Seymour Duncan SFX 06 Paranormal Bass Direct Box User Manual
Seymour Duncan SFX-06 Paranormal Bass Direct Box User Manual sfx-06_manual Seymour Duncan - SFX-06 Paranormal Bass Direct Box - User Manual
User Manual: Seymour Duncan SFX-06 Paranormal Bass Direct Box User Manual Seymour Duncan - SFX-06 Paranormal Bass Direct Box - User Manual
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Page Count: 9
Congratulations
on your purchase of the
Seymour Duncan
SFX-06 Paranormal™ Bass EQ Direct Box
. You can start
using your
Paranormal Bass Direct Box
right away, adding
more depth and control to your bass tone than ever before. However,
you might want to read through these instructions in their entirety
first to gain valuable information that will enhance your enjoyment
of your Paranormal Bass EQ Direct Box.
For Tone That Sets You Apart
TM
General Information
The Paranormal Bass EQ Direct Box is not your ordinary direct box.
Like all DIs, it sports a balanced line out XLR jack (with ground lift) so
you can feed a front-of-house mixing board or a recording console
with no loss of signal. But that’s where the similarities end, because
the Paranormal Bass Direct Box also features three bands of active EQ
that have been specifically optimized for bass. This allows you to dial in
your tone in any room, sculpting your lows, mids, and highs quickly and
easily. It’s the perfect solution for bassists who want the flexibility of an
active system but don’t want to modify their instrument.
The SFX-06 also features our proprietary Slap Contour switch, which
applies an additional preset EQ curve to whatever settings you’ve chosen
with the 3-band EQ. This produces a tone that’s perfect for slap playing
but also works great as an alternate sound for fingerstyle or pick playing.
This switchable function makes the Paranormal Bass Direct Box even
more flexible onstage and in the studio.
FRONT PANEL
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1 2 3
4 5
Explanation of Controls
Front Panel (See page 1)
1. Bass – This control provides 12dB of cut or boost to the low frequen-
cies (centered at 30Hz). In the 12:00 (detented) position, this control is
bypassed. Rotating the Bass knob clockwise increases low end—great
for adding warmth and body to a thin-sounding instrument. Turning
the Bass knob counterclockwise reduces low end, which can be just the
thing if you find yourself playing a boomy room or if your bass is taking
up too much space in a mix.
2. Midrange – The Midrange knob is centered at 650Hz and provides
12dB of cut or boost to the midrange frequencies. Cutting the mids
(by rotating the Midrange knob counterclockwise) is useful will tame the
midrange “honk” that some basses suffer from. Boosting the mids can
help a hollow-sounding bass to stand out in the mix better.
3. Treble – With a center frequency of 5.2kHz, the Treble control shapes
the uppermost part of your bass tone. Boost this control to add bite and
clarity to your sound. Cut the Treble for darker, thumpier tones.
4. True-Bypass Footswitch – Hitting this switch removes the circuit from
your bass’ signal chain, allowing your signal pass through without
affecting your tone.
5. Slap Contour Footswitch – This switch engages the Slap Contour—a
great-sounding preset tone that is used in conjunction with the 3-band
EQ. It adds 6dB of boost at 80Hz and 6dB of cut at 650Hz for a sound
that has a fuller bottom and more present highs. Originally designed for
slap-style funk playing, this tone sounds amazing for any type of music
or technique.
2
Explanation of Controls
Back Panel
1. Input Jack – Plug in your bass here.
2. Output Jack – This ¼” jack provides the output signal. Run a cable
from this jack to the input of a bass amp or to the input of the next effect
in your chain.
3. Power Jack – This is where you can connect a Seymour Duncan 9-volt
DC adapter or any 9-18-volt regulated DC adaptor, if you opt not to run
the SFX-06 on a 9-volt battery.
4. Balanced Line Out – This jack provides a balanced output that you
can send to a mixing board or a recording console with an XLR (micro-
phone) cable. Because the signal coming out of this jack is balanced,
you can run as much cable as necessary without any loss of tone.
5. Ground Lift – This can be useful to eliminate ground lops that can
cause excessive levels of hum and buzz.
BACK PANEL
3
1 2
3
5
4
Deep Dub Tone
This is a great sound for dreamy
dub bass or smoky reggae.
It’s deep, round, and huge.
Bass: 3:00
Mid: 12:00
Treble: 9:00
Slap Contour: Off
Bright Slap
Perfect for funk and pop tones.
Bass: 12:00
Mid: 11:00
Treble: 3:00
Slap Contour: On
Aggressive Mids
This tone will cut through any
mix. You want punch? Give this
a try. Also sounds great when
combined with distortion.
Bass: 12:00
Mid: 3:00
Treble: 1:00
Slap Contour: Off
Sample Settings
You can’t really go wrong with the settings on the SFX-06, but these are
great starting points for a variety of different sounds.
4
Battery
To make your SFX-06 work, you’ll need to insure that a fresh battery is
installed. If not, you’ll need to install one, or connect a regulated 9-volt
DC power supply—such as a Seymour Duncan 9-volt power adapter.
To install or replace the battery:
a. Remove the four screws on the underside of the box and
disassemble the chassis.
b. Remove the old battery from the clip, if applicable.
c. Install a fresh 9-volt alkaline battery, taking care to properly orient the
“+” and “-“ terminals.
d. Reassemble the chassis and replace the screws.
When storing the SFX-06, or when it is not in use, make sure nothing is
plugged into the Input jack, as this will shorten battery life.
5
Battery
To make your SFX-06 work, you’ll need to insure that a fresh battery is
installed. If not, you’ll need to install one, or connect a regulated 9-volt
DC power supply—such as a Seymour Duncan 9-volt power adapter.
To install or replace the battery:
a. Remove the four screws on the underside of the box and
disassemble the chassis.
b. Remove the old battery from the clip, if applicable.
c. Install a fresh 9-volt alkaline battery, taking care to properly orient the
“+” and “-“ terminals.
d. Reassemble the chassis and replace the screws.
When storing the SFX-06, or when it is not in use, make sure nothing is
plugged into the Input jack, as this will shorten battery life.
5
Specifications
Input Impedance: 1 M Ohm
Output Impedance: 1 K Ohm
Max Output before Clipping: 2.6Vrms
Hum and Noise: -92dBV
THD @ 1Vrms out @ 1 KHz: 0.002%
Type of Circuitry: FET Input OP-Amps w/ Discrete Gyrators
Power: DC 9 V battery, or regulated 9-12 V DC adapter
Current Consumption: 2.9 mA Max
EQ Center Frequencies: Bass - 30Hz; Mid - 650Hz; Treble - 5.2KHz
Gain Range: +/- 12dB
Slap Contour Frequencies: +6dB @ 80Hz; -6dB @ 650Hz
Outputs:
1/4” single ended @ -10dBu average level
XLR balanced @ -20dBu average level
Dimensions: 5.50” Wide x 5.20” Deep x 2.20” Tall
Weight: 1.9 Lbs.
Chassis Material: 16 Gauge Steel
6
Limited Warranty / Disposal Guidelines
Seymour Duncan offers the original purchaser a one-year limited warranty
on both labor and materials, starting from the day this product is purchased
from an Authorized Seymour Duncan Dealer. We will repair or replace this
product, at our option, if it fails due to faulty workmanship or materials dur-
ing this period. Defective products should be returned to your USA dealer,
international distributor, or sent direct to our factory postage prepaid along
with dated proof of purchase (e.g., original store receipt) and a RMA number
clearly written on the outside of the box. Please call our factory for issuance
of an RMA number.
This warranty does not apply to damage to this product or an instrument
caused by misuse, mishandling, accident, abuse, alteration, modification or
unauthorized repairs. Product appearance and normal wear and tear (worn
pain, scratches, etc.) are not covered by this warranty. Seymour Duncan
reserves the right to be the sole arbiter as to the misuse or abuse of this prod-
uct. Seymour Duncan assumes no liability for any incidental or consequential
damages, which may result from the failure of this product. Any warranties
implied in fact or by law are limited to the duration of this express limited
warranty.
This product must not be disposed of with your other household waste.
Instead, it is your responsibility to dispose of your waste equipment by hand-
ing it over to a designated collection point for the recycling of waste electrical
and electronic equipment. The separate collection and recycling of your waste
equipment at the time of disposal will help to conserve natural resources
and ensure that it is recycled in a manner that protects human health and the
environment. For more information about where you can drop off your waste
equipment for recycling, please contact your local city office, your household
waste disposal service or the shop where you purchased this product.
Designed and Distributed by:
Seymour Duncan / Basslines
5427 Hollister Ave.
Santa Barbara, CA 93111-2345 USA
tel: 805-964-9610
www.seymourduncan.com
The SFX-06 is made in China. Some components made in Bulgaria.
Designed and tested in USA. Printed in China. © 2007
P/N: 501070-120 Rev. A
