Mk Sound S 1C Users Manual S100B S1C S90 S80 SX7.p65

S-80 SX-7 M%26K Satellite Speakers Owners Manual

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2015-02-09

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satellite speakers

operation manual
S-100B
S-90
SX-7

S-1C
S-80

Miller & Kreisel Sound Corporation
10391 Jefferson Boulevard
Culver City, CA 90232 USA
(310) 204-2854
FAX (310) 202-8782
© 1995 MILLER & KREISEL SOUND CORP.

page 2

satellite speakers

TABLE OF CONTENTS
1. INTRODUCTION...........................................................................................................3
2. PLACEMENT OF YOUR SATELLITE SPEAKERS.............................................................3
3. S-100B SPEAKER HOOK-UP & USAGE.............................................................................3
HOOK-UP...........................................................................................................................4
VARIATIONS OF SOUND........................................................................................................4
4. S-90 SPEAKER HOOK-UP & USAGE.................................................................................6
HOOK-UP............................................................................................................................6
VARIATIONS OF SOUND........................................................................................................6
5. S-80 SPEAKER HOOK-UP & USAGE.................................................................................8
HOOK-UP............................................................................................................................8
VARIATIONS OF SOUND........................................................................................................8
6. S-1C SPEAKER HOOK-UP & USAGE................................................................................10
HOOK-UP...........................................................................................................................10
VARIATIONS OF SOUND.......................................................................................................10
7. OPTIMIZING SPEAKER PLACEMENT.............................................................................13
8. HOME THEATRE USAGE..................................................................................................15
9. SATELLITE/SUBWOOFER PHASING TEST....................................................................17
10. SPEAKER DAMAGE & HOW TO AVOID IT.......................................................................18
11. BI - AMPLIFICATION WITH M&K HIGH-PASS FILTERS..................................................18
12. IF YOU NEED SERVICE.....................................................................................................18
13. CABINET MAINTENANCE................................................................................................19
14. SELECTING THE RIGHT OMNIMOUNT®BRACKET.......................................................19
15. SPECIFICATIONS.......................................................................................................19

DIAGRAMS
FIGURE 1
FIGURE 2
FIGURE 3
FIGURE 4
FIGURE 5
FIGURE 6
FIGURE 7

WIRING WITH THE S-100B...................................................................................5
WIRING WITH THE S-90........................................................................................7
WIRING WITH THE S-80........................................................................................9
WIRING WITH THE S-1C.......................................................................................11
BI - WIRING WITH THE S-1C.....................................................................................13
SEPARATION BETWEEN SPEAKERS..............................................................14
SELECTING THE RIGHT OMNIMOUNT® BRACKET...........................................20

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satellite speakers

1. INTRODUCTION
Congratulations! Your new M&K Satellite speaker system will give you years of unmatched enjoyment and
excitement while listening to your favorite musical and audio/video sources.
We encourage you to read this owner’s manual, as there is a great deal of information provided here to help you
achieve the best possible performance.
If you have any questions about your speaker system, please contact your M&K dealer or call the M&K factory
directly at (310) 204-2854, from 8:30 AM to 5:00 PM Pacific Time, Monday through Friday. We will be happy to help
you with any question, no matter how simple or complex it may be.
This manual gives you basic hook-up instructions first, followed by more detailed technical, installation, and
service information. For specific hook-up and usage information, please find the section that refers to your Satellite
model. For the S-100B, see page 3; for the S-90; page 6, for the S-80; page 8; and for the S-1C, page 10.

2. PLACEMENT OF YOUR SATELLITE SPEAKERS
Your M&K Satellites can be installed in a wide variety of locations. Their compact size gives you great flexibility
in installation. They can be placed on stands, shelves, or bookcases, or more permanently mounted using brackets,
direct attachment to a wall, or a ceiling suspension system.
If you do wish to mount your Satellites permanently using wood screws, their cabinet thickness is 3/4". Be sure
to use hardware shorter than 3/4" in length to avoid making a hole in the sealed cabinet that would adversely affect its
sound quality.
You can place the Satellites virtually anywhere in the room, but certain locations are better than others. In general,
locate them away from obstructions that would interfere with the direct path from the speakers to your ears (such as
walls, furniture, lighting, plants, etc.). They will sound better when they are around ear height, or when angled towards
your favorite listening location. In general, they sound best when they are not sitting directly on the floor.
M&K speaker stands are designed to set M&K Satellite speakers at the right height for the average person and
chair, and they also allow you to use spiked feet and to add mass to the stand to improve the Satellites' sound (by filling
the stand upright with sand or buckshot, etc.). Your M&K dealer has more information on these stands.
The S-100B, S-90, and S-80s can be used with OmniMount® Systems brackets, without the use of wood screws,
because their cabinets have integral threaded hardware in patterns for OmniMount® brackets. These brackets offer
tremendous flexibility for installation in a wide variety of environments. For more information, see Section 14 (page 19),
or contact OmniMount® at (602) 829-8000.
For more detailed information on placement of your speakers, see Section 7 (page 13).

SPECIAL NOTE - TV SHIELDED SATELLITE SPEAKERS
If you place your Satellite speakers close to a television set (about 2 feet), the speaker magnets may cause
distortion of the television's picture. For these applications, M&K makes special TV Shielded versions of the S-100B,
S-90, and S-80. The S-1C is made only in a shielded version. Shielded Satellites are identified by markings on the
shipping carton and by a label on the back panel of the speaker. Unless your Satellites are Shielded, allow 2 - 3 feet
of clearance around any television.
If you do own a pair of Shielded Satellites, please note that in some installations, a small amount of residual
magnetism may cause a slight geometric or color distortion of the picture on your television set. If you do get this
distortion, try moving the Satellite speaker slightly until the problem disappears. If you have difficulty solving any
magnetic problems, please contact the M&K factory.

3. S-100B SPEAKER HOOK-UP & USAGE
The sound quality that you get from your Satellites can be affected by the type of speaker wire that you use to
connect them. While it is possible to use speaker wire as thin as 22 gauge to hook your Satellites up, we recommend
using the largest diameter wire that you can. This means a minimum of 18 gauge wire. Over 10 feet, you should use
16 gauge, and for more than 30 feet, we recommend using 14 gauge or heavier. The smaller the number, the thicker
the wire.

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satellite speakers

There are a very wide variety of premium speaker cables available from a number of specialist manufacturers.
We do not endorse any specific brand of premium cable, but we do recommend using as high quality a cable as fits
your budget. Using better quality cables will improve the sound of your Satellites.
M&K Satellites are not designed for bi-wiring. Do not use the four input terminals to bi-wire your Satellites, as this
may damage your amplifier and speakers. If you wish to bi-amplify your Satellites in combination with an M&K Powered
Subwoofer, see Section 11 (page 18) for more details.

S-100B HOOKUP
There is one set of terminals on the backplate, one Red terminal and one Black terminal. Connect the Positive
(+) lead from your amplifier or receiver to the RED (+) INPUT terminal, and the Negative (-) lead from your amplifier
or receiver to the BLACK (-) INPUT terminal. See Figure 1 (page 5).

S-100B VARIATIONS OF SOUND
Your M&K Satellites reproduce sound with exceptional transient accuracy and a very wide dynamic range.
Because of these qualities, they give outstanding results with any high quality amplifier or receiver in virtually any
listening environment.
However, getting the best tonal balance in any given room involves many variables. Therefore, your S-100B
Satellites allow you to alter their tonal balance in order to get the ideal sound quality at your favorite listening location
(where it counts!), through the use of two three-position switches.
The best way to find the ideal setting for these switches is to listen to some familiar music with the switches in the
NORMAL position, and then listen to how the sound changes as you set the switches to the other positions.
If you find the sound to be too bright or harsh-sounding, try the TREBLE CONTOUR switch in the MID TWEETER
or LOW TWEETER position. You can also try setting the MIDRANGE CONTOUR switch to MID or LOW EFFICIENCY.
If the sound lacks brilliance or sounds bass-heavy, set the TREBLE CONTOUR switch to HIGH TWEETER or set the
MIDRANGE CONTOUR switch to MID EFFICIENCY or NORMAL.
It is not possible to tell in advance which settings will produce the ideal response (which is a flat frequency
response at your ears), because this is dependent on your room, its size, its furnishings, your listening location, and
more. The switch choices, however, can help you create the ideal response in your room. Therefore, set the switches
for the best sound balance for your ears and your room, giving you maximum enjoyment from your speakers.

S-100B MIDRANGE CONTOUR SWITCH
The MIDRANGE CONTOUR switch is the primary control for altering the tonal balance of your Satellites. Its major
effect is in the midrange, but it does shift the balance over the entire audible spectrum.
The NORMAL position gives the flattest anechoic frequency response, and works well in many rooms and
installations. Start with this position. If you find the sound quality to be too forward or too bright, there are two additional
choices of tonal balance, MID EFFICIENCY and LOW EFFICIENCY. Relative to NORMAL, the MID position is
mellower, with less high frequency energy and a more recessed sound. The LOW EFFICIENCY position has an even
warmer mid-bass sound and a more distant perspective.
When you are locating the speaker directly on a surface such as a wall, floor or ceiling, you may find that using
the SPECIAL INPUT terminals gives the best response. This is because this position is designed to account for the
increase in midbass response that occurs when a speaker is directly against a room surface. (This is referred to as
2π space, as opposed to a speaker located out in a room, which is known as 4π space. The SPECIAL INPUT terminals
should be tried first for 2π conditions, and the regular INPUT terminals should be tried first for 4π conditions).
If you are optimizing your system's response with a third-octave equalizer and calibrating the equalizer by using
a third-octave analyzer, use the SPECIAL input terminals. The SPECIAL terminals will give you maximize output and
dynamic range, while placing the least demand on your power amplifier.
The MID and LOW EFFICIENCY positions trade efficiency and output for a warmer, mellower sound. If your room
has a lot of reflective surfaces or you have an otherwise bright-sounding system, try these positions. Some listeners
will prefer one of these to the NORMAL position in any room, so we suggest that you at least make a comparison.
All positions have the same power handling capacity, but their output varies (from highest to lowest) as follows:
SPECIAL input terminals, NORMAL, MID EFFICIENCY, and LOW EFFICIENCY. Bear in mind that as you switch to
a higher efficiency, it requires a higher setting of the subwoofer level. Conversely, when you switch to a lower efficiency,
the subwoofer level should be set lower.

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satellite speakers

FIGURE 1
WIRING WITH THE S-100B

S-100B
SATELLITE SPEAKER
NORMAL

S-100B
SATELLITE SPEAKER

NORMAL

MID
TWEETER

MID
EFFICIENCY

MID
TWEETER

MID
EFFICIENCY

TREBLE
CONTOUR

MIDRANGE
CONTOUR

TREBLE
CONTOUR

MIDRANGE
CONTOUR

LOW
TWEETER

LOW
EFFICIENCY

CONNECT AMPLIFIER TO ONLY ONE RED
AND ONLY ONE BLACK TERMINAL

SPECIAL INPUT
(see instructions)

NORMAL
LOW
TWEETER

LOW
EFFICIENCY

CONNECT AMPLIFIER TO ONLY ONE RED
AND ONLY ONE BLACK TERMINAL

SPECIAL INPUT
(see instructions)

INPUT
4 ohms

MADE IN USA

INPUT
4 ohms

MADE IN USA

MILLER & KREISEL SOUND CORPORATION

10391 Jefferson Blvd., Culver City, CA 90232 310/204-2854

_
LEFT

10391 Jefferson Blvd., Culver City, CA 90232 310/204-2854

_
RIGHT

AMPLIFIER

S-100B TREBLE CONTOUR SWITCH
The TREBLE CONTOUR switch slightly rolls off the upper midrange and treble frequencies when set to the MID
and LOW position. These carefully shaped contours minimize brightness due to room conditions, other electronics,
or the source material. It does more than a simple tweeter level control.
The LOW position gives the greatest reduction of high frequencies. The MID position gives a lesser reduction
of the highs, while the NORMAL position does not reduce high frequencies at all.
This control is useful not only to match your room environment and speaker location, but also because audio and
audio/video program material varies widely in terms of high frequency level and distortion. For example, many
recordings and film soundtracks have artificially boosted, excessive high frequencies that will be clearly reproduced
by the exacting and extended high frequency reproduction of your M&K Satellites, and the MID and LOW TWEETER
positions will help these recordings.
Don't hesitate to set this switch to MID or LOW for fear of the sound not being "flat". Few recordings are actually
"flat", due to equalization in the recording process, and artificial alteration of high frequencies is common.

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satellite speakers

4. S-90 SPEAKER HOOK-UP & USAGE
The sound quality that you get from your Satellites can be affected by the type of speaker wire that you use to
connect them. While it is possible to use speaker wire as thin as 22 gauge to hook your Satellites up, we recommend
using the largest diameter wire that you can. This means a minimum of 18 gauge wire. Over 10 feet, you should use
16 gauge, and for more than 30 feet, we recommend using 14 gauge or heavier. The smaller the number, the thicker
the wire.
There are a very wide variety of premium speaker cables available from a number of specialist manufacturers.
We do not endorse any specific brand of premium cable, but we do recommend using as high quality a cable as fits
your budget. Using better quality cables will improve the sound of your Satellites.
If you wish to bi-amplify your Satellites in combination with an M&K Powered Subwoofer, see Section 11 (page
18) for more details.

S-90 HOOKUP
There is one set of terminals on the backplate, one Red terminal and one Black terminal. Connect the Positive
(+) lead from your amplifier or receiver to the RED (+) INPUT terminal, and the Negative (-) lead from your amplifier
or receiver to the BLACK (-) INPUT terminal. See Figure 2 (page 7).

S-90 VARIATIONS OF SOUND
Your M&K Satellites reproduce sound with exceptional transient accuracy and a very wide dynamic range.
Because of these qualities, they give outstanding results with any high quality amplifier or receiver in virtually any
listening environment.
However, getting the best tonal balance in any given room involves many variables. Therefore, your S-90
Satellites allow you to alter their tonal balance in order to get the ideal sound quality at your favorite listening location
(where it counts!), through the use of two three-position switches.
The best way to find the ideal setting for these switches is to listen to some familiar music with the switches in the
NORMAL position, and then listen to how the sound changes as you set the switches to the other positions.
If you find the sound to be too bright or harsh-sounding, try the TREBLE CONTOUR switch in the MID TWEETER
or LOW TWEETER position. You can also try setting the MIDRANGE CONTOUR switch to NORMAL or LOW
EFFICIENCY. If the sound lacks brilliance or sounds bass-heavy, set the TREBLE CONTOUR switch to HIGH
TWEETER or set the MIDRANGE CONTOUR switch to NORMAL or SPECIAL.
It is not possible to tell in advance which settings will produce the ideal response (which is a flat frequency
response at your ears), because this is dependent on your room, its size, its furnishings, your listening location, and
more. The switch choices, however, can help you create the ideal response in your room. Therefore, set the switches
for the best sound balance for your ears and your room, so that you get maximum enjoyment from your speakers.

S-90 MIDRANGE CONTOUR SWITCH
The MIDRANGE CONTOUR switch is the primary control for altering the tonal balance of your Satellites. Its major
effect is in the midrange, but it does shift the balance over the entire audible spectrum.
The NORMAL position gives the flattest frequency response in most rooms and installation conditions. This
should be the starting position for you in determining the optimum setting for your system. Relative to this position, you
will find the SPECIAL position to be brighter and more forward-sounding, and the LOW EFFICIENCY position to be
mellower and more recessed-sounding.
When you are locating the speaker directly against a wall or directly against the floor or ceiling, you may find that
the SPECIAL position gives the best response. This is because this position is designed to account for the increase
in midbass response that occurs when a speaker is directly against a room surface. (This is referred to as 2 π space,
as opposed to a speaker located out in a room, which is known as 4π space. The SPECIAL position should be used
for 2π conditions, and the NORMAL position should be used for 4π conditions).
Use the SPECIAL position if you are optimizing your system's response with a third-octave equalizer and
calibrating the equalizer by using a third-octave analyzer. The SPECIAL position will always maximize output and
dynamic range, while placing the least demand on your power amplifier.
The LOW EFFICIENCY position trades efficiency and output for a warmer, mellower midbass sound. If you have
a room with a lot of reflective surfaces or an otherwise bright-sounding system, try this position. Some listeners will
prefer this position to the NORMAL position in any room, so we suggest that you at least make that comparison.
All positions have the same power handling capacity, but because of their greater efficiency, the NORMAL will
be louder than the LOW EFFICIENCY, and the SPECIAL position will play the loudest. Bear in mind that as you switch

page 7

satellite speakers

FIGURE 2
WIRING WITH THE S-90
S-90
SATELLITE SPEAKER
NORMAL

S-90
SATELLITE SPEAKER

NORMAL
LOW
TWEETER

NORMAL

LOW
EFFICIENCY

NORMAL
LOW
TWEETER

MID
TWEETER

SPECIAL
(see instructions)

TREBLE
CONTOUR

MIDRANGE
CONTOUR

LOW
EFFICIENCY

MID
TWEETER

SPECIAL
(see instructions)

TREBLE
CONTOUR

MIDRANGE
CONTOUR

INPUT

4 ohms

MADE IN USA

MILLER & KREISEL SOUND CORPORATION

10391 Jefferson Blvd., Culver City, CA 90232 310/204-2854

_
LEFT

10391 Jefferson Blvd., Culver City, CA 90232 310/204-2854

_
RIGHT

AMPLIFIER
to a higher efficiency, it requires a higher setting of the subwoofer level. Conversely, when you switch to a lower
efficiency, the subwoofer level should be set lower.

S-90 TREBLE CONTOUR SWITCH
The TREBLE CONTOUR switch gives you control of the upper midrange and treble frequencies when set to the
HIGH or LOW positions. These carefully shaped contours control brightness to account for room conditions, other
electronics, or the source material. It is more sophisticated than a simple tweeter level control.
The LOW position produces an attenuation of high frequencies, while the NORMAL position provides a slight
rising characteristic of the high frequencies when measured on-axis. The MID position provides a flat on-axis response
to beyond 20 KHz.
This control is useful not only to match your room environment and speaker location, but also because audio and
audio/video program material varies widely in terms of high frequency level and distortion. For example, many
recordings and film soundtracks have artificially boosted, excessive high frequencies that will be clearly reproduced
by the exacting and extended high frequency reproduction of your M&K Satellites, and LOW TWEETER will help these
recordings. Many absorptive, "dead" rooms seem to soak up high frequency energy and excitement, and in these
cases, NORMAL should be used.
Don't hesitate to set this switch to NORMAL or LOW for fear of the sound not being "flat". Few recordings are

page 8

satellite speakers

actually "flat", due to equalization in the recording process, and artificial alteration of high frequencies is common.

5. S-80 SPEAKER HOOK-UP & USAGE
The back panel of your S-80 speakers contains two pairs of speaker terminals (instead of the usual single pair).
Therefore it is extremely important that you follow these instructions carefully, to avoid any possible damage to the
speakers or your amplifier, and to get the best possible sound.
The sound quality that you get from your Satellites can be affected by the type of speaker wire that you use to
connect them. While it is possible to use speaker wire as thin as 22 gauge to hook your Satellites up, we recommend
using the largest diameter wire that you can. This means a minimum of 18 gauge wire. Over 10 feet, you should use
16 gauge, and for more than 30 feet, we recommend using 14 gauge or heavier. The smaller the number, the thicker
the wire.
There are a very wide variety of premium speaker cables available from a number of specialist manufacturers.
We do not endorse any specific brand of premium cable, but we do recommend using as high quality a cable as fits
your budget. Using better quality cables will improve the sound of your Satellites.
M&K Satellites are not designed for bi-wiring. Do not use the four input terminals to bi-wire your Satellites, as this
may damage your amplifier and speakers. If you wish to bi-amplify your Satellites in combination with an M&K Powered
Subwoofer, see Section 11 (page 18) for more details.

S-80 HOOKUP
There are two pairs of terminals on the backplate. Depending on which combination of the four terminals you use
to connect your amplifier, you can alter the tonal quality of your S-80 speakers to better match your room, electronics,
or personal preference.
These "Variations of Sound" let you achieve much smoother and flatter frequency response in your room, at your
listening position. See below for a discussion of the HIGH EFFICIENCY/LOW EFFICIENCY inputs and the HIGH
TWEETER/LOW TWEETER inputs.
The Positive (+) lead from your amplifier or receiver should be connected to one of the RED (+) INPUT terminals
(either HIGH TWEETER / LOW TWEETER), and the Negative (-) lead from your amplifier or receiver should be
connected to one BLACK (-) INPUT terminal (HIGH EFFICIENCY / LOW EFFICIENCY). See Figure 3 (page 9).
VERY IMPORTANT: NEVER CONNECT THE AMPLIFIER LEADS TO BOTH RED TERMINALS OR TO BOTH
BLACK TERMINALS AT THE SAME TIME. YOU MAY DAMAGE YOUR AMPLIFIER AND SPEAKERS. ANY
RESULTING DAMAGE IS NOT COVERED UNDER WARRANTY.

S-80 VARIATIONS OF SOUND
Your S-80 Satellites reproduce sound with exceptional transient accuracy and a very wide dynamic range. They
will give you give outstanding results with any high quality amplifier or receiver in virtually any listening environment.
However, getting the best tonal balance in any given room involves many variables. Therefore, your S-80
Satellites allow you to alter their tonal balance in order to get the ideal sound quality at your favorite listening location
(where it counts!), by using one of four combinations of input terminals to connect the speakers to your amplifier.
The inputs are labelled HIGH EFFICIENCY and LOW EFFICIENCY. Both positions have the same power
handling capacity, but the HIGH EFFICIENCY position plays the loudest, and works best with low powered amplifiers.
Bear in mind that the HIGH EFFICIENCY input requires a higher setting of the subwoofer level. Conversely, if
you switch to the LOW EFFICIENCY input, the subwoofer level should be set lower.
We recommend that you experiment with the inputs, starting out by using the HIGH EFFICIENCY and HIGH
TWEETER input terminals. If the sound is too bright or harsh-sounding, try switching to the LOW TWEETER input. If
it still seems too bright, try the LOW EFFICIENCY input with either HIGH TWEETER or LOW TWEETER.
There is no single ideal or "flat" input combination, because we cannot predict in advance exactly what response
will produce that in your room. The choices available through the inputs, however, can allow you to create a virtually
ideal response for your room. Hence, you should use the inputs that best balance the sound for your ears and your
room, so that you get maximum enjoyment from your speakers.

S-80 HIGH EFFICIENCY / LOW EFFICIENCY INPUTS
The LOW EFFICIENCY input gives a very warm "laid-back" midbass sound with subdued or recessed midrange.
Even though it is very similar in character to the finest British-manufactured monitor speakers, it has a significantly wider
dynamic range. Sometimes referred to as the "English Sound."

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satellite speakers

FIGURE 3
WIRING WITH THE S-80

HIGH EFFICIENCY / HIGH TWEETER

HIGH EFFICIENCY/LOW TWEETER

SATEL LITE SPEAKER

CONNE CT AMPLIFIER TO ONLY ONE RED
AND ONE BLAC K TERMIN AL
(see instructions)

HIGH

TWEETER LEVEL

EFFICIENCY

HIGH

LOW

HIGH

MADE IN USA

LOW

MADE IN USA

AMPLIFIER

(one channel only is shown)

LOW EFFICIENCY / HIGH TWEETER

LOW EFFICIENCY / LOW TWEETER

SATELLITE SPEAKER

CONNE CT AMPLIFIER TO ONLY ONE RED
AND ONE BLAC K TERMIN AL
(see instructions)

CON NECT A MPLIFIER TO ONLY ONE RED
AND ONE B LACK TERMINA L
(see instructions)

HIGH

TWEETER LEVEL

EFFICIENCY

HIGH

L OW

LOW

HIGH

MADE IN USA

L OW

LO W

MADE IN USA

AMPLIFIER

(one channel only is shown)

page 10

satellite speakers

The HIGH EFFICIENCY input gives a bright, forward sound with great efficiency and a wider dynamic range.
Particularly useful for producing maximum sound power levels, especially with low-powered amplifiers. Sometimes
referred to as the "German Sound."

S-80 HIGH TWEETER / LOW TWEETER INPUTS
The LOW TWEETER input provides a rolloff of the upper midrange and treble frequencies in a carefully shaped
contour, in order to minimize brightness due to room conditions, other electronics, or the source material. It does more
than a simple tweeter level control.
The LOW TWEETER input reduces the high frequencies, while the HIGH TWEETER input has no reduction of
high frequencies at all. LOW TWEETER is useful not only to match your room environment and speaker location, but
also because audio and audio/video program material varies widely in terms of high frequency level and distortion.
Don't hesitate to use the LOW TWEETER for fear of the sound not being "flat". Few recordings themselves are
"flat", due to equalization in the recording process, and artificial alteration of high frequencies is common.

6. S-1C SPEAKER HOOK-UP & USAGE
SPECIAL NOTE
Because your S-1C Satellites have a specially controlled vertical radiation pattern, it is very important that you
install them so that they are properly oriented relative to your ears.
The idea is to have the space between the lower tweeter and the upper woofer at the same height as your ears
when you are listening. If you have the speakers mounted above or below this height, you must angle the speakers
so that the tweeters are aimed at your ears when you are in the main listening position.

HOOK-UP & USAGE
The back panel of your S-1C speakers contains two pairs of speaker terminals (instead of the usual single pair).
Therefore it is important to follow these instructions carefully, to avoid any possible damage to the speakers or your
amplifier, and to get the best possible sound. The second pair of terminals is provided to allow you to bi-wire the
S-1C. The bi-wiring technique is discussed below.
Sound quality can be affected by the type of speaker wire that you use. While it is possible to use speaker wire
as thin as 22 gauge to hook your Satellites up, we recommend using the largest diameter wire that you can. This means
a minimum of 18 gauge wire. Over 10 feet, you should use 16 gauge, and for more than 30 feet, we recommend using
14 gauge or heavier. The smaller the number, the thicker the wire.
There are a very wide variety of premium speaker cables available from a number of specialist manufacturers.
We do not endorse any specific brand of premium cable, but we do recommend using as high quality a cable as fits
your budget. Using better quality cables is especially important with a speaker the quality of the S-1C.
As mentioned above, the S-1C Satellites allow for bi-wiring, with two pairs of speaker terminals on its back panel.
For instructions on bi-wiring, see BI-WIRING THE S-1C on page 12. If you wish to bi-amplify your Satellites in
combination with an M&K Powered Subwoofer, see Section 11 (page 18) for more details.

S-1C HOOKUP
There are two pairs of terminals on the backplate, each with one Red terminal and one Black terminal. One set
is labelled NORMAL INPUT / BI-WIRE WOOFER INPUT, and the other set is labelled BI-WIRE TWEETER INPUT.
Under normal conditions, use only the terminals labelled NORMAL INPUT (the top two terminals), and make sure that
the toggle switch between both pairs of terminals is set to the NORMAL position. The BI-WIRE TWEETER INPUT
terminals should be used only when you are bi-wiring (see Page 12 under BI-WIRING THE S-1C).
Connect the Positive (+) lead from your amplifier or receiver to the RED (+) INPUT terminal, and the Negative
(-) lead from your amplifier or receiver to the BLACK (-) INPUT terminal. See Figure 4 above.

S-1C VARIATIONS OF SOUND
Your M&K Satellites reproduce sound with exceptional transient accuracy and a very wide dynamic range.
Because of these qualities, they give outstanding results with any high quality amplifier or receiver in virtually any

page 11

satellite speakers

FIGURE 4
WIRING WITH THE S-1C
S-1C
SATELLITE SPEAKER

S-1C
SATELLITE SPEAKER
NORMAL
LOW
TWEETER
HIGH
TWEETER

TREBLE
CONTOUR

NORMAL

NARROW

LOW
TWEETER

LOW
EFFICIENCY

WIDE

HIGH
TWEETER

MEDIUM

HIGH
EFFICIENCY

DIRECTIVITY
CONTROL

MIDRANGE
CONTOUR

NORMAL

NARROW

LOW
EFFICIENCY

WIDE

TREBLE
CONTOUR

MEDIUM

HIGH
EFFICIENCY

DIRECTIVITY
CONTROL

MIDRANGE
CONTOUR

NORMAL INPUT

BI-WIRE WOOFER INPUT

For normal (single-wire)
amplifier connections, use
the NORMAL input terminals
(top set) and set the toggle
switch to NORMAL. For
bi-wiring connections, please
consult your owner's manual.

NORMAL
BI - WIRE

BI-WIRE TWEETER INPUT

ALL INPUTS ARE 4 OHMS

MILLER & KREISEL SOUND CORPORATION

10391 Jefferson Blvd., Culver City, CA 90232 (310) 204-2854

MADE IN USA

_
LEFT

_
RIGHT

AMPLIFIER
listening environment.
However, getting the best tonal balance in any given room involves many variables. Therefore, your S-1C
Satellites allow you to alter their tonal balance in order to get the ideal sound quality at your favorite listening location
(where it counts!), through the use of two three-position switches.
The best way to find the ideal setting for these switches is to listen to some familiar music with the switches in the
NORMAL position, and then listen to how the sound changes as you set the switches to the other positions.
If you find the sound to be too bright, try the TREBLE CONTOUR switch in the NORMAL or LOW TWEETER
position. You can also try setting the MIDRANGE CONTOUR switch to NORMAL or LOW EFFICIENCY. If the sound
lacks brilliance or sounds bass-heavy, set the TREBLE CONTOUR switch to HIGH TWEETER or set the MIDRANGE
CONTOUR switch to HIGH EFFICIENCY or NORMAL.
It is not possible to tell in advance which settings will produce the ideal response (which is a flat frequency
response at your ears), because this is dependent on your room, its size, its furnishings, your listening location, and
more. The switch choices, however, can help you create the ideal response in your room. Therefore, set the switches
for the best sound balance for your ears and your room, giving you maximum enjoyment from your speakers.

S-1C MIDRANGE CONTOUR SWITCH
The MIDRANGE CONTOUR switch is the primary control for altering the tonal balance of your Satellites. Its major
effect is in the midrange, but it does shift the balance over the entire audible spectrum.
The NORMAL position gives the flattest anechoic frequency response, and works best in many rooms and
installations. Start with this position. If you find the sound quality to be too forward or too bright, try setting the switch

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to the LOW EFFICIENCY position. Relative to NORMAL, the LOW EFFICIENCY position has an warmer, mellower
mid-bass sound with a more distant perspective.
When you are locating the speaker directly on a surface such as a wall, floor or ceiling, you may find that HIGH
EFFICIENCY position gives the best response. This is because this position best matches the increase in midbass
response that occurs when a speaker is directly against a room surface. (This is referred to as 2π space, as opposed
to a speaker located out in a room, which is known as 4π space. The HIGH EFFICIENCY position should be tried first
for 2π conditions, and the NORMAL position should be tried first for 4π conditions).
If you are optimizing your system's response with a third-octave equalizer and calibrating the equalizer by using
a third-octave analyzer, use the HIGH EFFICIENCY position. It will give you maximize output and dynamic range, while
placing the least demand on your power amplifier.
The LOW EFFICIENCY position trades efficiency and output for a warmer, mellower sound. If your room has a
lot of reflective surfaces or you have an otherwise bright-sounding system, try this position. LOW EFFICIENCY is
sometimes referred to as the "English sound." Some listeners will prefer it to the NORMAL position in any room, so
we suggest that you at least make a comparison.
All positions have the same power handling capacity, but their sensitivity varies (from highest to lowest) as follows:
HIGH EFFICIENCY, NORMAL, and LOW EFFICIENCY. Note that as you switch to a higher efficiency, the subwoofer
level needs to be set higher. Conversely, when you switch to a lower efficiency, the subwoofer level should be set lower.

S-1C TREBLE CONTOUR SWITCH
The TREBLE CONTOUR switch gives you control of the upper midrange and treble frequencies when set to the
HIGH or LOW positions. These carefully shaped contours control brightness to account for room conditions, other
electronics, or the source material. It is more sophisticated than a simple tweeter level control.
The LOW position produces an attenuation of high frequencies, while the HIGH position provides a slight rising
characteristic of the high frequencies when measured on-axis. The NORMAL position provides a flat on-axis response
to beyond 20 KHz.
This control is useful not only to match your room environment and speaker location, but also because audio and
audio/video program material varies widely in terms of high frequency level and distortion. For example, many
recordings and film soundtracks have artificially boosted, excessive high frequencies that will be clearly reproduced
by the exacting and extended high frequency reproduction of your M&K Satellites, and LOW TWEETER will help these
recordings. Many absorptive, "dead" rooms seem to soak up high frequency energy and excitement, and in these
cases, HIGH TWEETER should be used.
Don't hesitate to set this switch to HIGH or LOW for fear of the sound not being "flat". Few recordings are actually
"flat", due to equalization in the recording process, and artificial alteration of high frequencies is common.

S-1C DIRECTIVITY CONTROL SWITCH
An important design element of the S-1C is its specially controlled vertical radiation pattern. This improves stereo
imaging by reducing the amount of sound that it radiates above and below the speaker. When this sound reflects from
a recording console or the room's floor and ceiling, it then arrives at your ear later than the direct signal (because of
the time delay of the reflections). The delay of these reflected signals “blurs” the sound, producing a poor stereo image.
In the S-1C, this performance enhancement is achieved through its vertical tweeter array and matching cabinet
foam treatment. To further improve on this, a brand-new feature in the S-1C is its DIRECTIVITY CONTROL switch.
This unique three-position switch allows you to vary the amount of control applied to the high frequency radiation pattern.
In the WIDE position, the greatest amount of high frequency sound is allowed to radiate toward the floor and ceiling.
The NORMAL position produces the sharpest forward imaging through maximum attenuation of the high frequency
energy radiated toward the floor and ceiling, and the MID position falls in-between these two extremes.
The optimum setting for your system will depend on your room, your personal preference, and even the source
material that you are listening to. You may find that you prefer one setting for two-channel stereo and a different one
for multi-channel (four or five channel surround) listening. If you do most of your listening seated in one location, the
NORMAL position may be your preference. If you spend a great deal of time listening to the system standing, as well
as sitting, the WIDE position may work best. This is ultimately a subjective judgment, so we recommend that you
experiment to find the position that works best for your purposes.

BI - WIRING THE S-1C
Bi-wiring is an advanced audiophile technique that can improve the sound quality that you hear from your S-1C
Satellites. It requires two sets of speaker wires running from the amplifier to EACH speaker, so it can be expensive.

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FIGURE 5
BI - WIRING WITH THE S-1C
S-1C
SATELLITE SPEAKER
NORMAL
LOW
TWEETER

NORMAL

NARROW

LOW
EFFICIENCY

WIDE

HIGH
TWEETER

TREBLE
CONTOUR

MEDIUM

HIGH
EFFICIENCY

DIRECTIVITY
CONTROL

MIDRANGE
CONTOUR

ONE CHANNEL ONLY IS SHOWN

NORMAL INPUT
BI-WIRE WOOFER INPUT

AMPLIFIER

For normal (single-wire)
amplifier connections, use
the NORMAL input terminals
(top set) and set the toggle
switch to NORMAL. For
bi-wiring connections, please
consult your owner's manual.

NORMAL
BI - WIRE

BI-WIRE TWEETER INPUT
ALL INPUTS ARE 4 OHMS

MILLER & KREISEL SOUND CORPORATION
10391 Jefferson Blvd., Culver City, CA 90232 (310) 204-2854

MADE IN USA

In better quality systems, however, it can make an audible difference, and the superior sound quality of the S-1C makes
it a good candidate for bi-wiring.
Bi-wiring can improve the sound of your system for a variety of reasons, including lower wire resistance and
inductance, among others. Bi-wiring can be done with a single stereo amplifier driving a pair of S-1Cs, or it can be done
with a pair of amplifiers driving them.
To bi-wire with a single amplifier, run two sets of speaker wires to each speaker. Each amplifier channel will have
two sets of wires connected to it. One set of wires should be connected to the lower set of terminals on the S-1C
backplate (labelled NORMAL INPUT / BI-WIRE WOOFER INPUT), and the other set of wires should be connected to
the upper set of terminals on the S-1C backplate (labelled BI-WIRE TWEETER INPUT.) The toggle switch located
between both pairs of terminals must be set to the BI-WIRE position.
In all cases, the Positive (+) lead of each wire running from your amplifier or receiver should be connected to the
RED (+) INPUT terminals, and the Negative (-) lead of each wire running from your amplifier or receiver should be
connected to the BLACK (-) INPUT terminals. See Figure 5 above.
To bi-wire with two amplifiers, you will also run two sets of speaker wires to each speaker, but there will be only
one set of wires connected to each amplifier channel. We recommend against trying this without guidance from your
dealer or the M&K factory. There are a large number of variables that can lead to possible amplifier damage as well
as sonic problems with this type of wiring. With two amplifiers, it is critical that the toggle switch located between
both pairs of terminals is set to the BI-WIRE position, or amplifier damage may occur.

7. OPTIMIZING SPEAKER PLACEMENT
The sound quality produced by your Satellite speakers can be significantly enhanced by careful attention to their
placement. While we understand that you may not redesign your room to accommodate your speakers, coming as
close as possible to the ideal placement will give you much better sound.
Four factors are important in getting the best sound. They are:
A.

Height (or angle).

Location away from room walls or reflecting surfaces.

C.
D.

Separation between Left and Right speakers.
Cabinet orientation (horizontal or vertical).

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A. HEIGHT (OR ANGLE)
Your M&K Satellites will always deliver sound superior to conventional speakers, regardless of where you locate
them. However, because they are designed for very fast and accurate transient response, they achieve even better
sound quality, and the flattest frequency response when properly oriented relative to your ear.
Ideally, your Satellite speakers' tweeters should be at the same height from the floor as your ears, when you are
sitting in your main listening position. For the S-100B, measure from the floor to the center tweeter, and for the S-1C,
measure from the floor to the space between the two tweeters.
If you have the speakers mounted above or below this height, we recommend that you angle the speakers so that
the tweeters are aimed at your ears when you are in the main listening position.
If you have a helper move the speakers while you sit and listen, you should be able to hear the difference when
the speakers are in the best location by listening for the brightest high frequencies and for the best "focus" of sound,
where you hear the sharpest sonic imaging of voices and instruments.

B. LOCATION AWAY FROM REFLECTING SURFACES
Your Satellites should be located, whenever practical, away from walls, the floor, furniture, or any other reflecting
surfaces. Do the best you can in your room. Objects located close to the speaker will reflect the sound radiated from
the speaker to your ear with a slight time delay compared to the direct sound reaching your ear. This time delay will
blur the sonic imaging and interfere with transient performance.
The delay is very slight, so instead of hearing an echo, you hear a "blurred" sound with less clarity that is not as
sharp and distinct as it should be. This time delay also affects frequency response and sonic imaging.
If the speakers will be sitting on shelves, locate them on the front edge of the shelf, so there is no flat surface directly
in front of them. If the speakers will sit close to walls or other large objects, leave as much space as possible between
the speaker and the object. Ideally, your Satellites will be several feet from the nearest surface, but in most rooms
compromise is necessary.

C. SEPARATION BETWEEN LEFT AND RIGHT SPEAKERS
Here is a formula for achieving the ideal left to right stereo imaging. Think of a triangle formed by the locations
of the Left and Right speakers and your listening position. Ideally, the subtended angle formed should be between 45
and 50 degrees. Roughly, this means that the Left and Right speakers should be separated by about the same distance
that you are sitting back from the speakers. In other words, if the distance from your listening position to the point directly
between the speakers is 10 feet, place the speakers so their centers are about 10 feet apart. See Figure 6 below.
The length of line A - B should be about the same as the length of line X - Y. (They may not seem to be the same

FIGURE 6
SEPARATION BETWEEN SPEAKERS
A
X

LEFT SPEAKER

RIGHT SPEAKER

LINE X - Y SHOULD EQUAL
LINE A - B. (LINE A - B APPEARS
LONGER IN THIS DIAGRAM DUE
TO AN OPTICAL ILLUSION).

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in this diagram due to an optical illusion).
Try to follow the formula as close as you can. You can fine tune the placement by listening to a source with an
image (such as a vocalist) centered between the speakers. When listening in stereo (no Center Channel speaker),
move the speakers closer together or farther apart in small increments until you hear the sharpest and most cohesive
image, especially in the phantom center. You may also want to angle (or "toe-in") the speakers slightly. This often
improves the sharpness of the stereo image, reduces room colorations, and provides a wider seating area.

D. CABINET ORIENTATION (HORIZONTAL OR VERTICAL)
The performance of the S-90 or S-80 Satellites is essentially identical whether they are oriented horizontally or
vertically. The performance of the S-100B and S-1C, however, does change according to their orientation.
The S-90 and S-80 cabinets are trapezoidal in shape (their front baffles are narrower than their rear baffles), so
when they are placed on their sides (horizontally), they point down. If your Satellites will be placed above the main
listening position, this should require no compensation. If they are level or below the main listening position, you will
need to put a wedge or spacer underneath the speaker so that it points up towards you.
The S-100B and S-1C Satellites are designed for controlled vertical dispersion and wide horizontal dispersion.
By controlling the vertical dispersion, we limit the amount of sound that would otherwise be reflected with a time delay
from the floor and ceiling (for the reasons discussed in B. above).
For the S-1C Satellites, this means that they should always be vertically oriented (with the tweeters either on the
top or the bottom). When they are vertical, the controlled dispersion is in the correct plane. If they are oriented
horizontally (on their sides), listeners right or left of a direct line from the center of the speaker will hear a compromised
sound quality, an irregular frequency response, and other problems. While this may be acceptable for background
listening, we strongly recommend that you do not place them on their sides for careful listening.
For the S-100B Satellites, the best orientation is with the tweeters in a vertical line, to the outside, so that the 5"
woofers are towards the center. This provides wide horizontal dispersion and limited vertical dispersion, giving you the
best stereo imaging and overall sound. However, the vertical dispersion of the S-100B is not controlled to the degree
of the S-1C, so it is acceptable to place it with the tweeters in a horizontal line either above or below the 5" woofers.
The best S-100B sound, however, is with the tweeters vertical.

8. HOME THEATRE USAGE
TIMBRE-MATCHING
One of the most important factors in achieving excellent Home Theatre performance is known as timbre-matching.
This is important because on film soundtracks, specific sounds are frequently moved from left to right or from front to
back in the room. When the speakers reproducing these sounds do not have similar characteristics, there will be an
audible discontinuity when the sound shifts from one speaker to another.
Timbre-matched speakers have very similar tonal characteristics and sound, which are achieved through three
critical elements: similar or identical drivers; similar or identical crossovers; and similar or identical frequency response.
If you have only M&K speakers in your system, these elements have been addressed and you can be assured that your
system can achieve the full potential of Home Theatre sound.
If your other speakers are not M&Ks, don't worry; M&K's unique Variations of Sound allow you to adjust your M&K
speakers to match your other speakers. Read the Variations of Sound section for your Satellite speakers (S-100B, page
4; S-90, page 6; S-80, page 8; S-1C, page 10) for details.
First, set up a listening comparison between your new M&K speaker and your existing speaker. Connect one
speaker as the front right channel speaker and the other as the front channel left speaker. Place them as close together
as possible, and compare their sound by alternately rotating the balance control fully to the right and left.
Set the controls on the back panel of the M&K speaker so that it sounds as similar as possible to the other speaker.
Set the other M&K speaker identically (unless you are adding just one as a center channel) and proceed with hooking
up your system. If you have any questions, please give us a call and we'll be happy to discuss this with you.
CHANNEL BALANCING
The other factor critical to achieving excellent Home Theatre performance is level-matching the three front and
two surround channels. This is actually even more important than timbre-matching. If your dealer has calibrated your
system on installation, you don't need to worry about this step. We just ask that you PLEASE don't try to readjust it.
But if you are doing the calibration yourself, a small investment will allow you to do the same job as a professional
and get superb surround sound performance. We strongly recommend that you purchase a Radio Shack Sound Level

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Meter (available for less than about $40) and use it to measure the output of the speakers when playing the test tones
generated by your processor or receiver. See your processor or receiver's instruction manual for how to perform the
calibration. NEVER CALIBRATE LEVELS BY EAR! This meter is a small investment relative to the price of your system,
and it is the only way that you can make sure you get the maximum benefit from your investment.
SPEAKER PLACEMENT
If your M&K Satellites are being used in a Home Theatre system, placement becomes even more important, as
you will be balancing four or five (or more) speakers rather than two. The following guidelines are for a five-channel
Pro-Logic system, but if your system is not Pro-Logic (does not have a Center channel speaker), ignore the references
to the Center channel. The instructions for the other four channels will still be correct.
CENTER CHANNEL
The Center channel speaker in a Pro-Logic system is the most important channel in the system. Very often, this
channel produces more output than the left and right channels combined. Therefore, this speaker should be of the
highest possible quality, and as similar as possible in frequency response and radiation pattern to the Left and Right
speakers. Three identical speakers will give you the most accurate sound.
In addition, it is important to have as much amplifier power as possible for the Center channel. As a minimum,
we recommend that the three front channels be identical in power output. Preferably, the Center channel will have the
greatest amount of power. If you have less power in the Center channel, understand that this will be the limiting factor
in the total output capability of the system when watching and listening to video sources.
M&K Satellites, with their compact size and adjustable tonal balances, are ideal for Center channel use. Because
of their Variations of Sound capabilities, they will blend with a very wide range of speakers and can be acoustically
balanced to provide a smooth front channel soundfield. M&K Satellites are also offered with optional magnetic shielding
to allow them to be used close to a television set.
The Center channel speaker should be located as close as physically possible to the television or projection
screen. This usually means that it will be just above or just below the screen, which is ideal. If that is not possible, then
just to the left or the right of the screen is next best.
If the television is not in the center of the room (or not centered between the Left and Right speakers), the proper
location for the Center channel speaker is still as close as possible to the television screen -- even if that means it is
outside either the Left or Right speaker. Remarkably good results can be found in unusual configurations, as long as
the Center channel speaker is as close as possible to the screen.
If you have a direct-view television, this may make magnetic shielding very important. See Section 2 (page 3)
for a discussion of magnetic shielding in M&K Satellite speakers.
FRONT CHANNELS
The Left and Right front channel speakers in a Home Theatre system can be placed in the same fashion as the
Left and Right speakers in a stereo setup, and this is what we recommend. Some listeners, however, may prefer the
Left and Right speakers closer together in order to better match the sonic image and screen image sizes.
For example, with a 20" direct-view television, you would want the speakers closer together than you would with
a 100" projector. One recommendation is to separate the speakers by 1.5 times the diagonal screen size.
There is a great deal of latitude in this area, as it is really one of personal preference (especially if you use the
system to listen to music without video). If you find a sonic image much wider than your screen disconcerting, try moving
the Left and Right speakers closer together.
It is also preferred that the speakers be in roughly the same plane as the television screen. If they are much higher
or lower than the screen, the effect can be distracting. If this is not practical, angling the speakers to aim at the listening
position can help.
When using a Center channel speaker in a Pro-Logic system, you will have a great deal of extra flexibility in placing
the Left and Right speakers, as the Center channel speaker will tie most dialog and effects directly to the screen.
SURROUND (REAR) CHANNELS
The Surround channel speakers can be placed in a wide variety of locations in your room to give good
performance. In general, the surround speakers should be either adjacent to or behind the main listening position, and
located higher than the listener's heads. They can be mounted on either the side walls or on the back wall, flush to the
wall, on shelves, on brackets, etc.
A typical location might be speakers on the side walls of the room, one foot from the ceiling and two or three feet
from the back wall. This would be appropriate in a room with 8 or 9 foot ceilings, and a main listening position three

satellite speakers

page 17

to five feet or more from the back wall. An alternate location in this room might be on the back wall of the room, at the
same height, a few feet from the corners. Symmetrical arrangements work best.
It is best to locate them at least a few feet away from the nearest listener's head. If the speaker is located too close
to a listener, its sound will become too directional and may distract that listener. Ideally, the surround speakers should
not call attention to themselves and should not be audible as separate sources of sound.
If they must be located very close to the listeners, pointing the speakers at the room walls or ceiling can help to
reduce the directional effect. Sometimes this produces a desirable result even in rooms where the surround speakers
are an adequate distance from the listeners' heads.
Some listeners prefer to use multiple pairs of surround speakers. While this is not necessary, it can provide a
broader and deeper surround effect, with better coverage in very large rooms. When using multiple pairs of surround
speakers, a symmetrical installation pattern works best. For example, if you are using two pairs of S-80 Satellites for
the surround channel, one pair should be mounted on the back wall of the room, mounted equidistant from the back
corners, with the other pair mounted on the side walls of the room, equidistant from the same back corners.
The surround channels can be installed in a wide variety of locations, but this fact can mean that they also present
the greatest challenges and difficulties in installation. This discussion is intended only to be the most general of guides
to their installation. If you have further questions, please discuss them with your M&K dealer or call us at the M&K
factory, and we will be happy to discuss them with you in detail.
SUBWOOFER
Subwoofer location for Home Theatre systems is essentially the same as for music systems. See our Subwoofer
operation manual for more details. Remember to leave 2 - 3 feet of clearance between any television and subwoofer,
unless the subwoofer is magnetically shielded.
The preferred connection for the subwoofer is a subwoofer output from the amplifier or controller. This insures
that a full bass signal is being fed to the subwoofer. If you do not have such a subwoofer output jack, connect the
subwoofer to the front Left and Right channel amplifier outputs (do not use the Center channel).
VERY IMPORTANT: When the Subwoofer is connected to the Left and Right amplifier outputs, and the controller
is in Pro-Logic mode, the switch on the Pro-Logic control unit labelled Center channel WIDE/NORMAL must be set to
the NORMAL mode. If the switch is set to the WIDE mode, the bass content of the Center channel will not be fed to
the Subwoofer, and you will lose a significant amount of bass.

9. SATELLITE/SUBWOOFER PHASING TEST
In any system using a subwoofer separate from Satellite speakers, a phasing test must be performed to insure
good bass blending. This test insures optimum sound in the critical bass frequencies where your Subwoofer and
Satellite speakers overlap.
Play a familiar CD, LP, or tape with steady, consistent bass content through your system. Listen carefully to the
"mid-bass" region of 75 - 125 Hz. This is the part of the spectrum where electric or string basses and drums predominate.
Then, reverse the Positive and Negative speaker inputs on the back of BOTH Satellite speakers.
You can do this at the back of both Satellite speakers, or at the Subwoofer's TO SPEAKERS terminals, but never
at both locations. The lead that was on the Positive (+) terminal should be switched to the Negative (—) terminal, and
vice versa. When switching speaker wires, take care to protect your amplifier. Make sure that the wires do not touch
each other when you are making the switch. As a safety measure, we suggest that you turn the amplifier off before
making the switch.
Now listen to the same musical passage as you did earlier, concentrating on the mid-bass region. If you hear less
bass, the original connections were correct. If you hear more bass, the new connections are correct.
You need to perform this test because when Satellite speakers are located separate from a Subwoofer, each
speaker is at a different distance from your ear. In some cases, the difference will be just enough so that the output
from the Subwoofer arrives out of phase with the output of the Satellites. When this happens, that critical mid-bass is
actually cancelled. You should re-do this test any time you move your speakers.
If you want to experiment further, move the Satellite speakers either towards or away from your listening position,
making changes in small increments. This will "focus" the system's sound to its optimum. When you hear the best
combination of stereo image localization and maximum impact and output in the mid-bass, you have the ideal location.

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10. SPEAKER DAMAGE & HOW TO AVOID IT
An important factor to consider with any loudspeaker system is the potential for speaker damage. Even though
your M&K Satellites have extremely high power handling ability (especially for Satellite speakers), they still can be
damaged by relatively low powered amplifiers.
While very few M&K Satellites are actually returned for service, the vast majority of those returned are not for
manufacturing defects. Instead, they are returned because they have been overdriven, almost always because the
amplifier or receiver used was driven into clipping distortion. This damage is considered abuse, and is not necessarily
covered under warranty.
This clipping distortion occurs when the demands of the music are greater than the amplifier's available power.
It can occur at 20 watts with a small amplifier, or at 400 watts with a large amplifier. When this happens, the amplifier's
output waveform (which should look like a smooth arc) is "clipped" off, exhibiting a flat top instead of the arc.
This flat top contains multiples of the original amplified frequencies, sometimes at higher levels than the original
signal itself. For tweeters, this can be very damaging, as this distortion is well above the audible range (where you are
unable to hear it), and where the tweeter is most vulnerable to damage.
When an amplifier clips, its sound becomes harsh and grating, and a break-up is often audible in the bass
frequencies. It will become uncomfortable to listen to, especially when compared to a slightly lower volume level. When
you are listening at high volume levels, be aware of the onset of clipping distortion, and turn the volume down slightly
if the sound takes on the character described above.
When tone controls or equalizers are used to boost frequencies, the problem occurs much more rapidly. Even
a small boost of low or high frequencies can easily double the power requirement and lead to amplifier clipping at
moderate levels. Therefore, you should use your tone controls judiciously, avoiding extreme boosts of the bass and
treble controls, especially when you are listening at high volume levels.
The best way to avoid speaker damage is to use common sense. Use moderate boosts of tone controls or
equalizers, at the very most. Listen carefully for any harshness and break-up, especially at high volume levels, and
turn down the volume when needed. If you cannot get enough volume, you may need to consider a higher-powered
amplifier. If you have any questions about this, please contact M&K, and we will be happy to discuss it with you further.

11. BI - AMPLIFYING YOUR SATELLITES
WITH M&K HIGH PASS FILTERS
One excellent way to improve the sound of your Satellite speakers (and protect them if you listen at high volume
levels to music with substantial deep bass output), is by using an M&K High-Pass Filter. The M&K LP-1S and
VF-100 High-Pass Filters improve the performance of any system that allows for separation of its preamp and power
amp stages, by filtering the bass signal fed to the main amplifier and Satellite speakers.
These filters will give you greater dynamic range, lower distortion, and an increased maximum output level. If you
have any questions about the suitability of your components, please contact your M&K dealer or the factory.
To use these filters with an integrated amp or receiver, the amp/receiver MUST have back panel RCA jacks
labelled Preamp/Main Output AND Power Amp/Main Input (or Front Out/Front In). There may be a switch or jumper
connections between them. If you can use one of these filters, you simply connect one set of shielded RCA - RCA
interconnect cables between the receiver, amp or preamp's Main Output and the LP-1S or VF-100, with a second set
between the LP-1S or VF-100 and the Main Input of the receiver or amplifier, and a third set from the LP-1S or
VF-100 to the Subwoofer. See the instruction sheet that comes with the High-Pass Filter for more information.

12. IF YOU NEED SERVICE
Contact your dealer or M&K with a complete description of the problem. Please have the unit's model and serial
numbers (found on the back of the cabinet), date of purchase, and your dealer's name. You can call M&K between
8:30 AM and 5:00 PM Pacific Time, Monday through Friday, at (310) 204-2854. If you call outside these hours, leave
a message, and we will return your call promptly.
DO NOT RETURN YOUR SPEAKERS TO THE FACTORY FOR
SERVICE WITHOUT OBTAINING PRIOR AUTHORIZATION

page 19

satellite speakers

All M&K Satellite speakers carry a five year limited parts and labor warranty. This warranty is transferable to new
owners up to five years from the date of original purchase. It does not cover abuse, misuse, repairs by unauthorized
service stations, speakers without M&K serial numbers, speakers not sold by authorized M&K dealers, and those
damaged in shipping or by accident. If you have any questions about the warranty, please contact M&K.

13. CABINET MAINTENANCE
The genuine oak veneer or painted black cabinets of your M&K Satellites have a furniture-grade finish that will
maintain its attractive appearance with proper care.
Treat the cabinet as you would any piece of fine furniture. If your cabinet is natural oak, rubbing the wood
periodically with an oil or polish will enhance its beauty and protect its finish as long as you own it. If your cabinet is
painted black oak or Glass Bead black, regular dusting and cleaning is all that is required. Matching black paint can
be used if necessary to repair any surface damage.

14. SELECTING THE RIGHT OMNIMOUNT® BRACKET
The S-100B, S-90, and S-80 Satellites all contain threaded inserts to be used in conjunction with brackets offered
by OmniMount® Systems. For the S-90, the location of the Omnimounts varies according to production date. Some
S-90s have the inserts on the back baffle of the cabinet and other S-90s have the inserts on the bottom of the cabinet.
See page 20 for which bracket to use for each configuration.
The brackets offer tremendous flexibility for installation in a wide variety of environments, and are available in
several configurations for standard wall mounting. Always use only the OmniMount® Series listed for each speaker
to insure safe installation of the speaker.
The machine screws for mounting the bracket to the S-100B and S-90 speakers can be found in any hardware
store, along with screws appropriate for properly wall-mounting the bracket and speaker. Your hardware store can help
you make the right selection. For more information, including alternate mounting configurations such as ceiling mounts,
contact OmniMount® at (602) 829-8000.
For more detailed information on these OmniMount® brackets, see Figure 7 on Page 20.

15. SPECIFICATIONS
IMPEDANCE:

4 ohms (all M&K Satellites are 4 ohms)

MINIMUM POWER:

10 watts RMS

RECOMMENDED POWER:

50 - 200 watts RMS or more (see below)

MAXIMUM POWER:

S-100B, S-1C:

400 watts RMS unclipped peaks

S-90, S-80:

200 watts RMS unclipped peaks

FREQUENCY RESPONSE:

DIMENSIONS (H x W x D):

S-1C:

77 Hz - 20 KHz ± 2 dB

S-100B:

77 Hz - 20 KHz ± 2 dB

S-90:

72 Hz - 20 KHz ± 2 dB

S-80:

87 Hz - 20 KHz ± 2 dB

S-1C:

21" x 7 3/4" x 10 1/2"; 20 lbs.

S-100B:

12" x 10 1/2" x 8 1/2"; 22 lbs.

S-90:

12" x 11 5/8" x 9 3/4";16 lbs.

S-80:

10 1/2" x 8" x 6 1/2"; 9 lbs.

page 20

satellite speakers

FIGURE 7
SELECTING THE RIGHT OMNIMOUNT

BRACKET

S-100B
S-90
(when threaded inserts are on the
back of the S-90)
USE OMNIMOUNT® 75-WA
Four threaded inserts are
located on the back baffle of the
cabinet. Mount the bracket to the
speaker using 5/8" long 1/4" x 20
pan head or round head machine
screws. Use only an OmniMount®
Series 75 mounting bracket.

S-90
(when threaded inserts are on the
bottom of the S-90)
USES OMNIMOUNT® 75-WB
Four threaded inserts are
located on the bottom (or top,
when the speaker is inverted) of the
cabinet. Mount the bracket to the
speaker using 5/8" long 1/4" x 20
pan head or round head machine
screws. Use only an OmniMount®
Series 75 mounting bracket.

S-80
USES OMNIMOUNT® 53-RST
A single 3/8" threaded insert is
located on the back baffle of the
cabinet. Use only an OmniMount®
53 RST (special order) bracket.

REV10.0595.SATMAN.PM5

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