Specifications
2017-07-17
: Specifications Specifications 269640 s
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Allen & Heath Limited Kernick Industrial Estate Penryn, Cornwall, TR10 9LU, UK www.allen-heath.com Technical Datasheet Overview 38 In / 28 Out Digital Mixer 7” colour touchscreen’ 32 Mono Inputs (TRS + XLR) 33 Motor Faders 3 Stereo Inputs (TRS) 4 stereo FX with dedicated Sends and Returns 24 Mix Outputs (XLR) 4 Stereo Groups 2 Stereo Matrix Outs 10 SoftKeys Extra stereo outputs – AES digital, Alt Out, 2TRK out Talkback mic input dSNAKE Cat5 snake for remote audio using AR2412, AR84 or AB168 4 Mute Groups 4 DCA Groups AnaLOGIQ™ total recall analogue preamps Effects ported from the flagship iLive console Dedicated stereo FX return channels Master strip for quick access to mix levels and processing Input channel linking for stereo sources Input processing – Preamp, HPF, Gate, PEQ, Compressor, Delay Qu-32 Technical Datasheet 1 Output processing – PEQ, Graphic EQ, Compressor, Delay 7” (800x480 pixel) colour touch screen for quick control Motorised faders for sends on faders, GEQ fader flip and mix recall Quick copy and reset of processing, mixes and scenes 100 Scene memories Channel Safes, Global and per Scene Recall Filters FX, processing and channel User Libraries Qu-Drive for stereo and 18-track recording/playback to USB hard drive USB streaming to/from an Apple® Mac or Windows™ PC computer MIDI DAW Control driver for Mac (converts to HUI or Mackie Control) USB transfer of Scenes, Libraries, Shows User assignable Custom Layer Qu-Pad engineer’s mixing wireless remote app for iPad Qu-You personal monitoring app for iPhone, iPad, iPod Touch Compatible with the Allen & Heath ME personal mixing system User Permissions to restrict operator access Optimised fan-less airflow design for silent operation Allen & Heath Ltd Dimensions A&E Specifications Qu-32 Architects and Engineers Specification Each fader strip shall have a dedicated PAFL, Mix, Select, and Mute button with indicators, a 3-LED multi-point meter, and coloured LED indicating fader assignment. The mixer shall be a desktop digital mixer with 32 mono and 3 stereo input channels mixing to 24 mix outputs. Ability to assign channel on/off status to the current mix using the channel ‘Mix’ keys shall be provided. There shall be 4 stereo rack FX engines, 4 DCA groups and 4 Mute groups. All processing, Pre/Post fade routing and assignments of signals to mix send, FX send and Audio, DCA and Mute Groups shall be accessed and adjusted via a 7-inch colour touchscreen provided on the mixing surface. The surface shall include 33 moving faders with 3 layers, each layer having dedicated keys and indicators, giving access to input channels, output channel mixes, FX sends, FX returns, Main mix, DCA masters, and a customisable layer giving access to MIDI control as well as user-defined overview of channels. Qu-32 Technical Datasheet The name and number of the current selected channel or mix shall be identified on screen when in the processing or routing pages. 2 Allen & Heath Ltd Send levels to mixes shall be displayed and adjusted using the faders. The mixer shall provide a Fast Ethernet (100 Mbit/s) port for Cat5 cable connection to a computer for MIDI over TCP/IP control of mixer parameters via a wireless router (access point) for live mixing control. All output mix channels shall contain the following processing: External input, Trim, Polarity, Insert, Parametric EQ, and Graphic EQ with RTA and fader-flip mode, Compressor, Delay. The mixing system shall include application software for Apple iOS touchscreen devices connected via a wireless network router to the LAN port and allow control of functions including the preamp gain, pad, and phantom power. All signal delays in the system shall be adjustable in Milliseconds. The application shall have a graphical representation of physical controls and indicators present on the surface including signal processing parameters and shall provide control of output channel processing including Parametric EQ, Graphic Eq, Compressor and Delay. Routing assignments and level adjustments of input signals to all mixes and bus shall be provided. The application software shall provide signal metering and processing threshold indication when online including the Real Time Analyser. 10 user-assignable soft keys shall be provided for quick access to Mute Groups, DCA Mutes, Tap Tempo and Scene Recall. There shall also be dedicated keys for quick Copy/Paste/Reset of mixes and processing parameters. A Channel Ducker shall be provided to reduce the level of selected channels when a designated channel is in use. This channel priority shall be available across all mono and stereo input channels and also channel groups. There shall be a local “dSNAKE” Ethernet audio expansion port with locking Ethercon connector, providing up to 38 input signals and 20 output signals, plus 40 personal mixing sends to be connected over a single cable ‘digital snake’ and allowing Remote Preamp control to an Allen & Heath AudioRack, or Allen & Heath ME Personal Mixing Systems. 4 user-assignable effect racks shall be provided with a library of factory preset FX emulations. The FX racks shall be individually configurable as send/return from a channel or FX/Mix, or inserted into input or output channels. A global source option for the direct out of each input channel shall be provided in the routing screen. The tap-off point shall be adjusted to the following positions in the processing path: post Preamp, post HPF, post Gate, post Insert return, post PEQ, post Compressor, and post Delay. There shall be further global options for Follow Fader, and Follow Mute. Input and output channel processing and parameters in the mixer shall be saved on demand as a user library item for recall in other channels. Individual processing sections shall be save-able on demand as user library items for that type. All library items shall be stored on board and archived with the show-file. Library items shall be transferrable to USB drive as portable data to be used in other systems. Direct outputs shall be assignable via the mixer soft patch bay to any physical output socket interface channel or ME channel. The mixer shall provide the facility to save 100 scenes of the settings of the mixing system and these scenes shall be nameable. A signal generator shall be provided with the ability to send a variable level signal to any output mix with visual assignment status on-screen. The following types of signals shall be available: Sine, White Noise, Pink Noise, and Band-Pass. A comprehensive table of Scene Safes shall be provided to prevent selected items from being changed from their state when the safe was enabled. A comprehensive scene filter shall be provided per scene to Allow / Block each parameter saved in a scene from being changed as that scene is recalled. Comprehensive input, output, and FX channel and RTA metering shall be provided on-screen. A default Mains to PAFL sub-mix shall be provided. 12-LED bar meters on the surface shall indicate the 3 Main mix buss levels, the PAFL signal shall override the LR meters accompanied by a PAFL-active indicator. An option shall be provided for password protection for log-in of several users with different levels of system access and permissions. A particular scene may be chosen to be recalled per change of user-login if desired. A Talkback facility shall be provided with the ability to send to any output mix with on screen status indication. An option to enable talkback latching and HPF shall be provided. The mixing system shall periodically record all current settings and return the mixer to that state after reboot following a power-cycle. A quarter-inch jack socket for PAFL headphones output shall be provided, with an analogue output level control. The mixer shall include stereo and 18-track recording/playback to optional USB hard drives. The format shall be 48 kHz/ 16 bit WAV. The mixing control surface shall have a built in power supply accepting AC mains voltages of 100~240V, 50/60 Hz, 95W max via an earthed 3-pin IEC male connector mounted on the rear chassis. A Two Pole Push-Button switch shall be provided near the mains input. The mixer shall play back stereo WAV files at 44.1 or 48 kHz and shall have a USB Type-A connector on the surface for recording, playback, data-transfer, archiving, and firmware updates to USB drive. The mixer shall have an optimised fan-less airflow design for silent operation. On the rear panel there shall be a Type-B USB connection following the high-speed USB 2.0 standard for multi-channel, bi-directional audio streaming of 32 out / 32 in and MIDI DAW control between the mixer and a computer. The mixer shall be the Allen&Heath Qu-32 Digital Mixer. Recommended operating temperature for the mixer shall be 5 to 35 degrees Celsius. A DAW transport control using popular DAW control protocols for computer shall be available via the touchscreen. Qu-32 Technical Datasheet 3 Allen & Heath Ltd Block Diagram Qu-32 Technical Datasheet 4 Allen & Heath Ltd Mixer Specifications Inputs Mic/Line Inputs Input Sensitivity (XLR / TRS) Analogue Gain Maximum Input Level (XLR / TRS) Input Impedance (XLR / TRS) THD+N, Unity gain 0dB THD+N, Mid gain +30dB Stereo Line Inputs ST1, ST2 connector ST3 connector Input Sensitivity (ST1, ST2 / ST3) Trim Maximum Input Level (ST1,ST2 / ST3) Input Impedance Control Balanced, XLR and 1/4" TRS jack, fully recallable -60 to +5dBu / -50 to +15dBu -5 to +60dB, 1dB steps Faders Touch Screen SoftKeys 100mm motorised 7" TFT, 800x480 resolution 10 Mute Groups DCA Groups Network 4 4 TCP/IP Ethernet for MIDI and iPad app Balanced, 1/4" TRS jack, half normalled Unbalanced, stereo 3.5mm Mini Jack Input Processing Source CH1-32 Local, dSNAKE, or USB Nominal +4dBu / 0dBu +/-24dB ST1, ST2 ST3 Local, dSNAKE, or USB Local, dSNAKE, or USB Stereo +22dBu / +18dBu >7kΩ USB Global Source Qu-Drive or USB B Streaming Stereo Linking Link options Odd/even input pairs EQ, dynamics, insert, delay, assignments, sends Preamp, polarity, sidechains, fader/mute, pan Polarity High Pass Filter Insert Delay Normal/Reverse 12dB/octave 20Hz – 2kHz Assign FX1-4 into Input channels Up to 85ms Gate Threshold / Depth Self-key Sidechain -72dBu to +18dBu / 0 to 60dB 50us to 300ms / 10ms to 5s / 10ms to 1s +19dBu / +29dBu >5kΩ / >10 kΩ 0.0005% -89 dBu (20-20kHz, Direct Out @0dBu 1kHz) 0.001% -83dBu (20-20kHz, Direct Out @0dBu 1kHz) Outputs Parameters linked Mix1-10 and LR Out Balanced, XLR Group and Matrix Out Output Impedance Nominal Output Maximum Output Level Residual Output Noise <75Ω +4dBu = 0dB meter reading +22dBu -90 dBu (muted, 20-20kHz) Stereo Alt Out & 2Trk Out Source (Alt Output / 2Trk Output) Output Impedance Balanced, 1/4" TRS jack Patchable / LR post-fade <75Ω Attack / Hold / Release Nominal Output Maximum Output Level Residual Output Noise +4dBu = 0dB meter reading +22dBu -90 dBu (muted, 20-20kHz) PEQ Band 1 Band 2, Band 3 Band 4 AES Digital Output 2 channel, 48kHz sampling rate, XLR 2.5Vpp balanced terminated 110Ω Bell Width 4-Band fully parametric, 20-20kHz, +/15dB Selectable LF Shelving (Baxandall), Bell Bell Selectable HF Shelving (Baxandall), Bell Non-constant Q, variable, 1.5 to 1/9th octave Compressor Self-key Sidechain Threshold / Ratio -46dBu to 18dBu / 1:1 to infinity Attack / Release 300us – 300ms / 100ms - 2s Knee Soft/Hard Peak Manual, RMS Manual, SlowOpto, PunchBag dSNAKE Inputs Outputs Remote source for CH1-32, ST1, ST2, ST3 Patchable from Mix1-10, LR, Grp1-8, MTX1-4 Compatible with AudioRacks AR2412, AR84, AB168 Compatible with ME personal mixing system Types System Dynamic Range Measured balanced XLR in to XLR out, 0dB gain, 0dBu input 112 dB Frequency Response +0/-0.5dB 20Hz to 20kHz Headroom Internal operating Level +18dB 0dBu +18dBu = 0dBFS (+22dBu at XLR output) 0dB meter = -18dBFS (+4dBu at XLR out) -3dBFS (+19dBu at XLR out), multi-point sensing dBFS Alignment Meter Calibration Meter Peak indication Qu-32 Technical Datasheet Mix Processing Channel Direct Out to USB 5 Source select (global) Follow Fader, follow Mute (global options) Post-Preamp, Pre-EQ, Post-EQ, PostDelay Insert Assign FX into Mix channels Delay Up to 170ms Allen & Heath Ltd Meter Signal indication Meter Type Sampling Rate ADC, DAC Latency Operating Temperature Range Mains Power Maximum Power Consumption USB Audio Qu-Drive 48kHz +/-100PPM 24-bit Delta-Sigma 1.2 ms (local XLR in to XLR out) PEQ Band 1 Band 2, Band 3 Band 4 0.7 ms (local XLR in to AES out) Bell Width 0 deg C to 35 deg C (32 deg F to 95 deg F) 100-240V AC, 50/60Hz 150W Multitrack Record Multitrack Playback USB Audio Streaming USB B, Core Audio compliant Send (upstream) 32 channel, WAV, 48kHz, 24-bit Return (downstream) 32 channel, WAV, 48kHz, 24-bit Stereo Playback Compressor Threshold / Ratio Attack / Release Knee Types USB A 2 channel, WAV, 48kHz, 24-bit, patchable 2 channel, WAV, 44.1 or 48kHz, 16 or 24-bit, to ST3 18 channel, WAV, 48kHz, 24-bit, patchable 18 channel, WAV, 48kHz, 24-bit Stereo Record GEQ -48dBFS (-26dBu at XLR out) Fast (peak) response Packed in shipping box Unpacked weight Packed weight Qu-32 Technical Datasheet 4-Band fully parametric, 20-20kHz, +/15dB Selectable LF Shelving (Baxandall), Bell Bell Selectable HF Shelving (Baxandall), Bell Non-constant Q, variable, 1.5 to 1/9th octave Self-key Sidechain -46dBu to 18dBu / 1:1 to infinity 300us – 300ms / 100ms - 2s Soft/Hard Peak Manual, RMS Manual, SlowOpto, PunchBag FX Internal FX Audio Tools Types 4 dedicated Stereo FX returns Dimensions & Weights Desk mounted Constant 1/3 oct, 28 bands 31Hz-16kHz, +/-12dB Gain PAFL Talkback Width x Depth x Height 850 x 500 x 186 mm (33.5"" x 19.7" x 7.4") 1000 x 680 x 350 mm (39.4" x 26.8" x 13.8") 20 kg (44 lbs) 24 kg (53 lbs) Signal Generator RTA 6 4x RackFX engine, Send>Return or Inserted Reverbs, Delays, Gated Reverb, ADT Chorus, Symphonic Chorus, Phaser, Flanger Fader, Pan, Mute, Routing to Mix/LR, 4Band PEQ PFL or stereo in-place AFL, 0 to -24dB Trim, 85ms Delay Assignable to any mix, 12dB/oct HPF Assignable to any mix, Sine / White/Pink/Band-pass Noise 31-Bands 1/3 octave 20-20kHz, follows PAFL source Allen & Heath Ltd
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