Sennheiser MKH 8000 Series Brochure ENG 092014
User Manual: MKH 8000 Series
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Discover the Soul of Sound. MKH 8000 Series Microphones Sound with a Soul: Sennheiser’s MKH 8000 Series Microphones A Superb Synthesis of Sound Aesthetics and Engineering Perfection. Sennheiser has taken its sophisticated MKH series of radio-frequency condenser microphones one step further: the MKH 8020, MKH 8040, MKH 8050 and MKH 8090 fulfil the most exacting demands on sound quality and versatility. Extremely low inherent self-noise, an exceptionally wide frequency response for high sampling rate digital audio formats and a very compact design make them an ideal choice for the most demanding classical music recordings, for broadcast use and for stage and film applications. The MKH 8000 series has been designed to capture the soul of sound, reproducing the music with an unprecedented warmth and transparency. Without taking away from the unique clarity that MKH symmetrical microphones are famous for, the 8000 series has a natural subtle warmth that has to be heard to be appreciated. Voices will sound rich and detailed; piano, strings and wind instruments will have that special ‘character’, while percussive instruments benefit from a fast attack and a dynamic, powerful reproduction. Contents 04 Features 05 Microphones 06 Broadcast Shotgun Microphones 06 Special Modules 07 Microphones and accessories overview 08 Accessories 10 Technical data MKH 8000 SERIES MICROPHONES 02 03 Features That Make a Difference Modular design: Extremely compact and elegant, the MKH 8000 series microphones have a diameter of just 19 mm and a length of only 74 mm. Yet, they can become even more unobtrusive. The microphones can be split into the actual microphone head, which contains all acoustic and electronic components, and the XLR module. The small microphone head (only 41 mm long) is attached to one of Sennheiser’s special capsule remote accessories, while the XLR connector module is attached outside the camera angle, making the MKHs virtually invisible on stage. Special symmetrical capsule: The MKH capsules incorporate a symmetrical design with the diaphragm located between the normal back plate and an additional, identical front plate. This design provides both acoustical and electrical symmetry and is the most powerful way to eliminate transducer nonlinearity and accompanied harmonic and intermodulation distortion. Their unique symmetrical construction enables the MKH microphones to pick up subtleties in the music lost to other microphones — for instance, the subtle harmonics in an unaccompanied choir, the complex sound patterns of a 12-string guitar and much more. front plate back plate diaphragm Extremely low inherent self-noise: While the inherent noise in conventional microphones tends to mask quieter sounds and thus limits the dynamic range, the MKH microphones employ the unique principle of the radio-frequency condenser microphone, resulting in an outstandingly low self-noise. The special capsule design reflects the frequency-dependent response of the human hearing, and provides an excellent signal-to-noise ratio in the frequency range where the human ear is most sensitive to noise. This results in small-diaphragm MKH microphones being quieter even than most largediaphragm condenser microphones. Extended high-frequency response: The acoustic properties of the MKH capsule design enable the high-frequency response to be extended beyond the limits of the standard audio CD format, enabling these microphones to fully utilise the potential of digital recording formats with higher sampling rates. ideal MKH 8000 series Accurate directional patterns: All directional patterns have been carefully designed for minimal deviation from the ideal patterns over the entire frequency range. The unique technical design characteristics of the MKH symmetrical microphone series means that the designer no longer has to make compromises between frequency response, polar pattern and low noise — now he can have it all: wide frequency response, ultra low noise and a polar response close to the theoretical ideal. Nextel ® coating: All MKH 8000 Series microphones and accessories are coated with black Nextel ®, ensuring that there will be no disturbing reflections even in the brightest of film and television lights. Intelligent accessories: A wide range of accessories enables the microphones to be used under many and varied conditions of the most demanding classical music recordings, broadcast use, filming and any stage application. The accessories are suitable for stereo or dual mono applications and some of them have been designed to carry the audio signal to enable even more compact microphone set-ups. The digital module MZD 8000 transmits audio signals according to the AES 42 standard (24 bit, 192 kHz sampling rate). Microphones MKH 8020 The omni-directional MKH 8020 is ideal for recording large and small sound sources, for a ‘Decca Tree’ or for use in an OSS ‘Jecklin Disk’ array. As it does not suffer from a proximity effect, it is also a good choice for closemiking. If the acoustic ambience is right, this microphone will provide very impressive recordings. The extra octave at the bottom end makes the MKH 8020 perfect for recording pipe organs, grand piano and acoustic doublebass. Omni-directional pick-up pattern Frequency response 10 to 60,000 Hz Ideal for stereo and surround recordings, as an M microphone and for ambience MKH 8040 The cardioid MKH 8040 is suitable for almost any application. It considerably reduces pick-up of a reverberant room. This is very helpful in rooms with poor acoustics or when disturbing sounds impinge mainly from the rear. Cardioid pick-up pattern Frequency response 30 to 50,000 Hz Ideal as a spot microphone and for surround recordings MKH 8050 The super-cardioid MKH 8050 will give higher attenuation of off-axis sound from the side than its cardioid sister model. It is a good choice for recording soloists, where the requirements for lateral acoustic separation are higher. Super-cardioid pick-up pattern Frequency response 30 to 50,000 Hz Provides optimum separation of instruments MKH 8090 The high-end MKH 8090 is the ideal main microphone when less acoustic impression of space is demanded. And as a support microphone it excels in capturing larger groups of instruments. Among the many advantages of its RF principle are an extremely low inherent self-noise, the capability to handle high sound pressure levels without distortion, and a high resistance to adverse climatic conditions. Wide cardioid pick-up pattern Frequency response 30 to 50,000 Hz Very natural sound Ideal as instrument-focussed main microphone or as support for larger group of instruments MKH 8000 SERIES MICROPHONES 04 05 Broadcast Shotgun Microphones MKH 8060 Whether it’s a feature film, a documentary, an outdoor shoot or a studio production: the MKH 8060 short shotgun microphone will provide high quality sound to match your great pictures. Handily compact it shows its strengths as a professional shotgun microphone: The MKH 8060 delivers an absolute natural sound and outstanding off-axis linearity, attenuating sound coming from the side without coloration. Super-cardioid/lobar pick-up pattern Extremely low distortion Ideal for camera mounting due to compact design MKH 8070 The long shotgun microphone MKH 8070 was especially designed for picking up distant sources of sound in best quality. Its very natural sound makes it the ideal choice for major broadcast and sporting events. Featuring extreme directivity and a pronounced lobar pick-up pattern it will reliably capture that magic moment from a distance, even under the toughest sonic and climatic conditions. Lobar pick-up pattern The specialist for far away sources of sound Enhanced directivity Special Modules MZD 8000 The MZD 8000 digital module is optimally matched to the 8000 series microphones. It is simply screwed onto the microphone head in place of the XLR module, turning the analogue audio signal into a digital one. Since the converting takes place right behind the microphone head the clear, warm, and vivid sound of the microphones is completely preserved. 2-channel 24-bit A/D converter Suitable for all MKH 8000 Series microphones External synchronization via AES 42, Mode 2 MZF 8000 Especially in the broadcast and film industries, this compact filter module effectively blocks interference caused by infrasound, such as low-frequency noises caused by wind and handling. Extremely low inherent noise Complex acoustic details are preserved High quality 10 dB pad protects against overdriving Very compact design Microphones and Accessories Overview MZH 8020 MZH 8040 MZH 8050 audio signal mounting accessories MZH 8090 MZW 8000 MZF 8000 * * Screw filter module MZF 8000 at suitable place between microphone head and XLR module. MZG 8000 MZT 8000 MZS 31 MZT 8001 MZE 8060 MZL 8003 MZH 8000 MZL 8010 MZQ 8001 MZE 8030 MZE 8120 MZE 8015 MZE 8120 MZE 8120 MZEF 8030 MZD 8000 MZF 8000 MZS 8000 MZQ 8000 MZEF 8060 MZX 8000 * MZEF 8120 MZFS 8000 MKH 8000 SERIES MICROPHONES 06 07 Accessories Floor Stand Components MZE 8120 120 cm MZEF 8030 30 cm MZEF 8060 60 cm MZEF 8120 120 cm MZE 8015, MZE 8030 MZE 8060, MZE 8120 extension tubes Special bar that carries the audio signal. The microphone head is attached to the front, the XLR module to the end. Available in lengths of 15, 30, 60 and 120 cm. MZE 8060 60 cm MZEF 8030, MZEF 8060, MZEF 8120 vertical bars Available in lengths of 30, 60 or 120 cm; standard 3/8" thread. MZE 8030 30 cm MZE 8015 15 cm MZGE 8000, MZGE 8002 bar connectors Joins vertical bars with one or two extension tubes. MZFS 8000 floor stand Heavy design; insensitive to structure-borne noise. Table Stands MZT 8000 Classic metal table stand, sturdy and robust. MZT 8001 Elegant table stand with acrylic base. Remote Cables MZL 8003, MZL 8010 Connects between the microphone head and the XLR module to make the microphone extremely unobtrusive (ideal for almost invisible use hanging from the ceiling). Available in lengths of 3 and 10 meters. Mounting Accessories MZS 8000 shock mount Flexible suspension in a very compact design. Effectively suppresses the transmission of structure-borne noise. MZQ 8000 microphone clip Standard clip (included in the delivery of the MKH 8000 microphones). MZQ 8001 mini clip Miniature clamp. Ideal if the microphone is used with a remote cable. 3/8” standard thread. MZH 8000 ceiling mount With cable guide. Adjustable for optimum alignment of the microphone with the sound source. MZG 8000 Swivel joint with MZS 31 e lastic suspension Designed for desktop mounting. Carries the audio signal and provides the c onnector for the XLR module. MKH 8000 SERIES MICROPHONES 08 09 Technical Data Sensitivity in free field, no load (1kHz) –30 dBV/Pa (31 mV/Pa) –34 dBV/Pa (20 mV/PA) –34 dBV/Pa (20 mV/PA) Sound pressure level 138 dB 142 dB 142 dB Equivalent noise level 10 dB (A) (A-weighted, DIN 651), 13 dB (A) (A-weighted, DIN 651), 13 dB (A) (A-weighted, DIN 651), 21 dB (CCIR-weighted, CCIR 268-3) 22 dB (CCIR-weighted, CCIR 268-3) 22 dB (CCIR-weighted, CCIR 268-3) Output signal balanced, transformerless, floating balanced, transformerless, floating balanced, transformerless, floating Output impedance 25 Ω 25 Ω 25 Ω Min. terminating impedance 1,000 Ω 1,000 Ω 1,000 Ω Phantom power supply 48 V ± 4 V 48 V ± 4 V 48 V ± 4 V Supply current 3.3 mA 3.3 mA 3.3 mA Diameter 19 mm 19 mm 19 mm Length of microphone module 41 mm (74 mm including XLR module) 41 mm (74 mm including XLR module) 41 mm (74 mm including XLR module) Weight 25 g (55 g including XLR module) 25 g (55 g including XLR module) 25 g (55 g including XLR module) Nominal frequency response at 1 m distance dBv –20 dBv –20 dBv –20 0° 90 ° –30 –30 –30 –40 –40 –40 –50 –50 –50 –60 –60 –60 –70 –70 –70 30° 0° 60° 90° 0 5 10 15 20 25 dB 0° 30° 30° 60° 120° 125 Hz 250 Hz 500 Hz 1,000 Hz 180° 60° 90° 90° 120° 150° 0° 180° 2,000 Hz 4,000 Hz 8,000 Hz 16,000 Hz 32,000 Hz 150° 0 5 10 15 20 25 dB 0° 30° 30° 60° 120° 125 Hz 250 Hz 500 Hz 1,000 Hz 180° 60° 90° 90° 120° 150° 0° 180° 2,000 Hz 4,000 Hz 8,000 Hz 16,000 Hz 32,000 Hz 150° 0 5 10 15 20 25 dB 10 20,000 , 5 00 100,0 0 0, 00 00 0 Hz 30 – 50,000 Hz 1, 00 0 30 – 50,000 Hz 10 0 10 – 60,000 Hz 10 Frequency response 10 20,000 , 5 00 100,0 0 0, 00 00 0 Hz super-cardioid 1, 00 0 cardioid 10 0 omni-directional 10 Pick-up pattern 10 20,000 , 5 00 100,0 0 0, 00 00 0 Hz MKH 8050 1, 00 0 MKH 8040 10 0 MKH 8020 10 Product 0° 30° 60° 90° 120° 120° 150° 125 Hz 250 Hz 500 Hz 1,000 Hz 180° 180° 2,000 Hz 4,000 Hz 8,000 Hz 16,000 Hz 32,000 Hz 150° wide cardioid Frequency response 50 – 25,000 Hz 45 – 20,000 Hz 30 – 50,000 Hz Sensitivity in free field, no load (1kHz) –24 dBV/Pa (63 mV/PA) –19 dBV/Pa (112 mV/PA) –34 dBV/Pa (20 mV/PA) Sound pressure level 129 dB 124 dB 142 dB Equivalent noise level 11 dB (A) (A-weighted, DIN 651), 8 dB (A) (A-weighted, DIN 651), 13 dB (A) (A-weighted, DIN 651), 23 dB (CCIR-weighted, CCIR 268-3) 21 dB (CCIR-weighted, CCIR 268-3) 23 dB (CCIR-weighted, CCIR 268-3) Output signal balanced, transformerless, floating balanced, transformerless, floating balanced, transformerless, floating Output impedance 25 Ω 25 Ω 25 Ω Min. terminating impedance 2,000 Ω 2,000 Ω 2,000 Ω Phantom power supply 48 V ± 4 V 48 V ± 4 V 48 V ± 4 V Supply current 3.3 mA 3.3 mA 3.3 mA Diameter 19 mm 19 mm 19 mm Length of microphone module 145 mm (178 mm including XLR module) 432 mm (465 mm including XLR module) 41 mm (74 mm including XLR module) Weight 80 g (112 g including XLR module) 300 g (332 g including XLR module) 25 g (55 g including XLR module) Nominal frequency response at 1 m distance dBv –10 dBv –10 dBv –20 0° 90 ° –20 –20 –30 –30 –30 –40 –40 –40 –50 –50 –50 –60 –60 –60 –70 30° 0° 60° 90° 0 5 10 15 20 25 dB 0° 30° 60° 120° 125 Hz 250 Hz 500 Hz 1,000 Hz 180° 0° 60° 90° 90° 120° 150° 50 10 0 20 0 30° 180° 2,000 Hz 4,000 Hz 8,000 Hz 16,000 Hz 150° 0 5 10 15 20 25 dB 0° 30° 30° 60° 60° 90° 90° 120° 120° 150° 125 Hz 250 Hz 500 Hz 1,000 Hz 180° 0° 180° 2,000 Hz 4,000 Hz 8,000 Hz 16,000 Hz 150° 0 5 10 15 20 25 dB 10 20,000 , 5 00 100,0 0 0, 00 00 0 Hz lobar 1, 00 0 super-cardioid/lobar 10 0 Pick-up pattern 10 MKH 8090 50 1, 0 00 2, 0 00 0 5, 0 10 00 ,0 20 00 ,0 00 Hz MKH 8070 50 1, 0 00 2, 0 00 0 5, 00 10 0 ,0 20 00 ,0 00 Hz MKH 8060 50 10 0 20 0 Product 0° 30° 60° 90° 120° 120° 150° 125 Hz 250 Hz 500 Hz 1,000 Hz 180° 180° 150° 2,000 Hz 4,000 Hz 8,000 Hz 16,000 Hz 32,000 Hz MKH 8000 SERIES MICROPHONES 10 11 Am Labor 1, 30900 Wedemark, Germany www.sennheiser.com 521472 09/14 Sennheiser electronic GmbH & Co. KG Printed in Germany. Sennheiser and evolution are registered Trademarks of Sennheiser electronic GmbH & Co. KG. www.sennheiser.com
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