Roland Vs 2400 Users Manual
VS-2400 to the manual 8fa86029-3928-4b8e-818e-d9c5ca624092
2015-02-02
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Specifications Put 24 Tracks to Work for You 200 projects in each partition Marker 1000 per project * Adjustable range with vari-pitch function Locator 100 (10 x 10 banks) per project Hard Disk Drive IDE type 3.5 inches 40 G bytes 16.00 kHz — 98.00 kHz (at 96 kHz) 16.00 kHz — 50.00 kHz (at 48 kHz) Scene 100 (10 x 10 banks) per project CD-RW Drive Undo/Redo 999 Undo / 1 Redo Reading Speed: 24x (max.) Recording Speed: Record (CD-R) 4x correspond Re-Write (CD-RW) 4x correspond Nominal Input Level Input 1—8: -50 — +14 dBu (maximum +26dBu: balanced, maximum +20dBu: unbalanced) Guitar (Hi-Z): -50 — +14 dBu (maximum +20 dBu) Connectors MIDI Connectors (5-pin DIN) Input Jack 1—8 (XLR type [balanced, phantom power]) Input Jack 1—8 (1/4inch phone type [TRS balanced]) Guitar (Hi-Z) Jack (1/4inch phone type) Digital In Connectors (Coaxial type, Optical type) Digital Out Connectors (Coaxial type, Optical type) Foot Switch Jack (1/4inch phone type) PS/2 Mouse Connector (6-pin miniDIN) PS/2 Keyboard Connector (6-pin miniDIN) VGA Out Connector (15-pin miniD-sub) R-BUS Connector (25-pin D-sub) Master Out Jack L/R (1/4inch phone type, TRS balanced) Monitor Out Jack L/R (1/4inch phone type, TRS balanced) AUX A Send Jack L/R (1/4inch phone type, TRS balanced) AUX B Send Jack L/R (1/4inch phone type, TRS balanced) Headphones Jack (Stereo 1/4inch phone type) Tracks: 24 V.Tracks: 384 (16-V.Tracks per each Track) Sample Rate 96.0/88.2/64.0/48.0/44.1/32.0 kHz Mastering 24-bit (M24) Multitrack Pro (MTP) CD Writing (CDR) Mastering 16-bit (M16) Multitrack 1 (MT1) Multitrack 2 (MT2) Live 1 (LIV) Live 2 (LV2) Recording Mode The VS-2400CD Digital Studio Workstation brings professional 24-track recording and CD burning to a new low price, while adding impressive new features like RSS® surround panning and V-LINK video control. Projects Tracks Maximum Simultaneous Recording / play back Tracks (variable) ¥ Sample Rate 48/44.1/32 kHz 16-tr. Rec / 16-tr. Play (M24, M16, CDR) 16-tr. Rec / 24-tr. Play (MTP, MT1/2, LIV, LV2) ¥ Sample Rate 96/88.2/64 kHz 8-tr. Rec / 8-tr. Play (M24, M16, CDR) 8-tr. Rec / 12-tr. Play (MTP, MT1/2, LIV, LV2) Input Impedance Input 1—8: 10 k ‰ (balanced) Guitar (Hi-Z): 1 M ‰ Nominal Output Level Master Out: +4 dBu (balanced) AUX A (L, R): +4 dBu (balanced) AUX B (L, R): +4 dBu (balanced) Monitor Out: +4 dBu (balanced) Output Impedance Master Out: 600 ‰ AUX A (L, R): 600 ‰ AUX B (L, R): 600 ‰ Monitor Out: 600 ‰ Phones: 22 ‰ Recommended Load Impedance Master Out: 10 k ‰ or greater AUX A (L, R): 10 k ‰ or greater AUX B (L, R): 10 k ‰ or greater Monitor Out: 10 k ‰ or greater Phones: 8 — 600 ‰ Power Supply AC117 V, AC230 V or AC240 V Power Consumption 60 W Dimensions 480 (W) x 481 (D) x 136 (H) mm 18-15/16 (W) x 18-15/16 (D) x 5-3/8 (H) inches 4-band (2 shelving + 2 peaking) Weight * Useful simultaneously at up to 32ch in both Input Mixer and Track Mixer. (at 48kHz or less.) * Useful simultaneously at up to 16ch in both Input Mixer and Track Mixer. (at 64kHz or above.) 10.5 kg 23 lbs 3 oz Accessories Owner’s Manual English Appendices R-BUS Equipment Connection and Setting Guide 2 Block diagram Demo CD CD-R disc PS/2 Mouse Short Cut Seal AC Cord * Depending on the organization of the song data etc., the number of tracks which can be simultaneously recorded or played back may be limited. • Self-contained 24-track/24-bit/96kHz recording workstation with onboard effects, CD-RW drive and 40GB hard disk Maximum Useful Capacity • 24-track playback; 16-track simultaneous recording with 384 V-Tracks Recording Time • 48-channel, fully automated digital mixer with 13 motorized faders 40 G bytes: 10 G bytes (Capacity) x 4 (Partition) Recording (at 10GB Partition, conversion in 1 track, unit: minutes) M24 MTP M16 CDR MT1 MT2 LIV LV2 • 8 XLR/TRS balanced inputs and Hi-Z input; 8 analog outputs including 5.1 Surround output; R-BUS and digital I/O • Intuitive software-style control via included mouse and VGA monitor output Sample Rate (kHz) 96 658 1,977 988 988 1,977 2,635 3,163 3,954 88.2 716 2,152 1,076 1,076 2,152 2,866 3,442 4,304 64 987 2,966 1,483 1,483 2,966 3,953 4,744 5,932 48 1,316 3,954 1,977 1,977 3,954 5,271 6,326 7,909 44.1 1,433 4,305 2,152 2,152 4,304 5,732 6,885 8,609 32 1,975 5,932 2,966 2,966 5,932 7,907 9,489 11,864 * The above-listed recording times are approximate. Times may vary slightly depending on the specifications of the disk drive and on the number of songs that were created. * In CDR recording mode, two tracks are always used in a pair (channel link is on), so recording time is half the above-listed. * Maximum recording time of VS-2400CD is approximately four times of above recording time. (10 GB x 4 Partitions) • New RSS surround panning creates a 3-Dimensional sound field for mixing • Import .WAV/AIFF files direct from CD-ROM; export files in .WAV format • V-LINK function for synchronizing or controlling Edirol video equipment Frequency Response 96.0 kHz: 20 Hz — 40 kHz (+0 dB/-2 dB) 88.2 kHz: 20 Hz — 40 kHz (+0 dB/-2 dB) 48.0 kHz: 20 Hz — 22 kHz (+0 dB/-2 dB) 44.1 kHz: 20 Hz — 20 kHz (+0 dB/-2 dB) 32.0 kHz: 20 Hz — 14 kHz (+0 dB/-2 dB) PS/2: 6-pin miniDIN MIDI: 5-pin DIN R-BUS: 25-pin D-sub EQ Dynamics Processor Compressor, Expander * Useful simultaneously at up to 32ch in both Input Mixer and Track Mixer. (at 48kHz or less.) * Useful simultaneously at up to 16ch in both Input Mixer and Track Mixer. (at 64kHz or above.) Effects Maximum 4 stereo (One pre-installed + One more optional VS8F-2) Display 320 x 240 dots Graphic LCD (with backlight) Interface Digital I/O: Coaxial, Optical (conforms to IEC60958) VGA Out: 15-pin miniD-sub (0dBu=0.775Vrms) * In the interest of product development, the specifications for this product are subject to change without prior notice. Preset Effect Patch List No. Patch Name Algorithm 36 presets P000 Reverb* P001 Reverb2 P002 Gate Reverb* P003 Delay P004 StPS-Delay P005 Delay RSS P006 TapeEcho201 P007 MultiTapDly P008 StDly-Chorus P009 Chorus RSS P010 Space Chorus P011 St Phaser P012 AnalogPhaser P013 St Flanger P014 AnalogFlnger P015 Rotary P016 2ch RSS P017 MicModeling* P018 GuitarMulti1 P019 GuitarMulti2 P020 GuitarMulti3 P021 GuitarAmpMdl P022 Vocal Multi P023 Voice Trans* No. Patch Name P024 Vocal Cancel P025 Vocoder P026 Vocoder2 (19)* P027 Lo-Fi Proces P028 3BndIsolator P029 DualComp/Lim P030 Parametric EQ P031 Graphic EQ P032 Hum Canceler P033 Stereo Multi P034 Speaker Mdl* P035 MastringTool* Reverb 18 presets P036 RV:LargeHall* P037 RV:SmallHall* P038 RV:Strings* P039 RV:PianoHall* P040 RV:Orch Room* P041 RV:VocalRoom* P042 RV:MediumRm* P043 RV:LargeRoom* P044 RV:CoolPlate* P045 RV:Short Plt* P046 RV:Vocal Plt* P047 RV:Soft Amb.* No. Patch Name P048 RV:Room Amb.* P049 RV:Cathedral* P050 RV:Long Cave* P051 RV:GarageDr.* P052 RV:Rock Kick* P053 RV:RockSnare* Reverb2 20 presets P054 R2:LargeHall P055 R2:SmallHall P056 R2:Strings P057 R2:PianoHall P058 R2:Orch Room P059 R2:VocalRoom P060 R2:MediumRm P061 R2:LargeRoom P062 R2:CoolPlate P063 R2:Short Plt P064 R2:Vocal Plt P065 R2:Soft Amb. P066 R2:Room Amb. P067 R2:Cathedral P068 R2:Long Cave P069 R2:GarageDr. P070 R2:Rock Kick P071 R2:RockSnare No. Patch Name P072 R2:BriteGte2 P073 R2:Fat Gate2 Gate Reverb 4 presets P074 RV:BriteGate* P075 RV:Fat Gate* P076 RV:ReverseGt* P077 RV:PanningGt* Delay 9 presets P078 DL:Short Dly P079 DL:MediumDly P080 DL:LongDelay P081 DL:AnalogDly P082 DL:Tape Echo P083 DL:Karaoke P084 DL:Multi-Tap P085 DL:MltTapAmb P086 DL:Ping Pong Tape Echo 201 4 presets P087 TE:ShortEcho P088 TE:LongEcho P089 TE:OldTape P090 TE:PanEcho Chorus 6 presets P091 CH:Lt Chorus P092 CH:Deep Cho No. Patch Name P093 CH:DetuneCho P094 SPCHO:MODE 1 P095 SPCHO:MODE 2 P096 SPCHO:MODE 3 Phaser 3 presets P097 PH:Lt Phaser P098 PH:DeepPhase P099 AP:FB-Phaser Flanger 3 presets P100 FL:LtFlanger P101 FL:Deep Fl P102 AF:SBF-325 Pitch Shifter 7 presets P103 PS:-4thVoice P104 PS:ShimmerUD P105 VT:M to Fm* P106 VT:Fm to M* P107 VT:Male Duo* P108 VT:FemaleDuo* P109 VT:Robot* Mic Modeling 29 presets P110 MM:57→58* P111 MM:57→421* P112 MM:57→451* P113 MM87* No. P114 P115 P116 P117 P118 P119 P120 P121 P122 P123 P124 P125 P126 P127 P128 P129 P130 P131 P132 P133 P134 P135 P136 P137 P138 Patch Name MM:57→47* MM:57→Line* MM:DR20→421* MM:DR20→451* MM:DR20→87* MM:10→58* MM:10→87* MM:Mini→57* MM:Mini→87* MM:C3KB→57* MM:C3KB→58* MM:C3KB→421* MM:C3KB→451* MM:C3KB→87* MM:C3KB→47* MM:C3KB→Line* MM:Kick&Snr1* MM:Kick&Snr2* MM:H.Hat&Tom* MM:Dr.OvrTop* MM:Dr.OvrAll* MM:Ac.Guitar* MM:StudioVcl* MM:StereoMic* MM:Ambience* No. Patch Name Vocal 10 presets P139 VO:Vocal Efx P140 VO:JazzVocal P141 VO:RockVocal P142 VO:Narration P143 VO:BigChorus P144 VO:Club DJ P145 VO:AM-Radio P146 VO:PlusTwo P147 VO:Robot Efx P148 VO:Bull Horn Guitar 11 presets P149 GT:Rock Lead P150 GT:LA Lead P151 GT:MetalLead P152 GT:Metal Jet P153 GT:CleanRthm P154 GT:DledClean P155 GT:Delay Rif P156 GT:Acoustic P157 GT:BluesDrv. P158 GT:Liverpool P159 GT:Country Guitar Amp Modeling 9 presets P160 GA:JazChorus No. Patch Name P161 GA:CleanTwin P162 GA:Vin.Tweed P163 GA:BluesDrv. P164 GA:MatchLead P165 GA:StudioCmb P166 GA:JMP-Stack P167 GA:SLDN Lead P168 GA:5150 Lead Bass 6 presets P169 BS:DI’edBass P170 BS:MikedBass P171 BS:CompBass P172 BS:Fat Bass* P173 BS:Auto Wah P174 BS:FX Bass Special Effects 11 presets P175 LFP:BreakBts P176 LFP:1bitDist P177 LFP:TeknoFlt P178 LFP:Reso Flt P179 LFP:FatBotom P180 VOC2:M19Band* P181 VOC2:S19Band* P182 HC:Quiet60Hz P183 HC:Quiet50Hz No. Patch Name P184 VC:Vocal Cnl P185 VC:CenterCnl Parametric Equalizer 26 presets P186 PEQ:BassDrum P187 PEQ:RockBD P188 PEQ:RockSD P189 PEQ:RimShot P190 PEQ:Toms P191 PEQ:Hi Hat P192 PEQ:Cymbals P193 PEQ:Overhead P194 PEQ:Bass 1 P195 PEQ:Bass 2 P196 PEQ:SlapBass P197 PEQ:Sax P198 PEQ:Bari.Sax P199 PEQ:ElecGtr P200 PEQ:NylonGtr P201 PEQ:BluesGtr P202 PEQ:SlideGtr P203 PEQ:LineGtr P204 PEQ:Male P205 PEQ:RockMale P206 PEQ:Female P207 PEQ:RockFeml No. Patch Name P208 PEQ:Narrator P209 PEQ:Organ P210 PEQ:St.Piano P211 PEQ:SmallCho Graphic Equalizer 3 presets P212 GEQ:TotalEQ1 P213 GEQ:TotalEQ2 P214 GEQ:Space EQ Stereo Multi 5 presets P215 CL:Comp P216 CL:Limiter P217 EQ:Loudness P218 EQ:Fat Dance P219 EQ:ThinJingl Speaker Modeling 11 presets P220 SPM:SuperFlt* P221 SPM:P.GenBlk* P222 SPM:P.E-Bs* P223 SPM:P.Mack* P224 SPM:SmalCube* P225 SPM:WhiteCon* P226 SPM:W.C+tiss* P227 SPM:S.Radio* P228 SPM:SmallTV* P229 SPM:BoomBox* No. Patch Name P230 SPM:BB.LowBs* Mastering Tool Kit 19 presets P231 MTK:Mixdown* P232 MTK:PreMastr* P233 MTK:LiveMix* P234 MTK:PopMix* P235 MTK:DanceMix* P236 MTK:JinglMix* P237 MTK:HardComp* P238 MTK:SoftComp* P239 MTK:ClnComp* P240 MTK:DnceComp* P241 MTK:OrchComp* P242 MTK:VocalCmp* P243 MTK:Acoustic* P244 MTK:RockBand* P245 MTK:Orchestr* P246 MTK:LoBoost* P247 MTK:Brighten* P248 MTK:DJsVoice* P249 MTK:PhoneVox* * Please use with sample rates of 48kHz or less. Options 24-BIT DIGITAL REFERENCE MONITOR R-BUS INTERFACE CARD CHANNEL EDIT CONTROLLER R-BUS CABLE DYNAMIC MICROPHONE 10CH DIGITAL LINE MIXER MIC MODELING PREAMP EFFECT EXPANSION BOARD PEDAL SWITCH FOOTSWITCH Roland Corporation U.S. 5100 S.Eastern Avenue P.O BOX 910921 Los Angeles, CA 90091-0921 Phone: (323) 890.3700 Fax: (323) 890.3701 Visit us online at www.RolandUS.com The flagship VS-2480CD offers several enhancements for professional users like 16 analog inputs, 17 motorized faders, SMPTE sync and more. All specifications and appearances are subject to change. All trademarks are the property of their respective companies. Printed in Japan Jan. ’03 RAM-3679 C-4 ERK-UPR-SE Digital Studio Workstation 24-bit/96kHz recording 24-track audio recorder 48-channel digital mixer Intuitive drag-and-drop editing Onboard effects Built-in CD-RW & 40GB HD drive VS-2400CD Professional Digital Recording 24 Tracks of Recording Heaven Frustrated with the limited capabilities of a 16-track digital recorder? Then it’s time to step up to full 24-track recording. Think about it. With 24 tracks, you’ll have room for individually miked drums and plenty of vocals. And with 384 Virtual Tracks, there’s always room to try new ideas. Maximum Number of Tracks for Simultaneous Recording/Playback How does the VS-2400CD sound? In a word, phenomenal—thanks to its true 24-bit A/D converters. These top-quality converters capture all the warmth of your inputs and provide better headroom for recording. And if you want the absolute finest sound quality, the VS-2400CD even supports recording at 96kHz*. *At sampling rates of 96kHz, maximum 8-track recording is possible. Sample Rate Recording Mode 48/44.1/32kHz 96/88.2/64kHz M24,M16,CDR 16-tr recording 16-tr playback 8-tr recording 8-tr playback MTP,MT1,MT2,LIV,LV2 16-tr recording 24-tr playback 8-tr recording 12-tr playback Recording Modes M24 (Mastering 24-bit) Pristine 24-bit/96kHz Sound Quality A Fluid and Intuitive OS MTP (Multitrack Pro) M16 (Mastering 16-bit) CDR (CD Writing) For recording and playback in 24-bit linear format. For high-quality recording which compares well to the results from professional-grade digital devices such as mixers and effect processors. For recording and playback in 16-bit linear format. Ideal for mastering, this mode enables you to record in Audio CD Image format for quick, repeatable CD burning. MT1 (Multitrack 1) Recording time is approximately two times longer than M16 while preserving sound quality. Suitable when doing many track bounces. MT2 (Multitrack 2) Provides more recording time than MT1 while preserving sound quality. LIV (Live 1) Provides more recording time than MT2. Suitable when there is little disk space left or for lengthy recording applications such as live performances. LIV (Live 2) Enables the longest recording time. Internal CD-RW and 40GB Hard Drive Easy CD Burning: WIT H VG A D IS P LAY With a low-profile CD burner built-in, the VS-2400CD has everything needed to Channel View take your song from idea to completion. Just mix down to an open pair of tracks and burn a CD! Here you can access individual channel parameters— including EQ curves, compressor settings, effects and more —with point-and-click ease. .WAV/AIFF Compatibility: The VS-2400CD’s internal CD-RW drive can also be used to import .WAV and AIFF files directly from CD. You can even export audio in .WAV format and burn it to disc. Solid Mixing Capabilities A Full-Featured Digital Mixer Superb Editing Functions For editing, the VS-2400CD offers several nondestructive commands like copy, cut, paste and move. These functions give you the power, for example, to create the ultimate vocal or to even copy a drum loop. Helpful markers and locators let you move around quickly, while multiple Undo commands make accidents a thing of the past. Automated Mixing at Your Fingertips EZ Routing Waveform Editing This screen provides the ability to edit waveforms graphically with the mouse just like software. A Powerhouse of Expandable Effects More than just a recorder, the VS-2400CD is a full-blown 48-channel digital mixer. These channels consist of the 16-channel Input mixer, 24-channel Track mixer and eight effect returns. A variety of busses, including eight direct paths, eight aux busses, and stereo main and monitor busses, let you route signal anywhere. know the importance of motorized faders. Imagine being able to press a button and watch as your entire mix is instantly recalled! These faders also come in handy when moving between the VS-2400CD’s Input mixer, Track mixer and effect returns. The VS-2400CD includes one of Roland’s highly acclaimed VS8F-2 Effects Expansion Boards right out of the box. This powerful card provides up to two stereo or four mono effects. A digital mixer can only sound as good as its analog components. That’s why Roland used the same premium circuits found on the flagship VS-2480CD. These carefully selected components have been praised for their warm sound, so you get nothing but the best. This screen provides a global view of your arrangement, plus drag-and-drop editing of audio regions using the mouse. Take the mystery out of routing signal! Simply drag a virtual audio cable from source to destination in this helpful screen. Pro-Quality Effects and V-LINK 2 Stereo Effects Standard: Premium Analog Components: Playlist Track Mixer With the Track Mixer screen, you can use the mouse to edit track levels, panning and more for all 24 tracks simultaneously. Go Direct To Your PC By installing an optional RPC-1 R-BUS card in your Mac or PC, you can transfer up to eight channels of 2-way audio between the computer and your VS-2400CD—all in pristine 24-bit digital quality. Now the V-Studio is more expandable than ever! 13 Motorized Faders: If you’ve ever had to work on multiple projects at once, you Thanks to its R-BUS interface, the VS-2400CD can be expanded with up to eight channels of analog or digital I/O. Use R-BUS to connect an additional VS-2400CD, VS-2480CD or even Roland’s SI-24 Studio Interface–adding another eight analog input channels. Get the big picture by connecting an optional VGA monitor. Combined with the mouse and optional keyboard, this system makes working with the VS-2400CD feel just like software (see screenshots for details). Mouse-Based Editing on the LCD The VS-2400CD’s large LCD screen makes navigation simple with helpful icons and graphics. Using the supplied mouse, you can copy or move phrases using familiar “drag-and-drop” commands—just like software. An optional ASCII keyboard can also be connected for simplified data entry. Impressive 48-Channel/20-Bus Design: Expandable I/O via R-BUS: VGA Output for Software-Style Control Create and Store Multiple Automixes: Professional engineers will tell you that automation is key to good mixing. Fortunately, the VS-2400CD lets you create multiple automixes for controlling important mixing parameters like track level, panning, effects sends and more. New RSS surround Panning: The VS-2400CD is the first V-Studio to feature RSS surround Panning. Using this function, you can position a sound anywhere in a 360 degree field simply by turning a knob. The result is a surround sound mix using conventional 2-way speakers (5.1 mixing is also available). WIT H VG A D IS P LAY Spectrum Analyzer Use the Spectrum Analyzer to tune your mix to room acoustics, or to instantly view the frequency content. 36 Killer Algorithms: With 36 algorithms from the Roland and BOSS archives, the VS-2400CD can handle just about every type of processing you need—from smooth reverb and chorus to delay, flanger and Lo-Fi. There’s even a 19-band vocoder and COSM® Amp Modeling. Mic Modeling Optimized for AKG C3000B: Roland’s COSM Mic Modeling has earned accolades for its ability to model the characteristics of several vintage and high-end microphones. Now you can take advantage of this technology using one of the most popular mics around—the AKG C3000B. Onboard Mastering Tools: Finish your mix with the VS-2400CD’s unique Mastering Tool Kit. This special effect combines algorithms like multi-band compression, a limiter, enhancer and more to give your mixes that “radio-ready” sound. A Powerhouse of Expandable Effects Roland’s V-LINK gives musicians an easy way to integrate video and music. Simply connect an Edirol DV-7PR Digital Video Workstation (sold separately), and you can trigger video clips by creating MIDI events in the VS-2400CD's Automix function, or even use the V-Fader function to control video parameters like color balance and brightness. Digital Studio Workstation 24-bit/96kHz recording 24-track audio recorder 48-channel digital mixer Intuitive drag-and-drop editing Onboard effects Built-in CD-RW & 40GB HD drive VS-2400CD Professional Digital Recording 24 Tracks of Recording Heaven Frustrated with the limited capabilities of a 16-track digital recorder? Then it’s time to step up to full 24-track recording. Think about it. With 24 tracks, you’ll have room for individually miked drums and plenty of vocals. And with 384 Virtual Tracks, there’s always room to try new ideas. Maximum Number of Tracks for Simultaneous Recording/Playback How does the VS-2400CD sound? In a word, phenomenal—thanks to its true 24-bit A/D converters. These top-quality converters capture all the warmth of your inputs and provide better headroom for recording. And if you want the absolute finest sound quality, the VS-2400CD even supports recording at 96kHz*. *At sampling rates of 96kHz, maximum 8-track recording is possible. Sample Rate Recording Mode 48/44.1/32kHz 96/88.2/64kHz M24,M16,CDR 16-tr recording 16-tr playback 8-tr recording 8-tr playback MTP,MT1,MT2,LIV,LV2 16-tr recording 24-tr playback 8-tr recording 12-tr playback Recording Modes M24 (Mastering 24-bit) Pristine 24-bit/96kHz Sound Quality A Fluid and Intuitive OS MTP (Multitrack Pro) M16 (Mastering 16-bit) CDR (CD Writing) For recording and playback in 24-bit linear format. For high-quality recording which compares well to the results from professional-grade digital devices such as mixers and effect processors. For recording and playback in 16-bit linear format. Ideal for mastering, this mode enables you to record in Audio CD Image format for quick, repeatable CD burning. MT1 (Multitrack 1) Recording time is approximately two times longer than M16 while preserving sound quality. Suitable when doing many track bounces. MT2 (Multitrack 2) Provides more recording time than MT1 while preserving sound quality. LIV (Live 1) Provides more recording time than MT2. Suitable when there is little disk space left or for lengthy recording applications such as live performances. LIV (Live 2) Enables the longest recording time. Internal CD-RW and 40GB Hard Drive Easy CD Burning: WIT H VG A D IS P LAY With a low-profile CD burner built-in, the VS-2400CD has everything needed to Channel View take your song from idea to completion. Just mix down to an open pair of tracks and burn a CD! Here you can access individual channel parameters— including EQ curves, compressor settings, effects and more —with point-and-click ease. .WAV/AIFF Compatibility: The VS-2400CD’s internal CD-RW drive can also be used to import .WAV and AIFF files directly from CD. You can even export audio in .WAV format and burn it to disc. Solid Mixing Capabilities A Full-Featured Digital Mixer Superb Editing Functions For editing, the VS-2400CD offers several nondestructive commands like copy, cut, paste and move. These functions give you the power, for example, to create the ultimate vocal or to even copy a drum loop. Helpful markers and locators let you move around quickly, while multiple Undo commands make accidents a thing of the past. Automated Mixing at Your Fingertips EZ Routing Waveform Editing This screen provides the ability to edit waveforms graphically with the mouse just like software. A Powerhouse of Expandable Effects More than just a recorder, the VS-2400CD is a full-blown 48-channel digital mixer. These channels consist of the 16-channel Input mixer, 24-channel Track mixer and eight effect returns. A variety of busses, including eight direct paths, eight aux busses, and stereo main and monitor busses, let you route signal anywhere. know the importance of motorized faders. Imagine being able to press a button and watch as your entire mix is instantly recalled! These faders also come in handy when moving between the VS-2400CD’s Input mixer, Track mixer and effect returns. The VS-2400CD includes one of Roland’s highly acclaimed VS8F-2 Effects Expansion Boards right out of the box. This powerful card provides up to two stereo or four mono effects. A digital mixer can only sound as good as its analog components. That’s why Roland used the same premium circuits found on the flagship VS-2480CD. These carefully selected components have been praised for their warm sound, so you get nothing but the best. This screen provides a global view of your arrangement, plus drag-and-drop editing of audio regions using the mouse. Take the mystery out of routing signal! Simply drag a virtual audio cable from source to destination in this helpful screen. Pro-Quality Effects and V-LINK 2 Stereo Effects Standard: Premium Analog Components: Playlist Track Mixer With the Track Mixer screen, you can use the mouse to edit track levels, panning and more for all 24 tracks simultaneously. Go Direct To Your PC By installing an optional RPC-1 R-BUS card in your Mac or PC, you can transfer up to eight channels of 2-way audio between the computer and your VS-2400CD—all in pristine 24-bit digital quality. Now the V-Studio is more expandable than ever! 13 Motorized Faders: If you’ve ever had to work on multiple projects at once, you Thanks to its R-BUS interface, the VS-2400CD can be expanded with up to eight channels of analog or digital I/O. Use R-BUS to connect an additional VS-2400CD, VS-2480CD or even Roland’s SI-24 Studio Interface–adding another eight analog input channels. Get the big picture by connecting an optional VGA monitor. Combined with the mouse and optional keyboard, this system makes working with the VS-2400CD feel just like software (see screenshots for details). Mouse-Based Editing on the LCD The VS-2400CD’s large LCD screen makes navigation simple with helpful icons and graphics. Using the supplied mouse, you can copy or move phrases using familiar “drag-and-drop” commands—just like software. An optional ASCII keyboard can also be connected for simplified data entry. Impressive 48-Channel/20-Bus Design: Expandable I/O via R-BUS: VGA Output for Software-Style Control Create and Store Multiple Automixes: Professional engineers will tell you that automation is key to good mixing. Fortunately, the VS-2400CD lets you create multiple automixes for controlling important mixing parameters like track level, panning, effects sends and more. New RSS surround Panning: The VS-2400CD is the first V-Studio to feature RSS surround Panning. Using this function, you can position a sound anywhere in a 360 degree field simply by turning a knob. The result is a surround sound mix using conventional 2-way speakers (5.1 mixing is also available). WIT H VG A D IS P LAY Spectrum Analyzer Use the Spectrum Analyzer to tune your mix to room acoustics, or to instantly view the frequency content. 36 Killer Algorithms: With 36 algorithms from the Roland and BOSS archives, the VS-2400CD can handle just about every type of processing you need—from smooth reverb and chorus to delay, flanger and Lo-Fi. There’s even a 19-band vocoder and COSM® Amp Modeling. Mic Modeling Optimized for AKG C3000B: Roland’s COSM Mic Modeling has earned accolades for its ability to model the characteristics of several vintage and high-end microphones. Now you can take advantage of this technology using one of the most popular mics around—the AKG C3000B. Onboard Mastering Tools: Finish your mix with the VS-2400CD’s unique Mastering Tool Kit. This special effect combines algorithms like multi-band compression, a limiter, enhancer and more to give your mixes that “radio-ready” sound. A Powerhouse of Expandable Effects Roland’s V-LINK gives musicians an easy way to integrate video and music. Simply connect an Edirol DV-7PR Digital Video Workstation (sold separately), and you can trigger video clips by creating MIDI events in the VS-2400CD's Automix function, or even use the V-Fader function to control video parameters like color balance and brightness. Digital Studio Workstation 24-bit/96kHz recording 24-track audio recorder 48-channel digital mixer Intuitive drag-and-drop editing Onboard effects Built-in CD-RW & 40GB HD drive VS-2400CD Professional Digital Recording 24 Tracks of Recording Heaven Frustrated with the limited capabilities of a 16-track digital recorder? Then it’s time to step up to full 24-track recording. Think about it. With 24 tracks, you’ll have room for individually miked drums and plenty of vocals. And with 384 Virtual Tracks, there’s always room to try new ideas. Maximum Number of Tracks for Simultaneous Recording/Playback How does the VS-2400CD sound? In a word, phenomenal—thanks to its true 24-bit A/D converters. These top-quality converters capture all the warmth of your inputs and provide better headroom for recording. And if you want the absolute finest sound quality, the VS-2400CD even supports recording at 96kHz*. *At sampling rates of 96kHz, maximum 8-track recording is possible. Sample Rate Recording Mode 48/44.1/32kHz 96/88.2/64kHz M24,M16,CDR 16-tr recording 16-tr playback 8-tr recording 8-tr playback MTP,MT1,MT2,LIV,LV2 16-tr recording 24-tr playback 8-tr recording 12-tr playback Recording Modes M24 (Mastering 24-bit) Pristine 24-bit/96kHz Sound Quality A Fluid and Intuitive OS MTP (Multitrack Pro) M16 (Mastering 16-bit) CDR (CD Writing) For recording and playback in 24-bit linear format. For high-quality recording which compares well to the results from professional-grade digital devices such as mixers and effect processors. For recording and playback in 16-bit linear format. Ideal for mastering, this mode enables you to record in Audio CD Image format for quick, repeatable CD burning. MT1 (Multitrack 1) Recording time is approximately two times longer than M16 while preserving sound quality. Suitable when doing many track bounces. MT2 (Multitrack 2) Provides more recording time than MT1 while preserving sound quality. LIV (Live 1) Provides more recording time than MT2. Suitable when there is little disk space left or for lengthy recording applications such as live performances. LIV (Live 2) Enables the longest recording time. Internal CD-RW and 40GB Hard Drive Easy CD Burning: WIT H VG A D IS P LAY With a low-profile CD burner built-in, the VS-2400CD has everything needed to Channel View take your song from idea to completion. Just mix down to an open pair of tracks and burn a CD! Here you can access individual channel parameters— including EQ curves, compressor settings, effects and more —with point-and-click ease. .WAV/AIFF Compatibility: The VS-2400CD’s internal CD-RW drive can also be used to import .WAV and AIFF files directly from CD. You can even export audio in .WAV format and burn it to disc. Solid Mixing Capabilities A Full-Featured Digital Mixer Superb Editing Functions For editing, the VS-2400CD offers several nondestructive commands like copy, cut, paste and move. These functions give you the power, for example, to create the ultimate vocal or to even copy a drum loop. Helpful markers and locators let you move around quickly, while multiple Undo commands make accidents a thing of the past. Automated Mixing at Your Fingertips EZ Routing Waveform Editing This screen provides the ability to edit waveforms graphically with the mouse just like software. A Powerhouse of Expandable Effects More than just a recorder, the VS-2400CD is a full-blown 48-channel digital mixer. These channels consist of the 16-channel Input mixer, 24-channel Track mixer and eight effect returns. A variety of busses, including eight direct paths, eight aux busses, and stereo main and monitor busses, let you route signal anywhere. know the importance of motorized faders. Imagine being able to press a button and watch as your entire mix is instantly recalled! These faders also come in handy when moving between the VS-2400CD’s Input mixer, Track mixer and effect returns. The VS-2400CD includes one of Roland’s highly acclaimed VS8F-2 Effects Expansion Boards right out of the box. This powerful card provides up to two stereo or four mono effects. A digital mixer can only sound as good as its analog components. That’s why Roland used the same premium circuits found on the flagship VS-2480CD. These carefully selected components have been praised for their warm sound, so you get nothing but the best. This screen provides a global view of your arrangement, plus drag-and-drop editing of audio regions using the mouse. Take the mystery out of routing signal! Simply drag a virtual audio cable from source to destination in this helpful screen. Pro-Quality Effects and V-LINK 2 Stereo Effects Standard: Premium Analog Components: Playlist Track Mixer With the Track Mixer screen, you can use the mouse to edit track levels, panning and more for all 24 tracks simultaneously. Go Direct To Your PC By installing an optional RPC-1 R-BUS card in your Mac or PC, you can transfer up to eight channels of 2-way audio between the computer and your VS-2400CD—all in pristine 24-bit digital quality. Now the V-Studio is more expandable than ever! 13 Motorized Faders: If you’ve ever had to work on multiple projects at once, you Thanks to its R-BUS interface, the VS-2400CD can be expanded with up to eight channels of analog or digital I/O. Use R-BUS to connect an additional VS-2400CD, VS-2480CD or even Roland’s SI-24 Studio Interface–adding another eight analog input channels. Get the big picture by connecting an optional VGA monitor. Combined with the mouse and optional keyboard, this system makes working with the VS-2400CD feel just like software (see screenshots for details). Mouse-Based Editing on the LCD The VS-2400CD’s large LCD screen makes navigation simple with helpful icons and graphics. Using the supplied mouse, you can copy or move phrases using familiar “drag-and-drop” commands—just like software. An optional ASCII keyboard can also be connected for simplified data entry. Impressive 48-Channel/20-Bus Design: Expandable I/O via R-BUS: VGA Output for Software-Style Control Create and Store Multiple Automixes: Professional engineers will tell you that automation is key to good mixing. Fortunately, the VS-2400CD lets you create multiple automixes for controlling important mixing parameters like track level, panning, effects sends and more. New RSS surround Panning: The VS-2400CD is the first V-Studio to feature RSS surround Panning. Using this function, you can position a sound anywhere in a 360 degree field simply by turning a knob. The result is a surround sound mix using conventional 2-way speakers (5.1 mixing is also available). WIT H VG A D IS P LAY Spectrum Analyzer Use the Spectrum Analyzer to tune your mix to room acoustics, or to instantly view the frequency content. 36 Killer Algorithms: With 36 algorithms from the Roland and BOSS archives, the VS-2400CD can handle just about every type of processing you need—from smooth reverb and chorus to delay, flanger and Lo-Fi. There’s even a 19-band vocoder and COSM® Amp Modeling. Mic Modeling Optimized for AKG C3000B: Roland’s COSM Mic Modeling has earned accolades for its ability to model the characteristics of several vintage and high-end microphones. Now you can take advantage of this technology using one of the most popular mics around—the AKG C3000B. Onboard Mastering Tools: Finish your mix with the VS-2400CD’s unique Mastering Tool Kit. This special effect combines algorithms like multi-band compression, a limiter, enhancer and more to give your mixes that “radio-ready” sound. A Powerhouse of Expandable Effects Roland’s V-LINK gives musicians an easy way to integrate video and music. Simply connect an Edirol DV-7PR Digital Video Workstation (sold separately), and you can trigger video clips by creating MIDI events in the VS-2400CD's Automix function, or even use the V-Fader function to control video parameters like color balance and brightness. Specifications Put 24 Tracks to Work for You 200 projects in each partition Marker 1000 per project * Adjustable range with vari-pitch function Locator 100 (10 x 10 banks) per project Hard Disk Drive IDE type 3.5 inches 40 G bytes 16.00 kHz — 98.00 kHz (at 96 kHz) 16.00 kHz — 50.00 kHz (at 48 kHz) Scene 100 (10 x 10 banks) per project CD-RW Drive Undo/Redo 999 Undo / 1 Redo Reading Speed: 24x (max.) Recording Speed: Record (CD-R) 4x correspond Re-Write (CD-RW) 4x correspond Nominal Input Level Input 1—8: -50 — +14 dBu (maximum +26dBu: balanced, maximum +20dBu: unbalanced) Guitar (Hi-Z): -50 — +14 dBu (maximum +20 dBu) Connectors MIDI Connectors (5-pin DIN) Input Jack 1—8 (XLR type [balanced, phantom power]) Input Jack 1—8 (1/4inch phone type [TRS balanced]) Guitar (Hi-Z) Jack (1/4inch phone type) Digital In Connectors (Coaxial type, Optical type) Digital Out Connectors (Coaxial type, Optical type) Foot Switch Jack (1/4inch phone type) PS/2 Mouse Connector (6-pin miniDIN) PS/2 Keyboard Connector (6-pin miniDIN) VGA Out Connector (15-pin miniD-sub) R-BUS Connector (25-pin D-sub) Master Out Jack L/R (1/4inch phone type, TRS balanced) Monitor Out Jack L/R (1/4inch phone type, TRS balanced) AUX A Send Jack L/R (1/4inch phone type, TRS balanced) AUX B Send Jack L/R (1/4inch phone type, TRS balanced) Headphones Jack (Stereo 1/4inch phone type) Tracks: 24 V.Tracks: 384 (16-V.Tracks per each Track) Sample Rate 96.0/88.2/64.0/48.0/44.1/32.0 kHz Mastering 24-bit (M24) Multitrack Pro (MTP) CD Writing (CDR) Mastering 16-bit (M16) Multitrack 1 (MT1) Multitrack 2 (MT2) Live 1 (LIV) Live 2 (LV2) Recording Mode The VS-2400CD Digital Studio Workstation brings professional 24-track recording and CD burning to a new low price, while adding impressive new features like RSS® surround panning and V-LINK video control. Projects Tracks Maximum Simultaneous Recording / play back Tracks (variable) ¥ Sample Rate 48/44.1/32 kHz 16-tr. Rec / 16-tr. Play (M24, M16, CDR) 16-tr. Rec / 24-tr. Play (MTP, MT1/2, LIV, LV2) ¥ Sample Rate 96/88.2/64 kHz 8-tr. Rec / 8-tr. Play (M24, M16, CDR) 8-tr. Rec / 12-tr. Play (MTP, MT1/2, LIV, LV2) Input Impedance Input 1—8: 10 k ‰ (balanced) Guitar (Hi-Z): 1 M ‰ Nominal Output Level Master Out: +4 dBu (balanced) AUX A (L, R): +4 dBu (balanced) AUX B (L, R): +4 dBu (balanced) Monitor Out: +4 dBu (balanced) Output Impedance Master Out: 600 ‰ AUX A (L, R): 600 ‰ AUX B (L, R): 600 ‰ Monitor Out: 600 ‰ Phones: 22 ‰ Recommended Load Impedance Master Out: 10 k ‰ or greater AUX A (L, R): 10 k ‰ or greater AUX B (L, R): 10 k ‰ or greater Monitor Out: 10 k ‰ or greater Phones: 8 — 600 ‰ Power Supply AC117 V, AC230 V or AC240 V Power Consumption 60 W Dimensions 480 (W) x 481 (D) x 136 (H) mm 18-15/16 (W) x 18-15/16 (D) x 5-3/8 (H) inches 4-band (2 shelving + 2 peaking) Weight * Useful simultaneously at up to 32ch in both Input Mixer and Track Mixer. (at 48kHz or less.) * Useful simultaneously at up to 16ch in both Input Mixer and Track Mixer. (at 64kHz or above.) 10.5 kg 23 lbs 3 oz Accessories Owner’s Manual English Appendices R-BUS Equipment Connection and Setting Guide 2 Block diagram Demo CD CD-R disc PS/2 Mouse Short Cut Seal AC Cord * Depending on the organization of the song data etc., the number of tracks which can be simultaneously recorded or played back may be limited. • Self-contained 24-track/24-bit/96kHz recording workstation with onboard effects, CD-RW drive and 40GB hard disk Maximum Useful Capacity • 24-track playback; 16-track simultaneous recording with 384 V-Tracks Recording Time • 48-channel, fully automated digital mixer with 13 motorized faders 40 G bytes: 10 G bytes (Capacity) x 4 (Partition) Recording (at 10GB Partition, conversion in 1 track, unit: minutes) M24 MTP M16 CDR MT1 MT2 LIV LV2 • 8 XLR/TRS balanced inputs and Hi-Z input; 8 analog outputs including 5.1 Surround output; R-BUS and digital I/O • Intuitive software-style control via included mouse and VGA monitor output Sample Rate (kHz) 96 658 1,977 988 988 1,977 2,635 3,163 3,954 88.2 716 2,152 1,076 1,076 2,152 2,866 3,442 4,304 64 987 2,966 1,483 1,483 2,966 3,953 4,744 5,932 48 1,316 3,954 1,977 1,977 3,954 5,271 6,326 7,909 44.1 1,433 4,305 2,152 2,152 4,304 5,732 6,885 8,609 32 1,975 5,932 2,966 2,966 5,932 7,907 9,489 11,864 * The above-listed recording times are approximate. Times may vary slightly depending on the specifications of the disk drive and on the number of songs that were created. * In CDR recording mode, two tracks are always used in a pair (channel link is on), so recording time is half the above-listed. * Maximum recording time of VS-2400CD is approximately four times of above recording time. (10 GB x 4 Partitions) • New RSS surround panning creates a 3-Dimensional sound field for mixing • Import .WAV/AIFF files direct from CD-ROM; export files in .WAV format • V-LINK function for synchronizing or controlling Edirol video equipment Frequency Response 96.0 kHz: 20 Hz — 40 kHz (+0 dB/-2 dB) 88.2 kHz: 20 Hz — 40 kHz (+0 dB/-2 dB) 48.0 kHz: 20 Hz — 22 kHz (+0 dB/-2 dB) 44.1 kHz: 20 Hz — 20 kHz (+0 dB/-2 dB) 32.0 kHz: 20 Hz — 14 kHz (+0 dB/-2 dB) PS/2: 6-pin miniDIN MIDI: 5-pin DIN R-BUS: 25-pin D-sub EQ Dynamics Processor Compressor, Expander * Useful simultaneously at up to 32ch in both Input Mixer and Track Mixer. (at 48kHz or less.) * Useful simultaneously at up to 16ch in both Input Mixer and Track Mixer. (at 64kHz or above.) Effects Maximum 4 stereo (One pre-installed + One more optional VS8F-2) Display 320 x 240 dots Graphic LCD (with backlight) Interface Digital I/O: Coaxial, Optical (conforms to IEC60958) VGA Out: 15-pin miniD-sub (0dBu=0.775Vrms) * In the interest of product development, the specifications for this product are subject to change without prior notice. Preset Effect Patch List No. Patch Name Algorithm 36 presets P000 Reverb* P001 Reverb2 P002 Gate Reverb* P003 Delay P004 StPS-Delay P005 Delay RSS P006 TapeEcho201 P007 MultiTapDly P008 StDly-Chorus P009 Chorus RSS P010 Space Chorus P011 St Phaser P012 AnalogPhaser P013 St Flanger P014 AnalogFlnger P015 Rotary P016 2ch RSS P017 MicModeling* P018 GuitarMulti1 P019 GuitarMulti2 P020 GuitarMulti3 P021 GuitarAmpMdl P022 Vocal Multi P023 Voice Trans* No. Patch Name P024 Vocal Cancel P025 Vocoder P026 Vocoder2 (19)* P027 Lo-Fi Proces P028 3BndIsolator P029 DualComp/Lim P030 Parametric EQ P031 Graphic EQ P032 Hum Canceler P033 Stereo Multi P034 Speaker Mdl* P035 MastringTool* Reverb 18 presets P036 RV:LargeHall* P037 RV:SmallHall* P038 RV:Strings* P039 RV:PianoHall* P040 RV:Orch Room* P041 RV:VocalRoom* P042 RV:MediumRm* P043 RV:LargeRoom* P044 RV:CoolPlate* P045 RV:Short Plt* P046 RV:Vocal Plt* P047 RV:Soft Amb.* No. Patch Name P048 RV:Room Amb.* P049 RV:Cathedral* P050 RV:Long Cave* P051 RV:GarageDr.* P052 RV:Rock Kick* P053 RV:RockSnare* Reverb2 20 presets P054 R2:LargeHall P055 R2:SmallHall P056 R2:Strings P057 R2:PianoHall P058 R2:Orch Room P059 R2:VocalRoom P060 R2:MediumRm P061 R2:LargeRoom P062 R2:CoolPlate P063 R2:Short Plt P064 R2:Vocal Plt P065 R2:Soft Amb. P066 R2:Room Amb. P067 R2:Cathedral P068 R2:Long Cave P069 R2:GarageDr. P070 R2:Rock Kick P071 R2:RockSnare No. Patch Name P072 R2:BriteGte2 P073 R2:Fat Gate2 Gate Reverb 4 presets P074 RV:BriteGate* P075 RV:Fat Gate* P076 RV:ReverseGt* P077 RV:PanningGt* Delay 9 presets P078 DL:Short Dly P079 DL:MediumDly P080 DL:LongDelay P081 DL:AnalogDly P082 DL:Tape Echo P083 DL:Karaoke P084 DL:Multi-Tap P085 DL:MltTapAmb P086 DL:Ping Pong Tape Echo 201 4 presets P087 TE:ShortEcho P088 TE:LongEcho P089 TE:OldTape P090 TE:PanEcho Chorus 6 presets P091 CH:Lt Chorus P092 CH:Deep Cho No. Patch Name P093 CH:DetuneCho P094 SPCHO:MODE 1 P095 SPCHO:MODE 2 P096 SPCHO:MODE 3 Phaser 3 presets P097 PH:Lt Phaser P098 PH:DeepPhase P099 AP:FB-Phaser Flanger 3 presets P100 FL:LtFlanger P101 FL:Deep Fl P102 AF:SBF-325 Pitch Shifter 7 presets P103 PS:-4thVoice P104 PS:ShimmerUD P105 VT:M to Fm* P106 VT:Fm to M* P107 VT:Male Duo* P108 VT:FemaleDuo* P109 VT:Robot* Mic Modeling 29 presets P110 MM:57→58* P111 MM:57→421* P112 MM:57→451* P113 MM87* No. P114 P115 P116 P117 P118 P119 P120 P121 P122 P123 P124 P125 P126 P127 P128 P129 P130 P131 P132 P133 P134 P135 P136 P137 P138 Patch Name MM:57→47* MM:57→Line* MM:DR20→421* MM:DR20→451* MM:DR20→87* MM:10→58* MM:10→87* MM:Mini→57* MM:Mini→87* MM:C3KB→57* MM:C3KB→58* MM:C3KB→421* MM:C3KB→451* MM:C3KB→87* MM:C3KB→47* MM:C3KB→Line* MM:Kick&Snr1* MM:Kick&Snr2* MM:H.Hat&Tom* MM:Dr.OvrTop* MM:Dr.OvrAll* MM:Ac.Guitar* MM:StudioVcl* MM:StereoMic* MM:Ambience* No. Patch Name Vocal 10 presets P139 VO:Vocal Efx P140 VO:JazzVocal P141 VO:RockVocal P142 VO:Narration P143 VO:BigChorus P144 VO:Club DJ P145 VO:AM-Radio P146 VO:PlusTwo P147 VO:Robot Efx P148 VO:Bull Horn Guitar 11 presets P149 GT:Rock Lead P150 GT:LA Lead P151 GT:MetalLead P152 GT:Metal Jet P153 GT:CleanRthm P154 GT:DledClean P155 GT:Delay Rif P156 GT:Acoustic P157 GT:BluesDrv. P158 GT:Liverpool P159 GT:Country Guitar Amp Modeling 9 presets P160 GA:JazChorus No. Patch Name P161 GA:CleanTwin P162 GA:Vin.Tweed P163 GA:BluesDrv. P164 GA:MatchLead P165 GA:StudioCmb P166 GA:JMP-Stack P167 GA:SLDN Lead P168 GA:5150 Lead Bass 6 presets P169 BS:DI’edBass P170 BS:MikedBass P171 BS:CompBass P172 BS:Fat Bass* P173 BS:Auto Wah P174 BS:FX Bass Special Effects 11 presets P175 LFP:BreakBts P176 LFP:1bitDist P177 LFP:TeknoFlt P178 LFP:Reso Flt P179 LFP:FatBotom P180 VOC2:M19Band* P181 VOC2:S19Band* P182 HC:Quiet60Hz P183 HC:Quiet50Hz No. Patch Name P184 VC:Vocal Cnl P185 VC:CenterCnl Parametric Equalizer 26 presets P186 PEQ:BassDrum P187 PEQ:RockBD P188 PEQ:RockSD P189 PEQ:RimShot P190 PEQ:Toms P191 PEQ:Hi Hat P192 PEQ:Cymbals P193 PEQ:Overhead P194 PEQ:Bass 1 P195 PEQ:Bass 2 P196 PEQ:SlapBass P197 PEQ:Sax P198 PEQ:Bari.Sax P199 PEQ:ElecGtr P200 PEQ:NylonGtr P201 PEQ:BluesGtr P202 PEQ:SlideGtr P203 PEQ:LineGtr P204 PEQ:Male P205 PEQ:RockMale P206 PEQ:Female P207 PEQ:RockFeml No. Patch Name P208 PEQ:Narrator P209 PEQ:Organ P210 PEQ:St.Piano P211 PEQ:SmallCho Graphic Equalizer 3 presets P212 GEQ:TotalEQ1 P213 GEQ:TotalEQ2 P214 GEQ:Space EQ Stereo Multi 5 presets P215 CL:Comp P216 CL:Limiter P217 EQ:Loudness P218 EQ:Fat Dance P219 EQ:ThinJingl Speaker Modeling 11 presets P220 SPM:SuperFlt* P221 SPM:P.GenBlk* P222 SPM:P.E-Bs* P223 SPM:P.Mack* P224 SPM:SmalCube* P225 SPM:WhiteCon* P226 SPM:W.C+tiss* P227 SPM:S.Radio* P228 SPM:SmallTV* P229 SPM:BoomBox* No. Patch Name P230 SPM:BB.LowBs* Mastering Tool Kit 19 presets P231 MTK:Mixdown* P232 MTK:PreMastr* P233 MTK:LiveMix* P234 MTK:PopMix* P235 MTK:DanceMix* P236 MTK:JinglMix* P237 MTK:HardComp* P238 MTK:SoftComp* P239 MTK:ClnComp* P240 MTK:DnceComp* P241 MTK:OrchComp* P242 MTK:VocalCmp* P243 MTK:Acoustic* P244 MTK:RockBand* P245 MTK:Orchestr* P246 MTK:LoBoost* P247 MTK:Brighten* P248 MTK:DJsVoice* P249 MTK:PhoneVox* * Please use with sample rates of 48kHz or less. Options 24-BIT DIGITAL REFERENCE MONITOR R-BUS INTERFACE CARD CHANNEL EDIT CONTROLLER R-BUS CABLE DYNAMIC MICROPHONE 10CH DIGITAL LINE MIXER MIC MODELING PREAMP EFFECT EXPANSION BOARD PEDAL SWITCH FOOTSWITCH Roland Corporation U.S. 5100 S.Eastern Avenue P.O BOX 910921 Los Angeles, CA 90091-0921 Phone: (323) 890.3700 Fax: (323) 890.3701 Visit us online at www.RolandUS.com The flagship VS-2480CD offers several enhancements for professional users like 16 analog inputs, 17 motorized faders, SMPTE sync and more. All specifications and appearances are subject to change. All trademarks are the property of their respective companies. Printed in Japan Jan. ’03 RAM-3679 C-4 ERK-UPR-SE Specifications Put 24 Tracks to Work for You 200 projects in each partition Marker 1000 per project * Adjustable range with vari-pitch function Locator 100 (10 x 10 banks) per project Hard Disk Drive IDE type 3.5 inches 40 G bytes 16.00 kHz — 98.00 kHz (at 96 kHz) 16.00 kHz — 50.00 kHz (at 48 kHz) Scene 100 (10 x 10 banks) per project CD-RW Drive Undo/Redo 999 Undo / 1 Redo Reading Speed: 24x (max.) Recording Speed: Record (CD-R) 4x correspond Re-Write (CD-RW) 4x correspond Nominal Input Level Input 1—8: -50 — +14 dBu (maximum +26dBu: balanced, maximum +20dBu: unbalanced) Guitar (Hi-Z): -50 — +14 dBu (maximum +20 dBu) Connectors MIDI Connectors (5-pin DIN) Input Jack 1—8 (XLR type [balanced, phantom power]) Input Jack 1—8 (1/4inch phone type [TRS balanced]) Guitar (Hi-Z) Jack (1/4inch phone type) Digital In Connectors (Coaxial type, Optical type) Digital Out Connectors (Coaxial type, Optical type) Foot Switch Jack (1/4inch phone type) PS/2 Mouse Connector (6-pin miniDIN) PS/2 Keyboard Connector (6-pin miniDIN) VGA Out Connector (15-pin miniD-sub) R-BUS Connector (25-pin D-sub) Master Out Jack L/R (1/4inch phone type, TRS balanced) Monitor Out Jack L/R (1/4inch phone type, TRS balanced) AUX A Send Jack L/R (1/4inch phone type, TRS balanced) AUX B Send Jack L/R (1/4inch phone type, TRS balanced) Headphones Jack (Stereo 1/4inch phone type) Tracks: 24 V.Tracks: 384 (16-V.Tracks per each Track) Sample Rate 96.0/88.2/64.0/48.0/44.1/32.0 kHz Mastering 24-bit (M24) Multitrack Pro (MTP) CD Writing (CDR) Mastering 16-bit (M16) Multitrack 1 (MT1) Multitrack 2 (MT2) Live 1 (LIV) Live 2 (LV2) Recording Mode The VS-2400CD Digital Studio Workstation brings professional 24-track recording and CD burning to a new low price, while adding impressive new features like RSS® surround panning and V-LINK video control. Projects Tracks Maximum Simultaneous Recording / play back Tracks (variable) ¥ Sample Rate 48/44.1/32 kHz 16-tr. Rec / 16-tr. Play (M24, M16, CDR) 16-tr. Rec / 24-tr. Play (MTP, MT1/2, LIV, LV2) ¥ Sample Rate 96/88.2/64 kHz 8-tr. Rec / 8-tr. Play (M24, M16, CDR) 8-tr. Rec / 12-tr. Play (MTP, MT1/2, LIV, LV2) Input Impedance Input 1—8: 10 k ‰ (balanced) Guitar (Hi-Z): 1 M ‰ Nominal Output Level Master Out: +4 dBu (balanced) AUX A (L, R): +4 dBu (balanced) AUX B (L, R): +4 dBu (balanced) Monitor Out: +4 dBu (balanced) Output Impedance Master Out: 600 ‰ AUX A (L, R): 600 ‰ AUX B (L, R): 600 ‰ Monitor Out: 600 ‰ Phones: 22 ‰ Recommended Load Impedance Master Out: 10 k ‰ or greater AUX A (L, R): 10 k ‰ or greater AUX B (L, R): 10 k ‰ or greater Monitor Out: 10 k ‰ or greater Phones: 8 — 600 ‰ Power Supply AC117 V, AC230 V or AC240 V Power Consumption 60 W Dimensions 480 (W) x 481 (D) x 136 (H) mm 18-15/16 (W) x 18-15/16 (D) x 5-3/8 (H) inches 4-band (2 shelving + 2 peaking) Weight * Useful simultaneously at up to 32ch in both Input Mixer and Track Mixer. (at 48kHz or less.) * Useful simultaneously at up to 16ch in both Input Mixer and Track Mixer. (at 64kHz or above.) 10.5 kg 23 lbs 3 oz Accessories Owner’s Manual English Appendices R-BUS Equipment Connection and Setting Guide 2 Block diagram Demo CD CD-R disc PS/2 Mouse Short Cut Seal AC Cord * Depending on the organization of the song data etc., the number of tracks which can be simultaneously recorded or played back may be limited. • Self-contained 24-track/24-bit/96kHz recording workstation with onboard effects, CD-RW drive and 40GB hard disk Maximum Useful Capacity • 24-track playback; 16-track simultaneous recording with 384 V-Tracks Recording Time • 48-channel, fully automated digital mixer with 13 motorized faders 40 G bytes: 10 G bytes (Capacity) x 4 (Partition) Recording (at 10GB Partition, conversion in 1 track, unit: minutes) M24 MTP M16 CDR MT1 MT2 LIV LV2 • 8 XLR/TRS balanced inputs and Hi-Z input; 8 analog outputs including 5.1 Surround output; R-BUS and digital I/O • Intuitive software-style control via included mouse and VGA monitor output Sample Rate (kHz) 96 658 1,977 988 988 1,977 2,635 3,163 3,954 88.2 716 2,152 1,076 1,076 2,152 2,866 3,442 4,304 64 987 2,966 1,483 1,483 2,966 3,953 4,744 5,932 48 1,316 3,954 1,977 1,977 3,954 5,271 6,326 7,909 44.1 1,433 4,305 2,152 2,152 4,304 5,732 6,885 8,609 32 1,975 5,932 2,966 2,966 5,932 7,907 9,489 11,864 * The above-listed recording times are approximate. Times may vary slightly depending on the specifications of the disk drive and on the number of songs that were created. * In CDR recording mode, two tracks are always used in a pair (channel link is on), so recording time is half the above-listed. * Maximum recording time of VS-2400CD is approximately four times of above recording time. (10 GB x 4 Partitions) • New RSS surround panning creates a 3-Dimensional sound field for mixing • Import .WAV/AIFF files direct from CD-ROM; export files in .WAV format • V-LINK function for synchronizing or controlling Edirol video equipment Frequency Response 96.0 kHz: 20 Hz — 40 kHz (+0 dB/-2 dB) 88.2 kHz: 20 Hz — 40 kHz (+0 dB/-2 dB) 48.0 kHz: 20 Hz — 22 kHz (+0 dB/-2 dB) 44.1 kHz: 20 Hz — 20 kHz (+0 dB/-2 dB) 32.0 kHz: 20 Hz — 14 kHz (+0 dB/-2 dB) PS/2: 6-pin miniDIN MIDI: 5-pin DIN R-BUS: 25-pin D-sub EQ Dynamics Processor Compressor, Expander * Useful simultaneously at up to 32ch in both Input Mixer and Track Mixer. (at 48kHz or less.) * Useful simultaneously at up to 16ch in both Input Mixer and Track Mixer. (at 64kHz or above.) Effects Maximum 4 stereo (One pre-installed + One more optional VS8F-2) Display 320 x 240 dots Graphic LCD (with backlight) Interface Digital I/O: Coaxial, Optical (conforms to IEC60958) VGA Out: 15-pin miniD-sub (0dBu=0.775Vrms) * In the interest of product development, the specifications for this product are subject to change without prior notice. Preset Effect Patch List No. Patch Name Algorithm 36 presets P000 Reverb* P001 Reverb2 P002 Gate Reverb* P003 Delay P004 StPS-Delay P005 Delay RSS P006 TapeEcho201 P007 MultiTapDly P008 StDly-Chorus P009 Chorus RSS P010 Space Chorus P011 St Phaser P012 AnalogPhaser P013 St Flanger P014 AnalogFlnger P015 Rotary P016 2ch RSS P017 MicModeling* P018 GuitarMulti1 P019 GuitarMulti2 P020 GuitarMulti3 P021 GuitarAmpMdl P022 Vocal Multi P023 Voice Trans* No. Patch Name P024 Vocal Cancel P025 Vocoder P026 Vocoder2 (19)* P027 Lo-Fi Proces P028 3BndIsolator P029 DualComp/Lim P030 Parametric EQ P031 Graphic EQ P032 Hum Canceler P033 Stereo Multi P034 Speaker Mdl* P035 MastringTool* Reverb 18 presets P036 RV:LargeHall* P037 RV:SmallHall* P038 RV:Strings* P039 RV:PianoHall* P040 RV:Orch Room* P041 RV:VocalRoom* P042 RV:MediumRm* P043 RV:LargeRoom* P044 RV:CoolPlate* P045 RV:Short Plt* P046 RV:Vocal Plt* P047 RV:Soft Amb.* No. Patch Name P048 RV:Room Amb.* P049 RV:Cathedral* P050 RV:Long Cave* P051 RV:GarageDr.* P052 RV:Rock Kick* P053 RV:RockSnare* Reverb2 20 presets P054 R2:LargeHall P055 R2:SmallHall P056 R2:Strings P057 R2:PianoHall P058 R2:Orch Room P059 R2:VocalRoom P060 R2:MediumRm P061 R2:LargeRoom P062 R2:CoolPlate P063 R2:Short Plt P064 R2:Vocal Plt P065 R2:Soft Amb. P066 R2:Room Amb. P067 R2:Cathedral P068 R2:Long Cave P069 R2:GarageDr. P070 R2:Rock Kick P071 R2:RockSnare No. Patch Name P072 R2:BriteGte2 P073 R2:Fat Gate2 Gate Reverb 4 presets P074 RV:BriteGate* P075 RV:Fat Gate* P076 RV:ReverseGt* P077 RV:PanningGt* Delay 9 presets P078 DL:Short Dly P079 DL:MediumDly P080 DL:LongDelay P081 DL:AnalogDly P082 DL:Tape Echo P083 DL:Karaoke P084 DL:Multi-Tap P085 DL:MltTapAmb P086 DL:Ping Pong Tape Echo 201 4 presets P087 TE:ShortEcho P088 TE:LongEcho P089 TE:OldTape P090 TE:PanEcho Chorus 6 presets P091 CH:Lt Chorus P092 CH:Deep Cho No. Patch Name P093 CH:DetuneCho P094 SPCHO:MODE 1 P095 SPCHO:MODE 2 P096 SPCHO:MODE 3 Phaser 3 presets P097 PH:Lt Phaser P098 PH:DeepPhase P099 AP:FB-Phaser Flanger 3 presets P100 FL:LtFlanger P101 FL:Deep Fl P102 AF:SBF-325 Pitch Shifter 7 presets P103 PS:-4thVoice P104 PS:ShimmerUD P105 VT:M to Fm* P106 VT:Fm to M* P107 VT:Male Duo* P108 VT:FemaleDuo* P109 VT:Robot* Mic Modeling 29 presets P110 MM:57→58* P111 MM:57→421* P112 MM:57→451* P113 MM87* No. P114 P115 P116 P117 P118 P119 P120 P121 P122 P123 P124 P125 P126 P127 P128 P129 P130 P131 P132 P133 P134 P135 P136 P137 P138 Patch Name MM:57→47* MM:57→Line* MM:DR20→421* MM:DR20→451* MM:DR20→87* MM:10→58* MM:10→87* MM:Mini→57* MM:Mini→87* MM:C3KB→57* MM:C3KB→58* MM:C3KB→421* MM:C3KB→451* MM:C3KB→87* MM:C3KB→47* MM:C3KB→Line* MM:Kick&Snr1* MM:Kick&Snr2* MM:H.Hat&Tom* MM:Dr.OvrTop* MM:Dr.OvrAll* MM:Ac.Guitar* MM:StudioVcl* MM:StereoMic* MM:Ambience* No. Patch Name Vocal 10 presets P139 VO:Vocal Efx P140 VO:JazzVocal P141 VO:RockVocal P142 VO:Narration P143 VO:BigChorus P144 VO:Club DJ P145 VO:AM-Radio P146 VO:PlusTwo P147 VO:Robot Efx P148 VO:Bull Horn Guitar 11 presets P149 GT:Rock Lead P150 GT:LA Lead P151 GT:MetalLead P152 GT:Metal Jet P153 GT:CleanRthm P154 GT:DledClean P155 GT:Delay Rif P156 GT:Acoustic P157 GT:BluesDrv. P158 GT:Liverpool P159 GT:Country Guitar Amp Modeling 9 presets P160 GA:JazChorus No. Patch Name P161 GA:CleanTwin P162 GA:Vin.Tweed P163 GA:BluesDrv. P164 GA:MatchLead P165 GA:StudioCmb P166 GA:JMP-Stack P167 GA:SLDN Lead P168 GA:5150 Lead Bass 6 presets P169 BS:DI’edBass P170 BS:MikedBass P171 BS:CompBass P172 BS:Fat Bass* P173 BS:Auto Wah P174 BS:FX Bass Special Effects 11 presets P175 LFP:BreakBts P176 LFP:1bitDist P177 LFP:TeknoFlt P178 LFP:Reso Flt P179 LFP:FatBotom P180 VOC2:M19Band* P181 VOC2:S19Band* P182 HC:Quiet60Hz P183 HC:Quiet50Hz No. Patch Name P184 VC:Vocal Cnl P185 VC:CenterCnl Parametric Equalizer 26 presets P186 PEQ:BassDrum P187 PEQ:RockBD P188 PEQ:RockSD P189 PEQ:RimShot P190 PEQ:Toms P191 PEQ:Hi Hat P192 PEQ:Cymbals P193 PEQ:Overhead P194 PEQ:Bass 1 P195 PEQ:Bass 2 P196 PEQ:SlapBass P197 PEQ:Sax P198 PEQ:Bari.Sax P199 PEQ:ElecGtr P200 PEQ:NylonGtr P201 PEQ:BluesGtr P202 PEQ:SlideGtr P203 PEQ:LineGtr P204 PEQ:Male P205 PEQ:RockMale P206 PEQ:Female P207 PEQ:RockFeml No. Patch Name P208 PEQ:Narrator P209 PEQ:Organ P210 PEQ:St.Piano P211 PEQ:SmallCho Graphic Equalizer 3 presets P212 GEQ:TotalEQ1 P213 GEQ:TotalEQ2 P214 GEQ:Space EQ Stereo Multi 5 presets P215 CL:Comp P216 CL:Limiter P217 EQ:Loudness P218 EQ:Fat Dance P219 EQ:ThinJingl Speaker Modeling 11 presets P220 SPM:SuperFlt* P221 SPM:P.GenBlk* P222 SPM:P.E-Bs* P223 SPM:P.Mack* P224 SPM:SmalCube* P225 SPM:WhiteCon* P226 SPM:W.C+tiss* P227 SPM:S.Radio* P228 SPM:SmallTV* P229 SPM:BoomBox* No. Patch Name P230 SPM:BB.LowBs* Mastering Tool Kit 19 presets P231 MTK:Mixdown* P232 MTK:PreMastr* P233 MTK:LiveMix* P234 MTK:PopMix* P235 MTK:DanceMix* P236 MTK:JinglMix* P237 MTK:HardComp* P238 MTK:SoftComp* P239 MTK:ClnComp* P240 MTK:DnceComp* P241 MTK:OrchComp* P242 MTK:VocalCmp* P243 MTK:Acoustic* P244 MTK:RockBand* P245 MTK:Orchestr* P246 MTK:LoBoost* P247 MTK:Brighten* P248 MTK:DJsVoice* P249 MTK:PhoneVox* * Please use with sample rates of 48kHz or less. Options 24-BIT DIGITAL REFERENCE MONITOR R-BUS INTERFACE CARD CHANNEL EDIT CONTROLLER R-BUS CABLE DYNAMIC MICROPHONE 10CH DIGITAL LINE MIXER MIC MODELING PREAMP EFFECT EXPANSION BOARD PEDAL SWITCH FOOTSWITCH Roland Corporation U.S. 5100 S.Eastern Avenue P.O BOX 910921 Los Angeles, CA 90091-0921 Phone: (323) 890.3700 Fax: (323) 890.3701 Visit us online at www.RolandUS.com The flagship VS-2480CD offers several enhancements for professional users like 16 analog inputs, 17 motorized faders, SMPTE sync and more. All specifications and appearances are subject to change. All trademarks are the property of their respective companies. Printed in Japan Jan. ’03 RAM-3679 C-4 ERK-UPR-SE
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