Denon Avr 1705 Users Manual

AVR-1705 AVR-1705_685S-OM_WebRmt

685 to the manual 69f43064-f593-49b8-8d4a-23174b496e65

2015-01-23

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2We greatly appreciate your purchase of this unit.

2To be sure you take maximum advantage of all the

features this unit has to offer, read these instructions

carefully and use the set properly. Be sure to keep this

manual for future reference should any questions or

problems arise.

“SERIAL NO.

PLEASE RECORD UNIT SERIAL NUMBER ATTACHED TO

THE REAR OF THE CABINET FOR FUTURE REFERENCE”

“NO. DE SERIE

PRIERE DE NOTER LE NUMERO DE SERIE DE L’APPAREIL

INSCRIT A L’ARRIERE DU COFFRET DE FAÇON A POUVOIR

LE CONSULTER EN CAS DE PROBLEME.”

2Nous vous remercions pour l’achat de cet appareil.

2Pour être sûr de profiter au maximum de toutes les

caractéristiques qu’offre cet appareil, lire avec soin ces

instructions et bien utiliser l’appareil. Toujours

conserver ce mode d’emploi pour s’y référer

ultérieurement en cas de question ou de problème.

FOR ENGLISH READERS PAGE 2 ~ PAGE 65, 128 ~ 132 POUR LES LECTEURS FRANCAIS PAGE 2, 66 ~ PAGE 132

AV SURROUND RECEIVER

RÉCEPTEUR AUDIO-VIDÉO

AVR-1705/685

OPERATING INSTRUCTIONS

MODE D’EMPLOI

ENGLISH

2SAFETY PRECAUTIONS

2NOTE ON USE / OBSERVATIONS RELATIVES A L’UTILISATION

•Avoid high temperatures.

Allow for sufficient heat dispersion when

installed on a rack.

•Eviter des températures élevées.

Tenir compte d’une dispersion de chaleur

suffisante lors de l’installation sur une étagère.

•Handle the power cord carefully.

Hold the plug when unplugging the cord.

•Manipuler le cordon d’alimentation avec

précaution.

Tenir la prise lors du débranchement du

cordon.

•Keep the set free from moisture, water, and

dust.

•Protéger l’appareil contre l’humidité, l’eau et la

poussière.

•Unplug the power cord when not using the set

for long periods of time.

•Débrancher le cordon d’alimentation lorsque

l’appareil n’est pas utilisé pendant de longues

périodes.

* (For sets with ventilation holes)

•Do not obstruct the ventilation holes.

•Ne pas obstruer les trous d’aération.

•Do not let foreign objects in the set.

•Ne pas laisser des objets étrangers dans

l’appareil.

•Do not let insecticides, benzene, and thinner

come in contact with the set.

•Ne pas mettre en contact des insecticides, du

benzène et un diluant avec l’appareil.

•Never disassemble or modify the set in any

way.

•Ne jamais démonter ou modifier l’appareil

d’une manière ou d’une autre.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,

DO NOT REMOVE COVER (OR BACK). NO

USER-SERVICEABLE PARTS INSIDE. REFER

SERVICING TO QUALIFIED SERVICE

PERSONNEL.

The lightning flash with arrowhead symbol, within an

equilateral triangle, is intended to alert the user to the

presence of uninsulated “dangerous voltage” within the

product’s enclosure that may be of sufficient magnitude to

constitute a risk of electric shock to persons.

The exclamation point within an equilateral triangle is intended

to alert the user to the presence of important operating and

maintenance (servicing) instructions in the literature

accompanying the appliance.

WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC

SHOCK, DO NOT EXPOSE THIS APPLIANCE

TO RAIN OR MOISTURE.

CAUTION

TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG

TO WIDE SLOT, FULLY INSERT.

ATTENTION

POUR ÉVITER LES CHOCS ÉLECTRIQUES, INTERODUIRE LA

LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE

CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’ AU

FOND.

FRANCAIS

•FOR CANADA MODEL ONLY •POUR LES MODELE CANADIEN UNIQUEMENT

1. PRODUCT

This product complies with Part 15 of the FCC Rules. Operation is subject

to the following two conditions: (1) this product may not cause harmful

interference, and (2) this product must accept any interference received,

including interference that may cause undesired operation.

2. IMPORTANT NOTICE: DO NOT MODIFY THIS PRODUCT

This product, when installed as indicated in the instructions contained in this

manual, meets FCC requirements. Modification not expressly approved by

DENON may void your authority, granted by the FCC, to use the product.

3. NOTE

This product has been tested and found to comply with the limits for a Class

B digital device, pursuant to Part 15 of the FCC Rules. These limits are

designed to provide reasonable protection against harmful interference in a

residential installation.

This product generates, uses and can radiate radio frequency energy and, if

not installed and used in accordance with the instructions, may cause

harmful interference to radio communications. However, there is no

guarantee that interference will not occur in a particular installation. If this

product does cause harmful interference to radio or television reception,

which can be determined by turning the product OFF and ON, the user is

encouraged to try to correct the interference by one or more of the following

measures:

•Reorient or relocate the receiving antenna.

•Increase the separation between the equipment and receiver.

•Connect the product into an outlet on a circuit different from that to

which the receiver is connected.

•Consult the local retailer authorized to distribute this type of product or

an experienced radio/TV technician for help.

FCC INFORMATION (For US customers)

SAFETY INSTRUCTIONS

1. Read Instructions – All the safety and operating instructions

should be read before the product is operated.

2. Retain Instructions – The safety and operating instructions

should be retained for future reference.

3. Heed Warnings – All warnings on the product and in the

operating instructions should be adhered to.

4. Follow Instructions – All operating and use instructions should

be followed.

5. Cleaning – Unplug this product from the wall outlet before

cleaning. Do not use liquid cleaners or aerosol cleaners.

6. Attachments – Do not use attachments not recommended by

the product manufacturer as they may cause hazards.

7. Water and Moisture – Do not use this product near water – for

example, near a bath tub, wash bowl, kitchen sink, or laundry

tub; in a wet basement; or near a swimming pool; and the like.

8. Accessories – Do not place this product on an unstable cart,

stand, tripod, bracket, or table. The product may fall, causing

serious injury to a child or adult, and serious damage to the

product. Use only with a cart, stand, tripod, bracket, or table

recommended by the manufacturer, or sold with the product.

Any mounting of the product should follow the manufacturer’s

instructions, and should use a

mounting accessory

recommended by the

manufacturer.

9. A product and cart

combination should be

moved with care. Quick

stops, excessive force,

and uneven surfaces may

cause the product and cart

combination to overturn.

10. Ventilation – Slots and openings in the cabinet are provided for

ventilation and to ensure reliable operation of the product and to

protect it from overheating, and these openings must not be

blocked or covered. The openings should never be blocked by

placing the product on a bed, sofa, rug, or other similar surface.

This product should not be placed in a built-in installation such

as a bookcase or rack unless proper ventilation is provided or

the manufacturer’s instructions have been adhered to.

11. Power Sources – This product should be operated only from the

type of power source indicated on the marking label. If you are

not sure of the type of power supply to your home, consult your

product dealer or local power company. For products intended

to operate from battery power, or other sources, refer to the

operating instructions.

12. Grounding or Polarization – This product may be equipped with

a polarized alternating-current line plug (a plug having one blade

wider than the other). This plug will fit into the power outlet

only one way. This is a safety feature. If you are unable to

insert the plug fully into the outlet, try reversing the plug. If the

plug should still fail to fit, contact your electrician to replace your

obsolete outlet. Do not defeat the safety purpose of the

polarized plug.

13. Power-Cord Protection – Power-supply cords should be routed

so that they are not likely to be walked on or pinched by items

placed upon or against them, paying particular attention to

cords at plugs, convenience receptacles, and the point where

they exit from the product.

15. Outdoor Antenna Grounding – If an outside antenna or cable

system is connected to the product, be sure the antenna or

cable system is grounded so as to provide some protection

against voltage surges and built-up static charges. Article 810

of the National Electrical Code, ANSI/NFPA 70, provides

information with regard to proper grounding of the mast and

supporting structure, grounding of the lead-in wire to an

antenna discharge unit, size of grounding conductors, location

of antenna-discharge unit, connection to grounding electrodes,

and requirements for the grounding electrode. See Figure A.

16. Lightning – For added protection for this product during a

lightning storm, or when it is left unattended and unused for

long periods of time, unplug it from the wall outlet and

disconnect the antenna or cable system. This will prevent

damage to the product due to lightning and power-line surges.

17. Power Lines – An outside antenna system should not be

located in the vicinity of overhead power lines or other electric

light or power circuits, or where it can fall into such power lines

or circuits. When installing an outside antenna system,

extreme care should be taken to keep from touching such

power lines or circuits as contact with them might be fatal.

18. Overloading – Do not overload wall outlets, extension cords, or

integral convenience receptacles as this can result in a risk of

fire or electric shock.

19. Object and Liquid Entry – Never push objects of any kind into

this product through openings as they may touch dangerous

voltage points or short-out parts that could result in a fire or

electric shock. Never spill liquid of any kind on the product.

20.

Servicing – Do not attempt to service this product yourself as

opening or removing covers may expose you to dangerous

voltage or other hazards. Refer all servicing to qualified

service personnel.

21.

Damage Requiring Service – Unplug this product from the

wall outlet and refer servicing to qualified service

personnel

under the following conditions:

a) When the power-supply cord or plug is damaged,

b) If liquid has been spilled, or objects have fallen into the

product,

c) If the product has been exposed to rain or water,

d) If the product does not operate normally by following the

operating instructions. Adjust only those controls that are

covered by the operating instructions as an improper

adjustment of other controls may result in damage and will

often require extensive work by a qualified technician to

restore the product to its normal operation,

e) If the product has been dropped or damaged in any way, and

f) When the product exhibits a distinct change in performance

– this indicates a need for service.

22. Replacement Parts – When replacement parts are required, be

sure the service technician has used replacement parts

specified by the manufacturer or have the same characteristics

as the original part. Unauthorized substitutions may result in

fire, electric shock, or other hazards.

23. Safety Check – Upon completion of any service or repairs to this

product, ask the service technician to perform safety checks to

determine that the product is in proper operating condition.

24. Wall or Ceiling Mounting – The product should be mounted to a

wall or ceiling only as recommended by the manufacturer.

25. Heat – The product should be situated away from heat sources

such as radiators, heat registers, stoves, or other products

(including amplifiers) that produce heat.

FIGURE A

EXAMPLE OF ANTENNA GROUNDING

AS PER NATIONAL

ELECTRICAL CODE ANTENNA

LEAD IN

WIRE

GROUND

CLAMP

ELECTRIC

SERVICE

EQUIPMENT

ANTENNA

DISCHARGE UNIT

(NEC SECTION 810-20)

GROUNDING CONDUCTORS

(NEC SECTION 810-21)

GROUND CLAMPS

POWER SERVICE GROUNDING

ELECTRODE SYSTEM

(NEC ART 250, PART H)

NEC - NATIONAL ELECTRICAL CODE

ENGLISH

2INTRODUCTION

2ACCESSORIES

Thank you for choosing the DENON A/V Surround receiver. This remarkable component has been engineered to provide superb surround sound

listening with home theater sources such as DVD, as well as providing outstanding high fidelity reproduction of your favorite music sources.

As this product is provided with an immense array of features, we recommend that before you begin hookup and operation that you review the

contents of this manual before proceeding.

TABLE OF CONTENTS

Check that the following parts are included in addition to the main unit:

1BEFORE USING

Pay attention to the following before using this unit:

•Moving the set

To prevent short circuits or damaged wires in the connection cords,

always unplug the power cord and disconnect the connection

cords between all other audio components when moving the set.

•Before turning the power operation switch on

Check once again that all connections are proper and that there are

not problems with the connection cords. Always set the power

operation switch to the standby position before connecting and

disconnecting connection cords.

•Store this instructions in a safe place.

After reading, store this instructions along with the warranty in a

safe place.

•Note that the illustrations in this instructions may differ from

the actual set for explanation purposes.

•V. AUX terminal

The AVR-1705/685’s front

panel is equipped with a V.

AUX terminal. Remove the

cap covering the terminal

when you want to use it.

zBefore Using ..............................................................................................4

xCautions on Installation ..............................................................................5

cCautions on Handling .................................................................................5

vFeatures......................................................................................................6

bPart Names and Functions....................................................................7, 8

nRead this first .............................................................................................9

mSetting up the Speaker Systems................................................................9

,Connections.....................................................................................10 ~ 16

.Using the Remote Control Unit................................................................17

⁄0 Setting up the System.....................................................................18 ~ 28

⁄1 Remote Control Unit........................................................................29 ~ 33

⁄2 Operation .........................................................................................34 ~ 38

⁄3 Surround ..........................................................................................39 ~ 47

⁄4 DSP Surround Simulation ................................................................48 ~ 52

⁄5 Listening to the Radio......................................................................53 ~ 55

⁄6 Last Function Memory .............................................................................56

⁄7 Initialization of the Microprocessor.…………………………………………56

⁄8 Additional Information......................................................................57 ~ 63

⁄9 Troubleshooting ........................................................................................64

¤0 Specifications .…………………………………………………………………65

List of Preset Codes ...........................................................................128 ~ 132

qOperating instructions ............................................................................1

wWarranty .................................................................................................1

eService station list...................................................................................1

rRemote control unit (RC-977) .................................................................1

rt y u

tR6P/AA batteries ....................................................................................2

yAM loop antenna ....................................................................................1

uFM indoor antenna..................................................................................1

ENGLISH

3CAUTIONS ON HANDLING

•Switching the input function when input jacks are not

connected

A clicking noise may be produced if the input function is switched

when nothing is connected to the input jacks. If this happens,

either turn down the MASTER VOLUME control or connect

components to the input jacks.

•Muting of PRE OUT jack, HEADPHONE jack and SPEAKER

terminals

The PRE OUT jack, HEADPHONE jack and SPEAKER terminals

include a muting circuit. Because of this, the output signals are

greatly reduced for several seconds after the power operation

switch is turned on or input function, surround mode or any other

set-up is changed.

If the volume is turned up during this time, the output will be very

high after the muting circuit stops functioning. Always wait until

the muting circuit turns off before adjusting the volume.

•Whenever the unit is in the STANDBY state, the apparatus is

still connected on AC line voltage.

Please be sure to turn the power off (£off) when you leave

home for, say, a vacation.

2CAUTIONS ON INSTALLATION

Noise or disturbance of the picture may be generated if this unit or

any other electronic equipment using microprocessors is used near a

tuner or TV.

If this happens, take the following steps:

•Install this unit as far as possible from the tuner or TV.

•Set the antenna wires from the tuner or TV away from this unit’s

power cord and input/output connection cords.

•Noise or disturbance tends to occur particularly when using indoor

antennas or 300 Ω/ohms feeder wires. We recommend using

outdoor antennas and 75 Ω/ohms coaxial cables.

For heat dispersal, leave at least 0.3 ft (10 cm) of space between

the top, back and sides of this unit and the wall or other

components.

0.3 ft (10 cm) or more

wall

0.3 ft (10 cm) or more

ENGLISH

4FEATURES

1. Dolby Digital

Using advanced digital processing algorithms, Dolby Digital

provides up to 5.1 channels of wide-range, high fidelity surround

sound. Dolby Digital is the default digital audio delivery system for

DVD and North American DTV.

2. Dolby Pro Logic IIx compatibility

Dolby Pro Logic IIx furthers the matrix decording technology of

Dolby Pro Logic II to decode audio signals recorded on two

channels into up to 6.1 playback channels, including the surround

back channel.

The mode can be selected according to the source. The Music

mode is best suited for playing music,the Cinema mode for

playing movies, and the Game mode for playing games. The

Game mode can only be used with 2-channel audio sources.

3. Dolby Pro Logic II Game mode compatibility

In addition to the previously offered Music and Cinema modes,

the AVR-1705/685 also offers a Game mode optimum for games.

4. DTS (Digital Theater Systems)

DTS provides up to 5.1 channels of wide-range, high fidelity

surround sound, from sources such as laser disc, DVD and

specially-encoded music discs.

5. DTS-ES Extended Surround and DTS Neo:6

The AVR-1705/685 can be decoded with DTS-ES Extended

Surround, a multi-channel format developed by Digital Theater

Systems Inc.

The AVR-1705/685 can be also decoded with DTS Neo:6, a

surround mode allowing 6.1 channels playback of regular stereo

sources.

6. DTS 96/24 compatibility

The AVR-1705/685 can be decoded with sources recorded in DTS

96/24, a multi-channel digital signal format developed by Digital

Theater Systems Inc.

DTS 96/24 sources can be played in the multi-channel mode on

the AVR-1705/685 with high sound quality of 96 kHz/24 bits or

88.2 kHz/24 bits.

7. Video Conversion Function

The AVR-1705/685 is equipped with a function for up-converting

video signals.

Because of this, the AVR-1705/685’s MONITOR OUT jack can be

connected to the monitor (TV) with a set of cables offering a

higher quality connection, regardless of how the player and the

AVR-1705/685’s video input jacks are connected.

8. Component Video Switching

In addition to composite video and “S” video switching, the AVR-

1705/685 provides 3 sets of component video (Y, PB/CB, PR/CR)

inputs, and one set of component video outputs to the television,

for superior picture quality.

9. Auto Surround Mode

This function stores the surround mode last used for an input

signal in the memory and automatically sets that surround mode

the next time that signal is input.

10.Front input terminal

The unit is equipped with a Front Input connector for the

convenient connection of a video camera or other equipment.

11.6CH EXT. IN jacks

This unit is equipped with 6CH EXT. IN jacks for use with audio

formats of the future.

12.Personal Memory Plus function

Persinal Memory Plus is an advanced version of Personal

Memory. With Personal Memory Plus, the set automatically

memorizes the surround mode, channel volume, surround

parameters, etc., for each of the separate input sources.

13.Preset Memory Tuning

56-Station AM/FM Random Preset Memory tuning.

5PART NAMES AND FUNCTIONS

Front Panel

•For details on the functions of these parts, refer to the pages given in parentheses ( ).

@1@2@3@4@5@6@7@8

!5 !6 !7

!0 !8

#0#1#2

qPower ON/STANDBY switch.......................................(19, 34, 53)

wPOWER indicator...............................................................(19, 34)

ePower switch.....................................................................(19, 34)

rHeadphone jack (PHONES) .....................................................(37)

tINPUT MODE button ........................................................(35, 38)

ySPEAKER A/B buttons.......................................................(34, 56)

uSURROUNDBACK button........................................................(45)

iEXT. IN button ...................................................................(35, 38)

oBAND button ...........................................................................(54)

!0 STANDARD button ................................................(39, 41, 43, 45)

!1 5CH/6CH STEREO button .......................................................(49)

!2 DIRECT/STEREO button..........................................................(48)

!3 Preset station select buttons...................................................(55)

!4 TUNING •(up) / ª(down) buttons..........................................(54)

!5 V. AUX INPUT terminals .....................................................(4, 12)

!6 SURROUND MODE button .....................................................(36)

!7 SURROUND PARAMETER button.....................................(41, 49)

!8 SELECT knob...............................................................(36, 41, 51)

!9 TONE DEFEAT button .............................................................(36)

@0 TONE CONTROL button..........................................................(36)

@1 MASTER VOLUME control......................................................(36)

@2 STATUS button ........................................................................(37)

@3 DIMMER button ......................................................................(37)

@4 VIDEO SELECT button ............................................................(37)

@5 SURROUND BACK indicator ...................................................(45)

@6 MASTER VOLUME indicator ...................................................(36)

@7 Display

@8 INPUT mode indicators............................................................(36)

@9 SIGNAL indicators....................................................................(36)

#0 ANALOG button ................................................................(35, 38)

#1 Remote control sensor (REMOTE SENSOR) ..........................(17)

#2 INPUT SELECTOR knob ..........................................................(35)

ENGLISH

NOTE:

•The shaded buttons do not function with the AVR-

1705/685. (Nothing happens when they are pressed.)

Remote control unit

•For details on the functions of these parts, refer to the pages given in parentheses ( ).

SURROUND

buttons...................................(36, 39, 49)

Cursor

buttons.............................(18, 31, 32, 41)

STATUS/DISPLAY button .......(31, 32, 37)

Test tone button.................................(39)

Remote control signal

transmitter .........................................(17)

Master volume control

buttons...............................................(36)

POWER buttons ..............(19, 30~32, 34)

MUTING button .................................(37)

Mode selector switches........(29~31, 33)

Tuner system/

System buttons ...............(29, 31, 32, 54)

SYSTEM SET UP/

SETUP button ........................(18, 31, 32)

INPUT MODE selector

buttons.........................................(35, 38)

Input source selector

buttons ..................................(30~33, 35)

SURROUND PARAMETER

button ....................................(31, 32, 41)

CH SELECT (channel select)/

ENTER button............(18, 31, 32, 40, 42)

SURROUND BACK/

RETURN button .....................(31, 32, 45)

SPEAKER select button .....................(34)

DIMMER button.................................(37)VIDEO SELECT button.......................(37)

System buttons .....................(29, 31, 32)

LED (indicator) .............................(30, 33)

ENGLISH

6READ THIS FIRST

This AV Surround Receiver must be setup before use. Following these steps.

7SETTING UP THE SPEAKER SYSTEMS

Step 3 (page 18 to 28)

Finally, setting up the system.

Step 2 (page 17)

Next, insert the batteries into the remote control unit.

Step 1 (page 9 to 16)

Choose the best location to setup the Speakers and connecting the components.

2Speaker system layout

Basic system layout

•The following is an example of the basic layout for a system consisting of seven speaker systems and a television monitor:

Subwoofer Center speaker system

Surround speaker systems

Surround back speaker system

Front speaker systems

Set these at the sides of the TV or screen with

their front surfaces as flush with the front of the

screen as possible.

ENGLISH

8CONNECTIONS

•Do not plug in the power cord until all connections have been

completed.

•Be sure to connect the left and right channels properly (left with

left, right with right).

•Insert the plugs securely. Incomplete connections will result in

the generation of noise.

•Use the AC OUTLETS for audio equipment only. Do not use

them for hair driers, etc.

•Note that binding pin plug cords together with power cords or

placing them near a power transformer will result in generating

hum or other noise.

•Noise or humming may be generated if a connected audio

equipment is used independently without turning the power of

this unit on. If this happens, turn on the power of the this unit.

Connecting the audio components

LINE OUT

SURROUND

SUB WOOFER

CENTER

FRONT

LINE OUT

LINE IN

ROUTPUTINPUT

LRL

OUTPUT

DIGITAL AUDIODIGITAL AUDIO

INPUTOUTPUT

OPTICAL

Connecting a CD player

Connect the CD player’s analog output jacks

(ANALOG OUTPUT) to this unit’s CD jacks using

pin plug cords.

Decoders with 6-channel

analog outputs, etc.

DIGITAL jacks

Use these for connections to audio equipment with digital output.

Refer to page 26 for instructions on setting this terminal.

Connecting the AC OUTLETS

AC OUTLETS

•SWITCHED

(total capacity – 120 W (1 A.))

The power to these outlets is turned on and off in conjunction with the POWER switch

on the main unit, and when the power is switched between on and standby from the

remote control unit.

No power is supplied from these outlets when this unit’s power is at standby. Never

connect equipment whose total capacity is above 120 W (1 A.)

NOTE:

Only use the AC OUTLETS for audio equipment. Never use them for hair driers, TVs or

other electrical appliances.

AC CORD

AC 120V, 60Hz

Connect the internal amplifier’s subwoofer to the subwoofer

terminal. (Refer to page 15.)

Connecting a tape deck

Connections for recording:

Connect the tape deck’s recording input jacks (LINE IN or REC)

to this unit’s tape recording (OUT) jacks using pin plug cords.

Connections for playback:

Connect the tape deck’s playback output jacks (LINE OUT or

PB) to this unit’s tape playback (IN) jacks using pin plug cords.

CD player

Tape deck or CD recorder

•Use 75 Ω/ohms cable pin cords (sold separately) for coaxial

connections.

•Use optical cables (sold separately) for optical connections.

Subwoofer jack

CD recorder, MD recorder or other component

equipped with digital output jacks.

ENGLISH

Connecting the video equipments

To connect the video signal, connect using a 75 Ω/ohms video signal cable cord. Using an improper cable can result in a drop in sound quality.

R OUT

VIDEO

OPTICAL

OUT L

AUDIO OUT

DIGITAL

VIDEO

R OUT IN

AUDIO VIDEO

OUT IN

LRL

RLRL

R OUT

VIDEO

OPTICAL

OUT L

AUDIO OUT

DIGITAL

AUDIO OUT

VIDEO OUT

VIDEO IN

AUDIO OUT

VIDEO OUT

AUDIO OUT

AUDIO IN

VIDEO IN

VIDEO OUT

TV or DBS tuner

DVD player or VDP

Monitor TV

Connecting a TV/DBS tuner

TV/DBS

•Connect the TV’s or DBS tuner’s video output jack

(VIDEO OUTPUT) to the (yellow) TV/DBS IN

jack using a 75 Ω/ohms video coaxial pin plug cord.

•Connect the TV’s or DBS tuner’s audio output jacks

(AUDIO OUTPUT) to the TV/DBS IN jacks

using pin plug cords.

AUDIO

VIDEO

Connecting a DVD player or a video disc player (VDP)

•Connect the DVD player’s (video disc player’s) video output jack (VIDEO OUTPUT)

to the (yellow) DVD/VDP IN jack using a 75 Ω/ohms video coaxial pin plug

cord.

•Connect the DVD player’s (video disc player’s) analog audio output jacks

(ANALOG AUDIO OUTPUT) to the DVD/VDP IN jacks using pin plug

cords.

•For better sound quality, we recommend using the DVD player with digital rather

than analog connections.

DVD and VDP players can also be connected to the VCR terminals.

AUDIO

VIDEO

MONITOR OUT

•Connect the TV’s video input jack (VIDEO

INPUT) to the MONITOR OUT jack

using a 75 Ω/ohms video coaxial pin plug

cord.

VIDEO

NOTE:

Connection of the video disc Player Equipped with Dolby Digital RF Output

jack.

•Please use a commercially available adaptor when connecting the Dolby

Digital RF output jack of the video disc player to the digital input jack.

Please refer to the instruction manual of the adapter when making

connections.

Video deck

Video input/output connections:

•Connect the video deck’s video output jack (VIDEO OUT) to the (yellow) VCR IN jack, and the video deck’s video input jack (VIDEO IN) to the (yellow)

VCR OUT jack using 75 Ω/ohms video coaxial pin plug cords.

Connecting the audio output jacks:

•Connect the video deck’s audio output jacks (AUDIO OUT) to the VCR IN jacks, and the video deck’s audio input jacks (AUDIO IN) to the VCR OUT

jacks using pin plug cords.

AUDIOAUDIO

VIDEOVIDEO

Connecting a video decks

ENGLISH

Connecting a video component equipped with S-video jacks

•When marking connections, also refer to the operating instructions of the other components.

•A note on the S input jacks

The input selectors for the S inputs and pin jack inputs work in conjunction with each other.

•Precaution when using S-jacks

This unit’s S-jacks (input and output) and video pin jacks (input and output) have independent circuit structures, so that video signals input from

the S-jacks are only output from the S-jack outputs and video signals input from the pin jacks are only output from the pin jack outputs.

When connecting this unit with equipment that is equipped with S-jacks, keep the above point in mind and make connections according to the

equipment’s instruction manuals.

S-VIDEO

OUT

S-VIDEO

OUT

S-VIDEO

OUT IN

S-VIDEO

VIDEO IN

VIDEO OUT

VIDEO IN

VIDEO OUT

DVD player, VDP, etc.

Connecting a DVD player or video disc player (VDP)

DVD/VDP

•Connect the DVD player’s or video disc player’s S-video

output jack to the S-VIDEO DVD/VDP IN jack using an S-

video connection cord.

Connecting a monitor TV

MONITOR OUT

•Connect the TV’s or DBS tuner’s S video input (S-

VIDEO INPUT) to the MONITOR OUT

jack using a S jack connection cord.

S-VIDEO

Monitor TV

Connecting a TV/DBS tuner

•Connect the TV’s or DBS tuner’s S-video output jack (S-VIDEO

OUTPUT) to the TV/DBS IN jack using an S jack

connection cord.

S-VIDEO

TV or satellite broadcast tuner

Video deck

Connecting the video decks

•Connect the video deck’s S output jack (S-OUT) to the VCR IN

jack and the video deck’s S input jack (S-IN) to the VCR OUT

jack using S jack connection cords.

S-VIDEO

Connect the components’ audio inputs and outputs as described on page 11.

R VIDEO OUTL

OUTPUT

R VIDEO OUTL

OUTPUT

LINE OUT

VIDEO OUT

LINE OUT

Connecting a Video game equipment

•Connect the Video game equipment’s output jacks to this

unit’s V. AUX INPUT jacks.

Video game

Video camera Connecting a Video camera equipment

•Connect the video camera equipment’s output jacks to this

unit’s V. AUX INPUT jacks.

The V. AUX terminal is covered with a cap. Remove this

cap in order to use the terminal. (See page 4 for instructions

on removing the cap.)

ENGLISH

VIDEO OUT

CRCB

COMPONENT

YCRCB

VIDEO IN

COMPONENT

Connecting the Video Component Equipped with Color Difference (Component - Y, PR/CR, PB/CB)

Video Jacks

•When making connections, also refer to the operating instructions of the other components.

•The signals input to the color difference (component) video jacks are not outputs to the VIDEO output jack (yellow) or the S-Video output jack.

•Some video sources with component video outputs are labeled Y, CB, CRor Y, Pb, Pr or Y, R-Y, B-Y. These terms all refer to component video

color difference output.

DVD player Connecting a DVD player

DVD IN jacks

•Connect the DVD player’s color difference (component) video output jacks

(COMPONENT VIDEO OUTPUT) to the COMPONENT DVD IN jack using 75 Ω/ohms

coaxial video pin-plug cords.

•In the same way, another video source with component video outputs such as a TV/DBS

tuner, etc., can be connected to the TV/DBS color difference (component) video jacks.

Monitor TV

Connecting a monitor TV

MONITOR OUT jack

•Connect the TV’s color difference (component) video input jacks (COMPONENT VIDEO

INPUT) to the COMPONENT MONITOR OUT jack using 75 Ω/ohms coaxial video pin-

plug cords.

•The color difference input jacks may be indicated differently on

some TVs, monitors or video components (“CR, CBand Y”, “R-

Y, B-Y and Y”, “Pr, Pb and Y”, etc.). For details, carefully read the

operating instructions included with the TV or other component.

MONITOR OUT jacks

The AVR-1705/685 is equpped with a function for up-converting video signals.

Because of this, the AVR-1705/685’s MONITOR OUT jack can be connected to

the monitor (TV) with a set of cables offering a higher quality connection,

regardless of how the player and the AVR-1705/685’s video input jacks are

connected.

Generally speaking, connections using the component video jacks offer te

highest quality playback, followed by connections using the S-Video jacks, then

connections using regular video jacks (yellow).

NOTE:

Down-converting from the component video signal to the S-Video and

composite video signal is not possible, so when not using the component video

monitor output terminal connect the player using the S-Video or composite

video input terminal.

Cautions on the video conversion function:

When the component video terminals are used to connect the AVR-1705/685

with a TV (or monitor, projector, etc.) and the video (yellow) or S-Video terminals

are used to connect the AVR-1705/685 with a VTR, depending on the

combination of the TV and VTR the picture may flicker in the horizontal direction,

be distorted, be out of sync not display at all when playing video tapes.

If this happens, connect a commercially available video stabilizer, etc., with a

TBC (time base corrector) function between the AVR-1705/685 and the VTR, or

if your VTR has a TBC function, turn it on.

(S-Video jack)

(Video jack) (Video jack)

(S-Video jack)

(Color Diffrence Video jack)(Color Diffrence Video jack)

The Video Conversion Function

With the AVR-1705/685, the Video signal and the S-video

signal which were inputted are converted mutually. And also

the Video signal and the S-Video signal which were inputted

are converted into a higher quality.

This unit’s input jacks This unit’s output jacks

The flow of the

this unit’s internal

signals.

ENGLISH

Connecting the antenna terminals

DIRECTION OF

BROADCASTING

STATION

AM LOOP

ANTENNA

(An Accessory)

FM ANTENNA

GROUND

AM OUTDOOR

ANTENNA

FM INDOOR

ANTENNA

(An Accessory)

75 Ω/ohms

COAXIAL

CABLE

AM loop antenna assembly

Connect to the AM

antenna terminals.

Bend in the reverse

direction.

Remove the vinyl tie

and take out the

connection line.

a. With the antenna

on top any stable

surface.

b. With the antenna

attached to a

wall.

Mount

Installation hole Mount on wall, etc.

Connection of AM antennas

1. Push the lever. 2. Insert the

conductor.

3. Return the lever.

Note to CATV system installer:

This reminder is provided to call the CATV system installer’s

attention to Article 820-40 of the NEC which provides guidelines

for proper grounding and, in particular, specifies that the cable

ground shall be connected to the grounding system of the

building, as close to the point of cable entry as practical.

NOTES:

•Do not connect two FM antennas simultaneously.

•Even if an external AM antenna is used, do not disconnect the

AM loop antenna.

•Make sure AM loop antenna lead terminals do not touch metal

parts of the panel.

ENGLISH

Speaker system connections

•Connect the speaker terminals with the speakers making sure that

like polarities are matched (<with <, >with >). Mismatching of

polarities will result in weak central sound, unclear orientation of

the various instruments, and the sense of direction of the stereo

being impaired.

•When making connections, take care that none of the individual

conductors of the speaker cord come in contact with adjacent

terminals, with other speaker cord conductors, or with the rear

panel.

Speaker Impedance

•When speaker systems A and B are use separately, speakers with

an impedance of 6 to 16 Ω/ohms can be connected for use as front

speakers.

•Be careful when using two pairs of front speakers (A + B) at the

same time, since use of speakers with an impedance of 12 to 16

Ω/ohms.

•Speakers with an impedance of 6 to 16 Ω/ohms can be connected

for use as center and surround and surround back speakers.

•The protector circuit may be activated if the set is played for long

periods of time at high volumes when speakers with an impedance

lower than the specified impedance are connected.

NOTE:

NEVER touch the speaker terminals when the power is on.

Doing so could result in electric shocks.

Connecting the speaker cords

1. Loosen by turning

counterclockwise.

2. Insert the cord. 3. Tighten by turning

clockwise.

Connecting banana plugs

Turn clockwise to tighten, then insert the

banana plug.

Banana plug

(L)(

(L) (R)(L) (R)

Connection jack for subwoofer with built-in amplifier

(super woofer), etc.

To achieve Dolby Digital playback effect, use a unit

that can sufficiently reproduce frequencies of

under 80 Hz.

SURROUND SPEAKER SYSTEMS

CENTER SPEAKER SYSTEM FRONT SPEAKER SYSTEMS

•Precautions when connecting speakers

If a speaker is placed near a TV or video monitor, the colors on the screen may be disturbed by

the speaker’s magnetism. If this should happen, move the speaker away to a position where

it does not have this effect.

System B

FRONT SPEAKER SYSTEMS

System A

SURROUND BACK SPEAKER SYSTEM

ENGLISH

Protector circuit

•This unit is equipped with a high-speed protection circuit. The purpose of this circuit is to protect the speakers under

circumstances such as when the output of the power amplifier is inadvertently short-circuited and a large current flows,

when the temperature surrounding the unit becomes unusually high, or when the unit is used at high output over a long

period which results in an extreme temperature rise.

When the protection circuit is activated, the speaker output is cut off and the power supply indicator LED flashes. Should

this occur, please follow these steps: be sure to switch off the power of this unit, check whether there are any faults with

the wiring of the speaker cables or input cables, and wait for the unit to cool down if it is very hot. Improve the ventilation

condition around the unit and switch the power back on.

If the protection circuit is activated again even though there are no problems with the wiring or the ventilation around the

unit, switch off the power and contact a DENON service center.

Note on speaker impedance

•The protector circuit may be activated if the set is played for long periods of time at high volumes when speakers with

an impedance lower than the specified impedance (for example speakers with an impedance of lower than 4 Ω/ohms)

are connected. If the protector circuit is activated, the speaker output is cut off. Turn off the set’s power, wait for the set

to cool down, improve the ventilation around the set, then turn the power back on.

ENGLISH

9USING THE REMOTE CONTROL UNIT

Following the procedure outlined below, insert the batteries before using the remote control unit.

Range of operation of the remote control unit

Inserting the batteries

Point the remote control unit at the remote control sensor as shown

on the diagram at the left.

NOTES:

•The remote control unit can be used from a straight distance of

approximately 23 feet/7 meters, but this distance will shorten or

operation will become difficult if there are obstacles between the

remote control unit and the remote control sensor, if the remote

control sensor is exposed to direct sunlight or other strong light, or

if operated from an angle.

•Neon signs or other devices emitting pulse-type noise nearby may

result in malfunction, so keep the set as far away from such

devices as possible.

Approx. 23 feet/7 m

30°

wInsert the R6P/AA batteries properly, as

shown on the diagram.

qPress as shown by the arrow and slide off. eClose the lid.

NOTES:

•Use only R6P/AA batteries for replacement.

•Be sure the polarities are correct. (See the illustration inside the battery compartment.)

•Remove the batteries if the remote control transmitter will not be used for an extended period of time.

•If batteries leak, dispose of them immediately. Avoid touching the leaked material or letting it come in contact with clothing, etc. Clean the

battery compartment thoroughly before installing new batteries.

•Have replacement batteries on hand so that the old batteries can be replaced as quickly as possible when the time comes.

•Even if less than a year has passed, replace the batteries with new ones if the set does not operate even when the remote control unit is

operated nearby the set. (The included battery is only for verifying operation. Replace it with a new battery as soon as possible.)

ENGLISH

10 SETTING UP THE SYSTEM

•Once all connections with other AV components have been completed as described in “CONNECTIONS” (see pages 10 to 16), make the

various settings described below on the display.

These settings are required to set up the listening room’s AV system centered around the this unit.

SYSTEM SETUP button

Press this to display the system setup on the display.

CURSOR buttons (•, ª, 0, 1)

Press this change what appears on the display.

ENTER button

Press this to switch the display.

Also use this button to complete the setting.

•System setup items and default values (set upon shipment from the factory)

System setup Default settings

Speaker

Configuration

Subwoofer Mode

Digital In

Assignment

Input the combination of speakers in your system and their

corresponding sizes (SMALL for regular speakers, LARGE for full-size,

full-range) to automatically set the composition of the signals output

from the speakers and the frequency response.

This assigns the digital input jacks for the different input

sources. Input

source

Digital

Inputs

Front Sp.

Large

Center Sp. Surround Sp. Subwoofer

Small Small Yes

CD DVD/VDP

COAXIAL OPTICAL1

Delay Time

This parameter is for optimizing the timing with which the audio

signals are produced from the speakers and subwoofer according to

the listening position.

1Set the slide switch to “AUDIO”.

2Use the following buttons to set up the system:

This selects the subwoofer speaker for playing deep bass signals. Subwoofer mode = Normal

NOTE:

•The system setup is not displayed when “HEADPHONE ONLY” is selected.

Crossover

Frequency

Set the frequency (Hz) below which the bass sound of the various

speakers is to be output from the subwoofer. 80 Hz

Auto Surround

Mode Auto surround mode function setting. Auto Surround Mode = ON

Ext. In SW Level Set the Ext. In Subwoofer channel playback level. Ext. In SW Level = +15 dB

Surround back Sp.

Small

Front L Center Surround Back

12 ft 12 ft 10 ft

Subwoofer

12 ft

Front R

12 ft

Surround L

10 ft

Surround R

10 ft

Front L Front R Center

0 dB 0 dB 0 dB

Test Tone

This adjusts the volume of the signals output from the speakers and

subwoofer for the different channels in order to obtain optimum

effects.

Surround L

0 dB

Surround R

0 dB

Surround Back

0 dB

Subwoofer

0 dB

Video Input Mode Set the input signal to be output from the monitor output terminal. AUTO

TV/DBS

OPTICAL2

ENGLISH

Before setting up the system

4Press the SYSTEM SETUP button to enter the setting.

Turn on the power.

Press the Power ON/STANDBY switch (button).

5Press the ENTER or (down) button to switch to the speaker configuration set up.

*SYSTEM SET UP

NOTE:

Press the SYSTEM SETUP button again to finish system set up. System set up can be finished at any time. The changes to the settings

made up to that point are entered.

NOTE: Please make sure the “AUDIO” position of the slide switch on the remote control unit.

(Main unit) (Remote control unit)

Setting the speaker configuration

1Use the (left) and (right) buttons to select your front speaker type.

1 FRONT LARGE LARGE SMALL

(left) button (right) button

Press the ENTER or (down) button to switch to the center speaker setting.

2Use the (left) and (right) buttons to select your center speaker type.

2 CENTER SMALL

LARGE SMALL NONE

(left) button (right) button

Press the ENTER or (down) button to switch to the surround speaker setting.

NOTE:

•When “Small” has been selected for the front speakers, “Large” cannot be selected for the center speaker.

(Initial)

2Press the Power switch (button) .

(Main unit)

•¢ON

The power turns on and indicator is light.

Set the power switch to this position to turn the power on and off from the included remote control unit.

•£OFF

The power turns off and indicator is off.

In this position, the power cannot be turned on and off from the remote control unit.

ENGLISH

1Refer to “CONNECTIONS” (pages 10 to 16) and check that all connections are correct.

5Use the (left) and (right) buttons to select your subwoofer setting.

5 S.WOOFER YES

YES NO

(left) button (right) button

Press the ENTER or (down) button to enter the settings and switch to the Speaker Distance setting.

(Initial)

4Use the (left) and (right) buttons to select your surround back speaker type.

4 S.BACK SMALL

LARGE SMALL NONE

(left) button (right) button

Press the ENTER or (down) button to switch to the subwoofer setting.

(Initial)

NOTE:

•When “Small” has been selected for the surround speakers, “Large” cannot be selected for the surround back speakers.

3Use the (left) and (right) buttons to select your surround speaker type.

3 SURR. SMALL

LARGE SMALL NONE

(left) button (right) button

Press the ENTER or (down) button to switch to the surround back speaker setting.

(Initial)

NOTE:

•When “Small” has been selected for the front speakers, “Large” cannot be selected for the surround speakers.

ENGLISH

•Parameters

Large…… Select this when using speakers that have sufficient performance for reproducing bass sound below the frequency set for the

Crossover Frequency mode.

Small…… Select this when using speakers that do not have sufficient performance for reproducing bass sound below the frequency set for

the Crossover Frequency mode. When this is set, bass sound with a frequency below the frequency set for the Crossover

Frequency mode is sent to the subwoofer.

None…… Select this when no speakers are installed.

Yes/No…. Select “Yes” when a subwoofer is installed, “No” when a subwoofer is not installed.

If the subwoofer has sufficient low frequency playback capacity, good sound can be achieved even when “Small” is set for the front, center

and surround speakers.

3Use the (left) and (right) buttons to set the distance from the center speaker to the listening position.

8 CENTER 12ft

•The number changes in units of 1 foot each time one of the buttons is pressed. Select the value closest

to the measured distance.

Press the ENTER or (down) button to switch to the surround L speakers setting.

Setting the delay time

•Input the distance between the listening position and the different speakers to set the delay time for the surround mode.

Preparations:

Measure the distances between the listening position and the speakers (L1 to L5) on the diagram at

the right).

L1: Distance between center speaker and listening position

L2: Distance between front speakers and listening position

L3: Distance between surround speakers and listening position

L4: Distance between surround back speaker and listening position

L5: Distance between subwoofer and listening position

CAUTION:

Please note that the difference for every speaker should be 15 ft or less.

NOTE:

•No setting when “None” has been selected for the Speaker Configuration setting.

L1L2

L3L4

Center FRFL

Subwoofer

Listening position

1Use the (left) and (right) buttons to set the distance from the front L speaker to the listening position.

6 FRONT L 12ft

•The number changes in units of 1 foot each time one of the buttons is pressed. Select the value closest

to the measured distance.

Press the ENTER or (down) button to switch to the front R speaker setting.

2Use the (left) and (right) buttons to set the distance from the front R speaker to the listening position.

7 FRONT R 12ft

•The number changes in units of 1 foot each time one of the buttons is pressed. Select the value closest

to the measured distance.

Press the ENTER or (down) button to switch to the center speaker setting.

ENGLISH

6Use the (left) and (right) buttons to set the distance from the surround back speakers to the listening

position.

11 S.BACK 10ft

•The number changes in units of 1 foot each time one of the buttons is pressed. Select the value closest

to the measured distance.

Press the ENTER or (down) button to switch to the subwoofer setting.

5Use the (left) and (right) buttons to set the distance from the surround R speakers to the listening

position.

10 SURR.R 10ft

•The number changes in units of 1 foot each time one of the buttons is pressed. Select the value closest

to the measured distance.

Press the ENTER or (down) button to switch to the surround back speaker setting.

7Use the (left) and (right) buttons to set the distance from the subwoofer to the listening position.

12 SW 12ft

•The number changes in units of 1 foot each time one of the buttons is pressed. Select the value closest

to the measured distance.

Press the ENTER or (down) button to enter the setting and switch to the Subwoofer mode setting.

4Use the (left) and (right) buttons to set the distance from the surround L speakers to the listening

position.

9 SURR.L 10ft

•The number changes in units of 1 foot each time one of the buttons is pressed. Select the value closest

to the measured distance.

Press the ENTER or (down) button to switch to the surround R speaker setting.

ENGLISH

NOTES:

— Assignment of low frequency signal range —

•The signals produced from the subwoofer channel are LFE signals (during playback of Dolby Digital or DTS signals) and the low frequency

signal range of channels set to “SMALL” in the setup. The low frequency signal range of channels set to “LARGE” are produced from

those channels.

— Crossover Frequency —

•When “Subwoofer” is set to “Yes” at the “Speaker Configuration Setting”, set the frequency (Hz) below which the bass sound of the

various speakers is to be output from the subwoofer (the crossover frequency).

•For speakers set to “Small”, sound with a frequency below the crossover frequency is cut, and the cut bass sound is output from the

subwoofer instead.

NOTE:For ordinary speaker systems, we recommend setting the crossover frequency to 80 Hz. When using small speakers, however,

setting the crossover frequency to a high frequency may improve frequency response for frequencies near the crossover

frequency.

— Subwoofer mode —

•The subwoofer mode setting is only valid when “LARGE” is set for the front speakers and “YES” is set for the subwoofer in the

“Speaker Configuration” settings (see pages 19, 20).

If “SMALL” is set for the front speakers or “NO” is set for the subwoofer, the subwoofer mode setting does not affect playback of low

frequency signal range.

•When the “+MAIN” playback mode is selected, the low frequency signal range of channels set to “LARGE” are produced

simultaneously from those channels and the subwoofer channel.

In this playback mode, the low frequency range expand more uniformly through the room, but depending on the size and shape of the

room, interference may result in a decrease of the actual volume of the low frequency range.

•When the “NORM” playback mode is selected, the low frequency signal range of channels set to “LARGE” are only produced from

those channels. In this playback mode there tends to be little interference of the low frequency range in the room.

•Try playing the music or movie source and select the playback mode providing the stronger low frequency range sound.

Setting the Subwoofer mode and Crossover Frequency

1Use the (left) and (right) buttons to select the Subwoofer mode.

13SW MODE NORM

NORM +MAIN

(left) button (right) button

Press the ENTER or (down) button to enter the setting and switch to the Crossover Frequency

setting.

(Initial)

2Use the (left) and (right) buttons to select the Crossover Frequency.

14CR.OVER 80Hz

80Hz 100Hz 120Hz 150Hz 200Hz 250Hz

40Hz 60Hz

(left) button (right) button

Press the ENTER or (down) button to enter the setting and switch to the Test Tone setting.

(Initial)

ENGLISH

Setting the Test Tone

•Use this setting to adjust to that the playback level between the different channel is equal.

•From the listening position, listen to the test tones produced from the speakers to adjust the level.

•The level can also be adjusted directly from the remote control unit. (For details, see page 39.)

1•Use the (left) button to switch the Test Tone mode.

•Press the ENTER or (down) button to switch to the DIGITAL input (COAX) setting.

15 T.TONE <YES

2Use the (left) and (right) buttons to select the Test Tone mode.

T.TONE AUTO AUTO MANUAL

Press the (down) button to start Test Tone.

(left) button (right) button

3Use the (left) and (right) buttons to set the front L channel level.

AUTO-FL -12dB 0dB +12dB

Press the (down) button to switch to the center channel level (manual mode).

(left) button (right) button

4Use the (left) and (right) buttons to set the center channel level.

AUTO-C -12dB 0dB +12dB

Press the (down) button to switch to the front R channel level (manual mode).

(left) button (right) button

5Use the (left) and (right) buttons to set the front R channel level.

AUTO-FR -12dB 0dB +12dB

Press the (down) button to switch to the surround R channel level (manual mode).

(left) button (right) button

(Initial)

• Auto:

Adjust the level while listening to the test tones produced automatically from the different speakers.

•Manual:

Select the speaker from which you want to produce the test tone to adjust the level.

(Initial)

ENGLISH

6Use the (left) and (right) buttons to set the surround R channel level.

AUTO-SR -12dB 0dB +12dB

Press the (down) button to switch to the surround back channel level (manual mode).

(left) button (right) button

7Use the (left) and (right) buttons to set the surround back channel level.

AUTO-SB -12dB 0dB +12dB

Press the (down) button to switch to the surround L channel level (manual mode).

(left) button (right) button

8Use the (left) and (right) buttons to set the surround L channel level.

AUTO-SL -12dB 0dB +12dB

Press the (down) button to switch to the subwoofer channel level (manual mode).

(left) button (right) button

9Use the (left) and (right) buttons to set the subwoofer channel level.

AUTO-SW -12dB 0dB +12dB

Press the ENTER button to finish the Test Tone.

(left) button (right) button

10 Press the ENTER or (down) button to switch the DIGITAL input (COAX) setting.

(Initial)

ENGLISH

NOTE:

•TUNER, V. AUX cannot be selected.

Setting the Digital In assignment

Input the type of components connected to the digital input terminals.

1Use the (left) and (right) buttons to assign the input function connected to the COAXIAL input

(COAXIAL) terminal.

16 COAX CD

CD AUX DVD TV VCR CDR OFF

•Select “OFF” if nothing is connected.

Press the ENTER or (down) button to switch the optical input 1 (OPT 1) setting.

(left) button (right) button

2Use the (left) and (right) buttons to assign the input function connected to the optical input 1

(OPTICAL 1) terminal.

17 OPT1 DVD

CD AUX DVD TV VCR CDR OFF

•Select “OFF” if nothing is connected.

Press the ENTER or (down) button to switch the optical input 2 (OPT 2) setting.

(left) button (right) button

(Initial)

3Use the (left) and (right) buttons to assign the input function connected to the optical input 2

(OPTICAL 2) terminal.

18 OPT2 TV

CD AUX DVD TV VCR CDR OFF

•Select “OFF” if nothing is connected.

Press the ENTER or (down) button to switch the Video Input Mode setting.

(left) button (right) button

(Initial)

ENGLISH

AUTO: When there are multiple input signals, the input signals are detected and the input signal to be output from the video monitor output

terminal is selected automatically in the following order: component video, S-Video, composite video.

Component: The signal connected to the component video terminal is always played.

Video conversion is not conducted, so no image is output from the monitor output terminal when there is no input signal to the

component terminal.

S-Video: The signal connected to the S-Video terminal is always played.

The S-Video input signal is converted and output from the composite and component monitor output terminal.

Video: The signal connected to the composite video terminal is always played.

The composite video input signal is up-converted and output from the S-Video and component monitor output terminals.

NOTE:

Down-converting from the component video signal to the S-Video and composite video signal is not possible, so when not using the component

video monitor output terminal connect the player using the S-Video or composite video input terminal.

Cautions on the video conversion function:

When the component video terminals are used to connect the AVR-1705/685 with a TV (or monitor, projector, etc.) and the video (yellow) or S

video terminals are used to connect the AVR-1705/685 with a VTR, depending on the combination of the TV and VTR the picture may flicker in

the horizontal direction, be distorted, be out of sync or not display at all when playing video tapes.

If this happens, connect a commercially available video stabilizer, etc., with a TBC (time base corrector) function between the AVR-1705/685 and

the VTR, or if your VTR has a TBC function, turn it on.

Setting the Video Input Mode

Set the input signal to be output from the monitor output terminal.

1Use the (left) and (right) buttons to select the video input terminal.

19 DVD AUTO

AUTO videoSvideoCOMP

Press the ENTER or (down) button to switch the input source (TV) setting.

(left) button (right) button

2Use the (left) and (right) buttons to select the video input terminal.

20 TV AUTO

AUTO videoSvideoCOMP

Press the ENTER or (down) button to switch the input source (VCR) setting.

(left) button (right) button

(Initial)

3Use the (left) and (right) buttons to select the video inpit terminal.

21 VCR AUTO

AUTO videoSvideoCOMP

Press the ENTER or (down) button to switch the Auto Surround Mode setting.

(left) button (right) button

(Initial)

ENGLISH

After setting up the system

1Press the SYSTEM SETUP button to finish system set up.

This completes the system setup operations. Once the system is set up, there is no need to make the settings again unless other

components or speakers are connected to or the speaker layout is changed.

Setting the Auto Surround Mode

For the three kinds of input signals as shown below, the surround mode played the last is stored in the memory. At next time it the same signal

inputs, the memorized surround mode is automatically selected and the signal is played.

Note that the surround mode setting is also stored separately for the different input function.

SIGNAL Default Auto Surround Mode

qAnalog and PCM 2-channel signals STEREO

w2-channel signals of Dolby Digital, DTS or other multichannel format Dolby PLIIx Cinema

eMultichannel signals of Dolby Digital, DTS or other multichannel format Dolby or DTS Surround

1Use the (left) and (right) buttons to select the Auto Surround mode.

22 AUTOSURR. ON

ON OFF

(left) button (right) button

Press the ENTER or (down) button to switch the Ext. In SW Level setting.

(Initial)

Setting the Ext. In SW Level

Set the method of playback of the analog input signal connected to the Ext. In terminal.

1Use the (left) and (right) buttons to select the Ext. In Subwoofer channel Level playback.

23 EXT.IN SW +15

+00 +05 +10 +15

(left) button (right) button

Press the ENTER or (down) button if you want to start the settings over from the beginning.

(Initial)

ENGLISH

Operating DENON audio components

•Turn on the power of the different components before operating them.

Set mode switch 1 to “AUDIO”.

Set mode switch 2 to the position for the component to be

operated. (CD, CDR/MD or Tape deck)

Operate the audio component.

•For details, refer to the component’s operating instructions.

While this remote control is compatible with a wide range of infrared controlled components, some models of components may not

be operated with this remote control.

1. CD player (CD) and CD recorder and MD recorder

(CDR/MD) system buttons

3. Tuner system buttons

2. Tape deck (TAPE) system buttons

6, 7:Manual search (forward and reverse)

2:Stop

1:Play

8, 9:Auto search (cue)

3: Pause

DISC : Switch discs

SKIP+ (for CD changers only)

SHIFT : Switch preset channel range

CHANNEL : Preset channel

+, – up/down

TUNING : Frequency

+, – up/down

BAND : Switch between the AM and FM bands

MODE : Switch between auto and mono

MEMORY : Preset memory

6: Rewind

7:Fast-forward

2:Stop

1:Forward play

0:Reverse play

A/B : Switch between decks A and B

NOTE:

•TUNER can be operated when the switch is at “AUDIO” position.

11 REMOTE CONTROL UNIT

ENGLISH

Preset memory

DENON and other makes of components can be operated by setting the preset memory.

This remote control unit can be used to operate components of other manufacturers by registering the

manufacturer of the component as shown on the List of Preset Codes (pages 128~132).

Operation is not possible for some models.

Set mode switch 1 to “AUDIO” or “VIDEO”.

Set mode switch 2 to the component to be registered.

Set the AUDIO side for the CD, Tape deck or CDR/MD

position, to the VIDEO side for the DVD/VDP, DBS/CABLE,

VCR or TV position.

3Press the ON/SOURCE button and the OFF button at the

same time.

•Indicator flash.

Referring to the included List of

Preset Codes, use the number

buttons to input the preset code (a

3-digit number) for the manufacturer

of the component whose signals

you want to store in the memory.

To store the codes of another component in the memory,

repeat steps 1 to 4.

The preset codes are as follows upon shipment from the factory and after resetting:

TV, VCR.....................................................HITACHI

CD, TAPE ..................................................DENON

CDR/MD ...................................................DENON (CDR)

DVD/VDP ..................................................DENON (DVD)

DBS/CABLE ..............................................ABC (CABLE)

NOTES:

•The signals for the pressed buttons are emitted while setting the preset memory. To avoid accidental operation, cover the remote control

unit’s transmitting window while setting the preset memory.

•Depending on the model and year of manufacture, this function cannot be used for some models, even if they are of makes listed on the

included list of preset codes.

•Some manufacturers use more than one type of remote control code. Refer to the included list of preset codes to change the number

and check.

•The preset memory can be set for one component only among the following: CDR/MD, DVD/VDP and DBS/CABLE.

123

456

789

ENGLISH

Operating component stored in the preset memory

Set mode switch 1 to “AUDIO” or “VIDEO”.

Set mode switch 2 to the component you want to operate.

Set the AUDIO side for the CD, tape deck or CDR/MD

position, to the VIDEO side for the DVD/VDP, DBS/CABLE,

VCR or TV position.

1. Digital video disc player (DVD)

system buttons

POWER : Power on/standby

(ON/SOURCE)

OFF : DENON DVD power off

6,7:Manual search

(forward and reverse)

2:Stop

1:Play

8,9:Auto search

(to beginning of track)

3: Pause

0 ~ 9, +10 : 10 key

skip + : Disc skip

(for DVD changer only)

DISPLAY : Switch display

MENU : Menu

RETURN : Return

SETUP : Setup

•, ª,

:Cursor up, down, left

and right

ENTER : Enter setting

2. Video disc player (VDP)

system buttons

POWER : Power on/standby

(ON/SOURCE)

6,7:Manual search

(forward and reverse)

2:Stop

1:Play

8,9:Auto search (cue)

3: Pause

0~9, +10 : 10 key

3Operate the component.

•For details, refer to the component’s operating instructions.

Some models cannot be operated with this remote control unit.

NOTE:

•Some manufacturers use

different names for the DVD

remote control buttons, so

also refer to the instructions

on remote control for that

component.

ENGLISH

3. Video deck (VCR) system

buttons

4. Digital broadcast satellite

(DBS) tuner and cable

(CABLE) system buttons

POWER : Power on/standby

(ON/SOURCE)

6,7:Manual search

(forward and reverse)

2:Stop

1:Play

3: Pause

Channel +, – : Channels

POWER : Power on/standby

(ON/SOURCE)

MENU : Menu

RETURN : Return

•, ª,

:Cursor up, down, left

and right

ENTER : Enter

CHANNEL : Switch channels

+, –

0~9, +10 : Channels

DISPLAY : Switch display

VOL +, – : Volume up/down

5. Monitor TV (TV) system

buttons

POWER : Power on/standby

(ON/SOURCE)

MENU : Menu

RETURN : Return

•, ª,

:Cursor up, down, left

and right

ENTER : Enter

CHANNEL : Switch channels

+, –

0~9, +10 : Channels

DISPLAY : Switch display

TV/VCR : Switch between TV

and video player

TV VOL : Volume up/down

+, –

NOTES:

•For this CD, CDR, MD and TAPE components, buttons can be operated in the same way as for DENON audio components (page 29).

•The TV can be operated when the switch is at DVD/VDP, VCR, TV position.

ENGLISH

Table 1

Punch Through

•“Punch Through” is a function allowing you to operate the PLAY, STOP, MANUAL SEARCH and AUTO SEARCH buttons on the CD, TAPE,

CDR/MD, DVD/VDP or VCR components when in the DBS/CABLE or TV mode. By default, nothing is set.

Set mode switch 1 to “VIDEO”.

Set mode switch 2 to the component to be registered

(DBS/CABLE or TV).

3Press the DVD/VDP power button and the TV power button at

the same time.

•Indicator flash.

4Input the number of the

component you want to set. (See

Table 1)

123

456

789

TAPE

CDR/MD

DVD/VDP

VCR

No setting

No.

ENGLISH

12 OPERATION

Before operating

Preparations:

Check that all connections are proper.

2Turn on the power.

Press the Power ON/STANDBY switch (button).

3Select the front speakers.

Press the SPEAKER A or B button to turn the speaker on.

(Main unit) (Remote control unit)

2 1 3

When pressed, the power turns on and the display lights. The

sound is muted for several seconds, after which the unit

operates normally. When pressed again, the power turns off,

the standby mode is set and the display turns off.

(Main unit) (Remote control unit)

•The front speaker A, B setting can be also be changed with

the SPEAKER button on the remote control unit.

1Press the Power switch (button).

(Main unit)

•¢ON

The power turns on and indicator is light.

Set the power switch to this position to turn the power on

and off from the included remote control unit.

•£OFF

The power turns off and indicator is off.

In this position, the power cannot be turned on and off from

the remote control unit.

ENGLISH

Playing the input source

1 2 5

Input mode selection function

Different input modes can be selected for the different input sources.

The selected input modes for the separate input sources are stored

in the memory.

qAUTO (All auto mode)

In this mode, the types of signals being input to the digital and

analog input jacks for the selected input source are detected and

the program in the this unit’s surround decoder is selected

automatically upon playback. This mode can be selected for all

input sources other than TUNER.

The presence or absence of digital signals is detected, the signals

input to the digital input jacks are identified and decoding and

playback are performed automatically in DTS, Dolby Digital or

PCM (2 channel stereo) format. If no digital signal is being input,

the analog input jacks are selected.

Use this mode to play Dolby Digital signals.

wPCM (exclusive PCM signal playback mode)

Decoding and playback are only performed when PCM signals are

being input.

Note that noise may be generated when using this mode to play

signals other than PCM signals.

eDTS (exclusive DTS signal playback mode)

Decoding and playback are only performed when DTS signals are

being input.

rANALOG (exclusive analog audio signal playback mode)

The signals input to the analog input jacks are decoded and

played.

tEXT. IN (external decoder input jack selection mode)

The signals being input to the external decoder input jacks are

played without passing through the surround circuitry.

NOTE:

•Note that noise will be output when CDs or LDs recorded in DTS

format are played in the “PCM” (exclusive PCM signal playback) or

“ANALOG” (exclusive analog audio signal playback) mode. Select

the AUTO or DTS (exclusive DTS signal playback) mode when

playing signals recorded in DTS from a laser disc player.

Notes on playing a source encoded with DTS

•Noise may be generated at the beginning of playback and

while searching during DTS playback in the AUTO mode. If

so, play in the DTS mode.

•

In some rare cases the noise may be generated when you

preform the operation to stop playback of a DTS-CD or DTS-LD.

1Select the input source to be played.

Example: CD

(Main unit) (Remote control unit)

2Select the input mode.

•Selecting the analog mode

Press the ANALOG button to switch to the analog input.

(Remote control unit)

•Selecting the external input (EXT. IN) mode

Press the EXT. IN (or the EXT. IN button on the remote

control unit) to switch the external input.

(Main unit) (Remote control unit)

•Selecting the AUTO, PCM and DTS modes

The mode switches as shown below each time the INPUT

MODE button is pressed.

AUTO PCM DTS

(Main unit)

(Main unit) (Remote control unit)

ENGLISH

•To increase the bass or treble: Turn the control clockwise.

(The bass or treble sound can be increased to up to +12 dB

in steps of 2 dB.)

•To decrease the bass or treble: Turn the control

counterclockwise. (The bass or treble sound can be

decreased to up to –12 dB in steps of 2 dB.)

To select the surround mode while adjusting

the surround parameters, tone defeat or

tone control, press the surround mode

button then operate the selector.

3Select the play mode.

Press the SURROUND MODE button, then turn the SELECT

knob.

Example: Stereo

(Main unit) (Remote control unit)

4Start playback on the selected component.

•For operating instructions, refer to the component’s manual.

5Adjust the volume.

(Main unit) (Remote control unit)

The volume level is

displayed on the

master volume level

display.

The volume can be adjusted within the range of –70 to 0 to 18 dB,

in steps of 1 dB. However, when the channel level is set as

described on page 39, if the volume for any channel is set at +1 dB

or greater, the volume cannot be adjusted up to 18 dB. (In this case

the maximum volume is adjusted to “18 dB — (Maximum value of

channel level)”.)

Input mode when playing DTS sources

•Noise will be output if DTS-compatible CDs or LDs are played in the

“ANALOG” or “PCM” mode.

When playing DTS-compatible sources, be sure to connect the

source component to the digital input jacks (OPTICAL/COAXIAL)

and set the input mode to “DTS”.

Input mode display

ANALOGDIGITAL

DIGITAL

ANALOG

AUTO PCM DTS

INPUT

AUTO PCM DTS

INPUT

AUTO PCM DTS

INPUT

AUTO PCM DTS

INPUT

•In the AUTO mode

•In the DIGITAL PCM mode

•In the DIGITAL DTS mode

•In the ANALOG mode

One of these lights, depending on

the input signal.

Input signal display

SIGNAL

DIGITAL

SIGNAL

•DOLBY DIGITAL

•DTS

•PCM

The indicator lights when digital signals are being input

properly. If the indicator does not light, check whether

the digital input component setup (page 26) and connections are

correct and whether the component’s power is turned on.

DIGITAL

NOTE:

•The indicator will light when playing CD-ROMs

containing data other than audio signals, but no sound will be

heard.

DIGITAL

After starting playback

[1] Adjusting the sound quality (tone)

1The tone switches as follows each time the TONE CONTROL

button is pressed.

BASS TREBLE

2With the name of the volume to be

adjusted selected, turn the SELECT

knob to adjust the level.

32 1

(Main unit)

3If you do not want the bass and treble to be adjusted, turn on

the tone defeat mode.

The signals do not pass through the

bass and treble adjustment circuits,

so it provides higher quality sound.

(Main unit)

ENGLISH

Using the dimmer function

•Use this to change the brightness of the

display.

The display brightness changes in four

steps (bright, medium, dim and off) by

pressing the main unit’s DIMMER button

repeatedly.

Front panel display

•Descriptions of the unit’s operations are

also displayed on the front panel display.

In addition, the display can be switched to

check the unit’s operating status while

playing a source by pressing the STATUS

button.

Simulcast playback

Use this switch to monitor a video source

other than the audio source.

Press the VIDEO SELECT button repeatedly

until the desired source appears on the

display.

Cancelling simulcast playback.

•Select “SOURCE” using the video

select button.

•Switch the program source to the

component connected to the video

input jacks.

[3] Turning the sound off temporarily (muting)

1Use this to turn off the audio output

temporarily.

Press the MUTING button.

Cancelling MUTING mode.

•Press the MUTING button again.

•Muting will also be cancelled when MASTER VOL is

adjusted up or down.

[4]

Combining the currently playing sound with the desired image

[5] Checking the currently playing program source, etc.

(Main unit)

(Remote control unit)

2 1

[2] Listening over headphones NOTE:

To prevent hearing loss, do not raise the volume level excessively

when using headphones.

1Plug the headphones’ plug into the

jack.

Connect the headphones to the

PHONES jack.

The speaker output is automatically

turned off when headphones are

connected.

PHONES

(Main unit)

(Remote control unit)

(Main unit)

BRIGHT MEDIUM

OFF

DIM

(Remote control unit)

ENGLISH

Set the external input (EXT.

IN) mode.

Press the EXT. IN to switch

the external input.

Once this is selected, the input signals connected to the FL

(front left), FR (front right), C (center), SL (surround left), and

SR (surround right) channels of the EXT. IN jacks are output

directly to the front (left and right), center, surround (left and

right) speaker systems without passing through the surround

circuitry.

In addition, the signal input to the SW (subwoofer) jack is

output to the PRE OUT SUBWOOFER jack.

Playback using the external input (EXT. IN) jacks

(Main unit)

(Remote control unit)

2Cancelling the external input mode

To cancel the external input (EXT. IN) setting, press the INPUT

MODE (AUTO, PCM, DTS) or ANALOG button to switch to

the desired input mode. (See page 35.)

(Remote control unit)

(Main unit)

•When the input mode is set to the external input (EXT. IN), the play

mode (DIRECT, STEREO, STANDARD, 5/6CH STEREO or DSP

SIMULATION) cannot be selected.

NOTES:

•In play modes other than the external input mode, the signals

connected to EXT. IN jacks cannot be played. In addition, signals

cannot be output from channels not connected to the input

jacks.

•The external input mode can be set for any input source. To

watch video while listening to sound, select the input source to

which the video signal is connected, then set this mode.

•If the subwoofer output level seems to high, set the “SW ATT.”

surround parameter to “ON”.

2 1

Recording the program source (recording the source currently being monitored)

1Follow step 1 to 3 under “Playing the input source”.

The signals of the source selected with the function selector button are output simultaneously to the CDR/TAPE and VCR REC OUT jacks. If

a total of two tape and/or video decks are connected and set to the recording mode, the same source can be recorded simultaneously on

every decks.

NOTE:

•The AUDIO IN’s signal selected with the input selector knob are output to the CDR/TAPE and VCR AUDIO OUT jacks.

2Start recording on the tape or video deck.

For instructions, refer to the component’s operating

instructions.

Simultaneous recording

ENGLISH

13 SURROUND

Before playing with the surround function

•Before playing with the surround function, be sure to use the test tones to adjust the playback level from each speakers. This adjustment can

be performed from the remote control unit, as (described) below.

•The adjustment with the test tones is only effective in the STANDARD (DOLBY/DTS SURROUND) modes.

The adjusted playback levels for the different surround modes are automatically stored in the memory of each surround modes.

1Set the STANDARD (DOLBY/DTS SURROUND) modes.

2Press the TEST TONE button.

3After completing the adjustment, press the TEST TONE button

again.

(Main unit) (Remote control unit)

(Remote control unit)

Test tones are output from the

different speakers. Use the channel

volume adjust buttons to adjust so

that the volume of the test tones is

the same for all the speakers.

(Remote control unit)

2, 3

(Remote control unit)

NOTE: Please make sure the “AUDIO” position of the slide

switch on the remote control unit.

ENGLISH

•After adjusting using the test tones, adjust the channel levels either according to the playback sources or to suit your tastes, as (described)

below.

1Select the speaker whose level you want to adjust.

The channel switches as shown below each time the button

is pressed.

3Adjust the level of the selected speaker.

FL CNTR FR SR SB

SW SL

(Remote control unit)

1, 2

NOTE: Please make sure the “AUDIO” position of the slide

switch on the remote control unit.

Default setting of channel level is 0 dB.

The level of the selected speaker can be adjusted within

the range of +12 to –12 dB using cursor buttons.

SW channel level can be turned off by decreasing one step

from –12 dB.

OFF ´–12 dB ´12 dB

(Remote control unit)

ENGLISH

Dolby Pro Logic IIx (Pro Logic II) mode

2Select the STANDARD (Dolby Pro Logic IIx) mode.

Light

(Main unit)

(Remote control unit)

3Play a program source with the mark.

•For operating instructions, refer to the manuals of the

respective components.

5, 74, 61 2

4, 6

5, 7

4Select the surround parameter mode.

1Select the function to which the component you want to play

is connected.

Example: DVD

(Main unit) (Remote control unit)

Display

(Main unit) (Remote control unit)

To perform this operation from the remote control unit,

check that the mode selector switch is set to “AUDIO”.

Display

5Select the optimum mode for the source.

(Main unit)

(Remote control unit)

•The Dolby Pro Logic indicator lights.

The Dolby Surround Pro Logic

IIx Cinema or Music mode can

be chosen directly by pressing

the CINEMA or MUSIC button

on the remote control unit

during playback in the Dolby

Surround Pro Logic IIx mode.

To play in the PL IIx mode, set “S. BACK” at the Speaker Configuration setting to “SMALL” or “LARGE”.

•When the “SURROUND BACK” parameter is set to “ON”. (Set “S. BACK” at system set up to “SMALL”

or “LARGE”.)

(Pro Logic IIx

Cinema mode)

(Pro Logic IIx

Music mode)

(Pro Logic IIx

Game mode)

•When the “SURROUND BACK” parameter is set to “OFF”. (Set “S. BACK” at system set up to

“NONE”.)

(Pro Logic II

Cinema mode)

(Pro Logic II

Music mode)

(Pro Logic II

Game mode)

(Dolby Pro Logic

mode)

ENGLISH

7Set the various surround parameters.

• CINEMA EQ setting

ON OFF

or or

CINEMA EQ OFF

• PANORAMA setting

ON OFF

or or

PANORAMA OFF

• DIMENSION setting

0 3 6

or or

DIMENSION 3

• TONE DEFEAT setting

ON OFF

or or

TONE DEF. ON

• DEFAULT setting

YES Y/N NO

or or

DEFAULT Y/N

Select “Yes” to reset to the factory defaults.

• CENTER WIDTH setting

CENTER WIDTH 3

4 7

or or

• SURROUND BACK SPEAKER setting

ON OFF

or or

SB : ON

MODE CINEMA

CINEMA EQ

TONE DEFEAT

DEFAULT

MODE MUSIC

TONE DEFEAT

SURROUND BACK

PANORAMA

DEFAULT

DIMENSION

MODE Dolby PL

CINEMA EQ

TONE DEFEAT

SURROUND BACK

DEFAULT

SURROUND BACK

CENTER WIDTH

MODE GAME

TONE DEFEAT

SURROUND BACK

DEFAULT

6Set the surround parameters according to the mode.

(Main unit)

(Remote control unit)

•The mode switches as shown below each time the button is pressed.

If you do want the bass and trable to be adjusted, turn off the tone defeat mode.

ENGLISH

• D. COMP. setting

OFF LOW MID HIGH

oror

D.COMP. OFF

• LFE setting

-10dB -5dB 0dB

oror

LFE 0dB

NOTE:

This parameter is displayed during DOLBY DIGITAL playback.

NOTE:

This parameter is displayed during DOLBY DIGITAL playback.

NOTE:

•When making parameter settings, the display will return to the regular condition several seconds after the last button was pressed and

the setting will be completed.

8Press the ENTER button to finish surround parameter mode.

(Remote control unit)

MODE CINEMA

SURROUND BACK

DEFAULT

MODE MUSIC

SURROUND BACK

DEFAULT

CINEMA EQ CENTER IMAGE

TONE DEFEAT TONE DEFEAT

or or

MODE musicMODE cinema

5Select the optimum mode for the source.

(Main unit) (Remote control unit)

6Set the surround parameters according to the mode.

(Main unit) (Remote control unit)

•The mode switches as shown below each time the button

is pressed.

If you do want the bass and trable to be adjusted, turn off

the tone defeat mode.

DTS NEO:6 mode

5, 74, 61 2

1Select the function to which the component you want to play

is connected.

Example: DVD

(Main unit) (Remote control unit)

4, 6

5, 7

The DTS NEO:6 Cinema or

Music mode can be chosen

directly by pressing the CINEMA

or MUSIC button on the remote

control unit during playback in

the DTS NEO:6 mode.

3Play a program source.

4Select the surround parameter mode.

(Main unit) (Remote control unit)

To perform this operation from the remote control unit,

check that the mode selector switch is set to “AUDIO”.

Display

•The mode switches as shown below each time the button

is pressed.

DOLBY PLIIx cinema

DTS NEO:6

2Select the DTS NEO:6 mode.

(Main unit)

(Remote control unit)

MODE cinema

ENGLISH

Surround parameters q

Pro Logic IIx and Pro Logic II Mode:

•The Cinema mode is for use with stereo television shows and

all programs encoded in Dolby Surround.

•The Music mode is recommended as the standard mode for

auto sound music systems (no video), and is optional for A/V

systems.

•The Pro Logic mode offers the same robust surround

processing as original Pro Logic in case the source contents is

not of optimum quality.

•The Game mode for playing games.The game mode can only be

used with 2-channel audio sources.

Select one of the modes (“Cinema”, “Music”, “Pro Logic”or

“Game”).

Panorama Control:

This mode extends the front stereo image to include the

surround speakers for an exciting “wraparound” effect with

side wall imaging.

Select “OFF” or “ON”.

Dimension Control:

This control gradually adjust the soundfield either towards the

front or towards the rear.

The control can be set in 7 steps from 0 to 6.

Center Width Control:

This control adjust the center image so it may be heard only

from the center speaker; only from the left/right speakers as a

phantom image; or from all three front speakers to varying

degrees.

The control can be set in 8 steps from 0 to 7.

DTS NEO:6 Mode:

•Cinema

This mode is optimum for playing movies. Decoding is

performed with emphasis on separation performance to

achieve the same atmosphere with 2-channel sources as with

6.1-channel sources.

This mode is effective for playing sources recorded in

conventional surround formats as well, because the in-phase

component is assigned mainly to the center channel (C) and the

reversed phase component to the surround (SL, SR and SB

channels).

•Music

This mode is suited mainly for playing music. The front channel

(FL and FR) signals bypass the decoder and are played directly

so there is no loss of sound quality, and the effect of the

surround signals output from the center (C) and surround (SL,

SR and SB) channels add a natural sense of expansion to the

sound field.

CENTER IMAGE (0.0 to 1.0: default 0.3):

The center image parameter for adjusting the expansion of the

center channel in the DTS NEO:6 MUSIC mode has been added.

7Set the various surround parameters.

• CINEMA EQ setting

ON OFF

or or

CINEMA EQ OFF

• CENTER IMAGE setting

0.0

C.IMAGE 0.3

0.3 1.0

or or

• DEFAULT setting

YES Y/N NO

or or

DEFAULT Y/N

Select “Yes” to reset to the factory defaults.

• TONE DEFEAT setting

ON OFF

or or

TONE DEF. ON

• SURROUND BACK SPEAKER setting

ON OFF

or or

SB : ON

ENGLISH

• D. COMP. setting

OFF LOW MID HIGH

oror

D.COMP. OFF

• LFE setting

-10dB -5dB 0dB

oror

LFE 0dB

NOTE:

This parameter is displayed during DOLBY DIGITAL playback.

NOTE:

This parameter is displayed during DOLBY DIGITAL playback.

8Press the ENTER button to finish surround parameter mode.

(Remote control unit)

NOTE:

•When making parameter settings, the display will return to the

regular condition several seconds after the last button was

pressed and the setting will be completed.

Dolby Digital mode (only with digital input) and DTS Surround (only with digital input)

1Select the input source.

qSelect an input source set to digital (COAXIAL/OPTICAL)

(see page 26).

(Main unit) (Remote control unit)

wSet the input mode to “AUTO” or DTS.

2Select the STANDARD (Dolby/DTS Surround) mode.

(Remote control unit)

4Play a program source with the , mark.

•The Dolby Digital indicator lights when

playing Dolby Digital sources.

DIGITAL

Light

2 5 63

1 1 4

Playback with a digital input

•The DTS indicator lights when playing

DTS sources.

Light

Example: DVD

(Main unit) (Remote control unit)

(Main unit)

Operate the SURROUND BACK button to switch Surround

Back CH ON/OFF.

(Remote control unit)(Main unit)

•Lights when the Surround Back CH is

on.

Light

ENGLISH

5Set the surround parameter according to the source.

NOTE:

Please make sure the “AUDIO” position of the slide switch on the remote control unit.

(Remote control unit)

(Main unit)

•The parameter switches as shown below each time the button is pressed.

CINEMA EQ

TONE DEFEAT

SURROUND BACK

DEFAULT

D.COMP.

LFE

If you do want the bass and trable to be adjusted, turn off the tone defeat mode.

6Set the various surround parameters.

• CINEMA EQ setting

ON OFF

or or

CINEMA EQ OFF

• D. COMP. setting

OFF LOW MID HIGH

oror

D.COMP. OFF

• DEFAULT setting

YES NO

or or

DEFAULT Y/N

Select “Yes” to reset to the factory defaults.

7Press the ENTER button to finish surround parameter mode.

(Remote control unit)

• LFE setting

-10dB -5dB 0dB

oror

LFE 0dB

• TONE DEFEAT setting

ON OFF

or or

TONE DEF. ON

NOTE:

•When making parameter settings, the display will return to the regular condition several seconds after the last button was pressed and

the setting will be completed.

NOTE:

This parameter is displayed during DOLBY DIGITAL playback.

• SURROUND BACK SPEAKER setting

MTRX ON NON MTRX OFF

oror

SB : MTRX ON

NOTE:

This parameter is displayed during DOLBY DIGITAL playback.

2Dialogue Normalization

The dialogue normalization function is activated automatically when playing Dolby Digital program sources.

Dialogue normalization is a basic function of Dolby Digital which automatically normalizes the dialog level (standard level) of the signals which are

recorded at different levels for different program sources, such as DVD, DTV and other future formats that will use Dolby Digital.

These contents can be verified with the STATUS button.

The number indicates the normalization level when the currently playing program is normalized to

the standard level.

OFFSET - 4dB

Display

Surround parameters w

CINEMA EQ. (Cinema Equalizer):

The Cinema EQ function gently decreases the level of the extreme high frequencies, compensating for overly-bright sounding motion

picture soundtracks. Select this function if the sound from the front speakers is too bright.

This function only works in the Dolby Pro Logic IIx, Dolby Digital, DTS Surround and DTS NEO:6 modes. (The same contents are set for all

operating modes.)

D.COMP. (Dynamic Range Compression):

Motion picture soundtracks have tremendous dynamic range (the contrast between very soft and very loud sounds). For listening late at

night, or whenever the maximum sound level is lower than usual, the Dynamic Range Compression allows you to hear all of the sounds in

the soundtrack (but with reduced dynamic range). (This only works when playing program sources recorded in Dolby Digital or DTS.) Select

one of the four parameters (“OFF”, “LOW”, “MID” (middle) or “HI” (high)). Set to OFF for normal listening.

LFE (Low Frequency Effect):

This sets the level of the LFE (Low Frequency Effect) sounds included in the source when playing program sources recorded in Dolby Digital

or DTS.

If the sound produced from the subwoofer sounds distorted due to the LFE signals when playing Dolby Digital or DTS sources when the

peak limiter is turned off with the subwoofer peak limit level setting (system setup menu), adjust the level as necessary.

Program source and adjustment range:

1. Dolby Digital: –10 dB to 0 dB

2. DTS Surround: –10 dB to 0 dB

When DTS encoded movie software is played, it is recommended that the LFE LEVEL be set to 0 dB for correct DTS playback.

When DTS encoded music software is played, it is recommended that the LFE LEVEL be set to –10 dB for correct DTS playback.

TONE:

This adjusts the tone control. This can be set individually for the separate shroud mode other than Direct mode.

SB CH OUT (Surround Back):

(1) (Multi channel source)

“OFF” ..................Playback is conducted without using the surround back speaker.

“NON MTRX”......The same signals those of the surround channels are output from the surround back channels.

“MTRX ON” ........Surround back channel is reproduced using digital matrix processing.

“ES MTRX” .........When playing DTS signals, the surround back signals undergo digital matrix processing for playback.

“ES DSCRT”........When a signal identifying the source as a discrete 6.1-channel source is included in the DTS signals, the surround back

signals included in the source are played.

“PL IIx Music” ....Processing is performed with the Music mode of the PL IIx decoder and the Surround Back channel is reproduced.

(2) (2ch source)

“OFF” ..................Playback is conducted without using the surround back speaker.

“ON” ...................Playback is conducted using the surround back speaker.

NOTE: This operation can be performed directly using the SURROUND BACK button on the main unit‘s panel.

ENGLISH

14 DSP SURROUND SIMULATION

•This unit is equipped with a high performance DSP (Digital Signal Processor) which uses digital signal processing to synthetically recreate the

sound field. One of 7 preset surround modes can be selected according to the program source and the parameters can be adjusted according

to the conditions in the listening room to achieve a more realistic, powerful sound.

Surround modes and their features

7VIRTUAL

ROCK ARENA

JAZZ CLUB

VIDEO GAME

MONO MOVIE

(NOTE 1)

MATRIX

5CH/6CH

STEREO

Select this mode to enjoy a virtual sound field, produced from the front 2-channel speakers.

Use this mode to achieve the feeling of a live concert in an arena with reflected sounds coming from all directions.

This mode creates the sound field of a live house with a low ceiling and hard walls. This mode gives jazz a very

vivid realism.

Use this to enjoy video game sources.

Select this when watching monaural movies for a greater sense of expansion.

Select this to emphasize the sense of expansion for music sources recorded in stereo. Signals consisting of the

difference component of the input signals (the component that provides the sense of expansion) processed for

delay are output from the surround channel.

In this mode, the signals of the front left channel are output from the left surround channel, the signals of the front

right channel are output from the right surround channel, and the same (in-phase) component of the left and right

channels is output from the center channel. This mode provides all speaker surround sound, but without directional

steering effects, and works with any stereo program source.

Depending on the program source being played, the effect may not be very noticeable.

In this case, try other surround modes, without worrying about their names, to create a sound field suited to your tastes.

NOTE 1: When playing sources recorded in monaural, the sound will be one-sided if signals are only input to one channel (left or right), so input

signals to both channels. If you have a source component with only one audio output (monophonic camcorder, etc.) obtain a “Y” adaptor

cable to split the mono output to two outputs, and connect to the L and R inputs.

Personal Memory Plus

This set is equipped with a personal memorize function that automatically memorizes the surround modes and input modes selected for

the input different sources. When the input source is switched, the modes set for that source last time it was used are automatically

recalled.

The surround parameters, tone control settings and playback level balance for the different output channels are memorized for each

surround mode.

ENGLISH

DSP surround simulation

1Select the surround mode for the input channel.

(Remote control unit)

The surround mode switches in the following order each time

the DSP SIMULATION button is pressed:

2To enter the surround parameter setting mode, press the

SURROUND PARAMETER button.

•The surround parameter switches in the following order

each time the SURROUND PARAMETER button is pressed

for the different surround modes.

MONO MOVIE ROCK ARENA

JAZZ CLUBVIDEO GAME

MATRIX

•To operate the surround mode and surround parameters from the

remote control unit.

(Remote control unit)

ROOM SIZE

EFFECT LEVEL

TONE DEFEAT

SURROUND BACK

DEFAULT

DELAY

TONE DEFEAT

SURROUND BACK

DEFAULT

TONE DEFEAT

DEFAULT

• MONO MOVIE

• ROCK ARENA

• JAZZ CLUB

• VIDEO GAME • MATRIX • VIRTUAL

If you do want the bass and trable to be adjusted, turn off the tone defeat mode.

3Set the various surround parameters.

• ROOM SIZE setting

SMALL MED-S MED MED-L LARGE

oror

ROOM SIZE MED

• EFFECT LEVEL setting

110 15

oror

EFFECT LEVEL 10

• DELAY TIME setting

0ms 30ms 110ms

oror

DELAY 30ms

• D. COMP. setting

OFF LOW MID HIGH

oror

D.COMP. OFF

• LFE setting

-10dB -5dB 0dB

oror

LFE 0dB

NOTE:

This parameter is displayed during DOLBY DIGITAL playback.

NOTE:

This parameter is displayed during DOLBY DIGITAL and DTS

playback.

• SURROUND BACK SPEAKER setting

ON OFF

or or

SB : ON

• DEFAULT setting

YES NO

or or

DEFAULT Y/N

• TONE DEFEAT setting

ON OFF

or or

TONE DEF. ON

Select “Yes” to reset to the factory defaults.

NOTE:

•When making parameter settings, the display will return to the regular condition several seconds after the last button was pressed and

the setting will be completed.

4Press the ENTER button to finish surround parameter mode.

(Remote control unit)

ENGLISH

1Turn the SELECT knob to select the surround mode.

(Main unit)

•When turned clockwise

2Press the SURROUND PARAMETER button.

Press and hold in the surround parameter button to select the parameter you want to set.

•The parameters which can be set differ for the different surround modes. (Refer to “Surround Modes and Parameters” on page 52.)

DIRECT STEREO DOLBY PRO LOGIC IIx5CH/6CH STEREO MONO MOVIE

JAZZ CLUB ROCK ARENA

VIDEO GAME

MATRIX

VIRTUAL SURROUND

DTS NEO:6

DIRECT STEREO DOLBY PRO LOGIC IIx5CH/6CH STEREO MONO MOVIE

JAZZ CLUB ROCK ARENA

VIDEO GAME

MATRIX

VIRTUAL SURROUND

DTS NEO:6

•Operating the surround mode and surround parameters from the main unit‘s panel.

1, 321

•When turned counterclockwise

To select the surround mode while adjusting the surround parameters, tone defeat or tone control, press the SURROUND MODE

button then operate the selector.

(Main unit)

3Display the parameter you want to adjust, then turn the SELECT knob to set it.

Surround parameters e

ROOM SIZE:

This sets the size of the sound field.

There are five settings: “small”, “med.s” (medium-small), “medium”, “med.l” (medium-large) and “large”. “small” recreates a small sound

field, “large” a large sound field.

EFFECT LEVEL:

This sets the strength of the surround effect.

The level can be set in 15 steps from 1 to 15. Lower the level if the sound seems distorted.

DELAY TIME:

In the matrix mode only, the delay time can be set within the range of 0 to 110 ms.

NOTES:

•When making parameter settings, the display will return to the regular condition several seconds after the last button was pressed and

the setting will be completed.

•When the “5CH/6CH STEREO” mode is selected, the display differs according to the Surround Back CH ON/OFF.

Surround Back CH ON: 6CH STEREO

Surround Back CH OFF: 5CH STEREO

ENGLISH

C *

2Surround modes and parameters

Channel output

SUBWOOFER

SURROUND

L/R

CENTER

FRONT L/R

Mode

DIRECT

STEREO

EXTERNAL INPUT

DOLBY PRO LOGIC II

DOLBY PRO LOGIC IIx

DTS NEO:6

DOLBY DIGITAL

DTS SURROUND

5CH/6CH STEREO

ROCK ARENA

JAZZ CLUB

VIDEO GAME

MONO MOVIE

MATRIX

VIRTUAL

C:Signal / Adjustable

E:No signal

B:Turned on or off by speaker configuration setting

When playing

Dolby Digital

signals

When playing

DTS signals

C *

SURROUND PARAMETER

(30msec)

DELAY TIME

C(10)

EFFECT LEVEL

(Medium)

ROOM SIZE

Mode

DIRECT

STEREO

EXTERNAL INPUT

DOLBY PRO LOGIC II

DOLBY PRO LOGIC IIx

DTS NEO:6

DOLBY DIGITAL

DTS SURROUND

5CH/6CH STEREO

ROCK ARENA

JAZZ CLUB

VIDEO GAME

MONO MOVIE

MATRIX

VIRTUAL

C:Adjustable

E:Not adjustable

When playing

PCM signals

When playing

ANALOG signals

C:Able

E:Unable

* Only for 2 ch contents

C(OFF)

PANORAMA

C(3)

DIMENSION

C(3)

CENTER WIDTH

SW ATT

PRO LOGIC II / IIx ONLY

SURROUND

BACK L/R

C(0.3)

CENTER IMAGE

NEO:6 MUSIC

C(OFF)

SUBWOOFER

ON/OFF

Signals and adjustability in the different modes

When playing Dolby Digital and DTS signals

C(OFF)

CINEMA EQ.

SB CH OUT

(MODE)

C(0 dB)

LFE

C(OFF)

D. COMP.

Mode

DIRECT

STEREO

EXTERNAL INPUT

DOLBY PRO LOGIC II

DOLBY PRO LOGIC IIx

DTS NEO:6

DOLBY DIGITAL

DTS SURROUND

5CH/6CH STEREO

ROCK ARENA

JAZZ CLUB

VIDEO GAME

MONO MOVIE

MATRIX

VIRTUAL

C:Able

E:Unable

MODE

C:Adjustable

E:Not adjustable

C(0 dB)

TONE CONTROL

Signals and adjustability in the different modes

EXT. IN

ENGLISH

15 LISTENING TO THE RADIO

Auto preset memory

1When the main unit’s power operation switch turn on while

pressing the set’s PRESET •(+) button the unit automatically

begins searching for FM broadcast stations.

2When the first FM broadcast station is found, that station is

stored in the preset memory at channel A1. Subsequent

stations are automatically stored in order at preset channels

A1 to A8, B1 to B8, C1 to C8, D1 to D8, E1 to E8, F1 to F8

and G1 to G8, for a maximum of 56 stations.

3Channel A1 is tuned in after the auto preset memory

operation is completed.

NOTES:

•If an FM station cannot be preset automatically due to poor

reception, use the “Manual tuning” operation to tune in the

station, then preset it using the manual “Preset memory”

operation.

•To interrupt this function, press the power operation button.

This unit is equipped with a function for automatically searching for FM broadcast stations and storing them in the preset memory.

2DEFAULT VALUE

AUTO TUNER PRESETS

A1 ~ A8 87.5/89.1/98.1/107.9/90.1/90.1/90.1/90.1 MHz

B1 ~ B8 520/600/1000/1400/1500/1710 kHz/90.1/90.1 MHz

C1 ~ C8 90.1 MHz

D1 ~ D8 90.1 MHz

E1 ~ E8 90.1 MHz

F1 ~ F8 90.1 MHz

G1 ~ G8 90.1 MHz

ENGLISH

Press the TUNING •(+) or ª(–) button to tune in the desired

station.

The frequency changes continuously when the button is held

in.

Auto tuning

1Set the input source to “TUNER”.

2Watching the display, press the BAND button to select the

desired band (AM or FM).

3Press the MODE button to set the auto tuning mode.

Lit

4Press the TUNING •(+) or ª(–) button.

•Automatic searching begins, then stops when a station is

tuned in.

NOTE:

•When in the auto tuning mode on the FM band, the “STEREO”

indicator lights on the display when a stereo broadcast is tuned in.

At open frequencies, the noise is muted and the “TUNED” and

“STEREO” indicators turn off.

2 41

Manual tuning

1Set the input function to “TUNER”.

2Watching the display, press the BAND button to select the

desired band (AM or FM).

3Press the MODE button to set the manual tuning mode.

Check that the display’s “AUTO” indicator turns off.

NOTE:

•When the manual tuning mode is set, FM stereo broadcasts are received in monaural and the “STEREO” indicator turns off.

(Remote control unit)

(Main unit)

(Main unit) (Remote control unit)

(Remote control unit)(Main unit)

(Remote control unit)

ENGLISH

Preset stations

1Press the MEMORY button.

2Press the SHIFT button and select the desired memory block

(A to G).

(Main unit) (Remote control unit)

3Press the PRESET •(+) or ª(–) button to select the desired

preset channel (1 to 8).

(Main unit) (Remote control unit)

4Press the MEMORY button again to

store the station in the preset

memory.

To preset other channels, repeat steps 1 to 4.

A total of 56 broadcast stations can be preset – 8 stations

(channels 1 to 8) in each of blocks A to G.

1, 4

Recalling preset stations

Preparations:

Use the “Auto tuning” or “Manual tuning” operation to tune in the

station to be preset in the memory.

(Remote control unit)

1Watching the display, press the SHIFT button to select the

preset memory block.

(Main unit) (Remote control unit)

2Watching the display, press the PRESET •(+) or ª(–) button

to select the desired preset channel.

(Main unit) (Remote control unit)

NOTE: Please make sure the “AUDIO” position of the slide

switch on the remote control unit.

NOTE: Please make sure the “AUDIO” position of the slide

switch on the remote control unit.

ENGLISH

16 LAST FUNCTION MEMORY

•This unit is equipped with a last function memory which stores the input and output setting conditions as they were immediately before the

power is switched off.

•The unit is also equipped with a back-up memory. This function provides approximately one week of memory storage when the main unit’s

power switch is off and with the power cord disconnected.

17 INITIALIZATION OF THE MICROPROCESSOR

When the indication of the display is not normal or when the operation of the unit does not shows the reasonable result, the initialization of the

microprocessor is required by the following procedure.

1Switch off the unit using the main unit’s power switch.

2Hold the following SPEAKER A button and B button, and turn

the main unit’s power switch.

3Check that the entire display is flashing with an interval of

about 1 second, and release your fingers from the 2 buttons

and the microprocessor will be initialized.

NOTES:

•If step 3 does not work, start over from step 1.

•If the microprocessor has been reset, all the button settings are

reset to the default values (the values set upon shipment from

the factory).

21, 2

ENGLISH

18 ADDITIONAL INFORMATION

Optimum surround sound for different sources

There are currently various types of multi-channel signals (signals or formats with more than two channels).

2Types of multi-channel signals

Dolby Digital, Dolby Pro Logic, DTS, high definition 3-1 signals (Japan MUSE Hi-Vision audio), DVD-Audio, SACD (Super Audio CD), MPEG multi-

channel audio, etc.

“Source” here does not refer to the type of signal (format) but the recorded content. Sources can be divided into two major categories.

2Types of sources

•Movie audio Signals created to be played in movie theaters. In general sound is recorded to be played in movie theaters equipped

with multiple surround speakers, regardless of the format (Dolby Digital, DTS, etc.).

FL C

SL SR

Multiple surround speakers

Movie theater sound field

Listening room sound field

In this case it is important to achieve the same sense of

expansion as in a movie theater with the surround channels.

To do so, in some cases the number of surround speakers is

increased (to four or eight) or speakers with bipolar or dipolar

properties are used.

•Other types of audio These signals are designed to recreate a 360° sound field using three to five speakers.

In this case the speakers should surround the listener from all sides to create a uniform sound

field from 360°. Ideally the surround speakers should function as “point” sound sources in the

same way as the front speakers.

FL C

SL SR

These two types of sources thus have different properties, and different speaker settings, particularly for the surround speakers, are required

in order to achieve the ideal sound.

SL: Surround L channel

SR: Surround R channel

SB: Surround back channel

(For 6.1-channel system)

ENGLISH

Surround back speakers

A 6.1-channel system is a conventional 5.1-channel system to which the “surround back” (SB) channel has been added. This makes it easy to

achieve sound positioned directly behind the listener, something that was previously difficult with sources designed for conventional multi

surround speakers. In addition, the acoustic image extending between the sides and the rear is narrowed, thus greatly improving the expression

of the surround signals for sounds moving from the sides to the back and from the front to the point directly behind the listening position.

FL C

FR FL C

SR chSL ch

SL ch SR ch

SB ch

Change of positioning and acoustic image

with 5.1-channel systems

With this set, speaker(s) for 1 or 2 channels are required to achieve a 6.1-channel system (DTS-ES, etc.). Adding these speakers, however,

increases the surround effect not only with sources recorded in 6.1 channels but also with conventional 2- to 5.1-channel sources. All the DENON

original surround modes (see page 48) are compatible with 6.1-channel playback, so you can enjoy 6.1-channel sound with any signal source.

Movement of acoustic image from SR to SL

Change of positioning and acoustic image

with 6.1-channel systems

Movement of acoustic image from SR to SB to SL

2Placement of the surround left and right channels when using surround back speakers

Using surround back speakers greatly improves the positioning of the sound at the rear. Because of this, the surround left and right channels

play an important role in achieving a smooth transition of the acoustic image from the front to the back. As shown on the diagram above, in a

movie theater the surround signals are also produced from diagonally in front of the listeners, creating an acoustic image as if the sound were

floating in space.

To achieve these effects, we recommend placing the speakers for the surround left and right channels slightly more towards the front than

with conventional surround systems. Doing so sometimes increases the surround effect when playing conventional 5.1-channel sources in the

6.1 surround or DTS-ES Matrix 6.1 mode. Check the surround effects of the various modes before selecting the surround mode.

ENGLISH

•Set the front speakers, center speaker and subwoofer in the same

positions as in example (1).

•It is best to place the surround speakers directly at the side or slightly

to the front of the viewing position, and 2 to 3 feet (60 to 90 cm)

above the ears.

•Same as surround back speaker installation method (1).

Using dipolar speakers for the surround back speakers as well is

more effective.

•Connect the surround speakers to the surround speaker jacks.

•The signals from the surround channels reflect off the walls as

shown on the diagram at the left, creating an enveloping and realistic

surround sound presentation.

For multi-channel music sources however, the use of bipolar or dipolar

speakers mounted at the sides of the listening position may not be satisfactory in order to create a coherent 360 degree

surround sound field. Connect another pair of direct radiating speakers as described in example (3) and place them at

the rear corners of the room facing towards the prime listening position.

•Set the front speakers with their front surfaces as flush with the TV

or monitor screen as possible. Set the center speaker between the

front left and right speakers and no further from the listening position

than the front speakers.

•Consult the owner’s manual for your subwoofer for advice on placing

the subwoofer within the listening room.

•If the surround speakers are direct-radiating (monopolar) then place

them slightly behind and at an angle to the listening position and

parallel to the walls at a position 2 to 3 feet (60 to 90 cm) above ear

level at the prime listening position.

•When using one surround back speaker, place it at the rear center

facing the front at a slightly higher position (0 to 20 cm) than the surround speakers.

•We recommend installing the surround back speaker(s) at a slightly downward facing angle. This effectively prevents

the surround back channel signals from reflecting off the monitor or screen at the front center, resulting in interference

and making the sense of movement from the front to the back less sharp.

Speaker setting examples

Here we describe a number of speaker settings for different purposes. Use these examples as guides to set up your system according to the type

of speakers used and the main usage purpose.

1. DTS-ES compatible system (using surround back speakers)

(1) Basic setting for primarily watching movies

(2) Setting for primarily watching movies using diffusion type speakers for the surround speakers

For the greatest sense of surround sound envelopment, diffuse radiation speakers such as bipolar types, or dipolar types, provide a wider

dispersion than is possible to obtain from a direct radiating speaker (monopolar). Place these speakers at either side of the prime listening

position, mounted above ear level.

Subwoofer

Surround speaker

Front speaker

2 to 3 feet

(60 to 90 cm)

Surround speaker

Front speaker

2 to 3 feet

(60 to 90 cm)

Surround back speakers

(1 spkr)

Front speakers

60°

Monitor

Center speaker

As seen from above

As seen from the side

Path of the surround sound from the

speakers to the listening position

Surround

speakers

Surround back speakers

(1 spkr)

Surround

speakers

Surround back

speaker

Surround back

speaker Point slightly

downwards

Point slightly

downwards

2. When not using surround back speakers

•Set the front speakers with their front surfaces as flush with the TV or

monitor screen as possible. Set the center speaker between the front left

and right speakers and no further from the listening position than the front

speakers.

•Consult the owner’s manual for your subwoofer for advice on placing the

subwoofer within the listening room.

•If the surround speakers are direct-radiating (monopolar) then place them

slightly behind and at an angle to the listening position and parallel to the

walls at a position 2 to 3 feet (60 to 90 cm) above ear level at the prime

listening position.

Subwoofer

Surround speaker

Front speaker

2 to 3 feet

(60 to 90 cm)

Surround speakers

120°

Front speakers

60°

Monitor

Center speaker

As seen from above

As seen from the side

ENGLISH

Surround

The AVR-1705/685 is equipped with a digital signal processing circuit that lets you play program sources in the surround mode to achieve the same

sense of presence as in a movie theater.

Dolby Surround

(1) Dolby Digital

Dolby Digital is the multi-channel digital signal format developed by Dolby Laboratories.

Dolby Digital consists of up to “5.1” channels - front left, front right, center, surround left, surround right, and an additional channel exclusively

reserved for additional deep bass sound effects (the Low Frequency Effects – LFE – channel, also called the “.1” channel, containing bass

frequencies of up to 120 Hz).

Unlike the analog Dolby Pro Logic format, Dolby Digital’s main channels can all contain full range sound information, from the lowest bass, up

to the highest frequencies – 22 kHz. The signals within each channel are distinct from the others, allowing pinpoint sound imaging, and Dolby

Digital offers tremendous dynamic range from the most powerful sound effects to the quietest, softest sounds, free from noise and distortion.

2Dolby Digital and Dolby Pro Logic

Comparison of home surround systems Dolby Digital Dolby Pro Logic

No. recorded channels (elements) 5.1 ch 2 ch

No. playback channels 5.1 ch 4 ch

Playback channels (max.) L, R, C, SL, SR, SW L, R, C, S (SW - recommended)

Audio processing Digital discrete processing

Dolby Digital encoding/decoding Analog matrix processing Dolby Surround

High frequency playback limit of surround

channel 20 kHz 7 kHz

2Dolby Digital compatible media and playback methods

Marks indicating Dolby Digital compatibility: .

The following are general examples. Also refer to the player’s operating instructions.

LD (VDP) Coaxial Dolby Digital RF output jack 1 Set the input mode to “AUTO”.

(Page 35)

DVD Optical or coaxial digital output

(same as for PCM) 2

Set the input mode to “AUTO”.

(Page 35)

Others

(satellite broadcasts, CATV, etc.)

Optical or coaxial digital output

(same as for PCM)

Set the input mode to “AUTO”.

(Page 35)

Media Dolby Digital output jacks Playback method (reference page)

1Please use a commercially available adapter when connecting the Dolby Digital RF output jack of the LD player to the digital input jack.

Please refer to the instruction manual of the adapter when making connection.

2Some DVD digital outputs have the function of switching the Dolby Digital signal output method between “bit stream” and “(convert to)

PCM”. When playing in Dolby Digital surround on the AVR-1705/685, switch the DVD player’s output mode to “bit stream”. In some cases

players are equipped with both “bit stream + PCM” and “PCM only” digital outputs. In this case connect the “bit stream + PCM” jacks

to the AVR-1705/685.

ENGLISH

(2) Dolby Pro Logic IIx

•Dolby Pro Logic IIx furthers the matrix decoding technology of Dolby Pro Logic II to decode audio signals recorded on two channels into

up to 6.1 playback channels, including the surround back channel. Dolby Pro Logic IIx also allows 5.1-channel sources to be played in up to

6.1 channels.

The mode can be selected according to the source. The Music mode is best suited for playing music, the Cinema mode for playing movies,

and the Game mode for playing games. The Game mode can only be used with 2-channel audio sources.

Manufactured under license from Dolby Laboratories.

“Dolby”, “Pro Logic” and the double-D symbol are trademarks of Dolby Laboratories.

ENGLISH

(3) Dolby Pro Logic II

•Dolby Pro-Logic II is a new multi-channel playback format developed by Dolby Laboratories using feedback logic steering technology and

offering improvements over conventional Dolby Pro Logic circuits.

•Dolby Pro Logic II can be used to decode not only sources recorded in Dolby Surround ( ) but also regular stereo sources into five channels

(front left, front right, center, surround left and surround right) to achieve surround sound.

•Whereas with conventional Dolby Pro Logic the surround channel playback frequency band was limited, Dolby Pro Logic II offers a wider

band range (20 Hz to 20 kHz or greater). In addition, the surround channels were monaural (the surround left and right channels were the

same) with previous Dolby Pro Logic, but Dolby Pro Logic II they are played as stereo signals.

•Various parameters can be set according to the type of source and the contents, so it is possible to achieve optimum decoding (see page

52).

Sources recorded in Dolby Surround

These are sources in which three or more channels of surround have been recorded as two channels of signals using Dolby Surround

encoding technology.

Dolby Surround is used for the sound tracks of movies recorded on DVDs, LDs and video cassettes to be played on stereo VCRs, as well

as for the stereo broadcast signals of FM radio, TV, satellite broadcasts and cable TV.

Decoding these signals with Dolby Pro Logic makes it possible to achieve multi-channel surround playback. The signals can also be played

on ordinary stereo equipment, in which case they provide normal stereo sound.

There are two types of DVD Dolby surround recording signals.

q2-channel PCM stereo signals

w2-channel Dolby Digital signals

When either of these signals is input to the AVR-1705/685, the surround mode is automatically set to Dolby Pro Logic II when the

“DOLBY/DTS SURROUND” mode is selected.

2Sources recorded in Dolby Surround are indicated with the logo mark shown below.

Dolby Surround support mark:

DTS Digital Surround

Digital Theater Surround (also called simply DTS) is a multi-channel digital signal format developed by Digital Theater Systems.

DTS offers the same “5.1” playback channels as Dolby Digital (front left, front right and center, surround left and surround right) as well as the

stereo 2-channel mode. The signals for the different channels are fully independent, eliminating the risk of deterioration of sound quality due to

interference between signals, crosstalk, etc.

DTS features a relatively higher bit rate as compared to Dolby Digital (1234 kbps for CDs and LDs, 1536 kbps for DVDs) so it operates with a

relatively low compression rate. Because of this the amount of data is great, and when DTS playback is used in movie theaters, a separate CD-

ROM synchronized with the film is played.

With LDs and DVDs, there is of course no need for an extra disc; the pictures and sound can be recorded simultaneously on the same disc, so

the discs can be handled in the same way as discs with other formats.

There are also music CDs recorded in DTS. These CDs include 5.1-channel surround signals (compared to two channels on current CDs). They do

not include picture data, but they offer surround playback on CD players that are equipped with digital outputs (PCM type digital output required).

DTS surround track playback offers the same intricate, grand sound as in a movie theater, right in your own listening room.

2DTS compatible media and playback methods

Marks indicating DTS compatibility: and .

The following are general examples. Also refer to the player’s operating instructions.

CD Optical or coaxial digital output

(same as for PCM) 2

Set the input mode to “AUTO” or “DTS” (page 35).

Never set the mode to “ANALOG” or “PCM”. 1

LD (VDP) Optical or coaxial digital output

(same as for PCM) 2

Set the input mode to “AUTO” or “DTS” (page 35).

Never set the mode to “ANALOG” or “PCM”. 1

DVD Optical or coaxial digital output

(same as for PCM) 3 Set the input mode to “AUTO” or “DTS” (page 35).

Media Dolby Digital output jacks Playback method (reference page)

ENGLISH

MANUFACTURED UNDER LICENSE FROM DIGITAL THEATER SYSTEMS, INC.

U.S. PAT. NO’S. 5,451,942; 5,956,674; 5,974,380; 5,978,762; 6,226,616; 6,487,535 AND OTHER U.S. AND WORLD–WIDE PATENTS

ISSUED AND PENDING.

1DTS signals are recorded in the same way on CDs and LDs as PCM signals. Because of this, the un-decoded DTS signals are output as

random “hissy” noise from the CD or LD player’s analog outputs. If this noise is played with the amplifier set at a very high volume, it may

possibly cause damage to the speakers. To avoid this, be sure to switch the input mode to “AUTO” or “DTS” before playing CDs or LDs

recorded in DTS. Also, never switch the input mode to “ANALOG” or “PCM” during playback. The same holds true when playing CDs or

LDs on a DVD player or LD/DVD compatible player. For DVDs, the DTS signals are recorded in a special way so this problem does not occur.

2The signals provided at the digital outputs of a CD or LD player may undergo some sort of internal signal processing (output level

adjustment, sampling frequency conversion, etc.). In this case the DTS-encoded signals may be processed erroneously, in which case they

cannot be decoded by the AVR-1705/685, or may only produce noise. Before playing DTS signals for the first time, turn down the master

volume to a low level, start playing the DTS disc, then check whether the DTS indicator on the AVR-1705/685 (see page 36) lights before

turning up the master volume.

3A DVD player with DTS-compatible digital output is required to play DTS DVDs. A DTS Digital Output logo is featured on the front panel

of compatible DVD players. Recent DENON DVD player models feature DTS-compatible digital output – consult the player’s owner’s manual

for information on configuring the digital output for DTS playback of DTS-encoded DVDs.

DTS-ES Extended Surround™

DTS-ES Extended Surround is a new multi-channel digital signal format developed by Digital Theater Systems Inc. While offering high compatibility

with the conventional DTS Digital Surround format, DTS-ES Extended Surround greatly improves the 360-degree surround impression and space

expression thanks to further expanded surround signals. This format has been used professionally in movie theaters since 1999.

In addition to the 5.1 surround channels (FL, FR, C, SL, SR and LFE), DTS-ES Extended Surround also offers the SB (Surround Back, sometimes

also referred to as “surround center”) channel for surround playback with a total of 6.1 channels. DTS-ES Extended Surround includes two signal

formats with different surround signal recording methods, as described below.

2DTS-ES™ Discrete 6.1

DTS-ES Discrete 6.1 is the newest recording format. With it, all 6.1 channels (including the SB channel) are recorded independently using a

digital discrete system. The main feature of this format is that because the SL, SR and SB channels are fully independent, the sound can be

designed with total freedom and it is possible to achieve a sense that the acoustic images are moving about freely among the background

sounds surrounding the listener from 360 degrees.

Though maximum performance is achieved when sound tracks recorded with this system are played using a DTS-ES decoder, when played

with a conventional DTS decoder the SB channel signals are automatically down-mixed to the SL and SR channels, so none of the signal

components are lost.

2DTS-ES™ Matrix 6.1

With this format, the additional SB channel signals undergo matrix encoding and are input to the SL and SR channels beforehand. Upon

playback they are decoded to the SL, SR and SB channels. The performance of the encoder used at the time of recording can be fully matched

using a high precision digital matrix decoder developed by DTS, thereby achieving surround sound more faithful to the producer’s sound design

aims than with conventional 5.1- or 6.1-channel systems.

In addition, the bit stream format is 100% compatible with conventional DTS signals, so the effect of the Matrix 6.1 format can be achieved

even with 5.1-channel signal sources. Of course it is also possible to play DTS-ES Matrix 6.1 encoded sources with a DTS 5.1-channel decoder.

When DTS-ES Discrete 6.1 or Matrix 6.1 encoded sources are decoded with a DTS-ES decoder, the format is automatically detected upon

decoding and the optimum playing mode is selected. However, some Matrix 6.1 sources may be detected as having a 5.1-channel format,

so the DTS-ES Matrix 6.1 mode must be set manually to play these sources.

(For instructions on selecting the surround mode, see page 45.)

The DTS-ES decoder includes another function, the DTS Neo:6 surround mode for 6.1-channel playback of digital PCM and analog signal

sources.

2DTS Neo:6™ surround

This mode applies conventional 2-channel signals to the high precision digital matrix decoder used for DTS-ES Matrix 6.1 to achieve 6.1-

channel surround playback. High precision input signal detection and matrix processing enable full band reproduction (frequency response of

20 Hz to 20 kHz or greater) for all 6.1 channels, and separation between the different channels is improved to the same level as that of a digital

discrete system.

DTS Neo:6 surround includes two modes for selecting the optimum decoding for the signal source.

•DTS Neo:6 Cinema

This mode is optimum for playing movies. Decoding is performed with emphasis on separation performance to achieve the same

atmosphere with 2-channel sources as with 6.1-channel sources.

This mode is effective for playing sources recorded in conventional surround formats as well, because the in-phase component is assigned

mainly to the center channel (C) and the reversed phase component to the surround (SL, SR and SB channels).

•DTS Neo:6 Music

This mode is suited mainly for playing music. The front channel (FL and FR) signals bypass the decoder and are played directly so there is

no loss of sound quality, and the effect of the surround signals output from the center (C) and surround (SL, SR and SB) channels add a

natural sense of expansion to the sound field.

ENGLISH

DTS 96/24

The sampling frequency, number of bits and number of channels used for recording of music, etc., in studios has been increasing in recent years,

and there are a growing number of high quality signal sources, including 96 kHz/24 bit 5.1-channel sources.

For example, there are high picture/sound quality DVD video sources with 96 kHz/24 bit stereo PCM audio tracks.

However, because the data rate for these audio tracks is extremely high, there are limits to recording them on two channels only, and since the

quality of the pictures must be restricted it is common to only include still pictures.

In addition, 96 kHz/24 bit 5.1-channel surround is possible with DVD audio sources, but DVD audio players are required to play them with this high

quality.

DTS 96/24 is a multi-channel digital signal format developed by Digital Theater Systems Inc. in order to deal with this situation.

Conventional surround formats used sampling frequencies of 48 or 44.1 kHz, so 20 kHz was about the maximum playback signal frequency. With

DTS 96/24, the sampling frequency is increased to 96 or 88.2 kHz to achieve a wide frequency range of over 40 kHz.

In addition, DTS 96/24 has a resolution of 24 bits, resulting in the same frequency band and dynamic range as 96 kHz/24 bit PCM.

As with conventional DTS Surround, DTS 96/24 is compatible with a maximum of 5.1 channels, so sources recorded using DTS 96/24 can be

played in high sampling frequency, multiple channel audio with such normal media as DVD videos and CDs.

Thus, with DTS 96/24, the same 96 kHz/24 bit multi-channel surround sound as with DVD-Audio can be achieved while viewing DVD-Video images

on a conventional DVD-Video player ( 1). Furthermore, with DTS 96/24 compatible CDs, 88.2 kHz/24 bit multi-channel surround can be achieved

using normal CD/LD players ( 1).

Even with the high quality multi-channel signals, the recording time is the same as with conventional DTS surround sources.

What’s more, DTS 96/24 is fully compatible with the conventional DTS surround format, so DTS 96/24 signal sources can be played with a

sampling frequency of 48 kHz or 44.1 kHz on conventional DTS or DTS-ES surround decoders ( 2).

1A DVD player with DTS digital output capabilities (for CD/LD players, a player with digital outputs for conventional DTS CDs/LDs) and a

disc recorded in DTS 96/24 are required.

2The resolution is 24 or 20 bits, depending on the decoder.

ENGLISH

19 TROUBLESHOOTING

If a problem should arise,first check the following.

1. Are the connections correct ?

2. Have you operated the receiver according to the Operating Instructions ?

3. Are the speakers and other components operating property ?

If this unit is not operating properly, check the items listed in the table below. Should the problem persist, there may be a malfunction.

Disconnect the power immediately and contact your store of purchase.

Symptom Cause Measures Page

DISPLAY not lit and sound not produced

when power switch set to on.

•Power cord not plugged in securely. • Check the insertion of the power cord plug.

•Turn the power off with the remote control

unit after turning the POWER operation

switch on.

DISPLAY lit but sound not produced.

•Speaker cords not securely connected.

•Improper position of the audio function

button.

•Volume control set to minimum.

•MUTING is on.

•Digital signals not input Digital input

selected.

•Connect securely.

•Set to a suitable position.

•Turn volume up to suitable level.

•Switch off MUTING.

•Input digital signals or select input jacks to

which digital signals are being input.

15, 16

DISPLAY not displayed and the

“ON/STANDBY” LED flashes at a high

rate

•Speaker terminals are short-circuited.

•Block the ventilation holes of the set.

•The unit is operating at continuous high

power conditions and/or inadequate

ventilation.

•Switch power off, connect speakers

properly, then switch power back on.

•Turn off the set’s power, then ventilate it

well to cool it down.

Once the set is cooled down, turn the

power back on.

•Turn off the set’s power, then ventilate it

well to cool it down.

Once the set is cooled down, turn the

power back on.

15, 16

4, 16

Sound produced only from one channel.

•Incomplete connection of speaker cords.

•Incomplete connection of input/output

cords.

•Connect securely.

15, 16

10 ~ 16

Positions of instruments reversed during

stereo playback.

•Reverse connections of left and right

speakers or left and right input/output

cords.

•Check left and right connections. 10, 15

This unit does not operate properly when

remote control unit is used.

•Batteries dead.

•Remote control unit too far from this unit.

•Obstacle between this unit and remote

control unit.

•Different button is being pressed.

•<and >ends of battery inserted in reverse.

•Replace with new batteries.

•Move closer.

•Remove obstacle.

•Press the proper button.

•Insert batteries properly.

—

Common problems arising when listening to the

CD, records, tapes, and FM broadcasts, etc.

Remote control

unit.

Note:

When a subwoofer has been connected and the virtual surround function is being used, the signal played from the subwoofer channel is

LFE only (only when playing Dolby Digital or DTS signals) for initial factory settings (i.e., the setting of the front speaker is “LARGE” and

the setting of the subwoofer mode is “NORM”).

When subwoofer effects are felt to be weak, while in the system setup mode try setting the subwoofer mode to “+MAIN”, or the front

speaker to “SMALL” in the system setup “Speaker Configuration” settings.

Making these settings will result in the low-frequency sounds of the front channel being played from the subwoofer.

ENGLISH

20 SPECIFICATIONS

2Audio section

•Power amplifier

Rated output: Front: 75 W + 75 W (8 Ω/ohms, 20 Hz ~ 20 kHz with 0.08% T.H.D.)

110 W + 110 W (6 Ω/ohms, 1 kHz with 0.7% T.H.D.)

Center: 75 W (8 Ω/ohms, 20 Hz ~ 20 kHz with 0.08% T.H.D.)

110 W (6 Ω/ohms, 1 kHz with 0.7% T.H.D.)

Surround: 75 W + 75 W (8 Ω/ohms, 20 Hz ~ 20 kHz with 0.08% T.H.D.)

110 W + 110 W (6 Ω/ohms, 1 kHz with 0.7% T.H.D.)

Surround back: 75W (8 Ω/ohms, 20 Hz ~ 20 kHz with 0.08% T.H.D.)

110 W (6 Ω/ohms, 1 kHz with 0.7% T.H.D.)

Output terminals: Front: A or B 16 to 16 Ω/ohms

A + B 12 to 16 Ω/ohms

Center/Surround/Surr. Back: 16 to 16 Ω/ohms

•Analog

Input sensitivity / input impedance: 200 mV / 47 kΩ/kohms

Frequency response: 10 Hz ~ 100 kHz: +1, –3 dB (TONE DEFEAT ON)

S/N ratio: 98 dB (IHF-A weighted) (TONE DEFEAT ON)

2Video section

•Standard video jacks

Input / output level and impedance: 1 Vp-p, 75 Ω/ohms

Frequency response: 5 Hz ~ 10 MHz — +1, –3 dB

•S-video jacks

Input / output level and impedance: Y (brightness) signal — 1 Vp-p, 75 Ω/ohms

C (color) signal — 0.286 Vp-p, 75 Ω/ohms

Frequency response: 5 Hz ~ 10 MHz — +1, –3 dB

•Color component video jacks

Input / output level and impedance: Y (brightness) signal — 1 Vp-p, 75 Ω/ohms

PB/CB(blue) signal — 0.7 Vp-p, 75 Ω/ohms

PR/CR(red) signal — 0.7 Vp-p, 75 Ω/ohms

Frequency response: DC ~ 100 MHz — +0, –3 dB

2Tuner section

[FM] (note: µV at 75 Ω/ohms, 0 dBf = 1 x 10 –15 W) [AM]

Receiving range: 87.50 MHz ~ 107.90 MHz 520 kHz ~ 1710 kHz

Usable sensitivity: 1.0 µV (11.2 dBf) 18 µV

50 dB quieting sensitivity: MONO 1.6 µV (15.3 dBf)

STEREO 23 µV (38.5 dBf)

S/N ratio: MONO 77 dB (IHF-A weighted)

STEREO 72 dB (IHF-A weighted)

Total harmonic distortion: MONO 0.15% (1kHz)

STEREO 0.3% (1kHz)

2General

Power supply: AC 120 V, 60 Hz

Power consumption: 4.0 A

Maximum external dimensions: 434 (W) x 147 (H) x 417 (D) mm (17-3/32” x 5-25/32” x 1-23/64”)

Mass: 10.9 kg (24 lbs 49 oz)

2Remote control unit (RC-977)

Batteries: R6P/AA Type (two batteries)

External dimensions: 55 (W) x 225 (H) x 34.5 (D) mm (2-11/64” x 8-55/64” x 1-9/64”)

Mass: 165 g (Approx. 5.8 oz) (including batteries)

* For purposes of improvement, specifications and design are subject to change without notice.

2INTRODUCTION

2ACCESSOIRES

Nous vous remercions d‘avoir choisi l’ampli-tuner A/V Surround de DENON.

Ce remarquable composant a été fabriqué pour fournir une superbe écoute de sons d’ambiance avec des sources de cinéma domestique telles

que DVD, ainsi que pour assurer une formidable reproduction haute fidélité de vos sources musicales favorites.

Ce produit étant équipé d’une immense foule de caractéristiques, nous vous recommandons avant de commencer l’installation et l’utilisation de

l’appareil de bien lire le contenu de ce manuel avant de procéder.

TABLE DES MATIERES

Vérifier que les articles suivants sont inclus dans le carton en plus de l’unité principale:

1AVANT L‘UTILISATION

Faire attention au points suivants avant d’utiliser cet appareil:

•Déplacement de l’appareil

Pour éviter des court-circuits ou des fils endommagés dans les

câbles de connexion, toujours débrancher le cordon d’alimentation,

et déconnecter les câbles de connexion entre tous les autres

composants audio lors du déplacement de l’appareil.

•Avant de mettre sous tension

Vérifier une nouvelle fois si toutes les connexions sont bonnes et

s’il n’y a pas de problèmes avec les câbles de connexion. Toujours

placer l’interrupteur de mise sous tension en position d’attente

avant de connecter et de déconnecter les câbles de connexion.

•Ranger ces instructions dans un endroit sûr.

Après les avoir lues, ranger ces instructions en même temps que

la garantie dans un endroit sûr.

•Noter que les illustrations de ces instructions peuvent varier

de l’appareil actuel dans un but d’explication.

•Borne V. AUX

Le panneau avant du AVR-

1705/685 est équipé d'une

borne V. AUX. Retirer le

capuchon recouvrant la borne

en cas d'utilisation.

zAvant L’utilisation......................................................................................66

xPrécautions D’installation .........................................................................67

cPrécautions de Manipulation....................................................................67

vCaractéristiques........................................................................................68

bNomenclature et Fonctions................................................................69, 70

nA lire en premier.......................................................................................71

mRéglage des systèmes d’enceinte ...........................................................71

,Connexions ........................................................................................72~78

.Utilisation de la télécommande................................................................79

⁄0 Installation du Systéme......................................................................80~90

⁄1 Unité de Télécommande....................................................................91~95

⁄2 Opération .........................................................................................96~100

⁄3 Ambiance .......................................................................................101~109

⁄4 Simulation d’ambiance DSP...........................................................110~114

⁄5 Ecoute de là Radio .……………………………………………………115~117

⁄6 Mémoire de Dernière Fonction ..............................................................118

⁄7 Initialisatione du Microprocesseur…………………………………………118

⁄8 Informations Supplémentaires.......................................................119~125

⁄9 Dépistage des Pannes............................................................................126

¤0 Spécifications…………………………………………………………………127

Liste de codes préréglés.......................................................................128~132

qMode d’emploi........................................................................................1

wCertificat de garantie...............................................................................1

eListe des centres d’entretien..................................................................1

rTélécommande (RC-977) ........................................................................1

rt y u

tPiles R6P/AA...........................................................................................2

yAntenne-cadre AM..................................................................................1

uAntenne intérieure FM............................................................................1

FRANCAIS

128

LIST OF PRESET CODES / LISTE DE CODES PRÉRÉGLÉS

DVD

Denon 014, *[111]

Aiwa 009

Hitachi 010

JVC 006, 011

Konka 012, 013

Magnavox 005

Mitsubishi 004

Panasonic 014

Philips 005, 015, 016, 017

Pioneer 003, 008

Sanyo 018

Sony 002, 019, 020

Toshiba 001, 021, 022

Zenith 023

VDP

Denon 028, 029, 112

Magnavox 026

Mitsubishi 028

Panasonic 029, 030

Philips 026

Pioneer 028, 031

RCA 032

Sony 033, 034, 035, 036

VCR

Admiral 081

Aiko 095

Aiwa 009

Akai 026, 027, 070, 072, 082, 083, 084

Alba 055

Amstrad 009

ASA 042

Asha 087

Audio Dynamic 005, 085

Audiovox 088

Beaumark 087

Broksonic 086, 093

Calix 088

Candle 006, 087, 088, 089, 090

Canon 049, 057

Capehart 025, 055, 056, 071

Carver 015

CCE 095

Citizen 006, 007, 087, 088, 089, 090, 095

Craig 007, 087, 088, 091, 115

Curtis Mathes 006, 049, 073, 080, 087, 090, 092

Cybernex 087

Daewoo 025, 055, 059, 074, 089, 093, 095,

096

Daytron 025, 055

DBX 005, 085

Dumont 053

Dynatech 009

Electrohome 001, 088, 097

Electrophonic 088

Emerson 001, 009, 017, 027, 086, 088, 089,

092, 093, 097, 100, 101, 102, 103,

104, 117

Fisher 009, 028, 031, 053, 054, 091, 099,

115

GE 007, 011, 049, 050, 051, 052, 073,

080, 087

Go Video 047, 048

Goldstar 000, 006, 012, 062, 088

Gradiente 094

Grundig 042

Harley Davidson 094

Harman Kardon 040, 062

Hi-Q 091

Hitachi 009, 013, 023, 026, 058, *[108],

109, 110, 111

JC Penny 004, 005, 007, 023, 028, 049, 062,

085, 087, 088

Jensen 013, 026

JVC 004, 005, 006, 026, 029, 043, 044,

045, 046, 085

Kenwood 004, 005, 006, 026, 029, 033, 045,

085, 090

Kodak 088

Lloyd 009, 094

LXI 088

Magnavox 015, 016, 042, 049, 063, 106

Magnin 087

Marantz 004, 005, 006, 015, 042, 049, 085,

090

Marta 088

MEI 049

Memorex 009, 033, 049, 053, 060, 081, 087,

088, 091, 094, 115

Metz 123, 124, 125, 126, 127, 128

MGA 001, 017, 027, 041, 097

MGN Technology 087

Midland 011

ENGLISH FRANCAIS

129

Minolta 013, 023

Mitsubishi 001, 003, 008, 013, 014, 017, 027,

029, 039, 040, 041, 045, 097

Motorola 081

Montgomery Ward

001, 002, 007, 009, 049, 063, 081,

115, 117

MTC 009, 087, 094

Multitech 007, 009, 011, 087, 090, 094

NAD 038

NEC 004, 005, 006, 018, 026, 029, 045,

061, 062, 085

Nikko 088

Noblex 087

Optimus 081, 088

Optonica 021

Panasonic 024, 049, 064, 066, 067, 068, 069,

107

Perdio 009

Pentax 009, 013, 023, 058, 090

Philco 015, 016, 049

Philips 015, 021, 042, 049, 105

Pilot 088

Pioneer 005, 013, 029, 036, 037, 038, 045,

085

Portland 025, 055, 090

Proscan 063, 080

Pulsar 060

Quartz 033

Quasar 034, 035, 049

Radio Shack 001, 002, 021, 081, 087, 088, 091,

094, 097, 098, 115

Radix 088

Randex 088

RCA 007, 013, 019, 023, 058, 063, 064,

065, 073, 080, 082, 087

Realistic 009, 021, 031, 033, 049, 053, 081,

087, 088, 091, 094, 097, 098

Ricoh 055

Salora 033, 041

Samsung 007, 011, 051, 059, 070, 083, 087,

089, 113

Sanky 081

Sansui 005, 026, 029, 045, 061, 085, 114

Sanyo 032, 033, 053, 087, 091, 115, 116

SBR 042

Scott 017, 020, 086, 089, 093, 117

Sears 013, 023, 028, 031, 033, 053, 054,

088, 091, 098, 099, 115

Sentra 055

Sharp 001, 002, 021, 097

Shogun 087

Sony 075, 076, 077, 078, 079, 121, 122

STS 023

Sylvania 009, 015, 016, 017, 041, 049, 094

Symphonic 009, 094

Tandy 009

Tashiko 009, 088

Tatung 004, 026, 030

Teac 004, 009, 026, 094

Technics 024, 049

Teknika 009, 010, 022, 049, 088, 094

TMK 087, 092

Toshiba 013, 017, 020, 041, 059, 089, 098,

099, 117

Totevision 007, 087, 088

Unirech 087

Vecrtor Research 005, 062, 085, 089, 090

Victor 005, 045, 046, 085

Video Concepts 005, 027, 085, 089, 090

Videosonic 007, 087

Wards 013, 021, 023, 087, 088, 089, 091,

094, 097, 118, 119, 120

XR-1000 094

Yamaha 004, 005, 006, 026, 062, 085

Zenith 060, 078, 079

Admiral 045, 121

Adventura 122

Aiko 054

Akai 016, 027, 046

Alleron 062

A-Mark 007

Amtron 061

Anam 006, 007, 036

Anam National 061, 147

AOC 003, 007, 033, 038, 039, 047, 048,

049, 133

Archer 007

Audiovox 007, 061

Bauer 155

Belcor 047

Bell & Howell 045, 118

Bradford 061

Brockwood 003, 047

Candle 003, 030, 031, 032, 038, 047, 049,

050, 122

Capehart 003

Celebrity 046

ENGLISHFRANCAIS

130

Circuit City 003

Citizen 029, 030, 031, 032, 034, 038, 047,

049, 050, 054, 061, 095, 122, 123

Concerto 031, 047, 049

Colortyme 003, 047, 049, 135

Contec 013, 051, 052, 061

Cony 051, 052, 061

Craig 004, 061

Crown 029

Curtis Mathes 029, 034, 038, 044, 047, 049, 053,

095, 118

Daewoo 027, 029, 039, 048, 049, 054, 055,

106, 107, 137

Daytron 003, 049

Dimensia 044

Dixi 007, 015, 027

Electroband 046

Electrohome 029, 056, 057, 058, 147

Elta 027

Emerson 029, 051, 059, 060, 061, 062, 118,

123, 124, 139, 148

Envision 038

Etron 027

Fisher 014, 021, 063, 064, 065, 118

Formenti 155

Fortress 012

Fujitsu 004, 062

Funai 004, 062

Futuretech 004

GE 020, 036, 037, 040, 044, 058, 066,

088, 119, 120, 125, 147

Goldstar 000, 015, 029, 031, 039, 048, 051,

056, 057, 067, 068, 069, 116

Grundy 062

Hitachi 029, 031, 051, 052, 070, 111, 112,

113, 124, *[134]

Hitachi Pay TV 151

Infinity 017, 071

Janeil 122

JBL 017, 071

JC Penny 020, 034, 039, 040, 041, 044, 048,

050, 058, 066, 069, 076, 088, 090,

095, 125, 136, 159

JCB 046

JVC 019, 051, 052, 072, 073, 091, 117,

126

Kawasho 018, 046

Kenwood 038, 056, 057

Kloss 010, 032

Kloss Novabeam 005, 122, 127, 131

KTV 074, 123

Loewe 071

Logik 144

Luxman 031

LXI 008, 014, 017, 024, 040, 044, 063,

071, 075, 076, 077, 118, 125

Magnavox 005, 010, 017, 030, 033, 038, 050,

056, 071, 078, 079, 085, 089, 108,

109, 110, 127, 131, 132, 145

Marantz 015, 017, 071, 080

Matsui 027

Memorex 014, 027, 045, 083, 118, 144

Metz 160, 161, 162, 163

MGA 001, 039, 048, 056, 057, 058, 065,

081, 083

Midland 125

Minutz 066

Mitsubishi 001, 016, 039, 048, 056, 057, 058,

065, 081, 082, 083, 105

Montgomery Ward

011, 020, 144, 145, 146

Motorola 121, 147

MTC 031, 034, 039, 048, 095

NAD 008, 075, 076, 128

National 002, 036, 061, 147

National Quenties

002

NEC 031, 038, 039, 048, 057, 084, 086,

135, 147

Nikko 054

NTC 054

Optimus 128

Optonica 011, 012, 093, 121

Orion 004, 139

Panasonic 002, 009, 017, 036, 037, 071, 141,

143, 147

Philco 005, 010, 030, 050, 051, 056, 079,

085, 127, 131, 132, 145, 147

Philips 005, 015, 017, 050, 051, 056, 078,

087, 088, 089, 131, 132, 147

Pioneer 124, 128, 142

Portland 054

Price Club 095

Proscan 040, 044, 125

Proton 035, 051, 092, 129

Pulsar 042

Quasar 036, 037, 074, 141

Radio Shack 011, 044, 063, 093, 118

RCA 040, 044, 125, 130, 137, 151, 152

Realistic 014, 063, 093, 118

Saisho 027

ENGLISH FRANCAIS

131

Samsung 003, 015, 034, 053, 055, 057, 094,

095, 136, 153

Sansui 139

Sanyo 013, 014, 021, 022, 063, 064, 081,

096

SBR 015

Schneider 015

Scott 062

Sears 008, 014, 021, 022, 023, 024, 025,

040, 052, 057, 062, 063, 064, 065,

073, 075, 076, 097, 098, 125, 159

Sharp 011, 012, 013, 026, 093, 099, 100,

104, 121

Siemens 013

Signature 045, 144

Simpson 050

Sony 043, 046, 138, 146, 150

Soundesign 030, 050, 062

Spectricon 007, 033

Squareview 004

Supre-Macy 032, 122

Supreme 046

Sylvania 005, 010, 017, 030, 078, 079, 085,

089, 101, 127, 131, 132, 145, 155

Symphonic 004, 148

Tandy 012, 121

Tatung 036, 124

Technics 037

Teknika 001, 030, 032, 034, 052, 054, 078,

083, 095, 144, 156, 157

Tera 035, 129

Toshiba 008, 014, 034, 063, 075, 076, 095,

097, 136, 158, 159

Universal 020, 066, 088

Victor 019, 073, 126

Video Concepts 016

Viking 032, 122

Wards 005, 045, 066, 078, 085, 088, 089,

093, 102, 103, 131, 132, 148

Zenith 042, 114, 115, 140, 144, 149

Zonda 007

CABLE

ABC 006, *[007], 008, 009

Archer 010, 011

Century 011

Citizen 011

Colour Voice 012, 013

Comtronic 014

Eastern 015

Garrard 011

Gemini 030, 033, 034

General Instrument

030, 031, 032

Hytex 006

Jasco 011

Jerrold 009, 016, 017, 026, 032

Magnavox 018

Movie Time 019

NSC 019

Oak 000, 006, 020

Panasonic 001, 005

Philips 011, 012, 013, 018, 021

Pioneer 002, 003, 022

RCA 029

Regency 015

Samsung 014, 023

Scientific Atlanta 004, 024, 025

Signal 014

SL Marx 014

Starcom 009

Stargate 014

Teleview 014

Tocom 007, 016

TV86 019

Unika 011

United Artists 006

Universal 010, 011

Viewstar 018, 019

Zenith 027, 028

DBS (SATELLITE)

Alphastar 054

Chaparral 035, 036

Dishnet 053

Drake 037, 038

Echostar Dish 062, 066

GE 048, 055, 056

General Instruments

039, 040, 041

Grundig 070, 071, 072, 073

Hitachi 058, 059

Hughes Network 063, 064, 065, 069

JVC 057

Kathrein 074, 075, 076, 083

Magnavox 060

Nokia 070, 080, 084, 085, 086

Philips 060

Primestar 051

Proscan 048, 055, 056

ENGLISHFRANCAIS

132

RCA 048, 055, 056, 068

Realistic 042

Sierra I036

Sierra II 036

Sierra III 036

Sony 049, 067

STS1 043

STS2 044

STS3 045

SRS4 046

Technisat 077, 078, 079, 081, 082

Toshiba 047, 050

Uniden 061

Denon *[111]

Aiwa 001, 035, 043

Burmster 002

Carver 003, 035

Emerson 004, 005, 006, 007

Fisher 003, 008, 009, 010

JVC 018, 019

Kenwood 011, 012, 013, 014, 017

Magnavox 006, 015, 035

Marantz 016, 028, 035

MCS 016, 024

Onkyo 025, 027

Optimus 017, 020, 021, 022, 023

Philips 014, 032, 033, 035

Pioneer 006, 022, 030

Sears 006

Sony 023, 031

Teac 002, 009, 028

Technics 016, 029, 036

Wards 035, 037

Yamaha 038, 039, 040, 041

Zenith 042

CDR

Denon *[111], 112

Philips 112

Denon 113

Kenwood 003, 004

Onkyo 007

Sharp 005

Sony 006

TAPE

Denon *[111]

Aiwa 001, 002

Carver 002

Harman/Kardon 002, 003

JVC 004, 005

Kenwood 006

Magnavox 002

Marantz 002

Onkyo 016, 018

Optimus 007, 008

Panasonic 012

Philips 002

Pioneer 007, 008, 009

Sony 013, 014, 015

Technics 012

Victor 004

Wards 007

Yamaha 010, 011

*[ ] :Preset codes set upon shipment from the factory.

*[ ] :Les codes préréglés diffèrent en fonctiom des livraison de

l’usine.

DVD preset codes

Codes préréglés DVD 0000 0001

Model No.

Modéle numéro

DVD-700

DVD-900

DVD-1000

DVD-1400

DVD-1500

DVD-2200

DVD-2800

DVD-2800II

DVD-2900

DVD-3800

DVD-A11

DVD-A1

DVD-800

DVD-1600

DVD-2000

DVD-2500

DVD-3000

DVD-3300

ENGLISH FRANCAIS

133

MEMO:

134

MEMO:

135

MEMO:

Printed in China 511 4175 004

16-11, YUSHIMA 3-CHOME, BUNKYO-KU, TOKYO 113-0034, JAPAN

Telephone: (03) 3837-5321

Denon Avr 1705 Users Manual

AVR-1705 AVR-1705_685S-OM_WebRmt

685 to the manual 69f43064-f593-49b8-8d4a-23174b496e65

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