Nero WaveEditor Wave Editor Instruction Manual En US

User Manual: Nero Wave Editor - Instruction Manual Free User Guide for Nero Software, Manual - page2

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Manual
Nero WaveEditor
Nero WaveEditor 2
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Nero WaveEditor 3
Table of contents
1
Start Successfully
4
1.1
About the Manual
4
1.2
About This Application
4
2
Starting the Program
5
2.1
Configuration
5
2.1.1
Device Settings
5
2.1.2
Editor Options
5
2.1.3
Audio Format Settings
11
3
User Interface
14
3.1
Main Window
14
3.1.1
Menu Bar
14
3.1.2
Toolbar Area
16
3.1.3
Display Area
17
3.1.4
Nero MediaBrowser
18
3.2
Sample Format Settings Window
21
3.3
Pause Detection Window
22
3.4
Test Tone Generator Window
23
3.5
Filters
24
3.5.1
Tools
25
3.5.2
Effects
30
3.5.3
Enhancement
42
4
Playing Audio File
47
5
Recording Audio File
48
5.1
Recording Console Window
48
5.2
Recording Audio File
49
6
Editing Audio File
51
6.1
Editing Audio File Structure
51
6.2
Editing Audio File Volume
52
6.3
Applying Other Enhancement Options
53
7
Technical Information
54
7.1
System Requirements
54
7.2
Supported Formats and Codecs
54
7.2.1
Audio Formats and Codecs
54
8
Glossary
55
9
Index
56
10
Contact
59
Start Successfully
Nero WaveEditor 4
1 Start Successfully
1.1 About the Manual
This manual is intended for all users who want to learn how to use Nero WaveEditor. It is
process-based and explains how to achieve a specific objective on a step-by-step basis.
To make best use of this documentation, please note the following conventions:
Indicates warnings, preconditions or instructions that have to be pre-
cisely followed.
Indicates additional information or advice.
1. Start … The number at the beginning of a line indicates a prompt for action.
Carry out these actions in the order specified.
Indicates an intermediate result.
Indicates a result.
OK Indicates text passages or buttons that appear in the program inter-
face. They are shown in boldface.
(see…) Indicates references to other chapters. They are executed as links and
are shown in red and underlined.
[…] Indicates keyboard shortcuts for entering commands.
1.2 About This Application
Nero WaveEditor allows you to record music, and edit the respective audio files using vari-
ous filters and sound enhancement methods. You can then burn these optimized audio files
using Nero Burning ROM or Nero Express.
Nero WaveEditor allows you to edit the audio files in real time without damaging the original
file. Thanks to an internal reference-based audio format, the editing history is also saved so
that changes can be undone. Various effects (e.g. chorus, delay, flanger, reverb), numerous
tools (e.g. stereo processor, equalizer, noise gate), sophisticated improvement algorithms
(band extrapolation, noise suppression, declicker) as well as various filters and tools in Nero
WaveEditor assist you in editing your files.
User Interface
Nero WaveEditor 5
2 Starting the Program
To start Nero WaveEditor, proceed as follows:
1. Select Start (the start icon) > (All) Programs > Nero > Nero 11 > Nero WaveEditor.
The Nero WaveEditor window is opened.
Additionally, Nero WaveEditor can be started from the Welcome Application.
You have started Nero WaveEditor.
2.1 Configuration
You can configure Nero WaveEditor to suit your needs. For this purpose the Device Set-
tings, Editor Options and Audio Format Settings are available to you.
You reach the different setting windows via the Options entry in the menu bar.
2.1.1 Device Settings
In the Device Settings window of Nero WaveEditor it is possible to make determinations for
the audio input and output.
You reach this window via Options > Device Settings entry in the menu bar.
Device Settings window
The following drop-down menus are available in the Device Settings window:
Input device Specifies the audio device for the audio input (e.g. a microphone).
Output device Specifies the audio device for the audio output (e.g. speakers).
2.1.2 Editor Options
In the Nero WaveEditor Editor Options window, it is possible to make output and saving
settings as well as determine aspects of display and plug-ins on various tabs.
You reach this window via Options > Editor Options in the menu bar.
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2.1.2.1 View Tab
View tab
The following check boxes are available on the View tab:
Show axis to the left of the
audio visualization
Displays a percentage axis to the left of the peak file of the
audio file. The percentage axis shows the alignment of the
frequency in the positive as well as the negative percentage
area.
Show time rules above the
audio visualization
Displays a time axis above the peak file of the audio file.
The time axis shows the duration of the audio file in hours,
minutes, seconds and milliseconds.
Trace playback position
line while playing Uses a black line to show the position of the playback in the
audio file.
Use green on black color
set
Displays the peak file in green and the background in black.
The default is for the peak file to be shown in blue and the
background in white.
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2.1.2.2 Directories Tab
Directories tab
The following setting options are available on the Directories tab:
Input field
Temporary directory
Defines the folder in which temporary files are stored. The
folder should be located on a drive with plenty of storage
space.
Input field
Peak File Directory
Specifies the folder where peak files are stored. Peak
files are cache files that Nero WaveEditor uses to open
audio files more quickly. The folder should be located on
a drive with ample storage space.
Check box
Always recreate peak files
Always creates a new peak file when an audio file is
opened. Otherwise, the peak files are stored temporarily
in a directory and are called up again there.
Input field
My Music Directory Specifies the default folder where files are stored.
Check box
Always start file open dialog
in My Music directory
When calling the Open window, the system will always
first show the folder that is specified in the My Music
direcory text box.
Button
Opens a window where the folder can be selected for the
respective files.
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Nero WaveEditor 8
2.1.2.3 Save/Output Settings Tab
Save/Output Settings tab
The following setting options are available on the Save/Output Settings tab:
Check box
Use dithering when con-
verting to lower bit
depths
Overlays sound errors that arise when converting to a lower bit
depth with a white noise that is hardly noticed by human hear-
ing. If there is no dithering, clearly audible interference can be
heard when converting to lower bit depths.
Drop-down menu
Noise shaping filter
Specifies the type of noise shaping.
IIR filter (2nd order): Infinite Duration Impulse Response.
Uses IIR filter. IIR filters can provide an infinitely long and con-
tinuous impulse response. In general they achieve a better
subjective audio quality than FIR filters do, however they have
higher levels of interference energy outside of the audible
range. 2nd order means that sound is attenuated by 12 dB.
FIR filter (3 taps): Finite Impulse Response filter. Uses FIR
filters. FIR filters possess a pulse response with guaranteed
finite length. This entry is selected by default.
Check box
Restore wave output
volume when closing
Nero WaveEditor
Restores the volume of the audio file when Nero WaveEditor
is closed.
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Nero WaveEditor 9
Drop-down menu
Bit depth during play-
back
Specifies the bit depth during the playback of the loaded audio
file.
Drop-down menu
Play surround audio as
Specifies how surround audio is played.
Multichannel audio: Plays back surround audio with all chan-
nels.
Stereo using Nero HeadPhone (Virtual Surround): Plays
back surround audio filtered down as stereo, with a virtual
surround effect generated for headphones.
Stereo with Nero VirtualSpeakers (virtual surround): Plays
surround audio filtered down as stereo, whereby a virtual
sound effect is generated for speakers.
2.1.2.4 VST Plug-ins Tab
VST Plug-ins tab
The following setting options are available on the VST Plug-ins tab:
Display area
Installed VST Plug-ins Shows the currently installed VST plug-ins.
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Nero WaveEditor 10
Button
Delete Deletes the selected VST plug-in.
Button
Add Plug-in Opens the Open dialog box. Installs a new VST plug-in.
Check box
Include sub folders
Searches for new VST plug-ins in the specified folder and sub
folders.
Button
Scan Folder
Opens the Open dialog box. Searches for new VST plug-ins in
the specified folder.
2.1.2.5 DirectX Plug-ins Tab
DirectX Plug-ins tab
The following setting options are available on the DirectX Plug-ins tab:
Display area
Installed DirectX Plug-ins Shows the currently installed DirectX Plug-ins.
Button
Disable Plug-in Disables the marked DirectX Plug-in.
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Nero WaveEditor 11
Button
Scan DirectX Plug-ins Carries out an intensive search for DirectX Plug-ins.
2.1.3 Audio Format Settings
In the Audio Format Settings window from Nero WaveEditor you can set various definitions
for decoders, encoders and converters on different tabs.
You can open this window via the Options > Audio Format Settings entry in the menu bar.
2.1.3.1 Decoders Tab
Decoders tab
The following setting options are available on the Decoders tab:
Display area
Decoder Plug-ins Shows the available decoders.
Button
Configure
Opens a window where additional settings can be made for
the selected decoder.
This button is not available for all decoders.
Button
About
Opens the About window where information about the select-
ed decoder is displayed.
This button is not available for all decoders.
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Nero WaveEditor 12
Button
Move Up Moves the decoder up one entry.
Button
Move Down Moves the decoder down one entry.
Button
Artist/Title Information
Source
Opens the Get Artist / Title Information window where you
can specify the source from which information relative to artist
and title will be read.
2.1.3.2 Encoders Tab
Encoders tab
The following setting options are available on the Encoders tab:
Display area
Encoder Plug-ins Shows the available encoders.
Button
Configure
Opens a window where additional settings can be made for the select-
ed encoder.
This button is not available for all encoders.
Button
About
Opens the About window where you can view information about the
selected encoder.
This button is not available for all encoders.
User Interface
Nero WaveEditor 13
Button
Artist/Title Infor-
mation Source
Opens the Get Artist / Title Information window where you can spec-
ify the source from which information about artist and title will be read.
2.1.3.3 Converters Tab
Converters tab
The following setting options are available on the Converters tab:
Display area
Converter Plug-
ins
Shows the available converters.
Button
Configure
Opens a window where you can make additional settings for the se-
lected converter.
This button is not available for all converters.
Button
About
Opens the About window where you can view information about the
selected converter.
This button is not available for all converters.
Button
Artist/Title Infor-
mation Source
Opens the Get Artist / Title Information window where you can spec-
ify the source from which information about artist and title will be read.
User Interface
Nero WaveEditor 14
3 User Interface
3.1 Main Window
The main window is displayed when Nero WaveEditor is started. It is divided into a menu bar
and toolbar and various displays at the bottom of the window.
An opened file is displayed in the file display as a peak file with the wave display as stand-
ard. It is also possible to change the display to spectrogram display or wavelet display.
Main window
3.1.1 Menu Bar
The following menus are available in the menu bar:
File Opens the File menu, containing file functions such as opening,
saving and closing that you are already familiar with from Windows.
Edit
Opens the Edit menu, containing editing functions for the files in the
selection screen such as cutting, copying and deleting that you are
already familiar with from Windows. You can also change the audio
file in different ways, insert files and track splits and activate auto-
matic pause detection.
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Nero WaveEditor 15
View
Opens the View menu offering the possibilty of individually adjusting
the menu bar and toolbar, and enlarging or reducing the view of the
project. In addition, you can change the view of the audio file, show
and hide windows and display information about the loaded audio
file.
Audio Opens the Audio menu that offers the possibility of recording, play-
ing and stopping audio files.
Volume
Opens the Volume menu with the option of changing the volume of
the opened audio file. You can also choose from different Fade In
and Fade Out methods.
Tools Opens the Tools menu that offers the possibility of editing the
opened audio file using a variety of tools.
Effects Opens the Effects menu with the option to edit the opened audio file
using a variety of effects.
Enhancement Opens the Enhancement menu with the option to edit the sound of
the opened audio file.
Plug-ins Opens the Plug-ins menu with the option to carry out settings for
DirectX as well as for VST plug-ins.
Windows Opens the Windows menu, which allows all windows to be closed at
once.
Options Opens the Options menu with the option to configure the program.
Help Opens the Help menu that offers the possibility of calling up online
help and viewing the version number and other registration data.
3.1.1.1 Fade Out And Fade In Methods
The following setting options are available in the Volume > Fade Out entry in the menu bar:
Fade out Sinusoidal .
Fade out Exponential .
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Nero WaveEditor 16
Fade out Linear .
Fade out Logarithmic .
The following setting options are available in the Volume > Fade In entry in the menu bar:
Fade in Sinusoidal .
Fade in Exponential .
Fade in Linear .
Fade in Logarithmic .
3.1.2 Toolbar Area
The toolbar area can consist of up to three toolbars: the Standard Toolbar, the Transport
Toolbar, and the Vertical Zoom Bar. You can customize the toolbar area by selecting the
desired toolbars via the View menu.
The following buttons are available in the Standard Toolbar:
Creates an audio file.
Opens an existing audio file.
Opens Nero MediaBrowser which allows you to easily find, view and access media
files and add them to your project.
Saves the audio file.
Cuts out the selected section and saves it to the clipboard.
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Nero WaveEditor 17
Copies the selected section and saves it to the clipboard.
Pastes the contents of the clipboard at the selected point.
Undoes the last action.
Restores the last action that you have undone.
Selects the entire audio file.
Zooms into the audio file.
Zooms out of the audio file.
Zooms into the audio file so that the selected section is displayed in a manner that
fills the screen.
Zooms out of the audio file in such a manner that the entire project is displayed.
The following buttons are available in the Transport Toolbar:
Opens the Recording Console window.
Plays the highlighted section of the audio file.
Plays the complete audio file.
Plays the audio file in a loop when clicking the Play button.
Stops playback of the audio file.
Pauses playback of the audio file. Only available while playing an audio file.
The following drop-down menu is available in the Vertical Zoom Bar:
Vertical zoom Allows you to select the vertical zoom factor of the audio file.
3.1.3 Display Area
At the bottom of the window, various displays can be opened via the View menu.
Display area
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Nero WaveEditor 18
The following entries are available in the View menu:
Level Meters
Opens the Transport window, the left half of which visualizes the
room sound. You can also reproduce the audio file in the right half
of the window, also changing the volume and the use of the
speakers.
Spectrum Analyzer Opens the Spectrum Analyzer window in which the frequencies
of the audio file are displayed graphically during playback.
Edit History
Opens the Edit History window which lists all the editing steps of
the audio file. You can also return to any edit phase here and
restore the original state of the audio file.
Status Bar
Displays the Status Bar which shows the duration of selected
audio sections and the whole audio file at the bottom of the
screen.
3.1.4 Nero MediaBrowser
Nero MediaBrowser is a tool which you can use to easily find, view and access media files
and add them to your project.
More precisely, with Nero MediaBrowser you can access a media library which contains all
your media files that were indexed by Nero Kwik Media. Nero MediaBrowser is designed to
be accessed in several Nero applications.
Nero MediaBrowser and the media library come with Nero Kwik Media and are
installed together. You will find further information in the Nero Kwik Media manu-
al.
Nero MediaBrowser can be opened via the icon. Although Nero MediaBrowser can be
moved freely around your desktop, it is part of Nero WaveEditor.
Nero MediaBrowser displays only media files which can actually be used in the relevant Ne-
ro WaveEditor project. To add media files to your project, select the media files in Nero
MediaBrowser and click the Add button.
User Interface
Nero WaveEditor 19
Nero MediaBrowser
The browsing task bar is the starting point for browsing Nero MediaBrowser. The categories
(Photos & Videos, Music and Projects) are the same as featured in Nero Kwik Media.
Each of the categories offers a search bar. It is only possible to search within one category
at the same time. When one of the categories is clicked, the corresponding browsing area is
displayed below.
There are different views available for each category: Clicking one of the entries in the upper
part of the list (for example Timeline) displays the same view as when clicking the corre-
sponding tabs in Nero Kwik Media. Clicking one of the collections in the lower part of the list
displays the collection contents made within Nero Kwik Media. When one of the list items is
clicked in Nero MediaBrowser, the corresponding content is displayed in the content area
below.
A dynamic scroll bar is used in the content area. If the scroll thumb is dragged in a direc-
tion, the content will be constantly scrolled in this direction. The scrolling speed increases the
further the scroll thumb is dragged from the center. If the scroll thumb is released it jumps
back to the center position and stops the scrolling.
User Interface
Nero WaveEditor 20
The following views are available for the Photos & Videos category:
Entry
Timeline
Displays all photos and videos sorted in chronological order by crea-
tion date.
Entry
Faces
Displays all photos in which faces of persons have been detected
and named listed in alphabetical order. Unconfirmed or unnamed
faces are not displayed. Faces are grouped into stacks; you can
access one of the stacks by double clicking it.
Nero Kwik Faces has to be installed.
Collection
Marked
Displays the currently marked content.
Refers to Marked in the sidebar of Nero Kwik Media.
Collection
Album
Displays the content of smart albums and user generated albums.
Refers to Photo & Video Albums in the sidebar of Nero Kwik Me-
dia.
Collection
Person group
Displays the content of user generated person groups. You can
switch between full photo and faces only view with the /
icon.
Refers to Faces in the sidebar of Nero Kwik Media. Nero Kwik Faces
has to be installed.
The following views are available for the Music category:
Entry
Album Displays all audio tracks sorted in alphabetical order by album.
Entry
Artist Displays all audio tracks sorted in alphabetical order by artist.
Entry
Genre Displays all audio tracks sorted in alphabetical order by genre.
Collection
Marked
Displays the currently marked content.
Refers to Marked in the sidebar of Nero Kwik Media.
Collection
Playlist
Displays the content of user generated playlists.
Refers to Playlist in the sidebar of Nero Kwik Media.
The following view is available for the Projects category:
Entry
Timeline Displays all projects sorted in chronological creation date order.
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Nero WaveEditor 21
Collection
Slide Show
Displays the content of user generated slide shows.
Refers to Slide Show in the sidebar of Nero Kwik Media.
Collection
Photobook
Displays the content of user generated photobooks.
Refers to Photobook in the sidebar of Nero Kwik Media.
The Options window is opened when you click the button on the upper task bar. The
options refer directly to Nero Kwik Media. The following setting option is displayed:
Library
Displays the Library Manager settings area.
Three default folders (the Windows default folders) for Photos, Music, and
Videos are available in the Watched folders or drives area from the start. If
you want to add personal media folders, click the Add button and select the
desired folder from the navigation tree. The library is refreshed when launch-
ing Nero Kwik Media. To delete a folder from the application's watchlist, click
the button.
3.2 Sample Format Settings Window
Nero WaveEditor allows you to convert the sample format.
You reach the Convert Sample Format Settings window via the Edit > Convert Sample
Format entry in the menu bar.
Convert Sample Format Settings window
User Interface
Nero WaveEditor 22
The following drop-down menus are available in the Sample Format area:
Sample rate Provides different sample rates for selection. The default rate is 44100
Hz (CD).
Bit depth Provides different bit depths for selection. The default setting is 16-bit
(CD and DAT).
The following setting options are available in the Channels area:
Option buttons
Channels
Provides different output types for selection. With the selection of Sur-
round 5.1 and 7.1 you have the option of creating a surround audio file
with five or seven channels.
Drop-down
menu
Down conver-
sion method
Converts a surround audio file into a normal stereo audio file, a stereo
audio file with artificial surround sound for headphones or a stereo audio
file with artificial surround sound for speakers.
Only available with surround audio files.
The following drop-down menu is available in the Conversion settings area:
Anti aliasing
filters This provides different kinds of anti-aliasing filters.
3.3 Pause Detection Window
Nero WaveEditor allows you to implement automatic pause detection for the audio file.
You reach the Pause Detection window via the Edit > Pause Detection entry in the menu
bar.
Pause Detection window
User Interface
Nero WaveEditor 23
The following option buttons are available in the Action to Perform area:
Insert track splits Inserts tracksplits at the detected pauses.
Delete pauses Deletes the detected pauses.
Insert track splits
and delete pauses Deletes the detected pauses and replaces them with tracksplits.
The following setting options are available in the Detection Settings area:
Input field
Minimal pause length
Defines the minimum length of a pause in the audio file if it is to
be detected automatically. The number is specified in seconds.
Input field
Minimal song length
Defines the minimum length of a song if it is to be recognized as
a whole song. The number is specified in seconds.
Slider
Threshold
Defines the threshold for the volume below which the tracks of
the audio file are detected as pauses.
3.4 Test Tone Generator Window
The Test Tone Generator window allows you to insert a test signal in the audio file.
You reach this window via the Edit > Insert Test Signal entry in the menu bar.
Test Tone Generator window
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The following setting options are available in the Common settings area:
Input field
Duration Specifies the duration of the test signal in seconds.
Slider
Amplitude Specifies the amplitude of the test signal both for sound and noise.
The following setting options are available in the Tones area:
Option button
Tones
Defines that the test signal is reproduced as a tone. Also activates the
area containing the setting options for the wave form, start frequency
and end frequency of the test signal.
Drop-down menu
Waveform Specifies the wave form that the test signal should have.
Input field
Start Specifies the start frequency of the test signal.
Input field
End frequency Specifies the end frequency of the test signal.
The following setting options are available in the Noise area:
Option button
Noise
Defines that the test signal is reproduced as a noise. Also activates
the area that defines the type of noise.
Drop-down menu
Color
Specifies the type of noise. White is a loud noise, Pink a medium
noise and Brown a quiet noise.
3.5 Filters
You can change the sound of an audio file in a variety of ways. For this purpose the Tools,
Effects and Enhancement entries are available in the menu bar.
The following setting options are available in all sound change windows:
Button
Plays the audio file changed by the filter.
Button
Stops playing.
Drop-down menu
Active Channels
Provides the active channels for selection. You can switch the
channels on and off separately.
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Button
Bypass
Retains the change by the filter for the duration of the activa-
tion. This enables you to listen to the unedited file and the
edited version alternately.
Button
Process Offline
Processes the change to the audio file offline. This enables
the changed file to be played with a weaker processor without
jerking.
Drop-down menu
Provides both predefined and personally produced profiles for
selection.
Button
Creates a new profile with the current settings.
Button
Removes the selected profile.
3.5.1 Tools
3.5.1.1 Deesser
The Deesser tool is used to filter out unpleasant hissing sounds (sibilants) from recorded
speech and song.
The following sliders are available in the Deesser area:
Threshold Specifies the level after which hiss is to be suppressed as a dB value. If
this value is very low, even very quiet hiss is suppressed.
Attenuation Specifies the extent to which hiss is to be damped if it is not filtered out
completely.
The following sliders are available in the Response Time area:
Attack Time Specifies how long the hiss has to be in order to be detected.
Release Time Specifies for how long the hiss is to be filtered.
3.5.1.2 Dynamic Processor
You can use the Dynamic Processor tool to adjust the ratio between the input and output
volume. This makes it possible, for example, to emphasize quiet noises, thereby lending
more dynamism to the audio file.
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The following setting options are available:
Graph
Characteristics
Shows the ratio of input volume to output volume. In this case, the x-
axis is the output and the y-axis the input.
Slider
Attack Time Specifies the time it takes before the full effect is heard.
Slider
Release Time Specifies the time it takes before the effect is no longer heard.
Check box
Movie
Processes all surround channels for the same parts. This can only be
activated when a surround audio file is being processed.
3.5.1.3 Equalizer
The Equalizer tool allows you to emphasize certain frequencies, specifying the amplitude
and bandwidth.
The following graph is available:
Frequency Response
Graph
Shows the frequency response. The y-axis represents the
amplitude and the x-axis the frequency.
The following setting options are available in the Filter Settings area:
Drop-down menu
Filter
Selects the filters. The numbers in the Filters drop-down
menu represent the squares in the Frequency Response
Graph from left to right.
Slider
Center Frequency
Indicates the distribution of the handles on the x-axis. You
can enter the values (in Hz) of the center frequencies in the
fields.
Slider
Bandwidth
Indicates whether the bandwidth of the center frequency
rises and falls steeply or gently. You can set a value be-
tween 0.1 and 3 octaves with the jog dial.
Slider
Gain
Specifies the amplification of the signal on the y-axis of the
curve in the diagram.
The following settings are available in the Low Shelf area:
Check box
Low Shelf Increases or decreases low frequencies.
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Slider
Cut Off Allows the filter to start after a certain frequency.
Slider
Gain Specifies the degree of increase or decrease.
The following setting options are available in the High Shelf area:
Check box
High Shelf Increases or decreases high frequencies.
Slider
Cut Off Allows the filter to start after a certain frequency.
Slider
Gain Specifies the degree of increase or decrease.
3.5.1.4 Karaoke Filter
The Karaoke Filter tool filters frequencies from the audio file that are the same on both
channels of a stereo file. On older recordings, this is usually the voice. However, if the voice
is not distributed evenly on both channels, you can perform some fine tuning.
The following sliders are available:
Vocal Pan Specifies the channel and intensity with which the voice is to be fil-
tered.
Gain
Compensation Increases the volume of the audio file, which had become quieter
because the filter was applied.
The Vocal Frequency Band area specifies the frequency band of the voice. The following
sliders are available:
Lower Frequency Specifies the lower frequency limit for the voice. This is typically a
value of 100 Hz.
Upper Frequency Specifies the upper frequency limit for the voice. This is typically a
value of 8000 Hz.
3.5.1.5 Noise Gate
The Noise Gate tool suppresses quiet sections in the signal transmission. For example, it
helps prevent noise. The noise gate belongs to the category of dynamic processors.
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The following sliders are available:
Threshold Specifies the minimum dB value below which the audio file is to be muted.
In other words, the gate is closed if the dB value is too low.
Attack Time Specifies the time required to reopen the gate in milliseconds after the
threshold has been exceeded, i.e. to restore the sound of the audio file.
Release Time Specifies the time in milliseconds required to close the gate, i.e. to mute
the audio file after the level has dropped below the threshold.
The following option buttons are available in the Channel Mode area:
Linked
If the Linked option button is enabled, the noise gate for both chan-
nels appears as soon as one or both of the two channels exceeds
the threshold.
Independent
If the Independent option button is enabled, the noise gate closes or
opens both channels independently when the threshold is reached.
Only relevant for audio files in stereo format.
3.5.1.6 Pitch Tuning
The Pitch Tuning tool changes the pitch, e.g. of the voice, for a short time so that incorrectly
sung tones can be corrected.
The following setting options are available in the Correction area:
Check box
Correction Corrects incorrect sounds.
Bar
Corrected
Shows the level of correction on the basis of the movement of the
green arrow in percent.
Slider
Reference Specifies the reference sound used for correction.
Slider
Binding
Specifies for how long the sound is to be corrected. The lower the val-
ue, the shorter the correction period for an incorrect sound.
Drop-down menu
Scale
Provides a variety of scales for selection. The most commonly used
scale in Europe is Equally Tempered Chrome.
The following setting options are available in the Vibrato area:
Check box
Vibrato
Adds sound changes, both high and low. This causes the voice to "vi-
brate".
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Slider
Frequency Indicates the frequency of the sound changes.
Slider
Depth Indicates the intensity of the sound change.
3.5.1.7 Stereo Processor
The Stereo Processor tool allows you to manipulate the stereo sound.
The Left Out area specifies the output intensity of the left speaker. The following sliders are
available:
Left In Specifies the intensity of the left input signal for the left speaker.
Right In Specifies the intensity of the right input signal for the left speaker.
The Right Out area specifies the output intensity of the right speaker. The following sliders
are available:
Left In Specifies the intensity of the left input signal for the right speaker.
Right In Specifies the intensity of the right input signal for the left speaker.
The following sliders are available in the Stereo Settings area:
Phase Offset Compensates for differences in run-time between the left and right
channel.
Stereo Broadening Makes a mono recording sound like a stereo recording. This setting
gives a stereo recording an even broader feeling.
3.5.1.8 Time Correction
The Time Correction tool changes the playback speed, but not the pitch.
The following setting options are available in the Timescale Modification Factor area:
Option button
Percentage
Changes the playback speed in percent. The change can either be set
on the slider or entered in the input field.
Option button
Beats per Minute
Changes the playback speed in beats per minute (BPM). The change
can be entered in the input field.
Drop-down menu
Optimization
Specifies the type of music of the audio file to be altered, so as to op-
timize speed changes for this file.
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3.5.1.9 Transpose
The Transpose tool changes the pitch. The length of the audio file can be changed or re-
tained. It is possible to adjust the length of the audio file to the faster playback speed.
The following setting options are available:
Slider
Interval Changes the pitch in the audio file.
Slider
Fine-tune Permits fine tuning if retaining the original length causes distortion.
Check box
Maintain Original
Length
Retains the original length of the audio file.
3.5.2 Effects
3.5.2.1 Chorus
The Chorus effect creates an echo effect which, when applied to a recorded voice, makes it
sound like there is a choir singing in the background.
The following sliders are available in the Modulation area:
Depth Specifies the degree of the change in pitch.
Frequency Specifies the frequency of the change in pitch (oscillations).
The following slider is available in the Delay area:
Delay Specifies the delay with which the copy is played in comparison with the
original signal.
The following setting options are available in the Filter area:
Check box
Low Pass Activates a low pass filter.
Slider
Low Pass
Reduces frequencies above the specified Hertz rate and allows low
frequencies beneath the specified value to pass almost unfiltered.
The following sliders are available in the Mix area:
Effect Mixes the original signal with the copied signal, indicating the intensity
of the copied signal.
Dry Signal Mixes the original signal with the copied signal, indicating the intensity
of the original signal.
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The following option buttons are available in the Chorus area:
Mono/Stereo Gives the processed part of the audio file a more "mono-like" or "stereo-
like" sound respectively.
3.5.2.2 Convolution Reverb
The Convolution Reverb effect transfers the convolution reverb conditions of a reference
file and adjusts the audio file to the relevant reverb conditions.
The following setting options are available:
Button
Select Impulse Response
Allows you to open the source file for the impulse response
from which the reverb effect for the audio file to be edited is
generated.
Graph
Impulse Response Gain Displays the signal of the impulse response.
Graph
Gain
Displays the frequency limit for the reverb. The y-axis of the
curve specifies the gain of the reverb effect in the graph,
while the x-axis shows the frequency.
Button
Switches between a linear and logarithmic scale for the limit-
ing frequency graphic.
Slider
Pre-Delay
Specifies the length of time required by the sound to be
deflected from an obstacle, thereby indicating the intensity
of the echo.
The following sliders are available in the Mix area:
Dry Signal Mixes the original signal with the copied signal, indicating the intensity of
the original signal.
Effect Mixes the original signal with the copied signal, indicating the intensity of
the copied signal.
3.5.2.3 Delay
The Delay effect creates an echo using a copy of the original signal which is played with a
delay.
The following sliders are available in the Delay area:
Delay Time Specifies the delay in playing back the copied signal.
Feedback Specifies how many copies of the original signal are to be made.
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The following sliders are available in the Mix area:
Dry Signal Mixes the original signal with the copied signal, indicating the intensity
of the original signal.
Effect Mixes the original signal with the copied signal, indicating the intensity
of the copied signal.
3.5.2.4 Distortion
The Distortion effect is used for guitars. This means that a recording of acoustic guitar can
be distorted to sound like an electric guitar.
The following setting options are available in the Distortion area:
Drop-down menu
Method Offers a variety of distortion options, e.g. an old megaphone.
Slider
Drive Indicates the intensity of the interference.
Slider
Hardness
Specifies the hardness of the distortion.
This can only be adjusted if the Tube, Fuzz3 and Variable clipping
entries have been selected in the Method drop-down menu.
The following setting options are available in the Pre-Filtering area:
Check box
Pre-Filtering Filters the original signal before it is distorted.
Slider
Lower Cutoff Specifies the lower limit of the frequency band for the original signal.
Slider
Upper Cutoff Specifies the upper limit of the frequency band for the original signal.
The following setting options are available in the Post-Filtering area:
Check box
Post-Filtering Filters the distorted signal.
Slider
Lower Cutoff Specifies the lower limit of the frequency band for the edited signal.
Slider
Upper Cutoff Specifies the upper limit of the frequency band for the edited signal.
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The following sliders are available in the Mix area:
Dry Signal Mixes the original signal with the copied signal, indicating the intensity of
the original signal.
Effect Mixes the original signal with the copied signal, indicating the intensity of
the copied signal.
3.5.2.5 Doppler
The Doppler effect simulates a noise source passing by and the resulting special auditory
features.
The following setting options are available:
Graph
Shows the target and end point of the movement of the noise source. The
listener is at the center of the graph.
The pattern of the movement can be changed using the straight lines in
the graph.
Slider
Diameter Specifies the diameters of the movement radius.
Slider
Duration Specifies the duration of the movement.
3.5.2.6 Flanger
The Flanger effect is a guitar effect that distorts the sound by playing back a copy of the
original signal with a delay. The copy is changed by means of modulation, so that the sound
is distorted in a characteristic way.
The following setting options are available in the Modulation area:
Slider
Depth Modifies the copied signal and specifies the degree of the change in pitch.
Slider
Frequency Modifies the copied signal and specifies the frequency of the change in pitch.
The following setting options are available in the Mix area:
Slider
Dry Signal
Mixes the original signal with the copied signal, indicating the intensity
of the original signal.
Slider
Effect
Mixes the original signal with the copied signal, indicating the intensity
of the copied signal.
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Check box
Stereo Flanger Gives the processed part of the audio file a more "stereo-like" sound.
3.5.2.7 Loudness
The Loudness effect increases the volume of the audio file without increasing the maximum
value of the amplitude (value 1) by raising the amplitude of other areas in the audio file. The
file is thus louder overall without exceeding value 1 of the amplitude.
The following slider is available:
Aimed Gain Specifies the degree of amplification.
3.5.2.8 Low Fidelity
The Low Fidelity effect creates interference effects, so-called quantification errors, by re-
ducing the bit rate. Noise can be heard when the bit rate is dramatically reduced. If the sam-
ple rate is reduced, the audio file sounds duller and less detailed.
The following setting options are available:
Graph
Bit depth/sample
rate
Shows the change in the two sliders below the graph.
Slider
Bit Depth Specifies the bit depth. Audio CDs have a bit depth of 16, for example.
Slider
Sample Rate Specifies the sample rate. Audio CDs have a sample rate of 44100 Hz.
3.5.2.9 Modulation
The Modulation effect allows the amplitude and frequency to be changed separately.
The following setting options are available in the Amplitude Modulation area:
Check box
Amplitude Modulation Activates the settings options for amplitude modulation.
Graph
Modulation signal Shows the amplitude of the audio signal.
Slider
Frequency Specifies the frequency of the signal.
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Slider
Amplitude Range Specifies the signal volume.
Drop-down menu
Modulation signal
Selects the signal form that is displayed in the amplitudes
modulation graph.
Check box
Blend Edges
Balances different end and start values.
Only activated for self-produced signals.
The following setting options are available in the Frequency Modulation area:
Check box
Frequency Modulation Activates the settings options for frequency modulation.
Graph
Modulation signal Shows the frequency of the audio signal.
Slider
Frequency Specifies the frequency of the signal.
Slider
Depth Specifies the depth of the signal.
Drop-down menu
Modulation signal
Selects the signal form, for instance, sine, that is displayed in
the frequency modulation graph.
Check box
Blend Edges
Balances different end and start values.
Only activated for self-produced signals.
Mix mixes the original signal with the modulated amplitude signal and the modulated fre-
quency signal.
The following sliders are available in the Mix area:
Dry Signal Indicates the intensity of the original signal.
Amplitude Modulated Specifies the intensity of the signal with the modulated ampli-
tude.
Frequency Modulated Specifies the intensity of the signal with the modulated frequen-
cy.
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3.5.2.10 Multi-Tap Delay
The Multi-Tap Delay effect allows several copies of the original signal to be created and
played with a delay. This creates the reverb effect.
The following setting options are available:
Buttons
Active tap Provides several copies for selection. Each button represents one copy.
Graph
Gain Graphically represents the copies.
Slider
Delay Specifies the intervals at which copies are to be played.
Slider
Gain Specifies the volume/intensity of the copies.
Slider
Pan
In the case of stereo files, this indicates the speaker on which the copies
are to be heard.
The following setting options are available in the Feedback area:
Drop-down menu
Type Provides different filters for the copied signals for selection.
Slider
Feedback Gain
Specifies the volume of the copies that are played after the time speci-
fied with the Delay slider.
The following sliders are available in the Mix area:
Dry Signal Mixes the original signal with the edited copies, indicating the intensity of
the original signal.
Effect Mixes the original signal with the edited copies, indicating the intensity of
the edited signal.
3.5.2.11 Phaser
The Phaser effect is a guitar effect that distorts the sound by playing back a band-filtered
copy of the original signal with a delay.
The following setting options are available in the Modulation area:
Drop-down menu
Modulation Function Provides different signal forms.
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Slider
Frequency Specifies the frequency of the copied signal.
The following setting options are available in the Settings area:
Slider
Lower Limit Specifies the lower limit of the frequency band.
Slider
Upper Limit Specifies the upper limit of the frequency band.
Slider
Bandwidth Indicates the bandwidth of the signal.
Check box
Stereo Flanger
Gives the processed part of the audio file a more "stereo-like"
sound
The following sliders are available in the Mix area:
Dry Signal Mixes the original signal with the edited copy, indicating the intensity of
the original signal.
Effect Mixes the original signal with the edited copy, indicating the intensity of
the edited signal.
3.5.2.12 Pitch Bend
The Pitch Bend effect changes the pitch over the length of the audio file with the help of a
speed curve. The length of the audio file can be changed or retained.
The following setting options are available:
Graph
Pitch Shows the pitch over the length of the audio file.
Slider
Pitch Range
Sets the y-axis in the Pitch graph. The greater the value, the more
noticeably the pitch can be changed.
Check box
Keep Length
Retains the length of the audio file. The x-axis in the pitch (output
length) graph is fixed.
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3.5.2.13 Pseudo Reverse
The Pseudo Reverse effect does not reverse the whole audio file but divides it into small
sequences. These are played in reverse direction in sequence in the forward direction. In
this way the content of the audio file is still recognizable but gives the effect of reverse play-
back.
The following option buttons are available in the Reverse Duration area:
Reverse Duration Indicate how long the sequences should be to be played in reverse.
3.5.2.14 Re-analogue
The Re-analogue effect adds effects to the audio file that make it sound artificially older.
The following setting options are available:
Check box
Hiss Adds noise to the audio file.
Slider
Level Specifies the intensity of the noise.
Check box
Retro Radio
Makes the audio file sound slightly distorted, similar to the effect of an
old radio.
Slider
Level Specifies the intensity of the distortion effect.
Check box
Clicks Adds the effect of scratches and dust on an old record.
Slider
Clicks Specifies the frequency and intensity of scratches as on an old record.
Slider
Crackle Specifies the frequency and intensity of crackling as on a vinyl record.
Option buttons
Source Offer a choice of different record types.
Check box
Buzz Adds a low frequency hum to the audio file.
Slider
Level Indicates the intensity of the hum.
Slider
Overtones Specifies the number of overtones the frequency has.
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Slider
Slope
Specifies the steepness of the transitions between high and low level.
This setting make the hiss sound "scratchy".
Option buttons
Frequency Specify the hum frequency.
3.5.2.15 Reverb
The Reverb effect simulates the sound reflection in a space.
The following sliders are available:
Reverb Time Specifies the duration of the reverb.
Room Size Specifies the size of the imaginary room in which the reverb is to be gener-
ated.
Brightness Specifies the brightness of the reverb.
The following sliders are available in the Mix area:
Dry Signal Mixes the original signal with the edited copy, indicating the intensity of the
original signal.
Effect Mixes the original signal with the edited copy, indicating the intensity of the
edited signal.
3.5.2.16 Stutter
The Stutter effect provides the option for modifying the rhythm of the audio file.
The following setting options are available:
Graph
Silence Duration
Shows the length of the silence on the y-axis and the signal length on
the x-axis.
Slider
Silence Duration Specifies the length of silences or repetitions.
Slider
Signal Duration Specifies the length of the signals to be repeated.
The following option buttons are available in the Mode area:
Mute
Plays the audio file in stutter mode Mute. The file is played for the period
set using the Signal Duration slider and muted for the period set with the
Silence Duration slider. The file retains its file length.
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Stretch
Plays the audio file in stutter mode Stretch. The file is played for the period
set using the Signal Duration slider and muted for the period set with the
Silence Duration slider. The length of the file changes because after mut-
ing at the appropriate place in the file, playback resumes where the last
playback ended.
Repeat
Plays the audio file in stutter mode Repeat. The file is played for the length
of time set using the Signal Length slider. The same section of the audio
file is then played again for the length of time set with the Pause Length
slider. This is repeated until the selected area of the audio file is finished.
3.5.2.17 Surround Expansion
The Surround Expansion effect is only available if you are editing a surround audio file (5.1
or 7.1). This offers expanded surround sound settings.
The following setting options are available:
Slider
Expansion Indicates the degree of expansion.
Check box
Front Channels Extends the expansion to include the front channels.
Check box
Side Channels Extends the expansion to include the side channels.
Check box
Surround Channels Extends the expansion to include the surround channels.
3.5.2.18 Surround Reverb
The Surround Reverb effect allows reverb effects to be added to the audio file, making it
sound as if it was recorded under different spatial conditions.
The following setting options are available in the Room Dimension area:
Graph
Room Dimension Visualizes the changes to the room dimensions.
Slider
Width Changes the width of the room.
Slider
Depth Changes the depth of the room.
Slider
Height Changes the height of the room.
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The following setting options are available in the Room Parameters area:
Slider
Air Damping Specifies the level of air damping within the room.
Drop-down menu
Surface Material
Specifies the characteristic surface material of the room (e.g. a
carpet).
The following sliders are available in the Output area:
Early Reflections Indicates the distance between the audio source and the listener.
Late Reflections Indicates the reverb of the audio source in the room.
Dry Gain Indicates the intensity of the original signal.
3.5.2.19 Voice Modification
The Voice Modification effect allows the voice in an audio file to be manipulated.
The following setting options are available in the Envelope area:
Graph
Envelope Mapping
Changes the input and output frequency of the audio file. You can
change the straight lines using the handles. In the graph, the y-axis
represents the output frequency and the x-axis the input frequency.
Slider
Scaling Moves the elements that form the voice.
The following sliders are available in the Pitch area:
Interval Changes the pitch in the audio file.
Fine-tune Permits fine tuning if retaining the original audio file length causes
distortion due to the interval and patch changes.
The following slider is available in the Time area:
Stretch Specifies whether the length of the audio file is to vary or whether the original
length is to be retained.
The following option buttons are available in the Mode area:
Normal Leaves the voice in the audio files unchanged. Only the previously
set effects are used.
Robot Voice Adds a robot-like quality to the already activated effects.
Whisper Adds a whisper-like quality to the already activated effects.
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3.5.2.20 Wah-Wah
The Wah-Wah effect allows you to distort the recording of a guitar.
The following setting options are available in the Modulation area:
Slider
Modulation Frequency Specifies the frequency of the modulation.
Drop-down menu
Modulation Function Selects the signal form of the modulation signal.
The following sliders are available in the Mix area:
Dry Signal Mixes the original signal with the edited copy, indicating the intensity of
the original signal.
Effect Mixes the original signal with the edited copy, indicating the intensity of
the edited signal.
The following sliders are available in the Filter area:
Lower Limit Defines the lower limit for the frequency.
Upper Limit Defines the upper limit for the frequency.
Bandwidth Defines the bandwidth of the frequency.
Feedback Specifies the number of copied signals.
3.5.3 Enhancement
3.5.3.1 Band Extrapolation
The Band Extrapolation enhancement allows certain frequencies to be emphasized or sup-
pressed.
The following sliders are available in the Spectral Remixer area:
High Frequency Indicates the intensity of the high frequency.
Dry Signal Indicates the intensity of the original signal.
Low Frequency Indicates the intensity of the low frequency.
The following sliders are available in the Filter area:
High Frequency Indicates the frequency above which high frequencies are to be ampli-
fied.
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Low Frequency Indicates the frequency below which low frequencies are to be ampli-
fied.
3.5.3.2 Camera Denoiser
The Camera Denoiser enhancement reduces buzz and other background noise from cam-
era recordings in particular.
The following setting option is available:
Graph
Noise Reduction Level Displays the signal in graphical form.
Slider
Reduction Level
Specifies the extent to which interfering noises are to be fil-
tered out.
3.5.3.3 DC Offset Correction
DC Offset Correction improves recordings from poorly calibrated equipment (not centered
around the zero point).
3.5.3.4 Declicker
The Declicker enhancement allows audio files to have noises such as clicks or crackle re-
moved.
The following setting options are available in the Declicker area:
Check box
Declicker
Removes interfering noises such as clicks, which can be caused by
scratches on records.
Slider
Detection
Threshold
Indicates how strong interfering noises must be to be recognized and
filtered out.
Slider
Maximum Length
Indicates the maximum length of time for which an interfering noise is
to be filtered.
Check box
High Quality
Offers higher filtering quality. However, this setting is very processor-
intensive.
The following setting options are available in the Decrackle area:
Check box
Decrackle
Removes interfering noises such as crackle, which can be caused by
dust or needle sounds from the audio file.
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Slider
Detection
Threshold
Indicates how strong interfering noises must be to be recognized and
filtered out.
Slider
Reduction Level Specifies the extent to which interfering noises are to be filtered out.
Check box
Automatic Rest-
oration
Automatically sets the optimum values for both the Declicker and the
Decrackle areas. Select the check boxes for the areas to be adjusted
as well as the Automatic Restoration check box.
3.5.3.5 Declipper
The Declipper enhancement adds amplitude peaks that were higher than the value and
were therefore cut off when being imported into Nero WaveEditor.
The following sliders are available:
Detection Threshold Specifies the volume at which removed amplitude peaks should
be reattached.
Gain Modification
Reattaches the removed amplitude peaks. This percentage value
should not be set too high because the peaks would otherwise be
removed again after the file has been saved.
3.5.3.6 Dehum
The Dehum enhancement suppresses humming noises in the audio file.
The following setting options are available:
Graph
Hum Reduction Displays the four notch filters.
Button
Automatic Hum Detection Automatically sets the optimum values for all filters.
The following setting options are available in the Dehum Filter Settings area:
Option buttons
Filter
Offers four different notch filters. These can be defined with the sliders. The
four notch filters can also be linked with the Link Filters option button. In
this case, all slider changes apply to all filters.
Slider
Frequency Specifies the frequency of the hum that is to be filtered.
User Interface
Nero WaveEditor 45
Slider
Gain Specifies the extent to which hum is to be suppressed.
Slider
Width
Specifies whether the range of the notch filter rises and falls steeply or
gently.
3.5.3.7 Filter Toolbox
The Filter Toolbox enhancement allows you to define your own audio filters.
The following setting options are available:
Check box
User Drawn Filter
Response
Activates the option for changing the graph using handles.
Graph
User Drawn Filter
Response
Allows you to define a filter yourself by means of adjustable
curves.
Button
Switches between a linear and logarithmic scale for the limiting
frequency graphic.
The following setting options are available in the Bandpass Filter area:
Check box
Bandpass Filter
Adds a bandpass filter that allows a certain frequency range to be
exceeded.
Slider
Upper Limit Specifies the upper frequency limit for the bandpass filter.
Slider
Lower Limit Specifies the lower frequency limit for the bandpass filter.
The following check boxes are available in the Notch Filters area:
Center
Insert up to three notch filters and bandpass stops that prevent a
particular frequency range from being exceeded. You can specify
the frequency of each notch filter by sliders.
User Interface
Nero WaveEditor 46
3.5.3.8 Noise Reduction
The Noise Reduction enhancement suppresses distracting noise in an audio file.
The following setting options are available:
Graph
Spectral Subtraction
Profile
Maps the interfering signal.
Button
Switches between a linear and logarithmic scale for the limiting
frequency graphic.
Slider
Gain Floor
Specifies the level of noise reduction when some noise is to be
retained.
Slider
Reduction Level Specifies the level of noise reduction.
The following setting options are available in the Mode area:
Option button
Automatic Noise Analysis Automatically analyzes the audio file in relation to noise.
Button
Freeze
Fixes the noise curve in the spectral subtraction profile and
uses this as a reference signal.
Option button
Editable Noise Curve
Inserts handles into the noise curve in the spectral subtrac-
tion profile; these can be used to edit the curve.
Option button
Noise Print
This is automatically activated after the implementation of
the noise analysis and after the first time the noise suppres-
sion is called.
The noise curve generated by the noise analysis can be
edited.
Button
Residual Output Only plays back the noise signal.
3.5.3.9 Noise Analysis
The Noise analysis enhancement uses a highlighted area in the audio file as a noise refer-
ence sound. This reference sound is then used to suppress the noise.
Playing Audio File
Nero WaveEditor 47
4 Playing Audio File
To play an audio file, proceed as follows:
1. Click the button in the toolbar.
A window is opened.
2. Select the audio file you want to open in the file system and click the Open button.
The channels of the audio file are presented as peak file.
Alternatively, you can open and insert an audio file using Nero MediaBrowser.
Nero MediaBrowser can be accessed via the icon in the toolbar.
3. If you want to play the complete audio file, click the button in the toolbar.
4. If you have highlighted a section of the audio file and want to play this specific section, click
the button in the toolbar.
5. If you want to play the file without interruption, click the button in the toolbar.
6. If you want to stop playback, click the button in the toolbar.
You have played an audio file.
Recording Audio File
Nero WaveEditor 48
5 Recording Audio File
Nero WaveEditor can be used to record audio from any recognized device. The recording is
monitored in the Recording Console window.
5.1 Recording Console Window
You reach the Recording Console window via the button in the toolbar.
Recording Console window
The following setting options are available in the Audio Input area of the Recording Con-
sole window:
Button
Returns to the start of the recording so that it can be overwritten.
Button
Record an audio file.
Button
Pauses recording. Only available while recording.
Button
Goes to the end of the recording so that recording can be resumed
there.
Recording Audio File
Nero WaveEditor 49
Drop-down menu
Audio input line Specifies the audio input.
Check box
Digital monitoring
Turns on the sound of the audio source so you can hear what you
are recording.
Slider
Input Level
Specifies the volume of the recording. The volume of the recording
should be in the yellow area.
The following option buttons are available in the Action area:
Overwrite existing re-
cording
Overwrites the existing recording or audio file which is open in
Nero WaveEditor.
Insert into recording Inserts the recording into the audio file at the point where the
marker is located.
Differences in the recording options between Windows XP and Windows
Vista/Windows 7
In Windows XP the sound card is seen as one device. Therefore, selecting a de-
vice will allow you to access all input options in the Recording Console window.
In Windows Vista and Windows 7 every input option is seen as a separate device.
Therefore, the sound card input option must first be selected in the Device Set-
tings window.
After that, the Master Volume entry in the Recording Console window repre-
sents the input device selected in the Device Settings window.
See also
Device Settings 5
5.2 Recording Audio File
To record an audio file, proceed as follows:
1. Click the button in the toolbar.
The Recording Console window is opened.
2. Make the desired recording settings.
3. Click the button to make a recording.
The recording process is started.
4. Click the button to interrupt the recording.
The recording process is interrupted. You can resume it by clicking the button.
5. If you want to insert the recording into the file display, click the OK button.
Recording Audio File
Nero WaveEditor 50
The channels of the recording are presented as peak file in the file display.
You have recorded an audio file.
If you click the Cancel button in the Recording Console window during a record-
ing, the recording will be stopped and the Recording Console window will be
closed. Your recording will not be saved. If you want to interrupt the recording,
click the button instead of the Cancel button.
Editing Audio File
Nero WaveEditor 51
6 Editing Audio File
Nero WaveEditor offers various options for editing audio files. You can make changes to the
file structure (such as inserting track splits), change the volume of an audio file (such as
normalizing it), and apply other enhancement options (such as converting the sample for-
mat).
The following requirement must be fulfilled:
An opened audio file is displayed in the file display.
You can either edit the complete audio file, or a specific section.
If you want to edit a specific section of the audio file, highlight the respective sec-
tion in the file display.
6.1 Editing Audio File Structure
To edit the structure of an audio file, proceed as follows:
1. If you want silences in a song to be detected automatically so as to be able to skip these
when playing the audio file:
1. Click the Edit > Pause Detection entry in the menu bar.
The Pause Detection window is opened.
2. Define the required settings and click the OK button.
2. If you want to insert a track split in the audio file to be able to skip directly to this point, click
the Edit > Insert Track Split entry in the menu bar.
3. If you want to save a single track produced by inserting track splits as a file:
1. Click the Edit > Save Tracks as Files entry in the menu bar.
The Save Tracks as Separate Files window is opened.
2. Select the track you want to save, name it and select the desired file format.
3. Click the OK button.
4. If you want to insert an additional audio file into the file display to create a crossfade
between two files:
1. Click the Edit > Insert File entry in the menu bar.
A window is opened.
2. Select the desired audio file and click the Open button.
The audio file is inserted into the file display.
To define the location where you want the audio file to be inserted, you need to
click this location before selecting the Edit > Insert File entry.
Alternatively, you can open and insert an audio file using Nero MediaBrowser.
Nero MediaBrowser can be accessed via the icon in the toolbar.
Editing Audio File
Nero WaveEditor 52
Crossfade
The crossfading method allows you to combine audio files without interrupting the
sound of these files. When applying a crossfade, the volume of the first audio file
is faded out at the end and the volume of the next audio file is faded in at the be-
ginning so as to create a smooth transition between the sound of these files.
You have edited the structure of the audio file.
6.2 Editing Audio File Volume
To edit the volume of an audio file, proceed as follows:
1. If you want to raise or lower the volume of the highlighted section of the audio file:
1. Click the Volume > Volume Change entry in the menu bar.
The Volume Change window is opened.
2. Move the Volume Change slider to the desired position.
The set dB value is displayed in the display panel.
3. Click the OK button.
Raising the volume raises all frequencies of the audio file by the specified dB
value. Lowering the volume reduces all frequencies by the specified dB value.
2. If you want to mute the highlighted section of the audio file, click the Volume > Mute entry
in the menu bar.
The change in volume in the highlighted section is displayed graphically in the file dis-
play.
3. If you want to normalize the frequencies of the highlighted section of the audio file to a
particular dB value:
1. Click the Volume > Normalize entry in the menu bar.
The Normalize window is opened.
2. Move the Normalize to slider to the desired position.
The set dB value is displayed in the display panel.
3. Click the OK button.
4. If you want to fade in or fade out the volume of the highlighted section of the audio file, click
the Volume > Fade In or Fade Out entry in the menu bar and choose the desired method.
The change in volume in the highlighted section is displayed graphically in the file dis-
play.
You have edited the volume of the audio file.
Editing Audio File
Nero WaveEditor 53
6.3 Applying Other Enhancement Options
To apply other enhancement options to an audio file, proceed as follows:
1. If you want to convert the sample format:
1. Click the Edit > Convert Sample Format entry in the menu bar.
The Convert Sample Format Settings window is opened.
2. Define the required settings and click the OK button.
2. If you want to play the highlighted section of the audio file in reverse, click the Edit >
Reverse entry in the menu bar.
3. If you want to insert a test signal into the highlighted section of the audio file:
1. Click the Edit > Insert Test Signal entry in the menu bar.
The Test Tone Generator window is opened.
2. Define the required settings and click the OK button.
The test signal is added to the file display.
3. Now define the range of the test signal by moving the green arrows at the bottom of the
file display.
4. If you want to fade out or fade in an audio file before and after the test signal, move the
blue-green arrows at the top of the file display from left to right.
4. If you want to highlight a specific section with millisecond accuracy:
1. Click the Edit > Define Markers Manually entry in the menu bar.
The Manually Define Markers window is opened.
2. Define the markers as desired in the Selection begin and Selection end area and click
the OK button.
5. If you want to change the highlighted section of the audio file with optimizing tools, effects or
an enhancement:
1. Click the respective Tools, Effects or Enhancement entry in the menu bar.
The relevant window is opened.
2. Make the desired settings and click the OK button.
You have edited the audio file.
See also
Filters 24
Technical Information
Nero WaveEditor 54
7 Technical Information
7.1 System Requirements
Nero WaveEditor is part of the Nero product you have installed. Its system requirements are
the same. Detailed system requirements of this and all other Nero products can be found in
the Support section on our Web site www.nero.com.
7.2 Supported Formats and Codecs
7.2.1 Audio Formats and Codecs
Advanced Audio Coding (AAC) - import only
Audio Interchange File Format (AIFF, AIF)
Dolby Digital (AC3) - import only
MP3 / mp3PRO (MP3)
Moving Picture Experts Group-1 Audio Layer 3 (MP3)
Moving Picture Experts Group-4 (MP4)
Nero AAC Codec (MP4)
Ogg Vorbis (OGG, OGM)
Resource Interchange File Format WAVE (WAV, WAVE)
Windows Media Audio (WMA)
Nero WaveEditor File (NWF)
Free Lossless Audio Codec (FLAC)
Glossary
Nero WaveEditor 55
8 Glossary
Bit Depth
Bit depth indicates the precision with which an oscillation vibration will be captured. The
greater the value, the more accurate is the acquisition and the better is the audio quality.
FIR Filter
A filter is a system that links an input signal with a transmission function and makes this
changed signal available at its output. With a filter with finite pulse response (FIR filter) the
output signal is made up of several partially buffered values of the input signal.
Frequency
The frequency denotes the oscillations per second of an electrical or magnetic field. With
audio files this means that the frequency increases with rising pitch. The unit is Hertz (Hz).
The highest magnitude of oscillation is called the amplitude.
IIR Filter
A filter is a system that links an input signal with a transmission function and makes this
changed signal available at its output. A filter with infinite pulse response (IIR filter) uses the
input values as well as buffered values of the output signal.
Normalization
Normalizing in audio technology is the process whereby analog and/or digital audio data is
raised to a uniform volume level.
Sample Rate
The sample rate indicates the frequency with which a signal is sampled per interval of time. It
is measured in sampling values per second. The higher the sample rate the more precise the
measurement, and the better the audio quality.
Index
Nero WaveEditor 56
9 Index
Air Damping ......................................... 40
Amplitude modulation .......................... 34
Amplitude peaks................................... 44
Anti aliasing .......................................... 22
Audio file
Change sound............................................... 24
Filter .............................................................. 24
Implementing pause detection....................... 22
Play............................................................... 47
Play section .................................................. 47
Record .......................................................... 49
Audio Format Settings ..................... 5, 11
Convertor ...................................................... 13
Decoder ........................................................ 11
Encoder ........................................................ 12
Audio input ............................................. 5
Audio output ........................................... 5
Automatic pause detection ................... 22
Band extrapolation ............................... 42
Bandpass stop ..................................... 45
Bandwidth ...................................... 26, 42
Beats per minute .................................. 29
Bit depth ..................................... 8, 22, 34
Bit rate .................................................. 34
Camera denoiser.................................. 43
Center frequencies ............................... 26
Chorus .................................................. 30
Configuration .................................... 5, 11
Audio Format Settings ................................... 11
Convertor ...................................................... 13
Decoder ........................................................ 11
Device settings ................................................ 5
Editor options .................................................. 5
Encoder ........................................................ 12
Conventions, manual ............................. 4
Convertor ............................................. 13
Crackle ................................................. 38
Cutoff frequency ................................... 27
DC Offset Correction ............................ 43
Declicker .............................................. 43
Declipper .............................................. 44
Decoder ................................................ 11
Deesser ................................................ 25
DeHum ................................................. 44
Delay .............................................. 31, 36
Device settings ....................................... 5
Audio input ...................................................... 5
Audio output .................................................... 5
Digital monitoring ................................. 48
Directories .............................................. 7
Directory ................................................. 7
DirectX plug-in ...................................... 10
Display ............................................ 14, 18
Dithering ................................................. 8
Doppler ................................................. 33
Dynamic processor .............................. 25
Edit history............................................ 18
Editing
Audio file ....................................................... 51
Editor options ......................................... 5
Effect
Chorus .......................................................... 30
Convolution reverb ........................................ 31
Delay............................................................. 31
Distortion ....................................................... 32
Distortion effect ............................................. 32
Doppler ......................................................... 33
Flanger .......................................................... 33
Loudness ...................................................... 34
Low fidelity .................................................... 34
Modulation .................................................... 34
Multi-Tap Delay ............................................. 36
Phaser .......................................................... 36
Pitch bend ..................................................... 37
Pseudo reverse ............................................. 38
Re-analogue ................................................. 38
Reverb .......................................................... 39
Stutter ........................................................... 39
surround expansion ....................................... 40
Surround reverb ............................................ 40
Voice modification ......................................... 41
Wah-Wah ...................................................... 42
Effects .................................................. 24
Encoder ................................................ 12
Index
Nero WaveEditor 57
Enhancement ....................................... 24
Band extrapolation ........................................ 42
Camera denoiser .......................................... 43
DC Offset Correction ..................................... 43
Declicker ....................................................... 43
Declipper....................................................... 44
Decrackle ...................................................... 43
DeHum ......................................................... 44
Filter toolbox ................................................. 45
Interfering noises .......................................... 43
Noise Analysis .............................................. 46
Noise reduction ............................................. 46
Envelope mapping ............................... 41
Equalizer .............................................. 26
Equally tempered chrome .................... 28
Exponential .......................................... 15
Fade in
Exponential ................................................... 16
Linear ............................................................ 16
Logarithmic ................................................... 16
Sinusoidal ..................................................... 16
Fade in methods .................................. 16
Fade out
Exponential ................................................... 15
Linear ............................................................ 16
Logarithmic ................................................... 16
Sinusoidal ..................................................... 15
Fade out methods ................................ 15
File display ........................................... 14
Filter toolbox ......................................... 45
FIR filter .................................................. 8
Flanger ................................................. 33
Folders ................................................... 7
Frequency band ................................... 27
Frequency modulation ......................... 34
Frequency range .................................. 26
High frequency ..................................... 42
IIR filter ................................................... 8
Input ..................................................... 26
Input device ............................................ 5
Input level ............................................. 48
Interference effects .............................. 34
Interfering noise
Filter .............................................................. 43
Karaoke filter ........................................ 27
Level meters ......................................... 18
Linear ................................................... 16
Logarithmic ........................................... 16
Loop ..................................................... 47
Low fidelity............................................ 34
Low frequency ...................................... 42
Main window ........................................ 14
Manual, conventions .............................. 4
Menu bar ........................................ 14, 14
Modulation ............................................ 34
Multichannel audio ................................. 9
Multi-Tap Delay .................................... 36
Nero HeadPhone ................................... 9
Nero MediaBrowser ............................. 18
Nero VirtualSpeakers ............................. 9
Nero WaveEditor .................................... 4
Main window ................................................. 14
Noise analysis ...................................... 46
Noise gate ............................................ 27
Noise reduction .................................... 46
Noise shaping ........................................ 8
Noise shaping filter ................................. 8
Normalize ............................................. 52
Notch filters .......................................... 44
Options ............................................. 5, 11
Audio format settings....................................... 5
Device settings ................................................ 5
Editor options .................................................. 5
Output ................................................... 26
Output device ......................................... 5
Pause detection ................................... 22
Peak file folder ....................................... 7
Pitch bend ............................................ 37
Play section .......................................... 47
Playback speed .................................... 29
Index
Nero WaveEditor 58
Playing
Audio file ....................................................... 47
Post-Filtering ........................................ 32
Pre-Delay ............................................. 31
Pre-Filtering .......................................... 32
Program
Starting the program ....................................... 5
Pseudo reverse .................................... 38
Quantification error .............................. 34
Re-analogue ......................................... 38
Recording
Audio file ....................................................... 49
Recording console ............................... 48
Response time ..................................... 25
Reverb .................................................. 39
Sample format ...................................... 21
Sample rate .................................... 22, 34
Save/Output Settings ............................. 8
Scale
Impulse response .......................................... 31
Linear ............................................................ 31
Logarithmic ................................................... 31
Scratches ............................................. 38
Signal transmission .............................. 27
Sinusoidal ............................................. 15
Sound
Change ......................................................... 24
Spectrum analyzer ............................... 18
Start
Via start menu ................................................. 5
Status bar ............................................. 18
Stereo processor .................................. 29
Storage space ........................................ 7
Stutter ................................................... 39
Surface material ................................... 40
Surround ................................................ 9
Surround expansion ............................. 40
Surround reverb ................................... 40
Surround sound.................................... 40
System requirements ........................... 54
Temporary folder .................................... 7
Test tone generator .............................. 23
Threshold ............................................. 27
Tool
Deesser ........................................................ 25
Dynamic processor ................................. 25, 27
Equalizer ....................................................... 26
Karaoke filter ................................................. 27
Noise gate ..................................................... 27
Pitch ........................................................ 28, 30
Pitch tuning ................................................... 28
Stereo processor ........................................... 29
Time correction ............................................. 29
Transpose ..................................................... 30
Toolbar ........................................... 14, 16
Tools ..................................................... 24
Transport .............................................. 18
Transpose ............................................ 30
Vibrato .................................................. 28
Virtual surround ...................................... 9
Vocal pan ............................................. 27
Voice modification ................................ 41
VST plug-in............................................. 9
Wah-Wah ............................................. 42
Wave display ........................................ 14
Contact
Nero WaveEditor 59
10 Contact
Nero WaveEditor is a Nero AG product.
Nero AG
Im Stoeckmaedle 18 Internet: www.nero.com
76307 Karlsbad Help: http://support.nero.com
Germany Fax: +49 724 892 8499
Nero Inc.
330 N Brand Blvd Suite 800 Internet: www.nero.com
Glendale, CA 91203-2335 Help: http://support.nero.com
USA Fax: (818) 956 7094
E-mail: US-CustomerSupport@nero.com
Nero KK
Rover Center-kita 8F-B, 1-2-2
Nakagawa-chuou Tsuzuki-ku Internet: www.nero.com
Yokohama, Kanagawa Help: http://support.nero.com
Japan 224-0003
Copyright © 2011 Nero AG and its licensors. All rights reserved.

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