Kodak E 4028 Users Manual

E-4028 to the manual 2d70ec24-63ff-4952-bb8a-a17c80041619

: Kodak Kodak-E-4028-Users-Manual-370825 kodak-e-4028-users-manual-370825 kodak pdf

Open the PDF directly: View PDF .
Page Count: 8

©Eastman Kodak Company, 2003

April 2003 • E-4028

TECHNICAL DATA /

COLOR PAPER

KODAK PROFESSIONAL ENDURA

Metallic Paper

p.o.p. that pops

KODAK PROFESSIONAL ENDURA Metallic Paper is a

color negative paper with a unique metallic appearance. It is

coated on a patented multi-laminate base that provides

durable, tear-resistant prints.

This paper is ideal for a variety of portrait/social

applications—for example, glamour, wedding, prom, and

special-events photography and for many commercial

applications. It can be exposed both digitally and optically,

providing consistency and efficiency in the lab.

Like other KODAK PROFESSIONAL ENDURA Papers

and Materials, ENDURA Metallic Paper features

significantly improved image stability. Other improvements

include process robustness and a dramatic increase in D-max

in digital applications. The new paper is easily distinquished

from KODAK PROFESSIONAL Color Metallic Paper by

its unique watermark on the back. ENDURA Metallic Paper

has a single gray dot under "PAPER", while Color Metallic

Paper has two dots separating "PAPER", "PAPIER" and

"PAPEL".

ENDURA Metallic Paper is available in a variety of roll

and sheet sizes. It can be intermixed with other KODAK

PROFESSIONAL Papers in KODAK EKTACOLOR

Chemicals for Process RA-4.

FEATURES BENEFITS

• New emulsion technology

for digital and optical

performance

• One paper for all exposing

devices from digital (CRT,

LED) exposing devices to

optical enlargers and

automatic printers

• Excellent latent image

keeping from 5 seconds to 24

hours means improved

consistency, especially in

digital devices

• Excellent print quality in both

high quality and high

productivity modes of

bi-directional printers

• Patent-pending dual layer

coupler blending

technology

• Excellent color accuracy and

brightness

• Striking prints and flattering

portraits

• Improved color saturation for

blues, cyans and purples

• State-of-the-art image

stability • Improved light stability - over

100 years before noticeable

fading in typical home display

• Significantly improved dark

stability - over 200 years

before noticeable fading under

most common storage

conditions

• Superior performance in

professional applications

creating new standards for

image permanence

• Metallic look combined

with a smooth glossy

surface

• Distinctive, cutting-edge

appearance

• Patented high intensity

reciprocity characteristics • Exposure range of 32 stops -

from 50 nanoseconds to 10

minutes

• Can be used for all types of

exposing devices, from optical

enlargers and automatic

printers to digital exposing

devices (CRT, LED, Laser)

• Broad print engine

applicability for CRT, LED,

Laser devices

• Optimized text and fringing

characteristics in all digital

devices

• More robust processing

capability in KODAK

EKTACOLOR RA

Chemicals

• Rapid access and convenient

processing with other papers

and materials for Process

RA-4

• Less sensitive to process

chemical activity variations

• Reduced sensitivity to process

fluctuations caused by:

– Image density content (low

key/high key)

– Inadvertent low level of

bleach-fix contamination

– Utilization changes

– Product mix

• More complete paper

development for improved

consistency

• Reduced developer

replenishment rates • Lower process RA-4

processing costs

• Lower environmental impact

• 50% less calcium • Significantly reduced

propensity for calcium buildup

• Reduced maintenance and

cleaner running paper

processors

• Exceptional durability and

tear resistance • Long print life

• Minimum curl with humidity

changes • Improved print appearance

and handling

• Pencil writeability on the

back • Convenience in marking prints

for identification

• Improved raw stock color—

patented technology • Lighter, more neutral raw

stock color for easier dodging

and burning

• Easier printer setup and focus

• Reduced sensitometric

variability • More consistent quality within

an emulsion blend

FEATURES BENEFITS

2KODAK PROFESSIONAL ENDURA Metallic Paper • E-4028

STORAGE AND HANDLING

Store unprocessed paper at 13°C (55°F) or lower in the

original sealed package. High temperatures or high humidity

may produce unwanted print quality changes.

To avoid moisture condensation on unexposed paper that

has been refrigerated, allow the paper to warm up to room

temperature before opening the package. For best results,

remove the paper from cold storage the day before you use

it, or allow the paper to warm up for the appropriate time

from the following table:

Handle the paper carefully by the edges. The paper is

packaged with the emulsion side of all sheets facing in the

same direction. For complete light and moisture protection,

use the inner bag and the two-part cardboard box to store the

paper.

Note: Be sure to use sharpened cutting equipment. The

effects of dull cutting blades will be more noticeable with

this paper than with traditional papers because of its

tear-resistant characteristics.

DARKROOM RECOMMENDATIONS

Handle unprocessed paper in total darkness. Be sure that

your darkroom is light tight. Eliminate stray light from

enlarger heads, timers, LEDs, etc.

Note: Using a safelight will affect your results. If absolutely

necessary, you can use a safelight equipped with a KODAK

13 Safelight Filter (amber) with a 7 1/2-watt bulb. Keep the

safelight at least 1.2 metres (4 feet) from the paper. Keep

safelight exposure as short as possible. Run tests to

determine that safelight use gives acceptable results for your

application.

Warm-Up Times (Hours) to Reach

Room Temperature of 21°C (70°F)

Size

From a Storage Temperature of

-18°C

(0°F) 2°C

(35°F) 13°C

(55°F)

8 x 10-inch

(100-sheet box) 4 hours 3 hours 2 hours

16 x 20-inch

(50-sheet box) 3 hours 2 hours 2 hours

20 x 24-inch

(50-sheet box) 3 hours 2 hours 2 hours

3 1/2-inch x 775-foot roll 8 hours 6 hours 4 hours

8-inch x 575-foot roll 10 hours 7 hours 4 hours

20-inch x 50-foot roll 6 hours 5 hours 3 hours

30-inch x 100-foot roll 8 hours 6 hours 4 hours

40-inch x 100-foot roll 9 hours 7 hours 5 hours

EXPOSURE

Digital Printing

You can expose KODAK PROFESSIONAL ENDURA

Metallic Paper with many types of digital printers. It

performs well with the following Kodak digital printers:

•KODAK PROFESSIONAL LED Color Printer

•KODAK PROFESSIONAL LED II Printer 20P/20R

•KODAK PROFESSIONAL Digital Multiprinter

•KODAK PROFESSIONAL Digital Multiprinter II

•KODAK PROFESSIONAL LF CRT Color Printer

•KODAK PROFESSIONAL RP 30 Laser Printer*

•KODAK PROFESSIONAL RR 30 Laser Printer

•KODAK PROFESSIONAL SRP 30 Laser Printer*

•KODAK PROFESSIONAL RP 50 LED Printer

* Calibration routines will become available in June 2003.

Because new digital printers are being developed and

introduced rapidly, any comprehensive list of appropriate

equipment becomes outdated quickly.

Starting values for Kodak digital printers and other

manufacturers’ equipment will be added to at

www.kodak.com/go/endura as they become available.

Look for KODAK Publication CIS-241, Digital Printer

Aims for KODAK PROFESSIONAL ENDURA Metallic

Paper, in April 2003.

Device Calibration

Manufacturers of digital printing equipment normally

provide specific calibration procedures with their equipment.

Note: The unique reflective characteristics of KODAK

PROFESSIONAL ENDURA Metallic Paper may require

one or two extra calibration runs.

Optical Printing

Expose KODAK PROFESSIONAL ENDURA Metallic

Paper in automatic printers or enlargers equipped with

tungsten or tungsten-halogen light sources or photo enlarger

lamps. Set up and balance the printer or enlarger according

to the manufacturer's instructions.

Do not use fluorescent lamps to expose this paper. Use a

heat-absorbing glass to remove infrared radiation. Because

voltage changes affect light output and color quality, use a

voltage regulator.

Keep negatives and the equipment optical system clean.

Mask negatives to eliminate stray light. You can use the

white-light or tricolor exposure method.

KODAK PROFESSIONAL ENDURA Metallic Paper • E-4028 3

Printer Setup

KODAK PROFESSIONAL ENDURA Metallic Paper is

slightly slower than KODAK PROFESSIONAL PORTRA

and SUPRA ENDURA Papers. As a starting point, use the

same printing times and include a density series to determine

your preferred exposure.

Initial conversion to this paper from KODAK

PROFESSIONAL Color Metallic Paper involves

rebalancing your printers. Since the green speed is about a

1/2 stop faster than Color Metallic Paper, increase your

magenta filtration by approximately 15CC.

White-Light Exposure Method

Control color balance with dichroic filters built into the

printer or enlarger, or with KODAK Color Printing (CP)

Filters (Acetate) placed between the lamp and the negative.

You can use any number of filters between the light source

and the negative. If you use cyan filtration, use filters with

the suffix “-2,” (e.g. “CP10C-2”).

1. Start with a filter pack of 60M + 45Y to make a test

print.

2. Evaluate the test print under light of the same color and

brightness that you will use to display the final print.

(See “Viewing.”)

3. Judge print density first. If necessary, make another

print by adjusting the exposure as recommended in the

following table:

4. Then judge the color balance. You can use the KODAK

Color Print Viewing Filter Kit, KODAK Publication

No. R-25, to evaluate your test print. The kit contains

18 color-print viewing filters and instructions to help

you determine filter adjustments for the white-light

exposure method.

If your

print is Do this OR Do this

TOO LIGHT Open the lens

aperture to increase

the light level

Increase the

exposure time

TOO DARK Close the lens

aperture to

decrease the light

level

Decrease the

exposure time

If your

print is Subtract these

filters OR Add these filters

CYAN Magenta + Yellow

(Red) Cyan

MAGENTA Cyan + Yellow

(Green) Magenta

YELLOW Magenta + Cyan

(Blue) Ye llow

5. Remove neutral density from your filter pack. For

example, if you determine that a filter pack of

40R + 10Y + 10C will give you a pleasing print:

a. Convert any primary filters (R, G, B) to their

subtractive equivalents (C, M, Y):

40R = 40M + 40Y.

b. Add filters of the same color: 10Y + 40Y = 50Y.

c. If the new filter pack has all three subtractive colors,

cancel the neutral density by subtracting the

smallest density value from all three densities:

6. Adjust the exposure for the new filter pack. An

exposure time that produced a print of satisfactory

density may not produce an acceptable density when

you change the filter pack. The following table gives

filter factors for calculating exposure adjustments when

you use KODAK Color Printing (CP) Filters.

Note: The filter factors listed in the table take into account

the effects of filter surfaces.

To use the factors, divide the old exposure time by the

factor for any filter you remove. If you add a filter, multiply

the time by the factor. If you add or remove two or more

filters, multiply the individual factors and use the result as

your factor. You may need to modify these factors for your

equipment.

When you adjust the filtration in equipment that has

built-in dichroic filters, any noticeable differences in density

RED Cyan Magenta + Yellow

GREEN Magenta Cyan + Yellow

BLUE Yellow Cyan + Magenta

10C 40M 50Y

-10 -10 -10

30M 40Y = filtration without

neutral density

Filter Factors for CP Filters

Filter Factor Filter Factor

05Y

10Y

20Y

30Y

40Y

50Y

1.1

1.1

1.1

1.1

1.1

1.1

05R

10R

20R

30R

40R

50R

1.2

1.3

1.5

1.7

1.9

2.2

05M

10M

20M

30M

40M

50M

1.2

1.3

1.5

1.7

1.9

2.1

05G

10G

20G

30G

40G

50G

1.1

1.2

1.3

1.4

1.5

1.7

05C

10C

20C

30C

40C

50C

1.1

1.2

1.3

1.4

1.5

1.6

05B

10B

20B

30B

40B

50B

1.1

1.3

1.6

2.0

2.4

2.9

If your

print is Subtract these

filters OR Add these filters

4KODAK PROFESSIONAL ENDURA Metallic Paper • E-4028

are due to differences in the color density of the print. For

example, you have a print with acceptable density, but a

magenta balance. When you add magenta filtration to correct

the color balance, the print will become too light, so you

must use a longer exposure time.

A rule of thumb for magenta dichroic filtration is to

change the exposure time by one percent for every unit of

change in filtration. For example, if you increase the

magenta filtration by 20M, increase the exposure time by

20 percent. Changes in yellow dichroic filtration do not

usually affect the apparent print density. If you use cyan

dichroic filtration, use the filter factors in the table above as

starting points for adjusting exposure.

Tricolor Exposure Method

Use KODAK WRATTEN Gelatin Filters No. 25 (red),

No. 99 (green), and No. 47B (blue) to give the paper three

separate exposures. Do not move the paper or the enlarger

until you have made all three exposures. Typical exposure

times for making an enlargement from a normally exposed

negative are given in the table below.

*

For an enlarger equipped with a Photo Enlarger Lamp No. 212 or

No. 302; the setting may vary with other types of lamps.

Evaluate the test print under light of the same color and

brightness that you will use to display the final print.

(See “Viewing.”)

Judge the print density first. If necessary, make another

print by adjusting the exposure as recommended in the table

below:

Then judge color balance:

Filter Times for an Aperture Setting of f/8

*

for

8 X 10 Enlargement of a 120 size KODAK

PROFESSIONAL PORTRA Film Negative)

Red 0.7 seconds

Green 0.9 seconds

Blue 1.2 seconds

If your

print is Do this OR Do this

TOO LIGHT Open the lens

aperture to increase

the light level OR

Increase all

exposure

times

proportionally

TOO DARK Close the lens

aperture to

decrease the light

level

OR

Decrease all

exposure

times

proportionally

If your

print is Subtract these

filters OR Add these

filters

CYAN Red Blue + Green

MAGENTA Green Red + Blue

YELLOW Blue Red + Green

RED Blue + Green Red

GREEN Red + Blue Green

BLUE Red + Green Blue

LATENT-IMAGE KEEPING

Under normal conditions, you should not notice shifts in the

latent image with keeping times from 5 seconds to 24 hours.

Therefore, you do not need to change your printing

procedures to compensate for latent-image shifts under

normal temperature and handling conditions. (If shifts do

occur, minimize them by keeping the interval between

exposure and processing as consistent as possible.)

PROCESSING

Use KODAK EKTACOLOR RA Chemicals for Process

RA-4, and use KODAK PROFESSIONAL Pro Srips Color

Negative Paper Control Strips for Process RA-4 (see

"Process Control").

When fully converted to this paper, your developer

replenishment rate should be approximately 10% lower than

with KODAK PROFESSIONAL PORTRA III and SUPRA

III Papers or KODAK PROFESSIONAL Color Metallic

Paper. Review your process control charts and make

adjustments as needed to stay in control.

Bleach-fix replenishment rates will stay the same for

Process RA-4. When using KODAK EKTACOLOR PRIME

Bleach-Fix Replenisher, replenishment rates will need to

increase.

For detailed information on replenishment rates and

processing this paper in continuous or roller-transport

processors, see KODAK Publication No. Z-130, Using

KODAK EKTACOLOR RA Chemicals. For information on

processing this paper in trays or rotary-tube and drum

processors, see KODAK Publication No. J-39, Tray, Drum,

and Rotary-Tube Processing with KODAK EKTACOLOR

RA Chemicals. Both publications are available through our

website at www.kodak.com/go/photochemicals.

Do not use drying temperatures above 93°C (200°F) to

avoid damaging prints. Underdrying can produce tackiness

that tends to make paper stick when it is wound into rolls

before cutting. Overdrying can cause curl and complicate

transport in print finishing.

Do not ferrotype this paper-its surface dries to a natural

gloss without ferrotyping.

KODAK PROFESSIONAL ENDURA Metallic Paper • E-4028 5

PROCESS CONTROL

To produce high-quality color prints consistently and with a

minimum of waste, you need to match your process to a

standard for density, color, and contrast each time you

process paper. In addition to monitoring process parameters

such as solution times, temperature, replenishment rates,

solution concentrations, etc., you should regularly run

control strips to ensure best results.

KODAK PROFESSIONAL Pro Strips Color Negative

Paper Control Strips / for Process RA-4 (CAT 129 8587) are

designed specifically for use with KODAK

PROFESSIONAL Papers and KODAK PROFESSIONAL

Print and Display Materials in professional labs. These

control strips are designed to detect process conditions that

can degrade the quality of your finished prints. They are

better able to track the papers that are processed in

professional finishing laboratories.

For more information, see KODAK Publication No.

CIS-202, Using KODAK PROFESSIONAL Pro Strips

Color Negative Paper Control Strips / for Process RA-4.

SCANNER TOOLS

The KODAK Q-60 Color Input Targets are available on

KODAK EKTACHROME Professional Film in both 35 mm

and 4 x 5 inch formats and on KODAK EKTACOLOR Paper.

Developed primarily for use by prepress houses in the

printing industry, this target can also be used by professional

photographers, desktop publishers, and in the emerging

hybrid imaging area.

The target is designed for use in the commercial and

desktop arenas as a comparative control tool to help

customers calibrate their input product to the final output.

This target maps the gamut of color space that KODAK

EKTACHROME Film and EKTACOLOR Paper can

reproduce.

When used properly, customers will be able to compare

their output—whether it is separations for the printed page

and four-color printing, or second-generation originals from

a film recorder to the originals. This will help customers

optimize the capabilities of their system for color

reproduction of an extreme range of color gamut.

Scanner color characterization targets produced in

accordance with ANSI IT8.7/1 (transmission) and IT8.7/2

(reflection) Standards (or ISO 12641) are available from

Kodak.

The KODAK PROFESSIONAL Q-60 Color Input

Target ⁄Q-60R2 is manufactured on KODAK

PROFESSIONAL ENDURA Paper, and is likewise

identified by a watermark with a single grey dot under

PAPER. This target can be used with both the newer

ENDURA Papers and older papers. The older Q-60R1

target, which has the same two-dot watermark as the older

papers, can be used with the newer papers.

ILLUMINATION FOR EVALUATION OF

PRINTS

Evaluation of prints for color and density requires higher

illumination levels than those used in normal display

conditions. A good average condition is a light source with

a color temperature of 5000 K ± 1000, a Color Rendering

Index of 85 to 100, and an illuminance of at least 50

footcandles (538 lux). Fluorescent lamps such as cool white

deluxe (made by several manufacturers) meet these

conditions.

You can also use a mixture of incandescent and

fluorescent lamps. For each pair of 40-watt cool white

deluxe fluorescent lamps, use a 75-watt frosted, tungsten

bulb.

Viewing conditions should meet ANSI Standard

PH2.30-1989.

RETOUCHING

If possible, do any required retouching on color negatives

before you make prints—especially if you plan to make more

than one print from each negative. For information on

retouching negatives, see KODAK Publication No. E-71,

Retouching Color Negatives.

If the negative image is small, you can make corrections

much more easily by applying dry or liquid dyes to small or

large areas of the enlarged print. Although you’ll probably

do most retouching with dyes, you may sometimes want to

use black lead, colored pencils, or opaque. Because color

prints have separate dye layers, you can’t use an etching

knife to reduce density as you can with black-and-white

materials. For information on retouching prints, see

KODAK Publication No. E-70, Retouching Prints on

KODAK EKTACOLOR and EKTACHROME Papers.

6KODAK PROFESSIONAL ENDURA Metallic Paper • E-4028

POST-PROCESS TREATMENTS

Mounting Prints

You can mount prints with dry mounting tissue. The

temperature across the heating platen should be 82 to 93°C

(180 to 200°F). Preheat the cover sheet that you use over the

face of the print to remove moisture. Apply pressure for 30

seconds, or up to 3 minutes in the case of a thick mount.

Caution

Temperatures above 93°C (200°F) for long peroids of time

can cause physical and color changes in prints. Excessive

moisture can also cause color shifts. To minimize these

changes, mount at the lowest temperature and over the

shortest possible time.

Note: Images on KODAK PROFESSIONAL ENDURA

Metallic Paper may shift towards a pink balance after heated

to excessive temperatures, but will return to normal color

balance when completely cooled to room temperature.

You can also use contact-type adhesive or cement for

cold-mounting.

For information on lacquering and other post-process

treatments, see KODAK Publication No. E-176,

Post-Processing Treatment of Color Prints—Effects on

Image Stability, available through our website at

www.kodak.com/go/professional.

DISPLAY

KODAK PROFESSIONAL ENDURA Metallic Paper has

been formulated to provide improved dye stability and print

longevity for prints displayed under typical home lighting

conditions (i.e., 120 lux for 12 hours a day) and typical home

dark storage conditions (i.e., 20 to 30°C [68 to 73.4°F] and

50% humidity).

Photographic dyes, like all dyes, can change with time and

exposure to sunlight, ultraviolet radiation, excessive heat,

and high humidity. To help prevent changes in photographic

dyes, follow these guidelines:

•Illuminate prints with tungsten light whenever possible.

•Display prints in the lowest light level consistent with

your viewing needs.

•If a print is exposed to direct or indirect sunlight or

fluorescent light, use an ultraviolet-absorbing filter

(such as glass) between the light source and the print.

•If prints are displayed behind glass, maintain a slight

separation between the prints and the glass.

•Keep the temperature and humidity as low as possible.

•Use album materials described in KODAK Publication

No. E-30, Storage and Care of KODAK Photographic

Materials - Before and After Processing.

PRINTER CONTROL TOOLS

The following tools are manufactured by Kodak for

optimization of printer balance and slope controls of

KODAK PROFESSIONAL PORTRA Films printed on

KODAK PROFESSIONAL Papers.

The following tools are manufactured by Kodak for

optimization of printer balance and slope controls of

KODAK PROFESSIONAL PORTRA Films printed on

KODAK PROFESSIONAL Papers.

The following tools are manufactured by Kodak for

optimization of printer balance and slope controls of

KODAK PROFESSIONAL T400 CN Film printed on

KODAK PROFESSIONAL Papers.

Product Features /

Description CAT No.

KODAK PROFESSIONAL

PORTRA

Printer Control

Negative Set / Size 135

Size 135 Film

Includes one of

each: Very Under,

Under, Normal,

Over, Very Over

179 8511

KODAK PROFESSIONAL

PORTRA

Printer Control

Negative - Normal

Size 120 Film

Normal 846 0958

KODAK PROFESSIONAL

PORTRA

Printer Control

Negative - Very Under

Size 120 Film

Very Under 107 1398

KODAK PROFESSIONAL

PORTRA

Printer Control

Negative - Under

Size 120 Film

Under 841 1902

KODAK PROFESSIONAL

PORTRA

Printer Control

Negative - Over

Size 120 Film

Over 177 1302

KODAK PROFESSIONAL

PORTRA

Printer Control

Negative - Very Over

Size 120 Film

Very Over 144 5741

Product Features /

Description CAT No.

KODAK PROFESSIONAL

PORTRA 400BW

Printer Control

Negative Set / Size 135

Size 135 Film

Includes one of

each: Very Under,

Under, Normal,

Over, Very Over

156 8286

KODAK PROFESSIONAL

PORTRA 400BW

Printer Control

Negative Set / Size 120

Size 135 Film

Includes one of

each: Very Under,

Under, Normal,

Over, Very Over

114 4419

Product Features /

Description CAT No.

KODAK T400 CN

Printer Balancing Kit /

Sizes 135 and 120 Sizes 135, 120 865 3552

KODAK PROFESSIONAL ENDURA Metallic Paper • E-4028 7

CURVES

Characteristic Curves

1.0

R

G

B

Status A

0.5 sec.

RA-4, 95°F (35°C), 45 sec.

Process:

Exposure:

Densitometry:

0.01.0

4.0

3.0

2.0

1.0

DEN

S

ITY

2.0

0.0

3.0

LOG EXPOSURE (lux-seconds)

Spectral-Dye-Density Curves

Yellow Magenta

Process: RA-4

700

2.5

1.5

2.0

0.5

1.0

DIFFUSE SPECTRAL DENSITY

600

WAVELENGTH

(

nm

)

400

0.0

500

Cyan

Spectral-Sensitivity Curves

NOTICE: The sensitometric curves and data in this publication represent product tested

under the conditions of exposure and processing specified. They are representative of

production coatings, and therefore do not apply directly to a particular box or roll of

photographic material. They do not represent standards or specifications that must be met

by Eastman Kodak Company. The company reserves the right to change and improve

product characteristics at any time.

Layer

Forming

Cyan-

Layer

Forming

Magenta-

Layer

Forming

Yellow-

RA-4

Effective Exposure:

Process:

0.5 sec.

4.0

3.0

2.0

1.0

*

0.0

LOG SENSITIVITY

2

WAVELENGTH (nm)

to produce specified densit

y

*Sensitivity = reciprocal of exposure (erg/cm ) required

250 300 350 400 450 500 550 600 650 750700

KODAK PROFESSIONAL ENDURA Metallic Paper

New 2-03

Printed in U.S.A.

KODAK PROFESSIONAL ENDURA

Metallic Paper

KODAK Publication No. E-4028

MORE INFORMATION

Kodak has many publications to assist you with information

on Kodak products, equipment, and materials.

Additional information is available on the Kodak website

and through the U.S.A./Canada faxback system.

The following publications are available from dealers who

sell Kodak products, or you can contact Kodak in your

country from more information.

E-30 Storage and Care of KODAK Photographic

Materials—Before and After Processing

E-70 Retouching Prints on KODAK EKTACOLOR

and EKTACHROME Papers

E-71 Retouching Color Negatives

E-176 Post-Processing Treatment of Color Prints—

Effects on Image Stability

J-39 Tray, Drum, and Rotary-Tube Processing with

KODAK EKTACOLOR RA Chemicals

K-4 How Safe is Your Safelight?

Z-130 Using KODAK EKTACOLOR RA Chemicals

For the latest version of technical support publications for

KODAK PROFESSIONAL Products, visit Kodak on-line at:

http://www.kodak.com/go/professional

If you have questions about KODAK PROFESSIONAL

Products, call Kodak.

In the U.S.A.:

1-800-242-2424, Ext. 19, Monday–Friday

9 a.m.–7 p.m. (Eastern time)

In Canada:

1-800-465-6325, Monday–Friday

8 a.m.–5 p.m. (Eastern time)

Note: The Kodak materials described in this publication for

use with KODAK PROFESSIONAL ENDURA Metallic

Paper are available from dealers who supply KODAK

PROFESSIONAL Products. You can use other materials,

but you may not obtain similar results.

Kodak, Kodak Professional, Ektachrome, Ektacolor, Endura, Portra, Supra and Wratten

are trademarks.