Markbass Sa 450 Owners Manual SA450 SD800
Markbass-Sd-800-Owners-Manual markbass-sd-800-owners-manual
2014-07-31
: Markbass Markbass-Sa-450-Owners-Manual markbass-sa-450-owners-manual markbass pdf
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08/&3©4."/6"- 6$a6' ).42/$5#4)/. #ONGRATULATIONS ON PURCHASING ONE OF THE WORLDS BEST BASS AMPLIlERS -ARKBASS AMPS ARE BUILT TO THE HIGHEST STANDARDS BY A SMALL TEAM OF SKILLED TECHNICIANS IN 3AN 'IOVANNI 4EATINO )TALY 7E HAVE SPENT MANY YEARS RESEARCHING NOT ONLY THE HIGHEST QUALITY TECHNOLOGIES FOR BASS AMP DESIGN AND CONSTRUCTION BUT ALSO THE PRACTICAL NEEDS OF THE WORKING BASSIST 4HE END RESULT IS A PRODUCT THAT COMBINES OUTSTANDING SOUND QUALITY WITH INTUITIVE FEATURES ATTRACTIVE DESIGN AND EXTREME RELIABILITYALL IN ONE IMPOSSIBLY LIGHTWEIGHT UNIT 4HIS AMP WILL ALLOW YOUR INSTRUMENT TO SPEAK IN ITS NATURAL VOICE FAITHFULLY CONVEYING YOUR MUSICAL IDEAS TO YOUR AUDIENCE WITH STUNNING CLARITY 9OUR AMPLIlER HAS PASSED RIGOROUS PRODUCT TESTING AND SHOULD SURVIVE EVEN THE TOUGHEST OF ENVIRONMENTS ON THE ROAD IN CLUBS REHEARSAL HALLS AND CONCERT STAGES .O NETHELESS PLEASE TREAT IT WITH CARE AND YOU WILL BE REWARDED WITH MANY MANY YEARS OF GLORIOUS RICH POWERFUL BASS TONE )F THE CLARITY AND POWER OF THIS AMP INSPIRE YOU TO PLAY BETTER MUSIC WE WILL HAVE SUCCEEDED IN OUR MISSION 'OOD LUCK AND ENJOY YOUR NEW BEST FRIEND 3INCERELY -ARKBASS ! 7/2$ &2/- -!2#/ $% 6)2'),))3 7HEN ) BEGAN TO DEVELOP THE -ARKBASS CONCEPT IN )TALY SEVERAL YEARS AGO ) HAD ONE OBJECTIVE IN MIND TO PRODUCE A TOP QUALITY BASS AMP THAT WOULD MEET THE NEEDS OF PROFESSIONAL BASS PLAYERS EVERYWHERE ) WANTED MY AMPS TO BE COMPACT AND LIGHTWEIGHT YET ABLE TO HANDLE THE LOW FREQUENCIES THAT TODAYS FOUR lVE AND SIX STRING PASSIVE AND ACTIVE BASSES ARE CAPABLE OF PRODUCING 4HANKS TO MODERN TECHNOLOGY AND THE AVAILABILITY OF HIGH QUALITY COMPONENTS LIKE LOW PROlLE TOROIDAL TRANSFORMERS NEODYMIUM SPEAKERS AND SO ON ) WAS ABLE TO ACCOMPLISH THIS 4HE -ARKBASS AMPLIlER CIRCUITRY IS DESIGNED SPECIlCALLY NOT TO COLOR THE SOUND OF THE BASS BUT TO FAITHFULLY REPRODUCE THE UNIQUE TONAL QUALITIES OF WHATEVER INSTRUMENT IS PLAYED THROUGH IT ) HAVE WORKED VERY CLOSELY WITH MANY HIGH PROlLE PROFESSIONAL BASS PLAYERS AROUND THE WORLD TO lNE TUNE THE -ARKBASS PRODUCT LINE ) AM CONlDENT THAT THE -ARKBASS LINE OF AMPS AND CABINETS IS NOW READY TO SATISFY THE NEEDS OF BASS PLAYERS ALL OVER THE WORLD 4HANKS FOR CHOOSING -ARKBASS ) HOPE YOU WILL lND YOUR NEW AMP TO BE AN INSPIRING UPGRADE TO YOUR SOUND 7E ENCOURAGE YOU TO USE YOUR -ARKBASS GEAR IN ALL KINDS OF MUSICAL SITUATIONS AND PLEASE HELP US TO CONTINUE DEVELOPING OUR PRODUCTS BY SENDING YOUR COMMENTS TO INFO MARKBASSIT !ND ABOVE ALL ENJOY THE MUSIC -ARCO $E 6IRGILIIS 0$5.%$66,7$/< ZZZPDUNEDVVLW 02/$5#4 /6%26)%7 4HE -ARKBASS 3! AND 3$ ARE HIGH QUALITY BASS AMPLIlERS WITH SOLID STATE PREAMPS 4HE 3! HAS AN ANALOG POWER AMP THAT DELIVERS 7 INTO A OHM CABINET OR 7 OF POWER INTO AN OHM CABINET 4HE 3$ HAS A DIGITAL POWER AMP THAT DELIVERS 7 OF POWER INTO A OHM CABINET OR 7 INTO AN OHM CABINET &2/.4 0!.%, ).054 4HE ).054 *!#+ CAN BE USED FOR BOTH PASSIVE AND ACTIVE BASSES '!). AND -!34%2 4HERE ARE TWO KNOBS ON THE FRONT PANEL OF THE 3!3$ THAT CONTROL THE VOLUME OF YOUR BASS 4HE '!). CONTROL DETERMINES HOW MUCH SIGNAL IS PASSED THROUGH THE PREAMP STAGE OF THE UNIT WHICH INCLUDES EQUALIZATION AND THE EFFECTS LOOP 4HE -!34%2 VOLUME REGULATES HOW MUCH OUTPUT COMES OUT OF THE POWER AMP INTO YOUR CABINET )F PLAYING THROUGH THE AMP CAUSES THE BLUE h#,)0v LIGHT TO TURN ON AT ALL YOU SHOULD TURN DOWN THE '!). CONTROL TO AVOID DISTORTION 7HEN YOU lRST PLUG INTO THE AMP START WITH THE '!). AND -!34%2 CONTROLS SET AT THEIR LOWEST LEVELS IN OTHER WORDS TURNED ALL THE WAY COUNTER CLOCKWISE 4HEN TURN YOUR INSTRUMENTS VOLUME UP TO ITS FULL LEVEL AND PLAY AS HARD AS YOU DO IN YOUR MOST AGGRESSIVE MOMENTS AND TURN UP THE '!). CONTROL UNTIL THE BLUE LIGHT STARTS ILLUMINATING .EXT BACK OFF ON THE '!). JUST ENOUGH SO THAT THE LIGHT STAYS OFF AS YOU PLAY 4HIS METHOD WILL RESULT IN THE OPTIMAL GAIN SETTING FOR THE BASS YOURE PLAYING $IFFERENT BASSES HAVE DIFFERENT OUTPUT LEVELS MOSTLY DEPENDING ON THEIR PICKUPSAND IN THE CASE OF ACTIVE BASSES THE INSTRUMENTS ONBOARD PREAMP AND %1 SETTINGS /NCE YOUVE SET THE '!). LEVEL USE YOUR -!34%2 KNOB TO CONTROL THE VOLUME OF YOUR BASS ,).% /54 4HIS ,).% /54 KNOB CONTROLS THE VOLUME LEVEL OF THE REAR ,).% /54 8,2 WHICH IS CONNECTED TO THE MIXING CONSOLE IN LIVE OR STUDIO SITUATIONS %15!,):!4)/. -ARKBASS AMPS ARE DESIGNED TO FAITHFULLY REPRODUCE THE NATURAL SOUND OF YOUR BASS )F YOU HAVE A GOOD INSTRUMENT VERY LITTLE EQUALISATION %1 IF ANY SHOULD BE REQUIRED "ASS GUITARS PRODUCE A SURPRISINGLY WIDE RANGE OF FREQUENCIES FROM EXTREMELY LOW FREQUENCIES THAT ARE MORE FELT THAN HEARD TO EXTREMELY HIGH FREQUENCIES THAT PASS THROUGH YOUR CABINETS TWEETER AND ARE BARELY AUDIBLE TO THE HUMAN EAR !S YOU EXPERIMENT WITH YOUR %1 SETTINGS YOU WILL NOTICE THAT ALL THE DIFFERENT FREQUENCY RANGES PLAY ESSENTIAL ROLES IN MAKING UP YOUR BASS TONE ,/7 FREQUENCIES CONSTITUTE MUSICS SONIC FOUNDATION THEY GIVE POWER TO YOUR SOUND PHYSICALLY RESONATING YOUR LISTENERS BODIES AND YOURS SOMETIMES EVEN CAUSING PEOPLE TO MOVE AND DANCE ,/7 -)$S h-& ,/7v OR -ID &REQUENCY ,OW MAKE YOUR BASS SOUND LOUD PROJECTING THE SOUND OVER LONG DISTANCES hlLLING THE ROOMv ()'( -)$S h-& ()'(v OR -ID &REQUENCY (IGH CONVEY THE PITCH OF THE NOTES THAT YOU PLAY #LARITY OF THIS RANGE ENSURES THAT THE MELODIES IN YOUR BASS LINES ARE HEARD )F DETAIL IS MISSING IN THIS RANGE YOUR MELODIC CONTRIBUTION TO THE MUSIC WILL SUFFER ()'( FREQUENCIES CARRY THE PERCUSSIVE CONTENT OF YOUR PLAYING THE ATTACK OF YOUR NOTES THE SOUND OF YOUR lNGER OR PICK PASSING OVER THE STRING FRET NOISE AND IN THE CASE OF SLAP BASS THE hTICKv NOISE PRODUCED WHEN THE STRINGS BOUNCE OFF THE FRETS )F ANY ONE OF THESE FREQUENCY RANGES IS NEGLECTED OR POORLY REPRESENTED BY YOUR AMP YOU ARE NOT HEARING AN ACCURATE REPRESENTATION OF THE SOUND THAT YOUR BASS IS GENERATING 3INCE THE 3!3$ HAS BEEN DESIGNED TO GIVE YOU CLEAR DETAILED AND MUSICAL SOUND AT ALL FREQUENCIES WHEN THE AMP IS SET hmAT WITH ALL %1 KNOBS AT OCLOCK YOU SHOULD HEAR A VERY TRUE MIRROR OF THE SOUND OF YOUR BASS (OWEVER THE FOLLOWING CIRCUMSTANCES WILL REQUIRE YOU TO USE EQUALIZATION 4HE SIGNAL FROM YOUR BASS IS LACKING OUTPUT LEVEL IN ONE OF THE FREQUENCY RANGES DESCRIBED ABOVE 4HE ROOM OR VENUE YOURE PLAYING IN HAS POOR ACOUSTICS AND EXCITES A CERTAIN FREQUENCY &OR EXAMPLE IF YOURE PLAYING ON A HOLLOW STAGE CERTAIN LOW FREQUENCIES MAY SOUND DISPROPORTIONATELY LOUD OR OUT OF CONTROL AND YOU MAY NOTICE THAT EVERY TIME YOU PLAY A CERTAIN NOTE IT SOUNDS MUCH LOUDER THAN ALL THE OTHERS )N THESE CASES THE OFFENDING FREQUENCY NEEDS TO BE IDENTIlED AND REDUCED 9OURE SEEKING TO ALTER THE BASIC SOUND OF YOUR INSTRUMENT IN ORDER TO ACHIEVE A PARTICULAR MUSICAL EFFECT %QUALIZATION SHOULD BE TREATED AS lNE TUNING 3PEND SOME TIME LISTENING TO YOUR BASS THROUGH THE AMP WITH ALL THE %1 CONTROLS IN THE NEUTRAL OCLOCK POSITION BEFORE YOU START CHANGING THE SETTINGS 9OURE LIKELY TO NEED LITTLE OR NO EQUALIZATION (OWEVER IF AND WHEN EQUALIZATION IS REQUIRED YOU WILL lND THIS AMPS %1 TO BE POWERFUL AND IMPRESSIVELY DETAILED 4HE ,/7 %1 CONTROL ON THE 3! IS SET TO A CENTER FREQUENCY OF (Z 4HIS MEANS THAT IT EITHER BOOSTS OR CUTS THE VOLUME OF THE FREQUENCIES AROUND (Z TO A MAXIMUM OF DECIBELS 4HE ,/7 -)$ -& ,/7 AND ()'( -)$ -& ()'( CONTROLS ARE SEMI PARAMETRIC %1S 4HIS MEANS YOU HAVE MORE SPECIlC CONTROL OVER WHAT FREQUENCY YOU BOOST OR CUT 4HE KNOBS ON THE BOTTOM ROW h-& ,/7v AND h-& ()'(v DETERMINE THE CENTER FREQUENCY OF THE RANGE TO BE CONTROLLED 4HE KNOBS ABOVE -& ,/7 ,%6%, AND -& ()'( ,%6%, DETERMINE HOW MUCH THE FREQUENCY AREA SELECTED WILL BE TURNED UP OR DOWN AGAIN TO A MAXIMUM OF DECIBELS 4HE ()'( %1 CONTROL BOOSTS OR CUTS THE FREQUENCIES AROUND K(Z BY AS MUCH AS DECIBELS 4HE 1 ON THIS %1 THE RANGE OF FREQUENCY CONTROLLED IS QUITE WIDE SPANNING FROM ABOUT K(Z TO ABOUT K(Z )F YOU NEED TO REDUCE AN OFFENSIVE FREQUENCY USING THE SEMI PARAMETRIC %1 CONTROLS START BY TURNING THE %1S hLEVELv KNOB COUNTER CLOCKWISE USUALLY THIS WILL BE IN THE LOW MIDS TRY AROUND THE OR OCLOCK POSITION 0LAY THE NOTE ON YOUR BASS THAT SOUNDS OUT OF CONTROL 4HEN GRADUALLY TURN THE -& ,/7 OR -& ()'( KNOB IF THE FREQUENCY IS HIGHER UNTIL YOU NOTICE THE ANNOYING SOUND GO AWAY 5NFORTUNATELY BAD ROOM ACOUSTICS CAN BE VERY HARD TO COMPENSATE FOR BUT YOULL lND THAT THE %1 ON THIS AMPLIlER IS DETAILED AND POWERFUL ENOUGH THAT YOU SHOULD BE ABLE TO lNE TUNE YOUR AMP TO SOUND GREAT ANYWHERE 6,% AND 60& &),4%23 4HE 3!3$ AMPLIlER FEATURES TWO MAGIC KNOBS THAT ALTER THE EQUALIZATION OF YOUR BASS SIGNAL WITH SPECIALLY FORMULATED MUSICAL RESULTS -OST PLAYERS USE THESE CONTROLS MORE THAN THE %1 SINCE THEY WERE DESIGNED SPECIlCALLY TO MEET THE PRACTICAL NEEDS OF BASSISTS 4HE 6,% 6INTAGE ,OUDSPEAKER %MULATOR lLTERS OUT HIGH FREQUENCIES TO GIVE YOU A MELLOWER LESS MODERN SOUND !S YOU TURN THE KNOB CLOCKWISE YOU WILL lND THAT A WIDER AND WIDER RANGE OF HIGH FREQUENCIES GETS CUT SEE PAGE FOR A GRAPH OF THIS lLTERS FUNCTION 4HIS %1 EFFECT IS ESPECIALLY USEFUL FOR ACOUSTIC AND OLDER STYLES OF MUSIC 4HE 60& 6ARIABLE 0RE SHAPE &ILTER BOOSTS LOWS AROUND (Z AND HIGHS AROUND K(Z AND CUTS MIDS AT (Z 4HIS lLTER HAS VERY POWERFUL USES FOR ROCK MUSIC AND IS ALSO A FAVORITE OF MANY SLAP BASS PLAYERS SEE PAGE FOR A GRAPH OF THIS lLTERS FUNCTION !GAIN WE RECOMMEND YOU START OFF WITH THESE lLTERS IN THE OFF POSITION AND DIAL THEM IN GRADUALLY TO DISCOVER WHAT EFFECT THEY HAVE %XPLORE THEM SEPARATELY lRST BUT YOU MAY lND THAT USING BOTH IN COMBINATION CAN LEAD TO SOME VERY APPEALING AND MUSICAL RESULTS 2%!2 0!.%, 30%!+%2 /54 4HE 3!3$ CAN BE CONNECTED TO ONE OR TWO SPEAKER CABINETS USING EITHER bv SPEAKER CABLES DO NOT USE INSTRUMENT CABLES OR SPEAKON SPEAKER CABLES 4HE TWO HIGH QUALITY .EUTRIK 30%!+/. #/-"/ JACKS ARE DESIGNED TO ACCEPT EITHER OF THESE CONNECTION TYPES 4HE 3! DELIVERS 7 OF POWER INTO AN OHM CABINET OR 7 INTO A OHM CABINET WHILE THE 3$ DELIVERS 7 OF POWER INTO AN OHM CABINET OR 7 INTO A OHM CABINET ,).% /54 4HE BALANCED 8,2 OUTPUT ALLOWS YOU TO CONNECT YOUR AMPLIlER DIRECTLY TO A MIXING CONSOLE EITHER IN LIVE SITUATIONS OR IN A RECORDING STUDIO WITHOUT THE NEED OF A $) BOX 3IMPLY CONNECT A STANDARD 8,2 CABLE FROM THIS OUTPUT TO THE SOUNDBOARDMIXING CONSOLE OR A SNAKE CONNECTED TO THE BOARDCONSOLE )F THE SOUNDMANENGINEER NEEDS MORE OR LESS SIGNAL FROM YOU SIMPLY TURN THE FRONT PANEL ,).% /54 CONTROL UP OR DOWN AS NECESSARY 02% %1 0/34 %1 4HIS SWITCH DETERMINES WHETHER THE SIGNAL THAT LEAVES THE ,).% /54 8,2 IS AFFECTED BY YOUR AMPLIlERS %1 SETTINGS INCLUDING THE 6,% AND 60& lLTERS OR NOT )N MOST CASES YOU WILL lND THAT SOUND ENGINEERS PREFER TO RECEIVE A PRE %1 SIGNAL .OTE THAT THE LINE OUT SIGNAL INCLUDES WHATEVER EFFECTS YOUVE CONNECTED THROUGH THE EFFECTS LOOP '2/5.$ ,)&4 /CCASIONALLY WHEN YOURE PLAYING LIVE AND USING THE ,).% /54 THE SOUNDMAN WILL DETECT A HUM FROM YOUR AMPS SIGNAL 4HIS IS ALMOST ALWAYS DUE TO A GROUNDING PROBLEM RELATED TO YOUR POWER SOURCE YOU WILL LIKELY ELIMINATE THIS HUM SIMPLY BY mIPPING THE '2/5.$ ,)&4 SWITCH 45.%2 /54 4HE 45.%2 /54 IS AN UNBALANCED SIGNAL THAT CAN BE SENT TO A TUNER ALLOWING YOU TO TUNE AS YOU PLAY WITHOUT PASSING YOUR SIGNAL THROUGH PEDALS WHICH CAN DEGRADE THE QUALITY OF YOUR SIGNAL 9OU CAN ALSO USE THIS OUTPUT TO SEND YOUR SIGNAL ON TO ANOTHER AMP OR ANY KIND OF RECORDING UNIT THAT DOESNT REQUIRE A BALANCED SIGNAL %&&%#4 3%.$ !.$ 2%452. )F YOU USE EFFECT PEDALS OR RACK GEAR YOU CAN ROUTE THEM THROUGH THE 3%.$ %&&%#4 AND 2%452. %&&%#4 ON THE REAR PANEL OF THE AMP 4HE EFFECTS LOOP IS WIRED IN PARALLELTHIS MEANS THAT IF SOMETHING HAPPENS TO YOUR EFFECTS CHAIN A BATTERY DIES OR A CABLE GIVES OUT FOR EXAMPLE WHILE YOURE PLAYING YOU WILL NOT LOSE YOUR MAIN SIGNAL )F DESIRED HOWEVER THE EFFECTS LOOP CAN BE EASILY MODIlED BY AUTHORIZED SERVICE PERSONNEL TO OPERATE IN SERIES 3! 3$ 4%#(.)#!, $%4!),3 ).0543 ).054 2%452. %&&%#4 #/.42/,3 '!). ,).% /54 02%0/34 %1 FOR LINE OUT '2/5.$ ,)&4 -!34%2 6/,5-% IMPEDANCE +OHM MAX VOLTAGE 6PP IMPEDANCE +OHM MAX VOLTAGE 6PP n D" TO D" RANGE LEVEL CONTROL ON FRONT PANEL SWITCH ON REAR PANEL SWITCH ON REAR PANEL %15!,):!4)/. ,/7 -)$ ,/7 -)$ ()'( ()'( 6,% 6INTAGE ,OUDSPEAKER %MULATOR 60& 6ARIABLE 0RE SHAPE &ILTER /540543 3%.$ %&&%#4 45.%2 /54 ,).% /54 30%!+%2 /54 /4(%2 (%)'(4 7)$4( $%04( 7%)'(4 /54054 0/7%2 0/7%2 2%15)2%-%.4 &53% %52/0% !5342!,)!5+ 53!#!.!$! *!0!. CENTER FREQUENCY (Z LEVEL ¢ D" SEMI PARAMETRIC FREQUENCY n (Z LEVEL ¢ D" SEMI PARAMETRIC FREQUENCY (Z n K(Z LEVEL ¢ D" CENTER FREQUENCY K(Z LEVEL ¢ D" MAX CUT RANGE (Z n K(Z CENTER FREQUENCY (Z CUT UNBALANCED MAX VOLTAGE 6PP UNBALANCED MAX VOLTAGE 6PP BALANCED 8,2 MAX VOLTAGE 6PP SPEAKON v RACK UNITS IN MM IN CM IN CM WITH RACK EARS IN CM LBS KG 7 2-3 OHM 7 2-3 OHM 3! 7 2-3 OHM 7 2-3 OHM 3$ 6 6 6 (Z ! 6 4 X 3! ! 6 4 X 3! ! 6 4 X 3! ! 6 4 X 3! ! 6 4 X 3$ 6 4 X 3$ ! 6 4 X 3$ ! 6 4 X 3$ &),4%2 !.$ %1 '2!0(3 3#(%-!4)#3 3#(%-!4)#3 3! 3$ )-0/24!.4 3!&%49 ).3425#4)/.3 2EAD THESE INSTRUCTIONS +EEP THESE INSTRUCTIONS (EED ALL WARNINGS &OLLOW ALL INSTRUCTIONS $O NOT USE THIS APPARATUS NEAR WATER #LEAN ONLY WITH DRY CLOTH $O NOT BLOCK ANY VENTILATION OPENINGS )NSTALL IN ACCORDANCE WITH THE MANUFACTURERS INSTRUCTIONS $O NOT INSTALL NEAR ANY HEAT SOURCES SUCH AS RADIATORS HEAT REGISTERS STOVES OR OTHER APPARATUS INCLUDING AMPLIlERS THAT PRODUCE HEAT $O NOT DEFEAT THE SAFETY PURPOSE OF THE POLARIZED OR GROUND TYPE PLUG ! POLARIZED PLUG HAS TWO BLADES WITH ONE WIDER THAN THE OTHER ! GROUNDING TYPE PLUGS HAS TWO BLADES AND A THIRD GROUNDING PRONG 4HE WIDE BLADE OR THE THIRD PRONG ARE PROVIDED FOR YOUR SAFETY )F THE PROVIDED PLUG DOES NOT lT INTO YOUR OUTLET CONSULT AN ELECTRICIAN FOR REPLACEMENT OF THE OBSOLETE OUTLET 0ROTECT THE POWER CORD FROM BEING WALKED ON OR PINCHED PARTICULARLY AT PLUGS CONVENIENCE RECEPTACLES AND THE POINT WHERE THEY EXIT FROM THE APPARATUS /NLY USE ATTACHMENTSACCESSORIES SPECIlED BY THE MANUFACTURER 5NPLUG THIS APPARATUS DURING LIGHTNING STORMS OR WHEN UNUSED FOR LONG PERIODS OF TIME 2EFER ALL SERVICING TO QUALIlED SERVICE PERSONNEL 3ERVICING IS REQUIRED WHEN THE APPARATUS HAS BEEN DAMAGED IN ANY WAY SUCH AS POWER SUPPLY CORD ORPLUG IS DAMAGED LIQUID HAS BEEN SPILLED OR OBJECTS HAVE FALLEN INTO THE APPARATUS THE APPARATUS HAS BEEN EXPOSED TO RAIN OR MOISTURE DOES NOT OPERATE NORMALLY OR HAS BEEN DROPPED h7ARNING TO REDUCE THE RISK OF lRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE AND OBJECTS lLLED WITH LIQUIDS SUCH AS VASES SHOULD NOT BE PLACED ON THIS APPARATUSv 02³#!54)/.3 $%-0,/) ,IRE CES INSTRUCTIONS #ONSERVER CES INSTRUCTIONS 3UIVRE TOUS LES CONSEILS DUTILISATIONS 3UIVRE TOUTES LES INSTRUCTIONS .E PAS UTILISER CET APPAREIL AU BORD DE LEAU .ETTOYER UNIQUEMENT AVEC UN CHIFFON HUMIDE .E PAS BLOQUER LE SYSTÒME DE VENTILATION )NSTALLER CONFORMÏMENT AUX INSTRUCTIONS DU FABRICANT .E PAS INSTALLER LAPPAREIL PRÒS DUNE SOURCE DE CHALEUR TEL QUUN RADIATEUR UN FOURNEAU OU BIEN UN AUTRE APPAREIL QUI PRODUIT DE LA CHALEUR .E PAS MODIlER LE SYSTÒME DE SÏCURITÏ DE LA lCHE POLARISÏE OU DE DE LA lCHE POUR LES PRISES DE TERRE 5NE lCHE POLARISÏE A DEUX BROCHES LUNE ÏTANT PLUS DISTANTE DE LAUTRE 5NE lCHE POUR PRISE DE TERRE A DEUX BROCHES ET UNE POINTE POUR LA MASSE ,A BROCHE PLUS DISTANTE ET LA POINTE POUR LA MASSE ONT ÏTÏ INSTALLÏES POUR VOTRE SÏCURITÏ 3I LA lCHE FOURNIE DE RENTRE PAS DANS VOTRE PRISE DE COURANT CONSULTER UN ÏLECTRICIEN POUR LA SUBSTITUTION 0ROTÏGER LE CORDON DALIMENTATION AlN QUIL NE SOIT PAS PIÏTINÏ OU ÏCRASÏ TOUT PARTICULIÒREMENT AU NIVEAU DES lCHES DES PRISES DE COURANT FEMELLES ET DES PARTIES QUI SORTENT DE LAPPAREIL 5TILISER UNIQUEMENT LES ACCESSOIRES RECOMMENDÏS PAR LE FABRICANT .E PAS BRANCHÏ LAPPAREIL EN CAS DORAGE ACCOMPAGNÏ DÏCLAIRS ,E DÏBRANCHER EN CAS DE NON UTILISATION PROLONGÏE 3ADRESSER Ì UN SERVICE ASSISTANCE AGRÏÏ SI LAPPAREIL A SUBI DES DOMMAGES SI LE CORDON DALIMENTATION OU LA lCHE A ÏTÏ ENDOMMAGÏ SI UN LIQUIDE A ÏTÏ RENVERSÏ SUR LAPPAREIL OU BIEN SI UN OBJECT EST TOMBÏ DANS LAPPAREIL SI CE DERNIER A ÏTÏ EXPOSÏ Ì LA PLUIE OU Ì LHUMIDITÏ SIL NE FONCTIONNE PAS CORRECTEMENT OU SIL EST TOMBÏ h!VERTISSANT POUR RÏDUIRE LE RISQUE DU FEU OU DE DÏCHARGE ÏLECTRIQUE NEXPOSEZ PAS CET APPAREIL Ì LA PLUIE OU LHUMIDITÏ ET LES OBJETS REMPLIS DE LIQUIDES TELS QUE DES VASES NE DEVRAIENT PAS ÐTRE PLACÏS SUR CET APPAREILv -ORE INFORMATION &OR WARRANTEE AND SERVICE INFORMATION PLEASE CONTACT YOUR LOCAL -ARKBASS DISTRIBUTOR CONTACT INFORMATION AVAILABLE AT WWWMARKBASSIT &OR MORE TECHNICAL INFORMATION PLEASE VISIT US AT WWWMARKBASSIT AND lLL OUT THE FORM ON THE #ONTACT 5S PAGE 7E HOPE YOU ENJOY YOUR AMP AND USE IT TO MAKE GREAT MUSIC h4HE ,IGHTNING &LASH WITH ARROWHEAD SYMBOL WITHIN AN EQUILATERAL TRIANGLE IS INTENDED TO ALERT THE USER TO THE PRESENCE OF UNINSULATED hDANGEROUS VOLTAGEv WITHIN THE PRODUCT ENCLOSURE THAT MAY BE OF SUFlCIENT MAGNITUDE TO CONSTITUTE A RISK OF SHOCK TO PERSONSv h4HE EXCLAMATION POINT WITHIN AN EQUILATERAL TRIANGLE IS INTENDED TO ALERT THE USER TO THE PRESENCE OF IMPORTANT OPERATING AND MAINTENANCE SERVICING INSTRUCTIONS IN THE LITERATURE ACCOMPANYING THE PRODUCTv )TALY 3AN 'IOVANNI 4EATINO #H 6IA !TERNO 4EL &AX WWWMARKBASSIT INFO MARKBASSIT
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