Mamiya 6 Mf Instruction Manual

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6 MF - Instructions Mmy_6mf_v5 Free User Guide for Mamiya Camera, Manual

Mamiya_6MF_v5

2015-07-27

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Mamiya 0

AAF

Congratulations on your purchase of the Mamiya 6 MF,

Succeeding the New Mamiya 6, the Mamiya 6 MF is the latest addition to the

Mamiya 6

6cm format series which has become the world’s standard in the

medium format field thanks to Mamiya’s stress on “originality and reliability

“-

two

qualities that have become synonymous with the very name Mamiya.

A combination of Mamiya’s traditional precision workmanship and modern

aesthetics, the 6 MF can take photos in any of three formats

(

6cm,

4.5cm and

the wide panoramic format using an adapter with 135 film

Featuring automatic exposure

(AE)

control, the 6 MF is compact, light weight and

exhibits the versatility of a 35mm camera, while assuring high quality medium

format pictures, The retractable lens mount, which allows the lens to be partially

recessed into the camera body, further adds to the camera’s compactness while

protecting the lens.

The 6 MF also comes with three types of high perfomance interchangeable

lenses

the standard (75mm),wide angle

(50mm),

and telephoto

(15Omm)

satisfy a variety of photographic prerequisites.

While the 6 MF has undergone extensive quality control checks, it is extremely

important that this manual be read carefully before attempting to use the camera.

A thorough understanding of just how and why your new camera work will eliminate

potential misuse and ensure a long service life.

Special

Features of the

Mamiya 6

MF .........................

Nomenclature andFunctionalParts...............................

Preparatory

Steps

for

Usee

...............................................

Mounting/RemovingLenses............................................

HOW to

Retract the

Lens Mount

......................................

InsertingBatteries............................................................

Opening/ClosinggLight ShieldCurtain.............................

Releasinggthe Shutterr......................................................

Before

Loading the Film

..................................................

Loading the Film

.............................................................

ShutterSpeed

..................................................................

ShutterrReleaseButton....................................................

LEDIndicators

theViewfinder.....................................

FocusingtheLens............................................................

TakingPhotographs.........................................................

AE (Automatic Exposure)Photography..........................

Lock

(AEL)

Photography...........................................

ManualPhotography........................................................

Self-Timer........................ ..............................

Depth-of-Field...................................................................

Exposure Compensation

.................................................

TimeeExposures...............................................................

Flash

Photography

...

.....

...............................................

InfraredPhotography

......

..................................

,.,.,

,.,

Emergency Winding-StopReleaseButtonn

.....................28

How to Hold the Camera

.................................................

Photography

with the

4.5

Format

......................

.......

Lenses..

..............

.....................................................

...

Accessories......................................................................

Specificationss....................................................................

TroubleShooting..............................................................

CameraCare

.........

...........................................

Camera Storage and

Maintenance

.................

....

Three Size Multiple Formats

In addition to the attractive 6

6cm square format which assures

multifaceted

composition,

the Mamiya 6 MF is also capable of

using the 6 x

4.5cm

format frame mask and the wide 24 x 54mm

panoramic format using 35mm film with the optional

Panoramic

adapter Set, Thus, these multipurpose formats greatly enhance

the photographer’s potential creations.

Compact and Light Weight 6 x 6 Format / Versatile and

Quick

Although the Mamiya 6 MF is a 6 x 6cm format camera, its

versatility is comparable to that of a 35mm camera and allows for

fast operation, thus serving particularly well for covering wedding,

parties, sports as well as a host of other photographic venues.

Innovative Retractable Lens Mount/Compact and Safe

The interchangeable lenses fit on a retractable lens mount

which reduces storage depth by 31 mm.

The lens barrels and mount are made of a tough, durable light

weight aluminum alloy that promises a long service life even

under the roughest professional use.

Automatic Exposure(AE)/Simplicity at Your Fingertips

Utilizing the latest in electronic technology, the Mamiya 6 MF

aperture- priority AE control guarantees simplicity in all camera

operations, Simply by focusing the lens and actuating the shutter

with a soft touch of the electromagnetic release, every photogra-

pher can avail himself of a negative area that is a significant

3.6X larger than the

35mm

format.

Double-lmage Superimposing Rangefinder/Precise and

Accurate

Focusing has been enhanced and errors substantially

elimi-

nated due to the rangefinder’s long 60mm base, while the precision

ground pentaprism guarantees the clearest and most

crisp

photos possible. When mounting any one of the three lenses,

the corresponding frames in the field of view in the viewfinder

are automatically selected, and parallax is automatically compen-

sated for.

LED Display/A Variety of Safety Features

The user will find all relevant data on LED display

correct

shutter speed, as well as over or under exposure indication. A

blinking red LED signals when an erroneous photographic step

has been taken.

A self-timer with a 10 second delay and electronic flash

synchronization at all shutter speeds are additional features.

Wide Angle, Standard and Telephoto Lenses

The high contrast, color balance and resolving power of Mamiya

multi-coated, high performance lenses reflect the latest optical

discoveries. The short flange focal distance design of these

lenses contributes substantially to their outstanding quality.

The wide angle lens, in particular, transmits large amounts

of peripheral light, resulting in corner to corner sharpness. The

image quality produced by these new Mamiya lenses is unsur-

passed, regardless of the subject matter

be it landscape, aerial,

industrial, scientific, fashion or portrait photography.

Mamiya 6 MF

[Retracted

locked]

The retractable lens mount greatly reduces

the profile of the Mamiya 6 MF. making it

more convenient to store and carry.

When not in use the lens mount,

retracts into the body for storage

and reduces the overall size of

the camera.

(The mount slides 31mm into and

out of the body - depending on its

being in the operational or storage

mode.)

[Extended

ready to use]

(“A”

retracts first, then

"B"

coupled

with

the

lens retracts)

Exposure compensation scale -

Film

speed window

(ISO)

Retractable lens mount

Internal bellows

Rangefinder coupling pin

Retraction/extension button

Press this button to retract the lens for

storage. or pull it out for operation.

AEL release button

Film selector

Exposure compensation lock

release button

Film holder roller

Film type (120 or

Pressure plate

Self-timer lever

(

Synchro-socket

(

Viewfinder eyepiece

Rubber eyecup

carrying strap lug

)

Film spool stud

Body cap

order to attach the lens, first pull out the

lens mount and remove the camera body

cap. To do this, while pressing the retraction/

extension button (A) in, pull the lens mount

out by gripping the cross bar of the lens cap.

Then, while pressing the lens release button

(B) in, rotate the cap counterclockwise, and

align the groove (C) on the cap’s side with

the lens alignment dot (D) on the body. The

body cap can then be pulled out.

*The lens release button cannot be pressed

when the light shield curtain is open. So make sure

the curtain is closed. For curtain opening/closing

see page 13.

[Mounting lens] [Removing lens]

Remove the front and rear lens caps.

The front lens cap can be removed by

pressing in the tabs on the right and left

with your fingers and pulling the cap

towards you.

The rear lens cap can be removed by

rotating it counterclockwise.

Align Lens Alignment Dot (E) With the

Camera Alignment Dot

(D).

Insert the lens

into the camera body. Then

turn

the lens in

the direction of the arrow until it clicks and

locks into place.

Like removing the camera body cap, while

pressing in the lens release button (B),

rotate the lens in the direction of the arrow

until the lens alignment dot is lined up

with the white alignment dot (D) on the

camera body.

Changing lens

When changing lens, pull out the retractable

mount and proceed to the action mode.

Through mounting the lens is possible with the

mount retracted, removing it is not possible. (Inter-

locks!)

When the

mount is retracted, or if the

light baffle

open

when trying to remove the lens, the lens

release button will not work, preventing lens re-

lease.

Particularly

when mounting the 50mm lens, take

care so that the rear rim of the lens does not

touch

the body’s rangefinder coupling cam.

*When the lens has been removed and film

remains in the camera body, avoid exposure to

direct

sunlight as film fogging may result.

[CAUTION]

Gold Plated Electronic contacts

are

provided inside the retractable

mount and at the rear of each lens. If oil, dirt, or other foreign matter

collects on the contacts poor electronic

information

transfer

may

result. When soiled, use a piece of clean cloth to wipe

them

thoroughly before installing the lens

Also,

use the utmost care so as

not to touch them. (Position the front face of the lens which has

been removed as shown in the photo.)

[Pulling out the retractable

lens mount] [Retracting (

storing) the lens

1. While pressing in the retraction button

(A) on the camera body in the direction of

the arrow, pull out the lens and lens mount

until it clicks.

2. When both have been pulled out, take

your figners off the retraction button, and

make sure that both are completely pulled

out.

1. While pressing in the retraction button The camera will not

function

with-

(A) on the camera body in the direction of out

batteries.

the arrow, push the lens straight in towards

the camera body.

When the lens mount has been retracted

1. Remove the battery chamber cover on

the bottom of the camera with a coin or

in place, take your fingers off the button and

screwdriver.

make sure that the lens is securely seated 2.

“+”

is indicated on the inside of the

in the camera body. battery, chamber cover. Insert the two bat-

teries, being sure to properly place each

_~.

i*Once the lens mount is retracted. a safety

~ The camera is a precision instrument. battery with the “+” side up, facing the

When

working

the retractable lens ~mechanism is actuated to prevent the lens from

being removed and the shutter released. cover.

mount, be

sure

to avoid

abusive

han-

;

dllng.

When the shutter release button is touched [Batteries]

slightly (when the batteries are in the chamber) a

The Mamiya 6 MF uses either two

SR44

red LED lights in the upper right corner of the view-

silver oxide batteries or two LR44 alkaline

manganese batteries.

mount]

[Battery check]

Power can be turned on/off with the

small lever beside the shutter release button.

(ON) Align the white dot on the lever with

the white dot on the camera body.

(OFF) Align the white dot on the lever with

the red dot on the camera body.

When the power is turned ON and the

shutter release button is touched slightly,

the shutter speed is indicated on the left

side of the viewfinder and a red LED indi-

cator lights on the upper right side indicating

that power is normal.

When battery power drops below normal. or

when the batteries have been inserted improperly.

the shutter

speed

does not show and the red LED

does not light.

* When the shutter release button is lightly touched.

CAUTION:

Be sure to confirm proper polarity of the bat-

teries before inserting them.

Do not contaminate the battery surface with oil.

sweat. or other foreign matter. Failure to

insert

clean batteries could result in

poor

electrical

contact.

When contaminated, carefully wipe with a dry

cloth, or clean lens tissue.

After the camera has been used for many hours

of photographing. or has been inactive for a long

time,

insert

new batteries.

*When the camera is used in low temperatures,

battery performance deteriorates: below 0%.

use new batteries as needed.

[Spare batteries]

Can be stored inside the body

cap.

If the power

on/off

lever is left ON, the LED

lights up when the

shutter

release button is

pressed,

resulting

in early

battery

depletion.

Be sure to keep the

on/off lever OFF.

[Closing the light shield curtain]

Before opening/closing the light

shield curtain, be sure to cock

the shutter, otherwise, it will not

open/close.

To open the

light shield curtain, slide the

light

shield curtain release lever along lo

fol-

low the arrow

I+

”

down and right. This

will cause curtain to snap open.

The light shield lever indicator

(a white

line) is then aligned with

”

CAUTION:

Never touch the light shield curtain or the

bellows. If touched, light leakage or a mal-

function may result.

Rotate the light shield closing lever in the

direction of the arrow, away from the open

position

" and align the white indi-

cator on the lever with

”

to close.

When the light shield curtain is open, the lens

Cannot be removed. Close the curtain to remove

the lens.

When the light shield curtain is closed, the shut-

ter cannot be released.

When taking a picture, open the light shield cur-

tain.

(If the light shield curtain is closed, a red LED will

indicate that it is closed.)

Before using the camera, it is advisable to

understand how it works

Power

on/off

lever . . . . . . . . . . . . . . Set to ON.

(See page 12)

Film advance lever

.._

Wind the lever to

cock the shutter.

Light shield curtain

. . . .

. . . . . . . Open.

(See page 13)

‘1:

Retractable lens mount

. . . .

. . . Pull out.

(Photographing position) (See page 11)

Back cover

..__...,,.......___.........,,,......,

Open.

‘I‘

Release the

shutter

page 15)

page 19)

Note:

If the shutter is not released, a red (LED) in the

viewfinder will light;

repeat

steps

again.

1414

[Setting the film speed] [Opening/closing the back cover] [Setting the film type]

While depressing the back cover lock but-

ton, simultaneously push down the lock

lever in the direction of the arrow and the

back will open.

When closing the back cover, securely

press both

corners until it clicks.

This camera can use either 120 or 220/135

film, To set the type of film used, simply

rotate the pressure plate in the direction of

the arrow until the white dot is at

“120” or

“220/135”.

When set, “120”

"220/135" will

appear in

the small window under the memo clip.

[Memo clip]

The

memo

clip on the back cover is used

hold the film box to serve as a convenient

Push the spool release lever of right side

reminder of the type of film in the camera or

to the right, and install the take-up spool in

for recording the date. the take-up

spool

chamber, then push the

lower spool stud up.

Like installing the take-up

spool,

push

the spool release lever of left side to the left.

place a

roll

of film in the film chamber, mak-

ing

sure

seats properly. Make

sure

the

backing paper is in the

position

illustrated

above.

1616

3. When the new roll has

been

inserted, be

sure to reset the lower spool stud by

pres-

sing it in. (Also, be sure to reset the take-up

spool stud in a similar manner.)

Pull out the backing paper, and insert the

tip into the slot on the take-up spool as

pic-

tured.

5. Wind the film advance lever until the

small arrow (the starting indicator on the

backing paper) aligns with the film starting

indicator (

) on the camera body. Then

close the back cover.

Wind the film advance until it stops and

“1” appears in the exposure counter

window.

Make sure backing paper advances evenly be-

tween the spool

flanges

and does not begin to

slant.

it advances unevenly,

remove

the backing

paper from the take-up spool and refeed, starting

again.

l If

the

film is not properly aligned with the

‘7”

indicator. the film may be improperly loaded.

. When any other numeral than

“S”

appears in

the exposure counter window, it is an indication

that the film is loaded. So do not open!

not pull excessively on the backing paper,

and do not load/unload the film in direct sunlight:

bright light may fog the film.

Tightly

wind

the backing paper around the

spool

a couple of times. If this is not done, light may

enter from the

spool

flanges

when

the film is

unloaded.

1717

[Determining the shutter speed]

The Mamiya 6 MF has an aperture-prior-

ity, AE lens shutter. Once the aperture and

film speed are set, the AE meter selects a

proper shutter speed in relation to the set

aperture. Under the manual photographic

mode, proper shutter speed is indicated by

a red LED within the

viewfinder.

1. To set the diaphragm to a desired aper-

ture, rotate the aperture ring (A) until the

appropriate figure is aligned with the cent-

ral red index line (B). (Click stops are pro-

vided at each engraved aperture number

but the diaphragm can be set also for in-

termediate stops.)

2. Rotate the shutter speed dial and select

either the A(AE) or manual

mode for photo-

graphing.

Rotate the dial to align it with the white

index line

(-)

on the camera body.

At A or AEL, the

dial is locked.

The lock can be

released by

pressing

the AE lock release button

(A)

the center of

dial.

In any

position

other than A or AEL, the shutter

speed dial

moves

freely from click-stop

click-

stop: it

must

be set on a specific

click-stop

and

cannot be used at an

between setting.

lntermediate Diaphragm settings (between click

stops) are possible Intermediate Shutter Speeds

(between engraved numbers) are not

possible

Shutter speed dial:

A; Automatic exposure

Based on the aperture setting, the

camera automatically selects the shut-

ter speed.

AEL; AE lock

The camera memorizes the aperture

when shutter release

button

touched slightly so that, even when

the position of the subject or

camera

changes, a picture can be taken with

the initial aperture setting and is not

affected by changes in light.

Bulb

exposure

At this position, the shutter will remain

open as long as the shutter release

button is pressed.

Shutter controls

On the shutter speed dial the yellow

numbers indicate the number of whole

seconds while the white numbers indi-

cate fractions of seconds.

Example: “4” indicates 4 seconds

while 125 indicates 1/125 seconds.

Viewfinder display

The

shutter

release button

designed

that pressure can be applied in

two

stages.

When

is lightly touched, correct metering

data is displayed on the left side of the

view

finder. When it is depressed all the way,

the shutter is released and an exposure

*The

LED's

are

located

at the very left

margin of the finder in order not to interfere

with the field

of view of the wide angle lens.

over-exposure

Double-image

Bright field of view frame (set by lens)

*When the lens mount is retracted, the viewfinder frame

(i.e. the bright frame) selected is the widest frame for

all

lenses.

AE photography

AEL photography

Manual

mode

Photographic area covered

When the lens has been

focused,

the

doubleimage superimposing rangefinder

produces two superimposed images with

in the square

of the viewfinder.

1. Position the subject within the central

square

of the viewfinder. As on the top

left the subject will appear as a double

images.

2. Rotate the focusing ring until the two

images converge and are superimposed

as on the figure on the left.

The lens is now

focused.

The two images can also be superimposed

by using the boundary line between the

viewfinder and the square or split image.

Adjust the images until the boundary lines

converge.

Within the viewfinder the photographic area

covered is indicated by the visible bright

frame. Parallax is automatically compen-

sated

for according to the subject-to-lens

distance.

The composition will be within the line A for

for

4.5 and

for panoramic

format. 83% of the field of view is visible at

and 100% is visible

the minimum

focusing

distance. The appropriate bright

frame area is automaticaily selected upon

lens interchange.

[Unloading the film]

1. Press the shutter release button when

you have focused and

determined

compos-

ition.

2. Advance the film by winding the film

advance lever until it stops. (The shutter is

then cocked.)

3. After completing the last exposure, wind

the advance lever several times, until the

film with its backing paper is completely

wound onto the take-up spool. The advance

lever will become easier to actuate when

the film has been completely wound on the

spool.

When the shutter release button is pressed and

the film is exposed. a red LED will light on the

upper right side of the viewfinder.

Open the back cover and remove the roll

of film. By pushing the spool stud release

lever to the right, disengage and remove the

spool. As shown, the roll of film can be eas-

ily removed from the take-up chamber if you

push the spool up a little-it will then lift

out. When the back cover is opened, the

exposure counter will automatically return to

‘S’

(start).

2. Be careful not to let the roll of exposed

film unwind. Be sure to seal it immediately

To prepare

for

another roll,

remove

the empty

spool from the film

chamber, and

place it in the

take-up chamber.

Wind the advance lever until it stops. (Other-

wise a red

LED in the

viewfinder

will signal that

impossible to

press

the

shutter release button.)

Do not advance the film too quickly, as this might

adversely affect film flatness. or frame spacing.

To remove the film before exposing the entire

roll, cap the lens and press the shutter release but-

ton and wind the film onto the take-up spool frame

by frame.

1. Align “A” on the shutter speed dial with

the white line index mark on the camera

body.

2. Be sure to set the exposure compensa-

tion scale to 0.

3. Set the aperture to the desided “f”

number according to conditions

4. When the shutter release button is

slightly

touched, an LED indicating proper

exposure will automatically light in the view-

finder. When

”

LED blinks, it indicates

over-exposure. Rotate the aperture ring to

stop down to a smaller exposure until an

LED indicates proper

expsure.

Blinking

“LT’ indicates under-exposure: rotate

the aperture ring

until the LED stops blinking to

increase exposure.

Illuminating “LT” indicates that the shutter is sat

for a relatively long exposure from

between

4 seconds.

When taking pictures at such slow speeds. be

careful not to move or vibrate the camera. Either

open the aperture for a higher shutter speed, or

use a

tripod,

or use a

flash.

l Under AE (automatic exposure) or AEL

(AE

lock).

the LED display in the viewfinder will

continue to operate as long as the shutter

re-

lease

button is touched slightly. When

you

take your linger off the button, the LEDs will

go out.

Rotate the shutter speed dial until “AEL”

aligns with the white index mark on the

camera body.

Position the important part of your subject in

the central square of the viewfinder

this

will establish the correct exposure. Then

touch the shutter release button slightly and

an LED will light indicating the correct expo-

sure. After making any necessary adjust-

ments to the aperture, press completely for

your exposure. Even when light quality is

variable, an optimum exposure is possible.

If you cannot get close enough to your sub-

ject for another meter reading, make substi-

tute measurements by pointing the camera

to light and dark areas and calculate a

mean exposure value or try taking a reading

off your palm.

You may over-ride the AE

mode

and

select

the aperture and shutter speed manually.

Simply set the shutter speed against the

white line index mark and also set the lens

aperture to the desired

“f"

stop.

As noted previously when the shutter re-

lease button is

touched

slightly, the proper

shutter speed will be indicated by a blinking

LED. A non-blinking LED will indicate the

set shutter speed. Adjust the exposure

accordingly. To do this,

turn

the shutter

speed dial and/or aperture ring to align the

two

LEDs

or until they become one. The

single LED indicates proper shutter speed.

When on manual, and the shutter release

button

is touched slightly, the LED indicators

will light for ten seconds. They can be illumin-

nated in ten second increments by simply

pressing the button again.

1. Shift the

self-timer

lever in the direction

of the arrow to

”

r?‘,

“_

2. The shutter is released about 10 seconds

after pressing the shutter release button.

The LED on the front of the camera illumi-

nates for about 8 seconds, then blinks for

about 2 seconds, and then the shutter is

released.

3. Be sure to return the self-timer lever to

its normal position after use.

The self-timer can be reset by simply following

the

above steps.

Under the self-timing mode make sure a

tripod

or other secure method is used to steady the

camera.

l When the shutter is set to "B" (bulb), the

self-timer does not operate.

The depth-of-field varies according to the

aperture. The smaller the aperture

(f/8,

/11

f/16...) the greater the depth-of-field; the

larger the aperture (f/8, f/5....) the smaller

the depth-of-field. To take pictures which

are sharp from foreground to infinity or

when taking snap shots, the focusing range

is extended or depth increased by using a

smaller aperture. When the subject is to

stand out, with the background out of

focus,

a larger aperture is appropirate.

The depth-of-field scale on the lens

indi-

cates depth-of-field in terms of the distance

between subjects on both sides of the

scale. For example, when a 75mm lens is

stopped down to

f/8

and f/16, respectively,

everything photographed within the ranges

shown in the photo at the left will be sharp.

Six types of diopter correcting lenses are

available for near/far-sighted people. Mount

as indicated above.

Powers available are: +3, +2.

-1, -2

and -3.

Refer to the instructions attached to individual

lenses for specific depth-of-field tables..

The exposure compensator functions in a

number

important ways. It can be used to

correct

exposure

values

(EVs)

the

differ-

ences in brightness between a primary sub-

ject and its background -especially when

over or under-exposures occur. It can

also

be used when filters are employed or when

engaged in available light photography

or under high contrast conditions (i.e.

low or

high key).

To set, press the compensator lock release

button

(A). and

move

lever

(B)

to select

the

When taking an exposure longer than

desired EV: graduations are 1/3 EV. 4 seconds. set

shutter

“B”

(bulb). While

fhe button is pressed down, the shutter will

[When a filter is used]

Whether using the AE or manual mode

sim-

ply compensate for the filter exposure factor

as indicated in the table below.

remain open. In order to prevent camera

movement, it is best to use a cable release

and tripod.

When set at “B” the self-timer does not

work.

The Mamiya 6 MF features an X synchro

flash terminal and its lens shutter system

permits flash synchronization at all shutter

speeds.

Shoe-mounted flash

units

can be attached

directly to the hot-shoe, while flash brackets

can be

attached

to the tripod socket for

larger flash guns.

Remove safety cover (A) to attach sync

cord in the socket.

[Determining the aperture]

When using automatic flash units, refer to

the instructions on the flash unit

for

correct

aperture settings.

When using a manual electronic flash, the

guide number divided by subject distance

gives the correct aperture.

Guide number (48)

= Correct aperture

Subject distance (6 m) setting (8)

Charged electronic flash units sometimes fire

when they are attached to the camera. This does

not indicate a defective circuit.

When using electronic flash, be sure to read its

manual carefully.

CAUTION:

When an electronic flash

connected to

the hot-shoe, current moves through the

X contact. So, be sure to put the safety

cover supplied

with

the camera on the

X contact so that you

will

not receive

an electric shock.

When using infrared film, it is necessary to

make a focusing adjustment in order to

achieve accurate focus. This is because the

focus position of the image deviates from

normal since the infrared ray wavelength is

longer. After focusing in the usual manner,

check the distance on the distance scale

that is aligned with the center reference

mark of the lens. Make the focusing adjust-

ment by turning the focusing ring in the

direction of the arrow in the accompanying

photograph so that the distance just

observed is aligned with the infrared mark.

When using infrared film, be sure to read

the

instructions

with

the film.

If the batteries have been depleted

espe-

cially when the power on-off lever has been

set to the OFF position during long expo-

sures (at

"B"

; 4 seconds or 2 seconds)

the winding-stop prevents the film from

being wound.

If this happens, push the emergency ad-

vance/stop release button with a pen or

other pointed object as shown above. The

advance/stop is then released, allowing the

film to be wound. Please note that that par-

ticular frame will be poorly exposed.

When the batteries have been depleted,

immediately replace them.

l The emergency winding-stop release button

should

not

be used for any other purposes.

Since the Mamiya 6 MF has a 6

6 for-

mat, it is not necessary to adjust for vertical

and horizontal composition. Because most

out

of focus pictures are the result of camera

movement, make sure not to move when

pressing the shutter

button.

Hold the camera

with your elbows close to your body: pres-

sing part of the camera on your forehead

will help stabilize it. Then gently release the

shutter.

When making exposures longer than 1/30

sec., it is advisable to use a tripod with a

cable release.

~ Pass the neck strap through the

carrying strap lug, and fasten it

as shown.

[Using a tripod]

When using the camera with a large tripod

head, the head may interfere with the spool

stud, preventing film from being loaded. To

prevent this, use the optional tripod adapter

The threaded

tripod

screw

hole is

5.5mm

deep

and the use of a longer tripod screw might result in

the damage or breakage of internal working parts.

So be careful not to apply unnecessary pressure

when

mounting the camera.

-I

[

Determining

the Field of View in the

Viewfinder

]

Before taking photos, Insert the 6X4.5 Gently bend the 6x4.5 frame [with the

frame under the film guide rails. making ivlarmya name visible as pictured ( A ) ]

sure to open the light shield curtain first. If under

the film guide rails, making

sure that

it is inserted when the curtain is closed,

it is flat.

your fingers may come in contact with

the

curtain and light may leak in or other [ Loading/Unloading the Film]

malfunctions may result.

The

film

can be loaded/unloaded in the

same manner as the 6x6cm standard size

[6x4.5 Picture Area and the Number of

Exposures for each Film Type ]

When using the 75mm lens at

Picture area: 56

41.5mm

Visible field of view: 83% at

100% 1 m

Number of exposures

120

roll

film . . .

220 rollfilm . . . .24

Photography with the 6X4.5cm Format

Lens construction: 8 elements in 5 groups Lens

construction

elements in

Angle of view:

75°

Minimum aperture:

Angle of view: 55°

35mm

equivalent:

28mm Minimum

aperture:

Minimum focusing distance:

35mm equivalent:

41mm

MInimum

magnification:

0.059 Minimum

focusing

distance:

Area covered:

945

945mm

Minimum magnification:

0.089

Area covered 632

632mm

Filter size:

58mm

Filter size:

58mm

Hood: Bayonet type

Dimensions: 55 (length)

64mm (diameter)

Hood: Bayonet type

Weight:

335g

Dimensions: 43 (length)

64mm

Weight:

25Og

groups

Lens

construction:

elements in 5 groups

Angle of view:

30°

Minimum

aperture: 32

35mm

equivalent:

82mm

Minlmum

focusing distance: 1.8m

Minimum magnification:

0.0996

Area covered 562

562mm

Filter size:

67mm

Hood:

Screw-in type

Dimensions: 86 (length)

70mm

(diameter)

Weight:

480g

Lenses

[Lens hood]

For 50mm

f/4:

Bayonet type

(58mm in diameter)

For 75mm f/3.5: Bayonet type

(58mm in diameter)

For 150mm f/4.5 Screw-in type

(67mm in diameter)

All are supplied with the lenses.

[Diopter correcting lens]

Focusing accuracy diminishes when the

eye diopter is incorrect. So, it is advisable

that near and far sighted people use diopter

correcting lenses.

Fit the proper diopter correcting lens to the

eyepiece.

“_2vy;,

are available: +3, +2, +1 -1,

[Tripod adapter N]

This is used to mount the camera to the

tripod head.

Even when the tripod has a large head, the

adapter allows film to be loaded, while the

camera is attached lo the tripod.

Auto Close up Lens]

The close-up adapter “Auto Close up Lens”

is designed

for

use with standard 75mm/

f3.5 lens.

It will be very convenient for taking close-

ups of portraits, plants, flowers and insects,

as well as for the reproduction of books, and

Mamiya 6 Mf Instruction Manual

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6MF to the manual 456e7ca2-ba8b-4a99-92f9-37ab6fddc240

6 MF - Instructions Mmy_6mf_v5 Free User Guide for Mamiya Camera, Manual

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