Event Electronic Ps5 Users Manual PS User

PS8 to the manual f449f175-5d98-4b73-9a94-c40a3d5ab768

: Event-Electronic Event-Electronic-Ps5-Users-Manual-541405 event-electronic-ps5-users-manual-541405 event-electronic pdf

Open the PDF directly: View PDF .
Page Count: 5

Event Electronics, LLC

P.O. Box 4189

Santa Barbara, CA 93140-4189

Voice: (805) 566-7777

Fax: (805) 566-7771

Web: www.event1.com

E-mail: info@event1.com

Your warranty will be in effect when you send in your warranty card

Event, Event Electronics and PS Project Studio are trademarks of Event Electronics, LLC.

Specifications subject to change without notice

© 1996, 1997, 1998, 1999 Event Electronics, LLC Printed in USA 9/99 1715A

INTRODUCTION …………………….……….………….…………….……

1

UNPACKING ……..……………….…………………………………….… 1

SETUP ………………………………….……………….………………… 1

CONNECTIONS AND

OPERATION

…………………….……….………….…

3

CARE AND

MAINTENANCE

….…………………………………………….…

5

BLOCK DIAGRAMS ….…………………………………………….…

5

SPECIFICATION

S

………………………...…………………………………6

INTRODUCTION Thank you for choosing Event Electronics™ Project

Studio direct field monitors. Before you proceed, please take a minute to read

this manual and familiarize yourself with the product’s features, set-up and use.

Our engineers have spent years designing transducers, studio

electronics and high performance studio monitoring systems, including some of

the most popular professional speakers used today. Now, using the latest in

digital acoustic design tools, along with high performance driver and power

amplifier technology, we’ve developed the Event Project Studio monitors,

which extend the performance and value limits of direct field monitors again.

Event engineers based these new 100 watt Project Studio monitors on

the sound and reliability of our 200 watt 20/20bas 8” two-way Biamplified

System. Indeed, the new biamplified PS8 monitor uses the same drivers,

enclosure and active 4th order crossover as the 20/20bas monitor, with only 3dB

less maximum acoustic output. The same 100 watt Project Studio amplifier, with

different active crossover and subsonic filters, powers the PS5 and PS6.

The benefits of biamplification include lowered distortion, smoother

amplitude and phase response, extended bandwidth, and convenience. Project

Studio amplifiers feature significant improvements in signal-to-noise ratio, input

common mode rejection ratio, and reliability. They produce less distortion and

less heat as well.

Event Engineers developed the small desktop biamplified PS5 speaker

using shielded driver and active crossover components from our proven Tria

Triamplified Monitor. The PS5’s have a convenient front panel level control

plus a retractable tilt stand for optimum positioning of its wood cabinet in

personal monitoring environments.

The new PS6 6½” monitor uses a new magnetically shielded 6½” LF

driver to go with our proven 1” natural silk dome HF transducer. The PS6 uses

a pair of low restriction bass ports and establishes a convenient intermediate size

for high performance 6” two-way systems.

UNPACKING Check your speaker carefully. The packing container was

designed to protect your speaker during transit; immediately report any damage

to your dealer or to the company that delivered them to you. The packing

material is designed to be reused—do not discard it. Please complete and return

your warranty card to activate your warranty and to help us keep in touch with

you. Please tell us what you think of your new monitor and of your Event

dealer.

SETUP The best performance from any speaker system comes with proper

placement and use. There is no physical or acoustic distinction between

individual left and right monitors when they are used in a stereo pair. Also, the

cabinets can sit vertically or horizontally without concern for performance as

long as both are situated similarly. For horizontal mounting, tip the cabinets

outward so that the high frequency drivers are away from each other. Since the

bass port is front mounted, you can mount the speakers near to, or even in, a

wall without blocking the port. 1

SPECIFICATIONS

LF Driver:

HF Driver:

Frequency Response:

Crossover:

LF Amplifier Power:

HF Amplifier Power:

Noise

Input Connectors:

Polarity:

Input Impedance:

Input Sensitivity:

Input Level Control Range:

PS5: 5 ¼”; PS6: 6½”; PS8: 8" magnetically shielded mineral

filled polypropylene cone with high temperature voice coil

and damped rubber surround.

1" magnetically shielded natural silk dome with ferrofluid

voice coil coolant.

PS5: 45Hz – 39kHz

53Hz – 19kHz, ±3dB, Ref 500Hz

PS6: 45Hz – 20kHz, ±3dB, Ref 500Hz

PS8: 35Hz – 20kHz, ±3dB, Ref 500Hz

PS5: 2.6kHz active 2nd order asymmetrical

PS6: 2.6kHz active 4th order asymmetrical

PS8: 2.2kHz active 4th order asymmetrical

70W

30W

>100dB below full output, 20kHz bandwidth, unweighted

XLR and ¼" connector accepts balanced or unbalanced

sources

Positive signal at + input produces outward LF cone

displacement

40kΩ balanced, 20kΩ unbalanced

0.9V input produces full output with Input Sensitivity

control at maximum

20dB

Protection:

Indicators:

Power Requirements:

Cabinet:

Dimensions:

Weight:

RF interference, output current limiting, over temperature,

turn-on/off transient, subsonic filter, internal mains fuse

Combination Power ON / Clip LED indicator

Factory programmed for either 120V~ 60Hz,

220-240V~ 50/60Hz or 100V~ 50/60Hz, 100VA;

Power via detachable 3 circuit IEC type linecord

5/8" vinyl laminated lock-mitered MDF

PS5: 7½"W x 10½"H x 9"D

PS6: 8¼"W x 12½"H x 10"D

PS8: 10¼"W x 14¾"H x 11¾"D

PS5: 16½ lbs. each

PS6: 23 lbs. each

PS8: 26½ lbs. each

Model PS5, PS6 and PS8 specifications are subject to change without notice.

6

CARE AND MAINTENANCE Your Event Direct Field Monitors will not

require any special care or maintenance if properly used. The cabinet is finished

with a durable vinyl laminate that can be cleaned with a soft damp cloth. Avoid

touching the exposed speaker elements. Do not expose the rear panel controls,

connectors, or the speaker elements to moisture or chemicals.

The AC mains fuse is internal and serviceable by a qualified technician. It will

only open if there is another problem.

Mix at reasonable levels to protect your speakers and your hearing. Refer

service to qualified personnel.

BLOCK DIAGRAMS

5

Place your monitors on a stable surface at about ear level. A typical

location would be slightly behind and to either side of a small console. The

distance between the monitors should equal the distance from the listener to

either speaker. This is the common “equal length triangle” rule for speaker

placement shown in Figure 1.

FIGURE 1. THE PRIME LISTENING POSITION OR SWEET SPOT.

THE DISTANCE BETWEEN EACH SPEAKER AND THE MONITORING

POSITION SHOULD BE EQUAL.

Notice that Figure 1 also shows the speaker cabinets turned inward

directly facing the listening position. This puts you in the sweet spot, which

yields the most accurate stereo reproduction. If you need a wider sweet spot to

allow for greater listener movement or for group monitoring, face the speakers

in a slightly more open position, but never more than necessary. Finally, if you

must mount the speakers substantially above or below ear level, then you will

also need to tilt the cabinets downward or upward as well to keep them directly

facing you.

For close-in, personal monitoring situations with the PS5, use the tilt

stand if necessary to raise the radiation main axis.

Once you start using your Event monitors, you may find it helpful to

move around in their soundfield to locate their best position in your

environment, but if you follow the equal distance, ear level, face-on rules,

you’ve already optimized their position for a single user in most situations.

2

CONNECTIONS AND OPERATION

Please refer to Figure 2

1LINE 1 INPUT This jack accepts a ¼” TRS connector, wired either

balanced or unbalanced.

For balanced wiring, a 3-conductor ¼" TRS plug is necessary. See

the INPUT CONNECTIONS wiring chart below or on the amplifier

panel.

Unbalanced wiring works with either a 2 or 3-conductor ¼” TRS

connector. A 2-conductor ¼" TS plug automatically grounds the

minus signal input, whereas a 3-conductor TRS plug wired

unbalanced provides the option of leaving the minus input open or

grounded. We recommend that you ground the unused input.

The LINE 1 INPUT connector is hardwired in parallel with the LINE 2

INPUT connector, so either may be used as an input or a pass-through

connection. Input specifications apply to both inputs.

2INPUT SENSITIVITY This control has a 20dB range and compensates for

different input signal levels. If too much input signal is present, the amplifiers

may overload, in which case the green LED at the front of the monitor will

flash. With the INPUT SENSITIVITY control at maximum, 0.9V RMS input

will produce full amplifier output.

The PS5 monitor has an additional front panel VOLUME CONTROL (not shown)

that effectively works in series with the rear panel INPUT SENSITIVITY

control. The VOLUME CONTROL is useful for quick, uncalibrated adjustments

from the front. With a full input signal applied, turn the front panel VOLUME

CONTROL to maximum. Starting from minimum, increase the INPUT

SENSITIVITY to your maximum achievable output level preference. The front

panel volume control will then attenuate from that operating point.

3LINE 2 INPUT This jack accepts XLR input connections, wired either

balanced or unbalanced. The LINE 2 INPUT connector is hardwired in

parallel with the LINE 1 INPUT connector, so either may be used as an input

or a pass-through connection. Input specifications apply to both inputs.

3

4POWER SWITCH 1 = ON 0 = OFF

When amplifier power is on, the green LED at the front of the monitor will

illuminate.

5POWER CONNECTOR This connector accepts the detachable linecord. Use

the linecord supplied with your monitors and make sure it is fully seated into

the Power Inlet connector. For safety reasons, do not attempt to defeat the

linecord’s ground connection. The AC mains fuse is internal.

FIGURE 2. REAR PANEL

4