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PD-6

PORTABLE LOCATION RECORDER

DV40

DVD MASTER RECORDER

D

™

Having been a leading pioneer in the field of

professional digital audio for over 16 years, it seemed

only natural that Fostex, the inventors of timecode

DAT and portable timecode DAT, should start the next

revolution in digital recording - Timecode DVD-RAM.

REMOVABLE DVD-RAM & RECORDING FORMATS

Fostex chose DVD-RAM as the most suitable

successor to DAT after extensive research and

testing. DVD-RAM has excellent reliability and has

already established itself as the film industry’s

preferred media format due to its built-in error

correction and longevity. This security is enhanced by

the Fostex’s proprietory ‘Verify/Write’ technology

which constantly examines the recorded data being

stored on DVD-RAM, in real-time, for error-free

recording. Plus, ensuring compatibility throughout the

industry and maximising the DVD-RAM technology,

the DV40 and PD-6 can record multiple channels of

simultaneous audio (4 with the DV40 and no less than

6 with the PD-6), in a vast number of permutations

and in BWF (PD-6 and DV40) or SDII (DV40 only)

formats.

IN A CLASS OF THEIR OWN

With the superb audio quality, up to 24-bit / 192kHz 1

available, the flexible and comprehensive timecode

facilities and the sheer usability of both machines

means that the PD-6 and DV40 are not just class

leaders, they’re in a class of their own.

Removable media revolution

UNIVERSAL DISC FORMAT

As the UDF (Universal Disc Format) is utilized, discs

can be read by any computer OS (Windows, Mac,

etc.) which makes for easy transfer of audio files to

and from the recorders for external editing.

UdF

File Format

TIMECODE DVD-RAM RECORDING

DVD

Sound Mixer Chris Munro pioneered and developed the ‘magless

dailies’ concept, originally with the Fostex PD-4 timecode DAT, and has

refined it with the use of Fostex's DVD-RAM products. In fact, Chris was

honoured with the Charles Parkhouse Award for his work in this area of

production sound. The day’s audio can be loaded into a non-linear editor

such as Avid Film Composer2complete with all the automatically-

generated scene, take, reel information and more in just a couple of

minutes for each hour of audio directly from the DV40 or PD-6’s DVD-

RAM disc, with no additional software! After syncing to picture, an

export to another DVD-RAM disc produces the 'daily disc'. The editor

gets all his labelling done for him by the acquisition machine, along

with a guide audio track; the production team watch rushes in original

digital audio; and most importantly, the production saves tens of

thousands of dollars in no longer having to use (and store!) expensive

mag stock, while wiping off hours from the whole post process.

‘Magless Dailies’

03

DVD Master Recorder

DV40

DVD Location Recorder

PD-6

PD-6

ON SET

Audio acquisition direct to DVD-RAM in

BWF. Scene, slate, take, reel &

timecode automatically stamped to

each file/take.

EDIT SUITE

Fast import of the day's audio files, direct

from DVD-RAM, into Avid Film Composer. All

takes already automatically labelled. After

sync to picture, quick export of the audio track

to the DVD-RAM 'daily disc'.

No real-time batch digitizing of audio into editor - save time

No expensivemaking of mag stock for daily rushes - save money

SCREENING ROOM

'Dailies disc' can be played on a DV40

synced to the screening room's

projector with instant lock and hi-

speed playback features as standard.

D

No need to covert or

batch digitize audio

TIME & BUDGET

SAVING

D

No need to make

mag stock

TIME & BUDGET

SAVING

ALL STANDARD REFERENCES

All the standard clock references of word

and video are included with the ability to

resolve to incoming timecode.

Sync

word & video

FLEXIBLE RECORDING

The DV40 and PD-6 are capable of

recording up to 24bit audio depending

on recording mode used.

24

bit

Audio quality

1

192kHz available on DV40 only

2

Dependent on version

PROFESSIONAL

DVD-RAM is robust, resilient, removable and has a longevity

that a hard disc simply cannot offer. Quite simply it is the

best professional mastering recording format available, as

the rapid take up in the film industry shows.

However, the DVD-RAM technology needed a serious research

and development process before it could handle the rigours and

demands of multiple track, timecode-locked audio.

And that’s exactly what Fostex undertook when developing the DV40, the world’s first 4-

track Timecode DVD-RAM master recorder.

REFINING THE TECHNOLOGY - CONTINUOUS DEVELOPMENT

The DV40 was, and is, a revelation. Here is a rackmount unit which can record up to 4

tracks of digital audio to removable DVD-RAM UDF discs in either BWF or SDII formats

and with full timecode facilities. A machine which elegantly addresses the challenges

presented by today’s ‘random access’ requirements.

The reaction from sound mixers, post production facilities, broadcast professionals and

recording houses was outstanding: they could see that the DV40 could save them time,

could enhance their workflow, could improve their productivity.

But that was only the start - from the moment of launch, Fostex made it clear that the

DV40 would benefit from continual development with users encouraged to request

features and suggest improvements resulting in software updates being made available

via the www.fostexdvd.net web site.

PORTABLE TIMECODE DVD-RAM

With the DVD-RAM technology ‘proved’ in a standalone machine, it was time for a

portable solution. A PD-2 / PD-4 user survey and wide-ranging feedback from DV40

users yielded a wish list of features which included: Six audio tracks, highly accurate

timecode, a minimum 10 second pre-record buffer, flexible power requirements and

management, slate microphone, auxiliary send / return, power for mic receivers, a high

quality mixer and a user interface in keeping with their existing DAT recorders.

Fostex listened to what the sound mixers wanted and involved them in the development

process every step of the way.

The result is the PD-6 Location Recorder.

Format of choice.

Format of the future.

DVD-RAM

D

™

Fostex Timecode DVD-RAM

recorders are currently being used

in major film, TV and post production

applications in the USA, Europe and

beyond. Fostex actively encourages

user feedback and continually

develops the products incorporating

new features and enhancing

usability...

In Action...

Chris Munro - Sound Mixer

One of the world’s leading

Production Sound Mixers and a

BAFTA and Oscar™ award winner,

Chris used Fostex Timecode DVD-

RAM technology for audio acquisition

on the latest James Bond hit ‘Die

Another Day’. Chris has

pioneered the ‘magless dailies’

process, (see bottom left),

which saved the production a

small fortune.

Always in demand, Chris is

recognised as setting quality

standards in the film industry.

Movie Production

Joe Kenworthy - NYPD Blue

Sound mixer Joe uses Fostex

Timecode DVD-RAM machines for

audio acquisition on the ever-

popular NYPD Blue TV series. “The

big thing for me is that I get a digital

file from the beginning, and all our

digital editing machines can

take those files and begin to

work, with less transfer time.

We are using a first-generation

signal all the way through the

chain, which keeps quality high,

and it’s quicker, with no

conversions involved.”

TV Production

Jay Hartigan - Shooters Post

Jay has been a production sound

mixer for the past 25 years and is

one of three owners of Shooters Post

& Transfer, a Philadelphia based

production facility.

“Every day we transfer 1/4"

production sound to our DV-40

for film transfer. It turns what

was once a slow, tedious sync

session into a fast easy job.

Once the field sound is on DVD-

RAM we no longer have to wait

for the audio to sync. It’s always

right there.”

Post Production

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6: new 8cm dvd-ram DV-40: 200x audio scrub PD-6: NP-1 type battery DV-40: ethernet networking PD-6: balanced aux i/o DV-40: up to 192kHz

hours, minutes, seconds

& frames ahead of the rest.

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PROFESSIONAL

■

BWF recording file format (interleave 1 file

mode) in either 2, 4, 5 & 6 track modes along

with simultaneous two file recording modes of

1+5 and 2+4 tracks for guide track audio

■

Fostex Verify/Write feature constantly

examines data being recorded to DVD-RAM

■

UDF (Universal Disc Format) on DVD-RAM

allows discs to be mounted & read instantly on

both PC and Mac platforms

■

On-board timecode generator with +/-1ppm

accuracy and built-in backup offers all frame

rates including 23.976 and 29.97+ drop and

pull-up/down. Generator can be 24H, Rec Run,

Free Run or external complete with jam, while

output can be repro or generator derived

■

Avid™ compatibility. BWF files recorded on the

PD-6 can be imported directly into Avid Film

Composer

2

along with information about

Scene, Take, Reel Number, Event, etc. being

transported and read from the file’s Metadata.

The Metadata area is user-editable for future

expansion

■

Circle Take with dedicated key, to mark

files/takes for easy identification leading to

quick imports referenced in the EDL

■

Up to 100 cue points per file/take

■

Alpha numeric keypad for quick file/take &

track naming, EDL manipulation, location, etc.

■

Option of SDII™ and AIFF file recording modes

are planned via software update

■

EDL management built-in to create & edit

multiple ALE (Avid™ Log Exchange)

compatible edit decision lists per DVD-RAM.

■

IEEE1394 (FireWire) interface for fast mirror

and restore. When interfaced to a PC, PD-6

DVD-RAM discs can be mounted on desktop

■

USB port for keyboard connection (utilise

keyboard shortcuts, easy data entry etc.)

■

Pre Record enables PD-6 to constantly buffer

up to 10 secs of audio (no more missed takes)

■

128 x 64 highly visable, low power

consumption back-lit dot matrix display offers

various modes including alternative level

meter resolution indication modes

■

Auxiliary bus input/output provides for remote

camera working and monitoring (e.g. HD cam)

with switchable output between +4dBu, -10dBu

and -60dBu to cater for most camera

manufacturers requirements. Provided on

industry standard 10-pin Hirose connector

■

Two auxiliary 12volt outputs on industry

standard Hirose 4-pin connectors provide

power for radio mic receivers, etc. to allow for

truly self-contained operation on location

■

Future software developments and updates via

DVD-RAM cartridge and downloadable via PC

from the dedicated web site: www.fostexdvd.net

■

Flexible monitoring through headphones

and/or built in speaker & amplifier. All track

combinations can be monitored post-disc

either individually, in summed mono or stereo

modes. MS monitoring as standard. Aux return

and stereo bus live monitoring is provided plus

individual channel PFL. All accessed through

just two rotary and one toggle switch

■

Slate microphone and tone generator on-board

■

Digital I/O software selectable between

AES/EBU or S/PDif with auto and manual input

sensing switchable in pairs: 1+2, 3+4 and 5+6

■

NP-1 type battery provides an estimated 2

hours of operation

■

External Word & Video sync inputs (auto

selection) and Word Output plus parallel

remote connector

■

Optional AATON connector complies with ASCII

& LTC I/O specifications for external loggers,

timecode synchronisers, etc.

■

Automated file/take naming routine speeds

set-up time between takes complying to US

and Euro standards. Individual track naming

rolls through to next file/take until changed by

user, if required

■

Comprehensive software selectable UBIT

output format combinations including Scene,

Take, Event no., etc.

■

Proprietory expansion connector to allow PD-6

to dock with planned Fostex rack-mounting

full-size DVD-RAM & power supply unit for

extended recording time on location

Main Features

When Fostex embarked on the process to design a successor to the industry standard PD-2

and PD-4 portable timecode DAT machines, we knew we had set ourselves no easy task.

Having invented both timecode and portable timecode DAT, Fostex location recorders had

become, and still are, the most widely used and respected DAT machines for film &

television sound production around the world, helping their users earn respect, gain work

and to win many coveted international awards.

That’s why we knew it was important to follow the design and philosophy processes that

had made our previous machines the first choice of sound mixing professionals. Namely, to

prove the technology in a stationary, stand-alone format and obtain comprehensive & wide-

ranging user-feedback prior to taking it out into the field.

Every aspect was looked at and offered up for evaluation; the recording media, the

functionality of the mixer, the interfacing connections, the timecode implementation and, of

course, the user interface.

The result of this process in which some of the

world’s top sound mixers took part, is the new

Fostex PD-6 Portable Location Recorder, a

recorder which offers spectacular 24-bit / 96kHz

audio quality and six independent audio tracks.

A recorder offering timecode-locked DVD-RAM

recording to an easy to use 8cm removable media

which answers all the new challenges for location

recording today.

And a recorder featuring a full-function, feature-

rich 6-channel mixer, ‘easy access’ monitoring

and all the connectivity one would expect, and

need, from a thoroughly professional unit.

The new PD-6 Portable Location Recorder. Nothing

in the field comes close.

DVD Location Recorder

PD-6

6 channel mixer 10 sec (256MB) prslate microphone

FULLY FEATURED ON-

BOARD MIXER

The six channel mixer accepts either

microphone level, with both T-Power

(12V) and Phantom power (48V)

available, or line level. Phase reverse is

provided on the three even channels

while each channel features adjustable

input gain; a generous defeatable and

variable high pass filter and an

individual defeatable limiter, with

software selectable characteristics and

linking, suited to location recording.

The most ingenious part of the mixer

however is the routing capability: working in conjunction

with each channel’s level control mounted on the face of

the PD-6, the ‘Disc Feed’ switch allows the recording

section of the machine to derive its audio ‘feed’ PRE the

channel level control, meaning levels are set once with the

earlier trim pot, leaving the front level controls for bus

mixing; POST of the channel level control providing for

regular level adjustment on the easily-accessible controls;

or from the Stereo Bus, routed by the PAN switch providing

not only simple stereo mixing of all six channels, but also

by using a combination of the modes, parallel mix (guide)

tracks can be made whilst recording of either five tracks

(mono guide track) or four tracks (stereo guide track). We

call these "1+5" and "2+4" recording modes as separate

BWF files are created. Additional features such as PFL

monitoring and peak led indication on each channel

complete this very flexible mixer.

05

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DVD LOCATION RECORDER WITH TIMECODE

D

™

hours,

minutes,

seconds &

frames ahead

of the rest.

re-record alpha numeric keypad flexible monitoring

Mic / Line

P48V

T12V

L Bus

PRE

To Rec

POST

Bus

PFL

R Bus

Mic Amp

(Phase 2/4/6)

HPF

PAN

Limiter

Input Gain

Level

DISC FEED

Mixer

Block Diagram

REVOLUTIONARY REMOVABLE MEDIA

Location recorders need a removable media, it was one of

the requests that we heard from the field again and again.

Part of the success of the portable timecode DAT format

was the fact that at the end of the shoot, the days work’s

there in your hand. We knew that normal DVD-RAM drives,

are not really built for the rigours of location recording and

certainly not suited to being slung over a shoulder.

Therefore we decided upon a brand-new 8cm DVD-RAM

drive. A drive specially developed for the rigours of

portable use and a drive designed from the ground-up to

provide vibration stability, high speed access and most

importantly, high reliability.

Already proving itself in motion pictures, tv productions

and outside broadcast, the removable 8cm DVD-RAM

cartridges provide two 1.46GB sides, offering, for example,

108 minutes per disc of 4 track recording at 48KHz/16-bit.

And the discs fit right into conventional DVD drives.

MIXER

MEDIA

PROFESSIONAL

■

BWF or SDII™ audio file formats in 16-bit or

24-bit resolution (on the same disc)

■

Fostex Verify/Write feature constantly

examines data being recorded to DVD-RAM

(not 96kHz/4tr or 192kHz/2tr)

■

UDF (Universal Disc Format) on DVD-RAM

allows discs to be mounted & read instantly on

both PC and Mac platforms

■

Mono, stereo or 4-track recording modes. Full

on-board copy, paste, insert, cut and erase

features with high precision scrubbing

■

Full timecode facilities

■

Avid™ compatibility. BWF files recorded on the

DV40 can be imported directly into Avid Film

Composer (depending on software version)

along with information about Scene, Take, Reel

Number, Event, etc. being transported and read

from the files Metadata. The Metadata area is

user-editable for future expansion

■

Circle Take to mark files/takes for easy

identification leading to quick imports and EDL

references

■

Up to 100 cue points per file/take

■

Alpha numeric keypad for quick file/take &

track naming, EDL manipulation, location, etc.

■

Large high-resolution (200 pulses per rotate)

jog/shuttle dial and clever digital tracking

technology result in super-accurate audio

scrubbing

■

EDL management built-in to create & edit

multiple ALE (Avid™ Log Exchange)

compatible edit decision lists per DVD-RAM.

■

Large multi-function fluorescent display,

oversized illuminated transport keys

■

Future software developments and updates

implemented via CD or DVD and built-in

Ethernet via PC available for download from the

dedicated web site: www.fostexdvd.net

■

Excellent compatibility - can read other

manufacturers DVD-RAM discs containing

FAT16 formatted BWF files

■

External Word & Video sync inputs and Word

Output plus parallel remote connector

■

Dedicated ADR (Automatic Dialogue

Replacement) software features built-in

■

Comprehensive I/O including 24 bit/192kHz on

balanced XLR and 1/4" phone jacks; AES/EBU

digital

■

10/100 BASE-T Ethernet networking for easy

integration into production networks

■

DAT ‘cloning’. Monitors timecode input during

recording of DAT to DVD-RAM and creates a

new file automatically whenever timecode goes

‘discontinuous’

■

Automated file/take naming routine speeds

set-up time between takes complying to US

and Euro standards. Individual track naming

rolls through to next file/take until changed by

user, if required

■

Comprehensive software selectable UBIT

output format combinations including Scene,

Take, Event no., etc.

■

Optional

Model 5050

With the new

optional Model

5050 card fitted,

the DV40 can

read the 6 track

files created by

the PD-6 simply

by removing the

8cm DVD-RAM

from its case and

placing it in the

DV40's tray.

In addition, analog outputs 5 & 6 are provided

on balanced XLR connectors as well as

AES/EBU on XLR. A software update provided

with Model 5050 allows the meters to be

switched between all six channels.

Main Features

Working hand-in-hand with post production facilities, sound mixers, radio

stations and ADR suites, Fostex’s continual development of the DV40

mastering machine means that it‘s ready to handle every application and

exception in today’s, and tomorrow’s, constantly changing and challenging audio

environments.

Able to record four simultaneous non-destructive audio tracks to DVD-RAM at up to 24 bit /

192kHz resolution and with its elegant timecode implementation, the DV40 has quickly become

the machine of choice for many film and tv productions in the US, Europe and beyond helping to

streamline the production process and hence reduce costs.

Post production houses too have warmed to the DV40. The handy Universal Disc Format (UDF),

which allows DV40 media to be mounted and read by Macintosh and PC workstations, easy

media network integration and ultra-fast, rock solid synchronisation, is revolutionising many

productions from LA to London.

Of course what really sets the DV40 apart is its

elegant handling of timecode as it addresses the

challenges presented by today’s ‘random access’

requirements: able to synchronise with both external

word and video signals, the built-in timecode

generator is fully featured and even includes the new

23.976 frame HD camera mode.

Continuous development has seen the recent

introduction of the Model 5050 card which allows the

DV40 to read the 6 track files created by the PD-6,

new enhanced ‘take’ (file) naming complying with US

and European clapper board standards and EDL

management tools allowing ALE (Avid Log Exchange)

compatibility.

The perfect production partner to a PD-6 or the

ultimate timecode master recorder. The DV40 is all

this. And more.

timecode generator clear fluorescent display alpha numeric key pad headphone monitoring freque

DVD Master Recorder

DV40

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PROFESSIONAL DVD MASTER RECORDERPROFESSIONAL DVD MASTER RECORDER

D

™

ency selector

hours,

minutes,

seconds &

frames ahead

of the rest.

SEAMLESS INTEGRATION

PD-6 8cm DVD-RAM discs can be played out on a DV-40 by

simply removing them from the caddy and placing in the

DVD-RAM tray. It‘s this kind of simple and seamless

integration which makes the PD-6 / DV40 such a

formidable production team.

The DV40 provides high precision scrubbing for PD-6 DVD-

RAM discs, easy ethernet networking plus extensive audio /

timecode manipulation.

Plus, with it’s on-board Ethernet networking capabilities

recorded files can easily be transferred around the post

house’s media network.

In addition to UDF PD-6/DV40 files, DV40 can also read files

created on other manufacturers recorders in FAT16, BWF

Interleaved format complete with timecode information.

dv40 and pd-6

INCREDIBLY WELL CONNECTED

Each of the four audio channels feature balanced XLR

inputs individually switchable between +4dBu and –10dBV

and the highest quality 24bit/192kHz AD converters. The

outputs are provided on both balanced XLR again with

24bit/192kHz DA converters as well as 1/4" unbalanced

phone jacks for easy monitoring hook-up.

Flexible headphone monitoring is provided on the front

panel with switchable source selection for Track 1+2,

Track 3+4, Track 1+3/2+4 and each track individually.

Digital input and output for all four channels is taken care

of via the AES/EBU format (doubling up for 176.4/192kHz)

on XLR connectors, while the standard complement of

timecode, video sync and word clock inputs and outputs

are also present. Interoperability and system integration is

taken care of via 9 and 15 pin RS-422 connectors, the

latter also providing a 12V 400mA power source for future

remote control applications. Both these interfaces comply

to the Sony 9-Pin protocol for standard VTR emulation and

Fostex’s own extended instruction set.

The 10Base-T/100-BaseTX Ethernet (RJ-45) port and a

firmware-selectable GPI (General Purpose Interface) for

remote control, fader starts and file search rounds off this

most comprehensive set of interface capabilities.

interfacing

FLEXIBLE RECORDING

The DV40 is capable of recording up to

24bit / 192kHz depending on recording

mode used. In addition, other formats

offered: (see chart on page 7)

16bit / 44.1kHz, 16bit / 48kHz, 24bit /

44.1kHz, 24bit / 48kHz, 24bit / 88.2kHz,

24bit / 96kHz and 24bit / 176.4kHz

24

bit

Resolution

192

kHz

Frequency

DV40 is equipped with 10/100Base-T Ethernet

as standard. Once the IP address is set DV40

files will be available via your media network.

JUST LIKE TAPE

The large high-resolution (200 pulses per

rotate) jog/shuttle dial and clever digital

tracking technology result in incredible

audio scrubbing.

It really is just like using tape.

audio

scrubbing

Distributor / Authorised Dealer

In accordance with our policy of continuous development, we reserve the right to change specifications without notice. E&OE. All trademarks acknowledged.

Fostex Corporation, 3-2-35 Musashino, Akishima, Tokyo, Japan 196-0021

Tel: +81 (0)42-546-4974 Fax: +81 (0)42-546-9222

www.fostexdvd.net

GENERAL

Recording Device E-IDE DVD-RAM (8cm)

Recording Format BWF (SDII™ & AIFF planned future option)

Recording Medium 8cm DVD-RAM

Sampling Frequency 44.1 / 48 / 88.2 / 96kHz

Quantization 16bit (44.1 / 48kHz)

24bit (44.1kHz / 48 / 88.2 / 96kHz)

Recording Tracks 6, Timecode x1

Track Mode 2tr 44.1 / 48 / 88.2 / 96kHz

(verify write : on) 4tr 44.1 / 48kHz

5tr 44.1 / 48kHz

6tr 44.1 / 48kHz

2+4tr 44.1 / 48kHz

1+5tr 44.1 / 48kHz

INPUT / OUTPUT CONNECTORS (0dBu = 0.775Vrms)

ANALOG AUDIO INPUT CH. 1-6 (Line/Mic selectable)

Connector XLR-3-31 type (Pin2:Hot)

Input Level -30 - +4dBu (+/-5dB, Line)

-60 - -26dBu (+/-5dB, Mic)

Maximum Input Level +24dBu (Line) / -40dBu (Mic)

Input Impedance More than 10k ohm

ANALOG AUDIO OUTPUT TR. 1 - 6

Connector XLR-3-32 type (Pin2:Hot)

Reference Output Level +4dBu

Maximum Output Level +24dBu

Output Load Impedance More than 10k ohm

AUX INPUT / OUTPUT

Connector 10pin – male / balanced (Hirose)

Reference Input Level +4dBu

Maximum Input Level +24dBu

Input Impedance More than 10k ohm

Reference Output Level +4dBu / -10dBu / -60dBu (switchable)

Maximum Output Level +24dBu

Output Load Impedance More than 10k ohm

DIGITAL INPUT / OUTPUT CONNECTOR

Connector D-sub 25pin (auto software selection)

Input Format IEC60958 (S/P DIF) or

IEC60958 (AES/EBU), auto selection

Output Format IEC60958 (S/P DIF) or

IEC60958 (AES/EBU), auto selection

LTC INPUT

Connector XLR-3-31 type (Pin2:Hot), balanced

Format SMPTE/EBU

Reference Input Level 2Vp-p

Minimum Input Level 0.25Vp-p

Input Impedance More than 20k ohm

LTC OUTPUT

Connector XLR-3-32 type (Pin2:Hot), balanced

Format SMPTE/EBU

Reference Output 2Vp-p

Output Impedance Less than 1k ohm

Output Load Impedance More than 600 ohm

VIDEO / WORD INPUT

Connector BNC (auto software selection)

Reference Input Level TTL level (w/ 75ohm termination SW)

WORD OUTPUT

Connector BNC

Output Level TTL level

AATON INPUT / OUTPUT (Option)

Connector LEMO 5pin

Format Complies to ASCII & LTC I/O

IEEE1394 P1394a Draft 2.0 4 pin

USB Serial A Receptable

HEADPHONE OUTPUT SOLO or STEREO/MONO: 1+2, MS,

3/5+4/6, 1/3/5+2/4/6, 3/5+2/4/6,

1/3+2/4, ST. AUX IN, ST. BUS

Connector 6mm dia stereo phone jack

Load Impedance More than 32 ohm

Maximum Output Level 200mW (at 32 ohm)

PARALLEL REMOTE

Connector MINI DIN 8pin female

DC12V - 18V IN

Connector XLR-4-32 type

DC12V OUT

Connector HR10A-7R-4S (Hirose 4pin female) x2

Max. 0.5A (Total combined)

PERFORMANCE

R/P Frequency Response 20Hz to 20kHz +/-1dB (fs : 44.1 / 48kHz)

20Hz to 40kHz +/-1dB (fs : 88.2 / 96kHz)

Signal to Noise Ratio

Line: 100dB (ADC-DAC, 24bit,

ref:-20dB, fs:48kHz) typical

Mic: 87dB (ADC-DAC, 24bit, ref:-20dB, fs:48kHz) typical

Dynamic Range 100dB (ADC-DAC, 24bit, ref:-18dB, fs:48kHz) typical

T.H.D. Less than 0.01% (1kHz, -1dB, ADC-DAC, 24bit,

ref:-18dB, fs:48kHz typical)

Reference Recording Level -18 / -20dB (switchable)

Cue Point Chunk 100

Power Life 2 hours continuous operation estimated,

NP-1 type Li-ion

PHYSICAL

Power Requirement NP-1 type battery

AC Adaptor - option model AD-15B/C

DC 12V - 18V

Power Consumption 25W

Dimension 334 (W) x 109 (H) x 241 (D)mm

Weight 3.5kg (w/o battery)

OPTIONAL ACCESSORIES

ZP-6 Carrying Case

AD-15B/C AC Adaptor

ATC-4 AATON Interface

PROFESSIONAL TIMECODE DVD-RAM RECORDING

TIMECODE DVD-RAM RECORDING

DVD

PD-6

GENERAL

Recording Medium E-IDE DVD-RAM

(optional 2.5" hard disk is mountable)

File Format SDII™ / BWF

Sampling Frequency 44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz

Quantization 16bit (44.1/48kHz)

24bit (44.1 / 48 / 88.2 / 96 / 176.4 / 192kHz)

Recording Track see chart on previous page

INPUT / OUTPUT - (0dBu=0.775Vrms, 0dBV=1Vrms)

Reference Input Level +4dBu / -10dBV (Balanced)

Analog Input (Tr 1 – 4)

Connector XLR-3-31 type (Balanced) (1:GND / 2:HOT / 3:COLD)

Input Impedance 10k ohm or more

Rated Input Level +4dBu

Max. Input Level +24dBu

Analog Output (Tr 1 – 4)

Connector XLR-3-32 type (Balanced) (1:GND / 2:HOT / 3:COLD)

Output Load impedance 600 ohm or more

Rated Output Level +4dBu

Max. Output Level +24dBu

Monitor Output (Tr 1 – 4)

Connector Ø 6mm phone jack (Unbalanced)

Output Load Impedance 10k ohm or more

Rated Output Level -10dBV

Max. Output Level +10dBV

Headphones Output

Connector Ø 6mm stereo phone jack

Load Impedance 8 ohm or more

Max. Output Level 100mW (at 32ohm)

Digital Input (Tr 1 – 2, Tr 3 – 4)

Connector XLR-3-31 type (Balanced) (1:GND / 2:HOT / 3:COLD)

Format IEC60958 (S/P DIF) or IEC60958 (AES/EBU)

Digital Output (Tr 1 – 2, Tr 3 – 4)

Connector XLR-3-32 type (Balanced) (1:GND / 2:HOT / 3:COLD)

Format IEC60958 (S/P DIF) or IEC60958 (AES/EBU)

GPI In (On/Off selectable)

Connector DIN 5 pin

GPI Out (On/Off selectable)

Connector DIN 5 pin

TC Input

Connector XLR-3-31 type (Balanced) (1:GND / 2:HOT / 3:COLD)

Format SMPTE / EBU

Rated Input 2Vp-p

Transfer Rate 2.4kbit / sec (SMPTE)

Input Impedance 20k ohm or more

Min. Input Level 0.25Vp-p

TC Output

Connector XLR-3-32 type (Balanced) (1:GND / 2:HOT / 3:COLD)

Format SMPTE / EBU

Rated Output 2Vp-p

Output Impedance 1k ohm or less

Load Impedance 600 ohm or more

TC Thru (Direct output of input TC)

Connector XLR-3-32 type (Balanced) (1:GND / 2:HOT / 3:COLD)

Video Input (with 75 ohm terminate SW)

Connector BNC

Rated Input Level 1V p-p

Video Thru (Direct output of input Video signal)

Connector BNC

WORD Input (with 75 ohm terminate SW)

Connector BNC

Rated Input Level TTL level

WORD Output

Connector BNC

Rated Output Level TTL level

WORD Thru (Direct output of input WORD)

Connector BNC

9P-REMOTE (RS-422)

Connector D-sub 9 pin

Protocol Sony 9 pin protocol (Controlled)

15P-REMOTE (RS-422)

Connector D-sub 15 pin

Protocol Sony 9 pin protocol (Controlled)

ETHERNET

Connector RJ-45

Format IEEE802.3 (10BASE-T & 100BASE-TX standard)

PS/2 port x2 Mouse port for PC & Keyboard port

PERFORMANCE

R/P Frequency Response 20Hz to 20kHz +/- 1dB (fs : 44.1/48kHz)

20Hz to 40kHz +/- 2dB (fs : 88.2/96kHz)

20Hz to 80kHz +/- 3dB (fs : 176.4/192kHz)

Signal to Noise Ratio 110dB (typical)

Dynamic Range 110dB (typical)

Pitch Control 0.0% - max. 200.0% (0.1% step)

Reference Record Level -12dB / -18dB / -20dB (switchable on software)

Crossfade 10msec (default)

LOCATE MEMORY

Main Memory 100

Cue Point/File Memory

(per file) 100

PHYSICAL

Power Handling 120VAC / 230VAC

Dimensions 482 (W) x 141 (H) x 381 (D)mm

Weight 7.4kg

DV40

Specifications

DV40 16-BIT 24-BIT

4.7GB 44.1kHz 48kHz 44.1kHz 48kHz 88.2kHz 96kHz 192kHz

MONO 838 770 558 513 279 256 128

2-TRK 419 385 279 256 139 128 *64

4-TRK 209 192 139 128 69 *64 N/A

PD-6 16-BIT 24-BIT

1.46GB 44.1kHz 48kHz 44.1kHz 48kHz 88.2kHz 96kHz

2-TRK 118 108 78 72 39 36

4-TRK 59 54 39 36 N/A N/A

5-TRK 47 43 31 28 N/A N/A

6-TRK 39 36 26 24 N/A N/A

DVD Recording Times

All times are in

minutes

per-side of a

DVD-RAM disc

* without Verify-Write