Nero Wave Editor Instruction Manual Eng

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Manual
Nero WaveEditor
Nero WaveEditor
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Table of contents
Nero WaveEditor III
Table of contents
1 Start Successfully 5
1.1 About the manual 5
1.2 About Nero WaveEditor 5
2 Launching the program 6
3 User interface 7
3.1 Main Screen 7
3.2 Menu Bar 8
3.3 Toolbar 9
3.4 File Display 9
3.5 Display Area 9
3.6 Showing a display window or toolbar 10
4 Configuration 11
4.1 Device Settings 11
4.2 Editor Options 12
4.2.1 View tab 12
4.2.2 Folders tab 12
4.2.3 Save/Output Settings Tab 13
4.2.4 VST Plug-Ins tab 14
4.2.5 DirectX Plug-ins tab 14
4.3 Audio Format Settings 15
4.3.1 Decoder tab 15
4.3.2 Encoder tab 15
4.3.3 Converter tab 16
5 Audio files 17
5.1 Play Audio File 17
5.2 Recording Console Window 17
5.3 Record audio file 18
5.4 Edit Audio File 19
5.4.1 Fade out and Fade in Methods 20
5.4.2 Sample Format Settings window 21
5.4.3 Convert Sample Format 22
5.4.4 Pause Detection Window 22
5.4.5 Implement Pause Detection 22
5.4.6 Test Tone Generator Window 23
5.4.7 Insert a Test Signal in an Audio File 23
6 Filters 24
6.1 Toolbox 24
6.1.1 Deesser Tool 24
6.1.2 Dynamic Processor Tool 25
6.1.3 Equalizer Tool 25
6.1.4 Karaoke Filter Tool 26
Table of contents
Nero WaveEditor IV
6.1.5 Noise Gate Tool 27
6.1.6 Pitch Tuning Tool 27
6.1.7 Stereo Processor Tool 28
6.1.8 Time Correction Tool 28
6.1.9 Transpose Tool 29
6.2 Effects 29
6.2.1 Chorus Effect 29
6.2.2 Convolution Reverb Effect 30
6.2.3 Delay Effect 30
6.2.4 Distortion Effect 31
6.2.5 Doppler Effect 32
6.2.6 Flanger Effect 32
6.2.7 Loudness Effect 32
6.2.8 Low fidelity Effect 33
6.2.9 Modulation Effect 33
6.2.10 Multi-Tap Delay Effect 34
6.2.11 Phaser Effect 35
6.2.12 Pitch Bend Effect 36
6.2.13 Pseudo Reverse Effect 36
6.2.14 Re-Analogue Effect 36
6.2.15 Reverb Effect 37
6.2.16 Stutter Effect 37
6.2.17 Surround Expansion Effect 38
6.2.18 Surround Reverb Effect 39
6.2.19 Voice Modification Effect 39
6.2.20 Wah-Wah Effect 40
6.3 Enhancement 41
6.3.1 Band Extrapolation Enhancement 41
6.3.2 Camera Denoiser Enhancement 41
6.3.3 DC Offset Correction 41
6.3.4 DeClicker Enhancement 42
6.3.5 DeClipper Enhancement 42
6.3.6 Dehum Enhancement 43
6.3.7 Filter Toolbox Enhancement 43
6.3.8 Noise Reduction Enhancement 44
6.3.9 Noise Analysis 44
6.4 Changing The Sound of an Audio File 45
7 Technical Information 46
7.1 System requirements 46
7.2 Supported Formats and Codecs 46
7.2.1 Audio formats and codecs 46
8 Glossary 47
9 Index 48
10 Contact 51
Start Successfully
1 Start Successfully
1.1 About the manual
This manual is intended for all users who want to learn how to use Nero WaveEditor. It is
process-based and explains how to achieve a specific objective on a step-by-step basis.
In order to make best use of this documentation, please note the following conventions:
Indicates warnings, preconditions or instructions that have to be pre-
cisely followed.
Indicates additional information or advice.
1. Start … A number at the beginning of a line indicates a request for action. Carry
out these actions in the order specified.
Indicates an intermediate result.
Indicates a result.
OK Indicates text passages or buttons that appear in the program interface.
They are displayed in bold print.
(see...) Indicates references to other chapters. They are executed as links and
are shown in red and underlined.
[…] Indicates key combinations for entering commands.
1.2 About Nero WaveEditor
Nero WaveEditor allows you to record pieces of music, edit the corresponding audio files us-
ing various filters and sound enhancement methods, for example, and then burn them using
Nero Burning ROM or Nero Express.
With Nero WaveEditor, you edit the audio files non-destructively in real time. Thanks to an
internal reference-based audio format, the editing history is also saved so that changes can
also be undone. Various effects (e.g. chorus, delay, flanger, reverb), numerous tools (e.g.
stereo processor, equalizer, noise gate), sophisticated improvement algorithms (band ex-
trapolation, noise suppression, declicker) as well as various filters and tools within Nero -
WaveEditor assist you in editing your files.
Nero WaveEditor 5
Launching the program
2 Launching the program
To start Nero WaveEditor via Nero StartSmart, proceed as follows:
1. Click the StartSmart icon.
The Nero StartSmart window opens.
2. Click the button.
The list of Nero applications appears.
Nero StartSmart window
3. Select the Nero WaveEditor entry in the selection list.
4. The Nero WaveEditor window opens.
You have launched Nero WaveEditor via Nero StartSmart.
Nero WaveEditor 6
User interface
3 User interface
3.1 Main Screen
The main screen is displayed when Nero WaveEditor is started. The main screen is divided
into the following areas:
Nero WaveEditor 7
Displays
Menu bar and toolbar
File display
Nero WaveEditor Main Screen
Display Area 9
See also:
Menu Bar 8
Toolbar 9
File Display 9
User interface
Nero WaveEditor 8
3.2 Menu Bar
The menu bar offers the following setting options:
Menu
File
Opens the File menu, containing file functions such as open, save and
close that you are already familiar with from Windows.
Menu
Edit
Opens the Edit menu, containing editing functions for the files in the se-
lection screen such as cut, copy and delete that you are already familiar
with from Windows. You can also change the audio file in different ways,
insert files and track splits and activate automatic pause detection.
Menu
View
Opens the View menu with the option to customize the menu bar and
toolbar, and enlarge and reduce the project view. You can also change
the view of the audio file, show and hide windows and display informa-
tion about the loaded audio file.
Menu
Audio
Opens the Audio menu with the option to record, play and stop audio
files.
Menu
Volume
Opens the Volume menu with the option of changing the volume of the
opened audio file.
Menu
Tools
Opens the Tools menu with the option to edit the opened audio file us-
ing a variety of tools.
Menu
Effects
Opens the Effects menu with the option to edit the opened audio file us-
ing a variety of effects.
Menu
Enhancement
Opens the Enhancement menu with the option to edit the sound of the
opened audio file.
Menu
Plug-ins
Opens the Plug-ins menu with the option to carry out settings for
DirectX as well as for VST plug-ins.
Menu
Windows
Opens the Windows menu, which allows all windows to be closed at
once.
Menu
Settings Opens the Settings menu with the option to configure the program.
Menu
Help
Opens the Help menu with the option to call up the help file or to view
information about Nero WaveEditor.
See also:
Configuration 11
User interface
3.3 Toolbar
The toolbar offers the following configuration options:
Creates an audio file.
Opens an existing audio file.
Saves the audio file.
Cuts out the selected section and saves it to the clipboard.
Copies the selected section and saves it to the clipboard.
Pastes the contents of the clipboard at the selected point.
Undoes the last action.
Restores the last action that you have undone.
Selects the entire audio file.
Zooms into the audio file.
Zooms out from the audio file.
Zooms into the audio file so that the selected section is displayed in a manner that
fills the screen.
Zooms out from the audio file so that the whole file can be seen.
3.4 File Display
The opened file is displayed in the file display as a peak file with the wave display as stan-
dard. It is also possible to change the display to spectrogram display or wavelet display.
3.5 Display Area
In the Display area, various windows can be displayed with the View menu.
The following setting options are available:
Entry
Level Meters
Opens the Transport window, the left half of which visualizes the
room sound. You can also reproduce the audio file in the right half of
the window, also changing the volume and the use of the speakers.
Entry
Spectrum Analyzer
Opens the Spectrum Analyzer window in which the frequencies of
the audio file are displayed graphically during playback.
Entry
Edit History
Opens the Edit History window which lists all the editing steps of
the audio file. You can also return to any edit phase here and re-
store the original state of the audio file.
Nero WaveEditor 9
User interface
Nero WaveEditor 10
Entry
Status Bar
Displays the Status Bar which shows the duration of selected au-
dio sections and the whole audio file at the bottom of the screen.
3.6 Showing a display window or toolbar
To show a display window or toolbar, proceed as follows:
1. Click View menu > required display window or toolbar.
The display windows appear at the bottom of the main screen. You can move and chan-
ge the size of the display window as desired.
The toolbars are displayed below the menu bar. The mouse can be used to move the
toolbars.
Configuration
Nero WaveEditor 11
Format Settings
Audio Format Settings 15
4.1 Devic
r, it is possible to make determine specifications for
You reach this window via Options > Device Settings in the menu bar.
Th
D Specifies the audio device for the audio input (e.g. a microphone).
4 Configuration
You can configure 1HUR:DYH(GLWRUto suit your needs. The following adjustable areas are
available for this
purpose:
Device Settings
Editor Options
Audio
See also:
Device Settings 11
Editor Options 12
e Settings
In the device settings of Nero WaveEdito
the audio input and output.
e following settings can be made in the Device Settings window:
rop-down menu
Input Device
D
Output Device Specifies the audio device for the audio output (e.g. speakers).
rop-down menu
Configuration
4.2 Editor Options
The editor options are customized in the Editor Options window.
You reach this window via Options > Editor Options in the menu bar.
4.2.1 View tab
The View tab offers the following setting options:
Check box
Show axis to the left of
the audio visualization
Displays a percentage axis to the left of the peak file of the
audio file. The percentage axis shows the alignment of the fre-
quency in the positive as well as the negative percentage
area.
Check box
Show time rules above
the audio visualization
Displays a time axis above the peak file of the audio file. The
time axis shows the duration of the audio file in hours, min-
utes, seconds and milliseconds.
Check box
Trace playback posi-
tion while playing
Uses a red line to show the position of the playback in the au-
dio file.
Check box
Use green on black
color set
Displays the peak file in green and the background in black.
The default is for the peak file to be shown in blue and the
background in white.
4.2.2 Folders tab
The Folders tab offers the following setting options:
Input field
Temporary folder
Defines the folder in which temporary files are stored. The
folder should be located on a drive with plenty of storage space.
Input field
Peak File Directory
Specifies the folder where peak files are stored. Peak files are
cache files that are used to open audio files more quickly. The
folder should be located on a drive with plenty of storage space.
Check box
Always recreate
peak files
Always creates a new peak file when an audio file is opened.
Otherwise, the peak files are stored temporarily in a directory
and are called up again there.
Input field
My Music Directory Specifies the default folder where files are stored.
Check box
Always start file open
dialog in My Music folder
When calling the Open dialog box, the system will always first
show the folder that is specified in the My Music folder input
field.
Opens a dialog box where the folder can be selected for the
respective files.
Nero WaveEditor 12
Configuration
Nero WaveEditor 13
4.2.3 Save/Output Settings Tab
The Save/Output Settings tab offers the following configuration options:
5
Overlays sound errors that arise when converting to a lower
bit depth with a white noise that is hardly noticed by human
hearing. If there is no dithering, clearly audible interference
can be heard when converting to lower bit depths.
Drop-down menu
Noise shaping filter
Specifies the type of noise shaping.
IIR filter (2nd order): Infinite Duration Impulse Response.
Uses IIR filters. IIR filters can provide an infinitely long and
continuous impulse response. IIR filters usually achieve a
better subjective audio quality than do FIR filters, however
they have higher levels of interference energy outside of the
audible range. Second order means that sound is attenuated
by 12 dB.
FIR filter (3 taps): Finite Impulse Response filter. Uses FIR
filters. FIR filters possess a pulse response with guaranteed
finite length.
This entry is selected by default.
Check box
Restore wave output
volume when closing
Nero WaveEditor
Restores the volume of the audio file when Nero WaveEditor
is closed.
Drop-down menu
Bit depth during
playback
Specifies the bit depth during the playback of the loaded au-
dio file.
Drop-down menu
Play surround audio as
Specifies how surround audio is played back.
Multichannel audio: Plays back surround audio with all
channels.
Stereo using Nero HeadPhone (virtual surround): Plays
back surround audio converted as stereo, with a virtual sur-
round effect generated for headphones.
Stereo with Nero VirtualSpeakers (virtual surround):
Plays surround audio converted as stereo, whereby a virtual
sound effect is generated for speakers.
Configuration
Nero WaveEditor 14
4.2.4 VST Plug-Ins tab
The VST Plug-Ins tab offers the following setting possibilities:
Display area
Installed VST Plug-ins Shows the currently installed VST plug-ins.
Button
Delete Deletes the selected VST plug-in
Button
Add Plug-in Opens the Open dialog box. Installs a new VST plug-in
Button
Scan folder
Opens the Open dialog box. Searches for new VST plug-
ins in the specified folder.
4.2.5 DirectX Plug-ins tab
The DirectX Plug-ins tabThe following settings can be made:
Display area
Installed DirectX Plug-ins Shows the currently installed DirectX plug-ins
Button
Disable Plug-in Disables the marked DirectX Plug-in
Button
Scan DirectX Plug-ins Carries out an intensive search for DirectX Plug-ins.
Configuration
Nero WaveEditor 15
4.3 Audio Format Settings
In the audio format settings from Nero WaveEditor it is possible to undertake various defini-
tions for decoder, encoder and converters on different tabs.
You reach this window via the menu Options > Audio Format Settings in the menu bar.
4.3.1 Decoder tab
On the Decoder tabThe following settings can be made:
Button
Configure
Opens a dialog box where additional settings can be made
for the selected decoder.
This button is not available for all decoders.
Button
Info
Opens the About dialog box where information about the se-
lected encoder is displayed.
This button is not available for all decoders.
Button
Move Up Moves the decoder up one entry.
Button
Move Down Moves the decoder down one entry.
Button
Artist/Title Information
Source
Opens the Fetch Artist / Title Information dialog box where
you can specify the source from which information relative to
artist and title will be read.
4.3.2 Encoder tab
The Encoder tabThe following settings can be made:
Button
Configure
Opens a dialog box where additional settings can be made for
the selected encoder.
This button is not available for all encoders.
Button
Info
Opens the About dialog box where you can view information
about the selected encoder.
This button is not available for all encoders.
Button
Artist/Title Information
Source
Opens the Get Artist / Title Information dialog box where
you can specify the source from which information about artist
and title will be read.
Configuration
Nero WaveEditor 16
4.3.3 Converter tab
The Converter tabThe following settings can be made:
Button
Configure
Opens a dialog box where you can make additional settings for the se-
lected converter.
This button is not available for all converters.
Button
Info
Opens the About dialog box where you can view information about the
selected converter.
This button is not available for all converters.
Button
Artist/Title
Information
Source
Opens the Get Artist / Title Information dialog box where you can spec-
ify the source from which information about artist and title will be read.
Audio files
5 Audio files
5.1 Play Audio File
To play an audio file, proceed as follows:
1. Select File > Open from the menu.
The Open window appears.
2. Select the audio file you want to open in the file system and click the Open button.
The two channels of the audio file are presented as peak file.
3.
Nero WaveEditor 17
f the audio file and only want to play this section, click the
n, click the Audio > Play Looped menu.
menu.
You have played back an audio file.
5.2 Reco
t many types of playback devices to the computer
and to record the medium played there.
To play back the complete audio file, click the Audio Play All
4. If you have marked a section o
> menu.
Audio > Play Section menu.
5. If you want to play back the file without interruptio
6. To stop playback, click the Audio > Stop
rding Console Window
You can use Nero WaveEditor to connec
Recording Console
Audio files
The following setting options are available in the Audio Input area of the Recording Con-
sole window:
Returns to the start of the recording so that it can be overwritten.
Record an audio file.
Pauses recording. Only available while recording.
Goes to the end of the recording so that recording can be resumed
there.
Drop-down menu
Audio input line Specifies the audio input.
Check box
Digital monitoring Activates the Input level slider.
Slider
Input Level
Specifies the volume of the recording. The volume of the recording
should be in the yellow area.
The following setting options are available in the Action area:
Option button
Overwrite exist-
ing recording
Overwrites the existing recording or audio file which is open in
Nero WaveEditor.
Option button
Insert into
recording
Inserts the recording into the audio file at the point where the
marker is located.
5.3 Record audio file
To record an audio file proceed as follows:
1. Click the Audio > Record menu.
The Recording Console window opens.
2. Make the desired recording settings.
3. Click the button to make a recording.
4. Click the button to interrupt the recording.
5. rt the recording into the file display. Click the OK button if you want to inse
You have recorded an audio file.
Nero WaveEditor 18
Audio files
5.4 Edit Audio File
To edit an audio file, proceed as follows:
1. If you want to play back the highlighted part of the audio file in reverse, click the Edit > Re-
verse menu.
2. To insert a test signal into the audio file, click the Edit > Insert Test Signal menu (see Insert
a Test Signal in an audio file 23).
3. To convert the sample format, click the Edit > Convert Sample Format menu (see
Converting Sample Format 22).
4. If you want silences in a song to be detected automatically so as to be able to skip these
when playing the audio file, click the Edit > Pause Detection menu (see Implement Pause
Detection 22).
5. If you want to insert a track split in the audio file to be able to skip directly to this point, click
rting track splits as a file:
it and select the required file format.
marked section of the audio file, click Volume > Fade
the Edit > Insert Track Split menu.
6. If you want to save a single track produced by inse
1. Click the Edit > Save Tracks as Files menu.
The Save Tracks as Separate Files window appears.
2. Select the track you want to save, name
3. Click the OK button.
7. If you want to hide the volume of the
Out > required hide method menu.
The change in volume in the marked section is displayed graphically in the file display.
8. If you want to fade in the volume of the marked section of the audio file, click Volume > Fa-
de In > required show method menu.
The change in volume in the marked section is displayed graphically in the file display.
9. If you want to normalize the frequencies of
value:
the marked part of the audio file to a particular dB
to slider to the required position. The set dB value is displayed in
arked section of the audio file:
2. Move the Volume Change slider to the required position. The set dB value is displayed in
isp
1. Click the Volume > Normalize menu.
The Normalize window appears.
2. Move the Normalize
the display panel.
3. Click the OK button.
10. If you want to raise or lower the volume of the m
Volume > Volum1. Click the e Change menu.
The Volume Change window appears.
the d lay panel.
Raising the volume raises all frequencies of the audio file by the specified dB
ng the volume reduces all frequencies by the specified dB value. value. Loweri
3. Click the OK button.
Nero WaveEditor 19
Audio files
11. If you want to mute the marked section of the audio file, click the Volume > Mute menu.
The change in volume in the marked section is displayed graphically in the file display.
12. If you want to change the marked section of the audio file with a tool, click the Tool menu
(see Tools).
Nero WaveEditor 20
e-
ection of the audio file with an enhancement, click the
Enhancement menu (see Enhancement).
ve edited the audio file.
Implement Pause Detection 22
Insert a Test Signal in an Audio File 23
5.4.1
Th s able in the Volume < Fade Out menu.
13. If you want to change the marked section of the audio file with an effect, click the Effect m
nu (see Effects).
14. If you want to change the marked s
You ha
See also:
Convert Sample Format 22
Sample Format Settings window 21
Pause Detection Window 22
Fade out and Fade in Methods 20
Fade out and Fade in Methods
e following etting options are avail
Fade out Sinusoidal
Fade out Exponential
Fade out Linear
Fade out Logarithmic
The follow s ilable in the Volume < Fade In menu. ing etting options are ava
Fade in Sinusoidal
Fade in Exponential
Fade in Linear
Fade in Logarithmic
Audio files
5.4.2 Sample Format Settings window
The Edit menu allows you to convert the sample format.
Sample Format Settings
In the Convert Sample Format Settings window the Sample Format area offers the follow-
ing setting options:
Drop-down menu
Sample rate
Provides different sample rates for selection. The default rate is
44100.
Drop-down menu
Bit depth
Provides different bit depths for selection. The default setting is 16-
bit (CD and DAT).
The following setting options are available in the Channels area:
Option buttons
Channels
Provides different output types for selection. With the selection of
Surround 5.1 and 7.1 you have the option of creating a surround au-
dio file with five or seven channels
Drop-down menu
Down conversion
method
Converts a Surround audio file into a normal stereo audio file, a ste-
reo audio file with artificial surround sound for headphones or a ste-
reo audio file with artificial surround sound for speakers. Only avai-
lable with surround audio files.
The following configuration options are available in the Conversion Settings area:
Drop-down menu
Anti-Aliasing Filter This provides different kinds of anti-aliasing filters.
Nero WaveEditor 21
Audio files
Nero WaveEditor 22
5.4.3 Convert Sample Format
To convert the sample format, proceed as follows:
1. Click the Edit > Convert Sample Format menu.
The Convert Sample Format Settings window appears.
2. Define the required settings in the Convert Sample Format Settings window.
3. Click the button. OK
You have converted the sample format.
5.4.4 Pause Detection Window
The Edit menu allows you to implement automatic pause detection for the audio file.
The following setting options are available in the Pause Detection window:
Provides different options for selection. You can insert track splits at
the detected pauses, delete the detected pauses or delete the de-
tected pauses and replace them with track splits.
Area
Action
The following setting options are available in the Detection Settings area:
Defines the minimum length of a pause in the audio file if it is to be
detected automatically. The number is specified in seconds.
Input field
Minimum pause
length
Input field
Minimum song
length
Defines the minimum length of a song if it is to be recognized as a
whole song. The number is specified in seconds.
Slider
Threshold
Defines the threshold for the volume below which the tracks of the
audio file are detected as pauses.
5.4.5 Implement Pause Detection
To implement automatic pause detection, proceed as follows:
1. Click the Edit > Pause Detection menu.
The Pause Detection menu appears.
2. Define the required settings in the Pause Detection window.
You have now implemented automatic silence detection.
3. Click the OK button.
Audio files
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5.4.6 Test Tone Generator Window
The Test Tone Generator window allows you to insert a test signal in the audio file.
The General Settings area of the Test Tone Generator window offers you the following
setting options:
Input field
Duration Specifies the duration of the test signal in seconds.
Slider
Amplitude Specifies the amplitude of the test signal both for sound and noise.
Option button
Tones
Defines that the test signal is reproduced as a tone. Also activates
the area containing the setting options for the wave form, start fre-
quency and end frequency of the test signal.
Drop-down menu
Wave form Specifies the wave form that the test signal should have.
Input field
Start frequency Specifies the start frequency of the test signal.
Input field
End frequency Specifies the end frequency of the test signal.
Option button
Noise
Defines that the test signal is reproduced as a noise. Also activates
the area that defines the type of noise.
Drop-down menu
Color
Specifies the type of noise. White is a loud noise, Pink a medium
noise and Brown a quiet noise.
5.4.7 Insert a Test Signal in an Audio File
To insert a test signal into an audio file, proceed as follows:
1. Click the Edit > Insert Test Signal menu.
The Test Signal Generator window appears.
2. Make the required settings for the test signal to be inserted.
3. OK button. Click the
4. Now define the range of the test signal by moving the arrows at the bottom of the file display.
5. To fade out an audio file before the test signal, move the blue-green arrows at the start of the
e-green arrows at the end of the
ht.
You have inserted a test signal in the audio file.
test signal at the top of the file display from left to right.
6. To fade in an audio file after the test signal, move the blu
test signal at the top of the file display from left to rig
Filters
6 Filters
You can change the sound of an audio file in a variety of ways. The following menus are
available for this purpose:
Tools
Effects
Enhancement
Nero WaveEditor 24
In all windows, the following configuration options are available:
Plays the audio file changed by the filter.
Stops playing.
Active Channels selection. You can switch the Provides the active channels for
channels on and off separately.
Bypass listen to the unedited file and the ed-
Retains the change by the filter for the duration of the activa-
tion. This enables you to
ited version alternately.
Process Offline file to be played back with a weaker processor without
Processes the change to the audio file offline. This enables the
changed
jerking.
oth predefined and personally produced profiles for Provides b
selection.
Creates a new profile with the current settings.
Removes the selected profile.
6.1 Toolbox
6.1.1
used to filter out unpleasant hissing sounds (sibilants) from recorded
The con
Th d
a dB value. If
Deesser Tool
The Deesser tool is
speech and song.
following figuration options are available in the Deesser area:
Specifies the level after which hiss is to be suppressed as Slider
reshol this value is very low, even very quiet hiss is suppressed.
Slider
Attenuation
extent to which hiss is to be damped if it is not filtered out
completely.
Specifies the
Filters
Nero WaveEditor 25
The f setting options are available in the Response Time area:
Att e Specifies how long the hiss has to be in order to be detected.
ollowing
Slider
ack Tim
Slider
Release Time Specifies for how long the hiss is to be filtered.
6.1.2
, for example, to emphasize quiet noises, thereby lending mo-
re dynamism to the audio file.
The fo etting
Char tics
olume. In this case, the y-
Dynamic Processor Tool
You can use the Dynamic Processor tool to adjust the ratio between the input and output
volume. This makes it possible
llowing s options are available:
Shows the ratio of input volume to output vGraph
acteris axis is the output and the x-axis the input.
Slider
Att e
Specifies the time it takes before the full effect is heard.
ack Tim
Slider
R
Specifies the time it takes before the effect is no longer heard.
elease Time
C x
Movie
an only be
activated when a Surround audio file is being processed.
heck bo Processes all surround channels for the same parts. This c
6.1.3
ol allows you to emphasize certain frequencies
Equalizer Tool
The Equalizer to , specifying the amplitude
and bandwidth.
The follow ing options are available:
Freq on-
se Graph
-axis represents the am-
plitude and the x-axis the frequency.
ing sett
Graph
uency Resp Shows the frequency response. The y
Drop enu
Filters
nu
ares in the Frequency Response Graph
-down m Selects the filters. The numbers in the Filters drop-down me
represent the squ
from left to right.
Slider
Center Frequencies
Indicates the distribution of the handles on the x-axis. You can
enter the values (in Hz) of the center frequencies in the fields.
Slider
Bandwidth ou can set a value between 0.1 and
Indicates whether the bandwidth of the center frequency rises
and falls steeply or gently. Y
3 octaves with the jog dial.
Slider
Gain
Specifies the amplification of the signal on the y-axis of the
curve in the diagram.
Filters
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Lo lf Increases or decreases low frequencies.
Check box
w She
Slider
CAllows the filter to start after a certain frequency.
ut Off
Slider
Gain Specifies the degree of increase or decrease.
Check box
High Shelf Increases or decreases high frequencies.
Slider
C Allows the filter to start after a certain frequency.
ut Off
Gain Specifies the degree of increase or decrease.
6.1.4 Karaoke Filter Tool
The Karaoke Filter tool filters frequencies from the audio file that are the same on both
channels of a stereo file. On older recordings, this is usually the voice. However, if the voice
erform some fine tuning.
The follo tting optio
Vocal Pan
nnel and intensity with which the voice is to be
is not distributed evenly on both channels, you can p
wing se ns are available:
Specifies the chaSlider
filtered.
Slider
Gain Compensation
io file, which had become quieter
because the filter was applied.
Increases the volume of the aud
Area
FrequVocal ency Specifies the frequency band of the voice.
Band
Slider
Lowe ency
frequency limit for the voice. This is typically
r Frequ
Specifies the lower
a value of 100 Hz.
Slider
Upper Frequency
requency limit for the voice. This is typically
a value of 8000 Hz.
Specifies the upper f
Filters
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6.1.5 Noise Gate Tool
The Noise Gate tool suppresses quiet sections in the signal transmission. For example, it
helps prevent noise. The noise gate belongs to the category of dynamic processors.
The following setting options are available:
Slider
Threshold
Specifies the minimum dB value below which the audio file is to
be muted. In other words, the gate is closed if the dB value is too
low.
Slider
Attack Time
Specifies the time required to reopen the gate in milliseconds af-
ter the threshold has been exceeded, i.e. to restore the sound of
the audio file.
Slider
Release Time
Specifies the time in milliseconds required to close the gate, i.e.
to mute the audio file after the level has dropped below the
threshold.
Area
Channel Mode
If the Linked option button is enabled, the noise gate for both
channels appears as soon as one or both of the two channels
exceeds the threshold.
If the Independent option button is enabled, the noise gate
closes or opens both channels independently when the threshold
is reached.
Only relevant for audio files in stereo format.
6.1.6 Pitch Tuning Tool
The Pitch Tuning tool changes the pitch e.g. of the voice, for a short time, so that incorrectly
sung tones can be corrected.
The following setting options are available:
Check box
Correction Corrects incorrect sounds.
Bar
Corrected
Shows the level of correction on the basis of the movement of
the green arrow in percent.
Slider
Reference Specifies the reference sound used for correction.
Slider
Binding
Specifies for how long the sound is to be corrected. The lower
the value, the shorter the correction period for an incorrect
sound.
Drop-down menu
Scale
Provides a variety of scales for selection. The most commonly
used scale in Europe is Equally Tempered Chrome.
Check box
Vibrato
Adds sound changes, both high and low. This causes the voice
to "vibrate".
Filters
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Slider
Frequency Indicates the frequency of the sound changes.
Slider
Depth Indicates the intensity of the sound change.
6.1.7 Stereo Processor Tool
The Stereo Processor tool allows you to manipulate the stereo sound.
The Left Out area specifies the output intensity of the left speaker:
Slider
Left In Specifies the intensity of the left input signal for the left speaker.
Slider
Right In Specifies the intensity of the right input signal for the left speaker.
The Right Out area specifies the output intensity of the right speaker:
Slider
Left In Specifies the intensity of the left input signal for the right speaker.
Slider
Right In Specifies the intensity of the right input signal for the left speaker.
Stereo Settings area:
Slider
Phase Offset
Compensates for differences in run-time between the left and right
channel.
Slider
Stereo Broadening
Makes a mono recording sound like a stereo recording. This set-
ting gives a stereo recording an even broader feeling.
6.1.8 Time Correction Tool
The Time Correction tool changes the playback speed, but not the pitch.
The following setting options are available in the Timescale Modification Factor area:
Check box
Percentage
Changes the playback speed in percent. The change can either
be set on the slider or entered in the input field.
Check box
Beats per Minute
Changes the playback speed in beats per minute (BPM). The
change can be entered in the input field.
Drop-down menu
Optimization
Specifies the type of music of the audio file to be altered, so as to
optimize speed changes for this file.
Filters
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6.1.9 Transpose Tool
The Transpose tool changes the pitch. The length of the audio file can be changed or re-
tained. It is possible to adjust the length of the audio file to the faster playback speed.
The following setting options are available:
Slider
Interval Changes the pitch in the audio file.
Slider
Fine-tune
Permits fine tuning if retaining the original length causes distor-
tion.
Check box
Maintain Original
Length
Retains the original length of the audio file.
6.2 Effects
6.2.1 Chorus Effect
The Chorus effect creates an echo effect, which when applied to a recorded voice, makes it
sound like there is a choir singing in the background.
The following setting options are available in the Modulation area:
Slider
Depth Specifies the degree of the change in pitch.
Slider
Frequency Specifies the frequency of the change in pitch (oscillations).
The following setting options are available in the Delay area:
Slider
Delay
Specifies the delay with which the copy is played in comparison
with the original signal.
The following setting options are available in the Filters area:
Check box
Low Pass Activates a low pass filter.
Slider
Low Pass
Reduces frequencies above the specified Hertz rate and allows
low frequencies beneath the specified value to pass almost unfil-
tered.
The following setting options are available in the Mix area:
Slider
Effect
Mixes the original signal with the copied signal, indicating the in-
tensity of the copied signal.
Filters
Slider
Dry Signal
Mixes the original signal with the copied signal, indicating the in-
tensity of the original signal.
The following setting options are available in the Chorus area:
Button
Mono/Stereo
Gives the processed part of the audio file a more "mono-like" or
"stereo-like" sound respectively.
6.2.2 Convolution Reverb Effect
The Convolution Reverb effect transfers the convolution reverb conditions of a reference
file and adjusts the audio file to the relevant reverb conditions.
The following setting options are available:
Button
Select Impulse
Response
Opens the source file for the impulse response from which the
reverb effect for the audio file to be edited is generated.
Graph
Impulse Response
Gain
Displays the signal of the impulse response.
Graph
Gain
Displays the frequency limit for the reverb. The y-axis of the
curve specifies the gain of the reverb effect in the diagram, while
the x-axis shows the frequency.
Switches between a linear and logarithmic scale for the limiting
frequency graphic.
Slider
Pre-Delay
Specifies the length of time required by the sound to be deflected
from an obstacle, thereby indicating the intensity of the echo.
Slider
Dry Signal
Mixes the original signal with the copied signal, indicating the in-
tensity of the original signal.
Slider
Effect
Mixes the original signal with the copied signal, indicating the in-
tensity of the copied signal.
6.2.3 Delay Effect
The Delay effect creates an echo using a copy of the original signal which is played back
with a delay.
The following setting options are available in the Delay area:
Slider
Delay Time Specifies the delay in playing back the copied signal.
Slider
Feedback Specifies how many copies of the original signal are to be made.
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Filters
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The following setting options are available in the Mix area:
Slider
Dry Signal
Mixes the original signal with the copied signal, indicating the inten-
sity of the original signal.
Slider
Effect
Mixes the original signal with the copied signal, indicating the inten-
sity of the copied signal.
6.2.4 Distortion Effect
The Distortion effect is used for guitars. This means that a recording of acoustic guitar can
be distorted to sound like an electric guitar.
The following setting options are available in the Distortion area:
Drop-down menu
Method Offers a variety of distortion options, e.g. an old megaphone.
Slider
Drive Indicates the intensity of the interference.
Slider
Hardness
Specifies the hardness of the distortion.
This can only be adjusted if the Tube, Fuzz3 and Variable clipping
entries have been selected in the Method drop-down menu.
Check box
Pre-Filtering Filters the original signal before it is distorted.
Slider
Lower Cutoff
Specifies the lower limit of the frequency band for the original sig-
nal.
Slider
Upper Cutoff
Specifies the upper limit of the frequency band for the original sig-
nal.
Post-Filtering Filters the distorted signal.
Slider
Lower Cutoff Specifies the lower limit of the frequency band for the edited signal.
Slider
Upper Cutoff Specifies the upper limit of the frequency band for the edited signal.
The following setting options are available in the Mix area:
Slider
Dry Signal
Mixes the original signal with the copied signal, indicating the intensity
of the original signal.
Slider
Effect
Mixes the original signal with the copied signal, indicating the intensity
of the copied signal.
Filters
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6.2.5 Doppler Effect
The Doppler effect simulates a noise source passing by and the resulting special auditory
features.
The following setting options are available:
Graphic
Shows the target and end point of the movement of the noise source. The
listener is at the center of the graphic.
The pattern of the movement can be changed using the straight lines in
the graphic.
Slider
Diameter Specifies the diameters of the movement radius.
Slider
Duration Specifies the duration of the movement.
6.2.6 Flanger Effect
The Flanger effect is a guitar effect that distorts the sound by playing back a copy of the ori-
ginal signal with a delay. The copy is changed by means of modulation, so that the sound is
distorted in a characteristic way.
The following setting options are available in the Modulation area:
Slider
Depth Modifies the copied signal and specifies the degree of the change in pitch.
Slider
Frequency
Modifies the copied signal and specifies the frequency of the change in
pitch.
The following setting options are available in the Mix area:
Slider
Dry Signal
Mixes the original signal with the copied signal, indicating the intensity
of the original signal.
Slider
Effect
Mixes the original signal with the copied signal, indicating the intensity
of the copied signal.
Check box
Stereo Flanger Gives the processed part of the audio file a more "stereo-like" sound
6.2.7 Loudness Effect
The Loudness effect increases the volume of the audio file without increasing the maximum
value of the amplitude (value 1) by raising the amplitude of other areas in the audio file. The
file is thus louder overall without exceeding value 1 of the amplitude.
The following setting option is available:
Slider
Aimed Gain
Specifies the degree of amplification.
Filters
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6.2.8 Low fidelity Effect
The Low Fidelity effect creates interference effects, so-called quantification errors, by re-
ducing the bit rate. Noise can be heard when the bit rate is dramatically reduced. If the sam-
ple rate is reduced, the audio file sounds duller and less detailed.
The following setting options are available:
Graph
Bit Depth/Sample
Rate
Shows the change in the two sliders under the graphic.
Slider
Bit depth
Specifies the bit depth. Music CDs have a bit depth of 16, for ex-
ample.
Slider
Sample Rate
Specifies the sample rate. Music CDs have a sample rate of
44100 Hz.
6.2.9 Modulation Effect
The Modulation effect allows the amplitude and frequency to be changed separately.
The following setting options are available in the Amplitude Modulation area:
Check box
Amplitude Modulation Activates the settings options for amplitude modulation.
Graph
Amplitude Modulation Shows the amplitude of the audio signal.
Slider
Frequency Specifies the frequency of the signal.
Slider
Amplitude Range Specifies the signal volume.
Drop-down menu
Modulation Signal
Selects the signal form, for instance, sine, that is displayed in
the amplitudes modulation picture.
Button
Blend Edges
Balances different end and start values.
Only activated for self-produced signals.
The following setting options are available in the Frequency Modulation area:
Check box
Frequency Modulation Activates the settings options for frequency modulation.
Graph
Frequency Modulation Shows the frequency of the audio signal.
Slider
Frequency Specifies the frequency of the signal.
Slider
Depth Specifies the depth of the signal.
Filters
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Drop-down menu
Modulation Signal
Selects the signal form, for instance, sine, that is displayed in
the frequency modulation picture.
Button
Blend Edges
Balances different end and start values.
Only activated for self-produced signals.
Mix mixes the original signal with the modulated amplitude signal and the modulated fre-
quency signal.
The following setting options are available in the Mix area:
Slider
Dry Signal Indicates the intensity of the original signal.
Slider
Amplitude Modulated
Specifies the intensity of the signal with the modulated ampli-
tude.
Slider
Frequency Modulated
Specifies the intensity of the signal with the modulated fre-
quency.
6.2.10 Multi-Tap Delay Effect
The Multi-Tap-Delay effect allows several copies of the original signal to be created and
played back with a delay. This creates the reverb effect.
The following setting options are available:
Buttons
Active tap Provides several copies for selection. Each tab represents one copy.
Graph
Gain Graphically represents the copies.
Slider
Delay Specifies the intervals at which copies are to be played back.
Slider
Gain Specifies the volume/intensity of the copies.
Slider
Pan
In the case of stereo files, this indicates the speaker on which the cop-
ies are to be heard.
The following setting options are available in the Feedback area:
Drop-down
menu
Type
Provides different filters for the copied signals for selection.
Slider
Feedback
Gain
Specifies the volume of the copies that are played back after the time
specified with the Delay slider.
Filters
Nero WaveEditor 35
The following setting options are available in the Mix area:
Slider
Dry Signal
Mixes the original signal with the edited copies, indicating the in-
tensity of the original signal.
Slider
Effect
Mixes the original signal with the edited copies, indicating the in-
tensity of the edited signal.
6.2.11 Phaser Effect
The Phaser effect is a guitar effect that distorts the sound by playing back a band-filtered
copy of the original signal with a delay.
The following setting options are available in the Modulation area:
Drop-down menu
Modulation
Function
Provides different signal forms, e.g., sine.
Slider
Frequency Specifies the frequency of the copied signal.
The following setting options are available in the Settings area:
Slider
Lower Limit
Specifies the lower limit of the frequency band.
Slider
Upper Limit
Specifies the upper limit of the frequency band.
Slider
Bandwidth
Indicates the bandwidth of the signal.
Check box
Stereo Flanger
Gives the processed part of the audio file a more "stereo-like"
sound
The following setting options are available in the Mix area:
Slider
Dry Signal
Mixes the original signal with the edited copy, indicating the inten-
sity of the original signal.
Slider
Effect
Mixes the original signal with the edited copy, indicating the inten-
sity of the edited signal.
Filters
Nero WaveEditor 36
6.2.12 Pitch Bend Effect
The Pitch Bend effect changes the pitch over the length of the audio file with the help of a
"speed curve". The length of the audio file can be changed or retained.
The following setting options are available:
Graph
Pitch Shows the pitch over the length of the audio file.
Slider
Pitch Range
Sets the Y axis in the Pitch graph. The greater the value, the more
noticeably the pitch can be changed.
Check box
Keep Length
Retains the length of the audio file. The X axis in the pitch (output
length) graph is fixed.
6.2.13 Pseudo Reverse Effect
The Pseudo Reverse effect does not reverse the whole audio file but divides it into small
sequences. These are played back in reverse direction in sequence in the "normal" direction.
In this way the content of the audio file is still recognizable but gives the effect of reverse
playback.
The following setting options are available:
Area
Reverse Duration
Indicates how long the sequences should be to be played in re-
verse.
6.2.14 Re-Analogue Effect
The Re-Analogue effect adds effects to the audio file that make it sound artificially older.
The following setting options are available:
Check box
Noise Adds noise to the audio file.
Slider
Level Specifies the intensity of the noise.
Check box
Retro Radio
Makes the audio file sound slightly distorted, similar to the effect of
an old radio.
Slider
Level Specifies the intensity of the distortion effect.
Check box
Clicks Adds the effect of scratches and dust on an old record.
Slider
Clicks
Specifies the frequency and intensity of scratchesas on a vinyl re-
cord.
Slider
Crackle
Specifies the frequency and intensity of crackling as on a vinyl re-
cord. as on a vinyl record
Filters
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Option button
Source Offers a choice of different record types.
Check box
Humming Adds a low frequency hum to the audio file.
Slider
Level Indicates the intensity of the hum.
Slider
Overtones Specifies the number of overtones the frequency has.
Slider
Slope
Specifies the steepness of the transitions between high and low
level. This setting make the hiss sound "scratchy".
Option button
Frequency Specifies the hum frequency.
6.2.15 Reverb Effect
The Reverb effect simulates the sound reflection in a space.
The following setting options are available:
Slider
Reverb Time Specifies the duration of the reverb.
Slider
Room Size
Specifies the size of the imaginary room in which the reverb is to be
generated.
Slider
Brightness Specifies the brightness of the reverb.
The following setting options are available in the Mix area:
Slider
Dry Signal
Mixes the original signal with the edited copy, indicating the intensity
of the original signal.
Slider
Effect
Mixes the original signal with the edited copy, indicating the intensity
of the edited signal.
6.2.16 Stutter Effect
The Stutter effect provides the option for modifying the rhythm of the audio file.
The following setting options are available:
Graph
Silence Duration
Shows the length of the silence on the y axis and the signal length on
the x axis.
Slider
Silence Duration Specifies the length of silences or repetitions.
Slider
Signal Duration Specifies the length of the signals to be repeated.
Filters
Nero WaveEditor 38
The following setting options are available in the Mode area:
Option button
Mute
Plays back the audio file in stutter mode Mute. The file is played for the
period set using the Signal Duration slider and muted for the period set
with the Silence Duration slider. The file retains its file length.
Option button
Stretch
Plays back the audio file in stutter mode Stretch. The file is played for the
period set using the Signal Duration slider and muted for the period set
with the Silence Duration slider. The length of the file changes because
after muting at the appropriate place in the file, playback resumes where
the last playback ended.
Option button
Repeat
Plays back the audio file in stutter mode Repeat. The file is played back
for the length of time set using the Signal Length slider. The same sec-
tion of the audio file is then played again for the length of time set with the
Pause Length slider. This is repeated until the selected area of the audio
file is finished.
6.2.17 Surround Expansion Effect
The Surround Expansion effect is only available if you are editing a Surround audio file 5.1
or 7.1). This offers expanded Surround Sound settings.
The following setting options are available:
Slider
Expansion
Indicates the degree of expansion.
Check box
Front Channels
Extends the expansion to include the front channels.
Check box
Side Channels
Extends the expansion to include the side channels.
Check box
Surround
Channels
Extends the expansion to include the Surround channels.
Filters
Nero WaveEditor 39
6.2.18 Surround Reverb Effect
The Surround Reverb effect allows reverb effects to be added to the audio file, making it
sound as if it was recorded under different spatial conditions.
The following setting options are available in the Room Dimensions area:
Graph
Room Di-
mension
Visualizes the changes to the room dimensions.
Slider
Width Changes the width of the room.
Slider
Depth Changes the depth of the room.
Slider
Height Changes the height of the room.
The following setting options are available in the Room Dimensions area:
Slider
Air Damping Specifies the level of air damping within the room.
Slider
Surface Material
Specifies the characteristic surface material of the room (e.g. a
carpet).
The following setting options are available in the Output area:
Slider
Early Reflections Indicates the distance between the audio source and the listener.
Slider
Late Reflections Indicates the reverb of the audio source in the room
Slider
Dry Gain Indicates the intensity of the original signal.
6.2.19 Voice Modification Effect
The Voice Modification effect allows the voice in an audio file to be manipulated.
The following configuration options are available in the Envelope area:
Graph
Envelope map-
ping
Changes the input and output frequency of the audio file. You can
change the straight lines using the handles. In the graphic, the y
axis represents the output frequency and the x axis the input fre-
quency.
Slider
Scaling Moves the elements that form the voice.
Filters
Nero WaveEditor 40
The following setting options are available in the Pitch area:
Slider
Interval Changes the pitch in the audio file.
Slider
Fine-tune
Permits fine tuning if retaining the original audio file length causes
distortion due to the interval and patch changes.
The following setting options are available in the Time area:
Slider
Stretch
Specifies whether the length of the audio file is to vary or whether
the original length is to be retained.
The following setting options are available in the Mode area:
Option button
Normal
Leaves the voice in the audio files unchanged. Only the previously
set effects are used.
Option button
Robot Voice Adds a robot-like quality to the already activated effects.
Option button
Whisper Adds a whisper-like quality to the already activated effects.
6.2.20 Wah-Wah Effect
The Wah-Wah effect allows you to distort the recording of a guitar.
The following setting options are available in the Modulation area:
Slider
Modulation
Frequency
Specifies the frequency of the modulation.
Drop-down menu
Modulation
Function
Selects the signal form, for instance, sine, of the modulation signal.
The following setting options are available in the Mix area:
Slider
Dry Signal
Mixes the original signal with the edited copy, indicating the inten-
sity of the original signal.
Slider
Effect
Mixes the original signal with the edited copy, indicating the inten-
sity of the edited signal.
The following setting options are available in the Filters area:
Slider
Lower Limit Defines the lower limit for the frequency.
Slider
Upper Limit Defines the upper limit for the frequency.
Filters
Nero WaveEditor 41
Slider
Bandwidth Defines the bandwidth of the frequency.
Slider
Feedback Specifies the number of copied signals.
6.3 Enhancement
6.3.1 Band Extrapolation Enhancement
The Band Extrapolation enhancement allows certain frequencies to be emphasized or sup-
pressed.
The following setting options are available in the Spectral Remixer area:
Slider
High Frequency Indicates the intensity of the high frequency.
Slider
Dry Signal Indicates the intensity of the original signal.
Slider
Low Frequency Indicates the intensity of the low frequency.
The following setting options are available in the Filters area:
Slider
High Frequency
Indicates the frequency above which high frequencies are to be
amplified.
Slider
Low Frequency
Indicates the frequency below which low frequencies are to be
amplified.
6.3.2 Camera Denoiser Enhancement
The Camera Denoiser enhancement reduces buzz and other background noise from cam-
era recordings in particular.
The following setting option is available:
Graph
Noise Reduction Level
Displays the signal in graphical form.
Slider
Reduction Level
Specifies the extent to which interfering noises are to be filtered
out.
6.3.3 DC Offset Correction
DC offset correction improves recordings from poorly calibrated equipment (not centered
around the zero point).
Filters
Nero WaveEditor 42
6.3.4 DeClicker Enhancement
The DeClicker enhancement allows audio files to have noises such as clicks or crackle re-
moved.
The following setting options are available:
Check box
Declicker
Removes interfering noises such as clicks, which can be caused by
scratches on records for example, from audio files.
Slider
Detection Value
Indicates how strong interfering noises must be to be recognized and
filtered out.
Slider
Maximum
Length
Indicates the maximum length of time for which an interfering noise is
to be filtered.
Check box
High Quality
Offers higher filtering quality. However, this setting is very processor-
intensive.
Check box
Decrackle
Removes interfering noises such as crackle, which can be caused by
dust or needle sounds from the audio file.
Slider
Detection Value
Indicates how strong interfering noises must be to be recognized and
filtered out.
Slider
Reduction Level
Specifies the extent to which interfering noises are to be filtered out.
Check box
Automatic
Restore
Automatically sets the optimum values for both areas. Click the check
boxes for the areas to be adjusted and activate the Automatic resto-
ration option.
6.3.5 DeClipper Enhancement
The Declipper enhancement adds amplitude peaks that were higher than the value and we-
re therefore cut off when being imported into Nero WaveEditor.
The following setting options are available:
Slider
Detection Threshold
Specifies the volume at which removed amplitude peaks should
be reattached.
Slider
Gain Modification
Reattaches the removed amplitude peaks. This percentage va-
lue should not be set too high because the peaks would other-
wise be removed again after the file has been saved.
Filters
6.3.6 Dehum Enhancement
The DeHum enhancement suppresses humming noises in the audio file
The following setting options are available:
Graph
Hum Reduction Displays the four notch filters.
Button
Automatic Hum
Detection
Automatically sets the optimum values for all filters.
The following setting options are available in the Dehum Filter Settings area:
Option buttons
Filter
Offers four different notch filters. These can be defined with the
sliders. The four notch filters can also be linked with the Link Fil-
ter option button. In this case, all slider changes apply to all filters.
Slider
Frequency Specifies the frequency of the hum that is to be filtered.
Slider
Gain Specifies the extent to which hum is to be suppressed.
Slider
Width
Specifies whether the range of the notch filter rises and falls
steeply or gently.
6.3.7 Filter Toolbox Enhancement
The Filter Toolbox enhancement allows you to define your own audio filters.
The following setting options are available:
Check box
User Drawn Filter
Response
Activates the option for changing the graphic using handles.
Graph
User Drawn Filter
Response
Allows you to define a filter yourself by means of adjustable cur-
ves.
Switches between a linear and logarithmic scale for the limiting
frequency graphic.
Check box
Band Pass Filter
Adds a Band Pass Filter that allows a certain frequency range to
be exceeded.
Slider
Upper Limit Specifies the upper frequency limit for the bandpass filter.
Slider
Lower Limit Specifies the lower frequency limit for the bandpass filter.
Nero WaveEditor 43
Filters
Area
Notch Filters
Inserts up to three notch filters and bandpass stops that prevent
a particular frequency range from being exceeded.
Slider
Center Specifies the frequency of the relevant notch filter.
6.3.8 Noise Reduction Enhancement
The Noise Suppression enhancement suppresses distracting noise in an audio file.
The following setting options are available:
Graph
Spectral Subtracti-
on Profile
Maps the interfering signal.
Switches between a linear and logarithmic scale for the limiting
frequency graphic.
Slider
Gain Floor
Specifies the level of noise reduction when some noise is to be
retained.
Slider
Reduction Level Specifies the level of noise reduction.
The following setting options are available in the Mode area:
Option button
Automatic Noise Analysis Automatically analyzes the audio file in relation to noise.
Button
Freeze
Fixes the noise curve in the spectral subtraction profile
and uses this as a reference signal.
Option button
Editable Noise Curve
Inserts handles into the noise curve in the spectral sub-
traction profile; these can be used to edit the curve.
Option button
Noise Print
This is automatically activated after the implementation of
the noise analysis and after the first time the noise sup-
pression is called.
The noise curve generated by the noise analysis can be
edited.
Button
Residual Output Only plays back the noise signal.
6.3.9 Noise Analysis
The Noise analysis enhancement uses a marked area in the audio file as a noise reference
sound. This reference sound is then used to suppress the noise.
Nero WaveEditor 44
Filters
Nero WaveEditor 45
You have changed the sound of the highlighted part of the audio file.
6.4 Changing The Sound of an Audio File
To change the sound of an audio file with tools , effects and sound optimizing tools, proceed
as follows:
1. Mark the area of the audio file where you want to change the sound.
The marked area is highlighted in a different color.
2. Select the desired entry in the Tools, Effects and Enhancement menus:
The relevant window appears.
3. n the open window. Make the desired settings i
4. Click the OK button.
Technical Information
Nero WaveEditor 46
7 Technical Information
7.1 System requirements
Nero WaveEditor is installed along with the Nero Suite. Its system requirements are the sa-
me. You can find more detailed information on the system requirements under
www.nero.com.
7.2 Supported Formats and Codecs
7.2.1 Audio formats and codecs
Advanced Audio Coding (ACC) - import only
Audio Interchange File Format (AIFF, AIF)
rts Group-1 Audio Layer 3 (MP3)
Recource Interchange File Format WAVE (WAV, WAVE)
Windows Media Audio (WMA)
Nero WaveEditor File (NWF)
Dolby Digital (AC-3) – import only
mp3PRO (MP3)
Moving Picture Expe
Moving Picture Experts Group-4 (MP4)
Nero Digital (MP4)
OGG Vorbis (OGG, OGM)
Glossary
Nero WaveEditor 47
8 Glossary
Bit Depth
Bit depth indicates the precision with which an oscillation vibration will be captured. The
greater the value, the more accurate is the acquisition and the better is the audio quality.
FIR Filter
A filter is a system that links an input signal with a transmission function and makes this
changed signal available at its output. With a filter with finite pulse response (FIR filter) the
output signal is made up of several partially buffered values of the input signal.
Frequency
The frequency denotes the oscillations per second of an electrical or magnetic field. With
audio files this means that the frequency increases with rising pitch. The unit is Hertz (Hz).
The highest magnitude of oscillation is called the amplitude.
IIR Filter
A filter is a system that links an input signal with a transmission function and makes this
changed signal available at its output. A filter with infinite pulse response (IIR filter) uses the
input values as well as buffered values of the output signal.
Normalization
Normalizing in audio technology is the process whereby analog and/or digital audio data is
raised to a uniform volume level.
Sample Rate
The sample rate indicates the frequency with which a signal is sampled per interval of time. It
is measured in sampling values per second. The higher the sample rate the more precise the
measurement, and the better the audio quality.
Index
Nero WaveEditor 48
9 Index
A
Air Damping .......................................... 40
Amplitude Modulation ........................... 34
Amplitude peaks.................................... 44
Anti-aliasing........................................... 22
Area
Display............................................................. 10
Audio file
Change sound ........................................... 25, 46
Edit .................................................................. 18
Filter................................................................. 25
Implement Pause Detection ............................ 22
Insert test signal .............................................. 24
Play.................................................................. 17
Record ............................................................. 18
Audio format settings ............................ 12
Audio Format Settings .......................... 15
Audio input
Define .............................................................. 12
Device settings ................................................ 12
Audio output
Define .............................................................. 12
Automatic Pause Detection................... 22
Implement........................................................ 23
B
Bandpass stop ...................................... 45
Bandwidth ....................................... 26, 41
Beats per Minute................................... 29
Bit depth .......................................... 13, 21
C
Center Frequencies .............................. 26
Configuration......................................... 12
Conventions, manual .............................. 6
Convert
Sample format ................................................. 22
Converting Sample Format ................... 21
Crackle .................................................. 38
Cutoff Frequency................................... 27
D
Define
Audio input, Audio output ................................ 12
Delay ............................................... 31, 35
Device settings...................................... 12
Digital monitoring .................................. 18
Display .............................................. 8, 10
Display window ..................................... 11
Dithering................................................ 13
Dynamic Processor ............................... 26
E
Edit
Audio file ..........................................................18
Edit History............................................ 10
Editor options ........................................ 12
Editor Options ....................................... 12
Effect
Bit depth........................................................... 34
Bit rate.............................................................. 34
Chorus ............................................................. 30
Convolution reverb........................................... 31
Delay................................................................31
Distortion.......................................................... 32
Distortion.......................................................... 32
Distortion effect ................................................32
Doppler ............................................................ 33
Flanger.............................................................33
Loudness ......................................................... 33
Low fidelity .......................................................34
Modulation .......................................................34
Multi-tap delay..................................................35
Phaser..............................................................36
Pitch Bend........................................................37
Pseudo reverse................................................ 37
Quantification error ..........................................34
Re-analogue .................................................... 37
Reverb ............................................................. 38
Sample rate...................................................... 34
Stutter .............................................................. 39
Surround Expansion ........................................ 39
Surround reverb ...............................................40
Voice modification............................................ 41
Wah-Wah .........................................................41
Effects ................................................... 25
End frequency ....................................... 23
Enhancement ........................................ 25
Band extrapolation ...........................................42
Camera denoiser ............................................. 43
DC offset correction .........................................43
Declicker ..........................................................43
Declipper.......................................................... 44
Decrackle .........................................................43
DeHum.............................................................44
Filter toolbox .................................................... 45
Index
Nero WaveEditor 49
Interfering noises ............................................. 43
Noise Analysis ................................................. 46
Noise Reduction .............................................. 45
Envelope mapping ................................ 41
Equalizer ............................................... 26
Equally Tempered Chrome ................... 28
F
Fade in methods ................................... 20
Fade out methods ................................. 20
File display ........................................ 8, 10
FIR filter................................................. 13
Frequency Band.................................... 27
Frequency Modulation .......................... 34
Frequency range................................... 26
H
High Frequency..................................... 42
I
IIR filter.................................................. 13
Implement
Automatic pause detection .............................. 23
Input ...................................................... 26
Input device........................................... 12
Input level.............................................. 18
Interference effects ............................... 34
Interfering noise
Filter................................................................. 43
L
Level Meters.......................................... 10
Low Frequency...................................... 42
M
Manual, conventions ............................... 6
Menu bar ................................................. 8
Multichannel audio ................................ 13
N
Nero HeadPhone .................................. 13
Nero VirtualSpeakers............................ 13
Nero WaveEditor..................................... 6
Main screen ....................................................... 8
Noise Analysis....................................... 45
Noise shaping ....................................... 13
Noise shaping filter ............................... 13
Normalize .............................................. 19
Notch Filters .......................................... 44
O
Output ................................................... 26
Output device ........................................ 12
P
Pause Detection.................................... 22
Play
Audio file ..........................................................17
Playback speed..................................... 29
Post-Filtering ......................................... 32
Pre-Delay .............................................. 31
Pre-Filtering........................................... 32
Program
Launching the Program......................................7
Startup ............................................................... 7
Pseudo reverse ..................................... 37
R
Record
Audio file ..........................................................18
Recording Console................................ 18
Response Time ..................................... 25
S
Sample format
Convert ............................................................ 22
Sample format.................................................. 22
Sample Format Settings ....................... 21
Convert ............................................................ 21
Sample rate........................................... 21
Save/Output Settings ............................ 13
Scale
Impulse response.............................................31
Linear ...............................................................31
Logarithmic ...................................................... 31
Scratches .............................................. 38
Signal transmission............................... 27
Sound
Change ...................................................... 25, 46
Spectrum Analyzer................................ 10
Start frequency...................................... 23
Index
Nero WaveEditor 50
Startup
Program............................................................. 7
Status Bar ............................................. 10
Stereo processor................................... 29
Surface material.................................... 40
Surround ............................................... 13
System requirements ............................ 47
T
Tab
Convertors ....................................................... 16
Decoder ........................................................... 15
DirectX Plug-in................................................. 15
Encoder ........................................................... 15
Folders............................................................. 13
Save/Output Settings....................................... 13
View................................................................. 12
Temporary folder................................... 13
Test signal............................................. 24
Insert................................................................ 24
Test Tone Generator............................. 23
Threshold .............................................. 27
Tool
Deesser............................................................25
Dynamic processor ..........................................27
Dynamic Processor.......................................... 26
Equalizer ..........................................................26
Karaoke filter.................................................... 27
Noise gate........................................................ 27
Pitch ...........................................................28, 29
Pitch tuning ......................................................28
Stereo processor..............................................29
Time correction ................................................29
Transpose ........................................................29
Toolbar .......................................... 8, 9, 11
Tools ..................................................... 25
V
Vibrato................................................... 28
Virtual Surround .................................... 13
Vocal Pan.............................................. 27
VST Plug-Ins tab ................................... 14
W
Wave display......................................... 10
Contact
10 Contact
Nero WaveEditor is an application of the Nero Suite, a Nero AG product.
www.nero.com
Nero AG
Im Stoeckmaedle 13-15 Web: www.nero.com
76307 Karlsbad Help http://support.nero.com
Germany
Fax: +49 724 892 8499
Nero Inc.
330 N Brand Blvd Suite 800 Web: www.nero.com
Glendale, CA 91203-2335 Help http://support.nero.com
USA
Fax: (818) 956 7094
E-mail: US-CustomerSupport@nero.com
Nero KK
Rover Center-kita 8F-B, 1-2-2
Nakagawa-chuou Tsuzuki-ku
Web: www.nero.com
Yokohama, Kanagawa Help http://support.nero.com
Japan 224-0003
Copyright © 2006-2008 Nero AG and its licensors. All rights reserved.
Nero WaveEditor 51

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