Roland Fp 7 Users Manual 7_e

fp7 6f2edaba-7c72-4295-8402-2e76104fcb7c Roland Musical Instrument FP-7 User Guide |

Roland Corporation FP-7 Owner's Manual fp-7_om Roland Corporation - FP-7 - Owner's Manual

2015-02-02

: Roland Roland-Fp-7-Users-Manual-444126 roland-fp-7-users-manual-444126 roland pdf

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Introduction
- About the Manual
  - Conventions in this Manual
Main Features
Contents
USING THE UNIT SAFELY
Important Notes
Names of Things and What They Do
Before You Play
Listening to Songs
Performing
Playing Along with Rhythms
Saving Your Favorite Performance Settings
Recording
Saving a Performance
Various Settings
Connecting Other Equipment
Appendices

07-01-2N04454689

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Cover1,4

Introduction

Thank you, and congratulations on your choice of the FP-7. To ensure that you obtain the

maximum enjoyment and take full advantage of the FP-7’s functionality, please read this

owner’s manual carefully.

You should first read the “Before You Play” (p. 18) section of the owner’s manual (this

document). This explains how to connect the AC adaptor and turn on the power.

The owner’s manual explains basic operations you’ll need to know in order to master the

FP-7’s performance functions, as well as more advanced operations, such as using the

FP-7 to record a song.

In order to explain the operations as clearly as possible, this manual uses the following

conventions.

• Text enclosed in square brackets [ ] indicates the name of a button or a knob, such as the

[Display] button.

• Lines that begin with or an asterisk * are cautionary statements that you must be sure

to read.

• The numbers of pages that you can turn to for additional, related information are given like

this: (p. **).

• This document uses screen shots for explanatory purposes. Please be aware that the settings

in these explanatory screen shots may not match the actual factory settings (Tone names, etc.).

without the written permission of ROLAND CORPORATION.

About the Manual

Conventions in this Manual

NOTE

Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” (p. 8), and

“Important Notes” (p. 11). These sections provide important information concerning the proper

operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every

feature provided by your new unit, owner’s manual should be read in its entirety. The manual should

be saved and kept on hand as a convenient reference.

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Main Features

Serious piano performance

The FP-7 provides the sounds of a high-quality concert grand piano coupled with the PHA II keyboard, which delivers a

more piano-like touch, where the low range is heavier and the high range is lighter.

It provides three pedal jacks, and is shipped with a pedal that supports half-damper operation, allowing you to adjust the

depth of the lingering resonances so that you can enjoy the subtle nuances of serious piano performance.

High-quality speakers and piano sounds

The FP-7 features 88-key multi-sampled piano sounds.

Every note of an 88-key grand piano has been sampled to faithfully reproduce its tonal character and allow for dynamic

expression of the full range of sonic nuances, from delicate pianissimo to powerful fortissimo.

The rich resonances and lifelike presence of these sounds are faithfully reproduced through the high-quality speakers of

the FP-7.

“Audio Key” lets you play back an audio file while you perform

You can prepare your own audio file and trigger it for playback at the desired moment during your performance. This

can be used to add human voices or short phrases to your performance, giving a “live” atmosphere to your playing.

Alternatively, you can assign a different audio song to each key, and perform with these songs in the background.

“Session Partner” lets you enjoy session-style playing

You can play the piano along with realistic “rhythms” to enjoy session-style performances.

Since suitable chord progressions are assigned to each rhythm, simply selecting a rhythm will automatically choose the

appropriate chord progression.

“Piano Designer” lets you customize the piano sound to your liking

This function gives you even greater expressive range by letting you adjust a simulation of how a piano’s strings

sympathetically vibrate, the way in which opening or closing the lid of a grand piano affects the sounds, or the way in

which the damper moves away from the strings when you press the damper pedal. By making these adjustments you can

create your own personal piano sound.

“Registrations” let you store favorite performance settings

Your performance settings such as sound selections, settings for Session Partner, and keyboard touch settings can be

stored as a “registration” for instant recall when desired.

What you can do using USB memory

The FP-7 provides an external memory connector. If you connect USB memory (sold separately), you’ll be able to play

back SMF music files or audio files from USB memory. This also provides a convenient way to store a performance

you’ve recorded or registration data you’ve created.

Main Features

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Contents

Introduction ................................................ 3

About the Manual.......................................................3

Conventions in this Manual......................................3

Main Features............................................. 4

USING THE UNIT SAFELY ............................. 8

Important Notes........................................ 11

Names of Things and What They Do .......... 14

Before You Play ........................................ 18

Getting Ready to Play ...............................................18

Connecting the AC Adaptor...................................18

Turning the Power On/Off.....................................19

Adjusting the Volume ............................................20

Attaching the Music Rest........................................20

Connecting the Pedals...............................................21

Listening through Headphones....................................22

Adjusting the Contrast of the Screen............................22

Using USB Memory...................................................23

Connecting USB Memory ......................................23

Listening to Songs ..................................... 24

Listening to Demo Songs............................................24

Listening to Internal Songs..........................................26

Changing the Volume of the Song ..........................28

Playing Back All Songs Continuously (All Song Play).29

Listening to Each Part Separately (Track Mute)..........30

Determining the Volume of a Muted Track ...............31

Listening to Songs Saved in Internal Memory................32

Listening to Songs Saved in USB Memory ....................33

Performing................................................ 35

Performing with a Variety of Sounds ...........................35

Simulating the Way that Sounds are Created on

an Organ (Tone Wheel) ............................................36

Performing with Two Layered Tones (Dual Play)............41

Changing the Tone Variations................................42

Performing with Different Tones in the Left and

Right Sides of the Keyboard (Split Play) .......................43

Switching Tone Groups and Tone Variations............45

Changing the Keyboard’s Split Point.......................46

Changing the Volume Balance for Dual Play and

Split Play .................................................................47

Adjusting the Keyboard Sensitivity (Key Touch).............48

Adding Reverberation to Sounds (Reverb Effect) ...........49

Changing the Depth of Reverb Effect....................... 49

Adding a Variety Effects to the Sound (Effects) .............50

Adding a Spinning Sound to Organ Tones (

Rotary Effect) ...........................................................51

Transposing the Key of the Keyboard or Song

Playback (Transpose) ................................................52

Performing with the Metronome..................................54

Changing the Tempo ............................................55

Changing the Volume of the Metronome .................55

Adding Liveliness to the Sound (Sound Control)............56

Changing the Tonal Quality (Equalizer)....................... 57

Changing the Equalizer Type.................................58

Performing with Audio Files (Audio Key)...................... 59

Performing with Audio Files from USB Memory ........59

Performing with Audio Files that are Built Into

the FP-7...............................................................62

Adjusting the Volume of the Audio Key ...................62

Creating a Piano Sound to Your Taste (Piano Designer) .. 63

Saving the Piano Designer Settings.........................65

Playing Along with Rhythms....................... 66

What is Session Partner?........................................... 66

Performing Along with Session Partner ........................ 67

Changing the Volume of the Session Partner

Performance ........................................................69

Selecting Parts .....................................................69

Selecting a Rhythm ...................................................70

Changing a Rhythm’s Tempo .....................................71

Selecting a Rhythm’s Chord Progression...................... 72

Performing with the Chord Progression Specified

in the Left Hand (Chord Progression Off) .....................73

Changing the Rhythm Pattern (Original/Variation)........75

Recording the Chord Progression ...............................76

Changing the Number of Measures of the Chord

Progression You Record ........................................77

Saving Your Favorite Performance Settings. 78

About the Registration............................................... 78

Storing Your Performance Settings (Registration)...........80

Recalling a Registration.............................................82

Saving a Registration Set........................................... 83

Loading a Registration Set You Saved.........................85

Deleting a Registration Set You Saved.........................87

Copying a Registration Set ........................................89

Using a Pedal to Switch Registrations.......................... 91

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Contents

Recording ................................................. 92

Recording a New Song.............................................93

Recording Your Playing Along with a Song..................95

Recording Your Performance with Session Partner.........98

Recording Selected Track Buttons..............................100

Erasing Recorded Performances ...............................103

Saving a Performance ............................. 104

About Saving and Copying .....................................104

Saving the Songs You Record...................................105

Using USB Memory.................................................107

Initializing USB Memory......................................107

Deleting a Saved Song............................................109

Copying a Song.....................................................111

Copying a Song from Internal Memory to

USB Memory .....................................................111

Copying a Song from USB Memory to Internal

Memory ............................................................113

Various Settings ...................................... 115

Tuning Settings.......................................................115

Matching the Pitch with Other Instruments

(Master Tune).....................................................115

Adjusting the Tuning (Temperament)......................116

Pedal Settings ........................................................117

Changing How the Pedal Effects Are Applied ........117

Changing How the Pedals Work ..........................118

Effect Settings.........................................................119

Changing the Effect Type.....................................119

Setting the Part to Which Effects Are Added...........120

System Settings.......................................................120

Disabling Automatic Selection of VIMA TUNES

Recommended Tones ..........................................120

Switching Lyric Display On/off.............................121

Switching the Language for Lyric Display...............121

Specifying the Sound Control Setting at Power-on...122

Specifying the Equalizer Setting at Power-on..........122

Adjusting the Volume (Master Gain)......................123

Equalizer Settings ...................................................123

Changing the Equalizer Settings...........................123

Keyboard Settings ..................................................124

Specifying What the Transpose Button will Affect

(Transpose)........................................................124

Changing the Keyboard Touch (Key Touch) ...........125

Making Fine Adjustments to the Keyboard Touch

Sensitivity ..........................................................125

Changing the Velocity When the Key Touch is

Set to “Off” ....................................................... 126

Changing the Pitch of the Lower Tone in Octave

Steps (Octave Shift) ............................................126

Audio Key Settings ................................................. 127

Selecting an Audio File Set.................................. 127

Changing the Audio File Settings..........................127

Session Partner Settings...........................................129

Setting the Intro and Ending On or Off.................. 129

Selecting a Chord Progression Pattern................... 129

Selecting the Root Note of the Chord Progression...130

Fixing a Set Chord Progression ............................130

Settings for Song Playback ...................................... 131

Muting a Specific Part (Part Mute) ........................ 131

Changing the Parts Assigned to the Track Buttons

During SMF Music Files Playback (Track Assign) .... 132

Initializing (Formatting) Memory............................... 132

Initializing Internal Memory .................................132

Initializing USB Memory......................................133

Metronome Settings ................................................134

Changing the Beat of Metronome.........................134

Changing the Way in which the Metronome

Marks the Beat...................................................134

Other Settings........................................................ 135

Restoring the Factory-set Condition (Factory Reset).. 135

Disabling the Buttons (Panel Lock)......................... 135

Using the V-LINK Function....................................136

Changing the External Memory Setting ................. 136

Connecting Other Equipment.................... 137

Connecting Audio Equipment................................... 138

Sending the Sound to External Speakers ...............138

Listening to a CD from the FP-7’s Speakers ............ 139

Recording an FP-7 Performance to an External Device. 140

Recording an FP-7 Performance to a CD or

Cassette Tape, etc. ............................................. 140

Using Your Computer to Create a CD ................... 141

Connecting the USB Memory (Sold Separately).......... 142

Connecting to a Computer.......................................143

Connecting to a Computer via the USB (MIDI)

Connector .........................................................143

Connecting a CD Drive (Sold Separately).................. 144

Making the Connections...................................... 144

Playing Back Songs from a CD ............................145

Performing along with a Music CD (Center Cancel) 146

Performing while You Listen to the Melody of

the Music Files ...................................................146

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Contents

Connecting to MIDI Devices.....................................147

What’s MIDI?.....................................................147

Making the Connections......................................147

Using the FP-7 to Play Another MIDI Sound Module 148

MIDI Settings......................................................148

Appendices

Troubleshooting......................................................153

Error Messages ......................................................157

Tone List ................................................................158

Rhythm List.............................................................163

Chord Progression Pattern List ..................................164

Chord Fingering List................................................167

Internal Song List ....................................................169

Music Files That the FP-7 Can Use.............................170

Registration List.......................................................171

Effects List ..............................................................172

Stored Settings .......................................................176

MIDI Implementation Chart ......................................177

Main Specifications ................................................178

Index ....................................................................180

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USING THE UNIT SAFELY

Do not disassemble or modify

002c

Do not open (or modify in any way) the unit or its

AC adaptor.

......................................................................................

Do not repair or replace parts

003

Never attempt to repair this device or replace

parts. If repair or part replacement should become

necessary, you must contact your dealer or a

Roland service center.

......................................................................................

Do not use or store in the following types of

locations

004

• Locations of extremely high temperature (such as

in direct sunlight, near heating equipment, or on

a device that generates heat)

• Near moisture (such as in a bathroom, near a

sink, or on a wet floor) or in locations of high

humidity

• Locations exposed to rain

• Locations of excessive dust

• Locations subject to heavy vibration

......................................................................................

Use only a stand that is recommended

005

This unit should be used only with a stand that is

recommended by Roland.

......................................................................................

Do not place in an unstable location

006

When using the unit with a stand recommended by

Roland, the stand must be carefully placed so it is

level and sure to remain stable. If not using a

stand, you still need to make sure that any location

you choose for placing the unit provides a level

surface that will properly support the unit, and

keep it from wobbling.

......................................................................................

Connect the AC adaptor to an outlet of the correct

voltage

008c

Be sure to use only the AC adaptor supplied with

the unit. Also, make sure the line voltage at the

installation matches the input voltage specified on

the AC adaptor’s body. Other AC adaptors may

use a different polarity, or be designed for a

different voltage, so their use could result in

damage, malfunction, or electric shock

......................................................................................

Use only the included power cord

008e

You must use only the power cord included with the

device. Do not use the included power cord with

any other device.

......................................................................................

Do not bend the power cord or place heavy objects

on it

009

Do not bend the power cord excessively, or place

heavy objects on the power cord. Doing so will

damage the power cord, and may cause short

circuits or faulty connections, possibly resulting in

fire or electrical shock.

......................................................................................

Do not share an outlet with an unreasonable

number of other devices

015

Do not connect excessive numbers of electrical

devices to a single power outlet. In particular,

when using a power strip, exceeding the rated

capacity (watts/amps) of the power strip may

cause heat to be generated, possibly melting the

cable.

......................................................................................

Used for instructions intended to alert the

user to the risk of injury or material

damage should the unit be used

improperly.

* Material damage refers to damage or

other adverse effects caused with

respect to the home and all its

furnishings, as well to domestic animals

or pets.

Used for instructions intended to alert the

user to the risk of death or severe injury

should the unit be used improperly.

The ● symbol alerts the user to things that must be

carried out. The specific thing that must be done is

indicated by the design contained within the circle. In

the case of the symbol at left, it means that the power-

cord plug must be unplugged from the outlet.

The symbol alerts the user to important instructions or

warnings.The specific meaning of the symbol is

determined by the design contained within the triangle.

In the case of the symbol at left, it is used for general

cautions, warnings, or alerts to danger.

The symbol alerts the user to items that must never

be carried out (are forbidden). The specific thing that

must not be done is indicated by the design contained

within the circle. In the case of the symbol at left, it

means that the unit must never be disassembled.

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USING THE UNIT SAFELY

Avoid extended use at high volume

010

This device, either by itself or used in conjunction

with headphones, amps, and/or speakers, is

capable of producing volume levels that can cause

permanent hearing damage. If you experience

impaired hearing or ringing in your ears, immedi-

ately stop using the device and consult a medical

specialist.

......................................................................................

Do not insert foreign objects

011

Never allow foreign objects (flammable objects,

coins, wires, etc.) to enter this device.

This can cause short circuits or other malfunctions.

......................................................................................

Turn off the power if an abnormality or

malfunction occurs

012b

Immediately turn the power off, remove the AC

adaptor from the outlet, and contact your dealer or

a service center to have the device serviced.

• The AC adaptor, the power-supply cord, or the

plug has been damaged

• The device produces smoke or an unusual smell

• A foreign object enters the device, or liquid

spills into the device

• The device becomes wet (by rain, etc.)

• An abnormality or malfunction occurs in the device

......................................................................................

Do not allow children to use without supervision

013

In households with children, take particular care

against tampering. If children are to use this device,

they must be supervised or guided by an adult.

......................................................................................

Do not drop or subject to strong impact

014

Do not drop this device or subject it to strong

impact.

......................................................................................

Do not use overseas

016

If you wish to use this device overseas, please

contact your dealer or a service center.

......................................................................................

Do not use a CD-ROM in an audio CD player or

DVD player

023

If you attempt to play back a CD-ROM in a conventional

audio CD player or DVD player, the resulting high

volume may damage your hearing or your speakers.

......................................................................................

Do not place containers of water on the device

026

Do not place containers of water (such as a flower

vase) or drinks on the device. Nor should you

place containers of insecticide, perfume, alcoholic

liquids, nail polish, or spray cans on the device.

Liquids that spill into the device may cause it to

malfunction, and may cause short circuits or faulty

operation.

......................................................................................

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USING THE UNIT SAFELY

Place in a well ventilated location

101b

When using this device and AC adaptor, ensure

that it is placed in a well ventilated location.

..........................................................................................................

Grasp the plug when connecting or disconnecting

the power cord

102c

Always grasp only the plug on the AC adaptor

cord when plugging into, or unplugging from, an

outlet or this unit.

..........................................................................................................

Periodically wipe the dust off the AC adaptor plug

103b

At regular intervals, you should unplug the AC

adaptor and clean it by using a dry cloth to wipe

all dust and other accumulations away from its

prongs. Also, disconnect the power plug from the

power outlet whenever the unit is to remain unused

for an extended period of time. Any accumulation

of dust between the power plug and the power

outlet can result in poor insulation and lead to fire.

..........................................................................................................

Manage cables for safety

104

Ensure that the connected cables are organized

and managed in a safe manner. In particular,

place the cables out of reach of children.

..........................................................................................................

Do not stand or place heavy objects on this device

106

Do not stand on this device, or place heavy objects

on it.

..........................................................................................................

Do not connect or disconnect the AC adaptor with

wet hands

107c

Never handle the AC adaptor or its plugs with wet

hands when plugging into, or unplugging from, an

outlet or this unit.

..........................................................................................................

Cautions when moving this device

108d: Selection

When moving this device, please check the

following cautions. Then, make sure that at least

two persons work together in lifting and carrying

the device, all the while making sure to keep it

level. When doing so, be careful not to pinch your

hands or drop the device on your feet.

• Check whether the knob bolts fastening the

device to its stand have become loose. If they

are loose, tighten them firmly.

• Disconnect the power cord.

• Disconnect external devices.

• Remove the music rest.

......................................................................................

Unplug the AC adaptor from the AC outlet before

cleaning

109b

Before cleaning the unit, turn off the power and

unplug the AC adaptor from the outlet (p. 18).

..........................................................................................................

If there is a possibility of lightning strike,

disconnect the AC adaptor from the AC outlet

110b

Whenever you suspect the possibility of lightning in

your area, disconnect the AC adaptor from the

outlet.

..........................................................................................................

Keep small items out of the reach of children

118c

To prevent small items such as the following from

being swallowed accidentally, keep them out of the

reach of children.

• Included items

• Music rest attachment screws

..........................................................................................................

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Important Notes

In addition to the “USING THE UNIT SAFELY” listed on page 8, please observe the following cautions.

Power Supply

301

• Do not connect this device to the same electrical outlet as an

inverter-controlled device such as a refrigerator, microwave

oven, or air conditioner, or a device that contains an electric

motor. Depending on how the other device is used, power

supply noise could cause this device to malfunction or produce

noise. If it is not practical to use a separate electrical outlet,

please connect this device via a power supply noise filter.

302

• The AC adaptor will begin to generate heat after long

hours of consecutive use. This is normal, and is not a cause

for concern.

307

• Before you make connections, you must switch off the power

on all devices to prevent malfunction and/or speaker damage.

Location

351

• If this device is placed near devices that contain large

transformers, such as power amps, hum may be induced in

this device. If this occurs, move this device farther away or

change its orientation.

352a

• If this device is operated near a television or radio, color

distortion may be seen in the television screen or noise may

be heard from the radio. If this occurs, move this device

farther away.

352b

• Keep your cell phone powered off or at a sufficient distance

from this device. If a cell phone is nearby, noise may be

heard when a call is received or initiated, or during

conversation.

354b

• Do not leave this device in direct sunlight, near devices that

produce heat, or in a closed-up automobile. Do not allow

illumination devices operated in close proximity (such as a

piano light) or powerful spotlights to shine on the same

location on this device for an extended time. This can cause

deformation or color change.

355b

• If you move this device between locations of radically different

temperature or humidity, water droplets (condensation) may

form inside the device. Using the device in this condition will

cause malfunctions, so please allow several hours for the

condensation to disappear before you use the device.

356

• Do not allow items made of rubber or vinyl to remain on

top of this device for an extended time. This can cause

deformation or color change.

358

• Do not leave objects on top of the keyboard. This can

cause malfunctions such as failure to sound.

359

• Do not affix adhesive labels to this device. The exterior

finish may be damaged when you remove the labels.

360

• Depending on the material and temperature of the surface

on which you place the unit, its rubber feet may discolor or

mar the surface.

You can place a piece of felt or cloth under the rubber feet

to prevent this from happening. If you do so, please make

sure that the unit will not slip or move accidentally.

Care

401b

• For everyday care, wipe with a soft dry cloth, or remove

stubborn dirt using a tightly wrung-out cloth. If this device

contains wooden components, wipe the entire area

following the direction of the grain. The finish may be

damaged if you continue strongly rubbing a single location.

Addition

• If water droplets should adhere to this device, immediately

wipe them off using a soft dry cloth.

402

• Do not use solvents such as benzene, thinner, or alcohol,

since these can cause deformation or color change.

Servicing

452

• If you return this device for servicing, the contents of

memory may be lost. Please store important contents on

USB memory, or make a note of the contents. We take

utmost care to preserve the contents of memory when

performing service, but there may be cases when the stored

content cannot be recovered because the memory section

has malfunctioned. Please be aware that we cannot accept

responsibility for the recovery of lost memory content or for

any consequences of such loss.

Other Cautions

551

• Stored content may be lost due to a malfunction of the

device or because of inadvertent operation. You should

back up important content on USB memory as a safeguard

against such loss

552

• We cannot accept responsibility for the recovery of any

content lost from internal memory or USB memory, or for

the consequences of such loss.

553

• Do not apply excessive force to the buttons, knobs, or

input/output jacks, since this may cause malfunctions.

554

• Never strike or apply strong pressure to the display.

556

• When connecting or disconnecting cables, grasp the plug

(not the cable) to prevent short circuits or broken

connections.

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Important Notes

558a

• Please enjoy your music in ways that do not inconvenience

other people nearby, and pay particular attention to the

volume at nighttime. Using headphones will allow you to

enjoy music without having to be concerned about others.

559a

• When you need to transport the unit, package it in the box

(including padding) that it came in, if possible. Otherwise,

you will need to use equivalent packaging materials.

560

• If using the music rest, do not apply excessive force to it.

561

• Use only the specified expression pedal (EV-5; available

separately). Connecting a pedal made by a different

manufacturer may cause this device to malfunction.

562

• Some connection cables contain a resistor. Do not connect

such cables to this device. Doing so may make the volume

extremely low or inaudible. Please use connection cables

not containing a resistor.

Before Using the External Memory

Connector

External Memory Connector Handling

704

• When connecting USB memory, firmly insert it all the way

in.

705

• Do not touch the pins of the USB memory connector, or

allow them to become dirty.

708

• USB memory is made using high-precision electronic

components, so please observe the following points when

handling it.

• To prevent damage from static electrical charges,

discharge any static electricity that might be present in

your body before handling USB memory.

• Do not touch the terminals with your fingers or any metal

object.

• Do not bend or drop USB memory, or subject it to strong

impact.

• Do not leave USB memory in direct sunlight or in

locations such as a closed-up automobile. (Storage

temperature: 0–50 degrees C)

• Do not allow USB memory to become wet.

• Do not disassemble or modify USB memory.

Addition

• When connecting USB memory, position it horizontally with

the external memory connector and insert it without using

excessive force. The external memory connector may be

damaged if you use excessive force when inserting USB

memory.

Addition

• Do not insert anything other than USB memory (e.g., wire,

coins, other types of device) into the external memory

connector. Doing so will damage the external memory

connector.

Addition

• Do not apply excessive force to the connected USB

memory.

Addition

• If you will not be using USB memory for an extended period

of time, close the USB memory cover.

FP-7-e.book 12 ページ２００６年１２月１４日　木曜日　午前１０時５７分

Important Notes

CD Handling

801

• Do not touch or scratch the recording surface of a CD.

Doing so may render the data unreadable. If a CD

becomes soiled, clean it using a commercially available CD

cleaner.

203

* GS ( ) is a registered trademark of Roland

Corporation.

Add

* XG lite ( ) is a registered trademark of Yamaha

Corporation.

204

* Microsoft and Windows are registered trademarks of

Microsoft Corporation.

206j

* Windows® is known officially as: ”Microsoft®

Windows® operating system.”

207

* Apple and Macintosh are registered trademarks of

Apple Computer, Inc.

209

* Mac OS is a trademark of Apple Computer, Inc.

220

* All product names mentioned in this document are

trademarks or registered trademarks of their

respective owners.

FP-7-e.book 13 ページ２００６年１２月１４日　木曜日　午前１０時５７分

Names of Things and What They Do

[Power] Switch

Turns the power on/off (p. 19).

[Volume] Knob

Adjusts the overall volume of the FP-7 (p. 20).

If headphones are connected, this adjusts the

headphone volume (p. 22).

[Balance] Knob

Adjusts the volume balance of the Upper and Lower

Tones in Dual Play and Split Play (p. 47).

[Function] Button

This button lets you make various settings.

By holding down this button and pressing the

[Transpose] button, you can listen to the demo song (p.

24).

[Transpose] Button

This button lets you transpose the keyboard or song (p.

52).By holding down this button and pressing the

[Function] button, you can listen to the demo song (p.

24).

[Audio Key] Button

This button lets you play back audio files by pressing

keys B 0--B1 (p. 59).

[Session Partner] Button

This button switches on/off the Session Partner function

(p. 67). By switching Session Partner on, you can

produce a rhythm in a variety of styles.

Track Buttons

These buttons switch the performance part when playing

a song (p. 30). These buttons also switch Session

Partner’s performance parts, chord progression patterns,

and rhythm patterns (p. 69, p. 72, p. 75).

[Play] Button

Starts and stops playback of internal songs and

recorded performances (p. 26).

Used for starting recording of performances (p. 92).

[Rec] Button

You can record your own playing into the FP-7 (p. 92).

[Metronome] Button

Turns the internal metronome on and off (p. 54).

Display

This shows information about the sounds (tone number

and name), song information (song number, song title,

number of measures), Session Partner settings (rhythm

number, rhythm name, chord progression), tempo, and

other settings.

3 4 5 6 10 11 12987

Front Panel

FP-7-e.book 14 ページ２００６年１２月１４日　木曜日　午前１０時５７分

Names of Things and What They Do

[Contrast] Knob

This knob adjusts the contrast of the screen (p. 22).

[Display] Button

Press this button when you want to change the tone, the

song to play back, the rhythm, or the tempo. Each time

you press this button, the display will alternately show

tone information (tone number and name), song

information (song number, name, and number of

measures), Session Partner information (rhythm number,

rhythm name, and chord progression), and tempo.

In Function mode, you can make various settings by

holding down this button and using the [-] [+] buttons (p.

115).

[-] [+] Buttons

These two buttons are used to modify the values of a

variety of settings.

Pressing both the [-] and [+] buttons simultaneously

returns the setting of a particular item or function to its

original value.

If you’re playing the song while the song select screen is

displayed, you can hold down these buttons to rewind or

fast-forward.

Tone Buttons

They are used to choose the kinds of tones (Tone

Groups) played by the keyboard (p. 35).

While the [Registration] button is lit, Tone buttons [1]–[7]

can be used to select registrations.

[Registration] Button

This button lets you store your favorite performance

settings, such as those for the selection of tones, Session

Partner (p. 78).

[Split] Button

Allows you to play different tones in the left and right

sides of the keyboard (p. 43).

[Multi Effects] Button

This button lets you apply various effects to the sound (p.

50).

[Reverb] Button

You can use this to add the characteristic reverberation

of a concert hall to what you play (p. 49).

[Sound Control] Button

This button gives the sound more expressive range (p.

56).

By holding down this button and pressing the [Equalizer]

button, you can turn V-LINK on and off (p. 136).

[Equalizer] Button

Switches the equalizer on or off (p. 57). You can use the

equalizer to adjust the tonal character by boosting or

cutting just the low or high frequency regions.

By holding down this button and pressing the [Sound

Control] button, you can turn V-LINK on and off (p. 136).

14 15 16

17 18

19 20 21 22

FP-7-e.book 15 ページ２００６年１２月１４日　木曜日　午前１０時５７分

Names of Things and What They Do

Rear Panel

These connectors are located at the rear panel.

MIDI Connectors

You can connect these to external MIDI devices to

transfer performance data (p. 147).

USB (MIDI) Connector

You can connect this to your computer for transferring

performance data (p. 143).

Pedal Jacks

Accepts connection of the supplied pedal (DP Series), or

other suitable pedals (p. 21).

Input Jacks

Here you can connect an audio device or another

electronic musical instrument, and listen to the connected

device through the FP-7’s speakers (p. 139).

Output Jacks

You can connect external speakers here to reproduce the

FP-7’s sound (p. 138, p. 140).

Speaker Switch

This switch turns the internal speaker on/off (p. 138).

Ground Terminal (p. 18)

DC In Jack

Connect the supplied AC adaptor here (p. 18).

Cord Hook

Use this to fix in place the cord from the supplied AC

adaptor (p. 18).

23 24

26 27 28 30 3129

FP-7-e.book 16 ページ２００６年１２月１４日　木曜日　午前１０時５７分

Names of Things and What They Do

Phones Jacks

Here you can connect headphones.

The FP-7 lets you use two sets of headphones

simultaneously (p. 22).

External Memory Connector

You can connect USB memory to this connector, and

play back songs saved on USB memory (p. 33) or save

songs you’ve recorded on the FP-7 to USB memory (p.

105).

You can also save a registration set to USB memory, or

load a saved registration set into the FP-7.

FP-7-e.book 17 ページ２００６年１２月１４日　木曜日　午前１０時５７分

Before You Play

Make sure that the [Power] switch located at

the right side of the keyboard is off (in the

upward position).

fig.PowerOn.eps

Turn the [Volume] knob all the way toward the

left to minimize the volume.

Connect the supplied Power Cord to the

supplied AC adaptor.

Place the AC adaptor so the side with the indicator

(see illustration) faces upwards and the side with

textual information faces downwards.

The indicator will light when you plug the AC

adaptor into an AC outlet.

Connect the AC adaptor to the FP-7’s DC In

jack, and plug the power cord into an

electrical outlet.

Loop the AC adaptor cord around the cord

hook to fasten it in place.

To prevent the inadvertent disruption of power to your

unit (should the plug be pulled out accidentally), and to

avoid applying undue stress to the AC adaptor jack,

anchor the power cord using the cord hook, as shown in

the illustration.

Even if the cord is fastened, strong tension applied to the

cord may cause it to be damaged or broken. Be careful

not to pull the cord accidentally, or to apply strong

pressure to it.

Depending on the circumstances of a particular setup,

you may experience a discomforting sensation, or

perceive that the surface feels gritty to the touch when

you touch this device. This is due to an infinitesimal

electrical charge, which is absolutely harmless.

However, if you are concerned about this, connect the

ground terminal (see figure) with an external ground.

When the unit is grounded, a slight hum may occur,

depending on the particulars of your installation. If you

are unsure of the connection method, contact the nearest

Roland Service Center, or an authorized Roland

distributor, as listed on the “Information” page.

Unsuitable places for connection

• Water pipes (may result in shock or electrocution)

• Gas pipes (may result in fire or explosion)

• Telephone-line ground or lightning rod (may be

dangerous in the event of lightning)

Getting Ready to Play

Connecting the AC Adaptor

Power

Off

Upper Position

Indicator

AC Outlet

AC adaptor Power Cord

NOTE

Cord Hook

(AC Adaptor)

Power Cord

Ground Terminal

FP-7-e.book 18 ページ２００６年１２月１４日　木曜日　午前１０時５７分

Before You Play

Once you’ve got everything connected properly, you

can turn on the power using the following procedure.

If you fail to perform these steps in the correct order,

you risk causing a malfunction or damaging the

speakers.

Turning the Power On

Turn the [Volume] knob all the way toward the

left to minimize the volume.

fig.VolumeMin.eps

Press the [Power] switch.

fig.PowerOn.eps

The power will turn on, and the [Piano] and other

buttons will light.

Use the [Volume] knob to adjust the volume (p.

20).

The unit becomes operable and playing the keyboard

produces sound.

Due to a circuitry protection feature, this unit requires

a few moments after power is turned on before it is

ready for normal operation.

Turning the Power Off

Turn the [Volume] knob all the way toward the

left to minimize the volume.

fig.VolumeMin.eps

Press the [Power] switch.

The screen goes blank and the power is turned off.

ig.PowerOn.eps

Turning the Power On/Off

NOTE

Power

Lower

Position

NOTE

Power

Off

Upper Position

FP-7-e.book 19 ページ２００６年１２月１４日　木曜日　午前１０時５７分

Before You Play

Here’s how to adjust the volume when you’re playing the

keyboard, or when you’re playing back internal preset songs

or USB memory songs.

If headphones are connected, use the [Volume] knob to adjust

the headphone volume.

Turn the [Volume] knob to adjust the overall

volume.

Adjust the volume while you play the keyboard to

produce sound.

Rotating the knob clockwise increases the volume;

counterclockwise rotation decreases it.

fig.MasterVolume.eps

Here’s how to attach the included music rest.

Install the included screws into the back of the

instrument (two locations) as shown in the

illustration.

fig.MusicRest.eps

Place the music rest between the screws and

the chassis.

fig.MusicRestScrew.eps

While using one hand to support the music

rest, tighten the screws (two locations) to

fasten the music rest firmly in place.

fig.MusicRest.eps

When attaching the music rest, you must use your hand

to support it firmly so that it does not fall. Be careful not

to pinch your hand.

To remove the music rest, support it with one hand while

you loosen the screws. Remove the music rest, and then

securely retighten the screws.

Don’t apply excessive force to the installed music

rest.

You must use the included screws to attach the music

rest.

Adjusting the Volume

Attaching the Music Rest

NOTE

FP-7-e.book 20 ページ２００６年１２月１４日　木曜日　午前１０時５７分

Before You Play

Connect the included pedal to one of the Pedal jacks.

The operation of the pedal will differ depending on the jack to

which it’s connected.

fig.pedals-e.eps

Unplugging a pedal cord from the unit while the

power is on may cause the pedal’s effect to be

applied without stopping. The power of the FP-7 must

be turned off before inserting or removing a pedal

cord.

By obtaining a second and third pedal, you can then

use three pedals simultaneously. If you wish to

purchase the optional pedal (DP series), please

contact the dealer where you purchased the FP-7.

You can connect the expression pedal to the

Sostenuto/ (FC1) or the Soft/ (FC2) jack to adjust the

volume. Use only the specified expression pedal (EV-

5; sold separately). By connecting any other

expression pedals, you risk causing malfunction

and/or damage to the unit.

Damper Pedal

Use this pedal to sustain the sound.

While this pedal is held down, notes will be sustained for an

extended time even if you release your fingers from the

keyboard.

The pedal included with the FP-7 functions as a half-damper

pedal, which allows you to adjust the amount of resonance.

On an acoustic piano, holding down the damper pedal will

cause the strings for notes other than the ones you actually

play to vibrate in sympathy with what you’ve played,

producing a rich resonance. The FP-7 simulates this

sympathetic vibration (damper resonance).

Set the switch on the included pedal to “Continuous”

when the pedal is connected.

Sostenuto Pedal

The notes you are pressing when this pedal is depressed will

be sustained.

With the pedal connected to the Sostenuto / (FC1)

jack, it can be assigned other functions as well. Refer

to “Changing How the Pedals Work” (p. 118),

“Using a Pedal to Switch Registrations” (p. 91).

Soft Pedal

This pedal is used to make the sound softer.

Playing with the soft pedal depressed produces a sound that is

not as strong as when otherwise played with the equivalent

strength. This is the same function as the left pedal of an

acoustic piano.

The softness of the tone can be varied subtly by the depth to

which you press the pedal.

With the pedal connected to the Soft / (FC2) jack, it

can be assigned other functions as well. Refer to

“Changing How the Pedals Work” (p. 118), “Using

a Pedal to Switch Registrations” (p. 91).

Connecting the Pedals

Connected jack Operation

Damper jack

The pedal will operate as a damper

pedal.

Sostenuto / (FC1)

jack

The pedal will operate as a sostenuto

pedal.

Alternatively, you can assign a

different function (p. 91, p. 118).

Soft / (FC2) jack

The pedal will operate as a soft pedal.

Alternatively, you can assign a

different function (p. 91, p. 118).

Pedal

NOTE

FP-7-e.book 21 ページ２００６年１２月１４日　木曜日　午前１０時５７分

Before You Play

You can use headphones to enjoy the FP-7 without disturbing

those around you, such as at night. Since the FP-7 has two

headphone jacks, two people can also use headphones

simultaneously.

If you’re using only one set of headphones, you may connect

them to either of the two headphone jacks.

fig.Headphones.eps

Plug the headphones into the Phones jack.

If headphones are connected, no sound will be output

from the FP-7’s speakers.

Use the FP-7’s [Volume] knob (p. 20) to adjust

the headphone volume.

Cautions when Using Headphones

• To prevent damage to the cord’s internal conductors,

avoid rough handling. When using headphones, mainly

try to handle either the plug or the headset.

• Your headphones may be damaged if the volume of a

device is already turned up when you plug them in.

Minimize the volume before you plug in the headphones.

• Excessive input will not only damage your hearing, but

may also strain the headphones. Please enjoy music at an

appropriate volume.

• Use headphones that have a stereo 1/4” phone plug.

You can adjust the brightness of the FP-7’s display.

fig.

Turn the [Contrast] knob to adjust the contrast

of the screen.

Cautions Regarding the LCD Display

• You may see vertical lines in the screen, but this is due to

the structure of a liquid crystal display, and does not

indicate a malfunction. By using the [Contrast] knob to

adjust the contrast of the screen, you can minimize these

lines.

• The contrast of the screen may be affected by the

temperature.

Listening through Headphones

Headphones

Adjusting the Contrast of the

Screen

FP-7-e.book 22 ページ２００６年１２月１４日　木曜日　午前１０時５７分

Before You Play

Songs you’ve recorded on the FP-7 or performance settings

you’ve created (registration sets) can be copied for

safekeeping to separately available USB memory (p. 89, p.

111).

You can also play back SMF music files saved on USB

memory (p. 33), or play audio files from USB memory (p. 59).

Use USB memory available from Roland. Proper

functioning cannot be guaranteed if other external

memory products are used.

Connect your USB memory to the external

memory connector as shown below.

fig.

If you’re using the USB memory for the first time, you

must initialize (format) it on the FP-7.

Refer to “Initializing USB Memory” (p. 107).

Using USB Memory

Connecting USB Memory

NOTE

USB memory

(sold separately)

NOTE

FP-7-e.book 23 ページ２００６年１２月１４日　木曜日　午前１０時５７分

Listening to Songs

Now, try listening to demo songs.

The FP-7 comes with ten demo songs.

The seven Tone buttons, the [Audio Key] button, the [Session Partner] button, and the

[Play] button are each assigned one demo song.

personal enjoyment is a violation of applicable laws.

No MIDI data for the music that is played will be output.

fig.Panel-Demo.eps

Listening to Demo Songs

Button Indication Composer/Copyright

Piano

E. Piano

Organ

Strings/Pad

Guitar/Bass

Voice/GM2

TW Organ

Audio Key

Session Partner

Play

NOTE

FP-7-e.book 24 ページ２００６年１２月１４日　木曜日　午前１０時５７分

Listening to Songs

Hold down the [Function] button and press the [Transpose] button.

The indicators for the seven Tone, [Function], [Transpose], [Audio Key], [Session Partner] and

[Play] buttons flash.

The following appears in the display.

fig.d-Demo.eps

You can’t play back the demo songs if your recorded performance has not been saved.

Either erase your performance (p. 31), or save your recorded performance (p. 105).

Press one of the seven Tone buttons, the [Audio Key] button, the [Session

Partner] button, or the [Play] button.

The songs will play consecutively, starting with the demo song you selected. The button for the

song currently being played back flashes on and off.

When playback of the last song is reached, playback continues by returning to the first song and

playing that again.

The display will show the name of the currently playing demo song.

fig.d-DemoSongName.eps

To stop playback, press the flashing button.

Press the [Function] button and the [Transpose] button to exit Demo mode.

The indicators return to their previous state.

A demo song will not play if you press an unlit button.

NOTE

FP-7-e.book 25 ページ２００６年１２月１４日　木曜日　午前１０時５７分

Listening to Songs

The FP-7 contains 65 built-in songs. Here’s how to select and play back one of these songs.

About the name of the internal song, refer to “Internal Song List” (p. 169).

fig.Panel-Internal.eps

Selecting a Song

Press the [Display] button several times so it’s lit in green.

Press the [-] or [+] button to select the song.

If a built-in preset song is selected, the screen will indicate “Preset.”

fig.d-SongPreset.eps

The screen will indicate “Internal” for songs in internal memory, and “External” for

songs on external memory, such as USB memory.

fig.d-SongInternal.eps

Playing the Song

Press the [Play] button.

The selected song will play.

The selected song is played to the end, and then playback stops.

Listening to Internal Songs

FP-7-e.book 26 ページ２００６年１２月１４日　木曜日　午前１０時５７分

Listening to Songs

If a song is playing while the song select screen is displayed, you can rewind the song

by holding down the [-] button, or fast-forward the song by holding down the [+] button.

To stop playback, press the [Play] button once more.

The next time you press the [Play] button, playback will resume from the point at which you

stopped.

If playback has stopped at the end of the song, playback will start from the beginning of the song.

If the song select screen is displayed, pressing the [-] button will return you to the beginning of the

song. Pressing the [-] button once again will return you to the preceding song.

About the Song Select Screen

The song select screen will change as follows.

fig.SongDisplay-e.eps

By holding down the [Display] button and pressing the [-] [+] buttons, you can quickly

select the first song in the song group (i.e., “first song in internal memory,” “first song in

USB memory,” or “first song in internal memory”).

The “Internal” or “External” indications will not appear if there is no song in

internal memory or if no USB memory is connected.

Song name

Song number

Measure number

Song tempo

Intranal songs

New Song to record

Internal

memory songs

USB memory songs

NOTE

FP-7-e.book 27 ページ２００６年１２月１４日　木曜日　午前１０時５７分

Listening to Songs

Here’s how to adjust the volume when song is playing back.

When you’re playing along with a song, this lets you adjust the volume balance between

the song and the sounds you’re playing on the keyboard.

fig.Panel-Internal.eps

While holding down the [Play] button, press the [-] or [+] button.

fig.d-SPvolume.eps

The screen will indicate “Audio Volume,” when audio files are playing back.

The song volume can be set to any value from 0 to 127.

While you hold down the [Play] button, the display will show the volume of the song.

You can not change the volume of the demo song.

You can also adjust the volume of the song by turning the [Balance] knob while you

hold down the [Play] button.

Changing the Volume of the Song

NOTE

FP-7-e.book 28 ページ２００６年１２月１４日　木曜日　午前１０時５７分

Listening to Songs

The internal songs and the songs in internal memory or USB memory can be played

repeatedly in succession. This function is called “All Song Play.”

fig.Panel-AllSong.eps

Specifying the First Song

Press the [Display] button several times so it’s lit in green.

Press the [-] or [+] button to select the song.

Playing Back the Songs Successively

While holding down the [Display] button, press the [Play] button.

The screen will indicate “ .” If you’ve selected preset songs, the preset songs will play back

consecutively.

The internal memory songs will play consecutively if you’ve selected an internal memory song,

and the USB memory songs if you’ve selected a USB memory song.

fig.d-AllSong.eps

The songs will play back successively, starting with the selected song.

When the last song finishes playing, the instrument will return to the first song and playback will

continue.

To Stop Playback

Press the [Play] button so its illumination is turned off.

All Song Play is exited when the performance is stopped.

The next time you press the [Play] button, playback will resume from the point at which you

stopped.

Playing Back All Songs Continuously (All Song Play)

FP-7-e.book 29 ページ２００６年１２月１４日　木曜日　午前１０時５７分

Listening to Songs

With the internal songs, you can select the performance part that is to be played back.

You can also practice each hand separately while playing along with the song.

fig.Panel-TrackMute.eps

Select the song that you want to play (p. 26, p. 32, p. 33).

Press the [Play] button to play the song.

Select the part that you don’t want to play back.

Press the Track [1] button, the Track [2] button, or the [R] button.

The button you pressed will go out, and the corresponding part will no longer be heard.

Temporarily silencing a specific part in this way is called “muting.”

For example, if you want to practice the right-hand part, press the Track [2] button so its

illumination is turned off. When you play back the song, the right-hand part will not play.

If you again press the button you selected in step 3, so the button is lit, the sound of that part will

be heard.

Even while the song is stopped, you can press the track buttons to mute or un-mute the sound.

Press the [Play] button to stop playback.

Mute settings will be cleared when you switch songs.

Internal songs 6–65 do not contain a performance in the rhythm/accompaniment part

(Track [R] button). If you press a track button that does not contain a performance, it

will not light.

Listening to Each Part Separately (Track Mute)

The performance data is assigned to the Track buttons as shown below.

fig.TrackButtons-e.eps In the internal songs, the left-hand performance is

assigned to the Track [1] button and the right-hand

performance is assigned to the Track [2] button.

Other performance is assigned to the Track [R] button.

“Tracks” are areas in which music data is held, and

buttons [1], [2], and [R] are referred to as the “track

buttons.”

Right-hand Part

Rhythm/

Accompaniment

Part Left-hand Part

NOTE

FP-7-e.book 30 ページ２００６年１２月１４日　木曜日　午前１０時５７分

Listening to Songs

Here’s how to adjust the volume that a part will have after you’ve pressed a track button

to mute the playback while playing back a song.

The FP-7 lets you play back a specific part at a reduced volume so you can use that part

as a “guide” for your own playing.

Select the song that you want to play (p. 26, p. 32, p. 33).

Hold down a track button and use the [-] [+] buttons to specify the volume

that the track will have when its playback is muted.

The volume for when the playback is muted will be shown while you hold down the track button.

fig.d-MuteVol-0.eps

The track mute volume can be set to any value from 0 to 80.

When you turn off the power, the track mute volume setting will return to “0.”

You can also adjust the track mute volume by turning the [Balance] knob while you

hold down the track button.

Determining the Volume of a Muted Track

When the following appears in the display

If there is a song you’ve recorded but not saved, a screen like the following will appear

when you select a song.

fig.d-SongDelete.eps

You can’t play back a preset song if there is a song you haven’t saved.

If you want to erase your performance and play back the preset song, hold down the

[Display] button and press the [+] button to select “OK,” then press the [Rec] button.

If you don’t want to erase your performance, hold down the [Display] button and press

the [-] button to select “Cancel,” then press the [Rec] button.

For details on saving a performance you’ve recorded, refer to “Saving the Songs You

Record” (p. 105).

NOTE

FP-7-e.book 31 ページ２００６年１２月１４日　木曜日　午前１０時５７分

Listening to Songs

Here’s how to play back songs that you’ve saved in internal memory.

You can save the songs you’ve recorded and the songs that are saved on USB memory

to internal memory. For details, refer to “Saving the Songs You Record” (p. 105) and

“Copying a Song from USB Memory to Internal Memory” (p. 113).

fig.Panel-Internal.eps

Selecting a Song

Press the [Display] button several times so it’s lit in green.

Press the [-] or [+] button to select the song.

If you’ve selected a song that’s saved in internal memory, the screen will indicate “Internal.”

fig.d-SongInternal.eps

If you have not saved any songs in internal memory, the “Internal” indication will not

appear.

Playing the Song

Press the [Play] button.

The selected song will play.

The selected song is played to the end, and then playback stops.

To stop playback, press the [Play] button once more. The next time you press the [Play] button,

playback will resume from the point at which you stopped.

If playback has stopped at the end of the song, playback will start from the beginning of the song.

If the song select screen is displayed, pressing the [-] button will return you to the beginning of the

song. Pressing the [-] button once again will return you to the preceding song.

Listening to Songs Saved in Internal Memory

NOTE

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Listening to Songs

Here’s how you can listen to songs that are saved on USB memory (sold separately). You can also

use the keyboard to play along with the song.

fig.Panel-Internal.eps

Selecting a Song

Connect the USB memory (sold separately) containing the song you want

to listen to the external memory connector (p. 23).

Press the [Display] button several times so it’s lit in green.

Press the [-] or [+] button to select the song.

If you’ve selected a song that’s saved in USB memory, the screen will indicate “External.”

fig.d-SongExternal.eps

If no songs have been saved in USB memory, the “External” indication will not appear.

If USB memory contains folders, the name of the folders will be displayed.

If you have connected a CD drive (commercially available) to the external memory

connector and have selected a CD song, the display will indicate “CD” or “Music CD”

rather than “External.”

Playing the Song

Press the [Play] button.

The selected song will play.

The selected song is played to the end, and then playback stops.

Listening to Songs Saved in USB Memory

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Listening to Songs

To stop playback, press the [Play] button once more.

The next time you press the [Play] button, playback will resume from the point at which you

stopped.

If playback has stopped at the end of the song, playback will start from the beginning of the song.

If the song select screen is displayed, pressing the [-] button will return you to the beginning of the

song. Pressing the [-] button once again will return you to the preceding song.

Selecting a Song in a Folder

1. Press the [Display] button several times so it’s lit in green.

2. Use the [-] [+] buttons to select the desired folder.

3. Press the [Play] button.

After a brief time, the songs in the folder will be displayed.

4. Use the [-] [+] buttons to select the desired song.

To leave the folder and return to the next higher level, use the [-] [+] buttons to

select “Up” then press the [Play] button.

About Audio Files

Audio files in the following format can be played back:

• Wav format

• 16-bit linear

• Sampling rate of “44.1 kHz”

• Stereo/Mono

You cannot use the following functions in playing back audio files.

• Saving to internal memory (p. 105)

• Changing the Tempo (p. 55)

• Measure indication in the song select screen (p. 27)

• Recording (p. 92)

Saving or performing other procedures during playback of audio files may

cause the song to stop while it is playing.

NOTE

If there’s a song that you’re practicing or that you particularly like, you can save it in

internal memory for easy access.

→ “Copying a Song from USB Memory to Internal Memory” (p. 113)

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Performing

The FP-7 features over 300 different internal sounds, allowing you to enjoy performing

with sounds suitable for many different types of music.

These onboard sounds are called “Tones.” The Tones are divided into seven different

groups, each of which is assigned to a different Tone button.

The Tone “Grand Piano 1” is selected when the instrument’s power is turned on.

fig.Panel-ToneSelect.eps

When the [Registration] button is lit, Tone buttons ([1]–[7]) can be pressed to select registrations.

If you want to select a tone, press the [Registration] button to turn off its light.

Press a Tone button to select a tone group.

Try fingering the keyboard. You’ll hear a tone of the selected tone group.

The display will indicate the name and number of the currently selected tone.

fig.d-1.eps

Use the [-] [+] buttons to select a variation tone from the tone group.

The Tone you’ve selected is heard when you finger the keyboard.

The next time you select this Tone button, you’ll hear the tone you selected here.

fig.d-12.eps

About the Tone name, refer to “Tone List” (p. 158).

Performing with a Variety of Sounds

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Performing

The FP-7 lets you create your own original organ sounds.

Of the Tone buttons, the tones assigned to the [TW Organ] (Tone Wheel Organ) button

simulate the way in which sounds are created on a tonewheel organ.

On a tonewheel organ, you can create original sounds by sliding nine harmonic bars

(drawbars) forward or backward to change their relative balance. Each bar is assigned

a different footage, and this footage determines the pitch of the sound.

8' is the footage that forms the basic pitch of the sound; this is the center around which

you create the tone.

Each harmonic bar is assigned a sine wave (a pure pitch without overtones) of a different

pitch, and by combining these pitches you can create a wide range of sounds.

You can simulate the creation of tones using the harmonic bars by assigning footages to

the Tone buttons.

The FP-7 provides two screens for this purpose: the “Tonewheel Organ screen” and the

“TW Edit (Tone Wheel Edit) screen.” Graphics indicating the state of the harmonic bars

are shown in these screens.

You can switch between these two screens by holding down the [Display] button and

using the [-] [+] buttons.

The Tonewheel Organ Screen TW Edit (Tone Wheel edit) Screen

Simulating the Way that Sounds are Created on an Organ

(Tone Wheel)

Time

8' volume: 8

4' volume: 5

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Performing

What’s the feet?

“Feet” is a term that began as a measurement of the length of the pipes in a pipe organ.

The pipes that produce the basic pitch (fundamental) for each note are considered to be

“8 feet” in length.

Therefore, a pipe producing a pitch one octave below that of the reference of 8' (eight

feet) would be 16'; for one octave above the reference, the pipe would be 4', and to take

the pitch up yet another octave it would be shortened to 2'.

The pitches of the harmonic bars are related as follows.

On tonewheel organs, the high-pitched footage for a portion of the high range, and the

low-pitched footage for a portion of the low range are “folded-back” in units of one

octave.

Folding back the high-frequency portion prevents the high-frequency sounds from being

unpleasantly shrill, and folding back the low-frequency portion prevents the sound from

becoming “muddy.”

On the FP-7 faithfully simulates this characteristic.

16' 8' 4' 2' 1'51

/3'2

/3'1

/5'1

1/3'

one octave

below 5th root 8th 12th 15th 17th 19th 22nd

8' =

When the middle C (C4) note is pressed, each

harmonic bar will sound the following notes.

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Performing

When the [Registration] button is lit, Tone buttons ([1]–[7]) can be pressed to select registrations.

If you want to select a tone, press the [Registration] button to turn off its light.

Selecting the Type of Tonewheel Organ

Press the [TW Organ] button so it’s lit.

The tonewheel organ screen will appear.

Use the [-] [+] buttons to select a variation.

The type of tonewheel organ will change.

Tonewheel organ tone number

Percussion settings

Harmonic bar (footage) status

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Performing

Selecting the Footage to Adjust the Volume

Hold down the [Display] button and press the [+] button to get the

following screen.

Hold down the [Display] button and press the [-] [+] buttons several times

to select the footage for which you want to change the volume.

If the TW Edit (tone wheel edit) screen is displayed, you can use the Tone buttons, [Registration]

button, and [Split] button to select the desired footage. After selecting a footage, you can also use

the [-] [+] buttons to adjust its volume.

Adjusting the Volume of a Footage

Use the [-] [+] buttons to adjust the volume of the selected footage.

The screen will indicate the volume as you adjust it.

16' 8' 4' 2'51/3'2

2/3'1

3/5' 11/3'1'

Footage

16' 8' 4' 2' 1'51/3'2

2/3'1

3/5'1

1/3'

Volume of each footage

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Performing

Adding Sparkle to the Sound (Percussion)

Percussion adds an attack-type sound to the beginning of the note to give the sound more

crispness. The attack sound changes according to the value.

The percussion on tone wheel organs did not apply to all notes that were played. When notes

were played legato (smoothly and connectedly), percussion was applied only to the first-played

note. When notes were played staccato (articulating each note separately), percussion was

applied to all notes. This method is referred to as single trigger algorithm, and is a very important

element in organ performance. On the FP-7 faithfully simulates this characteristic.

Hold down the [Display] button and press the [-] [+] buttons to select the

type of the percussion.

Adjusting the Rate at which the Percussion Decays

Hold down the [Display] button and press the [-] [+] buttons to select the

speed at which the percussion sound will decay.

Setting Description

Off

Percussion will not sound.

2nd

Percussion sounds at a pitch one octave above that of the key pressed.

3rd

Percussion sounds at a pitch an octave and a fifth above that of the key pressed.

Setting Description

Slow

The percussion sound will disappear slowly.

The percussion will have a more gentle attack.

Fast

The percussion sound will disappear quickly.

The percussion will have a sharper attack.

The Percussion is applied only to the Upper Tone.

When percussion is on, the 1' pitch will not be

produced.

NOTE

Volume of

Percussion

Short decay time Long decay time

Volume of

Percussion

Volume of

Harmonic Bar

Volume of

Harmonic Bar

Volume

Time

Volume

Time

When “Fast“ is seleced When “Slow“ is seleced

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Performing

You can play two different tones from a single key at the same time. This method of

performance is called “Dual Play.”

As an example, let’s try layering piano and strings sounds.

fig.Panel-ToneSelect.eps

When the [Registration] button is lit, Tone buttons ([1]–[7]) can be pressed to select registrations.

If you want to select a tone, press the [Registration] button to turn off its light.

Hold down the [Piano] button and press the [Strings/Pad] button.

The indicators for both buttons light.

Try fingering the keyboard. Both the piano and strings sounds play.

Pressing two Tone buttons at the same time in this manner activates Dual Play.

Of these two selected tones, the one for the Tone button you pressed first is called the “Upper

Tone,” and the one for the Tone button you pressed after that is called the “Lower Tone.”

fig.d-1.eps

Here, the piano tone is the Upper Tone and the strings tone is the Lower Tone.

Turning Off Dual Play

Press any one of the Tone buttons.

Now you’ll hear only the tone of the button you pressed.

You can change the pitch of the Lower Tone an octave at a time. Refer to “Changing

the Pitch of the Lower Tone in Octave Steps (Octave Shift)” (p. 126).

You can vary the volume-level balance of the two tones. Take a look at “Changing the

Volume Balance for Dual Play and Split Play” (p. 47).

Performing with Two Layered Tones (Dual Play)

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Performing

You can select the part that will take priority for effects if the Upper tone and Lower

tone have different effect settings when you’re using Dual play. Refer to “Setting the

Part to Which Effects Are Added” (p. 120).

You can change the part to which the function assigned to the pedal will apply. Refer

to “Changing How the Pedal Effects Are Applied” (p. 117).

If you’re using Split play, pressing two Tone buttons won’t switch you to Dual play.

Changing the Upper Tone

Press the [-] or [+] button.

Changing the Lower Tone

Hold down the Tone button for the Lower Tone, and press the [-] or [+]

button.

The display will show the tone name and number of the lower tone.

Changing the Tone Variations

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Performing

Performing with the keyboard divided at a certain key into a left side and a right side is

called “Split Play,” and the point at which the keyboard is divided is called the “Split Point.”

In Split Play, you can have a different tone sound in the left and right sides.

When the instrument is turned on, the split point is set to “F 3.” The split point key is

included in the left side.

While in Split Play, a sound played in the right side is called an “Upper Tone,” and the

sound played in the left side is called a “Lower Tone.”

fig.SplitPoint-e.eps

As an example, here’s how to play the tone of the [Piano] button as part of a Split play.

fig.Panel-Split-4.eps

Performing with Different Tones in the Left and Right Sides of the

Keyboard (Split Play)

Spilit Point (Power-up default: F 3)

C1 D1 E1 F1 G1 A1 B1A0 B0 C2 C3 C4 C5 C8B7

Lower Tone Upper Tone

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Performing

When the [Registration] button is lit, Tone buttons ([1]–[7]) can be pressed to select registrations.

If you want to select a tone, press the [Registration] button to turn off its light.

Press the [Piano] button.

Now, the piano tone is selected.

fig.d-1.eps

Press the [Split] button, getting its indicator to light.

The keyboard will be divided into left and right sides.

The F 3 key forms the division between the left and right sides of the keyboard.

The right-hand section of the keyboard plays piano tone, and the left-hand section plays

“A. Bass+Cymbl” (Acoustic Bass + Cymbal) tone.

You can play a tone for the right side (the Upper Tone) before splitting the keyboard.

Turning Off Split Play

Press the [Split] button so its illumination is turned off.

The [Split] button’s indicator light goes out and the upper tone becomes the tone for the entire

keyboard.

You can vary the volume-level balance of the two tones. Take a look at “Changing the

Volume Balance for Dual Play and Split Play” (p. 47).

When you switch from Dual Play (p. 41) to Split Play, the Upper Tone used in Dual

Play is selected as the Upper Tone for Split Play.

You can specify which part is to have priority when the effects assigned to the Upper

Tone and Lower Tone differ. Refer to “Setting the Part to Which Effects Are Added” (p.

120).

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Performing

Changing the Upper Tone

Press the Tone button to choose a tone group.

Press the [-] or [+] button to select a variation tone.

Changing the Lower Tone

Hold down the [Split] button and press the Tone button to choose a tone

group.

Hold down the [Split] button and press the [-] or [+] button to select a

variation tone.

You can change the pitch of the Lower Tone an octave at a time. Refer to “Changing

the Pitch of the Lower Tone in Octave Steps (Octave Shift)” (p. 126).

Switching Tone Groups and Tone Variations

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Performing

You can change the split point (the key at which the keyboard is divided).

The split point can be set to any value from B1 through B6.

This is set to “F 3” when the instrument is turned on.

This setting remains in effect until you turn off the power.

fig.SplitPoint-3-e.eps_77

fig.Panel-Split-4.eps

Hold down the [Split] button and press a key set as the split point.

The key you pressed becomes the split point, and appears in the display.

fig.d-spltpoint.eps

The key being used as the split point belongs to the left-hand section of the keyboard.

The display will return to its previous state when you release the [Split] button.

The name of the lower tone is displayed while you hold down the [Split] button.

Changing the Keyboard’s Split Point

Split Point (Power-up default: F 3)

Range in which you can specify the split point (B1–B6)

C1 B1 B6A0 C2 C3 C4 C5 C6 C7 C8

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Performing

You can change the volume balance of the Upper and Lower Tones in Dual Play (p. 41)

and Split Play (p. 43).

fig.Panel-Balance.eps

Use the [Balance] knob to adjust the volume balance.

Turning the knob toward the left (toward “Lower”) increases the volume of the Lower tone.

Turning the knob toward the right (toward “Upper”) increases the volume of the Upper tone.

Changing the Volume Balance for Dual Play and Split Play

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Performing

You can change the touch sensitivity, or response of the keys.

You can adjust the keyboard touch as appropriate for the playing strength of the person

who is performing.

fig.Panel-KeyTouch.eps

Hold down the [Reverb] button and press the [Sound Control] button.

The Key Touch screen appears.

fig.d-M-.eps

Press the [-] or [+] button to select the keyboard touch.

Hold down the [Reverb] button and press the [Sound Control] button.

You can specify the loudness at which each note will sound when the “Off” keyboard touch

is selected. Refer to “Changing the Velocity When the Key Touch is Set to “Off”” (p. 126).

You can adjust the keyboard touch sensitivity in the Function screen (p. 125).

You can make even finer adjustments to the keyboard touch. Please refer to “Making

Fine Adjustments to the Keyboard Touch Sensitivity” (p. 125).

Adjusting the Keyboard Sensitivity (Key Touch)

Setting Description

Off

The sound plays at one set volume, regardless of the force used to play the keys.

Super Light

This setting produces the lightest keyboard touch.

Light

You can achieve fortissimo (ff) play with a less forceful touch than usual, so the

keyboard feels lighter. This setting makes it easy to play, even for children.

Medium

This sets the standard keyboard touch. You can play with the most natural touch.

This is the closest to the touch of an acoustic piano.

Heavy

You have to finger the keyboard more forcefully than usual in order to play

fortissimo (ff), so the keyboard touch feels heavier. Dynamic fingering adds even

more feeling to what you play.

Super Heavy

This setting produces the heaviest keyboard touch.

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Performing

You can apply a reverb effect to the notes you play on the keyboard. With the reverb

effect, you obtain a pleasant reverberation, making it sound as if you were performing

in a concert hall or similar space.

fig.Panel-Reverb.eps

Press the [Reverb] button so it’s lit.

Try fingering the keyboard.

The reverb effect is applied to the entire tone.

Turning Off the Reverb Effect

Press the [Reverb] button so its light is turned off.

You can select from ten levels of depth for the reverb effect.

Hold down the [Reverb] button and press the [-] or [+] button.

The depth for the reverb effect appears in the display.

fig.d-2.eps

You cannot make separate reverb effect depth settings for each individual tone. The

same depth of reverb effect will apply to all sounds.

You cannot change reverb effect depth of Session Partner, Demo songs, and Internal

song.

Adding Reverberation to Sounds (Reverb Effect)

Changing the Depth of Reverb Effect

NOTE

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Performing

In addition to reverb, you can apply a variety of effects to the FP-7’s sounds.

These are referred to as “effects.” With the FP-7, you can select from 62 different effect

types.

With the factory settings, an effect suitable for each tone is selected.

fig.Panel-Effects.eps

Press the [Multi Effects] button so it’s lit.

Try fingering the keyboard.

The effect is applied to the currently selected tone.

Some tones initially have effect applied. Selecting such a tone makes the [Multi Effects]

button light up automatically.

You can change the effect type. Refer to “Changing the Effect Type” (p. 119).

Turning Off the Effects

Press the [Multi Effects] button so its light is turned off.

You can select the part that will take priority for effects if the Upper tone and Lower

tone have different effect settings when you’re using Dual play or Split play. Refer to

“Setting the Part to Which Effects Are Added” (p. 120).

You can make detailed adjustments to the effect settings, such as adjusting the effect

depth. Refer to “Editing the Effect Settings in Detail” (p. 119).

The effect settings are displayed while you hold down the [Multi Effects] button. You

can change the effect settings by holding down the [Multi Effects] button and using the

[-] [+] buttons.

Adding a Variety Effects to the Sound (Effects)

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Performing

The Rotary effect is applied to some Organ tones you can select with the [Organ] button.

When one of these tones is selected, you can use the [Multi Effects] button to change the

speed of the rotary effect.

fig.Panel-Rotaty.eps

Press the [Organ] button and then press the [-] or [+] button to select the

organ tone.

When a tone that has the Rotary effect added is selected, the [Multi Effects] button flashes or

blinks.

Each time pressing the [Multi Effects] button, switch the speed of the rotary

effect between rapid and slow rotation.

Pressing the [Multi Effects] button toggles the rotary effect between fast and slow rotation.

If the [Multi Effects] button is blinking rapidly, the rotary effect is being applied with the fast

rotational speed. If the [Multi Effects] button is blinking slowly, the rotary effect is being applied

with the slow rotational speed.

If you don’t want the rotary effect to be applied, select an effect type other than the

rotary effect (p. 119), then turn off the effect (p. 50).

Adding a Spinning Sound to Organ Tones (Rotary Effect)

What’s the Rotary Effect?

What the rotary effect does is to add a “spinning” effect similar to the sound of an organ

using a rotating speaker.

In most rotary speakers, the high-frequency speaker and low-frequency speaker rotate at

different speeds. The FP-7 can simulate this complex type of modulation.

NOTE

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Performing

By using the “Transpose” function you can transpose the keyboard or the key in which the

song plays back. This is convenient when you’re singing along with the song, since you

can shift the playback to a key that’s comfortable for the range of your voice. If you’re

accompanying a singer, you can use the Transpose function to shift the pitch to a key that’s

comfortable for the singer while you continue playing in the same familiar key (fingering).

You can also use this function to transpose the pitch of your playing without changing your

fingering on the keyboard. For example, if the song is in a difficult key with numerous

sharps ( ) or flats ( ), you can transpose to a key that’s easier for you to play.

fig.Panel-Transpose.eps

The FP-7 lets you transpose the key (pitch) of the keyboard, of the song, or of the song and the

keyboard together. If you want to transpose only the key of the keyboard or only the key of the

song, you’ll need to specify this ahead of time (p. 124). With the factory settings, the Transpose

function will transpose both the keyboard and the song simultaneously.

Hold down the [Transpose] button and press the key corresponding to the

keynote of the desired key.

The Transpose settings value continues to appear in the display while the [Transpose] button is

held down.

fig.d--3.eps

With the [Transpose] button held down, you can change the value, even by pressing

the [-] or [+] button.

The available range is -6–0–+5. If the Key Transpose value is not “0,” you can use the [Transpose]

button to turn the Key Transpose function on/off.

When you release the [Transpose] button, you return to the previous screen.

By holding down the [Transpose] button and pressing both the [-] and [+] buttons

simultaneously, the setting returns to its original value (0).

You can’t transpose the key of demo songs.

Transposing the Key of the Keyboard or Song Playback (Transpose)

NOTE

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Performing

The transpose setting will return to “0” when you select another song.

Example: Playing a Song in the Key of E Major After Transposition to C

Major

Hold down the [Transpose] button and press the E key (since E is the keynote).

Counting from C as a reference point, one moves up four keys, including the black keys, to reach

E, thus “+4” appears in the display.

fig.d-4.eps/fig.Transpose.eps

NOTE

If you play C E G It will sound E G # B

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Performing

You can perform while the metronome sounds.

The FP-7 provides a versatile Metronome function. You can adjust the volume or time

signature of the metronome, and change the way that beats are marked.

If a song is playing, the metronome will sound at the tempo and time signature of that

song. If a rhythm is playing, the metronome will sound at the tempo and time signature

of that rhythm.

fig.Panel-Metronome.eps

Press the [Metronome] button so it’s lit.

The [Metronome] button flashes in red and green in time with the beat selected at that time. The

indicator lights in red on the downbeats, and in green on weak beats.

Press the [Display] button several times to access the metronome screen.

Stopping the Metronome Function

Press the [Metronome] button so its light is turned off.

You can change the beat of metronome. Please refer to the “Changing the Beat of

Metronome” (p. 134).

You can make the metronome sound each beat in greater detail. Please refer to the

“Changing the Way in which the Metronome Marks the Beat” (p. 134).

Performing with the Metronome

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Performing

Press the [Display] button several times so it’s lit in orange.

The tempo is displayed.

fig.d-Tempo.eps

Press the [-] or [+] button to adjust the tempo.

The tempo is set in terms of the value of a quarter note, with possible values ranging from 10 up

to 500.

The volume of the metronome can be adjusted, with ten volume levels available.

This is set to “5” when the instrument is turned on.

While holding down the [Metronome] button, press the [-] or [+] button to

adjust the volume.

The display will indicate the metronome volume.

fig.d-MetroVol.eps

When the metronome volume is set to “0,” the metronome sound does not play.

You can also adjust the volume of the metronome by turning the [Balance] knob while

you hold down the [Metronome] button.

Changing the Tempo

Changing the Volume of the Metronome

NOTE

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Performing

You can add liveliness to the sound to give it superb clarity and distinctness.

fig.Panel-SoundControl.eps

Press the [Sound Control] button so it’s lit.

The Sound Control function is switched on, enlivening the sound.

While holding down the [Sound Control] button, press the [-] or [+] button

to change the type.

fig.d-1.eps

Turning Off Sound Control

Press the [Sound Control] button so its light is turned off.

You can specify the Sound Control setting that will be selected when the power is

turned on. Please refer to “Specifying the Sound Control Setting at Power-on” (p. 122).

For some sounds, this may cause distortion. If the sound distorts, refer to “Adjusting the

Volume (Master Gain)” (p. 123).

The Sound Control function is not applied to the sounds of external devices connected

to the Input jacks.

Adding Liveliness to the Sound (Sound Control)

Setting Description

Sharp

Creates a sound with boosted bass and treble.

Clear

Produces a sound with chords in the low registers that are clear and distinct.

Power

Creates a sound with boosted bass.

NOTE

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Performing

You can use the equalizer to adjust the tonal quality.

This allows you to adjust the tonal character by boosting or decreasing the low-frequency

or high-frequency portions.

fig.Panel-Equalizer.eps

Press the [Equalizer] button so it’s lit.

The equalizer will be turned on, and the tonal character will change.

Turning Off the Equalizer

Press the [Equalizer] button so its light is turned off.

Changing the Tonal Quality (Equalizer)

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Performing

You can switch the equalizer settings to apply different changes to the tonal character.

The FP-7 provides four equalizer settings.

While holding down the [Equalizer] button, press the [-] or [+] button to

select the equalizer type.

A screen like the following will be displayed while you hold down the [Equalizer] button.

You can make more exacting changes to the equalizer settings. Please refer to the

“Changing the Equalizer Settings” (p. 123).

You can specify the equalizer setting that will be selected when the power is turned on.

Please refer to the “Specifying the Equalizer Setting at Power-on” (p. 122).

Changing the Equalizer Type

Setting Description

The high frequencies will be boosted, producing a bright, sparkling sound.

The high frequencies will be restrained, producing a more mellow sound.

The low-mid frequencies will be boosted, producing a powerful sound.

This setting is suitable for piano solos.

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Performing

The FP-7 lets you play audio files saved on USB memory (sold separately) while you

perform. This is called the “Audio Key” function.

The Audio Key function lets you assign an audio file to each key B 0–B1, and play those

audio files by pressing the corresponding key. You can assign various phrases to the keys

and play them at the appropriate moments during your performance.

You can also specify that an audio file play repeatedly, or reserve the audio file that

should be played next.

If you turn on the Audio Key function when USB memory containing audio files is not

connected, an audio file built into the FP-7 will be selected.

Here are some ways in which you can enjoy using the Audio Key function.

• By switching audio files between sections such as Intro, Theme, Break, and Ending

as your song progresses, you can freely change the structure of the song while you

perform.

• Assign a different audio song to each key, and use the keyboard to switch songs so

you can perform to the accompaniment of an audio song.

fig.Panel-Equalizer.eps

Here’s how you can perform while playing audio files saved on USB memory (sold

separately).

Before you begin, install the included “Audio Key Utility” into your computer, and

prepare the audio file set that you want to play back on the FP-7.

The included CD-ROM contains a sample audio file set that you can copy to USB memory

and use.

Connect the USB memory containing audio file sets to the external memory

connector (p. 23).

Performing with Audio Files (Audio Key)

Performing with Audio Files from USB Memory

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Performing

While holding down the [Audio Key] button, and use the [-] [+] buttons to

select an audio file set.

When you take your finger off the button, a screen like the following will appear.

The Audio Key function will be activated, allowing you to play audio files by pressing a key.

If no audio files have been assigned to keys, nothing will be shown in the keyboard

graphic in the screen.

Play a key B 0–B1.

The audio file assigned to the respective key will play.

Indication Description

One-shot Now

When you press the key, the audio file will play only once.

The audio file will play immediately when you press the key.

O-W

One-shot Wait

When you press the key, the audio file will play only once.

With this setting, pressing the key while another audio file is playing will

reserve the audio file to be played next. When the currently playing audio file

has finished, the reserved audio file will play.

Loop Now

When you press the key, the audio file will play repeatedly.

The audio file will play immediately when you press the key.

L-W

Loop Wait

When you press the key, the audio file will play repeatedly.

With this setting, pressing the key while another audio file is playing will

reserve the audio file to be played next. When the currently playing audio file

has finished, the reserved audio file will play.

STOP

When you press this key, the audio file will stop playing.

NOTE

B 0–B1

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Performing

If you play the B 0 key, a screen like the following will appear.

If a key is assigned to play an audio file, the color of the key in the screen will change. The name

and remaining time of the currently playing audio file is also shown in the screen.

Keys set to “O-W” or “L-W” let you reserve the audio file that will be played when the currently

playing audio file has finished playing. If you’ve pressed the B 0 key and then press the E1 key

to reserve the next-played audio file, the screen will show as follows.

Play the A0 key.

Audio file playback will stop.

For details on installing the included “Audio Key Utility” into your computer, refer to

“Audio Key Utility quick guide” (separate document).

If no USB memory (sold separately) containing audio files is connected to the FP-7,

you’ll be able to play audio files that are built into the FP-7 (see the section that

follows).

If the connected USB memory does not contain an audio file set created by the “Audio

Key Utility,” you’ll be able to assign audio files from USB memory to each key and play

them.

You can also change the settings of the audio files assigned to the keys, and change

the settings that specify how the audio files will be repeated (p. 127).

The changes you make will be remembered until you turn off the power. However, the

changes you make will be lost if you select another audio file set.

The key that is playing an audio file

Remaining time of the audio file

Name of the audio file

Key of the currently playing audio file

Key of the next-played audio file

Remaining time of the currently playing audio file

Name of the currently playing audio file

* The border of the reserved

audio file will be shown with

a thicker border in the screen.

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Performing

If USB memory (sold separately) containing audio files is not connected, you’ll be able

to play audio files that are built into the FP-7.

The audio file set that’s built into the FP-7 is shown as “Internal Demo.”

Even if you’re using the audio file set that’s built into the FP-7, you can change the

settings of the audio files assigned to the keys, and change the settings that specify

how the audio files will be repeated (p. 127).

The changes you make will be remembered until you turn off the power. Even if you

don’t turn off the power, the changes you make will be lost if you connect USB memory

and select another audio file set.

If you’re using an audio file that’s built into the FP-7, you can’t save your changes in

USB memory.

You can adjust the volume when using the Audio Key function.

You can adjust the volume of the audio key to change the volume balance between your

keyboard performance and the audio file playback.

Hold down the [Audio Key] button and turn the [Balance] knob.

The volume can be adjusted to any value from 0 to 127.

Performing with Audio Files that are Built Into the FP-7

Adjusting the Volume of the Audio Key

NOTE

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Performing

The FP-7 lets you create your own piano sound by adjusting settings such as the sympathetic

resonance of the piano strings. This function is called “Piano Designer.”

When you’ve created a sound you like, you can also save it.

When the [Registration] button is lit, Tone buttons ([1]–[7]) can be pressed to select registrations.

If you want to select a tone, press the [Registration] button to turn off its light.

Press the [Display] button so its illumination is turned off.

The name of the currently selected tone is shown in the screen.

Select the “Grand Piano 1” sound.

Press the [Piano] button to select the Piano Tone Group.

Press the [-] button several times to select “Grand Piano 1.”

Hold down the [Display] button and press the [+] button.

The Piano Designer screen will appear.

There are four Piano Designer screens. To switch between the Piano Designer screens, hold down

the [Display] button and use the [-] [+] buttons.

Hold down the [Display] button and use the [-] [+] buttons to select the item

that you want to adjust.

Creating a Piano Sound to Your Taste (Piano Designer)

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Performing

* These settings are valid only when the [Multi Effects] button is on (lit) and the effect type is set

to “Damper Resonance.”

Use the [-] [+] button to adjust the setting.

Indication Item Description

Lid

Lid *

Adjusts the degree to which the grand piano’s lid is open.

Closing the lid of the piano shown in the screen will produce a more

mellow tone. Opening the lid will brighten the tone.

Resonance

Damper Noise * Adjusts the damper noise of an acoustic piano (the sound of the strings

being released when you press the damper pedal).

Duplex Scale *

Adjusts the sympathetic vibrations produced by the duplex scale of an

acoustic piano.

Higher values will increase the volume of the sympathetic vibration.

String

Resonance

Adjusts the string resonance of an acoustic piano (the sound of the

sympathetically vibrating strings for keys that are already held down

when you strike a different key).

Higher values will increase the volume of the sympathetic vibration.

Key Off

Resonance

Adjusts the sympathetic vibration produced by the key-off sound of an

acoustic piano (the subtle sound produced when you release a key).

Higher values will increase the volume of the sympathetic vibration.

Keyboard

Hammer

Response

This adjusts how your playing strength will affect the timing at which the

note sounds.

On an acoustic piano, pressing a key moves a hammer, which strikes a

string to produce sound. If you press the key softly, the hammer will move

slowly, meaning that it will take slightly longer (in comparison to a

strongly-played note) from the moment you press the key until the sound

is produced.

If the Hammer Response function is turned on, the time between the

moment you press a key until the sound is heard will change depending

on the strength with which you play. As you play more softly, this time

will become longer.

Hammer Noise Adjusts the sound of the hammer striking the strings of an acoustic piano.

Higher values will produce a louder hammer strike.

Stretch

Tuning

Prset (Preset)

Applies the “stretched tuning” system that is distinctive to a piano, in

which the high range is tuned slightly sharper than standard tuning, and

the low range is tuned slightly flatter.

If you select Prset (Preset), the standard preset tuning curve of the FP-7 will

be used.

-50–0–+50

You can adjust the stretch tuning setting as desired.

Play the key whose pitch you want to adjust, then use the [-] [+] buttons

to adjust its pitch.

What are Duplex Scale?

The Duplex Scale is a system of sympathetically vibrating strings sometimes included in

grand pianos.

These sympathetically vibrating strings are not struck directly with hammers, but sound by

vibrating in sympathy with the vibrations of other strings. By resonating with the overtones,

these strings add richness and brilliance to the sound. These sympathetic strings are added

only to the high register above approximately C4. Since they do not have a damper (a

mechanism that stops them from sounding), they will continue sounding even after you play

a note and then release it to stop the sound of the string that was actually struck.

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Performing

When you’ve used Piano Designer to create a piano sound that you particularly like, you

can save it in internal memory. Settings you save in this way will be preserved even if

you turn off the power.

Access the Piano Designer screen (p. 63).

Hold down the [Display] button and press the [+] button several times to

access the following screen.

Hold down the [Display] button and press the [+] button once again to

select “OK.”

If you decide not to save the Piano Designer settings, press the [Display] button.

Press the [Rec] button.

The Piano Designer settings will be saved.

Saving the Piano Designer Settings

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Playing Along with Rhythms

“Session Partner” Lets You Enjoy Playing with a Session-Like Feel

“Session Partner” is an easy-to-use function that plays rhythm in a variety of musical

styles. Playing along with this accompaniment, with its realistic sounds, gives you the feel

that you are playing live with a band backing you.

For example, you can practice the piano in a different way than usual by playing along

with Session Partner instead of a metronome.

You can also change the accompaniment as you like to suit whatever you are playing.

By changing the chords and Rhythms, even while playing the same melody, you can

easily create all kinds of new arrangements.

We encourage you to enjoy the variety of performance options open to you by using the

“Session Partner” feature.

What You Can Do with “Session Partner”

“Session Partner” lets you mainly do the following things.

• Play piano with a session-like feel along with Rhythms while the chord progression continues

automatically (p. 67).

• Play the piano to provide your own accompaniment as you specify chords with the left hand

(the left part of the keyboard) (p. 73).

• Enjoy freer piano performances using your own original chord progressions (p. 76).

“Session Partner” lets you add accompaniment with the “rhythms” and performance parts

you select.

You can play intros, endings, and fill-ins (short phrases inserted at transition points in the

song) by pressing buttons as you play the keyboard.

What are the FP-7’s “Rhythms?”

The FP-7 features internal “Rhythms” complementing Pops, Jazz, and other various

musical genres.

“Rhythms,” or combinations of elements from a musical genre that recreate the mood or

signature sound of a particular style, form the foundation of the accompaniment used in

“Session Partner.”

A “Rhythm” is composed from the following three items.

Drums Part

Bass Part

Accompaniment Part (except drum and bass part)

What is Session Partner?

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Playing Along with Rhythms

Now, let’s try performing along with Session Partner.

Since a wide variety of musical genres is provided, be sure to use a Rhythm that best suits

the song you are performing.

Please refer to “Selecting a Rhythm” (p. 70).

fig.Panel-Session-1.eps

Press the [Session Partner] button.

The [Session Partner] button will light, and the performance will begin from the intro.

During the intro, the Track [R] button will blink.

The chord is shown in the display.

The chord progression advances automatically, freeing you up to play the melody.

fig.d-C.eps

The chord name indication will be highlighted slightly before the chord changes.

Performing Along with Session Partner

Tempo

The chord that will be played next

Rhythm

Name

The chord that’s playing now

Rhythm

Number

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Playing Along with Rhythms

Stopping the Session Partner Performance

Press the [Session Partner] button.

When you press the [Session Partner] button, an ending will be played and then Session Partner

will stop.

The Track [R] button will blink while the ending is playing. When Session Partner stops, the

[Session Partner] button will go out.

If you press the [Session Partner] button once again during the intro or ending, the performance

will stop immediately.

You can change the rhythm that will sound.

➝ “Rhythm List” (p. 163)

You can also specify the chords to be played in a Rhythm.

➝ “Performing with the Chord Progression Specified in the Left Hand (Chord Progression

Off)” (p. 73)

You can change the chord progression patterns.

➝ “Selecting a Rhythm’s Chord Progression” (p. 72)

You can perform without adding an intro or ending.

➝ “Setting the Intro and Ending On or Off” (p. 129)

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Playing Along with Rhythms

Here’s how to adjust the volume when Session Partner is playing.

While holding down the [Session Partner] button, press the [-] or [+]

button.

fig.d-SPvolume.eps

While you hold down the [Session Partner] button, the display will show the volume of

Session Partner.

You can also adjust the volume of the Session Partner by turning the [Balance] knob

while you hold down the [Session Partner] button.

You can select the part to be played.

Press the [Session Partner] button so Session Partner starts playing.

Press the Track [1] button.

The part or group of parts enabled for performance changes each time you press the Track [1]

button, as shown below.

Stopping the Session Partner Performance

Press the [Session Partner] button.

When you press the [Session Partner] button, an ending will be played and then Session Partner

will stop.

Changing the Volume of the Session Partner Performance

Selecting Parts

Track [1] button The parts that will play

Lit in red

Drums, Bass, Accompaniment

Lit in orange

Drums, Bass

Lit in green

Drums

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Playing Along with Rhythms

Now, try changing the Rhythm being performed.

Let’s try changing the rhythm to suit the song you want to play.

fig.Panel-Session-2.eps

Press the [Display] button, getting its indicator to light in red.

The Settion Partner screen appears.

The display will show the rhythm number and rhythm name.

fig.d-r01.eps

Press the [-] or [+] button to select the Rhythm.

For more information on the different Rhythm type, refer to “Rhythm List” (p. 163).

Changing Rhythms as You Perform

If you change Rhythms while a Rhythm is being played, the selected Rhythm begins after

the fill-in is played.

The Track [R] button will blink while the fill-in is playing.

Selecting a Rhythm

What’s a “Fill-In”?

A short improvisational phrase inserted at the bar line is called a “Fill-In.”

The phrase best suited to the selected Rhythm is played.

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Playing Along with Rhythms

The FP-7 has an optimal tempo for each Rhythm.

You can change the tempo of the selected Rhythm.

Furthermore, you can change the tempo as the Rhythm is being played.

fig.Panel-Session-2.eps

Press the [Display] button, getting its indicator to light in orange.

The tempo is displayed.

fig.d-Tempo.eps

Press the [-] or [+] buttons to adjust the tempo.

The tempo is set in terms of the value of a quarter note, with possible values ranging from 10 up

to 500.

When the [Session Partner] button is pressed, the Rhythm is played at the selected tempo.

If you change the Rhythm during Session Partner play, the tempo won’t change. Press

the [Display] button several times to access the Metronome screen, then use the [-] [+]

buttons to change the tempo.

Changing a Rhythm’s Tempo

NOTE

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Playing Along with Rhythms

The FP-7 has an optimal chord progression pattern for each Rhythm.

You can change the chord progression pattern if you want.

For more information on chord progression patterns, refer to the “Chord Progression

Pattern List” (p. 164).

fig.Panel-Session-3.eps

Press the [Session Partner] button so Session Partner starts playing.

Hold down the Track [2] button and press the [-] or [+] button to change

the chord progression pattern.

The pattern number of the currently selected chord progression will be displayed while you hold

down the Track [2] button.

fig.d-12.eps

If you change the chord progression pattern during the performance, a fill-in will be played, and

then the performance will begin using the selected chord progression.

Stopping the Session Partner Performance

Press the [Session Partner] button.

When you press the [Session Partner] button, an ending will be played and then Session Partner

will stop.

You can change the root note of the chord. Refer to “Selecting the Root Note of the

Chord Progression” (p. 130).

Selecting a Rhythm’s Chord Progression

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Playing Along with Rhythms

Performing with the keyboard divided at a certain key into a left side and a right side is

called “Split Play.” While in Split Play, you can use the left side to specify chords instead

of using it to play the Lower Tone.

When specifying the chords in the left part of the keyboard, Dual Play (p. 41) is

disabled in the right part.

fig.Panel-Session-4.eps

Press the [Session Partner] button so Session Partner starts playing.

Press the Track [2] button so its light is turned off.

The [Split] button lights up.

The left side of the keyboard will no longer produce sound.

Use the left side of the keyboard to specify a chord, and play a melody in

the right side.

fig.ChordProgOff.eps

It is not necessary to continue holding down the keys for chords in the left side. Even after you

release the key, the same chord continues until the next chord is played.

You can specify chords simply with your finger, even without playing the keys for all

the chords’ constituent notes. For more information about chord fingering, refer to the

“Chord Fingering List” (p. 167).

Performing with the Chord Progression Specified in the Left Hand

(Chord Progression Off)

NOTE

Split Point * You can change the split point.

Region for specifying chords

C1 B1 B6A0 C2 C3 C4 C5 C6 C7 C8

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Playing Along with Rhythms

The point at which the keyboard is divided is called the “split point”; you can also

change this split point. For more information, take a look at “Changing the Keyboard’s

Split Point” (p. 46).

In the left side of the keyboard, you can specify chords while playing the Lower tone.

Press the [Split] button to turn off its light, then press the [Split] button once again so it’s

lit. The Lower tone will sound when you play the left side of the keyboard.

Returning to Automatic Chord Progression Switching

Press the Track [2] button so it’s lit.

You’ll be returned to the setting for automatic chord progression switching.

Stopping the Session Partner Performance

Press the [Session Partner] button.

After the ending, the performance will stop.

The [Session Partner] button will go out.

You can change the performance settings by using your left hand to specify a chord

before Session Partner begins playing.

1. While holding down the [Session Partner] button, press the Track

[2] button so the Track [2] button’s illumination is turned off.

The [Split] button will light.

The [Session Partner] button will blink, and the instrument will wait for the performance to

begin.

2. Use the left side of the keyboard to specify a chord, and play a

melody in the right side.

3. Press the [Session Partner] button to stop the playback.

When you press the [Session Partner] button, an ending will be played and then Session

Partner will stop.

The [Session Partner] button will blink, and the instrument will wait for the performance to

begin.

To defeat the setting for using your left hand to specify the chords while you play, hold

down the [Session Partner] button once again and press the Track [2] button so its indicator

is turned on.

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Playing Along with Rhythms

Each rhythm has two varieties of accompaniment patterns; the original accompaniment

pattern, and a more colorful variation of that pattern.

A fill-in (short phrase) will be inserted between changes of the accompaniment pattern,

adding contrast to the song.

For example, it is effective to use the quiet Original pattern for the first half of the song,

and then switch to the Variation pattern for the second half when you want to build

excitement.

fig.Panel-Session-5.eps

Press the [Session Partner] button so Session Partner starts playing.

Press the Track [R] button to make it light or go out.

The Track [R] button will blink while the fill-in is playing.

Stopping the Session Partner Performance

Press the [Session Partner] button.

When you press the [Session Partner] button, an ending will be played and then Session Partner

will stop.

Changing the Rhythm Pattern (Original/Variation)

Track [R] button Description

Unlit

The original accompaniment pattern will play.

Lit

The variation accompaniment pattern will play.

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Playing Along with Rhythms

You can save a chord progression you’ve specified using the left-hand section of the

keyboard.

ffig.Panel-Session-6.eps

Hold down the [Session Partner] button and press the [Rec] button.

The [Session Partner] and the [Rec] buttons flash, and the FP-7 is put into recording standby.

The following screen appears.

fig.d-UserChordProg.eps

Press the [Session Partner] button or the [Rec] button to exit from recording standby.

Use the left side of the keyboard to specify a chord and begin recording

the chord progression.

The display will show the chord you played. The intro will not play at this time.

You can store up to sixteen chords.

Press the [Session Partner] button to stop recording the chord progression.

The chord progression you record will be recorded to “User Chord.” To select the chord

progression you’ve recorded, press the [-] button while chord progression pattern number 1 is

displayed to select “User Chord” (p. 72).

You can record a chord progression of up to sixteen measures. However, when the

instrument is shipped from the factory, this is set so that eight measures can be

recorded. Recording will stop automatically when you reach the specified number of

measures. You can store up to sixteen chords.

If you want to change the number of measures for which you can record a chord

progression, refer to “Changing the Number of Measures of the Chord Progression

You Record” (p. 77).

You can make settings so that the chord progression pattern won’t change when you

change the rhythm. Refer to “Fixing a Set Chord Progression” (p. 130).

Recording the Chord Progression

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Playing Along with Rhythms

The song may not play back correctly if the performance is played with a different beat

than the one used in recording the original chord progression.

The recorded chord progression will be discarded as soon as the power is turned off. If

you want to keep it, you’ll need to save registration (p. 80).

When creating your own chord progression pattern, you can specify the number of

measures for the chord progression.

When you turn on the power, this is set to eight measures.

fig.Panel-Session-7.eps

Hold down the [Session Partner] button and press the [Rec] button.

The following screen appears.

fig.d-UserChordProg.eps

Press the [+] button.

The Select Measure screen appears.

The display will show the number of measures for which you will record a chord progression.

fig.d-RhythmMeasure.eps

Use the [-] [+] buttons to select the desired number of measures.

You can choose 4, 8, 12, or 16 measures.

Use the left side of the keyboard to specify a chord and begin recording.

Press the [Session Partner] button to stop recording.

Changing the Number of Measures of the Chord Progression You Record

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Saving Your Favorite Performance Settings

You can save your favorite combinations of performance settings, including the tone

selection, the dual/split play setting, and Session Partner settings as “Registrations.”

You can use the [Registration] button to store twenty-eight sets of your favorite

performance settings. These twenty-eight registrations are collectively called a

“registration set.”

The registrations are assigned to the seven buttons from [1] to [ 7], with four registrations

assigned to each button.

The registration set can be saved in the FP-7’s internal memory and USB memory (sold

separately).

About the Registration

Variation

1-1 2-1 3-1 4-1 5-1 6-1 7-1

1-2 2-2 3-2 4-2 5-2 6-2 7-2

1-3 2-3 3-3 4-3 5-3 6-3 7-3

1-4 2-4 3-4 4-4 5-4 6-4 7-4

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Saving Your Favorite Performance Settings

For details on the settings that are saved as a registration, refer to “Settings Stored in a

Registration” (p. 176).

fig.Registration.eps

28 Registrations

1 Registration Set

Registration Sets

FP-7

Internal Memory

Registrations you can

access with buttons

.....

Registration Sets

USB Memory

.....

Variation

1-1 2-1 3-1 4-1 5-1 6-1 7-1

1-2 2-2 3-2 4-2 5-2 6-2 7-2

1-3 2-3 3-3 4-3 5-3 6-3 7-3

1-4 2-4 3-4 4-4 5-4 6-4 7-4

1-1 2-1 3-1 4-1 5-1 6-1 7-1

1-2 2-2 3-2 4-2 5-2 6-2 7-2

1-3 2-3 3-3 4-3 5-3 6-3 7-3

1-4 2-4 3-4 4-4 5-4 6-4 7-4

1-1 2-1 3-1 4-1 5-1 6-1 7-1

1-2 2-2 3-2 4-2 5-2 6-2 7-2

1-3 2-3 3-3 4-3 5-3 6-3 7-3

1-4 2-4 3-4 4-4 5-4 6-4 7-4

1-1 2-1 3-1 4-1 5-1 6-1 7-1

1-2 2-2 3-2 4-2 5-2 6-2 7-2

1-3 2-3 3-3 4-3 5-3 6-3 7-3

1-4 2-4 3-4 4-4 5-4 6-4 7-4

1-1 2-1 3-1 4-1 5-1 6-1 7-1

1-2 2-2 3-2 4-2 5-2 6-2 7-2

1-3 2-3 3-3 4-3 5-3 6-3 7-3

1-4 2-4 3-4 4-4 5-4 6-4 7-4

1-1 2-1 3-1 4-1 5-1 6-1 7-1

1-2 2-2 3-2 4-2 5-2 6-2 7-2

1-3 2-3 3-3 4-3 5-3 6-3 7-3

1-4 2-4 3-4 4-4 5-4 6-4 7-4

1-1 2-1 3-1 4-1 5-1 6-1 7-1

1-2 2-2 3-2 4-2 5-2 6-2 7-2

1-3 2-3 3-3 4-3 5-3 6-3 7-3

1-4 2-4 3-4 4-4 5-4 6-4 7-4

1-1 2-1 3-1 4-1 5-1 6-1 7-1

1-2 2-2 3-2 4-2 5-2 6-2 7-2

1-3 2-3 3-3 4-3 5-3 6-3 7-3

1-4 2-4 3-4 4-4 5-4 6-4 7-4

1-1 2-1 3-1 4-1 5-1 6-1 7-1

1-2 2-2 3-2 4-2 5-2 6-2 7-2

1-3 2-3 3-3 4-3 5-3 6-3 7-3

1-4 2-4 3-4 4-4 5-4 6-4 7-4

1-1 2-1 3-1 4-1 5-1 6-1 7-1

1-2 2-2 3-2 4-2 5-2 6-2 7-2

1-3 2-3 3-3 4-3 5-3 6-3 7-3

1-4 2-4 3-4 4-4 5-4 6-4 7-4

1-1 2-1 3-1 4-1 5-1 6-1 7-1

1-2 2-2 3-2 4-2 5-2 6-2 7-2

1-3 2-3 3-3 4-3 5-3 6-3 7-3

1-4 2-4 3-4 4-4 5-4 6-4 7-4

1-1 2-1 3-1 4-1 5-1 6-1 7-1

1-2 2-2 3-2 4-2 5-2 6-2 7-2

1-3 2-3 3-3 4-3 5-3 6-3 7-3

1-4 2-4 3-4 4-4 5-4 6-4 7-4

1-1 2-1 3-1 4-1 5-1 6-1 7-1

1-2 2-2 3-2 4-2 5-2 6-2 7-2

1-3 2-3 3-3 4-3 5-3 6-3 7-3

1-4 2-4 3-4 4-4 5-4 6-4 7-4

1-1 2-1 3-1 4-1 5-1 6-1 7-1

1-2 2-2 3-2 4-2 5-2 6-2 7-2

1-3 2-3 3-3 4-3 5-3 6-3 7-3

1-4 2-4 3-4 4-4 5-4 6-4 7-4

1-1 2-1 3-1 4-1 5-1 6-1 7-1

1-2 2-2 3-2 4-2 5-2 6-2 7-2

1-3 2-3 3-3 4-3 5-3 6-3 7-3

1-4 2-4 3-4 4-4 5-4 6-4 7-4

Copy Copy

Write

Save

Load

Save

Load

Registration

(Favorite Performance Settings)

Tone setting, Session Partner

setting, etc.

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Saving Your Favorite Performance Settings

You can use the [Registration] button to store the currently selected buttons and Session

Partner settings. You can also use the [Registration] button and [1]–[7] buttons to recall

the settings you’ve stored. If you have certain combinations of Session Partner settings

and tones that you use frequently, you will find it convenient to save them as registrations.

The FP-7 lets you store twenty-eight different sets of performance settings.

The recommended settings were stored in the FP-7 when it shipped from the factory.

Registration from 7-1 to 7-4 include the “Basic Registration.” Use this when creating

registration from scratch.

For details on the settings that are saved as a registration, refer to “Settings Stored in a

Registration” (p. 176).

fig.Panel-RegistSave.eps

Specifying the Storage Destination for the Registration

Make the desired Session Partner settings and tone settings.

Hold down the [Registration] button and press one of the [1]–[7] buttons,

then press the [-] [+] buttons to which you want to assign the settings.

A screen like the following will appear when you take your finger off the [Registration] button.

fig.d-Regist.eps

While this screen is displayed, you can hold down the [Display] button and press the

[-] button to select the write-destination registration number. At this time you can also

use the [-] [+] buttons to change the write-destination number.

Storing Your Performance Settings (Registration)

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Saving Your Favorite Performance Settings

Changing the Name of a Registration

Hold down the [Display] button and use the [-] [+] buttons to select the

character that you want to change.

Use the [-] [+] buttons to select the desired character.

If you decide not to write the registration, press any of the [1]–[7] buttons.

Storing the Registration

Press the [Registration] button.

Your performance settings will be saved.

The [Registration] button will change from blinking to lit.

Never turn off the power while settings are being saved. If you do so, the FP-7’s

internal memory will be destroyed, rendering it unusable.

You can return the content saved at a [Registration] button to the factory-set condition.

Refer to “Restoring the Factory-set Condition (Factory Reset)” (p. 135).

To select the performance settings you saved, refer to “Recalling a Registration” (p. 82).

NOTE

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Saving Your Favorite Performance Settings

Settings you’ve stored with the [Registration] button can be recalled instantly.

The recommended settings were stored in the instrument when it shipped from the factory.

Registration from 7-1 to 7-4 include the “Basic Registration.” Use this when creating

registration from scratch.

For details on the settings that are saved as a registration, refer to “Settings Stored in a

Registration” (p. 176).

fig.Panel-RegistSave.eps

Press the [Registration] button.

Press one of the buttons from [1] to [7] to select the button at which you

saved the desired registration.

fig.d-RegistVar.eps

Use the [-] [+] buttons to select the registration variation.

fig.d-RegistVar2.eps

The performance settings will change accordingly.

Recalling a Registration

The first time you press the [Registration] button

after turning the power on, a screen like the one

shown at left will be displayed.

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Saving Your Favorite Performance Settings

Here’s how the twenty-eight registrations stored with the [Registration] button can be

saved in internal memory or USB memory as a single set.

If you want to save the registration set to USB memory, connect your USB memory to the

external memory connector.

For details on handling USB memory, refer to “Using USB Memory” (p. 23).

fig.Panel-RegistLoad.eps

Press the [Function] button.

Press the Track [R] button.

The Registration File screen appears.

While holding down the [Display] button, use the [-] [+] buttons to select

“Save.”

Press the [Display] button.

Changing the Name of a Registration Set

Hold down the [Display] button and use the [-] [+] buttons to select the

character that you want to change.

Saving a Registration Set

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Saving Your Favorite Performance Settings

Use the [-] [+] buttons to select the desired character.

Selecting the Save Destination for Registration Sets

While holding down the [Display] button, use the [-] [+] buttons to select

“Media.”

Use the [-] [+] buttons to select the save-destination media.

While holding down the [Display] button, use the [-] [+] buttons to select

“Destination.”

fig.d-001+.eps

10.

Use the [-] [+] buttons to select the save destination.

If a registration set name is displayed for a number, a registration set has already been saved at

that number.

If you select a number in which a registration set has already been saved, and save to that number,

the previously saved registration set will be deleted. If you don’t want to delete a previously saved

registration set, select a number for which the save-destination field indicates “(Not Used).”

Saving the Registration Set

11.

Press the [Rec] button.

The registration set will be saved.

Never turn off the power while settings are being saved. If you do so, the FP-7’s

internal memory will be destroyed, rendering it unusable.

You can return the content saved at a [Registration] button to the factory-set condition.

Refer to “Restoring the Factory-set Condition (Factory Reset)” (p. 135).

To recall the saved registration set, refer to “Loading a Registration Set You Saved” (p.

85).

Setting Description

Internal

Internal Memory

External

USB Memory

NOTE

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Saving Your Favorite Performance Settings

Here’s how an entire set of registrations you saved in internal memory or USB memory

can be loaded back to the [Registration] button.

Note that when you load a registration set, all of the settings that were stored at the

[Registration] button will be overwritten and lost.

If you want to load a registration set that was saved on USB memory, connect your

USB memory to the external memory connector. For more about handling USB

memory, refer to “Using USB Memory” (p. 23).

fig.Panel-RegistLoad.eps

Press the [Function] button.

Press the Track [R] button.

The Registration File screen appears.

While holding down the [Display] button, use the [-] [+] buttons to select

“Load.”

fig.d-Registload.eps

Press the [Display] button.

The Load Registration screen appears.

Loading a Registration Set You Saved

NOTE

If no registration set has been saved in internal

memory, or if USB memory is not connected, the

“ ” icon will be shown for the Load field.

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Saving Your Favorite Performance Settings

While holding down the [Display] button, use the [-] [+] buttons to select

“Media.”

Use the [-] [+] buttons to select the media on which the registration set was

saved.

While holding down the [Display] button, use the [-] [+] buttons to select

“File.”

Use the [-] [+] buttons to select a registration set that you want to load.

Loading the Registration Set

Press the [Rec] button.

The registration set will be loaded to the [Registration] button.

Never turn off the power while settings are being loaded. If you do so, the FP-7’s

internal memory will be destroyed, rendering it unusable.

Setting Description

Internal

Internal Memory

External

USB Memory

NOTE

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Saving Your Favorite Performance Settings

Here’s how to delete an entire registration set that’s been saved in internal memory or

USB memory.

For details on handling USB memory, refer to “Using USB Memory” (p. 23).

fig.Panel-RegistLoad.eps

If you want to delete a registration set from USB memory, connect your

USB memory to the external memory connector (p. 23).

Press the [Function] button.

Press the Track [R] button.

The Registration File screen appears.

While holding down the [Display] button, use the [-] [+] buttons to select

“Delete.”

fig.d-Registload.eps

Press the [Display] button.

The Delete Registration screen appears.

Deleting a Registration Set You Saved

If no registration set has been saved in internal

memory, or if USB memory is not connected, the

“ ” icon will be shown for the Delete field.

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Saving Your Favorite Performance Settings

While holding down the [Display] button, use the [-] [+] buttons to select

“Media.”

Use the [-] [+] buttons to select the media from which you want to delete a

registration set.

While holding down the [Display] button, use the [-] [+] buttons to select

“File.”

Use the [-] [+] buttons to select a registration set that you want to delete.

Deleting the Registration Set

10.

Press the [Rec] button.

The registration set you selected will be deleted.

Never turn off the power while settings are being deleted. If you do so, the FP-7’s

internal memory will be destroyed, rendering it unusable.

Setting Description

Internal

Internal Memory

External

USB Memory

NOTE

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Saving Your Favorite Performance Settings

Registration sets you saved in internal memory can be copied to USB memory.

Conversely, registration sets you saved on USB memory can also be copied to internal

memory.

For details on handling USB memory, refer to “Using USB Memory” (p. 23).

fig.Panel-RegistLoad.eps

Connect your USB memory to the external memory connector (p. 23).

Press the [Function] button.

Press the Track [R] button.

The Registration File screen appears.

While holding down the [Display] button, use the [-] [+] buttons to select

“Copy.”

fig.d-Registload.eps

Press the [Display] button.

The Copy Registration screen appears.

Copying a Registration Set

If no registration set has been saved in internal

memory, or if USB memory is not connected, the

“ ” icon will be shown for the Copy field.

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Saving Your Favorite Performance Settings

While holding down the [Display] button, use the [-] [+] buttons to select

“Type.”

Use the [-] [+] buttons to select the direction of the copy operation.

While holding down the [Display] button, use the [-] [+] buttons to select

“Int” (internal memory).

If the copy type is “Int -> Ext,” this indicates the registration set number to be copied.

If the copy type is “Ext -> Int,” this indicates the destination to which the registration set will be copied.

Use the [-] [+] buttons to change the setting as desired.

If you select “All,” all registration sets will be copied.

If you select a number in which a registration set has already been saved, then execute the copy,

the previously saved registration set will be deleted. If you don’t want to delete the saved

registration set, select a number for which “Not Used” is shown, then carry out the copy.

You won’t be able to execute the copy if the save-destination memory is full. Delete unneeded data

before you execute the copy.

10.

While holding down the [Display] button, use the [-] [+] buttons to select

“Ext” (USB memory).

If the copy type is “Int -> Ext,” this indicates the destination to which the registration set will be copied.

If the copy type is “Ext -> Int,” this indicates the registration set number to be copied.

11.

Use the [-] [+] buttons to change the setting as desired.

Copying the Registration Set(s)

12.

Press the [Rec] button.

The registration set(s) will be copied.

Never turn off the power while settings are being copied. If you do so, the FP-7’s

internal memory will be destroyed, rendering it unusable.

Setting Description

Int –> Ext

Copies registration sets from internal memory to USB memory.

Ext –> Int

Copies registration sets from USB memory to internal memory.

NOTE

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Saving Your Favorite Performance Settings

You can assign a pedal to successively switch registrations. Each time you press the

pedal, you will switch to the next registration. Before a concert or other performance, you

can save the appropriate registrations in the order in which you’ll use them, and then

step smoothly through the registrations while you play.

For details on handling USB memory, refer to “Using USB Memory” (p. 23).

fig.Panel-RegistPedal.eps

Press the [Function] button.

Press the [Registration] button.

The Registration screen appear.

While holding down the [Display] button, use the [-] [+] buttons to select

“Shift.”

Use the [-] [+] buttons to change the setting.

Using a Pedal to Switch Registrations

Setting Description

Off

Pressing a pedal connected to the FC2 connector or FC1 connector will not switch

registrations.

The functions assigned to the FC2 jack and FC1 jack will be available for use (p. 118).

FC 2

The pedal connected to the FC2 jack can be used only for switching registrations.

In this case, the function assigned to the FC2 jack cannot be used.

FC 1

The pedal connected to the FC1 jack can be used only for switching registrations.

In this case, the function assigned to the FC1 jack cannot be used.

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Recording

You can easily record your performances.

You can play back a performance you have recorded to check what and how you

played, and play melodies on the keyboard along with prerecorded accompaniment

using the Rhythm.

Memo

• The song you record will disappear when you turn off the power of the FP-7.

You should save your important performances in internal memory or on external

memory, such as separately available USB memory.

➝ “Saving the Songs You Record” (p. 105)

• With second or later recordings, the previously recorded song is erased as the new

material is recorded. When recording a new performance, it is probably a good

idea to erase the previously recorded performance first (p. 103).

• About the Track Buttons

Track buttons Description

Blinking

The performance will be recorded.

If performance data already exists, the existing performance will be erased

and replaced as the new recording proceeds.

Lit The performance will not be recorded.

During recording, the performance located at this track button will play back.

Unlit The performance will not be recorded.

This track does not contain performance data.

If the Following Display Appears

If there is a song you’ve recorded but not saved, a screen like the following will appear

if you attempt to select a different song.

fig.d-dEL.eps

You can’t play back an internal preset song or song saved on USB memory if you have

not yet saved the song you recorded. If it is OK to erase the song, hold down the [Display]

button and press the [+] button to select “OK,” then press the [Rec] button. If you don’t

want to erase the song, select “Cancel” and press the [Rec] button. Save the song in USB

memory or internal memory (p. 105).

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Recording

Here’s how to record just your own keyboard performance without using Session Partner

or an internal song.

fig.Panel-RecNew.eps

Settings for Recording

If there is already a recorded song, delete the recorded song before you proceed (p. 103).

Press the [Display] button several times so it’s lit in green.

Press the [-] button several times to select “New Song.”

fig.d-USr.eps

Press the [Rec] button.

The [Rec] button lights, the [Play] button begins flashing, and the FP-7 is put into recording

standby.

If you decide not to record, press the [Rec] button once again.

Starting Recording

Press the [Play] button.

After two measures of count sound, recording begins.

Recording starts when you start playing the keyboard (without pressing the [Play] button). In this

case, a count is not sounded.

When recording begins, the [Rec] button and [Play] button will light.

During the count-in, the count measure is indicated in the display as “-2” then “-1.”

Recording a New Song

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Recording

Stopping Recording

Press the [Play] button.

Recording will stop.

When you stop recording, the “Song” indication in the song select screen will change to

“Modified.”

The “Modified” indication shows that there is already a previously recorded performance.

Listening to the Recorded Performance

Press the [Play] button.

The recorded performance will play back.

Press the [Play] button once again to stop playback.

The recorded performance will disappear when you turn off the power. If you want to

keep the performance you recorded, you must save it in internal memory or on USB

memory. Refer to “Saving the Songs You Record” (p. 105).

NOTE

You can change the tone used in recording.

→ “Performing with a Variety of Sounds” (p. 35)

You can change the tempo and set the beat for the song.

➝ “Changing the Tempo” (p. 55)

➝ “Changing the Beat of Metronome” (p. 134)

You can use the FP-7’s metronome function.

In this case, the metronome sound is not recorded.

➝ “Performing with the Metronome” (p. 54)

Track Button Assignments for the Recorded Performance

When you record only a keyboard performance, the performance will be assigned to the

track buttons as follows.

Normal performance (playing a single

sound from the entire keyboard) The performance is recorded to the Track [2] button.

Dual performance (p. 41) The performance is recorded to the Track [2] button.

Split performance (p. 43) The Lower Tone is recorded to the Track [1] button,

and the Upper Tone to the Track [2] button.

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Recording

Here’s how you can play along with an internal song and record your performance.

The song being played back will be recorded together with the performance you play on

the keyboard. The FP-7 is able to record your playing along with an internal piano song.

For example, you could listen to the left-hand part while you record the right-hand part.

If you select a track button and then record, the sound of the selected track button will

not be heard during recording.

fig.Panel-RecSong.eps

Performance Settings

Select a song.

For details on how to select a song, refer to “Listening to Songs” (p. 24).

If you are recording along with a song from USB memory, you’ll need to connect the USB memory

beforehand (p. 23).

You can change the tone used in performances (p. 35) and change the tempo at which songs are

played back (p. 55). You can also play the metronome sound while recording (p. 54).

Settings for Recording

Press the [Rec] button.

The following screen appears.

If you want to record your playing along with the song, press the [Rec] button.

If you want to record a new song, press the [Play] button.

Recording Your Playing Along with a Song

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Recording

Press the [Rec] button once again.

The following screen appears.

Press the button of the track you want to record, so the button is blinking.

This setting lets you record while listening to the selected song.

The [Rec] button will light, the [Play] button will blink, and the instrument will enter recording

standby mode.

If you decide not to record, press the [Rec] button once again.

How the track buttons correspond to an internal song’s performance parts

Starting Recording

Press the [Play] button.

After two measures of count sound, recording begins.

Recording starts when you start playing the keyboard (without pressing the [Play] button). In this

case, a count is not sounded.

When recording begins, the [Rec] button and [Play] button will light.

During the count-in, the count measure is indicated in the display as “-2” then “-1.”

Track button Description

Blinking

The performance will be recorded.

If performance data already exists, the existing performance will be erased and

replaced as the new recording proceeds.

Lit

The performance will not be recorded.

During recording, the performance located at this track button will play back.

Unlit

The performance will not be recorded.

This track does not contain performance data.

Track button Performance part

Track [1] button

Left-hand part

Track [2] button

Right-hand part

Track [R] button

For internal song numbers 1–5, this track contains performance data other than

the right-hand part and left-hand part.

For internal song numbers 6–65, this track does not contain performance data.

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Recording

Stopping Recording

Press the [Play] button.

Recording will stop.

Listening to the Recorded Performance

Press the [-] button to return to the beginning of the song you recorded.

Press the [Play] button.

The recorded performance will play back.

Press the [Play] button once again to stop playback.

The recorded performance will disappear when you turn off the power. If you want to

keep the performance you recorded, you must save it in internal memory or on USB

memory. Refer to “Saving the Songs You Record” (p. 105).

The tempo of the performance you recorded will be stored as the tempo of the song

you selected when recording.

If you record your performance while playing along with a song, it will be recorded

with the time signature of that song.

NOTE

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Recording

You can easily record session performances to the session partner.

fig.Panel-RecSession.eps

The Session Partner performance can be recorded only to the Track [R] button.

Performance Settings

Select the Tone to be played (p. 35).

Make the desired settings for Session Partner (p. 66).

Settings for Recording

If there is already a recorded song, delete the recorded song before you proceed (p. 103).

Select the “New Song.”

Press the [Display] button several times so it’s lit in green to display the Song Select screen.

Press the [-] button several times to select “New Song.”

fig.d-USr.eps

Press the [Rec] button.

The [Rec] button will light, the [Play] button will blink, and the instrument will enter recording

standby mode.

If you decide not to record, press the [Rec] button once again.

Recording Your Performance with Session Partner

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Recording

Starting Recording

Start the Session Partner performance (p. 67, p. 73).

The Rhythm starts to play, while simultaneously recording begins.

When recording begins, the [Rec] button and [Play] button will light.

For more information on the different Rhythm and Chord progression pattern, refer to

the “Rhythm List” (p. 163) and “Chord Progression Pattern List” (p. 164).

If you want to record with the chord progression specified (p. 73), the chord is

specified with a key in the left part of the keyboard, and recording begins.

Stopping Recording

Press the [Play] button.

Recording will stop.

When you stop recording, the “Song” indication in the song select screen will change to

“Modified.”

The “Modified” indication shows that there is already a previously recorded performance.

Listening to the Recorded Performance

Press the [-] button to return to the beginning of the song you recorded.

Press the [Play] button.

The recorded performance will play back.

Press the [Play] button once again to stop playback.

The recorded performance will disappear when you turn off the power. If you want to

keep the performance you recorded, you must save it in internal memory or on USB

memory. Refer to “Saving the Songs You Record” (p. 105).

NOTE

Track Button Assignments for the Recorded Performance

Session Partner performance The performance is recorded to the Track [R] button.

Normal performance (playing a single

sound from the entire keyboard) The performance is recorded to the Track [2] button.

Dual performance (p. 41) The performance is recorded to the Track [2] button.

Split performance (p. 43) The Lower Tone is recorded to the Track [1] button,

and the Upper Tone to the Track [2] button.

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Recording

FP-7’s Recorder has three Track buttons.

You can play each hand of your performance separately, for example recording the left-

hand part on the Track [1] button and the right-hand part on the Track [2] button. You

can also re-record just a specific part of a previously recorded performance.

fig.Panel-RecTrack.eps

If you’re recording a new song, select “New Song” as described in steps 1–2 of “Recording a

New Song” (p. 93). If you decide to re-record an existing song, select that song.

Performance Settings

Press the [Rec] button.

The following screen appears.

If you want to record along with the song or recorded performance, press the [Rec] button.

If you want to record a new song, press the [Play] button.

Press the [Rec] button once again.

The following screen appears.

Recording Selected Track Buttons

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Recording

Press the button of the track you want to record, so the button is blinking.

This setting lets you record while listening to the selected song.

The [Rec] button will light, the [Play] button will blink, and the instrument will enter recording

standby mode.

If you decide not to record, press the [Rec] button once again.

Starting Recording

Press the [Play] button.

After two measures of count sound, recording begins.

Recording starts when you start playing the keyboard (without pressing the [Play] button). In this

case, a count is not sounded.

When recording begins, the [Rec] button and [Play] button will light.

During the count-in, the count measure is indicated in the display as “-2” then “-1.”

Stopping Recording

Press the [Play] button.

Recording will stop.

If you record without erasing the existing song, the song tempo, time signature, and

metronome settings will remain as they were for the first recording.

Listening to the Recorded Performance

Press the [-] button to return to the beginning of the song you recorded.

Press the [Play] button.

The recorded performance will play back.

Press the [Play] button once again to stop playback.

The recorded performance will disappear when you turn off the power. If you want to

keep the performance you recorded, you must save it in internal memory or on USB

memory. Refer to “Saving the Songs You Record” (p. 105).

Track buttons Description

Blinking

The performance will be recorded.

If performance data already exists, the existing performance will be erased

and replaced as the new recording proceeds.

Lit

The performance will not be recorded.

During recording, the performance located at this track button will play back.

Unlit

The performance will not be recorded.

This track does not contain performance data.

NOTE

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Recording

Correspondence Between Recorded Performance and Track Buttons

A recorded performance will be assigned to the Track buttons as follows.

●Session Partner performances, and Upper and Lower tones during Split performance

●Normal performance (playing a single tone from the entire keyboard) and Dual

performance

• When you record without specifying a recording track

If none of the track buttons ([R] [1] [2] buttons) has performance data, the data will be

recorded to button [2]. If any of the track buttons have performance data, the data

will be recorded in the order of button [2] → button [1] → button [R].

• When you record with a specified recording track

Your performance will be recorded on the track you’ve specified.

Track button Performance recorded

Track [R] button Session Partner (p. 66)

Track [1] button Lower Tone in Split play (p. 43)

Track [2] button Upper Tone in Split play (p. 43)

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Recording

You can erase recorded performances.

fig.Panel-DeleteSong.eps

Hold down the [Display] button and press the [Rec] button.

A following screen appears.

fig.d-dEL.eps

If you decide not to erase your song, select “Cancel” then press the [Rec] button.

Hold down the [Display] button and press the [+] button to select “OK.”

Press the [Rec] button.

The recorded performance is erased.

After playing back a song, you can hold down one of the track buttons and press the

[Rec] button to erase the performance of only that track. If you erase the performance

from all tracks, the display will indicate “New Song.”

A performance you recorded will be erased automatically when you turn off the power.

Erasing Recorded Performances

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Saving a Performance

A song you’ve recorded can be saved in internal memory or to USB memory.

A song you’ve saved in internal memory can also be copied to USB memory or other

external memory.

Saving a recorded song in internal memory

• You can save a recorded song so it will be preserved even while the FP-7’s power is turned

off. The songs you record will be lost if you simply turn off the power. However, once they’re

saved in internal memory, your songs won’t be discarded; the next time you turn the power

on, you’ll be able to play them back and listen to your performance.

Saving a recorded song to USB memory

• You can save a recorded song to USB memory as a backup.

It’s a good idea to save important performance data to USB memory.

Saving favorite songs to internal memory

• You can save songs you’re practicing to internal memory.

If you connect separately sold USB memory or a CD drive, and copy SMF music files from the

USB memory or a CD-ROM into the FP-7’s internal memory, it will be easy to select these

songs.

You can’t copy a Wav file into internal memory.

About Saving and Copying

FP-7’s internal memory

Recorded Song

FP-7

USB memory

(Sold Separaterly)

Save

Copy

NOTE

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Saving a Performance

A song you’ve recorded can be saved in internal memory or to USB memory.

If you record a song and then turn off the power of the FP-7 without saving the song, your

recorded song will disappear. Songs that you’ve saved in internal memory or to USB

memory will not disappear even if you turn off the power; if you want to keep a song,

you should save it in internal memory or to USB memory.

fig.Panel-RegistLoad.eps

Record your performance (p. 93, p. 95, p. 98, p. 100).

Press the [Function] button.

Press the Track [1] button.

The Song File screen appears.

While holding down the [Display] button, use the [-] [+] buttons to select

“Save.”

Press the [Display] button.

The Save Song screen appears.

Saving the Songs You Record

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Saving a Performance

Changing the Name of a Song

Hold down the [Display] button and use the [-] [+] buttons to select the

character that you want to change.

Use the [-] [+] buttons to select the desired character.

Selecting the Save Destination for Song

While holding down the [Display] button, use the [-] [+] buttons to select

“Media.”

Use the [-] [+] buttons to select the save-destination media.

10.

While holding down the [Display] button, use the [-] [+] buttons to select

“Destination.”

11.

Use the [-] [+] buttons to select the save destination.

If a song name is displayed for a number, a song has already been saved at that number.

If you select a number in which a song has already been saved, and save to that number, the

previously saved song will be deleted. If you don’t want to delete a previously saved song, select

a number for which the save-destination field indicates “(Not Used).”

Saving the Song

12.

Press the [Rec] button.

The song will be saved.

Never turn off the power while data is being saved. If you do so, the internal memory

will be destroyed, rendering it unusable.

Setting Description

Internal

Internal memory

External

USB memory

NOTE

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Saving a Performance

Songs you’ve recorded on the FP-7 and your favorite performance settings (Registration)

can be copied to USB memory (sold separately) for safekeeping (p. 89, p. 111).

You can also play back SMF music files you’ve saved on USB memory (p. 33), and play

back audio files from USB memory (p. 59).

Use USB memory available from Roland. Proper functioning cannot be guaranteed if

other external memory products are used.

About the connecting a USB memory, please refer to “Connecting USB Memory” (p.

23).

“Initialization” (formatting) is an operation that prepares USB memory so that it can be

used with the FP-7.

If the USB memory is not formatted correctly for the FP-7, it cannot be used.

If you’re using the USB memory for the first time, you must initialize (format) it on the FP-7.

Formatting the USB memory will erase all the content stored on that USB memory. If

you intend to format and reuse USB memory that has previously been used, you must

make sure that it doesn’t contain important data you need to keep.

Press the [Function] button.

Press the Track [2] button.

The Format screen appears.

Using USB Memory

Initializing USB Memory

NOTE

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Saving a Performance

While holding down the [Display] button, use the [-] [+] buttons to select

“External Memory.”

Press the [Display] button.

A confirmation message will appear.

If you want to return to the previous screen without formatting, hold down the [Display]

button, use the [-] [+] buttons to select “Cancel,” then press the [Rec] button.

While holding down the [Display] button, use the [-] [+] buttons to select

“OK.”

Press the [Rec] button.

Formatting begins.

When formatting is complete, you’re returned to the previous screen.

Never turn off the power while the screen indicates “Executing...” Doing so will destroy

the USB memory, rendering it unusable.

Don’t remove the USB memory until formatting is completed.

This operation will not initialize any settings other than the contents of USB memory. If

you want to return settings other than the contents of USB memory to the factory-set

state, please execute Factory Reset (p. 135) and Initializing User Memory (p. 132).

NOTE

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Saving a Performance

Here’s how to delete a song you’ve saved in internal memory or USB memory.

For details on handling USB memory, refer to “Using USB Memory” (p. 23).

fig.Panel-RegistLoad.eps

If you want to delete a song from USB memory, connect your USB memory

to the external memory connector (p. 23).

Press the [Function] button.

Press the Track [1] button.

The Song File screen appears

While holding down the [Display] button, use the [-] [+] buttons to select

“Delete.”

Press the [Display] button.

The Delete Song screen appears

Deleting a Saved Song

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Saving a Performance

While holding down the [Display] button, use the [-] [+] buttons to select

“Media.”

Use the [-] [+] buttons to select the media from which you want to delete a

song.

While holding down the [Display] button, use the [-] [+] buttons to select

“File.”

Use the [-] [+] buttons to select the song that you want to delete.

Deleting the Song

10.

Press the [Rec] button.

The selected song will be deleted.

Never turn off the power while a song is being deleted. If you do so, the FP-7’s internal

memory will be destroyed, rendering it unusable.

Setting Description

Internal

Internal Memory

External

USB Memory

NOTE

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Saving a Performance

Here’s how you can copy a song saved in internal memory to USB memory.

In this way, songs you’ve recorded on the FP-7 and saved in internal memory can be

copied to USB memory.

Preparations for Copying

To the external memory connector, connect the USB memory to which you

want to copy the song (p. 23).

Press the [Function] button.

Press the Track [1] button.

The Song File screen appears.

While holding down the [Display] button, use the [-] [+] buttons to select

“Copy.”

Press the [Display] button.

The Copy Song screen appears.

Copying a Song

Copying a Song from Internal Memory to USB Memory

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Saving a Performance

While holding down the [Display] button, use the [-] [+] buttons to select

“Type.”

Use the [-] [+] buttons to select the direction of the copy operation.

Choose “Int -> Ext.”

While holding down the [Display] button, use the [-] [+] buttons to select

“Int” (internal memory).

The number and name of the song to be saved will appear.

Use the [-] [+] buttons to select the song(s) that you want to copy.

If you select “All,” all songs will be copied.

10.

While holding down the [Display] button, use the [-] [+] buttons to select

“Ext” (USB memory).

The screen will show the save-destination song number and song name.

If you select a number in which a song has already been saved, the song that was previously

saved at the copy destination will be erased. If you don’t want to erase a previously saved song,

select a number for which the display indicates “(Not Used).”

11.

Use the [-] [+] buttons to select the copy destination.

Copying the Song(s)

12.

Press the [Rec] button.

The selected song(s) will be copied to USB memory.

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Saving a Performance

Here’s how you can copy a song saved on USB memory to internal memory.

Preparations for Copying

Prepare the songs that you want to copy to internal memory.

Connect the USB memory (p. 23).

Press the [Function] button.

Press the Track [1] button.

The Song File screen appears.

While holding down the [Display] button, use the [-] [+] buttons to select

“Copy.”

Press the [Display] button.

The Copy Song screen appears.

Copying a Song from USB Memory to Internal Memory

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Saving a Performance

While holding down the [Display] button, use the [-] [+] buttons to select

“Type.”

Use the [-] [+] buttons to select the direction of the copy operation.

Choose “Ext -> Int.”

While holding down the [Display] button, use the [-] [+] buttons to select

“Ext” (USB memory).

The number and name of the song to be saved will appear.

10.

Use the [-] [+] buttons to select the song(s) that you want to copy.

If you select “All,” all songs will be copied.

11.

While holding down the [Display] button, use the [-] [+] buttons to select

“Int” (internal memory).

The screen will show the save-destination song number and song name.

If you select a number in which a song has already been saved, the song that was previously

saved at the copy destination will be erased. If you don’t want to erase a previously saved song,

select a number for which the display indicates “(Not Used).”

12.

Use the [-] [+] buttons to select the copy destination.

Copying the Song(s)

13.

Press the [Rec] button.

The selected song(s) will be copied to internal memory.

Never turn off the power while data is being copied.

You can save up to 99 songs in internal memory. However, if there is insufficient

capacity remaining, the indication “Error: 11” will appear (p. 157), and you won’t be

able to save the song even though there are fewer than 99.

You can erase all of the content saved in internal memory and restore it to the factory-

set condition. Refer to “Initializing Internal Memory” (p. 132)

You can’t copy a Wav file into internal memory.

NOTE

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Various Settings

You can make a variety of performance- and recording-related settings in “Function Mode.”

When playing ensemble with other instruments and in other

such instances, you can match the standard pitch to another

instrument.

The standard pitch generally refers to the pitch of the note

that’s played when you finger the middle A key. For a cleaner

ensemble sound while performing with one or more other

instruments, ensure that each instrument’s standard pitch is in

tune with that of the other instruments. This tuning of all the

instruments to a standard pitch is called “master tune.”

Press the [Function] button.

Press the [Piano] button.

The Tuning screen appears.

fig.d-Tuning.eps

While holding down the [Display] button, use

the [-] [+] buttons to select “Master Tune.”

Use the [-] [+] buttons to change the setting.

When the instrument is shipped from the factory, this is

set to “440.0 Hz.”

Storing the Master Tuning Setting in

Internal Memory

After adjusting the master tuning setting, you can store that

setting to internal memory.

If you’ve stored the master tuning setting, it will be preserved

even when the power is turned off.

While holding down the [Display] button, use

the [-] [+] buttons to select “Backup.”

fig.d-backup.eps

Press the [Display] button.

The following screen appears.

fig-d-TuningBackuup-2.eps

If you decide to cancel the operation, select “Cancel”

and press the [Rec] button.

While holding down the [Display] button, use

the [-] [+] buttons to select “OK.”

fig-d-TuningBackuup-3.eps

Press the [Rec] button.

The master tuning setting will be stored to internal

memory.

Tuning Settings

Matching the Pitch with Other

Instruments (Master Tune)

Setting

415.3 Hz–440.0 Hz–466.2 Hz

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Various Settings

You can play classical music such as baroque pieces using

their original tuning.

Most modern songs are composed and played with the

assumption that equal temperament (the most common tuning

in use today) will be used, but when classical music was

composed, there were a wide variety of other tuning systems

in existence. Playing a composition with its original tuning lets

you enjoy the sonorities of the chords that the composer

originally intended.

Press the [Function] button.

Press the [Piano] button.

The Tuning screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Type.”

fig.d-TemperamentType.eps

Use the [-] [+] buttons to change the

temperament setting.

You can choose from among the seven tunings

described below.

Specifying the Keynote

When playing with tuning other than equal temperament, you

need to specify the keynote for tuning the song to be

performed (that is, the note that corresponds to C for a major

key or to A for a minor key).

If you choose an equal temperament, there’s no need to select

a keynote.

While holding down the [Display] button, use

the [-] [+] buttons to select “Temperament

Key.”

fig.d-Temperament.eps

Use the [-] [+] buttons to change the keynote.

When performing in ensemble with other

instruments, be aware that depending on the key,

there may be some shifting of the pitch. Tune the FP-7

to the fundamental pitch of the other instruments.

Adjusting the Tuning (Temperament)

Temperament Description

Equal

In this tuning, each octave is divided into

twelve equal steps. Every interval

produces about the same amount of slight

dissonance. This setting is in effect when

you turn on the power.

Just Major

This tuning eliminates ambiguities in the

fifths and thirds. It is unsuited to playing

melodies and cannot be transposed, but

is capable of beautiful sonorities.

Just Minor

The Just tunings differ from major and

minor keys. You can get the same effect

with the minor scale as with the major

scale.

Kirnberger

This is an improvement of the Meantone

and Just tunings that provides a high

degree of freedom of modulation.

Performances are possible in all keys

(third method).

Meantone

This scale makes some compromises in

just intonation, enabling transposition to

other keys.

Pythagorean

This tuning, devised by the philosopher

Pythagoras, eliminates dissonance in

fourths and fifths. Dissonance is produced

by third-interval chords, but melodies are

euphonious.

Werckmeister

This temperament combines the Mean

Tone and Pythagorean tunings.

Performances are possible in all keys (first

method, number three).

Setting

C, C , D, E , E, F, F , G, A , A, B , B

Temperament Description

NOTE

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Various Settings

When the pedal is pressed in Dual Play (p. 41) or Split Play

(p. 43), the pedal’s effect is applied to both the Upper Tone

and the Lower Tone, but you can change the settings for the

tone to which the effect is applied.

How the Damper Pedal Effects are

Applied

Press the [Function] button.

Press the [E.Piano] button.

The Pedal screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Damper Part.”

fig.d-DamperPart.eps

Use the [-] [+] buttons to specify the part(s) to

which the pedal will apply.

How the Sostenuto Pedal (FC1) Effects

are Applied

Press the [Function] button.

Press the [E.Piano] button.

The Pedal screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “FC1 Part.”

fig.d-FC1Part.eps

Use the [-] [+] buttons to specify the part(s) to

which the pedal will apply.

How the Soft Pedal (FC2) Effects are

Applied

Press the [Function] button.

Press the [E.Piano] button.

The Pedal screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “FC2 Part.”

fig.d-FC2Part.eps

Use the [-] [+] buttons to specify the part(s) to

which the pedal will apply.

Pedal Settings

Changing How the Pedal Effects Are

Applied

Setting Description

Upr&Lwr

All enabled

Upper

Applied only to the Upper Tone

Lower

Applied only to the Lower Tone

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Various Settings

A pedal connected to the Soft/(FC2) jack normally functions

as a soft pedal (p. 21). A pedal connected to the Sostenuto/

(FC1) jack normally functions as a sostenuto pedal (p. 21).

It can also be set to function as an another works.

If a pedal connected to the FP-7 is assigned to switch

registrations, that pedal will operate only to switch

registrations. The function assigned to the pedal will

not operate.

You can select from the following pedal functions.

* What is the leading bass function?

The function that sounds the lowest note of a fingered chord as

the bass tone is called “Leading Bass.”

With certain sounds, the function may not work.

Use only the specified expression pedal (EV-5; sold

separately). By connecting any other expression

pedals, you risk causing malfunction and/or

damage to the unit.

This may not work correctly if you connect a pedal

other than an expression pedal or a half-damper

compatible pedal.

Be sure to switch off the power to the unit before

attempting to disconnect or connect a pedal cord.

Changing the Works of the Sostenuto

Pedal (FC1)

When the instrument is turned on, this is set to function as a

sostenuto pedal.

Press the [Function] button.

Press the [E.Piano] button.

The Pedal screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “FC1 Func.”

Use the [-] [+] buttons to select the pedal

function.

Changing How the Pedals Work

Setting Description

Damper

Sets function to damper pedal.

Soft

Sets function to soft pedal.

Sostenuto

Sets function to sostenuto pedal.

Expression

Allows control of the volume.

You will find it convenient to connect

a separately sold expression pedal

(EV-5).

You cannot change volume of the

Session Partner or recorder.

Song Play

You can play/stop the song by

pressing the pedal instead of pressing

[Play] button.

Audio Key Sw

Audio Key can be switched on by

pressing the pedal instead of pressing

[Audio Key] button.

Session Sw

You can start/stop Session Partner by

pressing the pedal instead of pressing

[Session Partner] button.

Leading Bass

Allows control the on/off of leading

bass function*. It is turned on while

having stepped on the pedal.

Effect Sw

Effects can be switched on/off by

pressing the pedal instead of pressing

the [Multi Effects] button.

When effect type is rotary, you can

control the slow/fast of spinning.

Bend Up

Pitch rises by pressing the pedal.

Bend Down

Pitch lowers by pressing the pedal.

Modulation

Vibrato is added by pressing the

pedal.

NOTE

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119

Various Settings

Changing the Works of the Soft Pedal

(FC2)

When the instrument is turned on, this is set to function as a

soft pedal.

Press the [Function] button.

Press the [E.Piano] button.

The Pedal screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “FC2 Func.”

Use the [-] [+] buttons to select the pedal

function.

Here’s how to select the effect that will be applied when you

press the [Multi Effects] button.

Press the [Function] button.

Press the [Multi Effects] button.

The Effects screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Type.”

fig.d-EfxType.eps

Use the [-] [+] buttons to select the effect type.

For details on the effect types and the settings for

each effect, refer to “Effects List” (p. 172).

Editing the Effect Settings in Detail

You can make detailed changes for each effect, such as

adjusting the effect depth.

Select the item that you want to edit.

While holding down the [Display] button, use the [-] [+]

buttons to select the item that you want to edit (the

second and third lines from the top in the Effects screen).

The item in the second line from the top of the Effects

screen can be changed by holding down the [Multi

Effects] button and using the [-] [+] buttons, without your

having to open this screen.

Use the [-] [+] buttons to edit the setting.

Effect Settings

Changing the Effect Type

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120

Various Settings

This specifies which part is to have priority when the effects

assigned to the Upper Tone and Lower Tone differ in Dual Play

(p. 41) or Split Play (p. 43).

Press the [Function] button.

Press the [Multi Effects] button.

The Effects screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Source.”

fig.d-EfxType.eps

Use the [-] [+] buttons to select the part to

which you want to apply effects.

If same effects are assigned to the Upper Tone and

Lower Tone, the same effects are added to both of

Tones.

You can connect a commercially available USB CD drive to

the FP-7, and play back separately sold CD-ROMs created for

the VIMA (VIMA TUNES).

Songs on VIMA CD-ROM (VIMA TUNES) are programmed

with “recommended tones” suitable for each song.

When you select a song from a VIMA CD-ROM (VIMA

TUNES), recommended tones will be assigned to the FP-7’s

[Strings/Pad], [Guitar/Bass], and [Voice/GM2] tone buttons,

and these three tone buttons will blink.

When you press a flashing Tone button, the recommended

tone is then selected, enabling you to perform the selected

song using a tone matched to that song as it plays back.

You can set the FP-7 so that the recommended tones are

automatically assigned or not assigned.

Press the [Function] button.

Press the [Reverb] button.

The System screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Recommended

Tone.”

Use the [-] [+] buttons to change the setting.

With the factory settings, this is ”On.“

Setting the Part to Which Effects Are

Added

Setting Description

Upper

The effect will be preferentially applied to the

Upper tone.

Lower

The effect will be preferentially applied to the

Lower tone.

System Settings

Disabling Automatic Selection of VIMA

TUNES Recommended Tones

Setting Description

When you select a song from a VIMA CD-

ROM (VIMA TUNES), recommended tones

will automatically be assigned to the FP-7’s

[Strings/Pad], [Guitar/Bass], and [Voice/

GM2] tone buttons.

Off

When you select a song from a VIMA CD-

ROM (VIMA TUNES), recommended tones

are not used, and only the FP-7’s internal

tones can be selected.

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121

Various Settings

Some SMF music files created for karaoke contains lyric data.

You can make this data appear automatically in the lyric

screen when such a song is played back. If you want the lyric

screen to appear automatically, turn this setting “On.”

When the FP-7 is shipped from the factory, lyric display is

“On.”

Press the [Function] button.

Press the [Reverb] button.

The System screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Lyrics.”

Use the [-] [+] buttons to change the setting.

When SMF music files containing lyrics is played back on the

FP-7, English lyrics will be displayed in English, and Japanese

lyrics will be displayed in Japanese.

However, if you play back a song that does not have the

language information of the lyrics, Japanese will not be

displayed even if the song contains Japanese lyrics.

In such cases, you can switch the language as follows.

Press the [Function] button.

Press the [Reverb] button.

The System screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “SongLanguage.”

Use the [-] [+] buttons to change the setting.

If this setting is “English,” the characters may not be

shown correctly when displaying Japanese lyrics or

song titles. Conversely, if this setting is “Japanese,”

the display of English lyrics or song titles may be

incorrect.

Switching Lyric Display On/off

Setting Description

The lyric screen will appear automatically

when you play back song that contains lyric

data.

Off

The lyric screen will not appear when you

play back song that contains lyric data.

Switching the Language for Lyric

Display

Setting Description

English

The lyrics are displayed in English.

Japanese

The lyrics are displayed in Japanese.

The song title is also displayed in Japanese.

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122

Various Settings

You can change the Sound Control type that is selected when

you turn on the power of the FP-7.

You can also specify that Sound Control be off when you turn

on the power.

Press the [Function] button.

Press the [Reverb] button.

The System screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “PwrOnSoundCtrl.”

Use the [-] [+] buttons to change the setting.

About the type of the Sound Control, refer to

“Adding Liveliness to the Sound (Sound Control)” (p.

56).

You can specify that the equalizer be on when you turn on the

power.

You can also specify the equalizer type that will be selected if

the equalizer is on when you turn on the power of the FP-7.

Press the [Function] button.

Press the [Reverb] button.

The System screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Pwr On Equalizer.”

Use the [-] [+] buttons to change the setting.

About the type of the Equalizer, refer to “Changing

the Equalizer Type” (p. 58).

Specifying the Sound Control Setting at

Power-on

Setting Description

Sharp

When you turn on the power, the [Sound

Control] button will be on, and the “Sharp”

Type Sound Control setting will be selected.

Clear

When you turn on the power, the [Sound

Control] button will be on, and the “Clear”

Type Sound Control setting will be selected.

Power

When you turn on the power, the [Sound

Control] button will be on, and the “Power”

Type Sound Control setting will be selected.

Off

When you turn on the power, the [Sound

Control] button will be off.

Specifying the Equalizer Setting at

Power-on

Setting Description

When you turn on the power, the [Equalizer]

button will be on, and the Type 1 Equalizer

setting will be selected.

When you turn on the power, the [Equalizer]

button will be on, and the Type 2 Equalizer

setting will be selected.

When you turn on the power, the [Equalizer]

button will be on, and the Type 3 Equalizer

setting will be selected.

When you turn on the power, the [Equalizer]

button will be on, and the Type 4 Equalizer

setting will be selected.

Off

When you turn on the power, the [Equalizer]

button will be off.

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123

Various Settings

If you’ve connected an external device to the Input jacks and

want to listen to the sound from it, the sound from the external

device may not be loud enough even if you’ve turned the FP-

7’s volume knob to the maximum position. In such cases, you

can adjust the master gain setting as follows.

Adjusting the master gain will also affect the volume of the

internal speakers and headphones.

The sound may distort if you increase the volume

excessively.

Press the [Function] button.

Press the [Reverb] button.

The System screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Master Gain.”

Use the [-] [+] buttons to change the setting.

You can make fine, detailed changes to the equalizer settings.

Before you make detailed adjustments to the equalizer

settings, select the equalizer type that you want to edit (p. 58).

Press the [Function] button.

Press the [Equalizer] button.

The Equalizer screen will appear.

There are three Equalizer screens.

While holding down the [Display] button, use

the [-] [+] buttons to select the item you want to

edit.

Use the [-] [+] buttons to change the setting.

The FP-7 remembers the settings even while its power

is turned off.

Adjusting the Volume (Master Gain)

Setting

-10 dB–0 dB–10 dB

NOTE

Equalizer Settings

Changing the Equalizer Settings

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Various Settings

Sounds may become distorted as the Gain level

increases.

The equalizer will be turned on when you access the

Equalizer screen.

This setting specifies what the [Transpose] button will affect.

You can use the [Transpose] button to change the pitch of both

the song and the keyboard, the pitch of only the song, or the

pitch of only the keyboard.

→

“Transposing the Key of the Keyboard or Song Playback

(Transpose)” (p. 52)

Press the [Function] button.

Press the [Transpose] button.

The Keyboard screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Transpose.”

Use the [-] [+] buttons to change the setting.

Setting Setting Description

Low Gain

-12 dB–+12 dB Adjusts the level of the low-

frequency range.

Low Freq

100 Hz–1.0 kHz

Frequency point in the low-

frequency range.

Generally, this changes the

level at and below this

frequency.

Low Mid

Gain

-12 dB–+12 dB

Adjusts the level of the low-

frequency range to

midrange.

Low Mid

Freq

16 Hz–16.0 kHz

Frequency point in the low-

frequency range to

midrange. This changes the

level of the specified

bandwidth centered on this

frequency.

Low Mid

0.5, 1.0, 2.0, 4.0,

8.0

Changes the bandwidth of

the low-frequency range to

midrange. The bandwidth

affected by the controls

narrows as the value

increases.

High Mid

Gain

-12 dB–+12 dB Adjusts the level of the mid-

to high-frequency range.

High Mid

Freq

16 Hz–16.0 kHz

Frequency point in the mid-

to high-frequency range to

midrange. This changes the

level of the specified

bandwidth centered on this

frequency.

High Mid

0.5, 1.0, 2.0, 4.0,

8.0

Changes the bandwidth of

the mid- to high-frequency

range. The bandwidth

affected by the controls

narrows as the value

increases.

High

Gain

-12 dB–+12 dB Adjusts the level of the high-

frequency range.

High

Freq

12.5 kHz–16.0 kHz

Frequency point in the high-

frequency range.

Generally, this changes the

level at and over this

frequency.

NOTE

Keyboard Settings

Specifying What the Transpose Button

will Affect (Transpose)

Setting Description

Keyboard

Keyboard notes

Song

Song playback

Both

Keyboard notes and song playback

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125

Various Settings

You can adjust the sensitivity with which the keyboard

responds to your playing.

Press the [Function] button.

Press the [Transpose] button.

The Keyboard screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Key Touch.”

Use the [-] [+] buttons to change the setting.

You can specify the loudness at which each note will

sound when the “Off” keyboard touch is selected.

Refer to “Changing the Velocity When the Key Touch

is Set to “Off”” (p. 126).

You can make fine adjustments to the touch sensitivity of the

keyboard.

You can adjust the keyboard touch in even greater detail than

specified by the Key Touch setting (see preceding section).

Press the [Function] button.

Press the [Transpose] button.

The Keyboard screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Key Touch Offset.”

Use the [-] [+] buttons to change the setting.

Changing the Keyboard Touch

(Key Touch)

Setting Description

Off

With this setting, all notes will sound at a

fixed volume regardless of how strongly you

play the keyboard.

Super Light

This setting produces the lightest keyboard

touch.

Light

This setting allows you to produce fortissimo

(ff) sounds without having to play so strongly,

giving you the sensation that the keyboard is

lighter. A child whose hand strength is not yet

developed will find it easy to play using this

setting.

Medium

This setting offers the most natural-feeling

touch, and is closest to the sensitivity of an

acoustic piano.

Heavy

This setting requires that you play more

strongly in order to produce fortissimo (ff)

sounds, giving you the sensation that the

keyboard is heavier. With this setting, you’ll

have greater expressive range when you play

dynamically.

Super

Heavy

This setting produces the heaviest keyboard

touch.

Making Fine Adjustments to the

Keyboard Touch Sensitivity

Setting

-10–0–9

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126

Various Settings

This sets the velocity the sound will have when the keyboard

touch is set to “Off.”

If you turn the keyboard’s touch sensitivity “Off,” all notes will

sound at a fixed loudness regardless of how strongly you play

the keyboard. The setting described below specifies the

loudness in this case.

Press the [Function] button.

Press the [Transpose] button.

The Keyboard screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Fix Velocity.”

Use the [-] [+] buttons to change the setting.

You can change the pitch of the Lower Tone in Dual Play (p.

41) and Split Play (p. 43) an octave at a time.

Altering the pitch in one-octave units in this way is called

“Octave Shift.”

For example, you can raise the pitch of the Lower Tone to the

same pitch of the Upper Tone in Split Play.

Press the [Function] button.

Press the [Transpose] button.

The Keyboard screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Lower Octave

Shift.”

Use the [-] [+] buttons to specify the pitch of the

notes.

The range of available pitch change spans from two

octaves higher to two octaves lower.

The pitch is lowered one octave each time the [-] button

is pressed, while each press of the [+] button raises the

pitch by one octave.

To return to the original pitch, press the [-] and [+]

buttons simultaneously.

Changing the Velocity When the Key

Touch is Set to “Off”

Setting

1–127

Changing the Pitch of the Lower Tone

in Octave Steps (Octave Shift)

Setting

-2–0–+2

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127

Various Settings

From the sets of audio files saved on USB memory (sold

separately), here’s how to select the set of audio files that

you’ll play from the keyboard using the FP-7’s Audio Key

function.

If you install the included “Audio Key Utility” in your computer,

you’ll be able to easily prepare sets of audio files to be played

back using the FP-7’s Audio Key function.

Press the [Function] button.

Press the [Audio Key] button.

The Audio Key screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Set Name.”

Use the [-] [+] buttons to select the audio file

set that you want to play using the Audio Key

function.

If no audio file sets are saved in USB memory, the names

of the audio file sets saved in the FP-7 will be displayed.

Here’s how you can edit the audio file settings, such as

changing the audio file played by each key, or specifying

whether the file will be played repeatedly.

Press the [Function] button.

Press the [Audio Key] button.

The Audio Key screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Assign.”

The Audio Key Assign screen appears.

Press the [Display] button.

The following screen appears.

Press the key whose settings you want to

change.

Audio Key Settings

Selecting an Audio File Set

Changing the Audio File Settings

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128

Various Settings

Use the [-] [+] buttons to select the audio file

that will be played by the specified key.

If you press the [-] [+] buttons simultaneously, the

audio file assigned to that key will be cleared.

No playback mode indication is shown on the

graphic for keys to which no audio file is assigned,

and the audio file name field will indicate “No

Assign.”

While holding down the [Display] button,

press the [+] button to select the playback

status (Play Mode) indication.

Use the [-] [+] buttons to select the playback

status (Play Mode).

Press the [Display] button to complete the

setting.

The following screen appears

If you want to overwrite the settings using the changes

you made, holding down the [Display] button and press

the [+] button to select “OK,” then press the [Rec] button.

If you decide not to apply the changes you made,

holding down the [Display] button and press the [-]

button to select “Cancel,” then press the [Rec] button.

If you’ve modified the audio file settings but have not

written your changes onto the settings, the following

screen will appear when you attempt to access the

Audio Key Assign screen.

If you want to select the audio file from before you made

the changes, holding down the [Display] button and

press the [+] button to select “OK,” then press the [Rec]

button.

If you want to recall the changes you made, holding

down the [Display] button and press the [-] button to

select “Cancel,” then press the [Rec] button.

Indication Description

One-shot

Now

When you press the key, the audio file will

play only once.

The audio file will play immediately when you

press the key.

One-shot

Wait

When you press the key, the audio file will be

played once when the currently playing

audio file finishes playing.

Loop Now

When you press the key, the audio file will

play repeatedly. The audio file will play

immediately when you press the key.

Loop Wait

When you press the key, the audio file will be

played repeatedly when the currently playing

audio file finishes playing.

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129

Various Settings

This sets session partner Intro and Ending on or off. When set

to “Off,” pressing the [Session Partner] button causes the Intro

and Ending not to be played.

Press the [Function] button.

Press the [Session Partner] button.

The Session Partner screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Intro/Ending.”

Use the [-] [+] buttons to change the setting.

Here’s how to select the chord progression pattern for the

currently selected rhythm used when Session Partner plays.

Press the [Function] button.

Press the [Session Partner] button.

The Session Partner screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Chord Prog.”

Use the [-] [+] buttons to change the setting.

“User Chord” is a chord progression pattern you

yourself recorded.

“User Chord” is shown only if there is a chord

progression pattern that you created (p. 76).

Session Partner Settings

Setting the Intro and Ending On or Off

Setting Description

Pressing the [Session Partner] button causes

the Intro and Ending to be played.

Off

Pressing the [Session Partner] button causes

the Intro and Ending not to be played.

Selecting a Chord Progression Pattern

Setting

User Chord, 1–56

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130

Various Settings

Here’s how to specify the root note of the first chord of

currently Session Partner’s chord progression.

Press the [Function] button.

Press the [Session Partner] button.

The Session Partner screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Root.”

Press the [-] [+] buttons or the key

corresponding to the root note.

Session Partner contains chord progression pattern data that is

suitable for each rhythm.

Here you can specify whether a chord progression suitable for

the rhythm will be automatically selected when you switch the

rhythm of the Session Partner function.

Press the [Function] button.

Press the [Session Partner] button.

The Session Partner screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Auto Chord Prog.”

Use the [-] [+] buttons to change the setting.

Selecting the Root Note of the Chord

Progression

Setting

C, C , D, E , E, F, F , G, A , A, B , B

Fixing a Set Chord Progression

Setting Description

When you change rhythms, the chord

progression pattern will switch to the pattern

that is most suitable for the selected rhythm.

Off

When the rhythm changes, the chord

progression pattern does not change.

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131

Various Settings

Here’s how you can mute a specific part so that it will not be

heard when the song plays.

You can also make settings so that only a specific part will be

heard.

Press the [Function] button.

Press the Track [1] button.

The Song File screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Part Mute.”

Press the [Display] button.

The following screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select the part that you

want to mute.

Use the [-] [+] buttons to mute the specified

part.

Muted (silenced) parts are indicated by “M.”

If you use the [-] [+] buttons several times to make the

“S” indication appear, only that part will be played (i.e.,

that part will be soloed).

Settings for Song Playback

Muting a Specific Part (Part Mute)

Most commercially available SMF music files consists of

sixteen channels (parts).

Each channel contains a separate performance; for

example, channel 1 might contain strings and channel 2

bass, with the drums on channel 10. The song data

consists of these sixteen channels of performances, played

back simultaneously.

fig.MelodyChannel.eps

Channel 1

Channel 2

Channel 10

Strings

Bass

Drums

Channel 16

Guitar

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Various Settings

Normally, when you play back SMF music files that is

compatible with Roland Piano Digital (p. 170), the left-hand

part is assigned to the Track [1] button and the right-hand part

is assigned to the Track [2] button. However, some SMF music

files assigns the right-hand part and left-hand part to the track

buttons in a different way. If this setting is “Auto,” and you are

unable to use the track buttons (p. 30) to control the right-hand

part or left-hand part as you expect, you can change the

setting to “2/1 Part” or “3/4 Part.”

This setting applies to SMF format songs from USB

memory. It does not affect the internal presets songs

or songs that are stored in internal memory.

Press the [Function] button.

Press the Track [1] button.

The Song File screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Track Assign.”

Use the [-] [+] buttons to change the setting.

The FP-7 contains a storage area in which you can save your

recorded performances or your registration sets. This area is

called “internal memory.”

If you want to erase the entire contents of internal memory and

restore it to the factory-set condition, execute the following

procedure.

Press the [Function] button.

Press the Track [2] button.

The Format screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Internal Memory.”

Press the [Display] button.

A confirmation message will appear.

If you want to return to the previous screen without

formatting, hold down the [Display] button, use the [-] [+]

buttons to select “Cancel,” then press the [Rec] button.

While holding down the [Display] button, use

the [-] [+] buttons to select “OK.”

Changing the Parts Assigned to the

Track Buttons During SMF Music Files

Playback (Track Assign)

Setting Description

Auto

The assignment of parts to tracks will be done

automatically according to the song data.

2/1 Part

Part 1 is assigned to the Track [2] button, part

2 to the Track [1] button, and the remaining

parts to the Track [R] button.

3/4 Part

Part 4 is assigned to the Track [2] button, part

3 to the Track [1] button, and the remaining

parts to the Track [R] button.

NOTE

Initializing (Formatting)

Memory

Initializing Internal Memory

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133

Various Settings

Press the [Rec] button.

Initialization will begin.

The entire contents of internal memory will be erased.

* Never turn off the power while the screen indicates

“Executing.” Doing so may destroy the FP-7’s

memory, rendering it unusable.

This operation will not initialize any settings other

than the contents of internal memory. If you want to

return settings other than internal memory to the

factory-set state, please execute Factory Reset (p.

135) or Initializing USB memory (p. 133).

You can initialize (format) USB memory that’s connected to the

FP-7. If you want to erase the entire contents of USB memory

and return it to the condition in which you purchased it,

execute the following procedure.

Press the [Function] button.

Press the Track [2] button.

The Format screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “External Memory.”

Press the [Display] button.

A confirmation message will appear.

If you want to return to the previous screen without

formatting, hold down the [Display] button, use the [-] [+]

buttons to select “Cancel,” then press the [Rec] button.

While holding down the [Display] button, use

the [-] [+] buttons to select “OK.”

Press the [Rec] button.

Initialization will begin.

The entire contents of USB memory will be erased.

* Never turn off the power while the screen indicates

“Executing.” Doing so may destroy the USB memory,

rendering it unusable.

Don’t remove the USB memory until formatting is

completed.

This operation will not initialize any settings other

than the contents of USB memory. If you want to

return settings other than USB memory to the factory-

set state, please execute Factory Reset (p. 135) or

Initializing internal memory (p. 132).

Initializing USB Memory

NOTE

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134

Various Settings

You can specify the time signature at which the metronome

will sound.

When you record your own performance, it will be recorded

with the time signature you specify here.

Press the [Function] button.

Press the [Metronome] button.

The Metronome screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Beat.”

The currently selected time signature will be displayed.

Press the [-] [+] buttons to select the beat.

When you change the rhythm or the Internal song,

the beat of metronome is changed.

You cannot change the metronome beat while a

song or Rhythm is being played.

You can make the metronome sound each beat in greater

detail.

Press the [Function] button.

Press the [Metronome] button.

The Metronome screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Type.”

The display will indicate how beats are currently being

marked.

Use the [-] [+] buttons to select how the beats

are to be marked.

Metronome Settings

Changing the Beat of Metronome

Setting

2/2, 0/4 (Weak beats only), 2/4, 3/4, 4/4, 5/4, 6/4, 7/4,

3/8, 6/8, 9/8, 12/8

NOTE

Changing the Way in which the

Metronome Marks the Beat

Setting Beat Setting Beat

Normal

Usual sound Eighth-note

intervals

Dotted half-

note intervals

Sixteenth-note

intervals

Half-note

intervals

Double

Single back

beat added

Dotted quarter-

note intervals

Triplet

Triplet rhythm

added

Quarter-note

intervals

Shuffle

Shuffle rhythm

added

Dotted eighth-

note intervals

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135

Various Settings

You can restore the settings you’ve changed on the FP-7 to

their factory-set condition. This operation is called “Factory

Reset.”

When you perform a Factory Reset, all the settings

you have stored will be erased, and the FP-7 will

return to the factory-set condition. This operation will

not restore the contents of internal memory to the

factory-set condition.

Refer to “Initializing Internal Memory” (p. 132).

Turn the volume to the minimum, and press the

[Power] switch to turn off the power.

Hold down the [Function] button, and press the

[Power] switch to turn on the power.

Continue pressing the [Function] button until the

following display appears.

When the Factory Reset is completed, the Tone screen

will appear.

If you activate the Panel Lock function, buttons will not operate

when they are pressed. You can use this to prevent children

from inadvertently changing the settings by pressing buttons.

Hold down the [Function] button and press the

[Equalizer] button.

A lock symbol will appear in the screen as follows.

Releasing the Panel Lock

Hold down the [Function] button and press the

[Equalizer] button.

The lock symbol will disappear from the screen.

If you have pressed a Tone button to select a tone

before you activate Panel Lock, you’ll be able to play

the specified tone. You can’t change tone while

Panel Lock is active.

Other Settings

Restoring the Factory-set Condition

(Factory Reset)

NOTE

Disabling the Buttons (Panel Lock)

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136

Various Settings

Connecting the FP-7 to a V-LINK compatible image device

allows you to control the images with the FP-7.

To prevent malfunction and/or damage to speakers

or other devices, always turn down the volume, and

turn off the power on all devices before making any

connections.

V-LINK

V-LINK ( ) is functionality promoted by Roland

that allows linked performance of music and visual material.

By using V-LINK-compatible video equipment, visual effects

can be easily liked to, and made part of the expressive

elements of a performance.

How to Use the V-LINK

Hold down the [Sound Control] button and

press the [Equalizer] button.

The FP-7 switches to Image Control mode.

A V-LINK symbol will appear in the screen.

You can control images using the twelve keys at the left

end of the keyboard.

fig.V-Link.eps

While V-LINK is switched on, no sound is produced

when you press any of the twelve keys at the left end

of the keyboard.

To deactivate the V-LINK function, hold down the [Sound

Control] button and press the [Equalizer] button.

In some cases, when USB memory is connected to the external

memory connector, it may take longer for data to be loaded,

or data may fail to be loaded successfully. If this occurs, you

may be able to solve the problem by changing the external

memory setting.

Press the [Function] button.

Press the [Reverb] button.

The System screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “External Memory.”

fig.d-Tuning.eps

Use the [-] [+] buttons to change the setting.

Turn on the power once again.

Using the V-LINK Function

NOTE

A0–A 1 (lowest twelve keys)

NOTE

Changing the External Memory Setting

Setting

Mode1, Mode2

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137

Connecting Other

Equipment

Connecting Audio Equipment.............................................................. 138

Sending the Sound to External Speakers.............................................................. 138

Listening to a CD from the FP-7’s Speakers........................................................... 139

Recording an FP-7 Performance to an External Device......................... 140

Recording an FP-7 Performance to a CD or Cassette Tape, etc. .............................. 140

Using Your Computer to Create a CD ................................................................. 141

Connecting the USB Memory (Sold Separately).................................... 142

Connecting to a Computer.................................................................. 143

Connecting to a Computer via the USB (MIDI) Connector....................................... 143

Connecting a CD Drive (Sold Separately)............................................. 144

Making the Connections.................................................................................... 144

Playing Back Songs from a CD........................................................................... 145

Performing along with a Music CD (Center Cancel) .............................................. 146

Performing while You Listen to the Melody of the Music Files.................................. 146

Connecting to MIDI Devices ................................................................ 147

What’s MIDI?................................................................................................... 147

Making the Connections.................................................................................... 147

Using the FP-7 to Play Another MIDI Sound Module .............................................. 148

MIDI Settings.................................................................................................... 148

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138

Connecting Audio Equipment

By connecting audio equipment to the FP-7, you can listen to its sound from the speakers

of your audio system, or listen to sound from your audio system via the FP-7’s speakers.

To make connections, use audio cables with 1/4” phone plugs.

Before connecting this unit to other devices, turn off the power to all units. This will help

prevent malfunctions and/or damage to speakers or other devices.

Some connection cables contain resistors. Do not use cables that incorporate resistors

for connecting to this unit. The use of such cables can cause the sound level to be

extremely low, or impossible to hear. For information on cable specifications, contact

the manufacturer of the cable.

If you’ll be playing the FP-7 in a larger space, such as in a concert, you can connect

amplified speakers to make the sound louder.

Make connections as shown below.

fig.cnct-speaker1.eps

• Sound will still be heard from the FP-7’s internal speakers even if you connect external

speakers.

If you don’t want to hear the internal speakers, turn the [Speaker] switch “Off” so that sound

will be heard only from the external speakers.

• The FP-7 is designed so that when you connect headphones, the sound is optimized for

listening through headphones. For this reason, the sound heard from speakers connected to

the FP-7 will be different depending on whether or not headphones are connected.

* If you connect the FP-7 to an external device (such as an external speaker) in monaural, it

may sound differently than when using a stereo connection.

Sending the Sound to External Speakers

NOTE

Amplified Speakers, etc.

Input (Line In) jacks

Output jacks Speaker switch

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139

Connecting Audio Equipment

If you connect your CD player or cassette tape player to the FP-7 so that the sound is

heard from the FP-7’s speakers, you can perform on the FP-7 while you listen to the

accompaniment provided by the song of the cassette tape or CD.

Make connections as shown below.

fig.cnct-speaker2.eps

* If you need to change the volume of the CD, adjust the volume on the connected CD

player.

You can also connect your portable audio player and listen to it from the FP-7’s speakers.

Connect your portable audio player to the FP-7’s Mix In jack.

Listening to a CD from the FP-7’s Speakers

CD Player, etc.

Output jacks

Input jacks

Portable Audio Player, etc.

Output jacks

Mix In jacks

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140

Recording an FP-7 Performance to an External Device

Before connecting this unit to other devices, turn off the power to all units. This will help

prevent malfunctions and/or damage to speakers or other devices.

Using the Roland CD-2 or Other Dedicated Unit to Create a CD

By using a Roland CD-2, you can record your FP-7 performance directly to a CD without

using a computer.

fig.cnct-rec2.eps

Recording an FP-7 Performance to an Cassette Tape

You can record an FP-7 performance on cassette tape. This is a convenient way for you

to check the results of your practicing or to let a friend hear your performance.

Make connections as shown below.

fig.cnct-rec1.eps

Recording an FP-7 Performance to a CD or Cassette Tape, etc.

NOTE

Output jacks

Roland CD-2, etc.

Input (LINE IN) jacks

Output jacks

Cassette Tape recorder, etc.

Input (Line In) jacks

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141

Recording an FP-7 Performance to an External Device

In order to use your computer to record a performance from the FP-7, you’ll need a drive

that can write CDs, and software such as “Windows Media Player” (in Windows) or

“iTunes” (in Mac OS).

These requirements are met by most computers today, but some versions are unable to

create a CD. For details, refer to the owner’s manual or online help for your software.

fig.cnct-rec4.eps

Using Your Computer to Create a CD

NOTE

Transmit the audio

file (.WAV) from the

R-09 to your

computer via the

USB connection.

FP-7

FP-7 Output

jacks

Input

jacks

Output

jacks

LIne IN

jacks

USB Audio

Interface

(UA-1EX, etc.)

R-09

Use audio recording

software to create

“.wav files.”

Computer Use software such

as “Windows

Media Player,”

“iTunes,” etc. on

your computer to

write the files to a

CD.

Use software such

as “Windows

Media Player,”

“iTunes,” etc. on

your computer to

write the files to a

CD.

Computer

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142

Connecting the USB Memory

(Sold Separately)

You can use USB memory in the following ways on the FP-7.

What you can do Page

Save a song you’ve recorded

A performance you’ve recorded can be saved to USB memory as a backup. p. 105

Save a registration set

The twenty-eight registrations saved in [Registration] button can be saved together

to USB memory as a registration set.

A registration set saved to USB memory can be loaded into the FP-7’s

[Registration] button and used.

p. 83

p. 85

Play back songs from USB memory

You can listen to songs, such as SMF music files, saved on USB memory. p. 33

Play back audio files from USB memory

You can play back audio files saved on USB memory. You can also enjoy

performing on the keyboard while an audio file plays.

p. 34

Use the Audio Key function to play audio file sets from USB memory

You can enjoy using the Audio Key function with an audio file set you’ve

prepared. By playing human voices or brief phrases, you can add a “live” feel to

your performances.

p. 59

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143

Connecting to a Computer

If you use a USB cable (commercially available) to connect the

USB (MIDI) connector located on the FP-7’s rear panel to the

USB connector of your computer, you’ll be able to do the

following things.

• Use the FP-7 to play SMF music files played back by MIDI-

compatible software.

• By transferring MIDI data between the FP-7 and your

sequencer software, you’ll be able to enjoy a wide range

of possibilities for music production and editing.

Connect the FP-7 to your computer as shown below.

fig.cnct-usb2.eps

* Refer to the Roland website for system requirements.

Roland website: http://www.roland.com/

If connection to your computer is

unsuccessful...

Normally, you don’t need to install a driver in order to connect

the FP-7 to your computer. However, if some problem occurs,

or if the performance is poor, using the Roland original driver

may solve the problem.

For details on downloading and installing the Roland original

driver, refer to the Roland website.

Roland website:http://www.roland.com/

Specify the USB driver you want to use, and then install the

driver. For details, refer to “Changing the USB Driver Settings”

(p. 143).

Press the [Function] button.

Press the [Reverb] button.

While holding down the [Display] button, use

the [-] [+] buttons to select “USB Driver.”

Press the [-] or [+] button to select the USB

driver you want to use.

Turn the power off, then on again.

Connecting to a Computer via

the USB (MIDI) Connector

USB cable

USB connector

Computer

Changing the USB Driver Settings

Setting Description

Generic

Choose this if you want to use the standard

USB driver that was included with your

computer.

Normally, you should use this mode.

Original

Choose this if you want to use a USB driver

downloaded from the Roland website.

Caution

• To avoid the risk of malfunction and/or speaker

damage, always make sure to turn the volume all the

way down and turn off the power on all equipment

before you make any connections.

• Only MIDI data can be transmitted and received via

USB.

• A USB cable is not included. If you need to obtain

one, ask the dealer where you purchased the FP-7.

• Switch on power to the FP-7 before you start up the

MIDI application on your computer. Don’t turn the FP-7’s

power on/off while your MIDI application is running.

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144

Connecting a CD Drive

(Sold Separately)

By connecting a commercially available CD drive that is USB-

compatible, you can use the FP-7 to play back ordinary music

CDs or songs from a CD-ROM that contains SMF music files.

The FP-7 provides a range of performance possibilities, such

as a “Center Cancel” function, which minimizes the vocal

portion of commercially available CDs so that you can sing the

vocal yourself, and a “Melody Guide” function, which mutes

the melody portion of SMF music files so that you can play it

yourself.

Power off the FP-7 and the CD drive that you’ll

be connecting.

Using the USB cable included with the CD

drive, connect the CD drive’s USB connector to

the FP-7’s external memory connector.

fig.cnct-cdrom2.eps

Switch on the FP-7’s power.

Switch on the power to the connected CD drive.

Into the CD drive, insert a music CD or a CD-

ROM that contains SMF music files.

Go ahead and try playing SMF music files, songs from a

music CD, or audio files.

Turning the Power Off

If a song is playing, stop the song before you turn off the

power.

Remove the CD from the CD drive.

* Firmly press the eject button of the CD drive.

* It may take some time for the CD to be ejected.

Minimize the volume of the FP-7, and turn off

the power (p. 19).

Power off the CD drive.

* Make sure that all power is switched off before

you unplug the CD drive cable.

Cautions when Using a CD

• CD-R/RW discs containing music tracks, or CDs that

contain both music tracks and data will not play

correctly.

• For playback of commercially available CDs, this

device supports playback only for discs bearing the

“COMPACT disc DIGITAL AUDIO” logo, which

indicates the official CD standard.

• We cannot guarantee that this device will correctly play

discs that do not comply with the CD standard, such as

music discs that use copy-protection technology.

For details on music discs that use copy-protection

technology, please contact the distributor of the disc.

• You cannot save songs on a CD or delete a song from

a CD, nor can you format a CD.

• For details on turning the power of the CD drive on or

off, inserting and removing CDs, and the types of

media that are recommended, refer to the owner’s

manual of your CD drive.

• “USB bus powered” units are not supported.

• CD drive models that have been verified to operate

correctly with the FP-7 are listed on the Roland website.

(www.roland.com)

If you’re unable to remove the CD

Proceed as follows.

If you are still unable to remove the CD, refer to the

owner’s manual of the CD drive.

1. Power off all devices.

2. Power off the FP-7.

3. Switch on the CD drive’s power.

4. Wait for a while after the power has turned on, and

then firmly press the eject button.

Making the Connections

External

Memory Connector

USB Cable

USB or

USB Mini

Connector

CD Drive

(Sold Separately)

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145

Connecting a CD Drive (Sold Separately)

Here’s how to play back commercially available music CDs,

CD-ROMs containing SMF music files, or the CD-ROMs made

for the VIMA (VIMA TUNES).

Selecting a Song from CD

Into the CD drive, insert a music CD or a CD-

ROM that contains SMF music files.

Press the [Display] button several times to

make the button light in green.

A screen like the following will appear.

fig.cnct-cdrom3.eps

Use the [-] [+] buttons to select the song.

If a song from CD is selected, the screen will indicate

“CD” or “Music CD.”

fig.cnct-cdrom3.eps

Playing the Song from a CD

Press the [Play] button.

The selected song will play.

If a song is playing while the song select screen is

displayed, you can rewind the song by holding down

the [-] button, or fast-forward the song by holding down

the [+] button.

For details on adjusting the volume of the CD, refer

to “Changing the Volume of the Song” (p. 28).

Stopping the Song

Press the [Play] button once again.

Remove the CD from the disc tray.

Playing Back Songs from a CD

NOTE

If the CD won’t play

In some cases, it may take some time after inserting the

CD into the CD drive before playback can occur. Please

wait for a while, and then try playing the song again.

If you are still unable to play back the CD, remove the

CD, turn off the power (p. 19), switch on power to the FP-

7 and the CD drive once again, and re-insert the CD.

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146

Connecting a CD Drive (Sold Separately)

You can reduce the volume of the vocal portion of a

commercially available music CD or an audio file, and

perform that part yourself. This is a convenient way to perform

using a favorite music CD.

Into your CD drive, insert the music CD that

you want to play, and select the song that you

want to play (p. 145).

The Track [2] button will light.

Press the [Play] button to play back the song.

Press the Track [2] button to turn off its

illumination.

The sound of the melody or vocal will be minimized.

Play the melody yourself while listening to the other parts

of the song.

For some songs, the vocal sound may not be

eliminated completely.

Press the Track [2] button to make the button

light once again.

The melody or vocal will return to its original volume.

Press the [Play] button to stop the song

playback.

You can mute (silence) the melody portion of SMF music files,

or play it at a reduced volume. You may find it convenient to

practice while listening to the melody at a reduced volume,

and then mute the melody completely when you’ve learned it.

Into your CD drive, insert the CD containing

SMF music files, and select the song that you

want to perform (p. 145).

The track buttons will light.

Press the [Play] button to play back the song.

Press a track button so its illumination is

turned off.

The sound assigned to that track button will be muted.

Now you can practice while listening to the

accompaniment of the other tracks.

Hold down a track button and use the [-] [+]

buttons to specify the volume that the track

will have when its playback is muted.

The volume for when the playback is muted will be

shown while you hold down the track button.

The track mute volume can be set to any value from 0 to

80.

While listening to the song, play along with the melody.

The melody will be heard at a lower volume, so you can

use it as a guide.

Press the track button to make it light once

again.

The volume will return to its original level.

Press the [Play] button to stop the song

playback.

Performing along with a

Music CD (Center Cancel)

NOTE

Performing while You Listen to

the Melody of the Music Files

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147

Connecting to MIDI Devices

The FP-7 provides MIDI connectors so that performance data

can be transferred between it and other devices. By using

these connectors to connect other devices with the FP-7, you

can take advantage of a wide range of possibilities.

“MIDI” stands for “Musical Instrument Digital Interface.” It is a

universal standard that allows performance data to be

exchanged among electronic musical instruments and computers.

The FP-7 contains a General MIDI 2 compatible sound

generator.

General MIDI

The General MIDI is a set of recommendations which seeks to

provide a way to go beyond the limitations of proprietary

designs, and standardize the MIDI capabilities of sound

generating devices. Sound generating devices and music files

that meets the General MIDI standard bears the General MIDI

logo. Music files bearing the General MIDI logo can be

played back using any General MIDI sound generating unit to

produce essentially the same musical performance.

General MIDI 2

The upwardly compatible General MIDI 2 recommendations pick

up where the original General MIDI left off, offering enhanced

expressive capabilities, and even greater compatibility. Issues that

were not covered by the original General MIDI recommendations,

such as how sounds are to be edited, and how effects should be

handled, have now been precisely defined. Moreover, the

available sounds have been expanded. General MIDI 2 compliant

sound generators are capable of reliably playing back music files

that carry either the General MIDI or General MIDI 2 logo.

In some cases, the conventional form of General MIDI, which does

not include the new enhancements, is referred to as “General

MIDI 1” as a way of distinguishing it from General MIDI 2.

Connectors

fig.cnct-midi1.eps

MIDI Out Connector

Sends data about what is being played on the keyboard and

other performance data.

Connect to the MIDI In connector on the external MIDI device.

MIDI In Connector

Receives messages sent from external MIDI devices.

Connect to the MIDI Out connector on the external MIDI

device.

To prevent malfunction and/or damage to speakers

or other devices, always turn down the volume, and

turn off the power on all devices before making any

connections.

MIDI cables are not included. Consult your Roland

dealer if you need to purchase.

Turn the volume all the way down on the FP-7

and the device you’re about to connect.

Turn off the power to the FP-7 and the device

being connected.

Connect a MIDI cable (sold separately)

between the MIDI connectors on each device.

Switch on the power to the FP-7 and the

connected device.

Adjust the volume level on the FP-7 and the

connected device.

You should also set the MIDI settings as

needed.

You may need to set things such as the MIDI transmit

channel (p. 148) and the Local on/off setting (p. 149).

What’s MIDI?

Making the Connections

NOTE

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148

Connecting to MIDI Devices

You can use the FP-7 to play sounds on another connected

MIDI sound generating device (a sound module or instrument

that supports the MIDI specification). This lets you layer sounds

to create a richer performance, or play sounds on an external

sound module that does not have a keyboard.

In order to use this type of connection, you must set the FP-7’s

transmit channel to match the receive channel of your external

MIDI equipment (p. 148).

Connection Example: Connection to a

MIDI Sound Module

fig.cnct-midi2.eps

This setting specifies the MIDI channel on which the

FP-7

will

transmit.

MIDI uses sixteen “MIDI channels,” which are numbered 1

through 16. By connecting MIDI devices and specifying the

appropriate MIDI channel for each device, you can play or

select sounds on those devices.

The FP-7 will receive all sixteen channels (1–16).

Press the [Function] button.

Press the [Sound Control] button.

The MIDI screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Upper Tx Ch” or

“Lower Tx Ch.”

Press the [-] or [+] button to select the

transmission channel.

If you choose the “Off” setting, MIDI data will not be

transmitted.

For details on connecting MIDI devices, refer to

“Making the Connections” (p. 147).

Using the FP-7 to Play

Another MIDI Sound Module

THRU OUT

MIDI

MIDI Out

connector

MIDI IN

connector

MIDI cable

MIDI Sound Module

MIDI Settings

Matching the Channels of the FP-7

and the Connected Device

(MIDI Transmit Channel)

Item

Description

Upper Tx Ch

MIDI transmit channel of the Upper tone

Lower Tx Ch

MIDI transmit channel of the Lower tone

Setting (Channel)

Off

, 1–16

NOTE

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149

Connecting to MIDI Devices

When you have a MIDI sequencer connected, set this

parameter to Local Off.

Since the Thru function of your sequencer will normally be

turned on, notes played on the keyboard or played back by

the recorder will be transmitted to the sound generator by the

two routes (1) and (2) shown in the illustration, causing notes

to be sounded in duplicate or to be cut off unnaturally. To

prevent this, the setting called “Local Off” is used to disconnect

the route in (1).

Local On:

The keyboard and recorder are connected to the

internal sound generator.

Local Off:

The keyboard and recorder are not connected to

the internal sound generator. No sound will be

produced by the keyboard when it is played.

When a Roland MT series instrument is connected, it

is not necessary to make the Local Off setting. The

MT transmits a Local Off message when the power is

turned on. If you turn on the power in the order of the

FP-7

→

MT series, Local Off will be set

automatically.

Press the [Function] button.

Press the [Sound Control] button.

The MIDI screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Local Control.”

Press the [-] or [+] button to change the

settings.

Preventing Doubled Notes When

Connected to a Sequencer

(Local Control)

(1)

MIDI

(2)

IN OUT

OUT

Sequencer

Memory

Sound

Generator

Each note played is sounded twice Soft Thru On

Local On

Sound is emitted

Sound Generator

Local Off

No sound produced

Sound Generator

Setting Description

The Local Control is set to On.

The keyboard and recorder are connected to

the internal sound generator.

Off

The Local Control is set to Off.

The keyboard and recorder are not

connected to the internal sound generator.

Playing the keyboard or playing back a song

will not produce sound.

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150

Connecting to MIDI Devices

You can specify whether a tone selection message will be

transmitted to the MIDI device connected to the FP-7 when you

switch tones on the FP-7.

Press the [Function] button.

Press the [Sound Control] button.

The MIDI screen appears.

While holding down the [Display] button, use the

[-] [+] buttons to select “ProgramChangeTxSw.”

Press the [-] or [+] button to change the

settings.

A performance you’ve recorded on FP-7 can be transmitted to

an external MIDI device or computer, allowing you to save the

performances you record.

Press the [Function] button.

Press the [Sound Control] button.

The MIDI screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select “Recorder MIDI

Out.”

Press the [-] or [+] button to change the

settings.

You cannot transmit a performance to an external

MIDI device by playing back an audio file.

Transmitting Tone Change Data

(Program Change Transmit Switch)

Setting Description

Tone selections you make on the FP-7 will be

transmitted to the MIDI device connected to

the FP-7.

Off

Tone selections you make on the FP-7 will not

be transmitted to the MIDI device connected

to the FP-7.

Transmitting a Recorded

Performance (Recorder MIDI Out)

Setting Description

When you play back a performance that you

recorded on the FP-7, the recorded

performance will be transmitted to an

external MIDI device or computer.

Off

Even if you play back a performance that you

recorded on the FP-7, the recorded

performance will not be transmitted to an

external MIDI device or computer.

NOTE

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151

Connecting to MIDI Devices

If you want your recorded performance to be saved on a MIDI

sequencer such as an MT-series unit (except for the MT-90s),

proceed as follows.

In this case, turn off the MIDI Thru setting of your external MIDI

sequencer. For details, refer to the owner’s manual of your

MIDI sequencer.

Make the appropriate connections for your

MT-series or other MIDI sequencer.

Record your performance on the FP-7 (p. 92).

Turn on the “Recorder MIDI Out” setting (p.

150).

Start recording on your connected MIDI

sequencer.

Play back the performance that you recorded

on the FP-7.

When playback is finished, stop recording on

your MIDI sequencer.

On the connected MIDI sequencer, save the

performance data that was transmitted from

the FP-7.

You can cause program changes (PC) to be transmitted to an

external MIDI device each time you switch registrations

(favorite performance settings) on the FP-7 (p. 78).

The program change setting will be stored as part of each

registration, together with the other button settings, etc.

Press the [Function] button.

Press the [Registration] button.

The Registration screen appears.

While holding down the [Display] button, use

the [-] [+] buttons to select the item.

Transmitting Program Changes

Simultaneously with Registration

Changes

A Program Change is a MIDI message that means

“change to the Tone of the specified number.” The device

that receives this changes to the Tone of the

corresponding number.

When you choose a Program Change message (Program

Number), the Program Number will be transmitted to the

MIDI device connected to the FP-7. The MIDI device that

receives the Program Number changes the tone to the

corresponding Program Number.

Normally, the Tone is selected from the 128 Tones

available. Some MIDI devices, however, have more than

128 Tones. With such devices, the Tone is selected

through a combination of Program Change messages and

Bank Select messages.

There are two parts of a Bank Select

message: the MSB (Controller 0, with a value of 0–127)

and the LSB (Controller 32, with a value of 0–127).

* Some MIDI instruments can’t handle Bank Select

messages. Others can handle Bank Selects, but do not

recognize the LSB part.

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152

Connecting to MIDI Devices

Press the [-] or [+] button to change the

settings.

Press the [Display] button.

Setting the Transmit Channel

Here’s how to specify the channel on which a PC (program

change) message will be transmitted to an external MIDI

device when you switch registrations on the FP-7.

While holding down the [Display] button, use

the [-] [+] buttons to select “Tx Channel.”

Press the [-] or [+] button to select the

transmission channel.

If you choose the “Off” setting, program change will

not be transmitted.

Save the setting in the registration (p. 80).

Item Description

Bank Select MSB

Specifies the Bank Select MSB that will

be transmitted.

Bank Select LSB

Specifies the Bank Select LSB that will

be transmitted.

Program Change

Specifies the Program Change

number that will be transmitted.

Item Setting

Bank Select MSB

0 (00h)–127 (7Fh)

Bank Select LSB

0 (00h)–127 (7Fh)

Program Change

1 (00h)–128 (7Fh)

Setting (Channel)

Off, 1–16

NOTE

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153

Troubleshooting

If you think there’s a problem, read this first.

Symptom Cause/Action Page

Power does not turn on

Is the power cord connected correctly? p. 18

The button doesn’t work

Is Panel Lock activated?

Hold down the [Function] button and press the [Equalizer] button to turn off the

Panel Lock function.

p. 135

Nothing appears in the screen

Since the FP-7 uses a liquid crystal screen, it may happen that no text or graphics

appear in the screen if the temperature is below zero degrees Celsius (32 degrees

Fahrenheit).

—

Vertical lines appear in the screen/

Color is “washed out” at the edges

of the screen

These occur due to the nature of a liquid crystal display, and do not indicate a

malfunction. They can be minimized by adjusting the contrast of the screen. —

Pedal does not work, or is “stuck”/

Pedal does not operate correctly

Is the pedal connected correctly?

Plug the cord firmly into the pedal jack. p. 21

Are you using a pedal made by another manufacturer?

Use the pedal included with the FP-7 or an optional DP Series or similar pedal. —

Unplugging a pedal cord from the FP-7 while the power is on may cause the

pedal’s effect to be applied nonstop.

Be sure to switch off the power to the FP-7 before attempting to disconnect or

connect a pedal cord.

—

If you’ve assigned the soft pedal or sostenuto pedal as a registration select switch,

or assigned it to some other function, the pedal won’t operate as a soft pedal or

sostenuto pedal.

p. 91

p. 118

Can’t read or write USB memory

successfully

Are you using (optional) Roland USB memory?

Reliable performance cannot be guaranteed if you use non-Roland USB memory

products.

—

If you are unable to read or write USB memory successfully, change the External

Memory setting. p. 136

“Buzz” is heard from external

devices

Are the external devices connected to more than one AC power outlet?

If you connect external devices, be sure to connect them to the same AC outlet. —

Device connected to the Input jacks

has insufficient volume

Could you be using a connection cable that contains a resistor?

Use a connection cable that does not contain a resistor. —

No sound

Could the FP-7’s volume or the volume of the connected equipment be turned

down? p. 20

Could headphones be connected?

Could there be a plug inserted in a headphone jack?

The speakers will not produce sound if headphones or plug are connected to the

headphone jacks.

p. 22

Could the [Balance] knob be set all the way toward “Lower” or “Upper”? p. 47

Is the Speaker switch to “Off”?

Turn it on with the Speaker switch. p. 16

Is Local Off set to Off?

When Local Control is set to Off, no sound is produced by playing the keyboard.

Set Local Control to “On.”

p. 149

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154

Troubleshooting

Can’t hear the recorder song

Could the local control setting be turned “Off”?

If the local control setting is “Off” when you play back a song, you won’t hear

sound from the speakers of the FP-7.

p. 149

Could the song volume be set to “0”? p. 28

No sound from the leftmost notes of

the keyboard

Is V-LINK switched on?

When V-LINK is switched on, the twelve keys at the left end of the keyboard are

used to control images, and no sounds are played with these keys.

p. 136

No sound (when a MIDI device is

connected)

Are all devices powered on? p. 147

Are the MIDI cables connected correctly? p. 147

Do the MIDI channels of the FP-7 and the connected device match? p. 148

Not all the notes you play are

sounded

The maximum simultaneous polyphony is 128 notes. If you are playing along with

a song and making heavy use of the damper pedal, the number of notes the FP-7

is attempting to produce may exceed the maximum polyphony, meaning that some

of the notes will drop out.

—

Notes don’t sound right

Pitch of the keyboard or song is

incorrect

Could you have made transpose settings? p. 52

Is the Master Tune setting appropriate? p. 115

Are the settings for the Temperament correct? p. 116

Two sounds are produced when the

keyboard is played

Is the FP-7 in Dual Play? p. 41

When the FP-7 is connected to an external sequencer, set it to the Local Off mode.

Alternatively, set SOFT THRU on the sequencer to “Off.” p. 149

The wrong instrument is selected

when you press the [Strings/Pad],

[Guitar/Bass], or [Voice/GM2]

button

Tone buttons [Strings/Pad] [Guitar/Bass] [Voice/GM2] also operate as buttons

that select “Recommended Tones.”

With the factory settings, connecting a commercially-available CD-ROM drive to

the external memory connector and selecting a song from a CD-ROM produced for

the VIMA (VIMA TUNES) will automatically cause sounds appropriate for that song

to be assigned to the [Strings/Pad], [Guitar/Bass], or [Voice/GM2] Tone buttons,

so that you can select “recommended” tones by pressing one of these buttons.

You can also make settings so that “recommended” tones are not automatically

assigned.

p. 120

Effect does not apply

You can specifies which part is to have priority when the effects assigned to the

Upper Tone and Lower Tone differ in Dual Play or Split Play. p. 120

Reverberation remains even if you

defeat the Reverb effect

The FP-7’s piano sound faithfully simulates the depth and resonance of an acoustic

piano, and this may give the impression of reverberation even if you’ve defeated

the Reverb effect.

—

The sound of the higher notes

suddenly changes from a certain

key

On an acoustic piano, the approximately one and a half octaves of notes at the

top of the keyboard will continue sounding regardless of the damper pedal. These

notes also have a somewhat different tonal character. FP-7 faithfully simulate this

characteristic of acoustic pianos. On the FP-7, the range that is unaffected by the

damper pedal will change according to the key control setting.

—

Symptom Cause/Action Page

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155

Troubleshooting

High-pitched ringing is heard

If you hear this in headphones:

Piano sounds that have a brilliant and crisp character contain substantial high-

frequency components that may sound as though a metallic ringing has been

added. This is because the character of an actual piano is being faithfully

reproduced, and is not a malfunction. This ringing is more obtrusive if the reverb

effect is applied heavily, so you may be able to minimize it by decreasing the

reverb.

If you don’t hear this in headphones:

It is likely that there is some other reason (such as resonances within the unit).

Please contact your dealer or a nearby Roland service center.

—

Low notes sound wrong, or are

buzzy

If you don’t hear this in headphones:

Performing at high volumes may cause the speakers or objects near the FP-7 to

resonate. Fluorescent lights or glass doors may also resonate sympathetically. In

particular, this is more likely to occur for lower notes and higher volumes. You can

take the following measures to minimize resonances.

• Locate the speakers 10–15 cm away from walls or other surfaces.

• Keep the volume down.

• Move away from the objects that are resonating.

If you hear this in headphones:

It is likely that there is some other reason. Please contact your dealer or a nearby

Roland service center.

—

With certain tones, the sounds may seem to be distorted.

Turn down the volume. Alternatively, lower the master gain setting. p. 123

Song does not play correctly

Song won’t play

Does “OK to erase Song?” appear in the display?

You cannot play back an internal preset song if memory contains an unsaved song.

Try playing back the song after deleting the performance data.

p. 92

Only the sound of a particular

instrument in a song does not play

Is Track Mute on?

The track mute volume is set to “0,” the music on that track is not heard. p. 30

Could the Part Mute setting be active?

Muted parts will not be heard. p. 131

Can’t rewind or fast-forward

You can not rewind or fast-forward while music files is being read in. Wait until

processing finishes. —

If you attempt to play back performance data that contains more data than the

entire capacity of the FP-7’s memory, you may find that operations other than

playback (such as rewind or fast forward) become unavailable.

—

Songs in USB memory are not

played immediately

SMF music files comes in two types; Formats 0 and 1. In the case of format 1 data,

it may take a certain amount of time for playback to begin.

The format type is indicated on the booklet for the music files you’re using.

—

Lyrics are not indicated properly in

the display

With some music files, the lyrics cannot be displayed correctly. —

Song tempo becomes unstable

When playing a song from USB memory, the tempo may become unstable if there

is an excessive amount of performance data. —

Can’t play back a song saved in

USB memory

The song name will not be shown if the song information in the file is empty or

consists only of spaces. —

Is the filename extension “MID”?

Files with other filename extensions cannot be handled as song data. —

Symptom Cause/Action Page

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156

Troubleshooting

Can’t record / play back

Can’t record

Has one of the track buttons for recording been selected? p. 95

p. 100

The recorded performance

disappeared

Your recorded performance will disappear if you switch off the FP-7’s power or

select a song. There is no way to recover the lost performance. Before you turn off

the power, save your recorded performance in internal memory.

p. 105

Tempo of recorded song or

metronome is off

If you select an internal song in which the tempo changes during the song, and

then record, the tempo will change in the same way for the performances that are

recorded on the other tracks. The tempo of the metronome will also change in the

same way.

—

If you record additional material without erasing the previously recorded song, the

song will be recorded at the first-recorded tempo. Please erase the previously

recorded song before you re-record.

p. 103

About the Audio Key

Can’t play back an audio file

Is the audio file in a format supported by the FP-7?

Audio files of the following format can be played back.

• File extension “WAV”

• 16-bit linear

• “44.1 kHz” sampling rate

p. 34

Can’t record along with an audio

file / Can’t copy an audio file into

internal memory

The FP-7 can’t record using audio files or copy them into internal memory.

—

About the audio file

Can’t use the Audio Key function

Could you be using Session Partner?

You can’t use the Audio Key function while using the Session Partner function. —

You can’t use the Audio Key function while playing or recording a song. —

Audio Key settings you made are

not saved in USB memory

If you’re using the Audio Key function with the FP-7’s built-in audio files, the audio

key settings you modify cannot be saved to USB memory. —

When using audio files from USB memory

Edited audio key settings can be saved in USB memory only for audio file sets that

were created using the Audio Key Utility installed in your computer.

—

Symptom Cause/Action Page

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157

Error Messages

* External Media: USB memory, etc.

* Press [Display] button, and you can cancel the error message.

Indication Meaning

Error: 1

You can only read the music file. It can not be saved.

Error: 2

An error occurred during writing.

The external media’s protect tab may be in the “Protect” (writing prohibited) position, or the external media

may not yet be initialized.

Error: 10

No external media is inserted. Insert the external media and try again.

Error: 11

There is not sufficient free memory in the save destination.

Delete unneeded files (Songs or Registration Sets) you’ve saved in internal memory and try again.

Error: 14

An error occurred during writing. The external media may be corrupted.

Insert other external media and try again. Alternatively, you can initialize the external media.

Error: 15

The file is unreadable. The data format is not compatible with the FP-7.

Error: 16

Data was not called up in time for playback of the song.

After waiting several seconds, you may be able to play back the song by pressing the [Play] button again.

Error: 18

This audio format is not supported.

Please use 44.1 kHz 16-bit linear WAV format audio files.

Error: 30

The internal memory capacity of the FP-7 is full.

Error: 40

The FP-7 cannot deal with the excessive MIDI data sent from the external MIDI device.

Reduce the amount of MIDI data sent to the FP-7.

Error: 41

A MIDI cable has been disconnected.

Connect it properly and securely.

Error: 43

A MIDI transmission error has occurred.

Check the MIDI cable and connected MIDI device.

Error: 51

There may be a problem with the system.

Repeat the procedure from the beginning. If it is not solved after you have tried several times, contact the

Roland service center.

Error: 65

The External Memory connector was subjected to excessive current.

Make sure that there is no problem with the external media, then turn the power off, then on again.

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158

Tone List

Piano

001 Grand Piano1

002 Piano + Str.

003 Grand Piano2

004 Piano + Pad

005 Grand Piano3

006 MagicalPiano

007 Rock Piano

008 Piano+Choir

009 Honky-tonk

010 Harpsichord

011 Coupled Hps.

E.Piano

001 Vintage EP

002 Pop E.Piano

003 '60s E.Piano

004 FM E.Piano

005 '70s E.Piano

006 Stage Phaser

007 E.Grand

008 Clav.

009 Vibraphone

010 Marimba

011 Celesta

012 Mallet Isle

013 Morning Lite

014 EP Belle

015 Ballad Bells

Organ

001 Combo Jz.Org

002 Ballad Organ

003 Gospel Spin

004 Full Stops

005 Mellow Bars

006 Light Organ

007 Lower Organ

008 Purple Spin

009 '60s Organ

010 ChurchOrgan1

011 ChurchOrgan2

012 Nason flt 8'

013 Accordion

Strings/Pad

001 Rich Strings

002 OrchestraStr

003 Velo Strings

004 DecayStrings *1

005 SynthStrings

006 Soft Pad

007 Glass Pad

008 Silky Way

009 Lunar Strngs

010 Dcy ChoirPad *1

011 Orchestra

012 OrchestraBrs

013 Harp

Guitar/Bass

001 Nylon-str.Gt

002 Steel-str.Gt

003 Clean Guitar

004 Jazz Guitar

005 Overdrive Gt

006 AcousticBass

007 A.Bass+Cymbl

008 FingeredBass

009 FretlessBass

010 Slap Bass

011 Synth Bass

012 Thum Voice

Voice/GM2

001 Aerial Choir

002 Jazz Scat

003 Female Aahs

004 Angels Choir

005 Beauty Vox

006 Male Aahs

007 Harpvox

008 Decay Choir *1

009 Alto Sax

010 Tenor Sax

011 BrassSection

012 Flute

013 ChamberWinds

GM2

014 STANDARD Set

015 ROOM Set

016 POWER Set

017 ELEC.Set

018 ANALOG Set

019 JAZZ Set

020 BRUSH Set

021 ORCH.Set

022 SFX Set

* 014–022 are drum/SFX

sets. Refer to p. 160–p.

162 for details on the

sounds in the drum/SFX

sets.

023 Piano 1

024 Piano 1w

025 Piano 1d

026 Piano 2

027 Piano 2w

028 Piano 3

029 Piano 3w

030 Honky-tonk

031 Honky-tonk w

032 E.Piano 1

033 Detuned EP 1

034 Vintage EP

035 '60s E.Piano

036 E.Piano 2

037 Detuned EP 2

038 St.FM EP

039 EP Legend

040 EP Phase

041 Harpsichord

042 Coupled Hps.

043 Harpsi.w

044 Harpsi.o

045 Clav.

046 Pulse Clav.

047 Celesta

048 Glockenspiel

049 Music Box

050 Vibraphone

051 Vibraphone w

052 Marimba

053 Marimba w

054 Xylophone

055 TubularBells

056 Church Bell

057 Carillon

058 Santur

059 Organ 1

060 TremoloOrgan

061 '60s Organ

062 Organ 2

063 Perc.Organ 1

064 Chorus Organ

065 Perc.Organ 2

066 Rock Organ

067 Church Org.1

068 Church Org.2

069 Church Org.3

070 Reed Organ

071 Puff Organ

072 Accordion 1

073 Accordion 2

074 Harmonica

075 Bandoneon

076 Nylon-str.Gt

077 Ukulele

078 Nylon Gt o

079 Nylon Gt 2

080 Steel-str.Gt

081 12-str.Gt

082 Mandolin

083 Steel+Body

084 Jazz Guitar

085 Hawaiian Gt

086 Clean Guitar

087 Chorus Gt 1

088 Mid Tone Gt

089 Muted Guitar

090 Funk Guitar1

091 Funk Guitar2

092 Chorus Gt 2

093 Overdrive Gt

094 Guitar Pinch

095 DistortionGt

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159

Tone List

096 Gt Feedback1

097 Dist.Rtm Gt

098 Gt Harmonics

099 Gt Feedback2

100 AcousticBass

101 FingeredBass

102 Finger Slap

103 Picked Bass

104 FretlessBass

105 Slap Bass 1

106 Slap Bass 2

107 Synth Bass 1

108 WarmSyn.Bass

109 Synth Bass 3

110 Clav.Bass

111 Hammer

112 Synth Bass 2

113 Synth Bass 4

114 RubberSyn.Bs

115 Attack Pulse

116 Violin

117 Slow Violin

118 Viola

119 Cello

120 Contrabass

121 Tremolo Str.

122 PizzicatoStr

123 Harp

124 Yang Qin

125 Timpani

126 Strings

127 Orchestra

128 '60s Strings

129 Slow Strings

130 Syn.Strings1

131 Syn.Strings3

132 Syn.Strings2

133 Choir 1

134 Choir 2

135 Voice

136 Humming

137 Synth Voice

138 Analog Voice

139 OrchestraHit

140 Bass Hit

141 6th Hit

142 Euro Hit

143 Trumpet

144 Dark Trumpet

145 Trombone 1

146 Trombone 2

147 Bright Tb

148 Tuba

149 MuteTrumpet1

150 MuteTrumpet2

151 French Horn1

152 French Horn2

153 Brass 1

154 Brass 2

155 Synth Brass1

156 Synth Brass3

157 AnalogBrass1

158 Jump Brass

159 Synth Brass2

160 Synth Brass4

161 AnalogBrass2

162 Soprano Sax

163 Alto Sax

164 Tenor Sax

165 Baritone Sax

166 Oboe

167 English Horn

168 Bassoon

169 Clarinet

170 Piccolo

171 Flute

172 Recorder

173 Pan Flute

174 Bottle Blow

175 Shakuhachi

176 Whistle

177 Ocarina

178 Square Lead1

179 Square Lead2

180 Sine Lead

181 Saw Lead 1

182 Saw Lead 2

183 Doctor Solo

184 Natural Lead

185 SequencedSaw

186 Syn.Calliope

187 Chiffer Lead

188 Charang

189 Wire Lead

190 Solo Vox

191 5th Saw Lead

192 Bass+Lead

193 Delayed Lead

194 Fantasia

195 Warm Pad

196 Sine Pad

197 Polysynth

198 Space Voice

199 Itopia

200 Bowed Glass

201 Metallic Pad

202 Halo Pad

203 Sweep Pad

204 Ice Rain

205 Soundtrack

206 Crystal

207 Synth Mallet

208 Atmosphere

209 Brightness

210 Goblins

211 Echo Drops

212 Echo Bell

213 Echo Pan

214 Star Theme

215 Sitar 1

216 Sitar 2

217 Banjo

218 Shamisen

219 Koto

220 Taisho Koto

221 Kalimba

222 Bagpipe

223 Fiddle

224 Shanai

225 Tinkle Bell

226 Agogo

227 Steel Drums

228 Woodblock

229 Castanets

230 Taiko

231 Concert BD

232 Melodic Tom1

233 Melodic Tom2

234 Synth Drum

235 TR-808 Tom

236 Elec.Perc.

237 Reverse Cym.

238 Gt FretNoise

239 Gt Cut Noise

240 BsStringSlap

241 Breath Noise

242 Fl.Key Click

243 Seashore

244 Rain

245 Thunder

246 Wind

247 Stream

248 Bubble

249 Bird 1

250 Dog

251 Horse Gallop

252 Bird 2

253 Telephone 1

254 Telephone 2

255 DoorCreaking

256 Door

257 Scratch

258 Wind Chimes

259 Helicopter

260 Car Engine

261 Car Stop

262 Car Pass

263 Car Crash

264 Siren

265 Train

266 Jetplane

267 Starship

268 Burst Noise

269 Applause

270 Laughing

271 Screaming

272 Punch

273 Heart Beat

274 Footsteps

275 Gun Shot

276 Machine Gun

277 Laser Gun

278 Explosion

TW Organ

001 TW-Organ 1

002 TW-Organ 2

003 TW-Organ 3

004 TW-Organ 4

005 TW-Organ 5

006 TW-Organ 6

Tones indicated by “*1” are

suitable for playing layered

with a piano tone.

In the tone group “Voice/

GM2” when you hold down

the [-] or [+] button to switch

tone in succession, the tones

will stop changing at number

014 and number 023. To

select the next sound, release

the [-] or [+] button, then

press it again.

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160

Tone List

* -----: No sound.

* [EXC]: will not sound simultaneously with other percussion instruments of the same number.

High-Q

Slap

Scratch Push [EXC7]

Scratch Pull [EXC7]

Sticks

Square Click

Metronome Click

Metronome Bell

Kick Drum 2

Kick Drum 1

Side Stick

Snare Drum

Hand Clap

Electric Snare 3

Low Tom 2

Closed Hi-Hat 1 [EXC1]

Low Tom 1

Pedal Hi-Hat 1 [EXC1]

Mid Tom 2

Open Hi-Hat 1 [EXC1]

Mid Tom 1

High Tom 2

Crash Cymbal 1

High Tom 1

Ride Cymbal 1

Chinese Cymbal 1

Ride Bell 1

Tambourine

Splash Cymbal

Cowbell

Crash Cymbal 2

Vibraslap

Ride Cymbal 2

High Bongo 1

Low Bongo 1

Mute High Conga 1

Open High Conga

Low Conga

High Timbale

Low Timbale

High Agogo

Low Agogo

Cabasa

Maracas

Short High Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

Long Guiro [EXC3]

Claves

High Woodblock

Low Woodblock

Mute Cuica [EXC4]

Open Cuica [EXC4]

Mute Triangle [EXC5]

Open Triangle [EXC5]

Shaker

Jingle Bell

Bar Chimes

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

-----

High-Q

Slap

Scratch Push [EXC7]

Scratch Pull [EXC7]

Sticks

Square Click

Metronome Click

Metronome Bell

Room Kick 2

Room Kick 1

Side Stick

Room Snare

Hand Clap

Electric Snare 4

Room Low Tom 2

Closed Hi-Hat 2 [EXC1]

Room Low Tom 1

Pedal Hi-Hat 2 [EXC1]

Room Mid Tom 2

Open Hi-Hat 2 [EXC1]

Room Mid Tom 1

Room High Tom 2

Crash Cymbal 3

Room High Tom 1

Ride Cymbal 3

Chinese Cymbal 2

Ride Bell 2

Tambourine

Splash Cymbal

Cowbell

Crash Cymbal 4

Vibraslap

Ride Cymbal4

High Bongo 2

Low Bongo 2

Mute High Conga 2

Open High Conga

Low Conga

High Timbale

Low Timbale

High Agogo

Low Agogo

Cabasa

Maracas

Short High Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

Long Guiro [EXC3]

Claves

High Woodblock

Low Woodblock

Mute Cuica [EXC4]

Open Cuica [EXC4]

Mute Triangle [EXC5]

Open Triangle [EXC5]

Shaker

Jingle Bell

Bar Chimes

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

-----

High-Q

Slap

Scratch Push [EXC7]

Scratch Pull [EXC7]

Sticks

Square Click

Metronome Click

Metronome Bell

Room Kick 1

Power Kick

Side Stick

Power Snare

Hand Clap

Electric Snare 5

Power Low Tom 2

Closed Hi-Hat 2 [EXC1]

Power Low Tom 1

Pedal Hi-Hat 2 [EXC1]

Power Mid Tom 2

Open Hi-Hat 2 [EXC1]

Power Mid Tom 1

Power High Tom 2

Crash Cymbal 3

Power High Tom 1

Ride Cymbal 3

Chinese Cymbal 2

Ride Bell 2

Tambourine

Splash Cymbal

Cowbell

Crash Cymbal 4

Vibraslap

Ride Cymbal4

High Bongo 2

Low Bongo 2

Mute High Conga 2

Open High Conga

Low Conga

High Timbale

Low Timbale

High Agogo

Low Agogo

Cabasa

Maracas

Short High Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

Long Guiro [EXC3]

Claves

High Woodblock

Low Woodblock

Mute Cuica [EXC4]

Open Cuica [EXC4]

Mute Triangle [EXC5]

Open Triangle [EXC5]

Shaker

Jingle Bell

Bar Chimes

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

-----

High-Q

Slap

Scratch Push [EXC7]

Scratch Pull [EXC7]

Sticks

Square Click

Metronome Click

Metronome Bell

Power Kick

Electric Kick

Side Stick

Electric Snare 1

Hand Clap

Electric Snare 2

Electric Low Tom 2

Closed Hi-Hat 2 [EXC1]

Electric Low Tom 1

Pedal Hi-Hat 2 [EXC1]

Electric Mid Tom 2

Open Hi-Hat 2 [EXC1]

Electric Mid Tom 1

Electric High Tom 2

Crash Cymbal 3

Electric High Tom 1

Ride Cymbal 3

Reverse Cymbal

Ride Bell 2

Tambourine

Splash Cymbal

Cowbell

Crash Cymbal 4

Vibraslap

Ride Cymbal4

High Bongo 2

Low Bongo 2

Mute High Conga 2

Open High Conga

Low Conga

High Timbale

Low Timbale

High Agogo

Low Agogo

Cabasa

Maracas

Short High Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

Long Guiro [EXC3]

Claves

High Woodblock

Low Woodblock

Mute Cuica [EXC4]

Open Cuica [EXC4]

Mute Triangle [EXC5]

Open Triangle [EXC5]

Shaker

Jingle Bell

Bar Chimes

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

-----

STANDARD Set ROOM Set ELEC.SetPOWER Set

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161

Tone List

* -----: No sound.

* [EXC]: will not sound simultaneously with other percussion instruments of the same number.

High-Q

Slap

Scratch Push [EXC7]

Scratch Pull [EXC7]

Sticks

Square Click

Metronome Click

Metronome Bell

TR-808 Kick 2

TR-808 Kick 1

TR-808 Rim shot

TR-808 Snare

Hand Clap

Electric Snare 6

TR-808 Low Tom 2

TR-808 Closed Hi-Hat 1 [EXC1]

TR-808 Low Tom 1

TR-808 Closed Hi-Hat 2 [EXC1]

TR-808 Mid Tom 2

TR-808 Open Hi-Hat [EXC1]

TR-808 Mid Tom 1

TR-808 High Tom 2

TR-808 Crash Cymbal

TR-808 High Tom 1

Ride Cymbal 3

Chinese Cymbal 2

Ride Bell 2

Tambourine

Splash Cymbal

TR-808 Cowbell

Crash Cymbal 4

Vibraslap

Ride Cymbal4

High Bongo 2

Low Bongo 2

TR-808 High Conga

TR-808 Mid Conga

TR-808 Low Conga

High Timbale

Low Timbale

High Agogo

Low Agogo

Cabasa

TR-808 Maracas

Short High Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

Long Guiro [EXC3]

Claves

High Woodblock

Low Woodblock

Mute Cuica [EXC4]

Open Cuica [EXC4]

Mute Triangle [EXC5]

Open Triangle [EXC5]

Shaker

Jingle Bell

Bar Chimes

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

-----

High-Q

Slap

Scratch Push [EXC7]

Scratch Pull [EXC7]

Sticks

Square Click

Metronome Click

Metronome Bell

Room Kick 2

Jazz Kick

Side Stick

Jazz Snare

Hand Clap

Electric Snare 7

Jazz Low Tom

Closed Hi-Hat 2 [EXC1]

Low Tom 1

Pedal Hi-Hat 2 [EXC1]

Mid Tom 2

Open Hi-Hat 2 [EXC1]

Jazz Mid Tom

Jazz High Tom 2

Crash Cymbal 3

Jazz High Tom 1

Ride Cymbal 3

Chinese Cymbal 2

Ride Bell 2

Tambourine

Splash Cymbal

Cowbell

Crash Cymbal 4

Vibraslap

Ride Cymbal4

High Bongo 2

Low Bongo 2

Mute High Conga 2

Open High Conga

Low Conga

High Timbale

Low Timbale

High Agogo

Low Agogo

Cabasa

Maracas

Short High Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

Long Guiro [EXC3]

Claves

High Woodblock

Low Woodblock

Mute Cuica [EXC4]

Open Cuica [EXC4]

Mute Triangle [EXC5]

Open Triangle [EXC5]

Shaker

Jingle Bell

Bar Chimes

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

-----

High-Q

Slap

Scratch Push [EXC7]

Scratch Pull [EXC7]

Sticks

Square Click

Metronome Click

Metronome Bell

Room Kick 2

Jazz Kick

Side Stick

Brush Tap

Brush Slap1

Brush Swirl

Brush Low Tom 2

Brush Closed Hi-Hat [EXC1]

Brush Low Tom 1

Brush Pedal Hi-Hat [EXC1]

Brush Mid Tom 2

Brush Open Hi-Hat [EXC1]

Brush Mid Tom 1

Brush High Tom 2

Jazz Crash Cymbal

Brush High Tom 1

Jazz Ride Cymbal 1

Chinese Cymbal 2

Jazz Ride Cymbal 2

Tambourine

Splash Cymbal

Cowbell

Crash Cymbal 4

Vibraslap

Ride Cymbal4

High Bongo 2

Low Bongo 2

Mute High Conga 2

Open High Conga

Low Conga

High Timbale

Low Timbale

High Agogo

Low Agogo

Cabasa

Maracas

Short High Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

Long Guiro [EXC3]

Claves

High Woodblock

Low Woodblock

Mute Cuica [EXC4]

Open Cuica [EXC4]

Mute Triangle [EXC5]

Open Triangle [EXC5]

Shaker

Jingle Bell

Bar Chimes

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

-----

Closed Hi-Hat 2 [EXC1]

Pedal Hi-Hat 2 [EXC1]

Open Hi-Hat 2 [EXC1]

Ride Cymbal 3

Sticks

Square Click

Metronome Click

Metronome Bell

Concert Bass Drum 2

Concert Bass Drum 1

Side Stick

Concert Snare Drum

Castanets

Concert Snare Drum

Timpani F

Timpani F#

Timpani G

Timpani G#

Timpani A

Timpani A#

Timpani B

Timpani C

Timpani C#

Timpani D

Timpani D#

Timpani E

Timpani F

Tambourine

Splash Cymbal

Cowbell

Concert Cymbal 2

Vibraslap

Concert Cymbal 1

High Bongo 2

Low Bongo 2

Mute High Conga 2

Open High Conga

Low Conga

High Timbale

Low Timbale

High Agogo

Low Agogo

Cabasa

Maracas

Short High Whistle [EXC2]

Long Low Whistle [EXC2]

Short Guiro [EXC3]

Long Guiro [EXC3]

Claves

High Woodblock

Low Woodblock

Mute Cuica [EXC4]

Open Cuica [EXC4]

Mute Triangle [EXC5]

Open Triangle [EXC5]

Shaker

Jingle Bell

Bar Chimes

Castanets

Mute Surdo [EXC6]

Open Surdo [EXC6]

Applause

ANALOG Set JAZZ Set ORCH.SetBRUSH Set

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162

Tone List

* -----: No sound.

* [EXC]: will not sound simultaneously with other percussion instruments of the same number.

-----

High Q

Slap

Scratch Push [EXC7]

Scratch Pull [EXC7]

Sticks

Square Click

Metronome Click

Metronome Bell

Guitar Fret Noise

Guitar Cutting Noise Up

Guitar Cutting Noise Down

String Slap of Double Bass

Fl.Key Click

Laughing

Screaming

Punch

Heart Beat

Footsteps 1

Footsteps 2

Applause

Door Creaking

Door

Scratch

Wind Chimes

Car-Engine

Car-Stop

Car-Pass

Car-Crash

Siren

Train

Jet Plane

Helicopter

Starship

Gun Shot

Machine Gun

Laser Gun

Explosion

Dog

Horse-Gallop

Birds

Rain

Thunder

Wind

Seashore

Stream

Bubble

-----

SFX Set

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163

Rhythm List

No. Style Name Chord

Progression Tempo

18-Beat Funk 16 108

2 Guitar Funk 19 104

3 8-Beat Pop 1 26 108

4 Street Pop 51 94

5 8-Beat Rock1 52 128

6 Loose Rock 13 174

7 Ballad 39 82

8 R&B Ballad 41 60

9 Fast Jazz 1 36 128

10 Jazz 35 136

11 8-Bt Fusion1 23 113

12 Fusion 21 95

13 Latin Fusion 48 125

14 Latin Pop 47 150

15 16-BeatFunk1 24 120

16 16-BeatFunk2 38 110

17 Slow Funk 33 85

18 Y2K Funk 16 103

19 Cutting Gt 20 100

20 '70s Soul 22 96

21 16-Beat Pop 14 116

22 8-Bt Shuffle 28 96

23 S.Street Pop 51 94

24 Pop 17 100

25 S.Pop 17 100

26 Contemporary 23 93

27 Medium Pop 24 86

28 S.Medium Pop 24 86

29 8-Beat Pop 2 14 126

30 S.8-Bt Pop 2 14 126

31 Piano Pop 52 116

32 S.Piano Pop 52 116

33 Guitar Pop 26 132

34 Country Pop 27 98

35 Shuffle 28 116

36 S.Shuffle 28 116

37 Smooth Pop 53 88

38 8-Beat Rock2 19 106

39 S.8-Bt Rock2 19 106

40 8-Beat Rock3 29 140

No. Style Name Chord

Progression Tempo

41 S.8-Bt Rock3 29 140

42 16-BeatRock1 53 142

43 16-BeatRock2 54 86

44 Bounce Rock 11 105

45 S.BounceRock 11 105

46 Gt Ballad 12 80

47 S.Gt Ballad 12 80

48 E.Piano Bld 40 67

49 808 Ballad 42 65

50 New Age Bld 43 66

51 S.NewAge Bld 43 66

52 6/8 Ballad 44 178

53 Piano Ballad 55 64

54 Piano Waltz 50 90

55 Jazz Brush 37 60

56 S.Jazz 35 136

57 Fast Jazz 2 34 220

58 W Time Feel 36 140

59 S.WTime Feel 36 140

60 Scat Swing 37 120

61 Piano Jazz 38 110

62 Jazz Waltz 56 90

63 8-Bt Fusion2 25 112

64 16-Bt Fusion 21 124

65 Fast Bossa 47 110

66 Bossa Nova 48 125

67 Salsa 45 92

68 Latin 46 116

69 S.Latin 46 116

70 Mambo 45 92

71 Beguine 49 105

72 Hip Hop 18 98

73 808 Hip Hop 25 102

74 S.808 HipHop 25 102

75 Euro Dance 15 135

76 Honky Pop 32 185

77 S.Honky Pop 32 185

78 Boogie 33 170

79 Gospel 30 120

80 Gospel Shout 31 150

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164

Chord Progression Pattern List

It is the Chord Progression Pattern List by each measure. These are basic chord progression pattern from No. 1

to No. 10, and these are suitable chord progression for the internal rhythm from No. 11 to No. 56.

No. Rhythm

Pattern

Chord Progression

12 3 4 5 6 7 8 9 10 11 12 13 14 15 16

1Orig/

Vari C Am Dm7 G7 C Am Dm7 G7

2Orig/

Vari Am G F E7 Am G F E7

3Orig/

Vari CM7 Am7 Dm7 G7 CM7 Am7 Dm7 G7

4Orig/

Vari Dm7 G7 CM7 Am7 Dm7 G7 CM7 A7

5Orig/

Vari C Bm7 Em7 Am F G Csus4 C

6Orig/

Vari Dm7 G7 CM7 FM7 Bm7 5 E7 Am7 A7

7Orig/

Vari C7 F7 C7

→

G7 F7 C7 G7

8Orig/

Vari CM7

→

Cdim

→

Dm9 G7 CM7 Dm9 CM7

→

Cdim

→

Dm9 G7 CM7

→

9Orig/

Vari C

→

Am7

→

Dm7

→

G7sus4

→

10 Orig/

Vari C C/B Am Am/G F G C

→

Orig C C7sus4 F B 7sus4 C C7sus4 F Fm6

Vari Am E7 C7 F Fm6 Em7 F G

Orig Dm G7 C A7 Dm G7 Am D7

Vari F G C C7sus4 F G Am A7

Orig Am

→

GAm

→→

Vari D

→

→→

Orig C

→

E7 F7 C

→

E7 B

Vari C7sus4 C7

B 7sus4

B7 C7sus4 C7

A 7sus4 B 7sus4

Orig Am

→

Vari C

→

Orig F

→

Vari Dm C Dm C B

→

Gm C

Orig C Gm7 FM7 B7 C Gm7 F F/G

Vari FM9 F/G C Am7 FM9 F/G B7 F/G

Orig C B C Gm7 C B C Gm7

Vari C G7 C G7 C G7 C B

Orig C Am7 Dm7 G7 C Am7 Dm7 G7

Vari FM7

→

CM7 Am7 FM7 Fm7 F/G

→

Orig Am7 D7 Am7 D7 Am7 D7 Am7 F/G

Vari C

→

Am7

→

F/G

→

Orig CM9 AM7 CM9 AM7 CM9 AM7 FM9 F/G

Vari AM9

→

AM9

→

Orig CM9

→

Am9

→

CM9

→

Am9

→

FM9

→

Vari FM9 G6 FM9 G6 FM9 G6 FM9 G6 CM9

→

F/G

→

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165

Chord Progression Pattern List

Orig C

→

FM7

→

F/G

→

Vari Dm7 G7 C Am7 Dm7 G7 C

→

Orig C

→

CC7 F

→

CAm7 Dm7 G C C7

Vari FM7

→

FM7

→

FM7

→

G G7 C

→ →

F/G

Orig Am7 D7 Am7 D7 Gm7 C7 Gm7 E7 9

Vari Am7 D7sus4 Am7 D7 FM7 E7 9 Am7 BM7

Orig CM7

→

Am7

→

Dm7

→

Vari C

→

Orig C Am C Am C Am F G

Vari C G F G C G F G7

Orig C

→ → →

F7sus4 F7 G7sus4 G7

Vari FM7 G7 C

→

FM7 G7 C

→

Orig C

→

Vari F Am G7 Dm7 F Am7 G7

→

Orig C

→

Fm7

→

CC dim Dm7 G7

Vari F F dim C/G A7 D7

→

Orig C

→ →→ →→→→

F C F C F C G7

→

Vari C

→→ → → →

→

F7 G7

Orig C

→→ →

→

Vari F

→

Orig A7 D7 A7

→

E7 D7 A7 E7

Vari C F C C7 F7

→

CA7 D7 G7 C G7

Orig F C7 Am7 C7 F7 B7 F/C C7

Vari A7

→

Orig C6

→

Dm7 G7 Dm7 G7 C6

→

Am Am9 Dm7

→

G(11)

→

C6 F/G

Vari C6

→

Dm7 G7 Dm7 G7 C6

→

Am A aug Dm7

→

G(11)

→

C6 C6

Orig C

→ →

C7 F

→

G7 F7 C G7

Vari C F C C7 F7

→

CA7 D7 G7 C G7

Orig C

→

Vari Em7 A7 9 Dm7 G7 Em7 C dim Dm7 G7

Orig CM9

→

F/G

→

CM9 C9 FM9 F/G

Vari FM9 F/G CM9 Am9 Dm7 5 G7 9 CM7 F/G

Orig C

→

Gm7

→

Gm7

→

Vari F G7 C C7 F G7 Am F/G

Orig CM7 C dim Dm7 G7 CM7 C dim Dm7 G7

Vari FM7 G7 CM7

→

FM7 G7 C C7

Orig Cm7 Fm7 Cm7 Fm7 Cm7 Fm7 Cm7 Fm7

Vari Ddim G7 9 Ddim G7 9 Ddim G7 9 Ddim G7 9

No. Rhythm

Pattern

Chord Progression

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

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166

Chord Progression Pattern List

Orig: Original

Vari: Variation

Orig Gm

→

Am7 5 D7 Gm

→

Am7 5 D7

Vari E6 D7 Gm7 C7 EM7 D7 Gm Gm

Orig C Dm Dm7/G C F Em7 E D

Vari C Bm7 Em9 A7 Am D7 Dm9 G7sus4

Orig C Am F G C Am F G

Vari F

→

F/G G7

Orig C G7

→

Vari F C G7 C7 F C G7 C

Orig Am E7 Am E7 Am E7 Dm7 E7

Vari Am E7 Am E7 Dm7 G7 Bm7 E7

Orig DM7

→

CM7

→

Fm9 F9 Em9 E9

Vari DM7 Cm75 Bm7 Am7 GM7 Fm7 5 Em9 A7

Orig C

→

Dm7 G7 C

→

Vari F Fm C

→

FFm G7sus4 G7

Orig C

→→ → → →

→

Vari C

→

→→ →

→

Dm7 G7 C

→

Orig C

→

CM7

→

→ → →

CM7 C dim Dm7 Fm C

→

Vari Dm E dim

(D dim) Em7 A7 Dm7 G7 C

→

Orig C G7 A F C G7 A F

Vari C G7 E D7 C G7 E G7

Orig C

→

Vari FM7 C FM7 C E C G7

→

Orig Cm CmM7 Cm7 F7 Cm A7 G7

→

Vari Cm CmM7 Cm7 F7 A7 G7 Cm F7

Orig D C/D G/D B/D D C/D G/D B/D

Vari Fm7 Bm D C7 Fm7 Bm G A7

Orig C F C F C F C F/G

Vari F C F C F C Dm7 F/G

Orig Fm7 B7 Fm7 B7 Fm7 B7 C7

(D 7) C7 Fm7 B7 Fm7 B7 Fm7 B7 C7 Fm

Vari Bm7 E7 AC

(D ) FBGm7 5 C7

No. Rhythm

Pattern

Chord Progression

1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16

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167

Chord Fingering List

●

symbol: indicates the constituent notes of chords.

★

symbol: Chords shown with an “

★

” can be played by pressing just the key marked with the “

★

”.

→

“Performing with the Chord Progression Specified in the Left Hand (Chord Progression Off)” (p. 73)

Cm7 ( 5 )

C C# / D D E / D# E F

Cmaj7 C#maj7 / D maj7 Dmaj7 E maj7 / D#maj7 Emaj7 Fmaj7

C7 C#7 / D 7 D7 E 7 / D#7 E7 F7

Cm C#m / D m Dm E m / D#m Em Fm

Cm7 C#m7 / D m7 Dm7 E m7/ D#m7 Em7 Fm7

Cdim C#dim / D dim Ddim E dim / D#dim Edim Fdim

Dm7 ( 5 ) Em7 ( 5 )

Caug C#aug / D aug Daug E aug / D#aug Eaug Faug

Csus4 C#sus4 / D sus4 Dsus4 E sus4 / D#sus4 Esus4 Fsus4

C7sus4 C#7sus4 / D 7sus4 D7sus4 E 7sus4 / D#7sus4 E7sus4 F7sus4

Fm7 ( 5 )E m7( 5) / D#m7( 5 )C#m7( 5) / D m7( 5)

C6 C#6 / D 6 D6 E 6 / D#6 E6

Cm6 Dm6 Em6

Fm6

C#m6 / D m6 E m6 / D#m6

FP-7-e.book 167 ページ２００６年１２月１４日　木曜日　午前１０時５７分

168

Chord Fingering List

●

symbol: indicates the constituent notes of chords.

★

symbol: Chords shown with an “

★

” can be played by pressing just the key marked with the “

★

”.

→

“Performing with the Chord Progression Specified in the Left Hand (Chord Progression Off)” (p. 73)

F# / G G A / G# A B / A# B

F#maj7 / G maj7 Gmaj7 A maj7 / G#maj7 Amaj7 B maj7 / A#maj7 Bmaj7

F#7 / G 7 G7 A 7 / G#7 A7 B 7 / A#7 B7

F#m / G m Gm A m / G#m Am B m / A#m Bm

F#m7 / G m7 Gm7 A m7 / G#m7 Am7 B m7 / A#m7 Bm7

F#dim / G dim Gdim A dim / G#dim Adim B dim / A#dim Bdim

Gm7 ( 5 ) Am7 ( 5 ) Bm7 ( 5 )

F#aug / G aug Gaug A aug / G#aug Aaug B aug / A#aug Baug

F#sus4 / G sus4 Gsus4 A sus4 / G#sus4 Asus4 B sus4 / A#sus4 Bsus4

F#7sus4 / G 7sus4 G7sus4 A 7sus4 / G#sus4 A7sus4 B 7sus4 / A#7sus4 B7sus4

B m7( 5)/A#m7( 5)A m7( 5)/G#m7( 5)F#m7( 5)/G m7( 5)

Gm6

A6A 6 / G#6 B6

Bm6

B 6 / A#6

B m6 / A#m6Am6A m6 / G#m6

F#6 / G 6

F#m6 /G m6

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169

Internal Song List

981a

purposes other than private, personal enjoyment is a

violation of applicable laws.

1Trio Grande

2 Wedding Song

3 Late Night Chopin

4 Preludelight

5 Blue Sky Rag

6 Sonate No.15

7 Liebesträume 3

8 Étude, op.10-3

9 Je te veux

10 Valse, op.64-1

11 Golliwog’s Cakewalk

12 Fantaisie-Impromptu

13 Arabesque 1

14 An der schönen, blauen Donau

15 Auf Flügeln des Gesanges

16 Mazurka No.5

17 Gymnopédie 1

18 Étude, op.25-1

19 Clair de Lune

20 Étude, op.10-5

21 Dr. Gradus ad Parnassum

22 Grande Valse Brillante

23 La prière d’une Vierge

24 Course en Troïka

25 To The Spring

26 Valse, op.64-2

27 Radetzky Marsch

28 Träumerei

29 Moments Musicaux 3

30 Prélude, op.28-15

31 Harmonious Blacksmith

32 Ungarische Tänze 5

33 Türkischer Marsch (Beethoven)

34 Nocturne No.2

35 Frühlingslied

36 Präludium

37 Jägerlied

38 Menuet Antique

39 Für Elise

40 Türkischer Marsch (Mozart)

41 Ständchen

42 Humoreske

43 Blumenlied

44 Alpenglöckchen

45 Menuett G dur (Beethoven)

46 Venezianisches Gondellied

47 Alpenabendröte

48 Farewell to the Piano

49 Brautchor

50 Battle of Waterloo

51 Wiener Marsch

52 Le Coucou

53 Menuett G dur (Bach)

54 Spinnerlied

55 Gavotte

56 Heidenröslein

57 Zigeuner Tanz

58 La Cinquantaine

59 Csikos Post

60 Dolly’s Dreaming Awakening

61 La Violette

62 Fröhlicher Landmann

63 Sonatine op.36-1 (Clementi)

64 Sonatine op.20-1 (Kuhlau)

65 Sonatine No.5 (Beethoven)

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170

Music Files That the FP-7 Can Use

What Are Music Files?

Music files contains musical information such as how long the

key for a corresponding pitch is played, the force applied to

the key played, and other such information. Performance data

is transmitted to the FP-7 from music files saved in USB

memory, and played back without change as songs. This is

different than a audio CD, since the music file does not

contain a recording of the sound itself. This makes it possible

to change tempos and keys freely, allowing you to use it in

many different ways.

Regarding Copyright

Use of the internal songs and audio files for any purpose other

than private, personal enjoyment without the permission of the

must not be copied, nor used in a secondary copyrighted

work without the permission of the copyright holder.

Please be aware that if you create derivative works that are

based on existing copyrighted material, such as commercially

available SMF music files, such works may violate copyright

law if used for any purpose other than personal enjoyment.

Roland takes no responsibility for any copyright violation you

may commit by creating such works.

The FP-7 Allows You To Use the

Following Music Files

VIMA TUNES

VIMA TUNES is a Roland specification for music files that

contains image and lyric data, allowing you to enjoy songs

with lyrics and images simultaneously. When data bearing the

“VIMA TUNES” logo is played back on a device that bears

the same logo, lyrics can be shown on the screen of a

connected external display or television, letting you enjoy

karaoke or watch a slide show.

* This instrument (FP-7) is not able to play back VIMA TUNES

images.

SMF Music Files

SMFs (Standard MIDI Files) use a standard format for music

file that was formulated so that files containing music file could

be widely compatible, regardless of the manufacturer of the

listening device. An enormous variety of music is available,

whether it be for listening, for practicing musical instruments,

for Karaoke, etc.

SMF with Lyrics

“SMF with Lyrics” refers to SMF (Standard MIDI File) that

contains the lyrics. When Music Files carrying the “SMF with

Lyrics” logo are played back on the FP-7, the lyrics will appear

in its display.

General MIDI

The General MIDI is a set of recommendations which seeks to

provide a way to go beyond the limitations of proprietary

designs, and standardize the MIDI capabilities of sound

generating devices. Sound generating devices and music files

that meets the General MIDI standard bears the General MIDI

logo. Music files bearing the General MIDI logo can be

played back using any General MIDI sound generating unit to

produce essentially the same musical performance.

General MIDI 2

The upwardly compatible General MIDI 2 recommendations

pick up where the original General MIDI left off, offering

enhanced expressive capabilities, and even greater

compatibility. Issues that were not covered by the original

General MIDI recommendations, such as how sounds are to

be edited, and how effects should be handled, have now been

precisely defined. Moreover, the available sounds have been

expanded. General MIDI 2 compliant sound generators are

capable of reliably playing back music files that carry either

the General MIDI or General MIDI 2 logo.

In some cases, the conventional form of General MIDI, which

does not include the new enhancements, is referred to as

“General MIDI 1” as a way of distinguishing it from General

MIDI 2.

GS Format

The GS Format is Roland’s set of specifications for

standardizing the performance of sound generating devices.

In addition to including support for everything defined by the

General MIDI, the highly compatible GS Format additionally

offers an expanded number of sounds, provides for the editing

of sounds, and spells out many details for a wide range of

extra features, including effects such as reverb and chorus.

Designed with the future in mind, the GS Format can readily

include new sounds and support new hardware features when

they arrive. Since it is upwardly compatible with the General

MIDI, Roland’s GS Format is capable of reliably playing back

GM Scores equally as well as it performs GS music files (music

files that have been created with the GS Format in mind).

XG lite

XG is a tone generator format of YAMAHA Corporation, that

defines the ways in which voices are expanded or edited and

the structure and type of effects, in addition to the General

MIDI 1 specification. XGlite is a simplified version of XG tone

generation format. You can play back any XG music files

using an XGlite tone generator. However, keep in mind that

some music files may play back differently compared to the

original files, due to the reduced set of control parameters and

effects.

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171

Registration List

The recommended settings were stored in the instrument when it shipped from the factory.

Registration from 7-1 to 7-4 include the “Basic

Registration.” Use this when creating registration

from scratch.

No. Registration Name

1-1 Piano + Str.

1-2 Piano+EPiano

1-3 Gt + Harpvox

1-4 Winds + Str.

No. Registration Name

2-1 E.Piano / Bs

2-2 Vib. / BsCym

2-3 Piano / Pad

2-4 ChorusGt/Bs

No. Registration Name

3-1 JazzComboSes

3-2 R&B Session

3-3 MamboSession

3-4 Funk Session

No. Registration Name

4-1 JazzPno Ses1

4-2 RockPno Ses

4-3 LatinPno Ses

4-4 JazzPno Ses2

No. Registration Name

5-1 BossaEP Ses

5-2 '60sEP Ses

5-3 JazzEP Ses

5-4 '70sEP Ses

No. Registration Name

6-1 TW-Org. Rock

6-2 TW-Org. Jazz

6-3 TW-Org Bossa

6-4 TW-Org. Full

No. Registration Name

7-1 FP REGIST.

7-2 FP REGIST.

7-3 FP REGIST.

7-4 FP REGIST.

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172

Effects List

Effect Name Parameter Value Description

Equalizer Low Gain -15– +15 dB Gain of the low range

High Gain -15– +15 dB Gain of the high range

Spectrum 500Hz -15– +15 dB Gain of each frequency band

1250Hz

Enhancer Sens 0–127 Sensitivity of the enhancer

Mix 0–127 Level of the overtones generated by the enhancer

Isolator Boost/Cut Mid -60– +4 dB These boost and cut each of the High and Middle frequency ranges.

At -60 dB, the sound becomes inaudible. 0 dB is equivalent to the input

level of the sound.

Boost/Cut High

Low Boost Boost Frequency 50–125 Hz Center frequency at which the lower range will be boosted

Boost Gain 0– +12 dB Amount by which the lower range will be boosted

High Pass Filter

Filter Cutoff 0–127 Cutoff frequency of the filter

Increasing this value will raise the cutoff frequency.

Filter Resonance 0–100 Filter resonance level

Increasing this value will emphasize the region near the cutoff

frequency.

Overdrive Amp Type Small, Built-In, 2-Stack,

3-Stack

Type of guitar amp

Small: small amp, Built-In: single-unit type amp,

2-Stack: large double stack amp, 3-Stack: large triple stack amp

Level 0–127 Output Level

Distortion Amp Type Small, Built-In, 2-Stack,

3-Stack

Type of guitar amp

Small: small amp, Built-In: single-unit type amp,

2-Stack: large double stack amp, 3-Stack: large triple stack amp

Level 0–127 Output Level

Overdrive2 Amp Type Small, Built-In, 2-Stack,

3-Stack

Type of guitar amp

Small: small amp, Built-In: single-unit type amp,

2-Stack: large double stack amp, 3-Stack: large triple stack amp

Level 0–127 Output Level

Distortion2 Amp Type Small, Built-In, 2-Stack,

3-Stack

Type of guitar amp

Small: small amp, Built-In: single-unit type amp,

2-Stack: large double stack amp, 3-Stack: large triple stack amp

Level 0–127 Output Level

Speaker

Simulator

Sp. Type (See the table.) Type of speaker

Level 0–127 Output Level

Amp Simulator

(Guitar Amp

Simulator)

PreAmp

JC-120, Clean Twin,

MATCH Drive,

BG Lead, MS1959I,

MS1959II,

MS1959I+II, SLDN

Lead, Metal5150,

Metal Lead, OD-1,

OD-2 Turbo,

Distortion, Fuzz

Type of guitar amp

Sp. Type (See the table.) Type of speaker

Phaser Rate 0.05–10.00 Hz Frequency of modulation (Hz)

Manual 0–127 Adjusts the basic frequency from which the sound will be modulated.

Multi Stage

Phaser

Rate 0.05–10.00 Hz Frequency of modulation (Hz)

Manual 0–127 Adjusts the basic frequency from which the sound will be modulated.

Infinite Phaser Speed -100– +100 Speed at which to raise or lower the frequency at which the sound is

modulated (+: upward / -: downward)

Resonance 0–127 Amount of feedback

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173

Effects List

Stereo Flanger Rate 0.05–10.00 Hz Frequency of modulation (Hz)

Depth 0–127 Depth of modulation

3D Flanger Rate 0.05–10.00 Hz Frequency of modulation (Hz)

Depth 0–127 Depth of modulation

2Band Flanger Low Rate 0.05–10.00 Hz Rate at which the low-range flanger sound is modulated (Hz)

High Rate 0.05–10.00 Hz Rate at which the high-range flanger sound is modulated (Hz)

Auto Wah Rate 0.05–10.00 Hz Frequency of modulation (Hz)

Manual 0–127 Adjusts the center frequency at which the effect is applied.

Humanizer

Rate note Frequency at which the two vowels switch (note)

Drive 0–127 Degree of distortion

Also changes the volume.

Ring Modulator Frequency 0–127 Adjusts the frequency at which modulation is applied.

Balance D100:0W–D0:100W Volume balance between the direct sound (D) and the effect sound (W)

Tremolo Rate 0.05–10.00 Hz Frequency of the change (Hz)

Depth 0–127 Depth to which the effect is applied

Auto Pan Rate 0.05–10.00 Hz Frequency of the change (Hz)

Depth 0–127 Depth to which the effect is applied

Slicer

Rate note Rate at which the 16-step sequence will cycle (note)

Shuffle 0–127 Timing of volume changes for even-numbered steps (step 2, step 4, step

6...).

The higher the value, the later the beat progresses.

Compressor Threshold 0–127 Adjusts the volume at which compression begins

Attack 0–127 Sets the speed at which compression starts

Limiter Threshold 0–127 Adjusts the volume at which compression begins

Ratio 1.5:1, 2:1, 4:1, 100:1 Compression ratio

Stereo Chorus Rate 0.05–10.00 Hz Frequency of modulation (Hz)

Depth 0–127 Depth of modulation

Hexa Chorus Rate 0.05–10.00 Hz Frequency of modulation (Hz)

Depth 0–127 Depth of modulation

Tremolo Chorus Chorus Depth 0–127 Modulation depth of the chorus effect

Tremolo Rate 0.05–10.00 Hz Modulation frequency of the tremolo effect (Hz)

Space D Rate 0.05–10.00 Hz Frequency of modulation (Hz)

Depth 0–127 Depth of modulation

3D Chorus Rate 0.05–10.00 Hz Frequency of modulation (Hz)

Depth 0–127 Modulation depth of the chorus effect

2Band Chorus Low Depth 0–127 Modulation depth for the low-range chorus sound

High Depth 0–127 Modulation depth for the high-range chorus sound

Rotary Speed Slow, Fast

Simultaneously switch the rotational speed of the low frequency rotor

and high frequency rotor.

Slow: Slows down the rotation to the Slow Rate.

Fast: Speeds up the rotation to the Fast Rate.

Separation 0–127 Spatial dispersion of the sound

Rotary2

Speed Slow, Fast Rotational speed of the rotating speaker

Brake Off, On Switches the rotation of the rotary speaker.

When this is turned on, the rotation will gradually stop. When it is

turned off, the rotation will gradually resume.

Rotary Multi Rotary Speed Slow, Fast Low- and high-frequency rotation speeds (Rate)

Slow: (Slow Rate), Fast: (Fast Rate)

OD Drive 0–127 Amount of distortion

Effect Name Parameter Value Description

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174

Effects List

Stereo Delay1 Feedback 0– +80 % Adjusts the amount of the delay sound that’s fed back into the effect.

Balance D100:0W–D0:100W Volume balance between the direct sound (D) and the delay sound (W)

Stereo Delay2 Feedback 0– +80 % Adjusts the amount of the delay sound that’s fed back into the effect.

Balance D100:0W–D0:100W Volume balance between the direct sound (D) and the delay sound (W)

Stereo Delay3 Feedback 0– +80 % Adjusts the amount of the delay sound that’s fed back into the effect.

Balance D100:0W–D0:100W Volume balance between the direct sound (D) and the delay sound (W)

Stereo Delay4 Feedback 0– +80 % Adjusts the amount of the delay sound that’s fed back into the effect.

Balance D100:0W–D0:100W Volume balance between the direct sound (D) and the delay sound (W)

Stereo Delay5 Feedback 0– +80 % Adjusts the amount of the delay sound that’s fed back into the effect.

Balance D100:0W–D0:100W Volume balance between the direct sound (D) and the delay sound (W)

Monaural Delay Delay Time note Delay time from when the original sound is heard to when the delay

sound is heard (note)

Balance D100:0W–D0:100W Volume balance of the original sound (D) and delay sound (W)

Modulation

Delay

Depth 0–127 Depth of modulation

Balance D100:0W–D0:100W Volume balance between the direct sound (D) and the delay sound (W)

Triple Tap

Delay

Center Feedback 0– +80 % Adjusts the amount of the delay sound that’s fed back into the effect.

Balance D100:0W–D0:100W Volume balance between the direct sound (D) and the delay sound (W)

3D Delay Center Feedback 0– +80 % Adjusts the proportion of the delay sound that is fed back into the effect.

Balance D100:0W–D0:100W Volume balance between the direct sound (D) and the effect sound (W)

Tape Echo Repeat Rate 0–127 Tape speed

Increasing this value will shorten the spacing of the delayed sounds.

Echo Level 0–127 Volume of the echo sound

Reverse Delay Delay Time 1–1270 ms Delay time from when sound is input into the reverse delay until the

delay sound is heard (Hz)

Balance D100:0W–D0:100W Volume balance of the original sound (D) and delay sound (W)

Lo-Fi

(LoFi Compress)

LoFi Type 1–9 Degrades the sound quality. The sound quality grows poorer as this

value is increased.

Balance D100:0W–D0:100W Volume balance between the direct sound (D) and the effect sound (W)

Telephone Voice Quality 0–15 Audio quality of the telephone voice

Balance D100:0–D0:100W Volume balance between the direct sound (D) and the effect sound (W)

Gate Reverb Type Normal, Reverse,

Sweep1, Sweep2

Type of reverb

Normal: conventional gated reverb

Reverse: backwards reverb

Sweep1: the reverberant sound moves from right to left

Sweep2: the reverberant sound moves from left to right

Balance D100:0W–D0:100W Volume balance between the direct sound (D) and the reverb sound (W)

OD–>Chorus

(Overdrive–>

Chorus)

Chorus Rate 0.05–10.00 Hz Frequency of modulation (Hz)

Cho. Balance D100:0W–D0:100W Adjusts the volume balance between the sound that is sent through the

chorus (W) and the sound that is not sent through the chorus (D).

OD–>Flanger

(Overdrive–>

Flanger)

Flanger Rate 0.05–10.00 Hz Frequency of modulation (Hz)

Fl. Balance D100:0W–D0:100W Adjusts the volume balance between the sound that is sent through the

flanger (W) and the sound that is not sent through the flanger (D).

Overdrive–>

Delay

Drive 0–127 Degree of distortion

Also changes the volume.

Delay Balance D100:0W–D0:100W Adjusts the volume balance between the sound that is sent through the

delay (W) and the sound that is not sent through the delay (D).

Dist.–>Chorus

(Distortion–>

Chorus)

Chorus Rate 0.05-10.00 Hz Frequency of modulation (Hz)

Cho. Balance D100:0W-D0:100W Adjusts the volume balance between the sound that is sent through the

chorus (W) and the sound that is not sent through the chorus (D).

Effect Name Parameter Value Description

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Effects List

Dist.–>Flanger

(Distortion–>

Flanger)

Flanger Rate 0.05-10.00 Hz Frequency of modulation (Hz)

Fl. Balance D100:0W-D0:100W Adjusts the volume balance between the sound that is sent through the

flanger (W) and the sound that is not sent through the flanger (D).

Dist.–>Delay

(Distortion–>

Delay)

Drive 0–127 Degree of distortion

Also changes the volume.

DelayBalance D100:0W-D0:100W Adjusts the volume balance between the sound that is sent through the

delay (W) and the sound that is not sent through the delay (D).

Enhancer–>

Cho

(Enhancer–>

Chorus)

Chorus Rate 0.05–10.00 Hz Frequency of modulation (Hz)

Cho. Balance D100:0W–D0:100W Adjusts the volume balance between the sound that is sent through the

chorus (W) and the sound that is not sent through the chorus (D).

Enhancer–>Fl.

(Enhancer–>

Flanger)

Flanger Rate 0.05–10.00 Hz Frequency of modulation (Hz)

Fl. Balance D100:0W–D0:100W Adjusts the volume balance between the sound that is sent through the

flanger (W) and the sound that is not sent through the flanger (D).

Enhancer–>

Delay

Enhancer Sens 0–127 Sensitivity of the enhancer

Delay Balance D100:0W–D0:100W Adjusts the volume balance between the sound that is sent through the

delay (W) and the sound that is not sent through the delay (D).

Chorus–>Delay

Cho. Balance D100:0W–D0:100W Volume balance between the direct sound (D) and the chorus sound

(W)

Delay Balance D100:0W–D0:100W Adjusts the volume balance between the sound that is sent through the

delay (W) and the sound that is not sent through the delay (D).

Flanger–>

Delay

Fl. Balance D100:0W–D0:100W Volume balance between the direct sound (D) and the flanger sound

(W)

Delay Balance D100:0W–D0:100W Adjusts the volume balance between the sound that is sent through the

delay (W) and the sound that is not sent through the delay (D).

Chorus–>

Flanger

Cho. Balance D100:0W–D0:100W Volume balance between the direct sound (D) and the chorus sound

(W)

Fl. Balance D100:0W–D0:100W Adjusts the volume balance between the sound that is sent through the

flanger (W) and the sound that is not sent through the flanger (D).

Damper

Resonance

Depth 0–127 Depth of the effect

Damper Offset 0–64 Volume of additional slight resonance when the damper pedal is not

pressed

Type Cabinet Speaker Microphone

Small 1 Small open-back enclosure 10 Dynamic

Small 2 Small open-back enclosure 10 Dynamic

Middle Open back enclosure 12 x 1 Dynamic

JC-120 Open back enclosure 12 x 2 Dynamic

Built-In 1 Open back enclosure 12 x 2 Dynamic

Built-In 2 Open back enclosure 12 x 2 Condenser

Built-In 3 Open back enclosure 12 x 2 Condenser

Built-In 4 Open back enclosure 12 x 2 Condenser

Built-In 5 Open back enclosure 12 x 2 Condenser

BG Stack 1 Sealed enclosure 12 x 2 Condenser

BG Stack 2 Large sealed enclosure 12 x 2 Condenser

MS Stack 1 Large sealed enclosure 12 x 4 Condenser

MS Stack 2 Large sealed enclosure 12 x 4 Condenser

Metal Stack Large double stack 12 x 4 Condenser

2-Stack Large double stack 12 x 4 Condenser

3-Stack Large triple stack 12 x 4 Condenser

Effect Name Parameter Value Description

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176

Stored Settings

Settings Stored in a Registration

*1: Only the selected tone and rhythm-related settings are stored.

Settings Stored While the Power is Off

Settings that Can be Stored by Backing Up

Stored Items Page

Tone and variation selected for the Upper part and Lower part p. 35, p. 41,

p. 43

Settings for dual and split play p. 41, p. 43

The volume balance for dual and split play p. 47

Keyboard Touch, The velocity when the keyboard touch is set to “Off” p. 48, p. 125,

p. 126

Reverb button’s on or off, and the depth of reverb p. 49

The effect type and the settings of effects (*1) p. 50, p. 119,

p. 120

Speed of the rotary effect for organ sounds p. 51

Transpose’s on or off, its value, and Transpose mode p. 52, p. 124

Session Partner settings p. 66–p. 77

p. 129–p. 130

How the pedal effect is applied, and the function of the pedal p. 117, p. 118

Setting the part to which effects are added p. 120

Octave Shift for the Lower tone p. 126

MIDI transmit channel p. 148

Program Change settings p. 151

Stored Items Page

USB Driver Setting p. 143

Equalizer Settings p. 122

VIMA TUNES recommended tones on/off setting p. 120

Lyrics display on/off setting, lyrics display language setting p. 121

Sound Control’s on or off, and the type of Sound Control p. 122

Equalizer’s on or off, and the type of Equalizer p. 122

External Memory Mode p. 136

Stored Items Page

Master Tuning p. 115

Piano Designer Settings p. 63

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MIDI Implementation Chart

Function...

Basic

Channel

Mode

Note

Number :

Velocity

After

Touch

Pitch Bend

Control

Change

Prog

Change

System Exclusive

System

Common

System

Real Time

Aux

Message

Notes

Transmitted Recognized Remarks

Default

Changed

Default

Messages

Altered

True Voice

Note ON

Note OFF

Key’s

Ch’s

: True Number

: Song Pos

: Song Sel

: Tune

: Clock

: Commands

: All sound off

Reset all controllers

: Local Control

: All Notes OFF

: Active Sense

: Reset

1–16

Mode 3

15–113

0–127

**************

1–16

Mode 3

Mode 3, 4 (M=1)

0–127

O (120, 126, 127)

O (123–125)

Bank select

Modulation

Portamento time

Data entry

Volume

Panpot

Expression

Hold 1

Portamento

Sostenuto

Soft

Resonance

Release time

Attack time

Cutoff

Decay time

Vibrato rate

Vibrato depth

Vibrato delay

Portamento control

Effect 1 depth

Effect 3 depth

NRPN LSB, MSB

RPN LSB, MSB

* 1 O x is selectable by SysEx.

* 2 Recognized as M=1 even if M≠1.

DIGITAL PIANO

Model FP-7

Date : Oct. 1, 2006

Version : 1.00

MIDI Implementation Chart

**************

Mode 1 : OMNI ON, POLY

Mode 3 : OMNI OFF, POLY

Mode 2 : OMNI ON, MONO

Mode 4 : OMNI OFF, MONO

O : Yes

X : No

* 2

Program number 1–128

0, 32

6, 38

98, 99

100, 101

O (Reverb)

O (Chorus)

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Main Specifications

FP-7: Digital Piano

Keyboard

88 keys PHA II keyboard

Touch Sensitivity

100 levels, Off (velocity adjustable)

Sound Generator

GM2 system/GS/XG lite compatible

Max. Polyphony

128 voices

Tones

339 tones (include 6 Tone Wheel Organ) + 9 Drums Sets

Effects

Reverb

Digital Effect (62 types)

Sound Control (3 types)

4-band Digital Equalizer

Session Partner

Rhythm: 80 types x 2 variations

Chord Progression: Automatic or input with keyboard (User Programmable)

Recorder

Tracks: 3 tracks

Song: 1 song (Max. 99 songs to Internal Memory)

Note Storage: Approx. 30000 notes

Tempo: Quarter note = 10 to 500

Resolution: 120 ticks per quarter note

Registration

Internal Songs

65 Songs

Demo Songs

10 Songs

Playback and Save

Media: USB Memory

Playback file: SMF format (0/1)

Audio File (WAV format, 44.1 kHz, 16 bit linear)

*Audio File can be played with Audio Key Function.

Save format: SMF format (0), Registration set

Rated Power Output

13 W x 2

Speakers

8 cm x12cm x 2 with Speaker Box

Display

Graphic LCD 128 x 64 dots (with backlit)

Connectors

External Memory Connector

Output Jacks (L/Mono, R): 1/4 inch phone type

Input Jacks (L/Mono, R): 1/4 inch phone type

Mix In Jack: Stereo miniature phone type

Headphone Jack x 2: Stereo 1/4 inch phone type

USB (MIDI) Connector

MIDI Connectors (In, Out)

Pedal Jacks (Damper, Soft*, Sostenuto*) * Assignable

DC In Jack

Power Supply

DC 12 V (AC Adaptor)

Power Consumption

26 W

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179

Main Specifications

* In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior

notice.

Dimensions (Including stand)

1346 (W) x 375 (D) x 137 (H) mm

53 (W) x 14-13/16 (D) x 5-7/16 (H) inches

1346 (W) x 396 (D) x 949 (H) mm

53 (W) x 15-5/8 (D) x 37-3/8 (H) inches

(FP-7 with dedicated stand and music rest)

Weight

23.9 kg / 52 lbs 12 oz

Accessories

Owner’s Manual

Audio Key Utility Quick Guide

CD-ROM (Audio Key Utility)

Information about SONAR LE

CD-ROM (SONAR LE)

AC Adaptor

Power Cord

Music Rest

2 screws for the Music Rest

Pedal (available Half-damper)

Options

Dedicated Stand: KSC-44

Damper Pedal

Pedal Switch

Foot Switch

Expression Pedal (EV-5)

USB Memory

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180

Index

AC Adaptor

........................................................ 18

All Song Play

....................................................... 29

Audio Equipment

................................................ 138

Audio File

............................................... 34, 59, 62

Audio File Set

.................................................... 127

Audio File Setting

............................................... 127

Audio Key

.......................................................... 59

[Audio Key] Button

.......................................... 14, 60

Audio Key Settings

.............................................. 127

[Balance] Knob

.............................................. 14, 47

Beat of Metronome

............................................. 134

Bend Down

....................................................... 118

Bend Up

........................................................... 118

Center Cancel

................................................... 146

Chord Fingering List

............................................ 167

Chord Progression

...................... 72–73, 76–77, 130

Chord Progression Off

........................................... 73

Chord Progression Pattern

..................................... 129

Chord Progression Pattern List

................................ 164

Computer

................................................. 141, 143

Connecting

AC Adaptor

.................................................... 18

Audio Equipment

........................................... 138

CD Drive

..................................................... 144

Computer

............................................. 141, 143

External Speakers

.......................................... 138

Headphones

................................................... 22

MIDI Devices

................................................ 147

MIDI Sound Module

........................................ 148

Pedal

............................................................ 21

Power Cord

.................................................... 18

Roland CD-2

................................................. 140

USB Memory

.......................................... 23, 142

[Contrast] Knob

.............................................. 15, 22

Contrast of the Screen

............................................ 22

Copying

........................................................... 104

Registration Set

................................................ 89

Song

.......................................................... 111

Cord Hook

.................................................... 16, 18

Damper Jack

............................................... 21, 117

Damper Noise

..................................................... 64

Damper Pedal

.............................................. 21, 118

Damper Resonance

............................................... 21

DC In Jack

.................................................... 16, 18

Deleting

Saved Song

.................................................. 109

Demo Songs

....................................................... 24

Display

.............................................................. 14

[Display] Button

................................................... 15

Dual Play

........................................................... 41

Duplex Scale

....................................................... 64

Effect Type

........................................................ 119

Effects

............................................................... 50

Effects List

......................................................... 172

Ending

............................................................ 129

Equalizer

................................................... 57, 123

[Equalizer] Button

..................................... 15, 57–58

Equalizer Settings

....................................... 122–123

Equalizer Type

.................................................... 58

Erasing

Recorded Performance

.................................... 103

Error Message

................................................... 157

Expression

........................................................ 118

Expression Pedal .......................................... 21, 118

External Memory Connector .............................. 17, 23

External Speaker ................................................ 138

Factory Reset ..................................................... 135

Feet .................................................................. 37

Fill In ................................................................. 70

Fine Adjustments to the Keyboard ........................... 125

Formatting ........................................ 107, 132–133

Front Panel ......................................................... 14

[Function] Button .................................................. 14

Function Mode .................................................. 115

General MIDI ............................................ 147, 170

General MIDI 2 ......................................... 147, 170

Ground Terminal .................................................. 18

GS ................................................................. 170

GS Format ........................................................ 170

Hammer Noise .................................................... 64

Hammer Response ................................................ 64

Headphones ....................................................... 22

Initializing ........................................ 107, 132–133

Input Jacks .................................................. 16, 139

Internal Memory ....... 29, 32, 78, 105, 109, 111, 113

Initializing .................................................... 132

Internal Song .................................... 26, 29–30, 95

Internal Song List ................................................ 169

Intro ................................................................ 129

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Index

Key Off Resonance

............................................... 64

Key Touch

................................................... 48, 125

Velocity

....................................................... 126

Key Transpose

..................................................... 52

Keyboard Sensitivity

...................................... 48, 125

Keynote

........................................................... 116

Language for Lyric Display

.................................... 121

Leading Bass

..................................................... 118

Lid

.................................................................... 64

Listening

All Song Play

.................................................. 29

Demo Song

.................................................... 24

Each Part Separately

......................................... 30

Internal Song

.................................................. 26

Songs Saved in Internal Memory

.......................... 32

Songs Saved in USB Memory

.............................. 33

Local Control

..................................................... 149

Local Off

.......................................................... 149

Local On

.......................................................... 149

Lower Tone

............... 41–43, 45, 47, 117, 120, 126

Lyrics

............................................................... 121

Master Gain

...................................................... 123

Master Tune

...................................................... 115

Message

.......................................................... 157

Metronome

......................................................... 54

Beat

........................................................... 134

Marks the Beat

.............................................. 134

Tempo

........................................................... 55

Volume

.......................................................... 55

[Metronome] Button

......................................... 14, 54

MIDI

................................................................ 147

MIDI Connector

............................................ 16, 147

MIDI Device

...................................................... 147

MIDI In Connector

............................................... 147

MIDI Out Connector

............................................ 147

MIDI Settings

..................................................... 148

MIDI Sound Module

............................................ 148

MIDI Transmit Channel

......................................... 148

Modulation

....................................................... 118

[Multi Effects] Button

........................................ 15, 50

Music CD

........................................... 33, 145–146

Music Files

........................................................ 170

Music Rest

.......................................................... 20

Muting

............................................................... 30

Octave Shift

...................................................... 126

Original/Variation

................................................ 75

Output Jacks

....................................... 16, 138, 140

Panel Lock

........................................................ 135

Part Mute

......................................................... 131

Pedal

................................................ 21, 117–118

Effects

......................................................... 117

Works

........................................................ 118

Pedal Jacks

......................................................... 16

Pedals’ Function

................................................. 118

Percussion

.......................................................... 40

Percussion Decay

................................................. 40

Phones Jacks

................................................. 17, 22

Piano Designer

.............................................. 63, 65

[Play] Button

................................ 14, 24–26, 29–32

Playing Back

All Songs

....................................................... 29

Demo Song

.................................................... 24

Each Part Separately

........................................ 30

Internal Song .................................................. 26

Songs from a CD ........................................... 145

Songs Saved in Internal Memory ......................... 32

USB Memory .................................................. 33

Power Cord ........................................................ 18

Power On .......................................................... 19

[Power] Switch ........................................ 14, 18–19

Program Change ................................................ 151

Program Change Transmit Switch ........................... 150

Rear Panel .......................................................... 16

[Rec] Button ................... 14, 76–77, 93–96, 98–103

Recommended Tone ............................................ 120

Recorder .................................................... 92, 100

Recorder MIDI Out ............................................. 150

Recording ................................. 76, 92–96, 98–102

Chord Progression ........................................... 76

Erasing Recorded Performances ........................ 103

New Song ..................................................... 93

Recording Along with a Song ............................. 95

Recording Selected Track Button ........................ 100

Recording Song with Session Partner .................... 98

Registration ........... 78, 80–85, 87, 89–91, 151, 176

[Registration] Button ...................... 15, 78, 80–82, 91

Registration Set ....................... 78, 83–85, 87, 89–90

[Reverb] Button .............................................. 15, 49

Reverb Effect ....................................................... 49

Depth ........................................................... 49

Rhythm List ........................................................ 163

Rhythm Pattern ..................................................... 75

Root Note of the Chord Progression ........................ 130

Rotary Effect ....................................................... 51

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Index

Saving

............................................................. 104

Piano Designer Settings

..................................... 65

Registration Set

................................................ 83

Songs You Record

.......................................... 105

Session Partner

........................................ 66–77, 98

[Session Partner] Button

.................. 14, 67–69, 72–77

SMF Music Files

......................... 121, 131–132, 170

SMF with Lyrics

.................................................. 170

Soft / (FC2) Jack

.......................................... 21, 117

Soft Pedal

................................................... 21, 118

Song

All Song Play

.................................................. 29

Deleting

....................................................... 109

Demo Song

.................................................... 24

Internal Song

.................................................. 26

Saving

........................................................ 105

Song Saved in Internal Memory

........................... 32

Song Saved in USB Memory

............................... 33

Transmitted to an External MIDI Device

................ 150

Volume

.......................................................... 28

Song Select Screen

............................................... 27

Sostenuto / (FC1) Jack

................................... 21, 117

Sostenuto Pedal

............................................ 21, 118

Sound Control

..................................................... 56

[Sound Control] Button

..................................... 15, 56

Sound Control Setting

.......................................... 122

Speaker Switch

............................................ 16, 138

[Split] Button

...................................... 15, 44–46, 73

Split Play

...................................................... 43, 73

Split Point

............................................... 43, 46, 73

Standard Pitch

................................................... 115

Stretch Tuning

...................................................... 64

String Resonance

.................................................. 64

Temperament

..................................................... 116

Tempo

......................................................... 55, 71

Metronome

..................................................... 55

Rhythm

.......................................................... 71

Song

............................................................ 55

Tone

.................................................................. 35

Tone Buttons

.................................................. 15, 35

Tone Wheel

........................................................ 36

Track Assign

...................................................... 132

Track Buttons

................. 14, 30, 92, 94, 96, 99–102

Track Mute

.......................................................... 30

Transpose

................................................... 52, 124

[Transpose] Button

.......................................... 14, 52

Troubleshooting

.................................................. 153

Tuning

..................................................... 115–116

Upper Tone

............................ 40–45, 47, 117, 120

USB (MIDI) Connector

................................... 16, 143

USB Driver

....................................................... 143

USB Memory

. 23, 33, 104, 107, 111, 113, 133, 142

Initializing

............................................ 107, 133

Velocity

........................................................... 126

VIMA TUNES

.................................... 120, 145, 170

V-LINK

............................................................. 136

Volume

Audio File

...................................................... 62

Footage

........................................................ 39

Headphone

.................................................... 22

Metronome

.................................................... 55

Muted Track

................................................... 31

Overall

......................................................... 20

Session Partner Performance

............................... 69

Song ............................................................ 28

Volume Balance ................................................... 47

[Volume] Knob .................................. 14, 18–20, 22

XG lite ............................................................. 170

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183

MEMO

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184

MEMO

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185

As of November 1, 2006 (ROLAND)

Information When you need repair service, call your nearest Roland Service Center or authorized Roland

distributor in your country as shown below.

EGYPT

Al Fanny Trading Office

9, EBN Hagar A1 Askalany

Street,

ARD E1 Golf, Heliopolis,

Cairo 11341, EGYPT

TEL: 20-2-417-1828

REUNION

Maison FO - YAM Marcel

25 Rue Jules Hermann,

Chaudron - BP79 97 491

Ste Clotilde Cedex,

REUNION ISLAND

TEL: (0262) 218-429

SOUTH AFRICA

T.O.M.S. Sound & Music

(Pty)Ltd.

2 ASTRON ROAD DENVER

JOHANNESBURG ZA 2195,

SOUTH AFRICA

TEL: (011)417 3400

FAX: (011)417 3462

Paul Bothner(PTY)Ltd.

Royal Cape Park, Unit 24

Londonderry Road, Ottery 7800

Cape Town, SOUTH AFRICA

TEL: (021) 799 4900

CHINA

Roland Shanghai Electronics

Co.,Ltd.

5F. No.1500 Pingliang Road

Shanghai 200090, CHINA

TEL: (021) 5580-0800

Roland Shanghai Electronics

Co.,Ltd.

(BEIJING OFFICE)

10F. No.18 3 Section Anhuaxili

Chaoyang District Beijing

100011 CHINA

TEL: (010) 6426-5050

HONG KONG

Tom Lee Music Co., Ltd.

Service Division

22-32 Pun Shan Street, Tsuen

Wan, New Territories,

HONG KONG

TEL: 2415 0911

Parsons Music Ltd.

8th Floor, Railway Plaza, 39

Chatham Road South, T.S.T,

Kowloon, HONG KONG

TEL: 2333 1863

INDIA

Rivera Digitec (India) Pvt. Ltd.

409, Nirman Kendra

Mahalaxmi Flats Compound

Off. Dr. Edwin Moses Road,

Mumbai-400011, INDIA

TEL: (022) 2493 9051

INDONESIA

PT Citra IntiRama

J1. Cideng Timur No. 15J-150

Jakarta Pusat

INDONESIA

TEL: (021) 6324170

KOREA

Cosmos Corporation

1461-9, Seocho-Dong,

Seocho Ku, Seoul, KOREA

TEL: (02) 3486-8855

MALAYSIA

Roland Asia Pacific Sdn. Bhd.

45-1, Block C2, Jalan PJU 1/39,

Dataran Prima, 47301 Petaling

Jaya, Selangor, MALAYSIA

TEL: (03) 7805-3263

PHILIPPINES

G.A. Yupangco & Co. Inc.

339 Gil J. Puyat Avenue

Makati, Metro Manila 1200,

PHILIPPINES

TEL: (02) 899 9801

SINGAPORE

SWEE LEE MUSIC

COMPANY PTE. LTD.

150 Sims Drive,

SINGAPORE 387381

TEL: 6846-3676

TAIWAN

ROLAND TAIWAN

ENTERPRISE CO., LTD.

Room 5, 9fl. No. 112 Chung

Shan N.Road Sec.2, Taipei,

TAIWAN, R.O.C.

TEL: (02) 2561 3339

THAILAND

Theera Music Co. , Ltd.

330 Soi Verng NakornKasem,

New Road, Sumpantawongse,

Bangkok 10100, THAILAND

TEL: (02) 224-8821

AUSTRALIA/

NEW ZEALAND

Roland Corporation

Australia Pty.,Ltd.

38 Campbell Avenue

Dee Why West. NSW 2099

AUSTRALIA

For Australia

Tel: (02) 9982 8266

For New Zealand

Tel: (09) 3098 715

ARGENTINA

Instrumentos Musicales S.A.

Av.Santa Fe 2055

(1123) Buenos Aires

ARGENTINA

TEL: (011) 4508-2700

BARBADOS

A&B Music Supplies LTD

12 Webster Industrial Park

Wildey, St.Michael, Barbados

TEL: (246)430-1100

BRAZIL

Roland Brasil Ltda.

Rua San Jose, 780 Sala B

Parque Industrial San Jose

Cotia - Sao Paulo - SP, BRAZIL

TEL: (011) 4615 5666

CHILE

Comercial Fancy II S.A.

Rut.: 96.919.420-1

Nataniel Cox #739, 4th Floor

Santiago - Centro, CHILE

TEL: (02) 688-9540

COLOMBIA

Centro Musical Ltda.

Cra 43 B No 25 A 41 Bododega 9

Medellin, Colombia

TEL: (574)3812529

COSTA RICA

JUAN Bansbach Instrumentos

Musicales

Ave.1. Calle 11, Apartado

10237,

San Jose, COSTA RICA

TEL: 258-0211

CURACAO

Zeelandia Music Center Inc.

Orionweg 30

Curacao, Netherland Antilles

TEL:(305)5926866

DOMINICAN REPUBLIC

Instrumentos Fernando Giraldez

Calle Proyecto Central No.3

Ens.La Esperilla

Santo Domingo,

Dominican Republic

TEL:(809) 683 0305

ECUADOR

Mas Musika

Rumichaca 822 y Zaruma

Guayaquil - Ecuador

TEL:(593-4)2302364

EL SALVADOR

OMNI MUSIC

75 Avenida Norte y Final

Alameda Juan Pablo II,

Edificio No.4010 San Salvador,

EL SALVADOR

TEL: 262-0788

GUATEMALA

Casa Instrumental

Calzada Roosevelt 34-01,zona 11

Ciudad de Guatemala

Guatemala

TEL:(502) 599-2888

HONDURAS

Almacen Pajaro Azul S.A. de C.V.

BO.Paz Barahona

3 Ave.11 Calle S.O

San Pedro Sula, Honduras

TEL: (504) 553-2029

MARTINIQUE

Musique & Son

Z.I.Les Mangle

97232 Le Lamantin

Martinique F.W.I.

TEL: 596 596 426860

Gigamusic SARL

10 Rte De La Folie

97200 Fort De France

Martinique F.W.I.

TEL: 596 596 715222

MEXICO

Casa Veerkamp, s.a. de c.v.

Av. Toluca No. 323, Col. Olivar

de los Padres 01780 Mexico

D.F. MEXICO

TEL: (55) 5668-6699

NICARAGUA

Bansbach Instrumentos

Musicales Nicaragua

Altamira D'Este Calle Principal

de la Farmacia 5ta.Avenida

1 Cuadra al Lago.#503

Managua, Nicaragua

TEL: (505)277-2557

PANAMA

SUPRO MUNDIAL, S.A.

Boulevard Andrews, Albrook,

Panama City, REP. DE

PANAMA

TEL: 315-0101

PARAGUAY

Distribuidora De

Instrumentos Musicales

J.E. Olear y ESQ. Manduvira

Asuncion PARAGUAY

TEL: (595) 21 492147

PERU

Audionet

Distribuciones Musicales SAC

Juan Fanning 530

Miraflores

Lima - Peru

TEL: (511) 4461388

TRINIDAD

AMR Ltd

Ground Floor

Maritime Plaza

Barataria Trinidad W.I.

TEL: (868) 638 6385

NORWAY

Roland Scandinavia Avd.

Kontor Norge

Lilleakerveien 2 Postboks 95

Lilleaker N-0216 Oslo

NORWAY

TEL: 2273 0074

POLAND

ROLAND POLSKA SP. Z O.O.

UL. Gibraltarska 4.

PL-03 664 Warszawa

POLAND

TEL: (022) 679 4419

PORTUGAL

Roland Iberia, S.L.

Portugal Office

Cais das Pedras, 8/9-1 Dto

4050-465, Porto, PORTUGAL

TEL: 22 608 00 60

ROMANIA

FBS LINES

Piata Libertatii 1,

535500 Gheorgheni,

ROMANIA

TEL: (266) 364 609

RUSSIA

MuTek

Dorozhnaya ul.3,korp.6

117 545 Moscow, RUSSIA

TEL: (095) 981-4967

SLOVAKIA

DAN Acoustic s.r.o.

Povazská 18.

SK - 940 01 Nové Zámky

TEL: (035) 6424 330

SPAIN

Roland Iberia, S.L.

Paseo García Faria, 33-35

08005 Barcelona SPAIN

TEL: 93 493 91 00

SWEDEN

Roland Scandinavia A/S

SWEDISH SALES OFFICE

Danvik Center 28, 2 tr.

S-131 30 Nacka SWEDEN

TEL: (0)8 702 00 20

SWITZERLAND

Roland (Switzerland) AG

Landstrasse 5, Postfach,

CH-4452 Itingen,

SWITZERLAND

TEL: (061) 927-8383

UKRAINE

EURHYTHMICS Ltd.

P.O.Box: 37-a.

Nedecey Str. 30

UA - 89600 Mukachevo,

UKRAINE

TEL: (03131) 414-40

UNITED KINGDOM

Roland (U.K.) Ltd.

Atlantic Close, Swansea

Enterprise Park, SWANSEA

SA7 9FJ,

UNITED KINGDOM

TEL: (01792) 702701

BAHRAIN

Moon Stores

No.16, Bab Al Bahrain Avenue,

P.O.Box 247, Manama 304,

State of BAHRAIN

TEL: 17 211 005

IRAN

MOCO INC.

No.41 Nike St., Dr.Shariyati Ave.,

Roberoye Cerahe Mirdamad

Tehran, IRAN

TEL: (021) 285-4169

ISRAEL

Halilit P. Greenspoon & Sons

Ltd.

8 Retzif Ha'aliya Hashnya St.

Tel-Aviv-Yafo ISRAEL

TEL: (03) 6823666

URUGUAY

Todo Musica S.A.

Francisco Acuna de Figueroa

1771

C.P.: 11.800

Montevideo, URUGUAY

TEL: (02) 924-2335

VENEZUELA

Instrumentos Musicales

Allegro,C.A.

Av.las industrias edf.Guitar

import

#7 zona Industrial de Turumo

Caracas, Venezuela

TEL: (212) 244-1122

AUSTRIA

Roland Elektronische

Musikinstrumente HmbH.

Austrian Office

Eduard-Bodem-Gasse 8,

A-6020 Innsbruck, AUSTRIA

TEL: (0512) 26 44 260

BELGIUM/FRANCE/

HOLLAND/

LUXEMBOURG

Roland Central Europe N.V.

Houtstraat 3, B-2260, Oevel

(Westerlo) BELGIUM

TEL: (014) 575811

CROATIA

ART-CENTAR

Degenova 3.

HR - 10000 Zagreb

TEL: (1) 466 8493

CZECH REP.

CZECH REPUBLIC

DISTRIBUTOR s.r.o

Voctárova 247/16

CZ - 180 00 PRAHA 8,

CZECH REP.

TEL: (2) 830 20270

DENMARK

Roland Scandinavia A/S

Nordhavnsvej 7, Postbox 880,

DK-2100 Copenhagen

DENMARK

TEL: 3916 6200

FINLAND

Roland Scandinavia As, Filial

Finland

Elannontie 5

FIN-01510 Vantaa, FINLAND

TEL: (0)9 68 24 020

GERMANY

Roland Elektronische

Musikinstrumente HmbH.

Oststrasse 96, 22844

Norderstedt, GERMANY

TEL: (040) 52 60090

GREECE/CYPRUS

STOLLAS S.A.

Music Sound Light

155, New National Road

Patras 26442, GREECE

TEL: 2610 435400

HUNGARY

Roland East Europe Ltd.

Warehouse Area ‘DEPO’ Pf.83

H-2046 Torokbalint,

HUNGARY

TEL: (23) 511011

IRELAND

Roland Ireland

G2 Calmount Park, Calmount

Avenue, Dublin 12

Republic of IRELAND

TEL: (01) 4294444

ITALY

Roland Italy S. p. A.

Viale delle Industrie 8,

20020 Arese, Milano, ITALY

TEL: (02) 937-78300

JORDAN

MUSIC HOUSE CO. LTD.

FREDDY FOR MUSIC

P. O. Box 922846

Amman 11192 JORDAN

TEL: (06) 5692696

KUWAIT

EASA HUSAIN AL-YOUSIFI

& SONS CO.

Abdullah Salem Street,

Safat, KUWAIT

TEL: 243-6399

LEBANON

Chahine S.A.L.

Gerge Zeidan St., Chahine

Bldg., Achrafieh, P.O.Box: 16-

5857

Beirut, LEBANON

TEL: (01) 20-1441

OMAN

TALENTZ CENTRE L.L.C.

Malatan House No.1

Al Noor Street, Ruwi

SULTANATE OF OMAN

TEL: 2478 3443

QATAR

Al Emadi Co. (Badie Studio &

Stores)

P.O. Box 62, Doha, QATAR

TEL: 4423-554

SAUDI ARABIA

aDawliah Universal

Electronics APL

Corniche Road, Aldossary

Bldg., 1st Floor, Alkhobar,

SAUDI ARABIA

P.O.Box 2154, Alkhobar 31952

SAUDI ARABIA

TEL: (03) 898 2081

SYRIA

Technical Light & Sound

Center

Rawda, Abdul Qader Jazairi St.

Bldg. No. 21, P.O.BOX 13520,

Damascus, SYRIA

TEL: (011) 223-5384

TURKEY

ZUHAL DIS TICARET A.S.

Galip Dede Cad. No.37

Beyoglu - Istanbul / TURKEY

TEL: (0212) 249 85 10

U.A.E.

Zak Electronics & Musical

Instruments Co. L.L.C.

Zabeel Road, Al Sherooq Bldg.,

No. 14, Grand Floor, Dubai,

U.A.E.

TEL: (04) 3360715

CANADA

Roland Canada Ltd.

(Head Office)

5480 Parkwood Way

Richmond B. C., V6V 2M4

CANADA

TEL: (604) 270 6626

Roland Canada Ltd.

(Toronto Office)

170 Admiral Boulevard

Mississauga On L5T 2N6

CANADA

TEL: (905) 362 9707

U. S. A.

Roland Corporation U.S.

5100 S. Eastern Avenue

Los Angeles, CA 90040-2938,

U. S. A.

TEL: (323) 890 3700

ASIA

AFRICA

AUSTRALIA/

NEW ZEALAND

EUROPE

CENTRAL/LATIN

AMERICA

MIDDLE EAST

NORTH AMERICA

FP-7-e.book 185 ページ２００６年１２月１４日　木曜日　午前１０時５７分

For the USA

DECLARATION OF CONFORMITY

Compliance Information Statement

Model Name :

Type of Equipment :

Responsible Party :

Address :

Telephone :

FP-7

Digital Piano

Roland Corporation U.S.

5100 S. Eastern Avenue, Los Angeles, CA 90040-2938

(323) 890-3700

This product complies with the requirements of European Directive 89/336/EEC.

For EU Countries

For Canada

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.

Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.

NOTICE

AVIS

For the USA

FEDERAL COMMUNICATIONS COMMISSION

RADIO FREQUENCY INTERFERENCE STATEMENT

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the

FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential

installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in

accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee

that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or

television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the

interference by one or more of the following measures:

– Reorient or relocate the receiving antenna.

– Increase the separation between the equipment and receiver.

– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

– Consult the dealer or an experienced radio/TV technician for help.

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:

(1) This device may not cause harmful interference, and

(2) This device must accept any interference received, including interference that may cause undesired operation.

Unauthorized changes or modification to this system can void the users authority to operate this equipment.

This equipment requires shielded interface cables in order to meet FCC class B Limit.

IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.

BLUE:

BROWN:

As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying

the terminals in your plug, proceed as follows:

The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.

The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.

Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.

NEUTRAL

LIVE

For the U.K.

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Roland Fp 7 Users Manual 7_e

fp7 6f2edaba-7c72-4295-8402-2e76104fcb7c Roland Musical Instrument FP-7 User Guide |

Roland Corporation FP-7 Owner's Manual fp-7_om Roland Corporation - FP-7 - Owner's Manual

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