Ringway Tech KAG-100 DIGITAL PIANO User Manual 3

Ringway Tech(Jiangsu) Co.,Ltd. DIGITAL PIANO 3

Contents

User Manual-3

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Document ID3189545
Application IDRNHEe/LwUw4s6zek9fFt7Q==
Document DescriptionUser Manual-3
Short Term ConfidentialNo
Permanent ConfidentialNo
SupercedeNo
Document TypeUser Manual
Display FormatAdobe Acrobat PDF - pdf
Filesize345.37kB (4317124 bits)
Date Submitted2016-11-08 00:00:00
Date Available2016-11-08 00:00:00
Creation Date2016-10-26 11:31:56
Producing SoftwareAcrobat Distiller 7.0 (Windows)
Document Lastmod2016-10-26 15:27:38
Document TitleKAG-100_鞓侂毵る壌鞏糭0901_鞚胳噭
Document CreatorPScript5.dll Version 5.2
Document Author: Administrator

4). You will find the receiver as an option on your Bluetooth
device's settings, select the bluetooth form your device to
connect. When the receiver has successfully connected the blue
indicator light on the receiver will remain on.
Use your Bluetooth device to access the information that you
want to hear through the piano.
The keyboard is available for playing while the recording is
playing back. Play along wit1 your favourite band!
5). Use the Function Bluetooth menu again to turn Bluetooth off.
NOTE
Bluetooth devices should be placed near and in direct view of the
Bluetooth receiver when initially set up. The distance and strength
of the signal will depend on environmental conditions. Please make
sure the volume of the piano and the Bluetooth device is turned up.
If you are unable to connect to your Bluetooth device, please make
sure that any other previously connected device has been
disconnected.
If you are still unable to connect, please turn the Bluetooth function
on your device off, and then back on to attempt to connect. To
change Bluetooth devices during normal operation disconnect the
first Bluetooth and then reconnect to the new device following the
above instructions.Please also note, due to differences in Bluetooth
technology, some Bluetooth enabled devices maybe incompatible,
function improperly, or may not support all features when used
with the wireless receiver.
Troubleshooting
Please make sure the volume ofthe piano and the Bluetooth device is turned
up. Ifyou are unable to connect to your Bluetooth device, please make sure
that any other previously connected device has been disconnected. If you
are still unable to connect, please turn the Bluetooth function on your
device off, and then back on to attempt to connect.To change Bluetooth
devices during normal operation disconnect the first Bluetooth and reconnect
to the new device following the above instructions.
6)
If you are an advanced MIDI user, this section will help you to
access the MIDI controller capabilities of the piano. If you
already know that you need this specialized functionality, then
this section is for you. However, this information is not necessary
in order to enjoy playing the piano. A good rule to keep in mind is:
If you don't know what a function described in this section is, then
you probably don't need it.
MIDI, or Musical Instrument Digital Interface, is the way most
electronic keyboards communicate with computers and with each other.
Through a series of MIDI messages a computer or keyboard can tell
an instrument what note to play, how loud to play it, when to stop
playing it, and a host of other information.
The piano can send MIDI information to a computer or another
MIDI-capable instrument, via its MIDI or USB output.
MIDI In Track
Reference: Function "USB MIDI IN"(P.37).
MIDI Out
Reference: Function "MIDI OUT"(P.37).
Local ON/OFF
Reference: Function "ALL LOCAL"(P.36).
Fafllfll'!’ Reset
1. Turn off the power.
POWER >
2. Hold [+] and [—] buttons, then turn the power on.
It can restore all internal settings to factory set.
0 Ftesmtw-“WH
I Icr. .
Auto Accompaniment Fingering
SINGLE Mode fingering makes it simple to produce beautifully
orchestrated accompaniment bying using major, seventh, minor
and minor—seventh chords by pressing a minimum number of keys
in the Auto Accompaniment section of the keyboard . The
accompaniment produced is perfectly matched to the current y
selected accompaniment style.
Majgflhgrgs c
If you press a "C" key in the left—hand section H
of the keyboard, for example, a C-major
accompaniment will be played. Press another key
in the left hand section of the keyboard to select
. Cm
a new chord. The key you press Will always
determine the "root" of the chord played ll
(i.e. "C" for a C chord).
Simultaneously press the root key and a black C7
key to its left. II
Seventh Chords
Simultaneously press the root key and a white
key to its left.
ii
E i
Simultaneously press the root key and both a
white and black key to its left.
gered Mode
Fingered Mode is ideal if you already know how to play chords on
a key
ooard, since it allows you to supp y your own chords for the
Auto Accompaniment feature. The instrument wi I recognize the
following chord type:
Example lo! “c" chords
\‘nme \unml Vmung Chonkll) Dnyluy 7 CMa 7 CM 1 7
[‘4] L «‘ III III
M mm ca ca . . .. . . . .
lwl 1,345,7mrmrsrv cM7 cM7 C , 7 i 7 CM, 7
W.” mi ill" III III
Mm mm cm 07, 7 Cfig 7 Cm 7
lVI‘ll cm cMm}
laugl (aug l‘aug 77
W ‘7775 m m Cms Cum 7 Crm- 7
[mg] m,” Cmr» m, "I "I
[m7] lr‘Xr(577“7 Cm“ Cm7
. .7 . 9 Cms le
[mm] my 5J7 (.m" 2 cm 5 7 7
immai 17;)” (mm l‘mwl III "I "I
ma] (mo (1mm " ‘ " ' " "
lmlll (will own 0va 7 CmMa 7 Cdlm 7
m lllll 1n"
lmM‘il (‘mM9 l‘muml ' ' ‘ " ' ' ‘
[dim] (‘dim (Idim Cdlm/ 7 Cr 7 CrsusA 7
mm cm cm I" H "I n "I
”W.“ 7 7 . . . . . . ..
[71 U k“ a .
lrl‘alri 7 Cr 7 7 C7 3 7
[m4] mm 7 mm «1mm m m n m
[w] ,LHnJ cw cm) ... . . . . ..
ram 'w ""m y 7, 07" 1 07”
litll] U H l‘ in) , , ,
MW «in mm) “'7“ HI“ “I.“
i «‘1 a mi 9
l7b2l 1 CM7au C7au Csuso
l7bl1l ("‘l‘ CW”) 7 7 7
Ill“, Hill I!"
nmugi CMhug CM7nug
Wang] C7 C7 CUTS ’
lmml (km l'iu34 1T
[le-S] 17275 W” (I .. I
The cword fingerings listed are all in root position, bu other
inversions can be use with the fol
aug, dim7, 6(9), m7(11), 1+2+5.
(I!
owing exceptions:6, m6, sus4,
Percussion Voice List
swam Rw’mh Pvm‘m Em» 5mm 3mm mm 5mm Cussmm ms 9mm
SILCuxH ( (
mm
51mm
3mm < < (
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yamnm
cmrm ‘i (— Hm um i; i; ‘i i; B
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m (
mum mum;
0w mm mm avamrswz
[33$me «i 4— mm 3mm x )arceau i; «7 may «*
mum» «i 2mm mam imam); r mm {3qu an»: 5mm”, Basin/Ml
m m — — _ Awaog She m )awu 3 «— 4— <— (—
new mow sum in my mmgu hrug 312w sfllmL swam Mmm 3w Small
mm cm )arce : wax u
SlamH SDWH Snicuim mm Sl/micqi )arwiwcmi swam 51mm mum“ smmmz Sup
Fwy m nmm' mam Harv Awaoq‘cr' )awciw (— aumrm 4* .7 summm
H mom ‘i ‘— 47 mm «Chm! m» «um (— (i :— 4* saw =m
Ewan» mmwz mam [inn' 1 Awnog'aFI )arceimz ti 51mm 4* ‘7 mu
umm «i ‘— 4; Amgmwmz ”mm; E; «7 4* «i Sqmecick
law'cm "comm 7mm: 1 10m a Man; cm )arwiwa 1* mm: (— «* vw Cm
H Woven ‘i (— (7 mm «10091 )arce «ms (— 4* E; «i w Rei
Mdio'v mww. a: w Einn'A Awaog'ar'd )qrceimL (7 inflow i; «7 6mm
mm x “00mm”: 7mm: How 5 muog'ar'S «7 i; mm E; _ 9mm:
Cm Lymu — — _ mmcym )ar‘tecmi — «7 Nzrdcmsw ‘7 mime
Wm xmum mm Harv a mog'm ‘— .7 mm; 4* 4* was”
we 0/an mm x :m ( :\ man
52 E cnmwcmm ( ( Mm;
53 r muse/name ( chea'um
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55 a Sumwcvmmi ( ( 493nm
55 x mm ( mmomcu mm
5: : cmmm )aroem’uz mzmaw Emacs}
5a IA wocsbp ( Acme
59 a mmcvnmm ‘ mmwcm Doocvead'vg
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52 n CWJDHMne mmmw— mamas
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« E ngm Awaogcanga cavsvao
s: F \mmei ( mm
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E: a Wu ‘ ( m
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as a cum ( Jazmin
m m Mai/mas ,i (— (7 muogvuncm )ar‘ws ti «7 :— 9 «mm
: a mmvmm ‘ mm ‘ Swamp
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:a nu Cm; (7 <— «7 Awaogflma )armv: S «7 4* if “W
n E Mediaon 309
n r mum )qr‘cei‘ «mama
15 w Gum‘Amz ,i (— Scmcrhn mam?” 3mm ti «7 :— 4; 2m
rs n Gumoxw «i <— mcmu mam «7 «i (7 4* (7 m
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54 c Bed'ree line’s! Mme
(I)
Vouce List
NuwmaANK VO‘CE NAME NO WWJANK VOICE NAME Nammawx VO‘CE NAME
77m 57 so u s 77m§|7777gn 7a: 7777 o rstGomms)
m a u Awnwcwndr’ano 52 57 n 577mm,; 7a: 702 o Hflkcmei)
n2 7 a anymcmmm» 53 52 7 mm“ 70-: 7o: 0 rxe7scm7
n2 2 a [calmeumm in 53 a Vmcauohg mec
m :u a Honkymmm 55 54 a 5mm“, ms 704 0 57.,
us. 4 n mmmm 55 55 o ommm ms 10:: 0 am
as 5 u EmnannoQ arw m7 705 o shaman
07 s u Hnwm 57 55 n 777477947 ms 7777 o m»
as 7 0 mm 53 57 u Ymnborm me 705 0 mm
Chmmalwpcvcussmn 59 55 n 7m 7m me 0 amps
as a a Cams-a ea 59 a Mumdhumpcl 777 77a 0 77m
7a a a emwm 57 so a 7797077777777 772 777 o shanm
77 7a a 7mm: sz 57 o Ema-mm m usswc
72 77 a WWW m :2 o Sythvaii‘ HS 772 0 77mm
73 72 u M-nmh- «4 s: n swmamm 774 77: 0 Am
74 7a a xwpnm am 775 774 o s‘aammms
75 74 u mwm 65 54 n Sapvanosax 77s 775 o wmmm
7s 75 0 WW as $5 a Akasnx 777 77s 0 meanm
07m 57 as a 7mm 773 777 o Me‘umzYum
77 7s a Duwbwflvgan an 57 a Bunmncsax 77a 77a 0 SYmhnmn
7a 77 n pmsswsow m :5 0 am 72:. 77; o nevmcmw
73 777 u anew 7o as n knqhsmmm swamw.
20 7s :7 57470077177 77 70 n Eziwon 727 797; o ammmmm
27 20 u nuaow 72 77 n Chm-7 722 727 o aveamNmn
22 27 n 4094777704 m 723 722 0 sum.
2: 22 a Hanmnm 7a 72 a Pmno‘o 72. 723 0 mm“
24 2: a Yiwgflmmm 74 73 a 77m 725 724 o 7P7ennanea7ng
57.7737 75 74 0 mm” 725 725 o Hehcamu
75 24 u Amuwzfimuvwwur) 7s 75 0 mm: 727 we 0 App‘auw
as 25 u Awusuceuu77s7een 77 7s a B‘ownfiamc 723 727 o Gurshcl
27 as u Eennccuruvuazz} 7e 77 n snmmm 77.779
26 27 u Emmemmom 77.4 727 n Wmsuu 729 4 9n DalunadEW
2a 25 a Ecnnkeu‘wwmcm, so 75 a mm 747; 5 an away;
an 22 a mmwem mm.“ 747 s an enumwmm
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am as s2 a 7m 3 (C: may 7:3 75 as powwow 7
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:m :5 a mung“; 57 as a Lean/(WW) nun-7
:7 as a sapaun an 57 a mamasmean) 7:7 74 as swam
as :7 a Sips-«2 :7 mm m 25 377 szW,
as as u sywmaam 59 as o PadHNchgn} 74g 25 as mzsmm
m as u 577775.552 so as n mawm 74c. 25 en cmnemm
577mg» 97 so u mzwmynm 747 27 an Mm-aemrar
47 4n 0 W777 92 57 n 7334757777) 702 as an Ovavflvwansmuv
a2 47 a \Ima 2:4 22 a pamaawm 743 an an ammwm;
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as 44 n Yrsmu‘nsmngs as as o mmsweeu) 745 a: 95 577mm;
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5n o5 a SmngsEnVemb‘EQ 707 mo 77 FxELEughln-n) 70 so 95 mum
NOJWW BANK VO‘CE NAME NO mm. BANK VOICE NAME Namm‘i BANK VO‘CE NAME
5w
‘50 m 95 SywlhB'assv
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‘52 a: 98 Sywmwma
synmm
193 so 55 SneW-m
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‘55 m 97 Bveammve
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m m :23 Mammm
‘55 n5 n5 mm
159 120 92 was»
mu m 9‘ Fchyc a
m ‘22 9‘ m
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15: ‘22 5: Wm
m m in 5mm
155 122 95 54mm
155 m 9‘ Dov
‘57 m ez MovierHop
ms ‘2: 93 am
me 124 91 new
170 m n Dmrcrukmg
m m 93 Dwrs‘am
‘72 124 so saw
173 124 9:. mm“,
m 125 am aim-Nags
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m .25 93 CarPass
wa ‘25 so CmCuih
175 ‘25 9:. s,“
130 125 a: 1m"
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me 125 95 5mm
ms ‘25 9‘ mughmg
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135 126 54 mm”:
m ‘25 vs roam
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m o m mm
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19-1 us ‘27 Pcmr
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19/ a; 127 Jazz
‘55 m m aw
WE u m mm:
mm 55 ‘27 mm
a:
Style List
NO STYLE NAME NO STYLE NAME NO STYLE NAME
8 BEAT 35 LATIN DISCO 7a MAMBO POP
DI BBEAT MODERN 36 DISCO POP 71 SALSA FOP
02 MERSEV BEAT 37 DISCO PARTY 72 BEGUINEI
03 SURF POP 33 DISCO FEVER 73 REGGAE
D4 ROCK SHUFFLE 39 NvaoRK DISCO 74 SWINGY REGGAE
05 Bus ROCK SWING&JAZZ BALLROOM
us HARD ROCK an BIG BAND FAST 75 DANCE BAND
D7 BBEAT u BIG BAND MID 7a ENGLISH WALTZ
as BD‘S ROCK 42 BIG BAND BALLD 77 FOXTROT
16 BEAT 43 JAZZ CLUB 7a OUICK FoxTROT
09 Is BEATI u SWING 79 OUICKSTEP
Ia Is BEAT2 45 JAZZ BALLAD Bu TANGOI
II POP SHUFFLE as DIXIE LAND 31 HABENERATANGO
I2 GUITAR POP 57 RAGTIME 52 PASODOELE I
I3 JAZZ ROCK 423 sTRIDE PIANO a: SAMBA I
I4 SWING FUNK 49 MODERN JAZZ u CHACHA1
I5 POP ROCK RaB as JIVE
BALLAD 5r) SOUL 85 RHUMEA 1
Is PIANO BALLAD SI DETROIT POP 37 VIENNESE WALTZ
I7 LOVE SONG 52 RHYTHM&BLUES TRADITIONAL
Is BIB MODERN 53 6/8 SOUL as 2/4 MARCH
Is 6/8 SLOW ROCK so TWIST 89 6/8 MARCH 1
20 SHOW BALLAD 55 ROCKBROLL so 274 POLKA
2I POP BALLAD 55 BOOGIEWOOGIE 91 6/8 POLKA
22 IsBEAT BALLAD s7 BIB BLUES 92 TARANTELLA
DANCE 53 374 GOSPEL 93 sIRTAKI POP
23 RAP 59 GOSPEL SHUFFLE 94 SCOTTISH REEL
24 DANCE POP COUNTRY 95 HAWAIIAN I
25 HOUSE so COUNTRY 5 BEAT gs MARIACHI
26 SWING HOUSE SI COUNTRY POP WALTZ
27 CLUB DANCE 62 CouNTRY SWING 97 SWING WALTZ
223 CLUB LATIN as COUNTRY 2 STEP gs JAZZ WALTZ
29 GARAGE 64 COUNTRY BALLAD BB WALTZ
an TECHNO 65 BLUE GRASS Iau FRENCH WALTZ
31 DANCE BBEAT as COUNTRY WALTZ IaI USER STYLE m
32 HIP HOP LATIN
33 CHILL OUT 67 MERENGUE
DISCO as BOSSANOVA
34 7U‘S DISCO 59 POP BOSSA
MIDI Implementation Chart
Funcnen Transmmeu Recngmzed Remarks
Basil; Deiauil (-1) New
Channel Changed (‘1) mew
Made Deiauit Made 3 Mode 3
Messages x
Ailered
Nme o~m
Number True voice
Veiomiy Nate ON 0 9nH,v=1—127
Note OFF 0 9m m or arm
Amer Ke ‘s x x
mm Eender x o
Canirai Change 0:32 o o Eank Seieci
< x c Meemeuon
5 x o Panamenm ilma
5 o a Data Envy
7 o 0 Volume
«3 o a Fan
11 x o Exvressmn
54 o o stem
65 x o F'oriamenio
56 o o Sosienuio
67 o 0 50h pedal
sum 0 o asp wpz
sues o o asp new
10mm 0 cm} RPN L53 MSE
120 o 0 AH sauna e41
121 x 0 Reset all Canvallers
122 o o Lacai coniroi
ngrame com 0mm
Change me 0427 mm
Sysiem Exciuswe x o
Sys|cm Sung Pasman x x
Sang Seieci x x
Gammon Tune x x
Aux Locai un/ofl o 0
,Ali News on o o
Messxges Ac|we Sense x 0
Reset x 0
Mode1:OMNI ON,POLY
Mode MNI OFF,POLY Mode4:0MNI OFF,MONO
Mode2:0MNI 0N,MONO
*1: Main voice track (01-16).Defau|t: 01
Split voice track (01716).Default: 02
Dual voice track (01-16).Defauit: 03
Percussion track (01—16).Default: 10
*2:
#0: Pitch sensitivity
#1: Fine tuning cents
#2: Coarse tuning In half-tones
Registered parameter number:
(I)
O:
X:
Yes
NO
Troubleshoo n9 Hints
When the instrument is turned on or off, a
Popplng sound is tempoiarily produced.
This is normal and lhdlcates that the lrlstrument
is receiving electrical power
When using a mobile phone, noise is produced.
Using a mobile phone in close proxlrrllty to the
instrument may produce interference.
To prevent this, turn off the mobile phone or use
it further away from the instrument.
' Not all of the voices seem to sound, or the
sound seems to cut off.
The instrument is polyphonic up to a maximum
of 54 notes 7 including Dual voice, Split Voice,
auto accompaniment, song, and Metronome
Notes exceeding this limit Wlll not sound,
~The Auto Accompaniment does not sound
propeny.
Make sure that the Auto Accomp Volume
Function is set to an appropriate level.
is the Split Point set to an appropriate key for the
chords you are playlng" Set the Spllt POlnt to an
appropriate position on the keyboard.
- No sound produced by the keyboard, but the
lights and screen work.
Check that the master volume control is not set
to minimum.
Check that nothing is plugged into the
headphone socket
'The sound of the voice changes from note to
note,
This is normal. The digital tone geneiation uses
multiple recordings (samples) or an instrument
across the range of the keyboard; The actual
sound of the voice may be slightly different
from note to note.
‘The volume is too 50R.
.The sound quality is poor.
oThe rhythm stops unexpectedly or Wlll not play
.The recorded data at the Song, etc. does not
play correctly
,The LED display suddenly goes dark, and all
panel settings are reset.
if you have lost or damaged your AC adaptor,
please contact your nearest store for a correct
replacement adaptor.
An incorrect AC mains adaptor which is not rated
surnciently can cause malfunction or damage.
-To completely restore all settings as per factory
settings.
Perform a factory reset, Please refer to content In
this owner's marlual. All of the user setting will
be erased and the default factory settings Will be
applied to the instrument,
- Power suddenly and unexpectedly turns off,
after a period of not touching the keys.
This is normal and the Auto Power Off functloh
may have been activated. If you heed to disable
the Auto Power Off function, please see how to
110 thls lri the owner's manual.
‘The sustain pedal or footswitch seems to
produce the opposite effect. Example pressing
the foatswitch deactivates the sustain, arid
releasing the footswitch triggers the sustain.
The polarity of the footswitch needs to be
correctly detected Make sure the Jack plug for
the footswitch ls connected. Switch the
instrument on whilst not touching the pedal.
Specifications
Assembly Instructions
F 77“
\ J
8*2 i \ E*Z © BtZ @
\ \ AIKZ !,
M; s
‘ l’i H H ‘
El 4 7 D
A. 3- X6 M12X50
a Q x5 D:12
c «— xa usxzsr
D :‘h
E. j x1
r _ x4 mm
Before moving the piano to a new
location, always remember to raise
E % a % % the level of the Pedal Board support
so that it is not touching the floor.
E Once the piano is in place, you can
adjust it so it is in firm contact with
Lnndhne
mm Beam :upnnn ‘
the floor again.
10506017-V2.0
NOTES
FCC STATEMENT
1.This device complies with Part 15 of the FCC Rules. Operation is subject to the
following two conditions:
(1)This device may not cause harmful interference
(2) This device must accept any interference received, including interference that may
cause undesired operation.
2. Changes or modifications not expressly approved by the party responsible for
compliance could void the user's authority to operate the equipment.
NOTEzThis equipment has been tested and found to comply with the limits for a
Class B digital device, pursuant to Part 15 ofthe FCC Rules. These limits are designed
to provide reasonable protection against harmful interference in a residential installation.
This equipment generates uses and can radiate radio frequency energy and, if not
installed and used in accordance with the instructions, may cause harmful interference
to radio communications. However, there is no guarantee that interference will not
occur in a particular installation. If this equipment does cause harmful interference to
radio or television reception, which can be determined by turning the equipment off
and on, the user is encouraged to try to correct the interference by one or more of the
following measures:
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the
receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
NOTES

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