Ringway Tech KAG-100 DIGITAL PIANO User Manual 3
Ringway Tech(Jiangsu) Co.,Ltd. DIGITAL PIANO 3
Contents
- 1. User Manual-1
- 2. User Manual-2
- 3. User Manual-3
User Manual-3
4). You will find the receiver as an option on your Bluetooth device's settings, select the bluetooth form your device to connect. When the receiver has successfully connected the blue indicator light on the receiver will remain on. Use your Bluetooth device to access the information that you want to hear through the piano. The keyboard is available for playing while the recording is playing back. Play along wit1 your favourite band! 5). Use the Function Bluetooth menu again to turn Bluetooth off. NOTE Bluetooth devices should be placed near and in direct view of the Bluetooth receiver when initially set up. The distance and strength of the signal will depend on environmental conditions. Please make sure the volume of the piano and the Bluetooth device is turned up. If you are unable to connect to your Bluetooth device, please make sure that any other previously connected device has been disconnected. If you are still unable to connect, please turn the Bluetooth function on your device off, and then back on to attempt to connect. To change Bluetooth devices during normal operation disconnect the first Bluetooth and then reconnect to the new device following the above instructions.Please also note, due to differences in Bluetooth technology, some Bluetooth enabled devices maybe incompatible, function improperly, or may not support all features when used with the wireless receiver. Troubleshooting Please make sure the volume ofthe piano and the Bluetooth device is turned up. Ifyou are unable to connect to your Bluetooth device, please make sure that any other previously connected device has been disconnected. If you are still unable to connect, please turn the Bluetooth function on your device off, and then back on to attempt to connect.To change Bluetooth devices during normal operation disconnect the first Bluetooth and reconnect to the new device following the above instructions. 6) If you are an advanced MIDI user, this section will help you to access the MIDI controller capabilities of the piano. If you already know that you need this specialized functionality, then this section is for you. However, this information is not necessary in order to enjoy playing the piano. A good rule to keep in mind is: If you don't know what a function described in this section is, then you probably don't need it. MIDI, or Musical Instrument Digital Interface, is the way most electronic keyboards communicate with computers and with each other. Through a series of MIDI messages a computer or keyboard can tell an instrument what note to play, how loud to play it, when to stop playing it, and a host of other information. The piano can send MIDI information to a computer or another MIDI-capable instrument, via its MIDI or USB output. MIDI In Track Reference: Function "USB MIDI IN"(P.37). MIDI Out Reference: Function "MIDI OUT"(P.37). Local ON/OFF Reference: Function "ALL LOCAL"(P.36). Fafllfll'!’ Reset 1. Turn off the power. POWER > 2. Hold [+] and [—] buttons, then turn the power on. It can restore all internal settings to factory set. 0 Ftesmtw-“WH I Icr. . Auto Accompaniment Fingering SINGLE Mode fingering makes it simple to produce beautifully orchestrated accompaniment bying using major, seventh, minor and minor—seventh chords by pressing a minimum number of keys in the Auto Accompaniment section of the keyboard . The accompaniment produced is perfectly matched to the current y selected accompaniment style. Majgflhgrgs c If you press a "C" key in the left—hand section H of the keyboard, for example, a C-major accompaniment will be played. Press another key in the left hand section of the keyboard to select . Cm a new chord. The key you press Will always determine the "root" of the chord played ll (i.e. "C" for a C chord). Simultaneously press the root key and a black C7 key to its left. II Seventh Chords Simultaneously press the root key and a white key to its left. ii E i Simultaneously press the root key and both a white and black key to its left. gered Mode Fingered Mode is ideal if you already know how to play chords on a key ooard, since it allows you to supp y your own chords for the Auto Accompaniment feature. The instrument wi I recognize the following chord type: Example lo! “c" chords \‘nme \unml Vmung Chonkll) Dnyluy 7 CMa 7 CM 1 7 [‘4] L «‘ III III M mm ca ca . . .. . . . . lwl 1,345,7mrmrsrv cM7 cM7 C , 7 i 7 CM, 7 W.” mi ill" III III Mm mm cm 07, 7 Cfig 7 Cm 7 lVI‘ll cm cMm} laugl (aug l‘aug 77 W ‘7775 m m Cms Cum 7 Crm- 7 [mg] m,” Cmr» m, "I "I [m7] lr‘Xr(577“7 Cm“ Cm7 . .7 . 9 Cms le [mm] my 5J7 (.m" 2 cm 5 7 7 immai 17;)” (mm l‘mwl III "I "I ma] (mo (1mm " ‘ " ' " " lmlll (will own 0va 7 CmMa 7 Cdlm 7 m lllll 1n" lmM‘il (‘mM9 l‘muml ' ' ‘ " ' ' ‘ [dim] (‘dim (Idim Cdlm/ 7 Cr 7 CrsusA 7 mm cm cm I" H "I n "I ”W.“ 7 7 . . . . . . .. [71 U k“ a . lrl‘alri 7 Cr 7 7 C7 3 7 [m4] mm 7 mm «1mm m m n m [w] ,LHnJ cw cm) ... . . . . .. ram 'w ""m y 7, 07" 1 07” litll] U H l‘ in) , , , MW «in mm) “'7“ HI“ “I.“ i «‘1 a mi 9 l7b2l 1 CM7au C7au Csuso l7bl1l ("‘l‘ CW”) 7 7 7 Ill“, Hill I!" nmugi CMhug CM7nug Wang] C7 C7 CUTS ’ lmml (km l'iu34 1T [le-S] 17275 W” (I .. I The cword fingerings listed are all in root position, bu other inversions can be use with the fol aug, dim7, 6(9), m7(11), 1+2+5. (I! owing exceptions:6, m6, sus4, Percussion Voice List swam Rw’mh Pvm‘m Em» 5mm 3mm mm 5mm Cussmm ms 9mm SILCuxH ( ( mm 51mm 3mm < < ( wam S ‘— ugmcm «nevus/m A; E; 4* 4* i; yamnm cmrm ‘i (— Hm um i; i; ‘i i; B we: R sum" 3mm SE26 2 i; Sweat: awsnn :— snaxsm m ( mum mum; 0w mm mm avamrswz [33$me «i 4— mm 3mm x )arceau i; «7 may «* mum» «i 2mm mam imam); r mm {3qu an»: 5mm”, Basin/Ml m m — — _ Awaog She m )awu 3 «— 4— <— (— new mow sum in my mmgu hrug 312w sfllmL swam Mmm 3w Small mm cm )arce : wax u SlamH SDWH Snicuim mm Sl/micqi )arwiwcmi swam 51mm mum“ smmmz Sup Fwy m nmm' mam Harv Awaoq‘cr' )awciw (— aumrm 4* .7 summm H mom ‘i ‘— 47 mm «Chm! m» «um (— (i :— 4* saw =m Ewan» mmwz mam [inn' 1 Awnog'aFI )arceimz ti 51mm 4* ‘7 mu umm «i ‘— 4; Amgmwmz ”mm; E; «7 4* «i Sqmecick law'cm "comm 7mm: 1 10m a Man; cm )arwiwa 1* mm: (— «* vw Cm H Woven ‘i (— (7 mm «10091 )arce «ms (— 4* E; «i w Rei Mdio'v mww. a: w Einn'A Awaog'ar'd )qrceimL (7 inflow i; «7 6mm mm x “00mm”: 7mm: How 5 muog'ar'S «7 i; mm E; _ 9mm: Cm Lymu — — _ mmcym )ar‘tecmi — «7 Nzrdcmsw ‘7 mime Wm xmum mm Harv a mog'm ‘— .7 mm; 4* 4* was” we 0/an mm x :m ( :\ man 52 E cnmwcmm ( ( Mm; 53 r muse/name ( chea'um at -E mmwe )arceJng Wm 55 a Sumwcvmmi ( ( 493nm 55 x mm ( mmomcu mm 5: : cmmm )aroem’uz mzmaw Emacs} 5a IA wocsbp ( Acme 59 a mmcvnmm ‘ mmwcm Doocvead'vg Eu] 2 qum- ( m m no mgoi ( 5mm 52 n CWJDHMne mmmw— mamas m to nguuoocr Awuogcanng ( cam-me « E ngm Awaogcanga cavsvao s: F \mmei ( mm 55 1 mace cmcwr E: a Wu ‘ ( m u -c wt "or as a cum ( Jazmin m m Mai/mas ,i (— (7 muogvuncm )ar‘ws ti «7 :— 9 «mm : a mmvmm ‘ mm ‘ Swamp 72 n sorrmvmue )aroe/ cmwr u .c Cuiosnm )arceé VucrwkEun u : 0mm va mm :a nu Cm; (7 <— «7 Awaogflma )armv: S «7 4* if “W n E Mediaon 309 n r mum )qr‘cei‘ «mama 15 w Gum‘Amz ,i (— Scmcrhn mam?” 3mm ti «7 :— 4; 2m rs n Gumoxw «i <— mcmu mam «7 «i (7 4* (7 m w infidel/Me ( Mme! m A iru'vgsoper‘ )ar‘oeia ( Wm Ez u yam )amu 5mm 5) a .i'webei ‘ ‘ sum 54 c Bed'ree line’s! Mme (I) Vouce List NuwmaANK VO‘CE NAME NO WWJANK VOICE NAME Nammawx VO‘CE NAME 77m 57 so u s 77m§|7777gn 7a: 7777 o rstGomms) m a u Awnwcwndr’ano 52 57 n 577mm,; 7a: 702 o Hflkcmei) n2 7 a anymcmmm» 53 52 7 mm“ 70-: 7o: 0 rxe7scm7 n2 2 a [calmeumm in 53 a Vmcauohg mec m :u a Honkymmm 55 54 a 5mm“, ms 704 0 57., us. 4 n mmmm 55 55 o ommm ms 10:: 0 am as 5 u EmnannoQ arw m7 705 o shaman 07 s u Hnwm 57 55 n 777477947 ms 7777 o m» as 7 0 mm 53 57 u Ymnborm me 705 0 mm Chmmalwpcvcussmn 59 55 n 7m 7m me 0 amps as a a Cams-a ea 59 a Mumdhumpcl 777 77a 0 77m 7a a a emwm 57 so a 7797077777777 772 777 o shanm 77 7a a 7mm: sz 57 o Ema-mm m usswc 72 77 a WWW m :2 o Sythvaii‘ HS 772 0 77mm 73 72 u M-nmh- «4 s: n swmamm 774 77: 0 Am 74 7a a xwpnm am 775 774 o s‘aammms 75 74 u mwm 65 54 n Sapvanosax 77s 775 o wmmm 7s 75 0 WW as $5 a Akasnx 777 77s 0 meanm 07m 57 as a 7mm 773 777 o Me‘umzYum 77 7s a Duwbwflvgan an 57 a Bunmncsax 77a 77a 0 SYmhnmn 7a 77 n pmsswsow m :5 0 am 72:. 77; o nevmcmw 73 777 u anew 7o as n knqhsmmm swamw. 20 7s :7 57470077177 77 70 n Eziwon 727 797; o ammmmm 27 20 u nuaow 72 77 n Chm-7 722 727 o aveamNmn 22 27 n 4094777704 m 723 722 0 sum. 2: 22 a Hanmnm 7a 72 a Pmno‘o 72. 723 0 mm“ 24 2: a Yiwgflmmm 74 73 a 77m 725 724 o 7P7ennanea7ng 57.7737 75 74 0 mm” 725 725 o Hehcamu 75 24 u Amuwzfimuvwwur) 7s 75 0 mm: 727 we 0 App‘auw as 25 u Awusuceuu77s7een 77 7s a B‘ownfiamc 723 727 o Gurshcl 27 as u Eennccuruvuazz} 7e 77 n snmmm 77.779 26 27 u Emmemmom 77.4 727 n Wmsuu 729 4 9n DalunadEW 2a 25 a Ecnnkeu‘wwmcm, so 75 a mm 747; 5 an away; an 22 a mmwem mm.“ 747 s an enumwmm :7 an a u7sm77omm7 277 an a mmmm 7:; 74 an ”Mama 3: :7 n Gm'lvHaw—mmg a; 57 o LsanQISau-Aoulh) 07w am as s2 a 7m 3 (C: may 7:3 75 as powwow 7 as 32 :7 Moms”: an as a 79.747ch 744 77 ea mesiwcfl'gan a4 :a: u ngerfiass s5 s4 n \enflSAChawng] 745 7g 5. may," :5 :4 a Panass as 55 n Lenafilvmce] 7:5 27 an Ham'nmza‘ :m :5 a mung“; 57 as a Lean/(WW) nun-7 :7 as a sapaun an 57 a mamasmean) 7:7 74 as swam as :7 a Sips-«2 :7 mm m 25 377 szW, as as u sywmaam 59 as o PadHNchgn} 74g 25 as mzsmm m as u 577775.552 so as n mawm 74c. 25 en cmnemm 577mg» 97 so u mzwmynm 747 27 an Mm-aemrar 47 4n 0 W777 92 57 n 7334757777) 702 as an Ovavflvwansmuv a2 47 a \Ima 2:4 22 a pamaawm 743 an an ammwm; 4: 49 a 23777, 9/: 93 a ma7mm777=7 a.” .44 «A a mum; 35 54 0 77377777754 744 37 as Mansncaass‘ as 44 n Yrsmu‘nsmngs as as o mmsweeu) 745 a: 95 577mm; 49 4:: u Puulosmngs SynlhEVVecs 47 4a a omnasmwam 77 as a 777mm 746 as an 74707777 4s 47 a mm an 57 u rxusommw 747 4a an Vm‘a Emma an 95 n mmwan Emir-7N. 49 as a s7mg>z77samma7 7m) 93 a quAunuspn-ve) 745 As as SYmhsmngH 5n o5 a SmngsEnVemb‘EQ 707 mo 77 FxELEughln-n) 70 so 95 mum NOJWW BANK VO‘CE NAME NO mm. BANK VOICE NAME Namm‘i BANK VO‘CE NAME 5w ‘50 m 95 SywlhB'assv m 52 as sywlnB'assfl ‘52 a: 98 Sywmwma synmm 193 so 55 SneW-m m 107 mi mm» ‘55 m 97 Bveammve Em n ‘55 n6 as CouwnanD-um m m :23 Mammm ‘55 n5 n5 mm 159 120 92 was» mu m 9‘ Fchyc a m ‘22 9‘ m «52 ‘22 92 mm, 15: ‘22 5: Wm m m in 5mm 155 122 95 54mm 155 m 9‘ Dov ‘57 m ez MovierHop ms ‘2: 93 am me 124 91 new 170 m n Dmrcrukmg m m 93 Dwrs‘am ‘72 124 so saw 173 124 9:. mm“, m 125 am aim-Nags we as m 5mm we ‘25 92 cm» m .25 93 CarPass wa ‘25 so CmCuih 175 ‘25 9:. s,“ 130 125 a: 1m" 15‘ 175 w ”My": me 125 95 5mm ms ‘25 9‘ mughmg m ‘25 ez chanw ‘35 ‘25 93 pm 135 126 54 mm”: m ‘25 vs roam ms 127 9‘ Machvmsun mg m 92 mum" we ‘27 ea mm“ m 127 :27 mam“ vermssm m o m mm m s m mm 19-1 us ‘27 Pcmr we 24 12/ am we 25 m 5me 19/ a; 127 Jazz ‘55 m m aw WE u m mm: mm 55 ‘27 mm a: Style List NO STYLE NAME NO STYLE NAME NO STYLE NAME 8 BEAT 35 LATIN DISCO 7a MAMBO POP DI BBEAT MODERN 36 DISCO POP 71 SALSA FOP 02 MERSEV BEAT 37 DISCO PARTY 72 BEGUINEI 03 SURF POP 33 DISCO FEVER 73 REGGAE D4 ROCK SHUFFLE 39 NvaoRK DISCO 74 SWINGY REGGAE 05 Bus ROCK SWING&JAZZ BALLROOM us HARD ROCK an BIG BAND FAST 75 DANCE BAND D7 BBEAT u BIG BAND MID 7a ENGLISH WALTZ as BD‘S ROCK 42 BIG BAND BALLD 77 FOXTROT 16 BEAT 43 JAZZ CLUB 7a OUICK FoxTROT 09 Is BEATI u SWING 79 OUICKSTEP Ia Is BEAT2 45 JAZZ BALLAD Bu TANGOI II POP SHUFFLE as DIXIE LAND 31 HABENERATANGO I2 GUITAR POP 57 RAGTIME 52 PASODOELE I I3 JAZZ ROCK 423 sTRIDE PIANO a: SAMBA I I4 SWING FUNK 49 MODERN JAZZ u CHACHA1 I5 POP ROCK RaB as JIVE BALLAD 5r) SOUL 85 RHUMEA 1 Is PIANO BALLAD SI DETROIT POP 37 VIENNESE WALTZ I7 LOVE SONG 52 RHYTHM&BLUES TRADITIONAL Is BIB MODERN 53 6/8 SOUL as 2/4 MARCH Is 6/8 SLOW ROCK so TWIST 89 6/8 MARCH 1 20 SHOW BALLAD 55 ROCKBROLL so 274 POLKA 2I POP BALLAD 55 BOOGIEWOOGIE 91 6/8 POLKA 22 IsBEAT BALLAD s7 BIB BLUES 92 TARANTELLA DANCE 53 374 GOSPEL 93 sIRTAKI POP 23 RAP 59 GOSPEL SHUFFLE 94 SCOTTISH REEL 24 DANCE POP COUNTRY 95 HAWAIIAN I 25 HOUSE so COUNTRY 5 BEAT gs MARIACHI 26 SWING HOUSE SI COUNTRY POP WALTZ 27 CLUB DANCE 62 CouNTRY SWING 97 SWING WALTZ 223 CLUB LATIN as COUNTRY 2 STEP gs JAZZ WALTZ 29 GARAGE 64 COUNTRY BALLAD BB WALTZ an TECHNO 65 BLUE GRASS Iau FRENCH WALTZ 31 DANCE BBEAT as COUNTRY WALTZ IaI USER STYLE m 32 HIP HOP LATIN 33 CHILL OUT 67 MERENGUE DISCO as BOSSANOVA 34 7U‘S DISCO 59 POP BOSSA MIDI Implementation Chart Funcnen Transmmeu Recngmzed Remarks Basil; Deiauil (-1) New Channel Changed (‘1) mew Made Deiauit Made 3 Mode 3 Messages x Ailered Nme o~m Number True voice Veiomiy Nate ON 0 9nH,v=1—127 Note OFF 0 9m m or arm Amer Ke ‘s x x mm Eender x o Canirai Change 0:32 o o Eank Seieci < x c Meemeuon 5 x o Panamenm ilma 5 o a Data Envy 7 o 0 Volume «3 o a Fan 11 x o Exvressmn 54 o o stem 65 x o F'oriamenio 56 o o Sosienuio 67 o 0 50h pedal sum 0 o asp wpz sues o o asp new 10mm 0 cm} RPN L53 MSE 120 o 0 AH sauna e41 121 x 0 Reset all Canvallers 122 o o Lacai coniroi ngrame com 0mm Change me 0427 mm Sysiem Exciuswe x o Sys|cm Sung Pasman x x Sang Seieci x x Gammon Tune x x Aux Locai un/ofl o 0 ,Ali News on o o Messxges Ac|we Sense x 0 Reset x 0 Mode1:OMNI ON,POLY Mode MNI OFF,POLY Mode4:0MNI OFF,MONO Mode2:0MNI 0N,MONO *1: Main voice track (01-16).Defau|t: 01 Split voice track (01716).Default: 02 Dual voice track (01-16).Defauit: 03 Percussion track (01—16).Default: 10 *2: #0: Pitch sensitivity #1: Fine tuning cents #2: Coarse tuning In half-tones Registered parameter number: (I) O: X: Yes NO Troubleshoo n9 Hints When the instrument is turned on or off, a Popplng sound is tempoiarily produced. This is normal and lhdlcates that the lrlstrument is receiving electrical power When using a mobile phone, noise is produced. Using a mobile phone in close proxlrrllty to the instrument may produce interference. To prevent this, turn off the mobile phone or use it further away from the instrument. ' Not all of the voices seem to sound, or the sound seems to cut off. The instrument is polyphonic up to a maximum of 54 notes 7 including Dual voice, Split Voice, auto accompaniment, song, and Metronome Notes exceeding this limit Wlll not sound, ~The Auto Accompaniment does not sound propeny. Make sure that the Auto Accomp Volume Function is set to an appropriate level. is the Split Point set to an appropriate key for the chords you are playlng" Set the Spllt POlnt to an appropriate position on the keyboard. - No sound produced by the keyboard, but the lights and screen work. Check that the master volume control is not set to minimum. Check that nothing is plugged into the headphone socket 'The sound of the voice changes from note to note, This is normal. The digital tone geneiation uses multiple recordings (samples) or an instrument across the range of the keyboard; The actual sound of the voice may be slightly different from note to note. ‘The volume is too 50R. .The sound quality is poor. oThe rhythm stops unexpectedly or Wlll not play .The recorded data at the Song, etc. does not play correctly ,The LED display suddenly goes dark, and all panel settings are reset. if you have lost or damaged your AC adaptor, please contact your nearest store for a correct replacement adaptor. An incorrect AC mains adaptor which is not rated surnciently can cause malfunction or damage. -To completely restore all settings as per factory settings. Perform a factory reset, Please refer to content In this owner's marlual. All of the user setting will be erased and the default factory settings Will be applied to the instrument, - Power suddenly and unexpectedly turns off, after a period of not touching the keys. This is normal and the Auto Power Off functloh may have been activated. If you heed to disable the Auto Power Off function, please see how to 110 thls lri the owner's manual. ‘The sustain pedal or footswitch seems to produce the opposite effect. Example pressing the foatswitch deactivates the sustain, arid releasing the footswitch triggers the sustain. The polarity of the footswitch needs to be correctly detected Make sure the Jack plug for the footswitch ls connected. Switch the instrument on whilst not touching the pedal. Specifications Assembly Instructions F 77“ \ J 8*2 i \ E*Z © BtZ @ \ \ AIKZ !, M; s ‘ l’i H H ‘ El 4 7 D A. 3- X6 M12X50 a Q x5 D:12 c «— xa usxzsr D :‘h E. j x1 r _ x4 mm Before moving the piano to a new location, always remember to raise E % a % % the level of the Pedal Board support so that it is not touching the floor. E Once the piano is in place, you can adjust it so it is in firm contact with Lnndhne mm Beam :upnnn ‘ the floor again. 10506017-V2.0 NOTES FCC STATEMENT 1.This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1)This device may not cause harmful interference (2) This device must accept any interference received, including interference that may cause undesired operation. 2. Changes or modifications not expressly approved by the party responsible for compliance could void the user's authority to operate the equipment. NOTEzThis equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 ofthe FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: Reorient or relocate the receiving antenna. Increase the separation between the equipment and receiver. Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. Consult the dealer or an experienced radio/TV technician for help. NOTES
Source Exif Data:
File Type : PDF File Type Extension : pdf MIME Type : application/pdf PDF Version : 1.6 Linearized : Yes XMP Toolkit : 3.1-701 Producer : Acrobat Distiller 7.0 (Windows) Create Date : 2016:10:26 11:31:56+08:00 Modify Date : 2016:10:26 15:27:38+08:00 Metadata Date : 2016:10:26 15:27:38+08:00 Creator Tool : PScript5.dll Version 5.2 Document ID : uuid:C7DDF3BC2C9BE6119402A04F229ED9BD Instance ID : uuid:ead7e70f-d939-4e43-999d-c49c95101ae8 Derived From Instance ID : uuid:491eedfe-f8e6-4ba1-95a2-8d68f2c77829 Derived From Document ID : uuid:89c2e97d-762a-49c6-84bd-ea110e4af607 Format : application/pdf Title : KAG-100_鞓侂毵る壌鞏糭0901_鞚胳噭 Creator : Administrator Page Count : 16 Author : AdministratorEXIF Metadata provided by EXIF.tools