PXW FS7 V400 GB Manual

User Manual: Rent a Sony PXW-FS7 4K Digital Cinema Camera E Mount at LensProToGo.com

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Table of Contents
Overview
Preparation
Shooting
Thumbnail Screen
Menu Display and Settings
External Device Connection
Appendix

4-562-025-15 (1)

Solid-State Memory

Camcorder

Operating Instructions

Before operating the unit, please read this manual thoroughly

and retain it for future reference.

PXW-FS7

Software Version 4.0

Overview

System Configuration ............................................................... 6

Location and Function of Parts ............................................... 7

Viewfinder .................................................................... 11

Eyepiece ....................................................................... 11

Lens (PXW-FS7K only) ............................................... 11

Grip Remote Control .................................................... 11

Infrared Remote Control .............................................. 12

Extension Unit (Option) ............................................... 12

Screen Display ......................................................................... 13

Viewfinder Screen ........................................................ 13

Status Screen ................................................................ 15

Preparation

Power Supply ........................................................................... 18

Using a Battery Pack .................................................... 18

Using AC Power .......................................................... 19

Attaching Devices .................................................................... 20

Attaching the Microphone Holder ............................... 20

Attaching the Viewfinder ............................................. 21

Attaching the Eyepiece ................................................ 22

Attaching a Lens .......................................................... 23

Attaching the Grip Remote Control ............................. 24

Setting the Clock ..................................................................... 25

Configuring Basic Camcorder Operation ............................ 26

Shooting Mode ............................................................. 26

Color Space .................................................................. 26

Image Sensor Scan Mode ............................................. 26

Using XQD Memory Cards .................................................... 27

About XQD Memory Cards ......................................... 27

Recommended Media ................................................... 28

Inserting an XQD Memory Card .................................. 30

Ejecting XQD Memory Cards ...................................... 30

Switching Between XQD Memory Cards .................... 30

Formatting (Initializing) XQD Memory Cards ............ 30

Checking the Remaining Recording Time ................... 31

Table of Contents

Using a UTILITY SD Card .................................................... 31

Supported SD Cards ..................................................... 31

Inserting an SD Card .................................................... 31

Ejecting the SD Card .................................................... 31

Formatting (Initializing) SD Cards .............................. 32

Checking the Remaining Capacity ............................... 32

Using the XDCA-FS7 .............................................................. 32

Attaching the XDCA-FS7 ............................................ 32

Removing the XDCA-FS7 ........................................... 33

Attaching the Battery Pack ........................................... 33

Removing the Battery Pack .......................................... 34

Switching the Timecode Input/Output ......................... 34

Using an HXR-IFR5 and AXS-R5 ......................................... 34

Connecting the HXR-IFR5 to the Camcorder .............. 34

Removing the HXR-IFR5 ............................................ 34

Using the Infrared Remote Control ...................................... 35

Using Wi-Fi Remote Control ................................................. 36

Shooting

Basic Operation Procedure .................................................... 38

Adjusting the Focus Automatically .............................. 40

Adjusting the Focus Manually ..................................... 40

Monitoring Audio ......................................................... 41

Switching Between XQD Memory Cards .................... 41

Changing Basic Settings ......................................................... 42

Selecting the Recording Format ................................... 42

Adjusting the Brightness .............................................. 42

Adjusting for Natural Colors (White Balance) ............ 43

Setting the Audio to Record ......................................... 44

Specifying Time Data .................................................. 45

Useful Functions ...................................................................... 46

Assignable Buttons/Dials ............................................. 46

Slow & Quick Motion .................................................. 47

Recording Video Intermittently (Interval Rec) ............ 47

Picture Cache Recording (Picture Cache Rec) ............. 49

Reviewing a Recording (Rec Review) ......................... 49

Self Portrait Mode ........................................................ 50

Displaying Peaking ...................................................... 51

Displaying Zebra .......................................................... 51

Video Signal Monitor ................................................... 51

Obtaining Location Information (GPS) ....................... 51

Shooting in Cine EI Mode ............................................ 52

Recording RAW Video ................................................ 52

Adding Audio Input Connectors .................................. 53

Connecting Devices using Wireless LAN .............................. 54

Attaching the IFU-WLM3 ............................................ 54

Attaching the CBK-WA100 ......................................... 54

One-touch Connection of NFC-enabled Devices

(Using IFU-WLM3 Only) ...................................... 55

Displaying the Wi-Fi Remote Control .................................. 56

Thumbnail Screen

Thumbnail Screen ................................................................... 57

Screen Layout ............................................................... 57

Playing Clips ............................................................................ 58

Playing Recorded Clips ................................................ 58

Clip Operations ....................................................................... 59

Thumbnail Menu Operations ....................................... 59

Thumbnail Menu Items ................................................ 59

Menu Display and Settings

Setup Menu Configuration and Hierarchy .......................... 60

Setup Menu Organization ............................................ 60

Setup Menu Operations .......................................................... 62

Setup Menu List ...................................................................... 63

User Menu .................................................................... 63

Edit User Menu ............................................................ 64

Camera Menu ............................................................... 64

Paint Menu ................................................................... 70

Audio Menu ................................................................. 76

Video Menu .................................................................. 79

VF Menu ...................................................................... 81

TC/UB Menu ................................................................ 85

Recording Menu ........................................................... 86

Thumbnail Menu .......................................................... 88

Media Menu ................................................................. 89

File Menu ..................................................................... 90

System Menu ................................................................ 92

External Device Connection

Connecting External Monitors and Recording Devices .... 100

External Synchronization ..................................................... 101

Managing/Editing Clips using a Computer ........................ 102

Connecting using a USB Cable .................................. 102

Appendix

Usage Precautions ................................................................. 104

Output Formats and Limitations ........................................ 105

Video Formats and Output Signals ............................ 105

Error/Warning Messages ..................................................... 118

Error Messages ........................................................... 118

Warning Messages ..................................................... 118

Caution and Operation Messages ............................... 119

Items Saved in Files .............................................................. 120

Block Diagrams ..................................................................... 130

Audio Input (CH1&CH2) .......................................... 130

Audio Input (CH3&CH4) .......................................... 131

Audio Output .............................................................. 132

Licenses .................................................................................. 133

MPEG-4 Visual Patent Portfolio License .................. 133

Obtaining Software Under the GPL/LGPL

License ................................................................. 133

END USER LICENSE AGREEMENT ..................... 134

Open Software Licenses ............................................. 138

Specifications ......................................................................... 139

General ....................................................................... 139

Camera Section .......................................................... 141

Audio Section ............................................................. 141

Input/Output Section .................................................. 142

Display Section .......................................................... 142

Media Slot Section ..................................................... 142

Supplied Accessories ................................................. 142

Software Downloads .................................................. 144

Trademarks ................................................................. 144

This section shows an example of a camera system configuration.

Overview

System Configuration

ECM-MS2

Microphone

SELP28135G

SEL1635Z

SELP18200

Lens

UWP-D11

UWP-D12

Wireless

Microphone

Package

HVL-LBPC

Video Light

PXW-FS7

LA-EA3

LA-EA4

A-Mount

Adaptor

IFU-WLM3 (supplied)

USB Wireless LAN Module

VCT-FS7

Shoulder Adaptor

S/N/M/H/G-series

XQD Memory Card

MRW-E80

XQD Card Reader

HXR-IFR5

Interface Unit

AXS-R5

Portable

Memory

Recorder

BP-U30 (supplied),

BP-U60, BP-U60T,

BP-U90

Battery Pack

AC Adaptor (supplied)

AC-UES1230

XDCA-FS7

Extension Unit

BP-L80S, BP-FL75

Battery Pack

CBK-WA100

Wireless Adaptor

RMT-845 (supplied)

Infrared Remote Control

BC-U1 (supplied), BC-U2

Battery Charger

Grip Remote Control

(supplied)

SMAD-P3

Multi-Interface

Shoe Adaptor

XLR-K2M

XLR

Adaptor Kit

For details about the usage and function of each part, see the referenced page.

1. Handle (page 8)

2. Viewfinder connector (page 21)

3. REMOTE connector (page 24)

4. INPUT1 (LINE/MIC/MIC+48V) switch

(page 44)

5. INPUT2 (LINE/MIC/MIC+48V) switch

(page 44)

6. Grip attachment (page 24)

7. USB wireless LAN module connector

8. Recording indicator (page 96)

Flashes when the remaining capacity on the

recording media or battery is low.

9. Tape measure hook

The tape measure hook is on the same plane as

the image sensor. To measure the distance

between the camcorder and the subject

accurately, use this hook as a reference point.

You can attach the end of a tape measure to the

hook to measure the distance from the subject.

10. WB SET (white balance set) button

(page 44)

11. Lens lock pin (page 23)

12. Lens release button (page 23)

13. Accessory shoe

14. Handle record START/STOP button

The record button cannot be operated when the

lock lever is in the lock position.

15. Handle zoom lever (page 68)

16. Multi-interface shoe

For details about accessories supported by the

multi-interface shoe, contact your sales

representative.

Location and Function of Parts

WB SET

Attaching the accessory shoe

1Lift the front edge of the shoe spring, and pull the

spring in the opposite direction to the arrow engraved

on the spring.

2Position the accessory shoe on the accessory shoe

mount, aligning the protrusions on the shoe with the

corresponding points on the mount, and tighten the

four screws.

3Insert the shoe spring in the direction of the arrow so

that the U-shaped portion fits onto the end of the

accessory shoe.

Removing the accessory shoe

Remove the show spring as described in step 1 in

“Attaching the Accessory Shoe,” unscrew the four

screws, and remove the accessory shoe.

Attaching the USB wireless LAN module guard

plate

1Remove the handle attachment screw.

2Attach the guard plate, and tighten the screw.

Removing the handle

Remove the four handle attachment screws, and

remove the handle from the camcorder.

Attaching the handle connector protective cap

(supplied)

When using the camcorder with the handle

removed, protect the connector using the supplied

protective cap.

Protecting the connector terminals

Attach the cover to unused connectors to protect

the connector terminals.

Shoe spring

Accessory shoe

Shoe spring

1. Record START/STOP button

2. ND FILTER dial (page 43)

3. ASSIGN (assignable) 1 to 3 buttons

(page 46)

4. PUSH AUTO IRIS button (page 42)

5. PUSH AUTO FOCUS button (page 40)

6. FOCUS switch (page 40)

DISPLAY button

(page 13)

8. FULL AUTO button (page 38)

9. POWER switch (page 18)

10. IRIS dial (page 46)

11. STATUS CHECK button (page 15)

12. HOLD switch (page 96)

13. CH1 LEVEL CONTROL switch (page 44)

14. CH1 INPUT LEVEL dial (page 44)

15. CH2 LEVEL CONTROL switch (page 44)

16. CH2 INPUT LEVEL dial (page 44)

17. SLOT SELECT (XQD memory card

select) button (page 30)

18. CANCEL/BACK button (page 58)

19. MENU button (page 60)

20. THUMBNAIL button (page 57)

21. Right button

Used to set numeric values and to move the

cursor to the right on thumbnail screens and

menus.

22. SEL/SET (select/set) dial

Turn the dial to move the cursor up/down to

select menu items or settings. Press to apply the

selected item.

23. Left button

Used to set numeric values and to move the

cursor to the left on thumbnail screens and

menus.

24. SHUTTER button (page 43)

25. WHT BAL (white balance memory select)

switch (page 43)

26. WHT BAL (white balance) button

(page 43)

27. GAIN (gain select) switch (page 42)

28. ISO/Gain button (page 42)

1. Headphone connector (page 41)

2. XQD card slot A (page 30)

3. UTILITY SD card slot (page 31)

4. XQD (A) access indicator (page 30)

5. SD card access indicator (page 31)

6. XQD (B) access indicator (page 30)

7. USB connector

Connect to a computer using a USB cable to

access recording media in an XQD card slot on

the camcorder.

8. XQD card slot B (page 30)

9. Built-in speaker (page 41)

10. Media cover release button (page 30)

11. Extension unit connector (page 32)

12. Rear recording indicator (page 38)

13. DC IN connector (page 19)

14. BATT RELEASE (battery release) button

(page 18)

15. Battery (page 18)

16. Battery pack attachment (page 18)

17. Infrared remote control receiver sensor

(page 35)

18. Internal microphone (page 44)

Narration microphone for recording ambient

sound.

19. INPUT1 (audio input 1) connector

(page 44)

20. INPUT2 (audio input 2) connector

(page 44)

21. SDI OUT 1 connector (page 100)

22. SDI OUT 2 connector (page 100)

23. HDMI OUT connector (page 100)

Underside

1. Tripod screw hole (1/4 inch, 3/8 inch)

Compatible with 1/4-20UNC screws and

3/8-16UNC screws.

Attach to a tripod (option, screw length of

5.5 mm or less).

For details about attaching the viewfinder

(supplied) and eyepiece, see page 21.

1. CONTRAST knob

2. PEAKING button

3. ZEBRA button

4. MIRROR switch

5. Eyepiece attachment hooks

For details about attaching the eyepiece

(supplied), see page 22.

1. Diopter adjustment knob

2. Eyecup

For details, refer to the operation manual for the

lens.

For details about attaching the grip remote control

(supplied), see page 24.

1. Zoom lever

2. ASSIGN (assignable) 4 button

3. Assignable dial

4. ASSIGN (assignable) 6 button

5. Record START/STOP button

6. Multi selector

7. Grip rotation button

8. ASSIGN (assignable) 5 button

Viewfinder

Eyepiece

Lens (PXW-FS7K only)

Grip Remote Control

1. DATA CODE button

Not used on this version.

2. TC RESET button

3. SCAN/SLOW button

4. ./> (PREV/NEXT) buttons

5. PLAY button

6. STOP button

7. DISPLAY button

8. Remote control transmitter

9. START/STOP button

10. Zoom lever

11. PAUSE button

12. MODE button

Not used on this version.

13. b/B/v/V/ENTER buttons

For details about attaching an extension unit

(option), see page 32.

1. BATT RELEASE button

2. Battery connector

3. GENLOCK IN connector

4. DC IN connector

5. DC OUT connector

6. Recording indicator

7. REF OUT connector

8. TC IN/OUT connector

9. TC IN/OUT switch

10. RAW OUT connector

Infrared Remote Control Extension Unit (Option)

During shooting (recording/standby) and playback, the camcorder status and settings are superimposed

on the image displayed in the viewfinder.

You can show/hide the information using the DISPLAY button.

You can also select to show/hide each item independently (page 81).

The 17:9 aspect ratio picture captured by the image sensor is displayed in the viewfinder. In 16:9 recording

formats, the dark portions on the left and right edges are not recorded.

1. Shutter mode/shutter speed indicator

(page 43)

2. ND filter indicator (page 43)

3. Gain indicator (page 42)

Displayed as an EI value when Base Setting

(page 92) >Shooting Mode in the System menu

is set to “Cine EI.”

4. Focus position indicator

Displays the focus position (if a lens that

supports focus setting display is attached).

5. Recording mode, slot A/B icon, and status

indicators

Screen Display

Viewfinder Screen

Information displayed on the screen while shooting

/zRec Recording

/Stby Standby

S&Q / zRec Slow & Quick Motion,

High Frame Rate mode

recording

S&Q / Stby Slow & Quick Motion,

High Frame Rate mode

standby

Int /zRec Interval Rec recording

Int /zStby Interval Rec image

loading standby

Int / Stby Interval Rec recording

standby

/zPicture cache recording

/zCache Picture cache standby

6. Slot B icon and status indicators

7. External RAW recording indicator

(page 52)

8. Depth-of-field indicator

9. Color temperature indicator (page 43)

10. S&Q Motion frame rate indicator

(page 86)/Interval Rec recording interval

display (page 47)

11. Remaining battery capacity/DC IN

voltage indicator (page 19)

12. Recording format (picture size) indicator

(page 26, 93)

Displays the picture size for recording on XQD

memory cards.

The image sensor scan mode (F: 2K Full, C: 2K

Center) is displayed on the left of the picture

size. Only the scan mode is displayed if Codec

is set to “RAW” (2KF: 2K Full, 2KC: 2K

Center).

13. Recording format (frame rate and scan

method) indicator

14. Recording format (codec) indicator

(page 42)

Displays the name of the format for recording

on XQD memory cards.

15. Gamma/monitor LUT indicator (page 71,

79)

Displays the gamma setting. When Shooting

Mode (page 92) is set to “Cine EI,” it displays

the gamma or monitor LUT setting for recording

video on XQD memory cards.

16. External output format indicator

(page 79)

17. Timecode external lock indicator

Displays “EXT-LK” when locked to the

timecode of an external device.

18. Wi-Fi connection status indicator

(page 54)

Displayed when the Wi-Fi function is set to

“Enable.” When the IFU-WLM3 is not attached

to the camcorder, is not displayed.

19. GPS status indicator (page 51)

Displays the GPS status.

20. Focus assist indicator (page 41)

Displays a detection frame (focus area marker)

indicating the area for detection of focus, and a

level bar (focus assist indicator) indicating the

degree of focus within that area.

21. Video signal monitor (page 51)

Displays a waveform, vectorscope, and

histogram.

When Shooting Mode (page 92) is set to Cine

EI, monitor LUT information for the monitor is

also displayed (page 51).

22. Slot A/B media status/remaining capacity

indicator (page 31)

Recording media when the left side of the icon

is orange.

Playback media when the green indicator on the

top right of the icon is on.

23. Spirit level indicator

Displays the horizontal level and the front-to-

rear slope in ±1° increments up to ±20°.

24. Audio level meter

CH3 and CH4 can be monitored on the status

screen.

25. Clip name indicator (page 57)

26. Focus indicator (page 40)

27. Time data display (page 45)

28. SD card indicator

29. SDI output control status indicator

(page 100)

30. White balance mode indicator (page 43)

31. AE mode indicator (page 42)

32. Auto iris indicator (page 42)

33. AGC indicator (page 42)

34. Auto shutter indicator (page 43)

35. Focus mode indicator

36. Image stabilization mode indicator

zRec Recording

Stby Standby

W:P Preset mode

W:A Memory mode A

W:B Memory mode B

37. Focus area indicator

Displays the focus area for auto focus.

When push auto focus is available

During auto focus

Not displayed when Focus Area (page 66) is set

to Wide.

38. Zoom position indicator

Displays the zoom position in the range 0 (wide

angle) to 99 (telephoto) (if a lens that supports

zoom setting display is attached).

It can also be displayed as a bar graph (page 83).

39. Iris position indicator

Displays the iris position (if a lens that supports

iris setting display is attached).

Information displayed on the screen during

playback

The following information is superimposed on

the playback picture.

1. Clip number / total number of clips

2. Playback mode

3. Remaining battery capacity indicator

4. Playback format (picture size) indicator

5. Playback format (frame rate) indicator

6. Playback format (codec) indicator

7. Wi-Fi connection status indicator

(page 54)

Displayed when the Wi-Fi function is set to

“Enable.” When the IFU-WLM3 is not attached

to the camcorder, is not displayed.

8. Media indicator

9. Audio level indicator

Displays the audio level when recording.

10. Time data display

When Display On/Off >Timecode in the VF

menu is set to “On,” it displays the time data

when the DISPLAY button is pressed.

To display the status screen:

• Push the STATUS CHECK button.

To switch to the status screen:

• Turn the SEL/SET dial.

• Move the multi selector up/down.

To hide the status screen:

• Push the STATUS CHECK button.

Camera Status screen

Displays the electronic shutter setting of the

camera and the lens status.

Status Screen

ISO/Gain/EI<H> ISO/Gain/EI<H> setting

ISO/Gain/EI<M> ISO/Gain/EI<M> setting

ISO/Gain/EI<L> ISO/Gain/EI<L> setting

Shutter Shutter setting (Speed/Angle/

ECS/Off)

Iris F-stop value obtained from the

lens

Zebra1 Zebra1 On/Off setting and level

Zebra2 Zebra2 On/Off setting and level

Gamma Gamma Select setting

White White balance mode and settings

Focal Length Focal length value obtained from

the lens

AE Level AE level setting

AE Speed AE control speed setting

AGC Limit Maximum gain setting of the

AGC function

Audio Status screen

Displays the input setting, audio level meter, and

wind noise reduction filter setting for each

channel.

System Status screen

Displays the video signal settings.

Video Output Status screen

Displays the SDI, HDMI, and video output

settings.

Assignable Button Status screen

Displays the functions assigned to each of the

assignable buttons.

Battery Status screen

Displays information about the battery and DC IN

source.

A.SHT Limit Fastest shutter speed of the auto

shutter function

AE Mode AE mode setting (Backlight/

Standard/Spotlight)

CH1 level meter Channel 1 audio level meter

CH1 Source Channel 1 input source

CH1 Ref./Sens. Channel 1 input reference level

CH1 Wind Filter Channel 1 microphone wind

reduction filter setting

CH2 level meter Channel 2 audio level meter

CH2 Source Channel 2 input source

CH2 Ref./Sens. Channel 2 input reference level

CH2 Wind Filter Channel 2 microphone wind

reduction filter setting

CH3 level meter Channel 3 audio level meter

CH3 Source Channel 3 input source

CH3 Wind Filter Channel 3 microphone wind

reduction filter setting

CH4 level meter Channel 4 audio level meter

CH4 Source Channel 4 input source

CH4 Wind Filter Channel 4 microphone wind

reduction filter setting

Audio Input Level Audio input level setting

Monitor CH Monitor channel setting

HDMI Output CH HDMI output audio channel

combination setting

Headphone Out Headphone output type setting

Country NTSC or PAL region setting

Rec Format Format for recording to XQD

memory cards

Picture Size Picture size for recording to XQD

memory cards

Frame Rate Frame rate for recording to XQD

memory cards

Rec Function Enabled special recording format

and settings

Simul Rec Simul Rec On/Off status

Picture Cache Rec Picture Cache Rec On/Off status

Video Light Set HVL-LBPC Video Light (option)

on/off indicator

Imager Scan Scan mode of the image sensor

SDI1 Output picture size

Color space

Screen display output

Gamma

SDI2 Output picture size

Color space

Screen display output

Gamma

HDMI Output picture size

Color space

Screen display output

Gamma

REF Output picture size

RAW Output picture size

1 Function assigned to the ASSIGN

1 button

2 Function assigned to the ASSIGN

2 button

3 Function assigned to the ASSIGN

3 button

4 Function assigned to the ASSIGN

4 button

5 Function assigned to the ASSIGN

5 button

6 Function assigned to the ASSIGN

6 button

IRIS Dial Function assigned to the IRIS dial

Assignable Dial Function assigned to the

assignable dial

Detected Battery Type of battery

Remaining Remaining capacity (%)

Charge Count Number of recharges

Capacity Remaining capacity (Ah)

Voltage Voltage (V)

Manufacture Date Date of battery manufacture

Video Light

Remaining

Displays the remaining capacity

of the video light battery.

Power Source Power supply source

Supplied Voltage Supplied power source voltage

Media Status screen

Displays the remaining capacity and remaining

recording time of recording media (XQD memory

cards A and B).

Rec Button Settings Screen

Displays the settings of the record START/STOP

buttons on the camcorder and handle (page 39).

Media A

information

Displays the media icon when

recording media is inserted in slot

Media A

protection

Displays the lock icon when the

recording media inserted in slot A

is protected (locked).

Note

XQD memory cards cannot be

protected using the camcorder.

Media A

remaining capacity

meter

Displays the remaining capacity

of recording media inserted in slot

A expressed as a percentage on a

bar graph.

Media A

remaining

recording time

Displays an estimate of the

remaining recording time of the

recording media inserted in slot A

in units of minutes under the

current recording conditions.

Media B

information

Displays the media icon when

recording media is inserted in slot

Media B protection Displays the lock icon when the

recording media inserted in slot B

is protected (locked).

Note

XQD memory cards cannot be

protected using the camcorder.

Media B remaining

capacity meter

Displays the remaining capacity

of recording media inserted in slot

B expressed as a percentage on a

bar graph.

Media B remaining

recording time

Displays an estimate of the

remaining recording time of the

recording media inserted in slot B

in units of minutes under the

current recording conditions.

SD card

information

Displays the media icon when

media is inserted in the UTILITY

SD card slot.

SD card protection Displays the lock icon when the

media inserted in the UTILITY

SD card slot is protected (locked).

SD card remaining

capacity meter

Displays the remaining capacity

of media inserted in the UTILITY

SD card slot expressed as a

percentage on a bar graph.

SD card remaining

capacity

Displays the remaining capacity

of media inserted in the UTILITY

SD card slot expressed in units of

GB.

SD card life Displays the operating life of

media in the UTILITY SD card

slot as a percentage.

Rec Button Displays the slots for recording

controlled by the recording

START/STOP button.

Handle Rec Button Displays the slots for recording

controlled by the recording

START/STOP button on the

handle.

You can use a battery pack or AC power supply

from an AC adaptor.

For safety, use only the Sony battery packs and

AC adaptors listed below.

Lithium ion battery packs

BP-U30 (supplied)

BP-U60

BP-U60T

BP-U90

Battery chargers

BC-U1 (supplied)

BC-U2

AC adaptor (supplied)

AC-UES1230

Do not store battery packs in locations exposed to

direct sunlight, flame, or high temperature.

Notes

• The camcorder cannot be powered from the BC-U1/

BC-U2 battery charger acting as an external power

source.

• When operating from a power outlet, use the supplied

AC adaptor.

• Always set the POWER switch to the Off position

before connecting a battery or AC adaptor. If it is

connected with the POWER switch in the On position,

the camcorder may be unable to start in some cases. If

the unit cannot be started, set the POWER switch to the

Off position and disconnect the battery pack or AC

adaptor temporarily, then wait about 30 seconds before

attempting to connect again. (If the AC adaptor is

connected while the camcorder is operating from the

battery pack, it can be connected with the POWER

switch in the On position without problem.)

To attach a battery pack, plug the battery pack

into the attachment (page 10) as far as it will go,

and then slide it down to lock it into position.

To remove a battery pack, press and hold the

BATT RELEASE button (page 10), slide the

battery pack up and then pull it out of the

attachment.

Notes

• Before attaching a battery pack, charge the battery

using the dedicated BC-U1 or BC-U2 battery charger.

• Charging a battery immediately after use while it is

still warm may not fully recharge the battery.

Preparation

Power Supply

Caution

Using a Battery Pack

BATT RELEASE

button

Checking the remaining capacity

When shooting/playing using a battery pack, the

remaining battery capacity is displayed in the

viewfinder

(page 13)

The camcorder indicates the remaining capacity

by calculating the available time with the battery

pack if operation is continued at the current rate

of power consumption.

When using an extension unit

When using the XDCA-FS7 Extension Unit, the

battery voltage or the remaining battery capacity

is displayed, depending on the battery used.

Note

The camcorder battery pack cannot be used when an

XDCA-FS7 unit is attached to the camcorder. You must

attach a battery pack to the XDCA-FS7 or connect an

external power supply.

If the battery pack charge becomes low

If the remaining battery charge falls below a

certain level during operation (Low BATT state),

a low-battery message appears, the recording

indicator starts flashing, and a beep sound will

warn you.

If the remaining battery charge falls below the

level at which operation cannot continue (BATT

Empty state), a battery-empty message appears.

Replace with a charged battery pack.

Changing the warning levels

The Low BATT level is set to 10% of full battery

charge and the BATT Empty level is set to 3% by

factory default. You can change the warning level

settings using Camera Battery Alarm (page 98) in

the System menu.

Connecting the camcorder to a power outlet

allows use without worrying about the need to

recharge the battery pack.

Connect the AC adaptor to the DC IN connector

on the camcorder, and connect the power cord

(supplied) to a power outlet.

If the output voltage from the AC adaptor

becomes low

If the output voltage from the AC adaptor falls

below a certain level during operation (DC Low

Voltage1 state), a message appears informing you

that the AC adaptor output voltage has dropped,

the recording indicator starts flashing, and a beep

sound is emitted.

If the output voltage from the AC adaptor falls

below the level at which operation cannot

continue (DC Low Voltage2 state), a message

appears informing you that the AC adaptor output

voltage is too low.

If this occurs, the AC adaptor may be faulty.

Check the AC adaptor, as required.

Changing the warning levels

The DC Low Voltage1 level is set to 11.5 V and

the DC Low Voltage2 level is set to 11.0 V by

factory default. You can change the warning level

settings using Camera DC IN Alarm (page 98) in

the System menu.

Icon Remaining capacity

91% to 100%

71% to 90%

51% to 70%

31% to 50%

11% to 30%

0% to 10%

Using AC Power

AC adaptor

DC IN connector

Power cord

To power outlet

AC adaptors

• Do not connect and use an AC adaptor in a

confined space, such as between a wall and

furniture.

• Connect the AC adaptor to the nearest power

outlet. If a problem occurs during operation,

immediately disconnect the power cord from

the outlet.

• Do not short-circuit the metal parts of the plug

of the AC adaptor. Doing so will cause a

malfunction.

• The battery cannot be charged while attached to

the camcorder, even if the AC adaptor is

connected.

Notes

• The microphone holder is attached when shipped from

the factory.

• Attach/remove the microphone holder while the

camcorder is turned off.

• Attach/remove the microphone holder with the mount

cap attached so as not to damage the image sensor.

1Insert the microphone holder into the

handle.

2Insert the stopper into the recess, and

tighten the screw to secure the holder.

Attaching Devices

Attaching the Microphone Holder

Stopper

Removing the microphone holder

Remove the stopper, and use the reverse

procedure of attaching the microphone holder.

Note

Attach/remove the viewfinder while the camcorder is

turned off.

1Loosen the viewfinder clamp and insert

the viewfinder onto the protrusion on

the front of the handle.

2Adjust the left/right positioning of the

viewfinder, tighten the clamp, and then

connect the viewfinder cable to the

viewfinder connector of the camcorder.

Note

Check that the viewfinder is securely attached. The

viewfinder may fall off during shooting if the clamp is

loose.

Adjusting the angle of the viewfinder

Tilt the viewfinder up/down to adjust the angle of

the viewfinder.

You can adjust the angle so that the viewfinder is

facing the subject. Setting the MIRROR switch

(page 50) to the B/T position flips the left and

right sides of the image on the LCD screen, but

the image is recorded in the correct orientation.

Adjusting the viewfinder contrast

Turn the CONTRAST knob to adjust the contrast.

You can adjust the brightness in the viewfinder

using VF Setting >Brightness (page 81) in the VF

menu.

Removing the viewfinder

Loosen the viewfinder clamp, and use the reverse

procedure of attaching the viewfinder.

Attaching the Viewfinder

Clamp

Note

Attach/remove the eyepiece while the camcorder is

turned off.

1Attach the metal clips of the eyepiece to

the eyepiece attachment hooks on the

viewfinder.

2Push the lock plate on the bottom of the

eyepiece in the direction of the arrow to

lock the eyepiece into position.

Opening the eyepiece

Press the button indicated by the arrow.

Open the eyepiece upwards when the lock

disengages. The viewfinder is directly visible

when the eyepiece is opened.

Removing the eyepiece

Unclip the eyepiece lock, and remove the

eyepiece from the viewfinder.

Attaching the Eyepiece

Eyepiece attachment hooks

Lock plate

Recommended lenses

SELP28135G

SEL1635Z

SELP18200

For details about lenses supported by the camcorder,

contact your Sony service representative.

Do not leave the lens facing the sun. Direct

sunlight can enter through the lens, be focused in

the camcorder, and may cause a fire.

Notes

• Attach/remove a lens while the camcorder is turned

off.

• A lens is a precision component. Do not place the lens

on a surface with the lens mount face down. Attach the

supplied lens mount cap.

Attaching to a tripod

Use the tripod screw holes on the camcorder

when attaching to a tripod. Using the tripod

mount on the lens may cause damage.

Attaching an E-mount lens

1Remove the lens cap and cover from the

camcorder and the lens.

2Align the lens mount mark (white) with

the camcorder, carefully insert the lens,

and then turn the lens clockwise.

The lens makes a click sound when it locks into

position.

Attaching an A-mount lens

To use an A-mount lens, attach a lens mount

adaptor (option) and then attach the A-mount

lens.

Notes

• When using an A-mount lens, Iris is set to manual.

• When focus is set to AF with an LA-EA2 or LA-EA4

attached, Iris is set to F3.5 or fully open.

Removing a lens

Remove a lens using the following procedure.

1Press and hold the lens release button

and turn the lens counterclockwise.

2Pull the lens out in the forward

direction.

Note

If another lens will not be attached immediately, fit the

lens mount into the recess part of the lens mount cap and

turn clockwise.

Iris adjustments for lenses with Auto Iris

switch

• When the lens Auto Iris is set to AUTO, the iris

is adjusted automatically and can also be

adjusted manually from the camcorder.

• When the lens Auto Iris is set to MANUAL, the

iris can only be adjusted using the lens ring. Iris

operation from the camcorder has no effect.

Attaching a Lens

Caution

Mount mark (white)

Focus adjustments for lenses with focus

switch

• When the lens focus switch is set to AF/MF or

AF, the focus is adjusted automatically and can

also be adjusted manually from the camcorder.

• When the lens focus switch is set to Full MF or

MF, the focus can only be adjusted using the

lens ring. Focus operation from the camcorder

has no effect.

Note

Attach/remove the grip remote control while the

camcorder is turned off.

1Attach the arm to the grip attachment,

and tighten the screw.

2Connect the grip remote control cable

to the REMOTE connector on the

camcorder.

Notes

• Check that the arm and grip remote control are

securely attached. They may fall off during shooting if

the screws are loose.

• Do not support the weight of the camcorder by holding

just the grip remote control.

Adjusting the position of the grip remote

control

Adjust the arm angle (1).

Loosen the two screws on the rear side of the arm

using a coin or similar object, adjust the arm

length (2), and then tighten the two screws.

Press the grip rotation button (page 11) to adjust

the angle of the grip remote control (3).

Attaching the Grip Remote Control

Removing the grip remote control

1Disconnect the grip remote control

cable from the REMOTE connector on

the camcorder.

2Remove the arm from the camcorder.

The initial settings screen appears in the

viewfinder the first time the camcorder is turned

on or after the backup battery has become

completely discharged.

Set the date and time of the internal clock using

this screen.

Time Zone

Time Zone sets the time difference from UTC

(Coordinated Universal Time). Change the

setting as required.

Setting the date and time

Turn the SEL/SET dial (page 9) to select items

and settings, then press the SEL/SET dial to apply

the settings and start the clock running.

Once the settings screen is closed, you can change

the date, time, and time zone settings using Clock

Set (page 97) in the System menu.

Notes

• If the clock setting is lost because the backup battery

becomes fully discharged due to power being

disconnected for an extended period (no battery pack

and no DC IN power source), the initial settings screen

will be displayed when you next turn the camcorder

on.

• While the initial settings screen is displayed, no other

operation, except turning the power off, is permitted

until you finish the settings on this screen.

• The camcorder has a built-in rechargeable battery for

storing the date, time, and other settings even when the

camcorder is turned off. For details about the built-in

rechargeable battery, see page 104.

Setting the Clock

Before shooting, configure the basic operation of

the camcorder to suit the application.

You can switch the shooting mode between

“Custom” mode to create images flexibly on-site,

and “Cine EI” mode (where the camcorder is

operated similarly to a film camera, with footage

developed in post production).

You can select the mode using Base Setting

(page 92) >Shooting Mode in the System menu.

Color Space selects the base color gamut for

recorded signals and output signals.

When the shooting mode is set to Custom mode,

Color Space is set to “Matrix.”

Matrix: Selects the color gamut using the Matrix

setting, similar to conventional video

cameras.

When the shooting mode is set to Cine EI mode,

Color Space selects the color gamut of the video

output with MLUT set to Off.

S-Gamut/SLog2: Wide color gamut comparable to

film cameras.

S-Gamut3.Cine/SLog3: Easy to adjust color

gamut for digital cinema (DCIP3).

S-Gamut3/SLog3: Wide color gamut, for

compatibility with future standard gamuts,

optimized using Sony image distortion

correction technology.

You can select the color gamut using Base Setting

(page 92) >Color Space in the System menu.

You can set the scan mode of the image sensor.

You can select the mode using Base Setting

(page 92) >Imager Scan Mode in the System

menu.

Normal: When not using Slow & Quick Motion

high-frame rate mode, this scans the full

angle-of-view of Super 35mm size.

When S&Q Motion (page 86) >High Frame

Rate Mode in the Recording menu is set to

“Full Scan,” this scans the full angle-of-view

of Super 35mm size and converts the signal to

2K data. When set to “Center Scan,” this

scans a 2K angle-of-view of half Super 35mm

size at the center of the image.

2K Full: Scans the full angle-of-view of

Super 35mm size and converts the signal to

2K.

2K Center: Scans a 2K angle-of-view of half

Super 35mm size at the center of the image.

Note

The recording format resolution is restricted to 2K or

lower when Imager Scan mode (page 93) is set to 2K

Full or 2K Center.

Configuring Basic

Camcorder Operation

Shooting Mode

Color Space

Image Sensor Scan Mode

The camcorder records audio and video on XQD

memory cards (available separately) inserted in

the card slots.

Use the following Sony XQD memory cards in

the camcorder.

For details on operations with media from other

manufacturers, refer to the operating instructions

for the media or consult the manufacturer’s

information.

S-series XQD memory cards

H-series XQD memory cards

N-series XQD memory cards

M-series XQD memory cards

G-series XQD memory cards

The use of memory cards other than Sony XQD

memory cards is not guaranteed.

For details about using XQD memory cards and

usage precautions, refer to the operating instructions

for the XQD memory card.

Using XQD Memory

Cards

About XQD Memory Cards

The guaranteed operating conditions will vary depending on the Rec Format and Recording settings.

Yes: Operation supported

No: Normal operation not guaranteed

Recommended Media

Format XQD G

XQD S

(EB Stream)

XQD N

XQD M

Discontinued

XQD H

XQD S

(non EB

Stream)

32/64/128 GB

32/64/128

16/32/64 GB

XAVC-I 4096×2160P – 59.94P Yes No No

50P Yes No No

29.97P Yes No No

25P Yes No No

24P Yes No No

23.98P Yes No No

3840×2160 – 59.94P Yes No No

50P Yes No No

29.97P Yes No No

25P Yes No No

23.98P Yes No No

1920×1080 Normal mode or

S&Q (excluding

HFR *2)

59.94P Yes No No

59.94i Yes Yes No

50P Yes No No

50i Yes Yes No

29.97P Yes Yes No

25P Yes Yes No

23.98P Yes Yes No

S&Q (HFR mode) 59.94P Yes No No

50P Yes No No

29.97P Yes No No

25P Yes No No

23.98P Yes No No

*1 M-series only

*2 HFR: High Frame Rate

XAVC-L 3840×2160 – 59.94P Yes Yes No

50P Yes Yes No

29.97P Yes Yes No

25P Yes Yes No

23.98P Yes Yes No

1920×1080 Normal mode or

S&Q (excluding

HFR)

59.94P Yes Yes Yes

50P Yes Yes Yes

59.94i Yes Yes Yes

50i Yes Yes Yes

29.97P Yes Yes Yes

25P Yes Yes Yes

23.98P Yes Yes Yes

1920×1080 S&Q (HFR mode) 59.94P Yes Yes No

50P Yes Yes No

29.97P Yes 50 Mbps: No

35 Mbps: Yes No

25P Yes No No

23.98P Yes No No

MPEG HD

422

1920×1080 – 59.94i Yes Yes Yes

50i Yes Yes Yes

29.97P Yes Yes Yes

25P Yes Yes Yes

23.98P Yes Yes Yes

1280×720 – 59.94P Yes Yes Yes

50P Yes Yes Yes

29.97P Yes Yes Yes

25P Yes Yes Yes

23.98P Yes Yes Yes

ProRes 422

1920×1080 – 59.94i Yes No No

50i Yes No No

29.97P Yes No No

25P Yes No No

23.98P Yes No No

ProRes 422 1920×1080 – 59.94i Yes Yes No

50i Yes Yes No

29.97P Yes Yes No

25P Yes Yes No

23.98P Yes Yes No

Format XQD G

XQD S

(EB Stream)

XQD N

XQD M

Discontinued

XQD H

XQD S

(non EB

Stream)

32/64/128 GB

32/64/128

16/32/64 GB

1Press the media cover release button

(page 10) to open the media cover of the

card slot section.

2Insert an XQD memory card with the

XQD label facing to the left.

The access indicator (page 10) is lit red, then

changes to green if the card is usable.

3Close the media cover.

Notes

• The memory card, memory card slot, and image data

on the memory card may be damaged if the card is

forced into the slot in the incorrect orientation.

• When recording to media inserted in both XQD card

slots A and B, insert media in both slots that is

recommended for operation with the format of the

recording.

Press the media cover release button (page 10) to

open the media cover of the card slot section, and

lightly press the memory card in to eject the card.

Notes

• If the camcorder is turned off or the memory card is

removed while the memory card is being accessed, the

integrity of data on the card cannot be guaranteed. All

data recorded on the card may be discarded. Always

make sure the access indicator is lit green or not lit

before turning off the camcorder or removing the

memory card.

• When removing an XQD memory card immediately

after recording is finished, the XQD memory card may

be hot, but this does not indicate a problem.

When XQD memory cards are loaded in both card

slots A and B, you can switch the card used for

recording by pressing the SLOT SELECT button

(page 9).

If a card becomes full during recording, the

camcorder automatically switches to the other

card.

Note

The SLOT SELECT button is disabled during playback.

The memory cards are not switched even if you press the

button. The button is enabled while the thumbnail screen

(page 57) is displayed.

If an unformatted XQD memory card or an XQD

memory card that was formatted in a different

specification is inserted, the message “Media

Needs to be Formatted” is displayed in the

viewfinder.

Format the card using the following procedure.

Select Format Media (page 89) >Media(A)

or Media(B) in the Media menu, then select

Execute. When a confirmation message

appears, select Execute again.

A message is displayed while formatting is in

progress, and the access indicator is lit red.

When formatting is completed, a completion

message is displayed. Press the SEL/SET dial to

dismiss the message.

If formatting fails

Protected XQD memory cards and memory cards

not supported by the camcorder cannot be

formatted.

A warning message is displayed. Follow the

instructions to replace the card with a supported

XQD memory card.

Note

Formatting a memory card erases all data, including

recorded video data and setup files.

Inserting an XQD Memory Card

Ejecting XQD Memory Cards

Switching Between XQD Memory

Cards

Formatting (Initializing) XQD

Memory Cards

When shooting (recording/standby), you can

monitor the remaining capacity of the XQD

memory card in each slot using the slot A/B

media capacity indicators in the viewfinder

(page 13).

The remaining recording time is calculated from

the remaining capacity of the media in each slot

and the current video format (recording bit rate),

and is displayed in units of minutes.

Note

A mark is displayed if the media is protected.

XQD memory card replacement timing

• When the total remaining recording time on the

two memory cards becomes less than 5 minutes,

the message “Media Near Full” appears, the

recording indicator starts flashing, and a beep

sound (headphone output) will warn you.

Replace with media that has free space.

• If you continue recording until the total

remaining recording time reaches zero, the

message changes to “Media Full” and recording

stops.

Note

Up to approximately 600 clips can be recorded on one

XQD memory card.

If the number of recorded clips reaches the limit, the

remaining recording time indicator becomes “0” and the

message “Media Full” is displayed.

You can save camera configuration data for the

camcorder on an SD card (available separately).

Saved data files can be imported from the SD

card.

SDHC memory cards*

SD memory cards*

* Referred to collectively as “SD cards” in this manual.

1Press the media cover release button

(page 10) to open the media cover of the

card slot section.

2Insert the SD memory card with the SD

card label facing to the left.

The access indicator (page 10) is lit red, then

goes off if the card is usable.

3Close the media cover.

Press the media cover release button

(page 10) to open the media cover of the

card slot section, and lightly press the SD

card in to eject the card.

Notes

• If the camcorder is turned off or the SD card is

removed while the SD card is being accessed, the

integrity of data on the card cannot be guaranteed. All

data recorded on the card may be discarded. Always

make sure the access indicator is not lit before turning

off the camcorder or removing the SD card.

• Take caution to prevent the SD card from flying out

when inserting/ejecting the card.

Checking the Remaining

Recording Time Using a UTILITY SD Card

Supported SD Cards

Inserting an SD Card

Ejecting the SD Card

SD cards must be formatted the first time they are

used in the camcorder.

SD cards for use in the camcorder should be

formatted using the format function of the

camcorder. If a message appears when the SD

card is inserted into the camcorder, format the SD

card.

Select Format Media (page 89) >SD Card in

the Media menu, then select Execute. When

a confirmation message appears, select

Execute again.

A message and progress status are displayed

while formatting is in progress, and the access

indicator is lit red.

When formatting is completed, a completion

message is displayed. Press the SEL/SET dial to

dismiss the message.

Note

Formatting an SD card erases all data on the card. The

card cannot be restored.

You can check the remaining capacity on an SD

card on the Media Status screen (page 17).

Note

A mark is displayed if the SD card is protected.

To use an SD card formatted on the camcorder in

the slot of another device

First, make a backup of the card, then reformat

the card in the device to be used.

You can add functions to the camcorder, such as

a V-shoe battery or external sync signal, by

attaching an XDCA-FS7 Extension Unit (option)

to the camcorder.

Notes

• The camcorder battery pack cannot be used when an

XDCA-FS7 unit is attached to the camcorder. You

must attach a battery pack to the XDCA-FS7 or

connect an external power supply.

• Attach/remove the XDCA-FS7 while the camcorder is

turned off.

1Remove the battery pack (page 18)

attached to the camcorder.

2Remove the cover of the extension unit

connector section.

Formatting (Initializing) SD Cards

Checking the Remaining Capacity

Using the XDCA-FS7

Attaching the XDCA-FS7

3Align the protrusions of the XDCA-FS7

with the left and right grooves of the

camcorder and slide all the way in, then

slide the XDCA-FS7 down into the

connector section.

4Tighten the two screws on the top of the

XDCA-FS7 to secure the XDCA-FS7.

The cover of the extension unit connector

section can be inserted into the top of the

extension unit.

Loosen the two screws on the top of the

XDCA-FS7, and remove the XDCA-FS7 from

the camcorder.

Insert the battery pack into the battery pack

attachment on the XDCA-FS7.

The following Sony genuine battery packs are

supported.

Lithium-ion battery packs

BP-L80S

BP-FL75

Grooves Protrusions

Removing the XDCA-FS7

Attaching the Battery Pack

Pull the battery pack out from the battery pack

attachment on the XDCA-FS7 while holding

down the BATT RELEASE button.

You can switch the timecode input/output using

the TC IN/OUT switch (page 12).

For details, see page 102.

You can record RAW video (page 52) to an

AXS-R5 RAW Recorder (option) using an HXR-

IFR5 Interface Unit (option) and an XDCA-FS7

(option).

For details about setting up the HXR-IFR5 and

AXS-R5, refer to the HXR-IFR5 operation

manual.

1Attach the XDCA-FS7 to the camcorder

(page 32).

2Connect the RAW OUT connector of

the XDCA-FS7 to the SDI IN (RAW)

connector of the HXR-IFR5 using an

SDI cable.

Disconnect the SDI cable from the RAW

OUT connector of the XDCA-FS7.

Removing the Battery Pack

Switching the Timecode Input/

Output

Using an HXR-IFR5 and

AXS-R5

Connecting the HXR-IFR5 to the

Camcorder

Removing the HXR-IFR5

SDI cable

HXR-IFR5

AXS-R5

When using for the first time

Pull out the insulating sheet from the battery

holder when using the supplied infrared remote

control for the first time.

A CR2025 lithium-ion battery is installed in the

battery holder at the factory.

Controlling the camcorder using the

remote control

To use remote control, first turn on the camcorder

and then enable remote control operation.

Use the setup menu to enable/disable the remote

control function.

To enable using the menu

Press the MENU button to switch the camcorder

to menu mode, then set IR Remote (page 98) in

the System menu to On.

Notes

• Point the remote control at the remote control receiver

sensor on the camcorder.

• Set up the camcorder so that the remote control

receiver sensor is not exposed to direct sunlight or

strong light from other sources. Strong light can

prevent proper remote control operation.

• Other video decks may operate by mistake when using

the supplied remote control to operate the camcorder.

In this case, switch the remote control mode switch on

the video deck to DVD2, or shield the remote control

receiver sensor using black paper.

Changing the battery of the remote

control

The remote control uses a standard CR2025

battery.

Do not use a battery other than the CR2025.

1Push the tab in, and remove the battery

holder by placing a fingernail in the

groove.

2Insert a new battery with the + terminal

facing up.

3Insert the battery holder until it clicks

into place.

Do not store battery packs in locations exposed to

direct sunlight, flame, or high temperature.

Note

Replacing the battery with a non-specified battery may

cause device failure. Always replace with the specified

battery.

Dispose of used batteries in accordance with federal and

local laws.

Using the Infrared

Remote Control

Insulating sheet

Caution

Tab

You can operate the camcorder from a web

browser by connecting a smartphone, tablet, or

other device that supports a web browser to the

camcorder using a wireless LAN connection.

This function is called Wi-Fi remote control.

This function is useful when operating the

camcorder from a remote location, for example,

when the camcorder is mounted on a crane.

For details of the Wi-Fi remote control setup

procedure, see page 56.

Wi-Fi Remote screen (smartphone)

Main screen

Playback screen

Cursor screen

Assign screen

Using Wi-Fi Remote

Control

• Shooting settings

S&Q FPS, Shutter,

White, Sensitivity/Gain/

Exposure Index,

Gamma, MLUT, Color

Bars, Auto Black, Auto

White, Rec Start/Stop,

Lock, Iris, Focus, Zoom,

Auto Iris, Auto Shutter,

AGC, ATW

• Status display

• Playback buttons

Play/Pause, Stop, F Fwd,

F Rev, Next, Prev

• Status display

• Cursor buttons

Up, Down, Left, Right,

Set, Cancel/Back, Menu,

Status, Thumbnail, User

• Status display

• Assignable buttons

Assignable buttons 1 to 6

Wi-Fi Remote screen (tablet)

Main screen

• Shooting settings

S&Q FPS, Shutter, White, Sensitivity/Gain/Exposure

Index, Gamma, MLUT, Color Bars, Auto Black, Auto

White, Rec Start/Stop, Lock, Iris, Focus, Zoom, Auto

Iris, Auto Shutter, AGC, ATW

Playback screen

• Status display

• Playback buttons

Play/Pause, Stop, F Fwd, F Rev, Next, Prev

Cursor screen

• Status display

• Cursor buttons

Up, Down, Left, Right, Set, Cancel/Back, Menu,

Status, Thumbnail, User Menu

Assign screen

• Status display

• Assignable buttons

Assignable buttons 1 to 6

Basic shooting is conducted using the following

procedure.

1Attach the necessary devices, and check

that power is being supplied.

2Insert the memory card(s).

3Set the POWER switch to the ON

position.

The camera image appears in the viewfinder.

4Press the record button (page 7).

The recording indicator lights up, and the

camcorder starts recording.

5To stop recording, press the record

button again.

Recording stops, and the camcorder switches

to STBY (standby) mode.

Note

If the record button is pressed within a few seconds after

turning the camcorder on, the recording indicator lights

up to indicate the unit is in the recording state, but

recording to media may not occur for the first few

seconds, depending on the selected recording format.

Shooting (Full Auto mode)

Press the FULL AUTO button, turning the button

indicator on.

The auto iris (compatible lenses only), AGC, auto

shutter, ATW (auto tracing white balance)

functions are enabled to control the brightness

and white balance automatically (full auto mode).

To control each function manually, turn Full Auto

mode off.

Recording continuously when changing

memory cards (Relay Rec)

When memory cards are inserted in both slots A

and B, recording automatically switches to the

second memory card just before the remaining

capacity on the first card is reduced to zero.

Notes

• Do not eject a memory card while recording to it is in

progress. When recording, only change memory cards

in slots for which the slot access indicator is not lit.

• When the remaining capacity on the memory card

being recorded becomes less than one minute and a

recordable memory card is inserted in the other slot, a

“Will Switch Slots Soon” message appears. The

message disappears after switching memory card slots.

• Relay recording may not operate if recording is started

when the remaining memory card capacity is less than

one minute. For correct relay recording, check that the

remaining memory card capacity is more than one

minute before starting recording.

• Video created using the camcorder relay recording

function cannot be played back seamlessly on the

camcorder.

• To combine video created using the camcorder relay

recording function, use Catalyst Browse software.

Shooting

Basic Operation Procedure

Recording to memory cards A and B

simultaneously (Simul Rec)

You can simultaneously record using both

memory cards A and B.

Set Simul Rec >Setting in the Recording

menu to “On.”

Note

Simultaneous recording is not supported in Slow &

Quick Motion mode (page 86) or Picture Cache

recording mode (page 86).

Also, simultaneous recording is not supported for the

following recording formats (page 93).

NTSC Area

XAVC-I

4096×2160 59.94P, 4096×2160 29.97P,

4096×2160 24.00P, 4096×2160 23.98P,

3840×2160 59.94P, 3840×2160 29.97P,

3840×2160 23.98P, 1920×1080 59.94P

XAVC-L

3840×2160 59.94P, 3840×2160 29.97P,

3840×2160 23.98P

RAW (with XDCA-FS7, HXR-IFR5, and

AXS-R5 connected)

4096×2160 59.94P, 4096×2160 29.97P,

4096×2160 23.98P, 2048×1080 59.94P,

2048×1080 29.97P, 2048×1080 23.98P

RAW & XAVC-I (with XDCA-FS7, HXR-IFR5,

and AXS-R5 connected)

4096×2160 59.94P, 2048×1080 59.94P

ProRes 422 HQ, ProRes 422

(with XDCA-FS7 connected)

1920×1080 59.94i, 1920×1080 29.97P,

1920×1080 23.98P

PAL Area

XAVC-I

4096×2160 50P, 4096×2160 25P, 3840×2160 50P,

3840×2160 25P, 1920×1080 50P

XAVC-L

3840×2160 50P, 3840×2160 25P

RAW (with XDCA-FS7, HXR-IFR5, and

AXS-R5 connected)

4096×2160 50P, 4096×2160 25P,

2048×1080 50P, 2048×1080 25P

RAW & XAVC-I (with XDCA-FS7, HXR-IFR5,

and AXS-R5 connected)

4096×2160 50P, 2048×1080 50P

ProRes 422 HQ, ProRes 422

(with XDCA-FS7 connected)

1920×1080 50i, 1920×1080 25P

Changing the settings of the record

START/STOP buttons on the camcorder

and handle

When the simultaneous recording (Simul Rec) is

enabled, you can start/stop recording to each

memory card independently using the record

START/STOP buttons on the camcorder and the

handle.

By factory default, both buttons are set to start/

stop simultaneous recording to both memory

cards A and B.

• “Rec Button [SlotA SlotB] Handle Rec Button

[SlotA SlotB]”

When the buttons are set to control recording for

different memory cards, SDI/HDMI Rec Control

and RAW Rec Control follow the recording state

of slot A.

To change the setting

Select Simul Rec >Rec Button Set in the

Recording menu.

Rec Button Set Buttons and memory

cards

“Rec Button [SlotA

SlotB] Handle Rec

Button [SlotA SlotB]”

Starts/stops simultaneously

recording to memory cards A

and B using either button.

“Rec Button [SlotA]

Handle Rec Button

[SlotB]”

The record START/STOP

button starts/stops recording to

memory card A, and the record

START/STOP button on the

handle starts/stops recording to

memory card B.

“Rec Button [SlotB]

Handle Rec Button

[SlotA]”

The record START/STOP

button starts/stops recording to

memory card B, and the record

START/STOP button on the

handle starts/stops recording to

memory card A.

A lens that supports auto focus is required. Set the

FOCUS switch (page 9) on the camcorder to the

“AUTO” position. If the lens is fitted with a focus

selector switch, set the switch to the “AF/MF” or

“AF” position. If the switch is set to the “Full

MF” or “MF” position, lens focusing cannot be

operated from the camcorder (page 24).

Note

The LA-EA1/3 (option) supports push auto focus only.

Setting the auto focus area (Focus Area)

You can set the target area for auto focus using

Focus >Focus Area (page 66) in the Camera

menu.

Note

On the LA-EA2/4 (option), the position cannot be

set.

Temporarily stopping auto focus (Focus

Hold)

Press the PUSH AUTO FOCUS button (page 9)

when in auto focus mode to override auto focus.

This is useful, for example, when something

crosses in front of the subject that you do not want

to focus on, or when auto focus is lost.

To adjust the focus manually, set the FOCUS

switch (page 9) to “MAN.”

This allows you to adjust the focus manually

according to the shooting conditions.

Manual focusing is useful for the following types

of subjects.

- Subjects on the far side of a window covered

in water droplets

- Subjects with low contrast against the

background

- Subjects further away than nearby subjects

Adjusting focus rapidly using manual

focus (Push Auto Focus)

Position the subject that you want to adjust focus

for in the center of the image, then press the

PUSH AUTO FOCUS button (page 9).

The focus returns to the previous setting when

you release the button.

This is useful when you want to quickly focus on

a subject before starting to shoot.

You can set the position for focusing using Focus

>Focus Area (Push AF) (page 67) in the Camera

menu.

Notes

• The Push Auto Focus function does not operate if the

lens is set for manual focusing.

• During Push Auto Focus operation when using an LA-

EA2/4, Full Auto mode is On.

• During focus magnification, the focus adjusts to fit the

magnified display position.

Focus indicator

Indicates the focus state.

• (Lit): Subject is in focus.

• (Flashing): Subject is out of focus. Since

focusing is not automatic, change the

composition and focus settings to achieve

focus.

Focusing using magnified view (Focus

Magnifier)

By factory default, the Focus Magnifier x4/x8

function is assigned to the ASSIGN4 button on

the grip remote control (page 46).

Press the ASSIGN4 button.

The focus magnifier screen appears with the

center magnified by approximately four times.

Press the button again to increase the

magnification to approximately eight times. This

function is useful for checking the focus.

Press the button again to return to the normal

screen.

You can move the position to be magnified during

focus magnification using the multi selector.

Pressing the multi selector returns to the center of

the image. You can also control the position using

the left/right buttons and SEL/SET dial on the

camcorder, infrared remote controller, or Wi-Fi

remote controller.

If push auto focus is used during focus

magnification, the focus adjusts to fit the

magnified display position.

Notes

• The recorded image or SDI/HDMI output image is not

magnified when the focus is magnified.

• During focus magnification, the STATUS CHECK

button and menu buttons have no effect.

Adjusting the Focus Automatically

Adjusting the Focus Manually

• The focus position is cleared when the camcorder is

turned off. When the camcorder is turned on again, the

focus magnification position returns to the center of

the image when switching to the focus magnifier

screen.

Adjusting focus using the focus assist

indicator

The focus position is indicated by the maximum

reach of the bar. Adjust the focus to maximize the

length of the bar.

Notes

• The focus indicator may show little or no variation

when you are shooting subjects with little surface

variation or dark scenes.

• The detection range cannot be set.

You can monitor the audio that is being recorded

using headphones.

Connecting a set of headphones to the headphone

connector (page 10) enables you to monitor the

audio being recorded. You can also monitor the

playback audio (page 58) using the built-in

speaker (page 10) or headphones.

You can select the audio channel to monitor and

adjust the volume using Audio Output (page 78)

in the Audio menu.

When two XQD memory cards are inserted, press

the SLOT SELECT button (page 9) to switch

cards.

Note

You cannot switch between memory cards during

playback mode. Also, continuous playback of a clip

spanning media in slot A and slot B is not supported.

Monitoring Audio

Focus detection range frame

(Focus area marker)

Focus assist indicator

In-focus: Position of

maximum reach of the bar

Switching Between XQD Memory

Cards

Clips (recorded data)

When you stop recording, the video, audio, and

accompanying data from the start to the end of

the recording are saved as a single “clip” on an

XQD memory card.

Clip names

Each clip recorded by the camcorder is

automatically assigned a clip name comprising

the word “Clip” and a 4-digit number. The 4-

digit number automatically increments with

each recording.

You can change the “Clip” prefix using Clip in

the Media menu.

Maximum clip duration

Up to 6 hours per clip.

Multiple clips are recorded in succession

during relay recording, but recording will stop

automatically after approximately 13 hours.

You can change the settings based on the video

application or recording conditions.

The formats available for selection vary

depending on the Country (region of use) and

Codec settings.

Select a format using Rec Format >Video Format

in the System menu.

You can adjust the brightness by adjusting the

iris, gain, shutter speed, and by adjusting the light

level using ND filters.

When adjusting the brightness without using ND

filters, turn Full Auto mode (page 38) off.

You can adjust the brightness control target level

in the setup menu.

Adjusting the control target level

Set the level using Auto Exposure (page 66)

>Level in the Camera menu.

Note

The brightness cannot be adjusted automatically in Cine

EI mode.

Adjusting the iris automatically

This function adjusts the brightness according to

the subject. A lens that supports auto iris is

required.

1If a lens with Auto Iris switch is

attached, set the switch to AUTO.

2Press the IRIS button (page 46) to turn

Auto Iris on.

The setting toggles between on and off each

time the IRIS button is pressed.

Note

The iris cannot be adjusted automatically on an A-

mount lens.

Adjusting the iris manually

Press the IRIS button to turn Auto Iris off,

then adjust using the IRIS dial.

You can also assign the IRIS function to an

assignable dial (page 46).

Temporarily adjusting the iris automatically

Press and hold the PUSH AUTO IRIS button to

turn auto iris on temporarily.

The iris returns to the previous setting when you

release the button.

Note

When the Auto Iris switch of the lens is set to

“MANUAL,” the Auto Iris and Push Auto Iris functions

on the camcorder have no effect. Manual iris adjustments

on the camcorder also have no effect.

Adjusting the gain automatically

Press the ISO/Gain button (page 9) to turn AGC

on.

Or select Auto Exposure (page 66) >AGC in the

Camera menu and set to “On.”

Adjusting the gain manually

You can control the gain when you want to adjust

the exposure while using a fixed iris setting or

when you want to prevent the gain increasing due

to AGC.

1Press the ISO/Gain button (page 9) to

turn AGC off.

2Set the GAIN switch (page 9) to H, M,

or L.

Controlling the gain (fine adjustment)

Turn the IRIS dial, or the assignable dial assigned

with the ISO/Gain/EI function, to adjust the gain

value set by the GAIN switch.

This is useful when you want to adjust the

exposure by one step without changing the depth

of field.

The adjusted gain value is canceled by switching

the GAIN switch or by turning AGC on.

Changing Basic Settings

Selecting the Recording Format

Adjusting the Brightness

Shooting using auto shutter

This function adjusts the shutter speed

automatically in response to the image brightness.

Press the SHUTTER button (page 9).

If the settings screen was displayed, press the

button again.

Or set Auto Exposure (page 66) >Auto Shutter in

the Camera menu to On.

Shooting with a fixed shutter

You can shoot with a set shutter speed.

Press the SHUTTER button to display a screen

with the supported shutter values, and select and

set a value using the SEL/SET dial. If you press

the SHUTTER button again instead of the SEL/

SET dial, auto shutter is enabled.

Setting in the Camera menu

Select Shutter (page 67) in the Camera menu and

set the shutter mode and speed.

Adjusting the light level (ND filter)

In conditions where the lighting is too bright, you

can set the appropriate brightness by changing the

ND filter.

Turn the ND FILTER dial (page 9) to select Clear

t 1/4 t 1/16 t 1/64 t Clear in sequence.

You can select the adjustment mode to suit the

shooting conditions.

ATW (auto tracing white balance)

This function adjusts the white balance

automatically to an appropriate level.

The white balance is automatically adjusted when

the color temperature of the light source changes.

Pressing the WHT BAL button (page 9) switches

ATW on/off.

You can select the speed of adjustment (five

steps) using White (page 70) >ATW Speed in the

Paint menu.

You can freeze the current white balance setting

by assigning the ATW Hold function to an

assignable button (page 46), and pressing the

assignable button to temporarily pause ATW

mode.

Notes

• ATW cannot be used in Cine EI mode.

• It may not be possible to adjust to the appropriate

colors using ATW, depending on the lighting and

subject conditions.

Examples:

- When a single color dominates the subject, such as

sky, sea, ground, or flowers.

- When the color temperature is extremely high or

extremely low.

If the appropriate effect cannot be obtained

because the ATW auto tracking speed is slow or

for other reasons, run auto white balance.

Adjusting the white balance manually

1Turn Full Auto mode (page 38) off.

2When white balance is set to ATW

mode, press the WHT BAL button

(page 9) to set manual mode.

3Select B, A, or PRESET using the WHT

BAL switch (page 9).

B: Memory B mode*

A: Memory A mode

PRESET: Preset mode

* B can be assigned to ATW ON.

Adjusting for Natural Colors

(White Balance)

Preset mode

This mode adjusts the color temperature to a

preset value (factory default is 3200K).

Memory A/Memory B mode

This mode adjusts the white balance to the setting

saved in memory A or B, respectively.

Note

The settings of the WHT BAL switch in Cine EI mode

are fixed as follows.

B: 5500K

A: 4300K

PRESET: 3200K

Running auto white balance

1Press the ISO/Gain button (page 9) to

turn AGC on.

Or select Auto Exposure (page 66) >AGC in

the Camera menu and set to “On.”

2To save an adjustment value in

memory, select memory A mode or

memory B mode.

3Place white paper (or other object) in a

location with the same lighting source

and conditions as the subject, then zoom

in on the paper to show white on the

screen.

4Adjust the brightness.

Adjust the iris using the procedure in

“Adjusting the iris manually” (page 42).

5Press the WB SET button (page 7).

If auto white balance is set in memory mode,

the adjustment value is saved in the memory

(A or B) selected in step 2.

If auto white balance is set in ATW mode, the

white balance adjustment returns to the ATW

mode white balance when adjustment ends.

Notes

• Auto white balance cannot be performed in Cine EI

mode.

• If the adjustment is not successful, an error message is

displayed on the screen for about three seconds. If the

error message persists after repeated attempts to set

white balance, contact your Sony service

representative.

You can specify the audio to be recorded using

the input connectors, switches, and dials of the

camcorder.

External audio input connectors and selector

switches

INPUT1 connector (page 10)

INPUT2 connector (page 10)

INPUT1 (LINE/MIC/MIC+48V) switch (page 7)

INPUT2 (LINE/MIC/MIC+48V) switch (page 7)

Switches for setting the audio level

CH1 LEVEL CONTROL switch (page 9)

CH2 LEVEL CONTROL switch (page 9)

CH1 INPUT LEVEL dial (page 9)

CH2 INPUT LEVEL dial (page 9)

Selecting the audio input device

1Select the audio input connector.

Select the audio input using Audio Input

>CH1 Input Select or CH2 Input Select in the

Audio menu.

Set to INPUT1 or INPUT2 to correspond to

the connector for the connected device. If

using a shoe microphone or XLR adaptor,

specify Shoe 1 or Shoe 2 in the same way.

For details about the XLR adaptor, see

“Adding Audio Input Connectors”

(page 53).

Note

The camcorder is equipped with an internal

microphone. Although it is not suitable for final

audio, it can be used for syncing with other

equipment. In such cases, specify Internal MIC.

Setting the Audio to Record

2Select the input audio source.

Set the INPUT1/INPUT2 (LINE/MIC/

MIC+48V) switches to the devices

connected to the INPUT1/INPUT2

connectors, respectively.

• Selecting “MIC+48V” and connecting a

microphone that is not compatible with a

+48V source may damage the connected

device. Check the setting before

connecting the device.

• If noise is a concern on connectors with

no device connected, set the

corresponding INPUT1/INPUT2 (LINE/

MIC/MIC+48V) switches to “LINE.”

Adjusting the audio recording level

automatically

Set the CH1/CH2 LEVEL CONTROL switches

for the channels to adjust automatically to

“AUTO.”

For CH3/CH4, set Audio Input >CH3 Level

Control and CH4 Level Control in the Audio

menu to “Auto” (page 76).

Adjusting the audio recording level

manually

Use the following procedure to adjust the audio

recording level for CH1/CH2.

1Set the CH1/CH2 LEVEL CONTROL

switches for the channels to adjust

manually to “MAN.”

2During shooting or standby, turn the

INPUT LEVEL (CH1)/(CH2) dials of

the corresponding channels to adjust

the audio level.

You can also adjust the recording level using

the assignable dial (page 46), if assigned

with the Audio Input Level function, or from

the setup menu.

For CH3/CH4, set Audio Input >CH3 Level

Control and CH4 Level Control in the Audio

menu to “Manual,” and then set the audio

recording level in CH3 Input Level and CH4

Input Level (page 76).

Notes

• The Audio Input Level settings may be

disabled, depending on the combination of

settings in the Audio menu. For details, see the

diagram on page 130.

• If either Audio Input >CH1 Input Select or CH2

Input Select in the Audio menu is set to

“Internal MIC,” CH2 is switched to automatic/

manual in conjunction with the CH1 LEVEL

CONTROL switch. Also, the CH2 audio

recording level is set in conjunction with the

CH1 INPUT LEVEL dial (page 76).

• The camcorder supports combinations of

various settings. For details, see the diagram on

page 130.

Setting the timecode

Set the timecode to record using Timecode

(page 85) in the TC/UB menu.

Displaying time data

Press the DISPLAY button to display time data

on the screen (page 14).

Set the timecode to display using TC Display

(page 85) >Display Select in the TC/UB menu.

Pressing an assignable button (page 46) with

DURATION/TC/U-BIT assigned will switch the

display between the timecode, user bits, and

duration in sequence.

Connected device Switch position

External audio source (e.g.

mixer)

LINE

Dynamic microphone,

battery-operated

microphone

MIC

+48 V phantom power

feed microphone

MIC+48V

Specifying Time Data

There are six assignable buttons (page 9,

page 11) on the camcorder to which you can

assign functions.

You can also assign functions to the IRIS dial

(page 9) on the camcorder and the assignable dial

(page 11) on the grip remote control.

Changing the button function

Use Assignable Button (page 94) in the System

menu.

You can view the assigned functions on the

Assignable Button Status screen (page 16).

Functions assigned to each assignable button by

factory default

Assignable functions

•Off

•Marker

•Zebra

• Peaking

• Video Signal Monitor

• DURATION/TC/U-BIT

• Focus Magnifier x4/x8

• Focus Magnifier x4

• Focus Magnifier x8

• Push AF/Focus Hold

• Focus Area

• Focus Area (Push AF)

•VF Mode

•IRIS

•AGC

• SHUTTER

• Auto Exposure Level

• Push Auto Iris

• Push AGC

• Spotlight

• Backlight

•ATW

•ATW Hold

• SteadyShot

•Color Bars

• User Menu

•Rec Lamp

• S&Q Motion

• Picture Cache Rec

• Rec Review

• Thumbnail

• Shot Mark1

• Shot Mark2

•Clip Flag OK

•Clip Flag NG

• Clip Flag Keep

• High/Low Key

Changing the dial function

Use Assignable Dial (page 96) in the System

menu.

You can view the assigned functions on the

Assignable Button Status screen (page 16).

IRIS is assigned by factory default.

Assignable functions

•Off

•IRIS

• ISO/GAIN/EI

• Focus

• Audio Input Level

Useful Functions

Assignable Buttons/Dials

Button 1 S&Q Motion

Button 2 IRIS

Button 3 User Menu

Button 4 Focus Magnifier x4/x8

Button 5 User Menu

Button 6 Off

When the video format (page 92) is set to one of

the following values, you can specify a different

value for the recording frame rate and playback

frame rate.

NTSC Area

XAVC-I

4096×2160 59.94P, 4096×2160 29.97P,

4096×2160 24.00P, 4096×2160 23.98P,

3840×2160 59.94P, 3840×2160 29.97P,

3840×2160 23.98P,1920×1080

59.94P,1920×1080 29.97P, 1920×1080

23.98P

XAVC-L

3840×2160 59.94P, 3840×2160 29.97P,

3840×2160 23.98P, 1920×1080 59.94P 50,

1920×1080 59.94P 35, 1920×1080 29.97P

50, 1920×1080 29.97P 35, 1920×1080

23.98P 50, 1920×1080 23.98P 35

PAL Area

XAVC-I

4096×2160 50P, 4096×2160 25P,

3840×2160 50P, 3840×2160 25P,

1920×1080 50P, 1920×1080 25P

XAVC-L

3840×2160 50P, 3840×2160 25P,

1920×1080 50P 50, 1920×1080 50P 35,

1920×1080 25P 50, 1920×1080 25P 35

You can set the frame rate for recording by

pressing and holding an assignable button to

which S&Q Motion has been assigned.

Notes

• Slow & Quick Motion cannot be set during recording,

playback, or while the thumbnail screen is displayed.

• Audio recording is not supported in Slow & Quick

Motion mode.

• The auto focus function is disabled in Slow & Quick

Motion mode.

• The following conditions apply when shooting at

frame rates higher than 60 fps.

- The focus assist indicator, depth of field indicator,

focus position indicator, iris position indicator, and

zoom position indicator are all turned off.

NTSC Area

PAL Area

The camcorder’s Interval Rec function allows

you to capture time-lapse video to the

camcorder’s internal memory. This function is an

effective way to shoot slow-moving subjects.

When you start recording, the camcorder

automatically records a specified number of

frames at a specified interval time.

This function is enabled when the camcorder is set

to any of the following video formats

(page 92)

XAVC-I

XAVC-L*

MPEG HD 422*

Slow & Quick Motion Format Resolution Frame

rate

High frame

rate

XAVC-I 2160 1 to 60 fps Not supported

(59.94P, 29.97P, 24.00P,

23.98P)

1080 1 to 60 fps 72/75/80/90/96/

100/110/120/

125/135/144/

150/160/168/

175/180 fps

(59.94P, 29.97P, 23.98P)

XAVC-L 2160 1 to 60 fps Not supported

(59.94P, 29.97P, 23.98P)

1080 1 to 60 fps 72/75/80/90/96/

100/110/120 fps

(59.94P 50, 59.94P 35,

29.97P 50, 29.97P 35,

23.98P 50, 23.98P 35)

Format Resolution Frame

rate

High frame

rate

XAVC-I 2160 1 to 60 fps Not supported

(59P, 25P)

1080 1 to 60 fps 72/75/80/90/96/

100/110/120/

125/135/144/

150 fps

(59P, 25P)

XAVC-L 2160 1 to 60 fps Not supported

(59P, 25P)

1080 1 to 60 fps 72/75/80/90/96/

100/110/120 fps

(50P 50, 50P 35, 25P 50, 25P

35)

Recording Video Intermittently

(Interval Rec)

* 59.94i and 50i are not supported.

When Interval Rec is enabled, the HVL-LBPC

(option) video light automatically turns on before

recording starts, which allows you to record

pictures under stable light and color temperature

conditions (pre-lighting function).

Interval Rec settings and shooting

Notes

• Only one special recording function, such as Interval

Rec recording, can be used at any one time.

If another special recording mode is enabled while

Interval Rec is in use, Interval Rec is automatically

released.

• Interval Rec mode is automatically released after

changing system settings, such as the video format.

• Interval Rec settings cannot be changed during

recording or playback, or when the thumbnail screen is

displayed.

To set Interval Rec

Set Interval Rec (page 86) >Setting in the

Recording menu to On, and set Number of

Frames and Interval Time.

If using the HVL-LBPC video light (option), set

the time interval for turning on the video light

before recording starts in Pre-Lighting in the

Interval Rec menu, as required.

Notes

• If you want to turn the video light on before the start of

recording, set the video light switch to AUTO. The

video light turns on and off automatically according to

the setting of Video Light Set (page 69) in the Camera

menu.

• If you turn the video light switch on, the video light is

always lit (video light does not turn on/off

automatically).

• If the video light is configured so that it would turn off

for a duration of 5 seconds or less, the video light does

not turn off.

The camcorder exits Interval Rec mode when it is

powered off, but the Number of Frames, Interval

Time, and Pre-lighting settings are maintained.

You do not need to set them again the next time

you shoot in Interval Rec mode.

To shoot using Interval Rec

Press the record button to start recording. “Int /

zRec” and “Int / zStby” appears

alternately in the viewfinder.

If you are using the pre-lighting function, the

video light turns on before recording starts.

To stop shooting

Stop the recording.

When shooting ends, the video data stored in

memory up to that point is written to the media.

To exit Interval Rec mode

Do one of the following.

• Set the POWER switch to Off.

• In recording standby mode, set Interval Rec

>Setting in the Recording menu to Off.

Also, Interval Rec mode is automatically released

when the camcorder is restarted.

Limitations during recording

• Audio is not recorded.

• Reviewing the recording (Rec Review) is not

possible.

• Genlock is not applied.

If the camcorder is turned off during recording

• If the POWER switch on the camcorder is set to

the Off position, the media is accessed for

several seconds to record the images stored in

memory up till that moment, and then the power

turns off automatically.

• If power is lost because the battery was

removed, the DC power cord was disconnected,

or the power was turned off from the AC

adaptor, then the video and audio data shot up to

that point may be lost (maximum 10 seconds).

Care should be exercised when exchanging the

battery.

Interval time

Number of frames in one take

The picture cache recording function allows you

to capture video retroactively when you start

recording and then record it to XQD memory

cards by maintaining an internal cache memory of

a specified duration when shooting. The picture

cache recording time is set using Picture Cache

Rec >Cache Rec Time (page 86) in the Recording

menu.

Supported recording formats

*1: XAVC-I 59.94P and 50P are not supported.

Notes

• Picture Cache Rec cannot be on at the same time as

Interval Rec or Slow & Quick Motion. When Picture

Cache Rec is turned on, these other recording modes

are forcibly turned off.

• Picture Cache Rec mode cannot be selected while

recording or Rec Review is in progress.

• When Picture Cache Rec is on, the timecode is

recorded in Free Run mode regardless of the setting in

the TC/UB menu (page 85).

• The Output Format setting may not be configurable in

Picture Cache Rec mode. If this occurs, temporarily set

Picture Cache Rec to Off, and then change the setting.

Configuring before shooting

Configure Picture Cache Rec (page 86) in the

Recording menu before shooting.

You can also assign the Picture Cache Rec

function to an assignable button (page 46) and

switch Picture Cache Rec >Setting on/off using

the button.

When configured, the z (green) indicator

appears in the viewfinder (page 13).

Picture cache recording

When you press the record button, recording

starts and video is written to XQD memory cards

starting from the video stored in the cache

memory.

To cancel Picture Cache Rec

Turn off Picture Cache Rec >Setting in the

Recording menu or press an assignable button

assigned with the Picture Cache Rec function.

Notes

• Changing the recording format clears the video in

cache memory stored up to that point, and starts

caching new video. Consequently, picture cache

recording of pictures before changing format is not

possible, even if you start recording immediately after

changing format.

• If Picture Cache Rec is turned on/off immediately after

inserting an XQD memory card, cache data may not be

recorded on the card.

• Video is stored in cache memory when the cache

recording function is turned on. Video prior to the

function being turned on is not cached.

• Video is not stored in cache memory while an XQD

memory card is being accessed, such as during

playback, Rec Review, or thumbnail screen display.

Picture cache recording of video during that interval is

not possible.

• You can change the cache recording time setting using

the menu while recording is in progress, but the new

value does not come into effect until after recording

ends.

You can check the video of the most recently

recorded clip on the screen.

When recording is stopped, press the

assignable button (page 46) with Rec

Review assigned.

The clip is played to the end, Rec Review ends,

and the camcorder returns to STBY (standby)

mode.

Press and hold the button to start playback in the

reverse direction. When the button is released, the

clip is played to the end.

To stop Rec Review

Press the assignable button with Rec Review

assigned.

Picture Cache Recording (Picture

Cache Rec)

Recording

format

Resolution Cache time [sec.]

RAW 4096×2160

2048×1080

Not supported

XAVC *1 4096×2160

3840×2160

0 to 2

1920×1080 0 to 2/2 to 4/4 to 6/6

to 8

MPEG-2 1920×1080 0 to 2/2 to 4/4 to 6/6

to 8/ 8 to 10/13 to 15

ProRes422 1920×1080 Not supported

Reviewing a Recording (Rec

Review)

Note

Rec Review is not supported if the video format is

changed after recording a clip.

You can flip the image in the viewfinder

(page 11) vertically or horizontally/vertically

using the MIRROR switch.

This allows you to turn the viewfinder 180°

toward the lens.

OFF

The image is not inverted.

B/T

The image is flipped vertically.

The information display is flipped vertically and

horizontally.

ROT

The image is flipped vertically and horizontally.

The information display is also flipped vertically

and horizontally.

Self Portrait Mode

Note

The B/T and ROT view are displayed in the viewfinder

only. The output video and recorded video remain

unaffected.

You can turn peaking on/off by pressing the

PEAKING button on the viewfinder (page 11).

You can turn peaking on/off and set the peaking

type and peaking frequency using Peaking

(page 81) in the VF menu.

You can turn zebra pattern display on/off by

pressing the ZEBRA button on the viewfinder

(page 11).

You can turn zebra pattern display on/off, and set

the zebra pattern type and display level using

Zebra (page 81) in the VF menu.

Note

The camcorder measures the image in the viewfinder. In

Cine EI mode, adjust the display level and other

parameters in accordance with the viewfinder monitor

LUT (page 79) setting.

You can set the type of video signal to display on

the viewfinder screen to waveform, vectorscope,

or histogram using Video Signal Monitor

>Setting (page 84) in the VF menu.

The video signal monitor of the camcorder

measures the video signal in the video output

stage. Accordingly, if the output video is edge

cropped with respect to the recorded video, the

cropped signal component will not be measured.

When this occurs, “EC” is displayed at the top left

of the video signal monitor.

When the video output is set to 2K or lower in

Cine EI mode, you can measure the video signal

from either the SDI1 system or SDI2 system

using Video Signal Monitor >Source (page 84) in

the VF menu. The monitor LUT setting (page 79)

of the specified SDI system is displayed at the top

right of the video signal monitor.

Notes

• When Display On/Off >Setting (page 83) is set to Off

in the VF menu, the video signal monitor is not

displayed.

• When the specified SDI system monitor LUT setting is

set to Off, the Color Space setting (page 92) is

displayed at the top right of the video signal monitor.

Set GPS to “On” in the System menu.

is displayed when the camcorder is seeking

GPS satellites. When positioning is established,

location information is recorded when shooting

video.

Notes

• The GPS setting in the System menu cannot be set to

“On” when the handle is not attached, as the GPS

receiver is built into the handle.

• The icon displayed varies, depending on the signal

reception from the GPS satellites.

Displaying Peaking

Displaying Zebra

Video Signal Monitor

Obtaining Location Information

(GPS)

• GPS is set to “On” by factory default. Location and

time information of video shot when positioning is

enabled is recorded by the camcorder.

• If a positioning icon is not displayed after several

minutes, there may be a problem with signal reception.

Start shooting without location information, or move

to an area with a clear view of the sky. Shooting when

a positioning icon is not displayed means that location

information will not be recorded.

• The GPS signal may not be received when indoors or

near tall structures. Move to a location with a clear

view of the sky.

• The recording of location information may be

interrupted, depending on the strength of the received

signal, even if a positioning icon is displayed.

This mode mimics the way a film camera works,

and assumes “developing” occurs in post-

production.

Cine EI mode constraints

• Functions that cannot be adjusted automatically

(tracking)

- White balance

-Gain

- Shutter

- Iris

- Auto Exposure

• Functions that cannot be configured

-Gain

- Paint menu settings

-Scene File

-Lens File

Functions available in Cine EI mode only

• Exposure Index

• Monitor LUT

• High/Low Key

• RAW video recording

You can record RAW video to an AXS-R5

(option) by converting the signal output from the

RAW OUT connector of an XDCA-FS7 (option)

attached to the camcorder using an HXR-IFR5

(option) (page 34).

1Set up the external RAW recorder unit

(page 34).

2Set Base Setting >Shooting Mode in the

System menu to Cine EI.

3Set Codec >Select in the System menu to

RAW.

Selecting RAW & XAVC-I will

simultaneously record RAW video to the

external RAW recorder and HD video to the

XQD memory cards in the camcorder.

4Set the resolution using Imager Scan

Mode in the System menu.

When set to Normal, the RAW resolution is

4096×2160.

5Set the frame rate in Rec Format

>RAW Output Format in the System

menu.

6Check that the external recorder is

turned on, then press the record button

on the camcorder.

The supported RAW output formats are shown

below.

Positioning

status

Display GPS reception state

Off No display GPS is set to “Off” or an

error occurred.

Positioning

not available

Location information

could not be obtained

because GPS signal could

not be received. Move to

a location with a clear

view of the sky.

Searching for

satellites

Searching for GPS

satellites. Several

minutes may be required

to acquire satellites.

Positioning A weak GPS signal is

being received.

A GPS signal is being

received. Location

information can be

acquired.

A strong GPS signal is

being received. Location

information can be

acquired.

Shooting in Cine EI Mode

Recording RAW Video

NTSC Area

PAL Area

Recording status indicator

If Display On/Off (page 83) >HXR-IFR5 Rec

Control in the VF menu is set to “On,” the RAW

recording status is displayed in the viewfinder

using an icon.

Slow & Quick Motion Recording

If S&Q Motion >Setting in the Recording menu is

set to “On,” RAW video is recorded in Slow &

Quick Motion mode.

RAW output Slow & Quick Motion is supported

only for 2K resolution at 120/240 fps (NTSC) and

100/200 fps (PAL).

Notes

• The RAW OUT connector of the camcorder only

controls recording by transmitting a Rec Control signal

to the external recorder, hence the camcorder may

indicate RAW video recording is in progress when the

external recorder is not actually recording. Check the

indicator on the external recorder to obtain the correct

operating status.

• When recording is started on an external recorder,

without using the record button on the camcorder, clips

may not be recorded properly.

You can connect up to four channels of XLR

audio devices to the camcorder at the same time

by using an XLR-K2M XLR adaptor (not

supplied).

Attach the XLR adaptor to the MI shoe, and set

Audio Input >CH3 Input Select to “Shoe 1” and

CH4 Input Select to “Shoe 2” in the Audio menu.

Camcorder functions that overlap will be disabled

for channels on which the XLR adaptor is

selected as the input. Use the switches and dials

on the XLR adaptor to perform adjustments.

Notes

• If Audio Input >CH3 Level and CH4 Level in the

Audio menu are set to “Audio Input Level,” Audio

Input Level of the camcorder will be set to match the

level adjusted on the XLR adaptor. Audio Input Level

is also enabled when the XLR adaptor switch is set to

AUTO. When “Through” is specified, audio will be

recorded at the level adjusted with the XLR adaptor

(page 131).

• You can also assign to CH1 and CH2 by attaching an

XLR adaptor and setting Audio Input >CH1 Input

Select and CH2 Input Select in the Audio menu to

“Shoe 1” and “Shoe 2,” respectively. However, if input

from an XLR adaptor is assigned to both CH1 and

CH2, input from the INPUT1/INPUT2 connectors on

the camcorder can no longer be assigned to the

channels.

Codec >Select

setting

RAW output formats

RAW / RAW &

XAVC-I / RAW

&XAVC-L / RAW

&MPEG HD422

4096×2160 59.94P

4096×2160 29.97P

4096×2160 23.98P

2048×1080 59.94P

2048×1080 29.97P

2048×1080 23.98P

Codec >Select

setting

RAW output formats

RAW / RAW &

XAVC-I / RAW

&XAVC-L / RAW

&MPEG HD422

4096×2160 50P

4096×2160 25P

2048×1080 50P

2048×1080 25P

Adding Audio Input Connectors

The camcorder can connect to smartphones,

tablets, and other devices using wireless LAN

connection by attaching the IFU-WLM3 USB

Wireless LAN Module (supplied) or a

CBK-WA100 Wireless Adaptor (option).

Note

USB wireless modules other than the IFU-WLM3 are not

supported.

The following are supported from devices

connected by wireless LAN.

• Remote control

Enables remote control of the camcorder.

• Video monitoring (CBK-WA100 only)

Enables monitoring of the video from the

camcorder.

CBK-WA100 (option) and the Content

Browser Mobile application are required.

For details about the Content Browser Mobile

application, contact your Sony sales or service

representative.

Compatible devices

You can use a smartphone, tablet, or computer to

configure and operate the camcorder. The

supported devices, OS, and browsers are shown

in the following table.

Plug the IFU-WML3 into the USB wireless LAN

module connector (page 7).

After attaching the unit, set Wi-Fi >Wi-Fi

(page 97) in the System menu to “Enable” to

enable wireless LAN.

Note

Attach/remove the IFU-WLM3 while the camcorder is

turned off.

Note

Attach/remove the CBK-WA100 while the camcorder is

turned off.

1Attach the CBK-WA100 to the

mounting bracket, and tighten the two

screws.

Connecting Devices

using Wireless LAN

Device OS Browser

Smartphone Android 5.1 Chrome

iOS 9 Safari

Tablet Android 5.1 Chrome

iOS 9 Safari

Computer Microsoft Windows 7/

Microsoft Windows 8.1/

Microsoft Windows 10

Chrome

Mac OS 10.10/10.11 Safari

Attaching the IFU-WLM3

Attaching the CBK-WA100

2Attach the CBK-WA100 mounting

bracket on the camcorder, and tighten

the screws.

3Connect the CBK-WA100 USB cable to

the USB wireless LAN module

connector (1), and the SDI cable to the

SDI OUT connector (2).

4Turn the CBK-WA100 on, and then

turn the camcorder on.

5When connection is completed, the

wireless LAN must be enabled by

setting Wi-Fi >Wi-Fi (page 97) in the

System menu to Enable.

Note

The SDI OUT output setting must be configured to use

the CBK-WA100 with the camcorder. However, the

camcorder cannot output a signal compatible with the

CBK-WA100 when using XAVC-I 24.0P or ProRes

23.98P (page 79).

About the CBK-WA100

The CBK-WA100 has functions for recording

low-resolution proxy files on an SD card, and for

transferring the files to a server via a wireless

LAN. For details, refer to the operation manual

for the CBK-WA100.

Devices that support NFC can be connected (one-

touch connection) using NFC.

1Attach an IFU-WLM3 to the camcorder

(page 54), and set Wi-Fi >Wi-Fi

(page 97) in the System menu to

“Enable” to enable wireless LAN.

appears on the screen.

2Open “Settings” on the device, select

“More,” and place a check mark in the

NFC checkbox.

The various settings will vary depending on

the device. For details, refer to the instruction

manual for the device.

One-touch Connection of NFC-

enabled Devices (Using IFU-

WLM3 Only)

3Touch the camcorder using the device.

The device connects to the camcorder,

launches a web browser, and displays the

Wi-Fi remote control. Authentication is

required the first time that the device

connects.

Notes

• Disable sleep mode and screen lock beforehand.

• Touch and hold the device still until the “Content

Browser Mobile” application launches (1 to

2 seconds).

The Wi-Fi Remote screen is automatically

resized to match the screen size of the connected

device.

1Connect the camcorder and device

using a Wireless LAN connection

(page 55).

2Launch a browser on the device and

enter “http://IP address of camcorder

(Wi-Fi >IP Address in System menu)/

rm.html” in the URL bar.

For example, if the IP address is 192.168.1.1,

enter “http://192.168.1.1/rm.html” in the

URL bar.

3Enter the user name and password

(Basic Authentication >User Name and

Password in the System menu).

When connection is successful, the Wi-Fi

Remote screen appears on the device.

You use the Wi-Fi Remote screen to operate

the camcorder.

You can disable the record button operation

by sliding the Lock knob to the right.

Notes

• To display the page for a smartphone, change

“rm.html” to “rms.html” in the URL. To display the

page for a tablet, change “rm.html” to “rmt.html” in

the URL. When “rm.html” is entered, the page

automatically switches for display on the

corresponding device. However, the appropriate page

may not be displayed, depending on the device.

• The Wi-Fi Remote screen may not match the

camcorder settings under the following circumstances.

If this occurs, reload the browser window.

- If the camcorder is restarted while connected

- If the camcorder is operated directly while

connected

- If the device has been reconnected

- If the browser Forward/Back buttons have been

used

• The Wi-Fi remote control may not function if the

wireless signal strength becomes weak.

Displaying the Wi-Fi

Remote Control

The thumbnail screen appears if you press the THUMBNAIL button (page 9). The thumbnail screen

displays the clips stored on XQD memory cards as thumbnails (index pictures).

You can select a clip on the thumbnail screen and start playback of that clip. The playback image can be

displayed in the viewfinder and on an external monitor.

Pressing the THUMBNAIL button again closes the thumbnail screen and returns to the camera image.

Notes

• Only the clips recorded in the currently selected recording format are displayed on the thumbnail screen. If an expected

recorded clip is not displayed, check the recording format. Take special note of this fact before formatting (initializing)

media.

• When Codec >Select in the System menu is set to one of the following, recording cannot be started during playback or

when the thumbnail screen is displayed.

RAW & XAVC-I, RAW & XAVC-L, RAW & MPEG HD422

Information for the clip at the cursor position is displayed at the bottom of the screen.

1. Thumbnail (index picture)

Displays the index picture of a clip. When a clip

is recorded, its first frame is automatically set as

the index picture.

Clip/frame information is displayed below the

thumbnail. You change the information

displayed using Customize View (page 88)

>Thumbnail Caption in the Thumbnail menu.

2. Clip name

Displays the name of the selected clip.

3. Recording video format

Displays the file format of the selected clip.

Thumbnail Screen

Screen Layout

Clip number/Total number of clips

Cursor

(yellow)

Currently selected XQD memory card indicator

(A lock icon is displayed if the card is protected.)

4. Special recording information

Displays the recording mode only if the clip was

recorded using a special recording mode.

For Slow & Quick Motion clips, the frame rate

is displayed on the right.

5. Clip duration

6. Creation date You can play recorded clips when the camcorder

is in recording standby (Stby) mode.

1Insert an XQD memory card for

playback.

2Press the THUMBNAIL button.

3Turn the SEL/SET dial (page 9) to move

the cursor to the thumbnail for the clip

you want to play.

4Press the SEL/SET dial.

Playback begins from the start of the selected

clip.

You can control playback by pressing the

following buttons.

SEL/SET dial:

Pauses playback.

Press again to return to normal playback.

Press left/right buttons:

Jumps to start of clip/start of next clip.

Press and hold left/right buttons:

Fast reverse/forward.

Returns to normal playback when you release

the button.

CANCEL/BACK button:

Stops playback, and returns to recording

standby mode.

Notes

• There may be momentary picture breakup or still

image display at the boundary between clips. You

cannot operate the camcorder during this period.

• When you select a clip in the thumbnail screen and

begin playback, there may be momentary picture

breakup at the start of the clip. To view the start of the

clip without breakup, put the camcorder into playback

mode, pause, then use the left button of the SEL/SET

dial to return to the start of the clip, and start playback

again.

• You can also control playback using the supplied

remote control.

Playing Clips

Playing Recorded Clips

On the thumbnail screen, you can operate the

clips or check clip properties using the thumbnail

menu.

The thumbnail menu (page 88) appears when you

press the MENU button and select a thumbnail.

Turn the SEL/SET dial (page 9) to select a

function, then press the SEL/SET dial.

Press the CANCEL/BACK button (page 9) to

return to the previous screen.

Note

Some items cannot be selected, depending on the state

when the menu was displayed.

Display Clip Properties

Set Index Picture

Thumbnail View

Set Shot Mark

Set Clip Flag

Lock/Unlock Clip

Delete Clip

Filter Clips

Customize View

For details about clip operation menus, see

“Thumbnail Menu” (page 88).

Displaying clip properties

Select Display Clip Properties (page 88) in the

Thumbnail menu to display the clip properties

screen.

Displaying the essence mark thumbnail

screen

Select Thumbnail View (page 88) >Essence

Mark Thumbnail in the Thumbnail menu and

select the essence mark type to display a

thumbnail view of the frames that have the

specified essence mark.

Displaying the filtered clip thumbnail

screen

Select Filter Clips (page 88) in the Thumbnail

menu and select a clip flag type to display only

those clips that have the specified flag.

To display all the clips, select Thumbnail View

>Essence Mark Thumbnail in the Thumbnail

menu to All.

Deleting clips

You can delete clips from XQD memory cards.

Select Delete Clip >Select Clip or All Clips in the

Thumbnail menu.

Select Clip:

Deletes the selected clip. Multiple clip

selection is supported.

All Clips:

Deletes all of the displayed clips.

Changing the information displayed on

the thumbnail screen

You can change the clip/frame information

displayed below the thumbnail.

Select Customize View >Thumbnail Caption in

the Thumbnail menu and select the information to

display.

Date Time:

Displays the date and time the clip was

created and last modified.

Time Code:

Displays the timecode.

Duration:

Displays the duration of the clip.

Sequential Number:

Displays a sequential number on each

thumbnail.

Clip Operations

Thumbnail Menu Operations

Thumbnail Menu Items

Press the MENU button to display the setup menu

in the viewfinder to specify various items for

shooting, recording, and playback (menu can also

be displayed on an external monitor). The setup

menu comprises the following menus.

User menu:

Contains menu items configured by the user

using Edit User Menu.

Edit User menu:

Contains menu items for editing the User

menu.

Camera menu:

Contains settings related to shooting.

Paint menu:

Contains settings related to image quality.

Audio menu:

Contains settings related to audio.

Video menu:

Contains settings related to video output.

VF menu:

Contains settings to the viewfinder display.

TC/UB menu:

Contains settings related to timecode and

user bits.

Recording menu:

Contains settings related to recording.

Thumbnail menu:

Contains settings related to thumbnail

display.

Media menu:

Contains settings related to media.

File menu:

Contains settings related to files.

System menu:

Contains settings related to the system.

Menu Display and Settings

Setup Menu Configuration and Hierarchy

Setup Menu Organization

User

(Factory settings)

Country

Base Setting

Rec Format

Codec

S&Q Motion

Picture Cache Rec

Simul Rec

Output Format

Monitor LUT

Clip

VF Setting

Assignable Button

Assignable Dial

Format Media

Edit User Menu

Edit User Add Item

Customize Reset

Camera ISO/Gain/EI

Auto Exposure

Focus

Shutter

Color Bars

Noise Suppression

Flicker Reduce

SteadyShot

Handle Zoom

Auto Black Balance

AF Micro Adjustment

Video Light Set

Paint White

Offset White

Black

Gamma

Black Gamma

Knee

White Clip

Detail(HD Mode)

Skin Detail

Aperture

Matrix

Multi Matrix

Maintenance

Audio Audio Input

Audio Output

Video Output On/Off

Output Format

Output Setting

Monitor LUT

Output Display

VF VF Setting

Peaking

Zebra

Marker

Display On/Off

Video Signal Monitor

TC/UB Timecode

TC Display

Users Bit

HDMI TC Out

Recording S&Q Motion

Interval Rec

Picture Cache Rec

Simul Rec

SDI/HDMI Rec Control

Thumbnail Display Clip Properties

Set Index Picture

Thumbnail View

Set Shot Mark

Set Clip Flag

Lock/Unlock Clip

Delete Clip

Filter Clips

Customize View

Media Update Media

Format Media

Clip

File All File

Scene File

User Menu Item

User Gamma

Monitor LUT

Monitor 3D LUT

Lens File

System Base Setting

Codec

Rec Format

Genlock

Assignable Button

Assignable Dial

Rec Lamp

Fan Control

HOLD Switch Setting

Lens

Language

Clock Set

Country

Hours Meter

Basic Authentication

Wi-Fi

GPS

IR Remote

Camera Battery Alarm

Camera DC IN Alarm

Ext. Unit Battery Alarm

Ext. Unit DC IN Alarm

All Reset

APR

Camera Config

Ve r s i o n

Press the MENU button to display the setup menu

in the viewfinder to specify various items for

shooting, recording, and playback (menu can also

be displayed on an external monitor).

Menu controls

MENU button (page 9)

Turns menu mode for setup menu operations on/

off.

Left button/Right button (page 9)

SEL/SET dial (page 9)

Press the left/right button to move the cursor left/

right to select menu items or settings.

Turn the SEL/SET dial to move the cursor up/

down to select menu items or settings.

Press the SEL/SET dial to apply the selected item.

CANCEL/BACK button (page 9)

Cancels a setting before it is applied, and moves

one level up in the menu hierarchy.

Note

The setup menu cannot be operated when in focus

magnifier mode (page 40).

Setting menu items

Turn the SEL/SET dial to move the cursor to the

menu item to set, then press the SET/SEL dial to

select the item.

• The menu item selection area displays up to

eight lines. If the available options for an item

cannot be displayed at the same time, scroll the

display by moving the cursor up/down.

• If an item has a large range of available options

(for example, –99 to +99), the selection area is

not displayed. The current setting is highlighted

to indicate that the value can be changed.

• Selecting [Execute] for a function will execute

the corresponding function.

• Selecting an item that requires confirmation

before execution will temporarily hide the menu

and display a confirmation message. Check the

message, and then select whether to execute or

cancel the function.

Entering a character string

When you select an item, such as a file name,

which requires character entry, the character

entry screen appears.

1Turn the SEL/SET dial to select a

character type, the press the dial.

ABC: Uppercase alphabetic characters

abc: Lowercase alphabetic characters

123: Numeric characters

!#$: Special characters

2Select a character from the selected

character type, then press the dial.

The cursor moves to the next field.

Space: Enters a space character at the cursor

position.

T/t: Moves the position of the cursor.

BS: Deletes the character on the left of the

cursor (backspace).

3When finished, select [Done] and press

the dial.

The character string is confirmed and the

character entry screen disappears.

Setup Menu Operations

This section describes the function and settings of the items in each menu.

Factory default settings are shown in bold (for example, 18dB).

Setup Menu List

User Menu

User

Item Sub-item setting Description

Country

Region settings

See Country in the System menu.

Base Setting

Base settings

See Base Setting in the System

menu.

Rec Format

Recording format settings

See Rec Format in the System

menu.

Codec

Codec settings

See Codec in the System menu.

S&Q Motion

Slow & Quick Motion mode

settings

See S&Q Motion in the Recording

menu.

Picture Cache Rec

Picture cache recording mode

settings

See Picture Cache Rec in the

Recording menu.

Simul Rec

Simultaneous recording settings

See Simul Rec in the Recording

menu.

Output Format

Output format settings

See Output Format in the Video

menu.

Monitor LUT

Monitor LUT settings

See Monitor LUT in the Video

menu.

Clip

Settings related to clip names

See Clip in the Media menu.

VF Setting

Viewfinder settings

See VF Setting in the VF menu.

Assignable Button

Settings for assigning functions to

assignable buttons

See Assignable Button in the

System menu.

Assignable Dial

Settings for assigning functions to

assignable dials

See Assignable Dial in the System

menu.

Format Media

Format (initializes) memory cards

See Format Media in the Media

menu.

Edit User Menu

Edit the User menu items

Edits the items in the User menu.

When “Edit User Menu” is selected, the Edit

User menu moves to the top level, and the

menu items are displayed.

The Edit User menu is displayed at the top level when “Edit User Menu” is selected in the User menu.

Edit User Menu

Edit User

Item Sub-item setting Description

Add Item

Add an item to the User menu

Adds a menu item to the User menu.

Customize Reset

Reset the items in the User menu

Restores the menu items registered in the User

menu to the factory default.

Menu item selected during editing Delete Deletes the registered menu item from the User

menu.

Move Rearranges the registered menu items within

the User menu.

Edit Sub Item Deletes the registered menu sub-item in the

User menu.

Camera Menu

Camera

Item Sub-item setting Description

ISO/Gain/EI

Gain settings

Mode

ISO/dB

Selects the gain setting mode.

ISO/Gain<H>

When Mode is set to ISO and

dynamic range is 460%:

ISO 800 / ISO 1000 /

ISO 1250 / ISO 1600 /

ISO 2000 / ISO 2500 /

ISO 3200/ ISO 4000 /

ISO 5000/ ISO 6400

When Mode is set to ISO and

dynamic range is 800%:

ISO 1600 / ISO 2000 /

ISO 2500 / ISO 3200 /

ISO 4000 / ISO 5000 /

ISO 6400 / ISO 8000 /

ISO 10000 / ISO 12500

Sets the <H> gain preset value.

When Mode is set to ISO and dynamic range is 1300%

(Gamma Category is set to S-Log2 or S-Log3):

ISO 2000 / ISO 2500 / ISO 3200 /

ISO 4000 / ISO 5000 / ISO 6400 /

ISO 8000 / ISO 10000 / ISO 12500 /

ISO 16000

When Mode is set to dB:

–3dB / 0dB / 3dB / 6dB /

9dB / 12dB / 18dB

The dynamic range is determined by the gamma.

Gamma Dynamic range

STD / HG1 / HG2 / HG3 / HG4 460%

HG7 / HG8 / User 800%

S-Log2 / S-Log3 1300%

ISO/Gain<M>

(Same settings as ISO/

Gain<H>)

Sets the <M> gain preset value.

The default values are given below.

When Mode is set to ISO and dynamic range is 460%:

ISO1600

When Mode is set to ISO and dynamic range is 800%:

ISO3200

When Mode is set to ISO and dynamic range is 1300%

(Gamma Category is set to S-Log2 or S-Log3):

ISO4000

When Mode is set to dB:

6dB

ISO/Gain<L>

(Same settings as ISO/

Gain<H>)

Sets the <L> gain preset value.

The default values are given below.

When Mode is set to ISO and dynamic range is 460%:

ISO800

When Mode is set to ISO and dynamic range is 800%:

ISO1600

When Mode is set to ISO and dynamic range is 1300%

(Gamma Category is set to S-Log2 or S-Log3):

ISO2000

When Mode is set to dB:

0dB

Exposure Index<H>

500EI / 4.0E

640EI / 4.3E

800EI / 4.7E

1000EI / 5.0E

1250EI / 5.3E

1600EI / 5.7E

2000EI / 6.0E

2500EI / 6.3E

3200EI / 6.7E

4000EI / 7.0E

5000EI / 7.3E

6400EI / 7.7E

8000EI / 8.0E

Sets the <H> exposure index value.

Available in Cine EI mode only.

Exposure Index<M>

(Same settings as Exposure

Index<H>)

Sets the <M> exposure index value.

The default value is 1600EI / 5.7E

Exposure Index<L>

(Same settings as Exposure

Index<H>)

Sets the <L> exposure index value.

The default value is 800EI / 4.7E

Shockless Gain

On / Off

Turns the shockless gain function on/off.

Camera

Item Sub-item setting Description

Auto Exposure

Automatic

exposure

adjustment

settings

Level

–2.0 / –1.75 / –1.5 / –1.25 /

–1.0 / –0.75 / –0.5 / –0.25 / 0 /

+0.25 / +0.5 / +0.75 / +1.0 /

+1.25 / +1.5 / +1.75 / +2.0

Sets the brightness level for the automatically detected

exposure.

Mode

Backlight / Standard /

Spotlight

Sets the control mode.

Backlight:

Backlight mode (mode for reduced darkening of a subject

when the subject is backlit)

Standard:

Standard mode

Spotlight:

Spotlight mode (mode for reduced clipped whites when

subject is lit by spotlighting)

Speed

–99 to +99 (±0)

Sets the adjustment speed.

AGC

On / Off

Turns the AGC (auto gain control) function on/off.

AGC Limit

When ISO/Gain/EI Mode is set to

dB:

3dB / 6dB / 9dB / 12dB /

15dB / 18dB

When ISO/Gain/EI Mode is set to

ISO and dynamic range is 460%:

ISO1000 / ISO1600 / ISO2000 /

ISO3200 / ISO4000 / ISO6400

Sets the maximum gain of the AGC function.

When ISO/Gain/EI Mode is set to ISO and dynamic range is

800%:

ISO2000 / ISO3200 / ISO4000 / ISO6400 /

ISO8000

ISO12500

When ISO/Gain/EI Mode is set to ISO and dynamic range is

1300%:

ISO2500 / ISO4000 / ISO5000 / ISO8000 / ISO10000 /

ISO16000

Auto Shutter

On / Off

Turns the auto shutter control function on/off.

A.SHT Limit

1/100 / 1/150 / 1/200 / 1/250 /

1/2000

Sets the fastest shutter speed of the auto shutter function.

Clip High light

On / Off

Turns the function that ignores brightest areas to provide a

flatter reaction to high luminance on/off.

Detect Window

1 / 2 / 3 / 4 / 5 / 6

Sets the light meter range for automatically adjusting the

exposure according to the brightness of the subject. (Not

available when adjusting exposure manually)

Detect Window Indication

On / Off

Turns the Detect Window function on/off.

Focus

Focus settings

Focus Area

Wide / Center / Flexible

Sets the target area for auto focus (page 40).

Wide:

Searches for a subject over a wide angle of the image when

focusing.

Center:

Focuses on a subject in the center of the image.

Flexible Spot:

Focuses on a specified position in the image.

Camera

Item Sub-item setting Description

Focus Area (Push AF)

Center / Flexible

Sets the target area for push auto focus (page 40).

Center:

Focuses on a subject in the center of the image.

Flexible Spot:

Focuses on a specified position in the image.

Note

On the LA-EA2/4 (option), the position cannot be set.

AF Assist

On / Off

When set to On, allows you to temporarily override auto focus

and set focus manually.

Shutter

Electronic shutter

operating

condition settings

Mode

Speed / Angle / ECS / Off

Selects the operating mode of the electronic shutter.

Speed/Angle (standard mode):

Used for shooting fast-moving subjects clearly. Selects the

mode for setting the shutter speed in seconds (Speed) or as

a shutter angle (Angle).

ECS (Extended Clear Scan):

Used for shooting without scrolling horizontal bars

appearing on the monitor screen.

Shutter Speed

1/3 to 1/9000

Sets the shutter speed when Mode is set to Speed. The

available settings vary depending on the frame frequency of

the selected video format.

59.94P/59.94i:

1/4, 1/8, 1/15, 1/30, 1/60, 1/90, 1/100, 1/125, 1/180, 1/250,

1/350, 1/500, 1/725, 1/1000, 1/1500, 1/2000, 1/3000,

1/4000, 1/6000, 1/9000

50P/50i:

1/3, 1/6, 1/12, 1/25, 1/50, 1/60, 1/100, 1/120, 1/150, 1/215,

1/300, 1/425, 1/600, 1/1000, 1/1250, 1/1750, 1/2500,

1/3500, 1/6000, 1/9000

29.97P:

1/4, 1/8, 1/15, 1/30, 1/60, 1/90, 1/100, 1/125, 1/180, 1/250,

1/350, 1/500, 1/725, 1/1000, 1/1500, 1/2000, 1/3000,

1/4000, 1/6000, 1/9000

25P:

1/3, 1/6, 1/12, 1/25, 1/50, 1/60, 1/100, 1/120, 1/150, 1/215,

1/300, 1/425, 1/600, 1/1000, 1/1250, 1/1750, 1/2500,

1/3500, 1/6000, 1/9000

24P:

1/3, 1/6, 1/12, 1/24, 1/40, 1/48, 1/50, 1/60, 1/96, 1/100,

1/120, 1/144, 1/192, 1/200, 1/288, 1/400, 1/576, 1/1200,

1/2400, 1/4800, 1/9000

23.98P:

1/3, 1/6, 1/12, 1/24, 1/40, 1/48, 1/50, 1/60, 1/96, 1/100,

1/120, 1/144, 1/192, 1/200, 1/288, 1/400, 1/576, 1/1200,

1/2400, 1/4800, 1/9000

Note

1/1 can be set when the S&Q recording frame rate is set to

1fps.

Shutter Angle

5.625° / 11.25° / 22.5° / 45° /

90° / 120° / 144° / 150° /

172.8° / 180° / 216° / 300°

Sets the shutter angle when Mode is set to Angle.

Camera

Item Sub-item setting Description

ECS Frequency

23.99 to 8000

Sets the ECS frequency when Mode is set to ECS. The

available settings vary depending on the frame frequency of

the selected video format.

The default values are given below.

59.94P: 60.00

59.94i: 60.00

50P: 50.00

50i: 50.00

29.97P: 30.00

24P: 24.02

23.98P: 23.99

25P: 25.02

Color Bars

Color bar settings

Setting

On / Off

Turns the color bars on/off.

Note

Cannot be set to On when configured to record RAW video.

Type

ARIB / SMPTE / 75% / 100%

Selects the color bar type.

Noise

Suppression

Noise suppression

settings

Setting

On / Off

Turns the noise suppression function on/off.

Default value is Off if Base Setting >Shooting Mode in the

System menu is set to Cine EI.

Level

Low / Mid / High

Sets the noise suppression level.

Flicker Reduce

Flicker correction

settings

Mode

Auto / On / Off

Sets the flicker correction mode.

Frequency

50Hz / 60Hz

Sets the frequency of the power source supplying the lighting

that is causing the flicker.

SteadyShot

Image stabilization

settings

Setting

Active SteadyShot /

SteadyShot / Off

Turns the image stabilization function on/off.

Note

Enabled when a compatible lens is attached.

Handle Zoom

Handle zoom

settings

Zoom Speed Type

Fix / Variable / Off

Sets the mode of the zoom lever on the handle.

Note

Disabled when the handle is not attached.

Zoom Speed

1 to 8 (3)

Sets the speed of the handle zoom.

(Enabled when Zoom Speed Type is set to Fix)

Note

Disabled when the handle is not attached.

Auto Black

Balance

Auto black

balance settings

Auto Black Balance

Execute / Cancel

Runs the auto black balance function.

Notes

• Run the auto black balance function with the lens cap

attached.

• Cannot be run during recording or color bar display.

• Cannot be run when in Interval Rec mode or Slow & Quick

Motion mode.

Camera

Item Sub-item setting Description

AF Micro

Adjustment

Focus position

micro adjustment

(Enabled when

LA-EA2/4

(option) is used)

Setting

On / Off

Turns the auto focus micro adjustment function on/off.

Amount

–20 to 0 to +20

Sets the auto focus micro adjustment level.

Use the following procedure to adjust A-mount lenses.

1Attach the lens you want to adjust using an LA-EA2/4

(option).

2Set Setting to On, and adjust the Amount value.

Positive values move the focus behind the subject, and

negative values move the focus in front of the subject.

It is recommended that you check the result using one-push

AF, for example, while adjusting the focus.

Clear All

Execute / Cancel

Initializes the saved adjustment values.

Video Light

Set

Video light

settings (when

using HVL-LBPC

(option))

Video Light Set

Power Link / Rec Link /

Rec Link + Stby

Sets the lighting control method for the video light attached to

the multi-interface shoe.

Power Link:

Turns the video light on/off when the camcorder is turned

on/off.

Rec Link:

Turns the video light on/off when the camcorder starts/

stops recording.

Rec Link + Stby:

Turns the video light on/off when the camcorder is

recording or in standby mode.

Camera

Item Sub-item setting Description

Paint Menu

Paint

Item Sub-item setting Description

White

White balance

settings

Preset White

2100K to 10000K (3200K)

Sets the white balance preset value.

Color Temp <A>

1500K to 50000K (3200K)

Displays the white balance color temperature saved in

memory A.

Color Temp. Balance <A>

–99 to +99 (±0)

Sets the white balance gain value saved in memory A (linked

to R gain and B gain).

R Gain <A>

–99 to +99 (±0)

Sets the white balance R gain value saved in memory A.

B Gain <A>

–99 to +99 (±0)

Sets the white balance B gain value saved in memory A.

Color Temp

1500K to 50000K (3200K)

Displays the white balance color temperature saved in

memory B.

Color Temp. Balance

–99 to +99 (±0)

Sets the white balance gain values saved in memory B (linked

R gain and B gain).

R Gain

–99 to +99 (±0)

Sets the white balance R gain value saved in memory B.

B Gain

–99 to +99 (±0)

Sets the white balance B gain value saved in memory B.

Filter White Memory

On / Off

Turns the function that sets the white balance memory area for

each ND filter on/off.

On: Sets the white balance memory for each ND filter.

Off: Sets white balance memory common to all ND filters.

Shockless White

Off / 1 / 2 / 3

Sets the white balance response speed when switching white

balance mode.

Off: Switches instantaneously.

1 to 3: Switches more slowly the higher the number.

White Switch

Memory / ATW

Selects the white balance adjustment mode that is selected

when the WHT BAL switch is set to B.

ATW Speed

1 / 2 / 3 / 4 / 5

Sets the response speed in ATW mode.

1: Fastest response speed

Offset White

White balance

offset settings

Offset White <A>

On / Off

Selects whether to add (On) or not to add (Off) an offset value

to the white balance in memory A.

Warm Cool <A>

–99 to +99 (±0)

Sets the offset added to the white balance in memory A as a

color temperature when Offset White <A> is set to “On.”

Warm Cool Balance <A>

–99 to +99 (±0)

Sets a more precise color temperature, for use when a

satisfactory image cannot be obtained using Warm Cool <A>.

Offset White

On / Off

Selects whether to add (On) or not to add (Off) an offset value

to the white balance in memory B.

Warm Cool

–99 to +99 (±0)

Sets the offset added to the white balance in memory B as a

color temperature when Offset White is set to “On.”

Warm Cool Balance

–99 to +99 (±0)

Sets a more precise color temperature, for use when a

satisfactory image cannot be obtained using Warm Cool .

Offset White<ATW>

On / Off

Selects whether to add (On) or not to add (Off) an offset value

to the ATW white balance.

Warm Cool<ATW>

–99 to +99 (±0)

Sets the offset added to the ATW white balance as a color

temperature when Offset White<ATW> is set to “On.”

Warm Cool Balance<ATW>

–99 to +99 (±0)

Sets a more precise color temperature, for use when a

satisfactory image cannot be obtained using Warm

Cool<ATW>.

Black

Black settings

Setting

On / Off

Turns black correction on/off.

Master Black

–99 to +99 (±0)

Sets the master black level.

Note

Fine adjustment is supported by turning the SEL/SET dial

slowly. In this case, the displayed value may not change.

R Black

–99 to +99 (±0)

Sets the R black level.

B Black

–99 to +99 (±0)

Sets the B black level.

Gamma

Gamma correction

settings

Setting

On / Off

Turns the gamma correction function on/off.

Step Gamma

0.35 to 0.45 to 0.90

Sets a gamma correction value in 0.05 steps.

Master Gamma

–99 to +99 (±0)

Sets the master gamma level.

R Gamma

–99 to +99 (±0)

Sets the R gamma level.

G Gamma

–99 to +99 (±0)

Sets the G gamma level.

B Gamma

–99 to +99 (±0)

Sets the B gamma level.

Gamma Category

STD / HG / User / S-Log2 /

S-Log3

Selects use of standard gamma (STD), HyperGamma (HG),

user gamma (User), S-Log2, or S-Log3.

Paint

Item Sub-item setting Description

Gamma Select

When Gamma Category is set to

STD:

STD1 DVW / STD2 x 4.5 /

STD3 x 3.5 / STD4 240M /

STD5 R709 / STD6 x 5.0

When Gamma Category is set to

HG:

HG1 3250G36 / HG2 4600G30

/ HG3 3259G40 / HG4

4609G33 / HG7 8009G40 /

HG8 8009G33

When Gamma Category is set to

User:

User 1 / User 2 / User 3 /

User 4 / User 5

When Gamma Category is set to

SLog2:

S-Log2

When Gamma Category is set to

SLog3:

S-Log3

Selects the gamma table used for gamma correction.

See the table below for details about hypergamma and

S-Log2/S-Log3.

Black Gamma Setting

On / Off

Turns the black gamma correction function on/off.

(Enabled when Gamma >Gamma Category is set to STD)

Note

The Black Gamma and Knee >Knee Saturation functions

cannot be used at the same time.

Range

Low / Mid / High

Selects the effective range of the black gamma correction.

Master Black Gamma

–99 to +99 (±0)

Sets the master black gamma level.

Knee Setting

On / Off

Turns the knee correction function on/off.

(Enabled when Gamma >Gamma Category is set to STD)

Auto Knee

On / Off

Turns the auto knee correction function on/off.

Point

75% to 109% (90%)

Sets the knee point.

Slope

–99 to +99 (±0)

Sets the knee slope.

Knee Saturation

On / Off

Enables/disables knee saturation adjustment (adjusts coloring

above the knee point).

Note

The Black Gamma and Knee >Knee Saturation functions

cannot be used at the same time.

Knee Saturation Level

–99 to +99 (±0)

Sets the level for adjusting the coloring above the knee point

(knee saturation).

Paint

Item Sub-item setting Description

Name Dynamic

range

White

limit

18% gray

card video

output (20%

video input)

HG1 3250G36 325% 100% 36%

HG2 4600G30 460% 100% 30%

HG3 3259G40 325% 109% 40%

HG4 4609G33 460% 109% 33%

HG7 8009G40 800% 109% 40%

HG8 8009G33 800% 109% 33%

S-Log2 1300% – 32%

S-Log3 1300% – 41%

White Clip

White clip

adjustment

settings

Setting

On / Off

Turns the white clip adjustment function on/off.

Notes

• The setting is reset to On when the camcorder is turned off.

To set to Off permanently, set Level to 109%.

• Cannot be set when Gamma >Gamma Category is set to

S-Log2 or S-Log3.

Level

90.0% to 109.0%

The default setting varies

depending on the country of

purchase.

NTSC Area: 108.0%

PAL Area: 105.0%

Sets the white clip level.

Detail

Detail adjustment

settings

Setting

On / Off

Turns the detail adjustment function on/off.

Level

–99 to +99 (±0)

Sets the detail level.

H/V Ratio

–99 to +99 (±0)

Sets the mix ratio between the H detail level and the V detail

level.

Crispening

–99 to +99 (±0)

Sets the crispening level.

Level Depend

On / Off

Turns the level dependence adjustment function on/off.

Level Depend Level

–99 to +99 (±0)

Sets the level dependence level.

Frequency

–99 to +99 (±0)

Sets the center frequency of the detail (detail thickness).

The detail is thinner the higher the center frequency, and

thicker the lower the center frequency.

Knee Aperture

On / Off

Turns the knee aperture correction function on/off.

Knee Aperture Level

–99 to +99 (±0)

Sets the knee aperture level.

Limit

–99 to +99 (±0)

Sets the detail limiter for both the white-side and black-side

directions.

White Limit

–99 to +99 (±0)

Sets the white-side detail limiter.

Black Limit

–99 to +99 (±0)

Sets the black-side detail limiter.

V Black Limit

–99 to +99 (±0)

Sets the black-side V detail limiter.

V Detail Creation

NAM / Y / G / G+R

Sets the signal source for creating the V detail to NAM (G or

R, whichever is higher), Y, G, or G+R.

Paint

Item Sub-item setting Description

Skin Detail

Skin detail

correction settings

Setting

On / Off

Turns the skin detail correction function on/off.

Area Detection

Execute / Cancel

Detects the color used for skin detail correction.

Execute: Run detection

Area Indication

On / Off

Turns the function that displays zebra in areas of the color

used for skin detail correction on/off.

Level

–99 to +99 (±0)

Sets the skin detail level.

Saturation

–99 to +99 (±0)

Sets the saturation of the color targeted for skin detail

correction.

Hue

0 to 359

Sets the hue of the color targeted for skin detail correction.

Width

0 to 90 (40)

Sets the range for the hue of the color targeted for skin detail

correction.

Aperture

correction settings

Setting

On / Off

Enables/disables aperture correction (processing that

improves resolution by adding a high-frequency aperture

signal to the video signal to correct deterioration due to high-

frequency characteristics).

Level

–99 to +99 (±0)

Sets the aperture correction level.

Paint

Item Sub-item setting Description

Matrix

Matrix correction

settings

Setting

On / Off

Turns the matrix correction function on/off.

Adaptive Matrix

On / Off

Turns the adaptive matrix function on/off.

Preset Matrix

On / Off

Turns the preset matrix function on/off.

Preset Select

Standard

High Saturation

FL Light

Cinema

F55 709 Like

Selects a preset matrix.

User Matrix

On / Off

Turns the user matrix correction function on/off.

Level

–99 to +99 (±0)

Adjusts the color saturation of the entire image.

Phase

–99 to +99 (±0)

Adjusts the color tone (phase) of the entire image.

User Matrix R-G

–99 to +99 (±0)

Sets a user-defined R-G user matrix.

User Matrix R-B

–99 to +99 (±0)

Sets a user-defined R-B user matrix.

User Matrix G-R

–99 to +99 (±0)

Sets a user-defined G-R user matrix.

User Matrix G-B

–99 to +99 (±0)

Sets a user-defined G-B user matrix.

User Matrix B-R

–99 to +99 (±0)

Sets a user-defined B-R user matrix.

User Matrix B-G

–99 to +99 (±0)

Sets a user-defined B-G user matrix.

Multi Matrix

Multi matrix

correction settings

Setting

On / Off

Turns the multi matrix correction function on/off.

Area Indication

On / Off

Turns the area indication function on/off.

Color Detection

Execute / Cancel

Detects the color used for multi matrix correction.

Axis

B / B+ / MG– / MG / MG+ /

R / R+ / YL– / YL / YL+ / G– /

G / G+ / CY / CY+ / B–

Selects the axis.

Hue

–99 to +99 (±0)

Sets the hue of the color used for multi matrix correction.

Saturation

–99 to +99 (±0)

Sets the saturation of the color used for multi matrix

correction.

Maintenance

settings

Test Saw

On / Off

Turns the test signal on/off.

Paint

Item Sub-item setting Description

Audio Menu

Audio

Item Sub-item setting Description

Audio Input

Audio input

settings

CH1 Input Select

INPUT1 / Internal MIC /

Shoe 1

Switches the input source for recording on channel 1.

CH2 Input Select

INPUT1 / INPUT2 /

Internal MIC / Shoe 2

Switches the input source for recording on channel 2.

CH3 Input Select

Off / Internal MIC / Shoe 1

Switches the input source for recording on channel 3.

CH4 Input Select

Off / Internal MIC / Shoe 2

Switches the input source for recording on channel 4.

INPUT1 MIC Reference

–60dB / –50dB / –40dB

Sets the reference recording level for XLR microphone input

from INPUT1.

INPUT2 MIC Reference

–60dB / –50dB / –40dB

Sets the reference recording level for XLR microphone input

from INPUT2.

CH1 Wind Filter

On / Off

Enables/disables the wind reduction filter for channel 1

recording.

CH2 Wind Filter

On / Off

Enables/disables the wind reduction filter for channel 2

recording.

CH3 Wind Filter

On / Off

Enables/disables the wind reduction filter for channel 3

recording.

CH4 Wind Filter

On / Off

Enables/disables the wind reduction filter for channel 4

recording.

CH3 Level Control

Auto / Manual

Selects automatic audio input level adjustment or manual

adjustment for recording channel 3.

Note

If either CH3 Input Select or CH4 Input Select is set to

“Internal MIC,” CH4 is switched to automatic/manual in

conjunction with this setting.

CH4 Level Control

Auto / Manual

Selects automatic audio input level adjustment or manual

adjustment for recording channel 4.

Note

If either CH3 Input Select or CH4 Input Select is set to

“Internal MIC,” CH4 is switched to automatic/manual in

conjunction with the CH3 Level Control setting.

CH3 Input Level

0 to 99 (49)

Sets the audio input level for recording channel 3.

Note

If either CH3 Input Select or CH4 Input Select is set to

“Internal MIC,” the CH4 Input Level is switched in

conjunction with this setting.

CH4 Input Level

0 to 99 (49)

Sets the audio input level for recording channel 4.

Note

If either CH3 Input Select or CH4 Input Select is set to

“Internal MIC,” the CH4 Input Level is switched in

conjunction with the CH3 Input Level setting.

Audio Input Level

0 to 99

Sets the audio input level.

Can be used as the master volume, according to the settings of

CH1 Level to CH4 Level.

Limiter Mode

Off / –6dB / –9dB /

–12dB / –15dB / –17dB

Selects the limiter characteristic for large input signals when

adjusting the audio input level manually.

CH1&2 AGC Mode

Mono / Stereo

Sets the auto level adjustment mode for recording channel 1

and channel 2.

CH3&4 AGC Mode

Mono / Stereo

Sets the auto level adjustment mode for recording channel 3

and channel 4.

AGC Spec

–6dB / –9dB / –12dB /

–15dB / –17dB

Selects the AGC characteristic.

1kHz Tone on Color Bars

On / Off

Turns the 1 kHz reference tone signal on/off when displaying

color bars.

Note

When set to On, the 1 kHz reference tone signal is set for

recording on channel 3 and channel 4, even if CH3 Input

Select and CH4 Input Select are set to Off.

CH1 Level

Input without XLR adaptor

Audio Input Level / Side /

Level+Side

Input with XLR adaptor (page 53)

Audio Input Level / Through

Sets the combination of audio input level adjustments enabled

for recording channel 1.

Note

“Side” refers to the CH1 INPUT LEVEL dial on the side of

the camcorder. When Level+Side is selected, the audio

recording level is determined by the combination of the Audio

Input Level and dial settings (page 130).

CH2 Level

Input without XLR adaptor

Audio Input Level / Side /

Level+Side

Input with XLR adaptor (page 53)

Audio Input Level / Through

Sets the combination of audio input level adjustments enabled

for recording channel 2.

Note

“Side” refers to the CH2 INPUT LEVEL dial on the side of

the camcorder. When Level+Side is selected, the audio

recording level is determined by the combination of the Audio

Input Level and dial settings (page 130).

CH3 Level

Input without XLR adaptor

Audio Input Level / CH3 Input

Level / Level+CH3 Input

Level

Input with XLR adaptor (page 53)

Audio Input Level / Through

Sets the combination of audio input level adjustments enabled

for recording channel 3.

Note

When Level+CH3 Input Level is selected, the audio recording

level is determined by the combination of the Audio Input

Level and CH3 Input Level settings (page 131).

Audio

Item Sub-item setting Description

CH4 Level

Input without XLR adaptor

Audio Input Level / CH4 Input

Level / Level+CH4 Input

Level

Input with XLR adaptor (page 53)

Audio Input Level / Through

Sets the combination of audio input level adjustments enabled

for recording channel 4.

Note

When Level+CH4 Input Level is selected, the audio recording

level is determined by the combination of the Audio Input

Level and CH4 Input Level settings (page 131).

Audio Output

Audio output

settings

Monitor CH

CH1/CH2 / CH3/CH4 / MIX

ALL / CH1 / CH2 / CH3 / CH4

Selects the audio channel output to the headphone connector

and built-in speaker.

Note

If audio for multiple channels is set for simultaneous output,

the output level for each channel is reduced for output to

prevent clipping.

Monitor Volume

0 to 15 (7)

Adjusts the monitor audio level output to the headphone

connector and built-in speaker.

Headphone Out

Mono / Stereo

Selects whether the headphone connector output is monaural

(Mono) or stereo (Stereo).

Alarm Volume

0 to 7 (4)

Adjusts the volume of the alarm.

Output Limiter

On / Off

Turns the audio output limiter on/off.

HDMI Output CH

CH1/CH2 / CH3/CH4

Sets the combination of audio channels on the HDMI output.

Audio

Item Sub-item setting Description

Video Menu

Video

Item Sub-item setting Description

Output On/Off

Video output

settings

SDI

On / Off

Turns SDI output on/off.

HDMI

On / Off

Turns HDMI output on/off.

Output Format

Output format

settings

SDI Sets the SDI and HDMI output resolution.

For details about settings, see “Video Formats and Output

Signals” (page 105).

Note

The Output Format setting may not be configurable in Picture

Cache Rec mode. If this occurs, temporarily set Picture Cache

Rec to Off, and then change the setting.

HDMI

REF

Output Setting

Output conversion

mode settings

HDMI Target Device

Recorder / Monitor

Sets the type of HDMI input device connected to the HDMI

output.

Recorder:

Outputs the same video as SDI1 to HDMI when in Cine EI

mode.

Monitor:

Outputs the same video as SDI2 to HDMI when in Cine EI

mode.

4K/2K to HD Conv.

Edge Crop / Letter Box

Sets the conversion mode for HD video output of 17:9 video.

Monitor LUT

settings

Available in Cine

EI mode only.

Note

Monitor LUT may

not be able to be

set independently

for each system

(page 117).

Category

LUT / Look Profile / User 3D

LUT

Sets the type of Look applied as a monitor LUT.

LUT:

Outputs video with applied preset LUT or user LUT.

Look Profile:

Outputs video close to print film or video which is suitable

as the start point of color grading, by selecting a Look

number.

User 3D LUT:

Outputs video with applied user 3D LUT.

Note

User 3D LUT cannot be selected if Base Setting >Color Space

is set to S-Gamut/S-Log2 in the System menu.

LUT Select

P1: 709 (800%)

P2: HG8009G40

P3: HG8009G33

P4: S-Log2

P5: S-Log3

Selects the LUT type, when Monitor LUT >Category is set to

LUT.

709(800%):

Signal with ITU-R709 base curve with extended dynamic

range up to 800%.

HG8009G40:

Signal using HyperGamma with 800% dynamic range,

109% white limit, and 18% gray card video output of 40%.

HG8009G33:

Signal using HyperGamma with 800% dynamic range,

109% white limit, and 18% gray card video output of 33%.

S-Log2:

Log signal with 1300% dynamic range that takes visibility

on a video monitor into account, with footage developed in

post production.

(Enabled when Base Setting >Color Space in the System

menu is set to S-Gamut/SLog2)

S-Log3:

Log signal with 1300% dynamic range that mimics film

characteristics, close to Cineon Log curve.

(Enabled when Base Setting >Color Space in the System

menu is set to S-Gamut3.Cine/SLog3 or S-Gamut3/SLog3)

U1 to U6:

User LUT signals imported from an SD card.

Note

When creating a LUT using RAW Viewer, select F55/F5 as

the output format.

Create the following folder on the SD card and store LUT files

in the folder.

\PRIVATE\SONY\PRO\CAMERA\PMWF55_F5

Look Profile Select

1: LC-709

2: LC-709typeA

3: SLog2-709

4: Cine+709

Selects the type of Look profile, when Monitor LUT

>Category is set to Look Profile.

User 3D LUT Select

User 3D-1

User 3D-2

User 3D-3

User 3D-4

Selects the type of user 3D LUT.

SDI1 & Internal Rec

MLUT On / MLUT Off

Selects whether to apply monitor LUT to the SDI OUT1

output video and the video recorded on XQD memory cards.

SDI2

MLUT On / MLUT Off

Selects whether to apply monitor LUT to the SDI OUT2

output video.

HDMI

MLUT On / MLUT Off

Displays whether monitor LUT is applied to the HDMI output

video (page 117).

Viewfinder

MLUT On / MLUT Off

Selects whether to apply monitor LUT to the viewfinder

output video.

Output Display

Output signal

settings

SDI2

On / Off

Selects whether to superimpose menus and status on the SDI

output signal and HDMI output signal.

HDMI

On / Off

Video

Item Sub-item setting Description

VF Menu

Item Sub-item setting Description

VF Setting

Viewfinder

settings

Brightness

–99 to +99 (±0)

Adjusts the brightness of the viewfinder image.

Color Mode

Color / B&W

Selects the display mode of the viewfinder in E-E/recording

mode.

Peaking

Peaking settings

Setting

On / Off

Turns the peaking function on/off.

Peaking Type

Normal / Color

Selects the peaking type.

Normal: Normal peaking

Color: Color peaking

Frequency

Normal / High

Selects the peaking frequency.

Normal Peaking Level

0 to 99 (50)

Sets the normal peaking level.

Color

B&W / Red / Yellow / Blue

Selects the color of the color peaking signal.

Color Peaking Level

0 to 99 (50)

Sets the color peaking level.

Zebra

Zebra pattern

settings

Setting

On / Off

Turns the Zebra function on/off.

Zebra Select

1 / 2 / Both

Selects the zebra pattern type (Zebra 1, Zebra 2, Both).

Zebra1 Level

0% to 107% (70%)

Sets the Zebra 1 display level.

Zebra1 Aperture Level

1% to 20% (10%)

Sets the Zebra 1 aperture level.

Zebra2 Level

0% to 109% (100%)

Sets the Zebra 2 display level.

Marker

Marker display

settings

Setting

On / Off

Turns the display of all markers on/off.

Color

White / Yellow / Cyan / Green /

Magenta / Red / Blue

Selects the marker signal color.

Center Marker

1 / 2 / 3 / 4 / Off

Turns the center marker on/off.

Safety Zone

On / Off

Turns the safety zone marker on/off.

Safety Area

80% / 90% / 92.5% / 95%

Selects the size of the safety zone marker (as a percentage of

total screen size).

Aspect Marker

Line / Mask / Off

Selects the type of aspect marker.

Aspect Mask

0 to 15 (12)

Sets the level of the video signal outside the marker relative to

the signal inside the marker as a percentage.

Aspect Safety Zone

On / Off

Turns the aspect safety zone marker on/off.

Aspect Safety Area

80% / 90% / 92.5% / 95%

Selects the size of the aspect safety zone marker (as a

percentage of total screen size).

Aspect Select

4:3 / 1.66:1 / 1.85:1 / 2.35:1 /

2.4:1

Sets the mode when displaying the aspect marker.

User Box

On / Off

Turns the box cursor display on/off.

User Box Width

3 to 479 (240)

Sets the box cursor width (distance from the center to the left

and right edges).

User Box Height

3 to 269 (135)

Sets the box cursor height (distance from the center to the top

and bottom edges).

User Box H Position

–476 to +476 (0)

Sets the horizontal position of the box cursor center.

User Box V Position

–266 to +266 (0)

Sets the vertical position of the box cursor center.

100% Marker

On / Off

Turns the 100% marker on/off.

Guide Frame

On / Off

Turns the guide frame display on/off.

Item Sub-item setting Description

Display On/Off

Display item

settings

Setting

On / Off

Selects the items to display in the viewfinder.

Shutter Setting

On / Off

ND Filter Position

On / Off

Gain Setting

On / Off

Rec/Play Status

On / Off

HXR-IFR5 Rec Control

On / Off

Color Temp.

On / Off

Frame Rate / Interval

On / Off

Battery Remain

On / Off

Timecode

On / Off

Audio Manual

On / Off

Audio Level Meter

On / Off

Media Status

On / Off

Focus Position

Meter / Feet / Off

Iris Position

On / Off

Zoom Position

Number / Bar / Off

SteadyShot

On / Off

Focus Mode

On / Off

Focus Area Indicator

On / Off

Focus Area Ind. (Push AF)

On / Off

Focus Indicator

On / Off

Auto Shutter

On / Off

AGC

On / Off

Auto Iris

On / Off

Item Sub-item setting Description

AE Mode

On / Off

Auto Exposure Level

On / Off

White Balance Mode

On / Off

SDI/HDMI Rec Control

On / Off

Rec Format

On / Off

Gamma

On / Off

Timecode Lock

On / Off

Wi-Fi Condition

On / Off

Clip Name

On / Off

Focus Assist Indicator

On / Off

Focus Area Marker

On / Off

Video Level Warning

On / Off

Clip Number

On / Off

GPS

On / Off

Level Gauge

On / Off

Lens Info

Meter / Feet / Off

Notice Message

On / Off

Video Signal

Monitor

Video signal

monitor settings

(page 51)

Setting

Off / Waveform / Vector /

Histogram

Sets the type of video signal monitor.

Note

Not displayed when Display On/Off >Setting is set to Off.

Source

In Cine EI mode with video

output resolution 2K or lower:

SDI1 & Internal Rec / SDI2

In Custom mode, or in Cine EI

mode with video output

resolution higher than 2K:

Internal Rec

Sets the measurement source of the video signal monitor.

Item Sub-item setting Description

TC/UB Menu

TC/UB

Item Sub-item setting Description

Timecode

Timecode settings

Mode

Preset / Regen / Clock

Sets the timecode running mode.

Preset:

Starts running from a preset value.

Regen:

Starts running from the timecode of the end of the previous

clip.

Clock:

Uses the internal clock as the timecode.

Run

Rec Run / Free Run

Rec Run: Runs only when recording.

Free Run: Always running, regardless of camcorder operation.

Setting Sets the timecode to an arbitrary value.

SET: Set the value.

Reset

Execute / Cancel

Resets the timecode to 00:00:00:00.

Execute: Reset timecode

TC Format

DF / NDF

Sets the timecode format.

DF: Drop Frame

NDF: Non-Drop Frame

TC Display

Time data display

settings

Display Select

Timecode / Users Bit /

Duration

Switches the time data display.

Users Bit

Settings related to

user bits.

Mode

Fix / Time

Sets the user bit mode.

Fix: Uses an arbitrary fixed value in user bits.

Time: Uses the current time in user bits.

Setting Sets the user bits to an arbitrary value.

HDMI TC Out Setting

On / Off

Sets whether to output the timecode to devices for other

purposes, using HDMI.

Recording Menu

Recording

Item Sub-item setting Description

S&Q Motion

Slow & Quick

Motion mode

settings (page 47)

Setting

On / Off

Turns Slow & Quick Motion on/off.

When set to On, the following functions are disabled.

• Auto iris

• Auto focus

High Frame Rate Mode

Off / Full Scan / Center Scan

Enables higher speed imaging than 60P.

Off:

Higher speed imaging than 60P is disabled.

Full Scan:

High-speed imaging of Super 35mm size angle-of-view.

Center Scan:

High-speed imaging of half the Super 35mm size angle-of-

view at the center of the image.

Note

This setting cannot be set to conform with Imager Scan Mode

when Imager Scan Mode is set to 2K Full or 2K Center.

Frame Rate

Up to 240fps

Sets the frame rate for Slow & Quick Motion shooting.

Note

The initial value varies depending on the Codec, Country,

Video Format, and RAW Output Format settings.

Interval Rec

settings (page 47)

Setting

On / Off

Turns the interval recording mode on/off. (Setting this mode to

On will set all other special modes to Off.)

Interval Time

1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9 /

10 / 15 / 20 / 30 / 40 / 50 (sec)

1 / 2 / 3 / 4 / 5 / 6 / 7 / 8 / 9 / 10 /

15 / 20 / 30 / 40 / 50 / (min) 1 /

2 / 3 / 4 / 6 / 12 / 24 (hour)

Sets the interval between recordings in Interval Rec recording

mode (when Interval Rec is set to On).

Number of Frames

1frame / 2frames / 3frames /

6frames / 9frames / 12frames

Sets the number of frames to record per take in Interval Rec

recording mode (when Interval Rec is set to On).

The available settings vary depending on the frame frequency

of the selected video format.

50P/59.94P:

2frames / 6frames / 12frames

23.98P / 25P / 29.97P / 50i / 59.94i:

1frame / 3frames / 6frames / 9frames

Pre-Lighting

Available only when using the

HVL-LBPC (option).

Off / 2sec / 5sec / 10sec

Sets the number of seconds that the video light turns on before

recording starts in Interval Rec recording mode.

Picture Cache

Rec

Picture cache

recording mode

settings (page 49)

Setting

On / Off

Turns the picture cache recording function on/off.

Cache Rec Time

0-2sec / 2-4sec / 4-6sec /

6-8sec / 8-10sec / 10-12sec /

12-14sec / 13-15sec

Sets the picture cache recording time, when Picture Cache Rec

is set to On.

Simul Rec

Simultaneous

recording settings

(page 39)

Setting

On / Off

Turns the simultaneous recording function on/off and sets the

recording destination media.

Rec Button Set

“Rec Button [SlotA SlotB]

Handle Rec Button [SlotA

SlotB]” / “Rec Button [SlotA]

Handle Rec Button [SlotB]” /

“Rec Button [SlotB] Handle

Rec Button [SlotA]”

Assigns the record buttons used to control each recording

media.

SDI/HDMI Rec

Control

SDI/HDMI

recording control

settings

Setting

On / Off

Turns recording start/stop control for an external connected

device, using SDI/HDMI signals, on/off.

When different buttons are assigned using Rec Button Set, the

recording control signal follows the recording state of slot A.

Note

When set to On, this starts/stops recording on an external

connected device, even if no XQD card is currently inserted.

Recording

Item Sub-item setting Description

Thumbnail Menu

Thumbnail

Item Sub-item setting Description

Display Clip

Properties

Display clip

properties screen

Displays the clip properties screen.

Set Index

Picture

Clip index picture

settings

Sets the index picture of a clip.

Thumbnail

View

Thumbnail screen

settings

Essence Mark Thumbnail

All / Rec Start / Shot Mark1 /

Shot Mark2 / Shot Mark3 /

Shot Mark4 / Shot Mark5 /

Shot Mark6 / Shot Mark7 /

Shot Mark8 / Shot Mark9 /

Shot Mark0

Displays thumbnails of frames with essence marks.

Clip Thumbnail Displays thumbnails of recorded clips.

Set Shot Mark

Shot mark settings

Add Shot Mark1 Adds Shot Mark1.

Delete Shot Mark1 Deletes Shot Mark1.

Add Shot Mark2 Adds Shot Mark2.

Delete Shot Mark2 Deletes Shot Mark2.

Set Clip Flag

Clip flag settings

Add OK Adds an OK flag.

Add NG Adds an NG flag.

Add KEEP Adds a Keep flag.

Delete Clip Flag Deletes all flags.

Lock/Unlock

Clip

Clip protection

Select Clip Selects and locks/unlocks a clip.

Lock All Clips Locks all clips.

Unlock All Clips Unlocks all clips.

Delete Clip

Delete clips

Select Clip Deletes the selected clip.

All Clips Deletes all of the displayed clips.

Filter Clips

Filtered clip

display settings

OK Display only clips that have an OK flag.

NG Display only clips that have an NG flag.

KEEP Display only clips that have a Keep flag.

None Display only clips that have no flag.

Customize

View

Thumbnail screen

settings

Thumbnail Caption

Date Time / Time Code /

Duration / Sequential Number

Switches the information displayed below thumbnails.

Media Menu

Media

Item Sub-item setting Description

Update Media

Update memory

cards

Media (A)

Execute / Cancel

Updates the management file on the XQD memory card in slot

Execute: Update card

Media (B)

Execute / Cancel

Updates the management file on the XQD memory card in slot

Execute: Update card

Format Media

Format (initializes)

memory cards

Media (A)

Execute / Cancel

Initializes the XQD memory card in slot A.

Execute: Initialize card

Media (B)

Execute / Cancel

Initializes the XQD memory card in slot B.

Execute: Initialize card

SD Card

Execute / Cancel

Initializes the UTIILITY SD card.

Execute: Initialize card

Clip

Clip name settings

Auto Naming

Cam ID + Reel# / Title

Sets the method for naming clips.

Cam ID + Reel#:

Camera ID + Reel Number + Shot Number + Date +

random string

Title:

String set using Title Prefix + Clip Number

Note

When Simul Rec is set to On, Cam ID + Reel# cannot be

configured.

Camera ID

A to Z

Sets the camera ID when Auto Naming is set to Cam ID +

Reel#.

Reel Number

001 to 999

Sets the numeric part of Reel Number when Auto Naming is

set to Cam ID + Reel#.

Camera Position

C / L / R

Sets the Shot Number prefix when Auto Naming is set to Cam

ID + Reel#.

Title Prefix Sets the title portion of the clip name when Auto Naming is

set to Title.

(Initial value is a model-specific ID, comprising the last three

digits of the serial number.)

(The value is entered using the character entry screen

(page 62).)

Number Set

0001 to 9999

Sets the numeric portion of the clip name when Auto Naming

is set to Title.

File Menu

File

Item Sub-item setting Description

All File

Settings related to

ALL files.

Load SD Card

Execute / Cancel

Loads an ALL file.

Execute: Load file

Save SD Card

Execute / Cancel

Saves an ALL file.

Execute: Save file

File ID Assigns a name to the file.

Scene File

Scene file settings

Recall Internal Memory

Execute / Cancel

Loads a scene file from internal memory.

Execute: Load file

Store Internal Memory

Execute / Cancel

Saves a scene file in internal memory.

Execute: Save file

Load SD Card

Execute / Cancel

Loads a scene file from an SD card.

Execute: Load file

Save SD Card

Execute / Cancel

Saves a scene file to an SD card.

Execute: Save file

File ID Assigns a name to the file.

Scene White Data

On / Off

Sets whether to apply the white balance data when loading

scene files.

User Menu

Item

User menu item

settings

Load SD Card

Execute / Cancel

Loads User menu settings on an SD card into internal

memory.

Execute: Load settings

Save SD Card

Execute / Cancel

Saves User menu settings on an SD card.

Execute: Save settings

File ID Displays the File ID specified for the file loaded using Load

SD Card. Also sets (edits) the File ID when saving a file using

this menu.

User Gamma

User gamma file

settings

Current Settings Displays a list of the current user gamma file settings (file

names).

Load SD Card

Execute / Cancel

Loads user gamma settings on an SD card into internal

memory.

Execute: Load gamma

To use user gamma files created using CvpFileEditor™ V4.2

with the camcorder, save files in the following folder on the

SD card.

PRIVATE\SONY\PRO\CAMERA\HD_CAM

Reset

1 / 2 / 3 / 4 / 5 / All

Initial value: 709(800%)

Resets the user gamma files in internal memory to default

values.

1 to 5: Reset individual user gamma

All: Reset all user gammas

Note

Place files in the following folders on the SD card.

ALL files, Scene files, User Menu Item:

PRIVATE\Sony\PRO\CAMERA\PXW-FS7

User gamma files:

PRIVATE\Sony\PRO\CAMERA\HD_CAM

Monitor LUT files, monitor 3D LUT files:

PRIVATE\Sony\PRO\CAMERA\PMWF55_F5

Monitor LUT

Monitor LUT file

settings

Current Settings Displays a list of the current monitor LUT file settings (file

names).

Load SD Card

Execute / Cancel

Loads monitor LUT settings on an SD card into internal

memory.

Execute: Load LUT settings

Save user LUT files generated using RAW Viewer in the

following folder on the SD card.

PRIVATE\SONY\PRO\CAMERA\PMWF55_F5

Reset

1 / 2 / 3 / 4 / 5 / 6 / All

Resets the monitor LUT data in internal memory to default

values.

1 to 6: Reset individual monitor LUT

All: Reset all monitor LUTs

Monitor 3D

LUT

Monitor 3D LUT

file settings

Current Settings Displays a list of the current monitor 3D LUT file settings (file

names).

Load SD Card

Execute / Cancel

Loads monitor 3D LUT settings on an SD card into internal

memory.

Execute: Load 3D LUT settings

You can import CUBE files (*.cube) with lattice resolution of

17 or 33 created using Catalyst Browse, RAW Viewer, or

BMD Da Vinci Resolve*.

* Verified with Resolve V9.0, V10.0, and V11.0.

If creating a CUBE file using Catalyst Browse or RAW

Viewer, set the Source setting in Catalyst Browse or the Input

setting in RAW Viewer to S-Gamut3.Cine/S-Log3.

Set Format to Resolve when exporting the CUBE file.

Save the created 3D LUT data (user 3D LUT file) in the

following folder on the SD card.

PRIVATE\SONY\PRO\CAMERA\PMWF55_F5

Note

The monitor 3D LUT function cannot be used if Base Setting

>Color Space is set to S-Gamut/S-Log2 in the System menu

on the camcorder.

Reset

1 / 2 / 3 / 4 / All

Resets the monitor 3D LUT data in internal memory to default

values.

1 to 4: Reset individual monitor 3D LUT

All: Reset all monitor 3D LUTs

Lens File

Lens file settings

White Offset R

–99 to +99 (±0)

Sets the white balance offset R channel correction value for

the lens in the lens file.

White Offset B

–99 to +99 (±0)

Sets the white balance offset B channel correction value for

the lens in the lens file.

File

Item Sub-item setting Description

System Menu

System

Item Sub-item setting Description

Base Setting

Base settings

Shooting Mode

Custom / Cine EI

Sets the shooting mode.

Color Space

S-Gamut/SLog2 /

S-Gamut3.Cine/SLog3 /

S-Gamut3/SLog3 / Matrix

Sets the color space.

Imager Scan Mode

Normal / 2K Full / 2K Center

Sets the scan mode for capturing information by the image

sensor (page 26).

Codec

Codec settings

Select

RAW / RAW & XAVC-I / RAW

& XAVC-L / RAW & MPEG

HD 422 / XAVC-I / XAVC-L /

MPEG HD 422 / ProRes 422

HQ / ProRes 422

Sets the recording/playback mode.

Notes

• RAW / RAW & XAVC-I / RAW & XAVC-L / RAW &

MPEG HD 422 are available when an XDCA-FS7 is

connected and Base Setting >Shooting Mode is set to Cine

EI.

• ProRes 422 HQ / ProRes 422 are available only when an

XDCA-FS7 is connected.

Rec Format

Recording format

settings

Video Format

• For NTSC systems:

When Codec >Select is set to

XAVC-I:

4096×2160 59.94P

4096×2160 29.97P

4096×2160 24.00P

4096×2160 23.98P

3840×2160 59.94P

3840×2160 29.97P

3840×2160 23.98P

1920×1080 59.94P

1920×1080 59.94i

1920×1080 29.97P

1920×1080 23.98P

When Codec >Select is set to

XAVC-L:

3840×2160 59.94P

3840×2160 29.97P

3840×2160 23.98P

1920×1080 59.94P 50

1920×1080 59.94P 35

1920×1080 59.94i 50

1920×1080 59.94i 35

1920×1080 59.94i 25

1920×1080 29.97P 50

1920×1080 29.97P 35

1920×1080 23.98P 50

1920×1080 23.98P 35

When Codec >Select is set to

MPEG HD422:

1920×1080 59.94i 50

1920×1080 29.97P 50

1920×1080 23.98P 50

1280×720 59.94P 50

1280×720 29.97P 50

1280×720 23.98P 50

When Codec >Select is set to

ProRes 422 HQ or ProRes 422:

1920×1080 59.94i

1920×1080 29.97P

1920×1080 23.98P

Sets the recording format.

•For PAL systems:

When Codec >Select is set to XAVC-I:

4096×2160 50P

4096×2160 25P

3840×2160 50P

3840×2160 25P

1920×1080 50P

1920×1080 50i

1920×1080 25P

When Codec >Select is set to XAVC-L:

3840×2160 50P

3840×2160 25P

1920×1080 50P 50

1920×1080 50P 35

1920×1080 50i 50

1920×1080 50i 35

1920×1080 50i 25

1920×1080 25P 50

1920×1080 25P 35

When Codec >Select is set to MPEG HD422:

1920×1080 50i 50

1920×1080 25P 50

1280×720 50P 50

1280×720 25P 50

When Codec >Select is set to ProRes 422 HQ or ProRes 422:

1920×1080 50i

1920×1080 25P

Notes

• “---” is grayed out when Codec >Select is set to RAW.

• The fixed values are grayed out when Codec >Select is set to

RAW & XAVC-I, RAW & XAVC-L, or RAW & MPEG HD

422.

• The recording format cannot be set to 4096×2160 or

3840×2160 when Imager Scan Mode is set to 2K Full or 2K

Center.

System

Item Sub-item setting Description

RAW Output Format

• For NTSC systems:

When Codec >Select is set to an

item that includes RAW, and

Imager Scan Mode is set to

Normal:

4096×2160 59.94P

4096×2160 29.97P

4096×2160 23.98P

When Codec >Select is set to an

item that includes RAW, and

Imager Scan Mode is set to 2K

Full or 2K Center:

2048×1080 59.94P

2048×1080 29.97P

2048×1080 23.98P

Sets the recording format for an external RAW recorder.

•For PAL systems:

When Codec >Select is set to an item that includes RAW, and

Imager Scan Mode is set to Normal:

4096×2160 50P

4096×2160 25P

When Codec >Select is set to an item that includes RAW, and

Imager Scan Mode is set to 2K Full or 2K Center:

2048×1080 50P

2048×1080 25P

Genlock

Genlock settings

Reference

Internal / External (HD) /

External (SD)

Displays the genlock state. It displays the signal type if

genlock is applied.

Internal: External genlock not applied.

External (HD): Genlock to HD signal.

External (SD): Genlock to SD signal.

Assignable

Button

Assignable button

settings

<1> to <6>

Off / Marker / Zebra / Peaking /

Video Signal Monitor / Focus

Magnifier x4/x8 / Focus Magnifier

x4 / Focus Magnifier x8 / Focus

Area / Focus Area (Push AF) / VF

Mode / IRIS / Push Auto Iris /

AGC / Push AGC / SHUTTER /

Auto Exposure Level / Spotlight /

Backlight / ATW / ATW Hold /

Push AF/Focus Hold / SteadyShot

/ Color Bars / User Menu / Rec

Lamp / S&Q Motion / Picture

Cache Rec / Rec Review /

Thumbnail / Shot Mark1 / Shot

Mark2 / Clip Flag OK / Clip Flag

NG / Clip Flag Keep /

DURATION/TC/U-BIT / High/

Low Key

Assigns functions to assignable buttons.

Marker:

Turns the marker function on/off.

Zebra:

Turns the Zebra function on/off.

Peaking:

Turns the peaking function on/off.

Video Signal Monitor:

Switches the video signal monitor (such as a waveform

monitor).

Focus Magnifier x4/x8:

Focus Magnifier x4:

Focus Magnifier x8:

Turns the focus magnifier function on/off.

Focus Area:

Focus Area (Push AF):

Opens the Focus Area setup screen.

VF Mode:

Switches the viewfinder display between color and B&W.

IRIS:

Switches the iris function between Auto and Manual.

Push Auto Iris:

Enables the auto iris function while the button is pressed.

AGC:

Turns the AGC function on/off.

System

Item Sub-item setting Description

Push AGC:

Enables the AGC function while the button is pressed.

SHUTTER:

Switches the shutter between Auto and Manual.

Auto Exposure Level:

Opens the Auto Exposure Level screen.

Spotlight:

Switches between Spotlight and Standard.

Backlight:

Switches between Backlight and Standard.

AT W:

Turns the ATW function on/off.

AT W H o l d :

Pauses ATW function operation.

Push AF/Focus Hold:

Runs the push auto focus function or focus hold function.

SteadyShot:

Switches between Active SteadyShot, SteadyShot, and Off.

Color Bars:

Turns the color bars on/off.

User Menu:

Opens/closes the User menu.

Rec Lamp:

Turns the recording indicator light on/off.

S&Q Motion:

Turns Slow & Quick Motion on/off.

Sets the recording frame rate if pressed and held.

Picture Cache Rec:

Turns picture cache recording mode on/off.

Rec Review:

Turns the Rec Review function on/off.

Thumbnail:

Opens/closes the thumbnail screen.

Shot Mark1:

Runs the Add Shot Mark1 function.

Shot Mark2:

Runs the Add Shot Mark2 function.

Clip Flag OK:

Runs the Add OK function.

Press twice to execute Delete Clip Flag.

Clip Flag NG:

Runs the Add NG function.

Press twice to execute Delete Clip Flag.

Clip Flag Keep:

Runs the Add Keep function.

Press twice to execute Delete Clip Flag.

DURATION/TC/U-BIT:

Switches between Time Code, Users Bit, and Duration.

High/Low Key:

Switches between High Key (display for checking for

blown-out whites), Low Key (display for checking for

underexposed areas), and Off (normal display) in that

order.

Applicable for systems where Monitor LUT is set to On.

System

Item Sub-item setting Description

Assignable

Dial

Assignable dial

settings

Assignable Dial

Off / ISO/Gain/EI / IRIS /

Focus / Audio Input Level

Assigns functions to the assignable dial on the grip remote

control.

ISO/Gain/EI: Adjusts the gain or EI.

IRIS: Adjusts the iris.

Focus: Adjusts the focus.

Audio Input Level: Adjusts the audio level.

IRIS Dial

(Same settings as Assignable

Dial)

Assigns functions to the IRIS dial.

Assignable Dial Direction

Normal / Opposite

Sets the direction of rotation of the assignable dial on the grip

remote control.

Normal: Turn in forward direction.

Opposite: Turn in opposite direction.

IRIS Dial Direction

Normal / Opposite

Sets the direction of rotation of the IRIS dial.

Normal: Turn in forward direction.

Opposite: Turn in opposite direction.

Rec Lamp

Recording

indicator settings

Rec Lamp

On / Off

Turns the recording indicator light on/off.

Fan Control

Fan control mode

settings

Setting

Auto / Minimum / Off in Rec

Sets the control mode of the camcorder fan.

Note

Even when “Off in Rec” is selected, the fan will operate if the

internal temperature of the camcorder rises above a certain

value.

HOLD Switch

Setting

Hold switch

settings

with Rec Button

On / Off

Sets whether or not to lock the recording button.

with Hand Grip Remote

On / Off

Sets whether to lock operation of the grip remote control.

Lens

Lens settings

Zoom Ring Direction

Left (W)/Right (T) / Right

(W)/Left (T)

Sets the direction of zoom ring operation.

Note

Enabled only when using an E-mount lens that supports zoom

ring direction switching.

Distortion Comp.

Auto / Off

Turns automatic distortion compensation on/off.

Notes

• Not available in picture cache recording mode or when

recording.

• Distortion compensation is not applied during 4K or QFHD

recording.

• When “Auto” is selected, there are some restrictions to

Monitor LUT (page 117).

Language

Language settings

Select Sets the display language.

SET: Set language.

System

Item Sub-item setting Description

Clock Set

Internal clock

settings

Time Zone

UTC 12:00 Kwajalein to UTC

+14:00

Sets the time difference from UTC in 30-minute units.

Date Mode

YYMMDD / MMDDYY /

DDMMYY

Selects the display format for dates.

YYMMDD: Year, month, day

MMDDYY: Month, day, year

DDMMYY: Day, month, year

12H/24H

12H / 24H

Selects the clock display format.

12H: 12-hour mode

24H: 24-hour mode

Date Sets the current date.

SET: Set the value.

Time Sets the current time.

SET: Set the value.

Country

Region settings

NTSC/PAL Area

NTSC Area / PAL Area

The default setting varies depending

on the country of purchase.

Sets the region of use.

Hours Meter

Hours meter

settings

Hours (System) Displays the accumulated hours of use (cannot be reset).

Hours (Reset) Displays the accumulated hours of use (can be reset).

Reset

Execute / Cancel

Resets the Hours (Reset) display to 0.

Execute: Reset

Basic

Authentication

Basic network

authentication

settings

User Name

(admin)

Sets a desired user name (1 to 16 alphanumeric characters).

SET: Set the value.

Password

(pxw-fs7)

Sets a password (1 to 16 alphanumeric characters).

SET: Set the value.

Wi-Fi

Wireless LAN

connection

settings

Wi-Fi

Enable / Disable

Selects whether to enable or disable Wi-Fi connection.

SSID & Password Displays the SSID and password.

Wi-Fi Direct Connection

Execute / Cancel

Starts a “Wi-Fi Direct” network connection.

Execute: Connect

Client Displays information about the connected client device

(model name and MAC address).

IP Address

192.168.1.1

Displays the IP address of the camcorder.

Note

Not displayed when using the CBK-WA100.

Subnet Mask

255.255.0.0

Displays the subnet mask.

Note

Not displayed when using the CBK-WA100.

MAC Address Displays the MAC address of the Wi-Fi module attached to

the camcorder.

Regenerate Password

Execute / Cancel

Creates a new password.

Execute: Regenerate

GPS

GPS settings

GPS

On / Off

Turns the GPS function on/off.

Note

The GPS module is built into the handle.

System

Item Sub-item setting Description

IR Remote

Remote control

settings

Setting

On / Off

Enables/disables control from the supplied infrared remote

control.

Camera

Battery Alarm

Battery low-

voltage alarm

settings

Low BATT

5% / 10% / 15% / ... / 45% /

50%

Sets the remaining battery level to display a battery low-

voltage alarm (5% increments).

BATT Empty

3% to 7%

Sets the remaining battery level to display a battery empty

alarm.

Camera DC IN

Alarm

Input voltage

alarm settings

DC Low Voltage1

11.5V to 17.0V

Sets the voltage to display a DC IN low input voltage alarm.

DC Low Voltage2

11.0V to 14.0V

Sets the voltage to display a DC IN insufficient input voltage

alarm.

Ext. Unit

Battery Alarm

XDCA-FS7

battery settings

Near End:Info Battery

5% to 100%

Sets the remaining battery level to display a Info-Lithium

battery low-voltage alarm (5% increments).

End:Info Battery

0% to 5%

Sets the remaining battery level to display a Info-Lithium

battery end alarm and to stop media access.

Near End:Sony Battery

11.5V to 17.0V

Sets the remaining battery level to display a battery low-

voltage alarm for a non Info-Lithium battery.

End:Sony Battery

11.0V to 11.5V

Sets the remaining battery level to display a battery end alarm

for a non Info-Lithium battery and to stop media access.

Near End:Other Battery

11.5V to 17.0V (11.8V)

Sets the remaining battery level to display a battery low-

voltage alarm for an Anton/Bauer battery.

End:Other Battery

11.0V to 14.0V

Sets the remaining battery level to display a battery end alarm

for an Anton/Bauer battery and to stop media access.

Detected Battery Displays the type of battery connected to the XDCA-FS7.

If a battery is connected to the XDCA-FS7, “Info Battery,”

“Sony Battery,” or “Other Battery” is displayed. If a DC

source is connected, “DC IN” is displayed.

If powered by a battery or DC source connected to the

camcorder, “ --- ” is displayed.

Ext. Unit DC IN

Alarm

XDCA-FS7 input

voltage alarm

settings

DC Low Voltage1

11.5V to 17.0V

Sets the voltage to display a DC IN low input voltage alarm.

DC Low Voltage2

11.0V to 14.0V

Sets the voltage to display a DC IN insufficient input voltage

alarm.

All Reset

Reset factory

defaults

Reset

Execute / Cancel

Resets all settings to their factory defaults.

Execute: Reset

APR

Run APR

APR

Execute / Cancel

Runs APR (Automatic Pixel Restoration) for image sensor

auto adjustment.

Execute: Run

Note

Always attach the lens cap before running APR.

Camera Config

Down-converter

output settings

HD/2K Modulation

High / Low

Sets the down-converter output bandwidth for conversion to

HD and 2K.

System

Item Sub-item setting Description

Version

Display version

Number

x.xx

Displays the software version of the camcorder.

Version Up

Execute / Cancel

Upgrades the camcorder.*

Execute: Upgrade

* Upgrading updates the camcorder software.

Ext. Unit Version Number

x.xx

Displays the software version of the XDCA-FS7.

Ext. Unit Version Up

Execute / Cancel

Upgrades the XDCA-FS7.*

Execute: Upgrade

* Upgrading updates the XDCA-FS7 software.

System

Item Sub-item setting Description

100

To display recorded/playback pictures on an

external monitor, select the camcorder output

signal and use an appropriate cable for the

monitor to be connected.

You can also connect recording devices, such as a

VTR, and record the output signal from the

camcorder.

You can display the same information that is

visible in the viewfinder, such as status

information and menus, on an external monitor.

Set Output Display (page 80) in the Video menu

to “On” for the corresponding type of signal to

output to the monitor.

SDI OUT connector (BNC type)

Turn the output on/off and set the output format

using the Video menu (page 79).

Use a commercially available 75 Ω coaxial cable

for connection.

Note

Check that the connection between the camcorder and

the external device is grounded before turning the

devices on.

(It is recommended that the camcorder and external

device be turned on after connecting the 75 Ω coaxial

cable.)

If the external device must be connected to the

camcorder while the camcorder is on, connect the 75 Ω

coaxial cable to the external device first and then connect

it to the camcorder.

To start recording on the camcorder and external

device simultaneously

With SDI signal output enabled, set SDI/HDMI

Rec Control (page 87) >Setting in the Recording

menu to “On” to enable output of a REC trigger

signal to the external device connected to the SDI

OUT connector. This will synchronize recording

on the external device with the camcorder.

Notes

• If a connected external device does not support a REC

trigger signal, the device cannot be operated.

• When the record START/STOP button and the handle

record START/STOP are set to control different

media, the REC trigger signal is output in accordance

with the operation of slot A.

• Only the REC trigger signal is output when there is no

media currently inserted.

HDMI OUT connector (Type A connector)

Turn the output on/off and set the output format

using the Video menu (page 79).

Use a commercially available high-speed HDMI

cable for connection.

Select the type of the connected device using

HDMI Target Device (page 117) in the Video

menu.

RAW OUT connector (BNC type)

Attaching an XDCA-FS7 Extension Unit to the

camcorder provides support for an external RAW

recorder, such as the AXS-R5, to be connected to

the RAW OUT connector of the XDCA-FS7

(page 34).

External Device Connection

Connecting External Monitors and Recording Devices

101

When shooting using multiple camcorder units,

the camcorders can be synchronized to a specific

reference signal or timecodes synchronized via

the Genlock connector of the XDCA-FS7 units

(page 12) attached to the camcorders.

Note

The camcorder battery pack cannot be used when an

XDCA-FS7 unit is attached to the camcorder. You must

attach a battery pack to the XDCA-FS7 or connect an

external power supply.

Synchronizing the phase of the video

signals (genlock)

Enable genlock by supplying a reference signal to

the Genlock connector (page 12) of the

XDCA-FS7 units connected to the camcorders.

The reference signals that can be used vary

depending on the frame rate of the selected

recording format.

For NTSC Area

For PAL Area

Notes

• If the selected recording format is 1280×720 60P, you

must supply both a video signal and a time signal.

• If the reference signal is unstable, genlock cannot be

achieved.

• The subcarrier is not synchronized.

Locking the timecode to other devices

Set the unit that supplies the timecode to a mode

in which the timecode output keeps running (such

as Free Run or Clock).

1Set Timecode in the TC/UB menu as

follows.

Mode: Preset

Run: Free Run

2Press the assignable button (page 46)

assigned with the DURATION/TC/

U-BIT function to display the timecode

on the screen.

3Check that the TC IN/OUT switch

(page 12) on the XDCA-FS7 is set to the

IN position, and supply an HD or SD

reference video signal and a timecode

synchronized to the video signal to the

Genlock and TC IN/OUT connectors,

respectively.

The timecode generator of the camcorder

acquires lock with the reference timecode, and

“EXT-LK” appears on the screen.

Once about ten seconds have elapsed after the

timecode locks, the external lock state is

maintained even if the external reference

timecode source is disconnected.

Notes

• Check that the supplied reference timecode and the

reference video signal are in a phase relationship that

complies with the SMPTE timecode standard.

• When operating with external lock, the timecode

instantly acquires lock with the external timecode and

the external timecode value appears in the data display

area. However, do not start recording immediately.

Wait for a few seconds until the timecode generator

stabilizes before recording.

• If the frequency of the reference video signal and the

frame frequency on the camcorder are not the same,

lock cannot be acquired and the camcorder will not

operate properly. If this occurs, the timecode will not

acquire successful lock with the external timecode.

External Synchronization

Frame rate of

recording format

Supported input

reference signals

59.94P 1920×1080 59.94i

720×486 59.94i

1280×720 59.94P

29.97P 1920×1080 59.94i

720×486 59.94i

24.0P 1920×1080 48i (24PsF)

23.98P 1920×1080 47.95i

(23.98PsF)

59.94i 1920×1080 59.94i

720×486 59.94i

Frame rate of

recording format

Supported input

reference signals

50P 1920×1080 50i

720×576 50i

1280×720 50P

25P 1920×1080 50i

720×576 50i

50i 1920×1080 50i

720×576 50i

102

• If the external timecode source is disconnected, the

timecode may shift by one frame per hour with respect

to the reference timecode.

To release external lock

Change the Timecode setting in the TC/UB menu,

or turn the camcorder off.

External lock is also released if you start

recording in Slow & Quick Motion mode.

Synchronizing the timecode of another

device with the timecode of the

camcorder

Set the unit that supplies the timecode to a mode

in which the timecode output keeps running (such

as Free Run or Clock).

1Set the timecode of the camcorder using

Timecode (page 85) in the TC/UB menu.

2Check that the TC IN/OUT switch

(page 12) is set to the OUT position, and

connect the TC IN/OUT connector and

Genlock connector (page 12) to the

timecode input and reference signal

input, respectively, of the device you

want to synchronize.

Using an XQD card reader (option)

Connect an MRW-E80 XQD Card Reader

(option) using a USB cable, and insert a memory

card in the slot. The memory card is recognized as

a computer extension drive.

Using mass storage mode

Connect the camcorder using a USB cable, and

insert a memory card in the slot. The memory

card is recognized as a computer extension drive.

1Turn the camcorder POWER switch to

the ON position.

A message appears on the screen or

viewfinder asking whether to enable USB

connection.

The USB connection confirmation message is not

displayed while another confirmation message or

progress message is displayed, for example, when

formatting or restoring an XQD memory card.

The confirmation message is displayed when the

formatting or restoring execution ends. The USB

confirmation message is also not displayed when

the clip properties screen is displayed. The message

is displayed when processing ends or when you

return to the thumbnail screen.

2Turn the SEL/SET dial and select

Execute.

Managing/Editing Clips

using a Computer

Connecting using a USB Cable

Note

103

3On Windows, check that the card is

added as a removable disk in the “My

Computer” window.

On Macintosh, check that a folder

called “NO NAME” or “Untitled”

(editable) is created on the Desktop.

Notes

• Do not perform the following operations if the access

lamp is lit red.

- Turning the power off Disconnecting the power

cord

- Removing the XQD memory card

- Disconnecting the USB cable

• Operation is not guaranteed to work on all computers.

Using nonlinear editing systems

In a nonlinear editing system, editing software

(option) that supports the formats recorded by the

camcorder is required.

Use dedicated application software to save the

clips you want to edit on the HDD of the

computer beforehand.

104

The fan is a consumable part that will need

periodic replacement.

When operating at room temperature, a normal

replacement cycle will be about 5 years.

However, this replacement cycle represents only

a general guideline and does not imply that the

life expectancy of this part is guaranteed. For

details on parts replacement, contact your dealer.

If the unit is suddenly taken from a cold to a warm

location, or if ambient temperature suddenly

rises, moisture may form on the outer surface of

the unit and/or inside of the unit. This is known as

condensation. If condensation occurs, turn off the

unit and wait until the condensation clears before

operating the unit. Operating the unit while

condensation is present may damage the unit.

The LCD panel fitted to this unit is manufactured

with high precision technology, giving a

functioning pixel ratio of at least 99.99%. Thus a

very small proportion of pixels may be “stuck”,

either always off (black), always on (red, green,

or blue), or flashing. In addition, over a long

period of use, because of the physical

characteristics of the liquid crystal display, such

“stuck” pixels may appear spontaneously. These

problems are not a malfunction. Note that any

such problems have no effect on recorded data.

The battery terminal of this unit (the connector for

battery packs and AC adaptors) is a consumable

part.

Power may not be supplied to the unit properly if

the pins of the battery terminal are bent or

deformed by shock or vibrations, or if they

become corroded due to prolonged outdoor use.

Periodic inspections are recommended to keep

the unit working properly and to prolong its

usable lifetime. Contact a Sony service or sales

representative for more information about

inspections.

About the built-in rechargeable battery

The camcorder has a built-in rechargeable battery

for storing the date, time, and other settings even

when the camcorder is turned off. The built-in

rechargeable battery will become charged after

24 hours have elapsed if the unit is connected to a

power outlet using the AC adaptor or if a fully

charged battery pack is attached, regardless of

whether the camcorder is turned on/off. The

rechargeable battery will be fully discharged in

about 3 months if the AC adaptor is not

connected or the camcorder is used without the

battery pack attached. Use your camcorder after

charging the battery. However, even if the built-

in rechargeable battery is not charged, the

camcorder operation will not be affected as long

as you are not recording the time and date.

Appendix

Usage Precautions

105

Factory default settings are shown in bold (for example, 2048×1080P (Level A)).

Notes

• The resolution of the recording format is limited by the Base Setting >Imager Scan Mode setting in the System menu

(page 92).

• No playback picture is output if the video output resolution is higher than the resolution of the picture.

SDI OUT connector output formats

When Country >NTSC/PAL Area in the System menu is set to NTSC Area

When using basic configuration (XAVC-I / XAVC-L / MPEG HD)

Output Formats and Limitations

Video Formats and Output Signals

Recording format settings

(Rec Format >Video Format in the

System menu)

SDI/HDMI output settings

(Output Format >SDI and

HDMI in the Video menu)

SDI output signal

SDI HDMI

4096×2160 59.94P – 4096×2160P No output

– 3840×2160P No output

1920×1080P

(Level A)

1920×1080P 1920×1080 59.94P Level-A

1920×1080P

(Level B)

– 1920×1080 59.94P Level-B

1920×1080i 1920×1080i 1920×1080 59.94i

4096×2160 29.97P – 4096×2160P No output

– 3840×2160P No output

1920×1080PsF 1920×1080i 1920×1080 29.97PsF

4096×2160 24.00P – 4096×2160P No output

– 3840×2160P No output

1920×1080PsF – 1920×1080 24PsF

– 1920×1080P No output

4096×2160 23.98P – 4096×2160P No output

– 3840×2160P No output

1920×1080PsF – 1920×1080 23.98PsF

– 1920×1080P No output

3840×2160 59.94P – 4096×2160P No output

– 3840×2160P No output

1920×1080P

(Level A)

1920×1080P 1920×1080 59.94P Level-A

1920×1080P

(Level B)

– 1920×1080 59.94P Level-B

1920×1080i 1920×1080i 1920×1080 59.94i

3840×2160 29.97P – 4096×2160P No output

– 3840×2160P No output

1920×1080PsF 1920×1080i 1920×1080 29.97PsF

106

3840×2160 23.98P – 4096×2160P No output

– 3840×2160P No output

1920×1080PsF – 1920×1080 23.98PsF

– 1920×1080P No output

1920×1080 59.94P 2048×1080P

(Level A)

– 2048×1080 59.94P Level-A

2048×1080P

(Level B)

– 2048×1080 59.94P Level-B

1920×1080P

(Level A)

1920×1080P 1920×1080 59.94P Level-A

1920×1080P

(Level B)

– 1920×1080 59.94P Level-B

1920×1080i 1920×1080i 1920×1080 59.94i

– 720×480i No output

– 720×480P No output

1920×1080 59.94i 1920×1080i 1920×1080i 1920×1080 59.94i

– 720×480i No output

– 720×480P No output

1920×1080 29.97P 2048×1080PsF – 2048×1080 29.97PsF

1920×1080PsF 1920×1080i 1920×1080 29.97PsF

– 720×480i No output

1920×1080 23.98P 2048×1080PsF – 2048×1080 23.98PsF

1920×1080PsF – 1920×1080 23.98PsF

– 1920×1080P No output

1920×1080i (2-

3PD)

1920×1080i (2-

3PD)

1920×1080 59.94i (2-3PD)

– 720×480i (2-

3PD)

No output

1280×720 59.94P 1280×720P 1280×720P 1280×720 59.94P

– 720×480i No output

– 720×480P No output

1280×720 29.97P 1280×720P 1280×720P 1280×720 59.94P (2-2RP)

– 720×480i No output

1280×720 23.98P 1280×720P (2-

3PD)

1280×720P (2-

3PD)

1280×720 59.94P (2-3PD)

– 720×480i (2-

3PD)

No output

Recording format settings

(Rec Format >Video Format in the

System menu)

SDI/HDMI output settings

(Output Format >SDI and

HDMI in the Video menu)

SDI output signal

SDI HDMI

107

When using extension unit (RAW)

Recording format settings

(Rec Format >RAW Output Format

and Video Format in the System

menu)

SDI/HDMI output settings

(Output Format >SDI and

HDMI in the Video menu)

SDI output signal

SDI HDMI

RAW Output Format

4096×2160 59.94P

Video Format (fixed value)

1920×1080 59.94P

2048×1080P

(Level A)

– 2048×1080 59.94P Level-A

2048×1080P

(Level B)

– 2048×1080 59.94P Level-B

1920×1080P

(Level A)

1920×1080P 1920×1080 59.94P Level-A

1920×1080P

(Level B)

– 1920×1080 59.94P Level-B

1920×1080i 1920×1080i 1920×1080 59.94i

RAW Output Format

4096×2160 59.94P

Video Format (fixed value)

1280×720 59.94P

2048×1080P

(Level A)

– 2048×1080 59.94P Level-A

2048×1080P

(Level B)

– 2048×1080 59.94P Level-B

1920×1080P

(Level A)

1920×1080P 1920×1080 59.94P Level-A

1920×1080P

(Level B)

– 1920×1080 59.94P Level-B

1280×720P 1280×720P 1280×720 59.94P

RAW Output Format

2048×1080 59.94P

Video Format (fixed value)

1920×1080 59.94P

2048×1080P

(Level A)

– 2048×1080 59.94P Level-A

2048×1080P

(Level B)

– 2048×1080 59.94P Level-B

1920×1080P

(Level A)

1920×1080P 1920×1080 59.94P Level-A

1920×1080P

(Level B)

– 1920×1080 59.94P Level-B

1920×1080i 1920×1080i 1920×1080 59.94i

RAW Output Format

2048×1080 59.94P

Video Format (fixed value)

1280×720 59.94P

2048×1080P

(Level A)

– 2048×1080 59.94P Level-A

2048×1080P

(Level B)

– 2048×1080 59.94P Level-B

1920×1080P

(Level A)

1920×1080P 1920×1080 59.94P Level-A

1920×1080P

(Level B)

– 1920×1080 59.94P Level-B

1280×720P 1280×720P 1280×720 59.94P

RAW Output Format

4096×2160 29.97P

Video Format (fixed value)

1920×1080 29.97P

2048×1080PsF – 2048×1080 29.97PsF

1920×1080PsF 1920×1080i 1920×1080 29.97PsF

RAW Output Format

2048×1080 29.97P

Video Format (fixed value)

1920×1080 29.97P

2048×1080PsF – 2048×1080 29.97PsF

1920×1080PsF 1920×1080i 1920×1080 29.97PsF

108

When using extension unit (ProRes 422)

*1 Cannot output a signal compatible with the CBK-WA100.

When Country >NTSC/PAL Area in the System menu is set to PAL Area

When using basic configuration (XAVC-I / XAVC-L / MPEG HD)

RAW Output Format

4096×2160 23.98P

Video Format (fixed value)

1920×1080 23.98P

2048×1080PsF – 2048×1080 23.98PsF

1920×1080PsF – 1920×1080 23.98PsF

– 1920×1080P No output

RAW Output Format

2048×1080 23.98P

Video Format (fixed value)

1920×1080 23.98P

2048×1080PsF – 2048×1080 23.98PsF

1920×1080PsF – 1920×1080 23.98PsF

– 1920×1080P No output

Recording format settings

(Rec Format >Video Format in the

System menu)

SDI/HDMI output settings

(Output Format >SDI and

HDMI in the Video menu)

SDI output signal

SDI HDMI

1920×1080 59.94i 1920×1080i 1920×1080i 1920×1080 59.94i

1920×1080 29.97P 1920×1080PsF 1920×1080i SDI OUT 1

1920×1080 29.97P

SDI OUT 2

1920×1080 29.97PsF

1920×1080 23.98P 1920×1080P 1920×1080P 1920×1080 23.98P *1

Recording format settings

(Rec Format >Video Format in the

System menu)

SDI/HDMI output settings

(Output Format >SDI and

HDMI in the Video menu)

SDI output signal

SDI HDMI

4096×2160 50P – 4096×2160P No output

– 3840×2160P No output

1920×1080P

(Level A)

1920×1080P 1920×1080 50P Level-A

1920×1080P

(Level B)

– 1920×1080 50P Level-B

1920×1080i 1920×1080i 1920×1080 50i

4096×2160 25P – 4096×2160P No output

– 3840×2160P No output

1920×1080PsF 1920×1080i 1920×1080 25PsF

3840×2160 50P – 4096×2160P No output

– 3840×2160P No output

1920×1080P

(Level A)

1920×1080P 1920×1080 50P Level-A

1920×1080P

(Level B)

– 1920×1080 50P Level-B

1920×1080i 1920×1080i 1920×1080 50i

Recording format settings

(Rec Format >RAW Output Format

and Video Format in the System

menu)

SDI/HDMI output settings

(Output Format >SDI and

HDMI in the Video menu)

SDI output signal

SDI HDMI

109

When using extension unit (RAW)

3840×2160 25P – 4096×2160P No output

– 3840×2160P No output

1920×1080PsF 1920×1080i 1920×1080 25PsF

1920×1080 50P 2048×1080P

(Level A)

– 2048×1080 50P Level-A

2048×1080P

(Level B)

– 2048×1080 50P Level-B

1920×1080P

(Level A)

1920×1080P 1920×1080 50P Level-A

1920×1080P

(Level B)

– 1920×1080 50P Level-B

1920×1080i 1920×1080i 1920×1080 50i

– 720×576i No output

– 720×576P No output

1920×1080 50i 1920×1080i 1920×1080i 1920×1080 50i

– 720×576i No output

– 720×576P No output

1920×1080 25P 2048×1080PsF – 2048×1080 25PsF

1920×1080PsF 1920×1080i 1920×1080 25PsF

– 720×576i No output

1280×720 50P 1280×720P 1280×720P 1280×720 50P

– 720×576i No output

– 720×576P No output

1280×720 25P 1280×720P 1280×720P 1280×720 50P (2-2RP)

– 720×576i No output

Recording format settings

(Rec Format >RAW Output Format

and Video Format in the System

menu)

SDI/HDMI output settings

(Output Format >SDI and

HDMI in the Video menu)

SDI output signal

SDI HDMI

RAW Output Format

4096×2160 50P

Video Format (fixed value)

1920×1080 50P

2048×1080P

(Level A)

– 2048×1080 50P Level-A

2048×1080P

(Level B)

– 2048×1080 50P Level-B

1920×1080P

(Level A)

1920×1080P 1920×1080 50P Level-A

1920×1080P

(Level B)

– 1920×1080 50P Level-B

1920×1080i 1920×1080i 1920×1080 50i

Recording format settings

(Rec Format >Video Format in the

System menu)

SDI/HDMI output settings

(Output Format >SDI and

HDMI in the Video menu)

SDI output signal

SDI HDMI

110

When using extension unit (ProRes 422)

RAW Output Format

4096×2160 50P

Video Format (fixed value)

1280×720 50P

2048×1080P

(Level A)

– 2048×1080 50P Level-A

2048×1080P

(Level B)

– 2048×1080 50P Level-B

1920×1080P

(Level A)

1920×1080P 1920×1080 50P Level-A

1920×1080P

(Level B)

– 1920×1080 50P Level-B

1280×720P 1280×720P 1280×720 50P

RAW Output Format

2048×1080 50P

Video Format (fixed value)

1920×1080 50P

2048×1080P

(Level A)

– 2048×1080 50P Level-A

2048×1080P

(Level B)

– 2048×1080 50P Level-B

1920×1080P

(Level A)

1920×1080P 1920×1080 50P Level-A

1920×1080P

(Level B)

– 1920×1080 50P Level-B

1920×1080i 1920×1080i 1920×1080 50i

RAW Output Format

2048×1080 50P

Video Format (fixed value)

1280×720 50P

2048×1080P

(Level A)

– 2048×1080 50P Level-A

2048×1080P

(Level B)

– 2048×1080 50P Level-B

1920×1080P

(Level A)

1920×1080P 1920×1080 50P Level-A

1920×1080P

(Level B)

– 1920×1080 50P Level-B

1280×720P 1280×720P 1280×720 50P

RAW Output Format

4096×2160 25P

Video Format (fixed value)

1920×1080 25P

2048×1080PsF – 2048×1080 25PsF

1920×1080PsF 1920×1080i 1920×1080 25PsF

RAW Output Format

2048×1080 25P

Video Format (fixed value)

1920×1080 25P

2048×1080PsF – 2048×1080 25PsF

1920×1080PsF 1920×1080i 1920×1080 25PsF

Recording format settings

(Rec Format >Video Format in the

System menu)

SDI/HDMI output settings

(Output Format >SDI and

HDMI in the Video menu)

SDI output signal

SDI HDMI

1920×1080 50i 1920×1080i 1920×1080i 1920×1080 50i

1920×1080 25P 1920×1080PsF 1920×1080PsF SDI OUT 1

1920×1080 25P

SDI OUT 2

1920×1080 25PsF

Recording format settings

(Rec Format >RAW Output Format

and Video Format in the System

menu)

SDI/HDMI output settings

(Output Format >SDI and

HDMI in the Video menu)

SDI output signal

SDI HDMI

111

HDMI OUT connector output formats

When Country >NTSC/PAL Area in the System menu is set to NTSC Area

When using basic configuration (XAVC-I / XAVC-L / MPEG HD)

Recording format settings

(Rec Format >Video Format in the

System menu)

SDI/HDMI output settings

(Output Format >SDI and

HDMI in the Video menu)

HDMI output signal

SDI HDMI

4096×2160 59.94P – 4096×2160P 4096×2160 59.94P

– 3840×2160P 3840×2160 59.94P

1920×1080P

(Level A)

1920×1080P 1920×1080 59.94P

1920×1080P

(Level B)

– No output

1920×1080i 1920×1080i 1920×1080 59.94i

4096×2160 29.97P – 4096×2160P 4096×2160 29.97P

– 3840×2160P 3840×2160 29.97P

1920×1080PsF 1920×1080i 1920×1080 29.97PsF

4096×2160 24.00P – 4096×2160P 4096×2160 24P

– 3840×2160P 3840×2160 24P

1920×1080PsF – No output

– 1920×1080P 1920×1080 24P (Pure)

4096×2160 23.98P – 4096×2160P 4096×2160 23.98P

– 3840×2160P 3840×2160 23.98P

1920×1080PsF – No output

– 1920×1080P 1920×1080 23.98P (Pure)

3840×2160 59.94P – 4096×2160P 4096×2160 59.94P

– 3840×2160P 3840×2160 59.94P

1920×1080P

(Level A)

1920×1080P 1920×1080 59.94P

1920×1080P

(Level B)

– No output

1920×1080i 1920×1080i 1920×1080 59.94i

3840×2160 29.97P – 4096×2160P 4096×2160 29.97P

– 3840×2160P 3840×2160 29.97P

1920×1080PsF 1920×1080i 1920×1080 29.97PsF

3840×2160 23.98P – 4096×2160P 4096×2160 23.98P

– 3840×2160P 3840×2160 23.98P

1920×1080PsF – No output

– 1920×1080P 1920×1080 23.98P (Pure)

112

1920×1080 59.94P 2048×1080P

(Level A)

– No output

2048×1080P

(Level B)

– No output

1920×1080P

(Level A)

1920×1080P 1920×1080 59.94P

1920×1080P

(Level B)

– No output

1920×1080i 1920×1080i 1920×1080 59.94i

– 720×480i 720×480 59.94i

– 720×480P 720×480 59.94P

1920×1080 59.94i 1920×1080i 1920×1080i 1920×1080 59.94i

– 720×480i 720×480 59.94i

– 720×480P 720×480 59.94P

1920×1080 29.97P 2048×1080PsF – No output

1920×1080PsF 1920×1080i 1920×1080 29.97PsF

– 720×480i 720×480 59.94i (PsF)

1920×1080 23.98P 2048×1080PsF – No output

1920×1080PsF – No output

– 1920×1080P 1920×1080 23.98P (Pure)

1920×1080i (2-

3PD)

1920×1080i (2-

3PD)

1920×1080 59.94i (2-3PD)

– 720×480i (2-

3PD)

720×480 59.94i (2-3PD)

1280×720 59.94P 1280×720P 1280×720P 1280×720 59.94P

– 720×480i 720×480 59.94i

– 720×480P 720×480 59.94P

1280×720 29.97P 1280×720P 1280×720P 1280×720 59.94P (2-2RP)

– 720×480i 720×480 59.94i (PsF)

1280×720 23.98P 1280×720P (2-

3PD)

1280×720P (2-

3PD)

1280×720 59.94P (2-3PD)

– 720×480i (2-

3PD)

720×480 59.94i

Recording format settings

(Rec Format >Video Format in the

System menu)

SDI/HDMI output settings

(Output Format >SDI and

HDMI in the Video menu)

HDMI output signal

SDI HDMI

113

When using extension unit (RAW)

Recording format settings

(Rec Format >RAW Output Format

and Video Format in the System

menu)

SDI/HDMI output settings

(Output Format >SDI and

HDMI in the Video menu)

HDMI output signal

SDI HDMI

RAW Output Format

4096×2160 59.94P

Video Format (fixed value)

1920×1080 59.94P

2048×1080P

(Level A)

– No output

2048×1080P

(Level B)

– No output

1920×1080P

(Level A)

1920×1080P 1920×1080 59.94P

1920×1080P

(Level B)

– No output

1920×1080i 1920×1080i 1920×1080 59.94i

RAW Output Format

4096×2160 59.94P

Video Format (fixed value)

1280×720 59.94P

2048×1080P

(Level A)

– No output

2048×1080P

(Level B)

– No output

1920×1080P

(Level A)

1920×1080P 1920×1080 59.94P

1920×1080P

(Level B)

– No output

1280×720P 1280×720P 1280×720 59.94P

RAW Output Format

2048×1080 59.94P

Video Format (fixed value)

1920×1080 59.94P

2048×1080P

(Level A)

– No output

2048×1080P

(Level B)

– No output

1920×1080P

(Level A)

1920×1080P 1920×1080 59.94P

1920×1080P

(Level B)

– No output

1920×1080i 1920×1080i 1920×1080 59.94i

RAW Output Format

2048×1080 59.94P

Video Format (fixed value)

1280×720 59.94P

2048×1080P

(Level A)

– No output

2048×1080P

(Level B)

– No output

1920×1080P

(Level A)

1920×1080P 1920×1080 59.94P

1920×1080P

(Level B)

– No output

1280×720P 1280×720P 1280×720 59.94P

RAW Output Format

4096×2160 29.97P

Video Format (fixed value)

1920×1080 29.97P

2048×1080PsF – No output

1920×1080PsF 1920×1080i 1920×1080 29.97PsF

RAW Output Format

2048×1080 29.97P

Video Format (fixed value)

1920×1080 29.97P

2048×1080PsF – No output

1920×1080PsF 1920×1080i 1920×1080 29.97PsF

114

When using extension unit (ProRes 422)

When Country >NTSC/PAL Area in the System menu is set to PAL Area

When using basic configuration (XAVC-I / XAVC-L / MPEG HD)

RAW Output Format

4096×2160 23.98P

Video Format (fixed value)

1920×1080 23.98P

2048×1080PsF – No output

1920×1080PsF – No output

– 1920×1080P 1920×1080 23.98P (Pure)

RAW Output Format

2048×1080 23.98P

Video Format (fixed value)

1920×1080 23.98P

2048×1080PsF – No output

1920×1080PsF – No output

– 1920×1080P 1920×1080 23.98P (Pure)

Recording format settings

(Rec Format >Video Format in the

System menu)

SDI/HDMI output settings

(Output Format >SDI and

HDMI in the Video menu)

HDMI output signal

SDI HDMI

1920×1080 59.94i 1920×1080i 1920×1080i 1920×1080 59.94i

1920×1080 29.97P 1920×1080PsF 1920×1080i 1920×1080 29.97PsF

1920×1080 23.98P 1920×1080P 1920×1080P 1920×1080 23.98P (Pure)

Recording format settings

(Rec Format >Video Format in the

System menu)

SDI/HDMI output settings

(Output Format >SDI and

HDMI in the Video menu)

HDMI output signal

SDI HDMI

4096×2160 50P – 4096×2160P 4096×2160 50P

– 3840×2160P 3840×2160 50P

1920×1080P

(Level A)

1920×1080P 1920×1080 50P

1920×1080P

(Level B)

– No output

1920×1080i 1920×1080i 1920×1080 50i

4096×2160 25P – 4096×2160P 4096×2160 25P

– 3840×2160P 3840×2160 25P

1920×1080PsF 1920×1080i 1920×1080 25PsF

3840×2160 50P – 4096×2160P 4096×2160 50P

– 3840×2160P 3840×2160 50P

1920×1080P

(Level A)

1920×1080P 1920×1080 50P

1920×1080P

(Level B)

– No output

1920×1080i 1920×1080i 1920×1080 50i

3840×2160 25P – 4096×2160P 4096×2160 25P

– 3840×2160P 3840×2160 25P

1920×1080PsF 1920×1080i 1920×1080 25PsF

Recording format settings

(Rec Format >RAW Output Format

and Video Format in the System

menu)

SDI/HDMI output settings

(Output Format >SDI and

HDMI in the Video menu)

HDMI output signal

SDI HDMI

115

When using extension unit (RAW)

1920×1080 50P 2048×1080P

(Level A)

– No output

2048×1080P

(Level B)

– No output

1920×1080P

(Level A)

1920×1080P 1920×1080 50P

1920×1080P

(Level B)

– No output

1920×1080i 1920×1080i 1920×1080 50i

– 720×576i 720×576 50i

– 720×576P 720×576 50P

1920×1080 50i 1920×1080i 1920×1080i 1920×1080 50i

– 720×576i 720×576 50i

– 720×576P 720×576 50P

1920×1080 25P 2048×1080PsF – No output

1920×1080PsF 1920×1080i 1920×1080 50i (PsF)

– 720×576i 720×576 50i (PsF)

1280×720 50P 1280×720P 1280×720P 1280×720 50P

– 720×576i 720×576 50i

– 720×576P 720×576 50P

1280×720 25P 1280×720P 1280×720P 1280×720 50P (2-2RP)

– 720×576i 720×576 50i (PsF)

Recording format settings

(Rec Format >RAW Output Format

and Video Format in the System

menu)

SDI/HDMI output settings

(Output Format >SDI and

HDMI in the Video menu)

HDMI output signal

SDI HDMI

RAW Output Format

4096×2160 50P

Video Format (fixed value)

1920×1080 50P

2048×1080P

(Level A)

– No output

2048×1080P

(Level B)

– No output

1920×1080P

(Level A)

1920×1080P 1920×1080 50P

1920×1080P

(Level B)

– No output

1920×1080i 1920×1080i 1920×1080 50i

RAW Output Format

4096×2160 50P

Video Format (fixed value)

1280×720 50P

2048×1080P

(Level A)

– No output

2048×1080P

(Level B)

– No output

1920×1080P

(Level A)

1920×1080P 1920×1080 50P

1920×1080P

(Level B)

– No output

1280×720P 1280×720P 1280×720 50P

Recording format settings

(Rec Format >Video Format in the

System menu)

SDI/HDMI output settings

(Output Format >SDI and

HDMI in the Video menu)

HDMI output signal

SDI HDMI

116

When using extension unit (ProRes 422)

RAW Output Format

2048×1080 50P

Video Format (fixed value)

1920×1080 50P

2048×1080P

(Level A)

– No output

2048×1080P

(Level B)

– No output

1920×1080P

(Level A)

1920×1080P 1920×1080 50P

1920×1080P

(Level B)

– No output

1920×1080i 1920×1080i 1920×1080 50i

RAW Output Format

2048×1080 50P

Video Format (fixed value)

1280×720 50P

2048×1080P

(Level A)

– No output

2048×1080P

(Level B)

– No output

1920×1080P

(Level A)

1920×1080P 1920×1080 50P

1920×1080P

(Level B)

– No output

1280×720P 1280×720P 1280×720 50P

RAW Output Format

4096×2160 25P

Video Format (fixed value)

1920×1080 25P

2048×1080PsF – No output

1920×1080PsF 1920×1080i 1920×1080 25PsF

RAW Output Format

2048×1080 25P

Video Format (fixed value)

1920×1080 25P

2048×1080PsF – No output

1920×1080PsF 1920×1080i 1920×1080 25PsF

Recording format settings

(Rec Format >Video Format in the

System menu)

SDI/HDMI output settings

(Output Format >SDI and

HDMI in the Video menu)

HDMI output signal

SDI HDMI

1920×1080 50i 1920×1080i 1920×1080i 1920×1080 50i

1920×1080 25P 1920×1080PsF 1920×1080i 1920×1080 50i (PsF)

Recording format settings

(Rec Format >RAW Output Format

and Video Format in the System

menu)

SDI/HDMI output settings

(Output Format >SDI and

HDMI in the Video menu)

HDMI output signal

SDI HDMI

117

HDMI output settings for HDMI devices

Notes

• If the current Output Display setting becomes unavailable for selection after changing HDMI Target Device, the Output

Display setting changes as follows.

– Forcibly changes to the default value.

– If the default value is not available for selection, forcibly changes to “SDI=On, HDMI=On.”

• HDMI Target Device cannot be set to Recorder if Codec is set to ProRes.

States When Monitor LUT Cannot be Configured Independently

In the following cases, Monitor LUT >SDI2, HDMI, and Viewfinder in the Video menu cannot be set

individually. They are synced with the SDI1 & Internal Rec setting.

– When Output Format >HDMI in the Video menu is set to 4096×2160 or 3840×2160

– When S&Q Motion >Setting in the Recording menu is set to On

– When Lens >Distortion Comp. in the System menu is set to Auto

Output Setting >HDMI Target

Device in the Video menu

Output Display >SDI/HDMI in

the Video menu

HDMI output

OSD On/Off MLUT On/Off

Recorder (default) SDI=On, HDMI=On (default)

* Grayed out, cannot be selected.

– Follows SDI1

SDI=On, HDMI=Off Off

SDI=Off, HDMI=Off Off

Monitor SDI=On, HDMI=On (default) On Follows SDI2

SDI=On, HDMI=Off

* Grayed out, cannot be selected.

–

SDI=Off, HDMI=Off Off

118

If a warning, caution, or operating condition that requires confirmation occurs on the camcorder, a

message is displayed in the viewfinder, the recording indicators start flashing, and a warning sound is

emitted.

The warning sound is emitted from the built-in speaker and headphones connected to the headphone

connector.

The camcorder will stop operation when the following kind of display occurs.

Follow the instructions provided if the following display occurs.

Error/Warning Messages

Error Messages

Viewfinder message Warning

sound

Recording

indicator

Cause and Solution

E + error code Continuous High-speed

flashing

Indicates an abnormality in the camcorder. Recording stops,

even if zREC is displayed in the viewfinder.

Turn off the camcorder, and check for any problem with

connected devices, cables, or media. If the error persists when

the camcorder is turned on again, contact your Sony service

representative.

(If the camcorder does not turn off when the POWER switch

is set to OFF, remove the battery or disconnect the DC IN

supply.)

Warning Messages

Viewfinder message Warning

sound

Recording

indicator

Cause and Solution

Media Near Full Intermittent Flashing The remaining capacity on the XQD memory card is getting

low.

Replace at the earliest convenience.

Media Full Continuous High-speed

flashing

Clips could not be recorded, copied, or split because there is

no remaining capacity on the XQD memory card.

Replace immediately.

Battery Near End Intermittent Flashing The remaining capacity of the battery pack is getting low.

Recharge at the earliest convenience.

Battery End Continuous High-speed

flashing

The battery pack is empty. Recording is disabled.

Stop operation and replace the battery pack.

Temperature High Intermittent Flashing The internal temperature is high.

Turn off the camcorder and allow it to cool down before

operating it again.

Voltage Low Intermittent Flashing The DC IN voltage is low (level 1). Check the power source.

Insufficient Voltage Continuous High-speed

flashing

The DC IN voltage is too low (level 2). Recording is disabled.

Connect a different power source.

119

The following caution and operation messages may appear in the center of the screen. Follow the

instructions provided to resolve the issue.

1) “Media (B)” is displayed for the card in slot B.

Caution and Operation Messages

Display message Cause and Solution

Battery Error

Please Change Battery

An error was detected in the battery pack.

Replace with a normal battery pack.

Backup Battery End

Please Change

The remaining capacity of the backup battery is insufficient.

Charge the backup battery.

Unknown Media (A) 1)

Please Change

A memory card that has been partitioned or a memory card containing

more clips that can be handled by the camcorder was inserted.

The card cannot be used in the camcorder, and must be replaced.

Cannot Use Media (A) 1)

Unsupported File System

A card using a different file system or an unformatted card was inserted.

The card cannot be used in the camcorder, and must be replaced or

formatted using the camcorder.

Media Error

Media (A)1) Needs to be Restored

An error occurred on the memory card, and the card must be restored.

Restore the memory card.

Media Error

Cannot Record to Media (A) 1)

The memory card may be damaged, and can no longer be used for

recording.

Playback is possible, so making a copy and replacing the memory card is

recommended.

Media Error

Cannot Use Media (A) 1)

The memory card may be damaged, and can no longer be used for

recording or playback.

The card cannot be used in the camcorder, and must be replaced.

Media (A) 1) Error

Recording Halted

Playback Halted

Recording and playback was stopped because an error occurred while

using the memory card.

If the problem persists, replace the memory card.

Media Reached Rewriting Limit

Change Media (A) 1)

The memory card has reached the end of its life.

Make a backup, and replace the card immediately. If you continue using

the card, the card may not be able to record or play.

For details, refer to the operating instructions for the memory card.

Fan Stopped The built-in fan stopped.

Avoid use at high temperatures, disconnect the power, and contact your

Sony service representative.

Invalid setting value was reset:

Media/Clip Naming/Camera Position

Please save All File again

The Clip Naming format setting was reset because an invalid ALL file

was loaded.

Configure the desired format settings, and try to save the ALL file again.

120

Yes: Item is saved.

No: Item is not saved.

Items Saved in Files

LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File

Camera ISO/Gain/EI Mode Yes Yes

ISO/Gain<H> Yes Yes

ISO/Gain<M> Yes Yes

ISO/Gain<L> Yes Yes

Exposure Index<H> Yes Yes

Exposure Index<M> Yes Yes

Exposure Index<L> Yes Yes

Shockless Gain Yes Yes

Auto Exposure Level Yes Yes

Mode Yes Yes

Speed Yes Yes

AGC Yes Yes

AGC Limit Yes Yes

Auto Shutter Yes Yes

A.SHT Limit Yes Yes

Clip High light Yes Yes

Detect Window Yes Yes

Detect Window Indication Yes Yes

Focus Focus Area Yes No

Focus Area (Push AF) Yes No

AF Assist Yes No

Shutter Mode Yes Yes

Shutter Speed Yes Yes

Shutter Angle Yes Yes

ECS Frequency Yes Yes

Color Bars Setting No No

Type Yes No

Noise Suppression Setting Yes Yes

Level Yes Yes

Flicker Reduce Mode Yes No

Frequency Yes No

SteadyShot Setting Yes No

Handle Zoom Zoom Speed Type Yes No

Zoom Speed Yes No

Auto Black Balance Auto Black Balance – –

AF Micro Adjustment Setting No No

Amount No No

Clear All – –

Video Light Set Video Light Set Yes No

121

Paint White Preset White Yes Yes

Color Temp <A> Yes Yes

Color Temp Balance <A> Yes Yes

R Gain <A> Yes Yes

B Gain <A> Yes Yes

Color Temp Yes Yes

Color Temp Balance Yes Yes

R Gain Yes Yes

B Gain Yes Yes

Filter White Memory Yes No

Shockless White Yes Yes

White Switch Yes No

ATW Speed Yes Yes

Offset White Offset White <A> Yes Yes

Warm Cool <A> Yes Yes

Warm Cool Balance <A> Yes Yes

Offset White Yes Yes

Warm Cool Yes Yes

Warm Cool Balance Yes Yes

Offset White<ATW> Yes Yes

Warm Cool<ATW> Yes Yes

Warm Cool Balance<ATW> Yes Yes

Black Setting Yes Yes

Master Black Yes Yes

R Black Yes Yes

B Black Yes Yes

Gamma Setting Yes Yes

Step Gamma Yes Yes

Master Gamma Yes Yes

R Gamma Yes Yes

G Gamma Yes Yes

B Gamma Yes Yes

Gamma Category Yes Yes

Gamma Select Yes Yes

Black Gamma Setting Yes Yes

Range – –

Master Black Gamma Yes Yes

Knee Setting Yes Yes

Auto Knee Yes Yes

Point Yes Yes

Slope Yes Yes

Knee Saturation Yes Yes

Knee Saturation Level Yes Yes

White Clip Setting Yes Yes

Level Yes Yes

LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File

122

Detail Setting Yes Yes

Level Yes Yes

H/V Ratio Yes Yes

Crispening Yes Yes

Level Depend Yes Yes

Level Depend Level Yes Yes

Frequency Yes Yes

Knee Aperture Yes Yes

Knee Aperture Level Yes Yes

Limit Yes Yes

White Limit Yes Yes

Black Limit Yes Yes

V Black Limit Yes Yes

V Detail Creation Yes Yes

Skin Detail Setting Yes Yes

Area Detection – –

Area Indication No No

Level Yes Yes

Saturation Yes Yes

Hue Yes Yes

Width Yes Yes

Aperture Setting Yes Yes

Level Yes Yes

Matrix Setting Yes Yes

Adaptive Matrix Yes Yes

Preset Matrix Yes Yes

Preset Select Yes Yes

User Matrix Yes Yes

Level Yes Yes

Phase Yes Yes

User Matrix R-G Yes Yes

User Matrix R-B Yes Yes

User Matrix G-R Yes Yes

User Matrix G-B Yes Yes

User Matrix B-R Yes Yes

User Matrix B-G Yes Yes

Multi Matrix Setting Yes Yes

Area Indication No No

Color Detection – –

Axis No No

Hue Yes Yes

Saturation Yes Yes

Maintenance Test Saw Yes No

LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File

123

Audio Audio Input CH1 Input Select Yes No

CH2 Input Select Yes No

CH3 Input Select Yes No

CH4 Input Select Yes No

INPUT1 MIC Reference Yes No

INPUT2 MIC Reference Yes No

CH1 Wind Filter Yes No

CH2 Wind Filter Yes No

CH3 Wind Filter Yes No

CH4 Wind Filter Yes No

CH3 Level Control Yes No

CH4 Level Control Yes No

CH3 Input Level Yes No

CH4 Input Level Yes No

Audio Input Level Yes No

Limiter Mode Yes No

CH1&2 AGC Mode Yes No

CH3&4 AGC Mode Yes No

AGC Spec Yes No

1kHz Tone on Color Bars Yes No

CH1 Level Yes No

CH2 Level Yes No

CH3 Level Yes No

CH4 Level Yes No

Audio Output Monitor CH Yes No

Monitor Volume Yes No

Headphone Out Yes No

Alarm Volume Yes No

Output Limiter Yes No

HDMI Output CH Yes No

Video Output On/Off SDI Yes No

HDMI Yes No

Output Format SDI Yes No

HDMI Yes No

REF No No

Output Setting HDMI Target Device Yes No

4K/2K to HD Conv. Yes No

Monitor LUT Category Yes No

LUT Select Yes No

Look Profile Select Yes No

User 3D LUT Select Yes No

SDI1 & Internal Rec Yes No

SDI2 Yes No

HDMI Yes No

Viewfinder Yes No

Output Display SDI2 Yes No

HDMI Yes No

LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File

124

VF VF Setting Brightness Yes No

Color Mode Yes No

Peaking Setting Yes No

Peaking Type Yes No

Frequency Yes No

Normal Peaking Level Yes No

Color Yes No

Color Peaking Level Yes No

Zebra Setting Yes No

Zebra Select Yes No

Zebra1 Level Yes No

Zebra1 Aperture Level Yes No

Zebra2 Level Yes No

Marker Setting Yes No

Color Yes No

Center Marker Yes No

Safety Zone Yes No

Safety Area Yes No

Aspect Marker Yes No

Aspect Mask Yes No

Aspect Safety Zone Yes No

Aspect Safety Area Yes No

Aspect Select Yes No

User Box Yes No

User Box Width Yes No

User Box Height Yes No

User Box H Position Yes No

User Box V Position Yes No

100% Marker Yes No

Guide Frame Yes No

LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File

125

Display On/Off Setting Yes No

Shutter Setting Yes No

ND Filter Position Yes No

Gain Setting Yes No

Rec/Play Status Yes No

HXR-IFR5 Rec Control Yes No

Color Temp. Yes No

Frame Rate / Interval Yes No

Battery Remain Yes No

Timecode Yes No

Audio Manual Yes No

Audio Level Meter Yes No

Media Status Yes No

Focus Position Yes No

Iris Position Yes No

Zoom Position Yes No

SteadyShot Yes No

Focus Mode Yes No

Focus Area Indicator Yes No

Focus Area Ind. (Push AF) Yes No

Focus Indicator Yes No

Auto Shutter Yes No

AGC Yes No

Auto Iris Yes No

AE Mode Yes No

Auto Exposure Level Yes No

White Balance Mode Yes No

SDI/HDMI Rec Control Yes No

Rec Format Yes No

Gamma Yes No

Timecode Lock Yes No

Wi-Fi Condition Yes No

Clip Name Yes No

Focus Assist Indicator Yes No

Focus Area Marker Yes No

Video Level Warning Yes No

Clip Number Yes No

GPS Yes No

Level Gauge Yes No

Lens Info Yes No

Notice Message Yes No

Video Signal Monitor Setting Yes No

Source Yes No

LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File

126

TC/UB Timecode Mode Yes No

Run Yes No

Setting No No

Reset – –

TC Format Yes No

TC Display Display Select Yes No

Users Bit Mode Yes No

Setting No No

HDMI TC Out Setting Yes No

Recording S&Q Motion Setting Yes No

High Frame Rate Mode Yes No

Frame Rate Yes No

Interval Rec Setting No No

Interval Time Yes No

Number of Frames Yes No

Pre-Lighting Yes No

Picture Cache Rec Setting Yes No

Cache Rec Time Yes No

Simul Rec Setting Yes No

Rec Button Set Yes No

SDI/HDMI Rec Control Setting Yes No

Thumbnail Display Clip Properties – –

Set Index Picture – –

Thumbnail View Essence Mark Thumbnail – –

Clip Thumbnail – –

Set Shot Mark Add Shot Mark1 – –

Delete Shot Mark1 – –

Add Shot Mark2 – –

Delete Shot Mark2 – –

Set Clip Flag Add OK – –

Add NG – –

Add KEEP – –

Delete Clip Flag – –

Lock/Unlock Clip Select Clip – –

Lock All Clips – –

Unlock All Clips – –

Delete Clip Select Clip – –

All Clips – –

Filter Clips OK – –

NG – –

KEEP – –

None – –

Customize View Thumbnail Caption Yes Yes

LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File

127

Media Update Media Media(A) – –

Media(B) – –

Format Media Media(A) – –

Media(B) – –

SD Card – –

Clip Auto Naming Yes No

Camera ID Yes No

Reel Number Yes No

Camera Position Yes No

Title Prefix Yes No

Number Set No No

File All File Load SD Card – –

Save SD Card – –

File ID Yes No

Scene File Recall Internal Memory – –

Store Internal Memory – –

Load SD Card – –

Save SD Card – –

File ID No Yes

Scene White Data Yes No

User Menu Item Load SD Card – –

Save SD Card – –

File ID No No

User Gamma Current Settings – –

Load SD Card – –

Reset – –

Monitor LUT Current Settings – –

Load SD Card – –

Reset – –

Monitor 3D LUT Current Settings – –

Load SD Card – –

Reset – –

Lens File White Offset R No No

White Offset B No No

LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File

128

System Base Setting Shooting Mode Yes No

Color Space Yes No

Imager Scan Mode Yes No

Codec Select Yes No

Rec Format Video Format Yes No

RAW Output Format Yes No

Genlock Reference – –

Assignable Button <1> Yes No

<2> Yes No

<3> Yes No

<4> Yes No

<5> Yes No

<6> Yes No

Assignable Dial Assignable Dial Yes No

IRIS Dial Yes No

Assignable Dial Direction Yes No

IRIS Dial Direction Yes No

Rec Lamp Rec Lamp Yes No

Fan Control Setting Yes No

HOLD Switch Setting with Rec Button Yes No

with Hand Grip Remote Yes No

Lens Zoom Ring Direction Yes No

Distortion Comp. Yes No

Language Select Yes No

Clock Set Time Zone Yes No

Date Mode Yes No

12H/24H Yes No

Date No No

Time No No

Country NTSC/PAL Area Yes No

Hours Meter Hours(System) – –

Hours(Reset) – –

Reset – –

Basic Authentication User Name No No

Password No No

Wi-Fi Wi-Fi Yes No

SSID & Password – –

Wi-Fi Direct Connection – –

Client – –

IP Address – –

Subnet Mask – –

MAC Address – –

Regenerate Password – –

GPS GPS Yes No

IR Remote Setting Yes No

LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File

129

Camera Battery Alarm Low BATT Yes No

BATT Empty Yes No

Camera DC IN Alarm DC Low Voltage1 Yes No

DC Low Voltage2 Yes No

Ext. Unit Battery Alarm Near End:Info Battery Yes No

End:Info Battery Yes No

Near End:Sony Battery Yes No

End:Sony Battery Yes No

Near End:Other Battery Yes No

End:Other Battery Yes No

Detected Battery No No

Ext. Unit DC IN Alarm DC Low Voltage1 Yes No

DC Low Voltage2 Yes No

All Reset Reset – –

APR APR – –

Camera Config HD/2K Modulation Yes No

Version Number – –

Version Up – –

Ext. Unit Version Number – –

Ext. Unit Version Up – –

LEVEL 1 LEVEL 2 LEVEL 3 All File Scene File

130

See related items in “Setting the Audio to Record” (page 44) and “Setup Menu List” (page 63).

* Set to MAN when audio is input from XLR adaptor.

Block Diagrams

Audio Input (CH1&CH2)

Input1

Internal MIC

Shoe1

Off

CH1 LEVEL CONTROL*

AUTO

MAN

Audio Input Level

Side

Level + Side

Through

CH1 INPUT

LEVEL

0~10

Input1

Input2

Internal MIC

Shoe2

Off

CH2 LEVEL CONTROL*

AUTO

MAN

Audio Input Level

Side

Level + Side

Through

CH2 INPUT

LEVEL

0~10

0~99

Off, −6dB

−9dB, −12dB

−15dB, −17dB

<CH1&2 AGC Mode>

Mono

Stereo

INPUT1

Shoe1

Shoe2

INPUT2

Internal

MIC

CH1

CH2

131

* Set to Manual when audio is input from XLR adaptor.

Audio Input (CH3&CH4)

Off

Internal MIC

Shoe1

Off

<CH3 Level Control>*

Auto

Manual

Audio Input Level

CH3 Input Level

Level + CH3 Input Level

Through

0~99

Off

Internal MIC

Shoe2

Off

<CH4 Level Control>*

Auto

Manual

Audio Input Level

CH4 Input Level

Level + CH4 Input Level

Throu

0~99

0~99

Off, −6dB

−9dB, −12dB

−15dB, −17dB

<CH3&4 AGC Mode>

Mono

Stereo

Off

CH3

CH4

Shoe1

Shoe2

Internal

MIC

132

Audio Output

CH1

SDI OUT

CH1, CH2, CH3, CH4,

CH1/CH2, CH3/CH4,

MIX ALL

On/Off

0~15

Mono/Stereo

0~7

Alarm

CH1/CH2, CH3/CH4

Headphone

Internal

Speaker

HDMI OUT

CH2

CH3

CH4

Ch MIX

133

THIS PRODUCT IS LICENSED UNDER THE

MPEG-4 VISUAL PATENT PORTFOLIO

LICENSE FOR THE PERSONAL AND NON-

COMMERCIAL USE OF A CONSUMER FOR

(i) ENCODING VIDEO IN COMPLIANCE

WITH THE MPEG-4 VISUAL STANDARD

(“MPEG-4 VIDEO”)

AND/OR

(ii) DECODING MPEG-4 VIDEO THAT WAS

ENCODED BY A CONSUMER ENGAGED

IN A PERSONAL AND NON-

COMMERCIAL ACTIVITY AND/OR WAS

OBTAINED FROM A VIDEO PROVIDER

LICENSED BY MPEG LA TO PROVIDE

MPEG-4 VIDEO.

NO LICENSE IS GRANTED OR SHALL BE

IMPLIED FOR ANY OTHER USE.

ADDITIONAL INFORMATION INCLUDING

THAT RELATING TO PROMOTIONAL,

INTERNAL AND COMMERCIAL USES AND

LICENSING MAY BE OBTAINED FROM

MPEG LA, LLC. SEE HTTP://

WWW.MPEGLA.COM

This product uses software to which the GPL/

LGPL applies. This informs you that you have a

right to have access to, modify, and redistribute

source code for these software programs under

the conditions of the GPL/LGPL.

The source code is provided on the internet. Use

the following URL and follow the download

instructions.

http://www.sony.net/Products/Linux/common/

search.html

We would prefer that you do not contact us about

the contents of the source code.

For the content of these licenses, see

“License1.pdf” in the “License” folder of the

supplied CD-ROM.

Adobe Reader must be installed on your

computer to view PDF files.

If Adobe Reader is not installed on your

computer, you can download it by accessing the

following URL.

http://get.adobe.com/reader/

Licenses

MPEG-4 Visual Patent Portfolio

License

Obtaining Software Under the

GPL/LGPL License

134

IMPORTANT:

BEFORE USING THE SOFTWARE

CONTAINED IN THE SOLID STATE

MEMORY CAMCORDER, PLEASE READ

THIS END USER LICENSE AGREEMENT

(“EULA”) CAREFULLY. BY USING THE

SOFTWARE YOU ARE ACCEPTING THE

TERMS OF THIS EULA. IF YOU DO NOT

ACCEPT THE TERMS OF THIS EULA, YOU

MAY NOT USE THE SOFTWARE.

This EULA is a legal agreement between you

and Sony Corporation (“SONY”). This EULA

governs your rights and obligations regarding the

software of SONY and/or its third party licensors

(including SONY’s affiliates) and their

respective affiliates (collectively, the “THIRD-

PARTY SUPPLIERS”) contained in the wireless

adapter, together with any updates/ upgrades

provided by SONY, any printed, on-line or other

electronic documentation for such software, and

any data files created by operation of such

software (collectively, the “SOFTWARE”).

Notwithstanding the foregoing, any software in

the SOFTWARE having a separate end user

license agreement (including, but not limited to,

GNU General Public license and Lesser/Library

General Public License) shall be covered by such

applicable separate end user license agreement in

lieu of the terms of this EULA to the extent

required by such separate end user license

agreement (“EXCLUDED SOFTWARE”).

SOFTWARE LICENSE

The SOFTWARE is licensed, not sold. The

SOFTWARE is protected by copyright and other

intellectual property laws and international

treaties.

All right and title in and to the SOFTWARE

(including, but not limited to, any images,

photographs, animation, video, audio, music, text

and “applets” incorporated into the

SOFTWARE) is owned by SONY or one or

more of the THIRD-PARTY SUPPLIERS.

GRANT OF LICENSE

SONY grants you a limited license to use the

SOFTWARE solely in connection with the

wireless adapter and only for your individual use.

SONY and the THIRD-PARTY SUPPLIERS

expressly reserve all rights, title and interest

(including, but not limited to, all intellectual

property rights) in and to the SOFTWARE that

this EULA does not specifically grant to you.

REQUIREMENTS AND LIMITATIONS

You may not copy, publish, adapt, redistribute,

attempt to derive source code, modify, reverse

engineer, decompile, or disassemble any of the

SOFTWARE, whether in whole or in part, or

create any derivative works from or of the

SOFTWARE unless such derivative works are

intentionally facilitated by the SOFTWARE.

You may not modify or tamper with any digital

rights management functionality of the

SOFTWARE. You may not bypass, modify,

defeat or circumvent any of the functions or

protections of the SOFTWARE or any

mechanisms operatively linked to the

SOFTWARE. You may not separate any

individual component of the SOFTWARE for

use on more than one wireless adapter unless

expressly authorized to do so by SONY. You

may not remove, alter, cover or deface any

trademarks or notices on the SOFTWARE. You

may not share, distribute, rent, lease, sublicense,

assign, transfer or sell the SOFTWARE. The

software, network services or other products

other than SOFTWARE upon which the

SOFTWARE’S performance depends might be

interrupted or discontinued at the discretion of

the suppliers (software suppliers, service

suppliers, or SONY). SONY and such suppliers

do not warrant that the SOFTWARE, network

services, contents or other products will continue

to be available, or will operate without

interruption or modification.

EXCLUDED SOFTWARE AND OPEN

SOURCE COMPONENTS

Notwithstanding the foregoing limited license

grant, you acknowledge that the SOFTWARE

may include EXCLUDED SOFTWARE.

Certain EXCLUDED SOFTWARE may be

covered by open source software licenses (“Open

Source Components”), which means any

software licenses approved as open source

licenses by the Open Source Initiative or any

substantially similar licenses, including but not

limited to any license that, as a condition of

distribution of the software licensed under such

END USER LICENSE AGREEMENT

135

license, requires that the distributor make the

software available in source code format. If and

to the extent disclosure is required, please visit

www.sony.com/linux or other SONY-designated

web site for a list of applicable OPEN SOURCE

COMPONENTS included in the SOFTWARE

from time to time, and the applicable terms and

conditions governing its use. Such terms and

conditions may be changed by the applicable

third party at any time without liability to you.

To the extent required by the licenses covering

EXCLUDED SOFTWARE, the terms of such

licenses will apply in lieu of the terms of this

EULA. To the extent the terms of the licenses

applicable to EXCLUDED SOFTWARE

prohibit any of the restrictions in this EULA with

respect to such EXCLUDED SOFTWARE, such

restrictions will not apply to such EXCLUDED

SOFTWARE. To the extent the terms of the

licenses applicable to Open Source Components

require SONY to make an offer to provide source

code in connection with the SOFTWARE, such

offer is hereby made.

USE OF SOFTWARE WITH

COPYRIGHTED MATERIALS

The SOFTWARE may be capable of being used

by you to view, store, process and/or use content

created by you and/or third parties. Such content

may be protected by copyright, other intellectual

property laws, and/or agreements. You agree to

use the SOFTWARE only in compliance with all

such laws and agreements that apply to such

content. You acknowledge and agree that SONY

may take appropriate measures to protect the

the SOFTWARE. Such measures include, but

are not limited to, counting the frequency of your

backup and restoration through certain

SOFTWARE features, refusal to accept your

request to enable restoration of data, and

termination of this EULA in the event of your

illegitimate use of the SOFTWARE.

CONTENT SERVICE

PLEASE ALSO NOTE THAT THE

SOFTWARE MAY BE DESIGNED TO BE

USED WITH CONTENT AVAILABLE

THROUGH ONE OR MORE CONTENT

SERVICES (“CONTENT SERVICE”). USE OF

THE SERVICE AND THAT CONTENT IS

SUBJECT TO THE TERMS OF SERVICE OF

THAT CONTENT SERVICE. IF YOU

DECLINE TO ACCEPT THOSE TERMS,

YOUR USE OF THE SOFTWARE WILL BE

LIMITED. You acknowledge and agree that

certain content and services available through the

SOFTWARE may be provided by third parties

over which SONY has no control. USE OF THE

CONTENT SERVICE REQUIRES AN

INTERNET CONNECTION. THE CONTENT

SERVICE MAY BE DISCONTINUED AT

ANY TIME.

INTERNET CONNECTIVITY AND THIRD

PARTY SERVICES

You acknowledge and agree that access to

certain SOFTWARE features may require an

Internet connection for which you are solely

responsible. Further, you are solely responsible

for payment of any third party fees associated

with your Internet connection, including but not

limited to Internet service provider or airtime

charges. Operation of the SOFTWARE may be

limited or restricted depending on the

capabilities, bandwidth or technical limitations

of your Internet connection and service. The

provision, quality and security of such Internet

connectivity are the sole responsibility of the

third party providing such service.

EXPORT AND OTHER REGULATIONS

You agree to comply with all applicable export

and re-export restrictions and regulations of the

area or country in which you reside, and not to

transfer, or authorize the transfer, of the

SOFTWARE to a prohibited country or

otherwise in violation of any such restrictions or

regulations.

HIGH RISK ACTIVITIES

The SOFTWARE is not fault-tolerant and is not

designed, manufactured or intended for use or

resale as on-line control equipment in hazardous

environments requiring fail-safe performance,

such as in the operation of nuclear facilities,

aircraft navigation or communication systems,

air traffic control, direct life support machines, or

weapons systems, in which the failure of the

SOFTWARE could lead to death, personal

injury, or severe physical or environmental

damage (“HIGH RISK ACTIVITIES”). SONY,

each of the THIRD-PARTY SUPPLIERS, and

each of their respective affiliates specifically

disclaim any express or implied warranty, duty

or condition of fitness for HIGH RISK

ACTIVITIES.

136

EXCLUSION OF WARRANTY ON

SOFTWARE

You acknowledge and agree that use of the

SOFTWARE is at your sole risk and that you are

responsible for use of the SOFTWARE. The

SOFTWARE is provided “AS IS,” without

warranty, duty or condition of any kind.

SONY AND EACH OF THE THIRD-PARTY

SUPPLIERS (for purposes of this Section,

SONY and each of the THIRD-PARTY

SUPPLIERS shall be collectively referred to as

“SONY”) EXPRESSLY DISCLAIM ALL

WARRANTIES, DUTIES OR CONDITIONS,

EXPRESS OR IMPLIED, INCLUDING, BUT

NOT LIMITED TO, THE IMPLIED

WARRANTIES OF MERCHANTABILITY,

NONINFRINGEMENT AND FITNESS FOR A

PARTICULAR PURPOSE. SONY DOES NOT

WARRANT OR MAKE ANY CONDITIONS

OR REPRESENTATIONS (A) THAT THE

FUNCTIONS CONTAINED IN ANY OF THE

SOFTWARE WILL MEET YOUR

REQUIREMENTS OR THAT THEY WILL BE

UPDATED, (B) THAT THE OPERATION OF

ANY OF THE SOFTWARE WILL BE

CORRECT OR ERROR-FREE OR THAT ANY

DEFECTS WILL BE CORRECTED, (C) THAT

THE SOFTWARE WILL NOT DAMAGE ANY

OTHER SOFTWARE, HARDWARE OR

DATA, (D) THAT ANY SOFTWARE,

NETWORK SERVICES (INCLUDING THE

INTERNET) OR PRODUCTS (OTHER THAN

THE SOFTWARE) UPON WHICH THE

SOFTWARE’S PERFORMANCE DEPENDS

WILL CONTINUE TO BE AVAILABLE,

UNINTERRUPTED OR UNMODIFIED, AND

(E) REGARDING THE USE OR THE

RESULTS OF THE USE OF THE SOFTWARE

IN TERMS OF ITS CORRECTNESS,

ACCURACY, RELIABILITY, OR

OTHERWISE.

NO ORAL OR WRITTEN INFORMATION OR

ADVICE GIVEN BY SONY OR AN

AUTHORIZED REPRESENTATIVE OF

SONY SHALL CREATE A WARRANTY,

DUTY OR CONDITION OR IN ANY WAY

INCREASE THE SCOPE OF THIS

WARRANTY. SHOULD THE SOFTWARE

PROVE DEFECTIVE YOU ASSUME THE

ENTIRE COST OF ALL NECESSARY

SERVICING, REPAIR OR CORRECTION.

SOME JURISDICTIONS DO NOT ALLOW

THE EXCLUSION OF IMPLIED

WARRANTIES, SO THESE EXCLUSIONS

MAY NOT APPLY TO YOU.

LIMITATION OF LIABILITY

SONY AND EACH OF THE THIRD-PARTY

SUPPLIERS (for purposes of this Section,

SONY and each of the THIRD-PARTY

SUPPLIERS shall be collectively referred to as

“SONY”) SHALL NOT BE LIABLE FOR ANY

INCIDENTAL OR CONSEQUENTIAL

DAMAGES FOR BREACH OF ANY

EXPRESS OR IMPLIED WARRANTY,

BREACH OF CONTRACT, NEGLIGENCE,

STRICT LIABILITY OR UNDER ANY

OTHER LEGAL THEORY RELATED TO THE

SOFTWARE, INCLUDING, BUT NOT

LIMITED TO, ANY DAMAGES ARISING

OUT OF LOSS OF PROFITS, LOSS OF

REVENUE, LOSS OF DATA, LOSS OF USE

OF THE SOFTWARE OR ANY ASSOCIATED

HARDWARE, DOWN TIME AND USER’ S

TIME, EVEN IF ANY OF THEM HAVE BEEN

ADVISED OF THE POSSIBILITY OF SUCH

DAMAGES. IN ANY CASE, EACH AND ALL

OF THEIR AGGREGATE LIABILITY UNDER

ANY PROVISION OF THIS EULA SHALL BE

LIMITED TO THE AMOUNT ACTUALLY

PAID FOR THE PRODUCT. SOME

JURISDICTIONS DO NOT ALLOW THE

EXCLUSION OR LIMITATION OF

INCIDENTAL OR CONSEQUENTIAL

DAMAGES, SO THE ABOVE EXCLUSION

OR LIMITATION MAY NOT APPLY TO

YOU.

CONSENT TO USE OF NON-PERSONAL

INFORMATION, LOCATION DATA, DATA

SECURITY

You acknowledge and agree that SONY and its

affiliates, partners and agents may read, collect,

transfer, process and store certain information

collected from the SOFTWARE, including but

not limited to information about (i) the

SOFTWARE and (ii) the software applications,

contents and peripheral devices that interact with

your wireless adapter and the SOFTWARE

(“Information”). Information includes, but is not

limited to: (1) unique identifiers relating to your

wireless adapter and its components; (2)

performance of the wireless adapter, the

137

SOFTWARE and their components; (3)

configurations of your wireless adapter, the

SOFTWARE and the software applications,

contents and peripheral devices that interact with

the wireless adapter and the SOFTWARE; (4)

use and frequency of use of the functions of (x)

the SOFTWARE, and (y) the software

applications, contents and peripheral devices that

interact with the SOFTWARE; and (5) location

data, as indicated below. SONY and its

affiliates, partners and agents may use and

disclose Information subject to applicable laws

in order to improve its products and services or

to provide products or services to you. Such uses

include, but are not limited to: (a) administering

the functionalities of the SOFTWARE; (b) to

improve, service, update or upgrade the

SOFTWARE; (c) improving, developing and

enhancing the current and future products and

services of SONY and other parties; (d) to

provide you with information about the products

and services offered by SONY and other parties;

(e) complying with applicable laws or

regulations; and (f) to the extent offered,

providing you with location-based services of

SONY and other parties, as indicated below. In

addition, SONY retains the right to use

Information to protect itself and third parties

from illegal, criminal or harmful conduct.

Certain services available through the

SOFTWARE may rely upon location

information, including, but not limited to, the

geographic location of the wireless adapter. You

acknowledge that for the purpose of providing

such services, SONY, the THIRDPARTY

SUPPLIERS or their partners may collect,

archive, process and use such location data, and

that such services are governed by the privacy

policies of SONY or such third party. By

reviewed the privacy policies applicable to such

services and consent to such activities.

SONY, its affiliates, partners and agents will not

intentionally use Information to personally

identify the owner or user of the SOFTWARE

without your knowledge or consent. Any use of

Information will be in accordance with the

privacy policies of SONY or such third party.

Please contact applicable contact address of each

area or country for SONY’ s current privacy

policy. Please contact applicable third parties for

privacy policies relating to personally

identifiable and other information you provide

when you use or access third party software or

services.

Information may be processed, stored or

transferred to SONY, its affiliates or agents

which are located in countries outside of your

country of residence. Data protection and

information privacy laws in certain countries

may not offer the same level of protection as

your country of residence and you may have

fewer legal rights in relation to Information

processed and stored in, or transferred to, such

countries. SONY will use reasonable efforts to

take appropriate technical and organizational

steps to prevent unauthorized access to or

disclosure of Information, but does not warrant it

will eliminate all risk of misuse of such

Information.

AUTOMATIC UPDATE FEATURE

From time to time, SONY or the THIRD-

PARTY SUPPLIERS may automatically update

or otherwise modify the SOFTWARE, including,

but not limited to, for purposes of enhancement

of security functions, error correction and

improvement of functions, at such time as you

interact with SONY’ s or third parties’ servers, or

otherwise. Such updates or modifications may

delete or change the nature of features or other

aspects of the SOFTWARE, including, but not

limited to, functions you may rely upon. You

acknowledge and agree that such activities may

occur at SONY’ s sole discretion and that SONY

may condition continued use of the SOFTWARE

upon your complete installation or acceptance of

such update or modifications. Any updates/

modifications shall be deemed to be, and shall

constitute part of, the SOFTWARE for purposes

of this EULA. By acceptance of this EULA, you

consent to such update/modification.

ENTIRE AGREEMENT, WAIVER,

SEVERABILITY

This EULA and SONY’ s privacy policy, each as

amended and modified from time to time,

together constitute the entire agreement between

you and SONY with respect to the SOFTWARE.

The failure of SONY to exercise or enforce any

right or provision of this EULA shall not

constitute a waiver of such right or provision. If

138

any part of this EULA is held invalid, illegal, or

unenforceable, that provision shall be enforced to

the maximum extent permissible so as to

maintain the intent of this EULA, and the other

parts will remain in full force and effect.

GOVERNING LAW AND JURISDICTION

The United Nations Convention on Contracts for

the International Sale of Goods shall not apply to

this EULA. This EULA shall be governed by the

laws of Japan, without regards to conflict of laws

provisions. Any dispute arising out of this

EULA shall be subject to the exclusive venue of

the Tokyo District Court in Japan, and the parties

hereby consent to the venue and jurisdiction of

such courts.

EQUITABLE REMEDIES

Notwithstanding anything contained in this

EULA to the contrary, you acknowledge and

agree that any violation of or noncompliance

with this EULA by you will cause irreparable

harm to SONY, for which monetary damages

would be inadequate, and you consent to SONY

obtaining any injunctive or equitable relief that

SONY deems necessary or appropriate in such

circumstances. SONY may also take any legal

and technical remedies to prevent violation of

and/or to enforce this EULA, including, but not

limited to, immediate termination of your use of

the SOFTWARE, if SONY believes in its sole

discretion that you are violating or intend to

violate this EULA. These remedies are in

addition to any other remedies SONY may have

at law, in equity or under contract.

TERMINATION

Without prejudice to any of its other rights,

SONY may terminate this EULA if you fail to

comply with any of its terms. In case of such

termination, you must: (i) cease all use, and

destroy any copies, of the SOFTWARE; (ii)

comply with the requirements in the section

below entitled “Your Account Responsibilities”.

AMENDMENT

SONY RESERVES THE RIGHT TO AMEND

ANY OF THE TERMS OF THIS EULA AT ITS

SOLE DISCRETION BY POSTING NOTICE

ON A SONY DESIGNATED WEB SITE, BY

EMAIL NOTIFICATION TO AN EMAIL

ADDRESS PROVIDED BY YOU, BY

PROVIDING NOTICE AS PART OF THE

PROCESS IN WHICH YOU OBTAIN

UPGRADES/ UPDATES OR BY ANY OTHER

LEGALLY RECOGNIZABLE FORM OF

NOTICE. If you do not agree to the amendment,

you should promptly contact SONY for

instructions. Your continued use of the

SOFTWARE after the effective date of any such

notice shall be deemed your agreement to be

bound by such amendment.

THIRD-PARTY BENEFICIARIES

Each THIRD-PARTY SUPPLIER is an express

intended thirdparty beneficiary of, and shall have

the right to enforce, each provision of this EULA

with respect to the SOFTWARE of such party.

Should you have any questions concerning this

EULA, you may contact SONY by writing to

SONY at applicable contact address of each area

or country.

On the basis of license contracts between Sony

and the software copyright holders, this product

uses open software.

To meet the requirements of the software

you of the content of these licenses.

For the content of these licenses, see

“License1.pdf” in the “License” folder of the

supplied CD-ROM.

Open Software Licenses

139

Mass Approx. 2.0 kg (4 lb 6.5 oz) (body only)

Dimensions

(Unit: mm (inch), body only) 1)

1) The values for dimensions are approximate.

Power requirement

12 V DC (11 V to 17.0 V)

Power consumption

Approx. 19 W (body, SELP28135G

lens, XAVC-I QFHD 59.94P recording,

viewfinder on)

Operating temperature

0 °C to 40 °C (32 °F to 104 °F)

Storage temperature

–20 °C to +60 °C (–4 °F to +140 °F)

Continuous operating time

Approx. 60 minutes (using BP-U30)

Recording format (video)

XAVC Intra

AVC/H.264 High 4:2:2 Intra Profile

QFHD: VBR, 600 Mbps max.

4K: VBR, 600 Mbps max.

HD: CBG, 222 Mbps

XAVC Long

AVC/H.264 High Profile

QFHD: VBR, 150 Mbps max., 4:2:0

Long

HD: VBR, 50 Mbps max., 4:2:2 Long

MPEG HD 422

MPEG-2 Long GOP

HD422 mode: CBR, 50 Mbps, MPEG-2

422P@HL

ProRes 422 HQ 1)

Apple ProRes 422 HQ

4:2:2, 10-bit, VBR, 220 Mbps max.

ProRes 422 1)

Apple ProRes 422

4:2:2, 10-bit, VBR, 147 Mbps max.

Recording format (audio)

LPCM 24-bit, 48 kHz, 4-channel

Recording frame rate

XAVC Intra

4096×2160/59.94P, 50P, 29.97P, 24P,

23.98P, 25P

3840×2160/59.94P, 50P, 29.97P,

23.98P, 25P

1920×1080/59.94P, 50P, 59.94i, 50i,

29.97P, 23.98P, 25P

XAVC Long

3840×2160/59.94P, 50P, 29.97P,

23.98P, 25P

1920×1080/59.94P, 50P, 59.94i, 50i,

29.97P, 23.98P, 25P

MPEG HD 422

1920×1080/59.94i, 50i, 29.97P, 23.98P,

25P

1280×720/59.94P, 50P, 29.97P, 23.98P,

25P

ProRes 422 HQ 1)

1920×1080/59.94i, 50i, 29.97P, 25P,

23.98P

ProRes 422 1)

1920×1080/59.94i, 50i, 29.97P, 25P,

23.98P

Specifications

General

247 (9 3/4)

239 (9 1/2) 156 (6 1/4)

140

Recording/playback time

XAVC Intra 4096×2160/3840×2160

59.94P

Approx. 22 minutes: Using

QD-G128A

Approx. 11 minutes: Using

QD-G64A

50P

Approx. 26 minutes: Using

QD-G128A

Approx. 13 minutes: Using

QD-G64A

29.97P

Approx. 44 minutes: Using

QD-G128A

Approx. 22 minutes: Using

QD-G64A

23.98P/24P

Approx. 55 minutes: Using

QD-G128A

Approx. 27 minutes: Using

QD-G64A

25P

Approx. 52 minutes: Using

QD-G128A

Approx. 26 minutes: Using

QD-G64A

XAVC Intra 1920×1080

59.94P

Approx. 59 minutes: Using

QD-G128A

Approx. 30 minutes: Using

QD-G64A

50P

Approx. 71 minutes: Using

QD-G128A

Approx. 35 minutes: Using

QD-G64A

59.94i

Approx. 118 minutes: Using

QD-G128A

Approx. 59 minutes: Using

QD-G64A

50i

Approx. 141 minutes: Using

QD-G128A

Approx. 70 minutes: Using

QD-G64A

29.97P

Approx. 118 minutes: Using

QD-G128A

Approx. 59 minutes: Using

QD-G64A

23.98P

Approx. 147 minutes: Using

QD-G128A

Approx. 74 minutes: Using

QD-G64A

25P

Approx. 141 minutes: Using

QD-G128A

Approx. 70 minutes: Using

QD-G64A

XAVC Long 3840×2160

59.94P/50P

Approx. 87 minutes: Using

QD-G128A

Approx. 44 minutes: Using

QD-G64A

29.97P/23.98P/25P

Approx. 131 minutes: Using

QD-G128A

Approx. 66 minutes: Using

QD-G64A

XAVC Long 1920×1080

50M mode

Approx. 262 minutes: Using

QD-G128A

Approx. 131 minutes: Using

QD-G64A

35M mode

Approx. 374 minutes: Using

QD-G128A

Approx. 187 minutes: Using

QD-G64A

25M mode

Approx. 524 minutes: Using

QD-G128A

Approx. 262 minutes: Using

QD-G64A

MPEG HD 422

Approx. 262 minutes: Using

QD-G128A

Approx. 131 minutes: Using

QD-G64A

141

ProRes 422 HQ 1)

59.94i/29.97P

Approx. 60 minutes: Using

QD-G128A

Approx. 30 minutes: Using

QD-G64A

50i/25P

Approx. 72 minutes: Using

QD-G128A

Approx. 36 minutes: Using

QD-G64A

23.98P

Approx. 74 minutes: Using

QD-G128A

Approx. 37 minutes: Using

QD-G64A

ProRes 422 1)

59.94i/29.97P

Approx. 90 minutes: Using

QD-G128A

Approx. 45 minutes: Using

QD-G64A

50i/25P

Approx. 108 minutes: Using

QD-G128A

Approx. 54 minutes: Using

QD-G64A

23.98P

Approx. 112 minutes: Using

QD-G128A

Approx. 56 minutes: Using

QD-G64A

1) With XDCA-FS7 (option) connected

Note

The recording/playback time may vary due to usage

conditions and memory characteristics.

Imaging device (type)

Super 35 equivalent CMOS image

sensor

Number of pixels

11.6 Megapixels (total),

8.8 Megapixels@17:9/

8.3 Megapixels@16:9 (effective)

ND filters

1: Clear

2: 1/4ND

3: 1/16ND

4: 1/64ND

Sensitivity

Video Gamma: T14@24p

(2000 lx, 89.9% reflectance, 3200K)

ISO sensitivity

S-Log3 Gamma ISO2000 (D55 light

source)

Minimum subject illumination

0.7 lx (18 dB, 23.98P, Shutter: OFF, ND

Clear, F1.4)

Lens mount

E-mount

Latitude

14-stop

Video S/N

57 dB (Video Gamma/Noise

Suppression: off)

Shutter speed

1/3 to 1/9000 sec. (23.98P)

Shutter angle

5.6° to 300°

Slow & Quick Motion

XAVC QFHD: 1 to 60P,

XAVC HD: 1 to 180P

White balance

Preset mode (2100K to 10000K),

Memory mode A, B (1500K to 50000K)

Gain –3, 0, 3, 6, 9, 12, 18 dB

Gamma curve

STD1, STD2, STD3, STD4, STD5,

STD6, HG1, HG2, HG3, HG4, HG7,

HG8, S-Log2, S-Log3, USER1, USER2,

USER3, USER4, USER5

Sampling frequency

48 kHz

Quantization

24-bit

Frequency response

XLR input MIC mode:

50 Hz to 20 kHz (±3 dB or less)

XLR input LINE mode:

20 Hz to 20 kHz (±3 dB or less)

Dynamic range

90 dB (typical)

Camera Section

Audio Section

142

Distortion

0.08% or lower (–40 dBu input level)

Built-in speaker

Monaural

Internal microphone

Monaural

Inputs

INPUT 1/2:

XLR type, 3-pin, female

LINE / MIC / MIC+48V switchable

MIC: Reference –40, –50, –60 dBu

Outputs

SDI OUT 1/2:

BNC type, 0.8 Vp-p, unbalanced

(3G HD/1.5G HD output)

SMPTE ST424 Level A/B, SMPTE

ST425 Level A/B, SMPTE ST292-1

standard compliant

4-channel audio

Headphones (stereo mini jack):

–16 dBu (reference level output,

maximum monitor volume, 16 Ω load)

HDMI: Type A, 19-pin

Other

DC IN: EIAJ compliant, 11 V to 17 V DC

Extension unit connector:

Dedicated (144-pin)

Multi-interface shoe:

Dedicated (21-pin)

REMOTE:

Φ2.5 3-pole sub-mini type

USB: 2.0 standard compliant, type AB mini for

mass storage (1)

Type A for W-LAN connection (1)

VF: Dedicated (40-pin)

LCD monitor

Screen size

8.8 cm (3.5 inch) diagonal

Aspect ratio

16:9

Number of pixels

960 (H) × 540 (V)

XQD card slots for video recording (2)

UTILITY SD card slot (1)

Viewfinder (including eyepiece, eyecup, rod,

clamp)

Grip remote control

USB wireless LAN module (IFU-WLM3)

Infrared remote control (RMT-845)

AC adaptor

AC-UES1230

Rated input: 100 V to 240 V AC,

50 Hz/60 Hz, 0.40 A to 0.75 A

Rated output: 12 V DC, 3.0 A

Battery pack (BP-U30)

Maximum voltage: 16.4 V DC

Nominal voltage: 14.4 V DC

Capacity: 28 Wh

Battery charger (BC-U1)

Power requirements: 100 V to 240 V

AC, 50 Hz/60 Hz

Power consumption: 38 W

Rated output: Charging 16.4 V, 1.9 A/

1.5 A

Power cords (2)

Mini USB cable (1)

Option mounting bracket (1)

Lens mount cap (1)

Handle connector protective cap (including two

M2 screws) (1)

USB wireless LAN module cap (2)

W-LAN connector cover spare (1)

Extension unit connector cover spare (1)

Accessory shoe kit (accessory shoe (1), shoe plate

(1), screws (4))

Before Using this Unit (1)

Operating Instructions (CD-ROM) (1)

Design and specifications are subject to change

without notice.

Input/Output Section

Display Section

Media Slot Section

Supplied Accessories

143

SONY WILL NOT BE LIABLE FOR

DAMAGES OF ANY KIND RESULTING

FROM A FAILURE TO IMPLEMENT

PROPER SECURITY MEASURES ON

TRANSMISSION DEVICES,

UNAVOIDABLE DATA LEAKS

RESULTING FROM TRANSMISSION

SPECIFICATIONS, OR SECURITY

PROBLEMS OF ANY KIND.

Notes

• Always make a test recording, and verify that

it was recorded successfully.

SONY WILL NOT BE LIABLE FOR

DAMAGES OF ANY KIND INCLUDING,

BUT NOT LIMITED TO,

COMPENSATION OR REIMBURSEMENT

ON ACCOUNT OF FAILURE OF THIS

UNIT OR ITS RECORDING MEDIA,

EXTERNAL STORAGE SYSTEMS OR

ANY OTHER MEDIA OR STORAGE

SYSTEMS TO RECORD CONTENT OF

ANY TYPE.

• Always verify that the unit is operating

properly before use.

SONY WILL NOT BE LIABLE FOR

DAMAGES OF ANY KIND INCLUDING,

BUT NOT LIMITED TO,

COMPENSATION OR REIMBURSEMENT

ON ACCOUNT OF THE LOSS OF

PRESENT OR PROSPECTIVE PROFITS

DUE TO FAILURE OF THIS UNIT,

EITHER DURING THE WARRANTY

PERIOD OR AFTER EXPIRATION OF

THE WARRANTY, OR FOR ANY OTHER

REASON WHATSOEVER.

• SONY WILL NOT BE LIABLE FOR

CLAIMS OF ANY KIND MADE BY

USERS OF THIS UNIT OR MADE BY

THIRD PARTIES.

• SONY WILL NOT BE LIABLE FOR THE

LOSS, REPAIR, OR REPRODUCTION OF

ANY DATA RECORDED ON THE

INTERNAL STORAGE SYSTEM,

RECORDING MEDIA, EXTERNAL

STORAGE SYSTEMS OR ANY OTHER

MEDIA OR STORAGE SYSTEMS.

• SONY WILL NOT BE LIABLE FOR THE

TERMINATION OR DISCONTINUATION

OF ANY SERVICES RELATED TO THIS

UNIT THAT MAY RESULT DUE TO

CIRCUMSTANCES OF ANY KIND.

144

When the unit is used with a PC connection,

download device drivers, plug-ins, and

application software, where applicable, from the

Sony Professional products web site.

Sony Professional products web site homepage:

Sony Creative Software, software download page

http://www.sonycreativesoftware.com/

download/software_for_sony_equipment

• XDCAM is a trademark of Sony Corporation.

• XAVC and are registered trademarks

of Sony Corporation.

• XQD and are trademarks of

Sony Corporation.

• HDMI, the HDMI logo, and High-Definition

Multimedia Interface are trademarks or

registered trademarks of HDMI Licensing, LLC

in the United States and/or other countries.

All other company names and product names are

registered trademarks or trademarks of their

respective owners. Trademarked items are not

indicated by ® or ™ symbols in this document.

Software Downloads

U.S.A http://pro.sony.com

Canada http://www.sonybiz.ca

Latin America http://sonypro-latin.com

Europe

http://www.pro.sony.eu/pro

Middle East and

Africa

http://sony-psmea.com

Russia http://sony.ru/pro/

Brazil http://sonypro.com.br

Australia http://pro.sony.com.au

New Zealand http://pro.sony.co.nz

Japan http://www.sonybsc.com

Asia http://pro.sony-asia.com

Korea http://bp.sony.co.kr

China http://pro.sony.com.cn

India http://pro.sony.co.in

Trademarks

PXW FS7 V400 GB Manual

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