•All of the keyboard keys are melody keys while the

MODE switch is set to NORMAL.

Adjusting the Tempo

The tempo (beats per minute) can be set to a value in the

range of 40 to 255. The tempo value you set is use for Song

Bank, 3-step lesson, and Auto Accompaniment chord play,

as well as playback from memory and metronome operation.

To set the tempo

Use the TEMPO buttons to set the tempo.

: Increase the tempo value.

: Decreases the tempo value.

NOTE

•While the tempo value is flashing, you can also use the

number buttons or [+] and [–] to input a three-digit value.

Note that you must input leading zeros, so 90 is input

as 090.

•Pressing both the and TEMPO buttons at the same

time automatically returns the currently selected rhythm

to its default tempo.

Auto Accompaniment

Using Auto Accompaniment

The following procedure describes how to use the keyboard’s

Auto Accompaniment feature. Before starting, you should

first select the rhythm you want to use and set the tempo of

the rhythm to the value you want.

To use Auto Accompaniment

Set the MODE switch to CASIO CHORD,

FINGERED, or FULL RANGE CHORD.

Press the START/STOP button to start play of the

currently selected rhythm.

Play a chord.

•The actual procedure you should use to play a chord

depends on the current MODE switch position. Refer

to the following pages for details on chord play.

CASIO CHORD .......................... Page E-36

FINGERED ................................... Page E-37

FULL RANGE CHORD ............. Page E-37

To stop Auto Accompaniment play, press the START/

STOP button again.

NOTE

•You can adjust the accompaniment part volume level

independently of the main volume. For details, see

“Adjusting the Accompaniment Volume” on page E-49.

Rh umb a

Chord name

(The chord form that appears here may show

notes that differ from those actually pressed on

the keyboard. With some chords, inverted chord

forms may be displayed.)

Basic Chord Form

704A-E-037A

CTK591_e_32-40.p65 03.10.7, 4:27 PM35

E-36

CASIO CHORD

This method of chord play makes it possible for anyone to

easily play chords, regardless of previous musical knowledge

and experience. The following describes the CASIO CHORD

“Accompaniment keyboard” and “Melody keyboard”, and

tells you how to play CASIO CHORDs.

CASIO CHORD Accompaniment Keyboard and Melody

Keyboard

Melody keyboard

Accompaniment

keyboard

NOTE

•The accompaniment keyboard can be used for playing

chords only. No sound will be produced if you try playing

single melody notes on the accompaniment keyboard.

Example

C Major (C)

C minor (Cm)

C seventh (C7)

C minor seventh (Cm7)

Chord Types

Major chords

Major chord names are marked

above the keys of the

accompaniment keyboard. Note that

the chord produced when you press

an accompaniment keyboard does

not change octave, regardless of

which key you use to play it.

Minor chords (m)

To play a minor chord, keep the

major chord key depressed and

press any other accompaniment

keyboard key located to the right of

the major chord key.

Seventh chords (7)

To play a seventh chord, keep the

major chord key depressed and

press any other two accompaniment

keyboard keys located to the right

of the major chord key.

Minor seventh chords (m7)

To play a minor seventh chord, keep

the major chord key depressed and

press any other three

accompaniment keyboard keys

located to the right of the major

chord key.

CDEFGABCDEF

CDEF GABCDEF

CDE F GAB CDE F

CDEFGABCDEF

NOTE

•It makes no difference whether you press black or white

keys to the right of a major chord key when playing minor

and seventh chords.

Auto Accompaniment

Chord Types

CASIO CHORD accompaniment lets you play four types of

chords with minimal fingering.

704A-E-038A

CTK591_e_32-40.p65 03.10.7, 4:27 PM36

E-37

NOTE

•Except for the chords specified in note*1 above, inverted

fingerings (i.e. playing E-G-C or G-C-E instead of C-E-

G) will produce the same chords as the standard

fingering.

•Except for the exception specified in note*2 above, all

of the keys that make up a chord must be pressed.

Failure to press even a single key will not play the desired

FINGERED chord.

FULL RANGE CHORD

This accompaniment method provides a total of 38 different

chord types: the 15 chord types available with FINGERED

plus 23 additional types. The keyboard interprets any input

of three or more keys that matches a FULL RANGE CHORD

pattern to be a chord. Any other input (that is not a FULL

RANGE CHORD pattern) is interpreted as melody play.

Because of this, there is no need for a separate accompaniment

keyboard, so the entire keyboard, from end to end, can be

used for both melody and chords.

FULL RANGE CHORD Accompaniment Keyboard and

Melody Keyboard

Accompaniment keyboard/Melody keyboard

< Chords Recognized by This Keyboard >

A 

B

Bm

Dm75

A7

Fm7

Gm7

Aadd9

C6 • Cm6 • C69

• • • • •

• • • •

C

Cm

• •

Chord Types

Corresponding

FINGERED Chord

Other Chords

Number of Types

15 (on this page)

The following are examples of chords

that use C as the bass note.

Auto Accompaniment

FINGERED

FINGERED provides you with a total of 15 different chord

types. The following describes the FINGERED

“Accompaniment keyboard” and “Melody keyboard”, and

tells you how to play a C-root chord using FINGERED.

FINGERED Accompaniment Keyboard and Melody

Keyboard

Melody keyboard

Accompaniment

keyboard

NOTE

•The accompaniment keyboard can be used for playing

chords only. No sound will be produced if you try playing

single melody notes on the accompaniment keyboard.

Caug *1

Cm7 *2

C75 *1

Cmadd9 *2

Csus4

Cmaj7 *2

C7sus4

CmM7 *2

Cdim

C7 *2

Cm75

Cadd9 *2

Cdim7 *1

See the FINGERED Chord Chart on page A-5 for details on

playing chords with other roots.

*1: Inverted fingerings cannot be used. The lowest note is

the root.

*2: The same chord can be played without pressing the 5th

704A-E-039A

CTK591_e_32-40.p65 03.10.7, 4:27 PM37

E-38

Using an Intro Pattern

This keyboard lets you insert a short intro into a rhythm

pattern to make startup smoother and more natural.

The following procedure describes how to use the Intro

feature. Before starting, you should first select the rhythm

you want to use, and set the tempo.

To insert an intro

Press the INTRO button to start the selected rhythm

with an intro pattern.

•With the above setup, the intro pattern is played and

the auto accompaniment with intro pattern starts as

soon as you play chords on the accompaniment

keyboard.

NOTE

•The standard rhythm pattern starts to play after the intro

pattern is complete.

•Pressing the VARIATION/FILL-IN button while an intro

pattern is playing causes the variation pattern to sound

after the intro pattern is complete.

•Pressing the SYNCHRO/ENDING button while an intro

pattern is playing causes the ending pattern to sound

after the intro pattern is complete.

Auto Accompaniment

Example: To play the chord C major.

Any of the fingerings shown in the illustration below will

produce C major.

NOTE

•As with the FINGERED mode (page E-37), you can play

the notes that form a chord in any combination (1).

•When the composite notes of a chord are separated by

6 or more notes, the lowest sound becomes the bass

(2).

< Music Example >

Tone: 023, Rhythm: 005, Tempo: 070

EG C

G C

1.... Chord C

2.... Chord C







4

4



 







  







DBmGA

4



 



 



 

 



 









704A-E-040A

INTRO

START/STOPNORMAL/FILL-IN

SYNCHRO/ENDINGVARIATION/FILL-IN

MODE

CTK591_e_32-40.p65 03.10.7, 4:27 PM38

E-39

Flash

Using a Fill-in Pattern with a

Variation Rhythm

You can also insert a fill-in pattern while a variation rhythm

pattern is playing.

To insert a fill-in into a rhythm variation

While a variation rhythm pattern is playing, press

the VARIATION/FILL-IN button to insert a fill-in

pattern for the variation rhythm you are using.

Synchro Starting Accompaniment

with Rhythm Play

You can set up the keyboard to start rhythm play at the same

time you play the accompaniment on the keyboard.

The following procedure describes how to use synchro start.

Before starting, you should first select the rhythm you want

to use, set the tempo, and use the MODE switch to select the

chord play method you want to use (NORMAL, CASIO

CHORD, FINGERED, FULL RANGE CHORD).

To use synchro start

Press the SYNCHRO/ENDING button to put the

keyboard into synchro start standby.

Playing a chord and the rhythm pattern starts to

play automatically.

NOTE

•If the MODE switch is set to NORMAL, only the rhythm

plays (without a chord) when you play on the

accompaniment keyboard.

•If you press the INTRO button before playing anything

on the keyboard, the rhythm starts automatically with

an intro pattern when you play something on the

accompaniment keyboard.

•Pressing the VARIATION/FILL-IN button before playing

anything on the keyboard causes play to start with the

variation pattern when something is played on the

keyboard.

•To cancel synchro start standby, press the SYNCHRO/

ENDING button one more time.

Auto Accompaniment

Using a Fill-in Pattern

Fill-in patterns let you momentarily change the rhythm

pattern to add some interesting variation to your

performances.

The following procedure describes how to use the Fill-in

feature.

To insert a fill-in

Press the START/STOP button to start rhythm play.

Press the NORMAL/FILL-IN button to insert a fill-

in pattern for the rhythm you are using.

NOTE

•The fill-in pattern does not play if you press the

NORMAL/FILL-IN button while an intro pattern is playing.

Using a Rhythm Variation

In addition to the standard rhythm pattern, you can also

switch to a secondary “variation” rhythm pattern for a bit of

variety.

To insert the variation rhythm pattern

Press the START/STOP button to start rhythm play.

Press the VARIATION/FILL-IN button to switch to

the variation pattern for the rhythm you are using.

NOTE

•To switch back to the standard rhythm pattern, press

the NORMAL/FILL-IN button.

704A-E-041A

CTK591_e_32-40.p65 03.10.7, 4:27 PM39

E-40

Auto Accompaniment

Finishing with an Ending Pattern

You can end your performances with an ending pattern that

brings the rhythm pattern you are using to a natural-sounding

conclusion.

The following procedure describes how to insert an ending

pattern. Note that the actual ending pattern played depends

on the rhythm pattern you are using.

To finish with an ending pattern

While the rhythm is playing, press the SYNCHRO/

ENDING button.

•This causes the ending pattern to play, which brings

rhythm accompaniment to an end.

NOTE

•The timing when the ending pattern starts depends on

when you press the SYNCHRO/ENDING button. If you

press the button before the second beat of the current

measure, the ending pattern starts playing immediately.

Pressing the button at any point in the measure after

the second beat results in the ending pattern playing

from the beginning of the following measure.

Using One-touch Preset

One-touch preset automatically makes the settings listed

below in accordance with the rhythm pattern you are using.

•Keyboard tone

•Layer, Split, or Layer Split on/off

•Layered tone (when layer is turned on), split tone (when

split is turned on), or layered split tone (when layer and

split are turned on)

•Tempo

•Accompaniment volume

To use one-touch preset

Select the rhythm you want to use.

Use the MODE switch to select the accompaniment

mode you want to use.

Press the ONE TOUCH PRESET button.

•This automatically configures the one-touch preset

settings in accordance with the rhythm you selected,

and enters synchro start standby.

Play a chord. This will cause the rhythm pattern to

start to play automatically.

•Accompaniment is played using the one touch preset

settings.

704A-E-042A

ONE TOUCH PRESET

SYNCHRO/ENDING

MODE

CTK591_e_32-40.p65 03.10.7, 4:27 PM40

E-41

RHYTHM TRACK 1

TRACK 2

SONG MEMORY

704A-E-043A

You can store up to two separate songs in song memory for

later playback. The song memory function records your

keyboard play in real time, as you play it.

NOTE

•To use song memory, first press the RHYTHM button to

enter the Rhythm Mode.

Tracks

The song memory of this keyboard records and plays back

notes much like a standard tape recorder. There are two tracks,

each of which can be recorded separately. Besides notes, each

track can be assigned its own tone number. During playback

you can adjust the tempo to change the speed of playback.

NOTE

•Track 1 is the basic track, which can be used to record

Auto Accompaniment along with the melody. Track 2 can

be used for melody only, and is for adding to what is

recorded in Track 1.

•Note that each track is independent of the other. This

means that if you make a mistake while recording, you

need to re-record only the track where the mistake was

made.

Song Memory Function

Track 1

Start End

Track 2

Auto Accompaniment

(rhythm, bass, chords), melody

Melody

Data recorded in track

SONG MEMORY Button Operation

Each press of the SONG MEMORY button cycles through the

functions shown below.

Selecting a Track

Press the TRACK 1 button to select Track 1 and the TRACK 2

button to select Track 2. The letter “L” (left) appears on the

display to indicate Track 1 is selected, and the letter “R” (right)

appears to indicate Track 2 is selected.

Playback

Each press of the TRACK 1 and TRACK 2 button while the

keyboard is in playback standby (see “SONG MEMORY

Button Operation” above) toggles playback of the

corresponding track on and off. The letter that identifies a

track (L or R) appears on the display whenever playback of

that track is turned on.

•With the above setting, Track 1 will play while Track 2 will

not play.

Playback

Standby Record

Standby

Indicator appears Flash Unlit

Normal

Playback

turned on

Playback

turned off

Track 1 Track 2

CTK591_e_41-45.p65 03.10.7, 4:27 PM41

E-42

Song Memory Function

TRACK 1

TRACK 2

SONG MEMORY

INTRO

NORMAL/FILL-IN START/STOP

MODE

SYNCHRO/ENDINGVARIATION/FILL-IN

[+] / [–]

Record

Each press of the TRACK 1 and TRACK 2 button while the

keyboard is in record standby (see “SONG MEMORY Button

Operation”) toggles recording to the corresponding track on

and off. The letter that identifies a track (L or R) flashes on

the display whenever recording to that track is turned on.

•The above indicates that Track 1 will play back while Track

2 is being recorded to.

Real-time Recording to Track 1

With real-time recording, the notes and chords you play on

the keyboard are recorded as you play them.

To record to Track 1 using real-time

recording

Use the SONG MEMORY button to enter record

standby.

Use [+] and [–] to select 0 or 1 as the song number.

•The track is not yet selected at this point.

•The above song number screen remains on the display

for about five seconds. If it disappears before you have

a chance to select a song number, use the SONG

MEMORY button to display it again.

Press the TRACK 1 button to select Track 1.

•The “L” flashes on the display to indicate the track

that will be recorded to.

Make any of the following settings if you want.

•Tone number (page E-19)

•Rhythm number (page E-34)

•MODE switch (page E-35)

•If you are not confident about playing at a fast tempo,

try using a slower tempo setting (page E-35).

Press the START/STOP button to start real-time

recording to Track 1.

Play something on the keyboard.

•Any melody and accompaniment you play on the

keyboard (including Auto Accompaniment chords

played on the accompaniment keyboard) is recorded.

•If you use a pedal during recording, pedal operations

are also recorded.

Rec . N .o

Song number

Rec . No .

Flash

Playback

turned on

Record

turned on

704A-E-044A

CTK591_e_41-45.p65 03.10.7, 4:27 PM42

E-43

Press the START/STOP button to end recording

when you are finished playing.

•If you make a mistake while recording, stop the record

operation and begin over again from step 1.

NOTE

•Using real-time recording to record to a track that already

contains recorded data replaces the existing recording

with the new one.

Track 1 Contents After Real-time

Recording

In addition to keyboard notes and accompaniment chords,

the following data is also recorded to Track 1 during real-

time recording. This data is used whenever Track 1 is played

back.

•Tone number

•Rhythm number

•INTRO, SYNCHRO/ENDING, NORMAL/FILL-IN,

VARIATION/FILL-IN button operations

•Pedal operations

Memory Capacity

The keyboard has memory for approximately 5,100 notes. You

can use all 5,100 notes for a single song, or you can divide

memory between two different songs.

•The measure number and note number flash on the display

whenever remaining memory is less than 100 notes.

•Recording automatically stops (and Auto Accompaniment

and rhythm stops playing if they are being used) whenever

memory becomes full.

Memory Data Storage

•Anything previously stored in song memory is replaced

whenever you make a new recording.

•Memory contents are retained as long as the keyboard is

supplied with electrical power. Unplugging the AC adaptor

when batteries are not loaded or when loaded batteries are

dead cuts off the keyboard’s electrical power supply,

causing all data stored in song memory to be deleted. Be

sure to plug the keyboard into an electrical outlet with the

AC adaptor before replacing batteries.

•Turning off the keyboard while a record operation is in

progress causes the contents of the track you are currently

recording to be lost.

Flash

Track 1 Real-time Recording

Variations

The following describes a number of different variations you

can use when recording to Track 1 using real-time recording.

All of these variations are based upon the procedure described

under “To record to Track 1 using real-time recording” on

page E-42.

To record without rhythm

Skip step 5. Real-time recording without rhythm starts when

you press a keyboard key.

To start recording with synchro start

In place of step 5, press the SYNCHRO/ENDING button.

Auto Accompaniment and recording will both start when you

play a chord on the accompaniment keyboard.

To record using an intro, ending, or fill-in

During recording, the INTRO, SYNCHRO/ENDING,

NORMAL/FILL-IN, and VARIATION/FILL-IN buttons

(pages E-38 through E-40) can all be used as they normally

are.

To synchro start Auto Accompaniment with an intro

pattern

In place of step 5, press the SYNCHRO/ENDING button and

then the INTRO button. Auto Accompaniment will start with

the intro pattern when you play a chord on the

accompaniment keyboard.

To start Auto Accompaniment part way into a recording

In place of step 5, press the SYNCHRO/ENDING button and

then play something on the melody keyboard to start. When

you reach the point where you want Auto Accompaniment

to start, play a chord on the accompaniment keyboard.

Song Memory Function

704A-E-045A

CTK591_e_41-45.p65 03.10.7, 4:27 PM43

E-44

Playing Back from Song Memory

Use the following procedure to play back song memory

contents.

To play back from song memory

Use the SONG MEMORY button to enter playback

standby, and then use [+] and [–] to select 0 or 1 as

the song number.

•The above song number screen remains on the display

for about five seconds. If it disappears before you have

a chance to select a song number, use the SONG

MEMORY button to display it again.

Press the START/STOP button to start playback of

the song you selected.

•During memory playback you can use the TRACK 1

and TRACK 2 buttons to turn playback of either track

on or off.

•You can use the TEMPO buttons to adjust the tempo.

Press the START/STOP button again to stop

playback.

TRACK 1

TRACK 2

SONG MEMORY

START/STOP

MODE

[+] / [–]

TEMPO

Pla

o.N

Pla

No .

Indicators appear

NOTE

•During memory playback, the entire keyboard functions

as a melody keyboard, regardless of the MODE switch

setting.

•You can play along on the keyboard while playing back

from song memory. You can also use layer (page E-46)

and split (page E-46) to play along with more than one

tone.

•You cannot use pause, fast forward or fast reverse

operations with song memory playback.

Real-time Recording to Track 2

After you record Track 1, you can use real-time recording to

add a melody in Track 2.

To record to Track 2 while playing

back Track 1

Use the SONG MEMORY button to enter record

standby, and then use [+] and [–] to select 0 or 1 as

the song number.

•The track is not yet selected at this point.

Press the TRACK 2 button to select Track 2.

Rec . N .o

Rec . No .

Flash Flash

Song Memory Function

704A-E-046A

CTK591_e_41-45.p65 03.10.7, 4:27 PM44

E-45

Make any of the following settings if you want.

•Tone number (page E-19)

•If you are not confident about playing at a fast tempo,

try using a slower tempo setting (page E-35).

Press the START/STOP button to start real-time

recording to Track 2 along with playback from

Track 1.

Listening to the playback from Track 1, play what

you want to record to Track 2 on the keyboard.

Press the START/STOP button to end recording

when you are finished playing.

•If you make a mistake while recording, stop the record

operation and begin over again from step 1.

NOTE

•Track 2 is a melody-only track, so chords cannot be

recorded there. Because of this, the entire keyboard is

a melody keyboard, regardless of the MODE switch

setting.

To record to Track 2 without playing

back Track 1

Use the SONG MEMORY button to enter record

standby.

Press the TRACK 1 button to turn off playback of

Track 1.

Continue from step 1 under “To record to Track 2

while playing back Track 1”.

•Note that the above procedure does not turn off

rhythm and Auto Accompaniment.

Track 2 Contents After Real-time

Recording

The following data is recorded to Track 2 during real-time

recording.

•Tone number

•Pedal operations

Deleting the Contents of a Specific

Track

Use the following procedure to delete all of the data currently

recorded in a specific track.

To delete all of the data in a specific

track

Use the SONG MEMORY button to enter record

standby, and then use [+] and [–] to select the song

(0 or 1) whose track you want to delete.

Hold down the SONG MEMORY button until the

track delete screen appears on the display.

Use the TRACK 1 or TRACK 2 button to select the

track whose data you want to delete.

Example: To select Track 1

Press the [+] button.

•This deletes the selected track and enters song

memory playback standby.

NOTE

•The track delete screen is cleared from the display

automatically if you leave the keyboard with the track

delete message on the display for about five seconds

without doing anything.

•Once you select a track in step 3, you cannot change to

a different track without quitting the track delete operation

and starting again.

•You cannot select a track for deletion if that track does

not contain any data.

•Pressing the SONG MEMORY button while the track

delete screen is on the display returns to record standby.

Rec . N .o

Tr .De .?l

Song Memory Function

704A-E-047A

Tr .Del .?

Flash

CTK591_e_41-45.p65 03.10.7, 4:27 PM45

E-46

704A-E-048A

This section describes how to use layer (to play two tones

with a single key) and split (to assign different tones to either

end of the keyboard), and how to make touch response,

transpose, and tuning settings.

NOTE

•Note that the layer and split functions are not available

while playing a built-in tune or while using the lesson

functions.

Using Layer

Layer lets you assign two different tones (a main tone and a

layered tone) to the keyboard, both of which play whenever

you press a key. For example, you could layer the FRENCH

HORN tone on the BRASS tone to produce a rich and brassy

sound.

To layer tones

First select the main tone.

Example: To select “078 BRASS” as the main tone, press

the TONE button and then use the number

buttons or [+] and [–] buttons to input 0, 7 and

then 8.

Press the LAYER button.

TONE

SPLIT

LAYER

[+] / [–]

Number buttons

Keyboard Settings

Brass

St r in

Selected layer tone Indicator appears

Select the layered tone.

Example: To select “077 FRENCH HORN” as the layered

tone, use the number buttons or [+] and [–]

buttons to input 0, 7 and then 7.

Now try playing something on the keyboard.

•Both tones are played at the same time.

Press the LAYER button again to unlayer the tones

and return the keyboard to normal.

LAYER

Using Split

With split you can assign two different tones (a main tone

and a split tone) to either end of the keyboard, which lets

you play one tone with your left hand and another tone with

your right hand. For example, you could select STRINGS as

the main (high range) tone and PIZZICATO STRINGS as the

split (low range) tone, putting an entire string ensemble at

your fingertips.

Split also lets you specify the split point, which is the location

on the keyboard where the changeover between the two tones

occurs.

Fr .Ho n

Main Tone (BRASS) + Layered Tone (FRENCH HORN)

CTK591_e_46-58.p65 03.10.7, 4:27 PM46

E-47

Keyboard Settings

To split the keyboard

First select the main tone.

Example: To select “062 STRINGS” as the main tone,

press the TONE button and then use the

number buttons or [+] and [–] buttons to input

0, 6 and then 2.

Press the SPLIT button.

Select the split tone.

Example: To select “060 PIZZICATO STRINGS” as the

split tone, use the number buttons or [+] and

[–] buttons to input 0, 6 and then 0.

Specify the split point. While holding down the

SPLIT button, press the keyboard where you want

the leftmost key of the high end range to be.

Example: To specify G3 as the split point, press the G3

key.

Now try playing something on the keyboard.

•Every key from F3 and below is assigned the

PIZZICATO STRINGS tone, while every key from G3

and above is assigned the STRINGS tone.

Press the SPLIT button again to unsplit the keyboard

and return it to normal.

SPLIT

St r in s

Pizz. t r

Main Tone (STRINGS)Split Tone

(PIZZICATO STRINGS)

Split point

Using Layer and Split Together

You can use layer and split together to created a layered split

keyboard. It makes no difference whether you layer tones

first and then split the keyboard, or split the keyboard and

then layer tones. When you use layer and split in combination,

the high range of the keyboard is assigned two tones (main

tone + layered tone), and the low range two tones (split tone

+ layered split tone).

To split the keyboard and then layer

tones

Press the TONE button and then input the tone

number of the main tone.

Press the SPLIT button and then input the number

of the split tone.

•After specifying the split tone, press the SPLIT button

to unsplit the keyboard.

Press the LAYER button and then input the number

of the layered tone.

•Note that you can reverse steps 2 and 3, specifying

the layered tone first and then the split tone.

Press the SPLIT button or the LAYER button so both

of the SPLIT and LAYER indicators are displayed.

Input the number of the layered split tone.

Specify the split point.

•While holding down the SPLIT button, press the

keyboard where you want the leftmost key of the low

end range to be.

Brass

Pizz.St r

Indicator appears

Fr .Horn

Indicator appears

St r in

704A-E-049A

Aco .Bass

Indicator appears

CTK591_e_46-58.p65 03.10.7, 4:27 PM47

E-48

Play something on the keyboard.

•Press the LAYER button to unlayer the keyboard, and

the SPLIT button to unsplit it.

LAYER SPLIT

RHYTHMSETTING

SPLIT

LAYER

Number buttons

[+] / [–]

KEY CONTROL/

TRANSPOSE

Split Tone (PIZZICATO STRINGS)

Layered Split Tone (STRINGS)

Main Tone (BRASS)

Layered Tone (FRENCH HORN)

Split point

Transposing the Keyboard

Transpose lets you raise and lower the overall key of the

keyboard in semitone units. If you want to play an

accompaniment for a vocalist who sings in a key that’s

different from the keyboard, for example, simply use

transpose to change the key of the keyboard.

To transpose the keyboard

Press the RHYTHM button to enter the Rhythm

Mode.

•Note that you cannot transpose the keyboard while

in the Song Bank Mode or Piano Bank Mode.

Use the KEY CONTROL/TRANSPOSE buttons ( /

) to change the key of the keyboard.

: Raises the key by one semitone

: Lowers the key by one semitone

Example: To transpose the keyboard five semitones

upwards.

Trans

NOTE

•The keyboard can be transposed within a range of –12

(one octave downwards) to +12 (one octave upwards).

•The default transpose setting is “00” when keyboard

power is turned on.

•If you leave the transpose screen on the display for about

five seconds without doing anything, the screen is

automatically cleared.

•The transpose setting also affects playback from memory

and Auto Accompaniment.

•To return the keyboard to its default key, perform the

above procedure and press both of the KEY CONTROL/

TRANSPOSE buttons ( and ) at the same time in

step 2. You could also use the [+] and [–] buttons to

change the transpose setting to “00”.

•The effect of a transpose operation depends on the pitch

of each note and on the tone you are currently using. If

a transpose operation causes a note to be outside of

the allowable range for a tone, the same note in the

nearest octave within the range will be substituted.

Using Touch Response

When touch response is turned on, the relative volume of

sound output by the keyboard is varied in accordance with

the amount of pressure applied, just like an acoustic piano.

Touch response provides a choice of three settings, described

below.

OFF: This setting turns off touch response. Keyboard pressure

does not have any affect on the output notes.

1:This setting provides touch response that is suited for

normal play.

2:This setting increases touch response, so stronger keyboard

pressure has a greater effect than the “1” setting.

Keyboard Settings

704A-E-050A

CTK591_e_46-58.p65 03.10.7, 4:27 PM48

E-49

Touch

Keyboard Settings

704A-E-051A

Press the SETTING button until the TOUCH

RESPONSE SELECT screen appears.

Use the [+] and [–] or [0] and [1] buttons to change

the setting.

Example: To select touch response 2.

•Touch response is on when touch response indicator

is on.

•Touch response is off when touch response indicator

is off.

NOTE

•Touch response not only affects the keyboard’s internal

sound source, it also is output as MIDI data.

•Song memory playback, accompaniment, and external

MIDI note data does not affect the touch response

setting.

About SETTING button

Each press of the SETTING button cycles through a total of

11 setting screens: the touch response screen, the

accompaniment screen, the tuning screen, and 8 MIDI setting

screens (page E-52). If you accidentally pass the screen you

want to use, keep pressing the SETTING button until the

screen appears again.

Adjusting the Accompaniment

Volume

You can adjust the volume of the accompaniment parts as a

value in the range of 000 (minimum) to 127.

To adjust the accompaniment volume

Press the SETTING button twice to display the

accompaniment volume adjustment screen.

Use the number buttons or the [+]/[–] buttons to

change the current volume setting value.

Example: 110

NOTE

•The current accompaniment volume value that appears

in Step 1 automatically clears from the display if you do

not input anything within about five seconds.

•Pressing [+] and [–] buttons at the same time

automatically sets an accompaniment volume of 077.

Acom

Indicator appears

Acom

Current accompaniment volume setting

CTK591_e_46-58.p65 03.10.7, 4:27 PM49

E-50

Tuning the Keyboard

Use the following procedure to fine tune the keyboard to

match the tuning of another musical instrument.

To tune the keyboard

Press the SETTING button three times to display

the tuning screen.

Use the [+], [–], and the number buttons to adjust

the tuning value.

Example: To lower tuning by 20

NOTE

•The keyboard can be tuned within a range of –50 cents

to +50 cents.

*100 cents is equivalent to one semitone.

•The default tuning setting is “00” when keyboard power

is turned on.

•If you leave the tuning screen on the display for about

five seconds without doing anything, the screen is

automatically cleared.

•The tuning setting also affects playback from song

memory and Auto Accompaniment.

•To return the keyboard to its default tuning, perform the

above procedure and press the [+] and [–] buttons at

the same time in step 2.

Tune

Number buttons

SETTING

[+] / [–]

704A-E-052A

Keyboard Settings

CTK591_e_46-58.p65 03.10.7, 4:27 PM50

E-51

MIDI

What is MIDI?

The letters MIDI stand for Musical Instrument Digital

Interface, which is the name of a worldwide standard for

digital signals and connectors that makes it possible to

exchange musical data between musical instruments and

computers (machines) produced by different manufacturers.

MIDI compatible equipment can exchange keyboard key

press, key release, tone change, and other data as messages.

Though you do not need any special knowledge about MIDI

to use this keyboard as a stand-alone unit, MIDI operations

require a bit of specialized knowledge. This section provides

you with an overview of MIDI that will help to get you going.

MIDI Connections

MIDI messages are send out through the MIDI OUT terminal

of one machine to the MIDI IN terminal of another machine

over a MIDI cable. To send a message from this keyboard to

another machine, for example, you must use a MIDI cable to

connect the MIDI OUT terminal of this keyboard to the MIDI

IN terminal of the other machine. To send MIDI messages

back to this keyboard, you need to use a MIDI cable to connect

the other machine’s MIDI OUT terminal to the MIDI IN

terminal of this keyboard.

To use a computer or other MIDI device to record and

playback the MIDI data produced by this keyboard, you must

connect the MIDI IN and MIDI OUT terminals of both

machines in order send and receive data.

•To use the MIDI THRU function of a connected computer,

sequencer, or other MIDI device, be sure to turn this

keyboard’s LOCAL CONTROL off (page E-54).

Computer or other MIDI device

MIDI IN MIDI OUT MIDI IN MIDI OUT

MIDI Channels

MIDI allows you to send the data for multiple parts at the

same time, with each part being sent over a separate MIDI

channel. There are 16 MIDI channels, numbered 1 through

16, and MIDI channel data is always included whenever you

exchange data (key press, pedal operation, etc.)

Both the sending machine and the receiving machine must

be set to the same channel for the receiving unit to correctly

receive and play data. If the receiving machine is set to

Channel 2, for example, it receives only MIDI Channel 2 data,

and all other channels are ignored.

This keyboard is equipped with multi-timbre capabilities,

which means it can receive messages over all 16 MIDI

channels and play up to 16 parts at the same time.

Keyboard and pedal operations performed on this keyboard

are sent out by selecting a MIDI channel (1 to 16) and then

sending the appropriate message.

Computer or other MIDI device

MIDI OUT MIDI IN

MIDI IN

MIDI keyboard or MIDI sound sourcce

MIDI Channel 1 Melody

MIDI Channel 2 Bass

MIDI Channel 10 Drums

MIDI ke

board or MIDI sound sourcce

MIDI IN

Receive MIDI Channel = 1

Plays melody.

Receive MIDI Channel = 2

Plays bass.

Receive MIDI Channel = 10

Plays drum part.

704A-E-053A

CTK591_e_46-58.p65 03.10.7, 4:27 PM51

E-52

SETTING

Number buttons

[+] / [–]

MIDI

General MIDI

As we have already seen, MIDI makes it possible to exchange

musical data between devices produced by different

manufacturers. This musical data does not consist of the notes

themselves, but rather information on whether a keyboard

key is pressed or released, and the tone number.

If tone number 1 on a keyboard produced by Company A is

PIANO while tone number 1 on a Company B's keyboard is

BASS, for example, sending data from Company A's keyboard

to Company B's keyboard produces a result entirely different

from the original. If a computer, sequencer or other device

with auto accompaniment capabilities is used to produce

music data for the Company A keyboard which has 16 parts

(16 channels) and then that data is sent to the Company B

keyboard which can receive only 10 parts (10 channels), the

parts that cannot be played will not be heard.

The standard for the tone numbering sequence, the number

of pads, and other general factors that determine the sound

source configuration, which was arrived at by mutual

consultations by manufacturers, is called General MIDI.

The General MIDI standard defines the tone numbering

sequence, the drum sound numbering sequence, the number

of MIDI channels that can be used, and other general factors

that determine the sound source configuration. Because of

this, musical data produced on a General MIDI sound source

can be played back using similar tones and identical nuances

as the original, even when played on another manufacturers

sound source.

This keyboard conforms with General MIDI standards, so it

can be connected to a computer or other device and used to

play back General MIDI data that has been purchased,

downloaded from the Internet, or obtained from any other

source.

Changing MIDI Settings

You can use this keyboard in combination with an external

sequencer, synthesizer, or other MIDI device to play along

with commercially available General MIDI software. This

section tells you how to make the MIDI settings required

when connecting to an external device.

SETTING Button

Each press of the SETTING button cycles through a total of

11 setting screens: the touch response screen, the

accompaniment screen, the tuning screen, and 8 MIDI setting

screens. If you accidentally pass the screen you want to use,

keep pressing the SETTING button until the screen appears

again. Also note that leaving a setting screen is automatically

cleared from the display if you do not perform any operation

for about five seconds.

GM MODE (Default: Off)

on: This keyboard plays General MIDI data from a computer

or other external device. MIDI IN CHORD JUDGE

cannot be used when GM MODE is turned on.

oFF: MIDI IN CHORD JUDGE can be used.

Press the SETTING button until the GM MODE

screen appears.

Example: When GM MODE is turned off

Use the [+] and [–] or [0] and [1] buttons to turn

the setting on and off.

Example: To turn GM MODE on

GM Mo d e

Indicator appears

704A-E-054A

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E-53

MIDI

KEYBOARD CHANNEL (Default: 1)

The keyboard channel is the channel used to send MIDI

messages from this keyboard to an external device. You can

specify one channel from 1 to 16 as the keyboard channel.

Press the SETTING button until the KEYBOARD

CHANNEL screen appears.

Use the [+], [–], and the number buttons to change

the channel number.

Example: To specify channel 4

bd Ch

Nav i . Ch

NAVIGATE CHANNEL (Default: 4)

When MIDI messages are received from an external device

for play on this keyboard, the navigate channel is the channel

whose note data appears on the display. You can select one

channel from 1 to 8 as the navigate channel. Since this setting

lets you use the data on any channel of commercially available

MIDI software to light on the on-screen keyboard guide, you

can analyze how different parts of an arrangement are played.

Press the SETTING button until the NAVIGATE

CHANNEL screen appears.

Use the [+], [–], and the number buttons [1]

through [8] to change the channel number.

Example: To specify channel 2

NOTE

•The navigate channel automatically changes to 1

whenever you turn MIDI IN CHORD JUDGE on.

Nav i . Ch

704A-E-055A

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E-54

Chord

To turn off specific sounds before playing back MIDI data

that is being received

<<Navigate channel on/off>>

While playing MIDI data, press the TRACK 2 button.

•This cuts the sound of the navigate channel, but on-screen

keyboard guide keys continue to light in accordance with

the channel’s data as it is received. Press TRACK 2 button

again to turn the channel back on.

<<Next lower channel from navigate channel on/off>>

While playing MIDI data, press the TRACK 1 button.

•This cuts the sound of the channel whose number is one

less than the navigate channel, but on-screen keyboard

guide keys continue to light in accordance with the

channel’s data as it is received. Press TRACK 1 button again

to turn the channel back on.

Example: If the navigate channel is channel 4, the above

operation turns off channel 3. If the navigate

channel is channel 1 or 2, the above operation turns

off channel 8.

MIDI IN CHORD JUDGE (Default: Off)

on: When a chord specification method is selected by the

MODE switch, chords are specified by the keyboard

channel note data input from the MIDI IN terminal.

oFF: MIDI IN CHORD JUDGE is turned off.

Press the SETTING button until the MIDI IN

CHORD JUDGE screen appears.

Use the [+] and [–] or [0] and [1] buttons to turn

the setting on and off.

Example: To turn MIDI IN CHORD JUDGE on

LOCAL CONTROL (Default: On)

This setting determines whether or not the keyboard and

sound source of this keyboard are connected internally. When

recording to a computer or other external device connected

to this keyboard’s MIDI IN/OUT terminal, it helps if you

turn LOCAL CONTROL off.

on: Anything played on the keyboard is sounded by the

internal sound source and simultaneously output as a

MIDI message from the MIDI OUT terminal.

oFF: Anything played on the keyboard is output as a MIDI

message from the MIDI OUT terminal, without being

sounded by the internal sound source. Turn LOCAL

CONTROL off whenever you are using the MIDI THRU

function of a computer or other external device. Also

note that the no sound is produced by the keyboard if

LOCAL CONTROL is turned off and no external device

is connected.

Press the SETTING button until the LOCAL

CONTROL screen appears.

Example: When LOCAL CONTROL is on

Use the [+] and [–] or [0] and [1] buttons to turn

the setting on and off.

Example: To turn LOCAL CONTROL off

Chord

Loca l

MIDI

704A-E-056A

SETTING

MODE

Number buttons

[+] / [–]

TRACK 1

TRACK 2

NOTE

•MIDI IN CHORD JUDGE automatically turns off

whenever you change the navigate channel to any

channel besides 1.

CTK591_e_46-58.p65 03.10.7, 4:27 PM54

E-55

MIDI

MIDI OUT

Sound Source

MIDI OUT

MIDI IN

MIDI THRU

MIDI IN

MIDI OUT

Sound Source

LOCAL CONTROL On

Notes played on the keyboard

are sounded by the internal

sound source and output as

MIDI messages from the MIDI

OUT terminal.

LOCAL CONTROL Off

Notes played on the keyboard

are output as MIDI messages

from the MIDI OUT terminal, but

not sounded directly by the

internal sound source. The MIDI

THRU terminal of the connected

device can be used to return the

MIDI message and sound it on

this keyboard’s sound source.

ACCOMP MIDI OUT (Default: Off)

on: Auto Accompaniment is played by the keyboard and

the corresponding MIDI message is output from the

MIDI OUT terminal.

oFF: Auto Accompaniment MIDI messages are not output

from the MIDI OUT terminal.

Press the SETTING button until the ACCOMP MIDI

OUT screen appears.

Example: When ACCOMP MIDI OUT is off

Use the [+] and [–] or [0] and [1] buttons to turn

the setting on and off.

Example: To turn ACCOMP MIDI OUT on

Acom

ASSIGNABLE JACK (Default: SUS)

SUS(sustain): Specifies a sustain*1 effect when the pedal is

depressed.

SoS (sostenuto): Specifies a sostenuto*2 effect when the

pedal is depressed.

SFt (soft): Specifies reduction of the sound’s volume when

the pedal is depressed.

rHy (rhythm): Specifies START/STOP button operation

when the pedal is depressed.

Press the SETTING button until the ASSIGNABLE

JACK screen appears.

Example: When sustain is currently set

Use the [+] and [–] or [0], [1], [2], and [3] buttons

to change the setting.

Example: To select rhythm

*1 Sustain

With piano tones and other sounds that decay, the pedal acts

as a damper pedal, with sounds being sustained longer when

the pedal is depressed. With organ tones and other continuous

sounds, notes played on the keyboard continue to sound until

the pedal is released. In either case, the sustain effect is also

applied to any notes that are played while the pedal is

depressed.

*2 Sostenuto

This effect performs the same way as sustain, except that it is

applied only to notes that are sounding already when the

pedal is depressed. It does not affect notes that are played

after the pedal is depressed.

Jack

704A-E-057A

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E-56

MIDI

Pedal depressed Pedal released

★ When SUS is set

★ When SoS is set

= Keyboard depressed.

= Sustained notes

Pedal depressed Pedal released

SOUND RANGE SHIFT (Default: On)

on: Shifts low range tones one octave lower and 020

GLOCKENSPIEL/095 PICCOLO one octave higher.

oFF: Plays low range tones and 020 GLOCKENSPIEL/095

PICCOLO at their normal levels.

Press the SETTING button until the SOUND RANGE

SHIFT screen appears.

Use the [+] and [–] or [0] and [1] buttons to change

the setting.

Example: To turn SOUND RANGE SHIFT off

Sh i f t

MIDI OUT Terminal NOTE ON

MIDI OUT Terminal

• Note number (tone)

• Velocity (volume)

NOTE OFF

• Note number (tone)

• Velocity (volume)

Release the key

Press the key

Messages

There is a wide variety of messages defined under the MIDI

standard, and this section details the particular messages that

can be sent and received by this keyboard. An asterisk is used

to mark messages that affect the entire keyboard. Messages

without an asterisk are those that affect only a particular

channel.

NOTE ON/OFF

This message sends data when a key is pressed (NOTE ON)

or released (NOTE OFF).

A NOTE ON/OFF message include a note number (to indicate

note whose key is being pressed or released) and velocity

(keyboard pressure as a value from 1 to 127). NOTE ON

velocity is always used to determine the relative volume of

the note. This keyboard does not receive NOTE OFF velocity

data.

Whenever you press or release a key on this keyboard, the

corresponding NOTE ON or NOTE OFF message is sent from

the MIDI OUT terminal.

NOTE

•The pitch of a note depends on the tone that is being

used, as shown in the Note Table on page A-1. Whenever

this keyboard receives a note number that is outside its

range for that tone, the same tone in the nearest

available octave is substituted.

704A-E-058A

SETTING

Number buttons

[+] / [–]

CTK591_e_46-58.p65 03.10.7, 4:27 PM56

E-57

MIDI

*1 The BANK SELECT setting of PROGRAM CHANGE can be used

to access any of this keyboard’s 255 tones when selecting tones on

this keyboard from an external machine.

Bank 0: 128 General MIDI tones (PROGRAM CHANGE 0 to 127)

Bank 1: 118 panel tones (PROGRAM CHANGE 0 to 117)

Bank 120: 9 drum sets

(PROGRAM CHANGE 0, 8, 16, 24, 25, 32, 40, 48 and 62)

Immediately prior to sending the PROGRAM CHANGE message,

send two successive CONTROL CHANGE messages containing

the following data.

CONTROL NUMBER= 0, CONTROL VALUE= <bank number>

CONTROL NUMBER= 32, CONTROL VALUE= 0

Example: To select tone number 96 (panel tone “FLUTE 1”)

from an external MIDI machine.

CONTROL NUMBER= 0,

CONTROL VALUE= 1 (bank number)

CONTROL NUMBER= 32, CONTROL VALUE= 0

PROGRAM CHANGE= 96

*2 RPN stands for Registered Parameter Number, which is a special

control change number used when combining multiple control

changes. The parameter being controlled is selected using the

control values of control numbers 100 and 101, and then settings

are made using the control values of DATA ENTRY (control

numbers 6 and 38).

This keyboard uses RPN to control this keyboard’s pitch bend sense

(pitch change width in accordance with bend data) from another

external MIDI device, transpose (this keyboard’s overall tuning

adjusted in halftone units), and tune (this keyboard’s overall fine

tuning).

NOTE

•Sustain (control number 64), sostenuto (control number

66), and soft (control number 67) effects applied using

the foot pedal are also applied.

PROGRAM CHANGE

This is the tone selection message. PROGRAM CHANGE can

contain tone data within the range of 0 to 127.

A PROGRAM CHANGE message is sent out through this

keyboard’s MIDI OUT terminal whenever you manually

change its tone number. Receipt of a PROGRAM CHANGE

message from an external machine changes the tone setting

of this keyboard.

NOTE

•This keyboard supports 128 tones in the range 0 to 127.

However, Channel 10 is a percussion-only channel, and

Channels 0, 8, 16, 24, 25, 32, 40, 48, and 62 correspond

to the nine drum set sounds of this keyboard.

PITCH BEND

This message carries pitch bend information for smoothly

sliding the pitch upwards or downwards during keyboard

play. This keyboard does not send pitch bend data, but it can

receive such data.

CONTROL CHANGE

This message adds effects such as vibrato and volume changes

applied during keyboard play. CONTROL CHANGE data

includes a control number (to identify the effect type) and a

control value (to specify the on/off status and depth of the

effect).

The following is a list of data that can be send or received

using CONTROL CHANGE.

Effect Control Number

BANK SELECT*10, 32

★Modulation 1

★Volume 7

★Pan 10

★Expression 11

Hold1 64

Sostenuto 66

Soft Pedal 67

RPN*2100 / 101

Data Entry 6 / 38

★ indicates receive-only messages

704A-E-059A

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E-58

ALL SOUND OFF

This message forces all sound being produced over the

current channel to turn off, regardless of how the sound is

being produced.

ALL NOTES OFF

This message turns off all note data sent from an external

device and currently being sounded on the channel.

•Any notes being sustained using a sustain pedal or

sostenuto pedal continue to sound until the next pedal off.

RESET ALL CONTROLLERS

This messages initializes pitch bend and all other control

changes.

SYSTEM EXCLUSIVE*

This message is used to control system exclusives, which are

tone fine adjustments that are unique to a particular machine.

Originally, system exclusives were unique to a particular

model, but now there are also universal system exclusives

that are applicable to machines that are different models and

even produced by different manufacturers.

The following are the system exclusive messages supported

by this keyboard.

■GM SYSTEM ON ([F0][7E][7F][09][01][F7])

GM SYSTEM ON is used by an external machine to turn on

this keyboard’s GM system. GM stands for General MIDI.

•GM SYSTEM ON takes more time to process than other

messages, so when GM SYSTEM ON is stored in the

sequencer it can take more than 100msec until the next

message.

■GM SYSTEM OFF ([F0][7E][7F][09][02][F7])

GM SYSTEM OFF is used by an external machine to turn off

this keyboard’s GM system.

704A-E-060A

MIDI

CTK591_e_46-58.p65 03.10.7, 4:27 PM58

E-59

Problem Possible Cause See pageAction

No keyboard sound

Any of the following symptoms

while using battery power.

•Dim power supply indicator

•Instrument does not turn on.

•Dim, difficult to read display

•Abnormally low speaker/

headphone volume

•Distortion of sound output

•Occasional interruption of

sound when playing at high

volumes

•Sudden power failure when

playing at high volumes

•Dimming of the display when

playing at high volume

•Continued sound output even

after you release a key

•A totally different tone may

sound

•Abnormal rhythm pattern and

demo tune play

•Abnormally low microphone

volume

•Distortion of microphone input

•Dim power supply indicator

when a microphone is used

•Sudden power failure when

using the microphone

•Loss of power, sound distortion,

or low volume when playing

from a connected computer or

MIDI device

Auto Accompaniment does not

sound.

Sound output does not change

when key pressure is varied.

1. Power supply problem.

2. Power is not turned on.

3. Volume setting is too low.

4. The MODE switch is in the

CASIO CHORD or FINGERED

position.

5. LOCAL CONTROL is off.

6. MIDI data has changed the

VOLUME and EXPRESSION

settings to 0.

Low battery power

Accompaniment volume is set to

000.

Touch response is turned off.

Pages

E-14,15

Page E-19

Page E-35

Page E-54

Page E-57

Pages

E-14, 15

Page E-49

Page E-48

Troubleshooting

1. Correctly attach the AC adaptor,

make sure that batteries poles

(+/–) are facing correctly, and

check to make sure that batteries

are not dead.

2. Press the POWER button to turn

on power.

3. Use the VOLUME slider to

increase volume.

4. Normal play is not possible on

the accompaniment keyboard

while the MODE switch is set to

CASIO CHORD or FINGERED.

Change the MODE switch

setting to NORMAL.

5. Turn on LOCAL CONTROL.

6. Adjust both parameters.

Replace the batteries with a set of

new ones or use the AC adaptor.

Use the SETTING button to

increase the volume.

Press the SETTING button to turn

it on.

704A-E-061A

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E-60

704A-E-062A

Troubleshooting

On-screen keyboard guide keys

stay on.

When playing with another MIDI

instrument, keys or tunings do not

match.

Cannot record Auto

Accompaniment or rhythm.

When playing General MIDI data

with a computer, playback notes

do not match those produced

when lit keys on the on-screen

keyboard guide are pressed.

Playing on the keyboard produces

an unnatural sound when

connected to a computer.

Cannot record chord

accompaniment data on a

computer.

Static noise when a microphone is

connected.

No microphone sound

Keyboard is waiting for play of

the correct note during Step 1 or

Step 2 play.

Transpose or tuning is set to a

value other than 00.

Track other than Track 1 is selected

as the recording track.

Wrong SOUND RANGE SHIFT

setting

The computer’s MIDI THRU

function is turned on.

ACCOMP MIDI OUT is turned

off.

1. Use of a microphone that is a

different from the type that is

recommended.

2. Use of the microphone in the

vicinity of fluorescent lighting.

1. Microphone volume setting is

too low.

2. Microphone on/off switch is set

to OFF.

Pages

E-28, 29

Pages

E-28, 29

Pages

E-48, 50

Page E-42

Page E-56

Page E-54

Page E-55

Page E-32

1. Press the lit key to continue with

Step 1 or Step 2 play.

2. Press the PLAY/STOP button to

quit Step 1 or Step 2 play.

Use the SETTING button to display

the applicable setting screens and

set both transpose and tuning to

00.

Use the track select buttons to select

Track 1. (Track 2 is melody track.)

Use the SETTING button to display

the SOUND RANGE SHIFT screen

and correct the setting.

Turn off the MIDI THRU function

on the computer or turn off LOCAL

CONTROL on the keyboard.

Turn on ACCOMP MIDI OUT.

1. Use a full metal shielded Cannon

type microphone.

2. Move the microphone away from

source of the static.

1. Increase the microphone volume

setting.

2. Change the microphone on/off

switch setting to ON.

Problem Possible Cause See pageAction

CTK591_e_59-63.p65 03.10.7, 4:27 PM60

E-61

Specifications

Model: CTK-591/CTK-593

Keyboard: 61 standard-size keys, 5 octaves (with touch response on/off)

Tones: 255 (118 panel tones + 128 General MIDI tones + 9 drum sets); with layer and

split

Rhythm Instrument Tones: 61

Polyphony: 24 notes maximum (12 for certain tones)

Auto Accompaniment

Rhythm Patterns: 120

Tempo: Variable (216 steps, = 40 to 255)

Chords: 3 fingering methods (CASIO CHORD, FINGERED, FULL RANGE CHORD)

Rhythm Controller: START/STOP, INTRO, NORMAL/NORMAL FILL-IN, VARIATION/

VARIATION FILL-IN, SYNCHRO/ENDING

Accomp Volume: 0 to 127 (128 steps)

One Touch Presets: Recalls settings for tone, tempo, layer, split, and accompaniment volume in

accordance with rhythm.

3-step Lesson: 3 lessons (Step 1, 2, 3)

Playback: Repeat play of a single tune

Evaluation Mode: Scoring 1, Scoring 2, Phrase Practice

Voice Fingering Guide: On/Off

Song Bank, Piano Bank

Number of Tunes: 100 (Song Bank/Sing Along: 50, Piano Bank: 50)

Controllers: PLAY/STOP, PAUSE, FF, REW, LEFT/RIGHT

Musical Information Function: Tone, Auto Accompaniment, Song Bank, Piano Bank, Sing Along numbers and

names; staff notation, tempo, metronome, measure and beat number, step lesson

display, chord name, fingering, pedal operation, Keyboard, Song Bank icon,

Piano Bank icon, Sing Along icon, Voice Fingering Guide, Evaluation Mode

Sing Along Mode

Number of Tunes: Song Bank/Sing Along: 50

Controllers: PLAY/STOP, KEY CONTROL (25 steps, –12 semitones to +12 semitones)

Metronome: On/Off

Beat Specification: 1 to 6

Song Memory

Songs: 2

Recording Tracks: 2

Recording Method: Real-time

Memory Capacity: Approximately 5,100 notes (total for two songs)

MIDI: 16 multi-timbre receive, GM Level 1 standard

Other Functions

Transpose: 25 steps (–12 semitones to +12 semitones)

Tuning: 101 steps (A4 = approximatery 440Hz ±50Cents)

Terminals

MIDI Terminals: IN, OUT

Assignable Jack: Standard jack (sustain, sostenuto, soft, rhythm start/stop)

Headphone/Output Terminal: Stereo standard jack

Output Impedance: 100Ω

Output Voltage: 4V (RMS) MAX

Microphone In: Standard jack (with microphone volume knob)

Input impedance: 3KΩ

Input sensitivity: 10mV

Power Jack: 9V DC

704A-E-063A

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E-62

704A-E-064A

Specifications

Power Supply: 2-way

Batteries: 6 D-size batteries

Battery Life: Approximately 6 hours continuous operation on manganese batteries

AC Adaptor: AD-5

Auto Power Off: Turns power off approximately 6 minutes after last key operation. Enabled

under batter power only, can be disabled manually.

Speaker Output: 2.5W + 2.5W

Power Consumption: 9V 7.7W

Dimensions: 96.0 x 37.5 x 14.5 cm (37 13/16 x 14 3/4 x 5 11/16 inch)

Weight: Approximately 5.3 kg (11.7 lbs)(without batteries)

• Design and specifications are subject to change without notice.

CTK591_e_59-63.p65 03.10.7, 4:27 PM62

E-63

Avoid heat, humidity or direct sunlight.

Do not overexpose the instrument to direct sunlight, or place it near an air conditioner, or in any extremely hot place.

Do not use near a TV or radio.

This instrument can cause video or audio interference with TV and radio reception. If this happens, move the instrument away

from the TV or radio.

Do not use lacquer, thinner or similar chemicals for cleaning.

Clean the keyboard with a soft cloth dampened in a weak solution of water and a neutral detergent. Soak the cloth in the solution

and squeeze until it is almost dry.

Avoid use in areas subjected to temperature extremes.

Extremely high or low temperature can cause figures on the LCD screen to become dim and difficult to read. This condition

should correct itself when the keyboard is brought back to normal temperature.

NOTE

•You may notice lines in the finish of the case of this keyboard. These lines are a result of the molding process used to shape

the plastic of the case. They are not cracks or breaks in the plastic, and are no cause for concern.

Care of your keyboard

704A-E-065A

CTK591_e_59-63.p65 03.10.7, 4:27 PM63

A-1

Appendix/Apéndice

Note Table/Tabla de notas

(1): Tone number/Número de sonido

(2): Maximum polyphony/Polifonía máxima

(3): Range type/Tipo de gama

(3)(2)

(1) (3)(2)

(1)

(3)(2)

(1) (3)(2)

(1)

(3)(2)

(1) (3)(2)

(1)

(3)(2)

(1) (3)(2)

(1)

(3)(2)

(1)

(3)(2)

(1)

(3)(2)

(1) (3)(2)

(1)

0 12 A

1 24 A

2 24 A

3 24 A

4 12 A

5 24 A

6 12 A

7 12 A

8 12 A

9 12 A

50 12 C

51 24 C

52 24 C

53 24 C

54 24 C

55 24 C

56 24 C

57 24 A

58 24 A

59 24 C

100 24 A

101 24 A

102 12 A

103 12 A

104 12 A

105 12 A

106 12 A

107 12 A

108 12 A

109 24 A

150 24 A

151 24 A

152 24 A

153 24 A

154 24 A

155 24 A

156 24 A

157 24 A

158 24 A

159 24 A

200 12 A

201 12 A

202 12 A

203 12 A

204 12 A

205 12 A

206 12 A

207 24 A

208 12 A

209 12 A

250 24 D

251 24 D

252 24 D

253 24 D

254 24 D

10 12 A

11 24 A

12 12 A

13 12 A

14 12 A

15 12 A

16 12 A

17 12 A

18 24 A

19 24 A

60 24 A

61 24 A

62 24 A

63 24 A

64 12 A

65 24 A

66 12 A

67 24 A

68 24 A

69 24 A

111 12 A

112 12 A

113 12 A

114 12 A

115 12 A

116 12 A

117 12 A

118 24 A

119 24 A

160 24 A

161 24 A

162 24 A

163 24 A

164 24 A

165 24 A

166 24 A

167 24 A

168 24 A

169 12 A

210 12 A

211 12 A

212 12 A

213 12 A

214 12 A

215 12 A

216 12 A

217 12 A

218 12 A

219 12 A

20 24 B

21 24 A

22 24 A

23 12 A

24 12 A

25 12 A

26 12 A

27 12 A

28 12 A

29 12 A

70 12 A

71 12 A

72 12 A

73 24 A

74 24 C

75 24 C

76 24 A

77 12 C

78 24 A

79 12 A

120 12 A

121 12 A

122 24 A

123 24 A

124 24 A

125 24 A

126 24 A

127 24 A

128 12 A

129 24 A

170 24 A

171 24 A

172 12 A

173 12 A

174 24 A

175 24 A

176 24 A

177 24 A

178 12 A

179 24 A

220 12 A

221 12 A

222 24 A

223 24 A

224 24 A

225 24 A

226 24 A

227 12 A

228 12 A

229 24 A

30 12 A

31 12 A

32 12 A

33 12 A

34 12 A

35 12 A

36 12 A

37 24 A

38 24 C

39 24 C

80 12 A

81 12 A

82 12 A

83 12 A

84 24 A

85 24 C

86 24 C

87 12 C

88 24 C

89 24 C

130 24 A

131 24 A

132 24 A

133 12 A

134 12 A

135 12 A

136 12 A

137 12 A

138 24 A

139 12 A

180 12 A

181 12 A

182 24 A

183 24 A

184 24 A

185 24 A

186 24 A

187 24 A

188 24 A

189 24 A

230 24 A

231 24 A

232 12 A

233 24 D

234 24 D

235 24 D

236 12 D

237 24 D

238 24 A

239 24 A

40 12 C

41 24 C

42 12 C

43 24 C

44 12 C

45 24 C

46 24 C

47 24 C

48 12 C

49 24 C

90 12 C

91 12 C

92 24 C

93 24 A

94 24 A

95 24 B

96 24 A

97 24 A

98 12 A

99 24 A

140 24 A

141 12 A

142 24 A

143 24 A

144 24 A

145 24 A

146 24 A

147 24 A

148 24 A

149 24 A

190 24 A

191 24 A

192 24 A

193 24 A

194 12 A

195 24 A

196 24 A

197 24 A

198 12 A

199 12 A

240 12 D

241 24 D

242 24 D

243 24 D

244 12 D

245 24 D

246 24 D

247 24 D

248 24 D

249 24 D

NOTE

•The meaning of each range type is described to the right.

NOTA

•El significado de cada tipo de gama se describe a la derecha.

704A-E-131A

CTK591_es_appendix.p65 03.10.7, 4:27 PM1

A-2

Appendix/Apéndice

Range Type

1C9C8C7 G7C6C5C4C3C2C1C0 G9











A=440Hz

(Sound Effect)

(Efecto de sonido)

No scale for tones.

Sin escala para los sonidos.

“020 GLOCKENSPIEL”/

“095 PICCOLO”

“020 GLOCKENSPIEL”/

“095 PICCOLO”

Instrumentos de

altura tonal baja

Low pitch

instruments

(Standard type)

(Tipo estándar)

........Available range (using transpose or MIDI receive)

........Gama disponible (usando la transposición o recepción MIDI)

........Keyboard range (SOUND RANGE SHIFT turned on)

........Gama del teclado (SOUND RANGE SHIFT activados)

........Keyboard range (SOUND RANGE SHIFT turned off)

........Gama del teclado (SOUND RANGE SHIFT desactivados)

........Notes in these ranges are produced by playing the notes in range c that are in

the nearest octave as the result of transpose and MIDI data receive operations.

........Las notas en estas gamas se producen ejecutando las notas en la gama c que

se encuentre en la octava más cercana como resultado de las operaciones de

transposición y recepción de datos MIDI.

704A-E-132A

CTK591_es_appendix.p65 03.10.7, 4:27 PM2

A-3

Appendix/Apéndice

Key/Note number

Drumset 1

STANDARD SET

HIGH Q

SLAP

SCRATCH PUSH

SCRATCH PULL

STICKS

SQUARE CLICK

METRONOME CLICK

METRONOME BELL

ACOUSTIC BASS DRUM

BASS DRUM

SIDE STICK

ACOUSTIC SNARE 1

HAND CLAP

ACOUSTIC SNARE 2

LOW FLOOR TOM

CLOSED HI-HAT

HIGH FLOOR TOM

PEDAL HI-HAT

LOW TOM

OPEN HI-HAT

LOW MID TOM

HIGH MID TOM

CRASH CYMBAL 1

HIGH TOM

RIDE CYMBAL 1

CHINESE CYMBAL

RIDE BELL

TAMBOURINE

SPLASH CYMBAL

COWBELL

CRASH CYMBAL 2

VIBRA-SLAP

RIDE CYMBAL 2

HIGH BONGO

LOW BONGO

MUTE HIGH CONGA

OPEN HIGH CONGA

LOW CONGA

HIGH TIMBALES

LOW TIMBALES

HIGH AGOGO

LOW AGOGO

CABASA

MARACAS

SHORT WHISTLE

LONG WHISTLE

SHORT GUIRO

LONG GUIRO

CLAVES

HIGH WOOD BLOCK

LOW WOOD BLOCK

MUTE CUICA

OPEN CUICA

MUTE TRIANGLE

OPEN TRIANGLE

SHAKER

JINGLE BELL

BELL TREE

CASTANETS

MUTE SURDO

OPEN SURDO

APPLAUSE 1

APPLAUSE 2

POWER BASS DRUM 2

POWER BASS DRUM 1

ROOM SNARE 1

ROOM SNARE 2

ROOM LOW FLOOR TOM

ROOM HIGH FLOOR TOM

ROOM LOW TOM

ROOM LOW MID TOM

ROOM HIGH MID TOM

ROOM HIGH TOM

POWER BASS DRUM 2

POWER BASS DRUM 1

POWER SNARE 1

POWER SNARE 2

ROOM LOW FLOOR TOM

ROOM HIGH FLOOR TOM

ROOM LOW TOM

ROOM LOW MID TOM

ROOM HIGH MID TOM

ROOM HIGH TOM

POWER BASS DRUM 2

ELEC BASS DRUM

ELEC SNARE

DANCE SNARE

ELEC LOW FLOOR TOM

ELEC HIGH FLOOR TOM

ELEC LOW TOM

ELEC LOW MID TOM

ELEC HIGH MID TOM

ELEC HIGH TOM

REVERSE CYMBAL

Drumset 2

ROOM SET

Drumset 3

POWER SET

Drumset 4

ELEC SET

E 1

F#1

A 1

B 1

C#2

E 2

F#2

A 2

B 2

C#3

E 3

F#3

A 3

B 3

C#4

E 4

F#4

A 4

B 4

C#5

E 5

F#5

A 5

B 5

C#6

E 6























Drumset 5

SYNTH SET

Drumset 6

JAZZ SET Drumset 7

BRUSH SET

Drumset 8

ORCHESTRA SET Drumset 9

VOICE SET

SYNTH BASS DRUM 1

VOICE BASS DRUM

SYNTH RIM SHOT

VOICE SNARE

SYNTH SNARE 1

SYNTH LOW FLOOR TOM

VOICE CLOSED HI-HAT

SYNTH HIGH FLOOR TOM

VOICE PEDAL HI-HAT

SYNTH LOW TOM

VOICE OPEN HI-HAT

SYNTH LOW MID TOM

SYNTH HIGH MID TOM

SYNTH CYMBAL

SYNTH HIGH TOM

SYNTH COWBELL

SYNTH MUTE HIGH CONGA

SYNTH OPEN HIGH CONGA

SYNTH LOW CONGA

SYNTH MARACAS

SYNTH CLAVES

JAZZ BASS DRUM 2

JAZZ BASS DRUM 1

JAZZ SNARE 1

JAZZ SNARE 2

JAZZ BASS DRUM 2

JAZZ BASS DRUM 1

BRUSH TAP

BRUSH SLAP

BRUSH SWIRL

SYNTH BASS DRUM 2

SYNTH BASS DRUM 1

SYNTH RIM SHOT

SYNTH SNARE 1

SYNTH SNARE 2

SYNTH LOW FLOOR TOM

SYNTH CLOSED HI-HAT 1

SYNTH HIGH FLOOR TOM

SYNTH CLOSED HI-HAT 2

SYNTH LOW TOM

SYNTH OPEN HI-HAT

SYNTH LOW MID TOM

SYNTH HIGH MID TOM

SYNTH CYMBAL

SYNTH HIGH TOM

SYNTH COWBELL

SYNTH MUTE HIGH CONGA

SYNTH OPEN HIGH CONGA

SYNTH LOW CONGA

SYNTH MARACAS

SYNTH CLAVES

CLOSED HI-HAT

PEDAL HI-HAT

OPEN HI-HAT

RIDE CYMBAL 1

JAZZ BASS DRUM 1

CONCERT BASS DRUM

CONCERT SNARE

CASTANETS

CONCERT SNARE

TIMPANI F



TIMPANI G

TIMPANI A



TIMPANI A

TIMPANI B



TIMPANI B

TIMPANI C



TIMPANI D

TIMPANI E



TIMPANI E

TIMPANI F

CONCERT CYMBAL 2

CONCERT CYMBAL 1

704A-E-133A

Drum Assignment List

Lista de asignación de batería

CTK591_es_appendix.p65 03.10.7, 4:27 PM3

A-4

Appendix/Apéndice

Key/Note number

Drumset 1

STANDARD SET

FANFARE

–

ONE

TWO

THREE

FOUR

FIVE

Drumset 2

ROOM SET

Drumset 3

POWER SET

Drumset 4

ELEC SET

F#6

A 6

B 6



Drumset 5

SYNTH SET

Drumset 6

JAZZ SET Drumset 7

BRUSH SET

Drumset 8

ORCHESTRA SET Drumset 9

VOICE SET

704A-E-134A

NOTE

•“

➝

” Indicates the same sound as STANDARD SET.

NOTA

•“

➝

” Indica el mismo sonido que STANDARD SET.

CTK591_es_appendix.p65 03.10.7, 4:27 PM4

A-5

NOTE

•Chords marked with asterisk (*) cannot be played in the Fingered Mode on this keyboard.

•See “Full Range Chords” on page E-37 for information about playing a piece that includes one of the chords marked with an asterisk.

NOTA

•En este teclado, los acordes marcados con asterisco (*) no pueden ejecutarse en el modo de digitación.

•

Para informarse acerca de la ejecución de una pieza que incluya uno de los acordes marcados con un asterisco, vea la parte titulada “Acordes de gama completa” en la página S-37

Appendix/Apéndice

704A-E-135A

FINGERED Chord Chart

Cuadro de acordes digitados

aug sus4

(D )



(G )



(D )



(G )



(A )



Chord

Type

Root

[5, 3, 1]

[5, 2, 1]

[5, 3, 1] [5, 2, 1]

[5, 2, 1]

7 sus4 m add9 m M7 75 add9

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

[4, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[4, 3, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[4, 3, 2, 1]

[5, 4, 2, 1] [4, 3, 2, 1]

[4, 3, 2, 1]

[5, 3, 2, 1]

Mm7m7dim7

(D )





(G )



(D )



(G )



(A )



Chord

Type

Root

[5, 3, 1]

[5, 2, 1]

[5, 3, 1]

[5, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

M7 m75dim

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 3, 2, 1]

[5, 4, 2, 1]

[5, 3, 2]

CTK591_es_appendix.p65 03.10.7, 4:27 PM5

A-6

704A-E-136A

 Panel Tones/Sonidos de panel

PIANO

000 STEREO PIANO

001 GRAND PIANO

002 BRIGHT PIANO

003 MELLOW PIANO

004 MODERN PIANO

005 DANCE PIANO

006 STRINGS PIANO

007 HONKY-TONK

008 OCTAVE PIANO

009 ELEC.GRAND PIANO

010 MODERN E.G.PIANO

011 ELEC.PIANO

012 CHORUSED EP

013 MODERN E.PIANO

014 SOFT E.PIANO

015 E.PIANO PAD

016 HARPSICHORD

017 COUPLED HARPSICHORD

018 CLAVI

CHROMATIC PERC

019 CELESTA

020 GLOCKENSPIEL

021 VIBRAPHONE

022 MARIMBA

ORGAN

023 DRAWBAR ORGAN 1

024 DRAWBAR ORGAN 2

025 DRAWBAR ORGAN 3

026 PERC.ORGAN 1

027 PERC.ORGAN 2

028 ELEC.ORGAN 1

029 ELEC.ORGAN 2

030 JAZZ ORGAN

031 ROCK ORGAN

032 CHURCH ORGAN

033 CHAPEL ORGAN

034 ACCORDION

035 OCTAVE ACCORDION

036 BANDONEON

037 HARMONICA

GUITAR

038 NYLON STR.GUITAR

039 STEEL STR.GUITAR

040 12 STR.GUITAR

041 JAZZ GUITAR

042 OCT JAZZ GUITAR

043 CLEAN GUITAR

044 ELEC.GUITAR

045 MUTE GUITAR

046 OVERDRIVE GT

047 DISTORTION GT

048 FEEDBACK GT

Tone List

Lista de sonidos

BASS

049 ACOUSTIC BASS

050 RIDE BASS

051 FINGERED BASS

052 PICKED BASS

053 FRETLESS BASS

054 SLAP BASS

055 SAW.SYNTH-BASS

056 SQR SYNTH-BASS

STR/ORCHESTRA

057 VIOLIN

058 SLOW VIOLIN

059 CELLO

060 PIZZICATO STRINGS

061 HARP

ENSEMBLE

062 STRINGS

063 SLOW STRINGS

064 CHAMBER

065 SYNTH-STRINGS 1

066 SYNTH-STRINGS 2

067 CHOIR AAHS

068 CHOIRS

069 VOICE DOO

070 SYNTH-VOICE

071 SYNTH-VOICE PAD

072 ORCHESTRA HIT

BRASS

073 TRUMPET

074 TROMBONE

075 TUBA

076 MUTE TRUMPET

077 FRENCH HORN

078 BRASS

079 BRASS SECTION

080 BRASS SFZ

081 ANALOG SYNTH-BRASS

082 SYNTH-BRASS 1

083 SYNTH-BRASS 2

REED

084 SOPRANO SAX

085 ALTO SAX 1

086 ALTO SAX 2

087 BREATHY A.SAX

088 TENOR SAX 1

089 TENOR SAX 2

090 BREATHY T.SAX

091 T.SAXYS

092 BARITONE SAX

093 OBOE

094 CLARINET

Appendix/Apéndice

CTK591_es_appendix.p65 03.10.7, 4:27 PM6

A-7

PIPE

095 PICCOLO

096 FLUTE 1

097 FLUTE 2

098 MELLOW FLUTE

099 RECORDER

100 PAN FLUTE

101 WHISTLE

SYNTH-LEAD

102 SQUARE LEAD

103 SAWTOOTH LEAD

104 SINE LEAD

105 CALLIOPE

106 VOICE LEAD

107 BASS+LEAD

SYNTH-PAD

108 FANTASY

109 WARM PAD

110 WARM VOX

111 POLYSYNTH

112 POLY SAW

113 BOWED PAD

114 HALO PAD

115 ATMOSPHERE

116 BRIGHTNESS

117 ECHO PAD

Appendix/Apéndice

 GM Tones/Sonidos GM

PIANO

118 PIANO 1

119 PIANO 2

120 PIANO 3

121 HONKY-TONK GM

122 E.PIANO 1 GM

123 E.PIANO 2 GM

124 HARPSICHORD GM

125 CLAVI GM

CHROMATIC PERC

126 CELESTA GM

127 GLOCKENSPIEL OCT

128 MUSIC BOX

129 VIBRAPHONE GM

130 MARIMBA GM

131 XYLOPHONE

132 TUBULAR BELL

133 DULCIMER

ORGAN

134 ORGAN 1

135 ORGAN 2

136 ORGAN 3

137 PIPE ORGAN

138 REED ORGAN

139 FRENCH ACCORDION

140 HARMONICA GM

141 BANDONEON GM

GUITAR

142 NYLON STR.GUITAR OCT

143 STEEL STR.GUITAR OCT

144 JAZZ GUITAR OCT

145 CLEAN GUITAR OCT

146 MUTE GUITAR OCT

147 OVERDRIVE GT OCT

148 DISTORTION GT OCT

149 GT HARMONICS

BASS

150 ACOUSTIC BASS OCT

151 FINGERED BASS OCT

152 PICKED BASS OCT

153 FRETLESS BASS OCT

154 SLAP BASS 1 OCT

155 SLAP BASS 2 OCT

156 SYNTH-BASS 1

157 SYNTH-BASS 2

STR/ORCHESTRA

158 VIOLIN GM

159 VIOLA

160 CELLO GM

161 CONTRABASS

162 TREMOLO STRINGS

163 PIZZICATO GM

164 HARP GM

165 TIMPANI

704A-E-137A

CTK591_es_appendix.p65 03.10.7, 4:27 PM7

A-8

Appendix/Apéndice

 Drum Sounds/Sonidos de batería

246 STANDARD SET

247 ROOM SET

248 POWER SET

249 ELECTRONIC SET

250 SYNTH SET

251 JAZZ SET

252 BRUSH SET

253 ORCHESTRA SET

254 VOICE SET

ENSEMBLE

166 ORCHESTRA STRINGS 1

167 ORCHESTRA STRINGS 2

168 SAW.SYNTH-STRINGS 1

169 SAW.SYNTH-STRINGS 2

170 VOICE AHH

171 VOICE DOO GM

172 SYNTH-VOICE GM

173 ORCHESTRA HIT GM

BRASS

174 TRUMPET GM

175 TROMBONE OCT

176 TUBA OCT

177 MUTE TRUMPET GM

178 FRENCH HORN OCT

179 BRASS GM

180 SYNTH-BRASS 1 GM

181 SYNTH-BRASS 2 GM

REED

182 SOPRANO SAX GM

183 ALTO SAX OCT

184 TENOR SAX OCT

185 BARITONE SAX OCT

186 OBOE GM

187 ENGLISH HORN

188 BASSOON

189 CLARINET GM

PIPE

190 PICCOLO OCT

191 FLUTE GM

192 RECORDER GM

193 PAN FLUTE GM

194 BOTTLE BLOW

195 SHAKUHACHI

196 WHISTLE GM

197 OCARINA

SYNTH-LEAD

198 SQUARE WAVE

199 SAWTOOTH WAVE

200 CALLIOPE LEAD

201 CHIFF LEAD

202 CHARANG

203 SOLO VOX

204 FIFTH LEAD

205 BASS LEAD

SYNTH-PAD

206 NEW AGE

207 WARM SYNTH

208 POLYSYNTH GM

209 SPACE CHOIR

210 BOWED GLASS

211 METAL PAD

212 HALO SYNTH

213 SWEEP PAD

SYNTH-SFX

214 RAIN DROP

215 SOUND TRACK

216 CRYSTAL

217 ATMOSPHERE PAD

218 BRIGHT PAD

219 GOBLINS

220 ECHOES

221 SF

ETHNIC

222 SITAR

223 BANJO

224 SHAMISEN

225 KOTO

226 THUMB PIANO

227 BAG PIPE

228 FIDDLE

229 SHANAI

230 TINKLE BELL

PERCUSSIVE

231 AGOGO

232 STEEL DRUMS

233 WOOD BLOCK

234 TAIKO

235 MELODIC TOM

236 SYNTH-DRUM

237 REVERSE CYMBAL

SOUND EFFECTS

238 GT FRET NOISE

239 BREATH NOISE

240 SEASHORE

241 BIRD

242 TELEPHONE

243 HELICOPTER

244 APPLAUSE

245 GUNSHOT

704A-E-138A

CTK591_es_appendix.p65 03.10.7, 4:27 PM8

A-9

POPS I

000 POP 1

001 WORLD POP

002 SOUL BALLAD 1

003 POP SHUFFLE

004 POP BALLAD

005 POP 2

006 BALLAD

007 FUSION SHUFFLE

008 POP 3

009 SOUL BALLAD 2

POPS II

010 16 BEAT 1

011 16 BEAT 2

012 16 BEAT 3

013 8 BEAT 1

014 8 BEAT 2

015 8 BEAT 3

016 POP 4

017 DANCE POP

018 POP FUSION

019 POP WALTZ

DANCE/FUNK

020 JUNGLE

021 RAVE

022 TECHNO

023 GROOVE SOUL

024 DISCO

025 EURO BEAT

026 RAP

027 TRANCE

028 FUNK

029 VERY FUNKY

ROCK I

030 ROCK WALTZ

031 SLOW ROCK 1

032 SLOW ROCK 2

033 SOFT ROCK 1

034 SOFT ROCK 2

035 SOFT ROCK 3

036 FOLKIE POP

037 POP ROCK 1

038 60’S SOUL

039 POP ROCK 2

ROCK II

040 ROCK 1

041 ROCK 2

042 POP ROCK 3

043 RIFF ROCK

044 HEAVY METAL

045 50’S ROCK

046 TWIST

047 NEW ORLNS R&R

048 CHICAGO BLUES

049 R&B

JAZZ/FUSION

050 BIG BAND

051 JAZZ VOICES

052 SLOW SWING

053 SWING 1

054 SWING 2

055 FOX TROT

056 MODERN JAZZ

057 ACID JAZZ

058 LATIN FUSION

059 JAZZ WALTZ

EUROPEAN

060 POLKA 1

061 POLKA 2

062 MARCH 1

063 MARCH 2

064 SLOW WALTZ

065 VIENNESE WALTZ

066 WALTZ 1

067 FRENCH WALTZ

068 SERENADE

069 TANGO

LATIN I

070 BOSSA NOVA 1

071 BOSSA NOVA 2

072 SAMBA 1

073 SAMBA 2

074 JAZZ SAMBA

075 MAMBO

076 RHUMBA

077 CHA-CHA-CHA

078 MERENGUE

079 BOLERO

LATIN II/VARIOUS I

080 SALSA

081 REGGAE

082 PUNTA

083 CUMBIA

084 PASODOBLE

085 RUMBA CATALANA

086 SEVILLANA

087 SKA

088 TEX-MEX

089 FOLKLORE

VARIOUS II

090 COUNTRY

091 BLUEGRASS

092 TOWNSHIP

093 FAST GOSPEL

094 SLOW GOSPEL

095 RAI

096 ADANI

097 BALADI

098 ENKA

099 STR QUARTET

FOR PIANO I

100 PIANO BALLAD 1

101 PIANO BALLAD 2

102 PIANO BALLAD 3

103 EP BALLAD 1

104 EP BALLAD 2

105 BLUES BALLAD

106 MELLOW JAZZ

107 JAZZ COMBO

108 RAGTIME

109 BOOGIE-WOOGIE

FOR PIANO II

110 ARPEGGIO 1

111 ARPEGGIO 2

112 ARPEGGIO 3

113 PIANO BALLAD 4

114 6/8 MARCH

115 MARCH 3

116 2 BEAT

117 WALTZ 2

118 WALTZ 3

119 WALTZ 4

Rhythm List

Lista de ritmos

Appendix/Apéndice

704A-E-139A

CTK591_es_appendix.p65 03.10.7, 4:27 PM9

A-10

Song List/Lista de canciones

Song Bank/Sing Along List

Lista del banco de canciones/cantando en conjunto

00 HERO (“SPIDER-MAN” THEME )

01 COMPLICATED

02 HERO

03 MY HEART WILL GO ON

(“TITANIC” THEME )

04 HAPPY BIRTHDAY TO YOU

05 WE WISH YOU A MERRY CHRISTMAS

06 JINGLE BELLS

07 SILENT NIGHT

08 JOY TO THE WORLD

09 O CHRISTMAS TREE

10 WHEN THE SAINTS GO MARCHING IN

11 GREENSLEEVES

12 AMAZING GRACE

13 AULD LANG SYNE

14 TWINKLE TWINKLE LITTLE STAR

15 UNDER THE SPREADING CHESTNUT TREE

16 SUMM SUMM SUMM

17 LONG LONG AGO

18 ACH DU LIEBER AUGUSTIN

19 SIPPIN’ CIDER THROUGH A STRAW

20 GRANDFATHER’S CLOCK

21 MICHAEL ROW THE BOAT ASHORE

22 DANNY BOY

23 ANNIE LAURIE

24 MY BONNIE

25 MY DARLING CLEMENTINE

26 J’AI PERDU LE DO DE MA CLARINETTE

27 I’VE BEEN WORKING ON THE RAILROAD

28 LITTLE BROWN JUG

29 AURA LEE

30 OH! SUSANNA

31 HOUSE OF THE RISING SUN

32 SHE WORE A YELLOW RIBBON

33 CAMPTOWN RACES

34 SWANEE RIVER (OLD FOLKS AT HOME)

35 YANKEE DOODLE

36 RED RIVER VALLEY

37 TURKEY IN THE STRAW

38 MY OLD KENTUCKY HOME

39 HOME ON THE RANGE

40 JAMAICA FAREWELL

41 LA CUCARACHA

42 ALOHA OE

43 SAKURA SAKURA

44 AJO MAMMA

45 LA PALOMA

46 SANTA LUCIA

47 TROIKA

48 SZLA DZIEWECZKA

49 WALTZING MATILDA

Appendix/Apéndice

704A-E-140A

CTK591_es_appendix.p65 03.10.7, 4:27 PM10

A-11

Piano Bank List

Lista del banco de piano

ETUDES

00 MINUET (J.S.BACH)

01 GAVOTTE (GOSSEC)

02 ARABESQUE (BURGMÜLLER)

03 CHOPSTICKS

04 FRÖHLICHER LANDMANN

05 INVENTIONEN no.1

06 AVE MARIA (GOUNOD)

07 JESUS BLEIBET MEINE FREUDE

08 CANON (PACHELBEL)

09 SONATINA op.36 no.1 1st Mov.

10 SONATA op.13 “PATHÉTIQUE” 2nd Mov.

11 SONATA K.331 1st Mov.

12 PRELUDE op.28 no.7 (CHOPIN)

13 VON FREMDEN LÄNDERNUND MANSCHEN

14 JE TE VEUX

15 RÊVERIE

16 ODE TO JOY

17 SERENADE FROM

“EINE KLEINE NACHTMUSIK”

18 GOING HOME FROM

“FROM THE NEW WORLD”

19 BEAUTIFUL DREAMER

CONCERT PIECES

20 FÜR ELISE

21 TURKISH MARCH (MOZART)

22 THE ENTERTAINER

23 MAPLE LEAF RAG

24 GYMNOPÉDIES no.1

25 ETUDE op.10 no.3

“CHANSON DE L’ADIEU”

26 SONATA op.27 no.2

“MOONLIGHT” 1st Mov.

27 HUNGARIAN DANCES no.5

28 TRÄUMEREI

29 LA FILLE AUX CHEVEUX DE LIN

30 HUMORESKE (DVO ÁK)

31 PROMENADE FROM

“TABLEAUX D’UNE EXPOSITION”

32 MOMENTS MUSICAUX op.94 no.3

33 LE CYGNE FROM

“LE CARNAVAL DES ANIMAUX”

34 VALSE op.64 no.1 “PETIT CHIEN”

35 CHANSON DU TOREADOR FROM

“CARMEN”

36 LARGO (HÄNDEL)

37 WEDDING MARCH FROM

“MIDSUMMER NIGHT’S DREAM”

38 AMERICAN PATROL

39 CSIKOS POST

40 DOLLY’S DREAMING AND AWAKENING

41 LA CHEVALERESQUE

42 SONATA K.545 1st Mov.

43 LA PRIÈRE D’UNE VIERGE

44 TURKISH MARCH (BEETHOVEN)

45 NOCTURNE op.9 no.2 (CHOPIN)

46 LIEBESTRÄUME no.3

47 MARCHE MILITAIRE no.1

48 BLUMENLIED

49 GRANDE VALSE BRILLANTE op.18 no.1

Appendix/Apéndice

704A-E-141A

CTK591_es_appendix.p65 03.10.7, 4:27 PM11



704A-E-142A

CTK591_es_appendix.p65 03.10.7, 4:27 PM12



704A-E-143A

CTK591_es_appendix.p65 03.10.7, 4:27 PM13



704A-E-144A

CTK591_es_appendix.p65 03.10.7, 4:27 PM14



704A-E-145A

CTK591_es_appendix.p65 03.10.7, 4:27 PM15

Basic Default

Channel Changed

Default

Mode Messages

Altered

Note

Number: True voice

Velocity Note ON

Note OFF

After Key's

Touch Ch's

Pitch Bender

0,32

6,38

Control 11

Change 64

100, 101

Function ... Transmitted Recognized Remarks

1-16

Mode 3

❊❊❊❊❊❊❊❊❊❊❊❊❊❊

36 - 96

❊❊❊❊❊❊❊❊❊❊❊❊❊❊

9nH v = 1-127

9nH v = 0

Models

CTK-591/CTK-593 MIDI Implementation Chart

= no relation

Bank select

Modulation

Data entry

Volume

Pan

Expression

Hold1

Sostenuto

Soft pedal

RPN LSB, MSB

Hold in memory as long as

the power is supplied

See Note Table on page

A-1.

1-16

Mode 3

❊❊❊❊❊❊❊❊❊❊❊❊❊❊

0-127

12 - 108

9nH

v = 1-127

9nH

v = 0, 8nH

v =

Version: 1.0

704A-E-146A

CTK591_es_MIDI Chart.p65 03.10.7, 4:27 PM2

Change 64

100, 101

120

121

Program

Change: True #

System Exclusive

System : Song Pos

Common : Song Sel

: Tune

System : Clock

Real Time :

Commands

Aux

: Local ON/OFF

: All notes OFF

Messages : Active Sense

: Reset

Remarks

0-127

❊❊❊❊❊❊❊❊❊❊❊❊❊❊

Hold1

Sostenuto

Soft pedal

RPN LSB, MSB

All sound off

Reset all controller

0-127

❊❊❊❊❊❊❊❊❊❊❊❊❊❊

Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO

: Yes

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO

: No

Modulation and after touch for each channel are the same effect.

FINE TUNE, COARSE TUNE send/receive, and PITCH BEND SENSE, RPN Null receive

In accordance with assignable jack setting

GM on/off GM ON : [F0] [7E] [7F] [09] [01] [F7] GM OFF : [F0] [7E] [7F] [09] [02] [F7]

704A-E-147A

CTK591_es_MIDI Chart.p65 03.10.7, 4:27 PM3

CTK591/593-ES-1

This recycle mark indicates that the packaging conforms to

the environmental protection legislation in Germany.

Esta marca de reciclaje indica que el empaquetado se

ajusta a la legislación de protección ambiental en Alemania.

MA0302-A Printed in China

CASIO COMPUTER CO.,LTD.

6-2, Hon-machi 1-chome

Shibuya-ku, Tokyo 151-8543, Japan

CTK591_es_Cover.p65 03.10.7, 4:27 PM2

Casio Ctk 591 01 E

593es1 ee9710d9-575d-4be6-a889-c6aab9082028 Casio Electronic Keyboard 593-ES-1 User Guide |

CTK591 CTK591_EN CTK-591 | Electronic Musical Instruments | Manuals | CASIO

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