Crate Amplifiers Gtd65 Users Manual Three Channel Guitar Amplifier Owner's
2015-02-02
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Page Count: 12
Owner’s Manual
GTD65
Three-Channel Guitar Amplifier
with DSP and Channel Tracking
2
GTD65 Guitar Amplifier w/DSP and Channel Tracking
IMPORTANT SAFETY INSTRUCTIONS
• READ, FOLLOW, HEED, AND KEEP ALL INSTRUCTIONS AND WARNINGS.
• DO NOT OPERATE NEAR ANY HEAT SOURCE AND DO NOT BLOCK ANY VENTILATION OPENINGS ON THIS APPARATUS. FOR
PROPER OPERATION, THIS UNIT REQUIRES 3” (75mm) OF WELL VENTILATED SPACE AROUND HEATSINKS AND OTHER AIR
FLOW PROVISIONS IN THE CABINET.
• DO NOT USE THIS APPARATUS NEAR SPLASHING, FALLING, SPRAYING, OR STANDING LIQUIDS.
• CLEAN ONLY WITH LINT-FREE DAMP CLOTH AND DO NOT USE CLEANING AGENTS.
• ONLY CONNECT POWER CORD TO A POLARIZED, SAFETY GROUNDED OUTLET WIRED TO CURRENT ELECTRICAL CODES AND
COMPATIBLE WITH VOLTAGE, POWER, AND FREQUENCY REQUIREMENTS STATED ON THE REAR PANEL OF THE APPARATUS.
• PROTECT THE POWER CORD FROM DAMAGE DUE TO BEING WALKED ON, PINCHED, OR STRAINED.
• UNPLUG THE APPARATUS DURING LIGHTNING STORMS OR WHEN UNUSED FOR LONG PERIODS OF TIME.
• ONLY USE ATTACHMENTS, ACCESSORIES, STANDS, OR BRACKETS SPECIFIED BY THE MANUFACTURER FOR SAFE
OPERATION AND TO AVOID INJURY.
• WARNING: TO REDUCE THE RISK OF ELECTRIC SHOCK OR FIRE, DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.
• SERVICE MUST BE PERFORMED BY QUALIFIED PERSONNEL.
• OUR AMPLIFIERS ARE CAPABLE OF PRODUCING HIGH SOUND PRESSURE LEVELS. CONTINUED EXPOSURE TO HIGH SOUND
PRESSURE LEVELS CAN CAUSE PERMANENT HEARING IMPAIRMENT OR LOSS. USER CAUTION IS ADVISED AND EAR
PROTECTION IS RECOMMENDED IF UNIT IS OPERATED AT HIGH VOLUME.
• WARNING: THIS UNIT REQUIRES A SAFETY GROUNDED OUTLET WIRED TO CURRENT ELECTRIC CODES HAVING THE
LINE SUPPLY VOLTAGE, POWER, AND FREQUENCY IDENTIFIED ON THE REAR OF THE UNIT. THE OUTLET MUST REMAIN
ACCESSIBLE TO DISCONNECT THE UNIT IF A FAULT SHOULD ARISE WHILE IN USE. THIS UNIT SHOULD BE UNPLUGGED WHEN
NOT IN USE.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR
MOISTURE. TO REDUCE THE RISK OF ELECTRIC SHOCK, DO
NOT REMOVE COVER. NO USER-SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
"IT IS NECESSARY FOR THE USER TO REFER TO THE INSTRUCTION MANUAL"
“ES NECESARIO QUE EL USUARIO SE REFIERA AL MANUAL DE INSTRUCCIONES.”
"REFERREZ-VOUS AU MANUAL D'UTILISATION"
EXPLANATION OF GRAPHICAL SYMBOLS:
EXPLICACION DE SIMBOLOS GRAFICOS:
EXPLICATION DES SYMBÔLES GRAPHIQUES:
"DANGEROUS VOLTAGE"
“VOLTAJE PELIGROSO”
"DANGER HAUTE TENSION"
==
PRECAUCION
RIESGO DE CORRIENTAZO
NO ABRA
PRECAUCION: PARA REDUCIR EL RIESGO DE INCENDIOS O DESCARGAS
ELECTRICAS, NO PERMITA QUE ESTE APARATO QUEDE EXPUESTO A LA
LLUVIA O LA HUMEDAD. PARA DISMINUOIR EL RIESGO DE CORRIENTAZO.
NO ABRA LA CUBIERTA. NO HAY PIEZAS ADENTRO QUE EL USARIO PUEDO
REPARAR DEJE TODO MANTENIMIENTO A LOS TECHNICOS CALIFICADOS.
ATTENTION
RISQUE D'ELECTROCUTION
NE PAS OUVRIR
ATTENTION: PROTÉGEZ CET APPAREIL DE LA PLUIE ET DE L'HUMIDITÉ
AFIN D'ÉVITER TOUT RISQUE D'INCENDIE OU D'ÉLECTROCUTION. POUR
REDUIRE D'ELECTROCUTION NE PAS ENLEVER LE COUVERCLE. AUCUNE
PIECE INTERNE N'EST REPRABLE PAR L'UTILISATEUR. POUR TOUTE
REPARATION, S'ADRESSER A UN TECHNICIEN QUALIFIE.
TABLE OF CONTENTS
Introduction ............................................................. 3
Channel Tracking ..................................................... 4
The Front Panel ....................................................... 5
The Rear Panel ........................................................ 6
The DSP Section ...................................................... 7
Using the Footswitch with the DSP ............................ 8
Suggested Settings .................................................. 9
System Block Diagram ........................................... 10
Technical Specifications .......................................... 12
Service Information ................................................ 12
GTD65 Guitar Amplifier w/DSP and Channel Tracking
Introduction
Congratulations!
You are now the proud owner of the Crate GTD65 three-channel guitar ampli-
fier with advanced digital signal processing (DSP) and Channel Tracking. This rugged ampli-
fier combines outstanding features with serious clean and distorted sounds. Digital Reverb,
Chorus, and Delay provide you with a wide variety of sounds. Crate’s unique Channel Tracking
feature automatically stores your DSP settings for each channel to memory. As you switch
from one channel to another, the DSP settings for the selected channel are instantly recalled.
The supplied three-button footswitch allows you to select channels and change the DSP bank
(Bank A/Bank B) by “remote control.” A front panel 1/8" stereo CD input jack allows you to
play along with your CD player, MP3 player, or iPod. A rear panel insert jack allows you to
add even more effects by connecting an external effect processor.
Like all Crate products, your GTD amplifier is designed by musicians and built using only the
best components. Extensive testing confirms that this amplifier is the absolute best it can be.
In order to get the most out of your new amplifier, we strongly urge you to read this manual
before you begin playing.
And thank you for choosing Crate.
Here are some of the features packed into your new GTD65 Combo Amplifier:
• 65 watts rms power output
• 1 x 12" speaker
• Three-Channel Operation
—High Gain Channel
—Overdrive Channel
—Clean Channel
• 3-band EQ on the Overdrive and Clean Channels
• Proprietary “Shape” EQ control on the High Gain Channel
• DSP Effects including Delay, Chorus, and Reverb sections
• CD Input
• Effects Loop
• 3-Function Footswitch included
• External Speaker jack
• Built-in Chromatic Tuner
3
Channel Tracking
Your Crate GTD65 gives you the power of Channel Tracking. Once you select a DSP setting
for each channel, Channel Tracking stores the settings to memory whenever you change chan-
nels. When you go back to that channel, Channel Tracking recalls those DSP settings automati-
cally, without changing the DSP controls!
For example:
• Select the Clean channel. Set the Chorus control to “Flanger,” the Delay control to “Echo,”
and adjust the Reverb control to your preference.
• Select the Overdrive channel. Set the Chorus control to “Chorus,” the Delay control to
“Slap,” and readjust the Reverb control to a different setting. (The DSP settings for the
Clean channel are now saved to memory.)
• Select the High Gain channel. Set the Chorus control to “Phaser,” the Delay control
to “Echo/Eff,” and readjust the Reverb control once again. (The DSP settings for the
Overdrive channel are now saved to memory.)
• Reselect the Clean channel. (The DSP settings for the High Gain channel are now saved to
memory.)
When you reselected the Clean channel, the DSP settings previously stored in memory were
automatically recalled. Switch to the Overload channel and the DSP settings you just stored
are still there. You can change the DSP settings at any time. Once you set the DSP and select
another channel, Channel Tracking stores the settings for you. Even when the amplifier is
turned off, the DSP settings are stored and recalled the next time you turn it on. That’s the
power of Channel Tracking!
In addition, each channel has two DSP banks, Bank A and Bank B, when you use the supplied
three-button footswitch (see page 8 for more information on using the footswitch). Channel
Tracking also remembers which DSP bank was selected for each channel.
GTD65 Guitar Amplifier w/DSP and Channel Tracking
4
1. INPUT: Use this jack to connect your
guitar to the amplifier by means of a shield-
ed instrument cable.
2. HIGH GAIN LED: This LED illuminates
when the High Gain channel is selected.
3. GAIN: Use this control to adjust the amount
of distortion for the High Gain channel.
4. SHAPE: Use this control to “dial in” the
tone for the High Gain channel. Rotating
this control counter-clockwise enhances the
mid frequencies, while rotating it clockwise
enhances the low and high frequencies.
5. LEVEL: Use this control to adjust the out-
put level of the High Gain channel.
6. HIGH GAIN/OVERDRIVE: Use this switch
to select the High Gain or Overdrive chan-
nel. With the switch in the out position, the
Overdrive channel is selected. When the
switch is pushed in, the High Gain channel is
selected. Note: This switch is only active when
the Overdrive/Clean switch [13] is pushed in.
7. OVERDRIVE LED: This LED illuminates
when the Overdrive channel is selected.
8. GAIN: Use this control to adjust the amount
of distortion for the Overdrive channel.
9. LOW: This adjusts the bass frequencies.
Use this control to get the best sounding
bass response for your instrument when
using the Overdrive channel.
10. MID: This adjusts the midrange frequen-
cies. Use this control to get the best projec-
tion and midrange tones for your instrument
when using the Overdrive channel.
11. HIGH: This adjusts the treble frequen-
cies. Use this control to attain a bright and
lively sound for your instrument when using
the Overdrive channel.
12. LEVEL: Use this control to adjust the
output level of the Overdrive channel.
13. OVERDRIVE/CLEAN: Use this switch
to select the Clean channel or the Overdrive
and High Gain channels. With the switch in
the out position, the Clean channel is select-
ed. When the switch is pushed in, either the
High Gain or Overdrive channel is selected,
depending on the setting of the High Gain/
Overdrive switch [6].
14. CLEAN LED: This LED illuminates when
the Clean channel is selected.
15. VOLUME: Use this control to adjust the
output level of the Clean channel.
16. LOW: This adjusts the bass frequen-
cies. Use this control to get the best sound-
ing bass response for your instrument when
using the Clean channel.
17. MID: This adjusts the midrange frequen-
cies. Use this control to get the best projec-
tion and midrange tones for your instrument
when using the Clean channel.
18. HIGH: This adjusts the treble frequen-
cies. Use this control to attain a bright and
lively sound for your instrument when using
the Clean channel.
19-21. EFFECTS: Use these controls to apply
and adjust the DSP effects. Complete informa-
tion on these effects is provided on page 7.
22. CD INPUT: Use this 1/8" stereo mini
jack to connect the output from a CD player,
MP3 player, laptop, etc., to the amplifier.
The signal at this jack is summed into a
mono signal, which is sent to the internal
power amp circuit. Use the output level con-
trol for the signal source to adjust the signal
for the proper mix with your guitar.
23. POWER: Use this switch to turn the
amplifier on (top of the switch depressed)
and off (bottom of the switch depressed).
The switch illuminates when the amplifier is
turned on.
The Front Panel
GTD65 Guitar Amplifier w/DSP and Channel Tracking
5
1 2 3 1514 16 17 18 19 20 21 2322125 6 7 8 9 1311104
GTD65 Guitar Amplifier w/DSP and Channel Tracking
6
The Rear Panel
2524 26 27 28
24. FUSE: The fuse protects the amplifier
from damage caused by a faulty AC power
source or other problems. If the fuse opens,
replace it with the same size and type. If
fuses continue to fail, check the AC source. If
the source is okay, refer to page 12 or con-
tact your Crate dealer for service information.
25. EXTENSION SPEAKER:
Use this jack
to connect the amplifier to an external speak-
er cabinet. This jack is wired in series with
the internal speaker, which remains active
when an extension speaker is connected.
26. DSP FOOTSWITCH:
Use this jack to connect one of the footswitch
cables to the three-button footswitch (sup-
plied). This allows you to select between two
DSP presets for each of the three channels.
Additional information about the operation
of the footswitch is on
page 8.
27. CHANNEL
FOOTSWITCH: Use this
jack to connect one of
the footswitch cables
to the three-button foot-
switch (supplied). This
allows you to remotely
switch between the
Clean, High Gain, and
Overdrive channels.
Additional information
about the operation of
the footswitch is on
page 8.
28. INSERT: Use this jack to connect an
external signal processor to the amplifier. Use
Crate’s STP201, STP202, or STP203 stereo-
to-mono Y-cord or an adapter such as Crate’s
YPP117 and two 1/4" mono signal cables to
connect to the effect, as shown below.
29. POWER CORD (not shown): This
grounded power cord is to be plugged into
a grounded power outlet, wired to current
electrical codes and compatible with the
voltage, power, and frequency requirements
stated on the rear panel.
Do not attempt to
defeat the safety ground connection!
30. ELECTRONIC TUNER (cabinet top)
The electronic tuner is active whenever the
amplifier is turned on, providing constant
“real-time” tuning. The row of red LEDs on
the left indicates which note is being tuned.
When a single LED is lit,
it represents the note
that appears just below
the LED. When two LEDs
are lit, it represents
the note that appears
between them in the
bottom row. The left
green LED indicates the
note is flat, and the right
green LED indicates the
note is sharp. The note
is properly tuned when
both LEDs are lit at the
same time.
TIP
RING
SLEEVE
RETURN
SEND
GROUND
Stereo-to-mono Y-cord:
to Insert
jack
to Insert
jack
(STP201, 3'
STP202, 6'
STP203, 9')
(YPP117)
(1/4"-TO-1/4"
MONO SHIELDED
CABLES)
to
effect
"OUT"
jack
to
effect
"IN"
jack
External Effect
TIP
RING
SLEEVE
Y-adapter and 2 cables:
External Effect
RING
RING
TIP
TIP
to
effect
"OUT"
jack
to
effect
"IN"
jack
30
GTD65 Guitar Amplifier w/DSP and Channel Tracking
7
19. REVERB: Use this control to adjust
the amount of digital reverb effect. In its
fully counterclockwise position, the signal
will be “dry” (without reverb). As you rotate
this control clockwise, the amount of reverb
increases.
20. CHORUS: Use this control to select the
type of digital chorus effect. In its fully coun-
terclockwise position, the signal will be “dry”
(without chorus). As you rotate the control
clockwise, you can select from three chorus
The DSP Section
settings, three flanger settings, or three
phaser settings. The chart below describes
these effects.
21. DELAY: Use this control to select
the type of digital delay effect. In its fully
counterclockwise position, the signal will
be “dry” (without chorus). As you rotate the
control clockwise, you can select from three
slap settings, three echo settings, or three
echo with effect settings. The chart below
describes these effects.
Effect Setting Description
Chorus 1 Chorus with low depth
Chorus 2 Chorus with medium depth
Chorus 3 Chorus with high depth
Flanger 1 Flanger with low depth
Flanger 2 Flanger with medium depth
Flanger 3 Flanger with high depth
Phaser 1 Phaser with low feedback
Phaser 2 Phaser with medium feedback
Phaser 3 Phaser with high feedback
Slap 1 Single delay with low level
Slap 2 Single delay with medium level
Slap 3 Single delay with high level
Echo 1 Echo with low level
Echo 2 Echo with medium level
Echo 3 Echo with high level
Echo/Eff 1 Echo with low level before effect
Echo/Eff 2 Echo with medium level before effect
Echo/Eff 3 Echo with high level before effect
Normal Signal Path
Chorus > Delay > Reverb
Echo/Eff Signal Path
Delay > Chorus > Reverb
19 20 21
GTD65 Guitar Amplifier w/DSP and Channel Tracking
8
Using the Footswitch with the DSP
The Crate three-button footswitch supplied with the GTD65 allows access to an additional
DSP preset for each channel of the amplifier. When the footswitch is connected to the ampli-
fier as shown below, the “original” DSP presets are active for each channel when the #3
footswitch LED is illuminated. These are referred to as “DSP Bank A.” When the #3 button is
switched and the LED is off, a second DSP preset may be stored and recalled for each chan-
nel — “DSP Bank B.”
Note: DSP Bank B presets are only accessible when the footswich is connected to the ampli-
fier. When the footswitch is not connected, only DSP Bank A is accessible.
“LEFT” jack
Switch #1:
LED ON = HIGH GAIN CH
LED OFF = OVERDRIVE CH
[only when Switch #2 is activated (LED ON)]
Switch #2:
LED ON = HIGH GAIN CH/OVERDRIVE CH
LED OFF = CLEAN CH
Switch #3:
LED ON = DSP BANK A
LED OFF = DSP BANK B
“RIGHT” jack
GTD65 Guitar Amplifier w/DSP and Channel Tracking
Suggested Settings
Sweet ‘n Clean:
Just a ‘Lil Nasty:
Politely Gritty:
Down ‘n Dirty:
Mean & Obscene:
OUT
AS
DESIRED
INOUT
AS
DESIRED
INOUT
AS
DESIRED
INOUT
AS
DESIRED
ININ
AS
DESIRED
9
GTD65 Guitar Amplifier w/DSP and Channel Tracking
System Block Diagram
10
INPUT
CLEAN/
OVERDRIVE
LOWVOLUME MID HIGH
REVERB
BUFFER
MIX
AMP
CLEAN
DAMPING
CIRCUIT
POWER
AMP
EXT.
SPEAKER
SPEAKE
R
OVERDRIVE/
HIGH GAIN
INSERT
HIGH GAIN
GAIN
OVERDRIVE
LEVEL
HIGH GAIN
LEVEL
OVERDRIVE
GAIN MIDLOW HIGH
SHAPE
SLAP
ECHO ECHO/EFF
TUNER
CD
INPUT
CHORUS
FLANGER PHASER
DSP
CHORUS DELAY
MIX
AMP
11
GTD65 Guitar Amplifier w/DSP and Channel Tracking
This equipment has been tested and found to comply with the limits for a Class B digital device, pur-
suant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against
harmful interference in a residential installation. This equipment generates, uses, and can radiate
radio frequency energy and, if not installed and used in accordance with the instructions, may cause
harmful interference to radio communications. However, there is no guarantee that interference
will not occur in a particular installation. If this equipment does cause harmful interference to radio
or television reception, which can be determined by turning the equipment off and on, the user is
encouraged to try to correct the interference by one or more of the following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and the receiver.
•
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
Changes or modifications to this device not expressly approved by LOUD Technologies Inc. could void
the user's authority to operate the equipment under FCC rules.
Declaration Of Conformity
Manufacturer: LOUD Technologies Inc.
16220 Wood-Red Rd. NE
Woodinville, WA 98072, USA
Product Name: Crate GTD65
Product Type: Audio Amplifier
Complies with Standards:
LVD: 92/31/EEC, 93/68/EEC, & 73/23/EWG
Safety: EN60065
EMC: EN55013, EN55020, EN55022, EN55103, EN61000-3-2,
& EN61000-3-3
The official Declaration of Conformity for this product is kept on file at:
LOUD Technologies Inc., 16220 Wood-Red Road NE, Woodinville, WA 98072 • Tel: 1-866-858-5832
GTD65 TECHNICAL SPECIFICATIONS:
Output Power Rating 65W rms @ 5% THD, 8Ω, 120 VAC
Gain High Gain Channel 110 dB, all controls @ 10
Overdrive Ch 88 dB, all controls @ 10
Clean Ch 58 dB, all controls @ 10
CD Input 29 dB
Maximum Input Signal Accepted 2.5 volts rms @ 400 Hz
Input Impedance 470k ohm
High Gain Channel Shape Control Proprietary Circuit
Overdrive Channel Low 20 dB range @ 80 Hz
Mid 15 dB range @ 1 kHz
High 20 dB range @ 10 kHz
Clean Channel Low 36 dB range @ 80 Hz
Mid 15 dB range @ 800 Hz
High 40 dB range @ 10 kHz
Speaker Size and Rating 12" Crate Custom Design 8 ohm
Power Requirements 120 VAC, 60 Hz, 95 VA
100/115 VAC, 50/60 Hz, 95 VA
230/240 VAC, 50/60 Hz, 95 VA
Size (H x W x D) 17.75 in/45.1 cm x 21.50 in/54.6 cm x
12.50 in/31.8 cm
Weight 36 lb/16.3 kg
The GTD65 is covered with a durable Tolex material. Wipe it clean with a lint-free cloth.
Never spray cleaning agents onto the cabinet. Avoid abrasive cleansers which would damage the finish.
Crate continually develops new products, as well as improves existing ones. For this reason, the specifications
and information in this manual are subject to change without notice.
“Crate” is a registered trademark of LOUD Technologies Inc. All other brand names mentioned are trademarks or
registered trademarks of their respective holders and are hereby acknowledged.
Service Information:
If you are having a problem with your GTD65, you can go to our website (www.crateamps.com)
and click on Support for service information, or call 1-800-898-3211 during business hours
(7
am to 5 pm PST, Monday-Friday). If you are outside of the U.S., contact your local distribu-
tor for technical support and service.
www.crateamps.com
@2006 LOUD Technologies Inc.
16220 Wood-Red Road NE • Woodinville, WA 98072
Part No. 0021167 Rev. A 08/06
GTD65 Guitar Amplifier w/DSP and Channel Tracking
12
