Marantz Pmd570 Users Manual

PMD570 to the manual 654f9b38-18f3-45bb-b09f-d187bc11e085

2015-02-03

: Marantz Marantz-Pmd570-Users-Manual-466490 marantz-pmd570-users-manual-466490 marantz pdf

Open the PDF directly: View PDF PDF.
Page Count: 55

Model PMD570 User Guide
®
Solid State Recorder
Warnings and Cautions
The lightning flash with arrowhead symbol within an equilateral
triangle is intended to alert the user to the presence of uninsulated
"dangerous voltage" within the product's enclosure that may be of
sufficient magnitude to constitute a risk of electric shock to
persons.
The exclamation point within an equilateral triangle is intended to
alert the user to the presence of important operating and
maintenance (servicing) instructions in the literature
accompanying the product.
- 2 -
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
DO NOT REMOVE COVER (OR BACK)
NO USER-SERVICEABLE PARTS INSIDE
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,
DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.
CAUTION: USE OF CONTROLS OR ADJUSTMENTS OR
PERFORMANCE OF PROCEDURES OTHER
THAN THOSE SPECIFIED HEREIN MAY
RESULT IN HAZARDOUS RADIATION
EXPOSURE.
- 3 -
Important Safety Instructions
READ BEFORE OPERATING EQUIPMENT
This product was designed and manufactured to meet strict quality
and safety standards. There are, however, some installation and
operation precautions which you should be particularly aware of.
1. Read Instructions – All the safety and operating instructions
should be read before the product is operated.
2. Retain Instructions – The safety and operating instructions
should be retained for future reference.
3. Heed Warnings – All warnings on the product and in the
operating instructions should be adhered to.
4. Follow Instructions – All operating and use instructions should
be followed.
5. Cleaning – Unplug this product from the wall outlet before
cleaning. Do not use liquid or aerosol cleaners. Use a damp
cloth for cleaning.
6. Attachments – Do not use attachments not recommended by
the product manufacturer as they may cause hazards.
7. Water and Moisture – Do not use this product near water–for
example, near a bath tub, wash bowl, kitchen sink, laundry tub,
swimming pool, in a wet basement, and the like.
8. Accessories – Do not place this product on an unstable cart,
stand, tripod, bracket, or table. The product may fall, causing
serious injury to a child or adult, and serious damage to the
product. Use only with a cart, stand, tripod, bracket or table
recommended by the manufacturer, or sold with the product.
Any mounting of the product should follow the manufacturer's
instructions, and should use a mounting accessory
recommended by the manufacturer.
9. A product and cart combination
should be moved with care. Quick
stops, excessive force, and
uneven surfaces may cause the
product and cart combination to
overturn.
10. Ventilation – Slots and openings in
the cabinet are provided for
ventilation and to ensure reliable
operation of the product and to
protect it from overheating. These
openings must not be blocked or covered. The openings should
never be blocked by placing the product on a bed, sofa, rug, or
other similar surface. This product should not be placed in a
built-in installation such as a bookcase or rack unless proper
ventilation is provided or the manufacturer's instructions have
been adhered to.
11. Power Sources – This product should be operated only from the
type of power source indicated on the marking label. If you are
not sure of the type of power supply to your home, consult your
product dealer or local power company. For products intended
to operate from battery power or other sources, refer to the
operating instructions.
12. Power Cord Protection – Power supply cords should be routed
so that they are not likely to be walked on or pinched by items
placed upon or against them, paying particular attention to
cords at plugs, convenience receptacles, and the point where
they exit from the product.
specified by the manufacturer that has the same overload
protection as the original plug.
15. Outdoor Antenna Grounding – If an outside antenna or cable
system is connected to the product, be sure the antenna or
cable system is grounded so as to provide some protection
against voltage surges and built-up static charges. Article 810
of the National Electrical Code, ANSI/NFPA 70, provides
information with regard to proper grounding of the mast and
supporting structure, grounding of the lead-in wire to an
antenna discharge unit, size of grounding conductors, location
of antenna-discharge unit, connection to grounding electrodes,
and requirements for the grounding electrode. See Figure 1.
16. Lightning – Lightning – Unplug the unit from the wall outlet and
disconnect the antenna or cable system for added protection
during a lightning storm or when it is left unattended and
unused for long periods of time. This will prevent damage to the
product due to lightning and power line surges.
17. Power Lines – An outside antenna system should not be
located in the vicinity of overhead power lines or other electric
light or power circuits, or where it can fall into such power lines
or circuits. When installing an outside antenna system, extreme
care should be taken to keep from touching such power lines or
circuits as contact with them might be fatal.
18. Overloading – Do not overload wall outlets, extension cords, or
integral convenience receptacles as this can result in a risk of
fire or electric shock.
19. Object and Liquid Entry – Never push objects of any kind into
this product through openings as they may touch dangerous
voltage points or short-out parts that could result in a fire or
electric shock. Never spill liquid of any kind on the product.
20. Servicing – Do not attempt to service this product yourself as
opening or removing covers may expose you to dangerous
voltage or other hazards. Refer all servicing to qualified service
personnel.
21. Damage Requiring Service – Unplug this product from the wall
outlet and refer servicing to qualified service personnel under
the following conditions:
a. When the power supply cord or plug is damaged.
b. If liquid has been spilled, or objects have fallen into the product.
c. If the product has been exposed to rain or water.
d. If the product does not operate normally by following the
operating instructions. Adjust only those controls that are
covered by the operating instructions, as an improper
adjustment of other controls may result in damage and will often
require extensive work by a qualified technician to restore the
product to its normal operation.
e. If the product has been dropped or damaged in any way, and
f. When the product exhibits a distinct change in performance –
this indicates a need for service.
22. Replacement Parts – When replacement parts are required, be
sure the service technician has used replacement parts
specified by the manufacturer or have the same characteristics
as the original part. Unauthorized substitutions may result in
fire, electric shock, or other hazards.
23. Safety Check – Upon completion of any service or repairs to
this product, ask the service technician to perform safety
checks to determine that the product is in proper operating
condition.
24. Wall or Ceiling Mounting – The product should be mounted to a
wall or ceiling only as recommended by the manufacturer.
25. Heat – The product should be situated away from heat sources
such as radiators, heat registers, stoves, or other products
(including amplifiers) that produce heat.
13. Grounding or Polarization – This
product may be equipped with a
grounded polarized alternating-
current line plug (a plug having
one blade wider than the other
and a ground prong). This plug will
fit into the power outlet only one
way. This is a safety feature. If you
are unable to insert the plug fully
into the outlet,contact your electrician to replace your obsolete
outlet. Do not defeat the safety purpose of the polarized plug.
14. Protective Attachment Plug – The product is equipped with an
attachment plug having overload protection. This is a safety
feature. See Instruction Manual for replacement or resetting of
protective device. If replacement of the plug is required, be
sure the service technician has used a replacement plug
- 4 -
ELECTRIC
SERVICE
EQUIPMENT
ANTENNA
DISCHARGE
UNIT
(NEC SECTION
810-20)
ANTENNA
LEAD IN
WIRE
FIGURE 1
EXAMPLE OF ANTENNA GROUNDING AS PER
NATIONAL ELECTRICAL CODE, ANSI/NFPA 70
GROUND
CLAMP
GROUNDING
CONDUCTORS
(NEC SECTION
810-21)
POWER SERVICE
GROUNDING
ELECTRODE SYSTEM
(NEC ART 250, PART H)
GROUND CLAMPS
NEC - NATIONAL ELECTRICAL CODE
NOTE TO CATV SYSTEM INSTALLER:
This reminder is provided to call the CATV (Cable-TV)
system installer's attention to Article 820-40 of the
NEC, which provides guidelines for proper grounding
and, in particular, specifies that the cable ground shall
be connected to the grounding system of the building,
as close to the point of cable entry as practical.
NOTE:
This equipment has been tested and found to comply
with the limits for a Class B digital device, pursuant to
Part 15 of the FCC Rules. These limits are designed to
provide reasonable protection against harmful inter-
ference in a residential installation. This equipment
generates, uses and can radiate radio frequency en-
ergy and, if not installed and used in accordance with
the instructions, may cause harmful interference to
radio communications. However, there is no guaran-
tee that interference will not occur in a particular
installation. If this equipment does cause harmful
interference to radio or television reception, which can
be determined by turning the equipment off and on, the
user is encouraged to try to correct the interference by
one or more of the following measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment
and receiver.
Connect the equipment into an outlet on a circuit
different from that to which the receiver is con-
nected.
Consult the dealer or an experienced radio/TV tech-
nician for help.
NOTE:Changes or modifications may cause this
unit to fail to comply with Part 15 of the FCC Rules and
may void the user's authority to operate the
equipment.
WARNINGS
Do not expose the equipment to rain or moisture.
Do not remove the cover from the equipment.
Do not insert anything into the equipment through
the ventilation holes.
Do not cover the ventilation with any items such
as tablecloths, newspapers, curtains, etc.
No naked flame sources, such as lighted candles,
should be placed on the equipment.
When setting up the recorder ensure that:
it will not be exposed to interference from
external equipment.
it will not be exposed to electrostatic dis-
charges.
it will not be exposed to direct sunlight.
heavy objects are not placed on the recorder.
Copyright
Recording and playback of any material may require
consent. For further information refer to the following
US ordinances:
Copyright act of 1956
Dramatic and Musical Performance Act 1958
Performers Protection Acts 1963 and 1972
any subsequent statutory enactments and orders
MARANTZ EUROPE B.V.
5600 EINDHOVEN
THE NETHERLANDS
SI DICHIARA CHE L'APPARECCHIO SINTO-AMPLIFACATORE SR-39
RISPONDE ALLE PRESCRIZIONI DELL'ART. 2 COMMA 1 DEL D.M. 28
AGOSTO 1995 N° 548.
FATTO A EINDHOVEN, IL 1/1/1997.
CE marking (only EU version)
English
This product is in conformity with the EMC directive and low-voltage directive.
Français
Cet appareil est conforme á la directive EMC et á la de directive sur les basses
tensions.
Deutsch
Dieses Greät entspricht den EMC-Richtlinien und den Richtlinien für
Niederspannungsgeräte.
Nederlands
Dit apparaat voldoet aan de EMC-richtlijnene en de richtlijnen vooor apparatuur
met laag voltage.
Italiano
Quest' unitá è conforme alle diretive EMC ed alla direttiva sulle basse tensioni.
Português
Esta unidade está em conformidade com as directivas EMC e as directivas de
baixa voltagem.
Español
Esta unidad estáde acuerdo con las normas EMC y las relacionadas con baja
tensión.
Equipment mains working system
This product complies with household power and safety requirements in your area.
- 5 -
This Class B digital apparatus complies with Canadian ICES-003.
Cet appareil numérique de la Classe B est conforme á la norme NMB-003 du Canada.
"Este aparato lleva elementos antiparasitarios necesarios para cumplir con ls
limites que se estableren en el Anexo V del Reglamento sobre Pertubaciones
Radioelectricas e Interferencias aprobado en el Real Decreto 138/1989. (B.O.E.
de 9 Febrero 1989)."
Table of Contents
Precautions
Warnings and Cautions ................................... 2
Important Safety Instructions ......................... 3
Regulatory Compliance .................................. 4
Table of Contents ................................................. 6
Package Contents................................................. 7
CF card ................................................................ 7
Introduction ......................................................... 8
Features................................................................ 9
Basic installation and start-up ............................. 10
Recording setup ................................................... 11
Controls and Connections
Front............................................................... 12
POWER ON/OFF button .............................. 12
HEADPHONE jack ...................................... 12
LEVEL control .............................................. 12
CF card access light ...................................... 13
CF card compartment .................................... 13
Card eject button ........................................ 13
To eject a CF card ...................................... 13
To insert a CF card ..................................... 13
CF card Security ........................................ 13
DISPLAY button ........................................... 14
LOCK button LOCK ..................................... 14
Display .......................................................... 15
MENU/STORE
EDIT
button .................... 17
Menu .......................................................... 17
Menu selections ......................................... 17
EDIT Menu ................................................ 17
Edit Menu selections.................................. 17
Rewind, Fast Forward button group ............. 18
Rewind button .................................... 18
UNDO button............................................. 18
Fast Forward button ........................... 18
M. RESET button ...................................... 18
Jog Wheel ...................................................... 18
How to select tracks during playback ........ 19
How to select an EDL mark ....................... 19
How to adjust record level ......................... 19
How to adjust record balance .................... 19
How to A-B repeat ..................................... 19
SHIFT button
SHIFT
.................................... 20
Record/MARK button MARK ................ 20
How to start a new track ............................ 20
How to add an EDL mark while recording 20
Stop/CANCEL button .............................. 20
Play/Pause button .................................. 20
- 6 -
Back ................................................................. 21
BALANCED IN
ANALOG XLR inputs L&R ......................... 21
Trim L&R .................................................. 21
ANALOG IN/OUT jacks .............................. 21
L&R ANALOG IN jacks ........................... 21
L&R ANALOG OUT jacks ....................... 22
DIGITAL IN & OUT connectors .................. 22
DIGITAL IN jack (RCA) ........................... 22
DIGITAL OUT jack (RCA) ....................... 22
I/O port .......................................................... 22
REMOTE2 .................................................... 22
RS-232C connector ....................................... 23
REMOTE1 jack ............................................ 23
Remote Menu setting ................................. 23
AC IN ............................................................ 23
Editing and setup
Menu mode .......................................................... 23
Presets............................................................... 23
How to switch Presets ...................................... 23
Table of Preset defaults ................................. 24
Preset defaults ............................................... 25
General Menu procedure ............................... 25
How to select input(s) for recording ............. 25
How to set or change the Date and Time ......... 26
How to set or change the Date Form ................ 27
RecFormat ........................................................ 28
RecFormat parameters .................................. 28
How to set or change
the RecFormat parameters ......................... 29
Pre Record ........................................................ 31
Auto Mark ........................................................ 31
Manual TR........................................................ 32
Auto Trk ........................................................... 32
Minute Track ................................................. 32
SeamlsPly (Seamless Play) .............................. 33
SilentSkp (Silent Skip) ..................................... 34
Auto Cue .......................................................... 35
Play Mode ........................................................ 36
Normal .......................................................... 36
Repeat All...................................................... 36
Repeat TRK................................................... 36
Single ............................................................ 36
EDL Play .......................................................... 37
Remote ............................................................. 37
ID1dscrpt, ID2Origin, ID3OrRef
(Broadcast Wave ID Numbers) .................... 38
Default (Menu Default) .................................... 39
Edit Menu
Renumber (tracks) ............................................ 40
TrkERASE........................................................ 40
continues
Package contents
• PMD570
- 7 -
TrkMkERASE .................................................. 41
AllMkERASE................................................... 42
FORMAT (CF card) ......................................... 42
To FORMAT a CF card ................................. 42
I/O port ................................................................ 43
How to connect via the I/O port ....................... 43
Diagram of file structure .................................. 43
EDL marks ........................................................... 44
Locating EDL Marks ........................................ 44
EDL marks and the beginning of a Track......... 44
Custom playback sequences ............................. 44
How to Edit EDL Marks .................................. 45
EDL mark types................................................ 45
EDL Play .......................................................... 45
RS-232C Control Windows Application ............. 46
RS-232C control .................................................. 47
RS-232C specifications .................................... 47
Connector pin assignment ................................ 47
Physical specifications ..................................... 47
Flow control and timing ................................... 47
Command format.............................................. 47
Handshake flow charts for control command .. 48
Control command codes ................................... 48
Status Request and Status Information codes .. 48
Table of Control command codes ..................... 48
Table of Status Request and
Status Information codes ............................... 50
Recording time chart ........................................... 51
Troubleshooting ................................................... 52
Care and maintenance.......................................... 52
Error messages ..................................................... 52
Specifications ...................................................... 53
Limited Warranty ................................................. 54
EDIT
MARK
M. RESET
REC BAL
MARK
DISPLAY
SHIFT
HEADPHONE LEVEL
POWER ON/OFF
MENU/STORE
UNDO
SOLID STATE RECORDER PMD570
CANCEL
PUSH
ENTER
REC LEVEL/SELECT
MARK
TRACK
TOTALTRACKTIME
REC REMAIN kbps A-B L
R
-dB
PM
kHz
AM
LINE
S.SKIP -dB
over
0
26
1
2
20
40
00
010
LOCK
Audio cable (2)
(stereo pair)
(3' 3", 100cm)
Security screw (2)
ISO 3x10 (3mm x 10mm
long)
For Memory compartment
door (1 spare)
Plastic pin and retainer
(spare - for Memory compart-
ment door)
• CD-ROM
Contents of the CD-ROM may vary.
Contents usually include:
PDF format manual(s)
Several languages may be included.
Demonstration copy of Marantz Professional's
PMDEdit application software
Instructions for obtaining full copy of Marantz
Professional's PMDEdit application software
This User Guide
Customer Registration Document
Power cord
64MB CF card (US only)
(shipped formatted and
installed)
I/O cable
(6ft, 180cm)
- 8 -
Introduction
Thank you for selecting the Marantz Professional
PMD570 Solid State Recorder. The PMD570 is an
audio recorder that records in digital audio formats
onto a Compact Flash™ memory card (CF card) or
Microdrive™.
Compact flash memory cards, also used in digital
cameras, are widely available at consumer electronics
retailers and computer resellers.
Computer compatible
The PMD570 records directly onto CF cards. Record-
ings can be transferred to your desktop or laptop
computer by removing the CF card from the PMD570
or by connecting the PMD570 to your computer via
the I/O port. Audio recorded in the popular MP3
compression format is directly available for intranet or
internet file sharing.
On your computer you can then:
log and archive audio files
play audio files
save audio files to:
your hard drive
a floppy
a CD-R disc
post streaming audio files on your web site
use software and your computer to transcribe
digital recordings
An editing program (Marantz Professional's
PMDEdit application software, available from
Marantz Professional for PC users) lets you convert
and edit audio files that were recorded on the
PMD570.
Setup
Three menu selectable Presets make it easy to
switch between your commonly used input,
recording format, playback parameters and other
menu selections.
Audio inputs may be from:
line level sources connected to the BALANCED
IN XLR jacks,
line level audio sources connected to the ANA-
LOG IN RCA jacks, or
digital audio sources in SPDIF format connected
to the DIGITAL IN jack.
Audio outputs may be from:
headphones connected to the HEADPHONE jack,
analog audio devices such as an amplifier or other
device connected to the ANALOG OUT jacks,
and/or
digital audio devices using SPDIF format con-
nected to the DIGITAL OUT jack.
External control
RS-232C control codes enable full external
control of the PMD570.
Suggested Presets that are downloadable to the
PMD570 via the RS-232C control port are
available at d-mpro.com.
An optional wired Remote Marantz Model RC600
connects via a TRRS connector and permits:
starting, stopping, or pausing recording
adding EDL marks (see next page) to a track
A second wired remote connection accepts a
mono Phone jack (remote control not supplied).
Depending on the menu selection a simple contact
closure connected here permits:
Start Pause: pause and resume
StrtPausTR: restart after pause while recording
initiates a new track
EDL Mark: add a silent EDL mark
Manual TRK: initiate a new track while record-
ing (if Seamless Play is off during playback
adds a small audio gap)
Security - CF cards
For security the CF card compartment door can be
secured with a screw. Requiring a tool to open the CF
card compartment reduces casual removal of the CF
card.
Automatic recording
The PMD570 can be set to stop recording when
there is silence (Silent Skip) and automatically start
when sound resumes. The PMD570 can be set to
automatically add an EDL mark to the track at each
such starting point.
Playback aids
A common problem with lengthy recordings is
difficulty in locating one or more specific passages for
playback. The PMD570 has several ways to mark or
tag specific record starting and/or ending points.
Date and time
A built-in date and time generator marks the begin-
ning of each track.
- 9 -
• Tracks
A new track (file) is automatically started each
time you begin a recording.
It is not possible to record over a previously
recorded track unless it is first erased.
An Auto Track feature can add tracks every
minute or other selectable recording interval.
(Minute track: Setting the interval to one
minute provides a new track every minute of a
recording, permitting navigating a large audio
recording by time.)
A new track can be started during recording by
pressing the Record button. (Manual TR,
Manual Track incrementing, On.)
EDL marks
EDL marks are silent during playback but locatable.
EDL (Edit Decision List) marks can be created
during recording manually or automatically. EDL
marks help you find those specific points in the
recording.
*The EDL marking system is proprietary to Marantz Professional
solid state recorders.
During playback you can instantly locate EDL
marks.
You can change an EDL mark into a skip mark or
an A-B repeating point. That lets you create
custom playback sequences which include
skipping audio between EDL marks or repeating
audio between EDL marks.
EDL marks are specific to the CF card, not to
Tracks. That lets you create custom playback
sequences across Tracks.
Up to 255 EDL marks can be added to a CF card.
EDL marks are numbered consecutively starting
at one.
During recording you can manually add an
EDL mark by pushing and holding SHIFT
while you push the MARK button.
EDL marks can also be added automatically.
Marantz Professional's PMDEdit application
software, is specifically designed by Marantz.
Marantz Professional's PMDEdit application
software recognizes EDL marks generated by the
PMD570. This is especially useful for editing
audio files on your PC. For more information
visit www.d-mpro.com.
Features
Stereo (2 channels) and mono (1 channel) audio
recording and playback.
Records onto various types of CF cards.
(Please refer to the Marantz Professional web site
at www.d-mpro.com for what kind of media are
recommended.)
Three different recording formats.
Compressed recording using MPEG1 Layer II
(MP2) or MPEG1 Layer III (MP3) mono and
stereo.
Uncompressed recording using 16-bit linear Pulse
Code Modulation (PCM).
MS-DOS™, Windows and Macintosh compatible
audio files.
Selectable file types:
• Wave
Broadcast Wave Format
RAW MP2/MP3.
recording bit rate is selectable
MP2/MP3 compressed at 32kbps (recommended
for dictation),
32, 48, or 64kbps (recommended for voice
recording), or
128, or 192 kbps (recommended for recording
music)
PCM uncompressed at 768kbps (mono) (very
high quality mono audio recording)
PCM uncompressed at 1536kbps (stereo) (recom-
mended for very high quality audio recording)
Pre-Recording memory buffer that records 2
seconds of audio before recording is started.
Portions of multiple recordings can be played back
in sequence using EDL marks.
Built-in Time and Date generator marks the begin-
ning of each track.
Three remote options, including RS-232C, permit
wired remote control.
- 10 -
Basic installation and start-up
Follow the instructions on this page to install your new
PMD570 Solid State Recorder and begin recording.
The PMD570 comes factory preset (Preset1) for
recording in stereo with MP3 compression, recom-
mended quality for music recording.
1. Rack mount the PMD570 or install on a stable cart
or stand.
2. Connect line level analog inputs and/or outputs to
the ANALOG IN/OUT jacks.
3. Connect line level XLR equipment for recording.
Connect a SPDIF coaxial digital audio cable to
DIGITAL IN and/or DIGITAL OUT and then to
output and/or input of your digital device.
DIGITAL OUT signal is available while playing,
recording or in record pause.
DIGITAL IN Use this connection for recording.
Digital input cannot be mixed with line level input
via the ANALOG IN jacks.
5. Connect to your computer (PC or Mac) via the
I/O port.
For mono
recording
use either
jack.
BALANCED IN
RL
REF=+16dBu/0dBFS
+ 24 + 24
GROUND
HOT (+) COLD (-)
21
3
L
R
IN OUT
ANALOG DIGITAL
IN
OUT
(SPDIF)
I / O RS 232C
REMOTE2
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
U
L
C
US LISTED
AUDIO SYSTEM
69 FM
SERIAL NO.
WARNING: SHOCK HAZARD- DO NOT OPEN.
AVIS: RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR.
AC IN
MODEL NO. PMD570
AC120V 60HZ 0.5A
MADE IN JAPAN
REMOTE1
BALANCED IN
RL
REF=+16dBu/0dBFS
+ 24 + 24
GROUND
HOT (+) COLD (-)
21
3L
R
IN OUT
ANALOG DIGITAL
IN
OUT
(SPDIF)
I / O RS 232C
REMOTE2
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
U
L
C
US LISTED
AUDIO SYSTEM
69 FM
SERIAL NO.
WARNING: SHOCK HAZARD- DO NOT OPEN.
AVIS: RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR.
AC IN
MODEL NO. PMD570
AC120V 60HZ 0.5A
MADE IN JAPAN
REMOTE1
R
L
INPUT
Mixer or
cassette player
R
L
OUTPUT
Amp, Mixer / Pre-
Amp
ANALOG
L
R
IN OUT
OUTPUT
CDR, CD, DAT,
mini disc
IN
OUT
(SPDIF)
DIGITAL
INPUT
This connection makes it easy to
copy audio files to or from your
computer's hard drive to or from
the PMD570 CF card.
The I/O connection can only be
BALANCED IN
RL
REF=+16dBu/0dBFS
+ 24 + 24
GROUND
HOT (+) COLD (-)
21
3
L
R
IN OUT
ANALOG DIGITAL
IN
OUT
(SPDIF)
I / O RS 232C
REMOTE2
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
U
L
C
US LISTED
AUDIO SYSTEM
69 FM
SERIAL NO.
WARNING: SHOCK HAZARD- DO NOT OPEN.
AVIS: RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR.
AC IN
MODEL NO. PMD570
AC120V 60HZ 0.5A
MADE IN JAPAN
REMOTE1
I / O
made active when the PMD570 is off (neither
recording or during playback).
The CF card in the PMD570 appears as a remov-
able drive on your computer.
6. Optional: connect external (remote) control,
6a. RC600 wired remote control
6b. RS-232C host equipment
6c. wired remote with mono phone jack
BALANCED IN
RL
REF=+16dBu/0dBFS
+ 24 + 24
GROUND
HOT (+) COLD (-)
21
3
L
R
IN OUT
ANALOG DIGITAL
IN
OUT
(SPDIF)
I / O RS 232C
REMOTE2
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
U
L
C
US LISTED
AUDIO SYSTEM
69 FM
SERIAL NO.
WARNING: SHOCK HAZARD- DO NOT OPEN.
AVIS: RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR.
AC IN
MODEL NO. PMD570
AC120V 60HZ 0.5A
MADE IN JAPAN
REMOTE1
REMOTE2
6a. Connect RC600 wired
remote control to RE-
MOTE2
Model RC600 has three buttons
that let you start recording, record
pause or add an EDL mark. See
your Marantz Professional Audio
dealer for ordering information.
BALANCED INRL
REF=+16dBu/0dBFS
+ 24 + 24
BALANCED IN
RL
REF=+16dBu/0dBFS
+ 24 + 24
GROUND
HOT (+) COLD (-)
21
3
L
R
IN OUT
ANALOG DIGITAL
IN
OUT
(SPDIF)
I / O RS 232C
REMOTE2
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
U
L
C
US LISTED
AUDIO SYSTEM
69 FM
SERIAL NO.
WARNING: SHOCK HAZARD- DO NOT OPEN.
AVIS: RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR.
AC IN
MODEL NO. PMD570
AC120V 60HZ 0.5A
MADE IN JAPAN
REMOTE1
DIGITAL
IN
OUT
(SPDIF)
For mono recording
use either jack.
4. Connect DIGITAL input and/or output to SPDIF
digital equipment for playing or recording.
- 11 -
Basic installation and start-up continued
BALANCED IN
RL
REF=+16dBu/0dBFS
+ 24 + 24
GROUND
HOT (+) COLD (-)
21
3
L
R
IN OUT
ANALOG DIGITAL
IN
OUT
(SPDIF)
I / O RS 232C
REMOTE2
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
U
L
C
US LISTED
AUDIO SYSTEM
69 FM
SERIAL NO.
WARNING: SHOCK HAZARD- DO NOT OPEN.
AVIS: RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR.
AC IN
MODEL NO. PMD570
AC120V 60HZ 0.5A
MADE IN JAPAN
REMOTE1
RS 232C
6b. RS-232C host equipment.
Full control and setup of the
PMD570 is available via RS-232C
external control.
See page 47 for RS-232C control codes.
6b. Connect a wired remote switch with mono phone
jack to REMOTE1.
BALANCED IN
RL
REF=+16dBu/0dBFS
+ 24 + 24
GROUND
HOT (+) COLD (-)
21
3L
R
IN OUT
ANALOG DIGITAL
IN
OUT
(SPDIF)
I / O RS 232C
REMOTE2
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
U
L
C
US LISTED
AUDIO SYSTEM
69 FM
SERIAL NO.
WARNING: SHOCK HAZARD- DO NOT OPEN.
AVIS: RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR.
AC IN
MODEL NO. PMD570
AC120V 60HZ 0.5A
MADE IN JAPAN
REMOTE1
The connection offers
four remote options
outlined on page 37.
7. Use the supplied power cord to plug into 120 VAC
power.
BALANCED IN
RL
REF=+16dBu/0dBFS
+ 24 + 24
GROUND
HOT (+) COLD (-)
21
3L
R
IN OUT
ANALOG DIGITAL
IN
OUT
(SPDIF)
I / O RS 232C
REMOTE2
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
U
L
C
US LISTED
AUDIO SYSTEM
69 FM
SERIAL NO.
WARNING: SHOCK HAZARD- DO NOT OPEN.
AVIS: RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR.
AC IN
MODEL NO. PMD570
AC120V 60HZ 0.5A
MADE IN JAPAN
REMOTE1
AC IN
Start-up
8. Install a CF card.
EDIT
MARK
M. RESET
REC BAL
MARK
DISPLAY
SHIFT
HEADPHONE LEVEL
POWER ON/OFF
MENU/STORE
UNDO
SOLID STATE RECORDER PMD570
CANCEL
PUSH
ENTER
REC LEVEL/SELECT
MARK
TRACK
TOTALTRACKTIME
REC REMAIN kbps A-B L
R
-dB
PM
kHz
AM
LINE
S.SKIP -dB
over
0
26
1
2
20
40
00
010
LOCK
ab
1. Pull to open the CF
card door.
2. The Card eject button has two positions: click out
(a) and click in (b). Leave or push the Card eject
button so it is in the in (b) position.
3. Insert a CF card.
4. Close the CF card
door.
Note:
L
R
-dB
over
0
26
12
20
40
00
-dB
L
R
-dB
over
0
26
1220
40
00
-dB
LINE
MARK
TRACK
TOTAL TRACKTIME
REC REMAIN kbps A-B L
R
-dB
PM
kHz
AM
LINE
S.SKIP -dB
over
0
26
1
2
20
40
00
If the CF card door won't latch, check that the Card
eject button is in the click in position (b above).
Loading appears
momentarily.
A full display
appears.
The display changes
to Reading
The display changes
to the state of the CF
card.
Example display shows a newly formatted CF card
with default Preset1.
10. The PMD570 is ready to record. You may want to
check or change the recording setup.
Recording setup
The PMD570 is shipped setup (Preset1 default).
9. Push and release the POWER ON/OFF button.
EDIT
MARK
M. RESET
REC BAL
MARK
DISPLAY
SHIFT
HEADPHONE LEVEL
POWER ON/OFF
MENU/STORE
UNDO
SOLID STATE RECORDER PMD570
CANCEL
PUSH
ENTER
REC LEVEL/SELECT
MARK
TRACK
TOTALTRACKTIME
REC REMAIN kbps A-B L
R
-dB
PM
kHz
AM
LINE
S.SKIP -dB
over
0
26
1
2
20
40
00
010
LOCK
On power up wait for the PMD570 to
initialize.
POWER ON/OFF
REMOTE1
- 12 -
Basic installation and start-up contin-
ued
All Preset default settings are outlined on page 51. [A
128MB CF card can record about 1 hour and 45
minutes at Preset1 default settings. See table on page
51.]
If your input is not line level audio via the ANALOG
IN RCA jacks, you will need to change the Input
Menu selection.
1. Push and release the MENU/STORE button.
2. Push and release the Jog Wheel to accept Preset1.
3. Turn the Jog
Wheel so Input is
displayed and
flashing. Then
push and release the Jog Wheel.
4. The input choice
(Bal.In, UnBal., or
Dig-In) is flashing.
Turn the Jog wheel
to scroll through the Input choices.
5. When correct push and release the Jog Wheel.
Display returns to Input flashing.
6. Push and release the MENU/STORE button.
11. Push and release the Record button . PMD570
enters record pause.
Push and release the Record button again.
Recording begins.
The red light in the Record button is blinking
during record pause and lit and steady during
recording.
The display will show the recording time count-
ing up (a) on the current track (b).
Example
display
b a
Example
display
13. Push and release the Stop/CANCEL button to
stop recording and end the track (close the audio
file).
The display will show the recording time on the
track you just recorded.
example shows 0
hours 6 minutes and
23 seconds
recorded on track 1
1 2 3
Controls and Connections
Front
1. POWER ON/OFF button
Push and release to turn Power
ON or OFF.
When powered up the PMD570
goes through a start-up proce-
dure. See page 11.
Note:
Standby power mode is available via RS-232C control
only.
2. HEADPHONE jack
Plug stereo headphones in here.
Headphones are active during
recording, record pause and
playback.
EDIT
MARK
M. RESET
REC BAL
MARK
DISPLAY
SHIFT
HEADPHONE LEVEL
POWER ON/OFF
MENU/STORE
UNDO
SOLID STATE RECORDER PMD570
CANCEL
PUSH
ENTER
REC LEVEL/SELECT
MARK
TRACK
TOTALTRACKTIME
REC REMAIN kbps A-B L
R
-dB
PM
kHz
AM
LINE
S.SKIP -dB
over
0
26
1
2
20
40
00
010
LOCK
L
R
-dB
over
0
26
1220
40
00
-dB
TRACKTIME
TRACK LINE
L
R
-dB over
0
26
1220
40
00
-dB
TRACKTIME
TRACK LINE
L
R
-dB over
0
26
1220
40
00
-dB
TRACKTIME
TRACK LINE
EDIT
MARK
M. RESET
REC BAL
MARK
DISPLAY
SHIFT
HEADPHONE LEVEL
POWER ON/OFF
MENU/STORE
UNDO
SOLID STATE RECORDER PMD570
CANCEL
PUSH
ENTER
REC LEVEL/SELECT
MARK
TRACK
TOTALTRACKTIME
REC REMAIN kbps A-B L
R
-dB
PM
kHz
AM
LINE
S.SKIP -dB
over
0
26
1
2
20
40
00
010
LOCK
POWER ON/OFF
HEADPHONE
LEVEL
010
Adjust headphone volume with the LEVEL control.
3. LEVEL control
Turn to adjust headphone
volume.
- 13 -
ab
EDIT
MARK
M. RESET
REC BAL
MARK
DISPLAY
SHIFT
HEADPHONE LEVEL
POWER ON/OFF
MENU/STORE
UNDO
SOLID STATE RECORDER PMD570
CANCEL
PUSH
ENTER
REC LEVEL/SELECT
MARK
TRACK
TOTALTRACKTIME
REC REMAIN kbps A-B L
R
-dB
PM
kHz
AM
LINE
S.SKIP -dB
over
0
26
1
2
20
40
00
010
LOCK
4
5
d
c
EDIT
MARK
M. RESET
REC BAL
MARK
DISPLAY
SHIFT
HEADPHONE LEVEL
POWER ON/OFF
MENU/STORE
UNDO
SOLID STATE RECORDER PMD570
CANCEL
PUSH
ENTER
REC LEVEL/SELECT
MARK
TRACK
TOTALTRACKTIME
RECREMAIN kbps A-B L
R
-dB
PM
kHz
AM
LINE
S.SKIP -dB
over
0
26
1
2
20
40
00
010
LOCK
Controls and Connections
Front continued
4. CF card access light (green)
Flashing while the CF card is being read from or
written to.
Lit and steady while the CF card is ready.
5. CF card compartment
Pull to open to access the CF
card
Door Open is displayed.
Card eject
button
CF card slot
CF card door
Card eject button
The Card eject button has two positions: click out (a)
and click in (b).
To eject a CF card:
1. If recording or in playback push STOP .
If other operations are in progress cancel them by
pushing STOP or wait for them to complete.
2. Open the CF card door.
3. Push and release the Card eject button so it is in
click out position (a).
4. To eject the card, push the Card eject button from
the click out position to the click in position (b).
To insert a CF card:
1. Leave or push and release the Card eject button so
it is in the click in position (b).
CAUTION
If recording is in progress, opening the CF card
door automatically stops recording and writes
critical track information to properly close the file.
2. Fully insert the CF
card.
3. Close the CF card
door.
Note: If the CF card
door won't latch, check
that the Card eject button is in the click in position (b).
CF card security
(3mm x
10mm long)
The supplied CF card compartment
security screw requires using a
small Phillips screwdriver to open
the CF card compartment door.
That reduces the possibility that the
CF card will be misplaced or stolen.
1. Remove the plastic
pin (c) and then the
retainer (d).
2. Add the screw. Tighten the screw with a small
Phillips screwdriver tight enough so the screw
cannot be removed with a fingernail.
- 14 -
EDIT
MARK
M. RESET
REC BAL
MARK
DISPLAY
SHIFT
HEADPHONE LEVEL
POWER ON/OFF
MENU/STORE
UNDO
SOLID STATE RECORDER PMD570
CANCEL
PUSH
ENTER
REC LEVEL/SELECT
MARK
TRACK
TOTALTRACKTIME
REC REMAIN kbps A-B L
R
-dB
PM
kHz
AM
LINE
S.SKIP -dB
over
0
26
1
2
20
40
00
010
LOCK
Controls and Connections
Front continued 5
TIME
REC REMAIN L
R
-dB over
0
26
1220
40
00
-dB
LINE
L
R
-dB
over
0
26
1220
40
00
-dB
LINE
TRACK
L
R
-dB over
0
26
1220
40
00
-dB
MARK
L
R
-dB
over
0
26
1220
40
00
-dB
kbps
kHz
L
R
-dB over
0
26
1220
40
00
-dB
TIME
PM
L
R
-dB
over
0
26
1220
40
00
-dB
LINE
TRACKTIME
TRACK
L
R
-dB
over
0
26
1220
40
00
-dB
TRACKTIME
TRACK
DISPLAY
LOCK
DISPLAY
LOCK
TIME
REC REMAIN L
R
-dB over
0
26
1220
40
00
-dB
LINE
TIME
REC REMAIN L
R
-dB
over
0
26
1220
40
00
-dB
LINE
5a. DISPLAY button
Push and release to tab through
alternate information displays.
Display information is slightly different in Stop,
Record and Playback.
During Stop:
Default display is
Remaining record
time for the card.
remaining record time on card
Example display
After the first push
track information is
displayed.
Total tracks on CF card.
After the second
push EDL mark
information is
displayed.
Total EDL marks on CF card.
After the third
push file parameters
are displayed.
bit rate sampling frequency
compression
algorithm
recording
channels
After the fourth
push Date and
Time information is
displayed.
Current clock time
hours:minutes:seconds
After the fifth push the display returns to the default:
remaining record time on the CF card.
During Record:
Default display is
elapsed Record time
on the current
track*.
Record time on track
The first push of the DISPLAY button switches to
remaining record time for the card.
The second push switches to file parameters.
The third push switches to date and time.
The fourth push returns to the default.
*When there are 5 minutes of recording time remain-
ing on the CF card, the display automatically switches
to indicate remaining recording time on the CF card.
During Playback
the default display
is elapsed time on
the current track.
elapsed time
The first push switches to track time remaining.
The second push switches to file parameters.
The third push switches to date and time.
The fourth push returns to the default.
5b. LOCK button LOCK
Push and hold
SHIFT
while you push
and release the DISPLAY button
to LOCK (or unlock) the keys (buttons
and controls) on the PMD570.
KeyLocked is displayed briefly.
Example
display
You can use LOCK to prevent front panel control of
the PMD570.
When locked attempting to use controls (buttons or
Jog Wheel) results in a brief "Locked" display.
Example
display
To unlock push and hold SHIFT while you push and
release the DISPLAY button. "UnLocked" is displayed
briefly. Powering off and back on also unlocks the
controls.
- 15 -
EDIT
MARK
M. RESET
REC BAL
MARK
DISPLAY
SHIFT
HEADPHONE LEVEL
POWER ON/OFF
MENU/STORE
UNDO
SOLID STATE RECORDER PMD570
CANCEL
PUSH
ENTER
REC LEVEL/SELECT
MARK
TRACK
TOTALTRACKTIME
REC REMAIN kbps A-B L
R
-dB
PM
kHz
AM
LINE
S.SKIP -dB
over
0
26
1
2
20
40
00
010
LOCK
Controls and Connections
Front continued
6
MARK
TRACK
TOTAL TRACKTIME
REC REMAIN kbps A-B L
R
-dB
PM
kHz
AM
LINE
S.SKIP -dB
over
0
26
1
2
20
40
00
1. REC label
The REC label appears with other labels in this
area to indicate the upper alphanumeric display
reflects recording time.
2. TOTAL label
The TOTAL label appears with other labels in this
area to indicate the upper alphanumeric display
reflects total time.
3. TRACK label
The TRACK label appears with other labels in
this area to indicate TRACK TIME displayed on
the upper alphanumeric display.
4. REMAIN label
The REMAIN label appears with other labels in
this area to indicate recording time remaining is
displayed on the upper alphanumeric display.
5. TIME label
The TIME label appears with other labels in this
area to indicate recording time remaining, or track
time is displayed on the upper alphanumeric
display.
6. kbps label
The kbps label appears to indicate that the first
five places in the upper alphanumeric display are
kilobits per second.
7. A-B label
A- indicates that the beginning (A point) of an A-
B loop has been set.
A-B indicates that the ending (B point) of an A-B
loop has also been set.
8. Upper alphanumeric display
Displays a variety of information including
remaining recording time, clock time, menu
settings etc. Associated labels are display items
1-7 and 9-10.
9. AM / PM label
Displays AM or PM when clock time is dis-
played. AM and PM are flashing after a preset is
set to default to remind you that the time has not
been set.
10. kHz label
The kHz label appears to indicate that the last
five places in the Upper alphanumeric display is
frequency in kilohertz.
11. L -dB R level meter labels
L is the label for the upper (Left) level meter.
-dB is the label for the center level meter scale in
decibels.
R is the label for the lower (Right) level meter.
12. Upper level meter
The louder the sound input to the PMD570 on the
Left /mono channel the more bars are displayed.
13. Decibel scale
The scale in dB (decibels) for the upper and
lower level meters.
14. Lower level meter
The louder the sound input to the recorder on the
Right channel the more bars are displayed.
6. Display
Labels, icons, meters and alphanumeric messages
communicate the status of the PMD570.
1 2 3 4 5 6 7 8 9 10 11 12 13 14
- 16 -
Controls and Connections
Front continued
EDIT
MARK
M. RESET
REC BAL
MARK
DISPLAY
SHIFT
HEADPHONE LEVEL
POWER ON/OFF
MENU/STORE
UNDO
SOLID STATE RECORDER PMD570
CANCEL
PUSH
ENTER
REC LEVEL/SELECT
MARK
TRACK
TOTALTRACKTIME
REC REMAIN kbps A-B L
R
-dB
PM
kHz
AM
LINE
S.SKIP -dB
over
0
26
1
2
20
40
00
010
LOCK
6
15. TRACK label
The TRACK label appears to indicate that the
number displayed on the left of the lower alpha-
numeric display refers to track.
16. MARK label
The MARK label appears to indicate that the
number displayed on the left of the lower alpha-
numeric display refers to EDL marks.
17. Lower alphanumeric display
Displays a variety of information including
remaining recording algorithm, date, track
number, number of tracks on CF card, EDL Mark
number, number of EDL Marks on CF card etc.
Associated labels are display items 15 and 16.
18. LINE label
The LINE label appears when the input Menu
selection for recording is Bal.IN or UnBal.
19. Record icon
The Record icon appears when the PMD570 is in
record mode. Appears with the Play icon when
recording. Appears flashing when in record pause.
20. Play icon
The Play icon appears when the PMD570 is in
playback, play pause, recording, or record pause.
MARK
TRACK
TOTAL TRACKTIME
REC REMAIN kbps A-B L
R
-dB
PM
kHz
AM
LINE
S.SKIP -dB
over
0
26
1
2
20
40
00
21. Pause icon
The Pause icon appears when the PMD570 is in
playback pause, or record pause.
22. S.SKIP label
The Silent Skip label appears when Silent Skip is
enabled.
23. Margin level
The Margin level is displayed. The PMD570
holds this display at the highest level achieved
during the current recording. If more than 0 dB,
OV (over) is displayed. To reset the Margin level
push and hold the SHIFT button while you push
and release the
M. RESET
button.
24. -dB label
The -dB label applies to the Margin level display.
15 16 17 18 19 20 21 22 23 24
6. Display continued
- 17 -
Controls and Connections
Front continued
EDIT
MARK
M. RESET
REC BAL
MARK
DISPLAY
SHIFT
HEADPHONE LEVEL
POWER ON/OFF
MENU/STORE
UNDO
SOLID STATE RECORDER PMD570
CANCEL
PUSH
ENTER
REC LEVEL/SELECT
MARK
TRACK
TOTALTRACKTIME
REC REMAIN kbps A-B L
R
-dB
PM
kHz
AM
LINE
S.SKIP -dB
over
0
26
1
2
20
40
00
010
LOCK
7Menu selections:
Menu item see page
PRESET 1, 2, 3 ................................................. 17
Input .................................................................. 25
Date/Time.......................................................... 26
Date Form ......................................................... 27
RecFormat ......................................................... 28
PreRecord .......................................................... 31
Auto Mark ......................................................... 31
Manual TR ........................................................ 32
Auto Trk ............................................................ 32
SeamlsPly .......................................................... 33
SilentSkp ........................................................... 34
Auto Cue ........................................................... 35
Play Mode ......................................................... 36
EDL Play ........................................................... 37
Remote .............................................................. 37
ID1Dscrpt .......................................................... 38
ID2Origin .......................................................... 38
ID3OrRef .......................................................... 38
Default .............................................................. 39
7b. EDIT Menu
Edit Menu, accessed from stop by pushing and
holding
SHIFT
while pushing and releasing the
MENU/STORE button, lets you erase and renumber
tracks, erase EDL marks, and format the CF card.
Edit Menu selections:
Edit Menu item see page
Renumber .......................................................... 40
TrkERASE ........................................................ 40
TrkMkErase ...................................................... 41
AllMkERASE ................................................... 41
FORMAT (CF card) .......................................... 42
EDIT
MENU/STORE
7. MENU/STORE
EDIT
button
There are two Menu selections
Menu and EDIT Menu
L
R
-dB over
0
26
1220
40
00
-dB
LINE
TIME
REC REMAIN
7a. Menu
Menu, accessed from stop by pushing and releasing
the MENU/STORE button, lets you set or change
recording and playback parameters, such as changing
inputs and setting the Date and Time.
How to change Presets
From stop, push and release the MENU/STORE
button to enter Menu mode.
The currently
selected Preset (1,
2 or 3) will be
displayed and flashing.
Turn the Jog Wheel to scroll through Presets 1, 2 and
3. Push and release the Jog Wheel to select the dis-
played Preset.
The menu for the selected Preset will be displayed
with the parameter flashing.
See page 25 for how to change Menu parameters.
When in a Menu mode push and release MENU/
STORE to record and store menu changes. Or push
and release the CANCEL button to exit the Menu
mode without storing any changes.
Example
display
Controls and Connections
Front continued
EDIT
MARK
M. RESET
REC BAL
MARK
DISPLAY
SHIFT
HEADPHONE LEVEL
POWER ON/OFF
MENU/STORE
UNDO
SOLID STATE RECORDER PMD570
CANCEL
PUSH
ENTER
REC LEVEL/SELECT
MARK
TRACK
TOTALTRACKTIME
REC REMAIN kbps A-B L
R
-dB
PM
kHz
AM
LINE
S.SKIP -dB
over
0
26
1
2
20
40
00
010
LOCK
8 9
8. Rewind, Fast Forward button group.
8a
8b
8c
8d
8a Rewind button
During playback push and hold to
rewind, do an audible search in the
reverse direction.
UNDO
During play pause, push and hold to rewind quickly.
8b UNDO button
During record push and release to undo
the recorded track (restart the same track
at the beginning).
9. Jog Wheel
This is a main control which
changes function depending
on the state of the PMD570
L
R
-dB over
0
26
1220
40
00
-dB
LINE
TRACKTIME
TRACK
- 18 -
M. RESET
UNDO
-dB
over
0
2
-dB
LINE
TRACKTIME
TRACK
L
R
6
12
20
40
00
-dB over
0
2
-dB
LINE
TRACKTIME
TRACK
L
R
6
12
20
40
00
When recording a live session, you can check that
inputs are working properly, set the recording level
and precisely start recording.
When recording and the UNDO button is pushed and
released, REC Undo? is displayed for about 3 seconds.
If the UNDO button is pushed and released while REC
Undo ? is displayed, the track is reset and paused at
00:00:00. Recording continues if REC Undo times
out.
REC BAL
MARK
PUSH
ENTER
REC LEVEL/SELECT
Example display
before pressing the
UNDO button
REC Undo?
displayed for 3
seconds.
Example display if
the UNDO button
pushed and
released while REC Undo ? is displayed.
8c Fast Forward button
During playback push and hold to
fast forward, do an audible search in
the forward direction.
-dB over
0
2
-dB
LINE
TRACKTIME
TRACK
L
R
6
12
20
40
00
During play pause, push and hold to fast forward
quickly.
8d M. RESET button
During record, record pause or
playback push and hold the
SHIFT
M. RESET
button and push and release the M. RESET button to
reset the peak level margin.
Example display
with level margin at
-02dB before
pushing the M.
RESET button. level margin
The level margin displays the highest level achieved
since the track began or the M. RESET button was
pushed and released. OV indicates a margin over 0dB.
Notes:
If the Rewind button or the Fast Forward button
is held past the beginning or end of a track the
rewind or fast forward will continue onto the previous
or next track.
If Play Mode Single or Play Mode Repeat All is on,
the rewind or fast forward will follow the repeat order.
Rewind button and Fast Forward button do
not function in EDL playback or EDL A-B repeat.
Turn to:
choose the track (during stop or playback)
•+
SHIFT choose an EDL mark (during stop or
playback)
adjust recording level (during rec pause or record-
ing)
•+
SHIFT adjust recording balance (during rec
pause or recording)
scroll through settings (Menu or Edit Menu)
- 19 -
Controls and Connections
Front continued
EDIT
MARK
M. RESET
REC BAL
MARK
DISPLAY
SHIFT
HEADPHONE LEVEL
POWER ON/OFF
MENU/STORE
UNDO
SOLID STATE RECORDER PMD570
CANCEL
PUSH
ENTER
REC LEVEL/SELECT
MARK
TRACK
TOTALTRACKTIME
REC REMAIN kbps A-B L
R
-dB
PM
kHz
AM
LINE
S.SKIP -dB
over
0
26
1
2
20
40
00
010
LOCK
9
9. Jog Wheel continued
Push and release the Jog Wheel to:
•+
SHIFT select the displayed EDL mark for
playback or editing
select displayed setting (Menu or Edit Menu)
set A-B repeat position (during playback)
How to select tracks during playback
Turn the Jog Wheel to choose the track when in stop,
play or play pause.
The PMD570 switches to the beginning of that track.
How to select an EDL mark
When in stop, playback or play pause, push and hold
SHIFT
and turn the Jog Wheel to choose an EDL
mark. The PMD570 jumps to the selected mark.
Note:
Nothing happens if there are no EDL marks on the CF
card.
When the desired EDL mark is displayed, release the
SHIFT button to jump to that mark.
Push and release the Play/Pause button to
start or continue playback from the EDL mark.
Push and release the Jog Wheel to edit the EDL
mark type. See How to edit EDL marks, page 45.
How to adjust record level
Turn the Jog Wheel to set or adjust the record level
(Vol.) during recording or in record pause.
The record level setting is remembered, even after
power off, you do not have to do anything to confirm
or store it.
How to adjust record balance
First check or adjust the record level (above). Push and
hold
SHIFT
while you turn the Jog Wheel to set or
adjust the record balance during recording or in record
pause.
Record balance maintains the record level of the target
channel and reduces the record level of the other
channel in 1 dB increments. For example, if you press
and hold SHIFT and turn the Jog Wheel 5 clicks to the
right, the right channel record level is not changed, and
the left channel record level is reduced 5dB.
Balance is displayed graphically.
Example
display
-dB over
0
2
-dB
LINE
TRACKTIME
TRACK
L
R
6
12
20
40
00
-dB over
0
2
-dB
LINE
TRACKTIME
TRACK
L
R
6
12
20
40
00
L
R
-dB
over
0
26
1220
40
00
-dB
TRACKTIME
Example
display
The record level can be from 0 to -78 dB.
Turn slowly to adjust 1 dB at a time.
Turn fast to adjust 5 to 15 dB at a time.
Example
display
The LR Balance bar displays up to 18 (1dB) clicks of
the Jog Wheel to the right or 18 clicks to the left.
When balance is as desired, release the SHIFT button.
The record balance setting is remembered, even after
power off, you do not have to do anything to confirm
or store it.
How to A-B repeat
During playback push and release the Jog Wheel to set
the A point.
0 1-5 6-17 18 +1-56-17
18 +
Example
display
L
R
-dB over
0
26
1220
40
00
-dB
TRACKTIME
TRACK
A-
A-
Push and release the Jog Wheel again to set the B
point.
Example
display
Playback repeats endlessly between the A and B
points.
continues
A-B
L
R
-dB over
0
26
1220
40
00
-dB
TRACKTIME
TRACK
A-B
- 20 -
Controls and Connections
Front continued
EDIT
MARK
M. RESET
REC BAL
MARK
DISPLAY
SHIFT
HEADPHONE LEVEL
POWER ON/OFF
MENU/STORE
UNDO
SOLID STATE RECORDER PMD570
CANCEL
PUSH
ENTER
REC LEVEL/SELECT
MARK
TRACK
TOTALTRACKTIME
REC REMAIN kbps A-B L
R
-dB
PM
kHz
AM
LINE
S.SKIP -dB
over
0
26
1
2
20
40
00
010
LOCK
During recording push and release Stop to stop
recording and end the track. The display switches to
information about the just recorded track.
13. Play/Pause button
From Stop push and release to
begin playback.
During playback push and release to pause playback.
During playback pause, push and release to resume
playback.
During recording push and release to Rec pause.
During Rec pause, push and release Record to
resume recording. If Auto Mark is ON, an EDL mark
is placed when recording resumes.
How to A-B repeat continued
To exit A-B repeat push and release the Jog Wheel. A-
B repeat is cancelled and playback is paused at the B
point.
Example
display
L
R
-dB
over
0
26
1220
40
00
-dB
TRACKTIME
TRACK
TOTAL
Total track time
Track number channel(s) recorded
You can push and release Play/Pause to play the
just recorded track, or push and release Stop again
to enter stop mode. Pushing and releasing Play/Pause
will play the beginning of the first track.
During playback push and release Stop to stop
playback. When playback resumes, by pushing and
releasing Play/Pause , playback begins at the
beginning of the first track.
During Menu and Edit Menu operations push and
release CANCEL to cancel all Menu or Edit Menu
changes and exit Menu or Edit Menu mode.
SHIFT
MARK
CANCEL
12. Stop/CANCEL button
Push and release to Stop or CANCEL an
operation.
10. SHIFT button
Push and hold while you push and
release other controls (black labels)
to activate alternate functions.
11. Record/MARK button
( /
MARK
)
Button is lit (red) and flashing while
in record pause.
Button is lit (red) and steady while recording.
How to start a new track
From stop push and release the Record button to
enter record pause at the start a new track. Push and
release the Record button again to begin recording.
When Manual TR is On, while recording, push and
release the Record button to start a new track and
continue recording. A small audio gap is inserted
between the tracks. See Seamless Play, page 33, to
avoid the audio gap during playback.
How to add an EDL mark while recording
While recording, push and hold the
SHIFT
button
while you push and release the Record MARK
button to add an EDL mark.
Notes:
EDL marks are numbered specific to the CF card not
the track.
EDL marks are numbered consecutively starting at 1
up to a maximum of 255 EDL marks per CF card.
During playback EDL marks are silent and during
EDL Play, do not result in a pause or audio gap.
10 11 12 13
L
R
-dB
over
0
26
1220
40
00
-dB
TRACKTIME
TRACK
Example
display
Push and release the Play/Pause button to con-
tinue playback from that point, or
Push and release the Jog Wheel to set the former B
point to a new A point and remain in pause, or
push and release CANCEL to cancel playback.
Back
1. BALANCED IN
ANALOG XLR inputs, L & R
BALANCED IN
RL
REF=+16dBu/0dBFS
+ 24 + 24
GROUND
HOT (+) COLD (-)
21
3L
R
IN OUT
ANALOG DIGITAL
IN
OUT
(SPDIF)
I / O RS 232C
REMOTE2
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
U
L
C
US LISTED
AUDIO SYSTEM
69 FM
SERIAL NO.
WARNING: SHOCK HAZARD- DO NOT OPEN.
AVIS: RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR.
AC IN
MODEL NO. PMD570
AC120V 60HZ 0.5A
MADE IN JAPAN
REMOTE1
1 2
XLR connectors are available for balanced analog
input.
The balanced XLR connection permits trimming,
adjusting the input level. See TRIM L & R below.
For mono recording use either jack. Input from both
jacks is mixed internally during mono recording.
Mono recording will appear on the left level meter.
To record an incoming signal from the XLR jacks,
Bal.In must be selected in the Input Menu.
BALANCED INRL
REF=+16dBu/0dBFS
+ 24 + 24
Example display
at stop.
- 21 -
2. ANALOG IN / OUT jacks
RCA jacks for line level input
and output.
L & R ANALOG IN jacks
Plug L and R RCA jacks in here
to connect to the Line level
L
R
IN OUT
ANALOG
To select BALANCED IN XLR jacks as inputs for
recording:
1. Push and release the MENU/STORE button.
2. Choose a Preset by turning the Jog Wheel.
3. Select the Preset by pushing and releasing the Jog
Wheel.
4. Turn the Jog Wheel so Input is flashing.
5. Push and release the Jog Wheel so the input
choice is flashing.
6. Turn the Jog Wheel so Bal.In is flashing.
7. Push and release the Jog Wheel to accept the
Bal.In choice.
8. Push and release the MENU/STORE button to
store the Menu change. Stored is displayed.
See page 24 for a full presentation of Menu
selection.
output jacks of an external mixer or other audio
playback device.
For mono recording use either jack.
To record, UnBal. must be selected in the Input Menu.
TIME
REC REMAIN L
R
-dB over
0
26
1220
40
00
-dB
LINE
GROUND
HOT (+) COLD (-)
21
3
REF=+16dBu/0dBFS
+ 24 + 24
BALANCED INRL
Trim L & R
You can use a small screwdriver to adjust the Trim of
the XLR L & R inputs.
The Trim is factory preset at +16 dBu with an adjust-
ment range from 0 to +24 dBu.
Some professionals prefer to first set the Trim using a
meter and to do a fine adjustment by listening for
distortion and watching the level meters on the
PMD570.
The pin out for the XLR jacks is printed on the
PMD570 for easy reference:
Pin 1 ground,
Pin 2 HOT +,
Pin 3 COLD -
.
Example display
at stop.
To select ANALOG IN RCA jacks as inputs for
recording:
1. Push and release the MENU/STORE button.
2. Choose a Preset by turning the Jog Wheel.
3. Select the Preset by pushing and releasing the Jog
Wheel.
4. Turn the Jog Wheel so Input is flashing.
5. Push and release the Jog Wheel so the input
TIME
REC REMAIN L
R
-dB over
0
26
1220
40
00
-dB
LINE
pin
out
BALANCED IN
RL
REF=+16dBu/0dBFS
+ 24 + 24
GROUND
HOT (+) COLD (-)
21
3L
R
IN OUT
ANALOG DIGITAL
IN
OUT
(SPDIF)
I / O RS 232C
REMOTE2
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
U
L
C
US LISTED
AUDIO SYSTEM
69 FM
SERIAL NO.
WARNING: SHOCK HAZARD- DO NOT OPEN.
AVIS: RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR.
AC IN
MODEL NO. PMD570
AC120V 60HZ 0.5A
MADE IN JAPAN
REMOTE1
Back continued
2 3 4 5
- 22 -
3. DIGITAL IN & OUT
connectors (SPDIF)
Digital audio cable with RCA
jacks can be used for input and
output.
DIGITAL IN jack (RCA)
Connect a digital audio cable with an RCA jack from
an external device providing SPDIF digital output*.
To record from this input Dig-In must be selected
from the input menu.
*Incoming source must be at 44.1 or 48 kHz.
DIGITAL
IN
OUT
(SPDIF)
Example
display at
stop.
is flashing.
6. Turn the Jog Wheel so Dig-In is flashing.
7. Push and release the Jog Wheel to accept the Dig-
In choice.
8. Push and release the MENU/STORE button to
store the Menu change. Stored is displayed.
See page 24 for a full presentation of Menu
selection.
DIGITAL OUT jack (RCA)
Connect a digital audio cable with RCA jacks to an
external device accepting a SPDIF digital input. This
connection will pass a digital signal when the
PMD570 is recording, in record pause or during
playback.
4. I/O port
Plug an I/O cable in here and
connect the other end to your
computer (PC or MAC).
To activate I/O:
From power off, push and hold the MENU/STORE
button while you power on by pushing and releasing
the POWER ON/OFF button.
The connection makes it easy to copy audio files to
your computer's hard drive. The I/O connection can
only be made active when the PMD570 is off (neither
recording or during playback).
See page 43 for a full discussion of the I/O connection.
I / O
2. ANALOG IN / OUT jacks continued
choice is flashing.
6. Turn the Jog Wheel so UnBal. is flashing.
7. Push and release the Jog Wheel to accept the
UnBal. choice.
8. Push and release the MENU/STORE button to
store the Menu change. Stored is displayed.
See page 24 for a full presentation of Menu
selection.
L & R ANALOG OUT jacks
Plug L and R RCA jacks in here to
connect to the Line level input jacks
of an external pre-amplifier, mixer
or recording device.
This connection will pass a line
level signal during recording, record
pause and playback.
L
R
IN OUT
ANALOG
TIME
REC REMAIN L
R
-dB
over
0
26
1220
40
00
-dB
To select the DIGITAL IN jack as input for recording:
1. Push and release the MENU/STORE button.
2. Choose a Preset by turning the Jog Wheel.
3. Select the Preset by pushing and releasing the Jog
Wheel.
4. Turn the Jog Wheel so Input is flashing.
5. Push and release the Jog Wheel so the input choice
5. REMOTE 2
The REMOTE2 jack accepts the
optional wired remote Marantz
model RC600. Model RC600 has
a record indicator light.
REMOTE2
Model RC600 permits:
starting recording
pausing recording, and
adding EDL marks
Model RC600 connects via a TRRS (Tip Ring Ring
Sleeve) connector.
BALANCED IN
RL
REF=+16dBu/0dBFS
+ 24 + 24
GROUND
HOT (+) COLD (-)
21
3L
R
IN OUT
ANALOG DIGITAL
IN
OUT
(SPDIF)
I / O RS 232C
REMOTE2
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
U
L
C
US LISTED
AUDIO SYSTEM
69 FM
SERIAL NO.
WARNING: SHOCK HAZARD- DO NOT OPEN.
AVIS: RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR.
AC IN
MODEL NO. PMD570
AC120V 60HZ 0.5A
MADE IN JAPAN
REMOTE1
6 7 8
- 23 -
Back continued
RS 232C
6. RS-232C connector
Using serial communication, a
host device can control the
PMD570.
The RS-232C host can control functions of the
PMD570 externally.
The PMD570 automatically transmits status data
when status is changed.
The PMD570 will respond to a status request by
transmitting the associated status data.
See RS-232C control, page 47, for details.
With Marantz Professional's PMD570 control setup
application (check the enclosed CD ROM or see
www.d-mpro.com to download) you can control the
PMD570 from your PC. See page 46 for a brief
description of the application.
7. REMOTE1 jack
REMOTE1 accepts a remote (not
supplied) that connects via a
TS 1/4 inch plug.
REMOTE1
Wiring
diagram
A connected switch
on closing and on
opening does the
following depending
on the Remote Menu setting.
Remote Menu setting:
StartPause
Close to start open to pause during recording or
playback. If Auto Mark is ON and EDL mark is
added when recording resumes.
StrtPausTR
Close to start, open to pause during recording or
playback. Start after a record pause, continues on
the next track.
EDL Mark
During record or playback close to add an EDL
mark.
Manual TRK
During recording, close to increment the track. A
new track is created at that point. There is no
break in recording.
8. AC IN
Connect the 3 prong AC
power cord.
AC IN
REMOTE1 behavior depending on switching activity:
open closed
open
closed
Remote Menu setting
StartPause StrtPausTR EDL Mark Manual TRK
Start Start
next track
Pause Pause --
add
EDL mark
create
new track
CAUTION:
Only use the supplied power cord.
Menu mode
Presets
Three menu selectable Presets make it easy to switch
between commonly used input, recording setup, and
playback conditions. Called Preset1, Preset2, and
Preset3.
How to switch Presets
From stop, push and release the MENU/STORE
button to enter Menu mode.
The currently selected Preset (1, 2 or 3) will be
displayed and flashing.
Turn the Jog Wheel to scroll through Presets 1, 2 and
3. Push and release the Jog Wheel to select the
displayed Preset.
L
R
-dB over
0
26
1220
40
00
-dB
LINE
TIME
REC REMAIN
The Input menu for the selected Preset will be
displayed.
You can edit the menu for the chosen Preset.
To accept the menu settings, push and release the
MENU/STORE button. The display returns to stop.
- 24 -
Table of Preset defaults
Display Selection range Default Setting (America) Default Setting (Europe)
Preset 1 Preset 2 Preset 3 Preset 1 Preset 2 Preset 3
Input Bal.In, UnBal., Dig-In UnBal. UnBal. Bal.In UnBal. Bal.In Unbal.
Date Time 2003 - 2099 2004 2004
JAN - DEC JAN JAN
1 - 31 1 1
AM/PM 0:00 - 11:59 AM 0:00 AM 0:00
DateForm M/D/Y, D/M/Y M/D/Y D/M/Y
RecFormat Stereo/Mono Stereo Mono Stereo Stereo Stereo Stereo
PCM/MP2/MP3 MP3 MP3 PCM PCM PCM MP3
16/22.05/24/32/44.1/48 (kHz) 44.1 44.1 44.1 44.1 48 44.1
384 - 32 (kbps) 160 32 N/A N/A N/A 160
wave/BWF/mp2/mp3 (File Format) mp3 mp3 wave wave wave mp3
wav/bwf (BWF Extension) wav wav wav wav wav wav
PreRecord On/Off On On Off On On On
Auto Mark On/Off On On Off On On On
ManualTR On/Off On On On On On On
Auto TRK On/Off Off On Off Off Off Off
1/5/10/15/30 min, 1/2/6/8/12/24 hrs 5 min* 5 min* 5 min* 5 min* 5 min* 5 min*
Seamls Ply On/Off Off Off Off Off Off Off
SilentSkp On/Off Off Off Off Off Off Off
1 - 5 sec (1 sec steps) 3 sec* 3 sec* 3 sec* 3 sec* 3 sec* 3 sec*
-60 - -20dB (5dB steps) -40dB* -40dB* -40dB* -40dB* -40dB* -40dB*
Auto Cue On/Off Off Off Off Off Off Off
5 - 95 msec (5 msec steps) 20 msec* 20 msec* 20 msec* 20 msec* 20 msec* 20 msec*
-60 - -20dB (5dB steps) -40dB* -40dB* -40dB* -40dB* -40dB* -40dB*
Play Mode Normal/Repeat All/Repeat TRK/Single Normal Normal Normal Normal Normal Normal
EDL Play On/Off Off Off Off Off Off Off
Remote StartPause/StrtPausTR/EDL Mark/Manual TRK StartPause EDL Mark Manual TRK StartPause StartPause StartPause
ID1Dscrpt 6-digit ASCII code 000000 000000 000000 000000 000000 000000
ID2Origin 6-digit ASCII code 000000 000000 000000 000000 000000 000000
ID3OrgRef 6-digit ASCII code 000000 000000 000000 000000 000000 000000
Default ---
Application: Music Meeting Highest Quality High Quality Highest Quality Music
Compressed Compressed Uncompressed Uncompressed Uncompressed Compressed
*Default when the function has been set to On.
- 25 -
General Menu procedure:
1. With the PMD570 at Stop, push and release the
MENU/STORE button.
2. Turn the Jog Wheel to scroll to the choice within
Menu.
3. When displayed push and release the Jog Wheel to
select that Menu choice.
4. Turn the Jog Wheel to scroll through the sub-menu
displays.
5. When the desired parameter or value is displayed
push and release the Jog Wheel to select it.
6. Repeat steps 2-5 as desired.
7. When done push and release the MENU/STORE
button to save your changes, or push and release
the Stop CANCEL button to cancel them.
How to select input(s) for recording
Audio input(s) and audio channels for recording are
selected using the Input Menu.
1. From stop push and release the MENU/STORE
button.
2. Turn the Jog Wheel to select Preset1, 2 or 3.
3. Push and release the Jog Wheel to accept the
selected Preset.
4. Turn the Jog Wheel so Input is displayed and
flashing.
EDIT
MARK
M. RESET
REC BAL
MARK
DISPLAY
SHIFT
HEADPHONE LEVEL
POWER ON/OFF
MENU/STORE
UNDO
SOLID STATE RECORDER PMD570
CANCEL
PUSH
ENTER
REC LEVEL/SELECT
MARK
TRACK
TOTALTRACKTIME
REC REMAIN kbps A-B L
R
-dB
PM
kHz
AM
LINE
S.SKIP -dB
over
0
26
1
2
20
40
00
010
LOCK
1 2
6. Turn the Jog Wheel to tab through the input
choices.
7. When correct push and release the Jog Wheel.
Display returns to Input flashing.
8. Turn the Jog Wheel to select other Menu choices
for editing. When editing the Preset is complete
push and release the MENU/STORE button to
accept the changes, or push and release the CAN-
CEL button to exit Menu mode without making
any changes.
Notes:
The Bal.In and Unbal. input choices are line level
inputs. LINE is displayed on the stop and record
displays.
TIME
REC REMAIN L
R
-dB over
0
26
1220
40
00
-dB
LINE
Preset defaults
The default Menu settings for Presets 1, 2 and 3 can
be restored by the Default Menu choice, page 39.
Preset1 default uses the unbalanced (ANALOG IN
RCA jacks), line level, inputs. It is set for stereo
channel music recording with MP3 compression.
Selecting a higher bit rate (kbps) will improve audio
quality but decrease available recording time.
Preset2 default uses the unbalanced (ANALOG IN
RCA jacks), line level, inputs. It is set for Mono
channel recording with MP3 compression. The
settings are appropriate for recording meetings:
quality acceptable for voice recording, long recording
times possible, and capability to transfer files on
internet.
Preset3 default uses the balanced (BALANCED IN
XLR jacks) inputs. It is set for stereo channel CD
quality recording with no compression.
See chart below on page 24 for complete default
settings.
Note:
Setting any preset to default resets the main clock. We
recommend you set the date when you set a preset to
default. See page 26.
Example
display
5. Push and release the Jog Wheel while Input is
displayed and flashing. The input choice (Bal.In,
UnBal., or Dig-In) is flashing.
Example
display
LINE
The PMD570 records only from the selected
input. For example if the input selected Bal.In and
no input source is connected to the XLR jacks the
PMD570 will record silence. Watch the level
meters while in record pause, if the level stays at
one display bar check for the proper input selec-
tion.
How to set or change the Date and time
The date and time are written on each audio track
(file) when the track is started. When an audio track
is viewed on a computer this date and time appears
as when the file was 'modified'. (US Date Form is
illustrated.)
1. From stop push and release the MENU/STORE
button.
2. Turn the Jog Wheel to select Preset1, 2 or 3.
3. Push and release the Jog Wheel to accept the
selected Preset.
4. Turn the Jog Wheel so Date/Time is displayed
and flashing.
- 26 -
5. While Date/Time is flashing push and release the
Jog Wheel. Date and time information will be
displayed with the month flashing.
6. Turn the Jog Wheel until the current month is
displayed.
7. Push and release the Jog Wheel to confirm the
month. The day will be flashing.
Example
display
AM
AM
Example
display
8. With the day flashing turn the Jog Wheel to tab
through days.
9. When the day is correct, push and release the Jog
Wheel to confirm. The year will be flashing.
Example
display
AM
10. With the year flashing turn the Jog Wheel to tab
through years. 2003-2099 are selectable.
11. When the year is correct, push and release the Jog
Wheel to confirm. The hour will be flashing.
Example
display
AM
12. With the hour flashing turn the Jog Wheel to tab
through hours. AM, PM will change when you
pass 12, check that it is correct.
13. When the hour and AM/PM are correct push and
release the Jog Wheel to confirm. The minute will
be flashing.
Example
display
14. With the minute flashing turn the Jog Wheel to tab
through minutes (00 through 59).
15. When the minute is correct, push and release the
Jog Wheel to confirm. Seconds will be flashing.
PM
Example
display
13. With seconds flashing turn the Jog Wheel to tab
through seconds (00 through 59).
14. When the second is correct, push and release the
Jog Wheel to confirm. Date/Time will be flashing
PM
15. If you are done making Menu changes to the
Preset, push and release the MENU/STORE
button to save your changes,
(or push and release the Stop CANCEL button
to cancel all changes).
Display returns to stop mode.
Notes:
The Date/Time settings will remain for about 5
years if the PMD570 is not plugged in.
Date/Time setting applies to all three presets.
If you set any of the three Presets to default, you
have to reset the Date and Time.
stored will be
displayed
briefly
- 27 -
How to set or change the Date Form
The date form is the date order month/day/year or
day/month/year.
The US default is M/D/Y (month/day/year).
The Europe default is D/M/Y (day/month/year).
1. From stop push and release the MENU/STORE
button.
2. Turn the Jog Wheel to select Preset1, 2 or 3.
3. Push and release the Jog Wheel to accept the
selected Preset.
4. Turn the Jog Wheel so Date Form is displayed
and flashing.
Example
display
5. While Date Form is flashing, push and release
the Jog Wheel. The D/M/Y (or M/D/Y) will be
flashing.
Example
display
6. Turn the Jog Wheel to toggle between D/M/Y and
M/D/Y.
7. When correct, push and release the Jog Wheel.
The display returns to Date Form flashing.
8. If you are done making Menu changes to the
Preset, push and release the MENU/STORE
button to save your changes,
(or push and release the Stop CANCEL button
to cancel all changes).
Display returns to stop mode.
stored will be
displayed briefly
- 28 -
RecFormat
The PMD570 can record in a variety of compression
algorithm, associated bit rate, file format, and record-
ing type (channels recorded) parameters. See explana-
tions and chart below.
First determine the input connection you want to
record from; BALANCED IN, ANALOG, or DIGI-
TAL IN. Second set the Preset Menu Input choice to
correspond with the connection: Bal.In, Unbal., or
Dig-IN.
RecFormat parameters:
Channels
The recording channel can be stereo (two discrete
channels of recording) or mono (one channel of
recording). Set to match your inputs.
File Format
The file format (3 character computer file extension)
can be .wav, .bwf, .mpg or .mp3. Broadcast Wave
format, used primarily in the broadcast industry,
includes identification codes in the file header.
Chart of RecFormat Parameters
The PMD570 parameter menu settings are extensive
but limited to plausible combinations.
This table of parameters reflects the menu setting
sequence.
Column
1. input
2. channel(s)
3. audio format
4. sampling frequency
5. bit rate
6. file format
7. extension (if BWF chosen in 6)
48
44.1
32
24
22.05
16
48
44.1
32
48
44.1
32
24
22.05
16
48
44.1
32
24
22.05
16
48
44.1
32
48
44.1
32
24
22.05
16
160,128,80,64,40,32
23
PCM
45 6
.wav/
.bwf
1
- - - (1536)
Bal.In, Unbal. or Dig-In
Stereo
Mono
MP2
MP3
PCM
MP2
MP3
384,256,192,128,96,64
320,256,160,128,80,64
192,128,96,64,48,32
.mpg/
.bwf
.mp3/
.bwf
.wav/
.bwf
.mpg/
.bwf
.mp3/
.bwf
- - - (1412)
- - - (1024)
- - - (768)
- - - (704)
- - - (512)
.mp3
160,128,80,64,40,32 .mp3
.wav/
.bwf
7
- - - (768)
- - - (705.6)
- - - (512)
- - - (384)
- - - (352)
- - - (256)
.wav/
.bwf
.wav/
.bwf
.wav/
.bwf
.wav/
.bwf
.wav/
.bwf
320,256,160,128,80,64
Algorithm
The PMD570 can record using three methods,
PCM and two compression algorithms: MP2,
and MP3.
PCM (Pulse Code Modulation) is
uncompressed. These are high quality audio
files used in the recording industry. For
example, for recording CD quality music.
MP3 is highly compressed, and creates
relatively small files that are commonly used
to share files on the internet.
MP2 is a compressed file format that is
commonly used in broadcasting. MP2 audio is
a higher quality than MP3. This is especially
useful when lower bitrates are used. If you are
a news reporter you will probably want to
record in Broadcast Wave format (BWF)
using MP2 compression.
Marantz Professional's PMDEdit application
software and other professional level computer
applications are available for computer process-
ing of PCM, MP2 and MP3 files.
Sampling Frequency
Sampling frequency is measured in kHz (kilo-
hertz). The sampling frequency is the number of
samples of the audio wave(s) per second. For
example, the PMD570 can record PCM at 48
kHz that is 48,000 samples per second.
Bit Rate
The bit rate for PCM is constant for each
sampling frequency. MP2 and MP3 can be
recorded at a number of different bit rates.
- 29 -
How to set or change the RecFormat parameters
This table of RecFormat parameters reflects the menu
setting procedure of those parameters.
Note:
The bitrate changed when the channel changed
to Mono.
The stereo bitrate was 128 kbps, consisting of
two channels at 64 kbps each. The change to
mono thus changed the bitrate to 64 kbps.
7. The compression algorithm will be flashing
(Col. 3).
While the compression algorithm is flashing turn
the Jog Wheel to tab between MP3, PCM, and
MP2. Push and release the Jog Wheel when
correct.
Mono, will be displayed and flashing. (Col. 2)
6. While the channel information is flashing turn
the Jog Wheel to toggle between stereo and
mono. Push and release the Jog Wheel when
1. From stop push and release the MENU/STORE
button.
2. Turn the Jog Wheel to select Preset1, 2 or 3.
3. Push and release the Jog Wheel to accept the
selected Preset.
4. Turn the Jog Wheel so RecFormat is displayed
and flashing.
Example
display
kbps
kHz
kbps
kHz
correct.
Example display
shows change to
mono.
kbps
kHz
Example
display shows
no change.
8. The sampling frequency (kHz) will be flashing
(Col. 4).
While the sampling frequency is flashing turn
the Jog Wheel to tab through available sampling
frequency choices (available frequencies depend
on channel, and compression algorithm choice).
Push and release the Jog Wheel when correct.
Example display
shows change to
48.00 kHz.
kbps
kHz
9. The bitrate (kbps) will be flashing (Col. 5).
While the bitrate is flashing turn the Jog Wheel to
tab through available bitrate choices.
Example
display shows
change to 32
kbps.
kbps
kHz
48
44.1
32
24
22.05
16
48
44.1
32
48
44.1
32
24
22.05
16
48
44.1
32
24
22.05
16
48
44.1
32
48
44.1
32
24
22.05
16
160,128,80,64,40,32
23
PCM
45 6
.wav/
.bwf
1
- - - (1536)
Bal.In, Unbal. or Dig-In
Stereo
Mono
MP2
MP3
PCM
MP2
MP3
384,256,192,128,96,64
320,256,160,128,80,64
192,128,96,64,48,32
.mpg/
.bwf
.mp3/
.bwf
.wav/
.bwf
.mpg/
.bwf
.mp3/
.bwf
- - - (1412)
- - - (1024)
- - - (768)
- - - (704)
- - - (512)
.mp3
160,128,80,64,40,32 .mp3
.wav/
.bwf
7
- - - (768)
- - - (705.6)
- - - (512)
- - - (384)
- - - (352)
- - - (256)
.wav/
.bwf
.wav/
.bwf
.wav/
.bwf
.wav/
.bwf
.wav/
.bwf
320,256,160,128,80,64
Push and release the Jog Wheel when correct.
continues
5. While RecFormat is flashing push and release
the Jog Wheel. Channel information, Stereo or
First choose Bal.In or Unbal. (Col. 1) from the Input
menu choice (see page 25.)
- 30 -
10. The file extension for the chosen file format will
be flashing (Col. 6).
While the file extension is flashing turn the Jog
Wheel to tab through available file format choices.
How to set or change the RecFormat parameters
continued
Example
display
11. When correct, push and release the Jog Wheel.
The display returns to RecFormat flashing.
12. If you are done making Menu changes to the
Preset, push and release the MENU/STORE
button to save your changes,
48
44.1
32
24
22.05
16
48
44.1
32
48
44.1
32
24
22.05
16
48
44.1
32
24
22.05
16
48
44.1
32
48
44.1
32
24
22.05
16
160,128,80,64,40,32
23
PCM
45 6
.wav/
.bwf
1
- - - (1536)
Bal.In, Unbal. or Dig-In
Stereo
Mono
MP2
MP3
PCM
MP2
MP3
384,256,192,128,96,64
320,256,160,128,80,64
192,128,96,64,48,32
.mpg/
.bwf
.mp3/
.bwf
.wav/
.bwf
.mpg/
.bwf
.mp3/
.bwf
- - - (1412)
- - - (1024)
- - - (768)
- - - (704)
- - - (512)
.mp3
160,128,80,64,40,32 .mp3
.wav/
.bwf
7
- - - (768)
- - - (705.6)
- - - (512)
- - - (384)
- - - (352)
- - - (256)
.wav/
.bwf
.wav/
.bwf
.wav/
.bwf
.wav/
.bwf
.wav/
.bwf
320,256,160,128,80,64
Note:
If BWF is chosen an additional step (Col. 7)
permits choosing between a .bwf or .wav file
extension. Default is .wav.
Example display
with bwf selected
at Col. 6.
Pushing and releasing the Jog Wheel with
bwf selected switches to the column 7 default
(wav). Turn the Jog Wheel to switch between
.wav and .bwf.
Example
display
Note:
Choosing wav in column 6 results in a WAV
format file with a .wav extension. Choosing
wav in column 7 results in a BWF format file
with a .wav extension.
Stored is
displayed
briefly.
(or push and release the Stop CANCEL button
to cancel all changes).
- 31 -
Pre Record
When PreRecord is on and the PMD570 is in record
pause, it 'listens to' the selected audio input(s) and
continuously buffers 2 seconds of audio. When record-
ing begins the 2 second pre record buffer is written at
the beginning of the new track. The 2 seconds give you
time to precisely start recording without missing the
first seconds of audio.
Default setting is Off.
1. From stop push and release the MENU/STORE
button.
2. Turn the Jog Wheel to select Preset1, 2 or 3.
3. Push and release the Jog Wheel to accept the
selected Preset.
4. Turn the Jog Wheel so PreRecord is displayed and
flashing.
Auto Mark
The Auto Mark Menu item turns the automatic EDL
mark feature on or off. See page 19 to manually add
EDL marks.
When On, during recording, a record pause (pushing
and releasing the Play/Pause button , then pushing
and releasing the Record button to resume record-
ing) automatically adds an EDL mark.
When Off, a record pause does not add an EDL mark to
the track.
Default setting is Off.
1. From stop push and release the MENU/STORE
button.
2. Turn the Jog Wheel to select Preset1, 2 or 3.
3. Push and release the Jog Wheel to accept the
selected Preset.
4. Turn the Jog Wheel so Auto Mark is displayed and
flashing.
Example
display
5. While PreRecord is flashing, push and release the
Jog Wheel. The On or Off will be flashing.
6. Turn the Jog Wheel to toggle between On and
Off.
7. When correct, push and release the Jog Wheel.
The display returns to PreRecord flashing.
8. If you are done making Menu changes to the
Preset, push and release the MENU/STORE
button to save your changes,
(or push and release the Stop CANCEL button
to cancel all changes).
Display returns to stop mode.
Example
display
Example
display
5. While Auto Mark is flashing, push and release the
Jog Wheel. The On or Off will be flashing.
6. Turn the Jog Wheel to toggle between On and
Off.
Example
display
7. When correct, push and release the Jog Wheel.
The display returns to Auto Mark flashing.
8. If you are done making Menu changes to the
Preset, push and release the MENU/STORE
button to save your changes,
stored will
be displayed
briefly
stored will be
displayed
briefly
(or push and release the Stop CANCEL button
to cancel all changes).
Display returns to stop mode.
Manual TR
When Manual track incrementing is On, during
recording push and release the Record button to
increment the track. A new track is created at that
point. A slight break can be heard during playback. See
Seamless Play, page 33, to eliminate the audio break
during playback.
When Manual track incrementing is Off, pushing and
releasing the Record button during recording does
nothing.
Default setting is On.
1. From stop push and release the MENU/STORE
button.
2. Turn the Jog Wheel to select Preset1, 2 or 3.
3. Push and release the Jog Wheel to accept the
selected Preset.
4. Turn the Jog Wheel so Manual TR is displayed
and flashing.
- 32 -
Auto Trk
With Auto Trk (Automatic Track incrementing) On,
new track is begun automatically at specified intervals
of recording time.
Automatic Tracks are silent. Playback across an
Automatic Track does not produce any sound.
Automatic Track can be set to increment every 1, 5, 10,
15, or 30 minutes or every 1, 2, 6, 8, 12, or 24 hours.
Minute track
Automatic Tracks make finding a particular point in a
recording easier. For example if a new track is begun
every minute. During playback the Minute Tracks
make finding a particular passage easier because of the
relationship between track numbers and time. During
playback you can select track 3 to play approximately
the 3rd minute of recording. To go directly to the
beginning of the 10th minute select track 10, etc.
Track Recording time
# minutes:seconds
1 ............................ 0:00 - 1:00
2 ............................ 1:01 - 2:00
3 ............................ 2:01 - 3:00
..
..
..
Note:
If you intend to transfer your PMD570 audio recording
to a CD the Auto Track function can make the CD
easily navigable without requiring any post production
to divide files into tracks.
Default setting is Off.
1. From stop push and release the MENU/STORE
button.
2. Turn the Jog Wheel to select Preset1, 2 or 3.
3. Push and release the Jog Wheel to accept the
selected Preset.
4. Turn the Jog Wheel so Auto TRK is displayed and
flashing.
Example
display
5. While Manual TR is flashing, push and release
the Jog Wheel. The On or Off will be flashing.
6. Turn the Jog Wheel to toggle between On and
Off.
Example
display
7. When correct, push and release the Jog Wheel.
The display returns to Manual TR flashing.
8. If you are done making Menu changes to the
Preset, push and release the MENU/STORE
button to save your changes,
(or push and release the Stop CANCEL button
to cancel all changes).
Display returns to stop mode. Example
display
stored will be
displayed
briefly
- 33 -
5. While Auto Trk is flashing, push and release the
Jog Wheel. The On or Off will be flashing.
6. Turn the Jog Wheel to toggle between On and Off.
Example
display
7. When correct, push and release the Jog Wheel.
The display switches to time interval flashing.
Example
display
8. Turn the Jog Wheel to tab through the time
interval choices (1, 5, 10, 15, or 30 minutes, or 1,
2, 6, 8, 12, or 24 hours). When correct, push and
release the Jog Wheel. The display returns to Auto
TRK flashing.
Example
display
9. If you are done making Menu changes to the
Preset, push and release the MENU/STORE
button to save your changes,
(or push and release the Stop CANCEL button
to cancel all changes).
Display returns to stop mode.
SeamlsPly (Seamless Play)
When Seamless Play is On, during playback in Play
Modes Normal and Repeat All, multiple tracks* will
be played back in sequence without any break (space)
between the tracks.
When Seamless Play is Off, during playback multiple
tracks will be played back in sequence with breaks
(brief periods of silence) between the tracks.
*Tracks created manually during a continuous record-
ing.
Default setting is Off.
1. From stop push and release the MENU/STORE
button.
2. Turn the Jog Wheel to select Preset1, 2 or 3.
3. Push and release the Jog Wheel to accept the
selected Preset.
4. Turn the Jog Wheel so SeamlsPly is displayed
and flashing.
5. While SeamlsPly is flashing, push and release the
Jog Wheel. The On or Off will be flashing.
6. Turn the Jog Wheel to toggle between On and Off.
Example
display
Example
display
7. When correct, push and release the Jog Wheel. The
display returns to SeamlsPly flashing.
8. If you are done making Menu changes to the
Preset, push and release the MENU/STORE button
to save your changes,
(or push and release the Stop CANCEL button
to cancel all changes).
Display returns to stop mode.
stored will
be displayed
briefly
stored will be
displayed
briefly
- 34 -
SilentSkp (Silent Skip)
Silent skip automatically pauses recording when there
is a period of silence and resumes recording when
sound resumes. Sometimes this feature is referred to
as voice activated recording. Silent Skip looks for
sound below a preset level for a preset period of time.
When that occurs the PMD570 switches to record
pause. When a signal of about -30 dB is input record-
ing resumes.
The SilentSkp Menu settings permit:
turning Silent Skip On or Off
adjusting the silent time period in one second
intervals from 1 to 5 seconds, and
adjusting the margin sound level that defines
silence in -5 dB increments from -20 to -60 dB.
When the Auto Mark menu choice is at On resump-
tion of recording after a record pause by Silent Skip
adds an EDL mark.
Default settings are Off, 3 seconds, and -40 dB.
1. From stop push and release the MENU/STORE
button.
2. Turn the Jog Wheel to select Preset1, 2 or 3.
3. Push and release the Jog Wheel to accept the
selected Preset.
4. Turn the Jog Wheel so SilentSkp is displayed and
flashing.
5. While SilentSkp is flashing, push and release the
Jog Wheel. The On or Off will be flashing.
6. Turn the Jog Wheel to toggle between On and
Off.
Example
display
-dB
Example
display
-dB
7. When correct, push and release the Jog Wheel. The
display switches to time interval flashing.
Example
display
-dB
8. Turn the Jog Wheel to tab through the silent time
interval choices (1 - 5 seconds).
When correct, push and release the Jog Wheel.
The display switches to -dB flashing.
9. Turn the Jog Wheel to tab through the margin
sound level choices (-20 through -60 dB in 5 dB
units). When correct, push and release the Jog
Wheel. The display returns to SilentSkp flashing.
Example
display
(or push and release the Stop CANCEL button
to cancel all changes).
Display returns to stop mode.
Note:
When Silent Skip is On S.SKIP appears in the display
during stop, record and playback.
-dB
Example
display
S.SKIP
TRACK
TRACKTIME L
R
-dB
S.SKIP -dB
over
0
26
1
2
20
40
00
10. If you are done making Menu changes to the
Preset, push and release the MENU/STORE
button to save your changes,
-dB
stored will be
displayed
briefly
Auto Cue
Auto Cue skips the silence at the beginning of an
audio track and pauses playback at the point where the
audio begins (sound is loud enough for long enough).
You can adjust how loud (how many dB) and how
long (milliseconds) the audio has to be before play-
back is cued.
The Auto Cue Menu settings permit:
turning Auto Cue On or Off
adjusting the millisecond period in 5 millisecond
intervals from 5 to 95 milliseconds, and
adjusting the margin sound level that defines
where audio begins in -5 dB increments from -20
to -60 dB.
If Normal Play Mode is selected (see Play Mode),
when the end of the track is reached Auto Cue pauses
playback cued to the sound of the next track.
Default settings are Off, 20 milliseconds, and -40 dB.
1. From stop push and release the MENU/STORE
button.
2. Turn the Jog Wheel to select Preset1, 2 or 3.
3. Push and release the Jog Wheel to accept the
selected Preset.
4. Turn the Jog Wheel so Auto Cue is displayed and
flashing.
- 35 -
-dB
-dB
-dB
-dB
-dB
Example
display
5. While Auto Cue is flashing, push and release the
Jog Wheel. The On or Off will be flashing.
6. Turn the Jog Wheel to toggle between On and Off.
Example
display
7. When correct, push and release the Jog Wheel.
The display switches to milliseconds flashing.
Example
display
8. Turn the Jog Wheel to tab through milliseconds
(05 - 95 milliseconds).
When correct, push and release the Jog Wheel.
The display switches to -dB flashing.
Example
display
9. Turn the Jog Wheel to tab through the margin
sound level choices (-20 through -60 dB in 5 dB
units). When correct, push and release the Jog
Wheel. The display returns to Auto Cue flashing.
10. If you are done making Menu changes to the
Preset, push and release the MENU/STORE button
to save your changes,
(or push and release the Stop CANCEL button
to cancel all changes).
Display returns to stop mode.
Note:
When Auto Cue is turned On, the PMD570 will
continue to search until audio of a significant level is
located within the playing track - where the unit will
then enter Play/Pause. To end this process, either
press stop or turn Auto Cue off in the menu.
stored will be
displayed
briefly
- 36 -
Play Mode
Play Mode lets you choose what happens when the
end of a track is reached during playback.
Normal
When playback reaches the end of a track it automati-
cally begins the next track until all tracks on the CF
card have been played. After the last track on the CF
card, playback stops. The PMD570 returns to stop
mode.
Repeat All
During playback all tracks are repeated. Same as
Normal except when playback reaches the end of the
last track it automatically starts playback from the
beginning of the first track.
Repeat TRK
When playback reaches the end of the track it auto-
matically starts playing again at the beginning of the
same track.
Single
When playback reaches the end of the track it auto-
matically pauses at the beginning of the next track.
Note:
For other methods of repeat playback see How to A-B
repeat on page 19 and/or How to Edit EDL marks on
page 45.
Default setting is Normal.
1. From stop push and release the MENU/STORE
button.
2. Turn the Jog Wheel to select Preset1, 2 or 3.
3. Push and release the Jog Wheel to accept the
selected Preset.
4. Turn the Jog Wheel so Play Mode is displayed
and flashing.
Example
display
6. Turn the Jog Wheel to tab through the Play Mode
choices: Normal, Repeat All, Repeat TRK and
Single.
Example
display
7. When the desired Play Mode is displayed, push
and release the Jog Wheel. The display returns to
Play Mode flashing.
8. If you are done making Menu changes to the
Preset, push and release the MENU/STORE button
to save your changes,
5. While Play Mode is flashing, push and release the
Jog Wheel. The currently selected mode will be
flashing.
stored will
be displayed
briefly
(or push and release the Stop CANCEL button
to cancel all changes).
Display returns to stop mode.
EDL Play
The EDL Play menu turns EDL Play On or Off.
Off
PMD570 playback does not respond to EDL mark
instructions.
On
PMD570 follows EDL mark instructions regarding
playback order, skipping sections of recording on the
memory card, or repeating (EDL A-B repeat) a section
of recording on the memory card. See page 45.
Note:
If EDL Play is at On and there are no EDL marks on
the CF card playback is not available. Switch to Off
for playback.
Default setting is Off.
1. From stop push and release the MENU/STORE
button.
2. Turn the Jog Wheel to select Preset1, 2 or 3.
3. Push and release the Jog Wheel to accept the
selected Preset.
4. Turn the Jog Wheel so EDL Play is displayed and
flashing.
5. While EDL Play is flashing, push and release the
Jog Wheel. The On or Off will be flashing.
6. Turn the Jog Wheel to toggle between On and
Off.
7. When correct, push and release the Jog Wheel.
The display returns to EDL Play flashing.
8. If you are done making Menu changes to the
Preset, push and release the MENU/STORE
button to save your changes,
- 37 -
(or push and release the Stop CANCEL button
to cancel all changes).
Display returns to stop mode.
Example
display
Example
display
Remote
The Remote Menu setting is for a wired remote (not
supplied) plugged into the REMOTE1 Phone jack.
(The optional remote Marantz model RC600 that
plugs into the REMOTE2 TRRS connector is plug-
and-play and has no menu choices.)
There are four remote modes:
• StartPause
Start or pause during recording or playback. If
Auto Mark is ON and EDL mark is added when
recording resumes.
• StrtPausTR
Start or pause during recording or playback. After
a record pause, recording continues on the next
track.
EDL Mark
During record or playback switch remote to on to
add an EDL mark.
Manual TRK
During recording, switch remote to on to incre-
ment the track. A new track is created at that
point. There is no break in recording.
Default setting is StartPause.
1. From stop push and release the MENU/STORE
button.
2. Turn the Jog Wheel to select Preset1, 2 or 3.
3. Push and release the Jog Wheel to accept the
selected Preset.
4. Turn the Jog Wheel so Remote is displayed and
flashing.
Example
display
5. While Remote is flashing, push and release the
Jog Wheel. The current remote setting will be
flashing.
6. Turn the Jog Wheel to tab through the remote
stored will
be displayed
briefly
Example
display during
EDL play.
L
R
-dB
over
0
26
1220
40
00
-dB
TRACKTIME
TRACK
- 38 -
settings: StartPause, StrtPausTR, EDL Mark, and
Manual TRK.
(or push and release the Stop CANCEL button
to cancel all changes).
Display returns to stop mode.
ID1Dscrpt, ID2Origin, ID3OrRef (Broadcast
Wave ID numbers)
Broadcast Wave Format (.bwf/.wav) has three identi-
fication numbers in the header (Extension Chunk):
Description, Originator, and Originator Reference.
For example, if the IDs are used for a broadcast
station ID1 could be the identifier of the station, ID2
could be used for the department code, and ID3 for
the badge number of the reporter.
Default is all ID numbers at 000000.
1. From stop push and release the MENU/STORE
button.
2. Turn the Jog Wheel to select Preset1, 2 or 3.
3. Push and release the Jog Wheel to accept the
selected Preset.
4. Turn the Jog Wheel so ID1Dscrpt, ID2Origin, or
ID3OrRef is displayed and flashing.
Example
display
5. While the ID# is flashing, push and release the Jog
Wheel. The first number of the ID will be flashing.
6. Turn the Jog Wheel to tab through numbers (and
alphabetic characters).
Example
display
Example
display
7. When correct, push and release the Jog Wheel.
The number position will be flashing.
Example
display
Repeat steps 6 and 7 until all ID numbers are
correct.
8. After the last number, push and release the Jog
Wheel. The display returns to the ID# flashing.
9. If you are done making Menu changes to the
Preset, push and release the MENU/STORE button
to save your changes,
(or push and release the Stop CANCEL button
to cancel all changes).
Display returns to stop mode.
Example
display
7. When correct, push and release the Jog Wheel.
The display returns to Remote flashing.
8. If you are done making Menu changes to the
Preset, push and release the MENU/STORE
button to save your changes,
stored will be
displayed
briefly
stored will be
displayed
briefly
- 39 -
Default (Menu Default)
The Default menu choice resets all Menu (not Edit
Menu) items in the Preset to their default values. This
is handy if you are setting up a new Preset configura-
tion because you don't have to check all the settings,
you know they are at the default.
Note:
Putting any Preset to its default also resets the main
clock.
AM/PM will be flashing to remind you that the Date
and Time are no longer current. See page 26 for how
to set the Date and Time.
Defaults are listed for each menu item.
Notes:
US defaults are used for illustration.
1. From stop push and release the MENU/STORE
button.
Preset1, Preset2 or Preset3 flashing.
Example
display
2. Turn the Jog Wheel to select Preset1, 2 or 3.
3. Push and release the Jog Wheel to accept the
selected Preset. A Menu item will be flashing.
LINE
TIME
REC REMAIN L
R
-dB
over
0
26
12
20
40
-dB
Example
display
4. Turn the Jog Wheel so Default is flashing.
5. Push and release the Jog Wheel. Execute flashing.
6. If you are sure you want to set the Preset to its
default push and release the Jog Wheel (or push
and release the Stop CANCEL button to
cancel).
EXECUTING will be displayed for a couple of
seconds while the default is being written.
The display will briefly display Done.
Display returns to stop mode.
Example
display
LINE
TIME
REC REMAIN L
R
-dB
over
0
26
12
20
40
-dB
AM
PM
AM
PM
- 40 -
Renumber (tracks)
If you have erased tracks from the CF card it can be
easier to locate recordings if the tracks are renumbered.
1. Select the Renumber EDIT Menu choice:
While in stop, push and hold the
SHIFT
button
while you push and release the MENU/STORE
button.
Renumber is displayed and flashing.
2. While Renumber is flashing (5 seconds) push
and release the Jog Wheel. Renum OK? will be
displayed and flashing.
3. While Renum OK? is flashing push and release
the Jog Wheel.
EXECUTING will be displayed and the
percentage executing will increase to 100%.
100% Done will be displayed momentarily
The PMD570 and the display will return to stop
mode.
*To cancel push and release the Stop/CANCEL button
.
TrkERASE
TrkERASE lets you erase a chosen track. Identify the
track number you want to erase.
1. Select the TrkERASE EDIT Menu choice:
While in stop, push and hold the
SHIFT
button
while you push and release the MENU/STORE
button. Renumber will appear (flashing) in the
display.
TRACK
TRACK
TRACK
2. While Renumber is flashing (for about 3 seconds)
turn the Jog Wheel until TrkERASE is flashing.
3. Push and release the Jog Wheel while TrkERASE
is flashing (for about 5 seconds). The display
switches to TRACK 001 flashing.
4. Turn the Jog Wheel so the track number you want
to erase is flashing.
Example
display
5. Push and release the Jog Wheel*.
EXECUTING will be displayed momentarily.
Display returns to step 3 so you can erase another
track.
Push and release the Stop/CANCEL button to
exit.
Note:
Tracks are not automatically renumbered. For example
if you have 5 tracks and erase track 3, the tracks will
then be 1, 2, 4, and 5.
The recording time (file space on the CF card) used by
the erased track is available for recording.
*To cancel, push and release the Stop/CANCEL button
.
TRACK
- 41 -
TrkMkERASE
TrkMkERASE lets you erase all EDL marks of the
selected track.
1. Select the TrkMkERASE Menu choice:
While in stop, push and hold the
SHIFT
button
while you push and release the MENU/STORE
button. Renumber will appear (flashing) in the
display.
3. Push and release the Jog Wheel while
TrkMKERASE is flashing (for about 5 seconds).
The display switches to MARK 001 flashing.
4. Turn the Jog Wheel so the track number you want
to erase the marks from is flashing.
5. Push and release the Jog Wheel*.
EXECUTING will be displayed momentarily.
The display returns to step 3 so you can erase
another mark.
Push and release the Stop/CANCEL button to
exit.
Note:
EDL marks will automatically be renumbered.
*To cancel, push and release the Stop/CANCEL
button .
MARK
MARK
MARK
MARK
2. While Renumber is flashing (for about 3 seconds)
turn the Jog Wheel until TrkMkERASE is flashing.
Example
display
AllMkERASE
AllMkERASE erases all EDL marks on the CF card.
1. Select the AllMkERASE Edit Menu choice:
While in stop, push and hold the
SHIFT
button
while you push and release the MENU/STORE
button. Renumber will appear (flashing) in the
display.
2. While Edit Menu is flashing (for about 3 seconds)
turn the Jog Wheel until AllMkERASE is dis-
played and flashing.
3. While AllMkERASE is flashing (5 seconds) press
and release the Jog Wheel. AllMkErOK? will be
flashing. The display asks you to confirm that you
want to erase all EDL Marks on the CF card.
4. While AllMkErOK? is flashing press and release
the Jog Wheel to confirm. (Or press and release
the Stop/CANCEL button to cancel.)
EXECUTING will be displayed momentarily.
Done will be displayed momentarily.
The PMD570 and the display will return to stop
mode.
- 42 -
FORMAT (CF card)
Formatting a CF card erases all audio files on the card
and prepares it for use in the PMD570.
The CF card formats used by the PMD570 are Win-
dows compatible. You can copy audio files using a
Windows compatible computer* that can read a CF
card or be connected via the I/O port.
*Or a Macintosh computer that can recognize Win-
dows compatible removable drives.
Notes:
CF cards with less than 2 GB capacity are automatically
formatted FAT16 (FAT = File Allocation Table).
CF cards with 2 - 8 GB capacity are automatically format-
ted FAT32.
The maximum CF card that can be formatted in the
PMD570 is 8 GB. If larger cards are used please format in
your computer.
To FORMAT a CF card:
1. Select the FORMAT Edit Menu choice:
While in stop, push and hold the
SHIFT
button
while you push and release the MENU/STORE
button. Renumber will appear (flashing) in the
display.
3. Push and release the Jog Wheel while FORMAT is
flashing (for about 5 seconds). The display
switches to FORMAT OK? flashing.
FORMAT OK?
flashing in the
display.
L
R
-dB
over
0
26
1220
40
00
-dB
LINE
4. While FORMAT OK? is flashing press and release
the Jog Wheel to confirm. (Or press and release
the STOP button to cancel.)
EXECUTING will be displayed and progress to
100%.
2. While Renumber is flashing (for about 3 seconds)
turn the Jog Wheel until FORMAT is flashing.
The display asks you to confirm that you want to
format the CF card. Formatting the CF card will
erase all recordings on the card.
The PMD570 returns to stop mode.
BlankCard will be displayed.
Done will be displayed momentarily.
- 43 -
I/O port
The CF card in the PMD570 is a Windows formatted
PC compatible CF card. The CF card can be removed
from the PMD570 and read by a computer with a
compatible CF card slot, or, using an I/O cable connec-
tion between the PMD570 I/O jack and your
computer's I/O port the CF card can remain in the
PMD570 and appear as a drive on your computer.
How to connect via the I/O port
1. Connect a cable to the PMD570 I/O jack and your
computer's I/O port.
Your computer.
BALANCED IN
RL
REF=+16dBu/0dBFS
+ 24 + 24
GROUND
HOT (+) COLD (-)
21
3L
R
IN OUT
ANALOG DIGITAL
IN
OUT
(SPDIF)
I / O RS 232C
REMOTE2
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION
U
L
C
US LISTED
AUDIO SYSTEM
69 FM
SERIAL NO.
WARNING: SHOCK HAZARD- DO NOT OPEN.
AVIS: RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRIR.
AC IN
MODEL NO. PMD570
AC120V 60HZ 0.5A
MADE IN JAPAN
REMOTE1
2. Select I/O Online:
From power off, push and hold the MENU/
STORE button while you power on by pushing
and releasing the POWER ON/OFF button.
The PMD570 cannot be used while Online.
Power off and back on to resume recording or play-
back on the PMD570.
While Online the CF card in the PMD570 appears as a
removable device on your computer. The audio files
are in a folder that is named MPGLANG1.
CAUTION: Only copy audio files (tracks) to other
volumes. Do not modify or delete the EDL file. If the
EDL file is missing or damaged PMD570 will not be
able to recognize EDL marks.
Do not remove a CF card during "I/O Online" mode.
Data and the CF card can be damaged.
See the enclosed CD-ROM for demo PMDEdit
software for computer audio file manipulation.
PMDEdit is a full featured software suite designed for
Marantz Professional digital recorders available for
purchase at www.d-mpro.com.
What will appear on your computer is a file titled
PMD670.EDL* and a folder (directory) titled
MPGLANG1. Files within the MPGLANG1 folder
are numbered from 1001 through the number of tracks
recorded to a maximum of 1999. The file extension
will be .mp3, .wav, .bwf or .mpg depending on the
RecFormat parameters that were set for the recording.
*PMD670 is used to insure compatibility between PMD670
and PMD570 PMDEdit operations.
Diagram of file structure (assuming .mp3 files).
Changes made to file names or file structure made on
your computer will prevent file recognition and
therefore playback in the PMD570.
I/O Online is
displayed
Root PMD670.EDL
MPGLANG1
1001.MP
3
1002.MP
3
1003.MP
3
.
.
.
.
.
.
1999.MP
3
EDL marks
EDL* (Edit Decision List) marks help you locate
specific points in the recording.
During regular playback EDL marks are silent.
*The EDL marking system is proprietary to Marantz Professional
solid state recorders.
EDL marks can be created during recording manually
or automatically. EDL marks can also be added during
playback or play pause at any time.
During stop or play pause you can search for EDL
marks by pushing and holding SHIFT and turning
the Jog Wheel.
You can change an EDL mark into a skip mark or
an A-B repeating point. That lets you create
custom playback sequences which include skip-
ping audio between EDL marks or repeating audio
between EDL marks. See How to Edit EDL marks
on page 45.
Up to 255 EDL marks can be added to a CF card.
EDL marks are numbered consecutively starting at
one.
During recording you can manually add an EDL
mark by pressing and holding the SHIFT button
while pressing and releasing the MARK button.
PMDEdit computer software, is specifically
designed for the PMD570 and PMD670. Marantz
Professional's PMDEdit application software
recognizes EDL marks generated by the PMD570.
This is especially useful for editing audio files on
your PC. For more information visit www.d-
mpro.com.
EDL marks are initially entered as 'Point' marks. An
EDL mark can also be a Skip mark, Loop_A mark, or
Loop_B mark.
Skip marks
When EDL Play is at On, playback segments that
begin with a Skip mark are skipped. Although the
skipped segment remains on the CF card it plays back
as if it has been erased.
Loop marks
When EDL Play is at On, when there is a Loop_A and
a Loop_B mark on the CF card, playback repeats
between the A and B marks.
- 44 -
Locating EDL Marks
From stop or play pause push and hold the SHIFT
button while you turn the Jog Wheel to scroll through
the EDL marks on the CF card.
Note:
If you push and hold the SHIFT button and turn the
Jog Wheel during playback, the PMD570 automati-
cally switches to play pause to scroll through the EDL
marks.
EDL Mark location
(recording time from the
beginning of the track).
Example
display.
L
R
-dB over
0
26
1220
40
00
-dB
TRACKTIME
MARK
EDL Mark
number
EDL Mark
type
MARK displayed
(instead of TRACK)
EDL marks and the beginning of a Track
EDL marks are not automatically placed at the begin-
ning of tracks. If you want your custom playback
sequence to include track beginning points add EDL
Marks to coincide with track beginning points by:
a. Start playback by pressing and releasing the Play/
Pause button and then pause playback by
pressing and releasing the Play/Pause button
again.
b. Push and release Track jump forward or Track
jump reverse until the desired track number is
displayed and TRACK TIME is 000:00:00 .
c. Push and hold SHIFT while you push and release
the MARK button.
Custom playback sequences
EDL Marks are numbered consecutively from 001
and automatically renumbered when an EDL Mark is
added or erased. Playback is also consecutive from the
point that playback begins.
EDL Mark custom playback can:
Skip playback from the beginning of a 'Skip' EDL
Mark to the beginning of the next EDL Mark.
A-B loop from a 'Loop_A' EDL Mark to a 'Loop_B'
EDL Mark.
How to Edit EDL marks:
All EDL marks are initially entered as 'Point' marks.
From stop or play pause, push and hold the SHIFT
button while you turn the Jog Wheel to tab through
the EDL marks.
- 45 -
EDL mark types
Point
Nothing happens during EDL playback.
Skip
Audio following a Skip EDL mark will be skipped
during EDL playback. Playback will skip to the
beginning of the next EDL mark.
The skipped EDL audio is not erased. The recording is
still on the CF card. The skipped EDL recording will
play if EDL Play is at Off. You can change the EDL
mark type later.
Loop_A and Loop_B
During EDL playback audio following an EDL Point
mark is played, and audio following an EDL Skip
mark is skipped. When EDL playback reaches the
EDL Loop_B point, playback switches to the EDL
Loop_A point and continues.
There can only be one EDL A-B loop on a CF card.
When a 'Loop_A' or 'Loop_B' exists on a CF card and
another is created the old mark automatically changes
to a 'Skip'.
Erase
When an EDL mark is erased the remaining EDL
marks are automatically renumbered from 1 through
the number of EDL marks on the CF card.
EDL Play
See page 37 for instructions on turning the EDL Play
Menu item On or Off.
OFF: When the EDL Play is Off PMD570 playback
does not respond to EDL mark instructions.
ON: When EDL Play is ON PMD570 playback
follows EDL mark instructions regarding playback
order, skipping sections of recording on the memory
card, or repeating a section of recording on the
memory card.
Note:
If the EDL Play Menu item is at On and there are no
EDL marks on the CF card, playback is not available.
Switch the EDL Play Menu item to Off for playback.
Example
display
L
R
-dB
over
0
26
1220
40
00
-dB
TRACKTIME
MARK
When the EDL mark to be edited is displayed release
the SHIFT button and immediately push and release
the Jog Wheel. The current EDL Mark type will be
flashing.
Example
display
L
R
-dB
over
0
26
1220
40
00
-dB
LINE
TRACKTIME
MARK
Turn the Jog Wheel to tab through the EDL Mark
types: Point, Skip, Loop_A, Loop_B, and Erase.
Example
display
L
R
-dB over
0
26
1220
40
00
-dB
TRACKTIME
MARK
When the type you want to change the EDL mark to is
flashing press and release the Jog Wheel. TOC Write
will be displayed briefly
and the PMD670 will return to the EDL selection for 4
seconds,
L
R
-dB
over
0
26
1220
40
00
-dB
TRACKTIME
MARK
Example
display
Example
display
then return to stop or play pause.
Example
display
L
R
-dB
over
0
26
1220
40
00
-dB
TRACKTIME
MARK
L
R
-dB over
0
26
1220
40
00
-dB
TRACKTIME
TRACK
- 46 -
RS-232C Control Windows Application
An RS232 Windows Application for the PMD570 is
available for free download (see www.d-mpro.com to
download). The Application lets you control and setup
the PMD570 from your PC.
Connect your Windows compatible computer to the
PMD570 via the REMOTE RS-232C connector on the
PMD570 to your computer's RS-232C port. Install the
software on your computer.
control all functions of PMD570
setup/preset menu
read/write settings to/from PMD570
save settings as text file,
convert settings text file to setup/presets of
PMD570
see www.d-mpro.com for available setup text files
from Marantz Professional
Control screen as it would appear on your computer.
Preset Menu screen as it would appear on your computer (example settings).
- 47 -
RS-232C control
Connect a male (D-Sub 9 Pin) to female (D-Sub 9 Pin)
straight cable for RS-232C external control by host equip-
ment.
The RS-232C host can control functions of the
PMD570 externally
The PMD570 automatically transmits status data when
status is changed.
The PMD570 will respond to status requests by
transmitting the associated status data.
RS-232C specifications:
Connector pin assignment
6 7 8 9
1 2 3 4 5
pin
1
2
3
4
5
6
7
8
9
use
NC
TX
RX
NC
GND
NC
RTS
CTS
NC
PMD570
Not Connected
Transmit Data
Receive Data
Not Connected
Ground
Not connected
RTS receive
CTS send
Not Connected
D-Sub 9 pin
(male)
Typical Host
Not Connected
Receive Data
Transmit Data
Not Connected
Ground
Not connected
RTS send
CTS receive
Not Connected
D-Sub 9 pin
(female)
cable
connector
Cable
Baud rate
Data bits
Parity bit
Stop bit
Flow control
Straight cable
9600 bps
8 bits
None
1 bit
CTS/RTS Hardware Flow
Physical specifications
Typical Host
RTS send
PMD570
CTS out
Not Busy
(Normal)
Busy
H
L
H
L
Timing chart
Flow control and timing
CTS/RTS hardware flow control
1. The host requests data by setting RTS to L.
2. Upon data request by CTS, the PMD570 responds
by setting RTS to H if not busy.
3. The host checks if CTS is H and stats data output
on TxD.
4. When data output finishes, the host sets RTS to H.
5. The PMD570 checks if CTS is H and sets RTS to L.
Header Addr Command code Return
@10Dh
Received okay and error codes
OK (data receive successful) (ACK): 06h
Error (data receive error) (NACK): 15h
Normal Return Error Return
OK
06h
ERR
15h
Notes:
The receiving side ignores data received prior to "@".
If code data is received without receiving "@", the
data receive error code will be returned.
The tolerance for send/receive clock error is ±10%.
For sending a command, wait more than 20ms after
reception of a response (OK, ERR or Status).
Reception of 0Dh or timeout is used to determine the
end of a command. Timeout occurs 1 second after the
reception of the last byte.
RTS
RxD
TxD
CTS
Host
CTS
RTS
PMD570
RxD
TxD
Command format
Start character: @
End character: 0Dh
Basic format
- 48 -
Hand shake flow charts for control commands
Host sends a command that causes a change in
PMD570 status.
PMD570 Typical Host
Received Command
OK
Control Command
PMD570 Typical Host
Received Command
Control Command
PMD570 Typical Host
Received Command
Status Information
Command
Status Request
Command
PMD570 Typical Host
Status Informaton
Command
Host sends a command that causes no change in
PMD570 status. For example, Host requests Play
during Playback.
Status Request Commands from the host are received
by the PMD570, then the status information code is
transmitted to the host.
A change in the state of the PMD570 automatically
transmits a status information code to the host.
Control command codes
The control command packets have a data length of 7~10
bytes. ASCII codes from 0x00 to 0x7f are used to receive
serial data. At the transmission end, take steps to convert
the ASCII codes into HEX data to set the data in the data
packets. CR (0x0d) is added as the data packet delimiter.
Example: Control command code for number 5 (ASCII
code @02305CR)
When transmitting commands consecutively, put more than
100ms blank between commands.
Status Request and Status Information codes :
The status data packets have a fixed data length of 8 bytes.
ASCII codes from 0x00 to 0x7f are used to transmit serial
data. For this reason, the ASCII codes are converted into
HEX data before the data is set in the data packets and
transmitted. CR (0x0d) is added as the data packet delim-
iter.
Example: Status Information code "Door open"
(ASCII code @0DS01CR)
@02305CR
0x40 0x30 0x32 0x33 0x30 0x35 0x0d
@0 D S 0 1CR
0x40 0x30 0x44 0x53 0x30 0x31 0x0d
Table of Control command codes
Control Command Code
0 ........................................... “@02300” + CR
1 ........................................... “@02301” + CR
2 ........................................... “@02302” + CR
3 ........................................... “@02303” + CR
4 ........................................... “@02304” + CR
5 ........................................... “@02305” + CR
6 ........................................... “@02306” + CR
7 ........................................... “@02307” + CR
8 ........................................... “@02308” + CR
9 ........................................... “@02309” + CR
DISPLAY ........................................... “@02311” + CR
Standby ........................................... “@02312” + CR
Power ON ........................................... “@023PW” + CR
Add EDL mark .................................... “@023121” + CR
Recording Volume + ............................ “@023V+” + CR
Recording Volume - ............................. “@023V-” + CR
Recording Balance Right ..................... “@023BR” + CR
Recording Balance Left ....................... “@023BL” + CR
Track Jump >>I (Next) ........................ “@02332” + CR
Track Jump I<< (Back) ....................... “@02333” + CR
PAUSE ........................................... “@02348” + CR
Fast Reverse Start << .......................... “@02350” + CR
continues
M.Level (XX) ............................. “@0CLXX” + CR
Play Mode*
Normal ........................................ “@0PMOF” + CR
Repeat All ................................... “@0PMAL” + CR
Repeat TRK ................................ “@0PMAR” + CR
Single .......................................... “@0PMSP” + CR
EDL Play*
ON ........................................... “@0EP00” + CR
OFF ........................................... “@0EP01” + CR
Remote*
StartPause ................................... “@0RCSR” + CR
StrtPausTR .................................. “@0RCSS” + CR
EDL Mark ................................... “@0RCMA” + CR
Manual TRK ............................... “@0RCMT” + CR
ID1Dscrpt* .......................................... “@0D1XXXXXX” + CR
ID2Origin ........................................... “@0D2XXXXXX” + CR
ID3OrRef ........................................... “@0D3XXXXXX” + CR
Default* ........................................... “@0DEFL” + CR
*Must be in stop mode.
**Shorten. For example, 22.05KHz = 22.
Fast Reverse Stop << ........................... “@0235001” + CR
Fast Forward Start >> .......................... “@02352” + CR
Fast Forward Stop >> .......................... “@0235201” + CR
PLAY ........................................... “@02353” + CR
STOP ........................................... “@02354” + CR
RECORD ........................................... “@02355” + CR
A-B ........................................... “@02359” + CR
REC UNDO ......................................... “@023RU” + CR
Manual Track ....................................... “@023MT” + CR
Next EDL mark ................................... “@023M+” + CR
Previous EDL mark ............................. “@023M-” + CR
MARGIN RESET ................................ “@023MR” + CR
Preset 1* ........................................... “@0PS01” + CR
Preset 2* ........................................... “@0PS02” + CR
Preset 3* ........................................... “@0PS03” + CR
Input Select*
Unbalanced Input ....................... “@0INUB” + CR
Balanced Input ............................ “@0INBA” + CR
Digital In ..................................... “@0INDI” + CR
Date Form*
M/D/Y ........................................ “@0DFDM” + CR
D/M/Y ........................................ “@0DFMD” + CR
Recording File Format*
Channels
Stereo ................................. “@0CHST” + CR
Mono ................................. “@0CHMO” + CR
Audio Format
PCM ................................... “@0AFPM” + CR
MP2 ................................... “@0AFM2” + CR
MP3 ................................... “@0AFM3” + CR
Bit Rate (XXX)** ...................... “@0BRXXX” + CR
Sampling Rate (XX)** ............... “@0FSXX” + CR
File Format
bwf ..................................... “@0FTBW” + CR
wav .................................... “@0FTWA” + CR
mpg .................................... “@0FTMG” + CR
mp3 .................................... “@0FTM3” + CR
BWF File Extension
bwf ..................................... “@0EXBW” + CR
wav .................................... “@0EXWA” + CR
PreRecord*
ON ........................................... “@0PR00” + CR
OFF ........................................... “@0PR01” + CR
Auto Mark*
ON ........................................... “@0AM00” + CR
OFF ........................................... “@0AM01” + CR
ManualTR*
ON ........................................... “@0MT00” + CR
OFF ........................................... “@0MT01” + CR
AutoTrk*
ON ........................................... “@0AK00” + CR
OFF ........................................... “@0AK01” + CR
Time
hhmm .......................................... “@0AThhmm” + CR
SeamlsPly*
ON ........................................... “@0CP00” + CR
OFF ........................................... “@0CP01” + CR
SilentSkp*
ON ........................................... “@0SS00” + CR
OFF ........................................... “@0SS01” + CR
seconds (XX) .............................. “@0SCXX” + CR
M. Level (XX) ............................ “@0SLXX” + CR
Auto Cue*
ON ........................................... “@0AC00” + CR
OFF ........................................... “@0AC01” + CR
seconds (XX) .............................. “@0CTXX” + CR
- 49 -
Table of Control command codes continued
Status Request Information
Code Code
Power Mode .................. “@0?PW” + CR
On ................................................................... “@0PW00” + CR
Off ..................................................................
Standby .......................................................... “@0PW01” + CR
Door Condition ..............“@0?DS” + CR
Open ............................................................... “@0DS01” + CR
Closed ............................................................ “@0DS00” + CR
Card Condition .............. “@0?CD” + CR
No Card .......................................................... “@0CDNC” + CR
Reading .......................................................... “@0CDRE” + CR
Card Inside ..................................................... “@0CDCI” + CR
Card Error ...................................................... “@0CDCE” + CR
Card 999 ......................................................... “@0CD99” + CR
Card Full ........................................................ “@0CDFL” + CR
Blank Card ..................................................... “@0CDBC” + CR
Read Error ...................................................... “@0STER” + CR
Writing ........................................................... “@0STWR” + CR
Write Error ..................................................... “@0STEW” + CR
Operation Status ............ “@0?ST” + CR
In Record
Digital In Unlock ....................................... “@0STRU” + CR
Recording .................................................. “@0STRE” + CR
Rec Pause .................................................. “@0STRP” + CR
In Stop
Stop ............................................................ “@0STST” + CR
Track Select ............................................... “@0STTS” + CR
In Playback
Play ............................................................ “@0STPL” + CR
Play Pause .................................................. “@0STPP” + CR
Seek + ........................................................ “@0STS+” + CR
Seek - ......................................................... “@0STS-” + CR
Fast Forward .............................................. “@0STFF” + CR
Fast Reverse .............................................. “@0STRW” + CR
A-B Repeat ................................................ “@0STAB” + CR
EDL Play ................................................... “@0STEP” + CR
EDL A-B Repeat ........................................ “@0STEA” + CR
Others
Track Edit /Preset ...................................... “@0STED” + CR
Operation Error .......................................... “@0STER” + CR
Display Condition ..........“@0?TMOD” + CR
Rec Remain Time ........................................... “@0TMRE” + CR
Total Track Number ....................................... “@0TMTN” + CR
Total Mark Number ........................................ “@0TMTM” + CR
File Format ..................................................... “@0TMAG” + CR
Date ................................................................ “@0TMND” + CR
Track Time ..................................................... “@0TMTT” + CR
Recorded Data ................................................ “@0TMRD” + CR
Track Remain Time ........................................ “@0TMTR” + CR
Track Number (XXX) ... “@0?PS” + CR .......... “@0TRXXX” + CR
Track Time (hhhmmss) .. “@0?TI” + CR ........... “@0TIhhhmmss” + CR
Preset Number ............... “@0?PS” + CR
Preset 1 ........................................................... “@0PS01” + CR
Preset 2 ........................................................... “@0PS02” + CR
Preset 3 ........................................................... “@0PS03” + CR
Input Selection ............... “@0?IN” + CR
Unbalanced .................................................... “@0INUN” + CR
Balanced ......................................................... “@0INBA” + CR
Digital In ........................................................ “@0INDI” + CR
Date Form ........................................................... “@0?DF” + CR
M/D/Y ............................................................ “@0DFDM” + CR
D/M/Y ............................................................ “@0DFMD” + CR
RecFormat
Channels .................... “@0?CH” + CR
Stereo ......................................................... “@0CHST” + CR
Mono ......................................................... “@0CHMO” + CR
Audio Format .................... “@0?AF” + CR
PCM ........................................................... “@0AFPM” + CR
MP2 ........................................................... “@0AFM2” + CR
MP3 ........................................................... “@0AFM3” + CR
Bit Rate (XXX) .........“@0?BR” + CR .......... “@0BRXXX” + CR
Sampling Rate (XX) . “@0?FS” + CR .......... “@0FSXX” + CR
File Format ................ “@0?FT” + CR
BWF .......................................................... “@0FSBW” + CR
Wave .......................................................... “@0FTWA” + CR
MP2 ........................................................... “@0FTMG” + CR
MP3 ........................................................... “@0FTM3” + CR
File Extension ........... “@0?EX” + CR
.bwf ............................................................ “@0EXBW” + CR
.wav ........................................................... “@0EXWA” + CR
.mpg ........................................................... “@0EXM2” + CR
.mp3 ........................................................... “@0EXM3” + CR
Pre-record ...................... “@0?PR” + CR
ON .................................................................. “@0PR00” + CR
OFF ................................................................ “@0PR01” + CR
Auto Mark ..................... “@0?AM” + CR
ON .................................................................. “@0AM00” + CR
OFF ................................................................ “@0AM01” + CR
Manual TR ..................... “@0?MT” + CR
ON .................................................................. “@0MT00” + CR
OFF ................................................................ “@0MT01” + CR
Auto Trk ........................ “@0?Ak” + CR
ON .................................................................. “@0AK00” + CR
OFF ................................................................ “@0AK01” + CR
Time (hhmm) ............ “@0?AT” + CR .......... “@0AThhmm” + CR
SeamlsPly ...................... “@0?CP” + CR
ON .................................................................. “@0CP00” + CR
OFF ................................................................ “@0CP01” + CR
SilentSkp ....................... “@0?SS” + CR
ON .................................................................. “@0SS00” + CR
OFF ................................................................ “@0SS01” + CR
seconds (XX) ............ “@0?SC” + C ............. “@0SCXX” + CR
M.Level (XX) ........... “@0?SL” + CR .......... “@0SLXX” + CR
Auto Cue ........................“@0?AC” + CR
ON .................................................................. “@0AC00” + CR
OFF ................................................................ “@0AC01” + CR
seconds (XX) ............ “@0?CT” + CR .......... “@0CTXX” + CR
M.Level (XX) ........... “@0?CL” + CR .......... “@0CLXX” + CR
Play Mode ......................“@0?PM” + CR
Normal ........................................................... “@0PMOF” + CR
Repeat All ...................................................... “@0PMAL” + CR
Repeat TRK ................................................... “@0PMAR” + CR
Single ............................................................. “@0PMSP” + CR
EDL Play ....................... “@0?EP” + CR
ON .................................................................. “@0EP00” + CR
OFF ................................................................ “@0EP01” + CR
Remote ...........................“@0?RC” + CR
StartPause ....................................................... “@0RCSS” + CR
StrtPausTR ..................................................... “@0RCSR” + CR
EDLMark ....................................................... “@0RCMA” + CR
Manual TRK .................................................. “@0RCMT” + CR
ID1Dscrpt ...................... “@0?D1” + CR .......... “@0D1XXXXXX” + CR
ID2Origin ...................... “@0?D2” + CR .......... “@0D2XXXXXX” + CR
ID3OrRef .......................“@0?D3” + CR .......... “@0D3XXXXXX” + CR
- 50 -
Table of Status Request and
Status Information codes:
When a Status Request Command from the host is
received by the PMD570, the PMD570 sends the
Status Information to the host. When the PMD570
changes status, the PMD570 automatically sends
Status Information to the host.
- 51 -
Recording time chart
Recording time chart
The recording time available on a CF card depends on the size of the card in MB, the recording type (.mp3, .mp2 or PCM), the
bitrate of the recording and if recording in mono or stereo.
This Recording time chart lists approximate recording times based on those factors.
bitrate 32 kbps 64 kbps 40 kbps 80 kbps 64 kbps 128 kbps 80 kbps 160 kbps 128kbps 256 kbps 160 kbps 320 kbps
.mp3
mono stereo mono stereo mono stereo mono stereo mono stereo mono stereo
32 MB 2:13:00 1:06:30 1:46:24 0:53:12 1:06:30 0:33:15 0:53:12 0:26:36 0:33:15 0:16:38 0:26:36 0:13:18
64 MB 4:26:00 2:13:00 3:32:48 1:46:24 2:13:00 1:06:30 1:46:24 0:53:12 1:06:30 0:33:15 0:53:12 0:26:36
CARD 128 MB 8:52:00 4:26:00 7:05:36 3:32:48 4:26:00 2:13:00 3:32:48 1:46:24 2:13:00 1:06:30 1:46:24 0:53:12
SIZE 256 MB 17:44:00 8:52:00 14:11:12 7:05:36 8:52:00 4:26:00 7:05:36 3:32:48 4:26:00 2:13:00 3:32:48 1:46:24
340 MB 23:33:08 11:46:34 18:50:30 9:25:15 11:46:34 5:53:17 9:25:15 4:42:38 5:53:17 2:56:38 4:42:38 2:21:19
512 MB 35:28:00 17:44:00 28:22:24 14:11:12 17:44:00 8:52:00 14:11:12 7:05:36 8:52:00 4:26:00 7:05:36 3:32:48
(1 GB) 1024 MB 70:56:00 35:28:00 56:44:48 28:22:24 35:28:00 17:44:00 28:22:24 14:11:12 17:44:00 8:52:00 14:11:12 7:05:36
(2GB) 2048MB 141:52:00 70:56:00 113:29:36 56:44:48 70:56:00 35:28:00 56:44:48 28:22:24 35:26:00 17:44:00 28:22:24 14:11:12
(4GB) 4096MB 283:44:00 141:52:00 226:59:12 113:29:36 141:52:00 70:56:00 113:29:36 56:44:48 70:56:00 35:28:00 56:44:48 28:22:24
bitrate 32 kbps 64 kbps 48 kbps 96 kbps 64 kbps 128 kbps 96 kbps 192 kbps 128 kbps 256 kbps 192 kbps 384 kbps
.mp2
mono stereo mono stereo mono stereo mono stereo mono stereo mono stereo
32 MB 2:13:00 1:06:30 1:39:45 0:49:53 1:06:30 0:33:15 0:49:53 0:24:56 0:33:15 0:16:38 0:24:56 0:12:28
64 MB 4:26:00 2:13:00 3:19:30 1:39:45 2:13:00 1:06:30 1:39:45 0:49:53 1:06:30 0:33:15 0:49:53 0:24:56
CARD 128 MB 8:52:00 4:26:00 6:39:00 3:19:30 4:26:00 2:13:00 3:19:30 1:39:45 2:13:00 1:06:30 1:39:45 0:49:53
SIZE 256 MB 17:44:00 8:52:00 13:18:00 6:39:00 8:52:00 4:26:00 6:39:00 3:19:30 4:26:00 2:13:00 3:19:30 1:39:45
340 MB 23:33:08 11:46:34 17:39:51 8:49:55 11:46:34 5:53:17 8:49:55 4:24:58 5:53:17 2:56:38 4:24:58 2:12:29
512 MB 35:28:00 17:44:00 26:36:00 13:18:00 17:44:00 8:52:00 13:18:00 6:39:00 8:52:00 4:26:00 6:39:00 3:19:30
(1 GB) 1024 MB 70:56:00 35:28:00 53:12:00 26:36:00 35:28:00 17:44:00 26:36:00 13:18:00 17:44:00 8:52:00 13:18:00 6:39:00
(2GB) 2048MB 141:52:00 70:56:00 106:24:00 53:12:00 70:56:00 35:28:0 53:12:00 26:36:00 35:28:00 17:44:00 26:36:00 13:18:00
(4GB) 4096MB 283:44:00 141:52:00 212:48:00 106:24:00 141:52:00 70:56:00 106:24:00 53:12:00 70:56:00 35:28:00 53:12:00 26:36:00
fs 16 kHz 22.050kHz 24kHz 32kHz 44.1 kHz 48 kHz
PCM
mono stereo mono stereo mono stereo mono stereo mono stereo mono stereo
32 MB 0:16:40 0:08:20 0:12:06 0:06:03 0:11:07 0:05:33 0:08:20 0:04:10 0:06:03 0:03:01 0:05:33 0:02:47
64 MB 0:33:20 0:16:40 0:24:11 0:12:06 0:22:13 0:11:07 0:16:40 0:08:20 0:12:06 0:06:03 0:11:07 0:05:33
CARD 128 MB 1:06:40 0:33:20 0:48:23 0:24:11 0:44:27 0:22:13 0:33:20 0:16:40 0:24:11 0:12:06 0:22:13 0:11:07
SIZE 256 MB 2:13:20 1:06:40 1:36:45 0:48:23 1:28:54 0:44:27 1:06:40 0:33:20 0:48:23 0:24:11 0:44:27 0:22:13
340 MB 2:57:05 1:28:33 2:08:30 1:04:15 1:58:04 0:59:02 1:28:33 0:44:16 1:04:15 0:32:07 0:59:02 0:29:31
512 MB 4:26:40 2:13:20 6:27:01 1:36:45 5:55:34 1:28:54 2:13:20 1:06:40 1:36:45 0:48:23 1:28:54 0:44:27
(1 GB) 1024 MB 8:53:21 4:26:41 6:27:01 3:13:30 5:55:34 2:57:47 4:26:41 2:13:20 3:13:30 1:36:45 2:57:47 1:28:54
(2GB) 2048MB 17:46:42 8:53:21 12:54:01 6:27:01 11:51:08 5:55:34 8:53:21 4:26:41 6:27:01 3:13:30 5:55:34 2:57:47
(4GB) 4096MB 35:33:24 17:48:42 25:48:04 12:54:01 23:42:16 11:51:06 17:46:42 8:53:21 12:54:01 6:27:01 11:51:08 5:55:34
These figures are an average of 4 cards of various sizes and manufacturers.
All times are approximated record times for the PMD570/PMD670.
Different media manufacturers allow more or less space for error correction and such on their respective products.
ALL TIMES ARE APPROXIMATE
- 52 -
Troubleshooting
Should faults occur, it is in many cases not necessary
to consult your dealer or technical service department.
On the basis of the following checks, you will be able
to rectify a number of conditions yourself without
difficulty. If the condition cannot be remedied after the
following check, please consult your dealer or contact
Marantz Professional at 630 741 0330.
The PMD570 does not turn on
Check power cord and your home circuit breaker
The PMD570 seems to record but there is no sound on
playback
check input settings (For example, if Bal.In input
is selected and no input is connected to the BAL-
ANCED IN jacks the PMD570 will record si-
lence.)
is the amp on? Check to see if the correct input
has been selected.
The PMD570 will not playback
check EDL Play Menu setting, if ON switch to
OFF
No audio playback through headphones
check HEADPHONE-LEVEL control setting
check a different track or CF card
The PMD570 will not record
check that the maximum of 999 tracks have not
been recorded
make sure that you have not filled up the CF card
with recordings based on time
check that the PMD570 acknowledges the CF card
Excessive noise
check cable connections and/or replace cables
check for proper gain levels
Playback on a PC results in poor sound
check quality of PC sound card and program
check frequency conversion program*
be sure the PMD570 is set to the desired bitrate
*The PMD570 can record audio files with a sampling
frequency of 48kHz. Some PC programs convert the
files to 44.1kHz (using a sample rate converter). Only
high quality sample rate converters should be used.
PC cannot read files
check if the files are MP2 or MP2 with a .wav file
extension Some PC’s cannot interpret this combi-
nation. Try renaming the MP2 file so it has a .mpg
file extension.
check the capability of the PC program
Some playback and editing programs do not
support MP2/MP3 or Broadcast Wave (.bwf/.wav)
formats. Consult the Marantz Professional website
at www.d-mpro.com for links to programs that
support MP2/MP3 and Broadcast Wave Format.
Erratic behavior
If the PMD570 exhibits erratic behavior, the
microprocessor can be reset by, powering off and
disconnecting AC power.
Care and Maintenance
Clean case with a slightly moistened soft cloth.
Media cards that are heavily used should be occasion-
ally reformatted to avoid audio problems due to
fragmentation.
Error Messages
Display Description
NO_CARD No CF card inserted, or card is not detected.
UNFORMAT Initializing of CF card is failure or track information
renewal failure
FULL_CARD Remaining capacity of CF card is less than a few Kbytes.
You Need
FormatOnPC CF card is not formatted.
Format Fail Formatting failure
NO_FILE Correct file does not exist.
FULL_999 The number of tracks on the CF card
has reached the 999 maximum.
Can not… Wave format error was detected during PCM file
playback.
Mark_255 The number of EDL marks on the card has
reached the 255 maximum.
No_Good Accessing speed of the CF card is not suitable.
UnLock A corrupt digital audio signal was received during
recording with digital input.
NO_EDL
EDLERROR-A A or B point for EDL A-B loop was not found.
DSP ERROR DSP processing error
CF Card
Others
- 53 -
Specifications1
Digital audio system
System .................................................. Solid State Recorder
Usable Media ............................................. CF memory cards
(Microdrive) cards
Recording and media methods
.mp2 ................................ MPEG1 Layer II compression
.mp3 ............................... MPEG1 Layer III compression
.mp3 ............................. MPEG2 Layer III compression*
*for all half sample rates.
PCM ................................................... 16 bit linear PCM
Recording bit rate (selectable)
MP2 mono ............................ 192, 128, 96, 64, 48, 32 kbps
MP2 stereo ......................... 384, 256,192,128, 96, 64 kbps
MP3 mono ............................ 160, 128, 80, 64, 40, 32 kbps
MP3 stereo ......................... 320, 256,160,128, 80, 64 kbps
Sampling frequency
Analog ......................... 48, 44.1, 32, 24*, 22.05*, 16* kHz
*except MP2
Digital ............................................................ 48, 44.1 kHz
Number of channels ............................... 2 (stereo), 1 (mono)
Audio
Frequency response ................................ 20,000 Hz (-0.5dB)
Signal-to-Noise Ratio
IEC-A weighted ........................................................ 91 dB
Total Harmonic Distortion
at 0 VU (PCM) ........................................................ 0.01%
Dynamic Range ............................................................ 94 dB
Inputs
BALANCED IN L/R
Type ............................ XLR (1:GND, 2:HOT, 3:COLD)
Input Sensitivity ................................ +16dBu/@0dBFS
(+4dBu/@-12dBFS) /24 kohms
Trim Control ....................................................0 to 24dB
LINE IN L/R
Type ................................................................. RCA jack
Input Sensitivity .......................... 500 mVrms/22 kohms
DIGITAL IN
Type ................................................................. RCA jack
Input impedance ................................................ 75 ohms
Standard input level .......................................... 0.5 Vp-p
Sampling frequency .....................................44.1/48 kHz
Format ..................................... SPDIF (IEC 958 TypeII)
Outputs
LINE OUT L/R
Type ................................................................. RCA jack
Standard level ............................ 2 Vrms max./300 ohms
DIGITAL OUT
Type ................................................................. RCA jack
Output impedance ............................................. 75 ohms
Standard output level ........................................ 0.5 Vp-p
Sampling frequency .....................................44.1/48 kHz
Format ................................... SPDIF (IEC-958 Type II)
General
Power requirements
US model ................................................ AC120V 60Hz
European model ...................................... AC230V 50Hz
Power consumption .......................................................5.3W
Headphone Output power ............................ 20 mW/32 ohms
Dimensions
Width ................................................................. 483 mm
Height .................................................................. 52 mm
Depth ................................................................. 298 mm
Weight ...................................................................... 3.0 kg
Included accessories
CF card* (64MB) ......................................................... 1
Power cord .................................................................... 1
I/O cable ....................................................................... 1
Stereo audio cables ....................................................... 2
Screw (ISO 3x10 mm) .................................................. 2
Plastic pin and retainer ................................................. 1
User Guide .................................................................... 1
*A CF card (Compact Flash™ memory card) or a
Microdrive™ is needed for the PMD570 to work. Also
used in digital cameras, removable flash memory media,
widely available at consumer electronics retailers and
computer resellers, come in a variety of sizes and
connection configurations. The PMD570 accepts
"Compact Flash" and "Microdrive" media.
The recording time depends on the size of the CF card
and the recording parameters. See chart on page 51.
Optional Accessories
(See www.d-mpro.com for descriptions and/or ordering
information.)
Remote control
Model RC600 ................................................ wired remote
start recording, pause recording,
add EDL marks
1Specifications subject to change without notice.
- 54 -
Limited Warranty
Your Marantz Professional product is warranted against manufac-
turer defects in material and workmanship for a period of two years
parts and labor.
Except as specified below, this warranty covers defects in material
and workmanship. The following are not covered under warranty:
1. Damage, deterioration, malfunction or failure to meet
performance specifications resulting from:
a) Accidents, acts of nature, misuse, abuse, neglect or
unauthorized product modification.
b) Improper installation, removal or maintenance, or failure
to follow supplied instructions.
c) Repair or attempted repair by a non-Marantz authorized
agent.
d) Any shipment (claims must be presented to the carrier).
e) Any cause other than a defect of manufacturing.
2. Cleaning, check-ups with no fault found or changes incurred
for installation, removal or reinstallation of the product.
3. Any serialized product on which the serial number has been
defaced, modified or removed.
4. Batteries and battery chargers.
5. Accessories, including but not limited to: cables, mounting
hardware and brackets, cleaning accessories, power cords and
adapters, and carry cases.
6. Products purchased outside of the United States, its posses-
sions or territories.
Non-transferable warranty
This Warranty may be enforced only by the original purchaser.
What We Will Pay For
We will pay for all labor and material expenses for items covered
by the warranty.
How You Can Get Service
1. If your unit needs service in the USA, contact our service
referral at the appropriate telephone number indicated below.
We will advise you of the name and location of one or more
authorized service centers from which service may be
obtained. Please do not return the unit directly to us.
2. You must pay any shipping charges if it is necessary to ship
the product for service. If the necessary repairs are covered
by the warranty, we will pay return shipping charges to your
location anywhere in the United States or its territories.
3. Whenever warranty service is required, you must present the
original dated sales receipt or other proof of date purchased.
Limitation of Implied Warranties
All implied warranties, including warranties of merchantability
and fitness for a particular purpose, are limited in duration to the
length of this warranty.
Exclusion of Damages
Liability for any defective product is limited to repair or replace-
ment of the product at manufacturers option. Manufacturer shall
not be liable for damage to other products caused by any defects
in Marantz products, damages based on inconvenience or loss of
use of the product, or any other damages, whether incidental,
consequential, or otherwise.
Some States do not allow limitations on how long an implied
warranty lasts and/or do not allow the exclusion or limitation of
incidental or consequential damages, so the above limitations and
exclusions may not apply to you.
How State Law Relates to the Warranty
This warranty gives you specific legal rights, and you may have
other rights which may vary from State to State.
Marantz Professional Service Number:
Marantz Professional Factory Service (630) 741-0330
This warranty is enforceable only in the United States and its
possessions or territories.
Marantz is a registered trademark.
®
2004/4

Navigation menu