Roland Td 6V Users Manual 6V_e

Roland Corporation TD-6V Owner's Manual td-6v_om Roland Corporation - TD-6V - Owner's Manual

TD-6V TD-6V_OM

TD-6V to the manual 79775c2c-a6e1-4797-8e90-ca3929b5805e

Roland Corporation TD-6V Owner's Manual td-6v_om Roland Corporation - TD-6V - Owner's Manual

2015-02-02

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03458934 5RCC
To resize thickness, move all items on the front cover to left or right (6.54 mm)
* All product names mentioned in this document are trademarks or registered
trademarks of their respective owners.
202
Copyright © 2003 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any
form without the written permission of ROLAND CORPORATION.
Owner’s Manual
Thank you, and congratulations on your choice of the Roland Percussion Sound
Module TD-6V.
Before using this unit, carefully read the sections entitled: “USING THE UNIT
SAFELY” (p. 2–3) and “IMPORTANT NOTES” (p. 4–5). These sections provide
important information concerning the proper operation of the unit. Additionally,
in order to feel assured that you have gained a good grasp of every feature
provided by your new unit, Owner’s manual should be read in its entirety. The
manual should be saved and kept on hand as a convenient reference.
To resize thickness, move all items on the front cover to left or right
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE:
BROWN:
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
NEUTRAL
LIVE
For the U.K.
2
This product complies with the requirements of European Directive 89/336/EEC.
For EU Countries
For EU Countries
Apparatus containing
Lithium batteries
ADVARSEL!
Lithiumbatteri - Eksplosionsfare ved
fejlagtig håndtering.
Udskiftning må kun ske med batteri af
samme fabrikat og type.
Levér det brugte batteri tilbage til
leverandøren.
VARNING
Explosionsfara vid felaktigt batteribyte.
Använd samma batterityp eller en
ekvivalent typ som rekommenderas av
apparattillverkaren.
Kassera använt batteri enligt
fabrikantens instruktion.
CAUTION
Danger of explosion if battery is
incorrectly replaced.
Replace only with the same or
equivalent type recommended by the
manufacturer.
Discard used batteries according to the
manufacturer’s instructions.
ADVARSEL
Eksplosjonsfare ved feilaktig skifte av
batteri.
Benytt samme batteritype eller en
tilsvarende type anbefalt av
apparatfabrikanten.
Brukte batterier kasseres i henhold til
fabrikantens instruks joner.
VAROITUS
Paristo voi räjähtää, jos se on
virheellisesti asennettu.
Vaihda paristo ainoastaan
laitevalmistajan suosittelemaan
tyyppiin. Hävitä käytetty paristo
valmistajan ohjeiden mukaisesti.
For Canada
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
NOTICE
AVIS
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
– Reorient or relocate the receiving antenna.
– Increase the separation between the equipment and receiver.
– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
– Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2) This device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
USING THE UNIT SAFELY
001
Before using this unit, make sure to read the
instructions below, and the Owner’s Manual.
................................................................................................
002c
Do not open (or modify in any way) the unit or its
AC adaptor.
................................................................................................
003
Do not attempt to repair the unit, or replace parts
within it (except when this manual provides
specific instructions directing you to do so). Refer
all servicing to your retailer, the nearest Roland
Service Center, or an authorized Roland distributor,
as listed on the attached “Information” leaflet.
................................................................................................
004
Never use or store the unit in places that are:
Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a heating
duct, on top of heat-generating equipment); or
are
Damp (e.g., baths, washrooms, on wet floors); or
are
Humid; or are
Exposed to rain; or are
Dusty; or are
Subject to high levels of vibration.
................................................................................................
005
This unit should be used only with a rack or stand
that is recommended by Roland.
................................................................................................
006
When using the unit with a rack or stand recom-
mended by Roland, the rack or stand must be
carefully placed so it is level and sure to remain
stable. If not using a rack or stand, you still need to
make sure that any location you choose for placing
the unit provides a level surface that will properly
support the unit, and keep it from wobbling.
................................................................................................
008c
Be sure to use only the AC adaptor supplied with
the unit. Also, make sure the line voltage at the
installation matches the input voltage specified on
the AC adaptor’s body. Other AC adaptors may
use a different polarity, or be designed for a
different voltage, so their use could result in
damage, malfunction, or electric shock.
................................................................................................
009
Do not excessively twist or bend the power cord,
nor place heavy objects on it. Doing so can damage
the cord, producing severed elements and short
circuits. Damaged cords are fire and shock hazards!
................................................................................................
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
The symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the power-
cord plug must be unplugged from the outlet.
The symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
3
010
This unit, either alone or in combination with an
amplifier and headphones or speakers, may be
capable of producing sound levels that could cause
permanent hearing loss. Do not operate for a long
period of time at a high volume level, or at a level
that is uncomfortable. If you experience any hearing
loss or ringing in the ears, you should immediately
stop using the unit, and consult an audiologist.
................................................................................................
011
Do not allow any objects (e.g., flammable material,
coins, pins); or liquids of any kind (water, soft
drinks, etc.) to penetrate the unit.
................................................................................................
012c
Immediately turn the power off, remove the AC
adaptor from the outlet, and request servicing by
your retailer, the nearest Roland Service Center, or
an authorized Roland distributor, as listed on the
attached “Information” leaflet when:
The AC adaptor or the power-supply cord has
been damaged; or
If smoke or unusual odor occurs
Objects have fallen into, or liquid has been
spilled onto the unit; or
The unit has been exposed to rain (or otherwise
has become wet); or
The unit does not appear to operate normally or
exhibits a marked change in performance.
................................................................................................
013
In households with small children, an adult should
provide supervision until the child is capable of
following all the rules essential for the safe
operation of the unit.
................................................................................................
add3
To prevent accidents, never allow small children to
play near the drum kit.
................................................................................................
014
Protect the unit from strong impact.
(Do not drop it!)
................................................................................................
015
Do not force the unit’s power-supply cord to share
an outlet with an unreasonable number of other
devices. Be especially careful when using extension
cords—the total power used by all devices you have
connected to the extension cord’s outlet must never
exceed the power rating (watts/amperes) for the
extension cord. Excessive loads can cause the
insulation on the cord to heat up and eventually
melt through.
................................................................................................
016
Before using the unit in a foreign country, consult
with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the attached “Information” leaflet.
................................................................................................
101b
The unit and the AC adaptor should be located so
their location or position does not interfere with
their proper ventilation.
................................................................................................
101c
This unit for use only with Roland stand (or cart).
Use with other stands (or carts) is capable of
resulting in instability causing possible injury.
................................................................................................
102d
Always grasp only the output plug or the body of
the AC adaptor when plugging into, or unplugging
from, this unit or an outlet.
................................................................................................
103b
At regular intervals, you should unplug the AC
adaptor and clean it by using a dry cloth to wipe all
dust and other accumulations away from its
prongs. Also, disconnect the power plug from the
power outlet whenever the unit is to remain unused
for an extended period of time. Any accumulation
of dust between the power plug and the power
outlet can result in poor insulation and lead to fire.
................................................................................................
104
Try to prevent cords and cables from becoming
entangled. Also, all cords and cables should be
placed so they are out of the reach of children.
................................................................................................
106
Never climb on top of, nor place heavy objects on
the unit.
................................................................................................
107d
Never handle the AC adaptor body, or its output
plugs, with wet hands when plugging into, or
unplugging from, an outlet or this unit.
................................................................................................
108b, 108d: Selection
Before moving the unit, disconnect the AC adaptor and
all cords coming from external devices.
If you need to move the entire drum kit at once, please
get at least one other person to help, and while keeping
it level, lift and move the whole kit slowly. Make sure to
have a firm grip, to protect yourself from injury and the
instrument from damage.
1
Check to make sure the screws securing the unit to
the stand have not become loose. Fasten them
again securely whenever you notice any loosening.
................................................................................................
109b
Before cleaning the unit, turn off the power and
unplug the AC adaptor from the outlet (p. 22).
................................................................................................
110b
Whenever you suspect the possibility of lightning in
your area, disconnect the AC adaptor from the outlet.
................................................................................................
118
Should you remove nuts, washers, screws, anchor
bolts, etc., make sure to put them in a safe place out
of children's reach, so there is no chance of them
being swallowed accidentally.
................................................................................................
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4
IMPORTANT NOTES
291a
In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the
following:
Power Supply
301
Do not use this unit on the same power circuit with any
device that will generate line noise (such as an electric
motor or variable lighting system).
302
The AC adaptor will begin to generate heat after long
hours of consecutive use. This is normal, and is not a cause
for concern.
307
Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions
and/or damage to speakers or other devices.
Placement
351
Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce hum. To
alleviate the problem, change the orientation of this unit; or
move it farther away from the source of interference.
352a
This device may interfere with radio and television
reception. Do not use this device in the vicinity of such
receivers.
352b
Noise may be produced if wireless communications
devices, such as cell phones, are operated in the vicinity of
this unit. Such noise could occur when receiving or initi-
ating a call, or while conversing. Should you experience
such problems, you should relocate such wireless devices
so they are at a greater distance from this unit, or switch
them off.
354a
Do not expose the unit to direct sunlight, place it near
devices that radiate heat, leave it inside an enclosed
vehicle, or otherwise subject it to temperature extremes.
Excessive heat can deform or discolor the unit.
355b
When moved from one location to another where the
temperature and/or humidity is very different, water
droplets (condensation) may form inside the unit. Damage
or malfunction may result if you attempt to use the unit in
this condition. Therefore, before using the unit, you must
allow it to stand for several hours, until the condensation
has completely evaporated.
356
Do not allow rubber, vinyl, or similar materials to remain
on the unit for long periods of time. Such objects can
discolor or otherwise harmfully affect the finish.
add1
To avoid possible breakdown, do not use the unit in a wet
area, such as an area exposed to rain or other moisture.
add2
Do not put anything that contains water (e.g., flower vases)
on the unit. Also, avoid the use of insecticides, perfumes,
alcohol, nail polish, spray cans, etc., near the unit. Swiftly
wipe away any liquid that spills on the unit using a dry,
soft cloth.
Maintenance
401a
For everyday cleaning wipe the unit with a soft, dry cloth
or one that has been slightly dampened with water. To
remove stubborn dirt, use a cloth impregnated with a mild,
non-abrasive detergent. Afterwards, be sure to wipe the
unit thoroughly with a soft, dry cloth.
402
Never use benzine, thinners, alcohol or solvents of any
kind, to avoid the possibility of discoloration and/or defor-
mation.
Repairs and Data
452
Please be aware that all data contained in the unit’s
memory may be lost when the unit is sent for repairs.
Important data should always be backed up in another
MIDI device (e.g., a sequencer), or written down on paper
(when possible). During repairs, due care is taken to avoid
the loss of data. However, in certain cases (such as when
circuitry related to memory itself is out of order), we regret
that it may not be possible to restore the data, and Roland
assumes no liability concerning such loss of data.
Memory Backup
501b
This unit contains a battery which powers the unit’s
memory circuits while the main power is off. When this
battery becomes weak, the message shown below will
appear in the display. Once you see this message, have the
battery replaced with a fresh one as soon as possible to
avoid the loss of all data in memory. To have the battery
replaced, consult with your retailer, the nearest Roland
Service Center, or an authorized Roland distributor, as
listed on the attached “Information” leaflet.
TD-6KV_e.book 4 ページ 2005年1月24日 月曜日 午後7時4分
5
Additional Precautions
551
Please be aware that the contents of memory can be
irretrievably lost as a result of a malfunction, or the
improper operation of the unit. To protect yourself against
the risk of loosing important data, we recommend that you
periodically save a backup copy of important data you
have stored in the unit’s memory in another MIDI device
(e.g., a sequencer).
552
Unfortunately, it may be impossible to restore the contents
of data that was stored in another MIDI device (e.g., a
sequencer) once it has been lost. Roland Corporation
assumes no liability concerning such loss of data.
553
Use a reasonable amount of care when using the unit’s
buttons, sliders, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.
554
Never strike or apply strong pressure to the display.
556
When connecting / disconnecting all cables, grasp the
connector itself—never pull on the cable. This way you will
avoid causing shorts, or damage to the cable’s internal
elements.
558a
To avoid disturbing your neighbors, try to keep the unit’s
volume at reasonable levels. You may prefer to use
headphones, so you do not need to be concerned about
those around you (especially when it is late at night).
558c
Since sound vibrations can be transmitted through floors
and walls to a greater degree than expected, take care not
to allow such sound to become a nuisance to neighbors,
especially at night and when using headphones. Although
the drum pads and pedals are designed so there is a
minimal amount of extraneous sound produced when
they’re struck, rubber heads tend to produce louder
sounds compared to mesh heads. You can effectively
reduce much of the unwanted sound from the pads by
switching to mesh heads.
559a
When you need to transport the unit, package it in the box
(including padding) that it came in, if possible. Otherwise,
you will need to use equivalent packaging materials.
562
Use a cable from Roland to make the connection. If using
some other make of connection cable, please note the
following precautions.
Some connection cables contain resistors. Do not use
cables that incorporate resistors for connecting to this
unit. The use of such cables can cause the sound level to
be extremely low, or impossible to hear. For infor-
mation on cable specifications, contact the manufac-
turer of the cable.
TD-6KV_e.book 5 ページ 2005年1月24日 月曜日 午後7時4分
6
Contents
IMPORTANT NOTES..................................................................................4
Contents.....................................................................................................6
Features ...................................................................................................12
How to Use This Manual .........................................................................14
Composition of This Manual..................................................................................................14
Terms Used in This Manual ..................................................................................................14
Setup Guide ................................................... 15
Panel Descriptions ..................................................................................16
Front Panel............................................................................................................................16
Rear Panel ............................................................................................................................18
Making the Settings.................................................................................19
Mounting the TD-6V to the Stand..........................................................................................19
Connecting the Pads and the Pedals ....................................................................................20
Connecting Two Pads to Trigger Inputs 5/6 (TOM2/AUX) and 7/8 (TOM3/4)........ 21
Connecting Headphones, Audio Equipment, Amps, and Other Gear ...................................22
Turning On/Off the Power.......................................................................23
Turning Off the Power ...........................................................................................................24
Restoring the Factory Settings (Factory Reset)...................................25
Listening to the Demo Songs.................................................................27
Selecting the Pad Type ...........................................................................29
Adjusting the Sensitivity of the Pad ......................................................31
About the Pads ........................................................................................33
Trigger Inputs and the Pads You Can Use............................................................................33
Trigger Input Functions........................................................................................................ 33
Combinations of Pad and Trigger Type............................................................................. 34
Recommended Parameters for the Pads ............................................................................35
Playing the Pads ...................................................................................................................36
Pad Head Shots and Rim Shots ........................................................................................... 36
Cross Stick............................................................................................................................... 36
Cymbal Bow Shots/Edge Shots/Bell Shots....................................................................... 37
Cymbal Choke........................................................................................................................ 38
Hi-Hat Control Pedal .............................................................................................................38
TD-6KV_e.book 6 ページ 2005年1月24日 月曜日 午後7時4分
7
Contents
Quick Start..................................................... 39
Choosing a Drum Kit...............................................................................40
Playing While Listening to the Metronome/Click .................................41
Switching the Click On and Off.............................................................................................. 41
Adjusting the Click Volume (Level)........................................................................................ 42
Adjusting the Click Tempo..................................................................................................... 43
Playing Along with Songs ......................................................................44
Choosing a Song and Playing Back ......................................................................................44
Choosing a Song .................................................................................................................... 44
Playing Back a Song ..............................................................................................................45
Adjusting the Song Volume ...................................................................................................46
Setting the Backing Part (Melodic Instruments etc.) Volume ......................................... 46
Setting the Drums and Percussion Volume....................................................................... 46
Temporarily Changing the Tempo of a Song ........................................................................47
Muting the Pre-programmed Drums in Songs.......................................................................48
Using the Pads to Play Songs................................................................50
Playing with a CD, Tape, or MD (Using MIX IN Jack) ...........................51
Using the TD-6V As a General MIDI Sound Module .............................52
Advanced Use ................................................ 53
Chapter 1 Creating Your Own Drum Kit ............. (Kit Edit)..................54
About Drum Kits and the Drum Kit Screen............................................................................54
About the Drum Kits.............................................................................................................54
About the Drum Kit Screen.................................................................................................. 55
Choosing a Drum Kit .............................................................(Drum Kit)..............................55
Choosing the Pad to Edit.......................................................................................................55
Choosing a Pad by Hitting It ...............................................................................................55
Choosing on the TD-6V ........................................................................................................ 56
Notation Used in the Screen .................................................................................................56
Helpful Edit Functions ...........................................................................................................56
Listening to an INST (Instrument) assigned to a Pad
..... (Preview) .................................. 56
Locking the Setting Screen While Editing One Instrument
... (Note Chase) ............................ 57
Choosing an Instrument ........................................................................................................57
About the Instruments.......................................................................................................... 57
Choosing from the Group Names ................................. (Inst Group).............................. 57
Choosing an Instrument ................................................. (Inst) .......................................... 58
Instrument Settings ...............................................................(INST)....................................58
Adjusting the Volume of the Pad .................................. (Level) ....................................... 59
Setting the Pan Position .................................................. (Pan) .......................................... 59
Adjusting the Pitch .......................................................... (Pitch)........................................ 59
Adjusting the Decay (Length of Sound) ....................... (Decay)...................................... 59
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8
Contents
Ambience Settings ................................................................(AMBIENCE) .........................60
Switching Ambience On/Off ......................................... (Ambience Switch).................. 60
Ambience “Send” Level for Each Instrument ............. (Ambience Send Level)........... 60
Choose “Location” Where the Drums are Played ...... (Studio Type) ........................... 60
Changing the Wall Surface Material ............................. (Wall Type)............................... 61
Determine the Room Size ............................................... (Room Size) .............................. 61
Adjusting the Entire Drum Kit’s Overall Ambience .. (Ambience Level) .................... 61
Equalizer Settings .................................................................(EQUALIZER) .......................62
Switching the Equalizer On/Off ................................... (Master Equalizer Switch)...... 62
Adjusting the Sound ....................................................... (High Gain, Low Gain)........... 62
Settings for Various Functions ..............................................(CONTROL) ..........................62
Playing a Song by Hitting a Pad .................................... (Pad Pattern) ............................ 63
Control the “Level” of the Pattern
with Playing Dynamics ................................................... (Pad Pattern Velocity)............. 63
Pitch Control with the Hi-Hat Control Pedal
On/Off for Each Pad ....................................................... (Pitch Control Assign) ............ 64
MIDI Note Number for Each Pad ................................. (Note Number) ........................ 64
MIDI Gate Time for Each Pad ........................................ (Gate Time)............................... 65
Overall Drum Kit Settings ......................................................(COMMON) ........................... 66
Overall Drum Kit Volume .............................................. (Master Volume)...................... 66
Adjusting the Volume of the Pedal Hi-Hat Sound ..... (Pedal Hi-Hat Volume) .......... 66
Setting the Range for the Pitch Control
with the Hi-Hat Control Pedal ...................................... (Pedal Pitch Control Range) ..66
Naming the Drum Kit ..................................................... (Kit Name)................................ 67
Copying a Drum Kit ...............................................................(COPY)..................................67
Restoring the Factory Settings for the Edited Drum Kit.................................................. 68
Switching the Order of the Drum Kits ....................................(EXCHANGE)........................ 68
Chapter 2 Making the Pad and Trigger Settings
....... (SETUP/TRIG)..........69
About the Screen Display......................................................................................................69
Notation Used in the Screen................................................................................................. 69
About the Input Indicator ....................................................................................................69
Selecting the Pad Type .........................................................(Trigger Type) .......................69
Setting the Pad Sensitivity and Making Other Settings .........(TRIGGER BASIC)................71
Adjusting the Pad Sensitivity ........................................ (Sensitivity) .............................. 71
Setting the Minimum Levels for the Pads .................... (Threshold)............................... 72
Adjust How Playing Dynamics Changes the Volume
... (Trigger Curve)........................ 72
Eliminate Crosstalk Between Pads ................................ (Crosstalk Cancel) ................... 73
Fine-Tuning the Trigger Parameter Settings .........................(TRIGGER ADVANCED) ...... 73
Adjusting the Trigger Signal Detection Time .............. (Scan Time)............................... 74
Detecting Trigger Signal Attenuation
and Cancelling Incorrect Triggering ............................. (Retrigger Cancel) ................... 74
Double Triggering Prevention ....................................... (Mask Time) ............................. 74
Setting Rim Sensitivity on the PD-80R, PD-85, PD-105,
PD-120, and PD-125.......................................................... (Rim Sens)................................. 75
Using the TD-6V with Acoustic Triggers................................................................................ 75
TD-6KV_e.book 8 ページ 2005年1月24日 月曜日 午後7時4分
9
Contents
Chapter 3 Global Settings for the TD-6V ........... (SETUP/UTILITY,
Factory Reset).........76
Making the Global Settings ...................................................(UTILITY) ..............................76
Display Contrast Adjustment ........................................ (LCD Contrast) ........................ 76
Percussion Part Volume Control ................................... (Percussion Part Level)........... 76
Backing Instruments Volume Control .......................... (Backing Level) ........................ 77
Muting Parts of a Song .................................................... (Mute)........................................ 77
Tuning the TD-6V ............................................................ (Master Tune)........................... 77
Preview Volume Control ................................................ (Preview Velocity)................... 78
Checking the Remaining Amount of Memory ............ (Available Memory)................ 78
Restoring the Factory Settings ..............................................(Factory Reset) .....................78
Chapter 4 Setting the Metronome ...................... (Click Edit)...............79
Switching the Click On/Off .....................................................(Click) .................................... 79
Tempo Adjustment ................................................................(Tempo).................................79
Setting the Way the Click Sounds .........................................................................................79
Volume Adjustment ........................................................ (Click Level) ............................. 79
Setting the Time Signature ............................................. (Time Signature)...................... 80
Setting the Interval .......................................................... (Interval) ................................... 80
Selecting the Click Sound ............................................... (Inst) .......................................... 80
Stereo Position .................................................................. (Pan) .......................................... 80
Inserting a Count Before Playback or Recording
.........(Play Count In, Rec Count In)
..... 80
Chapter 5 Editing Songs ..................................... (SONG Edit).............81
About Songs and the Song Screen .......................................................................................81
About Songs ........................................................................................................................... 81
About the Song Screen.......................................................................................................... 82
Choosing a Song...................................................................................................................83
Choosing from a Category ............................................. (Song Category)....................... 83
Choosing a Song .............................................................. (Song) ........................................ 83
Playing Back a Song .............................................................................................................83
Convenient Function for Playback...................................................................................... 83
Adjusting the Song Volume ...................................................................................................84
Muting a Selected Part ..........................................................(Part Mute) ............................84
Overall Song Settings ............................................................(COMMON) ........................... 85
Setting the Tempo ............................................................ (Tempo) .................................... 85
Selecting How the Song Plays Back (LOOP, 1SHOT, TAP)
. (Play Type) ............................... 85
Playing Back the Song from the First Note/Event ..... (Quick Play) .............................86
Reset Time When Using Tap Playback ......................... (Reset Time) ............................. 86
Preventing Layering of Sounds in Tap Playback ........ (Tap Exclusive Switch) ........... 86
Protecting User Song Settings ........................................ (Song Lock) .............................. 86
Naming a Song ................................................................. (Song Name) ............................ 87
Part Settings ..........................................................................(PART) ..................................87
Choosing Percussion Set and Instruments .................. (Percussion Set, Inst)............... 88
Adjusting the Part Volume ............................................. (Level) ....................................... 88
Adjusting the Stereo Position ......................................... (Pan) .......................................... 89
Adjusting the Amount of Ambience ............................. (Ambience Send Level)........... 89
Adjusting the Bend Range .............................................. (Bend Range)............................ 89
Copying a Song .....................................................................(COPY)..................................89
Deleting a Song .....................................................................(DELETE)..............................90
Erasing Performance Data in a Song ....................................(ERASE)................................91
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10
Contents
Chapter 6 Recording a Song
...................................(Realtime Recording)
..92
Preparations for Recording ...................................................................................................92
When Recording Pad Performances ................................................................................... 92
Recording Performances by External MIDI Devices........................................................ 92
How To Record .....................................................................(RECORDING STANDBY).... 93
Setting the Time Signature ............................................. (Time Signature)...................... 93
Setting the Number of Measures ................................... (Length) .................................... 93
Setting the Song Tempo .................................................. (Tempo) .................................... 93
Quantize During Recording ........................................... (Quantize)................................. 94
Selecting the Recording Method
(Loop All, Loop1, Loop2, Replace)................................. (Recording Mode) ................... 94
Start Recording with a Pad or Pedal Trigger ............... (Hit Pad Start).......................... 94
Chapter 7 Making the MIDI Settings
......................(SETUP/MIDI,
BULK DUMP)
..............95
About MIDI ............................................................................................................................95
MIDI Connectors ...................................................................................................................95
MIDI Channels and Multi-timbral Sound Modules......................................................... 95
How the Internal Sequencer Operates................................................................................ 96
Making the MIDI Settings ......................................................(MIDI COMMON) ..................96
Automatically Switching Instrument Settings Screens
.. (Note Chase) ............................ 97
When Using as MIDI Controller
for External MIDI Device Only ...................................... (Local Control)......................... 97
Synchronizing with an External MIDI Device ............ (Sync Mode) ............................. 98
Setting Priority for Playing Drums and Percussion ... (Channel 10 Priority) .............. 98
Hi-Hat Control Pedal Data Reduction .......................... (Pedal Data Thin) .................... 99
Switch to the GM (General MIDI) Mode ...................... (GM Mode)............................... 99
Preventing the TD-6V from Switching
to GM (General MIDI) Mode ......................................... (Rx GM ON)........................... 100
Mixing MIDI Signals Coming to the MIDI IN
with Real Time Performance on the Pads .................... (Soft Thru) .............................. 100
Set the Device ID .............................................................. (Device ID) ............................. 101
Setting the TD-6V So That Program Changes
Are Not Transmitted ....................................................... (Tx PC Sw).............................. 101
Setting the TD-6V So That Program Changes
Are Not Received ............................................................. (Rx PC Sw).............................. 101
MIDI Channel Settings for a Part ...........................................(MIDI PART)........................ 102
MIDI Messages Stop Function for Specific Parts
in GM (General MIDI) Mode ..................................................(GM PART) ......................... 102
Saving Data to an External MIDI Device ...............................(BULK DUMP).....................103
Returning Saved Data to the TD-6V ................................................................................. 104
Data Compatibility Between the TD-6 and the TD-6V ..................................................104
Chapter 8 Features Using MIDI and Setting Examples......................105
About Transmitting/Receiving Program Changes ...............................................................105
Triggering an External Sound Device by Playing the TD-6V............................................... 105
Combining with an External MIDI Sequencer...................................................................... 106
Importing Sequence Data from an External MIDI Device
to the TD-6V’s Internal Sequencer .................................................................................... 106
Recording Your Performance to an External Sequencer................................................ 106
Using the TD-6V As a Sound Module .................................................................................107
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11
Contents
Appendices .................................................. 109
Troubleshooting ....................................................................................110
No Sound ............................................................................................................................110
No Sound/Low volume from Device Connected to the MIX IN Jack ...................................112
Drum Kit Does Not Sound As Intended...............................................................................113
Pad Does Not Sound As Intended ......................................................................................113
Song Does Not Sound As Intended ....................................................................................114
Sound is distorted................................................................................................................ 114
Problems Operating the TD-6V ...........................................................................................115
Display Is Too Light Or Too Dark ........................................................................................115
Messages and Error Messages............................................................116
System and Battery Error Messages................................................................................... 116
Messages and Error Messages Related to Sequencers and Songs...................................116
Messages and Error Messages Related to MIDI................................................................. 117
Drum Kit List..........................................................................................118
Drum Instrument List ............................................................................120
Preset Percussion Set List ...................................................................124
Backing Instrument List........................................................................126
Preset Song List ....................................................................................128
Parameter List .......................................................................................130
MIDI Implementation Chart...................................................................135
TD-6V Block Diagram............................................................................138
Specifications ........................................................................................139
Index .......................................................................................................140
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12
Features
Full Palette of Internal Sounds for All Uses,
from Practice to Live Performance
Includes 99 Different Drum Kits
You can immediately start playing any of a variety of drum kits, just by selecting the drum kit.
Whether for practice or live performances, these kits can be applied in a wide range of situations.
1, 024 Drum Instruments
You can combine different drum instruments used in a wide range of musical genres to create your
own original drum kits.
170 Different Preset Songs
To get right down to practicing, you merely need to select a Preset song. Then you can play the
drum part just by muting only the Preset song’s drum performance.
You also get 100 internal songs that you can use to record your own drum performances (User
songs).
262 Backing Instruments
The TD-6V’s abundance of backing instruments allow you to record in a variety of musical genres.
Rich Expression
Compatible with mesh head V-PADs
Roland's mesh head V-Pads, known for their natural drum-like feel, can be used with the TD-6KV,
also offering compatability with dual tom trigger
Cross Stick Technique Available (p. 36)
Play Rim Shots (p. 36), Cymbal Edge Shots (p. 37),
and Use Cymbal Choking (p. 38)
Pitch Control Available with the Hi-Hat Control Pedal (p. 64)
You can use the hi-hat control pedal to change the pitch of the pad instruments.
Compatible with tom dual triggers
TD-6KV_e.book 12 ページ 2005年1月24日 月曜日 午後7時4分
13
Features
Function and Operations Perfect for Live
Performances
Flat Top Design for Great Visibility
Buttons Light for Easy Operation, Even On Stage
Large [+] and [-] Buttons That Can Be Operated Even with
Drum Sticks
Convenient Functions for Practicing
Includes Metronome (Click) (p. 79)
Includes Part Mute Function for Muting of Specific Parts
When Playing With Preset Songs (p. 48, p. 77)
Expandability/Compatibility
Also Compatible With
Pads
(PD-6, PD-7, PD-8, PD-9, PD-80, PD-80R, PD-85, PD-100, PD-105, PD-120, PD-125)
Cymbals
(CY-6, CY-8, CY-12H, CY-12R/C, CY-14C, CY-15R)
Kick Trigger Units
(KD-7, KD-8, KD-80, KD-85, KD-120)
Hi-Hat Control Pedals
(FD-7, FD-8 )
Use the TD-6V As a MIDI Sound Module With an External
Sequencer (p. 106)
Support for General MIDI (p. 52, p. 99)
The TD-6V has a GM mode that can play back GM scores.
This mode includes a function allowing you to mute the sound only of a specified part during
playback of GM scores. This is a very convenient feature for practicing and playing along.
General MIDI ( ) System
General MIDI is a set of recommendations which seeks to provide a way to go beyond the
limitations of proprietary designs, and standardize the MIDI capabilities of sound
generating devices. Sound generating devices and music files that meet the General MIDI
standard bear the General MIDI logo ( ).
Music files bearing the General MIDI logo can be played back using any General MIDI
sound generating unit to produce essentially the same musical performance.
TD-6KV_e.book 13 ページ 2005年1月24日 月曜日 午後7時4分
14
How to Use This Manual
Composition of This Manual
This owner’s manual is organized as follows.
Setup Guide (p. 15)
For those using the TD-6V for the first time, this volume explains
the preparations needed for playing sounds, including how to set
up the stand, make pad settings, and turn on the TD-6V’s power.
Also provided are explanations of how to combine the TD-6V
with other optional pads for fullest utilization of the TD-6V’s
features and functions.
Quick Start (p. 39)
This contains descriptions explaining how to easily enjoy
performing with the TD-6V’s numerous internal drum kits and
Preset songs.
Advanced Use (p. 53)
The TD-6V allows you use the drum kits you like to create new
drum kits and to create songs from recordings of what you play.
This section provides detailed explanations of all of the TD-
6V’s functions.
Chapter 1 Functions For Creating Drum Kits (
p. 54
)
Here are the settings used for creating sounds.
Chapter 2 Functions For Correctly Performing with
the Pads (
p. 69
)
This describes the settings you need to make in order to
get the most expression from the TD-6V and pads.
Chapter 3 TD-6V Settings (
p. 76
)
Included in this section are settings such as display
contrast and song volume that are applied to the TD-6V
as a whole.
Chapters 4–6 Using the sequencer and related
functions (
p. 79
)
Found here are metronome (click) settings, as well as
song performance, recording, editing, and other settings
for sequencers.
Chapters 7–8 MIDI Settings and Examples of How
MIDI Is Used (
p. 95
)
This chapter explains how to use MIDI —whether it be
for saving data to an external device, or for using the
TD-6V as a General MIDI sound module.
Appendices (p. 109)
If you run into problems, refer to “Troubleshooting” to make sure
that the settings are correct. If an error message appears during
operation, refer to “Messages and Error Messages” and take
appropriate action. This section also provides various lists, and the
MIDI implementation charts.
Terms Used in This Manual
Button names are enclosed in square brackets “[ ],” as in
[KIT] button.
(p. **) indicates a reference page.
Steps in operations may be abbreviated as described
below.
[KIT]
[EDIT]
1.
Press [KIT].
2.
Press [EDIT].
[SHIFT] + [KIT]
1.
While holding down [SHIFT], press [KIT].
The functions of some buttons, such as [EDIT (SETUP)],
change if pressed while [SHIFT] is held down; the
function that is enabled when [SHIFT] is held down is
shown in parentheses.
Symbols appearing before the beginning of sentences in
the manual have the following meanings.
These indicate cautionary notes. Be sure to read
them.
These are memos containing information
regarding settings and functions. Read it as
necessary.
These are useful hints for operation. Read it as
necessary.
These point to reference information. Read it as
necessary.
These are descriptions of terminology. Read it as
necessary.
* The explanations in this manual include illustrations that depict
what should typically be shown by the display. Note, however, that
your unit may incorporate a newer, enhanced version of the system
(e.g., includes newer sounds), so what you actually see in the
display may not always match what appears in the manual.
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15
Setup Guide
Setup Guide
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16
Panel Descriptions
Front Panel
fig.P-022
Display
The screen displays information, indicating the
drum kit name, song name, and settings etc.
VOLUME Knob
Adjusts the volume of the TD-6V (p. 24). Even
when headphones are connected, sound will still
be output from the various output jacks.
Sequencer Section
CLICK (TEMPO) Button
Turn the click on/off (p. 41).
When you hold down the [SHIFT] button and
press the [CLICK (TEMPO)] button, the
tempo settings screen appears in the display
(p. 43, p. 47).
REC Button
Calls up the recording settings screen
(Recording Standby; p. 93).
STOP Button
Stop song playback (p. 45). When pressed
while the song is stopped, this returns you to
the beginning of the song.
PLAY Button
Play back the song (p. 45). Starts recording if
pressed when the TD-6V is in recording
standby mode (p. 93).
PART MUTE Button
Mutes the performance of specified parts (p.
48).
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17
Panel Descriptions
Setup Guide
SONG Button
Calls up the song’s basic settings screen (p. 82).
KIT Button
Calls up the drum kit’s basic settings screen (p.
55).
SHIFT Button
Used in conjunction with other buttons.
Editing section
EXIT Button
Returns to the previous stage screen. When
pressed a number of times, the display returns
to either the Drum Kit screen or the Song
screen.
, Button
These switch the screen if pressed when “
or “ ” is shown in the display.
You can select the trigger input by holding
down the [SHIFT] button and pressing [ ]
or [ ] (p. 56).
In the SONG screen, rewinding and fast
forwarding are carried out in one-measure
units (p. 45). You can select the kit in the KIT
screen.
EDIT (SETUP) Button
Displays the drum kit or song settings screen.
By holding down the [SHIFT] button and
pressing the [EDIT (SETUP)] button, you can
make overall settings for the TD-6V.
ENTER Button
Switches the screen if pressed when “ ” is
shown in the display.
+ (Increment) Button,
- (Decrement) Button
These are used to switch drum kits and songs
and to make changes in the settings values.
Pressing the [+] button increases the value,
and pressing the [-] button decreases the
value.
When making an on/off setting, [+] will turn
the setting on and [-] will turn it off.
When [SHIFT] is held down and [+] or [-] is
pressed, settings values are then changed in
larger increments or decrements.
When [+] is held down and then [-] is pressed,
settings values increase rapidly; when [DEC/
+] is held down and then [-] is pressed, settings
values then decrease rapidly.
Operation Function
[SHIFT] + [KIT] Gives a preview of the sound
of the instrument assigned to
the selected pad (Preview; p.
56)
[SHIFT] +
[ ], [ ]
Selects the trigger input
(Trigger Select; p. 56)
Deletes or inserts one
character when setting
drum kit names and song
names (p. 67, p. 87)
[SHIFT] +
[CLICK (TEMPO)]
Displays the tempo settings
screen (p. 43, p. 47)
[SHIFT] +
[EDIT (SETUP)]
For making overall settings for
the TD-6V (Setup; p. 69, p. 76,
p. 92)
[SHIFT] + [SONG] Displays the volume settings
screen for the backing
instruments (melodic and
other instruments) (p. 46)
[SHIFT] +
[PLAY ]
While the song is playing
back, the buttons
corresponding to the
percussion pad drum tones
are lit (p. 45).
[SHIFT] +
[STOP ]
Jumps to songs that have not
been used (new User songs)
(p. 92)
[SHIFT] +
[PART MUTE]
Displays the settings screen
for muting parts (p. 77)
[SHIFT] +
[+], [-]
For making large changes
at a time in the values of
settings
Changes instrument groups
and song categories (p. 57,
p. 83)
Switches uppercase and
lowercase letters and
symbols when setting
drum kit names and song
names (p. 67, p. 87)
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18
Panel Descriptions
Rear Panel
fig.P-023
POWER Switch
Switch turns the power on/off (p. 23).
Cord Hook
Anchor the power cord (p. 22).
AC Adaptor Jack
Connect the supplied AC adaptor to this jack (p.
22).
OUTPUT Jacks (L (MONO), R)
Connect these to your amp or audio system. For
monaural output use the L/MONO jack (p. 22).
MIX IN Jack
Connect this to your CD, MD, cassette player, or
other similar device (p. 51).
The sound that is input to this jack will be output
from the OUTPUT jacks and the PHONES jack.
PHONES Jack
A pair of stereo headphones can be connected to
this jack (p. 22).
Even when headphones are connected, sound
will still be output from the output jacks.
MIDI Connectors (IN, OUT/THRU)
Use these connectors when using a MIDI
sequencer, MIDI keyboard, or other MIDI device
to play sounds with the TD-6V, when using the
TD-6V and pads to play sounds from an external
MIDI sound generator, or when saving the TD-
6V’s settings to, or loading settings from a MIDI
sequencer.
HH CTRL (Hi-Hat Control) Jack
Connect a hi-hat control pedal (FD-8) here. (p.
20)
TRIGGER INPUTS
Use these inputs to connect optional pads,
cymbals, and kick trigger units to the TD-6V (p.
20).
For more detailed information on each trigger
input, refer to “Trigger Inputs and the Pads You
Can Use” (p. 33).
988
Security Slot ( )
http://www.kensington.com/
TD-6KV_e.book 18 ページ 2005年1月24日 月曜日 午後7時4分
19
Setup Guide
Making the Settings
Mounting the TD-6V to the Stand
1
Attach the stand holder (included with the optional drum stand) to the
TD-6V.
Using the screws attached to the bottom panel, attach the holder so the unit
is oriented as shown in the diagram.
Use the 8 mm screws (M5 x 8) provided with the TD-6V. Use of other
screws may result in damage to the unit.
fig.P-009.e
2
Attach the TD-6V and stand holder to the drum stand (such as the
optional MDS-3C, MDS-8C, or MDS-20).
For details on assembling the drum stand and attaching the TD-6V, refer to
the owner’s manual for the drum stand.
When turning the unit
upside-down, get a
bunch of newspapers or
magazines, and place
them under the four
corners or at both ends
to prevent damage to
the buttons and controls.
Also, you should try to
orient the unit so no
buttons or controls get
damaged.
When turning the unit
upside-down, handle
with care to avoid
dropping it, or allowing
it to fall or tip over.
Narrow
Wide
To attach the TD-6V to a
cymbal stand or other such
stand, you may want to
use the optional APC-33
All Purpose Clamp to
secure the stand holder. It
can be attached to a pipe of
10.5 mm–30 mm radius.
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20
Making the Settings
Connecting the Pads and the Pedals
Using the provided cables, connect the pads, cymbal pads, hi-hat control
pedal, and kick trigger unit.
Carefully refer to the numbers shown in the illustration and connect to the
appropriate TRIGGER INPUT jacks on the TD-6V's rear panel.
Setting Example
fig.P-011.e
Before using pads with
mesh heads (PD-80, PD-
80R, PD-85, PD-100, PD-
105, PD-120, PD-125, KD-
80, KD-85, KD-120, or RP-
2), be sure to adjust the
head tension. Striking the
head when the head
tension is loose may
damage the sensor. For
more information on
adjusting the head tension,
refer to the owner’s
manual for each pad.
For fullest performance
expression, make exclusive
use of Roland’s line of
optional pads (PD-6, PD-7,
PD-8, PD-9, PD-80, PD-
80R, PD-85, PD-100, PD-
105, PD-120, PD-125, and
RP-2), cymbals (CY-6, CY-
8, CY-12H, CY-12R/C, CY-
14C, and CY-15R), and
kick trigger units (KD-7,
KD-8, KD-80, KD-85, and
KD-120).
TRIGGER INPUT jacks
PD-85BK
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21
Making the Settings
Setup Guide
Connecting Two Pads to Trigger Inputs
5/6 (TOM2/AUX) and 7/8 (TOM3/4)
With the optional cable (PCS-31) or standard insert cable, two pads may be
connected to the trigger inputs 5/6 (TOM2/AUX) and 7/8 (TOM3/4).
For instructions on making these settings, refer to p. 69.
fig.P-012.e
When using an optional
PCS-31 or standard "insert"
cable (Stereo to dual mono
acks) to connect two pads
to 1 input (5/6 or 7/8) rim
shots are not be possible.
If you use a single pad
(with rim shot function)
connected via a stereo
cable, then rim shots are of
course possible.
TD-6V Rear Panel
PD-8
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22
Making the Settings
Connecting Headphones, Audio
Equipment, Amps, and Other Gear
fig.P-010
1
Turn off the power of all devices before you make connections.
921
To prevent malfunction and/or damage to speakers or other devices, always
turn down the volume, and turn off the power on all devices before making
any connections.
2
Connect the supplied AC adaptor to the AC adaptor jack.
3
Connect the OUTPUT L(MONO) and R jacks on the rear panel to your
audio system or amp. If using headphones, connect them to the
PHONES jack.
4
Plug the AC adaptor plug into a power outlet.
L
R
Stereo miniature phone type
CD/MD deck, cassette player, etc.
To prevent the inadvertent
disruption of power to
your unit (should the plug
e pulled out accidentally),
and to avoid applying
undue stress to the AC
adaptor jack, anchor the
power cord using the cord
hook, as shown in the
illustration.
Using the TD-6V’s MIX IN
ack, allows you to play
along with a CD or other
such sound input (p. 51).
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23
Setup Guide
Turning On/Off the Power
941
Once the connections have been completed (p. 22), turn on power to your
various devices in the order specified. By turning on devices in the wrong order,
you risk causing malfunction and/or damage to speakers and other devices.
fig.P-001
1
Turn the [VOLUME] knob completely to the left to lower the volume to
the minimum level.
2
Turn down the volume control on the connected amp or audio system.
3
Press the [POWER] button to turn on the power.
1, 5 3
5
This unit is equipped with
a protection circuit. A brief
interval (a few seconds)
after power up is required
efore the unit will operate
normally.
If the hi-hat control pedal
is pressed when the power
is turned on, control of the
hi-hat’s opening and
closing will not work
correctly. Striking the pads
when turning on the
power degrades the pad
response when the pads
are struck lightly.
Precautions When Turning on the Power
After the power is turned on, the drum kit name (shown in the
following figure) appears in the display; do NOT press any pad
or pedal until [KIT] has lighted.
fig.P-002ai
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24
Turning On/Off the Power
4
Turn on the power to the connected amp or audio system.
5
Press [SHIFT] + [KIT] (PREVIEW) or strike the pad, and while listening
to the sound, gradually bring up [VOLUME] to adjust the volume level.
Also raise the volume level of the connected amp or audio system to the
appropriate level.
Turning Off the Power
1
Completely turn down the volume of the TD-6V and any connected
external devices.
2
Turn off the power to all external devices.
3
Press the TD-6V’s [POWER] switch to turn off the power.
Caution Concerning
Volume
If the volume levels used
when striking the pads are
left unchanged when
playing back demo songs
or other songs, the volume
may increase suddenly,
which may cause ear pain
and damaged speakers.
Before playing back songs
or patterns, rotate the
[VOLUME] knob
counterclockwise to lower
the volume levels, then
readjust to a suitable
volume while listening to
the playback.
No Sound Even When Pressing [SHIFT] + [KIT] (PREVIEW)
Check the following points.
When Using an Amp or Audio System
Is the amp or audio system volume setting correct?
Are the TD-6V and the amp or audio system connected correctly?
Is there a problem with any connector cable?
Have the input select settings of your audio system or amp been
made correctly?
When using headphones:
Are the headphones connected to the [PHONES] jack?
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25
Setup Guide
Restoring the Factory Settings (Factory Reset)
This restores the pad and instrument settings, song data, and other
information stored in the TD-6V to the original factory settings.
fig.P-003
1
While holding down [SHIFT], press [EDIT (SETUP)].
[EDIT (SETUP)] lights.
fig.P-004ai
2
Press [ ] to select “FactoryReset.”
fig.P-005_50
3
Press [ENTER ].
The Factory Reset screen appears.
fig.P-006_50
All data and settings
stored in the TD-6V are
lost in carrying out this
operation. Use the “Bulk
Dump” operation to save
crucial data and settings to
an external MIDI device
(SETUP/BULK DUMP/
Bulk Dump; p. 103).
For more information
about data compatibility
etween the TD-6 and the
TD-6V, refer to p. 103.
21
4 3, 5, 6
When [SHIFT] and
[EDIT (SETUP)] are held
down when the power is
turned on, the display
umps to the Factory Reset
screen. When carrying out
Factory Reset, read from
Step 4.
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26
Restoring the Factory Settings (Factory Reset)
4
Press [+] or [-] to select the parameter you want to restore to factory
settings.
Here, select “ALL” to restore all of the settings to the original factory
values.
ALL:
All internal settings will be restored to the factory settings.
THIS DRUM KIT:
Only the settings for the currently selected drum kit are restored to
the factory settings.
ALL DRUM KITS:
The settings for all of the TD-6V’s internal drum kits are restored to
the
factory settings.
ALL SONGS:
All of the TD-6V’s internal song data is restored to the factory
settings.
5
Press [ENTER ].
The confirmation screen appears.
fig.P-007_50
6
If you’re ready to proceed, press [ENTER ], and the Factory Reset
operation will be executed.
7
When the Factory Reset is finished, the Completed screen appears.
fig.P-008_50
Press [EXIT] to cancel the
operation.
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27
Setup Guide
Listening to the Demo Songs
The TD-6V features five demo songs demonstrating the TD-6V’s sounds and
expressive capabilities.
The drums played on the demo songs were played in real time into a
sequencer.
fig.P-029
1
While holding down [KIT], press [SONG].
The “DEMONSTRATION” screen appears.
fig.P-030_50
5341
2
All rights reserved.
Unauthorized use of this
material for purposes
other than private,
personal enjoyment is a
violation of applicable
laws.
No data for the music
that is played will be
output from MIDI OUT.
TD-6KV_e.book 27 ページ 2005年1月24日 月曜日 午後7時4分
28
Listening to the Demo Songs
2
Press [+] or [-], or press [ ] or [ ] to select the song to play back.
1. How Now
Copyright © 2003, Roland Corporation
Drum kit being used: #11 “PopKit X”
2. TC R&B
Copyright © 2001, Roland Corporation
Drum kit being used: #80 “AcuStick”
3. CREOLET1
Copyright © 2001, Roland Corporation
Drum kit being used: #1 “RoseWood”
4. CREOLET2
Copyright © 2001, Roland Corporation
Drum kit being used: #17 “Natural”
5. SNAG LTN
Copyright © 2001, Roland Corporation
Drum kit being used: #13 “Groove”
3
Press [PLAY ].
Playback of the demo songs begins, and the five demo songs are played
continuously in sequence.
4
When you want to stop the performance, press [STOP ].
5
When you have finished listening to the demo song, press [KIT],
[SONG] or [EXIT].
Caution Concerning
Volume
If the volume levels used
when striking the pads are
left unchanged when
playing back demo songs,
the volume may increase
suddenly, which may
cause ear pain and
damaged speakers. When
playing back demo songs,
rotate [VOLUME] to the
left (counterclockwise) to
ring the volume level
ack down, then while
playing back the song,
readjust the volume to an
appropriate level.
TD-6KV_e.book 28 ページ 2005年1月24日 月曜日 午後7時4分
29
Setup Guide
Selecting the Pad Type
Make the settings for the type of pads to be used (
trigger type
) to ensure that
the TD-6V accurately receives what is being played on the pads.
Set each trigger input as described below.
Settings optimized for the TD-6K are provided in factory settings on the
TD-6V.
fig.P-014
1
While holding down [SHIFT], press [EDIT (SETUP)].
[EDIT (SETUP)] lights.
fig.P-015ai
2
Press [ ] to select “TRIG BASIC.”
fig.SETUP-BASIC_50 (SETUP-BASIC)
3
Press [ENTER ].
fig.P-016_50
The following parameters
are automatically set to the
most efficient values for
each pad when you select
the trigger type.
Basic Trigger Parameters
(SETUP/TRIG BASIC; p.
71)
• Sensitivity
• Threshold
• TrigCurve
Advanced Trigger
Parameters
(SETUP/TRIG ADVNCD;
p. 73)
Scan Time
Retrig Cancel
Mask Time
Rim Sens
The trigger parameters
should be adjusted as
necessary to match the
actual state of your
configuration, and the
environment in which it is
eing used.
8 1
236
TD-6KV_e.book 29 ページ 2005年1月24日 月曜日 午後7時4分
30
Selecting the Pad Type
4
Strike the pad you wish to set.
The setting screen for the struck pad appears.
5
Select the most suitable trigger type from the following chart for the
pad you are using.
6
Press [+] or [-] to select the trigger type.
7
Repeat Steps
4
6
to set the trigger type for each pad.
8
Press [KIT].
[KIT] lights, and the Drum Kit screen appears.
fig.P-017ai
9
Strike the pads and press the pedals to check the following.
• Are sounds being played with all pads and pedals?
• Is the right instrument for each pad being played?
If the correct sound is not being played, check the pad settings once more and
refer to “Troubleshooting” (p. 110).
Pad Trigger Type Pad Trigger Type Pad Trigger Type
PD-8 PD-8 PD-105 PD-125 CY-6 CY Type
PD-6 PD Type PD-125 CY-12H
PD-7 KD-8 KD-8 CY-12R/C
PD-9 KD-7 KD Type CY-14C
RP-2 PD-80R KD-80 CY-15R
PD-80 KD-85 RT-7K RT-7K
PD-80R KD-120 RT-5S RT-5S
PD-85 CY-8 CY-8 RT-3T RT-3T
PD-100 RIM Edge RIM
PD-120 PD-120
You can also make the
selection by pressing
[SHIFT] + [ ] or
[SHIFT] + [ ] (Trigger
Select).
These settings apply to
oth the head and the rim.
TD-6KV_e.book 30 ページ 2005年1月24日 月曜日 午後7時4分
31
Setup Guide
Adjusting the Sensitivity of the Pad
You may wish to adjust the sensitivity of the pads to accommodate your
personal taste and style of performing. Adjusting the TD-6V’s sensitivity
allows you to change the correlation between your playing velocity (strength)
and the response and volume of the sound.
fig.P-018
1
While holding down [SHIFT], press [EDIT (SETUP)].
[EDIT (SETUP)] lights.
fig.P-019ai
2
Press [ ] to select “TRIG BASIC.”
fig.SETUP-BASIC_50 (SETUP-BASIC)
3
Press [ENTER ].
The sensitivity setting is
automatically set to the
most efficient values for
each pad when you select
the trigger type (p. 29).
Adjust as needed.
8 1
2, 436
TD-6KV_e.book 31 ページ 2005年1月24日 月曜日 午後7時4分
32
Adjusting the Sensitivity of the Pad
4
Press [ ] to select “Sensitivity.”
fig.P-020_50
5
Strike the pad you wish to set.
The setting screen for the struck pad appears.
6
Press [+] or [-] to adjust the sensitivity of the pads.
Here you can make a setting of 1–16.
Higher settings result in higher sensitivity, so that the pad will produce a
loud volume even when struck softly.
Lower settings result in lower sensitivity, so that the pad will produce a low
volume even when struck forcefully.
Setting the Overall Target
Set the sensitivity so that the indicator reaches the maximum position when
you play with your maximum dynamics. A flag, such as shown in the
following, is raised when the indicator reaches the maximum position
().
fig.P-020aai.e
7
Repeat Steps
5
and
6
to make any other necessary pad sensitivity
adjustments.
8
Press [KIT].
[KIT] lights, and the Drum Kit screen appears.
fig.P-021ai
You can also make the
selection by pressing
[SHIFT] + [ ] or
[SHIFT] + [ ] (Trigger
Select).
These settings apply to
oth the head and the rim.
Indicator
Indicator (Maximum)Maximum Indication
With electronic drum kits,
overall volume is another
important element.
Listening at low volumes
may make it seem that
there is too little change in
volume, so you might raise
the sensitivity excessively
without really needing to.
In order to make these
settings correctly, adjust
the volume of amps or
headphones to appropriate
levels.
TD-6KV_e.book 32 ページ 2005年1月24日 月曜日 午後7時4分
33
Setup Guide
About the Pads
Trigger Inputs and the Pads You Can Use
Although you can use previous model pads, kick trigger units, and other
such devices with the TD-6V, there may be incompatibilities between pads
and trigger inputs, which may prevent you from being able to perform on
some pads.
Trigger Input Functions
The following shows the available trigger input functions.
fig.P-024.e
*1: By using an optional cable (the PCS-31) or standard insert cable, you can
use two pads to a single trigger input jack. In this case, the rim sounds
of “Trigger Input 5 (TOM2)” and “Trigger Input 7 (TOM 3)” become
unavailable. For more on how to make the necessary connections, refer
to p. 21.
3
HI-HAT
Rim 3
Head 3
2
SNARE
Rim 2
Head 2
1
KICK
Head 1
10
CRASH2
Head 10
Rim 10
11
RIDE
Head 11
Rim 11
9
CRASH1
Head 9
Rim 9
8
TOM4
Head 8
7
TOM3
5
TOM2
6
AUX
Head 6
4
TOM1
Rim 4
Head 4
*1 *1
Head 7
Rim 7
Head 5
Rim 5
Use the cable provided
with the pad to connect the
pad to the TD-6V. The rim
sound becomes
unavailable when you use
a monaural cable to
connect a pad that is
capable of playing rim
shots and chokes.
TD-6KV_e.book 33 ページ 2005年1月24日 月曜日 午後7時4分
34
About the Pads
Combinations of Pad and Trigger Type
To enjoy full use of all the functionality offered by the TD-6V and your pads, be sure to
review the following chart and select the pads best suited for your aims.
fig.P-024a.e
O
: Can be used.
X
: Cannot be used.
Slash: These trigger inputs do not handle rim sounds.
*1: When choking is applied to the CY-12R/C or the CY-15R, you can then play either
edge shots or bell shots.
*2: TRIGGER INPUTS 6 (AUX) and 8 (TOM) can only be used when using an optional
cable (PCS-31) or standard insert cable to connect two pads to one trigger input jack.
For more detailed information, refer to the previous section.
Trigger Input Jacks
Cymbals
1
(KIK)
2
(SNR)
3
(HH)
4
(T1)
5
(T2)
6
(AUX)
7
(T3)
8
(T4)
9
(CR1)
10
(CR2)
11
(RD)
Head
Rim, Choke
Rim (Edge/Bow),
Choke
Head
Head (Bow)
Head OOOOOOOOOOO
Head
*2
Kick Trigger Units
Rim
Head
Rim (Edge),
Choke
Head (Bow)
Pads
PD-80
RP-2
CY-12R/C
CY-15R
*1
KD-7
KD-8
KD-80
KD-85
KD-120
PD-6
PD-100
PD-80R
PD-85
PD-120
PD-105
PD-125
CY-6
CY-8
CY-12H
CY-14C
PD-7
PD-8
PD-9
OOOOOOOOOOO
OOOOOOOOOOO
OOOOOOOOOOO
OOOOOOOOOOO
OOOOOOOOOOO
OOOOOOOOOOO
XX XXX
OXX
OOOO OOOO
OOOO OOOO
OOOO OOOO
TD-6KV_e.book 34 ページ 2005年1月24日 月曜日 午後7時4分
35
About the Pads
Setup Guide
Recommended Parameters for the Pads
The trigger parameters (except the Xtalk Cancel) are automatically set to the most efficient
values for each pad when you select the trigger type.
The trigger parameters should be adjusted as necessary to match the actual state of your
configuration, and the environment in which it is being used. Make settings for the
parameters as needed (Basic Trigger Parameters: p. 71; Advanced Trigger Parameters: p.
73).
The “Xtalk Cancel (Crosstalk Cancel)” value does not change when the trigger type is
changed. It should be adjusted as necessary to match the actual state of your configuration
and the environment in which it is being used (SETUP/TRIG BASIC/Xtalk Cancel; p. 73).
Use the “RT-7K,” “RT-5S,” or “RT-3T”setting when you use acoustic drums to sound
the TD-6V. For details refer to “Using the TD-6V with Acoustic Triggers” (p. 75).
Pad Trigger Type
Pad PD-8 PD-8
PD-6 PD Type
PD-7
PD-9
RP-2 PD-80R
PD-80
PD-80R
PD-85
PD-100
PD-120 PD-120
PD-105 PD-125
PD-125
Kick Trigger Unit KD-8 KD-8
KD-7 KD Type
KD-80
KD-85
KD-120
Cymbal CY-8 CY-8
CY-6 CY Type
CY-12H
CY-12R/C
CY-14C
CY-15R
Acoustic Drum Trigger RT-7K RT-7K
RT-5S RT-5S
RT-3T RT-3T
Rim Rim Edge RIM
TD-6KV_e.book 35 ページ 2005年1月24日 月曜日 午後7時4分
36
About the Pads
Playing the Pads
Pad Head Shots and Rim Shots
When you perform a head shot, the head instrument is played; rim shots
produce the sound of the rim instrument.
To play a rim shot, you must
strike both the head and the rim of the pad
simultaneously
.
PD-7, PD-8, PD-9, PD-80R, PD-85, PD-105, PD-120, PD-125:
Both head and rim shots are available.
PD-6, PD-80, PD-100, RP-2:
Only head shots are available
fig.P-025.e
Cross Stick
When you perform a cross stick, the rim instrument is played.
When using the PD-80R, PD-85, PD-105, PD-120, or PD-125 to play the cross
stick, be sure that you only strike the rim (outer edge) of the pad. Placing your
hand on the head (center area) of the pad prevents the cross stick sound from
being played properly.
fig.P-025a.e
When using rim shots on
the PD-80R, PD-85, PD-
105, PD-120 or PD-125,
connect the pad to
TRIGGER INPUT 2
(SNARE).
Head Shot Rim Shot
Head Head
Rim
Head Head
Rim When using rim shots
on the PD-80R, PD-85,
PD-105, PD-120 or PD-
125, connect the pad to
TRIGGER INPUT 2
(SNARE).
The cross stick is also
referred to as a “closed
rim shot.”
By selecting the
instruments with “XS”
after the instrument name,
playing a rim shot
produces a rim shot tone,
and cross sticking gives a
cross stick tone.
Rim
Rim
TD-6KV_e.book 36 ページ 2005年1月24日 月曜日 午後7時4分
37
About the Pads
Setup Guide
Cymbal Bow Shots/Edge Shots/Bell Shots
When you perform a bow shot, the head instrument is played; edge shots and
bell shots produce the sound of the rim instrument.
CY-6, CY-12H, CY-14C:
Capable of bow shots and edge shots.
CY-12R/C
,
CY-15R:
In addition to bow shots, either edge shots or bell shots can be
played.
Bell shots are played by striking the bell somewhat strongly with the
shoulder of the stick.
fig.P-026.e
When playing edge shots
with the CY-12R/C or CY-
15R, use the BOW/EDGE
output; for bell shots, use
the BOW/BELL output.
Bow Shot Edge Shot
Bow
Edge
Bell Shot
CY-12R/C
CY-15R
Bell
TD-6KV_e.book 37 ページ 2005年1月24日 月曜日 午後7時4分
38
About the Pads
Cymbal Choke
By striking a pad and then squeezing the rim portion of the pad, you can
mute the note while the note is still sounding. This performance technique is
known as
choking
.
fig.P-027.e
Hi-Hat Control Pedal
By connecting a hi-hat control pedal (FD-8), you can obtain consecutive
control of the hi-hat’s opening and closing.
fig.P-028.e
Open Hi-Hat:
Strike the hi-hat without pressing the pedal
Closed Hi-Hat:
Strike the hi-hat with the pedal pressed
Foot Closed:
Completely press down the pedal
Foot Open:
Press the pedal and then immediately release it
FD-8
TD-6KV_e.book 38 ページ 2005年1月24日 月曜日 午後7時4分
39
Quick Start
Quick Start
TD-6KV_e.book 39 ページ 2005年1月24日 月曜日 午後7時4分
40
Choosing a Drum Kit
The TD-6V comes with 99 preset drum kits. Now’s probably a good time for
you to try out the drum kits by selecting and playing them.
fig.Q-001
1
Press [KIT].
[KIT] lights, and the “DRUM KIT” screen appears.
fig.Q-002ai
2
Press [+] or [-] to select the drum kit.
To see which drum sets
can be selected here, refer
to “Drum Kit List” (p. 118).
A drum kit is a collection
of settings that includes
each pad’s instrument
settings, the effect settings,
and other settings. For
details, refer to p. 54.
A drum kit performance is
recorded in preset song #1
“DRUMS.”
By switching drum kits
during playback of preset
song #1 (p. 44), you can
listen to and compare a
variety of different drum
kits.
You can also use and
in the "DRUM KIT"
screen to select drum kits.
1
2
To see which drum set
using the Pad Pattern
function, refer to “Drum
Kit List” (p. 118).
Pattern Inadvertently Starts Playing When Pad is Struck
Drum kits feature a setting whereby a pad can be struck to start playback of
a song (Pad Pattern function; p. 63).
To stop the song currently playing:
Press the [STOP ] button on the panel (the [PLAY ] light goes off).
To stop the song from playing when the pad is struck:
Turn the Pad Pattern feature off (KIT/CONTROL/PadPtn; p. 63).
TD-6KV_e.book 40 ページ 2005年1月24日 月曜日 午後7時4分
41
Quick Start
Playing While Listening to the Metronome/Click
Switching the Click On and Off
Try using metronome (click).
You can switch the click sound on and off by pressing [CLICK].
[CLICK] lights when set to play the sound.
fig.Q-003.e
fig.Q-004a
1
Press [CLICK].
[CLICK] lights, and the click sound begins to play.
fig.Q-006
You can select the
instrument sound and beat
used for the click.For
details, refer to the p. 79.
Click is played Click is not played
Lit Unlit
1
TD-6KV_e.book 41 ページ 2005年1月24日 月曜日 午後7時4分
42
Playing While Listening to the Metronome/Click
Adjusting the Click Volume (Level)
fig.Q-004
1
Confirm that [EDIT] is not lit.
If [EDIT] lights, you can press [KIT] or [SONG] to turn it off.
fig.Q-005
2
Press [CLICK].
[CLICK] lights, and the click sound begins to play.
fig.Q-006
3
Press [EDIT].
[EDIT] lights, and the click volume settings screen appears.
fig.Q-007_50
4
Press [+] or [-] to select the volume.
5
When you finish making settings, press [EXIT] to end the procedure.
52
1, 3
4
TD-6KV_e.book 42 ページ 2005年1月24日 月曜日 午後7時4分
43
Playing While Listening to the Metronome/Click
Quick Start
Adjusting the Click Tempo
fig.Q-008
1
Press [CLICK].
[CLICK] lights, and the click sound begins to play.
fig.Q-006
2
While holding down [SHIFT], press [CLICK (TEMPO)].
The Tempo screen appears.
fig.Q-009_50
3
Press [+] or [-] to select the tempo.
4
When you finish making settings, press [EXIT] to end the procedure.
The “Tempo” screen is removed from the display.
421
3
TD-6KV_e.book 43 ページ 2005年1月24日 月曜日 午後7時4分
44
Playing Along with Songs
Choosing a Song and Playing Back
The TD-6V features a sequencer that can record and play back
accompaniment tracks and drum performances.
This sequencer comes loaded with 170 Preset (internal) songs.
fig.Q-010
Choosing a Song
1
Press [SONG].
[SONG] lights, and the SONG screen appears.
fig.Q-011ai
2
Press [+] or [-] to select the song.
You can record songs
yourself. For details, refer
to the p. 92.
The song stops suddenly
when playing the pads:
Striking the pad set the
pad pattern function while
a song is playing back will
cause song playback to
switch to the newly
selected song. Some
“songs” are very short, a
few notes, or even one
chord. So “sudden” stops
can be caused by
accidently triggering one
of these short songs.
For more on this function,
refer to p. 63 and p. 114.
134
2
To see which songs can be
selected here, refer to
“Preset Song List” (p. 128).
By holding down [SHIFT]
and pressing [+] or [-], you
can select the song
category.
TD-6KV_e.book 44 ページ 2005年1月24日 月曜日 午後7時4分
45
Playing Along with Songs
Quick Start
Playing Back a Song
3
Press the [PLAY ] button, and the song will begin playing.
[PLAY ] lights.
fig.Q-012
4
To stop playback of the song, press [STOP ].
The [PLAY ] light goes out.
fig.Q-013
When playback of a song is stopped, you can do the following.
Pressing [STOP ], returns you to the beginning of the song.
Pressing [ ], advances you to the next measure.
Pressing [ ], returns you to the previous measure.
For details, refer to p. 83.
Function is not available
with songs that have
drums recorded to the
drum kit part (p. 83). You
can't use this function with
the Preset Song #1
"Drums."
Convenient Function for Playback
When playing back a Preset song, you can have the buttons corresponding to
the drums being played light up.
You can also have the buttons light even when drum tones are muted,
making this convenient for practicing with the Preset songs.
1. Hold down [SHIFT] and press [PLAY ].
Playback of the song begins, and the buttons corresponding to the
performance of the percussion part drums light up.
2. To stop the playback, press [STOP ].
Kick Cymbals
Snare
Hi-Hat
High Tom Low Tom
Mid Tom
TD-6KV_e.book 45 ページ 2005年1月24日 月曜日 午後7時4分
46
Playing Along with Songs
Adjusting the Song Volume
You can adjust the song volume to correct the drum kit volume balance.
Song volume consists of the two following adjustments.
Backing Volume:
Adjusts the volume of melodic instruments etc. other than percussion.
Percussion Part Volume:
Adjusts the volume of the drums and percussion sounds.
fig.Q-016
Setting the Backing Part (Melodic Instruments etc.) Volume
1
While holding down [SHIFT], press [SONG].
The screen for setting the volume level of the melodic instruments etc. appears.
fig.Q-018_50
2
Press [+] or [-] to select the volume.
Setting the Drums and Percussion Volume
3
Press [ ].
The screen for setting the volume level of the drums and percussion appears.
fig.Q-017_50
The volume set here is
applied to all songs.
351
2, 4
The volume balance
among the parts is
adjusted in the “Level”
(SONG/PART/Level; p.
88)
Here, adjust the volume
of the percussion part.
Although drum
performances in the
Preset songs are
recorded to the
percussion part (except
for preset song #1
“DRUMS”), when you
create your own songs,
what you play on the
pads is recorded to the
drum kit part. The
volume level of the
drum kit part is adjusted
in the “MasterVolume”
(Master Volume) (KIT/
COMMON/
MasterVolume; p. 66).
TD-6KV_e.book 46 ページ 2005年1月24日 月曜日 午後7時4分
47
Playing Along with Songs
Quick Start
4
Press [+] or [-] to select the volume.
5
When you finish making settings, press [SONG] to end the procedure.
Temporarily Changing the Tempo of a Song
You can temporarily change the tempo of a song while playback is in
progress. The song returns to its preset tempo when a different song is
selected.
fig.Q-014
1
While holding down [SHIFT], press [CLICK (TEMPO)].
The Tempo settings screen appears.
fig.Q-015_50
2
Press [+] or [-] to select the tempo.
3
When you finish making settings, press [EXIT] to end the procedure.
31
2
TD-6KV_e.book 47 ページ 2005年1月24日 月曜日 午後7時4分
48
Playing Along with Songs
Muting the Pre-programmed Drums in Songs
You can mute just the drums recorded in a song. So you can play along.
Try this using Song #8, “FUNK ROK.”
fig.Q-019
1
Press [SONG].
[SONG] lights, and the SONG screen appears.
fig.Q-020ai
2
Press [+] or [-] to select Song #8.
fig.Q-021_50
Part Mute settings remain
in effect even when the
song is switched.
Note numbers for muted
drum sounds are
predetermined and cannot
e changed.
Refer to p. 125 for a list of
mute note numbers.
3 1
24, 5
TD-6KV_e.book 48 ページ 2005年1月24日 月曜日 午後7時4分
49
Playing Along with Songs
Quick Start
3
Press the [PLAY ] button, and the song will begin playing.
[PLAY ] lights.
fig.Q-022
4
Press [PART MUTE].
[PART MUTE] lights, and the drum sound are muted.
fig.Q-023
5
To hear the drums, press [PART MUTE] once more.
The [PART MUTE] light goes out.
fig.Q-023a
At the factory settings,
pressing [PART MUTE]
mutes only percussion part
drum tones.
By pressing [SHIFT] +
[PART MUTE], you can
change the part to be
muted (SETUP/UTILITY/
Mute; p. 77).
TD-6KV_e.book 49 ページ 2005年1月24日 月曜日 午後7時4分
50
Using the Pads to Play Songs
The pads can also be set so that they start the performance of songs when
struck (
Pad Pattern function
).
This function is available only with electronic drums.
The Pad Pattern function is already selected in Drum Kit #8, “1ManBand+.”
Use this kit to try out this function.
fig.Q-024
1
Press [KIT].
[KIT] lights, and the “DRUM KIT” screen appears.
fig.Q-025ai
2
Press [+] or [-] to select Drum Kit #14.
fig.Q-026_50
3
Playback of the song begins when the following pads are struck.
1 KICK:
You can play the bass-line note by note (step by step) with your kick drum.
9 CRASH1 Rim:
The chords progress when you strike the pad.
Make the following
settings when selecting
the Pad Pattern function
yourself.
“Pad Ptn (Pad Pattern)”
(KIT/CONTROL/Pad
Ptn;
p. 63
), “Pad Ptn
Velo (Pad Pattern
Velocity)” (KIT/
CONTROL/Pad Ptn
Velo;
p. 63
)
The following are
auxiliary functions
available when you use
songs in which Tap
Playback or One Shot
Playback is specified.
“Quick Play”
(SONG/COMMON/
Quick Play; p. 86),
“Reset Time”
(SONG/COMMON/
Reset Time; p. 86),
“Tap Exc Sw (Tap
Exclusive Switch”
(SONG/COMMON/
Tap Exc Sw; p. 86)
The following drum kits
use the Pad Pattern
function.
#5 “LtnPerc+”
#7 “TblaTun+”
#8 “1ManBnd+”
•#10 “Guitars+”
Refer to “Drum Kit List” (p.
118) to find other drum
kits. (Kit names with “+”
uses the Pad Pattern
function.)
1
2
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51
Quick Start
Playing with a CD, Tape, or MD (Using MIX IN Jack)
Using the TD-6V’s MIX IN jack allows you to play along with a CD or other
external audio sources.
921
1
Make the connections as shown in the following figure.
fig.Q-027.e
2
When you begin playback of the CD deck or other device, the
performance is then audible through the headphones, audio
equipment, amp, or other device.
To prevent malfunction
and/or damage to
speakers or other devices,
always turn down the
volume, and turn off the
power on all devices
efore making any
connections.
TD-6V
Headphones,
audio equipment, amp, etc.
CD/MD deck,
cassette player, etc.
MIX IN jack
OUTPUT jack
Stereo miniature phone type
Use the plug that
matches the device
you are listening with.
Adjust the volume level of
the playback device when
correcting the volume
alance between the CD or
other sound input and the
drum kit.
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52
Using the TD-6V As a General MIDI Sound Module
The TD-6V features GM mode, allowing it to play back GM scores (music
data for GM sound generators) from an External Sequencer. The TD-6V has a
function that lets you mute only the drum sounds in GM mode, making this
a very useful feature. For details, refer to “Switch to the GM (General MIDI)
Mode (GM Mode)” (p. 99) and “MIDI Messages Stop Function for Specific
Parts in GM (General MIDI) Mode (GM PART)” (p. 102).
The TD-6V can also be
used as a sound module
along with MIDI
keyboards and MIDI
sequencers (p. 107).
When Using the TD-6V as a GM Sound Module (p. 99)
The TD-6V functions as a 16-part multi-timbre sound module.
The internal sequencer is disabled.
Drum kit parts cannot be played using MIDI messages sent from an
external device. They can be played only by playing pads connected
to the TD-6V.
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53
Advanced Use
Advanced Use
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54
Chapter 1 Creating Your Own Drum Kit
(Kit Edit)
Parameters That Can Be Set Here
fig.01-001.e
About Drum Kits and the Drum
Kit Screen
About the Drum Kits
A drum kit is a collection of settings, including how each
pad’s sound is played, effects settings, hi-hat control pedal
settings, etc.
There are 99 drum kits altogether.
You can change the drum kits you like to create new
drum kits.
Changed settings are saved automatically.
You can restore drum kits with changed settings to their
original factory settings. Refer to “Restoring the Factory
Settings for the Edited Drum Kit” (p. 68).
fig.01-002.e
KIT
INST (Instrument Settings) (p. 60)
Inst
Level
Pan
Pitch
Decay
AMBIENCE (Ambience Settings) (p. 62)
Ambience Switch
Studio Type
Wall Type
Room Size
Ambience Level
Ambience Send Level
EQUALIZER (Equalizer Settings) (p. 64)
Master Equalizer Switch
Low Gain
High Gain
CONTROL (Settings for Various Functions) (p. 64)
Pad Pattern
Pad Pattern Velocity
Pitch Control Assign
Note Number
Gate Time
COMMON (Overall Drum Kit Settings) (p. 68)
Master Volume
Pedal Hi-Hat Volume
Pitch Control Range
Drum Kit Name
COPY (Copying Drum Kits) (p. 69)
EXCHANGE (Exchanging Drum Kits) (p. 70)
Pad Settings
CRASH2
Head10
Rim10
RIDE
Head11
Rim11
CRASH1
Head9
Rim9
TOM4
Head8
TOM3TOM2 AUX
Head6
TOM1
Rim4
Head4
HI-HAT
Rim3
Head3
SNARE
Rim2
Head2
KICK
Head1
Instrument Settings
Settings for Various Functions
Inst, Level, Pan, Pitch, Decay
Pad Pattern Function Settings,
Pitch Control Function Settings,
MIDI Note Number,
MIDI Gate Time
Ambience Settings
On/Off, Performance Space, Wall Surface,
Room Size, Amount of Ambience
On/Off, High Gain, Low Gain
Equalizer Settings
Overall Drum Kit Settings
Overall Drum Kit Volume, Drum Kit Name,
Hi-Hat Control Pedal
Drum Kit #1
Drum Kit #99
Head5
Rim5
Head7
Rim7
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55
Chapter 1 Creating Your Own Drum Kit (Kit Edit)
1
About the Drum Kit Screen
The screen displayed when [KIT] is pressed is referred to as
the Drum Kit screen.
fig.01-003ai
1
Drum Kit Number
Displays the number of the currently selected drum kit.
2
Drum Kit Name
The name of the currently selected drum kit is displayed.
3
Currently Selected Pad
The trigger input number for the selected pad is indicated.
” appears when a head is selected, and “ ” appears
when the rim is selected.
For instructions on selecting pads, refer to p. 55.
4
GM Mode On/Off
While in GM mode, “ ” appears in the screen.
Otherwise, in normal mode, nothing is indicated. For more
detailed information about GM mode, refer to p. 99.
GM Mode is normally off when the power is turned on.
Choosing a Drum Kit (Drum Kit)
When a drum kit is selected, each pad’s settings, ambience, EQ
settings, etc. are switched.
To see what drum kits are provided with the factory settings,
refer to the “Drum Kit List” (p. 118).
1.
Press [KIT].
[KIT] lights, and the Drum Kit screen appears.
fig.01-004_50
2.
Press [+] or [-] to select the drum kit.
Drum Kit: 1–99
Choosing the Pad to Edit
The following two methods can be used for selecting the pad
for which you want to make settings.
Choosing a Pad by Hitting It
1.
Press [KIT], then [EDIT].
[KIT] and [EDIT] light.
fig.KIT-INST_50
2.
Press [ENTER ].
3.
Strike the pad to be set.
The setting screen for the struck pad appears.
fig.01-006ai.e
You can make settings preventing the display from switching
to the instrument’s settings screen even when the pad is
struck. When the TD-6V is set so that the screen does not
switch, the trigger input number appears in brackets ([ ]). For
more detailed information, refer to “Locking the Setting
Screen While Editing One Instrument (Note Chase)” (p. 57).
fig.01-007ai
4
312
Trigger input number
of the struck pad
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56
Chapter 1 Creating Your Own Drum Kit (Kit Edit)
Choosing on the TD-6V
1.
Press [KIT], then [EDIT].
[KIT] and [EDIT] light.
fig.KIT-INST_50
2.
Press [ENTER ].
The instrument selection screen appears.
fig.01-008_50
3.
Hold down [SHIFT] and press [ ] or [ ] to
select the trigger input number for the pad
being set.
The trigger input number being selected for the set pad is
indicated in the upper right of the screen.
The trigger input numbers are shown in the following
sequence.
H01
H02
R02
H03
R03
H04
R04
H05
H06
H07
H08
H09
R09
H10
R10
H11
R11
fig.01-009ai.e
Settings screens for trigger inputs to which no pad is
connected and for rim trigger inputs for which the
connected pads are not capable of producing rim sounds
are also displayed.
Trigger Inputs 6 (AUX) and 8 (TOM4) can be used only
when two pads are connected to Trigger Input jacks 5/6
(TOM2/AUX) and 7/8 (TOM3/4) (p. 21). In this case,
you cannot use Trigger Inputs 5 (TOM2) and 7 (TOM3).
Only the numbers for the trigger inputs being used, i.e.,
either R05 or H06, and R07 or H08, are indicated.
Notation Used in the Screen
Trigger input numbers and names are indicated in instrument
settings screens.
fig.KIT-INST_50
Helpful Edit Functions
Listening to an INST (Instrument)
assigned to a Pad (Preview)
Even when no pad is connected to the TD-6V, you can select
trigger input numbers and make settings while checking out
instrument sounds.
The preview velocity is set in “Preview Velo (Preview
Velocity)” (SETUP/UTILITY/Preview Velo; p. 78).
1.
Hold down [SHIFT] and press [ ] or [ ] to
select the trigger input number.
The trigger input number for the selected pad is indicated
in the upper right of the screen.
2.
While holding down [SHIFT], press [KIT]
You can preview instruments.
Selecting the Trigger Input Number
Screen Name Screen Name
KIK KICK T3 TOM3
SNR SNARE T4 TOM4
HH HI-HAT CR1 CRASH1
T1 TOM1 CR2 CRASH2
T2 TOM2 RD RIDE
AUX AUX
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57
Chapter 1 Creating Your Own Drum Kit (Kit Edit)
1
Locking the Setting Screen While
Editing One Instrument (Note Chase)
Note Chase
is a function in which a pad is selected either by
striking the pad or when MIDI data corresponding to that pad
is received. The display automatically switches to the settings
screen when the pad settings are made.
To prevent the settings screen from switching if you happen to
tap or touch other pads while making settings, set this to
“OFF.”
If you want to set other pads with this setting remaining at
“OFF,” you can switch settings screens by holding down
[SHIFT] and pressing [ ] or [ ] to select the trigger input
number.
1.
While holding down [SHIFT], press [EDIT
(SETUP)].
[EDIT] lights.
2.
Press [ ] to select “MIDI COMMON.”
fig.SETUP-MIDICMN_50
3.
Press [ENTER ].
fig.01-010_50
4.
Press [-] to select “OFF.”
Even when another pad is struck, the pad settings screen
is prevented from switching.
fig.01-011_50
5.
When you finish making settings, press [KIT] to
end the procedure.
When “Note Chase” is set to “OFF,” the trigger input
number appears in brackets ([ ]).
fig.01-011aai.e
Choosing an Instrument
About the Instruments
The TD-6V features 1,024 different instruments which are
categorized into 13 separate groups, such as KICK, SNARE,
and TOM.
You can individually adjust the Level, Pan, Pitch, and Decay
settings for instruments set to the pads.
Choosing from the Group Names
(Inst Group)
Find and select instruments from the Group names.
To see which instrument groups can be selected here, refer to
“Drum Instrument List” (p. 120).
1.
Confirm that [CLICK] is not lit.
If this lights, press [CLICK] to extinguish it.
2.
Press [KIT], then [EDIT].
[KIT] and [EDIT] light.
fig.KIT-INST_50
3.
Press [ENTER ].
4.
Strike the pad you wish to set.
The setting screen for the struck pad appears.
fig.01-012ai.e
5.
Hold down [SHIFT] and press [+] or [-] to select
the instrument group.
Inst Group:
KICK, SNARE, TOM, HI-HAT, CRASH, RIDE,
PERC, SPECIAL, MELODIC, VOICES, REVERSE,
FIXED HI-HAT, OFF
Trigger Input
Number
Instrument Group
Instrument Number Instrument Name
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58
Chapter 1 Creating Your Own Drum Kit (Kit Edit)
Choosing an Instrument (Inst)
Select the instrument you want to sound when the pad is
struck.
To see which instruments can be selected here, refer to “Drum
Instrument List” (p. 120).
No sound is played if the pads are struck when the instrument
is set to “1024 OFF.”
When the “HI-HAT” instrument group is selected for a
pad, you can then use a hi-hat control pedal to control the
opening and closing of the hi-hat.
When the hi-hat control pedal is pressed, the pedal hi-hat
tone automatically switches according to the instrument
set for the Trigger Input 3 (HI-HAT) head. The closed hi-
hat (foot) can not be changed separately.
1.
Confirm that [CLICK] is not lit.
If this lights, press [CLICK] to extinguish it.
2.
Press [KIT], then [EDIT].
[KIT] and [EDIT] light.
fig.KIT-INST_50
3.
Press [ENTER ].
4.
Strike the pad you wish to set.
The setting screen for the struck pad appears.
fig.01-012ai.e
5.
Press [+] or [-] to select the instrument.
You can select the instrument group by holding down
[SHIFT] and pressing [+] or [-] (p. 57).
Inst: 1–1024
Instrument Settings (INST)
You can each adjust the Level, Pan, Pitch, and Decay settings
for each instruments assigned to a pad.
1.
Confirm that [CLICK] is not lit.
If this lights, press [CLICK] to extinguish it.
2.
Press [KIT], then [EDIT].
[KIT] and [EDIT] light.
fig.KIT-INST_50
3.
Press [ENTER ].
4.
Press [ ] or [ ] to select the parameter to be
set.
fig.01-015ai.e
5.
Strike the pad you wish to set.
The setting screen for the struck pad appears.
6.
Press [+] or [-] to make the setting.
fig.01-016ai.e
7.
When you finish making settings, press [KIT] to
end the procedure.
Trigger Input
Number
Instrument Group
Instrument Number Instrument Name
Parameter to set
Value
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59
Chapter 1 Creating Your Own Drum Kit (Kit Edit)
1
Adjusting the Volume of the Pad (Level)
Adjusts the volume of the instrument. Raising the value will
increase the volume. With a setting of “0,” no sound is
produced.
Make the adjustment here when correcting the volume
balance between instruments.
The pedal hi-hat volume is set in “Pedal HH Vol (Pedal Hi-
Hat Volume)” (KIT/COMMON/Pedal HH Vol; p. 66).
fig.01-017_50
Level: 0–127
Setting the Pan Position (Pan)
This adjusts the instrument’s pan setting (the perceived
position of the sound between left and right speakers).
Pan settings apply to both the head and rim. The rim
settings value appears in parentheses. If either the head
or rim settings are changed, the settings for the other are
changed automatically.
fig.01-017a_50
This setting is applied only when connected in stereo.
fig.01-018_50
Pan: L15–CENTER–R15, RANDOM, ALTERNATE
L15:
Sound is positioned at the extreme left.
CENTER:
Sound is positioned in the center.
R15:
Sound is positioned at the extreme right.
RANDOM:
The panning changes randomly each time the
pad is struck.
ALTERNATE:
The panning alternately switches between left
and right each time the pad is struck.
Adjusting the Pitch (Pitch)
Adjusts the pitch of the instrument. The pitch is raised the
higher the value is set. When set to “0,” the sound is played at
the instrument’s default value.
For some instruments, raising or lowering the value beyond a
certain point may not produce further change.
fig.01-019_50
Pitch: -480–+480
Adjusting the Decay (Length of
Sound) (Decay)
Adjusts the decay of the instrument’s sound. Higher settings
will result in a longer decay time. When set to “0,” the sound
is played at the instrument’s default value.
For some instruments, raising or lowering the value beyond a
certain point may not produce further change.
fig.01-020.e
fig.01-021_50
Decay: -31–+31
Volume
Time
-31 0
Decay
+31
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60
Chapter 1 Creating Your Own Drum Kit (Kit Edit)
Ambience Settings (AMBIENCE)
Here you can choose (on a per drum kit basis) the location,
room size, wall material, etc.
1.
Press [KIT], then [EDIT].
[KIT] and [EDIT] light.
2.
Press [ ] to select “AMBIENCE.”
fig.KIT-AMB_50
3.
Press [ENTER ].
4.
Press [ ] or [ ] to select the parameter you
wish to edit.
fig.01-022ai.e
5.
Press [+] or [-] to make the setting.
fig.01-023ai.e
6.
When you finish making settings, press [KIT] to
end the procedure.
Switching Ambience On/Off
(Ambience Switch)
This switches the ambience on and off.
fig.01-024_50
Ambience Sw (Ambience Switch): OFF, ON
Ambience “Send” Level for Each
Instrument (Ambience Send Level)
You can adjust the ambience level for each instrument
individually. The ambience effect deepens the higher the
value is set. When set to “0,” no ambience is applied.
Strike a pad to select it, then make the setting.
The entire drum kit’s overall ambience depth is set in “Amb
Level (Ambience Level)” (KIT/AMBIENCE/Amb Level; p.
61).
fig.01-025_50
AmbSendLevel (Ambience Send Level):0–127
Choose “Location” Where the
Drums are Played (Studio Type)
The TD-6V includes nine different internal Studio Types you
can select for the drum “location.” Before you make detailed
settings, use this setting to select the basic type of acoustic
environment in which you will be playing.
fig.01-026_50
Studio (Studio Type):
LIVING (Living Room), BATHROOM,
STUDIO (Recording Studio), GARAGE,
LOCKER (Locker Room), THEATER, CAVE,
GYM (Gymnasium),
STADIUM (Domed Stadium)
Parameter to set
Value
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61
Chapter 1 Creating Your Own Drum Kit (Kit Edit)
1
Changing the Wall Surface
Material (Wall Type)
Select the surface material of the walls in the room in which
the drums are played.
fig.01-027_50
WallType (Wall Type): WOOD, PLASTER, GLASS
WOOD:
Simulates the sound of a wood-walled room producing a
warm sound.
PLASTER:
Simulates a plaster-walled room producing a more “naturally
live” sound.
GLASS:
Simulates a glass-walled room producing a very bright
ambience.
Determine the Room Size (Room Size)
Select the size the room in which the drums are played.
fig.01-028_50
Room Size: SMALL, MEDIUM, LARGE
Adjusting the Entire Drum Kit’s
Overall Ambience (Ambience Level)
Adjusts the amount of overall ambience level used for each
drum kit. The ambience effect deepens the higher the value is
set. When set to “0,” no ambience is applied.
The ambience level for each individual instrument is set in
“Amb Snd Lvl (Ambience Send Level)” (KIT/AMBIENCE/
(AmbSendLevel; p. 60).
fig.01-029_50
Amb Level (Ambience Level): 0–127
Drum Kit
Head x 11
Rim x 8
Part
Part1–4
Percussion
x 19
Level
x 19
x 19
Ambience
Send Level
Pan
Master
Volume
Studio
Wall Type
Room Size
Amb Level
High Gain
Low Gain
x 4
Level
Level
x 4
Ambience
Send Level
Ambience
Send Level
Ambience
Equalizer
x 4
Pan
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62
Chapter 1 Creating Your Own Drum Kit (Kit Edit)
Equalizer Settings (EQUALIZER)
A two-band equalizer (for high and low frequency ranges) is
used to adjust the sound of each drum kit.
An equalizer lets you boost or cut specified frequency ranges
to adjust the tone. You can make separate settings for the
amount of boost or cut (the gain) in the high-frequency and
low-frequency ranges.
1.
Confirm that [CLICK] is not lit.
If this lights, press [CLICK] to extinguish it.
2.
Press [KIT], then [EDIT].
[KIT] and [EDIT] light.
3.
Press [ ] to select “EQUALIZER.”
fig.KIT-EQ_50
4.
Press [ENTER ].
5.
Press [ ] or [ ] to select the parameter you
wish to edit.
fig.01-030ai.e
6.
Press [+] or [-] to make the setting.
fig.01-031ai.e
7.
When you finish making settings, press [KIT] to
end the procedure.
Switching the Equalizer On/Off
(Master Equalizer Switch)
Switches the equalizer on and off.
fig.01-032_50
Master EQ Sw (Master Equalizer Switch):
OFF, ON
Adjusting the Sound (High Gain,
Low Gain)
Set the amount of boost or cut (GAIN) in the high frequencies
(HIGH) and low frequencies (LOW). Raise to boost the sound,
lower to cut. The equalizer has no effect when “GAIN” is set
to “0.”
fig.01-033_50 (KIT EDIT-HighGain)
High Gain: -12dB–+12dB
fig.01-034_50 (KIT EDIT-LowGain)
Low Gain: -12dB–+12dB
Settings for Various Functions
(CONTROL)
These are settings for a variety of different features, such as
one that lets you start a song by striking a pad (Pad Pattern
function; p. 63) and a function whereby you can use the hi-hat
control pedal to control instrument pitches (Pitch Control; p.
64), along with MIDI Note Number and MIDI Gate Time
settings.
1.
Confirm that [CLICK] is not lit.
If this lights, press [CLICK] to extinguish it.
2.
Press [KIT], then [EDIT].
[KIT] and [EDIT] light.
3.
Press [ ] to select “CONTROL.”
fig.KIT-CTRL_50 (KIT EDIT-CTRL)
4.
Press [ENTER ].
5.
Press [ ] or [ ] to select the parameter you
wish to edit.
fig.01-035ai.e
Parameter to set
Value
Parameter to set
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63
Chapter 1 Creating Your Own Drum Kit (Kit Edit)
1
6.
Strike the pad you wish to set.
The setting screen for the struck pad appears.
7.
Press [+] or [-] to make the setting.
fig.01-036ai.e
8.
When you finish making settings, press [KIT] to
end the procedure.
Playing a Song by Hitting a Pad
(Pad Pattern)
The
Pad Pattern function
is a feature that lets you start the
performance of pre-specified songs by striking the pads. This
function provides a very convenient way to use songs during
a live performance or when practicing.
The Song Set “LOOP” or “ONE SHOT”
LOOP: After the song is played back all the way to the end,
playback then repeats, starting at the beginning of the song.
ONE SHOT: Playback stops once the end of the song is
reached. Each time the pad is struck returns you to the
beginning of the song and starts playback.
When triggering/playing a song that is set to “LOOP” or
“ONE SHOT” mode, if you trigger another song (from a pad,
also in “LOOP” or “ONE SHOT” mode then the last song
played will have priority. Don't forget that some “songs” are
very short, a few notes, or even one chord. So “sudden” stops
can be caused by accidently triggering one of these short
songs. Always check your Pad Pattern settings.
If you have switched a song whose instrument settings are
different, the sound may be interrupted for an instant.
The Song Set “Tap”
The sounds are played back in sequence each time the pad is
struck.
If you are playing a song set “LOOP” or “ONE SHOT” and
you then play a song set to TAP playback....then you can use/
listen to both at the same time.
To see which songs can be selected here, refer to “Preset
Song List” (p. 128).
For the play type of the song, refer to p. 85.
This setting cannot be made in GM mode (p. 99).
Performances using the Pad Pattern function cannot be
recorded to sequencers.
You can select the song Category by holding down
[SHIFT] and pressing [+] or [-].
You can preview a song by holding down [SHIFT] and
pressing [KIT].
To prevent the sound of an instrument assigned to a pad
from playing, set the instrument’s “Level” to “0” (KIT/
INST/Level; p. 59).
You can get a stronger response when striking the pads
by playing back with the song’s velocity changed (KIT/
CONTROL/Pad Ptn Velo; p. 63).
The TD-6V features auxiliary functions for songs set to
One Shot Playback and Tap Playback.
For more details, refer to
“Quick Play” (SONG/COMMON/Quick Play; p. 86),
“Reset Time” (SONG/COMMON/Reset Time; p. 86),
and “Tap Exc Sw (Tap Exclusive Switch)” (SONG/
COMMON/Tap Exc Sw; p. 86).
fig.01-037ai.e
Pad Ptn (Pad Pattern): OFF, 1–270
Control the “Level” of the Pattern
with Playing Dynamics (Pad
Pattern Velocity)
When performing with the Pad Pattern function, you can have
the velocity used for playback of the song change according to
the force with which the pads are struck. When set to “OFF,”
the song is played back using the velocity specified for the
song, regardless of how strongly the pads are struck.
This setting cannot be made in GM mode (p. 99).
When “Pad Ptn (Pad Pattern)” is set to “OFF,” a
horizontal line ( ) is displayed, and you cannot make
this setting. Refer to the previous section, then after
selecting the song, make the setting.
fig.01-037a_50
fig.01-038_50
Pad Ptn Velo (Pad Pattern Velocity): OFF, ON
Value
Play Type Song Number
Song Name
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64
Chapter 1 Creating Your Own Drum Kit (Kit Edit)
Pitch Control with the Hi-Hat
Control Pedal On/Off for Each Pad
(Pitch Control Assign)
Pitch Control
is a function that lets you change the pitch of an
instrument assigned to a pad according to the amount the hi-
hat control pedal is pressed. Releasing the pedal returns the
instrument to its original pitch.
Here, make the Pitch Control on/off setting for each pad.
When set to “OFF,” the instrument’s pitch remains
unchanged.
The range over which the pitch changes is set in
“PchCtrlRange (Pitch Control Range)” (KIT/COMMON/
PchCtrlRange; p. 66).
To prevent the pedal hi-hat sound from being played
when the hi-hat pedal is pressed, set “Pedal HH Vol
(Pedal Hi-Hat Volume)” to “0” (KIT/COMMON/Pedal
HH Vol; p. 66).
To make pitch changes occur more smoothly, set
“PdlDataThin (Pedal Data Thin)” to “1” or “OFF”
(SETUP/MIDI COMMON/PdlDataThin; p. 99).
fig.01-039_50
Pitch Ctrl (Pitch Control Assign): OFF, ON
MIDI Note Number for Each Pad
(Note Number)
In each drum kit, you can set the MIDI note numbers to be
transmitted/received by each pad.
For the hi-hat, make the setting only for the note number for
the Open Hi-Hat (default setting is 46 (A#2)). With this setting,
the closed hi-hat (initial settings value of 42 (F#2)) and pedal
hi-hat (initial settings value of 44 (G#2)) are changed together
to the open setting.
This setting cannot be made in GM mode (p. 99).
When the open hi-hat note number is set to “60 (C4),” the note
number for the closed hi-hat becomes “56 (G#3)” and the note
number for the pedal hi-hat becomes “58 (A#3).”
For information on factory-set note number settings, refer to
“Drum Kit Note Numbers” (p. 125) in the “Preset Percussion
Set List.”
fig.01-041_50
Note No. (Note Number): 0 (C -) –127 (G 9)
Sounding an External MIDI Device by
Playing Pads Connected to the TD-6V
Specify the MIDI note numbers (key numbers on a keyboard)
that will be transmitted by the TD-6V when the pads are
struck.
Set this to the note number of the sound that you wish to play
on the external sound module or sampler.
Using an External MIDI Device to Play
TD-6V Drum Kit Part Sounds
(TD-6V Used As Sound Module)
Specify the note number corresponding to the pad. When the
TD-6V receives the note number specified here, the
instrument assigned to the pad is played.
On the TD-6V, the drum kit part and percussion part can both
be set to Channel 10 at the same time.
When two parts are set to channel 10, you should also set
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65
Chapter 1 Creating Your Own Drum Kit (Kit Edit)
1
“CH10Priority (Channel 10 Priority)” to determine whether
the instrument (the drum kit part) or the percussion set
instrument (the percussion part) is to be played when the note
number is received (SETUP/MIDI COMMON/CH10Priorty;
p. 98).
When Setting Multiple Pads to the Same Note
Number
When using an external MIDI device to play TD-6V drum kits,
if overlapping note numbers are received, the instrument
assigned to the pad connected to the lowest-numbered trigger
input is sounded.
When note numbers for the head and rim are duplicated, the
head instrument is played.
When the pad is struck, the note number set for the pad is
sent.
When the same note number is assigned to more than one
pad, then “ ” appears in the settings screen for the pad that
is prevented from sounding even when the Note Number is
received.
fig.01-040ai
The following appears in the display when “38 (D2)” is
specified for the head (H02) and rim (R02) of Trigger Input 2
(SNARE) and the head (H04) of Trigger Input 4 (TOM1).
fig.01-042ai.e
In this case, when Note Number 38 (D2) is received, the
instrument assigned to the HEAD of TRIGGER INPUT 2
(SNARE) is played.
MIDI Gate Time for Each Pad
(Gate Time)
For each pad, you can specify the length of time the note will
“hold” during transmission from the MIDI OUT.
Percussion sound modules normally produce sound only in
response to “Note on” messages, and ignore “Note off”
messages. However general-purpose sound modules or
samplers do receive the note-off messages that are transmitted
and respond by turning off the sound.
At the factory settings, the Gate Time setting is set to the
minimum value, since a drum sound module will likely not
make use of it. If a sound module received this data as it is
receiving a Note OFF message, the interval will be too short,
so most sounds will not be played (or it may sound like barely
perceptible noise). To avoid this problem, set a longer gate
time for each pad that is to be played.
This setting cannot be made in GM mode (p. 99).
fig.01-045_50
Gate Time: 0.1–8.0 sec (0.1 sec. steps)
Trigger Input 2 (SNARE) Head
Trigger Input 2 (SNARE) Rim
Trigger Input 4 (TOM1) Head
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Chapter 1 Creating Your Own Drum Kit (Kit Edit)
Overall Drum Kit Settings
(COMMON)
Make the settings for each drum kit.
1.
Confirm that [CLICK] is not lit.
If this lights, press [CLICK] to extinguish it.
2.
Press [KIT], then [EDIT].
[KIT] and [EDIT] light.
3.
Press [ ] to select “COMMON.”
fig.KIT-CMN_50
4.
Press [ENTER ].
5.
Press [ ] or [ ] to select the parameter you
wish to edit.
fig.01-046ai.e
6.
Press [+] or [-] to make the setting.
fig.01-047ai.e
7.
When you finish making settings, press [KIT] to
end the procedure.
Overall Drum Kit Volume
(Master Volume)
You can adjust the overall volume of the drum kit while
preserving the volume balance between each of the pads. The
higher the value is set, the greater the volume. With a setting
of “0,” no sound is produced.
The volume balance among the pads is adjusted in the “Level”
(KIT/INST/Level; p. 59).
fig.01-048_50
MasterVolume (Master Volume): 0–127
Adjusting the Volume of the Pedal
Hi-Hat Sound (Pedal Hi-Hat Volume)
For each drum kit, you can adjust the volume of the pedal hi-
hat that sound (when the hi-hat control pedal is pressed). The
higher the value is set, the greater the volume. With a setting
of “0,” no sound is produced.
Set the volume level of other pads with the “Level” setting
(KIT/INST/Level; p. 59).
fig.01-049_50 (KIT-COMMON-Pedal-Hat)
Pedal HH Vol (Pedal Hi-Hat Volume): 0–15
Setting the Range for the Pitch
Control with the Hi-Hat Control
Pedal (Pedal Pitch Control Range)
Pitch Control is a function that lets you change the pitch of an
instrument assigned to a pad according to the amount the hi-
hat control pedal is pressed.
Releasing the pedal returns the instrument to its original pitch.
The degree to which the pitch is to change when the hi-hat
control pedal is pressed is set in semitone (half-step)
increments from -24 (down two octaves) to +24 (up two
octaves). When set to “0,” there is no change in pitch.
Pitch Control is turned on and off in the “Pitch Ctrl (Pitch
Control)” setting (KIT/CONTROL/Pitch Ctrl; p. 64).
To prevent the pedal hi-hat sound from being played
when the hi-hat pedal is pressed, set “Pedal HH Vol
(Pedal Hi-Hat Volume)” to “0” (KIT/COMMON/Pedal
HH Vol; p. 66).
To have changes in pitch occur smoothly, set
“PdlDataThin (Pedal Data Thin)” to “1” or “OFF”
(SETUP/MIDI COMMON/PdlDataThin; p. 99).
fig.01-050_50
PchCtrlRange (Pedal Pitch Control Range):
-24–+24
Parameter to set
Value
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67
Chapter 1 Creating Your Own Drum Kit (Kit Edit)
1
Naming the Drum Kit (Kit Name)
Each kit can be given a name of up to 8 characters.
Press [ ] or [ ] to move the cursor (under bar) to the
character you want to change, then press [+] or [-] to select the
character.
Holding down [SHIFT] and pressing [+] switches
through the following sequence: uppercase alphabet
lowercase alphabet
0
!
space. Holding down
[SHIFT] and pressing [-] switches through the sequence
in reverse order.
Holding down [SHIFT] and pressing [ ] deletes the
character at the cursor position and closes the resulting
space by shifting forward the characters that follow.
Holding down [SHIFT] and pressing [ ] inserts a space
at the character at the cursor position and shifts back the
characters that follow.
fig.01-051_50
KitName (Drum Kit Name): 8 characters
The following characters may be used.
fig.lettersai.e
Copying a Drum Kit (COPY)
You can copy the instrument, ambience, equalizer, and all
other settings in a drum kit.
Executing this operation deletes the content of the copy
destination, so check all content carefully before carrying out
this operation.
1.
Confirm that [CLICK] is not lit.
If this lights, press [CLICK] to extinguish it.
2.
Press [KIT], then [EDIT].
[KIT] and [EDIT] light.
3.
Press [ ] to select “COPY.”
fig.KIT-COPY_50
4.
Press [ENTER ].
5.
Press [+] or [-] to select the copy-source drum
kit.
fig.01-052ai.e
6.
Press [ ].
The copy destination drum kit selection screen appears.
7.
Press [+] or [-] to select the copy-destination
drum kit.
fig.01-053ai.e
8.
Press [ENTER ].
Press [EXIT] to cancel the operation.
fig.01-054_50
9.
Press [ENTER ] to execute the operation.
When you have finished copying the drum kit, the
Completed screen appears.
fig.01-055_50
10.
When you finish copying, press [KIT] to end the
procedure.
Src (Copy Source):
P01–P99 (Factory Setting Drum Kits),
U01–U99 (Drum Kits)
Select a drum kit marked with “ ” as the copy source (P01–
P99) to restore original factory drum kits.
Dst (Copy Destination):
U01–U99 (Drum Kits)
space
Drum Kit NameDrum Kit Number
Drum Kit NameDrum Kit Number
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68
Chapter 1 Creating Your Own Drum Kit (Kit Edit)
Restoring the Factory Settings for
the Edited Drum Kit
You can restore reconfigured drum kits to their original
factory conditions.
Drum Kit Copy Function
Follow the procedure described on p. 67 to select a drum kit
marked with “ ” (P01–P99) as the copy source.
Factory Reset Function
1.
Select the drum kit that you want to return to
factory conditions.
2.
Follow the procedure for Factory Reset (p. 78)
to select “THIS DRUM KIT.”
Switching the Order of the
Drum Kits (EXCHANGE)
You can switch (exchange) the place in order of any two drum
kits.
1.
Confirm that [CLICK] is not lit.
If this lights, press [CLICK] to extinguish it.
2.
Press [KIT], then [EDIT].
[KIT] and [EDIT] light.
3.
Press [ ] to select “EXCHANGE.”
fig.KIT-XCHG_50
4.
Press [ENTER ].
5.
Press [+] or [-] to select the (first) drum kit to be
exchanged.
fig.01-056ai.e
6.
Press [ ].
7.
Press [+] or [-] to select the (second) drum kit to
be exchanged.
fig.01-057ai.e
8.
Press [ENTER ].
Press [EXIT] to cancel the operation.
fig.01-058_50
9.
Press [ENTER ] to execute the operation.
When you have finished exchanging the drum kits, the
Completed screen appears.
fig.01-059_50
10.
When you finish exchanging, press [KIT] to end
the procedure.
Src (Exchange Source):
U01–U99 (Drum Kits)
Dst (Exchange Destination):
U01–U99 (Drum Kits)
Drum Kit NameDrum Kit Number
Drum Kit NameDrum Kit Number
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69
2
Chapter 2 Making the Pad and Trigger Settings
(SETUP/TRIG)
Parameters That Can Be Set Here
fig.02-001.e
About the Screen Display
Notation Used in the Screen
Trigger input numbers and names are indicated in pad and
trigger settings screens.
fig.SETUP-BASIC
About the Input Indicator
The input indicator is indicated in the pad and trigger settings
screens as shown in the following. A flag is raised when the
indicator reaches the maximum position ( ).
fig.P-020aai.e
Selecting the Pad Type
(Trigger Type)
To ensure that the TD-6V accurately receives signals sent from
the pads, be sure to specify the
trigger type
(the type of pads
being used).
Set each trigger input as described below.
Setting the trigger type allows the TD-6V to accurately detect
the force used to strike the pads and avoid secondary
sounding of a pad (retriggering). You can also set this up for
PD-85 and PD-120 rim shots.
After making the trigger type settings, adjust the pad
sensitivity and carry out other adjustments as needed.
When you set the Trigger Type, the following parameters are
automatically set to the most efficient values.
They should be adjusted as necessary to match the actual state of
your configuration and the environment in which it is being used.
Basic Trigger Parameter
(SETUP/TRIG BASIC; p. 71)
• Sensitivity
• Threshold
• TrigCurve
Advanced Trigger Parameter
(SETUP/TRIG ADVNCD; p. 73)
Scan TIme
Retrig Cancel
Mask Time
Rim Sens
Trigger parameters other than Trigger Type influence the
head AND the rim.
1.
While holding down [SHIFT], press [EDIT
(SETUP)].
[EDIT] lights.
2.
Press [ ] to select “TRIG BASIC.”
fig.SETUP-BASIC_50
Screen Name Screen Name
KIK KICK T3 TOM3
SNR SNARE T4 TOM4
HH HI-HAT CR1 CRASH1
T1 TOM1 CR2 CRASH2
T2 TOM2 RD RIDE
AUX AUX
SETUP
TRIGGER BASIC (Pad Sensitivity Settings) (p. 72)
Trigger Type
Crosstalk Cancel
Threshold
Trigger Curve
Rim Sensitivity
Sensitivity
TRIGGER ADVANCED (Detailed Pad Settings) (p. 74)
Scan Time
Mask Time
Retrigger Cancel
Indicator
Indicator (Maximum)Maximum Indication
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Chapter 2 Making the Pad and Trigger Settings (SETUP/TRIG)
3.
Press [ENTER ].
fig.02-002ai.e
4.
Strike the pad you wish to set.
The setting screen for the struck pad appears.
You can also make your selection by holding down [Shift]
and pressing [ ] or [ ].
This setting applies to both the head and rim.
5.
Find the trigger type for the pad you are using
from the following chart.
Use the “RT-7K,” “RT-5S,” or “RT-3T”setting when you
use acoustic drums to sound the TD-6V. For details refer
to “Using the TD-6V with Acoustic Triggers” (p. 75).
There may be no improvement of conditions when non-
Roland pads are used, even after changing the trigger
parameter settings. For fullest expression in performance,
we recommend the exclusive use of Roland pads.
6.
Press [+] or [-] to make the setting.
When rim is selected, "Rim" becomes the set value, and
no changes can be made to the setting. Select head, then
make the settings for the head. However, using AUX and
TOM4 requires selecting the rim settings for TOM2 and
TOM3.
fig.02-003ai.e
7.
When you finish making settings, press [KIT] or
[SONG] to end the procedure.
TrigTyp (Trigger Type):
PD-8, PD Type, PD-80R, PD-120, PD-125, KD-8,
KD Type, CY-8, CY Type, RT-7K, RT-5S, RT-3T,
RIM
Connecting Two Pads to Trigger Input
5/6 (TOM2/AUX) and 7/8 (TOM3/4)
1.
With a single pad connected to each of the
trigger inputs, carry out Steps 1-3 as described
above.
2.
Select a pad by striking the pad's rim.
If using Trigger Input 5/6 (TOM2/AUX), select the
TOM2 rim; to use Trigger Input 7/8 (TOM3/4), select the
TOM3 rim.
You can also make your selection by holding down [Shift]
and pressing [ ] or [ ].
3.
Press [-] to change the trigger input number
and name to "AUX:H06" or "TOM4:H08" and
enable AUX or TOM4.
Pad Trigger Type Pad Trigger Type
PD-8 PD-8 KD-7 KD Type
PD-6 PD Type KD-80
PD-7 KD-85
PD-9 KD-120
RP-2 PD-80R CY-8 CY-8
PD-80 CY-6 CY Type
PD-80R CY-12H
PD-85 CY-12R/C
PD-100 CY-14C
PD-120 PD-120 CY-15R
PD-105 PD-125 RT-7K RT-7K
PD-125 RT-5S RT-5S
KD-8 KD-8 RT-3T RT-3T
Rim Edge Rim
Value
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71
Chapter 2 Making the Pad and Trigger Settings (SETUP/TRIG)
2
4.
Disconnect the connecting cable, then connect
two pads to TRIGGER INPUT 5/6 and 7/8 using
the optional cable (PCS-31).
When connecting the pads, refer to the instructions in
“Connecting Two Pads to Trigger Inputs 5/6 (TOM2/
AUX) and 7/8 (TOM3/4)” (p. 21).
5.
Press [+] and [-] to set the trigger type for the
pads used for AUX and TOM4.
To enable the TOM2 and TOM3 rims again, set the AUX
and TOM4 trigger type to "Rim."
If you hit a rim shot BEFORE restoring the AUX and
TOM4 trigger type to "Rim" while a PD-8 or other pad is
connected, the AUX and TOM4 sounds will play instead
of the TOM2 and TOM3 rim sounds, and the dynamic
response won't be correct. Change the settings back to
"Rim."
You can assign different instruments to TOM2 and AUX,
and TOM3 and TOM4.
Setting the Pad Sensitivity
and Making Other Settings
(TRIGGER BASIC)
You can make more detailed settings for the pad type and
sensitivity.
The following parameters (Basic Trigger Parameters except
the “Xtalk Cancel”) are automatically set to the most efficient
values for each pad when you select the “TrigTyp (Trigger
Type)” (SETUP/TRIG BASIC/TrigTyp; p. 69).
Make the settings for each parameter as needed.
1.
While holding down [SHIFT], press [EDIT
(SETUP)].
[EDIT] lights.
2.
Press [ ] to select “TRIG BASIC.”
fig.SETUP-BASIC_50
3.
Press [ENTER ].
4.
Press [ ] or [ ] to select the parameter you
wish to edit.
fig.02-004ai.e
5.
Strike the pad you wish to set.
The settings screen for the struck pad appears, and the
input indicator fluctuates.
6.
Press [+] or [-] to make the setting.
fig.02-005ai.e
7.
When you finish making settings, press [KIT] or
[SONG] to end the procedure.
Adjusting the Pad Sensitivity (Sensitivity)
Adjust the sensitivity of the pad to regulate the pad response.
Higher settings result in higher sensitivity, so that the pad will
produce a loud volume even when struck softly.
Adjust the “Sensitivity” value so that the strongest strikes
cause the input indicator (p. 69) to reach nearly all the way to
the maximum level.
Parameter to set
Value
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Chapter 2 Making the Pad and Trigger Settings (SETUP/TRIG)
fig.02-006_50
Sensitivity: 1–16
Setting the Minimum Levels for the
Pads (Threshold)
This setting allows a trigger signal to be received only when
the pad is struck harder than a specified force. This can be
used to prevent a pad from sounding in response to
extraneous vibrations from another pad.In the following
example, B will sound but A and C will not sound.
fig.02-007.e
When set to a higher value, no sound is produced when the
pad is struck lightly.
Gradually raise the “Threshold” value while striking the pad.
Check this and adjust accordingly. Repeat this process until
you get the perfect setting for your playing style.
fig.02-008_50
Threshold: 0–15
Adjust How Playing Dynamics
Changes the Volume (Trigger Curve)
This setting allows to control the relation between the velocity
(striking force) and changes in volume (the dynamic curve.)
Adjust this curve until the response feels as natural as
possible.
fig.02-009_50
TrigCurve (Trigger Curve):
LINEAR, EXP1, EXP2, LOG1, LOG2, SPLINE,
LOUD1, LOUD2
LINEAR:
The standard setting. This produces the most natural correspondence
between the strength of the strike and the change in volume.
fig.02-010.e
EXP1,EXP2:
Compared to LINEAR, a strong strike will produce a greater change.
fig.02-011.e
LOG1,LOG2:
Compared to LINEAR, a soft strike will produce a greater change.
fig.02-012.e
Threshold
CBA
Volume
Striking Force
LINEAR
Volume Volume
Striking Force
EXP2EXP1
Volume Volume
Striking Force
LOG2LOG1
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73
Chapter 2 Making the Pad and Trigger Settings (SETUP/TRIG)
2
SPLINE:
Extreme changes are made in response to the force used to
strike the pad.
fig.02-013.e
LOUD1, LOUD2:
Changes made in response to the striking force are minor,
maintaining a volume level at which it is easy to play. When
using drum triggers, these settings help maintain stable levels.
fig.02-014.e (LOUD)
Eliminate Crosstalk Between Pads
(Crosstalk Cancel)
When two pads are mounted on the same stand, the vibration
produced by hitting one pad may trigger the sound from
another pad unintentionally (This is called
crosstalk
.) You
can avoid this problem by adjusting Crosstalk Cancel on the
pad that is sounding inadvertently.
If the value is set too high, then when two pads are played
simultaneously, the one that is struck less forcefully will not
sound. So be careful and set this parameter to the minimum
value required to prevent such crosstalk. With a setting of
“OFF,” crosstalk prevention does not function.
In some cases, you can prevent crosstalk between two pads
you have connected by increasing the distance between the
pads.
Example:
When hitting a snare pad, the hi-hat cymbal also
sounds
Set the “Xtalk Cancel (Crosstalk Cancel) for the pad being
used for the hi-hat while striking the snare pad. Striking the
snare pad, raise the “CROSSTALK” setting for the hi-hat
cymbal pad from “OFF” through “20,” “25.”.. until crosstalk
no longer occurs. As this value is raised, the hi-hat cymbal pad
will be less prone to receive crosstalk from other pads.
The pad’s settings screen is not switched when “Note Chase” is
set to “OFF” (SETUP/MIDI COMMON/Note Chase; p. 57, p. 97).
fig.02-025_50
Xtalk Cancel (Crosstalk Cancel):
OFF, 20, 25, 30, 35, 40, 45, 50, 55, 60, 65,
70, 75, 80
Fine-Tuning the Trigger
Parameter Settings
(TRIGGER ADVANCED)
The following parameters (Advanced Trigger Parameters) are
automatically set to the most efficient values for each pad
when you select the TRIGGER TYPE (SETUP/TRIG BASIC/
TrigTyp; p. 69), and don’t require adjustment, except if you
experience any of the problems that are discussed below.
1.
While holding down [SHIFT], press [EDIT (SETUP)].
[EDIT] lights.
2.
Press [ ] to select “TRIG ADVNCD.”
fig.SETUP-ADVNCD_50 (SETUP-ADVNCD)
3.
Press [ENTER ].
4.
Press [ ] or [ ] to select the parameter you
wish to edit.
fig.02-017ai.e
5.
Strike the pad you wish to set.
The settings screen for the struck pad appears, and the
input indicator fluctuates.
6.
Press [+] or [-] to make the setting.
fig.02-018ai.e
7.
When you finish making settings, press [KIT] or
[SONG] to end the procedure.
Volume
Striking Force
SPLINE
Volume Volume
Striking Force
LOUD2LOUD1
Parameter to set
Value
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74
Chapter 2 Making the Pad and Trigger Settings (SETUP/TRIG)
Adjusting the Trigger Signal
Detection Time (Scan Time)
Since the rise time of the trigger signal waveform may differ
slightly depending on the characteristics of each pad or
acoustic drum trigger (drum pickup), you may notice that
identical hits (velocity) may produce sound at different
volumes. If this occurs, you can adjust the “SCAN TIME” so
that your velocity of playing can be detected more precisely.
As the value is set higher, the time it takes for the sound to be
played increases.
fig.02-019.e
Making the settings
While repeatedly hitting the pad at a constant force, gradually
raise the Scan Time value from 0 msec, until the resulting
volume stabilizes at the loudest level. At this setting, try both
soft and loud strikes, and make sure that the volume changes
appropriately.
fig.02-020_50
Scan Time: 0–4.0 (ms) (0.1ms steps)
Detecting Trigger Signal Attenuation
and Cancelling Incorrect Triggering
(Retrigger Cancel)
Playing snare drum pads and other devices with
commercially available acoustic drum triggers attached may
result in altered waveforms, which may also cause inadvertent
sounding at Point A in the following figure.
fig.02-021.e
This occurs in particular at the decaying edge of the
waveform. Retrigger Cancel detects such distortion in and
prevents retriggering from occurring.
Although setting this to a high value prevents retriggering, it
then becomes easy for sounds to be omitted when the drums
played fast (roll etc.). Set this to the lowest value possible
while still ensuring that there is no retriggering.
You can also eliminate this problem of retriggering with the
Mask Time setting. Mask Time does not detect trigger signals
if they occur within the specified amount of time after the
previous trigger signal was received. Retrigger Cancel detects
the attenuation of the trigger signal level, and triggers the
sound after internally determining which trigger signals were
actually generated when the head was struck, while weeding
out the other false trigger signals that need not trigger a
sound.
Making the settings
While repeatedly striking the pad, raise the “Retrig Cancel”
value until retriggering no longer occurs.
fig.02-022_50
Retrig Cancel (Retrigger Cancel): 1–16
Double Triggering Prevention
(Mask Time)
On a kick pad, for example, if the beater bounces back and
strikes the pad a second time immediately after the intended
stroke—or, like with acoustic drums if you leave the bass
drum beater against the head—it can cause a single strike to
“double trigger” (two sounds instead of the intended one).
The Mask Time setting helps to prevent such problems. Once
a pad has been hit, any additional trigger signals occurring
within the specified “MASKTIME” (0–64 msec) will be
ignored.
When set to a high value, it then becomes easy for sounds to
be omitted when the kick is struck repeatedly in rapid
succession. Set this to as low a value as you can.
fig.02-023.e
If two or more sounds are being produced when you strike the
head just once, then adjust Retrigger Cancel.
Time
Scan Time
Time
A
Time
Mask Time
Sound not produced
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75
Chapter 2 Making the Pad and Trigger Settings (SETUP/TRIG)
2
Making the settings
While stepping on the pad being used for the kick, raise the
“Mask Time” value until there is no more bouncing (sounds
made by the rebounding of the beater).
fig.02-024_50
Mask Time: 0–64ms (4ms steps)
Setting Rim Sensitivity on the PD-
80R, PD-85, PD-105, PD-120, and
PD-125 (Rim Sens)
When a PD-80R, PD-85, PD-105, PD-120 or PD-125 is used
for TRIGGER INPUT 2 (SNARE)
, you can then adjust the Rim
Sensitivity.
Setting this to a higher value makes it easier to get rim sounds.
When set to “OFF,” playing a rim shot produces the head
instrument’s sound. Increasing the value excessively may
cause the rim instrument to sound as well when the head is
struck.
This can be adjusted only when the Trigger Input 2
“Trigger Type (Trig Type)” is set to either “PD-80R,”
“PD-120,” or “PD-125” (SETUP/TRIG BASIC/Trig Type;
p. 69).
When the trigger type is set to something other than “PD-
80R,” “PD-120,” or “PD-125,” or when a trigger input
other than Trigger Input 2 is selected, a horizontal line
( ) appears, and you cannot make the setting.
fig.02-015_50
You cannot adjust the rim sensitivity of the PD-7, PD-8,
and PD-9. Both rim and head use the same values.
fig.02-016_50
Rim Sens (Rim Sensitivity): OFF, 1–15
Using the TD-6V with Acoustic
Triggers
First, attach an RT-series drum trigger (or commercially
available acoustic drum trigger) to the acoustic drums. When
finished, proceed with the following settings.
1.
Set the trigger type to “RT-3T,” “RT-5S,” or “RT-
7K.”
(SETUP/TRIG BASIC/Trig Type; p. 69)
2.
Set “Threshold” to “0” as a reference value.
(SETUP/TRIG BASIC/Threshold; p. 72)
3.
Set “TrigCurve (Trigger Curve)” to “LINEAR” as
a reference value.
(SETUP/TRIG BASIC/TrigCurve; p. 72)
4.
Set the “Sensitivity.”
(SETUP/TRIG BASIC/Sensitivity; p. 71)
5.
Set the “Scan Time.”
(SETUP/TRIG ADVNCD/Scan Time; p. 74)
Strike the head several times with the same force, and
adjust this parameter if the volume is uneven.
6.
Set the “Retrig Cancel (Retrigger Cancel).”
(SETUP/TRIG ADVNCD/Retrig Cancel; p. 74)
This prevents multiple notes from sounding when a
drum is struck once (mainly for a snare drum or toms).
7.
Set the “Mask Time.”
(SETUP/TRIG ADVNCD/Mask Time; p. 74)
On a kick drum, this prevents two sounds instead of the
intended “one.”
8.
Set the “Xtalk Cancel (Crosstalk Cancel).”
(SETUP/TRIG BASIC/Xtalk Cancel; p. 73)
This prevents other instruments with drum triggers from
sounding when a drum to which a drum trigger has been
attached is struck. If a higher value is set, and if two pads
are played simultaneously, the one that is struck less
forcefully will not sound. Set this to as low a value as you
can.
9.
Set the “Threshold.”
(SETUP/TRIG BASIC/Threshold; p. 72)
If notes are unintentionally sounded even after you have
adjusted the “CROSSTALK” setting, adjust the
“THRESHOLD.” Setting this to a higher value may
prevent sounds from being produced when the pad is
struck lightly. Set this to as low a value as you can.
10.
Set the “TrigCurve (Trigger Curve).”
(SETUP/TRIG BASIC/TrigCurve; p. 72)
If changes in playing dynamics do not produce a natural
change in the volume of the TD-6V instrument, adjust
this parameter.
TD-6KV_e.book 75 ページ 2005年1月24日 月曜日 午後7時4分
76
Chapter 3 Global Settings for the TD-6V
(SETUP/UTILITY, Factory Reset)
Parameters That Can Be Set Here
fig.03-001.e
Making the Global Settings
(UTILITY)
Overall settings that apply to the entire TD-6V.
1.
While holding down [SHIFT], press [EDIT
(SETUP)].
[EDIT] lights.
fig.SETUP-GENERAL_50
2.
Press [ENTER ].
3.
Press [ ] or [ ] to select the parameter you
wish to edit.
fig.03-002ai.e
4.
Press [+] or [-] to make the setting.
fig.03-003ai.e
5.
When you finish making settings, press [KIT] or
[SONG] to end the procedure.
Display Contrast Adjustment
(LCD Contrast)
The display contrast is strongly influenced by the location of
the TD-6V and the lighting of the room it’s in. Adjust this
parameter when needed. A larger value results in a brighter
screen.
fig.03-004_50
LCD Contrast: 1–16
Percussion Part Volume Control
(Percussion Part Level)
This adjusts the volume of the percussion part.
Raising the value will increase the volume. With a setting of
“0,” no sound is produced.
This setting cannot be made in GM mode (p. 99).
This volume setting is applied to all songs. Even when
songs are switched, the setting does not change.
The volume level of the drum kit part is adjusted in the
“MasterVolume (Master Volume)” (KIT/COMMON/
MasterVolume; p. 66).
fig.03-004a_50
PercPrtLevel (Percussion Part Level): 0–127
UTILITY (Overall Settings) (p. 77)
LCD Contrast
Percussion Part Level
Mute
Master Tune
Preview Velocity
Available Memory
Backing Level
SETUP
Factory Reset (Restoring the Factory Settings) (p. 79)
Parameter to set
Value
TD-6KV_e.book 76 ページ 2005年1月24日 月曜日 午後7時4分
77
Chapter 3 Global Settings for the TD-6V (SETUP/UTILITY, Factory Reset)
3
Backing Instruments Volume
Control (Backing Level)
This adjusts the volume of the backing part (Parts 1–4).
Raising the value will increase the volume. With a setting of
“0,” no sound is produced.
This setting cannot be made in GM mode (p. 99).
This volume setting is applied to all songs. Even when
songs are switched, the setting does not change.
The volume level of the drum kit part is adjusted in the
“MasterVolume (Master Volume)” (KIT/COMMON/
MasterVolume; p. 66).
Adjust the volume level of each part to correct the
volume balance among the parts (SONG/PART/Level; p.
88).
Hold down [SHIFT] and press [SONG] to jump to this
screen.
fig.03-005_50
BackingLevel (Backing Level): 0–127
Muting Parts of a Song (Mute)
Select the part that is to be muted when [PART MUTE] is
pressed. [PART MUTE] lights while the muting is in effect.
This setting cannot be made in GM mode (p. 99).
Hold down [SHIFT] and press [PART MUTE] to jump to this
screen.
This setting remains in effect even when songs are
switched and when the TD-6V is played using data from
an external MIDI device.
All percussion instruments in the Preset songs (except for
Preset song #1 “DRUMS”) are recorded to the percussion
parts.
Note numbers for muted drum instruments are
predetermined and cannot be changed. For more on
muting note numbers, refer to the “Preset Percussion Set
List” (p. 124).
Performances using the TD-6V and pads are recorded as
a drum kit part.
fig.03-006_50
Mute:
SongDrum, SongDrm/Prc, UserDrmPart, Part1,
Part2, Part3, Part4, Part1-4
SongDrum:
Mutes only the drum instruments in the percussion part (the
percussion instruments still sound). This is convenient when
performing with Preset songs.
SongDrm/Prc:
All percussion part instruments are muted.
UserDrmPart:
Mutes the performance recorded to the drum kit part. This is
convenient when you want to perform along with songs you
have recorded yourself.
Part1, Part2, Part3, Part4:
The individual parts are muted.
Part1-4:
All Parts 1–4 are muted.
Tuning the TD-6V (Master Tune)
This tunes Parts 1–4 as a whole.
The reference pitch is 440.0 Hz.
Tuning of the drum kit part and percussion part instruments
is not affected by this setting.
fig.03-007_50 (SETUP-GENERAL-MasterTune)
MasterTune (Master Tune):
415.3–466.2 (Hz) (0.1 Hz steps)
TD-6KV_e.book 77 ページ 2005年1月24日 月曜日 午後7時4分
78
Chapter 3 Global Settings for the TD-6V (SETUP/UTILITY, Factory Reset)
Preview Volume Control
(Preview Velocity)
This sets the velocity used when an instrument is previewed.
Raising the value will increase the volume. With a setting of
“0,” no sound is produced.
fig.03-008_50
Preview Velocity: 0–127
Checking the Remaining Amount of
Memory (Available Memory)
You can check the amount of available memory.
fig.03-009_50
AvailMemory (Available Memory): 0–100%
Restoring the Factory Settings
(Factory Reset)
This restores the pad and instrument settings, song data, and
other information stored in the TD-6V to the original factory
settings.
All data and settings stored in the TD-6V are lost in carrying
out this operation. Use the “Bulk Dump” operation to save
crucial data and settings to an external MIDI device (SETUP/
BULK DUMP/Bulk Dump; p. 103).
When [SHIFT] and [EDIT (SETUP)] are held down when the
power is turned on, the display jumps to the Factory Reset
screen. When carrying out Factory Reset, read from step
4
.
1.
While holding down [SHIFT], press [EDIT
(SETUP)].
[EDIT (SETUP)] lights.
2.
Press [ ] to select “FactoryReset”
fig.P-005_50
3.
Press [ENTER ].
The Factory Reset screen appears.
4.
Press [+] or [-] to select the parameter you want
to restore to factory settings.
fig.P-006_50
5.
Press [ENTER ].
Press [EXIT] to cancel the operation.
The confirmation screen appears.
fig.P-007_50
6.
If you’re ready to proceed, press [ENTER ],
and the Factory Reset operation will be
executed.
7.
When the Factory Reset is finished, the
Completed screen appears.
fig.P-008_50
Reset (Factory Reset):
ALL, THIS DRUM KIT, ALL DRUM KITS,
ALL SONGS
ALL:
All internal settings will be restored to the factory settings.
THIS DRUM KIT:
Only the settings for the currently selected drum kit are
restored to the factory settings.
ALL DRUM KITS:
The settings for all of the TD-6V’s internal drum kits are
restored to the
factory settings.
ALL SONGS:
All of the TD-6V’s internal song data is restored to the factory
settings.
Value
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79
4
Chapter 4 Setting the Metronome
(Click Edit)
Parameters That Can Be Set Here
fig.04-001.e
Switching the Click On/Off (Click)
You can switch the click sound on and off by pressing [CLICK].
[CLICK] lights while the click sound is set to be played.
fig.04-002.e
Click cannot be used in GM mode (p. 99).
Tempo Adjustment (Tempo)
For each song selected, the tempo of the click changes to the
tempo specified for that song.
1.
Press [CLICK].
[CLICK] lights, and the click sound begins to play.
2.
While holding down [SHIFT], press [CLICK
(TEMPO)].
The “TEMPO” screen appears.
fig.04-003_50
3.
Press [+] or [-] to select the tempo.
4.
When you finish making settings, press [EXIT]
to end the procedure.
The “TEMPO” screen disappears.
fig.04-004_50
TEMPO: 20–260
Setting the Way the Click
Sounds
Settings that determine how the click sounds, volume, time
signature etc.
1.
Confirm that [EDIT] is not lit.
If this lights, press [KIT] or [SONG] to extinguish it.
2.
Press [CLICK].
[CLICK] lights, and the click sound begins to play.
3.
Press [EDIT].
4.
Press [ ] or [ ] to select the parameter you
wish to edit.
fig.04-005ai.e
5.
Press [+] or [-] to make the setting.
fig.04-006ai.e
6.
When you finish making settings, press [KIT] or
[SONG] to end the procedure.
Volume Adjustment (Click Level)
Adjusts the volume of the click sound. Raising the value will
increase the volume. With a setting of “0,” no sound is
produced.
fig.04-007_50
Click Level: 0–127
CLICK (Click Settings) (p. 80)
Click Level
Interval
Inst
Pan
Play Count In
Rec Count In
Time Signature
Click is played Click is not played
Lit Unlit
Parameter to set
Value
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80
Chapter 4 Setting the Metronome (Click Edit)
Setting the Time Signature
(Time Signature)
Specify the time signature of the click sound.When the
numerator is set to “0,” no accent is added to the first beat. The
metronome click sound then plays at a fixed volume.
It is not possible to change the time signature of the metronome
clicks while a song is playing back. The metronome clicks
corresponds to the time signature of the song.
fig.04-008_50 (CLICK-Time Signature)
Time Sig (Time Signature):
0–13/2, 0–13/4, 0–13/8, 0–13/16
Setting the Interval (Interval)
Setting How the Sound Plays (Interval).
fig.04-009_50
Interval:
1/2 (half note), 3/8 (dotted quarter note),
1/4 (quarter note), 1/8 (eighth note),
1/12 (12th note), 1/16 (16th note)
Selecting the Click Sound (Inst)
You can choose the sound for the metronome click. When the
parameter is set to “VOICE,” the click is sound becomes a
human voice.
fig.04-010_50
Inst:
VOICE, CLICK, BEEP, METRONOME, CLAVES,
WOOD BLOCK, STICKS, CROSS STICK,
TRIANGLE, COWBELL, CONGA, TALKING DRM,
MARACAS, CABASA, CUICA, AGOGO,
TAMBOURINE, SNAPS, 909 SNARE, 808
COWBELL
Stereo Position (Pan)
You can localize the metronome click within the stereo sound
field.
The effect set here is applied only when connected in stereo.
fig.04-011_50
Pan: L15–Center–R15
L15:
Sound is positioned at the extreme left.
CENTER:
Positions the sound in the center.
R15:
Sound is positioned at the extreme right.
Inserting a Count Before Playback
or Recording (Play Count In, Rec
Count In)
You can have a count sound (click) inserted before recording
or playback of a song begins.
fig.04-012_50
PlyCountIn (Play Count In):
OFF, 1MEAS, 2MEAS
fig.04-013_50
RecCountIn (Rec Count In):
OFF, 1MEAS, 2MEAS
OFF:
Playback/recording will begin without a count-in.
1MEAS:
Playback/recording begins after a 1-measure count-in.
2MEAS:
Playback/recording begins after a 2-measure count-in.
TD-6KV_e.book 80 ページ 2005年1月24日 月曜日 午後7時4分
81
5
Chapter 5 Editing Songs
(SONG Edit)
Parameters That Can Be Set Here
fig.05-001a.e
About Songs and the Song
Screen
About Songs
The TD-6V’s sequencer organizes music into six parts. The
Drum Kit part is used to record/play back what is played on
the pads. Additionally, Part 1, Part 2, Part 3, and Part 4 are the
four backing instrument parts (backing parts), and there is
another Percussion part.
The collective performance of these six parts is called a
song
.
Sequencer cannot be used in GM mode (p. 99).
Preset (Internal) Songs (Songs 1–170)
What the various parts should play has already been
recorded. The performances in Preset patterns cannot be
changed, deleted, or recorded. These songs come in handy for
backing during drum practice, or for live performances.
Drum performances in the Preset songs (except song #1
“DRUMS”) are recorded to the percussion part.
Using Preset Songs
You cannot save any changes you make to the settings in
preset songs. While you can make temporary changes to these
settings, they revert to the settings already selected for that
preset song when another song is selected.
Furthermore, preset songs cannot be edited or recorded.
The following appears in the display when you attempt to
change the settings. Press [EXIT] to dismiss the message.
The following is displayed when the [REC ] is pressed
with a Preset song selected and select a new user song
automatically.
If you want to change, edit, or record any preset song settings,
copy them to a user song (p. 89). When user song settings are
altered, the changes are saved automatically.
User Songs (Songs 171–270)
These are songs that can be recorded and edited. You can
record performances exactly as they are played using the pads
or an external MIDI keyboard (Realtime Recording; p. 92).
Changes in User song settings are saved automatically.
SONG
COMMON (Overall Settings) (p. 86)
Tempo
Play Type
Song Lock
Song Name
Quick Play
Reset Time
Tap Exclusive Switch
PART (Pad Settings) (p. 88)
Percussion Set/Inst
Pan
Ambience Send Level
Bend Range
Level
COPY (Copying Songs) (p. 90)
DELETE (Deleting Songs) (p. 91)
ERASE (Erasing Songs) (p. 92)
About Preset Song Copyright
The sounds, phrases and songs contained in this product are
sound recordings protected by copyright. Roland hereby grants to
purchasers of this product the permission to utilize the sound
recordings contained in this product for the creation and
recording of original musical works; provided however, the
sound recordings contained in this product may not be sampled,
downloaded or otherwise re-recorded, in whole or in part, for any
other purpose, including but not limited to the transmission of all
or any part of the sound recordings via the internet or other
digital or analog means of transmission, and/or the manufacture,
for sale or otherwise, of any collection of sampled sounds, phrases
or patterns, on CD-ROM or equivalent means.
The sound recordings contained in this product are the original
works of Roland Corporation. Roland is not responsible for the
use of the sound recordings contained in this product, and
assumes no liability for any infringement of any copyright of any
third party arising out of use of the sounds, phrases and patterns
in this product.
TD-6KV_e.book 81 ページ 2005年1月24日 月曜日 午後7時4分
82
Chapter 5 Editing Songs (SONG Edit)
fig.05-001.e
Only the performance data is recorded to the drum kit part.
When the song is played back, the settings of instruments and
effects etc. of the current selected drum kit are used.
About the Song Screen
The screen that appears when [SONG] is pressed is called the
Song screen.
fig.05-002ai.e
1
Song Category
Shows the category of the currently selected song.
2
Song Number
Shows the number of the currently selected song.
3
Song Name
Shows the name of the currently selected song.
4
Beat
5
Playback Method Setting (p. 85)
This indicates the song playback type.
6
Measure Number
The current measure number is indicated. Pressing
[PLAY ] starts playback from the beginning of the measure
indicated here.
7
Beat
The current beat is indicated.
fig.05-003ai.e
8
Song Lock Setting
” appears with User songs that have Song Lock (p. 86) set
to “ON.”
9
New User Song
” indicates a new User song.
Song #1
Song #250
Overall Settings
Tempo, Play Type, Song Lock, Song Name
Part Settings
Drum Kit Part (p. 56)
Percussion Part
Backing Part
Part1
Part2
Part3
Part4
Performance Data
Drum Kit Part
Percussion Part
Part1
Part2
Part3
Part4
Pad
External
MIDI Device
Part Settings
Inst, Level, Pan*,
Ambience Send Level, Bend Range*
*: This setting cannot be made
for percussion part
45
21 3 6 7
8
9
TD-6KV_e.book 82 ページ 2005年1月24日 月曜日 午後7時4分
83
Chapter 5 Editing Songs (SONG Edit)
5
Choosing a Song
Part settings are switched when a song is selected.
To see which songs can be selected here, refer to “Preset Song
List” (p. 128).
Choosing from a Category
(Song Category)
Select songs by searching the category names.
1.
Press [SONG].
[SONG] lights, and the SONG screen appears.
fig.05-005_50
2.
Hold down [SHIFT] and press [+] or [-] to select
the song category.
SONG CATEGORY:
DRUMS, ROCK, METAL, BALLAD, R&B, BLUES,
POPS, R&R, COUNTRY, JAZZ, FUSION, DANCE,
REGGAE, LATIN, BRAZIL, BASICPTN, LOOP,
1SHOT, TAP, USER
Choosing a Song (Song)
1.
Press [SONG].
[SONG] lights, and the SONG screen appears.
fig.05-004_50
2.
Press [+] or [-] to select the song.
SONG: 001–270
Playing Back a Song
1.
Select the song that you wish to play back
(foregoing paragraph).
2.
Press [PLAY ].
[PLAY ] lights, and playback of the song begins.
3.
To stop playback of the song, press [STOP ].
The [PLAY ] light goes out, and the song returns to
the beginning of the measure that was being played back.
When playback of a song is stopped, you can do the following.
Pressing [STOP ], returns you to the beginning of the
song.
Pressing [ ], advances you to the next measure.
Pressing [ ], returns you to the previous measure.
To temporarily change the tempo of the song, hold down
[SHIFT] and press [CLICK] (p. 85).
To insert a count before playback of the song, set
“PlyCountIn (Play Count In)” (CLICK/PlyCountIn; p. 80).
Convenient Function for Playback
During playback of a song, you can have the buttons
corresponding to the drums being played in the percussion
part light up.
You can also have the buttons light even when Part Mute (p.
84) is in use, making this convenient for practicing with the
Preset songs.
Drum Instrument Button Lit Note Number
Kick [PART MUTE] 35, 36
Snare [PLAY ] 37, 38, 39, 40
Low Tom [KIT] 41, 43
Hi-Hat [REC] 42, 44, 46
Mid Tom [SONG] 45, 47
Hi Tom [CLICK] 48, 50
Cymbal [EDIT] 49, 51, 52, 53, 55, 57, 59
Kick Cymbals
Snare
Hi-Hat
High Tom Low Tom
Mid Tom
TD-6KV_e.book 83 ページ 2005年1月24日 月曜日 午後7時4分
84
Chapter 5 Editing Songs (SONG Edit)
Even when “9 Perc Only” or “10 Special” is selected for the
percussion set, the buttons still light up according to the note
numbers.
The correspondence between the lighted buttons and
note numbers is predetermined and cannot be changed.
This function cannot be used with songs in which drum
performances are recorded to the drum kit part.
1.
Select the song to be played back (p. 83).
2.
Hold down [SHIFT] and press [PLAY ].
Playback of the song begins, and the buttons
corresponding to the performance of the percussion part
drums light up.
3.
To stop the playback, press [STOP ].
Adjusting the Song Volume
You can adjust the volume of the song in the backing parts
(Parts 1–4) and the percussion part.
Raising the value will increase the volume. With a setting of
“0,” no sound is produced.
This volume setting is applied to all songs.
Although drum performances in the Preset songs are
recorded to the “percussion part,” when you create your
own songs, what you play on the pads is recorded to the
“drum kit part.” The volume level of the drum kit part is
adjusted in the “MasterVolume” (Master Volume) (KIT/
COMMON/MasterVolume; p. 66).
Adjust the volume level of each part to correct the
volume balance among the parts (SONG/PART/Level; p.
88).
1.
While holding down [SHIFT], press [SONG].
The screen for setting the volume of the backing parts
appears.
fig.05-006_50
2.
Press [+] or [-] to make the setting.
3.
Press [ ].
The screen for setting the volume of the percussion part
appears.
fig.05-007_50
4.
Press [+] or [-] to make the setting.
5.
When you finish making settings, press [SONG]
to end the procedure.
fig.05-008_50
BackingLevel (Backing Level): 0–127
fig.05-009_50
PercPrtLevel (Percussion Part Level): 0–127
Muting a Selected Part
(Part Mute)
Each time [PART MUTE] is pressed the mute is alternately
turned on or off. [PART MUTE] lights when the mute is on.
At the factory settings, only percussion part drum tones are
muted.
fig.05-010.e
The part to be muted here is selected in “Mute” (SETUP/
UTILITY/Mute; p. 77). Hold down [SHIFT] and press [PART
MUTE] to jump to the settings screen.
Settings for muted parts are applied to all songs.
Muted Not muted
Lit Unlit
TD-6KV_e.book 84 ページ 2005年1月24日 月曜日 午後7時4分
85
Chapter 5 Editing Songs (SONG Edit)
5
Overall Song Settings (COMMON)
Make the settings for each song.
If you want to save any changes made to Preset song
settings, first copy the song to a User Song before making
the changes (SONG/COPY; p. 89). Changes made to a
Preset song are only temporary, so when you select a
different song, the song reverts to its predetermined part
settings. Changes made to Preset songs cannot be saved.
Settings of parts which have the Song Lock (SONG/
COMMON/Song Lock; p. 86) set to “ON” cannot be
changed. Make the settings after setting this to “OFF.”
1.
Confirm that [CLICK] is not lit.
If this lights, press [CLICK] to extinguish it.
2.
Press [SONG], then [EDIT].
[SONG] and [EDIT] light.
fig.SONG-CMN_50
3.
Press [ENTER ].
4.
Press [ ] or [ ] to select the parameter you
wish to edit.
fig.05-011ai.e
5.
Press [+] or [-] to make the setting.
fig.05-012ai.e
6.
When you finish making settings, press [SONG]
to end the procedure.
Setting the Tempo (Tempo)
You can set the tempo for each song individually. When a song is
selected, the tempo you specify here will be set automatically.
Changes made to a Preset song are temporary, and when you select
a different song, the song reverts to its predetermined settings.
fig.05-013_50
Tempo: 20–260
Selecting How the Song Plays Back
(LOOP, 1SHOT, TAP) (Play Type)
This specifies how songs will be played back. When
[PLAY ] is pressed or when the pad specified with the Pad
Pattern function (p. 63) is struck, then the song is played back
using the type specified here.
User songs recorded with “Quantize” (p. 94) set to “OFF”
may not play back correctly with Tap Playback.
New songs cannot be set to “Tap.” Change this after first
recording something to the song.
fig.05-015_50
PLAY TYPE: LOOP, 1SHOT, TAP
LOOP ( ):
After the pattern is played back all the way to the end,
playback then repeats, starting at the beginning of the song.
Playback continues until [STOP ] is pressed.
1SHOT (ONE SHOT) ( ):
Playback stops once the end of the song is reached.
When set to Pad Pattern Function (p. 63), each time the pad is
struck returns you to the beginning of the song and starts
playback.
TAP ( ):
The sounds in the song are played back one by one in
sequence each time [PLAY ] is pressed.
When set to Pad Pattern Function (p. 63), the sounds are
played back in sequence each time the pad is struck.
Parameter to set
Value
Temporarily Changing the Tempo
of a Song During Playback
You can temporarily change the tempo of a song while it
is being played back.
When another song is selected, the song reverts to the
tempo (SONG/COMMON/Tempo) preset for that song.
This is convenient for practicing or other times when you
want to temporarily change to tempo for playback.
1. While holding down [SHIFT], press [CLICK].
The Tempo screen appears.
fig.05-014_50
2. Press [+] or [-] to make the setting.
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Chapter 5 Editing Songs (SONG Edit)
Playing Back the Song from the
First Note/Event (Quick Play)
This is an auxiliary function available when “LOOP” or
“1SHOT” is specified as the Play Type for the song (SONG/
COMMON/Play Type; previous section).
Quick Play starts playback of the pattern from the first note
(first event) even if when you recorded the pattern, you left a
pause at the beginning. For example if you had just played/
recorded freely, ignoring the tempo clock.
When “Quick Play” is set to “ON,” stopping playback of the
song returns you to the beginning of the song.
The blank portion is played when you return to the beginning
of the song while in Loop Playback.
fig.05-016_50
Quick Play: OFF, ON
Reset Time When Using Tap
Playback (Reset Time)
This is an auxiliary function available when “TAP” is specified as
the Play Type for the song (SONG/COMMON/Play Type; p. 85).
This feature automatically returns you to the beginning of the
song if during Tap Playback the song is not played back within a
specified interval. This value sets the time from when the song
was last played back; if the set time elapses, then returns to the
beginning before it is next played back.
When performing with the Pad Pattern function, if you start
playback by striking a pad and then do not strike the pad again
within the specified interval, the song is returned to the beginning.
If it is set to “OFF,” this function will be disabled.
fig.05-017_50
Reset Time: OFF, 0.1–8.0s (0.1 sec steps)
Preventing Layering of Sounds in Tap
Playback (Tap Exclusive Switch)
This is an auxiliary function available when “TAP” is specified as
the Play Type for the song (SONG/COMMON/Play Type; p. 85).
In Tap playback, if one sound is set to play before the previous
sound has finished playing, this setting allows you to either
have the previous sound stop and the subsequent sound start
playing (ON) or have the two sounds layered (OFF).
fig.05-018_50
Tap Exc SW (Tap Exclusive Switch): OFF, ON
OFF:
The previous sound continues to play to the end, while the
subsequent sound is superimposed on it.
ON:
The previous sound stops while in progress, and the
subsequent sound starts playing.
Protecting User Song Settings
(Song Lock)
To prevent accidental erasure or editing, you can lock User songs.
If you attempt to change the settings of a song for which this
set to “ON,” a warning screen appears, and you cannot
change the settings.
However, you cannot select this during recording of a song or
when a new User song is selected by pressing [SHIFT] +
[STOP ]. Since you can also lock unused User Songs, then in
situations such as when using the TD-6V as a sound module, it’s
a good idea to lock songs when you want to save their settings.
[ ] appears in the Song screen when a User Song is locked.
fig.05-018aai
The settings screen does not appear when a Preset song is
selected.
fig.05-019_50
Song Lock: OFF, ON
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87
Chapter 5 Editing Songs (SONG Edit)
5
Naming a Song (Song Name)
You can use up to eight characters when naming a User song.
Press [ ] or [ ] to move the cursor (under bar) to the
character you want to change, then press [+] or [-] to select the
character.
The settings screen does not appear when a Preset song is
selected.
Holding down [SHIFT] and pressing [+] switches
through the following sequence: uppercase alphabet
lowercase alphabet
0
!
space. Holding down
[SHIFT] and pressing [-] switches through the sequence
in reverse order.
Holding down [SHIFT] and pressing [ ] deletes the
character at the cursor position and closes the resulting
space by shifting forward the characters that follow.
Holding down [SHIFT] and pressing [ ] inserts a space
the character at the cursor position and shifts back the
characters that follow.
fig.05-020_50
SngName (Song Name): 8 characters
The following characters may be used.
fig.lettersai.e
Part Settings (PART)
Set the backing parts (Parts 1–4) and percussion part in each
song.
Changes made to a Preset song are only temporary, and
when you select a different song, the song reverts to its
predetermined part settings. If you want to save any
changes made to Preset song settings, first copy the song
to a User Song before making the changes (SONG/
COPY; p. 89).
Settings of parts which have the Song Lock (SONG/
COMMON/Song Lock; p. 86) set to “ON” cannot be
changed. Make the settings after setting this to “OFF.”
For the drum kit part settings, refer to Chapter 1.
1.
Confirm that [CLICK] is not lit.
If this lights, press [CLICK] to extinguish it.
2.
Press [SONG], then [EDIT].
[SONG] and [EDIT] light.
3.
Press [ ] or [ ] to select the part to be set.
fig.05-021ai.e
4.
Press [ENTER ].
5.
Press [ ] or [ ] to select the parameter you
wish to edit.
fig.05-022ai.e
6.
Press [+] or [-] to make the setting.
fig.05-023ai.e
7.
When you finish making settings, press [SONG]
to end the procedure.
space
Part to set
Parameter to set
Value
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Chapter 5 Editing Songs (SONG Edit)
Choosing Percussion Set and
Instruments (Percussion Set, Inst)
Select a percussion set for the percussion part and instruments
for Parts 1–4.
Percussion Part
The TD-6V features ten Preset percussion sets that are ready to
use.
You cannot change the content of the Preset percussion sets.
To see which percussion sets can be selected here, refer to the
“Preset Percussion Set List” (p. 124).
Percussion Set:
A collection of a number of percussion instruments. A
different percussion instrument is assigned to each note
number, so multiple instruments can be used at one time.
fig.05-025ai.e
Set (Percussion Set): 1–10
Parts 1–4
You can select all internal tones in sequence, including
variation tones.
You can switch instrument groups for the backing instruments
by holding down [SHIFT] and pressing [+] or [-].
To see which backing instruments and instrument groups can
be selected here, refer to the “Backing Instrument List” (p.
126).
Instrument numbers correspond to the program numbers (1–
128).
Variation Tone:
This is a type of tone that varies slightly from that of the
instrument number. The number of variation tones varies
with the instrument number.
fig.05-024ai.e
Backing Inst: 1–128
Adjusting the Part Volume (Level)
Specifies the volume at each point. Raising the value will
increase the volume. With a setting of “0,” no sound is
produced.
Adjust here to balance the volume levels of the different parts.
fig.05-026_50
LEVEL: 0–127
Percussion Set Number
Percussion Set Name
Display When a Variation
Tone is Used
Instrument Number
Instrument Name
Capital sounds
Variation sounds
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Chapter 5 Editing Songs (SONG Edit)
5
Adjusting the Stereo Position (Pan)
Adjusts the pan (the perceived location of the sound between
the left and right speakers).
The effect set here applies only when connected in stereo.
Percussion parts do not feature the Pan setting.
fig.05-027_50
Pan: L15–Center–R15
L15:
Sound is positioned at the extreme left.
CENTER:
Sound is positioned in the center.
R15:
Sound is positioned at the extreme right.
Adjusting the Amount of Ambience
(Ambience Send Level)
You can adjust the ambience level for each part individually.
The ambience effect deepens the higher the value is set. When
set to “0,” no ambience is applied.
The specified ambience effect is applied to the currently
selected drum kit. To check how the effect sounds, select a
drum kit that has the Ambience Switch set to “ON.” (KIT/
AMBIENCE/Ambience SW; p. 60)
fig.05-028_50
AmbSendLevel: 0–127
Adjusting the Bend Range
(Bend Range)
This adjusts the degree to which the pitch of the sound is
changed when the maximum Pitch Bend is received from an
external MIDI device.
This can be set from “0” to “24” (two octaves) in semitone
steps. When set to “0,” no change is made.
Percussion parts do not feature the Bend range setting.
fig.05-029_50
Bend Range: 0–24
Copying a Song (COPY)
This is used to copy Preset songs and User songs to other User
songs.
Part instruments and volume and other settings are copied
just as they are.
Executing this operation deletes the content of the copy
destination, so check all content carefully before carrying out
this operation.
1.
Confirm that [CLICK] is not lit.
If this lights, press [CLICK] to extinguish it.
2.
Press [SONG], then [EDIT].
[SONG] and [EDIT] light.
3.
Press [ ] to select “COPY.”
fig.SONG-COPY_50
4.
Press [ENTER ].
5.
Press [ ] or [ ] to select the copy source
song.
fig.05-030ai.e
6.
Press [ ].
The copy destination song selection screen appears.
Copy source song
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Chapter 5 Editing Songs (SONG Edit)
7.
Press [+] or [-] to select copy destination song.
You can select a song that has not yet been used by
holding down [SHIFT] and pressing [STOP ]. New
User songs are indicated by “ ” in the display.
fig.05-031ai.e
8.
Press [ENTER ].
Press [EXIT] to cancel the operation.
fig.05-032_50
9.
Press [ENTER ] to execute the operation.
When you have finished copying the song, the
Completed screen appears.
fig.05-033_50
10.
When you finish copying, press [SONG] to end
the procedure.
Src (Copy Source): 001–270
Dst (Copy Destination): 171–270
Deleting a Song (DELETE)
This deletes all of the song’s settings, turning the song into a
new User song.
1.
Confirm that [CLICK] is not lit.
If this lights, press [CLICK] to extinguish it.
2.
Press [SONG], then [EDIT].
[SONG] and [EDIT] light.
3.
Press [ ] to select “DELETE.”
fig.SONG-DEL_50
4.
Press [ENTER ].
5.
Press [+] or [-] to select the song to be deleted.
fig.05-034ai.e
6.
Press [ENTER ].
Press [EXIT] to cancel the operation.
fig.05-035_50
7.
Press [ENTER ] to execute the operation.
When you have finished deleting the song, the
Completed screen appears.
fig.05-036_50
8.
When you finish deleting, press [SONG] to end
the procedure.
SONG (Delete Song): 171–270
Copy destination song
Song being deleted
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91
Chapter 5 Editing Songs (SONG Edit)
5
Erasing Performance Data in
a Song (ERASE)
This erases the User song. Only the performance data is
erased, and the beat, measure length, parts, and the song’s
other settings are left intact. You can also erase specific parts.
1.
Confirm that [CLICK] is not lit.
If this lights, press [CLICK] to extinguish it.
2.
Press [SONG], then [EDIT].
[SONG] and [EDIT] light.
3.
Press [ ] to select “ERASE.”
fig.SONG-ERASE_50
4.
Press [ENTER ].
5.
Press [+] or [-] to select the song to be erased.
fig.05-037ai.e
6.
Press [ ].
7.
Press [+] or [-] to select the part to be erased.
fig.05-038ai.e
8.
Press [ENTER ].
Press [EXIT] to cancel the operation.
fig.05-039_50
9.
Press [ENTER ] to execute the operation.
When you have finished erasing the song or part, the
Completed screen appears.
fig.05-040_50
10.
When you finish erasing, press [SONG] to end
the procedure.
SONG (Erase Song): 171–270
Part (Erase Part):
ALL, KIT, PERC, PART1, PART2, PART3, PART4
ALL:
The performance data for all parts is erased.
KIT:
The performance data for the drum part is erased.
PERC:
The performance data for the percussion part is erased.
PART1:
The performance data for Part 1 is erased.
PART2:
The performance data for Part 2 is erased.
PART3:
The performance data for Part 3 is erased.
PART4:
The performance data for Part 4 is erased.
Song being erased
Part being erased
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92
Chapter 6 Recording a Song
(Realtime Recording)
Parameters That Can Be Set Here
fig.06-001.e
What is played on the pads or on an external MIDI keyboard
can be recorded (
Realtime Recording
).
The performance of the hi-hat control pedal is also recorded.
Sequencer cannot be used in GM mode (p. 99).
The amount that can be recorded to the TD-6V is limited.
Please keep in mind that even though there are 100 user
songs, the amount of memory available will be determined
by how much data is recorded into each song.
Recording the hi-hat control pedal performance data
consumes a large amount of memory. Make the settings
related to recording performance data in “PdlDataThin
(Pedal Data Thin)” (SETUP/MIDI COMMON/
PdlDataThin; p. 99).
You can check the amount of available memory in
“AvailMemory (Available Memory)” (SETUP/UTILITY/
AvailMemory; p. 78).
Preparations for Recording
Before starting to record, first make the MIDI, part, and other
such settings.
When Recording Pad Performances
Only the performance data is recorded to the drum kit part.
When the song is played back, the settings of instruments and
effects etc. of the current selected drum kit are used.
1.
Select the User Song to be recorded (p. 83).
You can select a new User song by holding down [SHIFT]
and pressing [STOP ] while in the Song screen.
New User songs are indicated by “ ” in the display.
If there are no new User songs available, you can delete
an unneeded song (SONG/DELETE; p. 90).
2.
Record using the procedure described in “How
To Record (RECORDING STANDBY)” (p. 93).
Recording Performances by
External MIDI Devices
1.
Match the external MIDI device’s MIDI
transmission channel with the MIDI channel of
the part to be recorded.
(SETUP/MIDI PART Part CH; p. 102)
2.
Select CH10 to layer the drum kit part and
percussion part together; when recording from
an external MIDI device, then set “CH10Priority
(Channel 10 Priority)” to determine whether the
drum kit part or the percussion part is to be
recorded.
(SETUP/MIDI COMMON/CH10Priority; p. 98)
3.
Select the User Song to be recorded (p. 83).
You can select a new User song by holding down [SHIFT]
and pressing [STOP ] while in the Song screen.
New User songs are indicated by “ ” in the display.
If there are no new User songs available, you can delete
an unneeded song (SONG/DELETE; p. 90).
4.
Select the part instrument or percussion set to
be recorded (SONG/PART/Inst; p. 88).
Program Change and Bank Select messages transmitted
from an external MIDI device are not recorded by the
sequencer. Use the TD-6V to select the part instruments.
5.
Make the other settings for the part to be
recorded. (SONG/PART; p. 87)
6.
Record using the procedure described in “How
To Record (RECORDING STANDBY)” (p. 93).
RECORDING STANDBY (Recording Settings) (p. 94)
Time Signature
Tempo
Quantize
Recording Mode
Hit Pad Start
Length
Part Factory Preset
MIDI Channel
Drum Kit Part CH10
Percussion Part CH10
Part 1 CH1
Part 2 CH2
Part 3 CH3
Part 4 CH4
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93
Chapter 6 Recording a Song (Realtime Recording)
6
How To Record
(RECORDING STANDBY)
1.
Prepare for recording using the procedure
described in “Preparations for Recording” (p. 92).
2.
Press [SONG]
[REC ].
[PLAY ] flashes, while [SONG], [REC ] and
[CLICK] light up.
If a Preset song is selected when you press [REC ],
then a new User song is selected automatically. In this
case, new User songs that have Song Lock (SONG/
COMMON/Song Lock; p. 86) set to “ON” cannot be
selected.
If there are no new User songs available, delete any
unneeded songs (SONG/DELETE; p. 90).
To cancel the recording, press [STOP ] or [EXIT].
3.
Press [ ] or [ ] to select the parameter you
wish to edit.
fig.06-003ai.e
4.
Press [+] or [-] to make the setting.
fig.06-004ai.e
5.
Press [PLAY ] to begin recording.
[PLAY ] stops flashing and remains lit, and recording
begins.
The following appears in the upper left of the screen
during recording.
fig.06-004aai
To insert a count before recording, set “RecCountIn
(Recording Count In)” (CLICK/RecCountIn; p. 80).
6.
Play with pads or MIDI keyboards to record.
7.
Press [STOP ] to stop recording.
The [PLAY ] and [REC ] lights go out.
Setting the Time Signature
(Time Signature)
This specifies the beat of the song to be recorded.
The time signature cannot be changed when recording
additional material to a previously recorded song.
fig.06-005_50
Time Sig (Time Signature):
1–13/2, 1–13/4, 2–13/8, 4–13/16
Setting the Number of Measures
(Length)
This specifies the measure length in the song being recorded.
When “REPLACE” is specified as the recording mode
(SONG/REC/RecMode; p. 94), the measure length setting is
unnecessary. The recorded measure length is automatically
specified as the “Length.”
fig.06-006_50
Length: 1–999
Setting the Song Tempo (Tempo)
This specifies the tempo used when recording and playing
back the song.
fig.06-007_50
Tempo: 20–260
Parameter to set
Value
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94
Chapter 6 Recording a Song (Realtime Recording)
Quantize During Recording
(Quantize)
Quantize
” is a function that corrects mistakes or
discrepancies in the timing of the performance being
recorded.
Timing problems almost always occur when recording
performances using pads, a MIDI keyboard, or other
instruments. This function corrects timing mistakes and
allows you to make recordings with accurate timing.
fig.06-008.e
This is usually set to the shortest note appearing in the phrase
to be recorded. When set to “OFF,” the pattern is then
recorded with the timing used in performance.
Carry out the quantize when recording a song using Tap
Playback. You may be unable to play back the song correctly
with Tap Playback if quantize is set to “OFF” when the song is
recorded.
fig.06-009_50
Quantize:
(8th note), (8th note triplets),
(16th note), (16th note triplets),
(32nd note), (32nd note triplets),
(64th note), OFF
Selecting the Recording Method
(Loop All, Loop1, Loop2, Replace)
(Recording Mode)
Selects how recording will take place.
fig.06-010_50
RecMode (Recording Mode):
REPLACE, LOOP ALL, LOOP 1, LOOP 2
REPLACE:
Recording continues until [STOP ] is pressed. All data
previously recorded in the all parts is erased.
LOOP ALL:
The entire song repeats, and the new material is layered onto
the previous performance.
LOOP1:
The measure starting from the point where recording begins is
repeated, and the new material is layered onto the previous
performance.
LOOP2:
The two measures starting from the point where recording
begins are repeated, and the new material is layered onto the
previous performance.
Start Recording with a Pad or
Pedal Trigger (Hit Pad Start)
This function starts the recording process the instant you
strike a pad or pedal.
The “RecCountIn (Recording Count In)” setting is disregarded
(CLICK/RecCountIn; p. 80).
fig.06-011_50
HitPadStart (Hit Pad Start): OFF, ON
Actual performance
Recorded performance
First beat Second beat
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95
7
Chapter 7 Making the MIDI Settings
(SETUP/MIDI, BULK DUMP)
Parameters That Can Be Set Here
fig.07-005.e
About MIDI
MIDI (Musical Instrument Digital Interface)
is a standard
that allows performance data and other information to be
exchanged among electronic musical instruments and
computers. MIDI With a MIDI cable connecting MIDI devices
that are equipped with MIDI connectors, you can play
multiple instruments with a single keyboard, have multiple
MIDI instruments perform in ensemble, program the settings
to change automatically to match the performance as the song
progresses, and more.
While using only pads with the TD-6V, there is no need to
have any detailed knowledge of MIDI. For those who wish to
use MIDI keyboards to record patterns on the TD-6V, use it as
a sound module with external sequencers, or learn the TD-6V
at a more advanced level, the following explains such matters
related to MIDI.
MIDI Connectors
The TD-6V has the following two types of MIDI connectors.
fig.07-001
MIDI IN Connector Function
This receives MIDI messages transmitted from an external
MIDI device. When it receives MIDI messages, the TD-6V
performs a variety of actions such as playing sounds and
switching drum kits and part instruments.
MIDI OUT/THRU Connector Function
MIDI messages are transmitted from this connector to external
MIDI devices. The TD-6V transmits pad and sequencer
performance data from the MIDI OUT/THRU connector. You
can also transmit various settings content, songs, and other
data you want to save to another device (Bulk Dump; p. 103).
The TD-6V MIDI OUT and MIDI THRU connectors are
combined into a single connector. The function is selected in
the “Soft Thru” setting (SETUP/MIDI COMMON/SOFT
Thru; p. 100). When “Soft Thru” is set to “ON,” pad and
sequencer performance data are transmitted to an external
device as is along with messages received at the MIDI IN
connector.
As shipped from the factory, this is set to MIDI OUT.
MIDI Channels and Multi-timbral
Sound Modules
MIDI can send numerous streams of performance data over a single
MIDI cable. This is made possible by MIDI channels. MIDI channels
allow messages intended for a given instrument to be distinguished
from messages intended for another instrument. In some ways,
MIDI channels are similar to television channels. By changing
channels on a television you can view programs from many
different broadcast stations. This is because the television set has
thus been directed to selectively display only the information being
transmitted by a particular station. In the same way, MIDI also
allows a device to select the information intended for that device
out of the variety of information that is being transmitted to it.
fig.07-002.e
There are sixteen MIDI channels, numbered 1–16. Set the receiving
device so that it will receive only the channel that it needs to receive.
Example:
Set the TD-6V to send Channel 1 and Channel 2, then set
sound module A to receive only Channel 1 and sound module
B only Channel 2. In this way, sound module A plays the
guitar part and sound module B plays the bass part.
MIDI COMMON (MIDI Settings) (p. 97)
Note Chase
Sync Mode
Channel 10 Priority
Pedal Data Thin
GM Mode
Local Control
Soft Thru
Device ID
Tx PC Switch
Rx PC Switch
Rx GM ON
SETUP
MIDI PART (MIDI Channel Settings for a Part) (p. 102)
GM PART
(MIDI Messages Stop Function in GM Mode) (p. 103)
BULK DUMP
(Saving Data to an External MIDI Device) (p. 103)
The cable from the antenna carries the TV
signals from many broadcast stations.
The TV is set to the channel of the station
you wish to watch.
Station A
Station B
Station C
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96
Chapter 7 Making the MIDI Settings (SETUP/MIDI, BULK DUMP)
fig.07-003.e
When used as a sound module, the TD-6V can receive on up
to six of the sixteen MIDI channels (16 channels in GM mode).
Sound modules like the TD-6V which can receive multiple
MIDI channels simultaneously to play different sounds on
each channel are called “multi-timbral sound modules.”
How the Internal Sequencer Operates
A sequencer is an electronic instrument used for recording and
playback of performances. The TD-6V features such a sequencer
function. The TD-6V comes with 150 different built-in
performance songs (Preset songs) which can be used for drum
practice and other purposes. You can also create your own songs.
fig.07-004.e
For playback, the performance data that has been recorded to
the sequencer is sent to the sound module, which produces
the sound. The data for each of the sequencer’s parts causes
the corresponding part in the internal sound module to be
played. When performance data is recorded, the performance
data from pads and MIDI keyboards is sent to the sequencer;
the data recorded here is then sent to the sound module for
playback.
When recording drum kit and percussion set performance, the
performance data is sent to the drum kit part and percussion
part according to the setting of channel 10 priority (SETUP/
MIDI COMMON/CH10Priorty; p. 98).
When using the TD-6V as a GM sound module, the internal
sequencer is disabled.
Making the MIDI Settings
(MIDI COMMON)
Make the TD-6V’s MIDI settings.
1.
While holding down [SHIFT], press [EDIT
(SETUP)].
[EDIT] lights.
2.
Press [ ] to select “MIDI COMMON.”
fig.SETUP-MIDICMN_50
3.
Press [ENTER ].
4.
Press [ ] or [ ] to select the parameter you
wish to edit.
fig.07-006ai.e
5.
Press [+] or [-] to make the setting.
fig.07-007ai.e
6.
When you finish making settings, press [KIT] or
[SONG] to end the procedure.
MIDI OUT
MIDI IN
MIDI THRU
MIDI IN
Receive Channel: 1
Receive Channel: 2
Sound
Module A
Sound
Module B
Transmit Channel: 1, 2
MIDI
Keyboard
MIDI Keyboard
Internal Sequencer
Drum Kit Part
Percussion Part
Part 4
Part 3
Part 2
Part 1
Internal
Sound Generator
TD-6V
External Sound Module
Pad
Parameter to set
Value
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97
Chapter 7 Making the MIDI Settings (SETUP/MIDI, BULK DUMP)
7
Automatically Switching Instrument
Settings Screens (Note Chase)
Note Chase
is a function in which a pad is selected either by
striking the pad or when MIDI data corresponding to that pad
is received.
When set to “OFF,” the pad’s settings screen is prevented
from switching, even when MIDI data for a pad is received.
Here, the trigger input number appears in brackets ([ ]).
If you want to set other pads with this setting remaining at
“OFF,” you can switch settings screens by holding down [SHIFT]
and pressing
[ ] or [ ]
to select the trigger input number.
fig.07-008_50
Note Chase: OFF, ON
You can use only the TOM2 rim or AUX, and only the TOM3
rim or TOM4. You cannot select the trigger input for any pad
for which the trigger type has not been set.
Also refer to “Connecting Two Pads to Trigger Input 5/6
(TOM2/AUX) and 7/8 (TOM3/4)” (p. 70).
When Using as MIDI Controller for
External MIDI Device Only (Local Control)
This setting is required when you wish to record your pads and
internal sequencer performance on an external MIDI sequencer.
The performance data from the pads and internal sequencer,
rather than being sent directly to the sound module section (Local
Control Off), is first sent to the external sequencer, and then on to
the TD-6V’s sound module.
fig.07-009.e
The settings screen does not appear in GM mode.
If you make connections and record as shown, with a
setting of Local On, duplicate notes will be re-transmitted
to the TD-6V and will not be played correctly.
fig.07-010_50
LocalControl (Local Control): OFF, ON
OFF:
The pads and internal sequencer are disconnected from the
TD-6V’s internal sound generator. Striking the pads does not
cause sound to be produced by the internal sound generator.
ON:
The pads and internal sequencer are connected to the TD-6V’s
internal sound generator. Sounds are produced by the internal
sound generator when the pads are struck.
Pad
Internal Sound Generator
TD-6V
OUT/THRU
Trigger Input
OUT
IN
IN
Internal
Sequencer
Trigger MIDI
Converter
External MIDI Sequencer
LocalControl:
OFF
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Chapter 7 Making the MIDI Settings (SETUP/MIDI, BULK DUMP)
Synchronizing with an External
MIDI Device (Sync Mode)
This section discusses the settings that allow an external MIDI
sequencer and the TD-6V’s sequencer to be synchronized. The
device that is playing back is called the “master” and the
device that is synchronizing to the playback is called the
“slave.”
The settings screen does not appear in GM mode.
fig.07-011_50
Sync Mode: INT, EXT, REMOTE
INT (INTERNAL):
The TD-6V’s tempo setting is used in playback and recording.
EXT (EXTERNAL):
The TD-6V’s sequencer operates in accord with external
tempo data.
REMOTE:
Playback begins, pauses, and stops in accord with data from
the external device, but the TD-6V’s tempo setting is used for
the playback tempo.
Setting Priority for Playing Drums
and Percussion (Channel 10 Priority)
This setting is necessary when both drum kit part and
percussion part are simultaneously assigned to Channel 10.
When note numbers to which percussion part’s instruments
are assigned (18 (F#0)–96 (C7)) are assigned to the pads, then
select which instrument sounds are to be played when the
note number is received.
When recording MIDI keyboard performances (p. 92) or
loading external sequencer data to the TD-6V (p. 106), the data
is stored to the sounded part according to this setting.
fig.07-012.e
CH10
Drum Kit
Part
Percussion
Part
51
52
53
55
57
59
54
56
58
48
50
49
63
64
60
62
61
C3
C4
Note No.
Pop Rd
China18”
Pop Rdb
Splsh12”
Quik16Cr
Pop Rde
Tambrn 1
Cowbell1
VibraSlp
Std 1 T2
Std 1 T1
Med16 Cr
Conga Sl
Conga Op
R8Bng Hi
Conga Mt
R8Bng Lo
51
52
53
55
57
59
54
56
58
48
50
49
63
64
60
62
61
C3
C4
Note No.
Pop Rd
China18”
Pop Rdb
Splsh12”
Quik16Cr
Pop Rde
Tambrn 1
Cowbell1
VibraSlp
Std 1 T2
Std 1 T1
Med16 Cr
Conga Sl
Conga Op
R8Bng Hi
Conga Mt
R8Bng Lo
VibraSlp
Pop Rde
Tambrn 1
Cowbell1
Conga Sl
Conga Op
R8Bng H
Conga Mt
R8Bng Lo
CH10 Priority
PERC KIT
11/RIDE
10/CRASH2 Rim
11/RIDE Rim
9/CRASH1 Rim
10/CRASH2
4/TOM1
4/TOM1 Rim
9/CRASH1
11/RIDE
10/CRASH2 Rim
11/RIDE Rim
9/CRASH1 Rim
10/CRASH2
4/TOM1
4/TOM1 Rim
9/CRASH1
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Chapter 7 Making the MIDI Settings (SETUP/MIDI, BULK DUMP)
7
The settings screen does not appear in GM mode.
fig.07-013_50
CH10Priorty (Channel 10 Priority): KIT, PERC
KIT (Drum Kit Part):
When overlapping note numbers are received, the drum kit
part’s instrument (the pad instrument) is sounded.
PERC (Percussion Part):
The percussion part’s instrument is always played.
Hi-Hat Control Pedal Data
Reduction (Pedal Data Thin)
This function allows you to prevent an excessive amount of
data from being transmitted from the pedal to the internal
sequencer or via the MIDI OUT.
When you want to make smooth changes in the pitch control
with the Hi-Hat control Pedal, set this to “1” or “OFF.”
The settings screen does not appear in GM mode.
fig.07-014_50
PdlDataThin (Pedal Data Thin): OFF, 1, 2
OFF:
Data sent from the pedal is not reduced.
1:
This reduces the data sent from the pedal. Usually, “1” is
selected.
2:
This reduces the data sent from the pedal. This setting results
in even less data than when “1” is selected.
Switch to the GM (General MIDI)
Mode (GM Mode)
The TD-6V features a GM mode—a convenient way to play
back GM score data (music files for General MIDI sound
module).
For more on the GM system, refer to p. 13.
To ensure proper playback of GM scores, set the TD-6V to GM
mode.
Setting this to “ON” initializes the TD-6V’s internal sound
generator for use with GM, while the GM System percussion
set (Standard Set) is assigned to Part 10, and Piano 1 is
assigned to all other parts.
The TD-6V switches to GM mode at the following times.
When Switching to GM Mode
When it receives a GM System On message from an
external MIDI device
When the TD-6V has received a GM System On message
as the result of playing back a song containing a GM
System On message on an external MIDI device
To mute the performance of a specific part in GM mode, you
can make the appropriate setting for “GM PART” (SETUP/
GM PART/Part Rx Sw; p. 102).
You cannot use the TD-6V to make changes to the part
settings. Change the setting by sending the Control
Change Bank Select (CC0#, CC32#) and Program Change
(PC) from the external MIDI device.
When the power is turned on, “GM Mode” is ordinarily
set to “OFF.”
Drum kit parts cannot be played using MIDI messages
sent from an external device. They can be played only by
playing pads connected to the TD-6V.
Sequencers cannot be used in GM mode. The [SONG],
[PLAY ], [STOP ], [REC ], [CLICK], and [PART
MUTE] buttons are disabled. Also, [SHIFT] + [CLICK
(TEMPO)] cannot be used.
Some parameters cannot be set in GM mode. For more
detailed information, refer to “Parameter List” (p. 130).
Program changes in GM mode are predetermined, and
thus cannot be changed. Use the program changes in the
“Preset Percussion Set List” (p. 124) and “Backing
Instrument List” (p. 126).
The pan of the percussion set is based on how the set
sounds from where the drums are played. Be aware that
the panning recommended with General MIDI is
reversed.
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Chapter 7 Making the MIDI Settings (SETUP/MIDI, BULK DUMP)
While in GM mode, “ ” appears in the drum kit screen.
fig.07-015aai
fig.07-015_50
GM Mode: OFF, ON
Preventing the TD-6V from
Switching to GM (General MIDI)
Mode
(Rx GM ON)
This setting prevents the TD-6V from switching to GM mode,
even when a “GM System ON message” is received from an
external MIDI device.
fig.07-016_50
RX GM ON: OFF, ON
OFF:
Even when a “GM System ON message” is received, the TD-
6V does not switch to GM mode. If you wish to switch to GM
mode, follow the procedures described on foregoing
paragraph to switch manually.
ON:
When a “GM System ON message” is received, the TD-6V
switches to GM mode.
Mixing MIDI Signals Coming to the
MIDI IN with Real Time Performance
on the Pads (Soft Thru)
This setting causes data (except for System Exclusive
messages) received at MIDI IN to be output from the MIDI
OUT/THRU connector along with the pad and sequencer
performance data.
fig.07-016a.e
If this setting is not used, leave it “OFF” as the trigger
response of the pads will be faster.
fig.07-017_50
Soft Thru: OFF, ON
OFF:
Only pad and sequencer performance data is output from the
MIDI OUT/THRU connector.
ON:
Data received at MIDI IN is output together with the pad and
sequencer performance data from the MIDI OUT/THRU
connector.
GM System On Message
This is a message which switches a device to an operating
mode that is compatible with the GM system, or to
initialize a sound generator so that it will be compatible
with the GM system.
When “RX GM ON” is set to “OFF,” the GM System ON
message is ignored.
External MIDI Sequencer
TD-6V
Pad
Soft Thru: ON
MIDI Compatible Pad
OUT/THRU OUT
IN
Trigger
Input
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Chapter 7 Making the MIDI Settings (SETUP/MIDI, BULK DUMP)
7
Set the Device ID (Device ID)
The setting described here is necessary only when you wish to
transmit separate data to two or more TD-6V units at the same
time. Do not change this setting in any other case.
At the factory settings, the device ID is set to “17.”
Example:
When saving data using Bulk Dump (p. 103), save using “17”
as the TD-6V Device ID. When re-transmitting this data back
to the TD-6V, it won’t receive if the Device ID is set to
something other than “17.” Even if you happen to have
another TD-6V connected, data will not be received if the
Device ID is set to something other than “17.”
fig.07-018.e (ID 16 17)
If you lose track of the Device ID setting that was used when
saving data via a bulk dump, it will no longer be possible to
reload the bulk data that was saved.
fig.07-019_50
Device ID: 1–32
Setting the TD-6V So That Program
Changes Are Not Transmitted (Tx PC Sw)
The TD-6V sends a Program Change message to external
devices when the drums kit is switched. If this is “OFF”,
Program Changes will not be transmitted.
The TD-6V’s drum kit program numbers are always the same
as the drum kit numbers; this relationship is fixed, and cannot
be changed.
The settings screen does not appear in GM mode.
fig.07-020_50
Tx PC Sw (Tx PC Switch): OFF, ON
OFF:
Program Change messages are not transmitted, even when
drums kits are switched.
ON:
Program Change messages are transmitted when drum kits
are switched.
Setting the TD-6V So That Program
Changes Are Not Received (Rx PC Sw)
The TD-6V’s drum kits are switched when a Program Change
message is received from an external MIDI device. When set
to “OFF,” the drum kits do not switch, even when a Program
Change message is received.
The TD-6V’s drum kit program numbers are always the same
as the drum kit numbers; this relationship is fixed, and cannot
be changed.
The settings screen does not appear in GM mode.
fig.07-021_50
Rx PC Sw (Rx PC Switch): OFF, ON
OFF:
The drum kits are not switched, even when Program Change
messages are received from an external MIDI device.
TD-6V
Device ID: 17
Not Received
MIDI IN MIDI OUT
Transmit Data (Device ID:17)
TD-6V
Device ID: 16
MIDI IN
External MIDI Sequencer
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Chapter 7 Making the MIDI Settings (SETUP/MIDI, BULK DUMP)
ON:
The drum kits are switched when Program Change messages
are received from an external MIDI device.
MIDI Channel Settings for a
Part (MIDI PART)
For each part, you can specify the channel on which the TD-6V
will receive and transmit MIDI messages.
At a setting of “1” through “16,” MIDI messages will be
transmitted and received on that channel. When set to “OFF,”
MIDI messages for that part are not transmitted.
Drum kit parts and percussion parts can be overlaid and set to
“CH 10.” Make the “CH10Priorty (Channel 10 Priority)”
setting to determine whether the drum kit part instrument or
percussion part instrument is to be sounded when MIDI
messages are received (SETUP/MIDI COMMON/
CH10Priorty; p. 98).
In GM mode (p. 99), the part’s channel is predetermined, and
thus cannot be changed.
1.
While holding down [SHIFT], press [EDIT
(SETUP)].
[EDIT] lights.
2.
Press [ ] to select “MIDI PART.”
fig.SETUP-MIDIPRT_50
When “GM Mode” is set to “ON,” “GM PART” is
displayed, and you cannot make the setting. Make the
setting after first setting “GM Mode” to “OFF” (SETUP/
MIDI COMMON/GM Mode; p. 99).
3.
Press [ENTER ].
4.
Press [ ] or [ ] to select the part to be set.
fig.07-022ai.e
5.
Press [+] or [-] to make the setting.
6.
When you finish making settings, press [KIT] or
[SONG] to end the procedure.
fig.07-023ai.e
Part CH (Part Tx Rx Channel): CH 1–CH16, OFF
MIDI Messages Stop Function
for Specific Parts in GM
(General MIDI) Mode (GM PART)
In GM mode, you can make the setting that determines
whether or not MIDI messages are to be received for each
individual part.
When set to “OFF,” that part’s MIDI messages are not
received.
1.
While holding down [SHIFT], press [EDIT
(SETUP)].
[EDIT] lights.
2.
Press [ ] to select “GM PART.”
fig.SETUP-GMPRT_50 (SETUP-MIDI PART)
When “GM Mode” is set to “OFF,” “MIDI PART” is displayed,
and you cannot make the setting.
Make the setting after first setting “GM Mode” to “ON”
(SETUP/MIDI COMMON/GM Mode; p. 99).
3.
Press [ENTER ].
4.
Press [ ] or [ ] to select the part to be set.
fig.07-024ai.e
5.
Press [+] or [-] to make the setting.
fig.07-025ai.e
6.
When you finish making settings, press [KIT] to
end the procedure.
Part Rx Sw (Part Rx Switch): OFF, ON
Select Part
Value
Select Part
Value
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Chapter 7 Making the MIDI Settings (SETUP/MIDI, BULK DUMP)
7
Saving Data to an External MIDI
Device (BULK DUMP)
You can save the TD-6V’s drum kits, songs, general settings,
and more to an external MIDI sequencer.
use the external sequencer as you would when recording
musical data, and perform the following steps on the TD-6V as
shown in the following diagram.
Bulk Dump is one kind of System Exclusive message. Be sure
to use an external MIDI sequencer that is capable of recording
System Exclusive messages. In addition, confirm that the
sequencer is not set to “Do not receive System Exclusive
messages.”
Setting the Device ID (SETUP/MIDI COMMON/DeviceID; p.
101) makes operation more convenient when multiple TD-
6V’s are connected.
For more detailed information concerning external MIDI
devices, be sure to read the owner’s manuals for the devices
you are using.
1.
Use a MIDI cable to connect the TD-6V’s MIDI
OUT connector to the MIDI IN connector of the
external sequencer.
fig.07-026.e
2.
While holding down [SHIFT], press [EDIT
(SETUP)].
[EDIT] lights.
3.
Press [ ] to select “BULK DUMP.”
fig.SETUP-BULK_50 (SETUP-BULK DUMP)
4.
Press [ENTER ].
5.
Press [+] or [-] to select the content to be saved.
fig.07-027ai.e
6.
Start the recording process of the external
sequencer.
7.
Press [ENTER ].
Press [EXIT] to cancel the operation.
fig.07-028_50
8.
Press [ENTER ] to start the data
transmission.
fig.07-029_50
9.
When you have finished transmitting, the
Completed screen appears.
fig.07-030_50
10.
Stop recording on the external sequencer.
Bulk Dump:
ALL, SETUP, ALL SONGS, ALL KITS,
KIT 01–KIT 99
ALL:
All data, including the setup (trigger, pad, and other such
settings), drum kits, and User songs are transmitted.
SETUP:
All setup data is transmitted.
ALL SONGS:
All data for User Songs 171–270 is transmitted.
ALL KITS:
All data for Drum Kits 1–99 is transmitted.
KIT 01–KIT 99:
Only the data for the selected drum kit is transmitted.
TD-6V
MIDI OUT MIDI IN
External MIDI Sequencer
Content being saved
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Chapter 7 Making the MIDI Settings (SETUP/MIDI, BULK DUMP)
Returning Saved Data to the TD-6V
This returns settings that have been saved to a sequencer or
other external MIDI device back to the TD-6V.
At this time, the TD-6V’s data is overwritten. Save any data
you need to an external MIDI device before carrying out this
operation.
Set the Device ID (SETUP/MIDI COMMON/DeviceID; p.
101) used when the bulk data was saved.
1.
Use a MIDI cable to connect the TD-6V’s MIDI IN
connector to the MIDI OUT connector of the
external sequencer.
fig.07-031.e (IN -> OUT)
2.
Send the settings data from the external
sequencer to the TD-6V.
The transmitted settings are reproduced.
MIDI OUT MIDI IN
TD-6VExternal MIDI Sequencer
Data Compatibility Between the
TD-6 and the TD-6V
Although it is possible to transmit and receive bulk data
between the TD-6V and the TD-6, please note the
following points regarding data compatability.
*1 Due to the difference in the TD-6V's and TD-6's trigger
types, discrepancies between the transmitted and received
trigger types can arise.
If that occurs correct the trigger settings manually
(TRIGGER BASIC, TRIGGER ADVANCED) after data
is received.
*2 The TD-V6's TOM2 RIM and TOM3 RIM instrument
parameter is reset, preventing the sounds from being
played. Resset the instrument parameters forthese pads as
necessary.
Data Transmit-
ted
from TD-6 to TD-6V from TD-6V to TD-6
ALL *1 *2 *1
SETUP *1 *1
ALL SONGS
ALL KIT *2
KIT01–99 *2
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105
8
Chapter 8 Features Using MIDI and Setting Examples
About Transmitting/Receiving
Program Changes
Drum Kit
The drum kit program numbers are always the same as the
drum kit numbers; this relationship is fixed, and cannot be
changed.
Percussion Set
Percussion set program numbers are predetermined. Refer to
the “Preset Percussion Set List” (p. 124).
Backing Part (Part 1–4) Instruments
The instrument program numbers, and controller numbers 0
and 32 are fixed. Refer to the “Backing Instrument List” (p.
126).
If tone changes are made on an external MIDI device, the TD-
6V’s instruments are switched, but the change is not recorded
by the sequencer.
Triggering an External Sound
Device by Playing the TD-6V
This sets the TD-6V so that the external MIDI sound module is
sounded when the pads are struck.
With this setting, both the TD-6V and the external sound
module can play simultaneously.
1.
Use a MIDI cable to connect the MIDI OUT
connector of the TD-6V to the MIDI IN connector
of the external MIDI device.
fig.08-001.e
2.
Match the MIDI channel to be used for
transmitting data from the TD-6V and the MIDI
channel that the external MIDI device will use
for receiving the data.
(SETUP/MIDI PART/CH; p. 102)
3.
Specify the note number to be transmitted from
each pad. (KIT/CONTROL/Note No.; p. 64)
Set this to the note number of the sound that you wish to
play on the external MIDI sound module or sampler.
4.
Set the MIDI Gate Time.
(KIT/CONTROL/Gate Time; p. 65)
You can use different pad note number and gate time
settings in each drum kit.
TD-6V
MIDI OUT MIDI IN
External MIDI Sound Module,
Sampler etc.
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Chapter 8 Features Using MIDI and Setting Examples
Combining with an External
MIDI Sequencer
Importing Sequence Data from an
External MIDI Device to the TD-6V’s
Internal Sequencer
You can load data created on another sequencer from the
MIDI IN connector and record the data on the TD-6V’s
sequencer, then use the data as a song. The backing part (Parts
1–4), percussion part, and drum kit part can be imported
simultaneously.
When TD-6V’s instruments are changed from an external
MIDI device, the change is not recorded by the TD-6V’s
sequencer. Use the TD-6V to make each part’s instrument
settings.
For more on external MIDI device operations, refer to the
owner’s manuals for the devices you are using.
1.
Use a MIDI cable to connect the MIDI IN
connector of the TD-6V to the MIDI OUT
connector of the external MIDI device.
fig.08-002.e
2.
Match the MIDI channel to be used for
transmitting data from the external MIDI device
and the MIDI channel that the TD-6V will use for
receiving the data.
(SETUP/MIDI PART/CH; p. 102)
3.
Set “CH10Priorty (Channel 10 Priority)” as
needed when recording drum and percussion
performances.
(SETUP/MIDI COMMON/CH10Priorty; p. 98)
4.
Set “Sync Mode” to “EXT” in order to
synchronize the TD-6V to the external
sequencer. (SETUP/MIDI COMMON/Sync Mode)
5.
Select one of the TD-6V’s new User songs (p.
83).
You can select a new User song by holding down [SHIFT]
and pressing [STOP ] while in the Song screen.
New User songs are indicated by “ ” in the display.
6.
Make the settings for the TD-6V’s parts.
(SONG/PART; p. 87)
Specify the part instruments and percussion sets, volume
levels, etc.
7.
Press [REC ], then make the recording
settings (p. 93).
Time Sig:
Set the beat (time signature) to comply with
that of the loaded data.
Rec Mode:
Set this to “REPLACE.”
8.
Start playback of the external MIDI device.
The TD-6V automatically begins recording.
9.
When you have finished recording, stop the
recording of the external MIDI device.
The TD-6V stops recording automatically.
Recording Your Performance to an
External Sequencer
This makes the settings that allow performances of the pads to
be recorded by an external MIDI sequencer.
1.
Use a MIDI cable to connect the TD-6V and MIDI
sequencer MIDI connectors as shown in the
following figure.
fig.08-003.e
2.
Set Local Control to “OFF.”
(SETUP/MIDI COMMON/LocalControl; p. 97)
MIDI OUT MIDI IN
TD-6VExternal MIDI Sequencer
TD-6V
OUT OUT ININ
External MIDI Sequencer
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Chapter 8 Features Using MIDI and Setting Examples
8
3.
Match the MIDI channel to be used for
transmitting data from the TD-6V and the MIDI
channel that the external MIDI sequencer is to
use for receiving the data.
(SETUP/MIDI PART/CH; p. 102)
4.
Start the recording process of the external MIDI
sequencer.
5.
The performances of the pads are recorded as
they are played.
6.
When you have finished playing, stop recording
with the external MIDI sequencer.
7.
When playback of the external MIDI sequencer
begins, the TD-6V is played.
Using the TD-6V As a Sound
Module
Here, the TD-6V is used as a sound module. You can connect
an external MIDI sequencer and play back songs or connect a
MIDI-compatible keyboard or pads for performance.
1.
Use a MIDI cable to connect the MIDI IN
connector of the TD-6V to the MIDI OUT
connector of the external MIDI device.
fig.08-004.e
2.
Match the MIDI channel to be used for
transmitting data from the external MIDI device
and the MIDI channel that the TD-6V will use for
receiving the data. (SETUP/MIDI PART/CH; p. 102)
3.
Set “CH10Priorty (Channel 10 Priority)” as
needed when playing drum and percussion
performances with an external MIDI sequencer.
(SETUP/MIDI COMMON/CH10Priorty; p. 98)
4.
Select one of the TD-6V’s new User songs (p.
83).
You can select a song that has not yet been used by
holding down [SHIFT] and pressing [STOP ].
New User songs are indicated by “ ” in the display.
5.
Make the settings for the TD-6V’s parts.
(SONG/PART; p. 87)
Specify the part instruments and percussion sets, volume
levels, etc.
When using the TD-6V as a sound module, the sounds
you select must be assigned to a SONG as the song
parameters store which sounds you are using. Once you
select a new User song and make the settings, you can
then call up these settings just by selecting this song. You
can also prevent recording or changes to the settings by
setting “Song Lock” to “ON” (SONG/COMMON/Song
Lock; p. 86).
6.
When playing the external MIDI device, the TD-
6V will sound.
MIDI OUT MIDI IN
TD-6V
MIDI Keyboard, Pad
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MEMO
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Appendices
Appendices
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110
Troubleshooting
This section outlines points to check if you experience
problems, and what to do about them.
No Sound
No Sound
Has the [VOLUME] been lowered?
Rotate the [VOLUME] knob to be sure.
Is Local control set to “OFF?”
(SETUP/MIDI COMMON/LocalControl; p. 97)
Local Control should be set to “ON” if an external
sequencer is not being used.
No Drum Kit Sound
Is the overall drum kit volume level turned
down? (KIT/COMMON/MasterVolume; p. 66)
Press [+] or [-] to set the volume.
No Sound from One or More Pads
Is the volume level of an instrument lowered?
(KIT/INST/Level; p. 59)
Strike the pad that is not producing sound to switch to the
pad’s settings screen. Press [+] or [-] to set the volume.
Is the pad connected correctly? (p. 20, p. 33)
Make sure that the pad connections are correct, and that
each pad is connected to the proper input.
Use only the provided cables to connect the pads.
Is the instrument set to #1024 (OFF)?
(KIT/INST; p. 58)
#1024 (OFF) is a setting used to prevent any sounds from
being played. Select an instrument numbered 1–1,023.
Cannot Make Rim Shots/
Rim Shots Not Sounding
Do you have a pad that is capable of
producing rim shots connected to a trigger
input that is capable of handling rim shots?
(p. 33)
When using the PD-80R, PD-85, PD-105, PD-120 or PD-125
to play rim shots, connect to Trigger Input 2 (SNARE).
When using the PD-7, PD-8, PD-9, CY-6, CY-8, CY-12H,
CY-12R/C, CY-14C, or CY-15R to play rim shots (or edge/
bell shots) or choking, connect to Trigger Input 2 (SNARE),
3 (HI-HAT), 4 (TOM1), 9 (CRASH1), 10 (CRASH2), or 11
(RIDE).
The PD-6, PD-80, PD-100 and RP-2 are not capable of
producing rim shots.
Is the Rim Sensitivity set to “0?” (SETUP/TRIG
ADVNCD/Rim Sens; p. 75)
Press [+] or [-] to make the setting.
You need to set the “Rim Sens” when using the PD-80R,
PD-85, PD-105, PD-120 or PD-125 to play rim shots.
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111
Troubleshooting
Appendices
No sounds from pads connected to
Trigger Inputs 6 (AUX) and 8
(TOM4)
Have you made correct trigger settings?
(SETUP/TRIG TYPE; p. 69)
Change the settings if you are connecting two pads to
Trigger Inputs 5/6 (TOM2/AUX) and 7/8 (TOM3/4).
Cannot Make Cross Sticks/
Cross Sticks Not Sounding
Do you have a pad connected to a trigger
input that is capable of handling cross sticks?
(p. 33)
When using the PD-80R, PD-85, PD-105, PD-120 or PD-125
to play cross sticks, connect to Trigger Input 2 (SNARE).
Has the instrument that can be used for
playing the cross sticks been selected?
(KIT/INST; p. 58, Drum Instrument List; p. 120)
Use the instrument with the “XS.”
Are you playing the cross stick correctly?
(p. 36)
For cross stick, make sure your hand or stick does not
touch or strike the head.
No Sound When the Pad is Struck
Softly
Did you strike a pad or press the pedal at any
time from when the TD-6V’s power was
turned on until the kit name appeared in the
display?
Using the procedure of p. 23, turn the power on once again
without playing any pads or pedals during the TD-6V’s
warm up.
Precautions When Turning On the Power
When the TD-6V is turned on, it carries out a check of the
pads. If you strike a pad or press the pedal anytime during
this process, the pads cannot be checked properly,
resulting in incorrect functioning of the pads.
Volume levels for the rims of TOM2
and TOM3 not changing
Have you made the appropriate settings for
AUX or TOM4?
(SETUP/TRIG TYPE; p. 69)
To use the TOM2 and TOM3 rims, set the AUX and TOM4
trigger types to "Rim."
No Sound When [SHIFT] + [KIT]
(Preview) Is Pressed
Is the [PREVIEW] button velocity set to “0?”
(SETUP/UTILITY/Preview Velo; p. 78)
Press [+] or [-] to make the setting.
No Click/Metronome Sound
Does [CLICK] light? (p. 79)
Press [CLICK] to light the button.
Is the click volume level set to “0?”
(CLICK/Click Level; p. 79)
Press [+] or [-] to make the setting.
Song Does Not Play
Is GM Mode set to “ON?”
(SETUP/MIDI COMMON/GM Mode; p. 99)
Press [+] or [-] to set this to “OFF.” The sequencer does not
function when the TD-6V is in GM mode.
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112
Troubleshooting
Are you playing a new User song?
Play back a song that contains performance data.
New User songs are indicated by “ ” in the display.
Is the volume level of the backing part and
percussion part set to “0?”
(SETUP/UTILITY/PercPartLevel, BackingLevel; p.
76, p. 77)
Press [+] or [-] to make the setting.
Press [SHIFT] + [SONG] to jump to the backing part
volume settings screen.
Specific Part in Song Not Being
Played
Does [PART MUTE] light? (p. 84)
Press [PART MUTE] so that the light is turned off.
Is the volume level for each part set to “0?”
(SONG/PART/Level; p. 88)
Press [+] or [-] to make the setting.
TD-6V Not Playing Even During
Performance of External Sequencer
or Keyboard
Is the part’s MIDI channel correct? Or is the
channel set to “OFF?” (SETUP/MIDI PART/Part
CH; p. 102)
Press [+] or [-] to make the setting.
Is the volume level for each part set to “0?”
(SONG/PART/Level; p. 88)
Press [+] or [-] to make the setting.
External Sequencer Not Playing
Even During Performance of TD-6V
and Pads
Is the part’s MIDI channel correct? Or is the
channel set to “OFF?”
(SETUP/MIDI PART/Part CH; p. 102)
Press [+] or [-] to make the setting.
In GM mode, No Sound of a
Specific Part in a Performance
Is it set not to receive MIDI messages?
(SETUP/GM PART/Part Rx Sw; p. 102)
Press [+] or [-] to make the setting.
No Sound/Low volume from
Device Connected to the MIX
IN Jack
Could you be using a connection cable that
contains a resistor?
Use a connection cable that does not contain a resistor.
Is the volume level of the connected device
turned down completely?
Refer to the owner’s manual for the device, then set the
volume.
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113
Troubleshooting
Appendices
Drum Kit Does Not Sound As
Intended
Pressing [SHIFT] + [KIT] (Preview)
Starts Playback of the Song
Is the Pad Pattern function (a feature that
starts performance of songs when a pad is
struck) specified for the selected pad?
(KIT/CONTROL/Pad Ptn; p. 63)
Press [-] to set this to “OFF.”
To stop playback of a song in progress, press [STOP ].
No Ambience Applied
Is the drum kit’s Ambience set to “OFF?”
(KIT/AMBIENCE/Amb Sw; p. 60)
Press [+] or [-] to make the setting.
Is the drum kit’s overall Ambience level set to
“0?” (KIT/AMBIENCE/Amb Level; p. 61)
Press [+] or [-] to make the setting.
Has the Ambience level for individual
instruments been lowered?
(KIT/AMBIENCE/AmbSendLevel; p. 60)
Strike the pad to which Ambience is not being applied to
display the settings screen for that pad. Press [+] or [-] to
make the setting.
No Equalizer Applied
Is the drum kit’s Equalizer set to “OFF?”
(KIT/EQUALIZER/Master EQ Sw; p. 62)
Press [+] to set this to “ON.”
Is the Gain set to “0?”
(KIT/EQUALIZER/High Gain, Low Gain; p. 62)
Press [+] or [-] to make the setting.
Pad Does Not Sound As
Intended
Pad Not Playing Correctly
Is the trigger type setting correct?
(SETUP/TRIG BASIC/Trig Type; p. 69)
Press [+] or [-] to make the setting.
Is the pad’s sensitivity setting correct?
(SETUP/TRIG BASIC/Sensitivity; p. 71)
Press [+] or [-] to make the setting.
For fullest expression in performance, we recommend the
exclusive use of Roland pads.
Is the KD-80, KD-85, KD-120, PD-80, PD-80R,
PD-85, PD-100, PD-105, PD-120, PD-125 or
RP-2 head tightened uniformly?
Refer to the owner’s manual for the pad you are using,
then adjust the head tension.
If pad volume or other quality is unstable, making the head
tension somewhat tighter improve stability.
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114
Troubleshooting
Wrong Sound Plays
Is there a mistake in the head and rim
selection? (p. 55)
With some parameters, you can make separate settings for
the head and rim. At this time, confirm the trigger type
appearing in the upper right of the screen, then make the
settings.
Are you making the rim shot (p. 36) and cross
stick (p. 36) correctly?
To play rim shots, strike the head and rim simultaneously.
For cross stick, make sure your hand or stick does not
touch or strike the head.
Song Does Not Sound As
Intended
Song Sounds Odd
Have the part settings been changed?
(SONG/PART; p. 87)
Press [+] or [-] to make the settings.
Playback Stops Immediately After
Beginning
Is the song playback type set to “TAP?”
(SONG/COMMON/Play Type; p. 85)
Press [-] to set this to “LOOP” or “1SHOT.”
“TAP” refers to the convenient playback function in Pad
Pattern (tapping the pad causes the song to be played
back).
The Song Stops Suddenly When
Playing the Pads
Are you using the Pad Pattern function?
(KIT/CONTROL/Pad Ptn; p. 63)
If so, look at your settings. Or see p. 63.
When triggering/playing a song that is set to “LOOP” or
“ONE SHOT” mode, if you trigger another song (from a
pad), also in “LOOP” or “ONE SHOT” mode then the last
song played will have priority. Don't forget that some
“songs” are very short, a few notes, or even one chord. So
“sudden” stops can be caused by accidently triggering one
of these short songs. Always check your Pad Pattern
settings.
Sound is distorted
Sound in Headphones Distorted
Sometimes, setting the headphone output too
high using certain tones can make it appear
that the sound is somewhat distorted.
Turn down [VOLUME] completely. This alleviates the
distortion.
Output Sound Is Distorted
Sounds may become distorted somewhat
because of certain instrument and equalizer
settings.
Lower the pad’s instrument volume.
(KIT/INST/Level; p. 59)
Setting the Pan (positioning) at or near the center may
suppress the distortion. (KIT/INST/Pan; p. 59)
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115
Troubleshooting
Appendices
Problems Operating the TD-6V
Striking Pads Does Not Switch the
Settings Screen
Is the pad’s settings screen locked?
(SETUP/MIDI COMMON/Note Chase; p. 57, p.
97)
Press [+] to set this to “ON.”
You can press [SHIFT] + [ ] or [ ] to switch to other
pads’ settings screens.
Song Screen Not Displayed
Is GM Mode set to “ON?”
(SETUP/MIDI COMMON/GM Mode; p. 99)
Press [-] to set this to “OFF.” The sequencer does not
function when the TD-6V is in GM mode.
Cannot Record or Edit User Song
Is Song Lock set to “ON?”
(SONG/COMMON/Song Lock; p. 86)
Press [-] to set this to “OFF.”
Cannot Carry Out Bulk Dump
Is the MIDI connector used to connect the MIDI
cable correct? (p. 95)
If you wish to save a bulk dump on an external device,
connect the TD-6V’s MIDI OUT/THRU connector to the
external sequencer’s MIDI IN connector.
Could the external MIDI device be set in such a
way as to cause it to decline the reception of
MIDI Exclusive messages?
Refer to the owner’s manual for the external MIDI device,
then set it so that the reception of System Exclusive data is
enabled.
System exclusive data is data unique to individual devices,
so verify all settings.
Display Is Too Light Or Too
Dark
Is the display contrast properly adjusted?
(SETUP/UTILITY/LCD Contrast; p. 76)
Press [+] or [-] to make the setting.
The visibility of the display will change depending on the
viewing angle and on room lighting conditions. The
visibility of the display will change depending on the
viewing angle and on room lighting conditions.
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116
Messages and Error Messages
This section explains the meaning of the various error
messages and other messages that the TD-6V may display,
and describes the measures to take when these appear.
When [EXIT] appears as shown in the following figure, you
can press [EXIT] to dismiss the message.
fig.e-001_50
System and Battery Error
Messages
System Error!
fig.e-002_50
A problem has occurred with the internal system. Consult
your Roland dealer or nearest Roland Service Center.
Backup NG! Execute Reset All!
fig.e-003_50
Data in the TD-6V’s memory may be corrupted.
The TD-6V’s internal backup battery (the battery used for
saving User memory data) is fully drained; internal data has
been lost.
Consult your dealer or a nearby Roland service station to have
the battery replaced.
You can use the TD-6V temporarily by following the
instructions appearing in the display.
1.
Press [ENTER ].
fig.e-003a_50
2.
Press [ENTER ] once again.
Factory Reset is executed, enabling you to use the TD-6V
temporarily.
Carrying out a Factory Reset deletes all of the current TD-6V’s
data and settings, and returns them to the original factory
settings.
Backup Battery Low!
fig.e-004_50
The internal backup battery of the TD-6V (a battery that
maintains data in the user memory) has run down.
Contact your dealer or a nearby Roland service center to have
the battery replaced.
Messages and Error Messages
Related to Sequencers and
Songs
DATA OVERLOAD!
fig.e-008_50
Song contained an excessive amount of data, and as a result
could not be output successfully from MIDI OUT.
Try eliminating a track that has too much data.
999 Measure Maximum!
fig.e-009_50
The maximum number of measures for one song has been
exceeded, and as a result no more can be recorded to the song.
Not Enough Memory!
fig.e-010_50
Song recording or editing could not be carried out because
there was not enough internal memory.
Try deleting songs that are no longer needed (SONG/
DELETE; p. 90).
Changes Not Saved! Preset Song!
fig.e-011_50
This is a Preset song; changes to settings are not saved.
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117
Messages and Error Messages
Appendices
Song Lock ON!
fig.e-012_50
Song Lock is on for this song; it cannot be edited or recorded.
Set Song Lock to “OFF” (SONG/COMMON/Song Lock; p.
86).
Empty Song!
fig.e-013_50
This song contains no performance data; it cannot be edited.
No Empty Song!
fig.e-014_50
There are no empty songs for recording.
Try deleting songs that are no longer needed (SONG/
DELETE; p. 90).
New User Song Selected!
fig.e-015_50
Select a new User song automatically.
This is displayed when the following operations are carried
out.
When pressing [SHIFT] + [STOP ] in the song screen
or the screen for selecting the copy destination in song
copy
When [REC ] is pressed with a Preset song selected
Preset Song!
fig.e-015_50
This is the preset song; the settings cannot be changed.
Messages and Error Messages
Related to MIDI
MIDI Offline!
fig.e-005_50
Something has caused a break in communication with the
external MIDI device.
Check that MIDI cables have not been disconnected or broken.
Checksum Error!
fig.e-006_50
The checksum value of a system exclusive message was
incorrect.
Correct the checksum value.
MIDI Buffer Full!
fig.e-007_50
A large amount of MIDI messages were received, and could
not be processed completely.
Confirm that the external MIDI device is properly connected
(p. 105). If this does not resolve the problem, reduce the
amount of MIDI messages being transmitted to the TD-6V.
Data Transmitting... Please, Wait.
fig.e-017_50
Bulk data is being transmitted in response to an external
request for transmission.
Bulk Data Transmit Aborted!
fig.e-018_50
The bulk dump has been cancelled.
Data Receiving... Please, Wait.
fig.e-019_50
Bulk data is being received. Do not turn off the power.
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118
Drum Kit List
No. Drum Kit Name Remark
Featured Kits
1
RoseWood
2
BeeBop X x-stick
3
Yo Yo
4
RokCncrt
5
LtnPerc+ Pad Pattern
(SNR_H,CR1_R)
6
Orch Set
7
TblaTun+ Pad Pattern (RD_H,RD_R)
8
1ManBnd+ Pad Pattern
(KIK,CR1_R,CR2_R)
9
Scary
10
Guitars+ Pad Pattern (HH_H)
Acoustic Drum Kits I
11
PopKit X x-stick
12
Brushes
13
Groove
14
Rock It!
15
Birch
16
Ballad X x-stick
17
Natural
18
SteelSnr
19
TKO
Percussion Kits
20
Far Away
21
TmbleKit
22
BongoKit
23
CongaKit
24
Melody
Electronic Kits I
25
TR-808
26
Tekno
27
Mexi-Mix
28
Electro
29
TR-909
30
909Mix
31
808...9!
32
Jungle
33
ElecBoom
34
Science!
35
Aco&Elec
Rock Kits
36
HevyRock
37
DenkiRok
38
Rocker X x-stick
39
HevyMetl
40
Wt Room
Rock Melodic Kits
41
RockBnd+ Pad Pattern
(T2_R, AUX, T4)
42
“A”Team+ Pad Pattern (CR1_R)
Sequence Kits
43 SynBass+ Pad Pattern
(KIK, CR1_H, CR1_R,
CR2-H, RD_H)
44 DrmSolo+ Pad Pattern
(KIK, T1_R, T2-R, T3_R)
45 BIGBand+ Pad Pattern
(KIK, CR1_H,
CR1_R, CR2_R, AUX)
46 Ksnowki+ Pad Pattern (CR1_R)
47 RimSong+ Pad Pattern
(T1_R, T2_R, T3_R,
CR1_R, CR2_R, AUX)
48 Drm’nBs+ Pad Pattern
(CR2_H, CR2_R)
49 Tabla+ Pad Pattern
(CR1_R, RD_H)
50 LtnSqnc+ Pad Pattern
(CR1_R, CR2_R)
51 808Mix+ Pad Pattern (CR2_R)
Voice Kits
52 Voices
53 “Scat”
Effect Kits
54 SlowTape
55 LowFi
56 Kids
57 PedalEFX
58 Gate
59 JunkYard
60 Cartoon
No. Drum Kit Name Remark
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119
Drum Kit List
Appendices
Jazz Kits
61
BrshSwel
62
Jazz
63
Sizzle
64
JazzOne
Electronic Kits II
65
HipHop
66
R&B1
67
R&B2
68
Dance808
Funk Kits
69
JazzFunk
70
PowrFusn
71
Pocket
Ambience Kits
72
Dome
73
JzThet X x-stick
74
TileRoom
75
GigaHall
76
Cave
77
Dry&Wet
No. Drum Kit Name Remark
Acoustic Drum Kits II
78
DoubleHH
79
AJ Fusn
80
AcuStick
81
AppleStr
82
Crack!
83
Buzz
84
Ringer
85
Slip
86
Fibre
87
Oyster
88
Gospel
89
CopprSnr
90
BrassSnr
91
BrikHous
92
Studio1
93
Studio2
94
Roto Kit
95
Standrd1
96
Standrd2
97
Room
98
Power
99
User Kit
No. Drum Kit Name Remark
No.
: Drum Kit Number (Program Number)
+
:
Pad Pattern
:
The pad pattern function (p. 63) is set for the pads within the parentheses ( ).
(KIK = Kick, SNR = Snare, HH = Hi-Hat, T = Tom, CR = Crash, RD = Ride, H = Head, R = Rim)
x-stick
:
A velocity switching “snare rim” sound, that when played softly produces a cross stick sound, and when played harder
produces a rim shot sound.
You can use cross sticks when using a rim-capable pad for the snare (Trigger Input 2).
No62 Jazz, No.95 Standrd1– No.98 Power:
This kit has the instruments in each percussion set assigned to the pads.
No.99 User Kit:
Parameters including volume etc. are set to standard values.
Use this when creating a kit from scratch.
You can restore an edited drum kit to its factory settings. For more information, refer to “Restoring the Factory Settings
for the Edited Drum Kit” (p. 68).
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120
Drum Instrument List
No. Name Remark
KICK
1
DblHeadK
2
Sharp K
3
Acous K
4
Meat K
5
R8 Low K
6
R8 Dry K
7
WdBeatrK
8
Open K
9
VintageK
10
26"DeepK
11
ThickHdK
12
Round K
13
Medium K
14
BigRoomK
15
Big K
16
BigLow K
17
Studio1K
18
Studio2K
19
Studio3K
20
Studio4K
21
Studio5K
22
Studio6K
23
Studio7K
24
Studio8K
25
Buzz 1 K
26
Buzz 2 K
27
Buzz 3 K
28
Buzz 4 K
29
Buzz 5 K
30
Room 1 K
31
Room 2 K
32
Room 3 K
33
Room 4 K
34
Room 5 K
35
Room 6 K
36
Room 7 K
37
Amb 1 K
38
Amb 2 K
39
Amb 3 K
40 Amb 4 K
41 Solid1 K
42 Solid2 K
43 Solid3 K
44 Jazz 1 K
45 Jazz 2 K
46 18"JazzK
47 BrshHitK
48 Wood 1 K
49 Wood 2 K
50 Wood 3 K
51 Wood 4 K
52 Maple1 K
53 Maple2 K
54 Oak K
55 Birch K
56 RoseWodK
57 OnePly K
58 Oyster K
59 Dry K
60 DryMed K
61 DryHardK
62 DeepDryK
63 Fusion K
64 SandBagK
65 BsktBalK
66 Mondo K
67 MdVrb1 K
68 MdVrb2 K
69 Sizzle K
70 Box K
71 Ninja K
72 Dance K
73 House K
74 Pillow K
75 Rap K
76 TR808 K
77 808HardK
78 808BoomK
79 808NoizK
80 TR909 K
81 909WoodK
82 909HdAtK
83 ElephntK
84 Cattle K
85 Door K
86 Punch K
87 MachineK
88 Broken K
89 BendUp K
90 HrdNoizK
91 R8SolidK
92 ThinHedK
93 Tight K
94 Chunk K
95 Gate K
96 Giant K
97 Inside K
98 Std1 1 K
99 Std1 2 K
100 Std2 1 K
101 Std2 2 K
102 Room 8 K
103 Room 9 K
104 Power K1
105 Power K2
106 Jazz 3 K
107 Jazz 4 K
108 Brush K
109 Elec 1 K
110 Elec 2 K
111 ElBend K
112 Plastk1K
113 Plastk2K
114 Gabba K
115 Gabba2 K
116 Tail K
117 Jungle K
118 HipHop K
119 LoFi 1 K
120 LoFi 2 K
121 LoFi 3 K
122 LoFi 4 K
123 Noisy K
124 Splat K
125 Scrach1K
126 Scrach2K
127 Hi-Q K
128 Space K
129 SynBassK
SNARE
130 Custom S
131 Cstm RS
132 CstmBr S
133 CstmBrRS
134 CstmSt S
135 CstmStRS
136 Picolo1S
137 Pco1 RS
138 Pco1Br S
139 Pco1BrRS
140 Pco1St S
141 Pco1StRS
142 Picolo2S
143 Pco2 RS
144 Pco2Br S
145 Pco2BrRS
146 Pco2St S
147 Pco2StRS
148 Picolo3S
149 Pco3 RS
150 Pco3Br S
151 Pco3BrRS
152 Pco3St S
153 Pco3StRS
154 Medium1S
155 Med1 RS
156 Med1 XS
*x-stick
157 Med1Br S
158 Med1BrRS
159 Med1BrXS
*x-stick
160 Med1St S
161 Med1StRS
162 Med1StXS
*x-stick
163 Medium2S
164 Med2 RS
165 Med2Br S
166 Med2BrRS
167 Med2St S
168 Med2StRS
169 Medium3S
170 Med3 RS
171 Med3Br S
172 Med3BrRS
173 Med3St S
174 Med3StRS
175 Medium4S
176 Med4 RS
177 Med4Br S
178 Med4BrRS
179 Med4St S
180 Med4StRS
181 Fat1 S
182 Fat1 RS
183 Fat1Br S
184 Fat1BrRS
185 Fat1St S
186 Fat1StRS
187 Fat2 S
188 Fat2 RS
189 Fat2Br S
190 Fat2BrRS
191 Fat2St S
192 Fat2StRS
193 AcusticS
194 Acus RS
195 AcusBr S
196 AcusBrRS
197 AcusSt S
198 AcusStRS
199 VintageS
200 Vntg RS
201 VntgBr S
202 VntgBrRS
203 VntgSt S
204 VntgStRS
205 Comp S
206 Comp RS
207 CompBr S
208 CompBrRS
209 CompSt S
210 CompStRS
211 Jazz S
212 Jazz RS
213 Jazz XS
*x-stick
214 JazzBr S
215 JazzBrRS
216 JazzBrXS
*x-
stick
217 JazzSt S
218 JazzStRS
219 JazzStXS
*x-stick
220 Dirty S
221 Drty RS
222 DrtyBr S
223 DrtyBrRS
224 DrtySt S
225 DrtyStRS
226 13" S
227 13" RS
228 Birch S
229 Birch RS
230 TD7Mpl S
231 TD7MplRS
232 Ballad S
233 Brush1 S
234 Brush2 S
235 Brush3 S
236 Brsh Tap
237 Brsh Slp
238 Brsh Swl
239 BrshTmbS
240 MIDIBr1S
241 MIDIBr2S
242 MIDIBr3S
243 Boston S
244 BostonRS
245 Bronze S
246 Brnz RS
247 Bronze2S
248 Brnz2 RS
249 Birch2 S
250 Copper S
251 Copper2S
252 10" S
253 L.A. S
254 London S
255 Ring S
256 Ring RS
257 Rock S
258 Rock RS
259 R8MapleS
260 R8Mpl RS
261 BigShotS
262 Std1 1 S
263 Std1 2 S
TD-6KV_e.book 120 ページ 2005年1月24日 月曜日 午後7時4分
Appendices
Drum Instrument List
121
264
Std2 1 S
265
Std2 2 S
266
Room 1 S
267
Room 2 S
268
Power1 S
269
Power2 S
270
Gate S
271
Jazz 2 S
272
Jazz 3 S
273
Funk S
274
Funk RS
275
Bop S
276
Bop RS
277
Picolo5S
278
Pco5 RS
279
Picolo6S
280
Pco6 RS
281
Medium5S
282
Med5 RS
283
Medium6S
284
Med6 RS
285
Medium7S
286
Med7 RS
287
Medium8S
288
Med8 RS
289
Fat3 S
290
Fat3 RS
291
Fat4 S
292
Fat4 RS
293
DynamicS
294
Dynmc RS
295
Roll S
296
Buzz S
297
Dopin1 S
298
Dopin2 S
299
Reggae S
300
Cruddy S
301
Dance1 S
302
Dance2 S
303
House S
304 HousDpnS
305 Clap! S
306 Whack S
307 TR808 S
308 TR909 S
309 Elec 1 S
310 Elec 2 S
311 Elec 3 S
312 ElNoiz S
313 HipHop1S
314 HipHop2S
315 LoFi S
316 LoFi RS
317 Radio S
318 CrsStk 1
319 CrsStk 2
320 CrsStk 3
321 CrsStk 4
322 CrsStk 5
323 CrsStk 6
324 808Crstk
TOM
325 OysterT1
326 OysterT2
327 OysterT3
328 OysterT4
329 Comp T1
330 Comp T2
331 Comp T3
332 Comp T4
333 Fibre T1
334 Fibre T2
335 Fibre T3
336 Fibre T4
337 Dry1 T1
338 Dry1 T2
339 Dry1 T3
340 Dry1 T4
341 Dry2 T1
342 Dry2 T2
343 Dry2 T3
344 Dry2 T4
345 Maple T1
346 Maple T2
347 Maple T3
348 Maple T4
349 Rose T1
350 Rose T2
351 Rose T3
352 Rose T4
353 SakuraT1
354 SakuraT2
355 SakuraT3
356 SakuraT4
357 Jazz1 T1
358 Jazz1 T2
359 Jazz1 T3
360 Jazz1 T4
361 Jazz2 T1
362 Jazz2 T2
363 Jazz2 T3
364 Jazz2 T4
365 Buzz1 T1
366 Buzz1 T2
367 Buzz1 T3
368 Buzz1 T4
369 Buzz2 T1
370 Buzz2 T2
371 Buzz2 T3
372 Buzz2 T4
373 Buzz3 T1
374 Buzz3 T2
375 Buzz3 T3
376 Buzz3 T4
377 Buzz4 T1
378 Buzz4 T2
379 Buzz4 T3
380 Buzz4 T4
381 NatralT1
382 NatralT2
383 NatralT3
384 NatralT4
385 Natrl2T1
386 Natrl2T2
387 Natrl2T3
388 Natrl2T4
389 StudioT1
390 StudioT2
391 StudioT3
392 StudioT4
393 Slap T1
394 Slap T2
395 Slap T3
396 Slap T4
397 Room1 T1
398 Room1 T2
399 Room1 T3
400 Room1 T4
401 Room2 T1
402 Room2 T2
403 Room2 T3
404 Room2 T4
405 Room3 T1
406 Room3 T2
407 Room3 T3
408 Room3 T4
409 Room4 T1
410 Room4 T2
411 Room4 T3
412 Room4 T4
413 Room5 T1
414 Room5 T2
415 Room5 T3
416 Room5 T4
417 Big T1
418 Big T2
419 Big T3
420 Big T4
421 Rock T1
422 Rock T2
423 Rock T3
424 Rock T4
425 Punch T1
426 Punch T2
427 Punch T3
428 Punch T4
429 Oak T1
430 Oak T2
431 Oak T3
432 Oak T4
433 Balsa T1
434 Balsa T2
435 Balsa T3
436 Balsa T4
437 VintgeT1
438 VintgeT2
439 VintgeT3
440 VintgeT4
441 Brsh1 T1
442 Brsh1 T2
443 Brsh1 T3
444 Brsh1 T4
445 Brsh2 T1
446 Brsh2 T2
447 Brsh2 T3
448 Brsh2 T4
449 Dark T1
450 Dark T2
451 Dark T3
452 Dark T4
453 AttackT1
454 AttackT2
455 AttackT3
456 AttackT4
457 Hall T1
458 Hall T2
459 Hall T3
460 Hall T4
461 Birch T1
462 Birch T2
463 Birch T3
464 Birch T4
465 Beech T1
466 Beech T2
467 Beech T3
468 Beech T4
469 Micro T1
470 Micro T2
471 Micro T3
472 Micro T4
473 Bend T1
474 Bend T2
475 Bend T3
476 Bend T4
477 Bowl T1
478 Bowl T2
479 Bowl T3
480 Bowl T4
481 Dirty T1
482 Dirty T2
483 Dirty T3
484 Dirty T4
485 Std 1 T1
486 Std 1 T2
487 Std 1 T3
488 Std 1 T4
489 Std 1 T5
490 Std 1 T6
491 Std 2 T1
492 Std 2 T2
493 Std 2 T3
494 Std 2 T4
495 Std 2 T5
496 Std 2 T6
497 Room6 T1
498 Room6 T2
499 Room6 T3
500 Room6 T4
501 Room6 T5
502 Room6 T6
503 Power T1
504 Power T2
505 Power T3
506 Power T4
507 Power T5
508 Power T6
509 Jazz3 T1
510 Jazz3 T2
511 Jazz3 T3
512 Jazz3 T4
513 Jazz3 T5
514 Jazz3 T6
515 Brsh3 T1
516 Brsh3 T2
517 Brsh3 T3
518 Brsh3 T4
519 Brsh3 T5
520 Brsh3 T6
521 Gate T1
522 Gate T2
523 Gate T3
524 Gate T4
525 LoFi T1
526 LoFi T2
527 LoFi T3
528 LoFi T4
529 ElBendT1
530 ElBendT2
531 ElBendT3
532 ElBendT4
533 ElBnd2T1
534 ElBnd2T2
535 ElBnd2T3
536 ElBnd2T4
537 ElBnd3T1
538 ElBnd3T2
539 ElBnd3T3
540 ElBnd3T4
541 ElNoisT1
542 ElNoisT2
543 ElNoisT3
544 ElNoisT4
545 ElDualT1
546 ElDualT2
547 ElDualT3
548 ElDualT4
TD-6KV_e.book 121 ページ 2005年1月24日 月曜日 午後7時4分
122
Drum Instrument List
No. Name Remark
549
Elec T1
550
Elec T2
551
Elec T3
552
Elec T4
553
Elec T5
554
Elec T6
555
TR808 T1
556
TR808 T2
557
TR808 T3
558
TR808 T4
559
TR808 T5
560
TR808 T6
HI-HAT
561
Pure HH
562
PureEgHH
563
BrightHH
564
BritEgHH
565
Jazz HH
566
JazzEgHH
567
Thin HH
568
ThinEgHH
569
Heavy HH
570
HevyEgHH
571
Light HH
572
LigtEgHH
573
Dark HH
574
DarkEgHH
575
12" HH
576
12"Eg HH
577
13" HH
578
13"Eg HH
579
14" HH
580
14"Eg HH
581
15" HH
582
15"Eg HH
583
Brush1HH
584
Brush2HH
585
SizzleHH
586
Sizle2HH
587
Voice HH
588
HandC HH
589 TambrnHH
590 MaracsHH
591 TR808 HH
592 TR909 HH
593 CR78 HH
594 Mtl808HH
595 Mtl909HH
596 Mtl78 HH
597 LoFi1 HH
598 LoFi2 HH
CRASH
599 Med14 Cr
600 Med16 Cr
601 Med18 Cr
602 Quik16Cr
603 Quik18Cr
604 Thin16Cr
605 Thin18Cr
606 Brsh1 Cr
607 Brsh2 Cr
608 SzlBr Cr
609 Swell Cr
610 Splsh 6"
611 Splsh 8"
612 Splsh10"
613 Splsh12"
614 Cup 4"
615 Cup 6"
616 HdSpl 8"
617 HdSpl10"
618 China10"
619 China12"
620 China18"
621 China20"
622 SzlChina
623 SwlChina
624 PgyzBack
625 PgyCrsh1
626 PgyCrsh2
627 PgyCrsh3
628 PgSplsh1
629 PgSplsh2
630 PhaseCym
631 Elec Cr
632 TR808 Cr
633 LoFi1 Cr
634 LoFi2 Cr
RIDE
635 Jazz Rd
636 Jazz RdE
637 Jazz RdB
638 Jazz RdX
*Bow/Bell
639 Pop Rd
640 Pop RdE
641 Pop RdB
642 Pop RdX
*Bow/Bell
643 Rock Rd
644 Rock RdE
645 Rock RdB
646 Rock RdX
*Bow/Bell
647 Lite Rd
648 Lite RdE
649 Lite RdB
650 Lite RdX
*Bow/Bell
651 CrashRd
652 CrashRdE
653 DkCrsRd
654 DkCrsRdE
655 Brsh1 Rd
656 Brsh2 Rd
657 SzlBr Rd
658 Szl1 Rd
659 Szl1 RdE
660 Szl1 RdB
661 Szl1 RdX
*Bow/Bell
662 Szl2 Rd
663 Szl2 RdE
664 Szl2 RdB
665 Szl2 RdX
*Bow/Bell
666 Szl3 Rd
667 Szl3 RdE
668 Szl3 RdB
669 Szl3 RdX
*Bow/Bell
670 Szl4 Rd
671 Pgy Rd1
672 Pgy Rd1B
673 Pgy Rd1X
*Bow/Bell
674 Pgy Rd2
675 Pgy Rd2B
676 Pgy Rd2X
*Bow/Bell
677 LoFi Rd
678 LoFi RdE
679 LoFi RdB
PERCUSSION
680 R8Bng Hi
681 R8Bng Lo
682 R8Bng2Hi
683 R8Bng2Lo
684 Bongo Hi
685 Bongo Lo
686 Bongo2Hi
687 Bongo2Lo
688 R8Cng Mt
689 R8Cng Hi
690 R8Cng Lo
691 Conga Mt
692 Conga Sl
693 Conga Op
694 Conga Lo
695 CngMt VS
696 CngSl VS
697 Cowbell1
698 Cowbell2
699 CowblDuo
700 Claves
701 GiroLng1
702 GuiroSht
703 GiroLng2
704 Guiro VS
705 Maracas
706 Shaker
707 SmlShakr
708 Tambrn 1
709 Tambrn 2
710 Tambrn 3
711 Tambrn 4
712 Tmbl1 Hi
713 Tmbl1 Rm
714 Tmbl1 Lo
715 Paila
716 Tmbl2 Hi
717 Tmbl2 Lo
718 VibraSlp
719 Agogo Hi
720 Agogo Lo
721 Agogo2Hi
722 Agogo2Lo
723 CabasaUp
724 CabasaDw
725 CabasaVS
726 CuicaMt1
727 Cuica Op
728 Cuica Lo
729 CuicaMt2
730 PandroMt
731 PandroOp
732 PandroSl
733 PandroVS
734 SurdoHMt
735 SurdoHOp
736 SurdoHVS
737 SurdoLMt
738 SurdoLOp
739 SurdoLVS
740 Whistle
741 Whisl Sh
742 Caxixi
743 Tabla Na
744 TablaTin
745 TablaTun
746 Tabla Te
747 Tabla Ti
748 Baya Ge
749 Baya Ka
750 Baya Gin
751 Baya Sld
752 Pot Drum
753 PotDr Mt
754 PotDr VS
755 TalkinDr
756 ThaiGong
757 ThaiGng2
758 BellTree
759 TinyGong
760 Gong
761 TemplBel
762 Wa-Daiko
763 Taiko
764 Sleibell
765 TreeChim
766 TringlOp
767 TringlMt
768 TringlVS
769 R70TriOp
770 R70TriMt
771 R70TriVS
772 Castanet
773 WdBlk Hi
774 WdBlk Lo
775 ConcrtBD
776 ConBD Mt
777 Hand Cym
778 HndCymMt
779 TimpaniG
780 TimpaniC
781 TimpaniE
782 PercHit1
783 PercHit2
784 Orch Maj
785 Orch Min
786 Orch Dim
787 Kick/Rol
788 Kick/Cym
789 OrchRoll
790 OrchChok
791 Hit Roll
792 Finale
793 808Clap
794 808Cwbl1
795 808Cwbl2
796 808Marcs
797 808Clavs
798 808Conga
799 909RIM
800 909CLAP
801 78Cowbel
802 78Guiro
803 78GiroSt
804 78Maracs
805 78MBeat
806 78Tambrn
807 78Bongo
808 78Claves
809 78Rim
810 55Claves
SPECIAL
811 Applause
812 Encore
813 Bird
814 Dog
815 Bubbles
816 Heart Bt
817 Telephon
818 Punch
TD-6KV_e.book 122 ページ 2005年1月24日 月曜日 午後7時4分
Appendices
Drum Instrument List
123
819
KungFoo
820
Pistol
821
Gun Shot
822
Glass
823
Hammer
824
Bucket
825
Barrel
826
TrashCan
827
Af Stomp
828
Bounce
829
CuicaHit
830
Monster
831
AirDrive
832
Car Door
833
Car Cell
834
CarEngin
835
Car Horn
836
Helicptr
837
Thunder
838
Bomb
839
Sticks
840
Click
841
Tamb FX
842
Tek Clik
843
Beep Hi
844
Beep Low
845
MetroBel
846
MetroClk
847
Snaps
848
Clap
849
NoizClap
850
Tek Noiz
851
Mtl Slap
852
R8 Slap
853
Vocoder1
854
Vocoder2
855
Vocoder3
856
DynScrch
857
Scrach 1
858
Scrach 2
859 Scrach 3
860 Scrach 4
861 Scrach 5
862 Scrach 6
863 ScrchLP
864 Phil Hit
865 LoFi Hit
866 Hi-Q
867 Hoo...
868 DaoDrill
869 Scrape
870 Martian
871 CoroCoro
872 CoroBend
873 Burt
874 Boing 1
875 Boing 2
876 TeknoBrd
877 Nantoka!
878 ElecBird
879 MtlBend1
880 MtlBend2
881 MtlNoise
882 MtlPhase
883 Laser
884 Mystery
885 TimeTrip
886 Kick Amb
887 SnareAmb
888 Tom Amb
MELODIC
889 Kalimba
890 Steel Dr
891 Glcknspl
892 Vibraphn
893 Marimba
894 Xylophon
895 Tublrbel
896 Celesta
897 Saw Wave
898 TB Bass
899 SlapBass
900 Gt Slide
901 GtScrach
902 GuitDist
903 GuitBs 1
904 GuitBs 2
905 CutGtDwn
906 CutGtUp
907 FletNoiz
908 Bs Slide
909 WahGtDw1
910 WahGtUp1
911 WahGtDw2
912 WahGtUp2
913 Shami VS
914 Brass VS
915 StrngsVS
916 Pizicato
917 TeknoHit
918 FunkHit1
919 FunkHit2
920 FunkHit3
VOICE
921 Lady Ahh
922 Aoouu!
923 Hooh!
924 Haa!
925 SayYeah!
926 Yeah
927 Ahhh
928 Haaa
929 Achaa!
930 Nope!
931 Bap
932 Dat
933 BapDatVS
934 Doot
935 DaoFall1
936 DaoFall2
937 DaoFall3
938 DaoFall4
939 DoDat VS
940 DoDao VS
941 Scat1 VS
942 Scat2 VS
943 Scat3 VS
944 Scat4 VS
945 Scat5 VS
946 Voice K
947 VoiceLoK
948 Voice S
949 Voice T1
950 Voice T2
951 Voice T3
952 Voice T4
953 Voice Cr
954 Count 1
955 Count 2
956 Count 3
957 Count 4
958 Count 5
959 Count 6
960 Count 7
961 Count 8
962 Count 9
963 Count 10
964 Count 11
965 Count 12
966 Count 13
967 CountAnd
968 Count E
969 Count A
970 Count Ti
971 Count Ta
REVERSE
972 RvsKick1
973 RvsKick2
974 RvsSnr 1
975 RvsSnr 2
976 RvsTom
977 RvsCrsh1
978 RvsCrsh2
979 RvsChina
980 RvsBelTr
981 Rvs Hi-Q
982 RvsMFaze
983 RvsAirDr
984 RvsBoin1
985 RvsBoin2
986 Rvs Bend
987 RvsVocod
988 RvsCarcl
989 RvsEngin
FIXED HI-HAT
990 Std1 CH
991 Std1 ECH
992 Std1 OH
993 Std1 EOH
994 Std1 PdH
995 Std2 CH
996 Std2 ECH
997 Std2 OH
998 Std2 PdH
999 Room CH
1000 Room ECH
1001 Room OH
1002 Room EOH
1003 Room PdH
1004 Powr CH
1005 Powr ECH
1006 Powr OH
1007 Powr PdH
1008 Brsh CH
1009 Brsh ECH
1010 Brsh OH
1011 Brsh PdH
1012 Elec CH
1013 Elec OH
1014 Elec PdH
1015 808 CH
1016 808 ECH
1017 808 OH
1018 808 EOH
1019 808 PdH
1020 LoFi CH
1021 LoFi OH
1022 LoFi EOH
1023 LoFi PdH
OFF
1024 OFF
*x-stick (XS):
A velocity switching “snare rim” sound, that when played softly produces a cross stick sound, and when played
harder, produces a rim shot sound.
*Bow/Bell (RdX):
A “cross-faded” type of sounds. With velocity, you can control “bow” and “bell” sound.
RS: Rim shot sound
VS: Velocity switching sound
Inst Group “FIXED HI-HAT”:
These are hi-hat sounds that cannot be controlled by the hi-hat control pedal.
TD-6KV_e.book 123 ページ 2005年1月24日 月曜日 午後7時4分
27
28
29
31
33
35
30
32
34
39
40
41
43
45
47
42
44
46
36
38
37
87
88
84
86
85
51
52
53
55
57
59
54
56
58
48
50
49
63
64
65
67
69
71
66
68
70
60
62
61
75
76
77
79
81
83
78
80
82
72
74
73
C2
C3
C4
C5
C6
26
25
96
89
91
93
95
90
92
94
C7
24
C1
23
19
21
18
20
22
Note No.
124
Preset Percussion Set List
1. Stndard 1
PC100
Voices
Bs Slide 2
GtScrach 1
Gt Slide 1
CutGtDwn 1
CutGtUp 1
WahGtDw1 1
WahGtUp1 1
WahGtDw2 1
WahGtUp2 1
Hi-Q 1
Mtl Slap 2
Scrach 3 1
Scrach 2 1
Sticks 1
Click 1
MetroClk 1
MetroBel 1
Std1 2 K 2
Std1 1 K 2
CrsStk 3 1
Std1 1 S 3
Clap 1
Std1 2 S 4
Std 1 T6 2
Std1 CH 2
Std 1 T5 2
Std1 PdH 1
Std 1 T4 2
Std1 EOH 1
Std 1 T3 2
Std 1 T2 2
Med16 Cr 2
Std 1 T1 2
Pop Rd 2
China18" 1
Pop RdB 1
Tambrn 1 1
Splsh12" 1
Cowbell1 1
Quik16Cr 2
VibraSlp 1
Pop RdE 1
R8Bng Hi 2
R8Bng Lo 2
Conga Mt 2
Conga Sl 2
Conga Op 2
Tmbl1 Rm 2
Tmbl1 Lo 2
Agogo Hi 1
Agogo Lo 1
CabasaUp 1
Maracas 1
Whisl Sh 1
Whistle 1
GuiroSht 1
GiroLng1 1
Claves 1
WdBlk Hi 1
WdBlk Lo 1
CuicaMt1 1
Cuica Op 1
TringlMt 1
TringlOp 1
Shaker 1
Sleibell 1
BellTree 1
Castanet 1
SurdoLMt 3
SurdoLOp 2
OFF 0
R8Cng Hi 2
TinyGong 1
Gong 1
PandroMt 1
PandroOp 2
PandroSl 1
TreeChim 1
Caxixi 1
2. Stndard 2
PC101
Std2 2 K
Std2 1 K
Std2 1 S
Std2 2 S
Std 2 T6
Std2 CH
Std 2 T5
Std2 PdH
Std 2 T47
Std2 OH
Std 2 T3
Std 2 T2
Std 2 T1
Jazz Rd
Jazz RdB
Cowbell2
Jazz RdE
3. Room
PC102
Room 9 K
Room 8 K
CrsStk 1
Room 1 S
Room 2 S
Room6 T6
Room CH
Room6 T5
Room PdH
Room6 T4
Room EOH
Room6 T3
Room6 T2
Room6 T1
Pop Rd
Pop RdB
Pop RdE
4. Power
PC103
Power K2
Power K1
Power1 S
Power2 S
Power T6
Powr CH
Power T5
Powr PdH
Power T4
Powr OH
Power T3
Power T2
Power T1
Jazz Rd
Jazz RdB
Jazz RdE
5. Electronic
PC104
Elec 2 K
Elec 1 K
CrsStk 3
Elec 1 S
Gate S
Elec T6
Elec CH
Elec T5
Elec PdH
Elec T4
Elec OH
Elec T3
Elec T2
Elec T1
Pop Rd
RvsCrsh2
Pop RdB
Cowbell1
Pop RdE
6. 808/909
PC105
TR909 K
TR808 K
808Crstk
TR808 S
808Clap
TR909 S
TR808 T6
808 ECH
TR808 T5
808 PdH
TR808 T4
808 EOH
TR808 T3
TR808 T2
TR808 CR
TR808 T1
China18”
78Tambrn
808Cwbl1
78Bongo
78Bongo
808Conga
808Conga
808Conga
808Marcs
78GiroSt
78Guiro
808Clavs
TD-6KV_e.book 124 ページ 2005年1月24日 月曜日 午後7時4分
27
28
29
31
33
35
30
32
34
39
40
41
43
45
47
42
44
46
36
38
37
87
88
84
86
85
51
52
53
55
57
59
54
56
58
48
50
49
63
64
65
67
69
71
66
68
70
60
62
61
75
76
77
79
81
83
78
80
82
72
74
73
C2
C3
C4
C5
C6
26
25
96
89
91
93
95
90
92
94
C7
24
C1
23
19
21
18
20
22
Note No.
125
Preset Percussion Set List
Appendices
7. Jazz
PC106
Bs Slide
GtScrach
Gt Slide
CutGtDwn
CutGtUp
WahGtDw1
WahGtUp1
WahGtDw2
WahGtUp2
Hi-Q
Mtl Slap
Scrach 3
Scrach 2
Sticks
Click
MetroClk
MetroBel
Jazz 4 K
Jazz 3 K
CrsStk 3
Jazz 2 S
Clap
Jazz 3 S
Jazz3 T6
Std1 CH
Jazz3 T5
Std1 PdH
Jazz3 T4
Std1 EOH
Jazz3 T3
Jazz3 T2
Med16 Cr
Jazz3 T1
Jazz Rd
China18"
Jazz RdB
Tambrn 1
Splsh12"
Cowbell2
Quik16Cr
VibraSlp
Jazz RdE
R8Bng Hi
R8Bng Lo
Conga Mt
Conga Sl
Conga Op
Tmbl1 Rm
Tmbl1 Lo
Agogo Hi
Agogo Lo
CabasaUp
Maracas
Whisl Sh
Whistle
GuiroSht
GiroLng1
Claves
WdBlk Hi
WdBlk Lo
CuicaMt1
Cuica Op
TringlMt
TringlOp
Shaker
Sleibell
BellTree
Castanet
SurdoLMt
SurdoLOp
OFF
R8Cng Hi
TinyGong
Gong
PandroMt
PandroOp
PandroSl
TreeChim
Caxixi
8. Brush
PC107
Std2 2 K
Brush K
Brsh Tap
Brsh Slp
Brsh Swl
Brsh3 T6
Brsh CH
Brsh3 T5
Brsh PdH
Brsh3 T4
Brsh OH
Brsh3 T3
Brsh3 T2
Brsh1 Cr
Brsh3 T1
Brsh1 Rd
Brsh1 Cr
Jazz Rd
9. Perc Only
PC108
R8Bng2Hi
R8Bng2Lo
Bongo Hi
Bongo Lo
Bongo2Hi
Bongo2Lo
R8Cng Mt
R8Cng Hi
R8Cng Lo
CowblDuo
Tambrn 2
Tambrn 3
Tmbl2 Hi
Tmbl2 Lo
Paila
Tabla Na
TablaTin
TablaTun
Tabla Te
Tabla Ti
Baya Ge
Baya Ka
Baya Gin
Baya Sld
Pot Drum
PotDr Mt
TalkinDr
ThaiGng2
TinyGong
Gong
TemplBel
Wa-Daiko
Taiko
R70TriOp
R70TriMt
TimpaniG
TimpaniG
TimpaniG
TimpaniG
TimpaniG
TimpaniC
TimpaniC
TimpaniC
ThaiGong
ThaiGong
ThaiGong
ThaiGong
PercHit1
PercHit2
Orch Maj
Orch Min
Orch Dim
Kick/Rol
Kick/Cym
OrchRoll
OrchChok
Hit Roll
Finale
Applause
Encore
TreeChim
808Clap
808Cwbl1
808Cwbl2
808Marcs
808Clavs
808Conga
909RIM
909CLAP
78Cowbel
78Guiro
78GiroSt
78Maracs
78MBeat
78Tambrn
78Bongo
78Claves
78Rim
55Claves
10. Special
PC109
FunkHit2
FunkHit2
FunkHit2
FunkHit2
FunkHit3
FunkHit3
FunkHit3
FunkHit3
FunkHit1
FunkHit1
FunkHit1
FunkHit1
TeknoHit
TeknoHit
TeknoHit
TeknoHit
Heart Bt
Glass
Pistol
ScrchLP
Phil Hit
LoFi Hit
Boing 1
Monster
Count
Count
Count
Count
Count
Bomb
Thunder
Car Door
Car Cell
CarEngin
Car Horn
Helicptr
Gt Slide
GtScrach
GuitDist
GuitBs 1
GuitBs 2
FletNoiz
Shami VS
Brass VS
StrngsVS
StrngsVS
StrngsVS
Pizicato
RvsKick1
RvsSnr 2
RvsCrsh2
RvsChina
Lady Ahh
Aoouu!
Hooh!
Haa!
SayYeah!
Yeah
Ahhh
Haaa
Achaa!
Nope!
Bap
Dat
Scat3 VS
Doot
DaoFall1
DaoFall2
DaoFall3
DaoFall4
DoDat VS
DoDat VS
DoDat VS
DoDao VS
Scat1 VS
Scat2 VS
Scat2 VS
Scat2 VS
Scat4 VS
Mute
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
*
Drum Kit
Note Numbers
The note numbers assigned
to each trigger inputs
TRIG 3 (HI-HAT)CLOSE RIM
TRIG 3 (HI-HAT)OPEN RIM
TRIG 8 (TOM4)
TRIG 6 (AUX)
TRIG 1 (KICK1)
TRIG 2 (SNARE)
TRIG 2 (SNARE) RIM
TRIG 7 (TOM3)
TRIG 3 (HI-HAT) CLOSED
TRIG 3 (HI-HAT) PEDAL
TRIG 5 (TOM2)
TRIG 3 (HI-HAT) OPEN
TRIG 4 (TOM1)
TRIG 9 (CRASH1)
TRIG 4 (TOM1) RIM
TRIG 11 (RIDE)
TRIG 10 (CRASH2) RIM
TRIG 11 (RIDE) RIM
TRIG 9 (CRASH1) RIM
TRIG 10 (CRASH2)
PC: Program Number
: Same as the left
Voices:
Number of voice used
*: Note number for muted
drum sounds when
muting only the drum
instruments of the
percussion part.
In GM Mode, “Standard
1” is assigned.
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126
Backing Instrument List
PC CC0 Name Voices
PIANO
1
0 Piano 1 1
8 Piano 1w 2
16 Piano 1d 1
2
0 Piano 2 1
8 Piano 2w 2
3
0 Piano 3 1
8 Piano 3w 2
4
0 Honky-tonk 2
8 Honky-tonk w 2
E. PIANO
5
0 E.Piano 1 1
8 Detuned EP 1 2
24 60’s E.Piano 1
64 FM+SA EP 2
65 Hard Rhodes 2
6
0 E.Piano 2 2
64 Bright FM EP 2
CLAVI
7
0 Harpsichord 1
8 Coupled Hps. 2
16 Harpsi.w 2
24 Harpsi.o 2
8
0 Clav. 1
64 Funk Clav. 2
CHROMATIC PERCUSSION
9
0 Celesta 1
10
0 Glockenspiel 1
11
0 Music Box 1
12
0 Vibraphone 1
8 Vib.w 2
13
0 Marimba 1
14
0 Xylophone 1
15
0 Tubular-bell 1
8 Church Bell 1
9 Carillon 1
16
0 Santur 1
ORGAN
17
0 Organ 1 1
8 Detuned Or.1 2
16 60's Organ 1 1
32 Organ 4 2
64 SC88 Organ 4 1
65 Even Bar 2
18
0 Organ 2 1
8 Detuned Or.2 2
32 Organ 5 2
19
0 Organ 3 2
20
0 Church Org.1 1
8 Church Org.2 2
16 Church Org.3 2
21
0 Reed Organ 1
22
0 Accordion Fr 2
8 Accordion It 2
23
0 Harmonica 1
24
0 Bandoneon 2
GUITAR
25
0 Nylon-str.Gt 1
26
0 Steel-str.Gt 1
8 12-str.Gt 2
64 Nylon+Steel 2
27
0 Jazz Gt. 1
8 Hawaiian Gt. 1
28
0 Clean Gt. 1
8 Chorus Gt. 2
29
0 Muted Gt. 1
64 Muted Gt.2 2
65 Pop Gt. 1
66 Funk Gt. 1*
67 Funk Gt.2 1*
30
0 Overdrive Gt 1
64 Fdbk.Odrv.Gt 2
31
0 DistortionGt 1
8 Feedback Gt. 2
64 Heavy Gt. 1
65 Fdbk. Hvy.Gt 2
66 Muted Dis.Gt 1
67 Rock Rhythm 2
32 0 Gt.Harmonics 1
8 Gt. Feedback 1
*: VELOCITY SWITCH
The tone switches at velocity 116.
BASS
33 0 Acoustic Bs. 2
64 Elctrc.Ac.Bs 2
34 0 Fingered Bs. 1
64 Funk Bass 2
65 Reggae Bass 2
35 0 Picked Bs. 1
64 Mute PickBs1 1
65 Mute PickBs2 1
36 0 Fretless Bs. 1
37 0 Slap Bass 1 1
64 Slap Bass 3 1
65 Reso Slap 1
66 Slap Bass 4 1
38 0 Slap Bass 2 1
SYN. BASS
39 0 Synth Bass 1 1
1 SynthBass101 1
8 Synth Bass 3 1
64 TB303 Bs 1 1
65 TB303 Bs 2 1
66 TB303 Bs 3 1
40 0 Synth Bass 2 2
16 Rubber Bass 2
64 SH101 Bs 1 1
65 SH101 Bs 2 1
66 SH101 Bs 3 1
67 Modular Bass 2
ORCHESTRA
41 0 Violin 1
8 Slow Violin 1
42 0 Viola 1
43 0 Cello 1
44 0 Contrabass 1
45 0 Tremolo Str 1
46 0 PizzicatoStr 1
47 0 Harp 1
48 0 Timpani 1
STRINGS
49 0 Strings 1
8 Orchestra 2
50 0 Slow Strings 1
51 0 Syn.Strings1 1
8 Syn.Strings3 2
64 Syn.Strings4 2
65 OB Strings 2
52 0 Syn.Strings2 2
53 0 Choir Aahs 1
32 Choir Aahs 2 1
54 0 Voice Oohs 1
55 0 SynVox 1
56 0 OrchestraHit 2
BRASS
57 0 Trumpet 1
58 0 Trombone 1
1 Trombone 2 2
59 0 Tuba 1
60 0 MutedTrumpet 1
61 0 French Horn 2
1 Fr.Horn 2 2
62 0 Brass 1 1
8 Brass 2 2
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Backing Instrument List
127
Appendices
SYN. BRASS
63
0 Synth Brass1 2
8 Synth Brass3 2
16 AnalogBrass1 2
64 Synth Brass5 2
65 Poly Brass 2
66 Quack Brass 2
67 Octave Brass 2
64
0 Synth Brass2 2
8 Synth Brass4 1
16 AnalogBrass2 2
64 Soft Brass 2
65 Velo Brass 1 2
66 Velo Brass 2 2
REED
65
0 Soprano Sax 1
66
0 Alto Sax 1
67
0 Tenor Sax 1
68
0 Baritone Sax 1
69
0 Oboe 1
70
0 English Horn 1
71
0 Bassoon 1
72
0 Clarinet 1
PIPE
73
0 Piccolo 1
74
0 Flute 1
75
0 Recorder 1
76
0 Pan Flute 1
77
0 Bottle Blow 2
78
0 Shakuhachi 2
79
0 Whistle 1
80
0 Ocarina 1
SYN. LEAD
81
0 Square Wave 2
1 Square 1
8 Sine Wave 1
82
0 Saw Wave 2
1 Saw 1
8 Doctor Solo 2
64 Big Lead 2
65 Waspy Synth 2
83
0 Syn.Calliope 2
84
0 Chiffer Lead 2
85
0 Charang 2
64 Dist. Lead 1 2
65 Dist. Lead 2 2
66 Funk Lead 2
86
0 Solo Vox 2
87
0 5th Saw Wave 2
64 Big Fives 2
88
0 Bass & Lead 2
64 Big & Raw 2
65 Fat & Perky 2
SYN. PAD
89
0 Fantasia 2
90
0 Warm Pad 1
64 Thick Pad 2
65 Horn Pad 2
91
0 Polysynth 2
64 80's PolySyn 2
92
0 Space Voice 1
93
0 Bowed Glass 2
94
0 Metal Pad 2
64 Panner Pad 2
95
0 Halo Pad 2
96
0 Sweep Pad 1
64 Polar Pad 1
65 Converge 1
SYN. SFX
97
0 Ice Rain 2
98
0 Soundtrack 2
64 Ancestral 2
65 Prologue 2
99 0 Crystal 2
1 Syn Mallet 1
100 0 Atmosphere 2
101 0 Brightness 2
102 0 Goblin 2
103 0 Echo Drops 1
1 Echo Bell 2
2 Echo Pan 2
64 Echo Pan 2 2
65 Big Panner 2
66 Reso Panner 2
104 0 Star Theme 2
ETHNIC MISC
105 0 Sitar 1
1 Sitar 2 2
106 0 Banjo 1
107 0 Shamisen 1
108 0 Koto 1
8 Taisho Koto 2
109 0 Kalimba 1
110 0 Bagpipe 1
111 0 Fiddle 1
112 0 Shanai 1
PERCUSSIVE
113 0 Tinkle Bell 1
114 0 Agogo 1
115 0 Steel Drums 1
116 0 Woodblock 1
8 Castanets 1
117 0 Taiko 1
8 Concert BD 1
118 0 Melo. Tom 1 1
8 Melo. Tom 2 1
119 0 Synth Drum 1
8 808 Tom 1
9 Elec Perc. 1
120 0 Reverse Cym. 1
GUITAR BASS FX
121 0 Gt.FretNoise 1
1 Gt.Cut Noise 1
64 Wah Brush Gt 1
65 Gt. Slide 1
66 Gt. Scratch 1
67 Bass Slide 1
SFX
122 0 Breath Noise 1
1 Fl.Key Click 1
123 0 Seashore 1
1 Rain 1
2 Thunder 1
3 Wind 1
5 Bubble 2
124 0 Bird 2
1 Dog 1
3 Bird 2 1
125 0 Telephone 1 1
1 Telephone 2 1
3 Door 1
5 Wind Chimes 2
126 0 Helicopter 1
2 Car-Stop 1
9 Burst Noise 2
64 Space Tri. 1
127 0 Applause 2
3 Punch 1
128 0 Gun Shot 1
2 Lasergun 1
3 Explosion 2
PC: Program Number
(Instrument Number)
CC: Value of control change
number 0
Voices: Number of voices used
To switch instruments from the
external MIDI device, send “0”
on the CC32# (Control Change
Bank Select) from the external
MIDI device to the TD-6V.
The value of the CC32# (Control
Change Bank Select) that the
TD-6V transmits is always “0.”
TD-6KV_e.book 127 ページ 2005年1月24日 月曜日 午後7時4分
128
Preset Song List
No. Song Name Time Sig Length Tempo Type
DRUMS
1DRUMS 4/4 8 124 LOOP
ROCK
2US ROCK 4/4 35 128 1SHOT
3 ACO ROCK 4/4 26 120 1SHOT
4 8BT'ROK1 4/4 36 114 1SHOT
5 8BT'ROK2 4/4 30 140 1SHOT
6 MED ROK 4/4 24 109 1SHOT
7 SHFL ROK 4/4 26 126 1SHOT
8 FUNK ROK 4/4 32 100 1SHOT
9 SLOW ROK 4/4 20 72 1SHOT
10 URBAN 4/4 29 113 1SHOT
11 UPBEAT 4/4 33 100 1SHOT
12 TRIPLETS 4/4 35 105 1SHOT
13 16BT'ROK 4/4 31 86 1SHOT
14 CYBER 4/4 30 129 1SHOT
15 HARDROCK 4/4 22 195 1SHOT
16 FNKYHR 4/4 20 100 1SHOT
17 BOOGIE 4/4 48 216 1SHOT
18 HARD POP 4/4 38 175 1SHOT
METAL
19 EARLYMTL 4/4 24 120 1SHOT
20 THRASH 4/4 32 195 1SHOT
BALLAD
21 6/8BLD 6/8 28 50 1SHOT
22 POPBLD 4/4 24 65 1SHOT
23 ROCK BLD 4/4 24 64 1SHOT
24 PIANOBLD 4/4 15 65 1SHOT
25 16BT'BLD 4/4 29 75 1SHOT
R&B
26 OLD R&B1 4/4 27 154 1SHOT
27 OLD R&B2 4/4 28 148 1SHOT
28 OLD R&B3 4/4 25 150 1SHOT
29 OLD R&B4 4/4 22 82 1SHOT
30 R&B SHFL 4/4 23 112 1SHOT
31 R&B HOP1 4/4 35 96 1SHOT
32 R&B HOP2 4/4 42 93 1SHOT
33 SMTH GRV 4/4 24 73 1SHOT
34 SHFL GRV 4/4 26 96 1SHOT
BLUES
35 BLUES1 4/4 30 67 1SHOT
36 BLUES2 4/4 36 113 1SHOT
37 BLUES3 4/4 21 55 1SHOT
POPS
38 BGM POP 4/4 27 88 1SHOT
39 REFRESH 4/4 25 89 1SHOT
40 DANCEPOP 4/4 25 120 1SHOT
41 POP ROCK 4/4 38 123 1SHOT
42 ACOUSPOP 4/4 20 89 1SHOT
43 ELEC POP 4/4 25 100 1SHOT
44 POP WLTZ 3/4 26 120 1SHOT
R&R
45 ROCKABLY 4/4 21 96 1SHOT
46 ROCKIN' 4/4 32 170 1SHOT
47 SURF ROK 4/4 24 150 1SHOT
COUNTRY
48 BLUEGRSS 4/4 22 142 1SHOT
49 CNTRYBLD 4/4 36 104 1SHOT
50 CNTRYROK 4/4 37 125 1SHOT
JAZZ
51 SWING1 4/4 39 200 1SHOT
52 SWING2 4/4 37 192 1SHOT
53 JAZZ WLZ 3/4 51 110 1SHOT
54 JAZZ BLD 4/4 42 110 1SHOT
55 LATINJAZ 4/4 37 167 1SHOT
56 6/8 JAZZ 6/8 35 93 1SHOT
57 SMTHJAZZ 4/4 39 183 1SHOT
58 BIGBAND 4/4 32 130 1SHOT
FUSION
59 FUSE 4/4 18 95 1SHOT
60 ACID FS 4/4 29 96 1SHOT
61 SLOW FS 4/4 22 85 1SHOT
62 MED SHFL 4/4 27 86 1SHOT
63 UP SHFL 4/4 37 130 1SHOT
64 FUNK FS1 4/4 41 120 1SHOT
65 FUNK FS2 4/4 24 112 1SHOT
66 3/4 FS 3/4 46 123 1SHOT
67 BGM FS 4/4 25 82 1SHOT
68 CTMP'FS 4/4 25 100 1SHOT
DANCE
69 HIPHOP 4/4 37 90 1SHOT
70 EUROBEAT 4/4 35 132 1SHOT
71 HOUSE 4/4 34 122 1SHOT
72 FUNK1 4/4 24 105 1SHOT
73 FUNK2 4/4 23 113 1SHOT
74 FUNK3 4/4 25 102 1SHOT
75 808HPHOP 4/4 20 102 1SHOT
76 JAZZFUNK 4/4 24 125 1SHOT
77 ACIDFUNK 4/4 24 86 1SHOT
78 HPHPJAZZ 4/4 24 96 1SHOT
79 TEKPOP 4/4 23 118 1SHOT
REGGAE
80 REGGAE1 4/4 22 96 1SHOT
81 REGGAE2 4/4 29 142 1SHOT
82 REGGAE3 4/4 20 132 1SHOT
83 REGGAE4 4/4 24 125 1SHOT
84 SKA 4/4 27 192 1SHOT
No. Song Name Time Sig Length Tempo Type
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129
Preset Song List
Appendices
LATIN
85 LATIN1 4/4 41 120 1SHOT
86 LATIN2 4/4 41 108 1SHOT
87 LATIN3 4/4 33 130 1SHOT
88 MAMBO 4/4 36 182 1SHOT
89 MERENGUE 4/4 36 207 1SHOT
90 SALSA1 4/4 30 115 1SHOT
91 SALSA2 4/4 25 102 1SHOT
92 SALSA3 4/4 47 165 1SHOT
93 SONGO 4/4 24 109 1SHOT
94 TJANO 4/4 24 89 1SHOT
BRAZIL
95 BOSSA 4/4 27 85 1SHOT
96 SAMBA1 4/4 20 152 1SHOT
97 SAMBA2 4/4 28 136 1SHOT
BASICPTN
98 8BEAT1 4/4 8 118 LOOP
99 8BEAT2 4/4 16 140 LOOP
100 8BEAT3 4/4 8 113 LOOP
101 SHUFFL1 4/4 8 120 LOOP
102 SHUFFL2 4/4 8 108 LOOP
103 SLOW1 4/4 4 69 LOOP
104 SLOW2 4/4 8 64 LOOP
105 R&B1 4/4 8 100 LOOP
106 R&B2 4/4 8 104 LOOP
107 BLUES 4/4 12 120 LOOP
108 POP X 4/4 8 124 LOOP
109 DIXIE 4/4 8 162 LOOP
110 FUNK1 4/4 8 90 LOOP
111 FUNK2 4/4 8 106 LOOP
112 16BEAT1 4/4 4 120 LOOP
113 16BEAT2 4/4 4 112 LOOP
114 HIPHOP2 4/4 4 101 LOOP
115 AMBIENT1 4/4 8 96 LOOP
116 AMBIENT2 4/4 8 120 LOOP
117 TRANCE 4/4 8 132 LOOP
118 RAVE 4/4 8 132 LOOP
119 REGGAE5 4/4 8 122 LOOP
120 BOSSA BT 4/4 4 120 LOOP
LOOP
121 4/4SHAKR 4/4 1 86 LOOP
122 6/8SHAKR 6/8 1 120 LOOP
123 LATN PTN 4/4 2 120 LOOP
124 CLAVES 4/4 1 120 LOOP
125 TABLA 4/4 2 128 LOOP
126 SITRDRON 4/4 1 89 LOOP
1SHOT
127 DRUMFILL 4/4 1 120 1SHOT
128 DBL BASS 4/4 1 130 1SHOT
129 ROLL T1 4/4 1 130 1SHOT
130 ROLL T2 4/4 1 130 1SHOT
131 ROLL T3 4/4 1 130 1SHOT
132 LATNFILL 4/4 2 120 1SHOT
133 ROLLBNGO 4/4 1 117 1SHOT
134 SPANISH 4/4 2 123 1SHOT
135 BRS FALL 4/4 1 120 1SHOT
136 ENCORE 4/4 7 120 1SHOT
No. Song Name Time Sig Length Tempo Type
TAP
137 SAMBA 4/4 1 120 TAP
138 ACO BASS 4/4 4 160 TAP
139 BRS SECT 4/4 5 160 TAP
140 GRV BASS 4/4 2 120 TAP
141 GRV PAD 4/4 2 120 TAP
142 GRV CHRD 4/4 1 120 TAP
143 ADLBSOLO 4/4 16 120 TAP
144 JAZZEND1 4/4 6 60 TAP
145 JAZZEND2 4/4 4 100 TAP
146 FUNK BRK 4/4 1 130 TAP
147 FUNKEND1 4/4 2 130 TAP
148 FUNKEND2 4/4 3 130 TAP
149 SITARRAG 4/4 17 100 TAP
150 SANTUR 4/4 3 128 TAP
151 STRINGS 4/4 8 128 TAP
152 RESOBASS 4/4 2 120 TAP
153 SYNCHRD1 4/4 3 120 TAP
154 SYNCHRD2 4/4 3 120 TAP
155 A_GTRTAP 4/4 3 120 TAP
156 E_GTRTAP 4/4 3 120 TAP
157 D_GTRTAP 4/4 3 120 TAP
158 C_GTRTAP 4/4 3 120 TAP
159 G_GTRTAP 4/4 3 120 TAP
160 A_STRUM 4/4 3 120 TAP
161 GTRCHRD1 4/4 1 120 TAP
162 GTRCHRD2 4/4 1 120 TAP
163 PAD&BASS 4/4 8 80 TAP
164 ACO GTR 4/4 6 86 TAP
165 WAH GTR 4/4 1 120 TAP
166 CUT GTR 4/4 1 120 TAP
167 VOICES 4/4 2 120 TAP
168 ANLGPERC 4/4 1 120 TAP
169 SFX TAP 4/4 5 120 TAP
170 CAR CELL 4/4 3 120 TAP
No. Song Name Time Sig Length Tempo Type
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130
Parameter List
Drum Kit Parameters
KIT
KIT/INST
KIT/AMBIENCE
KIT/EQUALIZER
KIT/CONTROL
+: This setting cannot be made in GM mode.
KIT/COMMON
*1:
Parameter Value
Drum Kit (p. 55) Drum Kit 1–99
Parameter Value
Inst (p. 58) Instrument 1–1024
Inst Group (p. 57) Instrument Group KICK, SNARE, TOM, HI-HAT, CRASH, RIDE, PERC,
SPECIAL, MELODIC, VOICES, REVERSE,
FIXED HI-HAT, OFF
Level (p. 59) Level 0–127
Pan (p. 59) Pan L15–CENTER–R15, RANDOM, ALTERNATE
Pitch (p. 59) Pitch -480–+480
Decay (p. 59) Decay -31–+31
Parameter Value
Ambience Sw (p. 60) Ambience Switch OFF, ON
AmbSendLevel (p. 60) Ambience Send Level 0–127
Studio (p. 60) Studio Type LIVING, BATHROOM, STUDIO, GARAGE, LOCKER,
THEATER, CAVE, GYM, STADIUM
WallType (p. 61) Wall Type WOOD, PLASTER, GLASS
Room Size (p. 61) Room Size SMALL, MEDIUM, LARGE
Amb Level (p. 61) Ambience Level 0–127
Parameter Value
Master EQ Sw (p. 62) Master Equalizer Switch OFF, ON
High Gain (p. 62) High Gain -12dB–+12dB
Low Gain (p. 62) Low Gain -12dB–+12dB
Parameter Value
Pad Ptn (p. 63) Pad Pattern OFF, 1–270 +
Pad Ptn Velo (p. 63) Pad Pattern Velocity OFF, ON +
Pitch Ctrl (p. 64) Pitch Control Assign OFF, ON
Note No. (p. 64) Note Number 0 (C -)–127 (G 9) +
Gate Time (p. 65) Gate Time 0.1sec–8.0sec (0.1 sec steps) +
Parameter Value
MasterVolume (p. 66) Master Volume 0–127
Pedal HH Vol (p. 66) Pedal Hi-Hat Volume 0–15
PchCtrlRange (p. 66) Pitch Control Range -24–+24
KitName (p. 67) Drum Kit Name 8 characters (*1)
space
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131
Parameter List
Appendices
KIT/COPY
KIT/EXCHANGE
Song Parameters
SONG
+: This setting cannot be made in GM mode.
SONG/COMMON
+: This setting cannot be made in GM mode.
#: This setting cannot be made when the preset song is selected.
*1:
SONG/PART:Perc
+: This setting cannot be made in GM mode.
SONG/PART:Part1–Part4
+: This setting cannot be made in GM mode.
Parameter Value
Src (p. 67) Copy Source P01–P99, U01–U99
Dst (p. 67) Copy Destination U01–U99
Parameter Value
Src (p. 68) Exchange Source P01–P99, U01–U99
Dst (p. 68) Exchange Destination U01–U99
Parameter Value
Song (p. 83) Song 001–270 +
Song Category (p. 83) Song Category DRUMS, ROCK, METAL, BALLAD, R&B, BLUES, POPS,
R&R, COUNTRY, JAZZ, FUSION, DANCE, REGGAE,
LATIN, BRAZIL, BASICPTN, LOOP, 1SHOT, TAP, USER
+
Parameter Value
Tempo (p. 85) Tempo 20–260 +
Play Type (p. 85) Play Type LOOP, 1SHOT, TAP +
Quick Play (p. 86) Quick Play OFF, ON +
Reset Time (p. 86) Reset Time OFF, 0.1s–8.0s (0.1 sec steps) +
Tap Exc Sw (p. 86) Tap Exclusive Switch OFF, ON +
Song Lock (p. 86) Song Lock OFF, ON #
SngName (p. 87) Song Name 8 characters (*1) #
Parameter Value
Set (p. 88) Percussion Set 1–10 +
Level (p. 88) Level 0–127 +
AmbSendLevel (p. 89) Ambience Send Level 0–127 +
Parameter Value
Inst (p. 88) Instrument 1–128 +
Level (p. 88) Level 0–127 +
Pan (p. 89) Pan L15–CENTER–R15 +
AmbSendLevel (p. 89) Ambience Send Level 0–127 +
Bend Range (p. 89) Bend Range 0–24 +
space
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Parameter List
SONG/COPY
+: This setting cannot be made in GM mode.
SONG/DELETE
+: This setting cannot be made in GM mode.
SONG/ERASE
+: This setting cannot be made in GM mode.
Setup Parameters
SETUP/UTILITY
+: This setting cannot be made in GM mode.
SETUP/TRIG BASIC
SETUP/TRIG ADVNCD
Parameter Value
Src (p. 89) Copy Source 001–270 +
Dst (p. 89) Copy Destination 171–270 +
Parameter Value
Song (p. 90) Delete Song 171–270 +
Parameter Value
Song (p. 91) Erase Song 171–270 +
Part (p. 91) Erase Part ALL, KIT, PERC, PART1, PART2, PART3, PART4 +
Parameter Value
LCD Contrast (p. 76) LCD Contrast 1–16
PercPrtLevel (p. 76) Percussion Part Level 0–127 +
Backing Level (p. 77) Backing Level 0–127 +
Mute (p. 77) Mute SongDrum, SongDrm/Prc, UserDrmPart, Part1, Part2,
Part3, Part4, Part1-4
+
Master Tune (p. 77) Master Tune 415.3–466.2 (0.1 Hz steps)
Preview Velo (p. 78) Preview Velocity 0–127
AvailMemory (p. 78) Available Memory 0–100% (check only)
Parameter Value
TrigTyp (p. 69) Trigger Type PD-8, PD Type, PD-80R, PD-120, PD-125, KD-8, KD Type,
CY-8, CY Type, RT-7K, RT-5S, RT-3T, RIM
Secsitivity (p. 71) Sensitivity 1–16
Threshold (p. 72) Threshold 0–15
TrigCurve (p. 72) Trigger Curve LINEAR, EXP1, EXP2, LOG1, LOG2, SPLINE, LOUD1,
LOUD2
Xtalk Cancel (p. 73) Crosstalk Cancel OFF, 20–80 (5 steps)
Parameter Value
Scan Time (p. 74) Scan Time 0–4.0ms (0.1 ms steps)
Retrig Cancel (p. 74) Retrigger Cancel 1–16
Mask Time (p. 74) Mask Time 0–64ms (4ms steps)
Rim Sens (p. 75) Rim Sensitivity OFF, 1–15
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Parameter List
Appendices
SETUP/MIDI COMMON
+: This setting cannot be made in GM mode.
SETUP/MIDI PART
+: This setting cannot be made in GM mode.
SETUP/GM PART
-: This setting can be made in GM mode only.
SETUP/BULK DUMP
SETUP/FactoryReset
Parameter Value
Note Chase (p. 97) Note Chase OFF, ON
Local Control (p. 97) Local Control OFF, ON +
Sync Mode (p. 98) Sync Mode INT, EXT, REMOTE +
CH10Priorty (p. 98) Channel 10 Priority KIT, PERC +
PdlDataThin (p. 99) Pedal Data Thin OFF, 1, 2 +
GM Mode (p. 99) GM Mode OFF, ON
Rx GM ON (p. 100) Rx GM On OFF, ON
Soft Thru (p. 100) Soft Thru OFF, ON
Device ID (p. 101) Device ID 1–32
Tx PC Sw (p. 101) Tx PC Switch OFF, ON +
Rx PC Sw (p. 101) Rx PC Switch OFF, ON +
Parameter Value
KitPart CH (p. 102) Drum Kit Part MIDI Channel 1–16, OFF +
PercPart CH (p. 102) Percussion Part MIDI Channel 1–16, OFF +
Part1 CH (p. 102) Part 1 MIDI Channel 1–16, OFF +
Part2 CH (p. 102) Part 2 MIDI Channel 1–16, OFF +
Part3 CH (p. 102) Part 3 MIDI Channel 1–16, OFF +
Part4 CH (p. 102) Part 4 MIDI Channel 1–16, OFF +
Parameter Value
Part1 Rx Sw (p. 102) Part 1 Rx Switch OFF, ON -
Part2 Rx Sw (p. 102) Part 2 Rx Switch OFF, ON -
Part3 Rx Sw (p. 102) Part 3 Rx Switch OFF, ON -
Part4 Rx Sw (p. 102) Part 4 Rx Switch OFF, ON -
Part5 Rx Sw (p. 102) Part 5 Rx Switch OFF, ON -
Part6 Rx Sw (p. 102) Part 6 Rx Switch OFF, ON -
Part7 Rx Sw (p. 102) Part 7 Rx Switch OFF, ON -
Part8 Rx Sw (p. 102) Part 8 Rx Switch OFF, ON -
Part9 Rx Sw (p. 102) Part 9 Rx Switch OFF, ON -
Part10 Rx Sw (p. 102) Part 10 Rx Switch OFF, ON -
Part11 Rx Sw (p. 102) Part 11 Rx Switch OFF, ON -
Part12 Rx Sw (p. 102) Part 12 Rx Switch OFF, ON -
Part13 Rx Sw (p. 102) Part 13 Rx Switch OFF, ON -
Part14 Rx Sw (p. 102) Part 14 Rx Switch OFF, ON -
Part15 Rx Sw (p. 102) Part 15 Rx Switch OFF, ON -
Part16 Rx Sw (p. 102) Part 16 Rx Switch OFF, ON -
Parameter Value
Bulk Dump (p. 103) Bulk Dump ALL, SETUP, ALL SONGS, ALL KITS, KIT 01–KIT 99
Parameter Value
Reset (p. 78) Factory Reset ALL, THIS DRUM KIT, ALL DRUM KITS, ALL SONGS
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Parameter List
Click Parameters
CLICK
+: This setting cannot be made in GM mode.
Song Recording
Recording Standby
+: This setting cannot be made in GM mode.
Tempo
Tempo
+: This setting cannot be made in GM mode.
Parameter Value
Click Level (p. 79) Click Level 0–127 +
Time Sig (p. 80) Time Signature 0–13/2, 0–13/4, 0–13/8, 0–13/16 +
Interval (p. 80) Interval 1/2, 3/8, 1/4, 4/8, 1/12, 1/16 +
Inst (p. 80) Inst VOICE, CLICK, BEEP, METRONOME, CLAVES,
WOOD BLOCK, STICKS, CROSS STICK, TRIANGLE,
COWBELL, CONGA, TALKING DRM, MARACAS,
CABASA, CUICA, AGOGO, TAMBOURINE, SNAPS, 909
SNARE, 808 COWBELL
+
Pan (p. 80) Pan L15–CENTER–R15 +
PlyCountIn (p. 80) Play Count In OFF, 1MEAS, 2MEAS +
RecCountIn (p. 80) Recording Count In OFF, 1MEAS, 2MEAS +
Parameter Value
Time Sig (p. 93) Time Signature 1–13/2, 1–13/4, 1–13/8, 1–13/16 +
Length (p. 93) Length 1–999 +
Tempo (p. 93) Tempo 20–260 +
Quantize (p. 94) Quantize (8th note), (8th note triplets),
(16th note), (16th note triplets),
(32nd note), (32nd note triplets),
(64th note), OFF
+
Rec Mode (p. 94) Recording Mode REPLACE, LOOP ALL, LOOP 1, LOOP 2 +
HitPadStart (p. 94) Hit Pad Start OFF, ON +
Parameter Value
Tempo (p. 79, p. 85) Tempo 20–260 +
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135
Appendices
Function...
Basic
Channel
Mode
Note
Number :
Velocity
After
Touch
Pitch Bend
Control
Change
Program
Change
System Exclusive
System
Common
System
Real Time
Aux
Messages
Notes
Transmitted Recognized Remarks
Default
Changed
Default
Messages
Altered
True Voice
Note On
Note Off
Key's
Channel's
0, 32
1
4
6
7
10
11
64
91
100, 101
: True Number
: Song Position
: Song Select
: Tune Request
: Clock
: Commands
: All Sound Off
: Reset All Controllers
: Local On/Off
: All Notes Off
: Active Sensing
: System Reset
1–16, OFF
1–16, OFF
Mode 3
X
O 9nH, v = 1–127
O 8nH, v = 64
0–127
0–127
O *1
X
X
X
X
O *1
X
X
X
X
X
X
X
O *3
X
O *1
O *3
O *2
O *3
X
O *3
O *2
O *3
O
0–127
O
X
X
X
X
X
X
X
X
X
O
X
1–16, OFF
1–16, OFF
Mode 3
X
O 9nH, v = 1–127
O 8nH, v = 64
0–127
0–127
O *1
X
O *3
O
0–127
O
X
X
X
X
X
O (120, 126, 127)
O
X
O (123–127)
O
X
Bank select
Modulation
Foot control
Data entry
Volume
Panpot
Expression
Hold 1
Effect 1
(Reverb Send Level)
RPN LSB, MSB
* 1 Drum kit part only.
* 2 Percussion part and backing part only.
* 3 Backing part only.
PERCUSSION SOUND MODULE
(NORMAL MODE (Expect SEQUENCER SECTION))
Model TD-6V
Date : Oct. 24, 2003
Version : 1.00
MIDI Implementation Chart
************** **************
Mode 1 : OMNI ON, POLY
Mode 3 : OMNI OFF, POLY
Mode 2 : OMNI ON, MONO
Mode 4 : OMNI OFF, MONO
O : Yes
X : No
Memorized (Non-Volatile)
Program No. 1–128
MIDI Implementation Chart
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136
Function...
Basic
Channel
Mode
Note
Number :
Velocity
After
Touch
Pitch Bend
Control
Change
Program
Change
System Exclusive
System
Common
System
Real Time
Aux
Messages
Notes
Transmitted Recognized Remarks
Default
Changed
Default
Messages
Altered
True Voice
Note On
Note Off
Key's
Channel's
0, 32
1
4
6
7
10
11
64
91
100, 101
: True Number
: Song Position
: Song Select
: Tune Request
: Clock
: Commands
: All Sound Off
: Reset All Controllers
: Local On/Off
: All Notes Off
: Active Sensing
: System Reset
1–16, OFF
1–16, OFF
Mode 3
X
O 9nH, v = 1–127
O 8nH, v = 64
0–127
0–127
X
X
O *3
O *3 *4 *5
X
O *1
O *3
O *2 *4
O *3 *4
X
O *3
O *2 *4
O *3
X
X
O *1
X
X
X
X
O *3
X
X
O *4 *5
0–127
O
X
X
X
O
O
X
X
X
X
O
X
1–16, OFF
1–16, OFF
X
X
O 9nH, v = 1–127
O 8nH, v = 64
0–127
0–127
X
X
O *3
X
O (do not record)
X
X
X
X *6
X *7
O
O
X
O (123–127)
O (do not record)
X
Bank select
Modulation
Foot control
Data entry
Volume
Panpot
Expression
Hold 1
Effect 1
(Reverb Send Level)
RPN LSB, MSB
*1 Drum kit part only.
*2 Percussion part and backing part only.
*3 Backing part only.
*4 Transmits when song is selected.
*5 Transmits when instruments are selected for parts.
*6 Receives when Sync Mode setting is "EXT".
*7 Receives when Sync Mode setting is
"EXT" or "REMOTE".
PERCUSSION SOUND MODULE (NORMAL MODE (SEQUENCER SECTION))
Model TD-6V
Date : Oct. 24, 2003
Version : 1.00
MIDI Implementation Chart
************** **************
Mode 1 : OMNI ON, POLY
Mode 3 : OMNI OFF, POLY
Mode 2 : OMNI ON, MONO
Mode 4 : OMNI OFF, MONO
O : Yes
X : No
Memorized (Non-Volatile)
Program No. 1–128
TD-6KV_e.book 136 ページ 2005年1月24日 月曜日 午後7時4分
137
Appendices
Function...
Basic
Channel
Mode
Note
Number :
Velocity
After
Touch
Pitch Bend
Control
Change
Program
Change
System Exclusive
System
Common
System
Real Time
Aux
Messages
Notes
Transmitted Recognized Remarks
Default
Changed
Default
Messages
Altered
True Voice
Note On
Note Off
Key's
Channel's
0, 32
1
4
6
7
10
11
64
91
100, 101
: True Number
: Song Position
: Song Select
: Tune Request
: Clock
: Commands
: All Sound Off
: Reset All Controllers
: Local On/Off
: All Notes Off
: Active Sensing
: System Reset
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
X
O *1
X
O *1
O
O *1
O
O *1
O
O *1
X
O
X
X
X
X
X
X
X
X
X
O
X
1–16, OFF
1–16, OFF
Mode 3
X
O 9nH, v = 1–127
O 8nH, v = 64
0–127
0–127
X
O *1
O *1
O
0–127
O
X
X
X
X
X
O
O
X
O
O
X
Bank select
Modulation
Foot control
Data entry
Volume
Panpot
Expression
Hold 1
Effect 1
(Reverb Send Level)
RPN LSB, MSB
*1 Not received on Channel 10
PERCUSSION SOUND MODULE
(General MIDI MODE)
Model TD-6V
Date : Oct. 24, 2003
Version : 1.00
MIDI Implementation Chart
**************
**************
**************
**************
Mode 1 : OMNI ON, POLY
Mode 3 : OMNI OFF, POLY
Mode 2 : OMNI ON, MONO
Mode 4 : OMNI OFF, MONO
O : Yes
X : No
Memorized (Non-Volatile)
Program No. 1–128
TD-6KV_e.book 137 ページ 2005年1月24日 月曜日 午後7時4分
138
Inst Level
Head
Inst Level
Rim Amb Send Level
Amb Send Level
Inst Level
Head
Inst Level
Rim Amb Send Level
Amb Send Level
Inst Level
Head
Inst Level
Rim Amb Send Level
Amb Send Level
Inst Level
Head
Inst Level
Head
Inst Level
Rim
Inst Level
Head
Inst Level
Rim
Inst Level
Head
Inst Level
Head
Inst Level
Head
Inst Level
Rim
Inst Level
Head
Inst Level
Rim
Inst Level
Head
Inst Level
Rim
1 KICK
5 TOM2
6 AUX
7 TOM3
8 TOM4
2 SNARE
3 HI-HAT
4 TOM1
9 CRASH1
10 CRASH2
11 RIDE
Master
Volume
Inst Level
Inst Level
Inst Level
Inst Level
Part1
Part2
Part3
Part4
Backing
Level
Inst Level
CLICK
Perc Set
Level
Percussion
Ambience
Studio
Wall Type
Room Size
Level
KIT/
INST/
Inst
KIT/
INST/
Level
KIT/
AMBIENCE/
AmbSendLevel
KIT/
INST/
Pan
SONG/
PART/
Inst,
Perc Set
CLICK/
Inst
CLICK/
Click Level CLICK/Pan
SONG/
PART/
Level
SETUP/
COMMON/
BackingLevel,
PercPrtLevel
SONG/
PART/
AmbSendLevel
KIT/AMBIENCE
SONG/PART/Pan
KIT/
COMMON/
MasterVolume
PercPart
Level
Volume
R
L(MONO)
OUTPUT
MIX IN
PHONES
KIT/
EQUALIZER
Master
Equalizer
High Gain
Low Gain
Drum Kit
TD-6V
Block Diagram
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
Amb Send Level
TD-6V Block Diagram
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Appendices
Specifications
TD-6V: Percussion Sound Module (Conforms to General MIDI System)
Maximum Polyphony
64 Voices
Instruments
Drum Instruments: 1,024
Backing Instruments: 262
Drum Kits
99
Effect Types
Ambience
2-Band Master Equalizer
Sequencer
Preset Songs: 170
User Songs: 100
Parts: 6
Play Functions: One shot, Loop, Tap
Tempo: 20–260
Resolution: 192 ticks per quarter note
Recording Method: Realtime Recording
Maximum Note Storage: approx. 12,000 Notes
Display
20 characters, 2 lines (backlit LCD)
Connectors
Trigger Input Jacks: 9 (11 Inputs)
Hi-Hat Control Jack
Output Jacks (L/MONO, R)
Phones Jack (stereo miniature phone type)
Mix in Jack (stereo miniature phone type)
MIDI Connectors (IN, OUT/THRU)
Output Impedance
1.0 k ohms
Power Supply
AC Adaptor (DC 9 V)
Current Draw
1,000 mA
Dimensions
266 (W) x 199 (D) x 75 (H) mm
10-1/2 (W) x 7-7/8 (D) x 3 (H) inches
Weight
1.1 kg / 2 lbs 7 oz (excluding AC Adaptor)
Accessories
Owner's Manual, AC Adaptor (ACI/ACB Series),
Screws (M5 x 8) x 4
Options
Pads (PD-6, PD-7, PD-8, PD-9, PD-80, PD-80R, PD-85,
PD-100, PD-105, PD-120, PD-125, RP-2)
Cymbals (CY-6, CY-8, CY-12H, CY-12R/C, CY-14C, CY-
15R)
Kick Trigger Units (KD-7, KD-8, KD-80, KD-85, KD-120)
Hi-Hat Control Pedals (FD-7, FD-8)
Stands (MDS-3C, MDS-6, MDS-8C, MDS-10, MDS-20)
Cymbal Mounts (MDY-7U, MDY-10U)
Pad Mounts (MDH-7U, MDH-10U)
984
* A separate publication titled “MIDI Implementation” is also
available. It provides complete details concerning the way
MIDI has been implemented on this unit. If you should require
this publication (such as when you intend to carry out byte-
level programming), please contact the nearest Roland Service
Center or authorized Roland distributor.
962a
* In the interest of product improvement, the specifications and/
or appearance of this unit are subject to change without prior
notice.
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140
Index
A
AC Adaptor Jack ..................................................................... 18
Acoustic Drum Trigger .......................................................... 75
Advanced Trigger Parameter ................................................ 73
Amb Level (Ambience Level) ............................................... 61
AMBIENCE .............................................................................. 60
Ambience Sw (Ambience Switch) ........................................ 60
AmbSendLevel (Ambience Send Level)
Drum Instrument ............................................................. 60
Part1–Part4 ........................................................................ 89
Percussion Part ................................................................. 89
AvailMemory (Available Memory) ...................................... 78
B
Backing Instrument List ....................................................... 126
Backing Part ............................................................................. 77
BackingLevel (Backing Level) ............................................... 77
Basic Trigger Parameter ......................................................... 71
Bell Shots .................................................................................. 37
Bend Range .............................................................................. 89
Bow Shots ................................................................................. 37
Bulk Dump
Recieving ......................................................................... 104
Transmitting ................................................................... 103
C
CH10Priorty (Channel 10 Priority) ....................................... 98
Channel 10 Priority ................................................................. 98
CLICK (TEMPO) Button ........................................................ 16
Click Level ......................................................................... 42, 79
Click On/Off ..................................................................... 41, 79
COMMON
Drum Kit ........................................................................... 66
Song ................................................................................... 85
Copy
Drum Kit ........................................................................... 67
Song ................................................................................... 89
Cord Hook ............................................................................... 18
Count In .................................................................................... 80
Cross Stick ................................................................................ 36
Crosstalk Cancel ...................................................................... 73
Cymbal Choke ......................................................................... 38
D
Decay ........................................................................................ 59
Delete ........................................................................................ 90
Demo Songs ............................................................................. 27
Device ID ................................................................................ 101
Display ...................................................................................... 16
Drum Instrument List .......................................................... 120
Drum Kit ...................................................................... 40, 54–55
Drum Kit List ......................................................................... 118
Drum Kit Name ....................................................................... 67
Drum Kit Screen ...................................................................... 55
E
Edge Shots ................................................................................ 37
EDIT (SETUP) Button ............................................................. 17
ENTER Button ......................................................................... 17
EQUALIZER ............................................................................ 62
Erase .......................................................................................... 91
Error Message ........................................................................ 116
EXCHANGE ............................................................................ 68
EXIT Button .............................................................................. 17
F
Factory Reset ...................................................................... 25, 78
Front Panel ............................................................................... 16
G
Gain ........................................................................................... 62
Gate Time ................................................................................. 65
General MIDI system .............................................................. 13
GM Mode (General MIDI Mode) .......................................... 99
GM Part .................................................................................. 102
GM System On Message ...................................................... 100
H
Head Shots ............................................................................... 36
HH CTRL Jack ......................................................................... 18
High Gain ................................................................................. 62
Hi-Hat Control Pedal ............................................................. 38
HitPadStart (Hit Pad Start) .................................................... 94
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Index
Index
I
INC/+, DEC/- Button ............................................................ 17
Indicator ............................................................................. 32, 69
INST .......................................................................................... 58
Inst Group ................................................................................ 57
Instrument
Click ................................................................................... 80
Drum Kit ........................................................................... 58
Part1–Part4 ........................................................................ 88
Instruments
Drum Kit ........................................................................... 57
Internal Sequencer .................................................................. 96
Interval ..................................................................................... 80
K
KIT
AMBIENCE ....................................................................... 60
COMMON ........................................................................ 66
CONTROL ........................................................................ 62
COPY ................................................................................. 67
EQUALIZER ..................................................................... 62
EXCHANGE ..................................................................... 68
INST ................................................................................... 58
KIT Button ................................................................................ 17
KitName (Drum Kit Name) ................................................... 67
L
LCD Contrast ........................................................................... 76
Length ....................................................................................... 93
Level
Backing Part ................................................................ 46, 77
Click ............................................................................. 42, 79
Drum Instrument ............................................................. 59
Part1–Part4 ........................................................................ 88
Percussion Part ........................................................... 46, 76
Percussion Set ................................................................... 88
Preview .............................................................................. 78
List
Backing Instrument ....................................................... 126
Drum Instrument ........................................................... 120
Drum Kit ......................................................................... 118
Parameter ........................................................................ 130
Preset Percussion Set ..................................................... 124
Preset Song ...................................................................... 128
LocalControl (Local Control) ................................................ 97
Low Gain .................................................................................. 62
M
Mask Time ................................................................................ 74
Master EQ Sw (Master Equalizer Switch) ........................... 62
Master Tune ............................................................................. 77
Master Volume (Master Volume) ......................................... 66
Message .................................................................................. 116
Metronome ............................................................................... 41
MIDI .......................................................................................... 95
MIDI Channel ........................................................................ 102
MIDI COMMON ..................................................................... 96
MIDI Connectors ............................................................... 18, 95
MIDI PART ............................................................................ 102
MIDI Settings ........................................................................... 96
MIX IN Jack ........................................................................ 18, 51
Mute .............................................................................. 48, 77, 84
N
Name
Drum Kit ........................................................................... 67
Song ................................................................................... 87
Note Chase ......................................................................... 57, 97
Note No. (Note Number) ....................................................... 64
O
OUTPUT Jacks ......................................................................... 18
P
Pad Pattern ......................................................................... 50, 63
Pad Ptn (Pad Pattern) ............................................................. 63
Pad Ptn Velo (Pad Pattern Velocity) .................................... 63
Pan
Click ................................................................................... 80
Drum Instrument ............................................................. 59
Part1–Part4 ........................................................................ 89
Parameter List ........................................................................ 130
PART ......................................................................................... 87
Part CH (Part Tx Rx Channel) ............................................. 102
PART MUTE Button ............................................................... 16
Part Rx Sw (Part Rx Switch) ................................................ 102
PchCtrlRange (Pedal Pitch Control Range) ......................... 66
PdlDataThin (Pedal Data Thin) ............................................ 99
Pedal Data Thin ....................................................................... 99
Pedal HH Vol(Pedal Hi-Hat Volume) ................................. 66
Pedal Pitch Control Range ..................................................... 66
PercPrtLevel (Percussion Part Level) ................................... 76
Percussion Part Level ............................................................. 76
Percussion Set .......................................................................... 88
PHONES Jack .......................................................................... 18
Pitch .......................................................................................... 59
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142
Index
Pitch Ctrl (Pitch Control Assign) .......................................... 64
PLAY Button ............................................................................ 16
Play Type .................................................................................. 85
Playback ................................................................................... 83
PlyCountIn (Play Count In) ................................................... 80
Power
Turning Off ....................................................................... 24
Turning On ....................................................................... 23
POWER Switch ........................................................................ 18
Preset Percussion Set List .................................................... 124
Preset Song ............................................................................... 81
Preset Song List ..................................................................... 128
Preview ..................................................................................... 56
Preview Velo (Preview Velocity) .......................................... 78
Program Change
Transmitting/Receiving Program Changes ............... 105
Q
Quantize ................................................................................... 94
Quick Play ................................................................................ 86
R
Rear Panel ................................................................................ 18
REC Button .............................................................................. 16
RecCountIn (Rec Count In) ................................................... 80
RecMode (Recording Mode) ................................................. 94
Recommended Parameters for the Pads .............................. 35
Reset (Factory Reset) .............................................................. 78
Reset Time ................................................................................ 86
Restoring the Factory Settings ........................................ 25, 78
Retrig Cancel (Retrigger Cancel) .......................................... 74
Rim Sens ................................................................................... 75
Rim Shots ................................................................................. 36
Room Size ................................................................................. 61
Rx GM On .............................................................................. 100
Rx PC Sw (Rx PC Switch) .................................................... 101
S
Scan Time ................................................................................. 74
SECURITY LOCK ................................................................... 18
Sensitivity ........................................................................... 31, 71
Set (Percussion Set) ................................................................. 88
SETUP
BULK DUMP .................................................................. 103
FactoryReset ...................................................................... 78
GM PART ........................................................................ 102
MIDI COMMON .............................................................. 96
MIDI PART ..................................................................... 102
TRIG ADVNCD ............................................................... 73
TRIG BASIC ...................................................................... 71
UTILITY ............................................................................. 76
SHIFT Button ........................................................................... 17
SngName (Song Name) .......................................................... 87
Soft Thru ................................................................................. 100
SONG
COMMON ........................................................................ 85
COPY ................................................................................. 89
DELETE ............................................................................. 90
ERASE ................................................................................ 91
PART .................................................................................. 87
Song ..................................................................................... 44, 81
SONG Button ........................................................................... 17
Song Category ......................................................................... 83
Song Lock ................................................................................. 86
Song Name ............................................................................... 87
Song Screen .............................................................................. 82
Stand Holder ............................................................................ 19
STOP Button ............................................................................ 16
Studio Type .............................................................................. 60
Sync Mode ................................................................................ 98
T
Tap Exc Sw (Tap Exclusive Switch) ..................................... 86
Tempo
Click ............................................................................. 43, 79
Song ....................................................................... 47, 85, 93
Threshold ................................................................................. 72
Time Sig (Time Signature)
Click ................................................................................... 80
Song ................................................................................... 93
TRIG ADVNCD ....................................................................... 73
TRIG BASIC ............................................................................. 71
TrigCurve (Trigger Curve) .................................................... 72
Trigger Input Functions ......................................................... 33
TRIGGER INPUTS .................................................................. 18
TrigTyp (Trigger Type) .................................................... 29, 69
Troubleshooting .................................................................... 110
Tx PC Sw (Tx PC Switch) ..................................................... 101
TD-6KV_e.book 142 ページ 2005年1月24日 月曜日 午後7時4分
143
Index
Index
U
User Song ................................................................................. 81
UTILITY .................................................................................... 76
V
Variation Tone ......................................................................... 88
Volume
Backing Part ................................................................ 46, 77
Click ................................................................................... 42
Drum Instrument ............................................................. 59
Part1–Part4 ........................................................................ 88
Percussion Part ........................................................... 46, 76
Preview .............................................................................. 78
Song ................................................................................... 46
VOLUME Knob ....................................................................... 16
W
WallType (Wall Type) ............................................................ 61
X
Xtalk Cancel (Crosstalk Cancel) ............................................ 73
TD-6KV_e.book 143 ページ 2005年1月24日 月曜日 午後7時4分
MEMO
TD-6KV_e.book 144 ページ 2005年1月24日 月曜日 午後7時4分
MEMO
TD-6KV_e.book 145 ページ 2005年1月24日 月曜日 午後7時4分
MEMO
TD-6KV_e.book 146 ページ 2005年1月24日 月曜日 午後7時4分
To resize thickness, move all items on the front cover to left or right
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE:
BROWN:
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
NEUTRAL
LIVE
For the U.K.
2
This product complies with the requirements of European Directive 89/336/EEC.
For EU Countries
For EU Countries
Apparatus containing
Lithium batteries
ADVARSEL!
Lithiumbatteri - Eksplosionsfare ved
fejlagtig håndtering.
Udskiftning må kun ske med batteri af
samme fabrikat og type.
Levér det brugte batteri tilbage til
leverandøren.
VARNING
Explosionsfara vid felaktigt batteribyte.
Använd samma batterityp eller en
ekvivalent typ som rekommenderas av
apparattillverkaren.
Kassera använt batteri enligt
fabrikantens instruktion.
CAUTION
Danger of explosion if battery is
incorrectly replaced.
Replace only with the same or
equivalent type recommended by the
manufacturer.
Discard used batteries according to the
manufacturer’s instructions.
ADVARSEL
Eksplosjonsfare ved feilaktig skifte av
batteri.
Benytt samme batteritype eller en
tilsvarende type anbefalt av
apparatfabrikanten.
Brukte batterier kasseres i henhold til
fabrikantens instruks joner.
VAROITUS
Paristo voi räjähtää, jos se on
virheellisesti asennettu.
Vaihda paristo ainoastaan
laitevalmistajan suosittelemaan
tyyppiin. Hävitä käytetty paristo
valmistajan ohjeiden mukaisesti.
For Canada
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
NOTICE
AVIS
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
– Reorient or relocate the receiving antenna.
– Increase the separation between the equipment and receiver.
– Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
– Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2) This device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
USING THE UNIT SAFELY
001
Before using this unit, make sure to read the
instructions below, and the Owner’s Manual.
................................................................................................
002c
Do not open (or modify in any way) the unit or its
AC adaptor.
................................................................................................
003
Do not attempt to repair the unit, or replace parts
within it (except when this manual provides
specific instructions directing you to do so). Refer
all servicing to your retailer, the nearest Roland
Service Center, or an authorized Roland distributor,
as listed on the attached “Information” leaflet.
................................................................................................
004
Never use or store the unit in places that are:
Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a heating
duct, on top of heat-generating equipment); or
are
Damp (e.g., baths, washrooms, on wet floors); or
are
Humid; or are
Exposed to rain; or are
Dusty; or are
Subject to high levels of vibration.
................................................................................................
005
This unit should be used only with a rack or stand
that is recommended by Roland.
................................................................................................
006
When using the unit with a rack or stand recom-
mended by Roland, the rack or stand must be
carefully placed so it is level and sure to remain
stable. If not using a rack or stand, you still need to
make sure that any location you choose for placing
the unit provides a level surface that will properly
support the unit, and keep it from wobbling.
................................................................................................
008c
Be sure to use only the AC adaptor supplied with
the unit. Also, make sure the line voltage at the
installation matches the input voltage specified on
the AC adaptor’s body. Other AC adaptors may
use a different polarity, or be designed for a
different voltage, so their use could result in
damage, malfunction, or electric shock.
................................................................................................
009
Do not excessively twist or bend the power cord,
nor place heavy objects on it. Doing so can damage
the cord, producing severed elements and short
circuits. Damaged cords are fire and shock hazards!
................................................................................................
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
The symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the power-
cord plug must be unplugged from the outlet.
The symbol alerts the user to important instructions
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
The symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
03458934 5RCC
To resize thickness, move all items on the front cover to left or right (6.54 mm)
* All product names mentioned in this document are trademarks or registered
trademarks of their respective owners.
202
Copyright © 2003 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any
form without the written permission of ROLAND CORPORATION.
Owner's Manual
Thank you, and congratulations on your choice of the Roland Percussion Sound
Module TD-6KV.
Before using this unit, carefully read the sections entitled: “USING THE UNIT
SAFELY” (p. 2–3) and “IMPORTANT NOTES” (p. 4–5). These sections provide
important information concerning the proper operation of the unit. Additionally,
in order to feel assured that you have gained a good grasp of every feature
provided by your new unit, Owner’s manual should be read in its entirety. The
manual should be saved and kept on hand as a convenient reference.

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