Mamiya 6 Instruction Manual

6 - Instructions Mmy_6_v4 Free User Guide for Mamiya Camera, Manual

Mamiya_6_v4

2015-07-27

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Page Count: 35

Congratulations on your purchase of the New Mamiya 6, 6

6cm

range/viewfinder camera for

120/220

film, featuring interchangeable

lenses and automatic exposure control in a compact, lightweight body,

which handles as easily as a 35mm camera.

Its

innovative retractable lens

mount allows the lens to be partially recessed in the camera body

a unique feature which further adds to the camera’s compactness.

Three interchangeable lenses, a 75mm standard, a 50mm wide-angle

and a

150mm

telephoto, make the New Mamiya 6 a system camera that

serves many needs.

The New Mamiya 6 is built with traditional precision workmanship and

optical perfection. It is a product of Mamiya Camera Co., Ltd., Tokyo,

Japan, a pioneer in medium format cameras for over half a century.

While the New Mamiya 6 has undergone extensive quality control

checks, it is extremely important that this manual be read carefully before

attempting to use the camera. A thorough understanding of just how and

why your new camera works eliminates mishandling and ensures a long

service life.

Special Features of the New Mamiya

.........................

Nomenclature and

FunctionalPartss...............................

Preparatory steps

for

use

...............................................

Mounting/Removingg

Lenses............................................

How to

Retract

the

LensMount......................................

1 1

InsertingBatteries............................................................

Opening/Closingg

Light Shield

Curtain .............................

ReleasingtheeShutter......................................................

1 4

BeforeLoadingtheFilm..................................................

the

Film

..............................................................

1 6

ShutterSpeed..................................................................

ShutterReleaseButton

....................................................

1 9

LEDIndicators

inthe Viewfinder

.....................................

FocusingtheLens............................................................

TakingPhotographs.........................................................

AE (AutomaticExposure)Photography..........................

AELock(AEL) Photography

...........................................

Manual

Photography

........................................................

Self-Timer.........................................................................

Depth-of-Fieldd

...................................................................

ExposureCompensation................................................. 26

TimeExposures............................................................... 26

Flash

Photography

...........................................................

InfraredPhotography.......................................................

Emergency Winding-Stop

ReleaseButton

.....................

Howwto

Hold

the Camera.................................................

Lenses..............................................................................

Depth-of-Field Tables.......................................................

Accessories

......................................................................

Specifications....................................................................

TroubleShooting.............................................................. 33

CameraCare

.................................................................... 33

CameraStorage andMaintenance................................. 34

Automatic Exposure

(AE)/Simplicity at

Your Fingertips

Utilizing the latest in electronic technology, the New Mamiya

aperture-priority

AE control guarantees simplicity in all camera

operations.

Just focus the lens and actuate the shutter with a touch of the

electromagnetic release. The many built in error-preventing inter-

locks will be

welcomed

by the pro working under pressure.

6 x 6 Square Format

The

medium format lends itself to this “quick-draw”

range-

finder camera, which has the handling ease of a 35mm camera but

the advantages

a 360% larger negative and therefore far

superior image quality. Composition details can be leisurely

decided in the darkroom.

Advantages of

Rangefinder

Camera

Since rangefinder focusing is easier than groundglass focusing in

dim light, the New Mamiya

will be particularly useful to wedding

and party photographers. Sports, aerial and action photographers

will

also

benefit from its

fast

operational features.

Innovative Retractable Lens Mount Compactness and

Safety Controls

The interchangeable lenses fit on a retractable lens

mount

which

reduces the

storage

depth by 31mm (1-1/4").

The lens barrels and mount are made of a tough, durable light

weight aluminum alloy that promises

long

service

life, even under

rough

professional

use.

Precision and

Accuracy/Double-lmage

Superimposing

Rangefinder

The rangefinder with its precision ground pentaprism is crisp and

clear and ensures quick, easy focusing. Focusing

error

has been

substantially eliminated due to its long

6Omm

base. When mounting

any one of its three lenses, the corresponding field of view frames

in the viewfinder are automatically selected, and parallax is

automatically compensated for.

LED

Display/A

Variety of Safety Features

The

user

will find all relevant data on the LED display - correct

shutter

speed.

as well as over or under exposure indicator. A blink-

ing LED signals when

the

batteries

need to be replaced.

A self-timer with a

second delay and electronic flash sychroni-

zation at all shutter speeds are additional features.

Wide Angle, Standard and Telephoto Lenses

The

high contrast, color balance and resolving power of

Mamiya multi-coated, high performance lenses reflect the latest

discoveries in optical technology. The short flange focal distance

design of these lenses contributes substantially to their out-

standing quality.

The wide-angle lens in particular transmits large amounts of

peripheral light rays, resulting in corner to corner sharpness.

The image quality produced by these new Mamiya lenses is

unsurpassed, regardless of the subject matter-be it landscape,

aerial, industrial, scientific, fashion or

portrait

photography.

The retractable

Iens

mount

greatly

reduces

the profile of the New Mamiya

making it

more convenient to

store

and carry.

Body cap

order to attach the lens, first pull out the

lens mount and remove the camera body

cap. To do this, while pressing the retraction/

extension button (A) in, pull the lens mount

out by gripping the cross bar of the lens cap.

Then, while pressing the lens release button

(B) in, rotate the cap counterclockwise, and

align the groove (C) on the cap’s side with

the lens alignment dot (D) on the body. The

body cap can then be pulled out.

*The lens release button cannot be pressed

when the light shield curtain is open. So make sure

the curtain is closed. For curtain opening/closing

see page 13.

[Mounting lens] [Removing lens]

Remove the front and rear lens caps.

The front lens cap can be removed by

pressing in the tabs on the right and left

with your fingers and pulling the cap

towards you.

The rear lens cap can be removed by

rotating it counterclockwise.

Align Lens Alignment Dot (E) With the

Camera Alignment Dot

(D).

Insert the lens

into the camera body. Then

turn

the lens in

the direction of the arrow until it clicks and

locks into place.

Like removing the camera body cap, while

pressing in the lens release button (B),

rotate the lens in the direction of the arrow

until the lens alignment dot is lined up

with the white alignment dot (D) on the

camera body.

Changing lens

When changing lens, pull out the retractable

mount and proceed to the action mode.

Through mounting the lens is possible with the

mount retracted, removing it is not possible. (Inter-

locks!)

When the

mount is retracted, or if the

light baffle

open

when trying to remove the lens, the lens

release button will not work, preventing lens re-

lease.

Particularly

when mounting the 50mm lens, take

care so that the rear rim of the lens does not

touch

the body’s rangefinder coupling cam.

*When the lens has been removed and film

remains in the camera body, avoid exposure to

direct

sunlight as film fogging may result.

[CAUTION]

Gold Plated Electronic contacts

are

provided inside the retractable

mount and at the rear of each lens. If oil, dirt, or other foreign matter

collects on the contacts poor electronic

information

transfer

may

result. When soiled, use a piece of clean cloth to wipe

them

thoroughly before installing the lens

Also,

use the utmost care so as

not to touch them. (Position the front face of the lens which has

been removed as shown in the photo.)

[Pulling out the retractable

lens mount]

1. While pressing in the retraction button

(A) on the camera

body

in the direction of

the

arrow,

pull

out

the lens and lens

mount

When both have been pulled

out,

take

your

fingers

off the

retraction

button, and

until it clicks.

make

sure

that both have been

completely

pulled

out.

[Retracting (storing) the lens

mount]

While pressing in the

retraction

button

(A) on the camera body in the direction of

When the lens

mount

has been retracted

the

arrow,

push the lens

straight

in towards

in place, take your fingers off the button and

make sure that the

lens

has been securely

seated in the camera

body.

the camera

body.

The camera will not function with-

out

batteries.

Remove the battery chamber cover on

the

bottom

of the camera with a

coin

screwdriver.

“+”

is indicated on the inside of the

battery

chamber

cover.

Insert

the

two

bat-

teries,

being sure to properly place each

battery with the

“+”

side up, facing the

cover.

The New Mamiya

uses either two SR44

silver oxide batteries or two

LR44

alkaline

manganese

batteries.

1111

[Battery check]

Power can be

turned

on/off

with the

small lever beside the shutter release button.

(ON) Align the white dot on the lever with

the white dot on the camera body.

(OFF) Align the white dot on the lever with

the red dot on the camera body.

When the power is turned ON and the

shutter release button is touched slightly,

the shutter speed is indicated on the left

side of the viewfinder and a red LED indi-

cator lights on the upper right side indicating

that power is normal.

*When battery power drops below normal, or

when the

batteries have been inserted

improperly

the

shutter speed does

not

show and the red LED

does not light.

When

the

shutter release

button

is lightly touched.

CAUTION:

l Be sure to confirm proper polarity of the bat-

teries before insetting them.

not contaminate the battery surface with oil,

sweat, or other foreign matter. Failure to insert

clean batteries could result in

poor

electrical

contact.

When contaminated, carefully wipe with a dry

cloth, or clean lens tissue.

After

the

camera has bean used for many hours

of photographing, or has been inactive for a long

time,

insert

new batteries.

When the camera is used in low temperatures,

battery

performance

deteriorates: below

0°C.

34F

use new batteries as needed.

[Spare batteries]

Can be stored inside the body cap.

the power

on/off

lever

is left ON, the LED

lights up when the shutter release

button

pressed,

resulting

in early battery depletion.

sure

keep the

on/off

lever OFF.

1212

[Opening the light shield curtain] [Closing the light shield curtain]

Before opening/closing the light

shield curtain, be sure to cock

the shutter, otherwise, it will not

open/close.

To open the light shield curtain, slide the

light shield curtain release lever along to fol-

low the arrow

down and right. This

will cause curtain to snap open.

The light shield lever indicator

(a white

line) is then aligned with

”

“.

Rotate the light shield closing lever in the

direction of the arrow, away from the open

position

”

and align the white indi-

cator on the lever with

”

to close.

When the light shield curtain is open, the lens

cannot

be removed. Close the curtain to

remove

the lens.

When the light shield curtain is closed, the shut-

ter cannot

released.

When taking a picture, open the light shield cur-

tain.

(If the light shield curtain is closed, a

red

LED will

indicate that it is closed.)

Never touch the light shield curtain or the

bellows. If touched, light leakage or a mal-

function may result.

Before using the camera, it is advisable

understand how it works.

1.Power

on/off

lever .................... set to ON.

(See

page

12)

Film advance lever ....

Wind

the lever to

cock the shutter.

Light shield curtain

.._................

Open.

(See

page 13)

. Retractable lens mount

._......_.._...

Pull

out.

(Photographing position) (See page

11)

5. Back

cover .......................................

Open.

(See

page

15)

6. Release the shutter ......(See page

19)

Note:

If the shutter is

not

released, a red (LED) in the

viewfinder will light; repeat steps

again.

1414

Set the film speed of the film being used by

lining up the outer rim of the

shutter speed

dial and rotate it until the

correct

IS0 value

appears in the window.

[Opening/closing the back cover]

While depressing the back

cover

lock but-

ton,

simultaneously

push down the lock

lever in the direction of the arrow and the

back will open.

When closing the back

cover,

securely

press both corners until it clicks.

[Setting the film

type]

This camera can use either

120

or 220 film.

set the type of film used, simply rotate

the pressure plate in the direction of the

arrow until the white dot is at “120”

“220”.

When set. “120” or “220” will appear in

the small window under the memo clip.

[Memo clip]

The memo clip on the back

cover

is used to

hold the film box

serve

as a convenient

reminder of the type of film in the camera or

for recording the date.

Push the spool release lever of

right

side

to the

right,

and install the

take-up

spool

the take-up spool chamber, then push

the

lower

spool

stud up.

Like installing the take-up spool, push

the

spool release lever of

left

side

the

left,

place a

roll

of film in the film chamber, mak-

ing sure it seats properly. Make sure the

backing

paper is in the position illustrated

3. When the new

roll

has been inserted, be

sure to reset the lower

spool

stud by

pres-

sing it in. (Also, be sure to reset the take-up

spool stud in a similar manner.)

Pull out the backing paper, and insert the

tip into the slot on the take-up

spool

pic-

tured.

5. Wind the

film

advance lever until the

small arrow (the starting indicator on the

backing paper) aligns with the film starting

indicator (

) on the camera body. Then

close the back cover.

6 . Wind the film advance until it stops and

“1” appears in the exposure counter

window.

Make sure backing paper advances evenly be-

tween the spool flanges and does

not

begin

slant. If it advances unevenly, remove the backing

paper from the take-up spool and refeed, starting

again.

l If the film is not properly aligned with the

“V”

indicator, the film may be improperly loaded.

When any other numeral than

"S"

appears in

the exposure counter window, it is an indication

that the

film

is loaded.

do not open!

* Do not excessively pull on the backing

paper.

and do not load/unload the film in direct sunlight:

bright light may

fog

the film.

Tightly

wind

the backing paper around the spool

a couple of times. If this is not done, light may

enter from the spool flanges

when

the film is

unloaded.

[Determining the shutter speed]

The New Mamiya 6 has an aperture-prior-

ity, AE lens shutter. Once the aperture and

film speed are set, the AE meter selects a

proper shutter speed in relation to the set

aperture. Under the manual photographic

mode, proper shutter speed is indicated by

a red LED within the viewfinder.

To set the diaphragm to a desired aper-

ture, rotate the aperture ring (A) until the

appropriate figure is aligned with the cent-

ral red index line (B). (Click stops are pro-

vided at each engraved aperture number

but the diaphragm can be set also for in-

termediate stops.)

2. Rotate the shutter speed dial and

select either the AE

or manual mode for

photographing.

Rotate the dial to align it with the white

index line (-) on the camera body.

13,

the

dial is locked.

The

lock

can be

released by pressing the AE lock release button

(A) in the center of the dial.

l In any position other than

the shutter

speed dial moves freely from click-stop to

click-

stop: it must be set on a specific click-stop and

cannot be used at an in between setting.

l Intermediate Diaphragm settings (between

click stops) are possible. Intermediate Shutter

Speeds (between engraved numbers) are not

possible.

Shutter speed dial:

AE (automatic exposure)

Based on the aperture setting, the

camera automatically selects the shut-

ter speed.

AEL (AE

lock)

The camera memorizes the aperture

when shutter release button is

touched slightly so that, even when

the position of the subject or

camera

changes, a picture can be taken with

the initial aperture setting and is not

affected by changes in light.

Bulb

exposure

At this position, the shutter will remain

. .

open as long as the shutter release

button is pressed.

Shutter controls

On the shutter speed dial the yellow

numbers indicate the number of whole

seconds while the white numbers indi-

cate fractions of seconds,

Example: “4” indicates 4 seconds

while 125 indicates 1/125 seconds.

1818

The

shutter

release

button

is designed

that pressure can be applied in two stages.

When it is slightly touched, correct metering

data is displayed on the left side of the view

finder. When it is depressed all the way,

the shutter is released and an exposure

is made.

*The LED’s are located at the very left

margin of the finder in order not to interfere

with the

field

of view of the wide angle lens.

indicator

I~-

-~-i

Bright field of view frame (set by lens)

When the lens mount is retracted, the viewfinder frame

(i.e.

the bright frame) selected is the widest frame for

1919

all lenses.

[Photographic area covered]

When the lens has been focused, the double-image

superimposing rangefinder produces two superim-

posed images within the square

of the viewfinder.

How To:

1. Position the subject within the central square

of the viewfinder. As on the top left the subject

will appear as a double image.

2. Rotate the focusing ring until the two images

converge and are superimposed as on the

figure on the left. The lens is now focused.

The two images can also be superimposed by

using the boundary line between the viewfinder and

the square or split image.

Adjust the images until the boundary lines converge.

Within the viewfinder the photographic

area covered is indicated by the visible

bright frame. Parallax is automatically

compensated for according to the

subject-

to-lens distance.

The composition will be with in the lines of

the bright frame

83% of the field of

view is visible at

r;,

and 100% is visible at

the minimum focusing distance. The

appropriate bright frame area is auto-

matically selected upon lens interchange.

[Unloading the film]

1. Press the shutter release button when

you have focused and determined compos-

ition.

2. Advance the film by winding the film

advance lever until it stops. (The shutter is

then cocked.)

3. After completing the last exposure, wind

the advance lever several times, until the

film with its backing paper is completely

wound onto the take-up spool. The advance

lever will become easier to actuate when

the film has been completely wound on the

spool.

When the shutter release button is pressed and

the film is exposed, a red LED will light on the

upper right side

the viewfinder.

1. .

Open the back cover and remove the roll

of film. By pushing the

spool

stud release

lever to the right, disengage and remove the

spool. As shown, the roll of film can be eas-

ily removed from the take-up chamber if you

push up the spool up a little-it will then lift

out. When the back cover is opened, the

exposure counter will automatically return to

'S' (start).

2. Be careful not to let the roll of exposed

film unwind. Be sure to seal it immediately.

To prepare for another roll, remove the empty

spool from the film chamber, and place it in the

take-up chamber.

Wind

the advance lever until it

stops.

(Other-

wise, a red LED in the

viewfinder

will signal that it

impossible

to press

the

shutter release button.)

Do not advance the

film

too quickly, as

this

might

adversely affect

film

flatness, or frame spacing.

To remove

the

film

before exposing the entire

roll, cap the lens and press the shutter release but-

ton and wind the

film

onto the take-up spool frame

by frame.

1. Align

”

on the shutter speed dial with

the white line index mark on the camera

body.

sure to set the exposure compensa-

tion scale to 0.

3. Set the aperture to the desided

"f"

number according to conditions.

4. When the shutter release button is

slightly

touched, an LED indicating proper

exposure will automatically light in the view-

finder. When

LED blinks,

indicates

over-exposure. Rotate the aperture ring to

stop down to a smaller exposure until an

LED indicates proper exposure.

Blinking "LT" indicates under-exposure:

rotate

the aperture ring until the LED stops blinking to

increase exposure.

Illuminating

"LT"

indicates

that

the shutter is set

for a relatively

long

exposure

from

between 1 to

seconds.

When taking pictures at such

slow

speeds, be

careful not to move or vibrate the camera. Either

open the aperture for a higher shutter

speed,

use a tripod, or

use

a flash.

Under AE (automatic exposure) or AEL

(AE lock), the

LED display in the viewfinder will

continue to Operate as long as the shutter

re-

lease button is touched slightly. When you

take your

finger

off

the

button.

the

LEDs

will

go out.

Rotate the shutter speed dial until

“m

”

aligns with the

white

index mark on the

camera

body.

Position the important part of your subject in

the central square of the viewfinder

this

will establish the correct exposure. Then

touch the shutter release button slightly and

an LED will light indicating the correct expc-

sure. After making any necessary adjust-

ments to the aperture, press completely for

your exposure. Even when light quality is

variable, an optimum exposure is possible.

If you cannot get close enough to your sub-

ject for another meter reading, make substi-

tute measurements by pointing the camera

to light and dark areas and calculate a

mean exposure value or try taking a reading

off your palm.

The depth-of-field varies according to the

aperture. The smaller the aperture

(f/8,

/11

f/16...) the greater the depth-of-field; the

larger the aperture (f/8, f/5....) the smaller

the depth-of-field. To take pictures which

are sharp from foreground to infinity or

when taking snap shots, the focusing range

is extended or depth increased by using a

smaller aperture. When the subject is to

stand out, with the background out of

focus,

a larger aperture is appropirate.

The depth-of-field scale on the lens

indi-

cates depth-of-field in terms of the distance

between subjects on both sides of the

scale. For example, when a 75mm lens is

stopped down to

f/8

and f/16, respectively,

everything photographed within the ranges

shown in the photo at the left will be sharp.

Six types of diopter correcting lenses are

available for near/far-sighted people. Mount

as indicated above.

Powers available are: +3, +2.

-1, -2

and -3.

See page 30 for depth-of-field tables for all three

lenses.

The exposure compensator functions in a

number of important ways. It can be used to

correct exposure values

(EVs)

or the differ-

ences in brightness between a primary sub-

ject and its background

especially when

over or under-exposures occur. It can also

be used when filters are employed or when

engaged in available light photography

or under high contrast conditions (i.e.

low

high key).

To set, press the compensator lock release

button (A), and move lever (B) to select the

desired EV: graduations are 1/3 EV.

[When a filter is

used]

Whether using the AE or manual mode sim-

ply compensate for the

filter

exposure factor

as indicated in the table below.

When taking an exposure longer than

4 seconds, set shutter to “B” (bulb). While

the button is pressed down, the shutter will

remain open. In order to prevent camera

movement, it is best to use a cable release

and tripod.

When set at

“B”

the self-timer does not

work.

The cable release can be screwed in the

release socket beside the shutter release

button as pictured above.

Fitter exposure factor

Xl x1.2 x1.5 xl.7 x2 x2.5 x3 x4

Exposure compensation value

(EV) 0

+‘h

+zh

+2h

+I’/+

+12h

The new Mamiya 6 features an X synchro

flash terminal and its lens shutter system

permits flash synchronization at all shutter

speeds.

Shoe-mounted flash units can be attached

directly to the hot-shoe, while flash brackets

can be attached to the tripod socket for

larger flash guns.

Remove safety cover (A) to

attach

sync

cord in the socket.

[Determining the aperture]

When using automatic flash units, refer to

the instructions on the flash unit for correct

aperture settings.

When using a manual electronic flash, the

guide number divided by subject distance

gives the correct aperture.

Guide number (46)

= Correct aperture

Subject distance (6 m) setting (8)

Charged

electronic flash units sometimes fire

when they are attached to the camera. This does

not indicate a defective circuit.

When using electronic flash, be sure to read its

manual

carefully.

When using infrared film, it is necessary to

make a focusing adjustment in order to

achieve accurate focus. This is because the

focus position of the image deviates from

normal since the infrared ray wavelength is

longer. After focusing in the usual manner,

check the distance on the distance scale

that is aligned with the center reference

mark of the lens. Make the focusing adjust-

ment by turning the focusing ring in the

direction of the arrow in the accompanying

photograph so that the distance just

observed is aligned with the infrared mark.

[Neck strap]

If the batteries have been depleted

espe-

cially when the power on-off lever has been

set to the OFF position during long expo-

sures (at

"B"

; 4 seconds or 2 seconds)

the winding-stop prevents the film from

being wound.

If this happens, push the emergency ad-

vance/stop release button with a pen or

other pointed object as shown above. The

advance/stop is then released, allowing the

film to be wound. Please note that that par-

ticular frame will be poorly exposed.

l When the batteries have been depleted,

immediately replace them.

The emergency winding-stop release button

should

not

be used for any other purposes.

Since the New Mamiya 6 has a 6

6 for-

mat, it

not necessary to adjust for vertical

and horizontal composition. Because most

out of focus pictures are the result of camera

movement, make sure

not

to move when

pressing the shutter button. Hold the camera

with your elbows close to your body: pres-

sing

part

of the camera on your forehead

will help stabilize it. Then gently release the

shutter.

When making exposures longer than 1/30

sec.,

it is advisable to use a tripod with a

cable release.

Pass the neck strap through the

carrying strap lug, and fasten it

as shown.

[Using a tripod]

When using the camera

with a large tripod

head, the head may interfere with the spood

stud, preventing

film

from being loaded. To

prevent this, use the optional tripod adapter

for the M645 Super.

*The threaded tripod screw hole is

5.5mm

deep

and the use of a longer tripod screw might result in

the damage or breakage of internal working parts.

So be careful not to apply unnecessary pressure

when mounting the camera.

G4/50L

(50mm f/4)

G3.5/75L

(75mm f/3.5)

Lens construction: 8 elements in 5 groups

Angle of view: 75°

Minimum aperture: 22

35mm equivalent: 28mm

Minimum focusing distance: 1 m

Minimum magnification: 0.059

Area covered: 945 x 945mm

Filter size: 58mm

Hood: Bayonet type

Dimensions: 55 (length) x 64mm (diameter)

Weight:

335g

Lens construction: 6 elements in 4 groups

Angle of view: 55°

Minimum aperture: 22

35mm equivalent: 41 mm

Minimum focusing distance: 1 m

Minimum magnification: 0.089

Area covered: 632 x 632mm

Filter size: 58mm

Hood: Bayonet type

Dimensions: 43 (length) x 64mm (diameter)

Weight:

250g

G4.5/15OL

(150mm

f/4.5)

---

Lens construction: 6 elements in 5 groups

Angle of view: 30°

Minimum aperture: 32

35mm equivalent: 82mm

Minimum focusing distance:

1.8m

Minimum magnification: 0.0996

Area covered: 562 x 562mm

Filter size: 67mm

Hood: Screw-in type

Dimensions: 86 (length) x 70mm (diameter)

Weight: 480g

G4/50L

G3.5/75L

G4.5/1

50L

[Lens hood]

For 50mm

f/4:

Bayonet type

(58mm

in diameter)

For 75mm f/3.5: Bayonet

type

(58mm in diameter)

For

150mm

f/4.5

Screw-in type

(67mm in diameter)

All are supplied with the lenses.

[Diopter correcting lens]

Focusing accuracy diminishes when the

eye diopter is incorrect. So, it is advisable

that near and far sighted people use diopter

correcting lenses.

Fit the proper diopter correcting lens to the

eyepiece.

“,v”_”

are available: +3, +2,

+1,

-1,

[Tripod adapter

(common to

M645

Super)

This is used to mount the camera to the

tripod head.

Even when the tripod has a large head, the

adapter allows film to be loaded, while the

camera is attached to the tripod.

[Auto Close up Lens

]

[Lens case] Type A

The close-up adapter “Auto Close up Lens”

The lens case is made of special material

is designed for use with standard

75mm/

which is very soft but tough.

f3.5 lens. Dimension: bottom diameter is 90mm and it

It will be very

convenient

for taking

close-

160mm

in length

ups of portraits, plants, flowers and insects,

as well as for the reproduction of books, and

Mamiya 6 Instruction Manual

6 - Instructions Mmy_6_v4 Free User Guide for Mamiya Camera, Manual

Mamiya_6_v4

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