DigiTech RP360 User Manual To The 80ff861f 290b 486a 8b36 96a76c3688bd

User Manual: DigiTech RP360 to the manual

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Overview
- Introduction
- Features
The User Interface & Connectors
- Top Panel
- Rear Panel
Connection Diagrams
Operating Instructions
System Setup
The Effects & Parameters
Nexus Editor/Librarian Software
- System Requirements
Preset List
Expression Pedal & LFO Assignable Parameters
Specifications

OWNER’S MANUAL

RP360

RP360 XP

GUITAR MULTI-EFFECTS PROCESSORS

COMPLIANCE & SAFETY INSTRUCTIONS

The symbols shown above are internationally ac-

cepted symbols that warn of potential hazards

with electrical products. The lightning flash with

arrowpoint in an equilateral triangle means that

there are dangerous voltages present within the

unit. The exclamation point in an equilateral tri-

angle indicates that it is necessary for the user to

refer to the owner’s manual.

These symbols warn that there are no user ser-

viceable parts inside the unit. Do not open the

unit. Do not attempt to service the unit your-

self. Refer all servicing to qualified personnel.

Opening the chassis for any reason will void the

manufacturer’s warranty. Do not get the unit

wet. If liquid is spilled on the unit, shut it off

immediately and take it to a dealer for service.

Disconnect the unit during storms to prevent

damage.

The following is indicative of

low altitude use; do not use this

product above 2000m.

WARNING FOR YOUR PROTECTION READ THE FOLLOWING:

KEEP THESE INSTRUCTIONS

HEED ALL WARNINGS

FOLLOW ALL INSTRUCTIONS

The apparatus shall not be exposed

to dripping or splashing liquid and no

object filled with liquid, such as vases,

shall be placed on the apparatus.

CLEAN ONLY WITH A DRY CLOTH.

FOR INDOOR USE ONLY.

DO NOT BLOCK ANY OF THE

VENTILATION OPENINGS. INSTALL

IN ACCORDANCE WITH THE

MANUFACTURER’S INSTRUCTIONS.

DO NOT INSTALL NEAR ANY HEAT

SOURCES SUCH AS RADIATORS, HEAT

REGISTERS, STOVES, OR OTHER

APPARATUS (INCLUDING AMPLIFIERS)

THAT PRODUCE HEAT.

ONLY USE ATTACHMENTS/ACCESSORIES

SPECIFIED BY THE MANUFACTURER.

UNPLUG THIS APPARATUS DURING

LIGHTNING STORMS OR WHEN UNUSED

FOR LONG PERIODS OF TIME.

Do not defeat the safety purpose of

the polarized or grounding-type plug.

A polarized plug has two blades with

one wider than the other. A grounding

type plug has two blades and a third

grounding prong. The wide blade

or third prong are provided for your

safety. If the provided plug does not

fit your outlet, consult an electrician for

replacement of the obsolete outlet.

Protect the power cord from being

walked on or pinched particularly at

plugs, convenience receptacles, and

the point where they exit from the

apparatus.

Use only with the cart stand, tripod

bracket, or table specified by the

manufacture, or sold with the apparatus.

When a cart is used,

use caution when

moving the cart/

apparatus combination

to avoid injury from tip-over.

Refer all servicing to qualified service

personnel. Servicing is required when

the apparatus has been damaged in any

way, such as power-supply cord or plug

is damaged, liquid has been spilled or

objects have fallen into the apparatus,

the apparatus has been exposed to rain

or moisture, does not operate normally,

or has been dropped.

POWER ON/OFF SWITCH: The Power

switch used in this piece of equipment

DOES NOT break the connection from

the mains.

MAINS DISCONNECT: The plug shall

remain readily operable. For rack-

mount or installation where plug is not

accessible, an all-pole mains switch with

a contact separation of at least 3 mm

in each pole shall be incorporated into

the electrical installation of the rack or

building.

If connected to 240V supply, a suitable

CSA/UL certified power cord shall be

used for this supply.

ELECTROMAGNETIC

COMPATIBILITY

This device complies with part 15 of the FCC

Rules and the Product Specifications noted on

the Declaration of Conformity. Operation

is subject to the following two conditions:

• this device may not cause harmful

interference, and

• this device must accept any interference

received, including interference that may

cause undesired operation.

Operation of this unit within significant

electromagnetic fields should be avoided.

• use only shielded interconnecting cables.

COMPLIANCE & SAFETY INSTRUCTIONS

DECLARATION OF CONFORMITY

Manufacturer’s Name: DigiTech

Manufacturer’s Address: 8760 S. Sandy Parkway

Sandy, Utah 84070, USA

declares that the product:

Product name: RP360 and RP360XP

Product option: all (requires Class II power adapter

that conforms to the requirements of

EN60065, EN60742, or equivalent.)

conforms to the following Product Specifications:

Safety: IEC 60065 -01+Amd 1

EMC: EN 55022:2006

EN 55024:1998

FCC Part 15

Supplementary Information:

The product herewith complies with the requirements of the:

Low Voltage Directive 2006/95/EC

EMC Directive 2004/108/EC.

RoHS Directive 2011/65/EC

WEEE Directive 2002/96/EC

EC Regulation 278/2009

With regard to Directive 2005/32/EC and EC Regulation

1275/2008 of 17 December 2008, this product is designed,

produced, and classified as Professional Audio Equipment and thus

is exempt from this Directive.

Rex C. Reed

Director, Engineering

Signal Processing

8760 S. Sandy Parkway

Sandy, Utah 84070, USA

Date: July 9, 2013

European Contact: Your local DigiTech Sales and Service Office or

Harman Signal Processing

8760 South Sandy Parkway

Sandy, Utah

84070 USA

Ph: (801) 566-8800

Fax: (801) 568-7583

If you want to dispose this product, do not mix it with general household waste. There is a

separate collection system for used electronic products in accordance with legislation that

requires proper treatment, recovery and recycling.

Private households in the 25 member states of the EU, in Switzerland and Norway may return their used

electronic products free of charge to designated collection facilities or to a retailer (if you purchase a similar

new one).

For Countries not mentioned above, please contact your local authorities for a correct method of disposal.

By doing so you will ensure that your disposed product undergoes the necessary treatment, recovery and

recycling and thus prevent potential negative effects on the environment and human health.

WARRANTY

We at DigiTech® are very proud of our products and back-up each one we sell with the following warranty:

1. Please register online at www.digitech.com within ten days of purchase to validate this warranty. This warranty is valid only in

the United States.

2. DigiTech warrants this product, when purchased new from an authorized U.S. DigiTech dealer and used solely within the U.S.,

to be free from defects in materials and workmanship under normal use and service. This warranty is valid to the original

purchaser only and is non-transferable.

3. DigiTech liability under this warranty is limited to repairing or replacing defective materials that show evidence of defect,

provided the product is returned to DigiTech WITH RETURN AUTHORIZATION, where all parts and labor will be covered up to a

period of one year. A Return Authorization number may be obtained by contacting DigiTech. The company shall not be liable

for any consequential damage as a result of the product’s use in any circuit or assembly.

4. Proof-of-purchase is considered to be the responsibility of the consumer. A copy of the original purchase receipt must be

provided for any warranty service.

5. DigiTech reserves the right to make changes in design, or make additions to, or improvements upon this product without

incurring any obligation to install the same on products previously manufactured.

6. The consumer forfeits the benefits of this warranty if the product’s main assembly is opened and tampered with by anyone

other than a certified DigiTech technician or, if the product is used with AC voltages outside of the range suggested by the

manufacturer.

7. The foregoing is in lieu of all other warranties, expressed or implied, and DigiTech neither assumes nor authorizes any person

to assume any obligation or liability in connection with the sale of this product. In no event shall DigiTech or its dealers be

liable for special or consequential damages or from any delay in the performance of this warranty due to causes beyond their

control.

NOTE: The information contained in this manual is subject to change at any time without notification. Some information contained

in this manual may also be inaccurate due to undocumented changes in the product since this version of the manual was

completed. The information contained in this version of the owner’s manual supersedes all previous versions.

TECHNICAL SUPPORT & SERVICE

If you require technical support, contact DigiTech Technical Support. Be prepared to accurately describe the problem. Know the

serial number of your device – this is printed on a sticker attached to the chassis. If you have not already taken the time to

Before you return a product to the factory for service, we recommend you refer to this manual. Make sure you have correctly

followed installation steps and operating procedures. For further technical assistance or service, please contact our Technical

Support Department at (801) 566-8800 or visit www.digitech.com. If you need to return a product to the factory for service, you

MUST first contact Technical Support to obtain a Return Authorization Number.

NO RETURNED PRODUCTS WILL BE ACCEPTED AT THE FACTORY WITHOUT A RETURN AUTHORIZATION NUMBER.

Please refer to the Warranty information, which extends to the first end-user. After expiration of the warranty, a reasonable charge

will be made for parts, labor, and packing if you choose to use the factory service facility. In all cases, you are responsible for

transportation charges to the factory. If the product is still under warranty, DigiTech will pay the return shipping.

Use the original packing material if it is available. Mark the package with the name of the shipper and with these words in red:

DELICATE INSTRUMENT, FRAGILE! Insure the package properly. Ship prepaid, not collect. Do not ship parcel post.

RP360/RP360 XP TOC

TABLE OF CONTENTS

OVERVIEW �� 2

Introduction ��2

Features ��3

THE USER INTERFACE & CONNECTORS �� 4

Top Panel �� 4

Rear Panel ��6

CONNECTION DIAGRAMS �� 8

Mono Amplifier ��8

Stereo Amplifiers ��9

Direct To Mixer/PA ��10

Computer Recording ��11

Practicing With Headphones ��13

OPERATING INSTRUCTIONS ��14

Basic Operation Overview ��14

Performance State ��14

Editing Presets ��14

System Settings ��14

Drums ��14

Managing Presets ��15

Navigating Presets ��15

Storing/Copying/Naming Presets ��17

Working With Effects ��19

Editing Effect Parameters ��19

Changing Effects ��20

Reordering Effects ��21

Adding Effects ��22

Deleting Effects ��23

Assigning Effects To Footswitches (Stomp Mode Only)

��24

Preset Level & Master Level ��25

Preset (Effects) Bypass ��26

Tuner ��27

Looper ��28

Sound Check ��29

Drum Machine ��30

Aux Input ��32

Tap Tempo ��33

Expression Pedal Control ��34

Assigning The LFO ��36

Using An Optional FS3X Footswitch ��37

SYSTEM SETUP �� 41

Footswitch Modes ��41

Output To �� 44

Output Mode ��45

USB Record Level ��46

USB Play Mix ��47

LCD Contrast ��48

Control In ��49

Phrase Sampler ��51

Calibrate Pedal ��52

Factory Restore ��53

Firmware Version ��54

THE EFFECTS & PARAMETERS �� 55

Effect Edit Menu Icons ��55

Amp Modeling ��56

Cabinet Modeling ��64

Compression ��67

Delay ��69

Distortion ��74

EQ ��83

Expression Pedal ��84

LFO ��84

Modulation ��85

Noise Gating �� 103

Reverb �� 104

Volume �� 106

Wah �� 107

NEXUS EDITOR/LIBRARIAN SOFTWARE �� 108

System Requirements �� 108

PRESET LIST �� 109

EXPRESSION PEDAL & LFO ASSIGNABLE

PARAMETERS �� 110

SPECIFICATIONS �� 114

2RP360 / RP360 XP

OVERVIEW

Introduction

The RP360 and RP360XP represent the next generation of guitar effects processors from DigiTech®�

With 85 stompbox pedals, 54 ampliﬁer models, and 26 cabinet models, the tonal-creation sky is the

limit! Up to 10 effects can be used at a time and they can be placed in any order, giving you complete

control over shaping your tones and effects�

99 factory presets allow you to familiarize yourself with all the effects the RP has to offer and give you

starting points for creating your own sounds fast! 99 user preset memory locations let you store all

your favorite sounds for later recall�

Use the built-in 40-second phrase looper to write leads over your rhythm parts or enhance your live

performance� The Sound Check feature lets you record a loop and play it back through the internal

effects chain, so you can easily audition and edit effects without having to constantly strum your guitar�

The outputs can be conﬁgured for mono or stereo operation� And the 1/8” headphone output lets

you practice whenever, wherever� Connect a portable music player to the 1/8” aux input to practice

along with lessons, learn your favorite songs, or play along with the built-in drum machine to hone

your timing skills�

Connect the USB port to a Mac® or PC for recording directly to your favorite DAW (Digital Audio

Worksation) or for preset management using the free downloadable Nexus editor/librarian software�

With a rugged, stylish design, a vast library of amps, cabinets, and effect pedals to choose from, and

tons of ﬂexibility and features, the RP360 and RP360XP processors were designed to look and sound

great�

Thank you for choosing DigiTech�

RP360 / RP360 XP

Features

• Includes 85 Stompbox Pedals, 54 Ampliﬁers, & 26 Cabinets

• Run up to 10 Effects at a Time

• 99 User & 99 Factory Presets

• Flexible Amp & Effects Routing

• 40-Second Phrase Looper

• Lexicon® Reverbs

• Mono or Stereo Outputs

• Sound Check for Easy Auditioning & Editing of Effects

• USB Audio Streaming

• Free Downloadable Nexus Editor/Librarian Software for Mac & PC

• Heavy Duty Metal Chassis & Footswitches

• Power Supply Included

4RP360 / RP360 XP

THE USER INTERFACE & CONNECTORS

Top Panel

Plexi-Drive

LOOPER READY

Plexi-Drive 1

LOOPER READY

2 3 41

1� LCD DISPLAY

This LCD display provides the visual feedback necessary for operating the RP360/RP360XP

processors�

2� SELECT KNOB

This knob performs different functions when pressed or turned, depending upon which operating

state you are in� In the Performance state, turning this knob navigates presets and pressing this

knob accesses editing of effects and effect settings� When editing presets, turning this knob selects

the effect for editing and pressing this knob navigates the various pages containing parameters for

the selected effect�

3� BACK BUTTON

Press this button to navigate back one level when navigating menus� Press the button multiple times

to get back to the Performance state�

RP360 / RP360 XP

4� EXPRESSION PEDAL (RP360XP ONLY)

The expression pedal provides real-time control of the Volume, Wah, or an assigned effect

parameter� The expression pedal is equipped with a V-Switch that turns the wah on and off when

you apply extra pressure to the toe� See Expression Pedal Control on page 34 for information

on assigning effect parameters to the expression pedal� See Expression Pedal & LFO Assignable

Parameters on page 110 for a list of assignable parameters�

5� DRUMS BUTTON

Press this button to enter the Drum Machine Edit menu, where you can edit the Drum Machine

parameters (PATTERN, TEMPO, and LEVEL)� Once in the Drum Machine Edit menu, pressing the

DRUMS button will toggle the Drum Machine on and off – or you can press the SELECT knob� See

Drum Machine on page 30 for more information on using the Drum Machine�

NOTE: The Drum Machine cannot be used while the Looper is active� If a loop has been

recorded using the Looper, you must clear the loop before the Drum Machine can be used� To

clear a loop, stop loop playback then press and hold FOOTSWITCH 3� See Looper on page

28 for further information on operating the Looper�

6� SYSTEM BUTTON

Press this button to access the global System Settings menu, where you can edit global parameters

which determine how the RP360/RP360XP processor functions� See System Setup on page 41

for information on the options and parameters available in this menu�

7� STORE BUTTON

Use this button to store, rename, and copy presets� The STORE button LED will light whenever a

preset’s stored parameters are altered, indicating that the changes must be stored to a user preset

to be retained� See Managing Presets on page 15 for more information on presets�

8� EDIT KNOBS

In this manual, these knobs are referred to as the EDIT 1 knob, EDIT 2 knob, and EDIT 3 knob –

from left to right� These knobs are used to edit on-screen system and effect parameters� From the

Performance state, the EDIT 1 knob will adjust the Preset Level (which affects the output level of

the currently loaded preset only) and the EDIT 3 knob will adjust the Master Level (which affects

the output level of all presets)� See Preset Level & Master Level on page 25 for further

information on these output level controls�

9� FOOTSWITCHES

These footswitches are used for multiple functions and can be conﬁgured to operate in Preset

Mode, Stomp Mode, or Bank Mode� See Footswitch Modes on page 41 for more information

on footswitch modes�

6RP360 / RP360 XP

Rear Panel

1 2 3 4 5 6 7

1� INPUT

Connect your guitar to this high impedance 1/4” instrument input�

2� AUX IN

Using a stereo 1/8” cable, connect the headphone output of a portable music player to this 1/8”

TRS connector to play along with all your favorite music� See Aux Input on page 32 for

information on using this feature�

3� LEFT OUT/RIGHT OUT

These 1/4” TRS outputs can be conﬁgured for mono or stereo operation� Use them for connecting

to a single guitar ampliﬁer, a stereo pair of guitar ampliﬁers, or directly into the inputs of a mixer or

recording device�

HINT: When connecting these output connectors directly to a mixer or recording device, you

will want to select the “MIXER” option in the System Settings menu to enable Speaker Cabinet

Compensation (SCC)� See Output To on page 44 for more information on the MIXER

option�

NOTE: Mono/stereo operation is conﬁgured in the System Settings menu� See Output Mode

on page 45 for more information on this conﬁguration option�

4� HEADPHONE OUT

Connect your headphones to this 1/8” mini TRS connector� This output is optimized for use with

headphones having an impedance of 60 Ohms or less�

NOTE: When only headphones are connected (nothing connected to the 1/4” outputs), the

outputs are optimized for full range speakers/headphones� See Output To on page 44 for

further information�

RP360 / RP360 XP

5� CONTROL IN

In the RP360 model, this connector accepts an external expression or volume pedal for real-time

control of effect parameters, or a DigiTech FS3X Footswitch for additional footswitch control� In

the RP360XP model, this connector accepts an FS3X Footswitch for additional footswitch control�

See Expression Pedal Control on page 34 and Using An Optional FS3X Footswitch on

page 37 for further details�

6� USB

This USB connector connects the RP360/RP360XP processor to a computer for preset

management using the Nexus editor/librarian software and/or streaming 4 channels of audio (2

channels to the computer and 2 channels from the computer) for recording to your favorite Digital

Audio Workstation�

7� POWER

Connect only the included PS0913DC power supply to this connector�

8RP360 / RP360 XP

CONNECTION DIAGRAMS

Mono Amplier

Amp 1

Guitar

Harman PS0913DC

Power Supply

Volume/Expression

Pedal (RP360 Only)

Footswitch

Optional

Follow these steps to use the RP with an ampliﬁer:

1� Turn down the ampliﬁer’s master volume control and power off the amp�

2� Make all the connections to the RP as shown in the diagram�

3� Turn the RP on by connecting the included power supply to the POWER input connector and

connecting the other end to an available AC outlet�

4� Turn on your ampliﬁer� Strum your guitar and gradually increase your ampliﬁer’s master volume

control until the desired level is achieved�

RP360 / RP360 XP

Stereo Ampliers

Amp 1 Amp 2

Guitar

Harman PS0913DC

Power Supply

Volume/Expression

Pedal (RP360 Only)

Optional Footswitch

Follow these steps to use the RP with a pair of ampliﬁers:

1� Turn down the ampliﬁers’ master volume controls and power off the amps�

2� Make all the connections to the RP as shown in the diagram�

3� Turn the RP on by connecting the included power supply to the POWER input

connector and connecting the other end to an available AC outlet�

4� Turn on your ampliﬁers� Strum your guitar and gradually increase your ampliﬁers’

master volume controls until the desired level is achieved�

5� For stereo operation you will need to change the OUTPUT MODE parameter to STEREO� See

Output Mode on page 45 for information on conﬁguring the RP for stereo operation�

10 RP360 / RP360 XP

Direct To Mixer/PA

Mixer

Guitar

Harman PS0913DC

Power Supply

Powered PA Speakers

Volume/Expression

Pedal (RP360 Only)

Optional Footswitch

Follow these steps to use the RP with a mixer:

1� Lower the master faders on the mixer�

2� Make all connections to the RP as shown in the diagram� Connect the RP to two mixer input

channels� On these two mixer channels, turn down the input gains and faders and set one

channel pan hard left and the other hard right�

3� Turn the RP on by connecting the included power supply to the POWER input connector and

connecting the other end to an available AC outlet�

4� Strum your guitar and adjust the mixer levels until the desired level is achieved� Use proper gain

staging to optimize the signal to noise ratio and prevent clipping of the mixer inputs� Consult

your mixer documentation for information on proper mixer gain staging�

5� Change the OUTPUT TO parameter to MIXER in the System Settings menu� This will optimize

the outputs for full range PA speakers� See Output To on page 44 for more information on

editing this parameter�

6� For stereo operation you will need to change the OUTPUT MODE parameter to STEREO� See

Output Mode on page 45 for information on conﬁguring the RP for stereo operation�

RP360 / RP360 XP

Computer Recording

The RP360 and RP360XP use the standard drivers which come with Mac OS X and Windows

operating systems� Therefore, there are no additional drivers to install� Simply plug in the RP and

connect to your computer�

The RPs will simultaneously stream 2 channels of audio up to the computer and 2 channels of audio

down from the computer at a 44�1kHz sample rate with 16 or 24-bit resolution (bit resolution can

usually be set in your DAW)� Audio recorded via USB is taken from the audio feeding the RP’s LEFT

and RIGHT outputs�

There are two parameters in the RP which are used for controlling your audio levels when recording,

they are: the USB RECORD LVL parameter and the USB PLAY MIX parameter� These parameters allow

you to control the level of the audio being recorded from the RP and the level of the playback audio

from the DAW� See USB Record Level and USB Play Mix on page 47 for more information on

these parameters�

Guitar

Harman PS0913DC

Power Supply

Headphones

Volume/Expression

Pedal (RP360 Only)

Computer

Optional Footswitch

Mixer

Powered Monitors

Follow these steps to use the RP with a computer recording system:

1� Lower the master faders on the mixer�

2� Make all connections to the RP as shown in the diagram� Connect the RP to two mixer input

12 RP360 / RP360 XP

channels� On these two mixer channels, turn down the input gains and faders and set one

channel pan hard left and the other hard right�

3� Turn the RP on by connecting the included power supply to the POWER input connector and

connecting the other end to an available AC outlet�

4� Strum your guitar and adjust the mixer levels until the desired level is achieved� Use proper gain

staging to optimize the signal to noise ratio and prevent clipping of the mixer inputs� Consult

your mixer documentation for information on proper mixer gain staging�

5� Change the OUTPUT TO parameter to MIXER in the System Settings menu� This will optimize

the outputs for full range studio monitor speakers� See Output To on page 44 for more

information on editing this parameter�

6� For stereo operation you will need to change the OUTPUT MODE parameter to STEREO� See

Output Mode on page 45 for information on conﬁguring the RP for stereo operation�

7� In your DAW, select the RP as the input/output device� See your DAW’s documentation for

further details�

HINT: The DigiTech Nexus editor/librarian software can also be used in this application to edit

effects and manage presets� See Nexus Editor/Librarian Software on page 108 for further

information�

RP360 / RP360 XP

Practicing With Headphones

Guitar

Harman PS0913DC

Power Supply

Portable

Music Player

Headphones

Volume/Expression

Pedal (RP360 Only)

Computer

Optional Footswitch

Follow these steps to use the RP with headphones:

1� Make all the connections to the RP as shown in the diagram�

2� Turn the RP on by connecting the included power supply to the POWER input connector and

connecting the other end to an available AC outlet�

3� Turn the EDIT 3 knob on the RP (the knob just below the SELECT knob) counter-clockwise to

turn the RP’s Master Level control all the way down to 0�

4� Strum your guitar and turn the EDIT 3 knob on the RP clockwise until the desired level is

achieved�

NOTE: When a pair of headphones is connected to the RP’s HEADPHONE connector and no

connections are made to the 1/4” LEFT OUT or RIGHT OUT connectors, the RP will automatically

set the OUTPUT TO parameter to “HEADPHONES IN USE” and the OUTPUT MODE parameter

to “HEADPHONES IN USE”� This ensures the outputs are optimized for headphones and all stereo

effects will be heard in stereo� These settings will return to the way they were conﬁgured as soon

as you make a connection to the LEFT OUT or RIGHT OUT connectors� This makes it as simple as

just plugging in your headphones to practice – no reconﬁguration necessary!

NOTE: The HEADPHONE output is optimized for use with headphones having an impedance of

60 Ohms or less�

14 RP360 / RP360 XP

OPERATING INSTRUCTIONS

Basic Operation Overview

Performance State

Once the RP is powered up it is ready to use for

performance� This is indicated by the current preset

number and name being displayed in the LCD

display� In this Performance state you can navigate

presets and control the built-in Looper�

There are three Footswitch Modes that can be

used while in the Performance state: Preset Mode,

Plexi-Drive 1

LOOPER READY

Plexi-Drive 1

LOOPER READY

Stomp Mode, and Bank Mode� For more information on these Footswitch Modes, see Footswitch

Modes on page 41� In the Performance state you can also control the Preset Level and Master

Level parameters by turning the EDIT 1 and EDIT 3 knobs� See Preset Level & Master Level on

page 25 for more information on these output level parameters�

Editing Presets

Press the SELECT knob to access the menus

for editing preset parameters� You can use the

SELECT knob and EDIT 1-3 knobs to navigate

effects, make changes to effects and effect settings,

and add/delete/move effects in the signal chain�

Once you are ﬁnished editing you can exit back

to the Performance state by pressing any of the

three FOOTSWITCHES or by pressing the BACK

Plexi-Drive 1

LOOPER READY

MODEL

CRY WAH

LEVEL

1/2

CMP DST GAT

0 dBBYPASS

ON/BYP

button until the preset number and name are displayed in LCD display� See Working With Effects on

page 19 for more information on editing effects�

System Settings

Pressing the SYSTEM button accesses the global System Settings menu where you can change

footswitch and output modes, USB settings, and perform expression pedal calibration and factory

restore operations� See System Setup on page 41 for more information on system settings�

Drums

Pressing the DRUMS button accesses the built-in Drum Machine� In this menu you have controls for

turning the Drum Machine on and off and changing the drum pattern, tempo and level� See Drum

Machine on page 30 for more information on using the Drum Machine�

RP360 / RP360 XP

Managing Presets

Navigating Presets

There are a total of 198 presets available in the

RP360/RP360XP� These presets are broken up

into two banks, User and Factory, each containing

99 presets� From the factory, the user and factory

presets will contain the same presets� Therefore,

factory preset 45 will be the same as user preset

45 and so on� User presets appear in the LCD

display as 1-99 and factory presets appear as

F1-F99� Preset banks will wrap around when

navigating� In other words, navigating one preset

above user preset 99 will select factory preset 1

(F1) in the factory preset bank� Navigating one

Plexi-Drive 1

LOOPER READY

Plexi-Drive 1

LOOPER READY

Plexi-Drive 1

LOOPER READ Y

preset below user preset 1 will select factory preset 99 (F99) in the factory preset bank� To navigate

and select presets you must be in the Performance state of operation�

To navigate presets using the SELECT knob (Footswitch Mode set to “PRESET” or “STOMP”):

1� Footswitch Mode must be set to “PRESET” (this is the default Footswitch Mode) or “STOMP”�

For more information on Footswitch Modes, see Footswitch Modes on page 41�

2� Turn the SELECT knob clockwise to navigate up through presets or counter-clockwise to

navigate down through presets�

To navigate presets using the Footswitches (Footswitch Mode set to “PRESET”):

1� Footswitch Mode must be set to “PRESET” (this is the default Footswitch Mode)� For more

information on Footswitch Modes, see Footswitch Modes on page 41�

2� Press the UP FOOTSWITCH to navigate up through presets and press the DOWN

FOOTSWITCH to navigate down through presets�

To navigate presets using the Footswitches (Footswitch Mode set to “STOMP”):

1� Footswitch Mode must be set to “STOMP”� For more information on Footswitch Modes, see

Footswitch Modes on page 41�

2� Press both FOOTSWITCHES 2 and 3 simultaneously� The LCD display will change, now showing

the preset up/down navigation and looper icons, as well as the “LOOPER READY” prompt�

3� Press the UP FOOTSWITCH to navigate up through presets and the DOWN FOOTSWITCH to

navigate down through presets� You’ll notice that the RP is now functioning just as it does when

conﬁgured for Preset Mode operation�

16 RP360 / RP360 XP

4� When done navigating presets, press both FOOTSWITCHES 2 and 3 simultaneously again� The

LCD display will change and you will now be back to Stomp Mode operation�

To navigate presets (Footswitch Mode set to “BANK”):

1� Footswitch Mode must be set to “BANK”� For more information on Footswitch Modes, see

Footswitch Modes on page 41�

2� If you want to select a preset from another bank, turn the SELECT knob clockwise to navigate

up through banks or counter-clockwise to navigate down through banks – for easy hands-free

preset bank navigation, an optional FS3X Footswitch should be used� There are 66 total banks

(33 user preset banks (1-33) and 33 factory preset banks (F1-F33))� After a bank is selected, the

3 footswitch LEDs will ﬂash, prompting you to select a preset and activate the bank�

3� The LCD display will show 3 selectable presets in the selected bank� Press the corresponding

FOOTSWITCH to load the desired preset�

NOTE: If a footswitch is not pressed within approximately 3 seconds, the RP will time out

and revert back to the last active preset bank�

4� You can switch between Preset and Bank Mode operation to navigate presets when in Bank

Mode� To do this, press both FOOTSWITCHES 2 and 3 simultaneously� The LCD display will

change, now showing the preset up/down navigation and looper icons, as well as the “LOOPER

READY” prompt�

5� Press the UP FOOTSWITCH to navigate up through presets and the DOWN FOOTSWITCH to

navigate down through presets� You’ll notice that the RP is now functioning just as it does when

conﬁgured for Preset Mode operation�

6� When done navigating presets, press both FOOTSWITCHES 2 and 3 simultaneously again� The

LCD display will change and you will now be back to Bank Mode operation�

RP360 / RP360 XP

Storing/Copying/Naming Presets

The STORE button is used to store edits made

to a preset’s parameters� The STORE button’s

LED will light whenever a preset’s parameters

have been modiﬁed from their stored value� Any

parameter edits must be stored to a preset before

the processor is powered down or the preset is

changed in order for edits to be retained� Preset

edits can only be stored to a user preset

Plexi-Drive 1

LOOPER READY

1lexi-Drive P

Plexi-Dri1 :

BACK TO CANCEL

STORE TO:

LETTER DEL/INS

memory location since factory presets cannot be overwritten� The RP360 and RP360XP have 99 user

preset memory locations� Factory presets can be edited and then stored to a user preset location�

When storing a preset you will have the option to change the preset’s name�

To store/copy/rename a preset:

1� Press the STORE button to initiate the store procedure�

2� If you do not want to change the name of the preset, go to step 3� To modify or change the

name, use the 3 EDIT knobs� Turning the EDIT 1 (LETTER) knob will edit the selected on-

screen character� Turning the EDIT 2 (CURSOR) knob selects the character you want to edit�

Turning the EDIT 3 (DEL/INS) knob clockwise will insert space to the left of the selected

character; turning it counter-clockwise will delete characters to the left of the selected

character� The preset name can contain up to 16 characters�

3� If you do not want to change the preset location go to step 4� To select a new preset location,

turn the SELECT knob until the desired user preset memory location is displayed below the

name�

4� Press the STORE button a second time, or press the SELECT button, to conﬁrm the store

procedure� The LCD display will brieﬂy display “Storing��” then the preset will be stored�

NOTE: Pressing the BACK button at any time during the above store procedure will abort the

procedure�

18 RP360 / RP360 XP

To quick store a preset (store a preset to its current memory location with its current name):

1� Press the STORE button twice� The LCD display will brieﬂy display “Storing��” then the preset

will be stored to its current user preset memory location with its current preset name�

WARNING! If you perform the above quick store procedure on a factory preset, the changes will

be stored to the equivalent user preset memory location� For example, if you load factory preset

5 (F5), make edits, and then press the STORE button twice, you will overwrite user preset 5 (5)�

Therefore, use caution when performing this procedure on factory presets to ensure you do not

accidentally overwrite one of your existing user presets�

To copy a preset to another preset location with its current name:

1� Select the preset you would like to copy�

2� Press the STORE button to initiate the store procedure�

3� Turn the SELECT knob until the desired user preset memory location is displayed below the

preset name�

4� Press the STORE button a second time to conﬁrm the store procedure� The LCD display

will brieﬂy display “Storing��” then the preset will be copied to the new user preset memory

location�

RP360 / RP360 XP

Working With Effects

Effects can be modiﬁed, moved around, deleted, and added back into the effects chain� When the RP

is conﬁgured for Stomp Mode, they can also be assigned to the three footswitches for effect on/off

control� Up to 10 effects can reside in the effects chain at a time� This section of the manual describes

how to work with the effects available in the RP360 and RP360XP processors�

Editing Effect Parameters

When creating a new sound, you must start with

an existing preset� The easiest way to create a

new custom sound is to ﬁrst load a preset which

sounds close to the sound you are after� You can

then edit the effects from there then store the

preset to any of the 99 user preset memory

locations�

Plexi-Drive 1

LOOPER READY

MODEL

CRY WAH

LEVEL

1/2

CMP DST GAT

0 dBBYPASS

ON/BYP

To edit effect parameters:

1� From the Performance state, press the SELECT knob to enter the Effect Edit menu�

2� Turn the SELECT knob to select the effect you would like to edit�

3� Turn the EDIT knobs to adjust the corresponding on-screen effect parameters� Some effects

will have more than one page of parameters� If an effect has more than one page of parameters

(designated by the 1/X page indicator in the upper right corner of the LCD display), press the

SELECT knob to navigate the various pages�

4� When done, press the BACK button to return to the Performance state�

5� Store the changes to a user preset, see Storing/Copying/Naming Presets on page 17�

20 RP360 / RP360 XP

Changing Effects

Most of the effects in the RP360/RP360XP have

multiple effects to choose from� For example, the

Delay effect offers a Ping Pong Delay, Tape Delay,

Analog Delay, etc��

Plexi-Drive 1

LOOPER READY

MODEL

CRY WAH

LEVEL

1/2

CMP DST GAT

0 dBBYPASS

ON/BYP

To change an effect:

1� From the Performance state, press the SELECT knob to enter the Effect Edit menu�

2� Turn the SELECT knob to select the effect you would like to edit�

3� Turn the EDIT 2 knob to change the effect type� The selected effect will be shown at the top of

the LCD display�

4� Repeat steps 2-3 to change any other effects�

5� When done, press the BACK button to return to the Performance state�

6� Store the changes to a user preset, see Storing/Copying/Naming Presets on page 17�

NOTE: Effects can also be changed from the Effect Options Edit menu� This menu is accessed by

pressing and holding the SELECT knob when in the Effect Edit menu� You can then turn the EDIT

1 knob to change the effect model� From this menu, you can also move the effect to a different

location in the effects chain or delete an effect from the effects chain�

RP360 / RP360 XP

Reordering Effects

Each effect used in a preset may be moved into a

different position in the effects chain�

Plexi-Drive 1

LOOPER READY

MOVE

SCREAMER

DELETE

CMP DST GAT

MODEL

To move an effect in the effects chain:

1� From the Performance state, press the SELECT knob to enter the Effect Edit menu�

2� Turn the SELECT knob to select the effect you would like to move�

3� Press and hold the SELECT knob to access the Effect Options Edit menu�

4� Turn the EDIT 2 (MOVE) knob to move the selected effect left or right in the effect chain�

5� Press the SELECT knob to conﬁrm the new placement� The display will return to the Effect Edit

menu�

6� Repeat steps 2-5 to move any other effects�

7� When done, press the BACK button to return to the Performance state�

8� Store the changes to a user preset, see Storing/Copying/Naming Presets on page 17�

22 RP360 / RP360 XP

Adding Effects

Up to 10 effects can be used in each preset� If

there is an available effect slot in a preset, the

icon will be displayed near the end of the Effect

Edit menu� This icon is used to add an effect

to the effects chain� If all 10 slots are already

occupied with effects, the icon will not be

visible�

Plexi-Drive 1

LOOPER READY

Add Effect

REVERB, CLICK TO CONFIRM

MOD

1/2

DLY

EFFECT

To add an effect to the effects chain:

1� From the Performance state, press the SELECT knob to enter the Effect Edit menu�

2� Turn the SELECT knob to navigate to the (Add Effect) icon in the chain� “Add Effect” will

appear at the top of the LCD display�

3� Turn the EDIT 1 (EFFECT) knob to select the available effect category (e�g�, Compressor,

Modulation, Reverb, etc�)�

4� Press the SELECT knob to conﬁrm the category selection�

5� You can change the type of the added effect by turning the EDIT 2 (MODEL) knob�

6� Once the desired effect has been selected, press the BACK button to return to the

Performance state�

7� Store the changes to a user preset, see Storing/Copying/Naming Presets on page 17�

NOTE: One of each effect type (Compressor, Distortion, Modulation, etc�) can be used in a preset�

RP360 / RP360 XP

Deleting Effects

You can delete unused effects from the effects

chain� This is not absolutely necessary since you

can turn any unused effects off, but removing

unused effects can clean up the Effect Edit menu,

making it more streamlined and easier to edit

effects�

Plexi-Drive 1

LOOPER READY

TAPE DELAY

MOD

MOVE DELETEMODEL

DLY

To delete an effect from the effects chain:

1� From the Performance state, press the SELECT knob to enter the Effect Edit menu�

2� Turn the SELECT knob to select the effect you would like to delete�

3� Press and hold the SELECT knob to access the Effect Options Edit menu�

4� Turn the DELETE knob to begin the delete procedure� “CLICK TO CONFIRM DELETE” will

appear in the LCD display� If you change your mind, press the BACK button to abort deleting an

effect�

5� Press the SELECT knob to conﬁrm deletion� The effect will be deleted from the effects chain

and the display will then return to the Effect Options Edit menu�

6� Press the BACK button twice to return to the Performance state�

7� Store the changes to a user preset, see Storing/Copying/Naming Presets on page 17�

24 RP360 / RP360 XP

Assigning Effects To Footswitches

(Stomp Mode Only)

When the RP360/RP360XP is conﬁgured for

Stomp Mode operation, effects can be assigned to

any of the three footswitches� You can then toggle

individual effects in a preset on and off during

performance�

Plexi-Drive 1

LOOPER READY

Stompbox FSW

WAH ON DLY ONDIST ON

MOD

1/1

ASSIGN A ASSIGN B ASSIGN C

DLY REV

To assign an effect to one of the three footswitches:

1� The RP must be conﬁgured for “Stomp Mode” operation, see Footswitch Modes on page

41 for information on conﬁguring the RP for Stomp Mode operation�

2� From the Performance state, press the SELECT knob to enter the Effect Edit menu�

3� Turn the SELECT knob and select the (Footswitch Assign) icon located at the end of the

effects chain�

4� Turn the corresponding EDIT knobs to select the effects which will be assigned to the A, B, and

C footswitches�

5� When done, press the BACK button to return to the Performance state�

6� Store the changes to a user preset, see Storing/Copying/Naming Presets on page 17�

RP360 / RP360 XP

Preset Level & Master Level

The RP360 and RP360XP have two different output level controls: Preset Level and Master Level�

Preset Level

The Preset Level parameter adjusts the output

level for the currently loaded preset only�

Therefore, changes to the Preset Level must

be stored to the preset to be retained� Use the

Preset Level parameter to either match the output

levels of all your presets or set the levels to create

some dynamics in your songs (for example, a lead

guitar part may require a slight boost in level to

Plexi-Drive 1

LOOPER READY

Plexi-Drive 1

PRESET LEVEL: 74

push your guitar to the front of the mix and an intro may need a slightly lowered level to make the

ﬁrst verse sound bigger when it comes in)�

Master Level

The Master Level parameter adjusts the global

output level, which affects the volume of all

presets equally� Use this parameter to increase or

decrease the overall level of all presets�

Plexi-Drive 1

LOOPER READY

Plexi-Drive

MASTER LEVEL: 43

NOTE: All outputs are affected by the Master Level and Preset Level parameters�

To adjust the Preset Level or Master Level parameter:

1� You must be in the Performance state to adjust these parameters� You should see the preset

number and name in the LCD display� If you do not, press the BACK button until you do�

2� Turn the EDIT 1 knob to adjust the Preset Level� Turn the EDIT 3 knob to adjust the Master

Level� While adjusting each parameter, the LCD display will temporarily display the level values

as they are adjusted� After approximately 2 seconds of inactivity, the level parameter window

will automatically disappear�

3� If you made changes to the Preset Level, the STORE button will light, indicating you must

store the changes to a user preset� See Storing/Copying/Naming Presets on page 17 for

information on storing presets�

26 RP360 / RP360 XP

Preset (Effects) Bypass

The Preset Bypass feature bypasses all effects in the currently

loaded preset and feeds only the dry (unprocessed) signal to

the outputs� While a preset is bypassed, no other functions are

available� The bypassed guitar signal will be passed up USB while

bypass is active, but no audio will be heard from the computer

via USB� Bypass is accessed in different ways depending on the

selected Footswitch Mode� See Footswitch Modes on page 41

for more information on Footswitch Modes�

Plexi-Drive 1

LOOPER READ Y

BYPASS

To bypass a preset’s effects (Footswitch Mode set to “PRESET” or “STOMP”):

1� Press FOOTSWITCHES 1 and 2 simultaneously to enable Preset Bypass� “BYPASS” will appear

in the LCD display�

2� When done, press any footswitch to exit Preset Bypass�

To bypass a preset’s effects (Footswitch Mode set to “BANK”):

1� Press the currently active preset’s FOOTSWITCH (indicated by the lit LED above the

footswitch)� “BYPASS” will appear in the LCD display�

2� When done, press any footswitch to exit Preset Bypass�

RP360 / RP360 XP

Tuner

The built-in Tuner lets you quickly tune your guitar

and is accessed in different ways depending on

the selected Footswitch Mode� See Footswitch

Modes on page 41 for more information on

Footswitch Modes�

Plexi-Drive 1

LOOPER READY

A= 440 HZ

TUNER REF

Plexi-Drive 1

LOOPER READ Y

Parameters

PARAMETER NAME DESCRIPTION

TUNER REF

Selects the pitch which the tuner uses for referencing the note A above middle C� Reference

settings range from A=G♭, A=G, A=A♭, and A=427Hz-453Hz. The default setting is

A=440Hz – this is the standard tuning reference�

To use the Tuner (Footswitch Mode set to “PRESET” or “STOMP”):

1� Press and hold FOOTSWITCHES 1 and 2 simultaneously for approximately 2 seconds to enable

the Tuner�

2� To change the tuning reference, turn the EDIT 1 (TUNE REF) knob�

3� Play an open string on your guitar� The detected note will be shown in the middle of the LCD

display and indicators will point you in the direction the string needs to be tuned� Adjust the

string’s pitch until the proper note is displayed and the upward-facing arrow is pointed as close

as possible to the center line (as shown in the screenshot at the top of this page)� Tune the

remaining strings in the same manner�

4� To exit the Tuner, press any FOOTSWITCH�

To use the Tuner (Footswitch Mode set to “BANK” ):

1� Press and hold the currently active preset’s footswitch (indicated by the lit LED above the

footswitch) for approximately 2 seconds� The Tuner will appear�

2� To change the tuning reference, turn the EDIT 1 (TUNE REF) knob�

3� Play an open string on your guitar� The detected note will be shown in the middle of the LCD

display and indicators will point you in the direction the string needs to be tuned� Adjust the

string’s pitch until the proper note is displayed and the upward-facing arrow is pointed as close

as possible to the center line (as shown in the screenshot at the top of this page)� Tune the

remaining strings in the same manner�

4� To exit the Tuner, press any FOOTSWITCH�

28 RP360 / RP360 XP

Looper

The RP360 and RP360XP feature a 40-second phrase Looper�

The Looper can be used for looping your guitar parts� Use the

Looper to write or practice lead guitar parts over a looped phrase,

or use it for creating on-the-ﬂy loop layers to enhance your live

performance� The following instructions describe how to use the

Looper�

Plexi-Drive 1

LOOPER READ Y

Plexi-Drive 1

RECORDING

NOTE: The Looper and Drum Machine cannot be used at the same time� If the Drum Machine is

turned on, you must ﬁrst turn it off before you can use the Looper� To turn the Drum Machine off,

press the DRUMS button twice�

To use the Looper:

1� The Phrase Sampler option in the System Settings menu must be set to LOOPER (this is the

default setting from the factory)� See Phrase Sampler on page 51 for information on

changing this setting�

2� If the RP is set to Preset Mode (this is the default Footswitch Mode) you can skip this step�

If the RP is set to Bank Mode or Stomp Mode, you will need to press FOOTSWITCHES 2

and 3 simultaneously to access the Looper� See Footswitch Modes on page 41 for more

information on Footswitch Modes�

3� Press FOOTSWITCH 3 to arm the Looper for recording� The LCD display will read

“RECORDING ARMED” and the RP is now ready to begin recording�

4� Begin playing a phrase on the guitar� The Looper will begin recording and the LCD display will

read “RECORDING”�

5� When done recording, press FOOTSWITCH 3 again to end loop recording� The loop will

continue to play and you can now play along with it or add overdubs�

HINT: You can navigate presets at this point using the UP/DOWN footswitches or SELECT

knob� This allows you to select different preset sounds that you can play along with the

recorded loop or use for recording overdubs� Changing presets will not change the sound of

the recorded loop�

6� To add an overdub, press FOOTSWITCH 3 once� The LCD display will read “OVERDUBBING”�

Play the overdubbed guitar part�

7� Press FOOTSWITCH 3 once to end overdub recording� The loop will continue to play along

with the newly recorded overdub� Repeat steps 6 and 7 to record additional overdubs�

8� When done, press FOOTSWITCH 3 two times quickly to stop loop playback�

9� With playback stopped, press and hold FOOTSWITCH 3 for 2 seconds to clear the recorded

loop and prepare the RP to record a new loop� The LCD display will again read “LOOPER

READY” and you can repeat the above steps�

RP360 / RP360 XP

Sound Check

The Sound Check feature places the built-in

Looper at the beginning of the effects chain� This

allows you to record a dry guitar loop that will be

played through the effects� This eliminates the need

to continually strum your guitar when auditioning

effect edits and provides a much more efﬁcient,

convenient, and fun way to edit your presets�

Plexi-Drive 1

LOOPER READY

SYSTEM SETTINGS 3/4

CONTROL

PHRASE

SAMPLER

FS3X

LOOPER

EXP/VOL

EXP/TRS SOUND

CHECK

LOOPER

To use Sound Check:

1� Press the SYSTEM button to enter the System Settings menu�

2� Press the SYSTEM button repeatedly until page 3/4 is selected in the upper right-hand corner

of the LCD display�

3� Turn the EDIT 3 knob to set the PHRASE SAMPLER to the SOUND CHECK option�

4� Press the BACK button to return to the Performance state�

5� If you are currently in Bank Mode or Stomp Mode, you will need to press FOOTSWITCHES 2

and 3 simultaneously to access the Looper� If you are currently set to Preset Mode (this is the

default mode) you can skip this step�

6� Press FOOTSWITCH 3 to arm the Looper for recording then start playing�

7� Press FOOTSWITCH 3 again to set the loop end point�

8� The loop will now continue playing and you can navigate presets and edit effects while listening

to the changes� See Managing Presets on page 15 and Working With Effects on page

19 for information on performing these functions�

9� When done using the Sound Check feature, press FOOTSWITCH 3 twice to stop loop

playback�

10� If you wish to disable the Sound Check feature and re-enable the Looper, perform steps 1-3,

this time setting the PHRASE SAMPLER back to LOOPER�

30 RP360 / RP360 XP

Drum Machine

The built-in Drum Machine offers 60 drum

and metronome patterns to choose from and

is a great tool for improving your timing skills

and practicing your riffs� The Drum Machine

parameters can be accessed by pressing the

DRUMS button�

Plexi-Drive 1

LOOPER READY

100 40BEATS1

PATTERN TEMPO LEVEL

Drums ON

NOTE: The Looper and Drum Machine cannot be used at the same time� If you have recorded

a loop using the Looper, you must ﬁrst clear the loop before turning on the Drum Machine� To

clear the loop, enter the Performance state and press FOOTSWITCH 3 two times quickly to stop

loop playback� With playback stopped, press and hold FOOTSWITCH 3 for 2 seconds to clear the

recorded loop�

Parameters

PARAMETER NAME DESCRIPTION

PATTERN Selects from the various drum and metronome

patterns

TEMPO Adjusts the Drum Machine tempo (40 BPM-240

BPM)

LEVEL Adjusts the Drum Machine level

Drum Pattern List

DISPLAY NAME DESCRIPTION DISPLAY NAME DESCRIPTION

BEATS1-5 8th Beat JAZZ1-4 Jazz

BEATS6-8 16th Beat HIPHP1-4 Hip Hop

ROCK1-8 Rock WORLD1-4 World

HROCK1-8 Hard Rock MET4/4 Metronome with accent and 4/4 time

signature

METAL1-8 Metal MET3/4 Metronome with accent and 3/4 time

signature

BLUES1-8 Blues MET5/8 Metronome with accent and 5/8 time

signature

GROOV1-4 Groove MET7/8 Metronome with accent and 7/8 time

signature

CNTRY1-4 Country MTRNOM Straight metronome with no accent

To use the Drum Machine:

1� Press the DRUMS button� You will now be in the Drum Edit menu�

2� Press the DRUMS button again, or the SELECT button, to activate the Drum Machine� The

DRUMS button will light and the upper right corner of the LCD display will indicate the Drum

Machine is “ON”�

RP360 / RP360 XP

3� Turn the EDIT 1 (PATTERN) knob to change the drum pattern�

4� Turn the EDIT 2 (TEMPO) knob to change the tempo�

5� Turn the EDIT 3 (LEVEL) knob to adjust the Drum Machine’s level�

6� When done, press the DRUMS button to deactivate the Drum Machine�

7� Press the BACK button to return to the Performance state�

NOTE: The Drum Machine’s parameters are global and are not stored to presets�

32 RP360 / RP360 XP

Aux Input

The AUX IN connector is used to connect a portable music player or other line-level music playback

device to the RP and jam along with your favorite music� The signal from your playback device will

not pass through any effects and will be output through the RP’s LEFT OUT, RIGHT OUT, and

HEADPHONE connectors�

To use the AUX IN connector:

1� Connect the headphone output of your music playback device to the AUX IN connector on

the rear panel of the RP using an 1/8” stereo cable as shown below�

2� Press play on your music playback device�

3� Adjust your music playback device’s volume control and the RP’s Master Level control to

achieve the desired mix balance� See Preset Level & Master Level on page 25 for

information on adjusting the RP’s MASTER LEVEL control�

1/8” Stereo Cable

Ground

Left +

Right +

Left

Channel (+)

Right

Channel (+)

Ground

Left

Channel (+)

Right

Channel (+)

Ground

RP360 / RP360 XP

Tap Tempo

Tap Tempo lets you adjust the delay time during performance by tapping a footswitch in time with the

music�

NOTE: You must conﬁgure the RP for Stomp Mode operation, have a Delay effect in the loaded

preset, and have the Delay effect assigned to a footswitch to use the Tap Tempo feature�

To use Tap Tempo:

1� Conﬁgure the RP for STOMP MODE operation in the System Settings menu� See Footswitch

Modes on page 41 for information on conﬁguring the RP for Stomp Mode operation�

2� Load a preset which has an active Delay effect or add a Delay effect to your preset of choice�

Most presets will have a Delay effect already inserted in the effects chain� For information on

adding and editing effects, see Working With Effects on page 19�

3� Assign the Delay effect to one of the 3 footswitches� The footswitch assigned to the Delay

will be the one used for Tap Tempo� Most presets in the RP will already have the Delay effect

assigned to one of the three footswitches� See Assigning Effects To Footswitches (Stomp

Mode Only) on page 24 for information on how to assign the Delay effect to a footswitch�

4� From the Performance state, press and hold the FOOTSWITCH assigned to the Delay for

approximately 2 seconds� The LED above the footswitch will begin ﬂashing at the rate of the

currently set delay time�

5� Tap the Delay assigned FOOTSWITCH at the desired rate to adjust the delay time� The LED

above the footswitch will update, ﬂashing at the rate of the new delay time�

6� When done, press and hold the FOOTSWITCH assigned to the Delay for approximately 2

seconds to exit Tap Tempo� The LED above the footswitch will stop ﬂashing�

34 RP360 / RP360 XP

Expression Pedal Control

The RP360XP comes with a built-in expression

pedal which can be assigned to control the

RP360XP’s Volume, Wah, Whammy™, Ya Ya ™, or

nearly any of the RP360XP’s effect parameters, in

real time with your foot� The RP360 can also be

controlled in a similar manner using an external

expression or volume pedal connected to the

CONTROL IN connector on the rear panel�

Plexi-Drive 1

LOOPER READY

0PEDAL 99

MOD

1/1

DLY

WAH MIN MAX

Expression Pedal

When a parameter is assigned for expression pedal control, a MIN (toe up) and MAX (toe down)

value can also be speciﬁed� This allows you to set upper and lower limits for the expression pedal’s toe

up (MIN) and toe down (MAX) positions� For example, let’s say you are controlling volume and you

don’t want the expression pedal’s toe up position to completely lower the volume� You could adjust

the MIN parameter to a setting above 0, let’s say 12� Now when the expression pedal is set to the toe

up (minimum) position, the signal will not be fully attenuated since the expression pedal is not allowed

to adjust the volume any lower than 12�

Since all the expression pedal parameters can be stored to user presets, each user preset can have a

different parameter assigned for expression pedal control along with different MIN and MAX range

settings� See Expression Pedal & LFO Assignable Parameters on page 110 for a list of assignable

parameters�

The built-in expression pedal in the RP360XP has a V-Switch which toggles the Wah effect on and off�

To use the V-Switch, place the expression pedal in its toe down position and then apply extra pressure

to the toe of the expression pedal – the sensitivity for this V-Switch can be adjusted when calibrating

the expression pedal� A Wah effect must reside in the effects chain in order for the V-Switch to be

active� By default, all presets in the RP360XP will contain a Wah effect in the effects chain�

You can also choose to assign an LFO (Low Frequency Oscillator) to an effect’s parameter� This is

similar to assigning an effect parameter to an expression pedal, with the exception that it creates

an effect which modulates at a predetermined rate� See Assigning The LFO on page 36 for

information on using an LFO to modulate the signal�

To link a parameter for expression pedal control and set the MIN/MAX range values:

1� If using an RP360, you must ﬁrst enable the CONTROL IN port for expression pedal control�

See Control In on page 49 for information on conﬁguring the RP360 for external

expression pedal control�

2� The effect you wish to control must be inserted in the effects chain to assign it for expression

pedal control� If it is not, you will need to add it� See Adding Effects on page 22 for

information on adding effects�

3� It helps to enable the effect you wish to assign to the expression pedal ﬁrst, so you can audition

the expression pedal control as you are setting it up� See Editing Effect Parameters on page

RP360 / RP360 XP

19 for information on turning effects on and off� You can also enable the Sound Check

feature and record a loop which can be used to make auditioning the parameter changes even

easier� See Sound Check on page 29 for more information on using Sound Check�

4� From the Performance state, press the SELECT knob to enter the Effect Edit menu�

5� Turn the SELECT knob until you select the

(Expression Pedal) icon� The currently assigned

parameter will be displayed above the EDIT 1 knob�

6� Turn the EDIT 1 knob to select the parameter you wish to control� You can rock the expression

pedal back and forth to audition the control�

7� Turn the EDIT 2 (MIN) knob to adjust the minimum selectable value for the expression pedal’s

toe up position� You can rock the expression pedal back and forth to audition the control�

8� Turn the EDIT 3 (MAX) knob to adjust the maximum selectable value for the expression pedal’s

toe down position� You can rock the expression pedal back and forth to audition the control�

9� When done, press the BACK button to return to the Performance state�

10� Store the changes to a user preset� See Storing/Copying/Naming Presets on page 17 for

further information on storing presets�

NOTE: The RP360’s external and RP360XP’s built-in expression pedal must be properly calibrated

to work correctly� If you experience any issues with the expression pedal and suspect it may need

recalibration, see Calibrate Pedal on page 52 for information on recalibrating the expression

pedal�

36 RP360 / RP360 XP

Assigning The LFO

Similar to linking an effect parameter to an

expression pedal for control, you can also

link an effect parameter to an LFO (Low

Frequency Oscillator) for control� This can be

used for creating effects which modulate at a

predetermined rate� You can select the parameter

to control, the waveform type, adjust the speed,

and adjust the control range limits using the MIN

Plexi-Drive 1

LOOPER READY

0GAIN 99

MOD

1/2

DLY

AMP MIN MAX

LFO

and MAX parameters� See LFO on page 84 for further information on LFO parameters� See

Expression Pedal & LFO Assignable Parameters on page 110 for a list of assignable parameters�

To link a parameter for LFO control and adjust the LFO parameters:

1� From the Performance state, press the SELECT knob to enter the Effect Edit menu�

2� Turn the SELECT knob until the (LFO) icon is selected� The currently assigned parameter

will be displayed above the EDIT 1 knob�

3� Turn the EDIT 1 knob to select the parameter you wish to control�

4� Turn the EDIT 2 (MIN) knob to adjust the minimum selectable value for the LFO range�

5� Turn the EDIT 3 (MAX) knob to adjust the maximum selectable value for the LFO range�

6� Press the SELECT knob to view the remaining LFO parameters� Use the corresponding EDIT

knobs to adjust the SPEED and WAVEFRM parameters – these parameters determine the rate

and behavior of the modulation�

7� When done, press the BACK button to return to the Performance state�

8� Store the changes to a user preset, see Storing/Copying/Naming Presets on page 17�

RP360 / RP360 XP

Using An Optional FS3X Footswitch

An optional DigiTech FS3X Footswitch can be connected to the RP’s CONTROL IN connector to add

three additional footswitches for RP control� There are two parameters in the System Settings menu

that will determine how these FS3X footswitches will function, they are: the CONTROL IN parameter

and the FOOTSWITCH MODE parameter� These parameters are accessed by pressing the SYSTEM

button� See Control In on page 49 for further information on changing the CONTROL IN option�

See Footswitch Modes on page 41 for further information on changing the RP’s FOOTSWITCH

MODE�

FS3X Footswitch Functions

The below matrix shows the functions each of the FS3X footswitches will perform depending upon

how you conﬁgure the CONTROL IN and FOOTSWITCH MODE parameters�

FOOTSWITCH MODE

SET TO “PRESET” FOOTSWITCH MODE

SET TO “STOMP” FOOTSWITCH MODE

SET TO “BANK”

DISPLAY

Plexi-Drive

LOOPER READY

REVERB

Plexi-Drive

MOD FX DELAY

Plexi-Drive

12 3

BANK: 1

FS3X

FOOTSWITCH

CONTROL IN

SET TO “FS3X”

Preset

Bypass Tuner - *Multi

Loop

Preset

Down

Preset

*Multi

Loop

Bank

Down

Bank

CONTROL IN

SET TO “LOOPER”

*Multi

Loop

Stop

Loop

Clear

Loop

*Multi

Loop

Stop

Loop

Clear

Loop

*Multi

Loop

Stop

Loop

Clear

Loop

*Multi Loop means a single footswitch controls multiple Looper functions. See the diagrams on the following

pages to see each of these Looper functions.

38 RP360 / RP360 XP

FS3X Operation

(CONTROL IN Set To “FS3X”, FOOTSWITCH MODE Set To “STOMP”)

When the “FS3X” CONTROL IN option is selected and the “STOMP” FOOTSWITCH

MODE option is selected, the FS3X Footswitch can be used for full-time control of preset

navigation and the Looper� The below diagram shows the available functions�

Preset Down

Press to navigate down

through presets� Preset Up

Press to navigate up

through presets�

Arm Loop Recording

Press once to arm the Looper for recording�

Record Loop

Once armed, start playing or press again to

start loop recording� When done recording,

press once more to set the loop end point�

Record Overdub Loop

When a loop is recorded and playing back,

press once to start overdub recording� Press

again to stop overdub recording�

Stop Loop Playback

When a loop is recorded and playing, press

twice quickly to stop loop playback�

Play Loop

When a loop is recorded and playback is

stopped, press once to start loop playback�

Clear Loop

When a loop is recorded and playback is

stopped, press and hold to clear loop�

RP360 / RP360 XP

FS3X Operation

(CONTROL IN Set To “FS3X”, FOOTSWITCH MODE Set To “BANK”)

When the “FS3X” CONTROL IN option is selected and the “BANK” FOOTSWITCH MODE option

is selected, the FS3X Footswitch can be used for full-time control of preset bank navigation and the

Looper� The below diagram shows the available functions�

Preset Bank Down

Press to navigate down

through preset banks� Preset Bank Up

Press to navigate up

through preset banks�

Arm Loop Recording

Press once to arm the Looper for recording�

Record Loop

Once armed, start playing or press again to

start loop recording� When done recording,

press once more to set the loop end point�

Record Overdub Loop

When a loop is recorded and playing back,

press once to start overdub recording� Press

again to stop overdub recording�

Stop Loop Playback

When a loop is recorded and playing, press

twice quickly to stop loop playback�

Play Loop

When a loop is recorded and playback is

stopped, press once to start loop playback�

Clear Loop

When a loop is recorded and playback is

stopped, press and hold to clear loop�

40 RP360 / RP360 XP

FS3X Operation

(CONTROL IN Set To “LOOPER”, FOOTSWITCH MODE Not Applicable)

When the “LOOPER” CONTROL IN option is selected, the FS3X Footswitch can be used for full-time

control of just the Looper, and the Looper’s functions will be spread out across all three footswitches

on the FS3X� When this option is selected, the FS3X will perform the same functions regardless of the

selected Footwsitch Mode� The below diagram shows the available functions�

Stop Loop Playback

When a loop is recorded

and playing, press once to

stop loop playback�

Clear Loop

Press once to clear loop�

Arm Loop Recording

Press once to arm the Looper for recording�

Record Loop

Once armed, start playing or press again to

start loop recording� When done recording,

press once more to set the loop end point�

Record Overdub Loop

When a loop is recorded and playing back,

press once to start overdub recording� Press

again to stop overdub recording�

Play Loop

When a loop is recorded and playback is

stopped, press once to start loop playback�

RP360 / RP360 XP

SYSTEM SETUP

The System Settings menu is used for conﬁguring global RP settings and is accessed by pressing the

SYSTEM button� Once in the System Settings menu, pressing the SYSTEM button or SELECT knob

repeatedly navigates the various pages within the menu (current page selection is indicated in the

upper right-hand corner of the LCD display)� The on-screen parameters can be adjusted using the

three EDIT knobs located below the LCD display� The parameters available in this System Settings

menu are global (system wide) parameters and are not stored to individual presets, but are retained in

the processor�

Footswitch Modes

Footswitch Modes allow you to determine how

the RP footswitches will function� There are three

Footswitch Modes to choose from, they are:

PRESET MODE, STOMP MODE, and BANK MODE�

The following sections describe each of these

modes in further detail�

Plexi-Drive 1

LOOPER READY

SYSTEM SETTINGS 1/4

FOOTSWITCH

MODE

OUTPUT

MODE

PRESET

STOMP

BANK

AMP

MIXER

MONO

STEREO

• Preset Mode

This is the default Footswitch Mode� This mode is used to navigate

through all presets and provides access to the Looper� The following

table shows RP footswitch functionality when in Preset Mode�

Plexi-Drive 1

LOOPER READY

RP Footswitch Functions In Preset Mode

PRESET FOOTSWITCH MODE

FOOTSWITCH

Plexi-Drive 1

LOOPER READY

SINGLE

FOOTSWITCH FUNCTIONS

Preset

Down

Preset

*Multi

Loop

COMBINATION

FOOTSWITCH FUNCTION 1

Press to bypass all effects in the preset�

Press and hold to access the Tuner�

*Multi Loop means a single footswitch controls multiple Looper functions (i.e., loop record, overdub, play,

stop, and clear).

42 RP360 / RP360 XP

• Stomp Mode

This mode is used to turn individual effects on and off with the

footswitches and mimics using stompboxes� Using this mode, you

can assign any effect in a preset’s effects chain to one of the three

footswitches� This effect assignment is displayed in the LCD display in

REVERB

Plexi-Drive 1

MOD FX DELAY

the Performance state, where each 1/3rd section of the LCD display corresponds to

a footswitch (i�e�, left section=Footswitch 1, middle section=Footswitch 2, and right

section=Footswitch 3)� For information on assigning effects to the footswitches, see Assigning

Effects To Footswitches (Stomp Mode Only) on page 24�

When in Stomp Mode, pressing FOOTSWITCH 2 and 3 simultaneously will access the Looper

and turn Footswitches 1 and 2 back into preset up/down navigation footswitches (the RP

will essential work the same as it does in Preset Mode)� Pressing FOOTSWITCH 2 and 3

simultaneously again will get you back to the stompbox style functionality found in Stomp Mode�

The following table shows RP footswitch functionality when in Stomp Mode�

RP Footswitch Functions In Stomp Mode

STOMP FOOTSWITCH MODE

FOOTSWITCH

Plexi-Drive 1

LOOPER READY

SINGLE

FOOTSWITCH FUNCTIONS

Toggles effect 1 on and

off�

Toggles effect 2 on and

off�

Toggles effect 3 on and

off�

COMBINATION

FOOTSWITCH FUNCTION 1

Press to bypass all effects in the preset�

Press and hold to access the Tuner�

COMBINATION

FOOTSWITCH FUNCTION 2

Toggle between Stomp Mode functionality

(stompbox on/off) and Preset Mode

functionality (preset navigation and Looper

control)�

NOTE: When the Delay effect is assigned to one of the footswitches for control in Stomp

Mode, pressing and holding the assigned footswitch will access the Tap Tempo feature� See Tap

Tempo on page 33 for more information on using Tap Tempo�

RP360 / RP360 XP

• Bank Mode

This mode navigates presets in banks of 3� This mode works well if you

prefer to switch between presets during a song and want to create

groups of presets to be used for each song� There are 66 total preset

banks in Bank Mode (33 user preset banks and 33 factory preset banks,

Plexi-Drive 1

12 3

BANK: 1

each containing 3 presets)� Banks are selected by turning the SELECT knob, or by using an

optional FS3X for hands-free control�

When in Bank Mode, pressing FOOTSWITCH 2 and 3 simultaneously will access the Looper

and turn Footswitches 1 and 2 back into preset up/down navigation footswitches (the RP

will essentially work the same as it does in Preset Mode)� Pressing FOOTSWITCH 2 and 3

simultaneously again will get you back to the preset bank style functionality found in Bank Mode�

The following table shows RP footswitch functionality when in Bank Mode�

RP Footswitch Functions In Bank Mode

BANK FOOTSWITCH MODE

FOOTSWITCH

Plexi-Drive 1

LOOPER READY

SINGLE

FOOTSWITCH FUNCTIONS

Press to select the 1st

preset in the active

bank� Press again to

bypass the preset or

press and hold to

access the Tuner�

Press to select the 2nd

preset in the active

bank� Press again to

bypass the preset or

press and hold to

access the Tuner�

Press to select the 3rd

preset in the active

bank� Press again to

bypass the preset or

press and hold to

access the Tuner�

COMBINATION

FOOTSWITCH FUNCTION 1

Press to bypass all effects in the preset�

Press and hold to access the Tuner�

COMBINATION

FOOTSWITCH FUNCTION 2

Press to toggle between Preset Mode

functionality (preset navigation and Looper

control) and Bank Mode functionality (preset

selection in banks)�

To change the FOOTSWITCH MODE:

1� Press the SYSTEM button� Ensure you are on the ﬁrst page in the System Settings menu,

indicated by 1/4 being displayed in the upper right-hand corner of the LCD display� If you are

not, press either the SELECT knob or SYSTEM button repeatedly until the LCD display reads

1/4�

2� Turn the EDIT 1 (FOOTSWITCH MODE) knob to select the desired Footswitch Mode�

3� Press the BACK button or any FOOTSWITCH to exit the System Settings menu and return to

the Performance state�

44 RP360 / RP360 XP

Output To

This system parameter has two options: AMP and

MIXER� This parameter optimizes the outputs

for connection to an amp or a mixer and is only

available when a connection has been made to the

LEFT OUT or RIGHT OUT connector�

Plexi-Drive 1

LOOPER READY

SYSTEM SETTINGS 1/4

FOOTSWITCH

MODE

OUTPUT

MODE

PRESET

STOMP

BANK

AMP

MIXER

MONO

STEREO

• AMP

Select this option when connecting to a guitar ampliﬁer� This is the default option selected

whenever a connection is made to the 1/4” LEFT OUT or RIGHT OUT connector�

• MIXER

Select this option when connecting the 1/4” LEFT OUT/RIGHT OUT connectors directly to a

mixer or recording interface, or when recording through the USB connection� When this option

is selected, the outputs will be optimized for full range speakers, making your guitar’s direct

signal sound as though it’s being played through a guitar speaker cabinet�

NOTE: When no connection is made to the 1/4” LEFT OUT or RIGHT OUT connector, the

MIXER option will automatically be selected behind the scenes, optimizing the outputs for use

with the 1/8” HEADPHONE output or USB output�

To edit the OUTPUT TO option:

1� Press the SYSTEM button� Ensure you are on the ﬁrst page in the System Settings menu,

indicated by 1/4 being displayed in the upper right-hand corner of the LCD display� If you are

not, press either the SELECT knob or SYSTEM button repeatedly until the LCD display reads

1/4�

2� Turn the EDIT 2 (OUTPUT TO) knob to select the desired option�

3� Press the BACK button or any FOOTSWITCH to exit the System Settings menu and return to

the Performance state�

RP360 / RP360 XP

Output Mode

This system parameter has two options: MONO

and STEREO� This parameter determines whether

the outputs are conﬁgured for mono or stereo

operation and is only available when a connection

has been made to the LEFT OUT or RIGHT OUT

connector� Changing this parameter will affect all

outputs�

Plexi-Drive 1

LOOPER READY

SYSTEM SETTINGS 1/4

FOOTSWITCH

MODE

OUTPUT

MODE

PRESET

STOMP

BANK

AMP

MIXER

MONO

STEREO

• MONO

Select this option when connecting to a single ampliﬁer or mixer channel�

• STEREO

Select this option when connecting to two ampliﬁers or mixer channels hard panned left and

right�

NOTE: When no connection is made to the 1/4” LEFT OUT or RIGHT OUT connector, the

STEREO option will automatically be selected behind the scenes, providing stereo operation

when using the 1/8” HEADPHONE output or recording using the USB output�

To edit the OUTPUT MODE option:

1� Press the SYSTEM button� Ensure you are on the ﬁrst page in the System Settings menu,

indicated by 1/4 being displayed in the upper right-hand corner of the LCD display� If you are

not, press either the SELECT knob or SYSTEM button repeatedly until the LCD display reads

1/4�

2� Turn the EDIT 3 (OUTPUT MODE) knob to select the desired option�

3� Press the BACK button or any FOOTSWITCH to exit the System Settings menu and return to

the Performance state�

46 RP360 / RP360 XP

USB Record Level

This system parameter provides a digital level

control for increasing or decreasing the level

sent from the RP’s USB port to your computer

recording application� The selectable range is -12

dB to 24 dB� This parameter is only available when

a USB connection has been made to the RP�

Plexi-Drive 1

LOOPER READY

SYSTEM SETTINGS 2/4

USB

RECORD LVL

USB

PLAY MIX

LCD

CONTRAST

0 dB USB:RP 8

To edit the USB RECORD LEVEL parameter:

1� Connect the RP to your computer using a standard USB cable�

2� Press the SYSTEM button�

3� Press either the SELECT knob or SYSTEM button repeatedly until the LCD display reads 2/4 in

the upper right-hand corner of the LCD display�

4� Turn the EDIT 1 (USB RECORD LVL) knob to adjust the setting�

5� Press the BACK button or any FOOTSWITCH to exit the System Settings menu and return to

the Performance state�

RP360 / RP360 XP

USB Play Mix

This system parameter controls the output mix of

the RP processed signal and USB playback signal

(from your computer)� When this parameter is

set to the center of its controllable range, it will

read "USB:RP" – this represents equal mix levels

between the RP signal and USB playback signal� As

you adjust the control counter-clockwise, you can

vary the USB playback level in relation to the RP

Plexi-Drive 1

LOOPER READY

SYSTEM SETTINGS 2/4

USB

RECORD LVL

USB

PLAY MIX

LCD

CONTRAST

0 dB USB:RP

level� As you adjust the control clockwise, you can vary the RP signal level in relation to the USB

playback level� This parameter is only available when a USB connection has been made to the RP�

To edit the USB PLAY MIX parameter:

1� Connect the RP to your computer using a standard USB cable�

2� Press the SYSTEM button�

3� Press either the SELECT knob or SYSTEM button repeatedly until the LCD display reads 2/4 in

the upper right-hand corner of the LCD display�

4� Turn the EDIT 2 (USB PLAY MIX) knob to adjust the setting�

5� Press the BACK button or any FOOTSWITCH to exit the System Settings menu and return to

the Performance state�

48 RP360 / RP360 XP

LCD Contrast

This system parameter varies the contrast of the

LCD display�

Plexi-Drive 1

LOOPER READY

SYSTEM SETTINGS 2/4

USB

RECORD LVL

USB

PLAY MIX

LCD

CONTRAST

0 dB USB:RP 8

To edit the LCD CONTRAST:

1� Press the SYSTEM button�

2� Press either the SELECT knob or SYSTEM button repeatedly until the LCD display reads 2/4 in

the upper right-hand corner of the LCD display�

3� Turn the EDIT 3 (LCD CONTRAST) knob to select the desired option�

4� Press the BACK button or any FOOTSWITCH to exit the System Settings menu and return to

the Performance state�

RP360 / RP360 XP

Control In

This system option conﬁgures the CONTROL IN

connector for the desired operation� In the RP360

model, the CONTROL IN connector accepts an

external expression or volume pedal for real-time

control of effect parameters or a DigiTech FS3X

Footswitch for additional footswitch control� In the

RP360XP model, the CONTROL IN connector

Plexi-Drive 1

LOOPER READY

SYSTEM SETTINGS 3/4

CONTROL

PHRASE

SAMPLER

FS3X

LOOPER

EXP/VOL

EXP/TRS SOUND

CHECK

LOOPER

accepts an FS3X Footswitch for additional footswitch control� The following section describes each of

the available Control In options�

• FS3X

Select this option when connecting an optional DigiTech FS3X Footswitch for additional

footswitch control� For example, if you conﬁgure the RP360XP for Stomp Mode operation,

you could use the three footswitches on the RP360XP for stompbox on/off control and the

connected FS3X Footswitch for preset navigation and Looper control� See Using An Optional

FS3X Footswitch on page 37 for more information on using an optional FS3X Footswitch�

• LOOPER

This is the default setting from the factory� Select this option when connecting an optional

DigiTech FS3X Footswitch for full-time Looper control� See Using An Optional FS3X

Footswitch on page 37 for more information on using an optional FS3X Footswitch�

• EXP/VOL (RP360 Only)

Select this option to use an external volume controller to control RP360 effect parameters�

NOTE: To use a volume pedal for RP360 control, the pedal must meet the

following requirements:

• Must be a passive guitar volume pedal�

• Must offer a 1/4” TS cable connection and be connected using a TS cable�

• Must use a 250 kOhms or higher pot�

• EXP/TRS (RP360 Only)

Select this option to use an external expression controller to control RP360 effect parameters�

NOTE: To use an external expression pedal for RP360 control, the pedal must

meet the following requirements:

• Must be a resistance-based expression pedal�

• Must offer a 1/4” TRS cable connection and be connected using a TRS cable�

• Must offer a resistance of 10 kOhms or higher�

50 RP360 / RP360 XP

To edit the CONTROL IN option:

1� Press the SYSTEM button�

2� Press either the SELECT knob or SYSTEM button repeatedly until the LCD display reads 3/4 in

the upper right-hand corner of the LCD display�

3� Turn the EDIT 1 (CONTROL IN) knob to select the desired option�

4� Press the BACK button or any FOOTSWITCH to exit the System Settings menu and return to

the Performance state�

RP360 / RP360 XP

Phrase Sampler

This system parameter determines how the built-

in phrase sampler will be used and provides two

options: SOUND CHECK and LOOPER�

Plexi-Drive 1

LOOPER READY

SYSTEM SETTINGS 3/4

CONTROL

PHRASE

SAMPLER

FS3X

LOOPER

EXP/VOL

EXP/TRS SOUND

CHECK

LOOPER

• SOUND CHECK

Selecting this option places the phrase sampler at the beginning of the effects chain for Sound

Check use� See Sound Check on page 29 for information on using the Sound Check feature�

• LOOPER

Selecting this option places the phrase sampler at the end of the effects chain for Looper use�

This is the default setting� See Looper on page 28 for information on using the Looper�

To edit the PHRASE SAMPLER option:

1� Press the SYSTEM button�

2� Press either the SELECT knob or SYSTEM button repeatedly until the LCD display reads 3/4 in

the upper right-hand corner of the LCD display�

3� Turn the EDIT 3 (PHRASE SAMPLER) knob to select the desired option�

4� Press the BACK button or any FOOTSWITCH to exit the System Settings menu and return to

the Performance state�

52 RP360 / RP360 XP

Calibrate Pedal

Selecting this system option initiates the

expression pedal calibration procedure� This

procedure can be used to calibrate the built-in

expression pedal in the RP360XP, or an external

expression controller connected to the RP360, in

the event that it is not working correctly�

Plexi-Drive 1

LOOPER READY

SYSTEM SETTINGS 4/4

CALIBRATE

PEDAL

FACTORY

RESTORE

FIRMWARE

VERSION

START START

v 1.1.0.0

To calibrate the RP360XP’s expression pedal:

1� Press the SYSTEM button�

2� Press either the SELECT knob or SYSTEM button repeatedly until the LCD display reads 4/4 in

the upper right-hand corner of the LCD display�

3� Turn the EDIT 1 (CALIBRATE PEDAL) knob to initiate the calibration procedure�

4� Press the SELECT knob to conﬁrm the action�

5� The display should now prompt you to place the expression pedal in the toe down position

then press FOOTSWITCH 3�

6� The display should now prompt you to place the expression pedal in the toe up position then

press FOOTSWITCH 3�

7� You will now be prompted to adjust the sensitivity of the expression pedal’s V-Switch (RP360XP

only)� Press FOOTSWITCH 1 to decrease the sensitivity and FOOTSWITCH 2 to increase the

sensitivity� The Sensitivity is shown in the LCD display as a numeric value�

8� Test the V-Switch by pressing the expression pedal to the toe down position then applying extra

pressure on the toe� As the V-Switch is triggered the LCD display will read “ON” or “OFF”,

depending upon the state of the V-Switch� Repeat steps 7-8 to ﬁne tune the calibration of the

V-Switch� You want the V-Switch to trigger consistently, yet not be overly sensitive, which would

cause accidental triggers�

9� When done, press FOOTSWITCH 3 to complete the calibration procedure and return to the

Performance state�

NOTE: If “Calibration error!” appears in the LCD display when performing the expression pedal

calibration procedure, repeat steps 5-8� Pressing the BACK button at any time during the above

procedure will abort the procedure�

RP360 / RP360 XP

Factory Restore

This system option is used to restore all RP

presets and system settings back to their factory

default state�

Plexi-Drive 1

LOOPER READY

SYSTEM SETTINGS 4/4

CALIBRATE

PEDAL

FACTORY

RESTORE

FIRMWARE

VERSION

START START

v 1.1.0.0

WARNING! Performing the factory restore procedure will restore all user presets back to their

factory default state� Any changes you have made and stored to user presets will be lost! Once

performed, this procedure is irreversible�

To perform the factory restore procedure:

1� Press the SYSTEM button�

2� Press either the SELECT knob or SYSTEM button repeatedly until the LCD display reads 4/4 in

the upper right-hand corner of the LCD display�

3� Turn the EDIT 2 (FACTORY RESTORE) knob to initiate the factory restore procedure�

4� Press and hold the SELECT knob to conﬁrm the action� The device will now reset, indicated by

the “Resetting��” prompt in the LCD display� Wait for the factory restore procedure to ﬁnish�

5� If using an RP360, the procedure is now complete� If using an RP360XP, you must proceed to

the next step to calibrate the expression pedal�

6� Once complete, you will be prompted to calibrate the expression pedal (RP360XP only)� Follow

the on-screen instructions� See Calibrate Pedal on page 52 for instructions on performing

this calibration procedure�

54 RP360 / RP360 XP

Firmware Version

Displays the ﬁrmware version currently installed in

the RP�

Plexi-Drive 1

LOOPER READY

SYSTEM SETTINGS 4/4

CALIBRATE

PEDAL

FACTORY

RESTORE

FIRMWARE

VERSION

START START

v 1.1.0.0

To check the currently installed ﬁrmware version:

1� Press the SYSTEM button�

2� Press either the SELECT knob or SYSTEM button repeatedly until the LCD display reads 4/4 in

the upper right-hand corner of the LCD display�

3� The ﬁrmware version will be displayed in the lower right-hand portion of the LCD display�

4� Press the BACK button to exit the System Settings menu�

RP360 / RP360 XP

THE EFFECTS & PARAMETERS

Generally, a standard guitar rig would consist of some stompboxes, a guitar ampliﬁer, and a speaker

cabinet� The RP guitar processors can be thought of as several selectable virtual stompboxes,

ampliﬁers, and speaker cabinets all in a single programmable package� With stompboxes, the order in

which they are connected affects the overall sound� The RP360 and RP360XP allow you to change the

order of effects as well as where the ampliﬁer/cabinet is placed in the effects chain, giving you even

more ﬂexibility when shaping your sound�

Each amp, cabinet, and effect model within the RP can be programmed to suit your personal taste and

application� Understanding how these models alter the sound, and how each parameter alters each

model, will help you achieve the sound you are after� This section of the manual provides a list of all

the amp/cabinet/effect models available in the RP360 and RP360XP and a description of each model’s

parameters�

All effects are accessed in the Effect Edit menu by

pressing the SELECT knob from the Performance

state� For more information on editing effect

parameters, see Editing Effect Parameters on

page 19� Below is a list and a brief description

of all the icons you will ﬁnd in the Effect Edit menu�

Plexi-Drive 1

LOOPER READY

MODEL

CRY WAH

LEVEL

1/2

CMP DST GAT

0 dBBYPASS

ON/BYP

Effect Edit Menu Icons

Amp/Cabinet Icon

Select this icon to edit Amp/Cabinet settings�

CMP

Compressor Icon

Select this icon to edit Compressor settings�

DLY

Delay Icon

Select this icon to edit Delay settings�

DST

Distortion Icon

Select this icon to edit Distortion settings�

EQ Icon

Select this icon to edit EQ settings�

MOD

Modulation Icon

Select this icon to edit Modulation settings�

GAT

Noise Gate Icon

Select this icon to edit Noise Gate settings�

REV

Reverb Icon

Select this icon to edit Reverb settings�

Volume Icon

Select this icon to edit Volume settings�

Wah Icon

Select this icon to edit Wah settings�

Expression Pedal Icon

Select this icon to assign an effect parameter to

the expression pedal for control�

LFO Icon

Select this icon to assign the built-in LFO (Low

Frequency Oscillator) to an effect parameter for

modulating effects�

Add Effect Icon

Select this icon to add an effect to the effects

chain� This icon will not be visible if you already

have 10 effects in the effect chain, as this is the

maximum allowable simultaneous effects�

Footswitch Assignment Icon

When operating in Stomp Mode, select this

icon to assign up to three effects to the three

footswitches for effect on/off control� This icon will

only be visible when conﬁgured for Stomp Mode

operation�

56 RP360 / RP360 XP

Amp Modeling

Amp modeling is a technology which applies the tone of a selected ampliﬁer to your guitar signal�

The RP includes an assortment of popular vintage and modern amp models as well as two acoustic

guitar simulators� Note that when you select an amp model, the default cabinet model is automatically

selected and displayed in the bottom right-hand corner of the LCD display�

Once an amp model has been selected, you can turn the EDIT 3 (CABINET) knob to change the

cabinet model� Pressing the SELECT knob navigates the various pages and accesses the other

parameters available for the selected amp model (i�e�, Gain, Amp Level, and EQ)� The following provides

a description of the amp models available in the RP and their associated parameters� Note that all amp

models have the same parameters as shown in the following table�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the Amp model on and off�

CABINET Various Selections Selects the cabinet model�

GAIN 0 - 99 Adjusts the amount of saturation� Higher values equal more saturation�

AMP LEVEL 0 - 99 Adjusts the output level of the Amp model�

BASS 1�0 - 10�0 Adjusts the level of the low-end frequencies (bass)� 5�5 = ﬂat, 1�0 = full cut, and

10�0 = full boost�

MID 1�0 - 10�0 Adjusts the level of the midrange frequencies (mids)� 5�5 = ﬂat, 1�0 = full cut,

and 10�0 = full boost�

TREBLE 1�0 - 10�0 Adjusts the level of the high-end frequencies (treble)� 5�5 = ﬂat, 1�0 = full cut,

and 10�0 = full boost�

AMP MODELS

• 57 Champion

(Based on a ‘57 Fender® Tweed Champ®)

The Tweed Champ is a straight ahead, growly amp which is best suited for blues and garage

music� The tone is nasely, distorts easy due to the low wattage, but cuts through!

• 57 D-Luxe

(Based on a ‘57 Fender Tweed Deluxe®)

One of the most sought after amps ever made, this is a tone you can’t get enough of� This baby

shows off its glory when pushed to the limits�

• 59 Bass Man

(Based on a ‘59 Fender Tweed Bassman®)

This classic really roars with lots of bottom end� Great for blues riffs but equally great for

driving rock and roll rhythm guitar parts�

RP360 / RP360 XP

AMP MODELS

• 62 Bass Man

(Based on a ‘62 Fender® for Brownface Bassman)

From the era of the ﬁrst tolex covered Fender amps, this particular amp was used on the

classic Hendrix song “Voodoo Child”�

• 65 Fraternal

(Based on a ‘65 Fender Blackface Twin Reverb®)

The benchmark for twin speaker combos� This great amp is one of the most recognizable clean

tones on recordings from the last 4 decades�

• 65 D-Luxe Reverb

(Based on a ‘65 Fender Blackface Deluxe Reverb®)

The single speaker version of its bigger brother, this amp is equally at home for blues, country

and rock players�

• 45 JTM

(Based on a ‘65 Marshall® JTM-45)

Perhaps the turning point for blues and rock and roll, this amp set the course for the future of

Marshall amps� It started the “crunch” revolution, turning up on classic songs from AC/DC and,

most notably, the Bluesbreakers “Beano” album featuring Eric Clapton�

• 68 Plexi

(Based on a ‘68 Marshall 100 Watt Super Lead (plexi))

This is undoubtedly the amp that changed rock and roll� It is a benchmark for many of the

greatest guitar sounds ever heard� From Hendrix to Van Halen, this amp is the real deal�

• Jump Panel

(Based on a ‘68 Marshall Jump Panel)

This effect is based on the method used to get the most saturation from the classic plexi – by

jumping channel 1 into channel 2, you get a bit more push over the top�

• Master Volume

(Based on a ‘77 Marshall Master Volume)

This amp was king of rock and roll in the '70s� This JMP 100W amp featured four 6550 output

tubes, making it hot and punchy for rock and punk music alike�

• 800 JCM

(Based on a ‘83 Marshall JCM800)

The amp that deﬁned many of the metal sounds of the '80s is still one of the most highly

respected Marshall amps ever made�

58 RP360 / RP360 XP

AMP MODELS

• 900 JCM

(Based on a ‘93 Marshall® JCM900)

Incorporating a diode clipping stage, this amp gives you more gain than you can shake a stick at�

• 2000 JCM

(Based on a ‘01 Marshall JCM2000 (Solo Channel))

The TSL100 is a superb tone with tons of sustain for grinding riffs or singing solos�

• British 15

(Based on a ‘62 Vox® AC15)

The ﬁrst great Vox amp� A single 12” version of its more famous 30 Watt big brother, this amp

has much of the same character to offer�

• British 30

(Based on a ‘63 Vox AC30 Top Boost)

The quintessential amp that deﬁned both Brian May’s and Edge’s sound� Just crank this amp up

and get some of the most awesome growl you will ever hear from an amp�

• Hi Wattage

(Based on a ‘69 Hiwatt® Custom 100 DR103)

This superb rock and roll amp was the staple of Pete Townshend’s tone in the early ‘70s� A

monster that has loads of headroom, this is at its best when cranked up all the way and paired

with the Fane 4x12 cab�

• Mark IIC

(Based on a ‘81 Mesa/Boogie® Mark II CTM)

Originally based off of hot-rodded Fender amps, this classic has some of the best rhythm and

lead tones ever� This amp was the ﬂagship for Mesa/Boogie during their custom built-to-order

days�

• Mark 4

(Based on a ‘94 Mesa/Boogie Mark IVTM)

If high gain is your bag, this is up your alley� This amp is still as inﬂuential today as it was when

introduced over a decade ago�

• Duo Rectiﬁed

(Based on a ‘01 Mesa/Boogie Dual Rectiﬁer®)

The new benchmark for metal guitar, this Rectiﬁer series unleashed a new era of high gain amp

mayhem�

RP360 / RP360 XP

AMP MODELS

• Tri Rectiﬁed

(Based on a ‘04 Mesa/Boogie® Triple Rectiﬁer®)

Another gem from the guys in Petaluma, this bigger brother of the dual rectiﬁer packs an

additional 50 Watts of power�

• Caliber 22

(Based on a ’86 Mesa/Boogie �22 Caliber)

A monster little combo with the classic Boogie Mark tone�

• Heritage

(Based on a ‘99 Carvin® Legacy VL-100)

Steve Vai’s signature amp that he has been using since 1999� Custom tweaked tone to Steve’s

speciﬁcations and featuring an EL-34 tube output stage� Very smooth for soloing�

• Matched 30

(Based on a ‘96 MatchlessTM HC30)

The perfect Class A crunch tone with tight, responsive low end� This is right at home with

country, blues, and rock�

• Chief

(Based on a ’95 Matchless Chieftain)

A beautifully full amp tone with plenty of character� The Chief is a really great amp to use for

putting a slightly different color in your musical palette�

• Solo 100

(Based on a ‘88 Soldano® SLO100)

Considered one of the ﬁrst boutique amp companies, the SLO100 is a pure gain head’s dream�

Smooth distortion with incredible sustain, this amp is amazing�

• Super Group

(Based on a ’69 LaneyTM Supergroup)

The Supergroup was used most notably by Tony Iommi and was key to the sound of early

Black Sabbath records�

• GA-40

(Based on a ’59 Gibson® GA-40)

A very cool blues/rock amp in the ranks with the Deluxes but with a personality all its own�

• Citris 120

(Based on a ’74 OrangeTM OR 120)

This often overlooked amp from a great British amp company was used by greats like Jimmy

and Frank Zappa� No wonder the great Orange is making a comeback�

60 RP360 / RP360 XP

AMP MODELS

• PV 5150

(Based on a ’99 Peavey® 5150® II)

Designed in conjunction with Eddie Van Halen by Peavey®, this amp offers gain for days�

• RG100

(Based on a ’88 Randall® RG-100)

A vintage solid state amp that ushered in a new metal generation� This was the amp Dimebag

used in the earlier Pantera days�

• Jazz 120

(Based on a ’84 Roland® JC-120)

This solid state combo was synonymous with the sparkling clean sounds of the '80s�

• Solar 100

(Based on a ’67 Sunn® 100S)

Used by Pete Townshend in the late ‘60s US tour, these amps offered tons of headroom which

certainly delivered the SPLs The Who loved�

• Solo

Dialed in tone ideal for laying down solos for country, rock, jazz, blues and even metal� Add a

bit of delay and reverb and you have the perfect sound for any lick you can come up with�

• Metal

A true metal tone for both classic or modern style metal with a chunky bottom end� This

effect is able to achieve a variety of metal tones with the use of the EQ and gain controls�

• Bright Combo

A perfect clean combo amp structure� This amp is bright, yet cleaner than most� Great for jazz,

surf, country, clean rock, and metal�

• Chunk

Thicker than a Marshall, the Chunk gives you lots of gain with plenty of low end that doesn’t

get in your way�

• Clean Tube

This amp provides a very clean tube combo tone with just the right amount of 2nd order

harmonics�

• High Gain

For the rock or hard rock player who requires a lot of distortion as a starting point� This effect

provides a very punchy tone for both rhythm and lead work reminiscent of a well polished

production album�

RP360 / RP360 XP

AMP MODELS

• Blues

A perfect combination of clarity and grit� The Blues amp cuts through but doesn’t get too

muddy as the gain is turned up�

• Fuzz

The DigiTech Fuzz tone is based off of the fuzz tone of the late '60s English bands, with our

own twist� Thus making the DigiTech Fuzz ideal for everything from '90s grunge to todays mix

of music�

• Spank

A bright and punchy clean sound that can be driven for a bit of edge� At home with funk or any

tone that needs some spanking�

• 2101 Clean

The DigiTech GSP2101TM has become an iconic preamp/processor for many players over the

years� After years of requests from players, we have brought the sounds back from their glory

days� The 2101 Clean captures the warmth and brightness while being able to drive it hard to

produce a nice warm clean sound with grit�

• 2101 Saturated

The sound of the GSP2101 preamp provides a mild to over the top gain without getting a

muddy sound� A perfect tone setting for all types of music�

• Crunch

The Crunch is just that, a tube head that crunches more than the rest� The Crunch has extra

gain and cuts through� Perfect for both rhythms and solos�

• Monster

The DigiTech Monster was created on an operating table in a European castle with one thing

in mind – full-on, dimed-out, molten-metal gain� This is the perfect setting for death metal or

the “Norwegian” sound�

• Tweedface

(Based on a Tweed preamp w/Blackface poweramp)

Imagine combining two of the greatest Fender® amps into a single beast� That’s what we have

done with the Tweedface� Take the preamp of the classic Tweed DeluxeTM and combine it with

the output stage of the Blackface Twin Reverb® and here is the monster you get�

62 RP360 / RP360 XP

AMP MODELS

• Black Bass

(Based on a ’65 Blackface preamp w/Bassman® poweramp)

What happens when you combine the cleaner input stage of a Blackface and connect it to

the gritty poweramp of a Bassman? You get an experimental amp that works perfect for blues,

rock-a-billy, country, and rock� You’ll want to drive this hard�

• Stoner Rock

The Stoner Rock produces tones made famous by So-Cal and dessert bands� The Stoner

Rock’s huge, ﬂubby low end and warm high end make you want to use your bridge pickup, turn

your guitar’s tone knob down, and play Godzilla all night�

• DarkMetal

Producing a tight, focused tone, the DarkMetal amp has high gain, yet does not muddy up your

guitars tone – perfect if you play intricate metal�

• Transistor

The DigiTech Transistor effect emulates the grainy, narrow EQ band sound of a solid state

transistor lo-ﬁ ampliﬁer� Great for use as an effect or to set the mood�

• Brown Sound

(Based on a hot-rodded '80s stack tone)

The Brown is a hot-rodded Marshall® tone of the early ‘80s made famous by a wild, ﬁnger-

tapping guitarist�

• Mosh

This sound was created after the mid '80s NYC and Bay Area tones� You will feel like you are in

the pit while taken a thrashing� Big metal sound with a bit of sizzle�

• Dread Acoustic

Awesome dreadnaught acoustic simulation with an articulate top end� Best suited for middle

and neck pickups�

NOTE: Cabinet models are unavailable when this option is selected�

• Jumbo Acoustic

When compared to the Dread Acoustic simulation, this effect provides a warmer acoustic

model with more midrange�

NOTE: Cabinet models are unavailable when this option is selected�

RP360 / RP360 XP

AMP MODELS

• Direct

Passes the direct signal (amp modeling is not applied to the signal)� When this option is

selected, cabinet models are still available for selection� Select this option when you want to

use cabinet modeling without amp modeling�

64 RP360 / RP360 XP

Cabinet Modeling

Cabinet modeling is a technology which applies the tone of a selected speaker cabinet to your guitar

signal� The RP includes an assortment of popular vintage and modern cabinet models� Note that

when you select an amp model, the default cabinet model is automatically selected and displayed in

the bottom right-hand corner of the LCD display� You can, however, change the cabinet model after

selecting an amp model to achieve different tones� The following provides a description of each of the

cabinet models available in the RP� Note that there are no parameters available for cabinet models as

they are not required�

CABINET MODELS

• 1x8: Champ

(Based on a 1x8 ‘57 Fender® Tweed Champ®)

A small speaker but a great way to cut through the mix�

• 1x12: D-Luxe

(Based on a 1x12 ‘57 Fender Tweed Deluxe®)

A bluesman’s delight� Wonderful response with a classic tone when matched with its namesake

amp model�

• 1x12: LuxRev

(Based on a 1x12 ‘65 Fender Blackface Deluxe Reverb®)

Provides solid tone which can be combined with any amp for a great rhythm tone�

• 1x12: AC British

(Based on a 1x12 ‘62 Vox® AC15)

A great little cab perfect for rock and blues�

• 1x12: Gib-GA

(Based on a 1x12 ‘59 Gibson® GA-40)

Similar to the Deluxe cabs with emphasized top end for more bite�

• 2x12: Bass Man

(Based on a 2x12 ‘57 Fender Blonde Bassman®)

Warm dual speaker combo� Great for driving rhythm playing or clean chord comps�

• 2x12: Twin

(Based on a 2x12 ‘65 Fender Blackface Twin Reverb®)

The benchmark that many others have tried to imitate� The classic clean tone at its best�

• 2x12: AC British

(Based on a 2x12 ‘63 Vox AC30 Top Boost w/Jensen® Blue Backs)

Amazing low end� These were our favorite speakers of the early Vox/Jensen era�

RP360 / RP360 XP

CABINET MODELS

• 2x12: Jazz

(Based on a 2x12 ‘84 Roland® JC-120)

Awesome for spankin’ clean tones with emphasized top end�

• 2x15: JBL

(Based on a 2x15 ’68 Sunn® 200S w/JBL®-Lansings)

Powerful bottom end from a landmark speaker designer� Classic tones from the late ‘60s�

• 4x10: Bass Man

(Based on a 4x10 ‘59 Fender® Tweed Bassman®)

Powerful, throaty, and just plain cool� This cabinet mixed with its matching amp gives you tones

as cool as they come�

• 4x12: Classic

(Based on a 4x12 Marshall® 1969 Straight w/Celestion® G12-T70)

Great power handling speakers give you the classic Marshall bite and chunk� It takes a lot of

power to break these up�

• 4x12: Green

(Based on a 4x12 Marshall 1969 Slant w/Celestion® 25W Green backs)

This super speaker design provides a voice that is as distinctive as its name� Great match for

the Plexi�

• 4x12: Fane

(Based on a 4x12 Hiwatt® Custom w/Fane® Speakers)

Unique warm tone was the perfect balance for the head it is originally paired with�

• 4x12: Boutique

(Based on a 4x12 ‘96 VHT® Slant w/Celestion Vintage 30s)

A rare matchup from the guys at VHT� Great bite that really cuts through�

• 4x12: V30

(Based on a 4x12 Johnson® Straight w/Celestion Vintage 30s)

This tone is great when used for rock, hard rock and metal� The low end compresses just the

right amount due to the combination of the Celestion Vintage 30’s and cabinet volume�

• 4x12: Recto

(Based on a 4x12 ‘07 Mesa/Boogie® Rectiﬁer w/Celestion Vintage 30s)

The ultimate 4x12 for the heaviest tone� Massive bottom end and punchy midrange�

• 4x12: Solo

Solos need to cut through the mix without squashing the sound� The Solo cabinet is phrased to

provide a clear tone with maximum distortion to help the guitar cut through�

66 RP360 / RP360 XP

CABINET MODELS

• 2x12: Bright

A particularly bright but full sounding combo cabinet� Great for clean�

• 4x12: Metal

The Metal cabinet provides a deeper but tight low-end response� Great with any amp that

needs a little focus�

• 4x12: Rock

Take a standard 4x12 and add just a little more 600Hz to cut through the mix, the Rock

cabinet not only sounds good for rock but excels at hard rock and gives distorted combos

new life�

• 4x12: Alternative

The DigiTech Alternative cabinet model is a dirtier cabinet with more sizzle than a standard

4x12 cabinet� Use if you want to drive your tone over the edge�

• 4x12: Vintage

A vintage speaker cabinet with that “broken in” warm tone�

• 4x12: Chunk

The Chunk is a thicker cabinet that lends itself to hard rock and solos� This will help any amp

cut through the mix�

• 4x12: Spank

Need a jangley, funk high end? The Spank is perfect for funk�

• 2101 Speaker

This speaker compensation is from the GSP2101, which has become a standard in direct

mic'ing for music of all types�

• Direct

Passes the direct signal (cabinet modeling is not applied to the signal)� Select this option when

you want to use the selected amp model, but want cabinet modeling disabled�

RP360 / RP360 XP

Compression

CMP

A compressor is used to increase sustain and beef up your tone� It does this by raising lower level

signals and restricting louder ones� The following provides a description of the compressor models

available in the RP and their associated parameters�

COMPRESSOR MODELS

• Main Squeeze

(DigiTech Compressor)

The DigiTech Main Squeeze compressor compresses high-input signals while boosting low-

input signals, giving you smooth and long sustain without degrading the quality of the original

sound� It also has a control to adjust the tone of the compressed signal�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

LEVEL 0 - 99 Adjusts the output level of the effect�

SUSTAIN 0 - 99 Adjusts the amount of compression� Higher values equal more

compression�

TONE 0 - 99 Adjusts the tone of the effect, after compression has been applied�

ATTACK 0 - 99

Adjusts the time that it takes the compressor to react and apply

compression� Higher values allow more of the initial attack of the signal

through before compression kicks in�

• Blue Compressor

(Based on a Boss® CS-2 Compressor/Sustainer)

The CS-2 compresses high-input signals while boosting low-input signals, giving you smooth

and long sustain without degrading the quality of the original sound�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

LEVEL 0 - 99 Adjusts the output level of the effect�

SUSTAIN 0 - 99 Adjusts the amount of compression� Higher values equal more

compression�

ATTACK 0 - 99

Adjusts the time that it takes the compressor to react and apply

compression� Higher values allow more of the initial attack of the signal

through before compression kicks in�

68 RP360 / RP360 XP

COMPRESSOR MODELS

• Red Compressor

(Based on an MXR® Dyna CompTM)

The MXR Dyna Comp will compress the high-input signals and boost the low-input signals

while adding its unique voicing that has become popular with many players for leads, clean

chicken picking, and simple boosts�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

OUTPUT 0 - 99 Adjusts the output level of the

effect�

SENSITIVITY 0 - 99 Adjusts the amount of

compression�

RP360 / RP360 XP

Delay

DLY

Delay is an effect that records a portion of the incoming signal, and then plays it back a short time

later� The recording can repeat just once or several times, depending upon the selected delay model

and settings�

The RPs have a Tap Tempo feature which updates the delay time during a performance by tapping your

foot on a footswitch at the rate of the desired tempo� See Tap Tempo on page 33 for information

on using the Tap Tempo feature�

The following provides a description of the delay models available in the RP and their associated

parameters�

DELAY MODELS

• Analog Delay

The analog delay produces delays that were derived from ”BBD” analog delay chips� The BBD

chips were the ﬁrst ways to produce delay aside from the costly tape delays� The delay sound

was not hi-ﬁ but was reminiscent of the original signal and quickly became a cornerstone to

modern guitar sounds due to their warm qualities�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

TIME 0 - 5�000 SEC Sets the delay time�

REPEATS 0 - 99, HOLD

Sets how many delay repeats will occur� The lowest value equals one

repeat� Higher values equal more repeats and the highest value equals

repeat hold (inﬁnite repeats)�

LEVEL 0 - 99 Adjusts the output level of the effect�

TAP DIV

3 QUARTER,

EIGHT, DOT EIGHT,

QUARTER, HALF

Sets the delay tap divider rate or the note value at which the delay will

occur�

70 RP360 / RP360 XP

DELAY MODELS

• DM Delay

(Based on a Boss® DM-2 Analog Delay)

The DM-2 is a classic and standard BBD analog delay that used 4,096 stages of delay�

The frequency response and noise depended upon the delay time� The signal increasingly

deteriorates with each repeat, so as the repeats are turned up, the signal becomes less and less

recognizable and actually becomes more of an effect than a delay�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

REPEATS 0�024 - 0�310 SEC Sets the delay time�

INTENSITY 0 - 99 Sets how many delay repeats will occur� The lowest value equals one

repeat� Higher values equal more repeats�

ECHO 0 - 99 Adjusts the output level of the effect�

• Digital Delay

A digital delay can be called a perfect representation of your guitar’s signal� Desired for their

brilliant qualities, digital delays have virtually no noise and a full frequency response�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

TIME 0 - 5�000 SEC Sets the delay time�

REPEATS 0 - 99, HOLD

Sets how many delay repeats will occur� The lowest value equals one

repeat� Higher values equal more repeats and the highest value equals

repeat hold (inﬁnite repeats)�

LEVEL 0 - 99 Adjusts the output level of the effect�

TAP DIV

3 QUARTER,

EIGHT, DOT EIGHT,

QUARTER, HALF

Sets the delay tap divider rate or the note value at which the delay will

occur�

DUCKTHRSH 0 - 99

Adds an additional ducking effect to the delayed signal� This parameter

adjusts the ducking effect’s threshold� Lower values increase the effect

and higher values decrease the effect�

DUCKLEVEL 0 - 99 Adjusts the output level of the ducking effect�

RP360 / RP360 XP

DELAY MODELS

• Modulated Delay

A modulated delay is a digital delay with chorus added to the delays to produce a wider

sounding stereo delay�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

TIME 0�010 - 5�000 SEC Sets the delay time�

REPEATS 0 - 99, HOLD

Sets how many delay repeats will occur� The lowest value equals one

repeat� Higher values equal more repeats and the highest value equals

repeat hold (inﬁnite repeats)�

DEPTH 0 - 99 Adjusts the intensity of the modulated portion of the effect�

LEVEL 0 - 99 Adjusts the output level of the effect�

TAP DIV

3 QUARTER,

EIGHT, DOT EIGHT,

QUARTER, HALF

Sets the delay tap divider rate or the note value at which the delay will

occur�

• Ping Pong Delay

A ping pong delay’s repeats jump from side to side and requires a stereo setup to fully hear the

effect�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

TIME 0 - 5�000 SEC Sets the delay time�

REPEATS 0 - 99, HOLD

Sets how many delay repeats will occur� The lowest value equals one

repeat� Higher values equal more repeats and the highest value equals

repeat hold (inﬁnite repeats)�

LEVEL 0 - 99 Adjusts the output level of the effect�

TAP DIV

3 QUARTER,

EIGHT, DOT EIGHT,

QUARTER, HALF

Sets the delay tap divider rate or the note value at which the delay will

occur�

DUCKTHRSH 0 - 99

Adds an additional ducking effect to the delayed signal� This parameter

adjusts the ducking effect’s threshold� Lower values increase the effect

and higher values decrease the effect�

DUCKLEVEL 0 - 99 Adjusts the output level of the ducking effect�

72 RP360 / RP360 XP

DELAY MODELS

• Tape Delay

The tape delay effect produces a warm tone by limiting the frequency response and adding the

distortion that exists in a tape delay�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

TIME 0�010 - 5�000 SEC Sets the delay time�

REPEATS 0 - 99, HOLD

Sets how many delay repeats will occur� The lowest value equals one

repeat� Higher values equal more repeats and the highest value equals

repeat hold (inﬁnite repeats)�

LEVEL 0 - 99 Adjusts the output level of the effect�

WOW 0 - 99 Simulates the slow variation of speed heard in vintage tape machines,

known as wow�

FLUTTER 0 - 99 Simulates the fast variation of speed heard in vintage tape machines,

known as ﬂutter�

TAP DIV

3 QUARTER,

EIGHT, DOT EIGHT,

QUARTER, HALF

Sets the delay tap divider rate or the note value at which the delay will

occur�

• Echo Flex

(Based on a Maestro™ EP-2 Tube Echoplex™)

The Echoplex is the standard to which all analog delays are judged� The Echoplex was the

ﬁrst widely used tape delay and had a tone all its own� The Echoplex can be heard on many

rockabilly, surf, country, and rock tracks�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

TIME 0�110 - 0�870 SEC Sets the delay time�

REPEATS 0 - 99, HOLD

Sets how many delay repeats will occur� The lowest value equals one

repeat� Higher values equal more repeats and the highest value equals

repeat hold (inﬁnite repeats)�

VOLUME 0 - 99 Adjusts the output level of the effect�

TAP DIV

3 QUARTER,

EIGHT, DOT EIGHT,

QUARTER, HALF

Sets the delay tap divider rate or the note value at which the delay will

occur�

RP360 / RP360 XP

DELAY MODELS

• Lo Fi Delay

The Lo Fi delay is an analog delay with a severely limited frequency response, producing an

even grungier delay effect�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

TIME 0 - 5�000 SEC Sets the delay time�

REPEATS 0 - 99, HOLD

Sets how many delay repeats will occur� The lowest value equals one

repeat� Higher values equal more repeats and the highest value equals

repeat hold (inﬁnite repeats)�

LEVEL 0 - 99 Adjusts the output level of the effect�

TAP DIV

3 QUARTER,

EIGHT, DOT EIGHT,

QUARTER, HALF

Sets the delay tap divider rate or the note value at which the delay will

occur�

• 2-Tap Delay

While most delays are derived from a signal delay with one end tap, the 2-Tap Delay uses a

single delay line, but with two end points that are spaced about at different ratios� Use this

effect to add more of a rhythmic quality to your delays�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

TIME 0 - 5�000 SEC Sets the delay time�

REPEATS 0 - 99, HOLD

Sets how many delay repeats will occur� The lowest value equals one

repeat� Higher values equal more repeats and the highest value equals

repeat hold (inﬁnite repeats)�

LEVEL 0 - 99 Adjusts the output level of the effect�

RATIO 0% - 99% Adjusts the distance between the two delay taps� Higher values create

greater distance between the taps�

TAP DIV

3 QUARTER,

EIGHT, DOT EIGHT,

QUARTER, HALF

Sets the delay tap divider rate or the note value at which the delay will

occur�

74 RP360 / RP360 XP

Distortion

DST

Distortion and overdrive pedals were designed to give your guitar tone gain before it reaches your

amp� Many heavily distorted pedals such as the DigiTech GrungeTM were designed to provide most

or all of the gain and run through a cleaner amp� Overdrives are great for boosting the gain of your

guitar sound and driving an already distorted amp, giving your total tone more gain and a heavier feel�

Overdrives used with clean amps provide a bluesy tone� The following provides a description of the

distortion models available in the RP and their associated parameters�

DISTORTION MODELS

• Screamer

(Based on an Ibanez® TS-9 Tube ScreamerTM)

One of the most famous pedals ever created, the TS-9 has stood the test of time and can be

found on nearly every pedal board�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

DRIVE 0 - 99 Adjusts the amount of saturation� Higher values equal more

saturation�

TONE 0 - 99 Adjusts the tone of the effect�

LEVEL 0 - 99 Adjusts the output level of the effect�

• Eight-Oh-Eight

(Based on an Ibanez TS-808 Tube ScreamerTM)

The predecessor to the famed TS-9, the TS-808 has spawned a whole boutique market around

modiﬁcations to this classic design� If you want one of the standards in overdrive, this is it�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

OVERDRIVE 0 - 99 Adjusts the amount of saturation� Higher values equal more

saturation�

TONE 0 - 99 Adjusts the tone of the effect�

LEVEL 0 - 99 Adjusts the output level of the effect�

RP360 / RP360 XP

DISTORTION MODELS

• TS Modded

(Based on a modiﬁed Ibanez® TS-9 Tube ScreamerTM)

Take a TS-9, add more gain and modify the low end to produce a thicker, bluesier overdrive�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

DRIVE 0 - 99 Adjusts the amount of saturation� Higher values equal more

saturation�

TONE 0 - 99 Adjusts the tone of the effect�

LEVEL 0 - 99 Adjusts the output level of the effect�

• Supreme Drive

(Based on a Boss® SD-1 Overdrive)

With a little more gain than the OD-1, the SD-1 will drive any amp into another realm� If you

are just looking for a good classic rock tone, this is it�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

DRIVE 0 - 99 Adjusts the amount of saturation� Higher values equal more

saturation�

TONE 0 - 99 Adjusts the tone of the effect�

LEVEL 0 - 99 Adjusts the output level of the effect�

• Over Drive

(Based on a Boss OD-1 Overdrive)

The OD-1 is perfect for just adding a little gain to your tone no matter what type of amp you

use� To produce a bluesy tone, use it with a clean combo� To drive your stack, crank the gain

and level�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

DRIVE 0 - 99 Adjusts the amount of saturation� Higher values equal more

saturation�

LEVEL 0 - 99 Adjusts the output level of the effect�

76 RP360 / RP360 XP

DISTORTION MODELS

• Who Do Drive

(Based on a Voodoo Lab® Sparkle DriveTM)

The Sparkle Drive mixes an 808 tone with a boosted clean tone to form a perfect device to

drive amps�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

GAIN 0 - 99 Adjusts the amount of saturation� Higher values equal more

saturation�

TONE 0 - 99 Adjusts the tone of the effect�

CLEAN 0 - 99 Mixes the clean (unprocessed) signal back in with the overdriven

signal� The higher the value, the more clean signal is mixed back in�

VOLUME 0 - 99 Adjusts the output level of the effect�

• Driven Over

(Based on a Guyatone® Overdrive OD-2)

The OD-2 is yet a different ﬂavor of overdrive� The OD-2 is transparent and does not get in

the way when playing single notes or chords�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

GAIN 0 - 99 Adjusts the amount of saturation� Higher values equal more

saturation�

LEVEL 0 - 99 Adjusts the output level of the effect�

• DOD® 250

The DOD 250 is another classic overdrive� With no tone control to get in the way, the 250’s

beauty is just its pure overdrive�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

GAIN 0 - 99 Adjusts the amount of saturation� Higher values equal more

saturation�

LEVEL 0 - 99 Adjusts the output level of the effect�

RP360 / RP360 XP

DISTORTION MODELS

• Redline

Not your standard overdrive, the Redline takes overdrive to a place that never existed� The

Redline’s circuit overdrives the guitar’s signal in a way that is not evenly clipped – like the way a

tube amp distorts� Add extra gain and a thicker low end and the Redline was born�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

GAIN 0 - 99 Adjusts the amount of saturation� Higher values equal more

saturation�

LOW 0 - 99 Adjusts the low frequencies of the effect�

HIGH 0 - 99 Adjusts the high frequencies of the effect�

LEVEL 0 - 99 Adjusts the output level of the effect�

• Amp Driver

The Amp Driver distortion is designed to turn a regular distorted amp into a monster� The

Amp Driver not only distorts the guitar’s signal, but also boosts frequencies around 600Hz� By

emphasizing the frequencies around 600Hz, amps can be driven harder and take on more of a

metal tone� A ‘mean sound’ is not only determined by how much gain you put in front of your

amp, but also by how hard you drive the amp and with what frequencies the amp is driven

with�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

DRIVE 0 - 99 Adjusts the amount of saturation� Higher values equal more

saturation�

MIDBOOST 0 - 99 Adjusts the midrange frequencies of the effect�

LEVEL 0 - 99 Adjusts the output level of the effect�

78 RP360 / RP360 XP

DISTORTION MODELS

• Anxiety Disorder

(Based on a Fulltone® OCD Overdrive)

Straddling the border of overdrive and distortion, the OCD produces amazing harmonics and

drives any amp into oblivion� The overdrive is thicker than most, yet clear, letting every string

and note come through�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

DRIVE 0 - 99 Adjusts the amount of saturation� Higher values equal more

saturation�

TONE 0 - 99 Adjusts the tone of the effect�

HP/LP HP, LP

The HP (High Peak) option provides more volume, a slight

boost in the upper midrange frequencies, more low end, and

more distortion throughout the DRIVE control’s range, for a

more “British” sound� The LP (Low Peak) option provides less

coloration and is more suited for clean boost�

VOLUME 0 - 99 Adjusts the output level of the effect�

• Rodent

(Based on a Pro Co® R AT TM)

Want gain? Want more gain? The Rat was one of the ﬁrst pedals to take the gain to another

dimension� The ﬁlter control gives the Rat its unique tones and ﬂexibility� It is rumored that

early Bay area thrash bands used it in conjunction with a Marshall JCM800 to achieve their

heavy tones�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

DIST 0 - 99 Adjusts the amount of saturation� Higher values equal more

saturation�

FILTER 0 - 99 This is the tone control� It adjusts a high cut ﬁlter� Lower values

equal less treble�

VOLUME 0 - 99 Adjusts the output level of the effect�

RP360 / RP360 XP

DISTORTION MODELS

• MX Distortion

(Based on an MXR® Distortion +)

A classic pedal due to its simplicity – just plug in and go� The Distortion + produces good,

honest distortion, perfect for driving a distorted amp�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

DIST 0 - 99 Adjusts the amount of saturation� Higher values equal more

saturation�

OUTPUT 0 - 99 Adjusts the output level of the effect�

• Orange Distortion

(Based on a Boss® DS-1TM Distortion)

A truly classic distortion� A nice, common distortion that ranges in tone from rock to mild

metal� Use it to drive a distorted amp!

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

DIST 0 - 99 Adjusts the amount of saturation� Higher values equal more

saturation�

TONE 0 - 99 Adjusts the tone of the effect�

LEVEL 0 - 99 Adjusts the output level of the effect�

• Grunge®

In late 1991 as grunge music hit the radio, this pedal was designed as the DOD FX69 Grunge�

The pedal was designed by a young engineer who played punk music and was released as an

experiment to see what this new type of music was all about� The DOD FX69 Grunge became

a top-seller and continued selling strong for over a decade� The Grunge produces tones from

early famous Seattle sounds to borderline metal�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

GRUNGE 0 - 99 Adjusts the amount of saturation� Higher values equal more

saturation�

BUTT 0 - 99 Adjusts the bass frequencies of the effect�

FACE 0 - 99 Adjusts the treble frequencies of the effect�

LOUD 0 - 99 Adjusts the output level of the effect�

80 RP360 / RP360 XP

DISTORTION MODELS

• Zone

(Based on a Boss® MT-2 Metal Zone®)

The Metal Zone will produce nearly any metal tone needed from tight, percussive, Bay area

thrash to deep, detuned grind core�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

GAIN 0 - 99 Adjusts the amount of saturation� Higher values equal more

saturation�

LOW 0 - 99 Adjusts the bass frequencies of the effect�

MID 0 - 99 Adjusts the midrange frequencies of the effect�

MID FREQ 0 - 99 Adjusts the center frequency for the MID ﬁlter�

HIGH 0 - 99 Adjusts the treble frequencies of the effect�

LEVEL 0 - 99 Adjusts the output level of the effect�

• Death Metal

Designed in 1992 to provide death metal musicians with a wall of sound, the DigiTech Death

MetalTM pedal does just that� Whether you play early ‘90s grindcore or modern death metal, the

Death Metal’s tone controls give you a multitude of sonic options�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

LEVEL 0 - 99 Adjusts the output level of the effect�

LOW 0 - 99 Adjusts the bass frequencies of the effect�

MID 0 - 99 Adjusts the midrange frequencies of the effect�

HIGH 0 - 99 Adjusts the treble frequencies of the effect�

RP360 / RP360 XP

DISTORTION MODELS

• Gonkulator

Engineered to meet the needs of many experimental guitarists, the DOD Gonkulator pedal

was a silent hit� The Gonkulator is a combination of a Grunge pedal and a ring modulator that

produces distortion and mixes in a bell-like ringing� The ﬁrst pedal with a “suck” knob�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

GUNK 0 - 99 Controls the distortion gain�

SMEAR 0 - 99

Controls the output level of the ring modulation circuit� For

more gonk-like tones, turn it up� Turn it down for Grunge™

distortion�

SUCK 0 - 99 Controls the distortion output level�

HEAVE 0 - 99 Controls the overall output level of the effect�

• 8tavia

(Based on a Roger Mayer OctaviaTM)

Designed in 1967, the Octavia was featured on “Purple Haze” and “Fire” by Jimi�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

DRIVE 0 - 99 Adjusts the amount of saturation� Higher values equal more

saturation�

VOLUME 0 - 99 Adjusts the output level of the effect�

• Later Fuzz

(Based on a DemeterTM Fuzzulator)

Enhancing the proper frequencies with a pre-emphasis tone circuit, the Fuzzulator produces

distortion that is unique and does not get muddy when the Fuzz is turned up�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

FUZZ 0 - 99 Adjusts the amount of saturation� Higher values equal more

saturation�

TONE 0 - 99 Adjusts the tone of the effect�

LOOSENESS LOOSE, TIGHT Switches between a tight, slightly louder sound or a loose, more

classic fuzz sound with lower output volume�

VOLUME 0 - 99 Adjusts the output level of the effect�

82 RP360 / RP360 XP

DISTORTION MODELS

• DOD Classic Fuzz

A part of the original DOD FX family, the Classic Fuzz gained a following for its clearer voicing

as compared to many fuzz pedals�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

FUZZ 0 - 99 Adjusts the amount of saturation� Higher values equal more

saturation�

TONE 0 - 99 Adjusts the tone of the effect�

VOLUME 0 - 99 Adjusts the output level of the effect�

• Face Fuzz

(Based on an Arbiter® Fuzz FaceTM)

The Dallas Arbiter Fuzz Face surfaced in 1966 and used germanium transistors to get its

unique fuzzy sound and inspired many other fuzz pedals to follow� The Fuzz Face produces

a thick wall of edgy distortion and a very full low end� Perfect for creating ‘60s or modern

stonerrock tones�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

FUZZ 0 - 99 Adjusts the amount of saturation� Higher values equal more

saturation�

VOLUME 0 - 99 Adjusts the output level of the effect�

• Big Pi

(Based on an Electro-Harmonix® Big Muff Pi®)

A requirement for any alternative player, the Big Muff Pi’s thick fuzz is unmistakable in grunge,

new wave, and many punk hits�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

SUSTAIN 0 - 99 Adjusts the amount of saturation� Higher values equal more

saturation�

TONE 0 - 99 Adjusts the tone of the effect�

VOLUME 0 - 99 Adjusts the output level of the effect�

RP360 / RP360 XP

The 3-band semi-parametric EQ is used to further shape your tone and provides low, mid, and high-

band controls, each with adjustable frequency and bandwidth�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

LOW LEVEL -12 dB to +12 dB Adjusts the level of the low frequencies (bass)�

LOW FREQ 60 Hz - 500 Hz Sets the center frequency of the low ﬁlter�

LOW BW WIDE, MEDIUM,

NARROW Sets the width of the low ﬁlter�

MID LEVEL -12 dB to +12 dB Adjusts the level of the midrange frequencies (mids)�

MID FREQ 300 Hz - 4 kHz Sets the center frequency of the mid ﬁlter�

MID BW WIDE, MEDIUM,

NARROW Sets the width of the mid ﬁlter�

HIGH LEVEL -12 dB to +12 dB Adjusts the level of the high frequencies (treble)�

HIGH FREQ 2 kHz - 8 kHz Sets the center frequency of the high ﬁlter�

HIGH BW WIDE, MEDIUM,

NARROW Sets the width of the high ﬁlter�

84 RP360 / RP360 XP

Expression Pedal

Selecting the Expression Pedal icon accesses settings to assign a parameter for expression pedal

control and set the minimum (toe up) and maximum (toe down) control limit values� See Expression

Pedal Control on page 34 for further information on conﬁguring and using the Expression Pedal

built into the RP360XP or an external expression/volume pedal connected to the RP360�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

PARAMETER

SELECT Varies Selects the desired parameter for control�

MIN Varies Sets the minimum capable value when the expression pedal is in its toe up

position�

MAX Varies Sets the maximum capable value when the expression pedal is in its toe down

position�

LFO

Selecting the LFO icon accesses settings to assign a parameter for LFO control� You can also set the

minimum and maximum range control limits, adjust the speed, and select the waveform type� See

Assigning The LFO on page 36 for further information on conﬁguring and using the LFO for

modulating effect parameters�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

PARAMETER

CONTROLLED Varies based on selection Selects the parameter you want the LFO to control�

MIN Varies based on selection Adjusts the minimum value the LFO will set the parameter to

when it reaches the lower limit of its waveform�

MAX Varies based on selection Adjusts the maximum value the LFO will set the parameter to

when it reaches the upper limit of its waveform�

SPEED 0�05 HZ - 10�00 HZ Adjusts the rate at which the LFO will modulate the assigned

parameter�

WAVEFRM TRIANGLE, SINE,

SQUARE

Selects the shape of the LFO waveform which changes the

timing characteristics of the LFO modulation�

RP360 / RP360 XP

Modulation

MOD

The Modulation effect module selects effects such as chorus, ﬂanger, phaser, vibrato/rotary, tremolo,

panner (auto-panner), ﬁlters, and pitch shifting� The following sections provide a description of each of

these effect types�

Chorus

Chorus adds a short delay to your signal� The delayed signal is modulated in and out of tune and then

mixed back with the original signal to create a thicker, more interesting sound with minor movement�

The following provides a description of the chorus models available in the RPs and their associated

parameters�

MODULATION – CHORUS MODELS

• CE Chorus

(Based on a Boss® CE-2 Chorus)

A very simple but popular chorus pedal� Its simplistic two knob design makes it easy to use�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

SPEED 0 - 99 Adjusts the speed of the modulation�

DEPTH 0 - 99 Adjusts the intensity of the effect�

• Danish Chorus

(Based on a TC Electronics® Chorus)

A chorus pedal that was made for guitar but also used by bass and keyboard players as well�

Many keyboardists use it to enhance their Rhoads electric piano sound� The speed knob

controls the speed of the chorus or ﬂanger sweeps� The width knob controls how much

frequency change the effect spans� The intensity controls how much of the effect is used�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

INTENSTY 0 - 99 Adjusts the intensity of the effect�

SPEED 0 - 99 Adjusts the speed of the modulation�

WIDTH 0 - 99 Adjusts the stereo width of the effect�

86 RP360 / RP360 XP

MODULATION – CHORUS MODELS

• Pearl Chorus

A warm dual voice chorus with speed, depth, level, and waveform controls�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

LEVEL 0 - 99 Adjusts the output level of the effect�

SPEED 0 - 99 Adjusts the speed of the modulation�

DEPTH 0 - 99 Adjusts the intensity of the effect�

WAVEFORM TRIANGLE, SINE,

SQUARE

Selects the shape of the LFO waveform which changes the timing

characteristics of the LFO modulation�

• Glisten Chorus

A more simplistic chorus giving you a warm chorus tone like the CE-2 , but adding a 3rd knob

allowing you to adjust the overall level as well�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

LEVEL 0 - 99 Adjusts the output level of the effect�

SPEED 0 - 99 Adjusts the speed of the modulation�

DEPTH 0 - 99 Adjusts the intensity of the effect�

• Multi Chorus

DigiTech’s famous multi-chorus gets has an incredibly warm chorus tone using 16 voices that

interact with each other in Stereo mode, giving you the most incredible and unique chorus

tone you can imagine�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

LEVEL 0 - 99 Adjusts the output level of the effect�

SPEED 0 - 99 Adjusts the speed of the modulation�

DEPTH 0 - 99 Adjusts the intensity of the effect�

WAVEFORM TRIANGLE, SINE,

SQUARE

Selects the shape of the LFO waveform which changes the timing

characteristics of the LFO modulation�

RP360 / RP360 XP

MODULATION – CHORUS MODELS

• Who Doo Chorus

(Based on a Voodoo Lab® Analog Chorus)

A strikingly vocal chorus pedal with distinct organic tone� It is capable of a wide range of

sounds from a thick analog doubling, to an ultra-lush chorus, and even a Leslie rotating speaker�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

SPEED 0 - 99 Adjusts the speed of the modulation�

INTENSTY 0 - 99 Adjusts the intensity of the effect�

• Clone Chorus

(Based on an Electro Harmonix® Small CloneTM)

A very lush, watery chorus which can be heard on hits by bands including Nirvana� This chorus

has a very “earthy” tone to it and deﬁnitely takes your chorus tone to a different place�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

RATE 0 - 99 Adjusts the speed of the modulation�

DEPTH 0 - 99 Adjusts the intensity of the effect�

88 RP360 / RP360 XP

Flanger

A ﬂanger uses the same principles as the chorus effect, but uses a shorter delay time and adds

regeneration (or repeats) to the modulating delay� This results in an exaggerated up and down

sweeping motion to the effect� The following provides a description of the ﬂanger models available in

the RPs and their associated parameters�

MODULATION – FLANGER MODELS

• Flanger

DigiTech’s own ﬂanger with control of Speed, Depth, Regeneration, and Level�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

LEVEL 0 - 99 Adjusts the output level of the effect�

SPEED 0 - 99 Adjusts the speed of the modulation�

DEPTH 0 - 99 Adjusts the intensity of the effect�

REGEN 0 - 99 Adjusts how much of the affected signal is sent back through the effect

and controls the overall intensity of the effect�

WAVEFORM TRIANGLE, SINE,

SQUARE

Selects the shape of the LFO waveform which changes the timing

characteristics of the LFO modulation�

• Triggered Flanger

The Triggered Flanger allows you to trigger the ﬂanger sweep based on how loud you play� Set

the SENSITIVITY parameter to determine how loud the signal must be to trigger the ﬂanger�

Set the LFO START parameter to determine the frequency at which the ﬂanger sweep will

begin once triggered�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

LEVEL 0 - 99 Adjusts the output level of the effect�

SPEED 0 - 99 Adjusts the speed of the modulation�

SENSITIVITY 0 - 99 Adjusts the sensitivity of the trigger� The higher the setting, the more

sensitive the trigger�

LFO START 0 - 99 Sets the frequency at which the LFO modulation will begin once

triggered�

RP360 / RP360 XP

MODULATION – FLANGER MODELS

• Filter Flanger

The DigiTech team expanded on the traditional ﬂanger by adding a band pass ﬁlter in the

feedback path of the effect� Because of this ﬁlter, the Filter Flanger’s feedback affects only a set

amount of frequencies, thereby generating a different sounding ﬂanger effect�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

SPEED 0 - 99 Adjusts the speed of the modulation�

DEPTH 0 - 99 Adjusts the intensity of the effect�

REGEN 0 - 99 Adjusts how much of the affected signal is sent back through the effect

and controls the overall intensity of the effect�

FREQ 0 - 99 Adjusts the frequency of the band pass ﬁlter�

• MX Flanger

(Based on an MXR® M-117 Flanger)

A big, rich and organic ﬂanger tone made popular by such people as Eddie Van Halen� The

MXR® ﬂanger creates a variety of wild sounds, from a dynamic jet plane or cool space effects,

to short delay, chorus, and vibrato�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

SPEED 0 - 99 Adjusts the speed of the modulation�

WIDTH 0 - 99 Adjusts the intensity of the time delay�

REGEN 0 - 99 Adjusts how much of the affected signal is sent back through the effect

and controls the overall intensity of the effect�

MANUAL 0 - 99 Adjusts the amount of phase shifting�

• EH Flanger

(Based on an Electro Harmonix® Electric MistressTM)

This ﬂanger has a unique tone, giving it a sort of chorus/ﬂanger mixed tone, making it not as

dry as some of the other ﬂangers (but with a more pronounced sweep)� Its easy to use with

only 3 knobs (Color, Range, and Rate), which also makes it a little easier to dial in your tone�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

RATE 0 - 99 Adjusts the speed of the modulation�

RANGE 0 - 99 Adjusts the intensity of the time delay�

COLOR 0 - 99 Adjusts how much of the affected signal is sent back through the effect

and controls the overall intensity of the effect�

90 RP360 / RP360 XP

MODULATION – FLANGER MODELS

• AD Flanger

(Based on an A/DATM Flanger)

A super quiet ﬂanger with plenty of headroom� Made popular by its ability to get thick and

juicy tones from using not only the standard knobs, found on most ﬂangers, but also the

Harmonic knob which offers the user a slightly different timbre going from even to odd

harmonics�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

SPEED 0 - 99 Adjusts the speed of the modulation�

ENHANCE 0 - 99 Adjusts how much of the affected signal is sent back through the effect

and controls the overall intensity of the effect�

RANGE 0 - 99

Sets how deep the sweep will be and determines whether the

time delay is a function of the MANUAL parameter or the SPEED

parameter, or a combination of both�

MANUAL 0 - 99 Sets the time delay and is disabled when RANGE is set to full�

HARMONIC 0 - 99 Sets passband peaking at even or odd harmonic relationships�

RP360 / RP360 XP

Phaser

A phaser splits the incoming signal, and then changes the phasing of the signal� This signal is then

taken in and out of phase and mixed back in with the original signal� As the phasing changes, different

frequencies get canceled resulting in a warm sort of twisting sound� The following provides a

description of the phaser models available in the RPs and their associated parameters�

MODULATION – PHASER MODELS

• Phaser Beam

This phaser will give you the standard phaser tone with all the parameters you need for

controlling it�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

LEVEL 0 - 99 Adjusts the output level of the effect�

SPEED 0 - 99 Adjusts the speed of the modulation�

DEPTH 0 - 99 Adjusts the intensity of the effect�

REGEN 0 - 99 Adjusts how much of the affected signal is sent back through the effect

and controls the overall intensity of the effect�

WAVEFORM TRIANGLE, SINE,

SQUARE

Selects the shape of the LFO waveform which changes the timing

characteristics of the LFO modulation�

• Triggered Phaser

The Triggered Phaser allows you to trigger the phaser sweep based on how loud you play� Set

the SENSITIVITY parameter to determine how loud the signal must be to trigger the phaser�

Set the LFO START parameter to determine the frequency at which the phaser sweep will

begin once triggered�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

LEVEL 0 - 99 Adjusts the output level of the effect�

SPEED 0 - 99 Adjusts the speed of the modulation�

SENSITIVITY 0 - 99 Adjusts the sensitivity of the trigger� The higher the setting, the more

sensitive the trigger�

LFO START 0 - 99 Sets the frequency at which the LFO modulation will begin once

triggered�

92 RP360 / RP360 XP

MODULATION – PHASER MODELS

• MX Phaser

(Based on an MXR® Phase 100)

Another industry standard in phase pedals with its own unique tones� It has a simplistic 2 knob

control panel (Intensity and Speed)� Along with the Speed control that controls the speed of

the sweep, the Intensity knob selects between four different intensities, deﬁned as “preset

waveform patterns”� Between the intensity and speed settings, you’ll ﬁnd quite a supply of

excellent sounds!

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

SPEED 0 - 99 Adjusts the speed of the modulation�

INTENSTY 1 - 4 Adjusts the strength of the effect� Select between four different

intensity settings

• Stone Phase

(Based on an Electro-Harmonix® Small StoneTM)

The Small Stone’s full-bodied, 3-dimensional phasing adds a special swirl to every musical

style� Blues players dig its rapidly rotating speaker effect while Country players use it to add

seasoning to their chicken’ pickin’� Metal-heads and Industrialists dig the Stone’s jet plane

woosh� Its simplistic 2 knob control panel (Rate and Color) make it easier to dial in a quick

phaser tone that will be just right for you�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

RATE 0 - 99 Adjusts the speed of the modulation�

COLOR BYPASS, ON When turned on, this parameter increases the intensity of the effect�

RP360 / RP360 XP

Vibrato/Rotary

Vibrato is an effect that modulates the pitch of the incoming signal at an even rate, taking the whole

signal slightly in and out of tune at a steady pace� A Rotary effect emulates a device that included a

spinning horn and woofer� The rotation of these two speakers produced an interesting combination

of the sound panning from side to side� This also produced a slight pitch change due to the speed of

the sound coming towards, and then going away from the listener, known as the Doppler effect� The

following provides a description of the vibrato/rotary models available in the RPs and their associated

parameters�

MODULATION – VIBRATO/ROTARY MODELS

• Vibrato

The Vibrato effect produces varying changes in pitch� This effect can be found on countless surf

and country classics�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

SPEED 0 - 99 Adjusts the speed of the modulation�

INTENSTY 0 - 99 Adjusts the strength of the effect�

• Rotator

The Rotator effect simulates the Doppler effect and volume ﬂuctuations of a rotary speaker�

This effect is lush and full�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

SPEED 0 - 99 Adjusts the rate of the spinning speaker/horn�

INTENSTY 0 - 99 Adjusts the strength of the effect�

DOPPLER 0 - 99 Adjusts the amount of change in pitch variation� Higher values

introduce a higher degree of pitch shifting�

X OVER 0 - 99 Selects the crossover frequency between the horn and rotor, changing

the tone of the effect�

94 RP360 / RP360 XP

MODULATION – VIBRATO/ROTARY MODELS

• Vibro-Pan

The Vibro-Pan not only varies pitch, but also incorporates an automatic panner with a vibrato

effect that creates a lush, chorus-like sound� This effect is great for stereo setups�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

SPEED 0 - 99 Adjusts the speed of the modulation�

INTENSTY 0 - 99 Adjusts the strength of the effect�

VIBPAN 0 - 99 Adjusts the stereo width of the auto-panning�

WAVEFORM TRIANGLE, SINE,

SQUARE Selects the type of LFO waveform used to modulate the effect�

• Uno-Vibe

(Based on a UnicordTM Uni-VibeTM)

Based on the Unicord Uni-Vibe pedal , the Uno-Vibe creates a rotary speaker type effect in

tandem with chorus or vibrato, producing a lush, swirling effect�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

VOLUME 0 - 99 Adjusts the output level of the effect�

SPEED 0 - 99 Adjusts the speed of the modulation�

INTENSTY 0 - 99 Adjusts the strength of the effect�

CHO VIBE CHORUS, VIBRATO Selects the type of modulated effect used�

RP360 / RP360 XP

Tremolo/Panner

The tremolo effect modulates the volume of the signal at an even rate� You may recognize this effect

from vintage guitar combo amps which had built-in tremolo (sometimes incorrectly referred to as

vibrato)�

A panner effect modulates the pan control, making the signal jump back and forth between the left and

right speakers� The following provides a description of the tremolo/panner models available in the RPs

and their associated parameters�

MODULATION – TREMOLO/PANNER MODELS

• Tremolo

This is your standard tremolo effect� Use it to create haunting, eerie effects or add vibe to a

riff� Use the speed, depth, and waveform parameters to create the desired feel�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

SPEED 0 - 99 Adjusts the speed of the modulation�

DEPTH 0 - 99 Adjusts the intensity of the effect’s modulation�

WAVEFORM TRIANGLE, SINE,

SQUARE Selects the type of LFO waveform used to modulate the effect�

• Scatter Tremolo

The Scatter Tremolo combines two tremolos that are out of sync, producing an unpredictably

scattered tremolo sound�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

SPEED 0 - 99 Adjusts the speed of the modulation�

DEPTH 0 - 99 Adjusts the intensity of the effect’s modulation�

• Opto Tremolo

(Based on a Fender® Opto Tremolo)

The sound of the Fender Opto Tremolo is as classic as their amps� Both tone shift and volume

effects are produced to create this unique tone�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

SPEED 0 - 99 Adjusts the speed of the modulation�

INTENSTY 0 - 99 Adjusts the strength of the effect�

96 RP360 / RP360 XP

MODULATION – TREMOLO/PANNER MODELS

• Bias Tremolo

(Based on a Vox® Bias Tremolo)

Another way to achieve a tremolo effect is to alter the bias of the poweramp tubes� The Bias

Tremolo effect emulates this and produces the volume and tone effects heard on many famous

British tunes�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

SPEED 0 - 99 Adjusts the speed of the modulation�

DEPTH 0 - 99 Adjusts the intensity of the effect’s modulation�

• Panner

This effect pans the sound from side to side� The speed controls how fast the panning occurs

and the depth controls how much of the signal is panned�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

SPEED 0 - 99 Adjusts the speed of the modulation�

DEPTH 0 - 99 Adjusts the intensity of the effect’s modulation�

WAVEFORM TRIANGLE, SINE,

SQUARE Selects the type of LFO waveform used to modulate the effect�

RP360 / RP360 XP

Envelope Filter

The envelope ﬁlter effect is a dynamic wah effect that alters your sound based upon how hard you

play� The following provides a description of the tremolo/panner models available in the RPs and their

associated parameters�

MODULATION – ENVELOPE FILTER MODELS

• Envelope Filter

An envelope ﬁlter is also called an “auto-wah” for its wah effect� The amount of wah is

dependent upon the output volume of your guitar – the harder you play, the more wah you

get� A deﬁnite B-Movie soundtrack tone�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

SENSITIVTY 0 - 99 Adjusts the amount of input level required to trigger the effect�

RANGE 0 - 99 Controls the range of frequencies affected and alters the movement of

the envelope’s sweep�

• DOD Envelope Filter

The DOD FX25 is a classic analog envelope ﬁlter that can be found on many funk and

alternative tracks� Used by both guitar and bass players� Try this one clean for a really funky

sound�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

SENSITIVTY 0 - 99 Adjusts the amount of input level required to trigger the effect�

RANGE 0 - 99 Controls the range of frequencies affected and alters the movement of

the envelope’s sweep�

BLEND 0 - 99 Adjusts the balance between the effect signal and dry signal�

• Auto YahTM

An Auto Ya combines the characteristics of a wah and a ﬂanger, creating an almost human

vowel characteristic as if the guitar were saying “Yah”� The Auto Ya automatically provides this

animation to the sound at an even rate�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

SPEED 0 - 99 Adjusts the speed of the modulation�

INTENSTY 0 - 99 Adjusts the strength of the effect�

RANGE 0 - 49 Controls the range of frequencies affected and alters the movement of

the envelope’s sweep�

98 RP360 / RP360 XP

MODULATION – ENVELOPE FILTER MODELS

• Ya Ya TM

The Ya Ya is exclusive to DigiTech products� It combines the characteristics of a wah and a

ﬂanger, providing a unique talk-box type of effect that is controlled using an expression pedal�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

PEDAL 0 - 99 Assign an expression pedal to this parameter for Ya Ya control�

INTENSITY 0 - 99 Adjusts the strength of the effect�

RANGE 0 - 49 Controls the range of frequencies affected and alters the movement of

the envelope’s sweep�

• Synth TalkTM

Another DigiTech ﬁrst, the Synth Talk makes your guitar appear to speak (creating vowel like

qualities) based upon the dynamics of your playing style�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

ATTACK 0 - 99

Adjusts the time it takes for the synthesized voice effect to begin

once a signal is detected� The lower the value, the faster the attack

time�

RELEASE 0 - 99

Adjusts the time it takes for the synthesized voice effect to release

once the signal falls back below threshold� The lower the value, the

faster the release time�

VOX 0 - 99 Changes the characteristics of the synth voice�

SENSITIVTY 0 - 99 Adjusts the amount of input level required to trigger the effect�

BALANCE

LEFT 99 - LEFT 1,

CENTER, RIGHT 1 -

RIGHT 99

Adjusts the placement of the wet signal (effect) in the stereo ﬁeld�

• Step Filter

The Step Filter changes frequency in related patterns much like a sample and hold effect� It’s

like an automatic “random wah” with a square waveform�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

SPEED 0 - 99 Adjusts the speed of the modulation�

INTENSTY 0 - 99 Adjusts the strength of the effect�

RP360 / RP360 XP

Pitch Shift

Pitch shifting can be used to add a pitched signal or harmonies to a riff, or detune your guitar for lush

chordal effects� The following provides a description of the pitch models available in the RPs and their

associated parameters�

MODULATION – PITCH SHIFT MODELS

• WhammyTM

The DigiTech Whammy effect provides a dynamic pitch shifting and harmony effect and is

meant to be used in conjunction with an expression pedal� As the pedal is moved, the note

bends either up or down – the pitch of the note is dependent upon the option selected for

the AMOUNT parameter�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

AMOUNT

1 OCT UP

2 OCT UP

2ND DOWN

REV 2ND

4TH DOWN

1 OCT DN

2 OCT DN

DIVEBOMB

MN3>MAJ3

2ND>MAJ3

3RD->4TH

4TH->5TH

5THOCTUP

H OCT UP

H OCT DN

OCTUP/DN

Selects the interval(s) and direction of the pitch/harmony effect�

MIX 0 - 99 Adjusts the balance between the wet and dry signal�

POSITION 0 - 99 Assign an expression pedal to this parameter for Whammy control�

• Pitch

A pitch shifter copies the incoming signal, then shifts the pitch of the copy to a different note�

The shifted note is then mixed back with the original signal, sounding as if two guitars were

playing different notes�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

MIX 0 - 99 Adjusts the balance between the wet and dry signal�

SHIFT -24 to +24 Adjusts the amount of pitch shift� Ranges from -24 (2 octaves below)

to 24 (2 octaves above)�

100 RP360 / RP360 XP

MODULATION – PITCH SHIFT MODELS

• Detune

A detuner makes a copy of your incoming signal, makes the copied signal slightly out of tune

from the original, then mixes the two signals together� The result is a lush, doubling type of

effect as if two guitars were playing the same part together�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

LEVEL 0 - 99 Adjusts the output level of the effect�

SHIFT -24 to +24 Adjusts the amount of pitch shift and ranges from -24 cents to 24

cents�

101

RP360 / RP360 XP

MODULATION – PITCH SHIFT MODELS

• Harmony

Harmony pitch shifting makes a copy of the incoming signal and then changes the pitch of the

copied note to a diatonically correct interval speciﬁed by the SHIFT parameter� The Harmony

Pitch Shifter sharpens or ﬂattens the shifted pitch in order to keep the speciﬁed interval within

the selected key and scale, creating a true harmony�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

LEVEL 0 - 99 Adjusts the output level of the effect�

SHIFT

OCT DOWN

7TH DOWN

6TH DOWN

5TH DOWN

4TH DOWN

3RD DOWN

2ND DOWN

2ND UP

3RD UP

4TH UP

5TH UP

6TH UP

7TH UP

OCT UP

Selects the interval and direction of the harmony�

KEY

KEY E

KEY F

KEY G♭

KEY G

KEY A♭

KEY A

KEY B♭

KEY B

KEY C

KEY D♭

KEY D

KEY E♭

Selects the musical key that the Harmony Pitch Shifter will reference

when creating its harmony�

SCALE

MAJOR

MINOR

DORIAN

MIXOLYDIAN

LYDIAN

HARMMINR

Selects the musical scale that the Harmony Pitch Shifter will reference

when creating its harmony� Choices include: Major, Minor, Dorian,

Mixolydian, Lydian, and Harmonic Minor�

102 RP360 / RP360 XP

MODULATION – PITCH SHIFT MODELS

• Octave

(Based on a Boss® OC-2 Octaver)

Based on the Boss OC-2 Octaver, this pedal adds two signals to your original guitar signal� The

ﬁrst is one octave below your guitar, and the second is two octaves below your guitar� Each

additional signal has its own volume control�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

OCTAVE 1 0 - 99 Adjusts the level of the effect signal 1 octave below the input signal�

OCTAVE 2 0 - 99 Adjusts the level of the effect signal 2 octaves below the input signal�

DRY LEVL 0 - 99 Adjusts the level of the dry (unprocessed) signal�

103

RP360 / RP360 XP

Noise Gating

GAT

A noise gate is used to control the volume of an audio signal� In its most simple form, a noise gate

allows a signal to pass through only when the signal is above a set threshold� When this happens,

the gate is “open”� If the signal falls below the threshold, no signal is allowed to pass (or the signal

is substantially attenuated) and the gate is “closed”� The following provides a description of the gate

models available in the RP and their associated parameters�

NOISE GATE MODELS

• Silencer Gate

This noise gate reduces line noise when the signal level falls below the set threshold�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

THRESHOLD 0 - 99 Sets the point at which the gate will open� Higher values require

a louder signal level to open the gate�

ATTTENUATE 0 - 99 Sets how much the signal will be attenuated when the gate is

closed� Higher values will apply more attenuation�

ATTACK 0 - 99 Sets how quickly the gate will open when the signal exceeds

threshold� Higher values will open the gate at a slower rate�

RELEASE 0 - 99 Sets how quickly the gate will close when the signal falls below

threshold� Higher values will close the gate at a slower rate�

• Swell

This noise gate will also let you set the threshold of the noise ﬂoor, but instead of a strict

feel of opening and closing the gate, you get more of an auto volume swell effect, making it a

smoother transition between the open and closed positions�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

SENSITIVITY 0 - 99 Sets the point at which the gate will open� Higher values require

a louder signal level to open the gate�

ATTTENUATE 0 - 99 Sets how much the signal will be attenuated when the gate is

closed� Higher values will apply more attenuation�

ATTACK 0 - 99 Sets how quickly the gate will open when the signal exceeds

threshold� Higher values will open the gate at a slower rate�

RELEASE 0 - 99 Sets how quickly the gate will close when the signal falls below

threshold� Higher values will close the gate at a slower rate�

104 RP360 / RP360 XP

Reverb

REV

Reverb can be used to thicken your tone, elongate your notes, and create lush sonic soundscapes�

The RPs feature genuine Lexicon® reverbs, whose rich, warm reverbs have been heard in countless

songs, soundtracks, and live performances for decades� The following provides a description of the

reverb models available in the RPs and their associated parameters�

Parameters

NAME OPTIONS OR RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

LEVEL 0 - 99 Adjusts the output level of the effect�

PREDELAY 0 - 15 Delays the onset of reverb� This is used to create a little separation

between the wet and dry signals, creating greater clarity�

DECAY 0 - 99 Adjusts how long it takes for the reverb tail to decay�

LIVELINESS 0 - 99

Adjusts the high frequency response of the reverb signal� Higher values

yield brighter reverb while lower values make the reverb warmer

sounding�

REVERB MODELS

• Spring Reverb

(Based on a Fender® Twin ReverbTM)

The tone and reaction of the spring reverb is captured! Spring reverbs work by passing the

audio signal through a spring� Spring reverberators are often incorporated into guitar ampliﬁers

due to their compact construction and low cost� These types of reverbs have a very distinctive

sound and have been used for decades on guitar, vocals, and more� If you’re looking for that

surf sound to transport you to the beach, this is the effect to use� Surf’s up!

• Lexicon Ambience

This reverb creates a small space (think of a small studio recording isolation room) and is full,

warm, and subtle� Use it to thicken and enhance your tone and add depth to you sound�

• Lexicon Studio

This reverb provides a space slightly larger than the Lexicon Ambience effect (think of a

small studio recording space, with just a bit of liveliness)� This reverb provides a nice, yet fast-

decaying reverb tail� Use it to lengthen your sound and enhance your tone�

• Lexicon Room

This reverb simulates a large, live studio recording space (think of a large, live drum room in a

professional studio)� Use it to spice up those ﬁngerpickin’ ballads�

• Lexicon Hall

The largest of the Lexicon reverbs, the Lexicon Hall reverb produces long-decaying, lush

reverbs with a swirling decay unlike any other reverbs today� Use it to create lush soundscapes

in sparsely-arranged songs or song sections�

105

RP360 / RP360 XP

REVERB MODELS

• Vintage Plate

(Based on an EMT® 240 Reverb)

The EMT 240 Reverb is the reference reverb to which all studio reverbs are compared� Plate

reverbs work like spring reverbs, but pass the audio signal through a plate rather than a spring�

They are known for being bright and blending well with the unprocessed sound� Use it when

you want a bright reverb with plenty of reverb decay and character�

106 RP360 / RP360 XP

Volume

The Volume module adjusts the volume of the signal wherever the Volume icon is placed in the signal

chain� The Volume module can be assigned to the RP360XP’s built-in expression pedal (or to an

external expression pedal if using the RP360) to control the volume of your guitar with your foot�

The Volume icon in the Effect Edit menu represents the location in the effects chain where the Volume

module will be adjusted� This is important to note as placing this icon in different locations in the

effects chain will yield different results� For example, placing it before a compressor or gate can cause

some unexpected behavior, since these processing types rely on a predetermined threshold to operate

correctly� Placing the Volume icon in front of a distortion effect will cause the amount of saturation to

decrease as you lower the volume pre-distortion and may not effectively lower noise levels� Another

example would be reverbs and delays� Placing the Volume icon before a reverb or delay effect would

allow the reverb or delay tails to decay naturally� While placing the Volume icon after a reverb or delay

effect would cause the tails of the effect to be attenuated along with signal� Try to think logically about

the effects chain order and experiment with different effect chain positions until the desired results

are achieved� See Reordering Effects on page 21 for information on reordering the effects chain�

Available Parameter

NAME OPTIONS OR RANGE DESCRIPTION

VOLUME 0 - 99

Controls the volume of the Volume module� Note that when the

Volume module is assigned for expression pedal control, this

parameter will be overridden when the expression pedal is moved�

107

RP360 / RP360 XP

Wah

Wah is an effect which is controlled by an expression pedal and makes the guitar sound as if it’s saying

“Wah�” The following section provides a description of the wah models available in the RP and their

associated parameters� Note that all wah models have the same parameters as shown in the below

table�

Parameters

NAME OPTIONS OR

RANGE DESCRIPTION

ON/BYP ON, BYPASS Turns the effect on and off�

LEVEL -6 dB - +12 dB Adjusts the output level post Wah�

PEDAL 0 - 99 Provides a manual adjustment of the Wah effect’s pedal position�

MIN 0 - 99 Sets the minimum value limit of the Wah effect per the pedal’s

minimum (toe up) position�

MAX 0 - 99 Sets the maximum value limit of the Wah effect per the pedal’s

maximum (toe down) position�

WAH MODELS

• Cry Wah

(Based on a Dunlop® CrybabyTM Wah)

This wah pedal is the more traditional sounding wah pedal that you have heard in guitar solos

from the '60s to the '80s� This wah sweeps the lower to mid-range frequencies�

• Clyde Wah

(Based on a Vox® Clyde McCoyTM Wah)

This wah pedal was the original and was designed to try to emulate the sound of a muted

trumpet� Clyde McCoy was a trumpet player that had asked Vox for a device that could make

an instrument sound like his muted trumpet� This wah has a thinner tone and sweeps more of

the upper end of the audible frequency spectrum�

• Full Range

DigiTech’s Full Range Wah sweeps the entire spectrum of audible frequencies, giving you the

most range of tone from the wah pedal�

108 RP360 / RP360 XP

NEXUS EDITOR/LIBRARIAN SOFTWARE

The free Nexus editor/librarian software, available for Mac and PC, lets you to connect to an RP360

or RP360XP and edit effects, reorder effects using drag-and-drop functionality, and backup and manage

presets�

System Requirements

To download Nexus and get the latest information on system requirements, visit the downloads

section at www�digitech�com/en-US/products/rp360 or www�digitech�com/en-US/products/rp360-xp�

109

RP360 / RP360 XP

PRESET LIST

PRESET # PRESET NAME

1 Plexi-Drive

2 Clear Sky

3 Voxx Delay

4 Fuzz Royal

5 Solo Dude

6 Brit Force

7 Clean Funk

8 Rumble

9 Hazy

10 Fazed Out

11 Echo Head

12 DC/AC

13 Jump Panel

14 Slider

15 Rock Stack

16 Undone

17 Citrus

18 Legacy

19 U2 Streets

20 Swell

21 Mudd Money

22 Sabbath Void

23 15 IPS D-Lux

24 Black Label

25 BeamMeUp

26 Smashing Mufﬁns

27 Airbag

28 The Crowing

29 Dark Room

30 Spankers

31 DualPetaluma

32 Clyde McWah

33 Black Stripes

PRESET # PRESET NAME

34 Satisfactory

35 PlayYerBass

36 Sad But True

37 FuzzyBottom

38 Front Phase

39 ThroatCoat

40 Chimey

41 TouchOPhase

42 Funk 49

43 Slayed

44 NewYearEdge

45 Rocket Skates

46 BaseManEcho

47 Arcadium

48 Foxy Gal

49 Baby Devil

50 Gilmour

51 Brown Sucrose

52 La Grange

53 De-Loused

54 TremYourOD

55 A Perfect Oval

56 WhiteKeys

57 Rhapsody

58 Dover

59 Silver Walls

60 Wipe Clean

61 Lotta Jimmy

62 Stray Kat

63 Morning View

64 Dist Bass

65 Bass Solo

66 Bass Harmonics

PRESET # PRESET NAME

67 70s Bass

68 SkinnyFunk

69 MysteryWhey

70 UberBlakhole

71 No One Nos

72 My Curse

73 Juturna

74 Menos El Oso

75 Carnavas

76 The West

77 Rooster

78 Visitors

79 Saltines

80 Dustbloom

81 Phobia

82 Eons

83 WalkTheMoon

84 Huldra

85 Poor Ophelia

86 Buster

87 Tighten Up

88 Harmonics

89 Lift Me Up

90 White Limo

91 Amsterdam

92 Wildﬁre

93 Methenyish

94 Luxury

95 WoccaWocca

96 Whammy Lead

97 Fretless Gtr

98 Ethereal

99 Best Solo

110 RP360 / RP360 XP

EXPRESSION PEDAL & LFO ASSIGNABLE PARAMETERS

Wah

MODEL PARAMETER

1PARAMETER

2PARAMETER

Cry Wah On/Bypass Level Pedal

Clyde Wah On/Bypass Level Pedal

Full Range On/Bypass Level Pedal

Compressor

MODEL PARAMETER

1PARAMETER

2PARAMETER

3PARAMETER

4PARAMETER

Main Squeeze On/Bypass Level Sustain Tone Attack

Blue Compressor On/Bypass Level Sustain Tone Attack

Red Compressor On/Bypass Output Sensitivity

Distortion

MODEL PARAMETER

1PARAMETER

2PARAMETER

3PARAMETER

4PARAMETER

5PARAMETER

6PARAMETER

Screamer On/Bypass Drive Tone Level

Eight-Oh-Eight On/Bypass Overdrive Tone Level

TS Modded On/Bypass Drive Tone Level

Supreme Drive On/Bypass Drive Tone Level

Over Drive On/Bypass Drive Level

Who Do Drive On/Bypass Gain Tone Clean Volume

Driven Over On/Bypass Gain Level

DOD 250 On/Bypass Gain Level

Redline On/Bypass Gain Low High Level

Amp Driver On/Bypass Drive Midboost Level

Anxiety Disorder On/Bypass Drive Tone HP/LP Volume

Rodent On/Bypass Dist Filter Volume

MX Distortion On/Bypass Dist Output

Orange

Distortion On/Bypass Dist Tone Level

Grunge On/Bypass Grunge Butt Face Loud

Zone On/Bypass Gain Low Mid Mid Freq High Level

Death Metal On/Bypass Level Low Mid High

Gonkulator On/Bypass Gonk Smear Suck Heave

8Tavia On/Bypass Drive Volume

Later Fuzz On/Bypass Fuzz Tone Looseness Volume

DOD Classic

Fuzz On/Bypass Fuzz Tone Volume

Face Fuzz On/Bypass Fuzz Volume

Big Pi On/Bypass Sustain Tone Volume

111

RP360 / RP360 XP

Amp

MODEL PARAMETER

1PARAMETER

2PARAMETER

3PARAMETER

4PARAMETER

5PARAMETER

Dread & Jumbo Acoustic On/Bypass Level Bass Mid Treble

Direct On/Bypass Level

All Other Amp Models On/Bypass Gain Amp Level Bass Mid Treble

MODEL PARAMETER

1PARAMETER

2PARAMETER

3PARAMETER

4PARAMETER

5PARAMETER

6PARAMETER

Not Applicable On/Bypass Low Freq Low Level Mid Freq Mid Level High Freq High Level

Gate

MODEL PARAMETER

1PARAMETER

2PARAMETER

3PARAMETER

4PARAMETER

Silencer Gate On/Bypass Threshold Attenuate Attack Release

Swell On/Bypass Sensitivity Attenuate Attack Release

Volume

MODEL PARAMETER

Not Applicable Volume

MODEL PARAMETER

1PARAMETER

2PARAMETER

3PARAMETER

4PARAMETER

5PARAMETER

CE Chorus On/Bypass Speed Depth

Danish Chorus On/Bypass Intensity Speed Width

Pearl Chorus On/Bypass Level Speed Depth Waveform

Glisten Chorus On/Bypass Level Speed Depth

Multi Chorus On/Bypass Level Speed Depth Waveform

Who Doo Chorus On/Bypass Speed Intensity

Clone Chorus On/Bypass Rate Depth

Flanger On/Bypass Level Speed Depth Regen Waveform

Triggered Flanger On/Bypass Level Speed Sensitivity LFO Start

Filter Flanger On/Bypass Speed Depth Regen Freq

MX Flanger On/Bypass Speed Width Regen Manual

EH Flanger On/Bypass Rate Range Color

AD Flanger On/Bypass Speed Enhance Range Manual Harmonic

Phaser Beam On/Bypass Level Speed Depth Regen Waveform

Triggered Phaser On/Bypass Level Speed Sensitivity LFO Start

MX Phaser On/Bypass Speed Intensity

Stone Phase On/Bypass Rate Color

112 RP360 / RP360 XP

MODEL PARAMETER

1PARAMETER

2PARAMETER

3PARAMETER

4PARAMETER

5PARAMETER

Vibrato On/Bypass Speed Intensity

Rotator On/Bypass Speed Intensity Doppler X Over

Vibro-Pan On/Bypass Speed Intensity Vibpan Waveform

Uno-Vibe On/Bypass Volume Speed Intensity Chorus/

Vibrato

Tremolo On/Bypass Speed Depth Waveform

Scatter Tremolo On/Bypass Speed Depth

Opto Tremolo On/Bypass Speed Intensity

Bias Tremolo On/Bypass Speed Depth

Panner On/Bypass Speed Depth Waveform

Envelope Filter On/Bypass Sensitivity Range

DOD Envelope Filter On/Bypass Sensitivity Range Blend

Auto Ya On/Bypass Speed Intensity Range

Ya Ya On/Bypass Pedal Intensity Range

Synth Talk On/Bypass Attack Release Vox Sensitivity Balance

Step Filter On/Bypass Speed Intensity

Whammy On/Bypass Amount Mix Position

Pitch On/Bypass Mix Shift

Detune On/Bypass Level Shift

Harmony On/Bypass Level Shift Key Scale

Octaver On/Bypass Octave 1 Octave 2 Dry Level

Delay

MODEL PARAMETER

1PARAMETER

2PARAMETER

3PARAMETER

4PARAMETER

5PARAMETER

Analog Delay On/Bypass Repeats Level Mult

DM Delay On/Bypass Intensity Echo

Digital Delay On/Bypass Repeats Level Mult DuckThrsh DuckLevel

Modulated Delay On/Bypass Repeats Depth Level Mult

Ping Pong Delay On/Bypass Repeats Level Mult DuckThrsh DuckLevel

Tape Delay On/Bypass Repeats Level Wow Flutter Mult

Echo Flex On/Bypass Repeats Volume Mult

Lo Fi Delay On/Bypass Repeats Level Mult

2-Tap Delay On/Bypass Repeats Level Ratio Mult

Reverb

MODEL PARAMETER

1PARAMETER

2PARAMETER

3PARAMETER

4PARAMETER

Spring Reverb On/Bypass Reverb

113

RP360 / RP360 XP

Reverb

MODEL PARAMETER

1PARAMETER

2PARAMETER

3PARAMETER

4PARAMETER

Lexicon

Ambience On/Bypass Level PreDelay Decay Liveliness

Lexicon Studio On/Bypass Level PreDelay Decay Liveliness

Lexicon Room On/Bypass Level PreDelay Decay Liveliness

Lexicon Hall On/Bypass Level PreDelay Decay Liveliness

Vintage Plate On/Bypass Level PreDelay Decay Liveliness

114 RP360 / RP360 XP

SPECIFICATIONS

General Specications

A/D/A Converter: 24-bit high performance audio

Sampling Frequency: 44�1 kHz

DSP Section: AudioDNA2™ DSP Processor

Simultaneous Effects: 10

Preset Memory: 99 User Presets/99 Factory Presets

Phrase Looper: 40 seconds of record time

Drum Machine: 60 Patterns

Analog Input Connections

Guitar Input: 1/4˝ Unbalanced (TS)

Input Impedance: 1 MOhm

Maximum Input: +10 dBu

Aux Input: 1/8˝ Stereo (TRS)

Analog Output Connections

1/4˝ Outputs

Left/Right Outputs: 1/4˝ Impedance Unbalanced

Left/Right Output Impedance: 500 Ohms per side

Maximum Output: +8�5 dBu

Headphone Output: 1/8˝ Stereo (TRS) – 118 mW per channel @ 50 Ohms

Optimized for use with headphones having an impedance of 60

Ohms or less

Digital Connections

Universal Serial Bus (USB): Type B, supports USB 1�1 Full Speed (12 Mbps Bandwidth USB

2�0 compatible)

RP360/RP360XP USB Recording Specications

Sample Rate: 44�1 kHz

Bit Depth: Supports 16-bit or 24-bit (depends on setup in recording

software)

Physical

Dimensions: RP360: 7�5” (L) x 8�5” (W) x 2” (H)

RP360XP: 11�5” (L) x 8�5” (W) x 2” (H)

Unit Weight: RP360: 2�84 lbs�

RP360XP: 4�12 lbs�

Power

Power Requirements: 9 VDC, 300mA, 2�7 W, center pin GND, outer sleeve positive

Power Adapter: PS0913DC-01 (US, JA, EU)

PS0913DC-02 (AU, UK)

Product speciﬁcations subject to change without notice�

115

RP360 / RP360 XP

DigiTech is a registered trademark of Harman

RP360/RP360XP Owner's Manual

PN: 5041674-B

PHONE: (801) 566-8800

WEB: www�digitech�com

SUPPORT: www�digitech�com/en-US/support

AutoYa, DigiTech, DOD, Death Metal, Johnson Ampliﬁcation, Grunge, Lexicon, Multi Chorus, Whammy, and YaYa are trademarks of

Harman International Industries, Inc� Other product names modeled in this product are trademarks of their respective companies that

do not endorse and are not associated or afﬁliated with DigiTech or Harman International Industries, Inc� They are trademarks of other

manufacturers and were used merely to identify products whose sounds were reviewed in the creation of this product�

DigiTech RP360 User Manual To The 80ff861f 290b 486a 8b36 96a76c3688bd

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