Outlaw Audio 970 Users Manual

Outlaw Audio 970 Preampand Processor User’s Manual 970manual Troubleshoot Outlaw Audio 970 Preampand Processor |

970 to the manual 0a3fc92c-5654-43dc-ae27-0feb9837e4d2

: Outlaw-Audio Outlaw-Audio-970-Users-Manual-498122 outlaw-audio-970-users-manual-498122 outlaw-audio pdf

Open the PDF directly: View PDF .
Page Count: 48

Owner’s Manual

Model 970

7.1 Channel Preamplifier Processor

Version 1.0

2

Outlaw Audio

Owner’s Manual

Please Read First

CAUTION: To reduce the risk of electric shock, do not remove the cover. No user

serviceable parts inside. Refer to qualified personnel.

WARNING: To reduce the risk of fire or electric shock, do not expose this appliance

to rain or moisture.

The lightning flash with arrowhead, within an equilateral triangle, is

intended to alert the user to the presence of uninsulated “dangerous volt-

age” within the product’s enclosure that may be of sufficient magnitude to

constitute a risk of electrical shock to persons.

The exclamation point within an equilateral triangle is intended to alert

the user to the presence of important operating maintenance (servicing)

instructions in the literature accompanying the appliance.

WARNING: Important Safeguards

 Read Instructions–All the safety and operating instructions should be read before the

unit is operated.

 Retain Instructions–The safety and operating instructions should be retained for

future reference.

 Heed Warnings–All warnings on the unit and in the operating instructions should

be adhered to.

 Follow Instructions–All operating and use instructions should be followed.

 Cleaning–Unplug the unit from the wall outlet before cleaning. The unit should be

cleaned only as recommended by the manufacturer.

 Attachments–Do not use attachments not recommended by the unit manufacturer

as they may cause hazards.

 Water and Moisture–Do not use the unit near water–for example, near a bath tub, wash

bowl, kitchen sink, or laundry tub; in a wet basement; or near a swimming pool.

 Accessories–Do not place the unit on an unstable cart, stand, tripod, bracket, or table.

The unit may fall, causing serious injury to a child or adult, and serious damage to

the unit. Any mounting of the unit should follow the manufacturer’s instructions,

and should use a mounting accessory recommended by the manufacturer.

 Ventilation–Slots and openings in the cabinet are provided for ventilation and to ensure

reliable operation of the unit and to protect it from overheating, and these openings

must not be blocked or covered. The openings should never be blocked by placing the

unit on a bed, sofa, rug, or other similar surface. The unit should not be placed in a

built-in installation such as a bookcase or rack unless proper ventilation is provided.

There should be free space of at least 16 cm (6 in.) and an opening behind the unit.

 Power Sources–The unit should be operated only from the type of power source

indicated on the marking label. If you are not sure of the type of power supplied to

your home, consult your unit dealer or local power company.

 Grounding or Polarization–The unit may be equipped with a polarized alternating

current line plug (a plug having one blade wider than the other). This plug will fit

into the power outlet only one way. This is a safety feature. If you are unable to insert

the plug fully into the outlet, try reversing the plug. If the plug should still fail to fit,

contact a licensed electrician to replace your obsolete outlet. Do not defeat the safety

purpose of the polarized plug.

 Power-Cord Protection–Power-supply cords should be routed so that they are not likely

to be walked on or pinched by items placed upon or against them, paying particular

attention to cords where they enter a plug, or a convenience receptacle, and the point

where they exit from the unit.

 Outdoor Antenna Grounding–If an outside antenna or cable system is connected to the

unit, be sure the antenna or cable system is grounded so as to provide some protection

against voltage surges and built-up static charges. Article 810 of the National Electrical

Code, ANSI/NFPA 70, provides information with regard to proper grounding of the mast

and supporting structure, grounding of the lead-in wire to an antenna-discharge unit, size

of grounding conductors, location of antenna-discharge unit, connection to grounding

electrodes, and requirements for the grounding electrode.

 Lightning–For added protection for the unit during a lightning storm, or when it is

left unattended and unused for long periods of time, unplug it from the wall outlet

and disconnect the antenna or cable system. This will prevent damage to the unit due

to lightning and power-line surges.

 Power Lines–An outside antenna system should not be located in the vicinity of

overhead power lines or other electric light or power circuits, or where it can fall into

such power lines or circuits. When installing an outside antenna system, extreme care

should be taken to keep from touching such power lines or circuits as contact with

them might be fatal.

 Overloading–Do not overload wall outlets, extension cords, or integral convenience

receptacles as this can result in a risk of fire or electric shock.

 Object and Liquid Entry–Never push objects of any kind into the unit through open-

ings as they may touch dangerous voltage points or short-out parts that could result

in a fire or electric shock. Never spill liquid of any kind on the unit.

 Servicing–Do not attempt to service the unit yourself as opening or removing covers

may expose you to dangerous voltage or other hazards. Refer all servicing to qualified

service personnel.

 Damage Requiring Service–Unplug the unit from the wall outlet and refer servicing

to qualified service personnel under the following conditions:

When the power-supply cord or plug is damaged,

If liquid has been spilled, or objects have fallen into the unit,

If the unit has been exposed to rain or water,

If the unit does not operate normally by following the operating instructions. Adjust

only those controls that are covered by the operating instructions as an improper

adjustment of other controls may result in damage and will often require extensive

work by a qualified technician to restore the unit to its normal operation,

If the unit has been dropped or damaged in any way, and great care should be exercised in

handling, and the unit should be examined by qualified service personnel.

When the unit exhibits a distinct change in performance–this indicates a need for

service.

 Replacement Parts–When replacement parts are required, be sure the service techni-

cian has used replacement parts specified by the manufacturer or have the same

characteristics as the original part. Unauthorized substitutions may result in fire,

electric shock, or other hazards.

 Safety Check–Upon completion of any service or repairs to the unit, ask the service

technician to perform safety checks to determine that the unit is in proper operation

condition.

 Wall or Ceiling Mounting–The unit should be mounted to a wall or ceiling only as

recommended by the manufacturer.

 Heat–The unit should be situated away from heat sources such as radiators, heat

registers, stoves, or other units (including amplifiers) that produce heat.

IMPORTANT SAFETY NOTE

Before connecting a new component such as the Model 970 to your audio or home theater

system it is always good practice to make certain that all components are turned off, and

preferably unplugged from their AC power source. Many modern electronics products

feature automatic turn-on circuits that may be activated during an installation, causing

the potential for damage to electronic components and/or speakers. Such damage is not

covered by product warranties and Outlaw Audio specifically disclaims responsibility for

any such damage.

Warnings

3

Model 970 7.1 Channel Preamplifier Processor

Owner’s Manual

Precautions

Verify The Line Voltage

Your new Model 970 has been factory configured for 120 (+/- 3%) volt AC lines. Connecting

the unit to a line voltage other than that for which it is intended can create a safety and

fire hazard, and may damage the Model 970. If you have any questions about the voltage

requirements for your specific model, or about the line voltage in your area, contact Outlaw

Audio before plugging the unit into a wall outlet.

NOTE: It is always a good idea to avoid using any audio or video equipment on

the same AC circuit as equipment with motors, such as air conditioners or refrig-

erators. This will lessen the possibility of power variation and electrical start-up

noise affecting your sound system.

Power Cord

The removable power cord that is shipped with the Model 970 is specifically designed to be

used with this product. DO NOT use any other power cord, as that may reduce the unit’s

performance and possibly create a safety hazard. In particular, DO NOT use standard IEC

type power cords designed for computers and other business equipment products, as they

have a three prong plug that is not meant for use with the 970. Should the power cord

require replacement, use an identical type, or contact Outlaw Audio for service.

Handle the AC Power Cord Gently

When disconnecting the power cord from an AC outlet, always pull the plug, never pull

the cord. If you do not intend to use the Model 970 for any considerable length of time,

disconnect the plug from the AC outlet. If the power cord is replaced, make certain that it is

of similar gauge. As with all electrical devices, do not run power cords under rugs or carpets

or place heavy objects on them. Damaged power cords should be replaced immediately

with cords meeting factory specifications.

AC Fuse

The fuse is located inside the chassis and is not user-service-able. If power does not come

on, contact your authorized service station.

Wiring

Cables that are run inside of walls should have the appropriate markings to indicate com-

pliance with, and listing by the UL , CSA or other standards required by the UL, CSA, NEC

or your local building code. Questions about cables inside of walls should be referred to a

qualified custom installer, or a licensed electrician or low-voltage contractor.

Installation Location

To assure proper operation and to avoid the potential for safety hazards, place the unit

on a firm and level surface capable of supporting it’s weight. When placing the unit on a

shelf, be certain that the shelf and any mounting hardware can support the weight of the

unit and any additional items in the equipment rack, or on the shelf.

When positioning the Model 970 in its final location, make certain that it has adequate

ventilation on all sides, as well as on the top and bottom. In particular, it is a good idea

to provide at least two or three inches of room above the unit for air circulation. DO NOT

place CDs, DVDs, videotapes, owner’s manuals, or other paper on top of, or beneath, the

unit, or in-between multiple amplifiers in a stack. This will block airflow, causing heat

build-up, degraded performance, and may create a possible fire hazard.

If the unit is to be enclosed in a cabinet or rack, make certain there is adequate air cir-

culation. Sufficient ventilation should be provided so that hot air may exit, and cool air

may enter the cabinet. In some instances, a small cooling fan may be required to insure

adequate airflow through the cabinet. If you are in doubt as to the ventilation require-

ments for your specific installation, please contact us. Also, do not place the Model 970

directly on a carpeted surface, as this will inhibit airflow underneath as well as create a

potential fire hazard.

Avoid installation in humid locations, in extremely hot or cold locations, or in areas that

are exposed to direct sunlight or space heating equipment.

Do Not Open The Cabinet

There are no user serviceable components inside this product. Opening the cabinet may

present a shock hazard, and any modification to the product will void your guarantee. If

water or any metal object, such as a paper clip, coin or a staple, accidentally falls inside

the unit, disconnect it from the AC power source immediately, and contact Outlaw Audio

for further instructions.

Recording Copyright

Recording of copyrighted material for other than personal use is illegal without permission

of the copyright holder.

Note to CATV system installer

This reminder is provided to call the CATV system installer’s attention to Article 820-40 of

the NEC, ANSI/NFPA 70, which provides guidelines for proper grounding and, in particular,

specifies that the cable ground shall be connected to the grounding system of the building,

as close to the point of cable entry as practical.

FCC Information for User

CAUTION

: ANY changes or modifications not expressly approved by the party responsible

for compliance could void the user’s authority to operate the equipment.

NOTE

: This equipment has been tested and found to comply with the limits for a Class B

digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide

reasonable protection against harmful interference in a residential installation.

This equipment generates, uses and can radiate radio frequency energy and, if not installed

and used in accordance with the instructions, may cause harmful interference to radio

communications. However, there is no guarantee that interference will not occur in a

particular installation.

If this equipment does cause harmful interference to radio or television reception, which

can be determined by turning the equipment off and on, the user is encouraged to try to

correct the interference by one or more of the following measures:

Reorient or relocate the receiving antenna.

Increase the separation between the equipment and processor.

Connect the equipment into an outlet on a circuit different from that to which the

processor is connected.

Outdoor Antenna Installation

Safe Antenna and cable Connection

If an outside antenna or cable system is connected to the equipment, be sure the an-

tenna or cable system is grounded so as to provide some protection against built up static

charges and voltage surges. Section 810 of the

national Electrical Code, ANSI/NFPA 70

(in Canada, part 1 of the Canadian

Electrical Code) provides

information with

respect to proper

grounding of the

mast and sup-

porting structure,

grounding of the

lead-in wire to an

antenna discharge

unit, size of grounding

conductors, location of antenna discharge

unit, connection to grounding electrodes and

requirements for the grounding electrode.

Keep Antenna Clear of High Voltage Power Lines or Circuits

An outside antenna system should be located well away from power lines, electric light or

power circuits and where it will never come into contact with these power sources if it should

happen to fall. When installing an outside antenna, extreme care should be taken to avoid

touching power lines, circuits or other power sources as this could be fatal. Because of the

hazards involved, antenna installation should be left to a professional.

Precautions

4

Outlaw Audio

Owner’s Manual

Table of Contents

2 Please Read First

4 Serial Number

5 A Brief Note On This Manual

5 A Quick Guide to the Model 970’s Features

6 Unpacking

6 Accessories

6 Model 970 Front Panel

8 Model 970 Rear Panel

10 Remote Control

12 Front Panel and On-screen Display (OSD)

12 Surround Formats

12 Available Surround Modes

13 Dolby Digital

13 Dolby Digital EX

13 Dolby Pro Logic IIx

14 Dolby Virtual Speaker

14 Dolby Headphone

14 DTS

14 DTS-ES

14 DTS Neo:6

14 Stereo Listening Modes

14 Stereo

14 7-Channel Stereo/5-Channel Stereo

14 Bypass

14 Connecting Your Model 970

16 Connecting Audio Components

16 Connecting Video Components

18 Antenna Connections

18 Amplifier Connections

18 Subwoofer Connection

18 Other Connections

18 AC power connection

24 System Setup

24 Input Configuration

26 Speaker Placement

28 Speaker Size Configuration

29 Speaker X-Over (Crossover) Configuration

30 Surround Setting Configurations

31 Channel Calibration

33 Delay Adjust

34 System Configuration Settings

35 Model 970 Operation

35 Power

35 Direct Operation

38 Using the AM/FM Tuner

39 Using Headphones

40 Remote Control Setup and Operation

40 Battery Installation

40 Setup Using Preprogrammed Codes

41 Volume Control Punch-Through

42 Operation

42 Care and Maintenance

42 Cleaning

42 When You Are Away

42 System Reset

43 TroubIeshooting

43 Setup Codes

47 Model 970 Specifications

48 Outlaw Audio Limited Warranty

Table of Contents

IMPORTANT NOTE: The Model 970 is shipped from the factory with

the following default settings:

Output Configuration: 5.1 channels

Loudspeaker Size: Small

Surround Mode: Dolby Pro Logic IIx

Crossover Frequency: 100 Hz

We chose these settings because they’re a safe starting point for any

speaker configuration. However, we strongly recommend that you

customize these setting to match your components and listening

preferences. Just follow the instructions in this manual. In particular, if

you have a 7.1 channel system, it is important to make the necessary

adjustments or you will not be able to access all the surround modes.

Serial Number

Record your Model 970’s serial number and date of purchase here. The serial

number is found on the back panel.

Serial Number

Date of Purchase

The contents of this manual are Copyright © 2005 by Outlaw Audio, LLC, and

may not be duplicated or reproduced by any means, whether physical, electronic

or otherwise without prior written consent from Outlaw Audio.

5

Model 970 7.1 Channel Preamplifier Processor

Owner’s Manual

Outlaw Audio Model 970

7.1 Channel

Preamplifier Processor

Welcome to the hideout–you're now an Outlaw! Although you've selected one

of the most advanced A/V components available today, being an Outlaw isn't

always easy. Owning Outlaw components often ruffles the feathers of friends

or acquaintances that don't. That's because Outlaw products outperform

comparably priced units from virtually all other companies or cost much,

much less than units offering similar performance. But that's what being an

Outlaw is all about. So, once again, welcome. And sincere thanks for joining

the gang. We think you're going to enjoy being an Outlaw.

A Brief Note On This Manual

Read it! It's that simple. We know some of you won’t (Outlaws are a contrary

bunch!) But those who take the time will get some serious help craftily disguised

in non-serious language. Yep, you might say that this manual is a bit different

from some you’ve encountered in the past. Who knows, it might even provide

you with a chuckle or two as you read it.

On the serious side, this Manual contains everything you need to know to con-

nect, configure, and use your new processor. It'll show you how to integrate

your new processor with all the other components in your system, and how to

customize the Model 970 to match your preferences.

If you still have questions, we’re not going to leave you staked out in

the sun waiting for some posse to round you up. You can contact us via

e-mail at

customerservice@outlawaudio.com

or call us at

1-866-OUTLAWS

(688-5297)

.

You may also find fellow Outlaws hanging out around the campfire at the

Outlaw Saloon. It’s a great place to share your Model 970 experiences with

like-minded folk. Mosey on in by clicking on “Hideout” on our home page

and then clicking on “Saloon.” But make sure no one else is watching, OK?

We don't want anyone to know where the Outlaws hang out.

A Quick Guide to the Model 970’s Features

Your new Outlaw Audio Model 970 Preamplifier Processor is built with top-

quality components for state-of-the-art audio performance. It combines a

broad range of inputs and outputs, performance minded features, and the

very latest audio processing technologies that will make your system deliver

all the sound it’s capable of.

No matter what source material you throw at it, the Model 970 provides the

right surround-sound processing technology as well as other options to heighten

your enjoyment of movies, music, and video games. The processor works with

practically any audio and video component from analog sources to CD players,

cable and satellite boxes, PCs, digital TV tuners, and the latest Super Audio-CD

and DVD-Audio players. Of course, there is also a built-in AM/FM tuner.

Clean design and intuitive controls make the Model 970 one of the easiest-to-

use surround processors ever.

A Quick Guide to the Model 970's Features

 8 Digital Audio Inputs (4 coaxial, 4 optical)

These are “assignable” inputs. That means the setup menu system “links”

the front or rear panel digital inputs to any source. In short, you can

use any digital input for any digital source. Hook them up first, program

them later!

 2 Digital Audio Outputs (1 coaxial, 1 optical)

These let you connect digital audio sources to digital audio recorders.

 DVI (Digital Video Interface) Input/Output (2 input, 1 output)

For the best possible picture with DVI- or HDMI-equipped digital TV tun-

ers, satellite receivers and DVD players. Remember that DVI carries video

signals only. If another component has HDMI (High Definition Multimedia

Interface) connections, you will need a DVI/HDMI adaptor or dual-purpose

cable, such as those available from the Outlaws..

 High-Bandwidth Component Video Switching

This lets you use the Model 970 as a switching center for your high-def

sources like digital set-top boxes and progressive-scan DVD players without

losing any picture quality.

 5 Composite and S-Video Inputs

These provide high-quality video signal paths to and from your video

sources.

 8 Analog Audio Inputs with Bypass Capability

Connect all your audio sources to the Model 970 with ease. And you can

bypass all digital processing (surround processing, bass management, etc.)

to listen to straight analog two-channel sources whenever you want.

 Video Output Conversion

All composite and S-video signals are “transcoded” or upconverted to

component video, so every video signal (except DVI) is available at the

component output jacks. Of course, the on-screen menus are also available

on the component outputs (except when HDTV signals are in use.)

 High-performance AM/FM/FM Stereo tuner with 30 presets

 Audiophile-quality digital-to-analog and preamplifier stages

Provide maximum performance for critical music listening.

 High-performance, matched Op-Amps

 Dolby Digital EX® and Pro Logic IIx®

Dolby Digital decoding delivers 5.1-channel digital surround sound from

DVD, satellite, cable and digital TV sources. Dolby Digital EX adds an

additional rear-surround channel. Pro Logic IIx converts stereo sound

to 5.1, 6.1 or 7.1 channels, and also converts 5.1 sources to 7.1.

 DTS®, DTS-ES® and DTS Neo:6®

The full suite of DTS decoding and processing modes is available to provide

up to 6.1 channels of sound from virtually any analog source as well as

DTS-encoded programs.



7.1-Channel Analog Input with digital or analog bass management

This is for connection of today’s multi-channel source devices (Super Audio

CD and DVD-Audio players) as well as future high definition sources. You

may choose either digital or analog bass management, or simply go with

the by-pass mode when your player has internal bass management.

6

Outlaw Audio

Owner’s Manual

 Dolby Headphone®

This creates a surround-sound effect with ordinary headphones.

 Dolby Virtual Speaker®

Creates a surround-sound effect when only two speakers are connected.

 Lip Sync Delay

This important feature allows you to compensate for the video delay that

is often caused by the scaling circuitry in flat panel and micro-display

based video displays, digital video recorders or digital video sources.

Independently adjustable for each input, this feature restores lip sync.

 Four-Way Crossover

Allows you to optimize bass reproduction and power handling by setting

different crossover frequencies for front, center, side surround, and rear

surround speakers. (Don’t worry about understanding all of this right

now – we’ll explain later. Trust us, we’re Outlaws!)

 RS-232 Port

An RS-232 port makes it possible to update the Model 970’s software right

from your computer.

 Low-Voltage Trigger

This output jack sends a signal to an external system component (ampli-

fier, video projector, etc.) so that it turns on whenever you turn the Model

970 on. Yes, it’ll turn those same things off when you put the Model 970

into standby mode, too, so don’t worry.

Unpacking

Your processor comes in a carton with packing materials designed to cushion it

from all the rudeness it’ll undoubtedly encounter during shipping. We strongly

suggest you save them for use if you move, or if the unit ever needs to be shipped

back to us for any reason (our warranty requires it).

OK, your hideout may be small but you can minimize the size of the carton for

storage. Flatten it by carefully opening the top and bottom flaps and folding the

carton flat. Do the same with other cardboard inserts. If some of the packing

material can’t be folded, save it in a plastic bag.

The Model 970 is not light. It can’t be with all those goodies stuffed inside. So

take care when you lift it. Use your legs, not your back! And don’t bash your

furniture with the protruding front-panel volume control knob or the rear-

panel connectors.

Accessories

After unpacking your Model 970, please check to make sure that the follow-

ing accessories are in the box. If the Outlaws in the factory left anything out,

please get in touch with us.

 1 Remote control

 2 AA Batteries for the remote control

 1 AC power cord

 1 FM antenna

 1 AM loop antenna

 2 Front panel input insert covers

 1 Owner's manual

Model 970 Front Panel

FP1 On/Standby Indicator LED (see pages 24, 36)

Glows amber when the unit is in standby (ready) mode and turns blue

when you turn the unit on.

FP2 IR (Infrared) Sensor (see page 40)

The IR sensor receives commands from the hand held remote control.

Don’t block or hide it. If the Model 970 is placed in a closet, cabinet, or

behind tinted glass doors, you may have to use an external IR sensor.

FP3 Front panel display (see page 12)

Shows the input you’ve selected, what it’s assigned to, the AM or FM fre-

quency and tuner preset (if any), volume level, mute, which channels are

active, etc. It may be set to turn off automatically from 15 to 60 seconds

after it shows the information and may be used instead of the on-screen

display to help set up the Model 970 and the rest of your system.

FP4 Cursor (Navigation) controls

In general, the Up and Down cursor buttons select a particular function

or parameter from the on-screen or front panel display menu while the

Left and Right cursor buttons adjust whatever function or parameter

you’ve just selected. The Enter/Set button (in the middle of the Cursor

buttons) locks in the adjustments you’ve just made.

FP5 Menu button (see page 24)

Activates or cancels the on-screen menu.

FP6 Input button (see page 36)

Pressing activates input select function. Use the Cursor UP and DOWN

buttons to select the desired input.

FP7 Surround mode button (see page 36)

Pressing activates surround mode select function. Use the Cursor UP and

DOWN buttons to select the desired surround mode.

FP8 Tone button (see page 38)

Activates the tone controls. Use the Cursor UP and DOWN buttons to

select the desired tone control mode.

FP9 Mute button (see page 36)

Mutes the volume of the Model 970. Pushing the button again, or turning

the volume control, restores the sound.

FP10 Volume knob (see page 36)

Adjusts volume level through your speakers. The front panel display shows

volume settings from –70dB to +10dB. Turning the knob clockwise

increases volume. Turning it counterclockwise decreases levels. Volume

control overrides the Mute circuit.

FP11 Standby/On button (see pages 24, 35)

When the rear panel Master Power switch is in the ON position, pressing

this button toggles the unit from standby (most everything off except for

the IR sensor and associated circuits) to on (fully operational).

FP12 Headphone jack (see page 39)

Use to connect headphones. Pure stereo or Dolby Headphone processing

is available. The speakers are muted when the headphones are in use.

Unpacking

7

Model 970 7.1 Channel Preamplifier Processor

Owner’s Manual

FP13 Headphone level knob (see page 39)

Adjusts the volume level of the headphones.

FP14 Tuner button (see page 38)

Selects between AM or FM.

FP15 Tune Mode button (see page 38)

Selects between FM mono and FM stereo.

FP16 Preset button (see page 39)

Advances tuner to the next preset in the selected frequency band

(AM or FM).

FP17 Digital 4 Inputs (Coaxial and Optical) (see pages 15-23)

Connect the output of a portable or other device with digital audio to

these jacks. They may be assigned to any video input.

FP18 S-Video 4 input (see pages 15-23)

Connect the S-Video output of a game console, camcorder or any other

portable video device to this input.

FP19 Composite video 4 input (see pages 15-23)

Connect the composite video output of a game console, camcorder or

any other portable video device to this input.

FP20 Stereo analog audio inputs (see pages 15-23)

Connect audio for video game systems, camcorders, and portable music

or DVD players.

Model 970 Front Panel

Model 970 Front Panel

FP

1

FP

2

FP

3

FP

4

FP

5

FP

6

FP

7

FP

8

FP

9

FP

10

FP

11

FP

12

FP

13

FP

17

FP

18

FP

19

FP

20

FP

14

FP

15

FP

16

NOTE:

The Model 970 is shipped with insert

covers for the front panel inputs.

To remove them, press gently on the left

side of the insert until the right side pops

out, and then pull the insert towards you.

To replace the inserts, slip the left side in

first while holding the insert at a 45

degree angle, and then gently push the

right side of the insert into place.

8

Outlaw Audio

Owner’s Manual

Model 970 Rear Panel

The Model 970 rear panel provides a wide range of digital and analog inputs

and outputs. Many current components provide multiple types of audio and

video connectors. When in doubt about which to use, choose the best available

connection based on the following: For video, the highest quality signal is

obtained by using DVI/HDMI, followed by component, S-Video and composite.

For audio, start with either a coaxial or optical digital cable, otherwise use

standard RCA-type analog connectors.

In some cases you will want to make more than one type of connection for added

flexibility in configuring your system. Those situations will be noted below.

RP1 Component video inputs (see pages 15-23)

Use these three sets of jacks to connect devices with component video

outputs, such as a DVD player or a digital TV tuner. If the device has a

DVI or HDMI output, use that connection instead.

RP2 FM antenna input (see page 18)

Accepts a 75-ohm coaxial cable. Use it to connect the supplied FM

antenna.

RP3 AM antenna input (see page 18)

Use this to connect the supplied AM loop antenna or any other external

AM antenna.

RP4 Component video output (see pages 15-23)

Connect to a video display that accepts component video. If the device has

a DVI or HDMI input, use that connection instead.

RP5 DVD input (see pages 15-23)

Use this group of inputs to connect a device with analog multi-channel

outputs, such as a DVD-Audio or Super Audio CD player. The composite

and S-Video jacks are specifically designated for use with this input,

or you may assign any of the DVI or component video inputs. A pair of

analog audio inputs is also provided.

RP6 Bass Management selector switch

Three position toggle switch for selecting how the Model 970 routes bass

signals for the DVD 7.1 multi-channel analog inputs only. Choices are

“Digital” (which applies the choices that you’ll make in the Speaker Size

and Speaker X-Over sub-menus), “Bypass” (no bass management at all)

and “HPF/LPF” (a fixed analog crossover at 80Hz). Bass Management

parameters are set for all other inputs using the Speaker Size and Speaker

X-Over sub-menus explained on pages 30-31.

RP7 IR input

Connect an external infrared sensor to this input to allow remote control

of the Model 970 even if it is installed in a cabinet with solid doors. It also

allows control of the Model 970 from a second room.

RP8 IR output

Feeds an infrared flasher attached to another piece of audio/video gear.

Any infrared remote signal received by the Model 970’s front-panel sen-

sor or by an external sensor connected to the Model 970 will be relayed

through this jack, so concealed audio/video devices can be controlled

by remote.

RP9 12V Trigger output (see page 18)

This jack provides a 12-volt DC output whenever the Model 970 is switched

on. Usually, this jack is used for automatic turn-on of a compatible

amplifier equipped with a DC trigger input.

RP10 Serial number

Write this number in the space provided on page 4 for future reference.

RP11 RS-232 port (see page 18)

Use this connector for uploading new software into the Model 970.

RP12 Digital audio inputs (see pages 15-23)

Optical and coaxial inputs for connecting digital audio devices such as

DVD players, CD players, and digital TV tuners. These inputs are assign-

able to any video or audio source.

RP13 Reset switch access

Together with the RS-232 port, this switch is used to enable the software

update process of the Model 970. This switch should not be confused with

resetting the Model 970 configuration settings to their factory defaults

which is explained on page 49.

RP14 Digital audio outputs (see pages 15-23)

Connect these to a CD recorder, MiniDisc recorder, a computer or any

other audio recording device that accepts digital inputs. Both optical and

coaxial outputs are provided.

RP15 Analog audio connections (see pages 15-23)

This group includes input connectors for analog audio devices, such as

cable boxes, laserdisc players or older CD players. There is also a tape

loop for feeding an analog audio recorder or cassette deck.

RP16 Video 1 connections (see pages 15-23)

Connect these audio and video jacks to a VCR or a DVD recorder. If the recorder

has an S-Video input, use that connection instead of composite video.

RP17 Video 2 and 3 connections (see pages 15-23)

Connect these two sets of audio and video jacks to video devices, such

as DVD players, satellite receivers, regular and S-VHS VCRs, cable boxes

or laserdisc players.

RP18 Monitor out connections (see pages 15-23)

Connect these audio and video jacks to your TV or monitor. Use the

S-Video or composite connectors when the display does not have a com-

ponent or DVI/HDMI video input.

RP19 Subwoofer output (see pages 18 and 23)

Connect to the input of a powered subwoofer or to an amplifier that feeds

a passive (non-powered) subwoofer. The output of the signal at this jack

is determined by the settings in the Speaker Size and Speaker X-Over

sub-menus explained on pages 30-31.

RP20 Preamp audio outputs (see pages 18 and 23)

Variable outputs for connecting to an external power amplifier to your

system while still using the speakers connected to the loudspeaker out-

puts. If desired, an external amplifier with higher power than the Model

970’s internal amp–such as one of Outlaw’s own amplifiers–can be

connected to the Model 970 using these jacks. Alternatively, an external

amp can be connected here to drive additional speakers in a remote

location, such as a patio or second room.

Model 970 Rear Panel

9

Model 970 7.1 Channel Preamplifier Processor

Owner’s Manual

RP21 DVI inputs (see pages 15-23)

These digital video connections provide the best possible picture when

using a DVI- or HDMI-equipped video sources. (Use a DVI-to-HDMI

adapter or dual-purpose DVI to HDMI cables such as those available

from Outlaw Audio.)

RP22 DVI output (see pages 15-23)

When DVI or HDMI sources are connected to the Model 970’s DVI Inputs,

connect this jack to a DVI equipped video display, or use an adaptor or

dual purpose cable to connect it to an HDMI display. Analog video sources

and on-screen menus do not appear on the DVI output.

RP23 MAIN POWER button (see pages 24 and 36)

Connects and disconnects the Model 970 from AC power. When this

switch is on, the Standby/On indicator on the front panel illuminates.

When it is off, all power is cut and the front STANDBY/ON switch will

not function.

RP24 AC input (see page 18)

Connect the supplied AC power cord here. Do not use standard IEC type

power cords.

Model 970 Rear Panel

Model 970 Rear Panel

RP

1

RP

2

RP

3

RP

4

RP

5

RP

9

RP

10

RP

11

RP

13

RP

12

RP

14

RP

6

RP

15

RP

16

RP

17

RP

18

RP

19

RP

21

RP

22

RP

23

RP

24

RP

8

RP

7

RP

20

10

Outlaw Audio

Owner’s Manual

Remote Control

The Model 970’s hand held remote controller is a pre-programmed universal

unit that contains an extensive library of IR codes and can control up to seven

other system components in addition to duplicating every one of the Model

970’s front panel functions. All of these choices are shown on the Model 970’s

front panel and on-screen displays.

Activate the remote’s backlight by simply touching any pushbutton. This lets

you use the remote comfortably even in a dark room. The backlight stays on

for 5 seconds after you’ve touched a pushbutton.

RC1 Setup button (see pages 40-42)

Holding down this button for three seconds causes the remote to enter

setup mode. In this mode, you can enter an entire set of codes for another

device to be controlled.

RC2 Device Control Selector buttons (see pages 24, 36, 40-42)

Selects the component you want to control with the remote.

Push TNR

to control the Model 970.

RC3 Numeric keypad (see pages 38-42)

Buttons for control functions requiring you to enter numbers, such as

command code selection when programming the remote, using the

tuner, selecting CD and DVD player tracks, etc.

RC4 Mute button (see page 36)

Mutes the Model 970’s output. Pushing the button again restores the

volume to its previous level. Changing the front panel or remote control

volume setting also releases the mute function. Mute status is shown on

the front panel display.

RC5 Volume Up/Down buttons (see pages 36, 40-42)

These buttons control the Model 970’s volume.

RC6 Sleep button (see page 37)

Activates the sleep timer, putting the processor into Standby mode after

a certain period. The first push sets the timer at 90 minutes; subsequent

pushes scroll though 75, 60, 45, 30, 20, 10, 5 minutes, and Off. Once the

timer is set, pushing this button again displays the remaining time on

both the front panel and the on-screen display.

RC7 Guide/Test dual function button (see page 37)

Model 970

: Test turns on the test tone generator to set speaker levels. To

route the test tone from one speaker to the next, press the Left or Right

Cursor buttons. Use the Up/Down cursor buttons to adjust levels. Press

Set when finished.

Other components

: Guide calls up the program guide on satellite receiv-

ers and cable boxes.

RC8 Cursor control buttons (menu navigation)

In general, the Up and Down cursor buttons select a particular function

or parameter from the on-screen menu while the Left and Right cursor

buttons adjust whatever function or parameter that’s been selected. Set

activates selections made while using the on-screen menu.

RC9 Direct/

dual function button (see page 38)

Model 970

: Direct enables access to a radio station directly. Press once,

then enter the station’s frequency using the numeric keys.

Other components

:

begins the play function.

Model 970 Remote Control

Remote Control

RC

1

RC

2

RC

3

RC

4

RC

5

RC

7

RC

8

RC

10

RC

11

RC

12

RC

13

RC

14

RC

15

RC

24

RC

25

RC

26

RC

27

RC

28

RC

17

RC

16

RC

18

RC

22

RC

19

RC

21

RC

6

RC

20

RC

23

RC

9

11

Model 970 7.1 Channel Preamplifier Processor

Owner’s Manual

RC10 Info/7.1 dual function button

Model 970

: 7.1 selects the 7.1 multi-channel audio input.

Other components

: Info calls up whatever menu or information is

available.

RC11 Preset Down/

dual function button (see page 39)

Model 970

: Preset Down advances the AM/FM tuner to the next lower

preset station.

Other components

:

begins rewind or reverse scan.

RC12 Tune Mode/ dual function button (see page 38)

Model 970

: Tune Mode selects between mono and stereo while listening

to FM. The selected mode appears on-screen.

Other components

:

activates the recording function.

RC13 Source Selector buttons (see pages 35 and 42)

Turns the Model 970 power on and selects a particular source as the

Model 970’s input. The source appears on the front panel and the on-

screen display.

RC14 Dolby Modes button (see page 36)

Selects from the available Dolby surround modes, depending on the

input source and the number of speakers in your system. Each press of

the button selects another mode. Mode selections appear on the front

panel and the on-screen display.

RC15 DTS Modes button (see page 36)

Selects from the available DTS surround modes, depending on the input

source and the number of speakers in your system. Each press of the

button selects another mode. Mode selections appear on the front panel

and the on-screen display.

RC16 Status LED Indicator (see pages 40 and 41)

Lights briefly after pushing a control key. Flashes twice in rapid succes-

sion when you’ve successfully entered “setup” mode.

RC17 Power off button (see pages 35 and 42)

Turns off the Model 970. Also turns other components controlled by

the remote on and off.

To turn on the processor, press any Source

Selector button. This turns the Model 970 on and switches the unit to

that input.

RC18 Enter/Sync dual function button (see page 38)

Model 970

: Sync, sometimes called “lip synch,” delays audio in precise

steps to preserve synchronization with the video image. Each push of

the button increases the delay by 10 milliseconds. The on-screen display

indicates the amount of delay. After delay is set, pushing the button again

resets the delay to 0.

Other components

: Enters a selection (a channel number, etc.) made

with the numeric keypad.

RC19 Last/Night dual function button (see page 37)

Model 970

: Night reduces the audio signal’s dynamic range for late

night viewing.

Other components

: Last toggles between the two most recently selected

TV channels.

RC20 Channel Up/Down buttons (see page 38)

Adjusts AM/FM radio tuning frequency. Frequency appears on both the

front panel and on-screen. Also serves as channel selector when control-

ling other devices.

RC21 Tone button (see page 38)

Activates the tone controls. After pushing the Tone button, use the Up

and Down cursor buttons to change treble settings. Press Tone again to

change bass settings.

RC22 Exit/Trim dual function button. (see page 37)

Model 970

: Trim enables level calibration of each channel for “on-

the-fly” adjustments without test tones (for example, increasing center

channel level).

Other components

: Exit takes you out of that component’s menu.

RC23 AM/FM/ dual function button (see page 38)

Model 970

: AM/FM selects the AM/FM tuner when using another source.

Push it again to switch between AM and FM.

Other components

:

stops whatever media the component is using,

cancels Record (if engaged) and disengages the transport mechanism.

RC24 MENU/OSD dual function button (see page 24)

Model 970

: OSD activates the on-screen display.

Other components

: Menu calls up that device’s menu.

RC25 Preset Up/

dual function button (see page 39)

Model 970

: Preset Up advances the AM/FM tuner to the next higher

preset station.

Other components

:

initiates fast forward or forward scan.

RC26 Memory/ dual function button (see page 39)

Model 970

: Selects a station memory of the internal AM/FM tuner; press

the button then enter the number of the desired memory. Holding this but-

ton down for three seconds activates automatic channel scan, which scans

the band you are on for the next highest active frequency/station.

Other components

:

temporarily stops Play or Record.

RC27 Bypass button (see page 36)

Turns off all digital-domain audio signal processing, including Bass

Management.

RC28 Stereo Modes button (see page 36)

Deactivates surround sound processing and selects from traditional

two-channel stereo, 5 Stereo and 7 Stereo modes. Stereo mode selection

is indicated on the front panel and the on-screen display.

Remote Control

12

Outlaw Audio

Owner’s Manual

Front Panel and On-screen Display (OSD)

The front-panel display and on-screen display (OSD) provide visual feedback

of the current settings, surround modes, and configuration menus of the unit.

Information is constantly displayed at the front panel whenever the Model 970

is turned on.

To use the OSD, the unit must be connected to your display device using either

the composite video output or S-Video output jacks. You may also view the OSD

using the component video output, but the picture may blank temporarily when

you activate the menu system.

The information presented in the front-panel display will in most cases reflect

what is displayed in the OSD, but certain operations require that you use one

or the other.

Surround Formats

The Model 970 incorporates today’s most advanced surround sound technolo-

gies. The Model 970 handles the full roster of Dolby and DTS formats. In the

Dolby column, you’ll see Dolby Digital, Dolby Digital EX, and Dolby Pro Logic

IIx (Movie, Music, and Game modes). On the DTS side of the tracks, we’ve

included DTS, DTS-ES (Discrete and Matrix), Neo:6, and 96/24.

You’ll also find Dolby Headphone for convincing surround effects with con-

ventional stereo headphones and Dolby Virtual Speaker for an exceptionally

enveloping surround soundfield with just two full-range speakers. The Model 970

also offers 5-Channel Stereo and 7-Channel Stereo modes.

What you won’t find is a plethora of artificial “environments” like “stadium,”

“concert hall,” “jazz club,” etc. We did this on purpose–they’re usually not worth

the effort to scroll past on the way to something really useful. Want excellent

surround sound from stereo sources? Use Dolby Pro Logic IIx or DTS Neo:6.

Available Surround Modes

To help you further understand the messages that appear in the front panel

display and the on-screen messaging system, the chart and information that

follow below explain how the information messages from the Model 970 relate

to the surround decoding and processing modes available on the Model 970.

It is important to remember that not all modes are available at all times. Some

modes, such as Dolby Pro Logic IIx Digital EX and “7 Stereo” are only available

when you have a 7.1 system with the Surround Back speakers set to SMALL or

LARGE in the Speaker Configuration menu (see pages 30-31). Other modes,

including Dolby Digital, DTS and DTS-ES require a digital data stream, and

are thus not available when an analog source is playing.

To make it easier to navigate the multitude of mode options, we have added two

important columns to the chart below and put special key indicators:

 The “D” column tells you which modes are available when a digital source

is playing, depending on the specific digital data stream.



DD

indicates modes that are only available with Dolby Digital encoded

sources.



DTS

indicates modes that are only available with DTS encoded sources.



P

indicates modes that are available only with two-channel PCM data

streams.



+

indicates a post-processing mode that’s available as an “adder” to two channel

(2.0) Dolby Digital or PCM data streams. For example, when a Dolby Digital 2.0

data stream is present you may add Dolby Pro Logic II or IIx as a post processing

mode. In those cases you will see the main mode name in the display messages

first, followed by a “+” and then the post processing mode’s name.

 The “A” column tells you which modes are available with two-channel

analog inputs.

Front Panel and On Screen Display (OSD)

Model 970 Front Panel and On Screen Display

Example of Front Panel

Display when an input

source is selected.

Example of On Screen

Display when an input

source is selected.

Example of On Screen

Display when the Main

Menu is selected.

Example of Front Panel

Display when the Main

Menu is selected.

13

Model 970 7.1 Channel Preamplifier Processor

Owner’s Manual

Surround Formats

D A Display Text Name Description/Suggested Use

DD DOLBY DIG Dolby Digital Decodes Dolby Digital data for discrete (2.0 to 5.1 depending on the playback source) multi-channel playback

DD DOLBY DIG EX Dolby Digital EX Decodes Dolby Digital soundtracks to a 7.1 soundfield

+

•

DOLBY PLll-C Dolby Pro Logic II Cinema Creates a 5.1 soundfield from stereo or matrix encoded sources. Optimized for movie soundtracks.

+

•

DOLBY PLII-M Dolby Pro Logic II Movie Creates a 5.1 soundfield from stereo or matrix encoded sources. Optimized for music playback.

+

•

DOLBY PLII-X Dolby Pro Logic II Game Creates a 5.1 soundfield from stereo or matrix encoded sources. Optimized for use with games.

+

•

DOLBY PLllx-C Dolby Pro Logic IIx Cinema Creates a 7.1 soundfield from stereo or matrix encoded sources. Optimized for movie soundtracks.

+

•

DOLBY PLIIx-M Dolby Pro Logic IIx Movie Creates a 7.1 soundfield from stereo or matrix encoded sources. Optimized for music playback.

+

•

DOLBY PLIIx-X Dolby Pro Logic IIx Game Creates a 7.1 soundfield from stereo or matrix encoded sources. Optimized for movie soundtracks.

+

•

VS Dolby Virtual Speaker Creates a multi-channel soundfield from stereo sources

+

•

PRO LOGIC Dolby Pro Logic Dolby Labs’ original Pro Logic matrix decoding mode

•

DTS DTS 5.1 Delivers 5.1 sound from DTS encoded material

DTS DTS-ES DTS-ES Discrete Delivers a discrete 6.1 soundfield from DTS-ES discrete encoded material

DTS DTS-ES DTS-ES Matrix Delivers a 6.1 soundfield from DTS-ES matrix encoded material

P+

•

NEO:6 CINEMA DTS Neo:6 Cinema Creates a multi-channel soundfield from stereo sources

P+

•

NEO: 6 MUSIC DTS Neo: 6 Music Creates a multi-channel soundfield from stereo sources

P

•

STEREO Two-Channel Stereo Two channel stereo with digital bass management

P

•

5 STEREO Five-Channel Stereo Creates a 5-channel program from a stereo source

P

•

7 STEREO Seven-Channel Stereo Creates a 7-channel program from a stereo source

•

BYPASS Bypass “Pure” two channel playback with no digital processing for bass management

Dolby Digital

This format provides 5.1-channel surround sound. Dolby Digital source mate-

rial includes DVDs, digital TV broadcasts, many PlayStation 2® video games,

all Xbox® video games, laserdiscs, some cable and satellite programs, digital

cable programming, and D-VHS tapes.

Dolby Digital EX

Dolby Digital Surround EX-encoded soundtracks contain an extra back

surround channel that’s been added to the soundtrack during mixing. This

additional channel places audio directly behind the listener to provide more

detailed imaging, enhanced depth, better ambience, and more precise sound

localization. You can play this “back” channel through one or two additional

surround speakers. There’s a list of Dolby Digital EX-encoded movies on the

Dolby web site,

www.dolby.com

.

You can use Dolby Digital EX to play back non-EX encoded material but the

results probably won’t be precisely what you might expect. Instead, we recom-

mend that you use Dolby Digital +

Pro Logic IIx-C

(movie mode) for more

predictable results.

Dolby Pro Logic IIx

Dolby Pro Logic Ilx is the most recent version of Dolby Pro Logic decoding. Pro

Logic II was a substantial improvement over original Pro Logic and Pro Logic

IIx is the 7.1-channel version of Pro Logic II. You can use it only when you’ve

got back surround speakers connected to the Model 970. Otherwise, the Model

970 provides standard Pro Logic II processing.

Pro Logic IIx’s Movie mode

is excellent for decoding Dolby Surround-encoded

movie and TV soundtracks. It also works well with video games, especially those

encoded in Pro Logic II. Use this mode for VHS tapes, standard TV broadcasts,

and DVDs encoded in Dolby Digital 2.0.

The Pro Logic IIx Music mode

converts stereo music into surround sound.

Use it with any stereo music source, including CDs, FM radio, and MP3 play-

ers. The Music mode includes three controls, which are adjustable through the

Model 970's Surround Configuration sub-menu: They are:

Panorama:

Extends the front stereo image to the surround speakers for a

“wraparound” effect.

Dimension:

Lets you correct for “dry” recordings by extending the soundfield

towards the back of the listening/viewing area and to decrease apparent rever-

beration by “collapsing” the image towards the front.

Center Width:

This blends sound from the center channel into the left and right

channels to create a more seamless front soundstage. You can vary the effect from

one extreme (where the center channel speaker is shut off and only a “phantom”

signal derived from the left and right speakers remains) to the other (where only

the center channel speaker reproduces center channel information.)

The Pro Logic IIx Game mode

sends surround channel bass signals to the

subwoofer to preserve visceral impact.

Pro Logic IIx processing also works with 5.1-channel material, either Dolby

Digital or DTS, to create 7.1-channel sound. This mode is shown in the front

panel and on-screen displays as “ProLogicIIx-X

14

Outlaw Audio

Owner’s Manual

Dolby Virtual Speaker

Strictly speaking, this isn’t a surround format at all. Using advanced algorithms

(mathematical manipulations), it duplicates the sound field generated by a

full 5.1-channel speaker array with just two speakers placed as you would for

conventional stereo listening. Dolby Virtual Speaker delivers precise localization,

accurate spatial clues, and high sound quality and is ideal for anyone who wants

a surround experience without a center channel and surround speakers.

Dolby Headphone

You could call this “Dolby Virtual Speaker for Headphones” because that’s a

pretty accurate description of what it does. This circuitry creates a convinc-

ing surround effect that’s ideal for private listening with conventional stereo

headphones. The math behind it is complicated. The enjoyment isn’t.

DTS

Similar to Dolby Digital but employing a higher sampling rate, standard DTS

provides 5.1-channel surround sound. It is available on CD, DVD, laserdiscs,

PlayStation 2 video games, and D-VHS tapes. Audio-only DTS discs may be used

with any CD, DVD, or laserdisc player with a digital audio output, but DVD discs

with DTS audio must be used on players with the “DTS Digital Out” logo.

DTS-ES

DTS-ES extends the original DTS format by adding an additional back surround

channel to a soundtrack. DTS-ES-Matrix titles provide the sixth channel by

a matrix process, while DTS-ES-Discrete media deliver a true, discrete back

surround channel. Both DTS-ES formats are backward compatible with the

original DTS process, and will deliver a 5.1-channel output if your system has

no back surround speakers. The Model 970 automatically senses the presence

of either DTS-ES format and switches the processing mode when required.

DTS Neo:6

This processing mode creates up to six full-bandwidth channels from any

matrix-encoded 2-channel source. It offers two modes, Cinema and Music. Use

the Cinema mode for movie soundtracks, the Music mode for stereo music.

More info about the Model 970’s various surround-sound technologies can be

found at the

www.dtsonline.com

and

www.dolby.com

.

Stereo Listening Modes

The Model 970 offers advanced technology for stereo listening, too.

Stereo

This mode routes sound only to your front left and right speakers–and to your

subwoofer, if one is connected.

7-Channel Stereo/5-Channel Stereo

This mode routes the signal from a stereo recording to all of the speakers in

your system. There’s minimal processing so you’ll enjoy very even sound quality

as you move around the room–that’s why this is often called “party mode.”

Bypass

Like Stereo mode, Bypass also routes sound only to your front left and right

speakers. The difference between the two is that Bypass has no DSP (digital

signal processing), so there’s no surround modes, etc. As you might expect,

Bypass delivers a somewhat cleaner sound than Stereo mode.

Connecting Your Model 970

Before connecting your Model 970 to other system components, please observe

the following simple precautions:

 Don’t plug the power cord into your Model 970 until you’ve made all other con-

nections.

 Always pay attention to the warnings, options, and specific procedures contained

in the instructions that came with the component you’re connecting.

 For analog connections, remember that:

red input jacks = right channel audio

white input jacks = left channel audio

yellow input jacks = composite video

 Insert all plugs and connectors securely. If you don’t, you may experience noise,

poor performance, or equipment damage.

 Don’t bundle audio/video connection cables with power cords and speaker cables.

To get the performance you expect, run all the power cords down one side of the

cabinet, all the signal connections down the other side, and the speaker cables

down the center.

 You may want to use digital and analog connections to and from the same

component. This will give you additional flexibility as you configure your system,

particularly when you use an analog audio recorder.

 When using an optical input or output jack, always use a high-quality optical

fiber cable.

Given the wide variety of components and many ways you can connect them,

you might find initial set-up a bit intimidating. Don’t worry. The following

diagrams will guide you through the maze. They graph some of the more com-

mon situations you might encounter. Rest assured, however, that there would

most likely be several ways to connect a component so these diagrams are not

hard and fast blueprints. (Please remember to consult the owner's manual that

came with the component you are connecting for more information.)

In order to alleviate potential confusion, use the chart on page 15 to record each

connection (which output to which input, etc.) as you connect your system’s

components. These connections might change as you get further into your

system configuration and we suggest that you make a few photocopies of that

page (or print a few copies of the page from the PDF version of this manual,

which is available from our website) to use as worksheets before you start. When

you’re done and your system is functioning properly, you can enter the final

connections into the manual itself for a more permanent record.

Stereo Listening Modes

15

Model 970 7.1 Channel Preamplifier Processor

Owner’s Manual

Connection Record Chart

Connecting Your Model 970

16

Outlaw Audio

Owner’s Manual

Connecting Audio Components

(see page 19)

CD Player or Music Server

Analog

Connect the L and R channel outputs on the CD player or music server

to the CD input jacks (

RP15

).

Digital

If your CD player or music server has a digital output, connect it to

one of the coaxial or optical inputs (RP9) depending on the type of connector

used by the source. (You’ll configure the Model 970 later to use the input you’ve

chosen. For now, note that digital input on your system chart.)

Audio Recorder

(Cassette deck, MD recorder, DAT, CD recorder, etc.)

Analog

Connect the L and R audio outputs on the recorder (usually marked

PLAY) to the TAPE IN jacks (

RP15

). Connect the L and R audio inputs (usually

marked REC) to the RECORD OUT/TAPE jacks (

RP15

).

Digital

Connect your recorder’s digital output jack to either the coaxial or

optical input (

RP12

) depending on the type of connector used by your recorder.

(As with the digital CD input, configuration will come later. For now, just note

that input on your system chart.)

If your recorder has a digital input jack, connect it to either the coaxial or opti-

cal output (

RP14

) depending on the type of connector used by your recorder.

(Configure this later, but note the connection now.)

Computer sources

NOTE: Although you can connect a computer via analog or digital

inputs, we suggest a PCM, Dolby Digital or DTS connection when pos-

sible for the best sound. You can also use your computer to record

sound from the other devices connected to the Model 970.

Analog

Using a 1/8” (3.5mm) stereo miniplug to dual-RCA adapter cable (a

“Y” cable with male connectors at both ends), connect the computer sound

card’s audio output minijack to the TAPE IN jacks (

RP15

). Then, using a sec-

ond “Y” cable, connect the sound card’s audio input minijack to the RECORD

OUT/TAPE jacks (

RP15

).

NOTE: If you have to make a choice between connecting another

recording device or your computer through analog connections, opt to

use the analog jacks for the other recording device.

Digital

Connect your sound card’s digital output jack to either the coaxial or

optical input (

RP12

) depending on the type of connector used by the sound

card. (As with the digital CD input, configuration will come later. For now, just

note that input on your system chart.)

If your sound card has a digital input jack, connect it to either the coaxial or

optical output (

RP14

) depending on the type of connector used by the sound

card. (You’ll configure this later but note the connection now.) Note, however,

that the signal must be output from the computer in a form that is compat-

ible with the Model 970’s signal processing, such as Dolby Digital, DTS or

conventional PCM. Other digital audio formats such as MP 3 may not be used

directly with the Model 970.

MP3 Player

Analog

You can use any analog audio input to connect an MP3 player to the

Model 970 but you’ll probably find it most convenient to use the Left and Right

channel analog audio jacks on the front panel Video 4 input (

FP18

). Use the

same 1/8” (3.5mm) stereo miniplug to dual-RCA adapter cable (a “Y” cable

with male connectors at both ends) that we’ve suggested above to go from the

MP3 player’s headphone output to the Model 970. Remember the color-coding

on the RCA end of the cable – red for right, white for left.

Connecting Video Components

(see pages 20-22)

Before making connections to any video devices, you should understand how

the Model 970 routes video signals.

 Any signal appearing at any composite video input (DVD, VIDEO 1-4 IN) is

automatically sent to the composite and S-Video VIDEO MONITOR OUT and

VIDEO 1 REC OUT jacks and to the component MONITOR OUT jacks.

 Any signal appearing at any S-Video input jack (DVD, VIDEO 1-4 IN) is auto-

matically sent to the composite and S-Video VIDEO MONITOR OUT and VIDEO

1 REC OUT jacks and to the component MONITOR OUT jacks.

 Any signal appearing at the component video (DVD, VIDEO 1-2 IN) input jacks

is automatically sent to the component video MONITOR OUT jacks only.

 Any signal appearing at either the DVI 1 or DVI 2 input is sent to the DVI OUT

jack only.

NOTE: For the greatest flexibility, connect composite or S-Video cables

from all of your video source components to the Model 970, even if

you are already using a component video or DVI connection.

Remember that the Model 970's on-screen display does not appear at the DVI

OUT jack so always provide a component, S-Video, or composite video connec-

tion in addition to DVI.

DVD Player

This is a complex bit of interconnectivity simply because there are many pos-

sibilities. You’ll have to deal with several video signal formats and a variety of

audio possibilities, too. So read this section carefully before you begin.

Video Connections

Composite

Using a video cable with yellow RCA jacks at both ends, connect the

DVD player’s composite video output to the composite video DVD input (

RP5

).

NOTE: You may be tempted to use standard audio “patch cords” for

composite video connections. Resist that temptation. The impedance

specification of audio cables is not the same as for video and you may

see image degradation as a result.

S-Video

Using a S-video cable with a 4-pin mini-DIN connector at each end,

connect the DVD player’s S-video output to the S-video DVD input (

RP5

).

S-Video delivers a better picture than composite connections and should be

used whenever possible unless component or DVI connections are available.

They deliver better pictures than S-Video.

Connecting Your Model 970

17

Model 970 7.1 Channel Preamplifier Processor

Owner’s Manual

Connecting Your Model 970

Component

If your DVD player has component video outputs, connect them

to the component DVD IN jacks (

RP1

). Because component video connections

require three video-grade cables, remember to follow the alphabet (“Y” to “Y,”

“PB” to “PB,” and “PR” to “PR”) when making these connections.

DVI/HDMI

If your DVD player has a DVI or HDMI video output and your video

monitor has a DVI or HDMI input, connect the DVD player to the Model 970’s

DVI 1 or 2 input (

RP21

). (For HDMI-equipped DVD players, use an HDMI-to-DVI

adapter, or dual-purpose cable such as those available from Outlaw Audio.)

Audio Connections

Analog

Using a pair of RCA-to-RCA audio cables, connect your DVD player’s L

and R channel analog audio outputs to the DVD analog audio jacks (

RP5

).

Digital

Connect your DVD player’s digital audio output (coaxial or optical)

to one of the digital inputs (

RP12

). Note the selected input on your worksheet

for configuration later.

Multi-Channel Audio

If your DVD player has a multi-channel audio output for

DVD-Audio or SACD playback, connect the six outputs from your player to the

multi-channel AUDIO IN jack set (

RP5

). Use the L, R, CEN, SUB, SL, and SR

jacks only – ignore the jacks labeled SBL and SBR. (These will accommodate

future 7.1-channel formats if they appear.) Be careful to maintain continuity:

Connect L to L, center to CEN, and so on. If your DVD player includes a built-in

Dolby Digital decoder with 5.1-channel analog audio outputs but no DVD-A or

SACD capability, do not use the player’s 5.1 channel analog outputs. Instead, use

a digital connection as described above. Your ears will applaud your choice.

NOTE: You must use the multi-channel audio input for SACD and

DVD-Audio players in order to hear the high-resolution digital sound

these players provide.

Video Recorder

You can connect a video recording device (VCR, PVR, DVD recorder, etc.) by

using the following methods.

Video Connections

Composite

Connect your video recorder’s composite video output to the VIDEO

1 IN composite video input jack (

RP16

). Then connect the recorder’s composite

video input to the VIDEO 1 REC OUT composite video jack (

RP16

). Use the same

type of cable specified in the DVD Player section immediately above.

S-Video

Using a S-video cable with a small 4-pin mini-DIN connector at

each end, connect the DVD player’s S-video output to the S-video Video 1

input (

RP16

). Then connect the recorder’s S-video input to the S-video Video

1 output (

RP16

).

Audio Connections

Digital

Connect your video recorder’s digital audio output (coaxial or optical)

to one of the digital inputs (

RP12

). Note the selected input on your worksheet

for configuration later.

If your recording device has a digital input, connect it to either the coaxial or

optical (

RP14

) output jack. The signal from a selected digital source will be

sent to the recorder.

Digital TV Tuner/Cable Box/Satellite Receiver

Video Connections

Composite

Using a video cable with yellow RCA jacks at both ends, connect

the device’s composite video output to your choice of the Video 1-3 composite

video inputs. (

RP16

or

RP17

).

S-Video

Using an S-video cable, connect the device’s S-video output to your

choice of the Video 1-3 S-video inputs. (

RP16

or

RP17

).

Component

If your device has component video outputs, connect them to the

component Video 1-2 input jacks (

RP1

). As you make this connection, remember

to “follow the alphabet.” (See DVD player above if you don’t remember what

this means.)

DVI/HDMI

If your device a DVI or HDMI video output and your video monitor

has a DVI or HDMI input, connect the device to the DVI 1 or 2 input (

RP21

).

(For HDMI-equipped components, use either an interconnect cable with one

type of connector on each end [preferred] or an HDMI-to-DVI adapter.)

Audio Connections

Analog

Using a pair of RCA-to-RCA audio cables, connect your device’s L and

R channel analog audio outputs to the Video 1-3 analog audio jacks (

RP16

or

RP17

).

Digital

Connect your device’s digital audio output (coaxial or optical) to one

of the digital inputs (

RP12

). Note the selected input on your worksheet for

configuration later.

NOTE: Particularly with digital cable set top boxes, we recommend that

you make both an analog and digital audio connections. This will enable

the Model 970 to revert to analog audio when you switch away from a

digital channel to one that only has analog audio. (See page 19)

Video Display Connections

Connect a video display device (a TV, projector, etc.) to the Model 970 using

the following methods.

Video Connections

Composite

Using a video cable with yellow RCA jacks at both ends, connect

the display device’s composite video input to the Model 970’s composite Monitor

Out jack (

RP18

).

S-Video

Using an S-video cable, connect the display device’s S-video input to

the S-Video Monitor Out jack (

RP18

).

Component

If your display device has component video inputs, connect them to

the component Monitor Out jacks (

RP4

). Once again, “follow the alphabet.”

DVI/HDMI

If your display device has a DVI or HDMI video input, connect it

to the DVI Out connection (

RP22

). (For HDMI-equipped components, use an

HDMI-to-DVI adapter.)

NOTE: The Model 970's on-screen display does not appear at the DVI

OUT jack. Use a component, S-Video, or composite video connection

to your video display device in addition to the DVI connection.

18

Outlaw Audio

Owner’s Manual

Audio Connections

Analog

If your display device has an internal tuner with an analog audio

output, connect the L and R channel outputs to the Video 1-3 analog audio

inputs (

RP16

or

RP17

).

Digital

If your display device has a digital audio output, connect it to one

of the coaxial or optical input jacks (

RP12

). Note the selected input on your

worksheet for configuration later.

Antenna Connections

The Model 970 has an internal AM/FM tuner with separate connections for

each band’s antenna.

FM Antenna

Connect the supplied FM dipole antenna by pushing the antenna’s coaxial

connector onto the FM antenna connector (

RP2

.)

NOTE: The supplied FM antenna is for indoor use only. For best recep-

tion, fully extend the antenna and experiment with its positioning to

get the strongest signal. You can attach it to a wall or other surface

using push-pins, tacks, or small nails.

If FM reception is poor with the supplied indoor antenna, we recommend

using an amplified indoor or a high-gain outdoor antenna. Connect these

antennas in the same way.

AM Antenna

Connect the supplied AM antenna to the rear panel push terminals (

RP3

). Press

one lever on the bottom of the terminal block and insert one of the antenna

wires. Release the lever and repeat the process with the other wire and lever.

Experiment with the antenna's position to obtain the strongest signal.

Amplifier Connections

(see page 23)

IMPORTANT NOTE: Before attempting to make any connection to

your power amplifier, make sure the amplifier is turned off and/or

disconnected from AC power. Failure to do so can result in severe

damage to your amplifier and/or loudspeakers.

Use the audio jacks labeled PREAMP OUT to connect the Model 970 to an

external power amplifier such as those from Outlaw Audio. The Model 970 can

output up to 7.1 channels of sound (seven main channels and one subwoofer

channel), even when you are listening to 2-channel stereo material.

The output jacks supplied by the Model 970 are: Front Left (L), Center (CEN),

Front Right (R), Surround Left (SL), Surround Right (SR), Surround Back Left

(SBL), Surround Back Right (SBR), and Subwoofer (SUB). These both carry

the same signal, so you can use either jack or both.

Be sure to verify that the correct outputs are connected to the appropriate input

jacks on your amplifier—for example, Front Left to Front Left, Surround Back

Right to Surround Back Right, etc. If the inputs on your amplifier are not

labeled, it probably does not matter which of the Model 970’s output channels

is con-nected to a particular amp channel. However, you must be sure that the

appropriate speaker is connected to that amp channel.

Subwoofer Connection

(see page 23)

Powered (self-amplified) subwoofers

Using a shielded RCA-to-RCA cable, connect the subwoofer output jack (

RP19

)

to the subwoofer’s line Input jack. Then follow any specific connection and/or

configuration instructions supplied with the subwoofer.

Passive (non amplified) subwoofer

Using the same cable type described above, connect the subwoofer output jack

(

RP19

) to the input of the amplifier used to power the subwoofer, and then

connect the subwoofer to the amplifier following the guidelines contained

in the full-range speaker section above.

Other Connections

12 volt Trigger connections

Your Model 970 has one 12 volt Trigger output (

RP9

). This output produces

a 12 volt DC signal that will turn on another component (provided it has a

complementary circuit) when you turn your Model 970 on. Use a cable tipped

at each end with a 1/8” (3.5mm) mono mini plug to connect the Trigger

output to another component.

RS-232 Port

RS-232 port (

RP11

) is used to upload new software if it becomes available.

NOTE: When making connections to the RS-232 port, be certain to

use a "straight-through" male-to-female serial cable with DB-9 con-

nectors on each end. DO NOT use a serial cable designed for "null

modem" use.

AC power connection

Insert the supplied power cord into the AC input socket (

RP24

). Use the sup-

plied power cord, not a standard IEC 3-prong (grounded) power cord. In the

event a replacement power cord is used, it must be sufficient to handle the

Model 970’s power draw. DO NOT use lightweight power cords designed for

computers, printers or other low current draw products.

CAUTION: Before you plug the power cord into an AC wall outlet,

confirm that you’ve made all connections to the Model 970 first.

WARNING: Never disconnect the power cord at the Model 970 end

while the other end is still plugged into an AC outlet. This may cause

an electric shock. Always connect power by plugging into the AC

outlet last and disconnect by unplugging from the AC outlet first.

Connecting Your Model 970

19

Model 970 7.1 Channel Preamplifier Processor

Owner’s Manual

Connecting Your Model 970

Connecting Audio Equipment to the Model 970

Optical

Out Coaxial

Out

Digital Outputs

Analog Outputs

L

R

Digital

Analog

PLAY REC IN PLAY REC IN

L

R

CD Player

Audio Recording Device

Optical

Coaxial

NOTE:

When making digital connections,

use either the Coaxial or Optical

connection, but not both.

For Coaxial connections,

use either COAX 1, 2 or 3.

Likewise, Optical connections

OPT 1-3 are interchangeable.

You will configure the

Model 970 later to use the

specific input you have chosen.

20

Outlaw Audio

Owner’s Manual

Connecting Your Model 970

Connecting a DVD Player to the Model 970

Optical

Coaxial

DIGITAL AUDIO

CompositeS-Video Component DVI

Y PBPR

DVD-Audio/SACD/DVD Player

L

R

C

SUB

SL

SR

SBL

SBR

7.1 AUDIO VIDEO

DVD CONNECTION NOTE:

Your connection requirements will

vary according to your video gear’s

capabilities. In most cases, only one

type of video connection is required.

Make sure that you use choose from

the connections that correspond to

the DVD inputs: DVI 1, Component

Video DVD, or the DVD Input

composite and S-Video jacks.

Similarly, when making digital audio

connections, use either the Coaxial or

Optical connection, but not both.

For Coaxial connections, use either

COAX 1, 2 or 3. Likewise, Optical

connections OPT 1-3 are interchangeable.

You will configure the Model 970 later

to use the specific input you have chosen.

21

Model 970 7.1 Channel Preamplifier Processor

Owner’s Manual

Connecting Your Model 970

Connecting Other Video Components to the Model 970

OpticalCoaxial

Digital

Analog

L R

Digital

Optical

Coaxial

Analog

AUDIO

VIDEO

PLAY OUT PLAY OUT

REC IN REC IN

L

R

Composite S-Video

CompositeS-Video Component DVI Out

IN

OUT

Video Device

(DVD Player, Satellite Receiver, Cable Box, etc.)

Video Recording Device

VIDEO

AUDIO

Y PBPR

AUDIO CONNECTION NOTE:

When making digital audio connections,

use either the Coaxial or

Optical connection, but not both.

For Coaxial connections, use either

COAX 1, 2 or 3. Likewise, Optical

connections OPT 1-3 are interchangeable.

You will configure the Model 970 later

to use the specific input you have chosen.

VIDEO CONNECTION NOTE:

Your connection requirements will

vary according to your video gear’s

capabilities. In most cases, only one

type of video connection is required.

Make sure to use the connections that

correspond to the same video input. For

example, if you connect a component’s

composite or S-Video output to the Video 2

inputs on the Model 970, you must also use

the Component Video 2 inputs as well.

If a DVI (or HDMI) output is available,

connect it in place of the component

video outputs.

The Connection Record Chart on page 15

provides an easy way to determine which

video connections are associated with a

particular input.

22

Outlaw Audio

Owner’s Manual

Connecting Your Model 970

Connecting a Video Display to the Model 970

OpticalCoaxial

Digital

Analog

L R

AUDIO IN

CompositeS-Video Component DVI

TV/Monitor

VIDEO IN

Y PBPR

NOTE:

Your connection requirements will

vary according to your video display’s

capabilities. In most cases, only one

type of video connection is required.

If the video display has an HDMI input,

use a DVI to HDMI adaptor, or a

dual-purpose cable such as those

available from Outlaw Audio.

Similarly, when making digital audio

connections, use either the Coaxial or

Optical connection, but not both.

23

Model 970 7.1 Channel Preamplifier Processor

Owner’s Manual

Connecting Your Model 970

Connecting an External Amplifier to the Model 970

Left

Trigger

Right Left Sur Right Sur Left Sur

Back Right Sur

Back

Center

External

Amplifier

Powered

Subwoofer

NOTE:

When using a passive

(non-powered) subwoofer,

connect the Sub Preamp

output on the Model 970

to the subwoofer’s

external amplifier input.

24

Outlaw Audio

Owner’s Manual

System Setup

At this point all of the necessary physical connections between the Model 970

and your source devices, display and speakers should be completed. All that

remains is to properly configure the system to reflect your specific equipment

and room characteristics.

Before starting the configuration process, make sure that all connections

between the Model 970 and other system components are tight and secure

Then turn on the Model 970 and your display device.

NOTE: When using the Remote Control during the configuration

process, remember to first press the TNR button to control the

Model 970.

To turn the Model 970 on:

1. Press the MASTER POWER ON/OFF button on the unit’s rear panel

until it latches.

The Standby/On indicator on the front panel will glow amber.

2. Press the STANDBY button on the front panel, or any source

selector button on the remote control.

The Standby/On indicator will turn green, and the front-panel display

will illuminate.

3. Turn on your display device.

Make certain that it is set to the input for the jacks that are used to con-

nect it to the Model 970, but do not select the DVI (or HDMI) input, as the

Model 970’s menus are not visible through that type of connection.

4. Press the MENU button on the front panel or the remote control.

The Main menu will appear on-screen. You’ll also see an abbreviated ver-

sion of the Main menu on the Model 970’s front panel display (FP3).

MAIN MENU

> INPUT CONFIG

SPEAKER SIZE

SPEAKER X-OVER

SURROUND CONFIG

CHANNEL CALIBRATION

DELAY ADJUST

SYSTEM CONFIG

EXIT

Here’s a brief explanation of each item on the Main menu:

Input Config

This menu enters the configuration settings for your Model 970’s

inputs so that the desired audio source, surround mode, lip sync delay and other

features are automatically put into use for each input when it is selected.

Speaker Size

This menu tells your Model 970 where to route the bass frequen-

cies to each speaker as best fits your system to give you the best bass reproduction

without overdriving or possibly damaging your full-range speakers.

Speaker X-over

This menu selects the crossover points that direct bass fre-

quencies to your subwoofer in line with the precise capabilities of the speakers

at each position in your system.

Surround Config

This menu lets you customize the parameters of the surround

modes so that they match your needs and preferences.

Channel Calibration

This menu sets the output level for each channel so the

surround sound field accurately reproduces the source material.

Delay Adjust

On this menu you enter the distance from each speaker to

your viewing/listening position so that the Model 970 correctly delays sounds

to each speaker as needed to make sure that they arrive at your ears when

they should.

System Config

This menu is where you enter general system-wide param-

eters such as how long your on-screen display remains visible, volume control

defaults, sleep timer settings, etc.

Exit

Takes you out of Menu mode.

A NOTE ON SETUP MENUS AND THE FRONT PANEL DISPLAY:

To make it easier to configure the Model 970 we suggest that you

use a video display to view all the menu choices, but should you wish

to set up your system with only the unit’s front panel display note

that the top line of the display will always show what would be the

top line of an on-screen menu display; the name of the menu or sub-

menu in use. The bottom line of the display will change as you scroll

through the available options to show the choices available in the

menu being adjusted.

Input Configuration

This menu is where you start your system configuration, and for that reason it

is the first item on the Main menu. Here is where you will tell the Model 970

which source components are connected to it so that the signals flow properly.

You’ll also be able to customize each input by assigning a series of default values

for surround modes and other parameters.

Video Input Configuration

We’ll start with the video inputs first. You may want to reference the Connection

Record Chart you filled out when making connections to the Model 970.

To configure a Video input:

1. Turn on each of the sources you plan to use with the Model 970.

If you are using a DVD player, put a disc in and start it up.

2. Press the MENU button on the front panel or the remote to display

the Main Menu.

The Main Menu appears on-screen:

MAIN MENU

> INPUT CONFIG

SPEAKER SIZE

SPEAKER X-OVER

SURROUND CONFIG

CHANNEL CALIBRATION

DELAY ADJUST

SYSTEM CONFIG

EXIT

System Setup

25

Model 970 7.1 Channel Preamplifier Processor

Owner’s Manual

3. With the cursor pointing to INPUT CONFIG, press SET on the front

panel or the remote.

The Input Configuration sub-menu appears:

INPUT CONFIG

> DVD CONFIG

VIDEO 1 CONFIG

VIDEO 2 CONFIG

VIDEO 3 CONFIG

VIDEO 4 CONFIG

TUNER CONFIG

CD CONFIG

TAPE CONFIG

AUX CONFIG

RETURN TO MAIN MENU

There are 5 video inputs to configure: DVD and Videos 1-4. Configuration

of most of the inputs follow the same steps. For the following example

we'll use the DVD Input. To select a different input to configure, use

the Up and Down cursor buttons. Once you’ve selected an input to

configure, press Set.

4. With the cursor pointing to DVD CONFIG, press SET on the front

panel or the remote.

The DVD Configuration sub-menu will appear:

DVD CONFIG

> AUDIO :ANALOG

VIDEO :AUTO

OSD :ON

SURR:DOLBY PLIIx-C

LEVEL TRIM : 0dB

AUTO POLL :ON

BASS : 0dB

TREBLE : 0dB

LIP SYNC DELAY: 0mS

RETURN TO INPUT MENU

The following steps will guide you through the process of choosing the correct

settings for your video input devices.

Setting the Audio

To configure the Audio of a video input:

1. Move the cursor to AUDIO by using the and buttons on the

front panel or remote.

2. Press the and buttons on the front panel or remote to scroll

through the available audio input choices.

The input choices appear as follows as you scroll through them:

ANALOGEXT 7.1OPTICAL 1OPTICAL 2OPTICAL 3



OPTICAL 4COAXIAL 1COAXIAL 2COAXIAL 3COAXIAL 4

Select the one that matches the connections you have made to the input

being adjusted.

NOTE: Even if you choose a digital input, you will not be able to see

all the surround format choices available UNLESS that input is receiv-

ing a digital audio signal from your source.

Setting the Video

To configure the Video of a video input:

1. Move the cursor to VIDEO by using the and buttons on the

front panel or remote.

2. Press the and buttons on the front panel or remote to scroll

through the available video input choices.

The input choices appear as follows as you scroll through them:

AUTOCOMPONENTS VIDEOCOMPOSITE

Select the one that matches the connections you have made to the input

being adjusted.

Auto

samples analog video inputs and selects the best available signal.

If you are using a DVI connection from your DVD player, the Model 970

will default to DVI 1 when it detects a signal at that input. Note that the

DVI 1 input is available only when you select DVD. It is “hard-wired” to

that input, but is available only when a signal activates it.

The DVI 2 input is “hard-wired” to the

Video 2

input. If you have a second

DVI (HDMI) source, you should make the configuration adjustments

for the device connected to DVI 2 in the

Video 2

input.

Setting the OSD (On-screen display)

To configure the appearance of the OSD when a video input is selected:

1. Move the cursor to OSD by using the and buttons on the front

panel or remote.

2. Press the and buttons on the front panel or remote to toggle

between ON and OFF.

If you select

ON

, messages will appear at the bottom of your video display

when you make an adjustment to the Model 970, such as a volume change

or other parameter adjustment, using the remote or front panel.

If you select

OFF

, these on-screen messages, will not appear.

NOTE: When you switch to another input, the OSD choice you’ve

made for that input will take priority.

Setting the Surround Format

To configure the Surround Format of a video input:

1. Move the cursor to SURR by using the and buttons on the

front panel or remote.

2. Press the and buttons on the front panel or remote to scroll

through the preferred surround format for this input.

If you are using an analog input, or a digital input receiving a 2-channel

signal, or if the video source is stopped or turned off, the choices appear

as follows as you scroll through them:

PLIIx-CPLIIx-MPLIIx-XPRO LOGICDOLBY PLII-C



DOL BY PLII-M D OLBY PLII-XNEO-6 CINE M A

NEO-6 MUSIC7 STEREO5 STEREOSTEREO

NOTE: Your choices will differ depending on the number of speakers

you are using and whether you’ve selected a digital or analog audio

input. For example, you will not see “7 stereo” for a 5.1 system. You will

not see any all-digital formats if you’ve selected an analog input.

System Setup

26

Outlaw Audio

Owner’s Manual

Setting the Level Trim:

To configure the Level Trim of a video input:

1. Move the cursor to LEVEL TRIM by using the and buttons on

the front panel or remote.

2. Press the and buttons on the front panel or remote to scroll

through the preferred level trim for this input.

The input choices appear as follows as you scroll through them:

0dB-6dB-12dB

These choices allow you to adjust relative audio levels so that when you

switch from one source to another, you won’t be subjected to a wide

disparity in volume. We suggest that you accept the “0dB” default for

each input and make changes only after you determine that an input

needs “trimming.”

Setting Auto Polling

To configure the Auto Polling of a video input:

1. Move the cursor to AUTO POLL by using the and buttons on

the front panel or remote.

2. Press the and buttons on the front panel or remote to toggle

between ON and OFF.

When

ON

is selected the Auto Poll circuitry will automatically switch

the audio input from the selected digital source to the analog input for

the source when the digital data stream is interrupted. This is helpful

for use with digital cable boxes where the audio switches between digital

and analog, depending on which channel is selected.

When

OFF

is selected the Model 970 will keep the digital input active

even when the digital data is interrupted. This is the preferred setting

for the DVD input where the digital audio stops during menu setup or

when a disc is paused.

Setting Bass and Treble

You’ll make both these tone control adjustments in the same way.

To configure the Bass or Treble of a video input:

1. Move the cursor to BASS (or TREBLE) by using the and buttons

on the front panel or remote.

2. Press the and buttons on the front panel or remote to scroll

through the preferred tone control settings for this input.

The input choices for both Bass and Treble appear as follows as you

scroll through them:

-6dB-5dB-4dB-3dB-2dB-1dB0dB1dB2dB

3dB4dB5dB6dB

Setting Lip Sync Delay

Digital video sources and displays will often use extensive video processing

for scaling or in transmission paths that may cause the video on your screen

to lag behind the audio. The amount of this delay will vary with a number of

factors, but the Model 970 lets you delay the audio to fix this problem. It also

lets you set a different lip sync delay time for each input.

To configure the Lip Sync Delay of a video input:

1. Move the cursor to LIP SYNC DELAY by using the and buttons

on the front panel or remote.

2. Press to increase the amount of lip sync delay, or to decrease it.

Up to 200ms of delay can be selected in 10ms increments.

Choosing Another Input

To select another input from the Input Configuration sub-menu:

1. Move the cursor to RETURN TO INPUT MENU by using the and

buttons on the front panel or remote.

2. Press SET on the front panel or the remote.

The Input Configuration sub-menu appears.

3. Move the cursor to the new input that you want to configure by

using the and buttons on the front panel or remote.

4. Press SET on the front panel or the remote.

You’ll see the same configuration sub-menu as you did for the DVD input.

You’ll configure the remaining video inputs (Video 1-4) by following

the same procedures. Remember that the DVI 2 connector is available

only when you’ve selected the Video 2 input.

Configuring Audio Inputs

In general, the procedures for configuring Audio inputs (Tuner, CD, Tape,

and Aux) are very similar to those for configuring Video inputs. Two major

differences are:

 You can’t choose a video input for any of the four audio sources (the menu line

is there but the only choice is “None”)

 There is no Lip Sync Delay available for audio-only sources

Proceed with configuring the tuner and remaining audio components con-

nected to your Model 970. Once you have completed the input configuration

process for all inputs, your next step is to configure the Model 970 to match

the number and type of speakers in your system.

To return to the Main Menu:

1. Move the cursor to RETURN TO MAIN MENU by using the and

buttons on the front panel or remote.

2. Press SET on the front panel or the remote.

The Main Menu appears.

Speaker Placement

Before we get to the Speaker Size sub-menu, it is worth mentioning that you

should understand that correct speaker placement is critical to good sound.

Then again, also understand that there are no hard and fast laws governing

where you should put them!

Frustrating, right? The good news is that there are several guidelines you

can follow. Unfortunately, every listening room and combination of speak-

ers exhibits different acoustic qualities, so what works in one situation won’t

necessarily work in another. So, you’ll probably have to experiment a bit before

you’re really happy with your system’s sound. That being said, here are some

pointers to follow.

System Setup

27

Model 970 7.1 Channel Preamplifier Processor

Owner’s Manual

Left Front, Center, and Right Front Speakers

Place them at the same relative height and, if at all possible, a bit away from

any walls. Some acousticians recommend placement far away from any walls

but that may not be practical in your situation.

Most speakers sound best with the tweeter positioned at “seated ear height”; the

same height your ears are when you’re ready to watch and listen.

Take care to aim the speakers at your prime viewing/listening position. That

will probably mean that the center channel speaker will be aimed straight

ahead while the left and right speakers are “toed-in” a bit.

Left and Right Surround Speakers

Put these speakers about 3' (1 meter to you metric Outlaws) above your “seated

ear height.”

Mount them on the side walls of your listening room, preferably a bit to the

rear of the prime seating position, if possible. Different authorities have dif-

ferent ideas here but, if the speakers are at the right height, you can vary their

placement from slightly behind to slightly ahead of your prime viewing/

listening position.

If your surround speakers are dipolar rather than directional, remember to ori-

ent the arrows on the dipole enclosures properly. For speakers on the side walls,

point the arrows to the front of the room (i.e., towards the video display).

Surround Back Left and Right Speakers

NOTE: These speakers are required for Dolby Digital EX, DTS-ES,

Dolby Pro Logic IIx, a nd 7-Channel Stereo. They are also desirable,

though not required, for DTS Neo:6.

Put these speakers about 3’ (or 1 meter) above your “seated ear height.”

Place them on the rear wall, behind the prime viewing/listening position so that

the angle between each speaker and the listener is approximately 30 degrees.

If that’s confusing, try “dividing” the rear wall into thirds and placing the

speakers at the 1/3 points on the back wall.

Dipoles placed on a rear or back wall should have the arrows pointing toward

each other to achieve the correct acoustical image in the room.

If you’re using just one surround back speaker, center it directly behind your

main viewing/listening area.

System Setup

Speaker Placement

28

Outlaw Audio

Owner’s Manual

Subwoofers

The fact is, proper subwoofer placement is more difficult than placing any

other speaker. Some say that you should place the sub away from a wall, other

experts advise putting the sub near a wall, still others (probably not experts)

just tell you to put the sub in a corner. Well, they’re all right. And they’re all

wrong! It all depends on the size, shape and furnishings and floor coverings

in the room your sub will be sitting in.

The culprits here are called “standing waves” that are generated every time you

introduce a sound in a confined area. They create pressure zones in all rooms

that are most noticeable in the bass frequency range. And they usually result

in too much “boom” in some parts of the room and not enough real bass in

others. In addition, these seemingly random effects are very difficult to predict

unless you’re a trained acoustician with a lot of experience.

But here’s some practical advice from Outlaws who’ve tamed many a room to

be downright docile:

 Never put your prime viewing/listening position tight against a wall

Walls create “high pressure zones” that will have your ears begging for bass

relief in short order. Likewise, a viewing/listening position in the center

of the room will most likely result in too little bass. So make sure your

comfy couch is somewhat free-standing in the room. (And that will give

you plenty of leeway to place your surround and back surround speakers

more advantageously, too.)

 Put the subwoofer where your ears are!

Forget about the advice to move the subwoofer all around the room until

you happen to find that one magic spot where the bass sounds “right,

tight, with lots of bite.” Instead, find this ideal position the Outlaw way.

Place the subwoofer on your favorite chair or couch (watch those spikes!)

then get down on your hands and knees and move around the room until

you hear the best bass. That’s where you’re going to put the subwoofer!

Simple, isn’t it?

 Consider using more than one sub

Even when you’re feeding the same signal to each one, multiple subs placed

in different parts of the room will go a long way to taming those standing

waves and will help to create very even and natural-sounding bass that just

seems to go all the way down to the, pardon the pun, sub-basement!

Speaker Size Configuration

Since you’ve just configured all the inputs you’ll be using, it’s time to move on

to the next item on the Main Menu: Speaker Size. Here, you tell the Model 970

how many speakers your system has and what their bass reproduction capa-

bilities are. When you see the words “Large” and “Small,” just think “lots of

bass” and “not much” respectively. (The industry’s use of the confusing term

“size” comes from the early days of HiFi when you just couldn’t get decent bass

response from small speakers.)

NOTE: To avoid errors, the Model 970 does not allow some speaker

combinations. For example, you can set the subwoofer to "none" only

if you have large front speakers. If you have small front speakers, the

subwoofer setting will automatically be "yes." If you have no side

surround speakers, the back surround channels are automatically

deactivated.

To enter settings for speaker size:

1. Press the MENU button on the front panel or the remote to display

the Main Menu.

The Main Menu appears on-screen:

MAIN MENU

> INPUT CONFIG

SPEAKER SIZE

SPEAKER X-OVER

SURROUND CONFIG

CHANNEL CALIBRATION

DELAY ADJUST

SYSTEM CONFIG

EXIT

2. Move the cursor to SPEAKER SIZE by using the and buttons

on the front panel or remote.

3. With the cursor pointing to SPEAKER SIZE, press SET on the front

panel or the remote.

The Speaker Size sub-menu appears:

SPEAKER SIZE

> FRONT L/R :SMALL

CENTER :SMALL

SURR L/R :SMALL

SURR BACK SIZE :NONE

SURR BACK OUT :NONE

SUBwOOFER :YES

RETURN TO MAIN MENU

4. Use the and buttons on the front panel or remote to move to

each line on this menu.

5. Press the and buttons on the front panel or remote to change

the setting so that it shows the correct speaker size for each

position.

Select

LARGE

if the speakers at the selected position are full range speak-

ers, capable of reproducing the full spectrum of sound including low

bass frequencies. These speakers are typically physically large, but they

don’t have to be as long as they can handle the bass.

Select

SMALL

if the speakers are the popular “satellite” type with limited

bass capability that typically bottoms out between 80 HZ and 150 Hz.

Select

NONE

if there are no speakers at the position you are entering

the settings for. Remember that you can’t enter “NONE” for the front

left/right speakers, and you won’t be able to access the “7.1” modes unless

you chose a speaker type for the SURR BACK Speakers.

System Setup

29

Model 970 7.1 Channel Preamplifier Processor

Owner’s Manual

System Setup

6. Proceed to enter a speaker “size” for each of the four positions

7. Use the and buttons on the front panel or remote to move

the cursor to the SURR BACK OUT line.

You may skip this step if you have entered NONE for the SURR BACK SIZE

setting. Here, you tell the system if you have a 6.1 or 7.1 system.

Select

SBL

if you are using a single Surround Back speaker. The ampli-

fier channel for that speaker should be connected to the Surround Back

Left speaker output (see the Connecting Loudspeakers to the Model 970

diagram on page 22).

Select

LB/RB

when you have two Surround Back speakers.

8. Use the and buttons on the front panel or remote to move

the cursor to the SUBWOOFER line.

When the front speakers are set to SMALL it is automatically set to YES

and no further adjustment is required. However, when the front speak-

ers are set to LARGE, this setting lets you determine where the LFE and

derived bass is directed.

Select

LFE

to send the special Low Frequency Effects channel information

on multichannel digital sources to the subwoofer while a full range front

channel signal will be sent to the front Left/Right speakers along with

the derived bass signal from the other speaker positions.

Selecting

L/R+Sub

tells your processor that you want bass signals sent to

your main L and R speakers in addition to your subwoofer. Choose this

option only if your main L and R speakers have good bass handling capa-

bility. It may be the best selection for medium-sized front speakers.

Select

NONE

to send all bass information, including both LFE and

derived bass to the front left/right speakers.

9. When you have completed the configuration process for all main

speaker positions and the subwoofer, use the and buttons on

the front panel or remote to set the cursor to RETURN TO MAIN

MENU.

10. Press SET on the front panel or the remote.

The Main Menu appears.

Speaker X-Over (Crossover) Configuration

A little theory before we begin. Think of a crossover as a dividing network

that sends low frequencies to one speaker (usually the subwoofer) and higher

frequencies to another speaker (your front L and R speakers, etc.) If this is a

bit too technical just remember that a crossover lets the drivers (the domes,

cones, ribbons, etc.) in your speakers work efficiently to reproduce only the

frequency range they were designed to handle. Your Model 970 lets you set

different crossover points for front, surround, and surround back speakers so

you can enjoy the best performance with the speakers you’ve chosen.

To make these settings as accurate as possible, you may want to consult the

owner’s manual for your speakers before entering the crossover settings. Look

at the specs for the speakers and find the lowest frequency each speaker can

handle. That is the number you want enter in this menu.

To enter settings for speaker crossover:

1. Press the MENU button on the front panel or the remote to display

the Main Menu.

The Main Menu appears on-screen:

MAIN MENU

> INPUT CONFIG

SPEAKER SIZE

SPEAKER X-OVER

SURROUND CONFIG

CHANNEL CALIBRATION

DELAY ADJUST

SYSTEM CONFIG

EXIT

2. Move the cursor to SPEAKER X-OVER by using the and buttons

on the front panel or remote.

3. With the cursor pointing to SPEAKER X-OVER, press SET on the

front panel or the remote.

The Speaker X-Over sub-menu appears:

SPEAKER X-OVER

> FRONT L/R :100Hz

CENTER :100Hz

SURR L/R :100Hz

SURR BACK L/R :100Hz

RETURN TO MAIN MENU

4. Use the and buttons on the front panel or remote to move to

each line on this menu.

5. Press the and buttons on the front panel or remote to select

the correct crossover setting for each speaker position.

When SMALL has been chosen as the “size” for a speaker position, the

available choices are:

40Hz



60Hz



80Hz



100Hz



120Hz



150Hz

NOTE: When LARGE is selected on the SPEAKER SIZE menu a full

range signal will be sent to the speaker position being adjusted.

When NONE is selected on the SPEAKER SIZE menu, no adjustment is

needed or possible.

6. When you have completed the configuration process for all main

speaker positions, use the and buttons on the front panel or

remote to set the cursor to RETURN TO MAIN MENU.

7. Press SET on the front panel or the remote.

The Main Menu appears.

30

Outlaw Audio

Owner’s Manual

Notes on Setting Crossover Frequencies

You may find the following suggestions helpful in setting good crossover points

for your speakers.

 If you hear distortion from a particular speaker during passages where the bass

is loud, that speaker’s crossover is probably set too low. Increase the crossover

frequency until the distortion disappears.

 A medium-sized tower speaker usually works well with a 40 or 60Hz crossover

point.

 A standard-sized home theater “LCR-type” speaker works well with an 80 or

100Hz crossover point.

 Slim, on-wall speakers designed to go with flat-screen (LCD and plasma) TVs

tend to work well with a 100 or 120Hz crossover point.

 Miniature satellite speakers, ones measuring 4 to 7" high, often have a crossover

point of 120 or 150Hz.

Surround Setting Configurations

The items on the Surround Configuration menu enable you to adjust the

parameter settings available for some of the Model 970’s surround modes. In

many cases the factory defaults are a good starting point, and you may wish

to skip this menu during the initial configuration of a new Model 970 and

return to them later.

To enter Surround Configuration settings:

1. Press the MENU button on the front panel or the remote to display

the Main Menu.

The Main Menu appears on-screen:

MAIN MENU

> INPUT CONFIG

SPEAKER SIZE

SPEAKER X-OVER

SURROUND CONFIG

CHANNEL CALIBRATION

DELAY ADJUST

SYSTEM CONFIG

EXIT

2. Move the cursor to SURROUND CONFIG by using the and

buttons on the front panel or remote.

3. With the cursor pointing to SURROUND CONFIG, press SET on the

front panel or the remote.

The Surround Configuration sub-menu appears:

SURROUND CONFIG

> NIGHT MODE :OFF

PANORAMA :ON

CENTER wIDTH :STEP 3

DIMENSION :STEP 0

HP MODE :STEREO

2CH SUB OFFSET : 0dB

RETURN TO MAIN MENU

Night Mode

Night Mode controls the use of dynamic range compression that reduces the

intensity of loud sounds and raises the level of very soft sounds, for example,

when watching a movie with some whispered dialog followed immediately by

a loud explosion. This circuit works only with Dolby Digital sources, playing

signals received through a digital input. This circuitry is useful when listening

to movies with lowered overall volume without reducing the relative intensity

of loud sounds in relation to those with lower level.

To activate Night Mode:

1. From the SURROUND CONFIG menu, press or to move the

cursor to NIGHT MODE.

2. Press the and buttons on the front panel or remote to toggle

between ON and OFF.

Select

ON

to engage the Night mode.

Select

OFF

to disengage the compressor circuit and experience an audio

signal’s full dynamic range.

Panorama

Panorama extends the front stereo image to the surround channels, creating a more

enveloping, wraparound effect. Panorama is a non-adjustable, on/off feature.

To activate Panorama mode:

1. From the SURROUND CONFIG menu, press or to move the

cursor to PANORAMA.

2. Press the and buttons on the front panel or remote to toggle

between ON and OFF.

Select

ON

to engage the Panorama circuitry.

Select

OFF

to disengage the Panorama circuitry.

Center Width

Center Width blends sound from the center channel into the left and right

channels to create a more seamless front soundstage. Experiment to see which

setting sounds best to you. The default setting of STEP 3 is a good starting point

for many systems and types of material.

To adjust Center Width:

1. From the SURROUND CONFIG menu, press or to move the

cursor to CENTER WIDTH.

2.

Press

and buttons

to adjust CENTER WIDTH anywhere from

STEP 0 to STEP 7.

Step 0

provides no blending from center to left and right front speakers

at all.

Steps 1

and

2

feed a small amount of the center channel feed into the

left and right front speakers.

Step 3

is the factory default,

Steps 4

,

5

and

6

begin to widen the front sound stage by feeding

increasing amounts of the center channel into the left and right front

speakers.

Step 7

shuts off the center channel speaker entirely. At this setting the

left and right front speakers create a “phantom” center channel.

System Setup

31

Model 970 7.1 Channel Preamplifier Processor

Owner’s Manual

Dimension

This setting adjusts the depth of the surround soundfield. Depending on the

level you chose, it has the affect of putting your listening position closer to the

front of the room, or further back into the room’s acoustical environment. This

is a highly subjective adjustment that may also require some experimenta-

tion before you find the right setting for your room and listening preferences.

The setting also allows you to compensate for overly “dry” recordings (those

with little or no sense of reverberation or “space”) and for those with a more

reverberant sound.

To adjust Dimension:

1. From the SURROUND CONFIG menu, press or to move the

cursor to DIMENSION.

2. Press the and buttons on the front panel or remote

to

adjust

Dimension anywhere from -3 to 3

The

-3

,

-2

and

-1

settings increase the sense of depth and reverberation

by “placing” you further back in the acoustic environment.

The factory default setting of

0

is neutral and in many cases you will

find it the most enjoyable.

The

1

,

2

, and

3

settings decrease the sense of depth and reverberation by

“placing” you further towards the front of the acoustic environment.

NOTE: The Panorama, Dimension and Center Width adjustments may

be made while any mode is selected, but they only take effect when the

Dolby Pro Logic II Music or Dolby Pro Logic IIx Music modes are in use.

HP (Headphone) Mode

This setting determines whether the output at the headphone jack is two-chan-

nel stereo or processed using Dolby Headphone mode to create a surround-sound

effect through ordinary headphones.

To set HP Mode:

1. From the SURROUND CONFIG menu, press or to move the

cursor to HP MODE.

2. Press the and buttons on the front panel or remote to toggle

between STEREO and DH1.

STEREO

(the factory default) sends a conventional, unprocessed two-

channel stereo feed to the headphone jack.

DH1

(DH stands for Dolby Headphone) creates a surround-sound effect

through conventional stereo headphones and simulates the acoustically

controlled environment of a recording studio control room.

2-Channel Subwoofer Offset

Some listeners find that after they’ve carefully set their system’s playback levels

for multi-channel listening, the subwoofer sounds too loud when playing music.

The Sub Offset setting allows you reduce the subwoofer level automatically

for 2-channel stereo playback. There is no "by the book" or "proper" way to

set Sub Offset. Simply adjust it to your taste. Play some music you like, set the

Model 970 for stereo playback, and adjust the Subwoofer Offset until it sounds

good to you.

To adjust 2-Channel Subwoofer Offset:

1. From the SURROUND CONFIG menu, press or to move the

cursor to 2CH SUB OFFSET.

2. Press the and buttons on the front panel or remote

to

adjust

the 2CH SUB OFFSET anywhere from 0 to -6dB.

The 0dB setting (the factory default) provides no subwoofer offset.

The -6 dB setting creates the most subwoofer offset.

NOTE: This is a negative offset only; you may not increase the output

of the subwoofer in stereo relative to its level in other modes.

To return to the Main Menu:

1. Move the cursor to RETURN TO MAIN MENU by using the and

buttons on the front panel or remote.

2. Press SET on the front panel or the remote.

The Main Menu appears.

Channel Calibration

Next we will begin the channel calibration process, but first, a bit of background

is important. “Calibration” means setting the playback levels of each channel

so that they have equal volume at your prime viewing/listening position. If

one or two channels are louder than the others, surround effects will be less

convincing. The use of a constant level test tone that cycles from one speaker

to another allows you to adjust individual channel levels more accurately.

Although it’s possible to set channel levels by ear, we don’t encourage this prac-

tice. Instead, use an SPL (sound pressure level) meter. Radio Shack and other

retailers offer SPL meters that are inexpensive and reasonably accurate.

Once the playback levels are properly set and you’re enjoying a movie or music

selection, any level differences you hear are intentional – they’ve been “engi-

neered into” the audio track for a specific reason.

To calibrate channel levels:

1. Press the MENU button on the front panel or the remote to display

the Main Menu.

The Main Menu appears on-screen:

MAIN MENU

> INPUT CONFIG

SPEAKER SIZE

SPEAKER X-OVER

SURROUND CONFIG

CHANNEL CALIBRATION

DELAY ADJUST

SYSTEM CONFIG

EXIT

2. Move the cursor to CHANNEL CALIBRATION by pressing the and

buttons on the front panel or remote.

System Setup

32

Outlaw Audio

Owner’s Manual

3. With the cursor pointing to CHANNEL CALIBRATION, press SET on

the front panel or the remote.

The Channel Calibration sub-menu appears:

CHANNEL CALIBRATION

> TEST TONE :OFF

AUTO SEQ :ON

FRONT LEFT : 0dB

CENTER : 0dB

FRONT RIGHT : 0dB

SURR RIGHT : 0dB

SURR BACK R

: 0dB

SURR BACK L

: 0dB

SURR LEFT : 0dB

SUBwOOFER : 0dB

RETURN TO MAIN MENU

To calibrate the channel levels of the Model 970, you can use either the built-in

test tone, or your own test disc or tone generator. In addition, when using the

internal test tone, you can have the Model 970 circulate the signal from one

speaker to the next automatically (AUTO SEQ: ON), or you can select each

channel manually

We recommend using the Model 970’s test tone for your initial adjustments.

The use of the tone assures that an equal level signal is sent to each channel,

providing an accurate basis for the adjustments. The test tone is a wide band-

width signal technically called “pink noise,” that sounds a bit like a waterfall.

This wide bandwidth signal avoids some of the room problems a single tone

test signal (like a sine wave) might generate and compensates for speakers that

have different “acoustic signatures.”

If you wish to use a test disc or your own tone generator to make the output

level adjustments, make certain that the input for the source to be used for

the external test signal is selected, and if necessary in the “play” mode before

proceeding.

SETUP HINT: Regardless of which modes you select for actually

adjusting the channel levels, we recommend that you set both TEST

TONE and AUTO SEQ to ON so that the tone circulates through all

channels automatically. Do not make any adjustments during this first

pass. Rather, note the position of the cursor in the on-screen menu list-

ing or the channel names that will appear in the lower line of the front

panel display and make certain that you hear the test tone from each

speaker in your system at the location that matches the name shown.

This enables you to check that all speakers are properly connected to

the correct channel output. If any speaker does not output the tone

when it should, or if the tone comes from a speaker position that does

not match the cursor position (such as the tone coming from the Sur-

round Left speaker when the cursor is pointing to Surround Right), exit

the menu system, turn your Model 970 off and check your speaker

connections before proceeding further.

If you are using a sound pressure (SPL) meter (recommended), place the meter

close to where your ears would be while watching or listening. Most have a tripod

socket in order to use a camera/camcorder tripod to set the meter in exactly the

right place without straining to hold it there for the entire calibration period.

Remember to set the weighting curve to “C” and the response to“Slow.” Then

adjust the range dial so that the meter reads somewhere near 0. You’ll be able

to read the output level of each speaker directly with no guessing or dependence

on your brain’s (notoriously unreliable) “acoustic memory.”

Channel Calibration with the Model 970 Test Tone

The Model 970 is factory set to automatically send the test tone sequentially to

each of the speakers in your system. Alternatively, if you set AUTO SEQ to OFF,

you can use the and Navigation buttons to move the cursor manually to

each speaker that you would like to adjust. Use the and Navigation buttons

to change the output level.

To calibrate the channels with the internal Test Tone:

1. With the cursor pointing to TEST TONE, press the and buttons

on the front panel or remote

so that the setting is ON

If AUTO SEQ is set to

ON

, the cursor will automatically drop down two

lines to the FRONT LEFT speaker position, and the test tone will be

heard from that speaker.

If you change the AUTO SEQ setting to

OFF

, you will need to use the

and Navigation buttons to change a channel. In this mode you

may take as long as is needed to adjust any channel, changing them

as you desire.

2. Press the button on the front panel or remote to raise the level

in the channel, or to lower it

The channel with the cursor next to it is the one you can adjust.

You can adjust each channel’s relative level from -10dB to +10dB. This

will give you adequate adjustment range for almost any multi-channel

system calibration.

When the level from one speaker sounds (or better yet, measures) close

to the previous channel, let the Test Tone circulate to the next channel,

or use the and Navigation buttons to move the channel if you have

AUTO SEQ set to OFF.

Repeat the sequence as the tone moves from one channel to another

as often as is needed until the output from each speaker sounds (or

measures) the same as all the others.

3. When you have finished setting the level for all of the channels in

your system, move the cursor to RETURN TO MAIN MENU by using

the and buttons on the front panel or remote.

4. Press SET on the front panel or the remote.

The Main Menu appears.

Manual Channel Calibration with Your Own Test Source

If you wish to use a test disc or tone generator to make the output level adjust-

ments, make certain that the input for the source to be used for the external test

signal is selected, and if necessary in the “play” mode before proceeding.

Before you begin, make sure that you are in the Channel Calibration sub-menu

and that TEST TONE and AUTO SEQ are both set to OFF.

To manually calibrate channel levels:

1. With the input for the source of the external tone generator or test

disc on and playing, move the cursor by using the and buttons

on the front panel or remote to FRONT LEFT.

System Setup

33

Model 970 7.1 Channel Preamplifier Processor

Owner’s Manual

2. Press the button on the front panel or remote to raise the level

in the channel, or to lower it

You can adjust the channel’s relative level from -10dB to +10dB.

When the level from one speaker sounds or measures close to the

previous channel, use the and Navigation buttons to move to the

next channel.

Repeat for each channel as often as is needed until the output from each

speaker sounds (or measures) the same as all the others.

3. When you have finished setting the level for all of the channels

in your system, move the cursor to RETURN TO MAIN MENU by

using the and buttons on the front panel or remote.

4. Press SET on the front panel or the remote.

Delay Adjust

In all probability, your speakers won’t all be at the same distance from your

main viewing/listening position. That means that the sound from each speaker

won’t reach your ears at the same time. And that means that you won’t hear

the soundtrack exactly as you should hear it – the soundstage, particularly

surround effects, will be altered, in some cases subtly and in other cases more

obviously. That is why Delay Adjustment is important!

The Model 970 makes it easy to adjust the delay without any fancy calcula-

tions involving microseconds or other esoteric quantities. You simply tell your

processor how far each speaker is from your main viewing/listening position

and the Model 970 will take care of the rest!

Before proceeding, measure the distance from each speaker to your main

viewing/listening position and write the measurements down.

To set the Delay for each channel:

1. Press the MENU button on the front panel or the remote to display

the Main Menu.

The Main Menu appears on-screen:

MAIN MENU

> INPUT CONFIG

SPEAKER SIZE

SPEAKER X-OVER

SURROUND CONFIG

CHANNEL CALIBRATION

DELAY ADJUST

SYSTEM CONFIG

EXIT

2. Move the cursor to DELAY ADJUST by using the and buttons

on the front panel or remote.

System Setup

3. With the cursor pointing to DELAY ADJUST, press SET on the front

panel or the remote.

The Channel Calibration sub-menu appears:

DELAY ADJUST

> DELAY UNIT :FEET

FRONT LEFT : 10FEET

CENTER : 10FEET

FRONT RIGHT : 10FEET

SURR RIGHT : 5FEET

SURR BACK R

: 0FEET

SURR BACK L

: 0FEET

SURR LEFT : 5FEET

SUBwOOFER : 10FEET

RETURN TO MAIN MENU

4. Press the and buttons on the front panel or remote to toggle

between FEET and METER.

5. Move the cursor to FRONT LEFT by using the and buttons on

the front panel or remote.

6. Press the button on the front panel or remote to increase the

distance, or to lower it

You can adjust the distance from

0

to

20

feet (6 meters).

If a speaker is farther than 20 feet, follow the steps in the section Delay

Settings for Larger Rooms.

Repeat steps 5 and 6 for all the speakers in your system.

7. When you have finished setting the delay for all of the channels

in your system, move the cursor to RETURN TO MAIN MENU by

using the and buttons on the front panel or remote.

8. Press SET on the front panel or the remote.

The Main Menu appears.

Delay Settings for Large Rooms.

If one or more of your speakers are greater than 20 feet away from your favorite

viewing spot, use the following procedure.

1. Measure the distance from each speaker to your main viewing/

listening position.

2. Write down each measurement.

3. Subtract 20 from the longest measurement.

4. Use the resulting answer as an “offset” for all the distances.

For example, the longest measurement in your system is the Back

Surround Left speaker at 26 feet. Subtract 20 from it. The answer of 6

becomes your offset. Now subtract the offset number from the actual

measured distances to get the measurements that you’d enter.

Speaker Actual Distance Entered Distance

Left Front 15’ 9’

Center 17’ 11’

Right Front 14’ 8’

Surr Right 13’ 7’

Surr Back R 20’ 14’

Surr Back L 24’ 18’

Surr Left 12’ 6’

Subwoofer 26’ 20’

34

Outlaw Audio

Owner’s Manual

System Configuration Settings

This final sub-menu lets you adjust some convenience and comfort parameters

that enable you to enjoy the Model 970 even more by custom tailoring key set-

tings. Note that some of these settings may require a bit of experience with the

Model 970 in its factory default mode before you decide which to change, and

to what degree the changes should be made. If you are in a rush to get your

new Model 970 into action, there is no problem in leaving the factory settings

in place and returning to this menu later to make the desired changes.

1. Press the MENU button on the front panel or the remote to display

the Main Menu.

The Main Menu appears on-screen:

MAIN MENU

> INPUT CONFIG

SPEAKER SIZE

SPEAKER X-OVER

SURROUND CONFIG

CHANNEL CALIBRATION

DELAY ADJUST

SYSTEM CONFIG

EXIT

2. Move the cursor to SYSTEM CONFIG by using the and buttons

on the front panel or remote.

3. With the cursor pointing to SYSTEM CONFIG, press SET on the

front panel or the remote.

The Channel Calibration sub-menu appears:

SYSTEM CONFIG

> OSD TIME OUT :3OSEC

DISPLAY TIME OUT :ON

VOLUME DEFAULT :LAST

DEFAULT VOL :-25dB

SLEEP :OFF

RETURN TO MAIN MENU

OSD (On-screen display) Time Out

This setting determines the length of time that the on-screen messages (vol-

ume change, input selection, surround mode, etc.) appear on the on-screen

display.

To adjust the OSD time out:

1. From the SYSTEM CONFIG menu, press or to move the cursor

to OSD TIME OUT.

2. Press the and buttons on the front panel or remote to select

the desired setting.

The available choices are:

5SEC



10SEC



15SEC



20SEC



25SEC



30SEC

Display Time Out:

This setting determines if the on screen messages and setup menus time out

(disappear from the screen) after the length of time selected in the OSD TIME

OUT line, as shown above. In most cases you will want to use the ON setting.

However, when making adjustments during the setup process, you may want

to leave the menus on until you intentionally turn them off.

To set display time out:

1. From the SYSTEM CONFIG menu, press or to move the cursor

to DISPLAY TIME OUT.

2. Press the and buttons on the front panel or remote to toggle

between ON and OFF.

Selecting

ON

(default) will cause on-screen messages to disappear after

the time period set in OSD Time Out.

Selecting

OFF

will make on-screen messages remain visible until the

Menu button on the remote or front panel is pressed.

Volume Default

This setting determines the volume level when the Model 970 is turned on.

To set the Volume Default:

1. From the SYSTEM CONFIG menu, press or to move the cursor

to VOLUME DEFAULT.

2. Press the and buttons on the front panel or remote to toggle

between LAST and ON.

Choose

LAST

(default) to have the Model 970 always turn on at the same

volume level in place when it was turned off.

Choose

ON

to always have the Model 970 play at the level specified in

Default Volume each time you turn it on.

Default Volume

If you selected ON in the VOLUME DEFAULT menu above, your Model 970 will

always turn on at the same volume. Use the Default Volume setting to enter

that volume level.

To set the Default Volume level:

1. From the SYSTEM CONFIG menu, press or to move the cursor

to DEFAULT VOLUME.

2. Press the and buttons on the front panel or remote to select

the desired setting.

You can adjust the level from -70 to +10dB.

Keep in mind that a -70dB setting will be below your threshold of hearing

and +10dB may well make your ears bleed.

We suggest something in the range of -30 dB. That way, you’ll be sure

to know that your system’s on and working.

System Setup

35

Model 970 7.1 Channel Preamplifier Processor

Owner’s Manual

Sleep

The Model 970’s sleep timer automatically shuts the unit off after a prede-

termined amount of time, from 5 to 90 minutes. The sleep time can also be

activated directly from the SLEEP button on the remote control, using the

Model 970’s front-panel display.

To set the Sleep timer from the on-screen display:

1. From the SYSTEM CONFIG menu, press or to move the cursor

to SLEEP.

2. Press the and buttons on the front panel or remote to select

the desired setting.

The available choices are:

90MIN75MIN60MIN45MIN30MIN20MIN10MIN5MINOFF

Choosing one of the time settings will cause the Model 970 to turn itself

off after selected amount of time.

Choose

OFF

to disengage the sleep timer function

To exit the menu system

1. Move the cursor to RETURN TO MAIN MENU by using the and

buttons on the front panel or remote.

2. Press SET on the front panel or the remote.

The Main Menu appears.

3. Move the cursor to EXIT by using the and buttons on the front

panel or remote.

4. Press SET on the front panel or the remote.

Your Model 970 is ready for action! The next section of this manual will give

you the information you need to use the Model 970 on a daily basis, as well as

the instructions for programming the remote.

Model 970 Operation

Now that you have completed the initial setup and configuration of the Model

970, you will find it easy to operate. Read the following section to learn the basics

of operating the Model 970, as well as a few tips and tricks that will enhance

your enjoyment of your home theater system.

Power

To turn the Model 970 on:

1. Press the MAIN POWER button on the unit’s rear panel until it

latches.

The Standby/On indicator on the front panel will glow amber.

2. Press the STANDBY button on the front panel, or any source button

(such as DVD, VIDEO 1, or CD) on the remote control.

The Standby/On indicator will turn green, and the front-panel display

will illuminate.

If you have previously been using the remote to control

another device, remember that the TNR button must be pressed in order

for the remote to send commands to the Model 970.

To turn the Model 970 off:

 Press the STANDBY button on the front panel or the PWR button

on the remote. The Standby/On indicator will turn amber, and the

front-panel display will disappear.

NOTE: The PWR button on the remote is used only to turn the

Model 970 OFF. This makes it possible for the Model 970 to have

separate, discrete commands for “on” and “off” that may be used to

program an optional programmable remote control. Remember, to

turn the Model 970 ON, press any of the source buttons at the

bottom section of the remote.

Direct Operation

In addition to entering settings into the Model 970 using the on-screen menu

system, as described in various sections of this manual, many of the controls

may be changed directly at any time using the remote control or the front-panel

buttons. We will describe how to make these adjustments in this section.

Source Selection

To select a source/input from the remote control:

 Press one of the source buttons (DVD, CD, VIDEO 1, etc.) on the

remote control.

This will turn the Model 970 on and select the desired input. Remember

that in order to actually control the selected source device you must

press the appropriate Device Selector Button. These are at the top of the

remote, and are the only buttons on the remote with the lettering in

white on a black background.

The front-panel display will show the selected source. The on-screen

display will also show the selected source unless you have set OSD to

OFF in the Input Configuration menu.

Model 970 Operation

36

Outlaw Audio

Owner’s Manual

To select a source/input from the front panel:

1. Press the INPUT button on the front panel.

2. Press the or buttons on the front panel to select the

source.

The front-panel display will show the selected source (or the name you

have chosen for it if you have renamed that input). The on-screen display

will also show the selected source unless you have selected OSD: OFF in

the Input Configuration menu.

Volume Control

Use this control to adjust the volume level.

To adjust main volume level:

 Press the VOLUME UP or DOWN buttons on the remote, or turn

the VOLUME knob on the front panel.

The volume level will be indicated on the front-panel display and the

on-screen display (unless you have selected OSD: OFF in the Input

Configuration menu). The range of the volume control runs from

-70dB to +10dB.

When you use the remote control to adjust the volume setting it will

change up or down in 0.5 dB increments if you tap the volume controls

up or down slowly. When you hold the volume control buttons down the

volume will change quickly, but only in 1dB increments. When the front

panel volume control is used the level is changed in 1dB increments.

Muting the Volume

Use this control to turn the sound off momentarily, such as when interrupted

by a phone call.

To mute the main volume:

 Press the MUTE button on the front panel or the remote control.

The sound will mute and the word “MUTE” will replace the volume

level in the displays and blink on the front-panel display, but remain

constant in the on screen display.

To turn mute off:

 Press either MUTE button to restore the volume to its previous level.

The name of the selected source will reappear in the displays.

OR

 Press the VOLUME UP or DOWN buttons on the remote, or turn

the VOLUME knob on the front panel.

The volume of the selected source will return at the new level.

Changing the Surround Mode

Use these controls to change the surround mode from the default selected

during input configuration. Only the modes that can be used with the signal

(stereo, Dolby Digital, or DTS) currently being played will be available for you

to select. Seven-channel modes such as Dolby Pro Logic IIx Movie cannot be

used unless you have seven speakers connected.

To change the surround mode from the front panel:

1. Press the SURR MODE button.

2. Press the or buttons on the front panel until the name of the

desired mode appears.

The selected surround mode is shown on the front-panel display, and

the on-screen display unless you selected OSD: OFF in the Input Con-

figuration menu.

This method also allows you to select one of the Model 970’s stereo modes,

including stereo, bypass, 5-channel stereo and 7-channel stereo.

To change the surround mode from the remote:

1. Press the DOLBY MODES button or the DTS MODES button,

depending on what type of signal you are listening and the mode

type desired until the name of the mode you want to select

appears.

The selected surround mode will be shown on the front-panel display,

and in the on-screen message (unless you selected OSD: OFF in the Input

Configuration.). The DOLBY MODES button works with any type of sig-

nal. The DTS MODES button works only when you are playing stereo

or DTS material.

Changing Stereo Modes

The Model 970 offers several stereo listening models, including stereo, 5-channel

stereo, and 7-channel stereo. With stereo material, such as CDs or FM radio, all

of these modes are available. With Dolby Digital and DTS material, most of these

modes will be not be available.

To change the stereo mode from the front panel:

1. Press the SURR MODE button.

2. Press the or buttons on the front panel until the name of the

desired mode appears.

The selected surround mode will be shown on the front-panel display

and in the on-screen messages (unless you selected OSD: OFF in the Input

Configuration menu.)

To change the stereo mode from the remote:

 Press the STEREO button until the name of the desired name

appears.

The selected stereo mode will be shown on the front-panel display and

in the on-screen messages (unless you selected OSD: OFF in the Input

Configuration menu.)

Selecting the Bypass Mode

The Model 970’s Bypass mode allows you to route the signal from an analog

stereo input directly from the inputs to the volume control in a “straight-wire”

mode, without any digital processing.

To select Bypass from the front panel:

1. Press the SURR MODE button.

2. Press the or buttons on the front panel until Bypass appears.

To select Bypass from the remote:

 Press the Bypass button to toggle between Bypass mode and

standard mode with digital processing.

Model 970 Operation

37

Model 970 7.1 Channel Preamplifier Processor

Owner’s Manual

Channel Trim

Channel Trim allows you to fine-tune the channel levels to compensate for

various soundtrack anomalies. For example, you may play a movie and find that

the center (dialogue) channel sounds weak, making the movie hard to follow.

Simply trimming the center channel up a decibel or two can fix the problem.

Or another movie may have much more bass than normal; trimming the

subwoofer channel down a few decibels should balance the sound correctly.

You can trim the channels while you are listening to a source, or you can

trim the channels using the Model 970’s internal test tone. The trim range is

+10dB to -10dB.

To adjust channel level while listening to a source:

1. Press TRIM on the remote control.

“TRIM LEVEL ADJUST” will appear in the front panel display and in

the on-screen messages (unless you selected OSD: OFF in the Input Con-

figuration menu). FRONT LEFT” will be the first channel to be shown

on-screen and on the front-panel display along with the current channel

output level offset.

2. Press the or buttons to adjust the level as desired.

3. When the desired level offset is set, use the and buttons to

move through the list of channels.

Repeat steps 2 and 3 until you finished adjusting the channel levels.

4. Press SET when you are finished adjusting the channel outputs or

wait a few seconds for the display to disappear.

To adjust channel level using the test tone, use the same procedure described

above, except start the process by pressing the TEST button on the remote

instead of the TRIM button. :

Recording a Source

You can record from any input source connected to the Model 970 when you

have an audio or video recorder properly connected to the appropriate output

jacks on the rear panel but you cannot monitor the output of the recorder

through the Model 970 while recording.

To record from a currently selected analog input source:

1. Prepare your analog recording device.

Follow the recommended procedure from the recorder manufacturer

about settings, etc.

2. Set the device to the record mode and begin recording.

The source audio signals appear at the Tape Record Outputs and the

Video 1 audio outputs. If the source contains a video signal, it appears

at both the composite and S-Video Record Outputs.

To record from a currently selected digital input source:

1. Prepare your digital recording device.

Follow the recommended procedure from the recorder manufacturer

about settings, etc.

2. Set the device to the record mode and begin recording.

The source audio signals appear at the Coaxial and Optical Digital

Audio Output jacks. If the source contains a video signal, it appears at

both the composite and S-Video Record Outputs.

NOTES ON RECORDING: You can record analog to analog and digi-

tal to digital but you cannot record analog to digital or digital to analog

through the Model 970.

If you change the input source during recording, you will record the

signals from the newly selected input source from that point on.

Night Mode Selection

The Model 970’s Night Mode is intended for late-night listening. It suppresses

the loud peaks in movie soundtracks and music videos so that the sound from

your system does not disturb others. Yet you will still be able to play the system

loud enough so you can hear dialogue clearly. Night Mode works only with

Dolby Digital soundtracks.

You can activate Night Mode through the Surround Configuration sub-menu

(see page 30) or directly from the remote control.

To adjust Night Mode from the remote control when a Dolby Digital

source is playing:

1. Press the NIGHT button on the remote control.

The current setting of Night Mode appears on the front panel display

and in the on-screen messages (unless you selected OSD: OFF in the

Input Configuration menu.)

2. Press the NIGHT button to toggle between the two modes.

No Comp

means no compression (i.e., Night Mode Off)

DR Comp

means dynamic range compression (i.e., Night Mode On)

3. Press EXIT on the remote control to exit Night Mode selection, or

wait a few seconds for the display to disappear.

Sleep Timer

The Model 970’s sleep timer automatically shuts the unit off after a predeter-

mined amount of time. The sleep time can be activated through the System

Configuration sub-menu (see page 35), or directly from the remote control.

To activate the sleep timer from the remote:

1. Press SLEEP on the remote.

“SLEEP TIME: 90 MIN” appears on the lower line of the front-panel

display and in the on-screen messages (unless you selected OSD: OFF

in the Input Configuration menu.)

2. Press SLEEP repeatedly to reduce the amount of time before the

Model 970 shuts off.

The available choices are:

90MIN75MIN60MIN45MIN30MIN20MIN10MIN5MINOFF

Choosing one of the time settings will cause the Model 970 to turn itself

off after selected amount of time.

Choose

OFF

to disengage the sleep timer function

3. Press EXIT on the remote to remove the sleep timer display, or

wait a few seconds for the display to disappear.

4. To check the amount of time left on the sleep timer, press SLEEP

again.

Model 970 Operation

38

Outlaw Audio

Owner’s Manual

Lip-Synch Delay

Because video is more data-intensive than audio, processing video takes longer. As

a result, sometimes the video will lag behind the audio, causing a lip sync error.

The problem may vary with each source device. In particular, digital TV tuners

(or the stations they receive) seem to cause lip sync problems more than do DVD

players. The Model 970 lets you delay the audio to fix this problem. It also lets you

set a different lip sync delay for each input, in increments of 10 milliseconds.

You can adjust lip sync delay for a specific video input directly from the remote

or from the Input Configuration Menu (see page 26). Lip sync delay is not

available for audio-only inputs.

To set lip sync delay from the remote:

1. Press the SYNC button on the remote.

The current Lip Sync delay for the input in use will appear on the bottom

line of the front panel display and the on screen message (unless you

have selected OSD: OFF in the Input Configuration menu).

2. Press the or buttons on the remote to adjust the amount of

delay being applied.

Watching a close-up of an actors’ lips while carefully listening to their

dialogue is the best way to set the proper amount of lip sync delay.

If you hear dialog before you see lips moving, increase the delay time.

If you see lips moving before you hear dialog, decrease the delay time.

3. Press SET to choose the new lip sync setting.

Adjusting Tone Controls

You can adjust the bass and treble for a specific input directly from the remote

or from the Input Configuration Menu (see page 26). The maximum boost

or cut is ±6dB.

To adjust tone controls:

1. Press the TONE button on the front panel or remote.

The current setting for Treble boost or cut will appear in the lower line

of the front panel and on screen display (unless you have selected OSD:

OFF in the Input Configuration menu.)

2. Press the or buttons on the front panel or remote to increase

the boost or cut of the Treble as desired.

The input choices for both Bass and Treble appear as follows as you

scroll through them:

-6dB-5dB-4dB-3dB-2dB-1dB0dB1dB2dB

3dB4dB5dB6dB

3. When the desired boost or cut is set, press the TONE button again

to toggle from Treble to Bass.

4. Press the or buttons on the front panel or remote to increase

the boost or cut of the Bass as desired.

5. Press the SET button on the front panel or remote when you are

finished with the tone control adjustments.

Using the AM/FM Tuner

The Model 970 incorporates an AM/FM/FM stereo tuner with 30 station-memory

presets. You can mix AM and FM presets as you wish. Stations can also be

tuned manually. To use the tuner, you must connect antennas to the AM and

FM antenna terminals on the back of the unit (see page 18).

To select the AM/FM tuner as your source:

 Press AM/FM on the remote or TUNER on the front panel.

The band and frequency will appear on the bottom line of the front

panel display and in the on-screen messages (unless you have selected

OSD: OFF in the Input Configuration menu).

To change the frequency (station) manually:

 Press CHANNEL UP or CHANNEL DOWN on the remote control, or

the or buttons on the front panel.

The band and frequency will appear on the bottom line of the front

panel and on-screen display (unless you have selected OSD: OFF in the

Input Configuration menu.)

To scan for the next frequency (station) automatically:

 Press CHANNEL UP or CHANNEL DOWN on the remote control,

or the or buttons on the front panel. Hold the button down

for one second, then release it.

The tuner will automatically scan up or down to the next active fre-

quency. The band and frequency will appear on the bottom line of the

front panel and on-screen display (unless you have selected OSD: OFF

in the Input Configuration menu.)

To enter a frequency (station) directly:

1. Press DIRECT on the remote.

The current frequency will go blank on the bottom line of the front

panel and on-screen displays.

2. Use the 10-key numerical keypad on the remote to enter the

desired frequency.

For example, to enter 89.3 FM, simply punch in 0893.

3. Press SET on the remote.

To change the band (AM or FM):

 Press AM/FM on the remote or TUNER on the front panel.

The band and frequency will appear on the bottom line of the front

panel and on-screen display (unless you have selected OSD: OFF in the

Input Configuration menu.)

To change the FM tune mode (mono or stereo):

 Press TUNE MODE on the remote or the front panel to select the

desired tuner mode.

STEREO

will tune stereo signals.

MONO

will tune either mono or stereo signals. When a station’s signal is

weak in the STEREO mode, selecting mono will often provide a signal

that is more acceptable by switching to the mono sound mode.

Model 970 Operation

39

Model 970 7.1 Channel Preamplifier Processor

Owner’s Manual

Creating an AM or FM station-memory preset manually:

1. Tune the station you want to enter into memory following the

directions shown above.

2. Press the MEMORY button on the remote.

You will see “Memory” immediately above the broadcast frequency in

the front panel and on-screen displays.

If any station presets have already been entered, you’ll see a number

immediately after “Memory.” The first digit of that number will flash.

3. Within 5 seconds, enter a two-digit memory number (from 01 to

30) using the remote’s numeric keypad.

4. Wait a few seconds as the present number is entered into the

Model 970’s memory.

The first digit of the preset number will blink. This is your indication

that the memory is being loaded.

5. The word MEMORY changes to PRESET and the first digit of the

number will stop flashing.

This is your indication that the preset number has been memorized.

NOTE: If the memory number you have chosen was previously used

for another station, that memory will be overwritten with the new sta-

tion preset number.

AM station presets must be entered manually, they cannot be entered

using the automated process described below.

To create FM station-memory presets automatically:

 Press and hold the remote’s MEMORY button for three seconds,

then release it.

The tuner will automatically scan the FM band for all active stations,

and create memory presets for the first 30 stations tuned with a signal

that has acceptable strength for good reception.

To select a preset station:

 From the remote, press the PRESET UP or PRESET DOWN buttons

to scan through the list of preset stations.

OR

1. From the front panel, press the PRESET button.

2. Press the or buttons to scan through the list of preset stations.

Using Headphones

The Model 970’s front headphone jack allows you to listen in private without

disturbing others nearby. You may enjoy headphone listening in either pure

stereo or thanks to the Model 970’s Dolby Headphone processing, you can enjoy

a realistic surround-sound effect even when using headphones.

The Model 970 has a 1/4-inch headphone jack, which accommodates the

1/4-inch plugs found on most quality headphones. If you want to use portable-

style headphones such as those included with portable CD or MP3 players, you

will need a stereo 1/8-inch to 1/4-inch adapter, which is readily available at

RadioShack and other electronics stores.

To use the headphones:

1. Plug a set of headphones in to the front panel using the headphone

jack.

The signal to the main speaker outputs will automatically mute when

the headphones are in use.

2. Use the HEADPHONE LEVEL CONTROL to the right of the

headphone jack to set the sound level for the headphones

The main system front panel or remote volume controls do not have any

influence on the headphone level setting.

CAUTION: We recommend that you turn the headphone level control

all the way down before using headphones for the first time, and then

slowly increasing the level by turning the knob to the right. This avoids

the chance that you might damage your hearing by encountering a

headphone level that is too high. Always use caution and good sense

when setting the headphone level, as high levels may cause hearing

damage. Listening to headphones for prolonged periods at high vol-

ume levels can permanently damage your hearing

The headphones may be used in either the Stereo or Dolby Headphone mode.

To change the setting, go to the Surround Configuration Menu, following the

instructions shown on page 31.

Model 970 Operation

40

Outlaw Audio

Owner’s Manual

Remote Control Setup and Operation

The Model 970 remote control is preprogrammed with remote codes for 1,000

audio and video components. Programming is accomplished by simply punch-

ing in a four-digit code number that matches your equipment.

In addition to the Model 970 itself, the remote control can operate up to seven

other audio and video devices in your home entertainment system. They are

listed below:

 TVs, Monitors, Video Projectors

 VCRs, TV/VCR combination units

 Cable boxes, Internet set-top boxes

 Satellite receivers—DirecTV, Dish Network, Primestar, DBS, C-band

 Audio receivers, preamplifiers, surround processors

 Compact disc players, multi-disc changers

 DVD, laserdisc players

 Cassette tape players, DAT, MiniDisc, switchers, lighting, home control devices,

and video scalers

For the best performance when operating your remote control, please follow

the guidelines below:

 Remember to point the remote control toward the remote control sensor on the

Model 970, not toward the TV screen. Place the 970 away from strong light such

as direct sunlight or fluorescent light, which can prevent proper operation of

the remote control.

 Using another remote control of a similar type or placing the Model 970

near equipment which also uses infrared control may cause operational

interference.

 Do not put objects on the remote control. The buttons of the remote control may

be pressed by mistake and drain the batteries.

 Make sure any doors covering the front of the 970 do not have colored or smoked

glass. Placing the unit behind such doors may prevent proper remote control

operation.

 If there is any obstacle between the remote control and the remote control sensor,

the remote control will not operate.

The remote control also has many advanced features that can add ease and

enjoyment to the operation of your home entertainment system. After becoming

familiar with the layout of the buttons on the remote (see pages 10-11), follow

the steps below to customize the remote for your particular setup.

Battery Installation

The remote control uses two AA 1.5-volt alkaline batteries (supplied). Please

be sure to match the batteries with the + and - markings inside the battery

compartment during installation.

NOTE: Do not mix new and old batteries or different kinds off batter-

ies. To avoid corrosion, remove the batteries if the remote control will

not be used for one month or more. Remove dead batteries immedi-

ately to avoid damage from corrosion.

To install batteries in the remote control:

1.

On the back of the remote, push the tab and lift off the battery cover.

2. Insert two new AA alkaline batteries. Match the + and - marks on

the batteries to the + and - marks in the battery case.

3. Press the battery cover back into place. The tab should click when

the cover is locked.

4. Test the unit by pressing PWR and any mode key (i.e., AUX, CBL, etc.).

If the batteries are inserted correctly, the LED will blink once.

NOTE: The batteries will usually last about six months under normal

use. When batteries need replacement, the remote will blink twice with

every key press. Simply replace them and the remote control will be

restored to its full functionality, including favorite settings.

Setup Using Preprogrammed Codes

The Model 970 remote can be programmed to operate other audio or video

components in your system.

The TNR button is used exclusively for control of

the Model 970.

To program the remote to control another device, you must enter

a four-digit code. Codes for a wide variety of devices and brands are provided

in the following pages. More than one setup code number may work with your

device. You should test the functions for each of the code numbers that work

with your device to determine the best one for your particular unit.

The procedure for setting up the Model 970 remote to control a TV/VCR is dif-

ferent—see Programming TV/VCR Control below.

NOTE: Some devices, such as CD players and DVD players that do not

have power buttons on their original remote controls, may not shut off

during programming. For these devices, it may be necessary to first

store the setup code number and then test functions like PLAY, STOP,

etc, to determine if the correct number has been selected.

To program using four-digit codes:

1. Turn on the device you would like the remote control to operate,

either manually or with its original remote control.

2. Find the four-digit setup code number for your device from the

tables on pages 42 to 45.

3. Press the Device Control Selector button on the Model 970 remote

that corresponds to the device you want to control.

You can choose from CBL, AUX, VCR, TV, SAT, CD, or AMP.

NOTE: The codes for controlling DVD players are programmed into

the AUX button.

4. Press and hold SETUP on the remote until the red LED at the top

of the remote blinks twice, then release SETUP.

5. Enter the first four-digit code for your component.

The LED should blink twice. If it does not, then repeat steps 3, 4, and 5

above, using the same code.

6. Aim the remote at the component and press PWR once.

The component should turn off. If it does not respond, repeat steps 3, 4, and

5, trying each code for your brand until you find one that works. If it still does

not work, try searching for the code (see Searching For Your Code, below).

7. Repeat the process for other components you wish to control with

the Model 970 remote.

Remote Control Setup and Operation

41

Model 970 7.1 Channel Preamplifier Processor

Owner’s Manual

Remote Control Setup and Operation

Programming TV/VCR Control

The Model 970 can control TV/VCR combo units, but the procedure is somewhat

different than entering codes to control other components. As with other com-

ponents, you must enter a four-digit code. Codes for many TV/VCR brands are

provided in the following pages. More than one setup code number may work

with your device. You should test the functions for each of the code numbers

that work with your device to determine the best one for your particular unit.

If you want to control TV functions besides power on/off, you may need to enter

a separate TV code, as described below.

To program TV/VCR control:

1. Turn on the TV/VCR, either manually or with its original remote

control, and insert a video cassette.

2. Find the four-digit code for your TV/VCR from the tables on pages

44 to 49. Your TV/VCR may have a separate TV code listed. If so,

be sure to note both codes.

3. On the Model 970 remote, press VCR.

4.

Press and hold SETUP until the red LED blinks twice, then release SETUP.

5. Enter the first four-digit code for your component.

If the code entry is performed correctly, the LED will blink twice. If it

does not, then repeat steps 3, 4, and 5, using the same four-digit code.

6. Aim the remote at the TV/VCR and press PWR once. The TV/VCR

should turn off. If it does not respond, repeat steps 3, 4, and 5, trying

each code for your brand until you find one that works. If it still does

not work, try searching for the code (see Searching For Your Code).

7. If your component has a separate TV code listed, press TV on the

Model 970 remote control.

The LED will blink twice.

8. Enter the four-digit TV code for your TV/VCR combo.

If the code is entered correctly, the LED will blink twice. If it does not,

then repeat steps 7 and 8 using the same four-digit code.

Searching for Your Code

If your device does not respond to the remote after you have tried all codes

listed for your brand, or if your brand is not listed at all, try searching for your

code.

To search for a code for your component:

1. Press the Device Control Selector button on the Model 970 remote

that corresponds to the device you want to control.

You can choose CBL, AUX, VCR, TV, SAT, CD, or AMP.

2. Press and hold SETUP until the red LED on the remote blinks twice,

then release SETUP.

3. Enter 991.

The LED will blink twice.

4.

Aim the remote control at the component and slowly alternate between

pressing PWR and the button for the device you pushed in step 1.

5. Stop when the TV turns off.

6. Press SETUP once.

7. To search for the codes of your other components, repeat the

process, using the appropriate button for the new device in steps

1 and 4.

Checking the Codes

If you have set up the Model 970 remote by searching for the codes, for future

reference, you may wish to find out which four-digit code is operating your

equipment.

To find the four-digit code for a device:

1. On the Model 970 remote, press the button near the top of the

remote for the type of device you want to control.

2. Press and hold SETUP until the red LED on the remote blinks twice,

then release SETUP.

3. Enter 990.

The LED will blink twice.

4. To view the code for the first digit, press 1.

After three seconds, the LED will blink to indicate the first code number

(i.e., 3 blinks = 3). Count the blinks and write down the number.

5. Repeat steps 1-4 for each of the other three digits.

Press

2

for the second digit,

3

for the third, and

4

for the fourth. Count

the blinks and write down the numbers.

6. To check for the codes of your other components, repeat steps 1

through 5, but substitute the appropriate key in step 1 for the new

component you are checking.

Re-Assigning Device Buttons

If you wish to control a second device of a type already programmed into the

Model 970 remote (i.e., if you want to use two DVD players), you will need to

re-assign an unused device button (CBL, AUX, VCR, TV, SAT, CD, or AMP) to

operate the second device.

To reassign an unused device button:

1. On the Model 970 remote, press and hold SETUP until the LED

blinks twice, then release SETUP.

2. Enter 992.

The LED will blink twice.

3. Press the button for the device already programmed (i.e., CBL),

then press the button for the unused device (i.e., TV).

The LED will blink twice.

4. The button for the unused device is now ready to be programmed

for the second component. See Setup Using Preprogrammed

Codes.

Volume Control Punch-Through

You can program the Model 970 remote so that the VOLUME UP, VOLUME

DOWN, and MUTE buttons on the remote will control those functions on the

Model 970 even when the remote is set to control another device.

To set volume control punch-through:

1. On the Model 970 remote, press and hold SETUP until the LED

blinks twice, then release SETUP.

2. Enter 993.

3. Press the TNR key on the Model 970 remote.

The LED will blink twice.

42

Outlaw Audio

Owner’s Manual

Operation

After you have programmed the remote control for your equipment, use the

following procedures to operate the components of your home entertainment

system:

To operate a system component that you have programmed:

1. On the Model 970 remote, press the button near the top of the

remote for the device you want to control (CBL, AUX, VCR, TV, SAT,

CD, or AMP)

2. Aim the remote control at the device and press the POWER button

to turn on the device.

3. Press the buttons that send out the commands you desire.

NOTE: Some audio/video devices have separate buttons for POWER

ON and POWER OFF. To operate these devices on the remote, press

the corresponding device button to turn the equipment ON and press

the POWER button to turn the equipment OFF.

Please try all the functions of this remote control with your equipment. The most

common functions are labeled on the remote. However, some of the secondary

functions might be stored under a button that has a different name from the

one on your original remote control.

Source Selection Buttons

Pressing a source button (VIDEO 1, DVD, etc.) at the bottom of the remote

control performs the following functions:

 If the Model 970 is in Standby mode, powers up the unit.

 Selects that source on the Model 970.

Backlighting

Pressing any button on the Model 970 remote illuminates all the buttons on

the remote control for about 5 seconds. The backlight is extended an additional

5 seconds with any button press while the backlight is on.

Care and Maintenance

Cleaning

When the unit becomes dirty, wipe it with a clean, soft, dry cloth. If necessary,

first wipe the surface with a soft cloth slightly dampened with mild soapy water,

then with a fresh cloth dampened with clean water. Wipe dry immediately

with a dry cloth. NEVER use benzene, thinner, alcohol or any other volatile

cleaning agent. Do not use abrasive cleaners, as they may damage the finish

of the metal parts. Avoid spraying insecticide, waxes, polishing agents, or any

aerosol product near the unit.

When You Are Away

If you will not be using your home theater system for an extended period of time,

it is always a good idea to turn the unit off using the MAIN POWER button on

the rear panel of the Model 970. This will prevent the automatic turn on circuits

from accidentally turning the system on during your absence.

System Reset

In rare cases the Model 970’s internal processor may freeze or lock-up causing

abnormal operation. This is common to all microprocessor-controlled devices when

the unit is subject to excessive static discharge, AC line noise, or power spikes.

In most cases it is easy to solve this problem by simply unplugging the

Model 970 from its AC power source for about five minutes. After waiting,

reconnect the power cord and turn the unit on. If the unit functions normally,

no further action is needed.

In the event that the unit still does not operate properly, it may be necessary to

manually reset the processor. Note, however, that when the processor is reset

you will lose all settings including digital audio assignments, surround mode

settings, speaker configurations, tuner presets and any other memory items.

For this reason we strongly recommend that you record these settings on the

chart provided on page 15 of this manual so that it is easy to restore them after

resetting the processor.

To perform a system reset:

1. Turn the rear-panel MAIN POWER switch on. The STANDBY/ON

indicator on the front panel will glow amber.

2. Turn on the Model 970 by pressing any of the input source

buttons.

3. Press the MENU and MUTE buttons on the front panel at the same

time.

“PRESS (1) TO LOAD DEFAULT” appears in the front-panel display.

4. Release the the MENU and MUTE buttons.

5. Within five seconds, press the 1 button on the remote control.

“OUTLAW AUDIO/MODEL 970” appears briefly to indicate that the unit

has been reset. The unit will then return to normal operation.

Care and Maintenance

43

Model 970 7.1 Channel Preamplifier Processor

Owner’s Manual

Setup Codes

TroubIeshooting

Your new Model 970 is designed to provide years of trouble-free operation.

However, the complexity of today’s sophisticated home theater systems means

that you might encounter an occasional problem with your system involving

the Model 970.

Listed below are some of the more common issues you could encounter. For

additional hints on using the Model 970 or resolving problems we suggest that

you look at the Model 970 section of our website at www.outlawaudio.com, or

enter the Model 970 Section of our Outlaw Saloon. If your problem persists,

please call us at 866-OUTLAWS (688-5297) or 866-OUTLAWA (688-5292).

Symptom Possible Cause Solution Options

Unit does not turn on when remote or

front panel buttons are pressed

No AC Power Make certain AC power cord is plugged into a live outlet

Make certain rear panel MAIN POWER switch is ON

No sound from digital audio source Input not properly selected Make certain the correct digital input is associated to the source

No DTS when a DVD is playing Incorrect bitstream output from DVD player Check the DVD player’s setup menus to make certain DTS output is selected

Check the disc menu to make certain DTS is selected

No sound from rear surround speakers Incorrect speaker configuration Check Speaker Configuration menu to make certain that surround speakers are set to “small”

or “large”

Intermittent buzzing in tuner Interference from local sources Move or relocate the antenna

Move the antenna or unit away from computers, fluorescent or neon lights, or appliances

with motors

Unit does not respond to remote

commands

Low remote battery power

Remote set to different device

Remote sensor is obscured

Change the batteries

Press the TNR button to make sure the remote is outputting 990 codes

Make certain the front-panel remote sensor is not blocked or connect an external remote

sensor

No sound from one or more channels Poor connections

Incorrect surround mode

Incorrect speaker configuration

Check interconnects to the amplifier and connections from the amplifier to the speakers

Check surround mode to make certain it provides output to all speakers

Check Speaker Configuration menu to make certain all speakers are set to “small” or “large”

Setup Codes

CABLE CONVERTERS

Manufacturer/Brand Setup Code Number

ABC 0003, 0017

Americast 0899

Bell South 0899

General Instrument 0276, 0476, 0810

GoldStar 0144

Hamlin 0009, 0273

Jerrold 0003, 0276, 0476, 0810

Memorex 0000

Motorola 1106

Pace 0237

Panasonic 0107, 0000

Paragon 0000

Philips 0305, 0317

Pioneer 0144, 0533, 0877

Pulsar 0000

Quasar 0000

Regal 0273, 0279

Bunco 0000

Samsung 0144

Scientific Atlanta 0017, 0477, 0877

Starcom 0003

Toshiba 0000

Zenith 0000, 0525, 0899

CD PLAYERS

Manufacturer/Brand Setup Code Number

Aiwa 0157

Burmester 0420

Cal. Audio Labs 0029

Carver 0157, 0179

DKK 0000

Demon 0003, 0873

Emerson 0305

Fisher 0179

Garrard 0420

Genexxa 0032, 0305

Harman/Kardon 0157, 0173

Hitachi 0032

JVC 0072

Kenwood 0028, 0190, 0826, 0037, 0626,

0681

Krell 0157

LX. 0305

Linn 0157

MCS 0029

44

Outlaw Audio

Owner’s Manual

Setup Codes

MTC 0420

Magnavox 0157, 0305

Marantz 0157, 0626, 0029

Mission 0157

NSM 0157

Onkyo 0101, 0868

Optimus 0032, 0468, 0420, 0179, 0305,

1063, 0000, 0037, 0145

Panasonic 0029

Parasound 0420

Philips 0157, 0626

Pioneer 0032, 0468, 0305, 1062, 1063

Polk Audio 0157

Proton 0157

QED 0157

Quasar 0029

RCA 0053, 0032, 1062, 0468, 0305,

0179

Realistic 0179, 0420

Rotel 0157, 0420

SAE 0157

Sansui 0157, 0305

Sanyo 0179

Scott 0305

Sears 0305

Sharp 0037, 0861

Sherwood 1067

Sonic Frontiers 0157

Sony 0000, 0490

Soundesign 0145

Tascam 0420

Teac 0420

Technics 0029

Victor 0072

Wards 0053, 0157

Yamaha 0036, 0888

DVD PLAYERS

Manufacturer/Brand Setup Code Number

Apex 0672

Denon 0490

Fisher 0670

GE 0522

Gradiente 0651

Hitachi 0573, 0664

Hiteker 0672

JVC 0623, 0558

Kenwood 0682, 0534

Konka 0719, 0711, 0720, 0721

Magnavox 0503, 0675

Marantz 0539

Mitsubishi 0521

Onkyo 0503

Optimus 0571

Oritron 0651

Panasonic 0490, 0677, 0632

Philips 0539, 0503

Pioneer 0571, 0525, 0632

Proscan 0522

RCA 0522, 0571

Samsung 0573

Sharp 0630

Sony 0533

Toshiba 0503

Yamaha 0490, 0545

Zenith 0591, 0503

HOME AUTOMATION

Manufacturer/Brand Setup Code Number

GE 0240

One For All 0167

Radio Shack 0240

Security System 0167

Universal X10 0167

X10 0167

SATELLITE RECEIVERS

Manufacturer/Brand Setup Code Number

AlphaStar 0772

Chaparral 0216

Echostar 0775, 1005

GE 0566

General Instrument 0869

HTS 0775

Hughes Net. Sys. 0749, 1142, 1749

Philips 1076, 1142, 0722, 0724, 0749

Proscan 0392

RCA 0506, 0392, 0143, 0855

Radio Shack 0869

Samsung 1109

Star Choice 0869

Zenith 0856

TELEVISIONS

Manufacturer/Brand Setup Code Number

AOC 0019, 0030

Admiral 0093, 0463

Aiko 0092

Aiwa 0701

Akai 0030

Alaron 0179

America Action 0180

Anam 0180

Audiovox 0092, 0180, 0451, 0623

Baysonic 0180

Bclmr 0019

Bell & Howell 0016, 0154

Bradford 0180

Brockwood 0019

Broksonic 0236, 0463

CXC 0180

Candle 0030, 0056

Carnivale 0030

Carver 0054

Celebrity 0000

Cineral 0451, 0092

Citizen 0056, 0030, 0060, 0092

Concerto 0056

Contec 0180

Craig 0180

Crosley 0054

Crown 0180

Curtis Mathes 0060, 0030, 0016, 0047, 0051,

0054, 0056, 0093, 0145, 0154,

0166, 0451, 1147, 1347

Daewoo 0092, 0623, 0019, 0624, 0451

Daytron 0019

Denon 0145

Dumont 0017, 0019

Electroband 0000

Emerson 0236, 0180, 0178, 0179, 0463,

0624, 0623, 0019, 0154

Envision 0030

Fisher 0154

Fujitsu 0179, 0683

Funai 0180, 0171, 0179

Futuretech 0180

GE 0047, 1347, 0051, 0178, 0451,

1147, 0093

Gibralter 0017, 0019, 0030

GoldStar 0178, 0019, 0030, 0056

45

Model 970 7.1 Channel Preamplifier Processor

Owner’s Manual

Setup Codes

Gradiente 0056, 0053

Grunpy 0179, 0180

Hallmark 0178

Harley Davidson 0179

Harman/Kardon 0054

Harvard 0180

Hitachi 0145, 0056, 0016

Infinity 0054

Inteq 0017

JBL 0054

JCB 0000

KEC 0180

KTV 0180, 0030

Kenwood 0030, 0019

Konka 0707, 0632, 0628, 0638, 0703

LG 0056

LXI 0154, 0047, 0054, 0156, 0178

Logik 0016

Luxman 0056

MGA 0150, 0019, 0030, 0178

MTC 0060, 0030, 0019, 0056

Magnavox 0054, 0030, 0179, 1254

Marantz 0054, 0030

Matsushita 0250

Megatron 0145, 0178

Memorex 0179, 0463, 0178, 0016, 0056,

0150, 0154, 0250

Midland 0017, 0047, 0051

Motorola 0093

Multitech 0180

NAD 0156, 0166, 0178

NEC 0030, 0019, 0056

NTC 0092

Nikko 0178, 0030, 0092

Onwa 0180

Optimus 0250, 0166, 0154

Optonica 0093

Orion 0463, 0179, 0236

Panasonic 0051, 0250

Penney 0047, 1347, 0060, 0030, 0178,

0051, 0019, 0056, 0156

Philco 0145, 0019, 0030, 0054, 0463

Philips 0054

Pilot 0019, 0030

Pioneer 0166, 0679

Portland 0019, 0092

Princeton 0717

Prism 0051

Proscan 0047

Proton 0178

Pulsar 0017, 0019

Quasar 0051, 0250

RCA 0047, 1347, 1147, 0679, 1247,

0019, 0051, 0090, 0093, 1047,

1447

RadloShack 0180, 0030, 0178, 0154, 0019,

0047, 0056

Realistic 0180, 0154, 0030, 0178, 0019,

0056

Runco 0017, 0030

SSS 0019, 0180

Sampo 0030

Samsung 0060, 0019, 0178, 0030, 0056

Sansei 0451

Sansui 0463

Sanyo 0154

Scimitsu 0019

Scotch 0178

Scott 0236, 0019, 0178, 0179, 0180

Sears 0154, 0056, 0156, 0047, 0054,

0171, 0178, 0179

Semivox 0180

Setup 0156

Sharp 0093, 0688

Shogun 0019

Signature 0016

Sony 0000

Soundesign 0178, 0179, 0180

Squareview 0171

Starlite 0180

Supreme 0000

Sylvania 0054, 0030

Symphonic 0171, 0180

TMK 0056, 0178

TNC 0017

Tandy 0093

Technics 0051, 0250

TechnoAce 0179

Techwood 0051, 0056

Teknika 0016, 0054, 0179, 0180, 0 019,

0092, 0056, 0060, 0150

Telefunken 0056

Toshiba 0156, 0060, 0154, 1256

Vector Research 0030

Victor 0053

Vidikron 0054

Vidtech 0019, 0178

Wards 0054, 0178, 0016, 0019, 0030,

0056, 0179

White Westinghouse 0624, 0623, 0463

Yamaha 0019, 0030

Zenith 0017, 0624, 0016, 0092, 0463

TV/VCR COMBOS

Manufacturer/Brand Setup Code Number

American High 0035 (for TV use 0051)

Brocksonic 0002, 0294,

Colt 0072

Curtis Mathis 0035 (for TV use 0051)

Daewoo 0278

Emerson 0002, 0294, 0479

Funai 0000

GE 0035 (for TV use 0051), 0060

(for TV use 0047), 0048 (for

TV use 0093), 0240

Hitachi 0035 (for TV use 0051), 0000

HQ 0000

Lloyds 0000

MGA 0240

Magnavox 0081 (for TV use 0054), 0035

(for TV use 0051), 0000

Magnin 0240

Memorex 0037, 0162 (for TV use 0250)

Mitsubishi 0048 (for TV use 0093)

Orion 0002, 0294, 0479

Panasonic 0035 (for TV use 0051), 0162

(for TV use 0250)

Penney 0035 (for TV use 0051), 0240,

0162 (for TV use 0250)

Quasar 0035 (for TV use 0051), 0162

(for TV use 0250)

RCA 0060 (for TV use 0047), 0035

(for TV use 0051), 0048 (for

TV use 0093)

Sansui 0000, 0479

Sanyo 0240

Sharp 0048 (for TV use 0093)

Sony 0032 (for TV use 0000)

Symphonic 0000

Zenith 0000

46

Outlaw Audio

Owner’s Manual

VCRs

Manufacturer/Brand Setup Code Number

Admiral 0048, 0209

Adventure 0000

Aiko 0278

Aiwa 0000, 0037

Asha 0240

Audiovox 0037

Beaumark 0240

Bell & Howell 0104

Broksonic 0121, 0184, 0002, 0209, 0479

CCE 0072, 0278

Calix 0037

Canon 0035

Carver 0081

Citizen 0278, 0037

Colt 0072

Craig 0037, 0072, 0047, 0240

Curtis Mathes 0035, 0060, 0162

Cybernex 0240

Daewoo 0278, 0045

Denon 0042

Dynatech 0000

Electrohome 0037

Electrophonic 0037

Emerex 0032

Emerson 0184, 0002, 0209, 0278, 0121,

0479, 0000, 0037, 0043

Fisher 0047, 0104

Fuji 0033, 0035

Funai 0000

GE 0035, 0060, 0048, 0240

Garrard 0000

Go Video 0432

GoldStar 0037, 0038

Gradiente 0000

HI-Q 0047

Harley Davidson 0000

Harman/Kardon 0038, 0081

Harwood 0072

Hitachi 0042, 0000

Hughes Net. Sys. 0042

JVC 0067

KEC 0037, 0278

KLH 0072

Kenwood 0067, 0038

Kodak 0035, 0037

LXI 0037

Lloyd’s 0000

Logik 0072

MEI 0035

MGA 0043, 0240

MGN Technology 0240

MTC 0000, 0240

Magnasonic 0278

Magnavox 0035, 0081, 0563, 0000, 0039,

0149

Marantz 0081, 0035

Marta 0037

Matsushita 0035, 0162

Memorex 0104, 0047, 0479, 0000, 0037,

0048, 0035, 0240, 1037, 0039,

0162, 0209, 1162, 1262

Minolta 0042

Mitsubishi 0043, 0048, 0067

Motorola 0035, 0048

Multitech 0000, 0072

NEC 0038, 0067, 0104

Nikko 0037

Noblex 0240

Olympus 0035

Optimus 0162, 1062, 1162, 0048, 1262,

0037, 1048, 0104, 0432

Orion 0479, 0002, 0184, 0209

Panasonic 0035, 0162, 1162, 1262, 1362,

0616, 1062

Penney 0035, 0240, 0037, 0042, 0038

Pentax 0042

Philco 0035, 0209, 0479

Philips 0081, 0035, 0618, 1081, 1181

Pilot 0037

Pioneer 0067

Polk Audio 0081

Profitronic 0240

Proscan 0060

Protec 0072

Pulsar 0039

Quasar 0035, 0162, 1162

RCA 0060

RadioShack 0000, 1037

Radix 0037

Randex 0037

Realistic 0000, 0104, 0047, 0048, 0037,

0035

ReplayTV 0614, 0616

Setup Codes

Runco 0039

STS 0042

Samsung 0045, 0240

Sansui 0479, 0000, 0067, 0209

Sanyo 0047, 0104, 0240

Scott 0184, 0121, 0043, 0045

Sears 0037, 0042, 0000, 0035, 0047,

0104

Semp 0045

Sharp 0048

Shintom 0072

Shogun 0240

Singer 0072

Sony 0033, 0032, 0000, 0035, 0636,

1032

Sylvania 0035, 0081, 0000, 0043

Symphonic 0000

TMK 0240

Teac 0000

Technics 0035, 0162

Teknika 0000, 0035, 0037

Thomas 0000

Tivo 0618, 0636

Toshiba 0045, 0043

Totevision 0037, 0240

Unitech 0240

Vector 0045

Vector Research 0038

Video Concepts 0045

Videosonic 0240

Wards 0035, 0060, 0000, 0047, 0240,

0042, 0048, 0072, 0081, 0149

White Westinghouse 0072, 0278, 0209

XR-1000 0072, 0000, 0035

Yamaha 0038

Zenith 0039, 0000, 0033, 0209, 0479

VIDEO ACCESSORIES

Manufacturer/Brand Setup Code Number

Panasonic 1120

Pioneer 1010

Sensory Science 1126

Sharp 1010

47

Model 970 7.1 Channel Preamplifier Processor

Owner’s Manual

Model 970 Specifications

Model 970 Specifications

Audio Section

Input Impedance 26kΩ

Output Impedance (Main-RCA) <600Ω

Pre Out 1V

Maximum Output 6V

Volume Range (Main) -70dB to +10dB (0.5dB resolution)

Bass Management

High-Pass Slope Crossover Frequency

(Small Speaker Setting) (Adjustable 40/60/80/100/120/150Hz)

12 dB/octave (2nd order)

Low-Pass Slope (Subwoofer) 24dB/octave (4th order), 40-150Hz as above

Tone Control

Bass Center Frequency/Range 30Hz ± 6dB

Treble Center Frequency/Range 10KHz ± 6db

Frequency Response (Line) 10Hz to 100kHz ± 1dB

S/N Ratio (IHF-A) 101dB

IMD (CCIF @ 15Hz to 1kHz) 0.09%

FM Tuner Section

Sensitivity

IHF 10dBµ typ.

50dB S/N 13dBµ typ.

S/N Ratio

Mono 70dB

Stereo 67dB

Distortion

Mono 0.2%

Stereo 0.3%

Stereo Separation 40dB typ.

Adjacent Channel Selectivity 70dB ±400kHz

IF Rejection Ratio 120dB

Frequency Response 20Hz to 15kHz ± 1.5dB

AM Tuner Section

Sensitivity (20dB S/N) 200µV

S/N 50dB

Selectivity 25dB

Distortion 0.7%

Digital Audio

All digital audio inputs and outputs are to S/PDIF electrical (75Ω, 0.5Vp-p),

S/PDIF optical (Toslink), or AES / EBU (110Ω, 5Vp-p) standards as appropriate.

Processor CS49400

Video Section (NTSC Format)

Bandwidth

Composite & S-Video 6 MHz –3dB

Component >100MHz

Input Sensitivity @ 75Ω

Composite & S-Video 1.0Vp-p

Component R-Y Signal 0.5Vp-p

Component B-Y Signal 0.5Vp-p

Component Y Signal 1.0Vp-p

General

Supply Voltage 120V, 60Hz only

Power Consumption

Standby Power Off 1.9W

Idle 6W

@ Full Load 45W max.

Trigger Output Sequential Delay 50 mA @ 12 VDC

Dimensions

Width 17.2 inches / 436.9 mm

Height 5.9 inches / 149.7 mm

Depth 15.5 inches / 393.7 mm

Weight 20 lbs. / 18.1 kg

All features and specifications are subject to change without notice or liability to upgrade

existing units.

Outlaw Audio and the Outlaw Audio logo are registered trademarks of Outlaw Audio, LLC.

Manufactured under license from Dolby Laboratories. Dolby, Pro Logic and the double-D symbol are

registered trademarks of Dolby Laboratories.

Manufactured under license from DTS, Inc. DTS, DTS-ES, DTS 96/24 and DTS Neo:6 are registered

trademarks of DTS, Inc.

Any trademark not acknowledged is recognized as the property of the respective owner.

O u t l a w A u d i o

Outlaw Audio Limited Warranty

This warranty protects the owner of the Outlaw Model 970 Preamplifier

Processor (the PRODUCT) for two (2) years from the date of purchase.

This warranty covers all defects in material and workmanship with the

following specific exceptions. These are:

 Damage caused by improper installation or adjustment

 Damage caused by accident, unreasonable use or neglect

 Damage from failure to follow instructions contained in this Owner’s

Manual

 Damage from the performance of repairs by someone not authorized

by Outlaw Audio

 Any unit on which the serial number has been effaced, modified, or

removed

 Damage occurring during shipment

 Units which have been altered or modified in design, appearance or

construction.

This warranty covers only the actual defects within the PRODUCT itself.

IT DOES NOT cover costs of installation in (or removal from) a fixed

installation, or normal setup, claims based on any misrepresentation by

the seller, or performance variations resulting from installation related

circumstances such as signal quality, AC power or incompatibilities with

speakers and/or other system components.

During the warranty period, Outlaw Audio will, at its option, either repair

the defect, or replace the defective product, or the defective parts, or com-

ponents thereof at no charge to the owner for parts and labor covered by

this warranty If necessary repairs are not covered by this warranty, or if

a unit is examined which is not in need of repair, you will be charged for

the repairs and/or the examination. If non-warranted repairs are needed,

we will notify you of the estimated cost and ask for your authorization to

perform said repairs.

You must pay shipping charges incurred in getting your Product to the fac-

tory. We will pay the return shipping charges if the repairs are covered by

the warranty. Please save the original shipping cartons, as the unit MUST

be returned in the original carton and packing. (Replacement cartons are

available at a modest charge.)

If your product needs service, please call Outlaw Audio at 866-OUTLAWS

(688-5297) or 866-OUTLAWA (688-5292).

You will need to present the original bill of sale to establish the date of

purchase. In the event that the proof of purchase cannot be established

with the original receipt, the warranty period shall be determined by the

earliest date of manufacture shown on the unit, provided that the serial

number label has not been altered in any manner, or by our records relat-

ing to that serial number.

In the event that you wish to return your Outlaw Product back to us, for

any reason, please call to arrange for a Return Authorization Number. This

will ensure that your problem is discussed with a service technician who

will determine if there is a quick solution to your problem.

Outlaw Audio shall not be liable for, in any way responsible for, any inci-

dental or consequential damages of any kind. Some states do not allow

limitations on how long an implied warranty lasts and/or do not allow the

exclusion of incidental or consequential damages; therefore, the limita-

tions and exclusions stated herein may not apply to you. This warranty

gives you specific legal rights; and you may also have other rights that

vary from state to state.

THERE ARE NO WARRANTIES GIVEN BY OUTLAW AUDIO THAT EXTEND

BEYOND THE DESCRIPTION GIVEN HEREIN. ANY IMPLIED WARRAN-

TIES OF FITNESS FOR PURPOSE SOLD, MERCHANTABILITY, DESCRIP-

TION, QUALITY OR ANY OTHER MATTERS ARE LIMITED TO THE TERMS

OF THE EXPRESSED LIMITED WARRANTY STATED HEREIN.

Products are sold on the basis of specifications applicable at the time of

sales. Outlaw Audio shall have no obligation to modify products once they

have been sold.

This warranty is applicable only in the United States.

For applicability in other countries, please call Outlaw Audio.