BB2004 Yamaha Electric Guitar Basses Catalog 2006
User Manual: BB2004
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2006 ELECTRIC GUITARS & BASSES CATALOG
GUITAR FINISHES
This document is printed on chlorine-free (ECF) paper with soy ink.
KANDO ... Inspiring the Heart and Spirit.
Amber Amber Burst Antique
Sunburst Black Black
Metallic Black/Gray
Metallic Black/Pacific
Blue Metallic Brown
Sunburst
Charcoal Gray Cream White Dark Blue
Metallic Dark Gray
Metallic Deep Blue
Burst Faded Blue Faded Burst Flat Blue
Grey Satin Honey Burst Inca Silver Lake Placid
Blue Light Brown
Metallic Magenta Metallic Black Metallic Blue
Red Metallic Nimbus GrayMidnight
Blue Mist Green Mist Purple Mist Raspberry Natural Old Violin
Sunburst
Orange Stain Ovangkol Pearl Snow
White Plum Pearl
Metallic Orange
Metallic Royal Blue Rusty Red Satin Black
Sea Foam
Green Translucent
Black Translucent
Blue Sunburst Translucent
Dark Green Translucent
Dark Red Translucent
Green Sunburst Translucent
Purple Sunburst Translucent
Red Sunburst
Vintage White Violin Sunburst Wine Red Yellow Natural
Satin
LEG-0601CB 0???? Printed in Japan
* Some of the instruments appearing in artist photos in this catalog are prototype models. Specifications of these instruments may differ from those of the actual product.
* The colors of guitars shown in the photographs of this catalog may differ from actual colors.
* Design and specifications subject to change without notice.
Finding the right guitar
If you’re reading this, chances are good you’re looking
for an electric guitar or bass. And if that’s what you’re
looking for, you’ve picked an excellent place to find one.
Yamaha offers a wide selection of guitars and basses
that reflects the broad diversity found in today’s music
as well as the rich diversity found in our roster of
artists—studio players, virtuoso technicians, jazzers,
rockers, country, blues, heavy metal, R&B, and pop.
Some of our artists are here because of the connection
they felt the first time they played a Yamaha. The feel,
the way it plays, everything is just “right”. Others are
here because they found people in our design and
artist centers who listened to and understood their
thoughts and ideas, then turned them into reality by
crafting a custom instrument meeting their exact
needs. What they all found however, was an instrument
that feels and plays the way they want it to—their
perfect guitar.
Finding the right instrument is a very personal thing.
Individual needs vary so deciding what’s right for you
is something you’ll have to explore on your own. But
given all the players that have found their perfect
guitar here at Yamaha, we’re sure you’ll find yours too.
BILLY SHEEHAN
NATHAN EAST
SAMMY HAGAR
MIKE STERN
TY TABOR
DAVE NAVARRO
JHON PATITUCCI
BRIAN MAY
PAUL RODGERS
MICHAEL ANTHONY
TROY VAN LEEUWEN
FRANK GAMBALE
RYAN SHUCK
AMIR DERAKH
JOHN MYUNG
Photo by Mike Mesker
1 2
The Secret of A.I.R. Technology – RGXA2
Lightweight material is sandwiched between harder, heavier wood on both the front and back surfaces of the
guitar’s body. Special ‘sound tubes’ pass through the body so that string vibrations normally resonating only the
guitar’s top are transmitted to the whole body. By exciting the entire body structure and shaping the tone with the
hard top and back, A.I.R. construction creates a full, powerful tone with distinctive presence and body that is
both totally usable and completely unique. Who said beauty was only skin deep?
Initial Response Acceleration – SG Series
An instrument acquires mature tone and playability only after years of playing, over which
stresses are gradually released between the instrument’s finish, parts, body, neck, fingerboard,
nut, bridge, etc. Investigation into
this process led to the develop-
ment of Initial Response
Acceleration, a process exclusive
to Yamaha that accelerates the
maturing process, delivering
instruments that feel and play
right out of the box, as if they’ve
been played for years. They offer
better response, greater sustain,
and require less time to fully
mature.
Guitar Pickups
Bass Pickups
YAMAHA Alnico5
Humbucker soapbar type
Alnico magnet delivers a rich, deep
sound. [RGXA2]
YAMAHA Alnico5 Humbucker
[RGX620Z, RGX620DZ, RGX520FZ, AES620,
AES620L, Pacifica412V, SA500, AE500,
AES520D6]
YAMAHA Ceramic
Humbucker
Ceramic magnet offers increased
power.[RGX520DZ, RGX420DZ, RGX220DZ,
RGX320FZ]
YAMAHA Alnico5 Single
"LIVE-GS4"
[Pacifica904]
Yamaha Alnico5 Double
Single "LIVE-GWS"
Double single system produces real
single tone with the coil tap engaged.
[Pacifica904]
YAMAHA Alnico5
Humbucker
"SGH-1SOB" [SG2000, SG1000]This
traditional Yamaha humbucker
produces rich SG tone.
YAMAHA Alnico5
Humbucker "MH-AEX1"
Used on the AEX this mini-humbucker is
attached with a floating mount that
allows the guitar’s top to vibrate freely.
[AEX1500]
YAMAHA Alnico5
Humbucker "SAH-SAIIG"
[SA2200]
YAMAHA Ceramic Split
Single Coil
Produces powerful low-end tone.
[BB614, BB615, BB414, BB415]
YAMAHA Alnico5 Split
Single "SASB-MKII"
This traditional Yamaha pickup is the
heart of that renowned BB3000 sound.
[BB3000MA]
YAMAHA Alnico5 Stack
Utilized on the NE2. [BB2005]
YAMAHA Alnico5 Split
Design provides the same sound concept
as the NE2 in a four-string configuration.
[BB2004]
YAMAHA Alnico5 Stack
[BB2004]
YAMAHA Alnico5 Stack
This Yamaha original design is the
product of extensive testing and
development in collaboration with
Nathan East. [BBNE2]
YAMAHA Double Coil
This Yamaha original double coil
produces a powerful sound. [RBX374,
RBX375, RBX774, RBX775]
3 4
YAMAHA Ceramic bar
Single Coil
Produces powerful low-end tone. Bar
type delivers smooth pickup of string
vibrations. The pickup utilizes a
magnet with 200% the magnetic
power of earlier versions to overcome
the original design’s characteristically
muddy tone. [BB614, BB615, BB414,
BB415]
YAMAHA Alnico5 Bar
Single "SABB-MKII"
[BB3000MA]
YAMAHA Alnico5 Single Coil
[Pacifica612V, Pacifica412V]
YAMAHA Side by Side
Double Coil
This Yamaha original design is the
product of a long and fruitful
relationship with John Patitucci.
[TRBJP2]
YAMAHA Alnico5
Hambucker
[BEX-BS]
YAMAHA Single Humcancel
type
Extensive player evaluation led to this
Yamaha original design, which
incorporates a noise-canceling coil to
the well-defined single coil sound.
YLB-A6ZCII/YLB-A5ZCII
[TRB1006, TRB1005, TRB1004, TRB5PII,
TRB6PII]
We’ve been producing guitars for 40 years now, and during this time we’ve come to meet and build strong relationships with a great many artists. They’ve been a great inspiration
and provided us with ideas that we have turned into to reality.
What defines a great sounding guitar varies widely among players, and turning their ideas related to sound into reality requires a high level of experience, technology, and
expertise. A century of crafting Yamaha pianos and our extensive experience in crafting everything from acoustic guitars and drums to orchestral and electronic instruments has
provided us with the required experience, technologies, expertise and most importantly, a knowledge of sound that is second to none.
It’s our ability to blend the artist’s sensitivities with technology that place Yamaha guitars in a class of their own.
Bridges & Tailpieces
While maintaining accurate pitch is a must in any performance situation, there
are very few instruments that can actually achieve this level of performance.
Yamaha has developed a range of original bridge and tailpiece systems that
serve to anchor and support the strings plus provide precise and stable tuning
that stands ahead of the rest.
Bridge and tailpiece systems play other important roles. In order to deliver
optimum sound quality, it is important that they fully transmit string vibration to
the body. They must also provide accurate arming in order to meet individual
playing styles.
Pursuing better sound and performance is the reason we take the time and effort
to develop our own original hardware.
GUITAR BRIDGES
BASSE BRIDGES
5 6
Body
High quality woods such as alder, mahogany, or ash are used the bodies of 60 out
of the 68 electric guitars and basses Yamaha offers. Expertise acquired from a
century of crafting Yamaha pianos plus our extensive experience in crafting
acoustic guitars, drums, and violins has
provided us with an intimate knowledge of
various woods. It has always been our
belief that quality materials create quality
instruments and this fundamental
principle will never change.
YAMAHA AES, AE/SA Bridge
Smooth surface and a curvature matching the fingerboard offer enhanced playability.
(RGX520FZ, RGX320FZ, AES920, AES620, AES620SH, AES620HB, AES720, AES520D6),
(AE500, SA500)
“Finger Clamp” Locking System
This original double lock tremolo system eliminates the need for
tools when changing strings. (Patent Pending)[RGX620DZ,
RGX520DZ]
YAMAHA T-O-M Bridge
Direct mounting creates a highly rigid
system while larger octave adjustors deliver
precise pitch. A sustain plate is included in
the system used on the SG2000.
A.I.R. Mounting System Bridge
This Yamaha original system consists of a specially designed
lightweight bridge that transmits string vibrations to the entire body
through its unique Tone Tubes. A smoother, non-obtrusive playing
surface offers enhanced playability. [RGXA2, RGXA2R]
YAMAHA R1000V Tremolo
Designing the base plate with a curve matching
the fingerboard eliminates the need for individual
height adjustors and creates a sleek design with
enhanced playability. Stainless steel saddles are
rust resistant.
(Patent Pending) [RGX620Z, Pacifica 812V,
Pacifica 612V]
YAMAHA Wrap-Around
This one-piece bridge provides excellent
transmission of sound quality. An original design
offers precise intonation. (Patent Pending)
[AES420]
YAMAHA Tremolo (SN)
The steel saddle and plate transfer string
vibration without loss. [Pacifica 904]
Vintage Style Tremolo
This vintage style tremolo system offers great
versatility. [RGX 121Z, Pacifica 112J, Pacifica
112JX, Pacifica 112JMX, Pacifica 012]
YAMAHA BPX-7
This custom Yamaha system utilizes individual die-
cast bridge assemblies for each string to promote
maximum resonance and sustain. [BB2004, BB2005,
RBX775, RBX774]
YAMAHA BPZ-7
This original design features individual die-cast
bridge assemblies—each equipped with its own built-
in piezo pickup—that transfer string vibration to the
body. Steel produces a clear, well-defined tone.
[TRB5PII, TRB6PII]
YAMAHA BPZ-8
Individual bridge assemblies transfer string vibration
to the body. After in depth testing and assessment,
Nathan East selected steel for its for its clear tone.
[BBNE2]
Vintage Style BBLTD5
An extended bass plate on the 5th string
optimizes tension on the low B string. (Patent
Pending) [BB415, BB615]
YAMAHA Solid Brass
John Patitucci chose this solid brass bridge for its
rich, clear sound. [TRB JP2]
Diecast
Versatile die-cast bridge design. [BEX BS]
YAMAHA Solid Brass
Designing the bridge with a larger curve where the
base plate and block meet provides greater string
tension tolerance. Angled string holes allow the strings
to pass through smoothly and maintain proper string
tension. [TRB1005, TRB1006]
AES Bridge AE/SA Bridge
RGXA2
Bolt-on
25 1/4" (647.7mm)
Rosewood / 22 frets
13 3/4" (350mm)
A.I.R.Body
Maple
Cylindrical knob
A.I.R. Mounting System Bridge
Alnico humbucker X 2
3-position
Master Volume, 3-position Rotary Swich, Pickup Indicator
White / Aircraft Gray
Model
Construction
Scale Length
Fingerboard
Radius
Body
Neck
Tuners
Bridge
Pickups
Pickup Switch
Controls
Colors
Pickup Selector System
This newly developed system uses high-intensity lights to indicate
the active pickup, clearly showing which high-output pickup you have
selected, even on the darkest stage.
RGXA2 White / Aircraft Gray
7 8
The conventional wisdom in building electric guitars has long been that the more uniform and heavy the material,
the better the sound. But not any more. Yamaha has shattered this concept with an advanced technology called
Alternative Internal Resonance, or A.I.R. for short (patent pending). This revolutionary design approach means that
lightweight materials can at last deliver equivalent or superior tonal characteristics compared to traditional
materials. The result? A smarter and lighter model with all of the sound quality you expect from a Yamaha.
Combining standard double locking tremolo systems and custom high-output humbuckers
mated to solid alder construction and rich, custom finishes, these guitars offer powerful,
distinctive sounds to meet the needs of today’s guitarist.
Model
Construction
Scale Length
Fingerboard
Radius
Body
Neck
Tuners
Bridge
Pickups
Pickup Switch
Controls
Colors
RGX620DZ
Bolt-on
25 1/2" (648mm)
Rosewood / 24 frets
13 3/4" (350mm)
Flamed Maple / Alder
Maple
Cylindrical knob
“Finger clamp” locking system
Alnico
3-position
Master Volume, Master Tone
Translucent Dark Red, Charcoal Gray
RGX520DZ
Bolt-on
25 1/2" (648mm)
Rosewood / 24 frets
13 3/4" (350mm)
Alder
Maple
Cylindrical knob
“Finger clamp” locking system
Ceramic HB with metal ring
3-position
Master Volume, Master Tone
Black, Flat Silver, Sheiby Blue
RGX420DZ
Bolt-on
25 1/2" (648mm)
Rosewood / 24 frets
13 3/4" (350mm)
Alder
Maple
Diecast
Typical lock type
Ceramic Open HB
5-position Lever
Master Volume, Master Tone
Stain Black, Flat Blue, Dark Gray Satin
RGX220DZ
Bolt-on
25 1/2" (648mm)
Rosewood / 22 frets
13 3/4" (350mm)
Alder
Maple
Diecast
Double Locking Tremolo
Humbacker X 2
3-position Lever
Master Volume, Master Tone
Metallic Black, Red Metallic, Metallic Blue,
Dark Metallic Gray
RGX220DZ
Charcoal Gray
RGX420DZ
Sheiby Blue
No more hassles locking and releasing the strings
All guitars with a standard double locking tremolo suffer the same weakness: tuning stability is amazing but changing the
strings is a real chore. That’s why we developed the Finger Clamp System, which makes restringing a breeze. Check it out
on the RGX620DZ and 520DZ models you’ll never go back to the old way again. And this system’s designed to handle hard
playing, so you’ll stay in tune no matter how heavy the action gets.
RGX620DZ, 520DZ
We’re always looking for new ways to improve our guitars. Take the conventional Floyd Rose string locking system, for
example. Sure, it keeps the guitar in tune even during the most intense rock sessions, but it also has its weak points. Every
time you need to retune or change strings you have to tighten or loosen multiple screws, requiring a number of wrenches of
different sizes. Add to this the hassle of cutting ball ends from strings and you see where we’re coming from.
RGX520DZ Flat Silver
RGX620DZ Translucent Dark Red
The new Finger Clamp System – RGX620DZ/520DZ
The new Finger Clamp System (patent pending) developed by Yamaha solves all of these problems in
a single stroke. This innovative mechanism allows you to lock and release the strings at the nut and
bridge with one finger and no tools. Here’s how easy it is to use:
910
(2) Similarly, release the locks
at the tremolo bridge.
(1) Release the lock at the nut. (3) Fit the strings and tune
them. (4) First, lock the nut by simply
turning the knob (5) After locking, the knob can
be moved to ensure it’s well
out of the way of your
fretting hand
(6) Next clamp the locks at the
bridge side, and complete
the process using the fine-
tuning keys
(7) The system even comes with a
tremolo holder that prevents
the tremolo unit from
sagging while strings are
being replaced.
MEEGS RASCON / Pinata
Model
Construction
Scale Length
Fingerboard
Radius
Body
Neck
Tuners
Bridge
Pickups
Pickup Switch
Controls
Colors
RGX520FZ
Set Neck
25 1/2" (648mm)
Rosewood / 22 frets
13 3/4" (350mm)
Flamed/Maple Mahogany
Mahogany
Cylindrical knob
Yamaha Original, AES Bridge
Alnico
3-position
Master Volume, Master Tone
Translucent Black, Translucent Dark Red
RGX320FZ
Set Neck
25 1/2" (648mm)
Rosewood / 22 frets
13 3/4" (350mm)
Mahogany
Mahogany
Diecast
Yamaha Original, AES Bridge
Yamaha Humbuckers
3-position
Master Volume, Master Tone
Black, Pewter
Yamaha's new RGX series embodies hard-edge design and ultimate
playability. The new RGX520FZ and RGX320FZ are Yamaha's first true
double-cutaway set neck guitars with features and appointments typically
found only on custom guitars. The RGX320FZ features an elegant carved top
with body binding, a mahogany neck with a bound rosewood fingerboard, 3-
D headstock design, two Yamaha humbucking pickups, and chrome
hardware with Yamaha's signature tailpieces. The RGX520FZ upgrades to a
gorgeous figured maple top on a solid mahogany body, a custom inlay at
the 12th fret, and beautiful translucent finishes.
RGX520FZ
Translucent Dark Red
RGX320FZ
Pewter
Model
Construction
Scale Length
Fingerboard
Radius
Body
Neck
Tuners
Bridge
Pickups
Pickup Switch
Controls
Colors
RGX820Z
Bolt-on
25 1/2" (648mm)
Rosewood / 22 frets
13 3/4" (350mm)
Alder
Maple
Sperzel Locking
Yamaha Original R1000P Tremolo
Seymour Duncan ’59 X 1
Seymour Duncan JB X 1
Piezo Pickups on Bridge
3-position Toggle
Master Volume, Master Tone
Piezo Volume
Amber Burst, Deep Blue Burst,
Translucent Dark Red
RGX620Z
Bolt-on
25 1/2" (648mm)
Rosewood / 22 frets
13 3/4" (350mm)
Alder
Maple
Diecast
Yamaha Original R1000V Tremolo
Alnico Humbucker X 2
3-position Toggle
Master Volume, Master Tone
Amber Burst, Translucent Dark Red,
Deep Blue Burst
RGX121Z
Bolt-on
25 1/2" (648mm)
Rosewood / 22 frets
13 3/4" (350mm)
Basswood
Maple
Diecast
Vintage Style Tremolo
Humbacker x 2
Single Coil X 1
5-position Lever
Master Volume, Master Tone
Black, Flat Silver*, Red Metallic
*Left-handed model not available.
In addition to the powerful Seymour Duncan ‘59 at the neck and JB humbucker at the bridge, the RGX820Z’s vibrato bridge is
loaded with a piezo electric pickup that can create an acoustic steel string sound. Dual outputs and a blend knob offer separate
routing of or layering of the electric and acoustic sounds making for one seriously versatile guitar.
The RGX620Z features the same lightweight, contoured alder body topped with a beautiful of maple. Fitted with a pair of
powerful alnico V humbuckers, this guitar is ready to rock.
The RGX121Z inherits the design philosophy of it’s premium RGX siblings, adding a single coil pickup and vintage style trem to
give total flexibility and tonal control.
RGX121Z
Flat Silver
RGX820Z
Translucent Dark Red
RGX620Z
Amber Burst
RGX121Z
Red Metallic
11 12
MIKE SCACCIA / Ministry
Blending vintage lines with modern features, Yamaha's award winning AES620 starts with a
strikingly beautiful flame maple top on a Mahogany body and a rosewood on mahogany neck with
abalone fret markers. A Duncan JB bridge pickup combined with a custom Yamaha alnico neck
pickup running through individual volume controls, a tone control, and 3-way pickup selector
switch deliver everything from fat, punchy chord tones to articulate, singing solo sounds. The
AES620 guitars are available in Faded Burst, Trans Dark Red, Royal Blue and Charcoal Gray.
AES920
Set Neck
24 3/4" (628mm)
Rosewood
13 3/4" (350mm)
22
Maple on African Mahogany
African Mahogany
Yamaha Original, AES Bridge
Seymour Duncan ’59 X 2
3-Position
Volume 1, Volume 2, Master Tone
Charcoal Gray, Honey Burst
AES620/620L*
Set Neck
24 3/4" (628mm)
Rosewood
13 3/4" (350mm)
22
Flamed Maple/Mahogany
Mahogany
Yamaha Original, AES Bridge
Seymour Duncan JB X 1, Humbucker X 1
3-Position
Volume 1, Volume 2, Master Tone
Faded Burst, Royal Blue, Translucent Dark Red
620L Colors: Charcoal Gray, Faded Burst
* Left-handed
Model
Construction
Scale Length
Fingerboard
Radius
Frets
Body
Neck
Bridge
Pickups
Pickup Switch
Controls
Colors
This mark is the trademark of Guitar One Magazine.
AES620
Translucent Dark Red
AES620L
Charcoal Gray
STEVE MAZUR / Our Lady Peace CHRIS POLAND / Ohm, Megadeth
The AES series is Yamaha’s take on the classic single cutaway, dual-humbucker theme. With their uniquely carved tops,
trademark tone-enhancing tailpiece design, upgraded bridges, and brawny "C" profile necks, the AES guitars have
become the instrument of choice for today’s generation of visionary guitarists.
The flagship AES920 is a handcrafted instrument that offers the utmost in looks, sound, and playability. Thick maple
on an African mahogany back is fitted to an African mahogany neck and rosewood fingerboard with abalone fret
markers that presents looks that are simply stunning.
Two nickel plate covered Seymour Duncan '59 pickups with separate volume controls, plus a master tone control and 3-
way selector are the source an endless selection of blends and tonal colors making the AES920 a remarkably versatile
instrument.
Other features include recessed chrome knobs, an original bridge and tailpiece, nickel hardware, die-cast tuners, and
an array of color finishes in addition to the standard warm Honey Burst and Charcoal Gray finishes.
AES920 Charcoal Gray
AES920 Honey Burst
13 14
AES620HB
Set Neck (Semi-Hollow Body)
24-3/4" (628mm)
Rosewood
13 3/4" (350mm)
22
Flamed Maple/ Mahogany
Mahogany
Yamaha Original, AES Bridge
Seymour Duncan JB X 1, Humbucker X 1
3-position
Volume 1, Volume 2, Master Tone
Blonde, Old Violin Sunburst
Model
Construction
Scale Length
Fingerboard
Radius
Frets
Body
Neck
Bridge
Pickups
Pickup Switch
Controls
Colors
Building on the success of the award-winning AES620 solid body, Yamaha has created an alternative to
those looking for the playability and tone of the AES620 with a slightly different look. The AES620HB is a
chambered body version of the popular AES620.
A quick glance shows the AES620HB contains the same great specifications as the AES620 with through-
body stringing, Yamaha’s signature finger tailpieces, and a Seymour Duncan JB bridge pickup matched
with a custom Alnico neck pickup.
A closer look shows the AES620HB takes the quilted maple top on a mahogany back and adds Yamaha's
unique "F" hole design to craft not only a stunning look but creating a unique hybrid sound.
Other features include a mahogany neck with a rosewood fingerboard, individual volume controls and
master tone, and dramatic Blonde and Old Violin Sunburst finishes.
Original “F” Hole Design
AES620HB Blonde AES620HB Old Violin Sunburst
Sammy Hagar Signature
AES620 SH
Set Neck
24 3/4" (628mm)
Rosewood with Cabo Wabo Inlay
13 3/4" (350mm)
22
Mahogany with Quilted Maple Top
Mahogany
Yamaha Original, AES Bridge
Seymour Duncan JB X 1, Humbucker X 1
3-Position
Volume 1, Volume 2, Master Tone
Red RockerTM Red
Model
Construction
Scale Length
Fingerboard
Radius
Frets
Body
Neck
Bridge
Pickups
Pickup Switch
Controls
Colors
The Red Rocker has enjoyed a charismatic life on the top for more than 30 years. From his days
with Montrose to a hugely successful solo career to nearly two decades of Van Halen. Among it
all, Sammy has also found the time to establish Cabo WaboTM__the #2 premium tequila in the
world and a group of successful nightclubs of the same name.
With the help of Yamaha's custom shop in Hollywood, CA, Sammy has created his signature
guitar based on the award-winning AES620 mixed in with a bit of the Red Rocker's own touches.
The AES620 SH features a mahogany body with a figured maple veneer top powered by two
humbucking pickups including a Seymour Duncan JB in the bridge. The set-in mahogany neck
and rosewood fingerboard are enhanced with the world-famous Cabo WaboTM logo inlaid at the
12th fret. The custom red color is based on the Red Rocker's favorite translucent red finish.
12” Flet Marker
AES620 SH
Red RockerTM Red
15 16
AES420
Featuring a solid Mahogany body and set Mahogany neck with a Rosewood fingerboard, the
AES420 is designed to deliver massive sound, smooth feel, and great playability. Electron-
ics consist of a pair of premium Yamaha humbucker pickups, a 3-way toggle pickup
selector, master volume and tone controls. The guitar also features dot inlays, die cast
tuners, new adjustable wrap around tailpiece and a choice of black or red metallic finishes,
all at an amazingly affordable price.
AES420
Set Neck
24 3/4" (628mm)
Rosewood
13 3/4" (350mm)
22
Mahogany
Mahogany
Wrap-around Tailpiece
Yamaha Humbuckers X 2
3-Position
Master Volume, Master Tone
Black, Red Metallic
Model
Construction
Scale Length
Fingerboard
Radius
Frets
Body
Neck
Bridge
Pickups
Pickup Switch
Controls
Colors
AES720
Set Neck
24 3/4" (628mm)
Rosewood
13 3/4" (350mm)
22
Mahogany
Mahogany
Yamaha Original, AES Bridge
DiMarzio Custom X 2
3-Position
Volume 1, Volume 2, Master Tone
Black/Blue Metallic, Black/Gray Metallic
AES520D6
Set Neck
26 1/4" (667mm)
Rosewood
13 3/4" (350mm)
22
Mahogany
Mahogany
Yamaha Original, AES Bridge
Yamaha Humbuckers
3-Position
Volume 1, Volume 2, Master Tone
Black/Gray Metallic, Satin Black
AES720 Black/Gray Metallic AES520D6 Satin Black AES420 Red Metallic
MARC RIZZO / Soulfly J.R. SWARTZ / Motograter
AES720
The AES720 is a popular choice among Yamaha guitar artists, many of whom are leaders in today's guitar driven
music. The 720 features an all mahogany body and Mahogany neck topped with a rosewood fingerboard. At the
core of its massive sound are a pair of custom DiMarzio pickups with separate volume controls, a 3-way pickup
selector and master tone control. Grover locking tuners keep the AES720 in tune while unique two-tone finishes,
and black anodized hardware deliver distinct appearance.
OSCAR GOUVEIA, ALEX BOTHELO, JEFF
SAUDE / Beyond The Embrace
AES720 Black/Blue Metallic
17 18
Model
Construction
Scale Length
Fingerboard
Radius
Frets
Body
Neck
Bridge
Pickups
Pickup Switch
Controls
Colors
PAC812V
Bolt-on
25 1/2" (648mm)
Rosewood
13 3/4" (350mm)
22
Flamed Maple/Alder
Maple
Yamaha Tremolo
Seymour Duncan SSL-1 X 2, Seymour Duncan JB X 1
5-Position
Master Volume, Master Tone
Old Violin Sunburst, Translucent Blue,
Translucent Dark Red
PAC612V
Bolt-on
25 1/2" (648mm)
Rosewood
13 3/4" (350mm)
22
Flamed Maple/Alder
Maple
Yamaha Tremolo
Single Coil X 2, Seymour Duncan JB X 1
5-Position
Master Volume, Master Tone
Natural, Orange Stain,
Translucent Black
PAC412V
Bolt-on
25 1/2" (648mm)
Rosewood
13 3/4" (350mm)
22
Alder
Maple
Vintage Tremolo
Single Coil X 2, Humbucking X 1
5-Position
Master Volume, Master Tone
Natural, Old Violin Sunburst,
Translucent Black
The Pacifica 612V and 412V hold true to the Pacifica concept offering exceptional
quality at a price hard to match. Alder bodies topped with a layer of flame maple
are fitted with a maple neck and rosewood fingerboard that offers excellent
playing comfort. Pickup output runs through a 5-position pickup selector switch
that will deliver your favorite sound mixes. Additional features on the 612V include
Grover locking tuners, Duncan JB pickups, and a custom low-profile vibrato bridge.
Both 612V and 412V are available in Translucent Black and Natural finishes, with
the 612V also available in Orange Stain and the 412V available in Old Violin
Sunburst.
JAMES BLACK / Finger Eleven JUSTIN DERRICO / The Calling
CHINO MORENO / Deftones
PAC612V
Natural
PAC612V
Translucent Black
PAC412V
Natural
PAC412V
Old Violin Sunburst
For over a decade Yamaha Pacifica line has been providing guitarists with great tone, outstanding playability, and
quality craftsmanship that go beyond what you would expect from their price.
The Pacifica 812V's flamed maple on alder body and rosewood topped maple neck, are designed to provide excellent
playing comfort. A trio of Seymour Duncan pickups deliver outstanding sound and performance while a coil-split switch
built into the volume control for the bridge position humbucker increases the instrument's sonic possibilities. The 812V
also features Sperzel locking tuners and a custom low profile vibrato bridge designed with a smoother surface to keep
the playing surface clean and snag-free. It is available in natural, Old Violin Sunburst, Blue Burst and Dark Red
Translucent finishes.
PAC812V Translucent Blue
PAC812V Translucent Dark Red
19 20
PAC904
Bolt-on
25 1/2" (648mm)
Rosewood / 22 frets
Compound Radius 11 3/4"-15 3/4" (300-400mm)
Light Ash top/Alder
Maple
Sperzel Locking
Yamaha Original Tremolo
Yamaha Alnico Single X 2, Yamaha Alnico Double Single X 1
5-position Lever
Master Volume, Master Tone
Faded Blue, Old Violin Sunburst, Faded Burst
PAC112J
Bolt-on
25 1/2" (648mm)
Rosewood / 22 frets
13 3/4" (350mm)
Alder
Maple
Diecast
Vintage Style Tremolo
Single Coil X 2, Humbucker X 1
5-Position Lever
Master Volume, Master Tone
Old Violin Sunburst, Lake Placid Blue,
Translucent Dark Green, Red Metallic,
Yellow Natural Satin
PAC112JX
Bolt-on
25 1/2" (648mm)
Rosewood / 22 frets
13 3/4" (350mm)
Alder
Maple
Diecast
Vintage Style Tremolo
Single Coil X 2, Humbucking X 1
5-position Lever
Master Volume, Master Tone
Yellow Natural Satin
PAC112JMX
Bolt-on
25 1/2" (648mm)
Maple / 22 frets
13 3/4" (350mm)
Alder
Maple
Diecast
Vintage Style Tremolo
Single Coil X 2, Humbucking X 1
5-position Lever
Master Volume, Master Tone
Yellow Natural Satin
PAC012
Bolt-on
25 1/2" (648mm)
Rosewood / 22 frets
13 3/4" (350mm)
Agathis
Maple
Covered
Vintage Style Tremolo
Single Coil X 2, Humbucker X 1
5-Position Lever
Master Volume, Master Tone
Black, Red Metallic,
Dark Blue Metallic
PAC120SJ
Bolt-on
25 1/2" (648mm)
Rosewood / 22 frets
13 3/4" (350mm)
Alder
Maple
Diecast
Fixed Bridge
Humbucking X 2
3-position Lever
Master Volume, Master Tone
Yellow Natural Satin,
Black, Vintage White
Model
Construction
Scale Length
Fingerboard
Radius
Body
Neck
Tuners
Bridge
Pickups
Pickup Switch
Controls
Colors
As expectations run high at the top of the line, the double cutaway PAC904 delivers big with quality materials and premium features. The light ash topped
alder body connects to a neck designed with a compound radius that offers excellent playability across the full length of the rosewood fingerboard.
Electronics include a pair of alnico V single coils and an alnico V double that is wired to a coil split switch for greater tonal variation.
Also available are the 112J and 012 series instruments, which offer features, quality, and craftsmanship that are hard to match for the money. The 112
series lineup includes a wide selection of color finishes, fingerboard options, and left-hand models from which to choose. A great entry-level instrument, the
Pacifica 012 is a solid choice for
PAC112J
Yellow Natural
Satin
PAC112J
Lake Placid
Blue
PAC112J
Red Metallic
PAC112J
Translucent
Dark Green
PAC112JX
Yellow Natural
Satin
PAC112MX
Yellow Natural
Satin
PAC012
Dark Blue
Metallic
PAC120SD
Black
PAC112JM
Black
Mike Stern Signature
PAC1511MS
Bolt-on
25 1/2" (648mm)
Maple
7 1/4" (184mm)
22
Ash
Maple
Non Vibrato
Seymour Duncan ’59 X 1, Seymour Duncan Hot Rail X 1
3-Position
Master Volume, Master Tone
Natural
Model
Construction
Scale Length
Fingerboard
Radius
Frets
Body
Neck
Bridge
Pickups
Pickup Switch
Controls
Colors
From his days with the Brecker Brothers and Miles Davis to his
string of successful solo albums and tours, Mike Stern's credentials
are indisputable. Throughout his career as one of the reigning kings
of modern jazz guitar, Mike has relied on single-cutaway guitars.
His devotion to that instrument is reflected in the Mike Stern
signature model, the PAC1511MS.
The solid ash, single-cutaway body and 7 1/4" radius of the maple
neck give the PAC1511MS the feel of a well-worn vintage
instrument. A Seymour Duncan '59 in the neck position offers a
smooth, defined tone for chords,
PAC1511MS Natural
PAC904 Old Violin Sunburst
21 22
Troy Van Leeuwen Signature
Model
Construction
Scale Length
Fingerboard
Radius
Frets
Body
Neck
Bridge
Pickups
Pickup Switch
Controls
Colors
SA503 TVL
Set Neck
24 3/4" (628mm)
Rosewood
14" (355mm)
22
Maple
Maple
Chrome Bigsby Tremolo
Bar Single Coils X 3
Dual 3-Way Selector Switches (All Access System)
Volume 1, Volume 2, Volume 3, Master Tone
Black, Translucent Blood Red
Troy van Leeuwen has navigated his way through a variety of musical genres and
has left his indelible mark in each of them. From session work with Depeche Mode,
Korn, and Limp Bizkit to his role in A Perfect Circle, Troy has mastered it all. Most
recently, Troy joined the fantastically bizarre Queens of the Stone Age to embark on
his latest ethereal musical journey. His guitar of choice? Troy's own Yamaha
signature model SA503 TVL.
Constructed of maple, the SA503 TVL is a semi-hollow body guitar with a set-in
maple neck, bound rosewood fingerboard, three soapbar-style single-coil pickups,
and custom "all access" multi-function switching systems with dual 3-way
selectors. A chrome pedestal bridge and a licensed Bigsby tremolo add to the
vintage feel with Troy's custom features on a proven classic design.
SA503 TVL
Translucent Blood Red
SG2000
Neck Through Body
24 3/4" (628mm)
Ebony
13 3/4" (350mm)
22
Carved Maple Top, Mahogany Back
Maple + Mahogany
TSG-1G
T-O-M Bridge
Yamaha Alnico Humbucking X 2
3-Position Toggle
Front/Rear Volume, Front/Rear Tone with
Push-Push Switch on Tone Pot
Brown Sunburst, Red Sunburst, Black
Model
Construction
Scale Length
Fingerboard
Radius
Frets
Body
Neck
Bridge
Pickups
Pickup Switch
Controls
Colors
When the SG-2000 was first introduced in July 1976, guitarists the world over were awed by its beautiful aesthetics
and innovative design. In the 30 years that have since passed, the fact that it has undergone little in the way of
change is testament to its exceptionally high level of quality and perfection.
And now, Yamaha has created a special blend of its unparalleled handcraftsmanship and innovative technology that
brings the SG2000 and SG1000 to new heights. Starting in 2005, both instruments are in production on a dedicated
line at Yamaha Music Craft—Yamaha’s elite handcraft workshop that is responsible for producing Yamaha’s top-of-
the-line handcrafted acoustic guitars and custom instruments. These two instruments also benefit from Yamaha’s
latest technological advancements with the application of Initial Response Acceleration—a process originally
developed for Yamaha’s acoustic violins that accelerates the maturing process resulting in instruments that play and
sound right out of the box, as if they have been played for years.
The new SG2000 and SG1000—the pinnacle Yamaha’s handcraftsmanship and technology, both past and present.
SG1000
Set Neck
24 3/4" (628mm)
Ebony
13 3/4" (350mm)
22
Carved Maple Top, Mahogany Back
Mahogany
TSG-1G
T-O-M Bridge
Yamaha Alnico Humbucking X 2
3-Position Toggle
Front/Rear Volume, Front/Rear Tone with
Push-Push Switch on Tone Pot
Brown Sunburst, Red Sunburst, Black
SG2000 Red Sunburst
SG2000
Brown Sunburst
SG1000
Black
SG1000
Red Sunburst
23 24
Certificate
The AE500 utilizes the tradition of the AES1500 but adds a modern twist with Yamaha's
signature tailpieces, original "F" hole design, and contemporary finishes creating a unique blend
of classic tradition and modern invention.
AE500
Set Neck
24 3/4" (628mm)
Rosewood
13 3/4" (350mm)
22
Maple
Mahogany
Yamaha Original, AES Bridge
Yamaha Humbuckers
3-Position
Front/Rear Volume, Front/Rear Tone
Black, Brown Sunburst
Model
Construction
Scale Length
Fingerboard
Radius
Frets
Body
Neck
Bridge
Pickups
Pickup Switch
Controls
Colors
AE500 Brown Sunburst
AE500 Black
25 26
Model
Construction
Scale Length
Fingerboard
Radius
Frets
Body
Neck
Bridge
Pickups
Pickup Switch
Controls
Colors
SA500
Set Neck
24 3/4" (628mm)
Rosewood
13 3/4" (350mm)
22
Maple
Mahogany
Yamaha Original, AES Bridge
Yamaha Humbuckers
3-position
Front/Rear Volume, Front/Rear Tone
Black, Brown Sunburst
The SA500 maintains the tradition of the SA2200 while adding its
own unique spin with Yamaha's signature tailpieces and original "F"
hole design. Black and Brown Sunburst finishes complete the look.
SA500
Brown Sunburst
SHERYL BAILEY BILL BELL / Jason Mraz DINO MENEGHIN / Liz Phair
JUSTIN DERRICO / The CallingVIVIAN CAMPBELL / Def Lepard
Model
Construction
Scale Length
Fingerboard
Radius
Body
Neck
Tuners
Bridge
Pickups
Pickup Switch
Controls
Colors
AEX1500
Set Neck
25 1/4" (640mm)
Ebony / 20 frets
13 3/4" (350mm)
Laminated Figured Maple
Maple
Gotoh Diecast
Bone + Ebony
Yamaha Mini Humbucker
Yamaha Piezo Pickup on Bridge
3-Position Toggle
Master Volume, Humbucker Tone,
3-Band EQ for Piezo Pickup
Yellow Natural Statin, Antique Sunburst, Faded Burst
AEX500N2
Bolt-on
24 3/4" (628mm)
Rosewood / 20 frets
13 3/4" (350mm)
Spruce Top / Alder Back
Maple
Open type
Rosewood
Piezo Pickup on Bridge
N/A
Master Volume
Black, Natural
The AEX1500 is a traditional archtop with a twist: The neck-mounted mini-humbucker is complimented with
a bridge-mounted piezo pickup to produce not only electric jazz sounds, but also acoustic archtop sounds.
Controls include a passive volume and tone for the neck pickup, an active 3-band EQ for the piezo, and a mix
control for blending the two. Also available is the AEX500N2, a nylon string semi-hollow body which has a
neck designed to provide electric players with greater comfort and playability. Its bridge-mounted piezo
pickup delivers a warm and clear tone that is nothing less than exquisite.
AEX1500 Antique Sunburst
AEX500N2 Natural
SA2200
Set Neck
24 3/4" (628mm)
Ebony
13 3/4" (350mm)
22
Laminated Figured Maple
Premium Grade Mahogany
T-O-M Bridge
Humbucking Alnico V X 2
3-Position
Front/Rear Volume, Front/Rear Tone with
Push-Push Switch on Tone Pot
Violin Sunburst
Model
Construction
Scale Length
Fingerboard
Radius
Frets
Body
Neck
Bridge
Pickups
Pickup Switch
Controls
Colors
The 628 mm (24 3/4") scale and the Alnico V humbuckers of the
SA2200 make it ideal for rock and blues, while the thinline, semi-
hollowbody design makes it just as well suited for pop and jazz.
The 2200 features a highly figured maple top and a mahogany
neck with an ebony fingerboard. The push-push tone pots switch
the pickups from humbucking to single-coil. The gold hardware
sets off the beautiful Violin Sunburst finish of this versatile guitar.
SA2200
Violin Sunburst
27 28
AES1500B
Set Neck
25 1/2" (648mm)
Rosewood
13 3/4" (350mm)
22
Arched Sycamore Top, Maple Back/Sides
Maple
Bigsby B6 Vintage Vibrato
DiMarzio Q-100 X 2
3-Position
Front/Rear Volume, Front/Rear Tone
with Push-Push Switch on Tone Pot
Black, Orange Satin
AES1500
Set Neck
25 1/2" (648mm)
Rosewood
13 3/4" (350mm)
22
Laminated Figured Maple
Maple
T-O-M Bridge
DiMarzio Q-100 X 2
3-Position
Front/Rear Volume, Front/Rear Tone
with Push-Push Switch on Tone Pot
Orange Stain, Pearl Snow White
AES1500
Pearl Snow White
AES1500B
Orange Satin
The single-cutaway AES1500 and AES1500B guitars are
semihollow designs with tone and playability matched only by
their classic looks. The finest cuts of maple and sycamore are
used, and a choiceof beautiful finishes emphasizes their
stunning highlights. The DiMarzio Q-100 pickups can be split to
produce humbucking warmth to P-90 bite. For a true rockabilly
setup, the AES1500B combines the features of the standard
AES1500 with a classic Bigsby tremolo.
LUKASZ GOTTWALD / Saturday Night Live®RAFAEL MOREIRA / Pink GREG LEISZ / k.d.lang
BB415
Bolt-on
34" (864mm)
Rosewood
235/8" (600mm)
21
Alder
Maple
Vintage Style
Split Single Coil X 2, Soapbar Single Coil
3-Position
Master Volume, Master Tone
Black Pearl, Orange Metallic, Wine Red
BB414
Bolt-on
34" (864mm)
Rosewood
10" (250mm)
21
Alder
Maple
Vintage Style
Split Single Coil X 2, Soapbar Single Coil
3-Position
Master Volume, Master Tone
Black Pearl, Orange Metallic, Wine Red
Model
Construction
Scale Length
Fingerboard
Radius
Frets
Body
Neck
Bridge
Pickups
Pickup Switch
Controls
Colors
The BB414 and BB415 feature a beefy alder body with a bolt-on maple neck and
rosewood fingerboard. Electronics include a ceramic soapbar-style bridge pickup, a
split coil neck pickup, a toggle selector switch and speed knobs for master volume
and master tone.
LEE SKLAR / Phil Collins ROBBIE TAKAC / Goo Goo Dolls
BB415 Orange Metallic
BB414 Black Pearl
Model
Construction
Scale Length
Fingerboard
Radius
Frets
Body
Neck
Bridge
Pickups
Pickup Switch
Controls
Colors
BB615
Bolt-on
34" (864mm)
Rosewood
23 5/8" (600mm)
21
Alder
Maple
Vintage Style
Split Single Coil X 2, Soapbar Single Coil
Pickup Balancer
Master Volume, Balancer, Treble, Bass, Mid
Cut Frequency, Mid Cut On-Off Switch
Black Pearl, Pewter, Yellow Natural
BB614
Bolt-on
34" (864mm)
Rosewood
10" (250mm)
21
Alder
Maple
Vintage Style
Split Single Coil X 2, Soapbar Single Coil
Pickup Balancer
Master Volume, Balancer, Treble, Bass, Mid
Cut Frequency, Mid Cut On-Off Switch
Black Pearl, Pewter, Yellow Natural
The new BB600 Series of electric basses offer classic style with modern
features. The BB614 (four string) and BB615 (five string) basses feature
the classic BB shape, active electronics, and great new finishes
including Black Pearl, Pewter, and Yellow Natural. Left-handed (BB614L)
and Fratless (BB614F) models also available in Black Pearl finish.
TONY KANAL / No Doubt
BB614 Pewter
BB615 Yellow Natural
29 30
Nathan East Signature
Model
Construction
Scale Length
Fingerboard
Radius
Body
Neck
Tuners
Bridge
Pickups
Pickup Switch
Controls
Colors
BBNE2
Through Neck
34" (864mm)
Ebony
19 11/16" (500mm)
Maple/Alder
Gotoh Diecast
Maple/Premium Grade Mahogany
Yamaha BPZ-7 (No Piezo)
Alnico V Stack Type X 2
N/A
Master Volume, Balancer, 3-Band EQ, Mid Cut Frequency,
Mid Cut On-Off Switch
Black, White
BB2005/BB2004
Through Neck
34" (864mm)
Rosewood
19 11/16" (500mm)
24
Maple/Alder
Maple/Premium Grade Mahogany
Die-cast
Single Coil X 2 / Single Coil X 1, Split Coil X 1
Master Volume, Balancer, Treble, Bass,
Mid Cut Frequency, Mid Cut On-Off Switch
Black, Natural Satin, White
Model
Construction
Scale Length
Fingerboard
Radius
Frets
Body
Neck
Bridge
Pickups
Controls
Colors
Nathan East has appeared on countless albums and has toured with some of the biggest names
in modern music. Whether he’s playing blues with Eric Clapton, pop with Phil Collins, or
contemporary jazz with Fourplay, Nathan relies on his BBNE2 signature 5-string bass to deliver
the tone he needs.
Featuring neck-through construction, the BBNE2's the two-octave neck is built from maple and
mahogany with an ebony fingerboard inlaid with figured abalone. Matching Mother-of-Pearl
tuners complete the look. The unique BB body is made of maple and alder for a fat sound with
plenty of definition. The BPZ-8 bridge features individual, machined saddles that provide precise
intonation, a low profile, and an elegant look. The stacked Alnico humbuckers run through
Yamaha's 5-control active electronics, which feature a custom 3-band EQ with a switchable
mid-cut to provide sonic versatility for any situation.
BB2005
Natural Satin
BB2004
White
BBNE2 White
Michael Anthony Signature
Model
Construction
Scale Length
Fingerboard
Radius
Frets
Body
Neck
Bridge
Pickups
Pickup Switch
Controls
Colors
BB3000MA
Through Neck
33 7/8" (860mm)
Ebony
10" (250mm)
21
Alder
Maple/Premium Grade Mahogany
Die-cast
Alnico Split Single Coil, Alnico V Soapbar Single Coil
3-Position
Master Volume, Master Tone
Metallic Black, Mist Green Satin
Not many musicians can say they're in a band that’s changed the course of
rock'n roll, but Michael Anthony can. From Van Halen's humble beginnings
playing backyard keggers in Pasadena to headlining arenas and stadiums
all over the planet, there’s hardly a stage Michael hasn't seen. This kind of
rock’n roll lifestyle requires a rugged rock'n roll bass, and the BB3000MA is
it!
Based on a through-neck BB design, the BB3000MA features a streamlined
neck shape and deeper cutaways. Other custom appointments include a
Hipshot D-tuner, both J- and split-style pickups, and an original, chili
pepper motif inlaid on the ebony fingerboard.
BB3000MA Metallic Black
31 32
RBX170
Bolt-on
34" (864mm)
Rosewood / 24 frets
10" (250mm)
Basswood
Maple
Covered
Vintage Style
Split Coil X 1, Single Coil X 1
N/A
Front/Rear Volume, Master Tone
Black, Red Metallic, Dark Blue Metallic
RBX270
Bolt-on
34" (864mm)
Rosewood / 24 frets
10" (250mm)
Alder
Maple
Diecast
Vintage Style
Split Coil X 1, Single Coil X 1
N/A
Front/Rear Volume, Master Tone
Black*, Mist Green*, Mist Purple, Mist Raspberry,
Red Metallic, Yellow Natural Satin
*Left-handed model available.
Model
Construction
Scale Length
Fingerboard
Radius
Body
Neck
Tuners
Bridge
Pickups
Pickup Switch
Controls
Colors
RBX375/RBX374
Bolt-on
34" (864mm)
Rosewood
23 5/8" (600mm)/10" (250mm)
Alder
Maple
Diecast
Diecast
Yamaha Double Coil X 2/Humbucking Pickup X 2
N/A
Master Volume, Balancer 2-Band EQ
Black, Flat Silver, Red Metallic
RBX775/RBX774
Bolt-on
35" (889mm)
Rosewood / 24 frets
23 5/8" (600mm)/10" (250mm)
Alder
Maple
Diecast
Yamaha Original BPX-7
Yamaha Double Coil X 2
3-position Toggle
Master Volume, Master Tone, Booster Switch
Black, Flat Silver, Flat Blue
PHIL LIPSCOMB / Taproot PAIGE HAILEY / Orgy DERRICK DE SAINTS / Twisted Method
RBX374
Flat Silver
RBX375
Red Metallic
RBX774 Black RBX774 Flat Blue RBX170 Dark Blue Metallic RBX270 Mist Green
John Myung Signature
Dream Theater's intricate arrangements and unique sonic
challenges call for an extraordinary musician on bass. With his
6-string RBXJM2 Signature bass, John Myung does it all.
The RBXJM2 model is both solid and fast, featuring a sleek,
two-octave maple neck with oval abalone inlays on the
Rosewood fingerboard and a punchy alder body. The active
preamp accurately translates the massive attack of the
custom Seymour Duncan SMB-6A pickup. The RBXJM2 is fitted
with black hardware, which contrasts well with either the Inca
Silver or Plum Peal Metallic finish.
Model
Construction
Scale Length
Fingerboard
Radius
Frets
Body
Neck
Bridge
Pickups
Pickup Switch
Controls
Colors
RBXJM2
Bolt-on
34" (864mm)
Rosewood
23 5/8" (600mm)
24
Alder
Maple
Die-cast
Seymour Duncan Custom Pickup SMB-6a
N/A
Master Volume 3-Band EQ
Inca Silver, Plum Pearl Metallic
RBXJM2
Inca Silver
RBXJM2
Plum Pearl Metallic
33 34
Yamaha’s RBX basses echo the distinctive
design pioneered by the John Myung JM2
signature model, the ultimate rock bass.
The 4-string RBX374 and 5-string RBX375
combine this unique, modern styling with
high-end specification, including active EQ,
to give powerful, flexible sounds to match the
commanding looks of these amazing basses.
Model
Construction
Scale Length
Fingerboard
Radius
Frets
Body
Neck
Bridge
Pickups
Controls
Colors
TRB6PII/TRB5PII
Through Neck
35" (889mm)
Ebony
40" (1000mm)/19 11/16" (500mm)
24
Light Ash Body with Choice of Maple,
Ovangkol, or Bubinga Top Board
Maple/Premium Grade Mahogany
Yamaha BPZ-7
Coil Alnico V X 2 with Piezo Pickup on Bridge
Master Volume, Balancer, Piezo Volume,3-Band EQ
Natural
TRB1006
Bolt-on
35" (889mm)
Rosewood
40" (1000mm)
24
Maple/Alder
Maple
Solid Brass
Alnico Hum-Canceled X 2
Master Volume, Pan-Pot, 3-Band EQ
Natural, Translucent Black, Translucent Dark Red
TRB1005/TRB1005F*
Bolt-on
35" (889mm)
Rosewood
19 11/16" (500mm)
24 /Non
Maple/Alder
Maple
Solid Brass
Alnico Hum-Canceled X 2
Master Volume, Pan-Pot, 3-Band EQ
Natural, Translucent Black, Translucent Dark Red
*Fretless
TRB 1006/1005
The TRB1006 and 1005 basses feature rosewood fingerboards with oval mother–of-pearl inlays sitting atop bolt-on
3-piece 890mm (35”) maple necks. The bodies are premium quilted maple on alder, and house two custom alnico
hum-canceling pickups which feed an active preamp with 3-band EQ. Black hardware and a black solid brass
bridge are standard. Available colors are Trans Black, Trans Dark Red, and Natural. The TRB1005 is also available
in fretless and left-hand configurations. With the TRB1006/1005, ultra high-end quality instruments are finally
available to working bassists.
TRB 6PII/5PII
The TRB6PII and TRB5PII are hybrid 6- and 5-string basses that offer greater tonal creativity through the utilization
of piezo-loaded bridges in combination with a pair of alnico V hum-cancelling pickups. Both instruments offer ash
bodies with a choice of a maple, bubinga, or ovangkol top, and through-body maple necks with 24-fret ebony
fingerboards. A pickup balancer and separate piezo volume control allow blending of sound sources which,
together with the onboard 3-band active EQ, offer an amazing range of sounds and tonal subtleties.
DAVID CARPENTER / Allan Holdsworth Band
ABRAHAM LABORIEL
BILL SHARPE / Cher, David Benoit
TRB1006 Translucent Dark Red TRB1005 Translucent Black
TRB5PII
Natural
TRB6PII
Natural
Jhon Patitucci Signature
Model
Construction
Scale Length
Fingerboard
Radius
Frets
Body
Neck
Bridge
Pickups
Controls
Colors
TRB JP2
Bolt-on
35" (889mm)
Ebony
40" (1000mm)
26
Figured Maple/Ash/Alder/Maple
Maple
Solid Brass
Side by Side Double Coil Alnico V
Active 5-Control
Amber, Translucent Dark Red
Yamaha's TRB series basses are the tool of choice for many a professional
bassists, and can be seen and heard on professional stages and studios around
the globe. Featuring active electronics and 889 mm (35") scale lengths, these top
of the line instruments deliver quality and tone that will please the most
discerning bassist.
In the nearly 20 years since John Patitucci first gained recognition as a member of
Chick Corea's legendary Elektric Band, he's established himself as one of the best
jazz bassists of his time. Shifting seamlessly from bandleader to respected
sideman, John relies on his TRB JP2 signature 6-string bass to fit any role. Multiple
layers of alder, ash and figured maple are used on the TRB JP2 to create a sonic
combination perfectly suited for solid, low-end comping and clear, concise solos.
The body's sculpted cutaways hug the 26-fret neck and allow easy access to its
upper reaches. Mother-of-pearl and abalone inlays adorn the ebony fingerboard,
and the custom designed pearl and gold tuners offer precise tuning and visual
elegance. Electronics include a pair of Yamaha Side by Side Double Coil x 2 and an
active 3-band EQ tuned to John's specs. Versatile enough for any call, the TRB JP2
delivers the tone, power, and presence you expect from Patitucci and Yamaha.
TRBJP
Translucent Dark Red
35 36
Model
Construction
Scale Length
Fingerboard
Radius
Frets
Body
Neck
Bridge
Pickups
Controls
Colors
BEX-BS
Bolt-on
34" (864mm)
Rosewood
10" (250mm)
21
Alder/Birch with Maple Top
Maple
Die-cast
Humbucking X 2
Volume X 2, Passive-Tone X 2, Active-Treble Bass,
Active-Passive Switch
Magenta
The BEX-BS is a semi-hollowbody design that
features a figured sycamore top with a unique
f-hole design, alder back and sides, and a
translucent magenta finish. The rosewood on
maple neck sports a distinctive abalone inlay
design. A single pushbutton switches the
humbucking pickups from passive to active
circuitry, and the blue LED indicates which
mode you're in.
BEX-BS Magenta
Billy Sheehan Signature From his roots with Talas to headlining arenas with David Lee Roth and Mr. Big, Billy Sheehan has never shied away
from taking risks. Billy has taken rock bass playing to a new level with his bold performances and highly evolved
technique. Billy worked closely with the team at Yamaha Guitar Development to produce two signature instruments:
the Attitude Limited2 and the BEX-BS. The Attitude Limited2 starts with a 21-fret maple neck bolted to an alder body,
but that’s where the standard features end. Custom-shop touches include a pair of Dimarzio WillPower pickups
routed to separate output jacks for discreet amplification, passive EQ with hi-cut circuitry, a solid brass bridge,
Hipshot "D Tuner", and unique, partial scalloping of the maple fingerboard.
ATTLTDII
Bolt-on
34" (864mm)
Maple
10" (250mm)
21
Alder
Maple
Solid Brass
DiMarzio WillPower (neck, middle)
Front Volume, Front Tone, Rear Volume, Woofer High Cut Switch
Black, Sea Foam Green
Model
Construction
Scale Length
Fingerboard
Radius
Frets
Body
Neck
Bridge
Pickups
Controls
Colors
ATTITUDE LTDII Black
ATTITUDE LTDII Sea Foam Green
Photo by Mike Mesker
37 38
LEE RITENOUR
Model
Construction
Scale Length
Fingerboard
Radius
Frets
Body
Neck
Bridge
Pickups
Pickup Switch
Controls
Color
SLG100S
Set Neck
24 15/16" (634mm)
Rosewood
15 3/4" (400mm)
22
Maple
Mahogany
Rosewood
L.R. Baggs
N/A
AUX IN w/Level Control, Line Out, Phones
Out, Volume, Bass, Treble, Reverb (Off/1/2),
On/Off Switch
Natural
SLG100N
Set Neck
25 9/16" (650mm)
Rosewood
Flat
19
Maple
Mahogany
Rosewood
B-Band
N/A
AUX IN w/Level Control, Line Out, Phones
Out, Volume, Bass, Treble, Reverb (Off/1/2),
On/Off Switch
Natural
SLG120NW LAB
Set Neck
25 9/16" (650mm)
Rosewood
Flat
19
Maple
Mahogany
Rosewood
B-Band
N/A
AUX IN w/Level Control, Line Out, Phones
Out, Volume, Bass, Treble, Reverb (Off/1/2),
On/Off Switch
Natural
MICHAEL HERRING / Christina Aguilera
JOHN LE COMPT / Evanescence
SLG120NW LAB
PAUL RODGERS
Elegant design and sonic solutions are Yamaha traditions. Yamaha continues to innovate with the Silent series.
Originally designed as ideal practice and travel instruments, the steel string SLG100S and nylon-string SLG100N
quickly became popular with touring guitarists enamored with its practical, feedback-free live applications and
modern jet-age appearance. The custom designed pickup systems by L.R. Baggs and B-Band faithfully reproduce
every nuance, providing full, rich tone for stage and studio work. The SLG twins also feature great sounding built-
in Yamaha digital reverbs. Backstage, on the tour bus, or at home, the SLG100 easily fulfills the role of a woodshed
axe, thanks to its comfortable, lightweight composite frame and included earbud-style headphones. With the AUX
IN jack, you can connect a CD player for private jamming.
When you're finished, the SLG100 quickly dismantles and stores in the included compact gig bag for easy storage
and travel. The SLG100 works with batteries or the included power supply.
SLG100S SLG100N
BRIAN MAY
39 40
Utilizing Yamaha's proprietary DSP technology, the BBT500H offers 11 superb amp
sound types, from a fat tube rig to a '60s fuzz and everything between. Built-in
features include 5-band semi-parametric EQ, compressor, limiter, noise gate, speaker
simulator, parallel effects loop, MIDI capability, bi-amp capability, variable crossover,
output limiter, headphone and tuner outs, pro-connectivity, and much more!
Yamaha also offers three matched speaker systems
designed to enhance the performance of the
BBT500H. Options include ported 4x10 BBT410S,
2x10 BBT210S, and 1x10 BBT110S cabinets, each
including a premium high-frequency driver for
optimum full-range sound.
For the all-in-one solution, the BBT500-115 and BBT500-110 combos offer BBT500H heads built
into sonically-matched speaker cabinets with 15" and 10" speakers, respectively. Each unit also
features adjustable tweeter control.
BBT500-115
BBT500-110
BBT410S
BBT110S BBT210S
BBT500-115/110
●Power Amplifier Section Same as BBT500H, Please refer to page ??
●Speaker Section Speaker BBT500-115 : 15” Woofer x 1, Tweeter x 1
BBT500-110 : 10” Woofer x 1, Tweeter x 1
Power Handling/Impedance 250 Wrms/4Ω
●Dimensions (W x H x D) BBT500-115:19-5/16” x 12-15/16” x 24-13/16” (490 x 630 x 328mm)
BBT500-110:17” x 11-7/8” x 18-7/8” (432 x 480 x 301mm)
●Weight BBT500-115 U.S. and Canadian models : 52 Ibs. 11 oz (23.9kg)
General model : 53 Ibs. 13 oz (24.4kg)
BBT500-110 U.S. and Canadian models : 43 Ibs. 3 oz (19.6kg)
General model : 44 Ibs. 5 oz (20.1kg)
BBT410S
●Speaker : 10” (25cm) Woofer
(EMINENCE) x 4/Horn Tweeter x 1
●Power Handling : 250 Wrms
●Impedance : 4Ω
●Dimensions (W x H x D) :
23”-7/16” x 25-3/16” x 19”
(596 x 640 x 483mm)
●Weight : 63 Ibs. 15 oz (29kg)
BBT110S
●Speaker : 10” (25cm) Woofer
(EMINENCE) x 1/Horn Tweeter x 1
●Power Handling : 250 Wrms
●Impedance : 4Ω
●Dimensions (W x H x D) :
16”-15/16” x 14-5/8” x 14-5/16”
(430 x 372 x 363mm)
●Weight : 31 Ibs. 15 oz (14.5kg)
BBT210S
●Speaker : 10” (25cm) Woofer
(EMINENCE) x 2/Horn Tweeter x 1
●Power Handling : 250 Wrms
●Impedance : 4Ω
●Dimensions (W x H x D) :
23”-7/16” x 15-7/8” x 14-5/16”
(596 x 403 x 363mm)
●Weight : 46 Ibs. 5 oz (21kg)
Bass Amps
BBT500
The BBT Series bass amps are the world’s first all-digital bass amps. Thanks
to an extremely efficient digital power amplifier coupled with Yamaha’s
power switching technology, the BBT500H delivers high power output while
weighing less than 11 pounds!
ROBERTINO PAGLIARI / OHM LEE SKLAR / Phil Collins ROBBIE TAKAC / Goo Goo Dolls
BBT500H
BBT500H Rear
BBT500H with BBT110S
BBT500H
● Power Amplifier Section Class - D power amplifier circuitry, Output 500W/2Ω
● Preamplifier Section All digital signal processing, 11 Sound Types
5-Band Semi Parametric Tone Controls (Variable Frequencies)
Parametric Equalizer (F, G, Q)
● Effect Section Compressor, Output Limiter, Noise Gate, Crossover, Speaker Simulator
● Effect Loop Monaural Send/Return, Level Switch (-20dB/+4dB), Effect Blend Control
● User Memory 5 User Memory
● Connections INPUT, SPEAKER 1/2, LINE OUT (BALANCED/UNBALANCED), FX
LOOP (SEND/RETURN), TUNER OUT, MIDI IN/OUT,
PHONES
● Digital Conversion 24bit A/D - 24bit D/A Conversion at 44.1kHz
● Input Level / Impedance INPUT : -37dBm (thru) / 1 MΩ
FX LOOP RETURN : -20dBm / 220kΩ, +4dBm / 220kΩ
● Output Level / Impedance SPEAKER : 500W RMS/2Ω, 250W RMS / 4Ω
LINE OUT (UNBALANCED OUT) : +4dBm / 10KΩ
LINE OUT (BALANCED OUT) : +4dBm / 600KΩ
FX LOOP SEND : -20dBm / 100kΩ, +4dBm / 100kΩ
● Power Requirements U.S. and Canadian models : 120V, 60Hz / 130W
● Power Consumption General model : 230V, 50-60Hz / 130W
● Dimensions (W x H x D) 14-7/8” x 3-7/16” x 10-7/16” (378 x 88 x 265mm)
● Weight U.S. and Canadian models : 10 Ibs. 6 oz (4.7kg)
General model : 11 Ibs. 7 oz (5.2kg)
41 42
AMPLIFIERS TUNERS & METRONOMES
F-20 Guitar Amplifier
•20-watts of power drive a single 8-inch
speaker. Compact size makes it portable
and great as a practice amp.
•Two channels for clean and drive tone.
Switch between channels with a single
switch.
•Treble, Middle and Bass tone controls offer
excellent sound shaping.
F-20B Bass Amplifier
• 20-watts of power drive a single 10-inch
speaker. Compact size makes it easily
portable and great as a practice amp.
• ACTIVE/PASSIVE switch adjusts the input jack
for optimum matching with the type of bass
you are using.
• Active equalizer tone controls can boost or
cut Treble, High Mid, Low Mid and Bass
frequency ranges for precision sound
tailoring.
GA-10 Guitar Amplifier
A compact amplifier equipped with Clean and
Drive channels plus a phones jack. Great for
practice.
BA-10 Bass Amplifier
Compact bass amplifier is equipped with
treble and bass tone controls, and a drive
switch to add distortion to the sound.
AA5 Monitor Amplifier
• Four watts of power drive two 5-inch
speakers mounted at a 90Åã angle on the
sides of cube shaped wood enclosure.
• Battery powered operation and lightweight
allow use nearly anywhere.
• Stereo AUX IN jack offers stereo output of a
CD player, etc.
NE-1 Parametric Equalizer
• Easy to use parametric equalizer designed
specifically to Nathan East’s specifications.
•"Q" control offers two different EQ curves or
Flat response.
• Frequency and Level controls to adjust the
amount of sound shaping.
• Plug and play simplicity, battery powered.
QT-1/QT-1B/QT-1BR QUARTZ METRONOME
The QT-1 quartz metronome offers soft or bright sound settings, volume control and a flashing LED
atop its unique design. Tuning notes over a one octave range are provided in half-step increments
with adjustable standard pitch.
YT-250 Chromatic Tuner YT-150 Guitar/Bass Auto Tuner
QT-1
QT-1B
Rear Panel
Guitar Multi-Effects Processors
Magicstomp has the power to be everything from a single-function stomp box to a fully produced acoustic direct box to a studio-grade multi-
effect processor with unlimited deep-editing capabilities. This is the unit you clear your pedal board for. With the newest additions to the
Magicstomp series, Magicstomp AG provides acoustic guitar players the same features of the Magicstomp II with sounds and effects
specifically for the acoustic guitar; one of the few all-in-one stomp boxes designed for bass players, Magicstomp EB also offers the same
features of the Magicstomp II with sounds and effects specifically for the bass.
Award-Winning Sounds
Alongside an impressive array of new voices, the Magicstomp delivers sounds from Yamahas award-winning DG, AG, and UD pedals, as well
as effects from our timeless SPX series of processors. In addition to all that effects muscle, Magicstomp delivers mic and speaker simula-
tions, a chromatic tuner, and an interactive software-based editor.
99 Reasons
Magicstomps 99 factory preset sounds can be edited and then stored in any of its 99 user locations,
in any order. Assign three patches of your choice to the Magicstomp’s heavy-duty footswitches for
instant recall. The Magicstomp editor also allows you to allocate any three parameter functions to
the top-mounted control knobs, facilitating on-the-fly adjustments made easy on dark stages by the
backlit LCD display.
As Deep As You Wanna Go
In addition to its built-in programming flexibility, you can easily customize Magicstomp by linking it
to your PC or Mac with the included USB cable or by using the on board deep editing function. The
intuitive interface makes it easy to go as deep as your ears and imagination will take you.
Magicstomp Online
Magicstomp.com gives you the power to download big-time artist patches and share your own
genius sounds with fellow tone-hungry users. Take advantage of the growing library of artist-
designed presets by Clint Lowery, Adrian Legg, George Pajon, Chris Poland, Lee Sklar, and more! Got
sounds to share?
Upload 'em. And while you're there, download patches from others in the Magicstomp community.
Magicstomp Software
www.magicstomp.com
MAGICSTOMP AG MAGICSTOMP EB
MAGICSTOMP II
JUSTIN MELDAL JOHNSON
GEORGE LYNCH
JOHN 5
Stitch / Grade 8
43 44
QT-1BR
* Little remaining stock.
DUSTIN TOOKER / Grade 8
SPACE
BILLY MOHLER / Macy Gray
JASON SLATER /
Snake River Conspiracy
CHAD KROEGER / Nickelback
VICTOR JOHNSON / Sammy Hagar
RICARDO SILVEIRA
CLINT LOWERY / Sevendust
FIJT / Shock Nina METHOD / Godhead
ANDREW HOWARD / Twisted Method
CHRIS SCHLEYER / Shock Nina
JEFF RICHMAN
MARK GOLDENBERG / Jackson Browne
JOEL WHITLEY / Stevie Wonder
CORNELL DUPREE
TIM PIERCE / L.A. Studio
MIKE MILLER / Godhead
SHON HINTON / Mary J. Blige
DOUG RAPPOPORT / Edgar Winter Band
BILL LEVERTY / Firehouse DOUG PINNICK / King’s X
TARIQH AKONI / Josh Groban
PHILIP BYNOE /Steve Vai Band
TODD JOHNSON
RIK EMMETT
SANDRO ALBERT /
Sandro Albert Quintet
WILL LEE
JOE AYOUB / Liz Phair
Jack Gibson / Exodus
MATT BOOTH / Every Waking Moment
JOHN SHANKS
JIMMY HASLIP / Yellowjackets
MIKE SARKISYAN / Spineshank
AHRUE LUSTER, JARDEL PIASANTE / ILL NIÑO
TWIG / Red Tape
DAVID LEVITA / Alanis Morissette
JEFF JAWORSKI / Red Tape
TOM CAPONE / Instruction
MARK MERAJI / Red Tape
JAMES HARRAH / Melissa Etheridge
JAMIE KIME / Jewel, Michelle Branch FABIO SOARES
CHRIS HENDERSON / 3 Doors Down
RANDY BACHMAN
JUSTIN STEWART COTTA / Man Vs. Clock
ERIC HENDRIKX /
Snake River Conspiracy
ROSS BOLTON
GEORGE PAJON JR. / Black Eyed Peas
BRUCE SOMERS / Shock Nina
CHRIS MINH DOKY /
Mike Stern, David Sanborn
CHRIS RODRIGUEZ
MICHAEL O’NEILL / George Benson Band
MCHAEL THOMAS / Fastback
Stitch / Grade 8
BENOIT JULLIARD / PLEYMO
ERIC DEVILLOUTREYS / PLEYMO
DAVY PORTELA / PLEYMO
Joey Z. / Life of Agony
45 46
KURT ROSENWINKEL
Photo by Hideo Kojima/jazz
guitar book
