Marshall Mg100Dfx Users Manual MG100 Hbk Multi 230V

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Clean Channel Overdrive Channel

GAIN

010 010010010 0 10 0 10 0 10 0 10 0 10 0 10

BASS MIDDLE TREBLE

CLEAN/

CRUNCH

GAIN BASS MIDDLE TREBLE CONTOUR VOLUME

CHANNEL

SELECT

OD1/OD2

SELECT

Clean Channel Overdrive Channel

GAIN

010 010010010 0 10 0 10 0 10 0 10 0 10 0 10

BASS MIDDLE TREBLE

CLEAN/

CRUNCH

GAIN BASS MIDDLE TREBLE CONTOUR VOLUME

CHANNEL

SELECT

OD1/OD2

SELECT

Clean Channel Overdrive Channel

GAIN

010 010010010 0 10 0 10 0 10 0 10 0 10 0 10

BASS MIDDLE TREBLE

CLEAN/

CRUNCH

GAIN BASS MIDDLE TREBLE CONTOUR VOLUME

CHANNEL

SELECT

OD1/OD2

SELECT

Suggested Settings

Configuraciones que sugerimos

Soundvorschläge

Exemples de Réglages

Marshall Amplification plc

Denbigh Road, Bletchley, Milton Keynes, MK1 1DQ, England

Tel : [01908] 375411 Fax : [01908] 376118

www.marshallamps.com

Whilst the information contained herein is correct at the time of publication, due to our policy of constant improvement

and development, Marshall Amplification plc reserve the right to alter specifications without prior notice.

Here follows four sample settings to act as starting

points from which to develop your own sounds.

N.B. Volume should be adjusted to taste.

Bright CleanClassic CrunchLeadMetal

OutClean

OutCrunch

In OD2

Clean Channel Overdrive Channel

GAIN

010 010010010 0 10 0 10 0 10 0 10 0 10 0 10

BASS MIDDLE TREBLE

CLEAN/

CRUNCH

GAIN BASS MIDDLE TREBLE CONTOUR VOLUME

CHANNEL

SELECT

OD1/OD2

SELECT

In OD2

230V

Owners Manual

MG

SERIES

100

HDFX

MG

SERIES

100

DFX

From Jim Marshall

I would like to personally thank you for selecting one of two

100 Watt models in my new MG range – the MG100DFX

1x12"

Combo or the MG100HDFX Head.

As a musician myself, I fully understand what it takes to

perform live in a band situation. In addition to talent,

dedication and a lot of hard work, you also need equipment

that will help you deliver the goods in each and every playing

situation you find yourself in. With this goal firmly in mind, I

set my experienced R&D team the task of designing a new

range of affordable MG amplifiers that will deliver the tone

you’re looking for at all volume levels – from quiet late night

practice to a full-blown live gig and all points in-between – in the way only a Marshall can.

Utilising groundbreaking new technologies, some of which were developed for our critically acclaimed

AVT range, the new MG Series raises the standard for what can be expected from a value-for-money

range of guitar amplifiers and defines a new benchmark. For example, the power amp section of your

new combo boasts FDD (Frequency Dependent Damping) – a radical new feature that is exclusive to

Marshall Amplification and accurately mimics the way our all-valve amplifiers interact with a

loudspeaker. As a direct result of FDD, your new MG100DFX or MG100HDFX will give you a sound

and feel never before thought possible in such an affordable, non-valve amp.

The DFX (Digital Effects) featured in both the MG100DFX Combo and MG100HDFX Head have been

custom voiced by our in-house digital effects experts. Each one of the five effect types on offer

(Chorus/Delay, Delay, Chorus, Flange and Reverb) have been designed to emulate the much sought

after warmth and feel of analogue effects, but in a highly flexible digital format. Furthermore, a wide

range of variations for each effect are quite literally at your fingertips – merely tweaking the three DFX

controls (Preset/Adjust & FX Level controls for the Chorus/Delay, Delay, Chorus and Flange options;

and a separate Level control for the Reverb) on the front panel, will give rise to sounds that range from

subtle to radical, while always remaining both natural and musical.

Like all the amplifiers in the new MG range, state-of-the-art manufacturing and stringent quality control

procedures ensure that these combos meet the high standard of build you have come to expect from all

Marshall products. The MG100DFX and MG100HDFX were completely designed and engineered at my

Headquarters in Milton Keynes, England.

Whether the MG100DFX or MG100HDFX is your first ever Marshall, or is the latest addition to your

arsenal of amps, the tone, flexibility and feel of these compact, rugged units is guaranteed to deliver the

goods – from bedroom to backstage to onstage!

I wish you every success with your new Marshall. Welcome to the family...

Yours Sincerely,

21

ENGLISH

ENGLISH

WARNING! - Important safety instructions

WARNING: This apparatus must be earthed!

A. PLEASE read this instruction manual carefully before switching on.

B. ALWAYS use the supplied mains lead, if a replacement is required please contact your

authorised Marshall Dealer.

C. NEVER attempt to bypass the fuses or fit ones of the incorrect value.

D. DO NOT attempt to remove the amplifier chassis, there are no user serviceable parts.

E. Refer all servicing to qualified service personnel.

Servicing is required when the apparatus has been damaged in any way, such as when the

power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the

apparatus, the apparatus has been exposed to rain or moisture, does not operate normally

or has been dropped.

F. NEVER use an amplifier in damp or wet conditions. No objects filled with liquids should be placed

on the apparatus.

G. ALWAYS unplug this apparatus during lightning storms or if unused for long periods of time.

H. PROTECT the power cord from being walked on or pinched particularly at plugs,

convenience receptacles and at the point where they exit from the apparatus.

I. DO NOT switch the amplifier on without the loudspeaker connected.

➲

Note: This equipment has been tested and found to comply with the requirements of the EMC

directive (Environments E1, E2 and E3 EN 55103-1/2) and the Low Voltage directive in the E.U.

➲

EUROPE ONLY - Note: The Peak Inrush current for the MG100DFX Combo and the MG100HDFX

Head is 21 amps.

➲

CAUTION: Any changes or modifications not expressly approved by the party responsible for

compliance may void the users authority to operate the equipment.

➲

Note: It is recommended that all audio cables,

with the exception of the speaker lead(s),

used to

connect to the MG100DFX and MG100HDFX are of a high quality screened type. These should not

exceed 10 metres in length.

Always u

se a non-screened Mars

hall approved speaker lead when connecting an extension cabinet to

these units.

➲ WARNING: Always ensure free movement of air around the amplifier!

USA ONLY - DO NOT defeat the purpose of the polarised or grounding type plug. A polarised

plug has two blades with one wider than the other. A grounding type plug has two blades and a

third grounding prong. The wide blade or the third prong are provided for your safety. When the

provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.

Follow all instructions and heed all warnings

KEEP THESE INSTRUCTIONS !

!

1. INPUT jack

Use a good quality guitar cable (i.e. one that’s

screened/shielded) to plug your guitar in here.

2. Clean Channel GAIN control

The Clean Channel has two selectable modes,

Clean & Crunch. When in Clean mode, the Gain

control takes you from clean, bell-like tones to a

mild, bluesy distortion at high settings. When in

Crunch mode, this control takes you from a creamy,

‘70s crunch, to the roar of a hot-rodded JCM800

and all points in-between.

3. CLEAN / CRUNCH Select

Push switch to select either clean or crunch

sounds on the normal channel (push in for Crunch).

4. Clean Channel BASS control

Turning up the Bass control will add warmth and

low-end depth to your clean sound. The Bass control

can be used in conjunction with the FDD switch (21) to

produce deep sounding, valve-like clean tones that

are well defined yet still full and round.

5. Clean Channel MIDDLE control

Adjusting the middle frequencies in your Clean

Channel will vary the amount of body to your sound.

Attenuating (decreasing) the middle by turning this

control anticlockwise will yield a more hollow sound

with the bass and treble frequencies appearing to be

more accentuated. Conversely, increasing the

middle will add body to the Clean Channel’s sound.

6. Clean Channel TREBLE control

Increasing the Treble will make your clean sounds

brighter and more cutting, turning it down will

decrease your tones edge and make it sound softer

as a result.

7. CHANNEL SELECT switch

This push switch allows you to change between

the amp’s two channels, Clean and Overdrive, via

the front panel. When this switch is ‘out’ the Clean

Channel is engaged, pushing it ‘in’ switches to the

Overdrive Channel. Channel switching can also be

done via the included two-way footswitch (when the

footswitch is connected the CHANNEL SELECT

switch is not functional).

Note: When the Overdrive Channel is selected,

the OD LED (8) will light up red.

8. OD LED

When illuminated, this LED indicates that the

Overdrive Channel has been selected by either the

Channel Select switch (7) or the supplied two-way

footswitch.

9. Overdrive Channel GAIN control

Turning up the Gain control will increase the

amount of preamp distortion generated in the

Overdrive Channel. Low Gain control settings will

produce classic rock and blues tones. Crank this

control for fat and aggressive sounds that are

perfect for soloing or hard rock and nu-metal riffing.

10. OD1 / OD2 Select

OD1 mode (switch out) offers more distortion than

most amps, OD2 (switch in) takes you to the next

level and is definitely not for the faint-hearted!

11. Overdrive Channel BASS control

Turning up this control will add extra low-end

‘thump’ to high gain riffs and a warm, natural

sounding depth to lower gain crunch tones. Using

the Bass control in conjunction with the FDD switch

(21) will allow you to dial in the exact amount of low-

end ‘thump’ and tightness you are looking for.

12. Overdrive Channel MIDDLE control

Adjusting the middle frequencies in your Overdrive

Channel will vary the amount of body to your sound.

Attenuating (decreasing) the middle by turning this

control anticlockwise will yield a more hollow sound

with the bass and treble frequencies appearing to be

more accentuated. Conversely, increasing the

middle will add body to the Overdrive Channel’s

sound.

MG100DFX & MG100HDFX Front Panel Features

ENGLISH

12345678 109 11 12 13 14 15 17 18 19 20 21 22 23 2416

13. Overdrive Channel TREBLE control

This important knob controls the aggressive top-

end ‘sizzle’ you have on high gain sounds and the

‘cut’ and definition of lower gain crunch tones.

Experimenting with this control will help you to

dial in your own signature tones on your amp.

14. Overdrive Channel CONTOUR control

This highly effective tone control works by

radically modifying the mid-range (body) of your

sound. The tone can vary from traditional and

woody sounding (control set at 0), to balls-to-the-

wall (control set midway), to aggressive, ‘scooped’

and modern (turned up to 10) and all points in-

between.

15. Overdrive Channel VOLUME control

This control adjusts the volume of the Overdrive

Channel. The louder you turn up this channel, the

‘looser’ your amp will sound and feel – especially

with the FDD switch (21) engaged. This behaviour

is exactly what a good all-valve amplifier does

and is a result of our proprietary FDD circuitry.

16. Digital FX PRESET / ADJUST control

This control serves a dual purpose. Not only

does it allow you to select one of the four types of

effects on offer (Chorus / Delay (CHR/DLY),

Delay (DLY), Chorus (CHR) or Flange (FLG)), it

also allows you to adjust a parameter as you

sweep it through each of the four effect segments.

The parameter you can adjust for each of the four

effect segments is shown below:

ENGLISH

3 4

Chorus

and Delay

(CHR/DLY)

Effect DescriptionAdjustable Parameter

Delay Time

(from short to long as you turn the

Preset/Adjust control clockwise

through the CHR/DLY segment)

This multi-effect combines a lush, fixed speed

Chorus with a variable time Delay.

Delay

(DLY) Delay Time

(from short to long as you turn the

Preset/Adjust control clockwise

through the DLY segment)

Short Delay Times will have less repeats for

‘groovy’ surf and rockabilly tones. Increasing the

Delay Time increases the number of repeats for a

much more atmospheric, ‘stadium’ effect.

Chorus

(CHR) Speed

(from slow to fast as you turn the

Preset/Adjust control clockwise

through the CHR segment)

At slow Speeds a mellow, Phase-like sweep

occurs. As the Speed is increased a more

traditional chorus effect is heard. At maximum

Speed, a psychedelic vibrato results.

Flange

(FLG) Speed

(from slow to fast as you turn the

Preset/Adjust control clockwise

through the FLG segment)

At slow Speed settings the amount of regeneration

is increased for huge ‘jet engine-like’ sweeps. As the

speed is increased the regeneration decreases to

produce a lush, natural sounding Flange effect. When

the Speed is maxed out, a fast vibrato results.

65

ENGLISH

ENGLISH

17. Digital FX LEVEL control

This controls how much of the chosen effect

gets mixed in with your unaffected (dry) guitar

tone. Want to hear more of the DFX you’ve just

selected? Then simply turn this control up!

Important Footswitch Note: Using the

supplied two-way footswitch, you can switch the

selected DFX on/off.

18. REVERB LEVEL control

This control lets you add a lush Reverb to your

sound – from a subtle hint to cavernous and all

points in-between. Designed by our in-house

digital experts, this custom designed Marshall

Reverb is highly musical and always sounds

natural – it never gets harsh or ‘fake’ sounding.

Important Footswitch Note: The supplied

footswitch does NOT switch the Reverb on/off.

19. EFFECTS LOOP MIX control

When using the FX Loop on the rear panel, the

FX Mix allows you to dial in the desired amount of

effected signal into your overall sound. Turning

the control fully clockwise will result in a fully

effected sound, i.e. no dry signal and turning the

control fully anticlockwise will result in a fully dry

sound.

20. MASTER VOLUME control

As its name suggests, the Master Volume

control determines the overall volume of your

amplifier. So after setting-up the relative volume

of Channels 1 & 2 the overall level can be

adjusted without affecting your all-important

Clean/Overdrive balance.

21. FDD (Frequency Dependent Damping)

switch

Marshall’s proprietary FDD circuit accurately

mimics the way an all-valve amplifier interacts

with the loudspeaker(s) and adds a width and

depth to your sound which has been

unachievable in an affordable solid-state

amplifier... until now! To engage FDD simply

press this switch in.

22. CD IN jack

If you want to jam to your favourite CD or tape,

merely connect the headphone output of your CD

or tape player here, adjust the CD/tape player’s

volume to match that of your guitar and you’ve got

the perfect ‘play-along’ practice system.

23. EMULATED LINE OUT &

HEADPHONES jack

This jack can be used as either an Emulated

Line Out or as a Headphone output. This means

you can use this socket to connect your amp

directly to your multi-track recording machine and

you’ll get a great, speaker emulated guitar sound

direct to disk or tape. Alternatively you can plug

your headphones in here for a killer, speaker-

emulated sound!

TIP: How to practise or record in ‘silence’: The

Clean Channel GAIN control (2) and the

Overdrive Channel VOLUME control (15) will

control the level of the headphone and line out.

The speaker output can be adjusted

independently using the MASTER VOLUME

control (20). Setting the MASTER VOLUME

control (20) to zero will allow silent recording or

practice.

24. POWER Switch & LED

The power switch turns your amplifier on and

off. The LED will be lit when your amplifier is on

and will not be lit when the amplifier is switched

off.

Note: Before connecting to the mains electricity

supply, always ensure that your amplifier is

compatible with your electricity supply, as detailed

on the rear panel.

Please ensure the amplifier is switched off and

unplugged from the mains electricity supply

before being moved.

1 2 3 4 5 6

1 2 3 4 5 6

MG100DFX Rear Panel Features

MG100HDFX Rear Panel Features

1. MAINS INPUT Connector

The MG amplifier is provided with a detachable

mains (power) lead which is connected here.

The specific mains input voltage rating that your

amplifier requires is clearly indicated on the

back panel. Before connecting to the mains for

the first time please make sure that your

amplifier is compatible with your electricity

supply.

2. LOUDSPEAKER Output(s)

MG100DFX Combo

There is one speaker jack socket on the

MG100DFX (marked ‘INTERNAL 4Ω’), this is

where the MG100DFX power amplifier is

connected to the internal Celestion loudspeaker.

MG100HDFX Head

The MG100HDFX Head has two speaker

sockets for connection to either 1 or 2 external

cabinets. Ensure the total load impedance is

equal to, or exceeds, 4 ohms.

Always use a non-screened Marshall

approved speaker lead when connecting an

extension cabinet to these units.

3. FX RETURN

This is where you connect the OUTPUT of the

effects processor you are using in the effects

loop.

4. FX SEND

If you want to use an external effects

processor in your amp’s built-in Parallel effects

loop, this is the jack you connect to the INPUT

of the unit you are using.

5. FX LEVEL Switch

Selects the level to match your external effects

units (+4dB for rack units and -10dB for pedals).

6. FOOTSWITCH

Connect the supplied two-way footswitch here.

Its left button (marked Channel) enables you to

change channels and its right button (marked

DFX) allows you to switch the DFX Section

on/off.

Important Footswitch Note: The supplied

footswitch does NOT switch the Reverb on/off.

31 32

Technical Specification

Especificaciones técnicas

Technische Daten

Caractéristiques techniques

Technical Técnicas Technische Techniques

Power Output 100W RMS into 4Ω

Potencia de salida 100W RMS sobre 4Ω

Ausgangsleistung 100W RMS an 4Ω

Puissance de sortie 100W RMS sous 4 ohms

100 W RMS / 4Ω

Main Guitar • Input Impedance 1MΩ

Impedancia de entrada principal de guitarra 1MΩ

Guitar • Input Eingangsimpedanz 1MΩ

Impédance d'entrée 1MΩ

1MΩ

CD Input • Input impedance 5.6kΩ

Impedancia de entrada de CD 5.6kΩ

CD Input • Eingangsimpedanz 5.6kΩ

Impédance d'entrée CD 5.6kΩ

5.6kΩ

Emulated Output • Level +4dBV

Nivel de salida de línea simulada +4dBV

Emulated Output • Ausgangspegel +4dBV

Niveau de sortie +4dBV

+4dBV

Weight 12.8kg

Peso 12.8kg

Gewicht 12.8kg

Poids 12.8kg

12.8kg

Size (mm) 590mm x 253mm x 270mm

Tamaño (mm) 590mm x 253mm x 270mm

Maße (mm) 590mm x 253mm x 270mm

Taille (mm) 590mm x 253mm x 270mm

590mm x 253mm x 270mm

Power Output 100W RMS into 4Ω

Potencia de salida 100W RMS sobre 4Ω

Ausgangsleistung 100W RMS an 4Ω

Puissance de sortie 100W RMS sous 4 ohms

100W RMS / 4Ω

Main Guitar • Input Impedance 1MΩ

Impedancia de entrada principal de guitarra 1MΩ

Guitar • Input Eingangsimpedanz 1MΩ

Impédance d'entrée 1MΩ

1MΩ

CD Input • Input impedance 5.6kΩ

Impedancia de entrada de CD 5.6kΩ

CD Input • Eingangsimpedanz 5.6kΩ

Impédance d'entrée CD 5.6kΩ

5.6kΩ

Emulated Output • Level +4dBV

Nivel de salida de línea simulada +4dBV

Emulated Output • Ausgangspegel +4dBV

Niveau de sortie +4dBV

+4dBV

Weight 22.4kg

Peso 22.4kg

Gewicht 22.4kg

Poids 22.4kg

22.4kg

Size (mm) 590mm x 526mm x 277mm

Tamaño (mm) 590mm x 526mm x 277mm

Maße (mm) 590mm x 526mm x 277mm

Taille (mm) 590mm x 526mm x 277mm

590mm x 526mm x 277mm

Technical Specification

Especificaciones técnicas

Technische Daten

Caractéristiques techniques

MG

SERIES

100

HDFX

Techniques Technische Técnicas Technical

MG

SERIES

100

DFX

Clean Channel Overdrive Channel

GAIN

010 010010010 0 10 0 10 0 10 0 10 0 10 0 10

BASS MIDDLE TREBLE

CLEAN/

CRUNCH

GAIN BASS MIDDLE TREBLE CONTOUR VOLUME

CHANNEL

SELECT

OD1/OD2

SELECT

Clean Channel Overdrive Channel

GAIN

010 010010010 0 10 0 10 0 10 0 10 0 10 0 10

BASS MIDDLE TREBLE

CLEAN/

CRUNCH

GAIN BASS MIDDLE TREBLE CONTOUR VOLUME

CHANNEL

SELECT

OD1/OD2

SELECT

Clean Channel Overdrive Channel

GAIN

010 010010010 0 10 0 10 0 10 0 10 0 10 0 10

BASS MIDDLE TREBLE

CLEAN/

CRUNCH

GAIN BASS MIDDLE TREBLE CONTOUR VOLUME

CHANNEL

SELECT

OD1/OD2

SELECT

Suggested Settings

Configuraciones que sugerimos

Soundvorschläge

Exemples de Réglages

Marshall Amplification plc

Denbigh Road, Bletchley, Milton Keynes, MK1 1DQ, England

Tel : [01908] 375411 Fax : [01908] 376118

www.marshallamps.com

Whilst the information contained herein is correct at the time of publication, due to our policy of constant improvement

and development, Marshall Amplification plc reserve the right to alter specifications without prior notice.

Here follows four sample settings to act as starting

points from which to develop your own sounds.

N.B. Volume should be adjusted to taste.

Bright CleanClassic CrunchLeadMetal

OutClean

OutCrunch

In OD2

Clean Channel Overdrive Channel

GAIN

010 010010010 0 10 0 10 0 10 0 10 0 10 0 10

BASS MIDDLE TREBLE

CLEAN/

CRUNCH

GAIN BASS MIDDLE TREBLE CONTOUR VOLUME

CHANNEL

SELECT

OD1/OD2

SELECT

In OD2

230V

Owners Manual

MG

SERIES

100

HDFX

MG

SERIES

100

DFX