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Kurzweil PCR-2 Classic Keys Expansion board for the PC1x User’s Guide September 1,2004 TM ©2004 All rights reserved. Kurzweil is a product line of Kurzweil Co., Ltd; Kurzweil, PC1x and KDFX are trademarks of Kurzweil Co., Ltd. All other products and brand names are trademarks or registered trademarks of their respective companies. Product features and specifications are subject to change without notice. Part Number: 910411 Rev. B Kurzweil International Contacts Contact the nearest Kurzweil office listed below to locate your local Kurzweil representative. Kurzweil Co., Ltd. 424 CheongCheon-dong, Bupyung-gu, Incheon, Korea Tel: 032-453-3550 Fax: 032-453-3316 A N D Music Corp. 10107 S. Tacoma Way, A3 Lakewood, WA 98499 Tel: 866-798-6979 Official distributors in other countries are listed on our website. World Wide Web Home Page: http://www.kurzweilmusicsystems.com PC1x Classic Keys User’s Guide PC1x Classic Keys User’s Guide The Classic Keys ROM option equips your PC1x with authentic reproductions of “vintage” keyboard sounds, which over the years have become essential to the modern keyboardist. The PC1x Classic Keys ROM contains samples of the following instruments: Hohner Clavinet (Treble Pickup Setting and Release Thump), Mellotron (Strings, Choir and Flute) ARP Solina String Ensemble, Hohner Pianet, Yamaha CP-80 Electric Grand Piano (Soft and Hard Strikes), and RMI Electra-Piano (Piano, Harpsi and Accenter). Classic Keys also makes use of the PC1x base ROM samples, and includes new “vintage” Rhodes and Wurlitzer programs. Each program in this set was created using high-quality audio samples as a starting point. The PC1x’s synthesis engine allowed us to apply a variety of powerful sound-sculpting tools, which included velocity layers and cross-fades, envelopes, FUNs and LFOs. The finishing touches were added with the PC1x’s effects engine, which utilizes the same technology as our acclaimed KDFX (for the K2500/K2600 keyboards) and our award-winning KSP8 processor. Effects pedals, speaker cabinets and recording techniques have all been faithfully replicated, giving the Classic Keys programs a level of detail and realism never before achieved in any “vintage” keyboard emulation. We were able to precisely recreate the timbres from many live and studio recordings, which have helped define the “vintage” sound. Therefore, a number of the program names in Classic Keys have been derived from song titles and not keyboard model numbers. We have included a detailed chart, which lists the controller assignments for each program and setup. If a program has been taken from a specific recording, the artist's name and song title have been provided as well. In addition to this information, we have also put together a brief description for each of the instruments sampled for Classic Keys. Infinity Looping Tools, a product of Antares Audio Technologies, were used in the creation of some of these sounds 3 PC1x Classic Keys User’s Guide Hohner Clavinet Most famous for having been used on Stevie Wonder’s “Superstition”, Rufus and Chaka Khan’s “Tell Me Something Good”, and on nearly all of Bob Marley’s hits, the Clavinet had originally been conceived by Ernst Zacharias of Hohner, to be the next stage in the evolution of the clavichord. The electro-mechanical keyboard so well known for its “funky 70’s sound”, had been intended to play Bach. The Clavinet’s 60-note keyboard extended from F1 to E6, and its action was light to the touch. Under each key was a metallic string, which would be pressed down onto an “anvil” when the key was struck. The string would vibrate as long as it remained in contact with the anvil, and was dampened immediately upon key release. Two sets of magnetic pick-ups, which resembled the “treble” and “rhythm” pickups on an electric guitar, produced an electrical signal, which was fed to the output of the instrument. The Model C, introduced in 1968, and the more popular Model D6, introduced in 1971, were the two most widely used versions. The D6 featured a series of six rocker switches, which controlled tone and pick-up selection. Labeled “Brilliant”, “Treble”, “Medium”, and “Soft”, the first four switches were connected to a series of band-pass filters. The next two switches enabled each of the pick-ups. Both could be selected, with the choice of them being in or out of phase. The D6 also featured a sliding “mute” lever, which controlled how fast a held note would decay. Classic Keys features samples of the “treble” pick-up along with a “release thump”, while the PC1x base ROM already contains samples of the “rhythm” pick-up. Many of the Clavinet programs in Classic Keys were designed to imitate the D6’s various switch combinations, making use of the PC1x’s own MIDI knobs and switches. ARP Solina String Ensemble The Solina String Ensemble, built for ARP by the Dutch organ manufacturer, Eminent, was the most well known string synthesizer of the mid-seventies, amid a field of similar, less successful competitors. Its distinctive string sound has appeared on a wide variety of recordings, having been used by Herbie Hancock, The Band, Vangelis, Pink Floyd, Parliament/Funkadelic, New Order, and many other well-known artists. Housed in a sleek wood enclosure, the Solina was capable of producing haunting, ethereal strings in the upper register, and lush pads in the lower register. The String Ensemble was not a true polyphonic synthesizer, and employed a “divide down” single oscillator (common in electronic organs) to generate a polyphonic saw wave. All of its voices were fed into a single envelope generator which afforded the user control over attack (labeled Crescendo) and release (labeled Sustain). A button labeled, Modulation, enabled the famous “Bucket Brigade” chorus circuit, which added to the warm quality of the Solina’s sound. Many of the String Ensemble programs in Classic Keys use the PC1x’s MIDI Knobs and switches to emulate the Solina’s front panel controls. 4 PC1x Classic Keys User’s Guide The Mellotron Also famous for its string sound, the Mellotron, later renamed the Novatron, was manufactured in the U.K., by Streetly Electronics, from 1962-1986. A predecessor to the modern digital sampler, the Mellotron used strips of analog tape, one for each key, to reproduce actual recorded sounds. Every key had its own corresponding motor and tape head, which were engaged when the key was depressed. When the key was released, the tape was rewound. A new note on the same key could not be triggered until the tape had completely finished rewinding. The tapes used were not looped, and each sound had a fixed length of eight seconds. In most cases, there were at least three tracks on each tape, in succession, and the user was able to select one of these “presets”. The Mark II (produced 1964-1967) and later the M400 (produced 1970-1986) were the most widely used models. The Mark II was equipped with dual 35 note keyboards, with the one on the left designated to play rhythms and fills, and the one on the right to play “lead”. The left manual and “rhythm section” were dropped after the mark II. The M400, by far the biggest seller, featured a single 35-note keyboard, and was housed in a distinctive white cabinet. While cumbersome, and often plagued by mechanical difficulties, the Mellotron was a breakthrough in its day, providing reproductions of real acoustic sounds, free of any polyphony constraints, other than the number of notes one could physically play. Although intended to imitate other timbres, the Mellotron had an identifiable warm sound of its own, and blended effectively with other instruments in a mix. Made famous first by The Beatles (flutes on Strawberry Fields), and later by The Moody Blues, David Bowie and Led Zeppelin, the Mellotron was featured on numerous recordings from the late sixties through the seventies. Its sound has often been associated with progressive rock, as it was used extensively by bands like Yes, Genesis, and King Crimson. Classic Keys features the three most popular Mellotron sounds: strings, flute and choir. Each sample has been meticulously tuned and looped. We felt that it was appropriate to eliminate the eight second limit, along with the delayed attack (waiting for the heads and motor to engage) in order to make the sounds more playable. Also, most of the Mellotron programs in Classic Keys are touch sensitive, another departure from the original. Our goal was to maximize the playability of the sounds, without compromising their authenticity. Hohner Pianet Although featured prominently in a number of classic rock songs by The Beatles, Three Dog Night, The Zombies and others, the Hohner Pianet remains a lesser-known instrument, its sound having often been mistakenly attributed to the Wurlitzer. Produced from c.1962-1980 in various console models, the Pianet series differed from the Rhodes and Wurlitzer in a few important areas. Sound was produced by metal reeds, which were plucked by a set of adhesive pads. Also distinguishing the Pianet, was the absence of a sustain pedal. 5 PC1x Classic Keys User’s Guide Note: Hohner also manufactured the much more rare Electra-Piano (not to be confused with the RMI Electra-Piano) which featured an enclosure resembling that of an upright piano. Reported to have a hammer mechanism very much like the one found in the Rhodes, the Hohner Electra-Piano featured a built-in amp and four speakers. Led Zeppelin made this sound famous, employing it in a number of hits. Using our Pianet samples and bit of processing, we were able to craft some realistic imitations of the Hohner Electra-Piano, and we’ve included them in the Pianet section of Classic Keys. Yamaha CP-80 Known commonly as the “electric grand”, the CP-80 (88 notes), along with it’s smaller counterpart, the CP-70 (76 notes), was the product of clever engineering combined with traditional piano-making craftsmanship. Inside the CP-80, are the basic workings of a real acoustic piano, which have been altered to fit into a smaller enclosure. On the outside, the CP-80 looks like a “grand” version of the Rhodes, covered in tolex, with the top portion extending in the rear to accommodate the piano harp inside. Up until the mid1980’s, when sampled pianos became available, the CP-70/80 was the only instrument capable of providing a decent substitute for a real piano. While it served this purpose well, the CP-70/80 had some unique features, which allowed it to have its own very distinct sound when desired. With single strings on the lower notes, and double strings on the rest, the CP-70/80 included a modified Yamaha grand piano action and employed piezo-electric transducers in lieu of pickups. The original CP series featured bass and treble tone controls and a tremolo circuit. Later, seven bands of EQ, balanced outputs and MIDI capabilities were added (CP-70/80B and M models). Often used with chorus and compression effects, the CP-80 was known for having more “punch” than an acoustic piano. Production began in 1977 and ended in 1987. RMI Electra-Piano Built by Rocky Mount Instruments, a division of the Allen Organ Company, from 1967-1980, the RMI Electra-Piano is the one electric piano represented in Classic Keys, which did not produce sound by electro-mechanical means. With an electronic tone-generator for each note, un-weighted plastic keys, which were not touch-sensitive, and a set of “stops” for sound selection, the RMI more closely resembled an organ than anything else. Both sustain and volume pedals were included with the unit. Most were black tolex-covered consoles with 61 (later 68) keys, and rested on a set of metal legs. There were five stops on the RMI, which controlled the tone: Piano, Piano PP, Harpsi, Harpsi PP, and Lute. There were two additional stops; Accenter, which added in an attack “thump” as well as Organ Mode, which extended the decay of held notes. Though not capable of producing a realistic piano sound, the RMI did provide a viable “electric harpsichord/clavichord” tone. In addition, the overall sound of the RMI was warm, yet manageable, and lent itself nicely to the use of effects processors and pedals. The RMI appeared on a variety of albums in the early and mid seventies, and was featured prominently in the music of the progressive rock bands Genesis and Yes. 6 PC1x Classic Keys User’s Guide PC1x Version 2 Operating System Feature CC Pedal Parameter Many of the patches in the Classic Keys expansion board make use of controller 04 - Foot, as a "wah" pedal. However, the typical assignment for the CC Pedal in Program Mode is controller 11 - Expression. While it is possible to reassign the CC Pedal in the Internal Setup, which is used by the Program mode, you may find that you want to change the assignment more frequently and conveniently. The CC Pedal parameter allows you to quickly override the current assignment. The CC Pedal parameter follows the Local Control parameter in the Global Settings menu. To view or change the CC Pedal parameter, press the Global button, and then the right cursor button. The display will show the following: Global Settings CC Pedal: Int. Setup The choices for this parameter are "Int. Setup" or "Foot(MIDI4)". If "Int. Setup" is selected, then the CC Pedal in Program mode will follow the assignment from the Internal Setup. If "Foot" is selected, then the CC Pedal in Program mode will be assigned to controller 4, and the Classic Keys program that use a wah pedal will function properly. 7 PC1x Classic Keys User’s Guide Controller Assignments Here are a few of the guidelines which were used in determining control and knob assignments for the programs in Classic Keys. These general rules should make it relatively easy to adjust the most basic program settings when first scrolling and playing through the complete set of sounds. Keep in mind that these are general rules, and there will be some exceptions. You can refer to the table which we have provided, to view the complete controller assignment information for each program. ModWheel Controls tremolo depth on most electric piano programs, controls envelope shape on most ARP programs, and doubles as a "wah" controller on any "wah" programs, for those users who do not have or use the Continuous Controller pedal. Knob A (MIDI 91) Controls FX A wet/dry. Knob B (MIDI 93) Controls FX B wet/dry. (Note: Most programs in Classic Keys over-ride this control in order to allow the program output to go through FX A and then into FX B in series, as a chain. Knob C (Data/MIDI 06) Controls brightness (lopass or bandpass filter freq.) on many programs. Also used to control the volume of certain layers within a program. Knob D (MIDI 13) Controls filter resonance on many programs. Controls tremolo, phaser, and LFO rates. Also used to control the volume of certain layers within a program. Sw2 (MIDI 09) This switch is located just to the right of the "Octave Shift" button, below the MIDI Knobs. Used sparingly - consult Controller Assignment Table. Sw4 (MIDI 29) Located just above the pitchwheel. Used to enable layers on many programs. Also used to enable certain effects such as phaser or chorus, when they are generated in the synth engine (not the effects engine). FtSw 1 (MIDI 64/Sustain) Functions as a sustain pedal on almost all programs. Enables synth effect on a select few. CC Pedal (*MIDI 04/Foot)Functions as a "wah" pedal on all of the "wah" programs. To use the CC Pedal as a “wah” pedal with ROM2, make sure that the CC Pedal parameter is set to “MIDI 04/Foot” in the Global menu. * CC Pedal is set to MIDI 11/ Expression as the default. 8 Classic Keys Programs Classic Keys Programs Prog 000 001 Program Name CP80 Enhanced Gabriel's Melt Controller Description Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Tremolo Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Filter Resonance Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Extra Chorus Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff Freq) Filter Resonance Prog 003 Program Name Brighter CP 80's EQ ChorusCP Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 FX-A Wet/Dry FX-B Wet/Dry Brightness (Bandpass Freq) Bandpass Width Description FX-A wet/dry: enable chorus FX-B Wet/Dry Brightness (filter cutoff freq) Filter Resonance Inspired by chorused CP-80 on Toto's "Dune"soundtrack. 004 CP Chorus Layers Modwheel Knob A Tremolo Depth FX-A Wet/Dry (Enable 4 Tap Delay) FX-B Wet/Dry Brightness (Filter Cutoff Freq) Tremolo Rate Knob B Knob C Knob D SW 2 SW 4 Disable Chorus Layer CC Pedal SW pedal 1 Imitates Peter Gabriel's signature chorused CP-80 sound from "Melt" and "Security" albums. 002 Controller Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 005 Power CP Modwheel Knob A Knob B Knob C Tremolo Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff Freq) Lyr 2 Tremolo Rate Knob D SW 2 SW 4 Detune Lyrs, Enable Chorusing CC Pedal SW pedal 1 Recreates the sound used by Geoff Downes on The Buggles' "Video Killed The Radio Star". 006 Dark Chorus CP Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Chorus Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Filter Resonance 9 Classic Keys Programs Prog 007 Program Name Inside Out CP Controller Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Description Tremolo Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff Freq) Tremolo Rate Prog 010 Program Name 3 Dog Zeppelin Enable Extra Chorus Controller Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Reproduction of the dense CP sound on Phil Collins' "Inside Out". 008 009 Pianet Classic She's Not There Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Tremolo Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Tremolo Rate Modwheel Knob A Knob B Knob C Knob D Tremolo Depth FX-A Wet/Dry FX-B Wet/Dry Parametric Mid EQ freq lyr 1 Brightness (Bandpass Freq) Lyr 2 SW 2 SW 4 CC Pedal SW pedal 1 Models Rod Argent's Pianet sound from the Zombies' "She's Not There". Description Vibrato Depth FX-A Wet/Dry FX-B Wet/Dry Vibrato Rate Resonance Boost Imitates sound from Three Dog Night's "Joy To The World". Modwheel enables warbly sound from "Mama told Me Not To Come". SW4 enables resonance boost, imitating John Paul Jones' sound on Led Zeppelin's "Misty Mountain Hop". 011 Flaming Hohner Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 012 No Quarter Pnt Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Tremolo Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Tremolo Rate FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Filter Resonance Disable filter LFO Recreates John Paul Jones' "bubbly" EP sound on Led Zeppelin's "No Quarter". 10 Classic Keys Programs Prog 013 Program Name Sly Ballad Controller Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Description Vibrato Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Filter Resonance Prog 016 Program Name Old Sly Rhds Controller Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 Black Friday Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Filter LFO Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (Bandpass Freq) Bandpass Width Reproduces the phased Pianet sound on Steely Dan's "Black Friday". 015 These Eyes Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Env Release Decay (Subtle- imitates the older suitcase models.) CC Pedal SW pedal 1 Based on the EP sound from Sly and the Family Stone's recording of "Que Sera". 014 Description Tremolo Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Tremolo Rate Inspired by the electric piano parts on Sly Stone's album, "Back On The Right Track". 017 018 Rhds WAH Studio Rhds Tremolo Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Filter Resonance Wah (Bandpass Freq) FX-A Wet/Dry FX-B Wet/Dry Modwheel Knob A Knob B Knob C Tremolo Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff Freq) Lyr2 Tremolo Rate Knob D SW 2 SW 4 CC Pedal SW pedal 1 019 Inspired by Burton Cummings’ Pianet part on The Guess Who's "These Eyes". Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Fagen Phaser Bandpass Width Wah (Bandpass Freq) Modwheel Knob A FX-A Wet/Dry Knob B FX-B Wet/Dry Knob C Brightness (filter cutoff freq) Knob D SW 2 SW 4 CC Pedal SW pedal 1 Inspired by Donald Fagen's album, "The Night Fly". 11 Classic Keys Programs Prog 020 021 Program Name TK's Mutron RoyalScam EP ff Controller Description Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Tremolo Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Tremolo Rate Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Phaser Notch Width FX-A Wet/Dry FX-B Wet/Dry Phaser Depth Phaser Rate Prog 024 Program Name Rufus Wurly Vintage Tremolo Modwheel Knob A Knob B Knob C Description Tremolo Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Tremolo Rate Env Release Decay (Subtle- imitates the older models.) CC Pedal SW pedal 1 Inspired by early R&B recordings of Rufus Thomas. 025 Warm Clunker Based on Rhodes sound from Steely Dan's "Royal Scam". 022 Controller Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 FX-A Wet/Dry FX-B Wet/Dry Brightness (Fliter Cutoff Freq) Lyrs 2-4 Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 Tremolo Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Tremolo rate Env Release Decay (Subtle- imitates the older models.) CC Pedal SW pedal 1 026 What'd I SayWrly Knob D SW 2 SW 4 CC Pedal SW pedal 1 Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 Tremolo Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Tremolo Rate Env Release Decay (Subtleimitates the older models.) CC Pedal SW pedal 1 Tremolo can be edited in the FX section, with choices for mono/stereo, rate and shape. Select the "pulse" shape to imitate the more abrupt "hard pan" tremolo found on the old suitcase model. 023 12 Rhds EQ Amp Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Tremolo Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (Bandpass Freq) Tremolo Rate Replicates the classic Wurly sound used by Ray Charles on "What'd I Say". 027 Stereo Wurlinet Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Tremolo Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff freq) Tremolo Rate Enable Attack and Release Thumps Classic Keys Programs Prog 028 Program Name Walrus Pianet Controller Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 029 030 Pianet/Wurly WAH Swirling Pnt slo Description Knob D SW 2 SW 4 CC Pedal SW pedal 1 Van Halen Wurly Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Controller Crisp Clav Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Reproduces the sound of a Pianet run through a Leslie speaker, used on the Beatles’ "I Am The Walrus". Wah (Bandpass Freq) FX-A Wet/Dry FX-B Wet/Dry 033 Stereo Pickups Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 034 70sBubblegumClav Tremolo Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff Freq) Lyr 2 Filter Resonance Env Release Decay Enable Lyr 1 Tremolo Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Tremolo Rate Modwheel Knob A Knob B Knob C Knob D Description Env Decay Control FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Filter Resonance FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Filter Resonance Lyr 2 Volume Control FX-A Wet/Dry FX-B Wet/Dry Brightness (Bandpass Freq) Lyr 1 Lyr 3 Volume Control (Attack Thump) SW 2 SW 4 CC Pedal SW pedal 1 035 031 Program Name 032 Modwheel Knob A Knob B Knob C Knob D Bandpass Width SW 2 SW 4 Select Wurly or Pianet Lyr CC Pedal Wah (Bandpass Freq) SW pedal 1 Modwheel Knob A Knob B Knob C Prog Tremolo Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff freq) Lyr 3 Filter Resonance TreblClavWhlmute Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Inspired by intro to Jackson Five's "I'll Be There". Env Decay Control FX-A Wet/Dry FX-B Wet/Dry Brightness (Bandpass Freq) Lyr 1 Filter Resonance Recreates the sound of a Wurlitzer played through a guitar amp, as on Van Halen's "The Cradle Will Rock". 13 Classic Keys Programs Prog 036 Program Name Joe's Clav Controller Modwheel Knob A Knob B Knob C Knob D Description Env decay control lyr 4 FX-A Wet/Dry FX-B Wet/Dry Lyr 1 Volume Control (Release Thump) Lyr 3 Volume Control (Attack Thump) Prog 039 Program Name StopMakingSense Shoobie Model C Modwheel Knob A Knob B Knob C Knob D Env decay control lyr 2 FX-A Wet/Dry FX-B Wet/Dry Lyr 1 Volume Control (ReleaseThump) Lyr 3 Volume Control (Attack Thump) 040 Stevie Fuzz SW 2 SW 4 Disable Lyr 4 CC Pedal SW pedal 1 038 RealSupasticious Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Emulates the Model C played by Stevie Wonder on "Shoo Be Doo". Env Decay Control FX-A Wet/Dry FX-B Wet/Dry Lyr 3 Volume Control (Attack Thump) Filter Resonance Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal FX-A Wet/Dry FX-B Wet/Dry Lyr 4 Volume Control (Attack Thump) Phaser Rate Reproduction of Clav sound from Talking Heads' "Stop Making Sense" played by Bernie Worrell. Env Decay Control FX-A Wet/Dry FX-B Wet/Dry Lyr 3 Volume Control Lyr 1 Volume Control (Attack Thump) Disable Lyr 2 and 4 Imitates distorted Clav sound on Stevie Wonder's version of "We Can Work It Out". 041 VCS3 Filter+Dist Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Inspired by the single note percussive comp-line on Stevie Wonder's hit, "Superstition". Suggestion: For best results, try playing single note patterns in the lower register. (F2-C4) FX-A Wet/Dry FX-B Wet/Dry Filter LFO Rate Filter LFO Depth Filter LFO Rate Simulates the effect of plugging a Clav into an EMS VCS3 synth, with an LFO sweping the filter, then into an amp. 042 DualClav sw Dist Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 14 Description Knob D SW 2 SW 4 Enable Phaser CC Pedal SW pedal 1 SW 2 SW 4 Disable Lyr 4 CC Pedal SW pedal 1 037 Controller Modwheel Knob A Knob B Knob C Env Decay Control FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Lyr 2 Volume Control (ReleaseThump) Enable "Rhythm" or "Treble" Lyr Classic Keys Programs Prog 043 Program Name TrampledUnder D6 Controller Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 Description Env Decay Control FX-A Wet/Dry FX-B Wet/Dry Lyr 4 Volume Control (Attack Thump) Env Release Decay Control (Subtle) Prog 046 Program Name Dark Phase Dist Controller Modwheel Knob A Knob B Knob C Description Phaser Depth FX-A Wet/Dry FX-B Wet/Dry Lyr 2 Volume Control (Attack Thump) Phaser Rate Knob D SW 2 SW 4 Disable Phaser CC Pedal SW pedal 1 Select Pickups In or Out of Phase CC Pedal SW pedal 1 047 Honkin'&Growlin' Recreates heavy pulsing sound of John Paul Jones' Clav on Led Zeppelin's "Trampled Underfoot". 044 Chef Aid '03 Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Lyr 1 Volume Control (ReleaseThump) Select Pickups In or Out of Phase 048 Black Cow Clav CC Pedal SW pedal 1 Captures Trey Parker's biting "lead" Clav sound from "Chocolate Salty Balls" on"Chef Aid". Suggestion: For best results, try playing single note patterns in the lower register. (F2-C4) 045 EvilWomanDeepFuz Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 FX-A Wet/Dry FX-B Wet/Dry Lyr 3 Volume Control (Attack Thump) Mid Boost (Filter Freq Lyrs 1 and 4) CC Pedal Inspired by the staccato sixteenth-note line on the chorus of ELO’s "Evil Woman" Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Filter Resonance Suggestion: For best results, try playing single note patterns in lower register. (F2-C4) Modwheel Lyr 4 Volume Control Knob A FX-A Wet/Dry Knob B FX-B Wet/Dry Knob C Brightness (Bandpass Freq) Lyr 1 Knob D Lyr 3 Volume Control (Attack Thump) SW 2 SW 4 Disable Lyr 1 CC Pedal SW pedal 1 Recreates Joe Sample's Clav sound on Steely Dan's "Black Cow". Suggestion: For best results, try playing single note patterns in the lower register. (F2-C4) 049 Mutron+Synth sw Modwheel Knob A Knob B Knob C Knob D Vibrato Depth (Sawtooth) FX-A Wet/Dry FX-B Wet/Dry Brightness (Bandpass Freq) Lyr 2 (Sawtooth) Lyr 4 Volume Control (Attack Thump) SW 2 SW 4 enable synth layer (sawtooth) CC Pedal SW pedal 1 15 Classic Keys Programs Prog 050 Program Name Bi*Phaz Clav Controller Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 051 Animated Flanger Modwheel Knob A Knob B Knob C Description 053 Thin Env SynClav Hiya Ground sw Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 Controller Modwheel Knob A Knob B Knob C Knob D Description Env Decay Control Lyrs 2 and 4 FX-A Wet/Dry FX-B Wet/Dry Brightness (bandpass freq) lyr 1 Lyr 3 Volume Control (Attack Thump) SW 2 SW 4 Disable Lyrs 2 and 4 CC Pedal SW pedal 1 Env Decay Control FX-A Wet/Dry FX-B Wet/Dry Lyr 3 Volume Control (Attack Thump) Filter Resonance Based on Clav sound featured on Steely Dan's "Kid Charlemagne". Suggestion: For best results, try playing single note patterns in lower register. (F2-C4) 055 Harpsi Rotovibe 056 FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Filter Resonance Enable "Rhythm" or "Treble" Lyr Modelled after the comping Mutron Clav on Stevie Wonder's "Higher Ground". Modwheel Knob A Knob B Knob C Knob D Lyr 1 Volume Control FX-A Wet/Dry FX-B Wet/Dry Brightness (Bandpass Freq) Lyr 3 Volume Control (Attack Thump) SW 2 SW 4 Octave Shift Lyr 2 CC Pedal SW pedal 1 FX-A Wet/Dry FX-B Wet/Dry Env Filter Amount Filter Resonance CC Pedal SW pedal 1 16 Program Name Charlemagne Clav FX-A Wet/Dry FX-B Wet/Dry Lyr 2 Volume Control (Release Thump) Filter LFO Rate Knob D SW 2 SW 4 Enable Lyr 4 CC Pedal SW pedal 1 052 Prog 054 Headhntrs sw WAH Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Wah (Bandpass Freq) FX-A Wet/Dry FX-B Wet/Dry Bandpass Width Wah (Bandpass Freq) Recreates the classic wah sound on Herbie Hancock's "Chameleon" Classic Keys Programs Prog 057 Program Name MorleyWAH Clav Controller Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal Description Wah (Lopass Freq and Resonance) FX-A Wet/Dry FX-B Wet/Dry Prog 060 Program Name Psychedeliclav Filter Resonance Wah (Lopass Freq and Resonance) Controller Description Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Wah (Lopass Freq) FX-A Wet/Dry FX-B Wet/Dry Echo Lyr Delay Time Filter LFO Rate Modwheel Knob A Knob B Knob C Wah (Bandpass Freq) FX-A Wet/Dry FX-B Wet/Dry Lyr 3 Volume Control (Attack Thump) "Tightness Control" (Env Release, Thump Delay) Enable Echo Lyrs Wah (Lopass Freq) SW pedal 1 061 Funkadelic Relic An emulation of classic silver Morley Volume Wah pedal: lots of resonance and distortion. Suggestion: For best results, try playing single note patterns in lower register. (F2-C4) 058 MistakenIdentySW Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal Knob D Wah (Bandpass Freq) enabled by SW4 FX-A Wet/Dry FX-B Wet/Dry Lyr 2 Volume Control (Attack Thump) Bandpass Width Lyr 3 Enable Wah (Lyr 3) Wah (Bandpass Freq) enabled by SW4 SW 2 SW 4 Disable Lyrs 2 and 3 CC Pedal Wah (Bandpass Freq) SW pedal 1 062 SW pedal 1 Dbl WAH Insanity Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Dual Wah (Bandpass Freq) FX-A Wet/Dry FX-B Wet/Dry Bandpass 1 Width Bandpass 2 Width Dual Wah (bandpass freq) Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal Wah (Bandpass Freq) SW pedal 1 Inspired by Billy Preston's Clav on Rolling Stones' "Heartbreaker". 059 Preston SpaceWah Inspired by Funkadelic veteran Bernie Worrell's live sound. Wah (Bandpass Freq) FX-A Wet/Dry FX-B Wet/Dry Lyr 3 Volume Control (Attack Thump) Bandpass Width 063 Reproduction of the high-sweeping wah sound on Billy Preston's "Outta Space". Wah (Bandpass Freq) FX-A Wet/Dry FX-B Wet/Dry Rufus/Marley WAH Modwheel Knob A Knob B Knob C Knob D Bandpass Width SW 2 SW 4 CC Pedal Wah (Bandpass Freq) SW pedal 1 Inspired by the Clav parts from Bob Marley's "Stir It Up"and "Tell Me Something Good" by Rufus and Chaka Khan. 17 Classic Keys Programs Prog 064 065 Program Name Yesesis Tron Str Moby Tron Controller Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal Description Vibrato Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Filter Resonance Prog 068 Program Name Octave Tron Str Enable Octave Lyr Recreates the definitive progrock Mellotron String sound, used by Yes, Genesis and King Crimson. Env attack control lyr 1 FX-A Wet/Dry FX-B Wet/Dry Brightness (Bandpass Freq) Lyr 4 Volume Control (Turntable Noise) 069 Siberian Khatru Controller Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Modwheel Knob A Knob B Knob C SW pedal 1 066 Space Oditty Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 067 RocknRollSuicide Modwheel Knob A Knob B Knob C Rick Wakeman's Mellotron strings and flutes from David Bowie's "Space Oddity". Lyr 2 Volume Control (Bari Sax) FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff Freq) Lyr 1 (Strings) Filter Resonance Lyr 1 Knob D SW 2 SW 4 Enable Lyr 3 (Piano) CC Pedal SW pedal 1 Mellotron strings layered with piano and bari sax, emulating David Bowie's "Rock And Roll Suicide". 18 Disable Octave Lyr Lyr 2 and 3 Volume Control (Organ) FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff Freq) Lyr 1 (Strings) Filter resonance Knob D SW 2 SW 4 Detune Lyrs 2 and 3 (Organ) CC Pedal SW pedal 1 Lyr 4 Volume Control (Turntable Noise) Inspired by string sound on "Porcelain" from Moby's "Play" Lyr 2 (Hi Strings) Volume Control FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Filter Resonance Description Vibrato Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Filter Resonance 070 LightYearStrings Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Another one of Rick Wakeman's sounds from "Close To The Edge,” featuring Mellotron strings doubled with Hammond organ on "Siberian Khatru". Tremolo Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Filter Resonance Classic Keys Programs Prog 071 Program Name Pdl Pitch HiStrg Controller Modwheel Knob A Knob B Knob C Description Lyr 2 (Strings, no pitch-bend) Volume Control FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff freq) Lyr 2 Filter Resonance Knob D SW 2 SW 4 Pedal Pitch-Bend Direction CC Pedal SW pedal 1 Pitch-Bend - Lyr 1 strings will sound either a whole step above or below the target note- use SW4 to select. Depressing the sustain pedal will cause the sound to bend up to or down to the target pitch. 072 073 074 Silent Sorrow Bandpass Choir Swept Tron Voice Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Brightness (filter cutoff freq) FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff freq) Filter Resonance Prog 075 076 077 Program Name Mellotron Flutes Electro Flutes StrawberryFlutes Enable Octave Lyr Reproduces lush choir sound used by Tony Banks on the Genesis’ "Silent Sorrow". Vibrato Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (Bandpass Freq) Bandpass Width 078 White Satin Splt Controller Tremolo Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff freq) Filter Resonance Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Filter LFO Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Filter LFO Rate Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Modwheel Knob A Knob B Knob C Octave Lyr Volume Control FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff freq) Filter Resonance Description Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Knob D SW 2 SW 4 CC Pedal SW pedal 1 Enable Alt Start Enable Alt Start FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff freq) Filter Resonance Inspired by Beatles’ "Strawberry Fields Forever" Brightness Lyr 1 (Flute) (Filter Cutoff Freq) FX-A Wet/Dry FX-B Wet/Dry brightness lyr 1 (strings) (filter cutoff freq) Filter Resonance lyr 1 Reproduces Mike Pinder's string and flute mellotron parts from The Moody Blues' "Nights In White Satin". 19 Classic Keys Programs Prog 079 Program Name 3Way Split Mltrn Controller Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 080 081 082 RMI Harpsi Lamb Lies Down RMI Piano&Harpsi Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Modwheel Description Increase Brightness (Flter Cutoff Freq) FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff freq) Filter Resonance Program Name BrightRMI Pn/Hrp Controller Modwheel Knob A Knob B Knob C Knob D Description Detune Layers FX-A Wet/Dry FX-B Wet/Dry Brightness (Bandpass Freq) Volume Control Lyr 3 (Accenter) SW 2 SW 4 Enable Piano Layer CC Pedal SW pedal 1 084 Dual Mode Harpsi FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Filter Resonance Enable Accenter Lyr Env Attack Control FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Filter Resonance Imitates Tony Banks' RMI sound on Genesis' "The Lamb Lies Down On Broadway". Volume Control Lyr 3 (Accenter) FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Filter Resonance Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 Env Attack Control FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Filter Resonance Enable Organ Mode: Reproduces the function of the RMI's "Organ Mode" switch, which disabled the piano-like amplitude envelope, and allowed held notes to sustain indefinitely. CC Pedal SW pedal 1 085 RoyalKingWakeman Modwheel Knob A FX-A Wet/Dry Knob B FX-B Wet/Dry Knob C Parametric Mid EQ Freq Knob D SW 2 SW 4 CC Pedal SW pedal 1 086 OrganMode Pn/Hrp Enable Accenter Lyr Knob A Knob B Knob C Knob D SW 2 SW 4 Enable Harpsi Lyr CC Pedal SW pedal 1 20 Prog 083 Modwheel Knob A Knob B Knob C Parametric EQ Cut FX-A Wet/Dry FX-B Wet/Dry Para EQ Freq Lyr 1, Brightness Lyr 2 Filter Resonance Lyr 2 Knob D SW 2 SW 4 Enable Piano Lyr CC Pedal SW pedal 1 Classic Keys Programs Prog 087 Program Name Dr.John's RMI Controller Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 088 Phase sw Organ Description Bandpass Freq Lyr 1, Lopass Freq Lyr 2, Vol Cntrl Lyr 1 and 2 FX-A Wet/Dry FX-B Wet/Dry Based on Dr. John's RMI sound on "Right Place, Wrong Time". Move the modwheel for the intro sound. Volume Control Lyrs 1 and 3 FX-A Wet/Dry FX-B Wet/Dry Phaser Depth Phaser Rate Prog 091 092 090 Spaced Out Bach Tobacco Road RMI Tekno Tempo Echo Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 Enable Organ Lyr CC Pedal SW pedal 1 093 089 Program Name Traffic EP Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Echo lyrs delay time control FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Echo layers volume Modwheel Volume Control Lyr 3 (Accenter) FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Filter Resonance Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Trick of th'Tail Description FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Filter Resonance Recreates Stevie Winwood's distorted RMI sound on "Empty Pages" by Traffic. Vibrato Depth FX-A Wet/Dry FX-B Wet/Dry Phaser Notch Width Phaser Rate Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 Enable Phaser CC Pedal SW pedal 1 Modwheel Knob A Knob B Knob C Delay time in the FX section is set to MIDI clock. Brightness (Filter Cutoff freq) Lyr 1 and 2 (Mellotron) FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff freq) Lyr 3 and 4 (RMI) Filter Resonance Lyr 3 and 4 Knob D SW 2 SW 4 Enable Mellotron Split CC Pedal SW pedal 1 Transpose Echo Lyrs Up 5th Emulates Edgar Winter's RMI on the live album, "Road Work". Controller Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 094 RMI Clav WAH Inspired by Tony Banks' keyboards on the Genesis album, "A Trick Of The Tail". Wah (lopass cutoff freq) FX-A Wet/Dry FX-B Wet/Dry Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal Wah (lopass cutoff freq) SW pedal 1 21 Classic Keys Programs Prog 095 Program Name Dream On Session Controller Modwheel Knob A Knob B Knob C Description Volume control Lyr 1 (Clav) FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff Freq) Lyr 4 (RMI) Filter Resonance Lyr 4 Knob D SW 2 SW 4 CC Pedal SW pedal 1 Sustain- when depressed, no new notes will sound on Lyr 2 (strings), allowing RMI notes to be played over held strings. 096 097 098 22 Bladerunner ARP Funkensteinz ARP Murky Rez Pad Prog 099 100 Program Name St PanPhase ARP ARP Str+Oberheim Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 Enable Octave Lyr CC Pedal SW pedal 1 Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 Enable Octave Lyr CC Pedal SW pedal 1 Emulates Bernie Worrell's String Ensemble sound on the Parliament hit "Flashlight". Slight Chorus Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Filter Resonance Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 Enable Octave Lyr CC Pedal SW pedal 1 Description Env Attack & Release control FX-A Wet/Dry FX-B Wet/Dry Phaser Depth Phaser Rate Modwheel Enable Filter LFO Lyrs 1 and 2, Env Control Lrys 3 and 4 FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff Freq) Lyrs 3 and 4 Volume Control Lyr 3 and 4 (ARP Strings) Knob A Knob B Knob C Recreates keyboard sounds of Aerosmith's "Dream On". Env Attack & Release control FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff Freq) Filter Resonance Recreates lush synth strings on "Bladerunner" soundtrack, by Vangelis. Env Attack & Release control FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff Freq) Filter Resonance Controller Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Knob D SW 2 SW 4 CC Pedal enable notch width modulation Octave Shift Lyr 4 Brightness (Filter Cutoff Freq) Lyrs 3 and 4 SW pedal 1 101 102 FX Sweep ARP FX LoPass ARP Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Env Attack & Release control FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff Freq) Filter Resonance Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Env Attack & Release control FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff Freq) Filter Resonance Enable Octave Lyr Enable Octave Lyr As on the String Ensemble, all voices go through a single filter that can be adjusted in the FX section. Knobs control synth filters. Classic Keys Programs Prog 103 104 Program Name AllofmyLove ARP FocusOnTheFunk Controller Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 Description Env Attack & Release control FX-A Wet/Dry FX-B Wet/Dry Prog 106 Program Name Kashmir Str+Brs Controller Modwheel Knob A Knob B Knob C Phaser Rate Based on string and Mellotron on Zeppelin's "Kashmir". 107 Genesis Broadway Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Enable Octave Lyr 4 (Synth Bass) CC Pedal SW pedal 1 105 Bowie/Heroes Pad Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 Env attack & release ctrl lyrs 1 & 2 (ARP) FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff Freq) Lyrs 1 and 2 fltr resonance lyrs 1 & 2 Enable Lyrs 2 and 3 (Piano and Octave ARP) CC Pedal SW pedal 1 FX-A Wet/Dry FX-B Wet/Dry Filter Cutoff: Sweep out Mellotron Strings, sweep in Meteor Strings close filter on Meteor strings Knob D SW 2 SW 4 Enable Brass Layer CC Pedal SW pedal 1 Enable Phaser Approximation of synth strings on Led Zeppelin's "All Of My Love", originally played on a Yamaha GX-1. Env Attack And Release Control Lyrs 1and 2 (ARP) FX-A Wet/Dry FX-B Wet/Dry Pitch Control Lyr 1 (ARP Octave) Distorted Lopass Lyrs 3 and 4 (Synth Bass) Description 108 GarthsLastWaltz Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal FX-A Wet/Dry FX-B Wet/Dry Phaser Depth Phaser Rate ` Based on Tony Banks' keyboard sounds on "Broadway Melody Of 1974" from the Genesis album "The Lamb Lies Down On Broadway". Brightness (Filter Cutoff freq) Lyrs 2 and 3 (Organ) FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff freq) Lyr 1 (ARP) Filter Resonance Lyr 1 Enable Organ Lyrs Enable Auto Pitch-Bend (Whole Step up) SW pedal 1 Based on keyboard sounds on "Sense Of Doubt", from David Bowie's "Heroes". Inspired by Garth Hudson's keyboard sounds featured in "The Last Waltz". 23 Classic Keys Programs Prog 109 Program Name Syn Strg Section Controller Modwheel Knob A Knob B Knob C Knob D Description Swell: Resonance+Volume FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Crossfade from ARP to Mellotron Prog 113 Program Name ProgRockEpicLead Warszawa Layers Modwheel Knob A Knob B Knob C Env Attack And Release Control Lyr 2 (ARP) FX-A Wet/Dry FX-B Wet/Dry Filter Cutoff Freq Lyr 2 (ARP), Lyr 1 (Mellotron flutes) 114 FlangeCompSynth Knob D SW 2 SW 4 Disable Mellotron Strings CC Pedal Filter Cutoff Freq Lyr 2 (ARP) SW pedal 1 115 111 ELOStringSection Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 My Old PPG*2.3 Based on keyboard sounds on "Warszawa", from David Bowie's "Low". Volume control Lyrs 2 and 3 (Strings) FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff Freq) filter resonance Disable Lyrs 1 and 4 (Mellotron Strings) 116 Env Bass CC Pedal SW pedal 1 112 24 Mooginet Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Description vibrato depth (octave pitchbend when sw4 on) FX-A Wet/Dry FX-B Wet/Dry Knob A Knob B Knob C Knob D SW 2 SW 4 Enable Pitch LFO CC Pedal SW pedal 1 SW 2 SW 4 Enable Octave Lyr (ARP) CC Pedal SW pedal 1 110 Controller Modwheel String sounds on ELO's "Evil Woman". Vibrato Depth FX-A Wet/Dry FX-B Wet/Dry Hipass Filter Freq 117 RMI Synth Bass Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Vibrato Depth FX-A Wet/Dry FX-B Wet/Dry Lyr 1 octave pitchbend Vibrato Rate Hi Pass Cut Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Env attack & release control FX-A Wet/Dry FX-B Wet/Dry Env Filter Amount Lyr 1 env attack boost: impact Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Vibrato Depth FX-A Wet/Dry FX-B Wet/Dry Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Transpose Lyr 4 Up One Fifth Disable Lyr 1 and 2 Vibrato Depth FX-A Wet/Dry FX-B Wet/Dry Env Filter Amount Classic Keys Programs Prog 118 119 Program Name EP Env Synth GuitarLikeSynth Controller Description Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Vibrato Depth FX-A Wet/Dry FX-B Wet/Dry Env Filter Amount Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 Vibrato Depth FX-A Wet/Dry FX-B Wet/Dry Env Filter Amount Resonance Slow Attack Envelope Toggle guitar-like/bass-like timbre Prog 122 Program Name Piano & Tron Vox Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 123 Solina Choir Cosmic Sus Pedal Modwheel Knob A Knob B Knob C Octave Pitch-Bend Lyr 3 (w/sus pedal) , Enable Filter LFO Lyr 4 FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff Freq) Lyrs 1 and 4 Knob D SW 2 SW 4 Enable pedal pitchbend CC Pedal SW pedal 1 Octave pitchbend Lyr 2 when SW4 on, Enable modwheel bend Lyr 3 121 PADzilla Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 CC Pedal SW pedal 1 120 Controller Modwheel Vibrato Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff Freq) Filter Resonance 124 125 Swell & Hold TouchRezSynthCP Description Filter on Choir, Chorus Depth on Piano when SW2 is On FX-A Wet/Dry FX-B Wet/Dry Brightness lyr 4 (choir) Volume Control Lyr 4 Enable chorus on piano Disable Choir Lyr Slight Chorus Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (Filter Cutoff Freq) Filter Resonance Shorter release on choir and strings; longer attack on choir Disable Choir layer Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Stepped Pitch LFO Depth FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Filter Resonance Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Filter LFO Depth FX-A Wet/Dry FX-B Wet/Dry Filter LFO Rate Enable Filter LFO Filter LFO Rate Try playing this one softly and then hard, with the modwheel turned up. 25 Classic Keys Programs Prog 126 Program Name Funeral Gig Controller Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal Description Vibrato Depth (slight) FX-A Wet/Dry FX-B Wet/Dry Brightness (filter cutoff freq) Filter Resonance Shorter release on choir and organ; longer attack on choir Disable organ layer Swell choir (breath activated also) SW pedal 1 127 26 The Ancient Modwheel Knob A Knob B Knob C Knob D SW 2 SW 4 CC Pedal SW pedal 1 Chorus Depth FX-A Wet/Dry FX-B Wet/Dry Brightness: Layer tuning, chorus rate Classic Keys Setups Classic Keys Setups Setup A01 Setup Name Jungle Boogie Controller Description Modwheel Setup A03 Setup Name Sneakin Sally Controller Wah (Bandpass Freq) Zones 1 and 4 Volume Control Zone 1 (Wah Clav) Knob A Volume Cntrl Zone 1 (Brass) Knob B Brightness (Filter Cutoff Freq) Zone 1 Knob A Knob B Knob C Phaser Depth Zone 3 (EP) Knob D Phaser Rate Zone 3 Knob C Tremolo Depth Zone 2 (EP) SW 1 Octave Shift, Zone 2 (Bass) Knob D Tremolo Rate Zone 2 SW 2 SW 1 Octave Shift, Zone 1 SW 3 SW 2 SW 4 Enable/Disable Octave Lyr Zone 1 (Brass) SW 3 Enable/Disable Arpeggiator, Zone 1 CC Pedal Volume Cntrl Zone 1 (Brass) SW 4 Toggle Between Zone 2 and 4 (EP and Wah EP) (Volume Control) CC Pedal Wah (Bandpass Freq) Zones 1 and 4 SW pedal 1 Sustain Zones 1 and 3 Pwheel A02 Ac&E Bass Split Description Modwheel Pitchbend, Zone 2 Modwheel Knob A Knob B SW pedal 1 Sustain Zones 1 and 4 FXA (Phaser) Wet/Dry, Zone 2 (EP) Pwheel Volume Cntrl Zone 2 Inspired by Clav and EP sounds from Little Feat's Billy Payne, on Robert Palmer's "Sneakin' Sally" Knob C Knob D Brightness (Filter Cutoff Freq) Zone 1 (Ac Bass) SW 1 Octave Shift, Zone 1 SW 2 A04 SW 3 SW 4 Pitchbend, Zone 1 Toggle Between Zone 2 & 3 (Ac and Elec Bass) (Volume Control) CC Pedal SW pedal 1 Sustain Zone 2 Mpress Vibrato Depth, Zone 1 Pwheel Pitchbend Zones 1 and 3 (Ac and Elec Bass) 80's Minds Modwheel Knob A FXA Wet/Dry Zones 1 and 2 (CP and ARP Str) Knob B FXAB Wet/Dry, All Zones Knob C Brightness (Filter Cutoff Freq) Zone 2 (ARP Str) Knob D Filter Resonance Zone 2 SW 1 Sustain Zones 1 and 2 SW 2 SW 3 SW 4 CC Pedal SW pedal 1 Sustain Zones 1 and 2 Mpress Vibrato Depth, Zone 3 (Syn Bass) Pwheel Pitchbend, Zones 2 and 3 (ARP and Syn Bass) 27 Classic Keys Setups Setup A05 Setup Name Super StrTheory Controller Modwheel Description Env Control, Zone 2 (ARP Str) Setup A08 Setup Name Sinister Controller Detune Layers, Zone 2 (RMI) Knob A FXA Wet/Dry, Zones 1 and 2 (Clav and RMI) Knob A FXA Wet/Dry, Zones 1, 2 and 4 Knob B FXAB Wet/Dry, All Zones Knob C Brightness (Filter Cutoff Freq) Zones 1, 2 & 4 Knob B FXAB Wet/Dry, All Zones Knob C Filter Resonance Zone 1 (Mellotron Str) Brightness (Bandpass Freq) Zone 2 Knob D Volume Control "Attack Thump" Lyr, Zone 1 Knob D SW 1 SW 1 SW 2 SW 2 SW 3 SW 3 Enable/Disables Arpeggiator Zone 1 CC Pedal SW 4 arpeggiator latch zone 1 SW pedal 1 Sustain,zones 1 & 4 (Mellotron str and Syn str) CC Pedal SW 4 Mpress A06 Black Cow Split Description Modwheel Enable/Disable Stereo Synth Layers, Zone 3 (Synth Bass) SW pedal 1 Sustain, Zones 1 and 2 Vibrato Depth, Zone 1 Modwheel A09 Knob A Volume Control, Zone 1 (Clav) Knob B Volume Control, Zone 2 (EP) Knob C Brightness (Bandpass Freq) Zone 1 Knob D Old Vinyl Orch Modwheel Knob A Volume Control, Zone 1 (Moby Strings) Knob B Brightness (Filter Cutoff Freq) Zone 2 (Mellotron Str/Flt/Piano) FXA Wet/Dry, Zone 1 Knob C Volume Control, Zone 2 Octave Shift, Zone 1 Knob D Volume Control "LP Scratch" Lyr, Zone 1 SW 3 SW 1 Octave Shift Zones 1 and 2 SW 4 SW 2 CC Pedal SW 3 SW pedal 1 Sustain, Zone 2 (EP) SW 4 Pwheel CC Pedal SW 1 SW 2 Pitchbend, Zone 1 Enable/disable str lyr, zone 2 SW pedal 1 Sustain, Zones 1 and 2 A07 28 Progrock Church Modwheel Volume Control String Lyr, Zone 3 (Mellotron Str/Flt) Knob A Lyr Crossfade, Zone 1 (Pipe Organ) Pwheel A10 Electric Sheep Pitchbend, All Zones Modwheel Env Control Zone 2 (ARP Str) Knob A Volume Control, Zone 1 (Syn Lead) Brightness (Filter Cutoff freq) Zone 2 Knob B Brightness (Filter Cutoff Freq) Zone 2 (Mellotron Choir) Knob B Knob C Brightness (Filter Cutoff Freq) Zone 3 Knob C Volume Control, Zone 2 Knob D Lyr Crossfade, Zone 1 Knob D Filter Resonance, Zone 1 SW 1 Octave Shift, All Zones SW 1 Octave shift zones 1 & 2 SW 2 SW 2 SW 3 SW 3 SW 4 SW 4 CC Pedal CC Pedal SW pedal 1 Sustain, All Zones SW pedal 1 Arpeggiator Latch, Zone 1 Sustain, Zone 2 Arpeggiator On, Zone 1 Mpress Vibrato Depth, Zone 1 Pwheel Pitchbend, Zone 1 Classic Keys Setups Setup A11 Setup Name Phase Dist Splt Controller Description Modwheel Phaser Notch Width, Zone 2 (EP) Knob A Volume Control, Zone 1 (Clav) Knob B Volume Control, Zone 2 Knob C Phaser Depth, Zone 2 Knob D Phaser Rate Zone 2 SW 1 Octave Shift, Zone 1 Setup A14 Setup Name 12 Str Arp&Vox SW 2 SW 3 SW 4 enable/disable phaser, zone 1 CC Pedal Controller Description Modwheel Filter LFO Depth, Zone 3 (ARP+Syn) Knob A Brightness (Filter Cutoff Freq) Zone 1 (12-str Guitar) Knob B Brightness (Filter Cutoff Freq) Zone 2 (Mellotron Vox) Knob C Volume Control Zone 2 , Brightness, Zone 3 Knob D Volume Control ARPStr Lyr, Zone 3 SW 1 Octave Shift, All Zones SW 2 SW pedal 1 sustain, Zone 2 (EP) Pwheel Pitchbend, Zones 1 & 3 Modwheel Brightness (Filter Cutoff Freq) Zone 1 (Clav) SW 3 SW 4 CC Pedal A12 Dark Split D2 Knob A FXA Wet/Dry, Zones 1 2 and 3 Knob B Filter LFO Rate, Zone 1 Knob C Brightness Zones 3 and 4 (EP and Syn Bass) Knob D Arpeggiator Tempo SW 1 Octave Shift Zone 1 SW 2 SW pedal 1 Sustain, All Zones Pwheel Pitchbend, All Zones Inspired by 2 songs- Pink Floyd's "Wish You Were Here" and "Entangled" by Genesis. A15 Analog Ether Modwheel Arpeggiator Tempo Knob A Brightness (Filter Cutoff Freq) Zone 1 (Swell&Hold) SW 3 Enable/Disable Arpeggiator, Zone 3 Knob B Volume Control, Zone 2 (Piano) SW 4 Volume Boost, Zone 4 Knob C Brightness (Filter Cutoff Freq) Zone 3 CC Pedal SW pedal 1 Sustain, zones 1 2 & 4, Arpeggiator latch, zone 3 Mpress Filter Boost, Zone 4 Pwheel Pitchbend, Zones 1 & 4 Modwheel Brightness (Filter Cutoff Freq), Zone 4 (Strings) Knob A FXA Wet/Dry Zones 1 2 and 4 (CP, Flutes, Str) Knob B FXAB Wet/Dry All Zones Knob D Volume Control Zone, 3 SW 1 Octave Shift, All Zones SW 2 SW 3 Enable/Disable Arpeggiator, Zone 3 SW 4 A13 Fretles/E.Grand Knob C Brightness, Zones 1 and 2 Knob D Filter Resonance, Zone 1 SW 1 Octave Shift, Zones 1 and 4 SW 2 Filter Boost, Zone 3 (Fretless Bass) CC Pedal SW pedal 1 Sustain, All Layers, Enable/Disable Filter LFO, Zone 1 Pwheel Pitchbend, Zone 1 SW 3 SW 4 CC Pedal SW pedal 1 Sustain, Zones 1, 2 & 4 Mpress Vibrato, Zone 3 Pwheel Pitchbend Zone 3 29 Classic Keys Setups Setup A16 Setup Name Old Movie Score Controller Description Modwheel Tremolo Depth, Zone 3 (Mellotron Flutes) Knob A Knob B Setup A19 Setup Name Mono Mayhem Controller Delay Time for Echo Lyrs, Zone 3 (RMI) FXB Wet/Dry, All Zones Knob A Arpeggiator Tempo Brightness (Filter Cutoff Freq) Zone 1 (Mellotron Str/Flute) Knob B Knob C Env Attack Control, Zone 2 (Lyrical Strings) Knob D Knob D Brightness (Filter Cutoff Freq) Zone 2 SW 2 Enable/Disable Pitch LFO Zone 2 (Syn Lead) SW 1 Octave Shift, Zones 1 & 4 (Mellotron Str & Orch Pad) SW 3 Enable/Disabl e Arpeggiator, Zones 1 and 3 (PPG and RMI) SW 2 Enable/Disable Alt Start, Zone 3 SW 4 Enable/Disable Transposed Lyrs, Zones 1 & 3 Knob C SW 4 CC Pedal CC Pedal SW pedal 1 Sustain, Zones 1 and 2 SW pedal 1 Sustain, Zones 1 and 4 Pwheel Pitchbend, All Zones Modwheel Tremolo Depth, Zone 1 (CP) Knob A FXA Wet/Dry Zones 1 and 2 (CP and Beat Box) A20 F#1Kick CP/Str Knob B FXAB Wet/Dry All Zones Knob C Brightness (Filter Cutoff Freq) Zones 1 and 2 Tight & Bright Pwheel Pitchbend, Zones 2 & 4 Modwheel Vibrato Depth Zones 2 and 4 (RezPoly and FlangeComp) Knob A Volume Control, Zone 2 Knob B Volume Control, Zone 1 (Syn Bass) Knob C Volume Control, Zone 4 Knob D Brightness (Filter Cutoff Freq), Zone 1 Octave Shift, Zone 1 Knob D Tremolo Rate, Zone 1 SW 1 Octave Shift, Zone 1 SW 1 SW 2 Enable/Disable octave lyr, zone 3 (Mellotron Strings) SW 2 SW 3 Enable/Disable Arpeggiator, Zone 2 SW 4 Enable/Disable Octave Lyr, Zone 4 SW 4 Arpeggiator latch, zone 2 CC Pedal Brightness (Filter Cutoff Freq), Zones 2 and 4 SW 3 CC Pedal SW pedal 1 Sustain, Zone 1 Inspired by U2's song, "Beautiful Day" A18 LittleFeat Keys Modwheel Tremolo Depth, Zone 1 (Wurly) Knob A Brightness (Filter Cutoff Freq) Zone 1 Knob B Brightness (Filter Cutoff Freq) Zone 2 (ARP+Synth) Knob C Knob D SW 1 Octave Shift, All Zones SW 2 SW 3 SW 4 Unmutes Zone 3 (piano), Mutes Zones 1 and 2 (Volume Control) CC Pedal SW pedal 1 Sustain, All Zones Pwheel 30 Filter env amount, zone 3 SW 1 SW 3 A17 Description Modwheel SW pedal 1 Sustain, Zones 2 & 4 Pwheel Pitchbend, Zones 2 & 4 Mpress Vibrato Depth Zone 4 Classic Keys Setups Setup A21 A22 Setup Name Sad Gabriel MonoBass /E.Pno Controller Description Setup A23 Setup Name Marillion Keys Controller Description Modwheel Vibrato Depth, Zone 3 (ARP Pad) Modwheel Knob A Knob A Brightness (Filter Cutoff Freq) Zone 1 (CP) Brightness (Filter Cutoff Freq) Zone 1 (CP) Knob B Knob B Brightness (Filter Cutoff Freq) Zone 2 (ARP Pad) Volume Control, Zone 3 (Organ Pedal Bass) Knob C Knob C Brightness (Filter Cutoff Freq) Zone 3 (ARP Pad) Brightness (Filter Cutoff Freq) Zone 2 (ARP+Synth ) Knob D Knob D Filter Resonance, Zone 2 Volume Control, ARP Lyr, Zone 2 SW 1 Octave Shift, All Zones SW 1 Octave Shift, All Zones SW 2 SW 2 SW 3 SW 3 SW 4 SW 4 CC Pedal CC Pedal SW pedal 1 Sustain, All Zones SW pedal 1 Sustain, zones 1, 2, & 3 Pwheel Pwheel Pitchbend All Zones Modwheel Tremolo Depth, Zone 1 (EP) Knob A FXA Wet/Dry Zones 1 2 and 4 (EP, RMI and Mooginet) Pitchbend, Zone 2 Inspired by Marillion's "The Thieving Magpie". Knob B FXAB Wet/Dry, All Zones Modwheel Knob C Brightness (Filter Cutoff Freq) Zone 1, A24 Cripple Creek Wah (Bandpass Freq) Zone 2 (Clav) Knob A Volume Control, Zone 1 (Organ) Knob D Hipass Filter, Zone 4 Knob B Sw 1 Octave Shift, Zone 4 Knob C SW 2 Enable/Disable Octave Lyr, Zone 3 (Mono Syn Bass) Knob D Bandpass Width, Zone 2 SW 3 Enable/Disable Arpeggiator, Zones 3 and 4 SW 1 Octave Shift, Zone 2 SW 4 Arpeggiator Latch SW 3 Brightness (Filter Cutoff Freq) Zone 1 SW 2 CC Pedal SW 4 SW pedal 1 Sustain, Zones 1 and 2 CC Pedal Wah (Bandpass Freq) Zone 2 (Clav) SW pedal 1 Sustain, Zones 1 and 3 Inspired by The Band's "Cripple Creek" 31 Classic Keys Setups Setup A25 Setup Name Sky Watcher Controller Description Setup A28 Setup Name WarpDrive Pad Controller Leslie Fast/Slow Zone 1 (Organ) Knob A FXA Wet/Dry Zones 1 2 and 4 (Organ, Strings, Perc) Knob A Volume Control, Zone 1 Knob B FXAB Wet/Dry all Zones Knob B Brightness, Zone 2 (ARP Str) Knob C Brightness (Filter Cutoff Freq) Zones 1 2 and 4 Knob C Brightness, Zone 3 (Mellotron Str) Knob D Filter Resonance, Zone 1 SW 1 Octave Shift, Zone 2 SW 1 Octave Shift, All Zones SW 2 Goto Program 124 (Swell and Hold), Zone 2 SW 2 Enable/Disable "LP Scratch" Lyr, Zone 4 (Moby Strings) SW 3 Enable/Disable Arpeggiator, Zones 1 and 4 SW 4 Enable/Disable Octave Lyr, Zone 2 Knob D SW 3 SW 4 Modwheel Description Modwheel Tone, Zone 1 CC Pedal SW pedal 1 sustain, zones 1, 2, & 4" Vibrato Depth, Zone 1 (Dinosaur Lead) CC Pedal SW pedal 1 Latch Arpeggiator, sustain zone 1,2, & 4" Inspired by Genesis' "Watcher in The Skies" A26 Baroque Classic Pwheel Modwheel Knob A FXA Wet/Dry Zones 2 3 and 4 (RMI, Strings, and Choir) A29 Porcelain Modwheel Knob A FXB Wet/Dry Zones 1 2 and 3 (Piano, Phantom Str, Moby Str) Knob B Enable/Disable "LP Scratch" Lyr, Zone 3 (Moby Strings) Knob C Brightness (Filter Cutoff Freq), Zones 2 and 3 (Phantom Str, Moby Str) Knob D Brightness (Filter Cutoff Freq), Zone 4 (Dreamcatcher) CC Pedal SW 1 Octave Shift, Zones 1, 2, and 4 SW pedal 1 Sustain, Zones 2, 3, and 4 SW 2 Knob B Knob C Brightness (Filter Cutoff Freq) Zone 4 Knob D SW 1 Octave Shift, Zone 2 SW 2 SW 3 SW 4 A27 Sweep Split SW 3 Enable/Disable Arpeggiator, Zones 2 , 3, and 4 Arpeggiator Latch Modwheel Env Control, Zone 1 (ARP Str) SW 4 Knob A FXA Wet/Dry, All Zones CC Pedal Knob B FXAB Wet/Dry, All Zones SW pedal 1 Sustain, Zones 1 and 2 Knob C Brightness (Filter Cutoff Freq) Zone 1 Pwheel Knob D Filter Resonance, Zone 1 SW 1 Octave Shift, Zone 1 SW 2 Enable/Disable Octave Lyrs, Zone 1 SW 3 Enable/Disable Arpeggiator, Zones 3 and 4 SW 4 Arpeggiator Latch CC Pedal SW pedal 1 Sustain, Zones 1 2 and 4 32 Pitchbend Zones 1 and 4 Pitchbend, Zones 2 & 3 Inspired by Moby's "Porcelain" from "Play" Classic Keys Setups Setup A30 Setup Name VelSwitch E Pno Controller Description Modwheel Brightness (Bandpas Freq), Zone 1 (RMI) Knob A FXA Wet/Dry, Zones 1 2 and 3 (RMI, Pianet, Clav) Knob B Setup A32 Setup Name Eggman Keys Controller Modwheel Knob A Volume Control Zone 1 (Pianet) Knob B Brightness (Filter Cutoff Freq), Zone 2 Knob C Brightness (Filter Cutoff Freq), Zone 3 (ELO Str) FXAB Wet/Dry All Zones Knob C Description Vibrato Depth, Zone 2 (Mellotron Str) Knob D Brightness (filter cutoff freq), Zone 2 (Pianet) Knob D Filter Resonance, Zone 1 SW 1 Octave Shift, Zone 1 SW 1 Octave Shift, All Zones SW 2 Enable/Disable "Rhythm" Lyr, Zone 3 SW 2 SW 3 Enable/Disable Arpeggiator, Zones 2 3 and 4 SW 4 Arpeggiator Latch CC Pedal SW 3 SW 4 Mute Zone 2 CC Pedal SW pedal 1 Sustain, Zones 1 2 & 3 Pwheel Pitchbend, Zones 2 & 3 SW pedal 1 Sustain, Zones 1 and 4 A31 Van Halen Keys Modwheel Filter LFO Depth, Zone 3 (Arp+Ober) Knob A Brightness (Filter Cutoff Freq), Zone 1 (EP) Knob B Knob C Brightness (Filter Cutoff Freq), Zone 3 Knob D Volume Control Arp Str Lyr, Zone 3 SW 1 Octave Shift, Zone 3 SW 2 Env Attack Control Zone 4 (Syn Comp) SW 3 SW 4 CC Pedal SW pedal 1 Sustain Zones 1 and 3 (EP and Arp) Pwheel Pitchbend Zone 3 Zone 1- distorted Wurly from “Cradle Will Rock" Zone 3 & 4- dist synth/syn bass of "I'll Wait" 33
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