Samson Power Amplifiers Users Manual Audio Brochure 6.1
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2015-02-02
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Samson Technologies 575 Underhill Blvd. Syosset, NY 11791-9031 www.samsontech.com CAT FLA v6.1 ©2003 Samson Winter/Spring 2003 Power Amplifiers Servo 120 Power Amplifier For over a decade Samson has been building innovative audio products that sound great and perform reliably day after day, night after night. It starts with innovation: new ideas, rethinking the obvious. It’s R&D: Finding better ways to build products to enhance quality and reliability. Just about everyone at Samson is a musician. From the CEO, to the engineers, to the customer service reps, to the sales and marketing people. We use these products. That’s why our gear delivers what music professionals need. Samson Audio. Precision audio tools for the jobs that matter. Power Amplifiers Servo 260 Power Amplifier Ideal for powering near-field monitors or for use as a headphone amplifier, the Servo 120 provides reference-class audio performance and reliability in a compact package. • Single rack space Servo-controlled stereo power amplifier • 60 watts into 4 ohms, 50 watts into 8 ohms (stereo) and 120 watts into 8 ohms (bridged mono) • Wide, flat frequency response of less than 10 Hz to plus 100 kHz (-3 dB) for reference-quality audio • Front panel headphone jack with speaker-disable switch • Independent left/right level controls with 5-segment, 3-color LED meters • Relay-controlled power-on circuitry prevents speaker “thumps” • Balanced 1/4” TRS inputs and gold-plated unbalanced RCA inputs • Push-spring terminal outputs • Convection-cooled design eliminates fan noise and maintenance problems • Bipolar design and toroidal transformer power supply • Overheating and over-current protection circuitry Servo 170 Power Amplifier A versatile performer in a compact package, our popular Servo 170 is excellent for near field monitoring, stereo midrange/high frequency bi-amping applications and low power distribution systems. • Dual rack space Servo-controlled stereo power amplifier • 85 watts into 4 ohms, 60 watts into 8 ohms stereo • Wide, linear 20 Hz to 50 kHz frequency response • Independent left/right input level controls with 41 detents • Front-panel clip and idle LEDs for both channels • Relay-controlled power-on circuitry prevents speaker “thumps” • Balanced 1/4” TRS inputs and gold-plated unbalanced RCA inputs • 1/4”and push-spring terminal outputs • Convection-cooled design eliminates fan noise and maintenance problems • Bipolar design • Overheating and over-current protection circuitry A mainstay of our Servo line, the 260 is great for near-field monitor set-ups, headphone distribution systems, and smaller live sound applications. • Dual rack space Servo-controlled stereo power amplifier • 130 watts into 4 ohms, 90 watts into 8 ohms stereo • Extended 20 Hz To 50 kHz frequency response • Independent left/right input level controls with 41 detents • Front-panel clip and idle LEDs on both channels • Relay-controlled power-on circuitry avoids speaker “thumps” • Balanced 1/4” TRS inputs and gold-plated unbalanced RCA inputs • 1/4” and push-spring terminal outputs • Convection-cooled design eliminates fan noise and maintenance problems • Bipolar design • Overheating and over-current protection circuitry Servo 550 Power Amplifier Using the Servo 550 in the bridged mono mode is a great way to power a separate subwoofer system as an enhancement to your overall sound. • Three rack space Servo-controlled stereo power amplifier • 275 watts into 4 ohms, 190 watts into 8 ohms (stereo) and 550 watts into 8 ohms (bridged mono) • Wide, linear 20 Hz to 50 kHz frequency response • Independent left and right input level controls with 41 detents • Front-panel clip, idle, protection and power LEDs • Relay-controlled power-on circuitry prevents speaker “thumps” • Balanced 1/4” TRS inputs and gold-plated unbalanced RCA inputs • 1/4” and binding post outputs • Convection-cooled design eliminates fan noise and maintenance problems • Bipolar design • Overheating and over-current protection circuitry After the music, power is everything. Samson amps provide clean, reliable power for every application. Samson offers three lines: our precision Servo Series, with ultra-low distortion, our muscular S-Series amps for live applications and our pure-power F Series. Samson amps include all the features and connectivity that audio professionals want, at truly affordable prices. Power Amplifiers S500 Power Amplifier Power Amplifiers S1500 Power Amplifier New to the S Series, the sturdy and reliable S500 is perfect for live sound or fixed installations where 500 watts is the right amount of power. • Heavy-duty dual rack space stereo power amplifier • 250 watts per channel into 4 ohms, 150 watts into 8 ohms (stereo) and 500 watts into 8 ohms (bridged mono) • Temperature-sensitive, speed-controlled fan • Independent front panel input level controls with 41 detents and 3-segment output LED meters • Overheating and over-current protection circuitry with LED monitoring • XLR and locking TRS inputs, banana jack outputs and Speakon™ connectors • Parallel inputs allow several amps to be linked together S700 Power Amplifier Efficient and highly reliable, the S1500 stereo amp provides plenty of power on the road, in commercial installations and for PA use. • Heavy-duty three rack space stereo power amplifier • 750 watts into 4 ohms, 500 watts into 8 ohms (stereo) and 1,500 watts into 8 ohms (bridged mono) • Dual temperature-sensitive, speed-controlled fans • Independent front panel input level controls with 41 detents and 3-segment output LED meters • Overheating and over-current protection circuitry with LED monitoring • XLR inputs and locking TRS inputs, banana jack outputs and Speakon™ connectors • Parallel intputs allow several amps to be linked together • AC mains: IEC and Neutrik® Powercon connector included S2000 Power Amplifier 4 5 Exceptionally rugged and reliable, the S700 is a powerful, multi-purpose amplifier. • Heavy-duty dual rack space stereo power amplifier • 350 watts into 4 ohms, 220 watts into 8 ohms (stereo) and 700 watts into 8 ohms (bridged mono) • Dual temperature-sensitive, speed-controlled fans • Independent front panel input level controls with 41 detents and 3-segment output LED meters • Overheating and over-current protection circuitry with LED monitoring • Stable bipolar design • XLR and locking TRS inputs, banana jack outputs and Speakon™ connectors • Parallel inputs allow several amps to be linked together S1000 Power Amplifier Serious power for all kinds of live sound projects, commercial installations and PA systems. • Heavy-duty dual rack space stereo power amplifier • 500 watts into 4 ohms,330 watts into 8 ohms (stereo) and 1,000 watts into 8 ohms (bridged mono) • Dual temperature-sensitive, speed-controlled fans • Independent front panel input level controls with 41 detents and 3-segment output LED meters • Overheating and over-current protection circuitry with LED monitoring • Dual protection LEDs and relay-controlled outputs linked to protection LEDs • XLR inputs and locking TRS inputs, Banana jack outputs with Speakon™ connectors • Parallel intputs allow several amps to be linked together The rugged S2000 stereo amp from Samson delivers awesome power, reliability and protection for live sound situations, commercial installations and PA applications. • Heavy-duty three rack space stereo power amplifier • 1,000 watts into 4 ohms, 650 watts into 8 ohms (stereo) and 2,000 watts into 8 ohms (bridged mono) • Dual temperature-sensitive, speed-controlled fans • Independent front panel input level controls with 41 detents and 3-segment output LED meters • Overheating and over-current protection circuitry with LED monitoring • XLR inputs and locking TRS inputs, banana jack outputs and Speakon™ connectors • Parallel intputs allow several amps to be linked together • AC mains: IEC and Neutrik® Powercon connector included Power Amplifiers F800 Power Amplifier Graphic Equalizers S•Curve 215 - 2X 15 band EQ A great, multi-purpose EQ, with all the features and easy-to-read lighted display. For applications that require reliable power, but don’t require front panel controls. Perfect for DJs, and others who need simple, pure power. • Heavy-duty three rack space stereo power amplifier • 400 watts into 4 ohms, 250 watts into 8 ohms (stereo) and 800 watts into 8 ohms (bridged mono) • Bipolar design • Dual temperature-sensitive, speed-controlled fans • Balanced 1/4” and RCA input connectors • Binding post output connectors • Protection, power and bridging LEDs • Resettable in-line fuse on rear panel • 2/3 octave 15 band stereo graphic equalizer • Constant Q circuitry • Balanced XLR & TRS inputs and outputs • Low cut filter • LED faders and LED bar VU meters • Bypass switch • Single rack space chassis, aluminum extrusion face plate S•Curve 131 - 31 band EQ F1200 Power Amplifier For professionals looking for a full 31 band EQ. 6 • 1/3 octave 31 band graphic equalizer • Constant Q circuitry • LED faders • Switchable 6 or 12 dB filters • Cut Only mode • Variable low cut filter • Single rack space chassis, aluminum extrusion face plate With its high power and simple, reliable design the F1200 is the ultimate DJ amplifier. It’s also perfect for any application that requires pure power—and lots of it. • Heavy-duty three rack space stereo power amplifier • 600 watts into 4 ohms, 400 watts into 8 ohms (stereo) and 1,200 watts into 8 ohms (bridged mono) • Bipolar design • Dual temperature-sensitive, speed-controlled fans • Balanced 1/4” and RCA input connectors • Binding post output connectors • Protection, power and bridging LEDs • Resettable in-line fuse on rear panel S•Curve 231 - 2X 31 band EQ A totally comprehensive, feature-rich dual 31-band EQ for the most demanding applications. • Dual 31 band graphic equalizer • Constant Q circuitry • LED faders • Low cut/Sub Freuqency Crossover with Subwoofer output • Balanced XLR & TRS inputs and outputs • Boost/cut, and Cut Only modes • Switchable 6 or 12 dB filters • Variable high cut filter • Double rack space chassis, aluminum extrusion face plate Designed and built for professionals, S•Curve EQs feature easy-toread LED displays and the extra features professionals need. S•Curve EQs are also exceptionally quiet, in fact up to 15dB lower than comparable equalizers. Signal Processing S•Com stereo compressor Signal Processing S•3-way crossover The Stereo/Mono S•3-Way is a versatile 2-way, 3-way and 4-way crossover. Samson Audio signal processors are made with an attention to detail you can see, hear and feel. Not only do we include all the tools professionals are looking for, our engineers routinely create features never seen before. The all-purpose Stereo Compressor/Limiter every studio needs. • Compressor section includes variable threshold, ratio, attack, release and output • Expander/Gate section includes variable threshold level, release time • SKD (Smart Knee Detector) dynamically adjusts the compression curve • AEG (Auto Envelope Generator) dynamically adjusts attack and release • EFR (Enhanced Frequency Recovery) restores high frequencies lost with heavy compression • Expander/gate, compressor/limiter and enhancer on both channels • A key input and key listen provide for external triggering, or EQ • Balanced Inputs and Outputs S•Com plus Compressor/limiter • Extensive sweeping frequency control options • 2-way, 3-way stereo or 4-way mono operation • Low, mid and high frequency outputs with ±6dB of gain control • Mute and phase switch for each output, delay control for LF output • Variable threshold limiter, a CD function (for constant directivity horns) S•gate 4 Gate/ducker This four channel Gate/Ducker can be operated as four discrete gates or linked into stereo pairs. • Ducker for automatic lowering of signal for a channel or stereo pair • Key input and key listen for inserting an external source • Each channel has high and low pass filters, threshold, attack, hold, release and range control • 8-segment gain reduction LED monitor • Front panel ducker, link, in/out, filter and key listen switches This Stereo Compressor/Limiter adds features like De-essing for added control. • Compressor section includes variable threshold, ratio, attack and release • Expander/gate section includes variable threshold level, release time • SKD (Smart Knee Detector) dynamically adjusts the compression curve • AEG (Auto Envelope Generator) dynamically adjusts attack and release • EFR (Enhanced Frequency Recovery) restores high frequencies lost with heavy compression • Built-in de-esser circuitry reduces sibilance • Metering of input/output, gain reduction, de-esser level, gate open/close and limit • Key inputs and outputs for externally processing control voltage • Individual channel bypass, stereo link mode • Balanced inputs and outputs S•Com 4 gate/compressor S•vox voice channel/input mixer The S•vox is a sophisticated Stereo Voice Channel/Input Mixer. It provides a host of tools for cleaning up vocal tracks before they go tape. • Superior microphone pre-amps and direct inputs for instruments • Phase Reversal switch, volume and pan controls • 3-band EQ with sweepable mids and an in/out switch • Built-in optical compressor with selectable threshold • LED input/output meters, 48-Volt phantom power • S/PDIF inputs and outputs, 1/4” TRS balanced mixer outputs S•Phone headphone amp The S•com 4 provides four channels of high quality dynamics processing with an Expander/Gate and Compressor/Limiter on each channel. • Channels operate independently or in stereo pairs • Multi-segment LED metering for input/output and gain reduction • Expander/gate section Includes variable threshold, and a switch for fast/slow release time • Compressor/limiter section includes variable threshold, ratio and output • EFR (Enhanced Frequency Recovery) restores high frequencies lost with heavy compression This Four Channel Headphone Amplifier is loaded with advanced features that provide tremendous flexibility for monitor and cue mixing. • Master Input features an input level and LED meter • Each of the four channels has three headphone outputs with volume control and level meters • Stereo Aux input on each channel with balance control for “More Me” mixing • 2-band equalizer on each of the four channels S Class Processing represents a new perspective on professional-level audio processing. Elegant and powerful, S Class processors combine proven circuitry, innovative features and ease-of-use in beautifully crafted cabinets. Signal Processing Signal Processing C•ValVe Tube Preamp Introducing an all-new concept in studio signal processing. C Class delivers high-end processing tools to desktop recordists in a friendly, innovative package. Designed to complement each other, they also work great individually. S•Direct As a regular feature of a club sound system or as a durable road piece the S•Direct is the only direct box you’ll ever need. Adds the warmth of analog tubes to digital recordings. A true tube pre-amp that provides pure signal and silky sound. It features variable gain and variable tube process saturation for adding harmonics. Regardless of which mic you use, it will maintain detail and transparency. 48-Volt phantom power, phase and peak limiter round out the control set. A large analog VU output meter and a 6-segment LED input meter make it easy to adjust the gain. Use its insert points along with a C Class Compressor for a direct path to a gorgeous front end sound. The C•valve provides a digital output as well. C•Com 16 compressor • Perfect for stage and studio • Switchable input level handles instrument and speaker levels • 48 Volt phantom power or 9 volt operation with auto battery shut off • Switchable ground lift • 1/4” link output S•Monitor A compact, full-featured compressor for the desktop. An elegant solution for personal monitoring either on stage or in the studio. A full-featured Stereo Compressor/Limiter with 16 settings. There are fifteen presets and a manual mode for more critical adjustments when required. The C•com 16’s controls include variable threshold, ratio, attack, decay, release and output level. An enhancer provides the added character that is lost under heavy compression. Key output/input for outboard triggering or external filtering of the key signal. A 6-segment LED gain reduction meter and a 6-segment LED input/output meter provides visual monitoring of the circuit’s affect. C•Com opti optical compressor • XLR microphone input • XLR microphone Thru, microphone output to send to main mixer • 1/4” stereo mix input • 1/4” stereo mix Thru for daisy chaining additional units • Microphone volume control • Mix volume control • Two headphone outputs • 18 Volt AC adapter included S•Mix Adds the magic of optical compression to recordings. A miniature 5-channel mixer packed with high-end features. A perfect complement to the computer’s hygienically clean sound. The C•com opti’s adjustable threshold, ratio, attack, release and output controls are calibrated to generate a distinctive soft, rich character while providing magnificent control over dynamics. An enhancer provides the added character lost under heavy compression. Key output/input for outboard triggering or external filtering of the key signal. Large analog VU meter for output level or gain reduction. • 5-channel mini mixer • XLR balanced microphone input with volume control • RCA stereo inputs with volume control • 1/4” stereo inputs with volume control • RCA stereo outputs • 1/4” stereo outputs • 18 Volt AC adapter included c•control studio matrix Provides a control room matrix previously available only on consoles costing thousands. S•Amp A 4-channel headphone amplifier ideal for home recording. A unique solution for studios with multiple monitors, headphone mixes and tape or digital sources. Provides easy, heretofore impossible to achieve, instant monitor mixes or dubs. Select from three pairs of speakers with dim and mute. Use the talkback mic to give instructions to the musicians in the headphone mix. Push-to-talk also records slates. Includes a headphone amp with level control. Three sets of stereo ins and outs are included, with dubbing capability to three outputs. • 4-channel headphone amplifier • Four 1/4” stereo headphone outputs • Individual volume control for each headphone output • Stereo 1/4 “ input • 18 Volt AC adapter included c•que 8 headphone amp The perfect compact headphone amp. Further enhancing your control in the studio is this Four Channel Headphone Amplifier with eight outputs. Independent volume on each channel makes this a truly versatile headphone amplifier. A 6-segment LED indicator shows the output for each channel.There’s a main volume for overall level adjustment. An EQ shape circuit offers tone control of each channel and listeners can manage their own personalized mixes. Link outputs allow more than one C•que 8 to be used when needed. S•Convert A “bump-box”, S•Convert is a problem solver for interfacing and level matching consumer and professional audio equipment. • +4 to –10 audio level converters • RCA –10 inputs with level control, RCA –10 outputs • XLR +4 outputs • XLR +4 inputs with level control • 18 Volt AC adapter included S Class Mini Processors offer advanced signal processing in incredibly durable, portable enclosures. Perfect for home, on the road, or a quick fix to a house sound system. Mixers Mixers MDR 6 Mixer Samson Mixers give music professionals what they need for every situation. From rehearsal room, to studio, to live applications— Samson makes a mixer that will do the job. MDR 10 Mixer The compact MDR 6 is a six input stereo mic/line tabletop mixer in a portable and rugged package. Perfect for a small studio, the MDR 6 features Hard Disc Record mode for recording with a PC. The MDR 10 stereo mixer packs a lot of professional features into a compact package. High quality mic preamps, 60mm faders, pan control and our great-sounding 24-bit DSP processor. • Six input stereo mixer • Low noise op-amps • Low impedance circuit design • 60mm faders on each channel and mains • 3-band EQ on each channel • Hard Disc Mode • Four XLR inputs with mic preamps • Mono out with level control • Dual 5-segment LEDs • Aux send with effects return • Headphone out with level control • Phantom power • In-line power supply • 10 channel stereo mixer with 2 + 2 bussing • Pre amps on each channel • Low noise op-amps • Low impedance circuit design • 24-bit DSP effects • 60mm faders on each channel and mains • 3-band EQ with sweepable mids and a low cut filter on channels 1 thru 6 • 10 XLR inputs with mic preamps • Mono out with level control • Dual 12-segment LEDs • 2 Aux sends with 2 effects returns • Headphone out with level control • Phantom power • 2-track in and out connectors with send to mix switch MDR 8 Mixer MDR 16 Mixer The Samson MDR 8 is an eight channel professional stereo mixer with built-in 24-bit DSP. It can handle up to either eight line ins, four mics and two stereo line ins or six mics all with high quality mic preamps. The flagship of the series, the MDR 16 is a true 4-bus stereo mixer. Each of the 16 channels feature a high quality mic preamp, gain control, solo, bus 1-2 and bus 3-4 switches. • Eight input stereo mixer • Low noise op-amps • Low impedance circuit design • 24-bit DSP effects • 60mm faders on each channel and mains • 3-band EQ on each channel • Hard Disc Mode • Six XLR inputs with mic preamps • Mono out with level control • Dual 6-segment LEDs • 2 Aux sends with 2 effects returns • Headphone out with level control • Phantom power • In-line power supply • 16 channel stereo 4-bus mixer • Pre amps on each channel • Low noise op-amps • Low impedance circuit design • 24-bit DSP effects • 60mm faders on channels, busses and mains • 3-band EQ with sweepable mids and a low cut filter on channels 1 thru 8 • 16 XLR inputs with mic preamps • Mono out with level control • Dual 12-segment LEDs • 2 Aux sends with 2 effects returns • Headphone out with level control • Phantom power • 2-track in and out connectors with send to mix switches Transparent sound, low noise and high quality mic preamps were the criteria when developing the new MDR (Maximum Dynamic Range) series of mixers. MDR mixers have features found no where else, like our exclusive Hard Disc Mode (HDM), found on the MDR 6 and 8, that eliminates delay between instrument and monitor mix when recording to hard disc. The larger MDRs feature great sounding 24-Bit DSP effects. Mixers Mixpad 4 portable mixer From its high headroom (+27 dBu output) design to its durable extruded aluminum chassis, the AC or battery-powered Mixpad 4 is a natural choice for field recording. • Ultra-compact 4-channel audio mixer • 2 mic/line inputs and 1 stereo input (4 channels total) • Battery operation (three 9V) and external AC power supply included • Shoulder strap included • 1 aux send (post fader) • 1 stereo effects return • Independent 3-band EQ on each channel with up to 15 dB of boost or cut • Adjustable mic input trims • Peak overload LEDs on left and right main output • Constant-level pan controls (mono channels) and balance control (stereo channel) • Balanced stereo output • Switchable phantom-powered XLR mic input connectors • 12-hour battery life Mixers tm500 stereo powered mixer The TM500 powered mixer is an all-in-one package designed for small clubs, theater and other applications. • 10 channel table-top/rack-mountable powered mixer • 2 stereo channels, 8 mono mic/line channels • Stereo power amp produces 250 watts per side into 4 ohms • Dual 7-band graphic EQ on main • 3-band EQ on mono channels, 2-band EQ on stereo channels • Built-in DSP section with up to 256 effect variations • 2 Aux sends per channel • 2 Aux returns • Fan-cooled bipolar amp design • Phantom power 14 15 tm300 stereo powered mixer PA324 powered mixer Offering remarkable versatility for the price, the TM300 powered mixer is ideal for all kinds of live sound reinforcement jobs. Rugged and ready to go, the PA324 dual amp powered mixer with 24-bit DSP handles up to six mic/line inputs with power to spare. • 6 channel table-top/rack-mountable powered mixer • 6 mono mic/line channels • Stereo power amp produces 150 watts per side into 4 ohms • Dual 7-band graphic EQ on main output • 3-band EQ on each channel • 2-band EQ for stereo channels • 3 preset DSP effects • 2 Aux sends per channel • 2 Aux returns • Fan-cooled bipolar amp design • Phantom power • 6 channel powered mixer with 6 XLR inputs with mic preamps • Power amp produces 150 watts per side (stereo) 300 watts (bridged) • 3-band EQ on each channel , 7-band graphic EQ on mains • 24-bit DSP effects • Effects and monitor sends on each channel • Mono out with level control • Dual 7-segment LEDs • Phantom power • Carpeted wood cabinet complete with corners and handle Rack Accessories S•Patch Plus Patch Bay The ultimate patch bay. Fully balanced and extremely durable, our 48-point patch bay makes all your connections easy. • Rack mount 3-way front panel mode switches • Normal, half-normal and through mode operation • 1/4”TRS connectors Resolv Studio Monitors Resolv 50a Active Reference Monitors Powerful and compact, Resolv 50a monitors sound rich and accurate, and are ideal for tight spots. • Dual power amp (50 watts low and 25 watts high) • 5.25” polypropylene butyl surround woofer • 1” ferro-fluid filled titanium tweeter • Active crossover • 1/4” and RCA inputs • Ported, tuned cabinet • Wall mountable (with optional bracket) Powerbrite™ Pro power distribution Resolv 65a Active Reference Monitors The ultimate rack accessory. Provides power distribution, metering and lighting. • Front panel voltmeter and current meter to accurately monitor power conditions • Adjustable pull-out tray with silent fluorescent lamp, rear panel connection for supplied goose neck lamp • Pro7 (U.S.) features 6 rear panel AC outlets, Pro9 (E.U.) features 8 rear panel IEC outlets • Unswitched front panel outlet for constant power applications • 15 amp circuit breaker • Accepts AC power brick adapters 16 Powerbrite rack power distributioN Powerful and accurate, it’s like having four different sets of monitors in your studio thanks to the adjustable midrange control. • Dual power amp (75 watts low and 25 watts high) • Four-position midrange contour control • 6.5” polypropylene butyl surround woofer • 1” ferro-fluid filled titanium tweeter • Active crossover • XLR, 1/4” and RCA inputs • Ported, tuned cabinet Also available in a passive version, the Resolv 65, featuring a custom-designed passive crossover. Resolv 80a Active Reference Monitors The PowerBrite is a highly practical add-on for live, studio and fixed installations. • Adjustable pull-out tray with silent fluorescent light • PB9 (U.S.) features 8 rear panel outlets, PB11 (E.U.) has 10 rear panel IEC outlets • Unswitched front panel outlet for constant power applications • 15 amp circuit breaker • Accepts AC power brick adapters Ideal for mid- to large-sized control rooms where high volume and serious bass response are required. • Dual power amp (75 watts low and 25 watts high) • Four-position midrange contour control • 8” copolymer butyl surround woofer • 1” ferro-fluid filled titanium tweeter • Active crossover • XLR, 1/4” and RCA inputs • Ported, tuned cabinet PowerSTRIP rack power distributioN Resolv 120a SUBWOOFER PowerStrip supplies eight switched AC outlets on the rear panel along with special noise filters and surge/spike protection. • PB9 (U.S.) features 8 rear panel outlets, PB11 (E.U.) has 10 rear panel IEC outlets • Unswitched front panel outlet • AC noise filtering • Surge/spike protection • 15 amp circuit breaker • Accepts AC power brick adapters By taking advantage of the mute switch, you can a/b your mix with or without a powered subwoofer. • 120 watt amplifier • Heavy-duty 10” driver • 40–180 Hz. • Active crossover • Phase switch • Auto sleep mode • Mute switch jack Resolv monitoring systems for studio applications offer incredible sound quality as well as flexibility. Resolv 65a and 80a powered monitors offer a unique four position curve control that allow the user to listen to a mix four different ways, each emulating a different EQ curve. It’s like having four sets of monitors in your studio. Add the 120a for even more monitoring options. Public Address Systems Public Address Systems Expedition Pro XP100 Expedition Express Passive 2-Way Speaker Expedition Express from Samson. Two speakers, one with a builtin power amp and mixer, a microphone and all the cables. Plus one important detail otherportable PA systems leave out: Sound quality. Perfect for any traveling music or P.A. application; ideal for education and business environments. The Expedition Express even works out-of-doors using the RB2030 rechargeable battery. Other optional accessories include a wireless mic system and cassette deck. • Custom 12” Celestion driver • 1”Titanium compression driver • Scuff resistant textured finish • Heavy duty steel grill • Convenient built-in wheels and telescoping handle • Compact and light weight (28.5 lbs) • 250W/400W peak power rating Expedition Pro XP200 Powered 2-Way Speaker System All-inclusive Powered Speaker System • 250 watt amplifier • 12" heavy-duty driver • 1" titanium compression driver with elliptical wave-guide horn • Built-in mixer with DSP reverb and echo • Samson microphone, cables and mic clip • Lightweight, yet heavy-duty, molded resin cabinets • Built-in handle and wheels • Custom 12” Celestion driver • 1”Titanium compression driver • Built-in Bi-amplification totaling 200 watts • Speaker overload protection circuitry • Heavy duty cabinet and steel grill • Convenient built-in wheels and telescoping handle • Compact and light weight (42 lbs) Expedition Pro XP300 Powered 2-Way Speaker with 4-Channel mixer and DSP Effects It takes only minutes to set up, break down, and hit the road. The two speaker cabinets lock easily together, and all the accessories fit in the back. • Professional level public address, monitor or music playback system • Custom 12” Celestion driver • 1”Titanium compression driver • Built-in Bi-amplification totaling 200 Watts • Built-in 4 channel mixer with 3 mic/4 line inputs • High-quality digital reverb • Stereo line out allows for daisy-chaining additional speakers • Optional cassette deck, wireless mic system and battery available • Heavy duty cabinet and steel grill • Convenient built-in wheels and telescoping handle • Compact and light weight (46 lbs) Samson’s all-new Expedition Pro speakers sound incredible thanks to custom designed Celestion drivers, new electronics and new Titanium high frequency drivers. Great speakers for public address, music playback or floor monitoring. The portable XP300 features 200 watts of built-in power, a 4-channel mixer and DSP effects. Expedition Pro speakers are available in both passive and active models. Public Address Systems Public Address Systems dB500 dB500a dB500a and dB500 Unquestionably the finest sounding large format PA speaker available today. The dB500a powered speaker, and its passive counterpart the dB500 represent one of the most extensive R&D projects ever taken on by Samson. The dB500a powered loudspeaker dB500 Passive Loud Speaker Inside our rigid custom designed cabinet is a 15” driver designed exclusively for this project. It’s matched with a new 1.75” titanium high frequency driver, aimed through a 1” diameter horn. The dB500a features 500 watts of Class H power (400 watts low frequency/100 watts high frequency) and has a crossover designed for high SPL. Our exclusive Optimax™ signal processing circuitry provides total speaker protection but won’t cut the low end at high volumes, as similar speakers with sliding filters do. The passive dB500 has many of the same features as the dB500a, including the same rugged enclosure and advanced drivers. A natural sounding fixed crossover is built-in, and the back panel features 1/4" and XLR connectors. 21 Both dB500 and dB500a speaker cabinets feature an array of mounting options. Designed with floor monitoring in mind, they are also easily stacked or permanently installed. A 1 3/8" pole receptacle is built in, and 10 reinforced fly points are available. The back panel has a built-in mixer-like preamp section with mic and line inputs, XLR connectors and level controls. Controls for the selectable low pass filter and Optimax processing are also included. Ex500 Active Subwoofer An excellent sub for serious sound reinforcement, and the perfect match for the dB500a. Far Field The EX500 provides 500 Watts of power driving a custom, heavy-duty 15" low frequency driver. It is the ideal complement to the dB500/dB500a, or our Expedition Pro speakers.The built-in stereo crossover lets you use the EX500 in mono or as a common subwoofer in a stereo system. It also features a steel grill and rigid corners for durability, as well as an integral pole mount for conveniently mounting Expedition cabinets above. SO N Near Field SA M S A M S O N 30° 15° STAGE MONITOR POSITIONS dB500 and dB500a speakers are also designed to work as floor monitors. The cabinet is designed to provide two different monitor angles, depending on the application and size of the stage. Microphones Microphones C01 condenser mic Samson microphones combine quality mic capsules and elegant electronics inside rugged, great looking cases. For the road or the studio: for the stage or the conference room: Samson has a microphone solution at a great price. Q1 condenser mic Now there is a high-quality studio condenser mic for everyone. The C01 is accurate and detailed, and adds warmth and richness to acoustic guitar and vocals. The C01 also excels as an overhead drum or room mic. • Cardioid pickup pattern • Large 19mm diaphragm • Heavy gauge mesh grill • Gold plated XLR connector • LED indicates 48V phantom power • Smooth, flat frequency response • Swivel stand mount • Optional SP01 shock mount available The Q1 condenser microphone brings a high level of accuracy and audio performance to vocal micing applications. • Ideal for live performance vocals, public speaking, project studio vocals • Accurate, full range audio performance • Tight cardioid pattern reduces feedback • Shock mounted element minimizes handling noise • Phantom power required • Withstands high SPLs • Linear frequency response SP01 shock mount Qmic hypercardioid vocal mic Fast, highly precise and designed for today’s live sound reinforcement and PA situations. C02 Pencil Condenser Mic A beautifully crafted pencil-style condenser for use with acoustic instruments, cymbals, percussion, piano and overhead micing applications. Sold as a stereo pair. • Highly-focused cardioid condenser pickup pattern • Gold-plated XLR connectors • Carry case and two shock-mount mic clips included • Perfect for live performance and public speaking • Special midrange “peak” at 2 kHz for better vocal reproduction • Advanced Neodymium element delivers high output • Hypercardioid pattern allows maximum gain before feedback • Aluminum humbucking voice coil provides hum rejection • Multi-axis shock-mount minimizes handling noise • Gold-plated XLR connector, die-cast zinc casing and anti-dent ring 23 Q2 cardioid mic An effective choice for micing vocals, amplifiers and instruments, and as a multi-purpose mic for project recording. C03 Multipattern condenser mic An incredibly flexible and great sounding studio condenser microphone. Perfect for recording multiple vocals at once, acoustic instruments room micing and more. • Switchable cardioid, omni and figure-8 pick up patterns • Dual 19mm capsule design • Switchable high-pass filter • Switchable10 dB pad • Gold plated XLR connector • LED indicates 48V phantom power • Carry case and swivel stand mount included • Optional SP01 shock mount available • Advanced Neodymium element delivers high output • Cardioid polar pattern reduces feedback • Transformerless design provides extended low frequency reproduction • Aluminum humbucking voice coil provides hum rejection • Switchable 10 dB pad for use with high SPL sources • Switchable 12 dB per octave high pass filter helps eliminate rumble • Multi-axis shock-mount mic reduces handling noise • Gold-plated XLR connector, die-cast zinc casing and anti-dent ring Q3 hypercardioid instrument mic Designed to excel in kick drum and instrument miking applications, the Q3 provides consistent output with unmatched sound in high SPL situations. C05 Hand-Held Condenser Mic The new C05 condeser mic offers Samson condenser technology in a comfortable to use hand held design. • Cardioid pickup pattern • Smooth, flat frequency response • Multi-axis shock-mounted element • Gold-plated XLR connectors • Carry case and mic clip included • Advanced Neodymium element delivers high output • Hypercardioid pattern reduces feedback • Mic rotates 90° for easy positioning • Transformerless design provides extended low frequency reproduction • Aluminum humbucking voice coil provides hum rejection • Switchable 10 dB pad facilitates use with high sound pressure level sources such as bass drums • Switchable 12 dB per octave high pass filter helps eliminate rumble • Triple-plated multi-stage windscreen allows close proximity use with minimal noise • Multi-axis shock-mount mic element enables quiet performance • Gold-plated XLR connector, die-cast zinc casing and anti-dent ring • Foam-lined carry case, mic clip and “Euro-metric” mic stand adapter included Microphones Microphones Q7 Cardioid Dynamic Mic Samson’s all-new Q Series dynamic drum microphones are built to last. Designed for high SPL, each of these dynamic mics will provide clean, clear drum tones in the studio or on the road. 3KIT 3-piece Tom Mic set The finest Neodymium hand-held dynamic microphone we make. The ultimate all-around microphone. • Outstanding vocal mic for stage and studio • High output, low impedance design • Neodymium dynamic mic element • Cardioid pickup pattern • Multi-axis shock-mounted element • Carry case and mic clip included Q Snare Dynamic Drum Mic Designed for high SPL and durability, the Q Snare is the right choice for stage and studio. • High SPL dynamic mic in a rugged casing • Cardioid polar pattern reduces feedback • Smooth, flat frequency response • Voiced particularly for snare drum • Gold-plated XLR connector • Rigid rim-mount mic clip with cable management included • Carry case included A three pack of our great-sounding rugged tom mics in a sturdy road case. • Includes three of our rugged Q Tom dynamic drum mics • High SPL dynamic mic in a rugged casing • Carry case and three rim mic clips included 5KIT 5-piece Drum Mic Set A comprehensive drum mic set up in a sturdy road case. • Five piece drum mic kit • One Q Kick kick drum mic with mic stand swivel mount • One Q Snare snare mic with rim clip • Three Q Tom tom mics with rim clips • Road case included 25 Q Tom Dynamic Drum Mic Sold in a three pack, the Q Tom is the perfect complement to the Q Snare. • High SPL dynamic mic in a rugged casing • Cardioid polar pattern reduces feedback • Smooth, flat frequency response • Voiced particularly for toms • Gold-plated XLR connector • Rigid rim-mount mic clip with cable management included • 3KIT Carry case included Q Kick Dynamic Drum Mic An incredibly well-made kick drum mic. Rigid, and featuring a huge diaphragm element, the Q Kick sounds better than mics costing hundreds more. • Large diphragm dynamic element • Cardioid polar pattern reduces feedback • Gold-plated XLR connector • Mic stand swivel mount included • Carry case included 7KIT 7-piece Drum Mic Set Everything you could want for micing drums. A complete set of our dynamic drum mics and a pair of C02 pencil condenser mics for overheads or close-micing cymbals. • Seven piece drum mic kit • One Q Kick kick drum mic with mic stand swivel mount • One Q Snare snare mic with rim clip • Three Q Tom tom mics with rim clips • Two C02 pencil condenser mics with shock-mount clips • Road case included Microphones Microphones R11 Hypercardioid MIc S11 Cardioid dynamic mic Offered in a convenient three-pack, the versatile R11 gives you output and reliable performance for any kind of application. • Hypercardioid polar pattern • Neodymium mic element for increased output in high SPL situations • Transformerless design provides extended low frequency reproduction • External on/off switch • Rugged metal die-cast case and steel mesh windscreen A durable multi-purpose mic suitable for recording, live sound and PA use. • Cardioid pickup pattern reduces feedback • Low impedance output • Heavy gauge mesh grill with anti-dent ring • Die-cast zinc casing • Carry case and mic clip included R21 cardioid dynamic Mic The R21 features a tight cardioid pickup pattern for maximum gain before feedback. The R21 is sold in 3-pack. • High output dynamic element • Unidirectional cardioid polar pattern for maximum gain before feedback • Withstands high sound pressure levels • Dual stage windscreen • Excellent for live performance and recording • Rugged road-proof design • Gold plated XLR connector R21S cardioid dynamic Mic 26 S12 HyperCardioid dynamic mic A Neodymium mic element and a Hypercardioid pattern allow for maximum gain before feedback. • Advanced Neodymium element delivers high output • Hypercardioid pattern reduces feedback • Internal shock mount element reduces handling noise • Heavy gauge mesh grill with anti-dent ring • Die-cast zinc casing • Gold-plated XLR connector • Mic clip and carry case included The R21S has all the features of the R21, with the addition of an on/off switch. The R21S is sold individually. 27 • High output dynamic element • Unidirectional cardioid polar pattern for maximum gain before feedback • Withstands high sound pressure levels • Dual stage windscreen • Excellent for live performance and recording • Rugged road-proof design • Gold plated XLR connector HM40 Horn Condenser Mic This mini condenser is designed for horns, rich and clear, focused, with the abilty to handle serious SPL. • High output miniature condenser mic element • Surdy clip and flexible goose neck • Excellent for live performance and recording • P-3 three-pin mini XLR connector • PM5 phantom power adapter (P-3 to standard XLR) • Rugged road case included VP1 microphone package A complete microphone solution, the VP1 combines an R21 dynamic mic and all the accessories. • R21 dynamic mic • Heavy-duty die cast and steel construction tripod mic stand with non-slip easy grab clutch • Mic clip with euro adapter • Low noise high performance 25’ mic cable Microphones QE Exercise Headset Mic QE headset mic is light, comfortable and specifically designed for aerobics and fitness training. • Advanced moisture-resistant condenser mic element • Hypercardioid pattern to reduce feedback • 50 Hz to 18 kHz frequency response for clear, articulate sound • Lightweight and comfortable • Special adjustable headband for closer fit • Adjustable metal gooseneck for easy mic positioning • Locking detachable P3 connector reduces cable/connection problems • PM4 phantom power adapter included Headphones RH600 Headphones Top-of-the-line drivers and sophisticated circuitry to provide true “reference quality” audio. • 40mm drivers with Neodymium magnets and ultra thin mylar diaphragms • Frequency response from 20Hz to 22kHz • Open-back design • Heavy-duty cable with a gold mini phone plug and 1/4” gold adapter included • Self-adjusting head band for comfortable fit RH300 Headphones An open-back design with acoustic mesh fabric provide an enhanced ambient listening experience. • High performance drivers with Neodymium magnets • Open-back design • Wide dynamic range and flat frequency response of 20Hz to 22kHz • Heavy-duty cable with a gold mini phone plug and 1/4” gold adapter included Qv Vocal Headset Mic 28 RH100 Headphones The QV headset mic allows drummers, keyboardists and other musicians to perform “hands free” vocals without affecting their playing technique. Great for studio and/or home, the RH100 combines professional specs, exceptional comfort and high quality audio. • Sophisticated condenser mic element • Hypercardioid pattern helps eliminate feedback • 50 Hz to 18 kHz frequency response for a balanced, full-range sound • Withstands high sound pressure levels • Lightweight and comfortable design • Adjustable metal gooseneck for easy mic positioning • Locking detachable P3 connector reduces cable/connection problems • PM4 phantom power adapter included • High performance transducers with Neodymium magnets • Open-back design • Heavy-duty cable with a gold mini phone plug and 1/4” gold adapter included CH700 Headphones Professional level closed-back model with oversized ear pieces for greater low frequency performance. • Oversized earpieces further extend low frequency response • 40mm drivers with Neodymium magnets and ultra thin Mylar diaphragms • Frequency response from 20Hz to 22kHz • Adjustable headband and lightweight design PM4 Phantom Power Adapter The PM4 provides a phantom power interface between a mixer and condenser lavalier or headset mics. • Special interface enables a mixer to provide phantom power to condenser microphones • Lockable mini-XLR input • Transformer balanced XLR output • Durable metal housing • Belt clip CH70 Headphones An excellent all-purpose headphone for situations that require a closed-back design for isolation. • 40mm drivers with Neodymium magnets and ultra thin Mylar diaphragms • Frequency response from 20Hz to 22kHz • Adjustable headband and lightweight design PH60 Mobile Headphones Designed to offer great sound in a lightweight,“see-through blue” design for personal stereo listening. • 34mm Mylar drivers with isotropic ferrite magnets • Frequency response from 20Hz to 18kHz • Nickel-plated mini phone plug and 1/4” adapter included 29 Power Amplifiers Frequency Response (-3 dB): Servo 120 Rated Output Power (1KHz): Crosstalk (adj. channels): Distortion THD: < .04% Frequency response (unity) Dynamic Range: 103 dB Distortion THD Voltage Gain (4 ohm, 1 kHz): 35.2 dB Low Cut Switch and Frequency knob < 10 Hz to 100 kHz 80 dB 1 kHz @ rated output <.05% +4 dBu 240 mW at 8 Ω (1 kHz) DC Offset Voltage Damping Factor Dimensions: 1.75″ (h) x 17.5″ (w) x 11.5″ (d) Crosstalk (adj. channels): Distortion THD: Input Sensitivity (level control at maximum): Power Consumption: Weight: Level Meter 8-segment LED Dimensions 1.75″ (h) x 19″ (w) x 10.75″ (d) 36 lb • 16.33 kg Distortion THD: Input Sensitivity (level control at maximum): Power Consumption: Rated Output Power (1 kHz): S•Curve 231 780 W into 4 Ω per channel Channel Separation: 82 dB, (4 ohm, 125 W, 1 kHz) Distortion THD: Input Sensitivity (level control at maximum): Power Consumption: Dimensions: Distortion THD: 60 W into 8 Ω per channel Dynamic Range: 101 dB Distortion THD Voltage Gain (4 ohm, 1 kHz): 37.3 dB High Cut Switch and Frequency knob <20 Hz to 50 kHz 85 dB 1kHz @ rated output DC Offset Voltage <.01% Damping Factor 0 dBm Dimensions: 330 W (115 Vac) Weight: < .021% 0 ± 200 mV More than 200 5.25″ (h) x 19″ (w) x 16.75″ (d) 13.7 lbs. • 6.2 kg Channel Separation (4 ohm, 125 W, 1 kHz) Frequency Response (0 dB, +0, -.5 dB) Distortion THD Low Cut/Sub Frequency Crossover Sub Controls Noise (with 20 kHz LPF, all faders flat) 133 mm (h) x 482 mm (w) x 425 mm (d) Level Meter 31 lb • 14.06 kg Dimensions S2000 Rated Output Power (1 kHz): Weight 130 W into 4 Ω per channel 20 Hz to 50 kHz 85 dB 1 kHz @ rated output Frequency Response (-3 dB): Channel Separation: Distortion THD: Dynamic Range: <.03% Voltage Gain (4 ohm, 1 kHz): 0 dBm DC Offset Voltage 490 W (115 Vac) Damping Factor Dimensions: 10 Hz to 50 kHz 85 dB, (4 ohm, 125 W, 1 kHz) < .016% More than 200 5.25″ (h) x 19″ (w) x 16.75″ (d) Weight: 36 lb • 16.33 kg 425 W into 4 Ω per channel 275 W into 4 Ω per channel 260 W into 8 Ω per channel 235 W into 8 Ω per channel 830 W into 8 Ω bridged <.06% Frequency Response (+0dB, -1dB): Channel Separation: Distortion THD: 10 Hz to 60 kHz 105 dB Shipping Weight Dimensions: 0 ± 100 mV More than 100 5.25″ (h) x 19″ (w) x 11.5″ (d) Weight: S•Com Plus Frequency Response Rated Output Power (1 kHz): 5.7 lb. • 2.6 kg 1244 W into 8 Ω bridged Frequency Response (+0dB, -1dB): Channel Separation: Distortion THD: 10 Hz to 60 kHz 80 dB, (4 ohm, 125 W, 1 kHz) < .04% 0 ± 100 mV More than 200 5.25 (h) x 19 in (w) x 9.75 (d) DC Offset Voltage Damping Factor Dimensions: 25.7 lb • 11.66 kg 0 ± 100 mV 133 mm (h) x 482 mm (w) x 292 mm (d) Weight: 40.5 lb • 18.4 kg 116dBu, un-weighted, 22Hz to 22kHz 0.008 % typ. @ +4 dBu, 1kHz effect out, >95dB, 22Hz to 22kHz Selectable +4dBu / -10dBV +21dBu, balanced Min 40dB, >50dB @ 1kHz +21dBu Balanced 1 3/4″ (44.5mm) x 19″ (482.6mm) THD Crosstalk Operating Level Max. Input Level Dimensions 7.5 lb (3.4kgs) Stereo Compressor/Limiter <10Hz to 20kHz +0 / -0.1dB effect out, 10 Hz to 20 kHz 80 dB, (4 ohm, 125 W, 1 kHz) Variable range Dual 15-band graphic EQ 116dB, un-weighted, 22Hz to 22kHz Shipping Weight 105 dB Distortopn THD Less than 0.01% High pass filter 80 Hz (18 dB/ oct) 3.5″ (h) x 19″ (w) x 16.75″ (d) Dimensions 31 lb • 14.06 kg S•Curve 131 S1000 545 W into 4 Ω per channel <10 Hz to 90 kHz Center frequencies (Hz) Frequency Response Selectable +4dBu / -10dBV +21dBu, balanced Min. 40dB, >50dB @ 1kHz +21dBu, balanced 1 3/4″ (44.5mm) x 19″ (482.6mm) 5 lb (2.3kg) 7.5 lb (3.4kg) 18Hz to 400Hz / 4 Way Low Mode Crossover 1 Channel 2 35Hz to 800Hz 350Hz to 8kHz / with 10X multiplier Crossover 2 Channel 1 350Hz to 8kHz 175Hz to 4kHz / 4 Way Low Mode Crossover 2 Channel 2 350Hz to 8kHz 700Hz to 8kHz / 4 Way Low Mode High Pass Filter -3dB @ 15Hz 3 pole, 18dB / Octave Dimensions 1.3/4″ (44.5 mm) x 19″ (482.6 mm) 6.6 lb (3kg) 9.4 lb (4.3kg) S•phone Input Max. input level CMRR: Frequency response Noise THD Max. output level Impedance minimum Dimension 4 Channel Headphone Mixer/Amp 2 TRS Balanced 1/4″ (Left-Right) or (Left mono) +26dBu balanced Min 40dB, >55dB @ 1 kHz 10Hz to 32kHz, +0 / -3dB > 90dB, unweighted, 22Hz to 22kHz 0.008 % typ. @ +4dBu, 1kHz 140mW at 32ohms, 385mW at 66ohms. 8Ohms 1 3/4″ (44.5mm) x 19″ (482.6mm) x 8 1/2″ (217mm) Net Weight Shipping Weight 5.5 lb (2.5kg) 8 lb (3.8kg) S•gate 4 Impedance Max. Input Level Output Max. Output Level Fuse 4 Channel Gate/Ducker XLR and 1/4" TRS jack 20k Ohm balanced, 10k Ohm unbalanced +21 dBu, balanced and unbalanced XLR and 1/4" jack +21 dBu, balanced and unbalanced 100-120 V AC; 250 mA (slow-blow) 200-240 V AC: 125 mA (slow-blow) Power Consumption 5 Watts Standard IEC receptacle/with fuse 1 3/4" (h) x 19" (w) x 7 3/4" 44.5 mm (h) x 482.6 mm (d) x 196.9 mm (d) Net Weight Shipping Weight S•vox 5.25 lbs.• 2.4 kgs 7.5 lbs.• 3.4 kgs Stereo Voice Channel/Input Mixer Specifications TBD C•Valve Tube Preamp Specifications TBD Compressor 4 Channel Compressor/Gate <10Hz to 20kHz +0 / -0.1dB effect out, -2dB @ >100kHz Dynamic range THD 6-segment LED 1.75″ (h) x 19″ (w) x 10.75″ (d) 5.7 lb. • 2.6 kg 31-band graphic EQ 20, 25, 31.5, 40, 50, 63, 80, 100, 125, Crosstalk Operating Level Max. Output Level Max. Input Level CMRR Dimensions C•Com Opti Optical Compressor Specifications TBD C•Control Studio Matrix Specifications TBD 100dBu, un-weighted, 22Hz to 22kHz 0.0008 % typ. @ +4dBu, 1kHz effect out, 0.014% effect in -85 dB 44 mm (h) x 482 mm (w) x 273 mm (d) Weight 35Hz to 800Hz 350Hz to 8kHz / with 10X multiplier Dimensions <10Hz to 20kHz +0 / -0.1dB effect in, 33.5 dB 88 mm (h) x 482 mm (w) x 425 mm (d) Linkwitz-Riley, 24dB / Octave Crossover 1 Channel 1 C•Com 16 ±6 dB, ±12 dB, -12 dB, -24 dB Voltage Gain (4 ohm, 1 kHz): Level Meter Crossover Type 0.016% effect in 1 k, 1.6 k, 2.5 k, 4 k, 6.3 k, 10 k, 16 k Dynamic Range: More than 200 all outs >100dB muted. >100dB, 22Hz to 22kHz -0.4dB @ 100kHz, Frequency response (unity) Noise (with 20 kHz LPF, all faders flat) (Ref +4dBu), 22Hz to 22kHz, unweighted Min. 50dB, >55dB @ 1 kHz Power inlet 25, 40, 63, 100, 160, 250, 400, 630, < .04% 0 ± 100 mV +26dBu <10Hz to >90kHz, +0 / -3dB CMRR 0.008 % typ. @ +4dBu, 1kHz effect out, x 7 3/4″ (197mm) Net Weight S•com 4 Center frequencies (Hz) +26dBu balanced Male Balanced XLR Specifications TBD 360 W into 4 Ω per channel 720 W into 8 Ω bridged Female Balanced XLR 4.8 lb (2.2kg) Equalizers S•Curve 215 Stereo/Mono Crossover Stereo Compressor <10Hz to 20kHz +0 / -0.1dB effect out, -3dB @ >100kHz More than 100 5.25″ (h) x 19″ (w) x 11.5″ (d) 7.5 lb (3.4kg) 90dB high out, mid 90dB, low 94dB, Net Weight <10Hz to 20kHz +0 / -0.1dB effect in, Dynamic range 840 W into 4 Ω per channel 430 W into 8 Ω per channel 230 W into 8 Ω per channel Rated Output Power (1 kHz): 3.5″ (h) x 19″ (w) x 10.375″ (d) -0.4dB @ 100kHz, 30.5 lb • 13.8 kg 500 W into 8 Ω bridged S700 Weight: Signal to Noise Input 133 mm (h) x 482 mm (w) x 292 mm (d) 133 (h) x 482 mm (w) x 247 (d) Dimensions: -85 dB 8-segment LED x 7 3/4″ (197mm) 33.5 dB 150W into 8 Ω per channel 0.04% Dimensions 80 dB, (4 ohm, 125 W, 1 kHz) F1200 80 dB Max. Output Level Voltage Gain (4 ohm, 1 kHz): Damping Factor 10 Hz - 20 kHz CMRR Dynamic Range: 395 W (220 Vac) 250 W into 4 Ω per channel Max. Input Level Net Weight DC Offset Voltage 32.4 lb • 14.7 kg Crosstalk Max. Output Level Damping Factor Variable Internal 2-way 0.016% effect in < .04% 360 W (120 Vac) 5.2″ (h) x 19″ (w) x 9.2″ (d) THD Operating Level Rated Output Power (1 kHz): +4 dBu Dynamic range 103 dB DC Offset Voltage Frequency Response Gain, Frequency, Sub Mono Switch -3dB @ >100kHz 35.2 dB Distortion THD: Max. Output Level 18 dB/ oct swept @ 5kHz to 25kHz <10Hz to 20kHz +0 / -0.1dB effect in, 38.25 dB 0 ± 100 mV Voltage Gain (4 ohm, 1 kHz): Channel Separation: Less than 0.01% -0.4dB @ 100kHz, 98 dB 17.6 lbs. • 8 kg -74 dB, 1 kHz @ rated output Frequency Response 133 mm (h) x 482 mm (w) x 425 mm (d) 3.5″ (h) x 19″ (w) x 9.5″ (d) < 10 Hz to 85 kHz S•com Dynamic Range: Frequency Response (-3 dB): Outputs Shipping Weight 105 dB Rated Output Power (1 kHz): Max. Input level 5.25 lb (2.4kg) x 8.1/2″ (217 mm) 33.5 dB Weight: <10 Hz to 90 kHz Processors Voltage Gain (4 ohm, 1 kHz) Dimensions Inputs 1020 W into 4 Ω per channel Dynamic Range Damping Factor S•3-Way ±6 dB, ±12 dB, -12 dB, -24 dB 88.9 mm (h) x 482 mm (w) x 263 mm (d) CMRR DC Offset Voltage 20, 25, 31.5, 40, 50, 63, 80, 100, 125, 2025 W into 8 Ω bridged S500 Rated Output Power, per channel Frequency response (unity) 3.5″ (h) x 19″ (w) x 9.5″ (d) 132mm (h) x 482mm (w) x 234mm (d) Weight: Variable range 85 W into 4 Ω per channel 550 W into 8 Ω bridged Crosstalk (adj. channels): Center frequencies (Hz) 5 k, 6.3 k, 8 k, 10 k, 12.5 k, 16 k, 20 k F800 Frequency Response (-3 dB): Shipping Weight Dual 31-band graphic EQ 9 Hz to 42 kHz Servo 550 Rated Output Power (1 kHz): 5.7 lb. • 2.6 kg 1 k, 1.25 k, 1.6 k, 2 k, 2.5 k, 3.15 k, 4 k, 88 mm (h) x 482 mm (w) x 240 mm (d) Weight: Weight 160, 200, 250, 315, 400, 500, 630, 800, 490 W (230/240 Vac) Dimensions: 44 mm (h) x 482 mm (w) x 273 mm (d) 1550 W into 8 Ω bridged 90 W into 8 Ω per channel Crosstalk (adj. channels): -85 dB More than 200 S1500 Servo 260 Frequency Response (-3 dB): 18 dB/ oct swept @ 15Hz to 400 Hz 3.5″ (h) x 19″ (w) x 16.75″ (d) 685 W into 8 Ω per channel Rated Output Power (1 kHz): Less than 0.01% 550 W into 8 Ω per channel 88 mm (h) x 482 mm (w) x 240 mm (d) Weight: <10 Hz to 90 kHz 15.6 lb • 7 kg 330 W (230/240 Vac) Dimensions: Noise (with 20 kHz LPF, all faders flat) ±6 dB, ±12 dB, -12 dB, -24 dB 44 mm (h) x 444 mm (w) x 292 mm (d) Servo 170 Frequency Response (-3dB): 0 ± 100 mV Variable range 88 mm (h) x 482 mm (w) x 425 mm (d) Frequency Response (-3 dB): Rated Output Power (1 kHz): 80 dB, (4 ohm, 125 W, 1 kHz) Net Weight 240 W @ 120 V/60 Hz 270 W @ 220 V/50 Hz Weight: 5 k, 6.3 k, 8 k, 10 k, 12.5 k, 16 k, 20 k Distortion THD: Input Sensitivity (level control at maximum): Dimensions: 10 Hz to 20 kHz Channel Separation: < .05% Headphone Output Level: 1 k, 1.25 k, 1.6 k, 2 k, 2.5 k, 3.15 k, 4 k, 60 W into 4 Ω per channel Distortion at rated power: Power Consumption: 160, 200, 250, 315, 400, 500, 630, 800, 1090 W into 8 Ω bridged 52 W into 8 Ω per channel 120 W into 8 Ω bridged Frequency Response (-3 dB): 340 W into 8 Ω per channel 95dB, 22Hz to 22kHz Selectable +4dBu / -10dBV +21dBu, balanced +21dBu, balanced Min 40dB, >50dB @ 1kHz 1 3/4″ (44.5mm) x 19″ (482.6mm) x 7 3/4″ (216mm) C•Cue 8 Frequency Response Dynamic range THD Crosstalk Operating Level Max. Input Level CMRR Max. Output Level INPUT Headphone Amp <10Hz to 20kHz 116dBu, un-weighted, 22 Hz to 22 kHz 0.008 % >95dB, 22 Hz to 22 kHz Selectable +4dBu / -10 dBV +21dBu, balanced Min 40dB, >50dB @ 1kHz +21dBu Balanced XLR and 1/4" TRS jack OUTPUT XLR and 1/4" jack Mid (peaking) 2.5 kHz ± 15 dB Key Input Connector 1/4" jack Low (shelving) 80 Hz ±15 dB Key Output Connector 1/4" jack Meters Dimensions 1.5/8" (h) x 8.5/8" (w) 7 1/4" (d) 41.5 mm (h) x 215 mm (w) x 184 mm (d) Net Weight Shipping Weight 6 POINT LED METERS (-20, -12, -6, 0, +6dB and Frequency Response Noise Level (22-22kHz, Input Shorted) THD + N (10 Hz -22 kHz) Input Impedance Crosstalk 1KHz PEAK) Internal DSP Effects 24 BIT -8 presets: 1 - Large Hall; 2 Medium Hall, 3 - Large Room; 4 - Vocal Room 1; 5 - Vocal MID 8lbs., (3.6 kg) Room 2; 6 - Chorus + Reverb; 7 - Chorus + LOW Direct Box 5-35 kHz, -3 dB -104 dBu Phantom Power Power Consumption Dimensions (W x D x H) (GTR) 1 Meg. Ohm Weight Low frequency amp: 70dB adjacent input, 70dB input to output High frequency amp: Frequency Response: Low amp: tbd 2.5KHz peaking (± 12dB Maximum) High amp: tbd 80Hz shelving (± 15dB Maximum) Distortion THD: 7 POINT LED METERS (-20, -10, -7, -4, 0, +3, +6dB) Power consumption: +48V Graphic Equalizer 7 bands (63, 160, 400, 1K, 2.5K, 6.4K, 16KHz) Frequency response: 300W 1/8 power, 540W full Internal DSP Effects 24 BIT - 8 3 1/2≤ (h) x 11 1/2≤ (w) x 11 3/4≤ (d) Dimensions 6.5 lbs. • (3 Kg) 19.25″ (w) x 11.25″ (h x 11.4″ (d) 489mm (w) x 286mm (h) x 289mm (d) Weight 50 watts @1K into 4ohms 25 watts @ 10K into 4ohms 12KHz shelving (± 15dB Maximum) Meters 89 mm (h) x 292mm (w) x 299mm (d) 0.013% typ. @ 1 VRMS,1 kHz. Rated Output Power mum all channel level controls at minimum Input Channel Equalization HIGH 5.5lbs., (2.5 kg) Delay; 8 - Stairwell S•Direct -79dB (EFX OUT) Master level control at maxi 32.3 lbs.•14.7Kg Driver: Tweeter: tbd 75 watts tbd 5.25" Woofer Shielded 1″ Dome Shielded Dimensions: tbd Weight: tbd (SPK) 10 k Ohm Max. Input Level (1% THD) +8.1 dBu ( 9v. Batt.) +11.3 dBu (48v. Phantom) GTR/SPK Input 1/4″ Phone Jack, unbalanced OUTPUT/LINK 1/4″ Phone Jack, unbalanced BALANCED OUTPUT Phantom Power Battery Dimensions Weight XLR Connector, balanced MDR 10 Channel Specifications TBD Switchable configuration modes Normal, Half-normal and Thru Dimensions 1 3/4″ (h) x 19″ (w) x 3″ (d) Mixpad 4 2″ (h) x 5.6″ (w) x 4″ (d) Mic EIN: -128 dBu 50.8mm (h) 142mm (w) x 101.6mm (d) Line EIN: -111 dBu 15 oz. • .43 Kg Personal Monitor Specifications TBD S•Mix 5-channel Mixer Frequency response: Mid (2.5 kHz): ±12 dB Pro9: Low (80 Hz): ±15 dB Max. Current: Three 9V alkaline Input Voltage (RMS): Spike Protection Mode: 69 mm x (h) 163 mm (w) x 228 mm (d) Weight: 1.85 lbs. • .839 kg. +4 to -10dB/-10 to +4dB Converter Powered Mixers Specifications TBD Mixers Max. Clamping Voltage (@ 50 A): Graphic Equalizer: Mic to Main 5 Hz - 54 kHz Phantom power Line to Main 5 Hz - 54 kHz POWER AMP SECTION Aux Return to Main 5 Hz - 98 kHz Maximum output power (1 kHz): Line to Aux Send 5 Hz - 57 kHz Total harmonic distortion: T.H.D. 0.02% Signal-to-noise ratio: Frequency response (± 3 dB): Residual Noise (30 kHz LPF, all control Min) <20 Hz to 20 kHz < 0.02% 7 band ±12 dB +48 V < 0.2% <12 Hz to 20 kHz -89 dBu GENERAL -86 dBu Power consumption: 780 w Power requirements: 115 Vac • 50/60 Hz Input vs. Output Peak LED Sensitivity (before clipping) CLIP Indicators Headphone output (600 ohm load) 87.5 dB Turn on: THD> 0.1% 10.5 dBu Line Input (Stereo Ch) 7.6 dBu Input Channel Equalizer (± 2dB) 12 kHz ±15 dB Mid (peaking) 2.5 kHz ± 15 dB Low (shelving) 80 Hz ±15 dB Dimensions (W x D x H) 6 point LED meter (-20, -12, -6, 0, +6dB and PEAK) +48V 300W 1/8 power, 540W full 2.7≤ (h) x 6.4≤ (w) x 9≤ (d) 69 mm (h) x 163 mm (d) x 228 mm (w) Weight 4.5 lbs • 2.04 Kg Frequency response (± 1 dB): Graphic Equalizer: Phantom power Line to Main 5 Hz - 54 kHz Aux Return to Main 5 Hz - 98 kHz Line to Aux Send 5 Hz - 57 kHz T.H.D. 0.02% Residual Noise (30 kHz LPF, all control Min) Main -89 dBu Aux Send -86 dBu Maximum output power (1 kHz): Total harmonic distortion: Signal-to-noise ratio: Frequency response (± 3 dB): Input vs. Output Peak LED Sensitivity (before clipping) CLIP Indicators Headphone output (600 ohm load) +48 V 75 dB 250 W per channel into 4 Ω < 0.2% <12 Hz to 20 kHz 1100 w 115 Vac • 50/60 Hz 5.5″ (h) x 19.35″ (w) x 13.75″ (d) 139 mm (h) x 349 mm (w) x 491 mm (d) Weight: 36 lbs. • 16.4 kg PA324 150W/4Ω@0.5% THD at 1KHz per amplifier Frequency response 20Hz~20KHz±0.5dB@1W Output into 8Ω (AMP OUT) 20 Hz~20KHz ±0.5@+4dB Output into 10Ω 10.5 dBu Line Input (Stereo Ch) 7.6 dBu Input Channel Equalizer (± 2dB) 12 kHz ±15 dB < 0.1%@20Hz~20KHz, 75W output into4Ω (AMP OUT) Less than 0.1%@20 Hz~20KHz+14dB output into PB9: PB11: Max. Current: (Average, RS+150Ω) > 20 dB, 1.5 MHz to 200 MHz -121dB equivalent input noise -100dB residual output noise (MAIN OUT, MONI-79dB (MAIN OUT, MONITOR OUT) Master level Frequency response: Driver: Tweeter: Dimensions: Weight: Fluorescent F45CW condenser type FS2 3000 hours 95 Lumens 500 ma T type 1.75″ (h) x 19″ (w) x 7.5″ (d) 7 lbs. • 3.2 kg UL/CUL/CE/LVD Low frequency amp: High frequency amp: 1″ Dome Shielded 13 5/8"(H) x 8 1/2" (W) x 9 7/8" (D) 13.4 lbs. • 6.1 kg 10 switched, 1 unswitched 75 watts @1K into 4ohms 25 watts @ 10K into 4ohms tbd High amp: tbd Driver: Tweeter: tbd 100 watts tbd 8" Woofer Shielded 1″ Dome Shielded PB9 15 Amps/PB11 10 Amps 700 Vac 1 nanosecond 4,500 Amps (8 x 20 ms pulse) Max. Spike Energy: 104 Joules > 20 dB, 1.5 MHz to 200 MHz Frequency Response: Distortion THD: Power consumption: Driver: Dimensions: Weight: 120watts into 4ohms 30hz-150 <.05% 210 watts 10″ long stroke 14 1/2″ (H) x 14 1/2″ (W) x 17.5″ (D) 39 lbs. • 17.75 kg PS9 North America/PS11 IEC Fluorescent F45CW condenser type FS2 3000 hours 95 Lumens 500 ma T type 1.75″ (h) x 19″ (w) x 7.5″ (d) 44 (h) x 482 mm (w) x 190 (d) Weight: 6 1/2″ Woofer Shielded Low amp: Frequency response: 8 switched, 1 unswitched Max. Surge Current: Dimensions: 8 ohm 40 Hz to 20 kHz Frequency Response: Amp: Starter Fuse (Internal): 75 watts Rated Output Power Power consumption: and Neutral to Ground Lamp/Starter: 18 lbs. • 8.2 kg Resolv 80a Resolv Sub 120 AC Inlet: 1″ Dome Shielded 13 5/8"(H) x 8 1/2" (W) x 9 7/8" (D) PS9 North America/PS11 IEC PB9 130 Vac/PB11 245 Vac 7 lbs. • 3.2 kg Expedition Express Power Rating: (@ 8Ω): Frequency Response: Sensitivity: Crossover Frequency: LF Driver: UL/CUL/CE/LVD 250 Watts Program 60 Hz – 15 kHz ± 3 dB 97 dB SPL @ 1W/1m 2.3 kHz (12 dB Per Octave) 12≤ heavy-duty driver , 2.5≤ voice coil (Kapton Former), 50 oz. barium ferrite magnet PowerStrip PS9/PS11 HF Driver: PS9: PS11: Max. Current: 8 switched, 1 unswitched Response Time: Inputs PS9 15 Amps/PS11 10 Amps PS9 130 Vac/PS11 245 Vac Hot to Neutral, Hot to Ground, 700 Vac 1 nanosecond 2 Mic/Line XLR/TRS, 1 Stereo Line w/Mic XLR 10 switched, 1 unswitched and Neutral to Ground Max. Clamping Voltage (@ 50 A): 1≤ titanium compression driver Stereo Mixer Section: Number of Outlets Frequency Response Crosstalk Equalization Frequencies Effects Mounting: Dimensions: EX250m and EX250e 10 Hz - 50 kHz 70 dB @ 1 kHz 100 Hz (Low), 10 kHz (High) DSP Reverb with 6 Presets Integral 1 3/8≤ Pole Mount Receptacle, Fly Points 21 1/4 (h) x 14 5/8 in. (w) x 17 3/8 (d) 539 mm (h) x 371 mm (w) x 441 (d) Max. Surge Current: 4,500 Amps (8 x 20 ms pulse) Max. Spike Energy: 104 Joules Weight: > 20 dB, 1.5 MHz to 200 MHz EX250e 28.5 lbs • 12.9 kg AC Inlet: PS9 North America/PS11 IEC EX250m 45.0 lbs • 20.4 kg Dimensions: 1.75″ (h) x 19″ (w) x 7.5″ (d) Noise Attenuation: 44 (h) x 482 mm (w) x 190 (d) Weight: Conforms: 7 lbs. • 3.2 kg UL/CUL/CE/LVD XP100 Power Rating: Frequency Response Sensitivity Audio Equipment control at maximum all channel level control at minimum. Impedance: Hot to Neutral, Hot to Ground, TOR OUT, EFX OUT) (with 20Hz~20KHz BPF) 1 nanosecond Power Rating: Spike Protection Mode: Noise Attenuation: 40 Hz to 20 kHz 6 1/2" Woofer Shielded Resolv 65 Input Voltage (RMS): 10KΩ (MAIN OUT, MON OUT, EFX SEND) Hum & Noise 700 Vac PowerBrite PB9/PB11 Spike Protection Mode: Rated Output power Total Harmonic Distortion Pro7 130 Vac/Pro9 245 Vac Hot to Neutral, Hot to Ground, Distortion THD: Input Voltage (RMS): Turn on: THD> 0.1% Mic Input (Mono Ch) Conforms: Conforms: Power requirements: 5 dB (1 kHz, ± 3dB) Weight: >100 dB Power consumption: 87.5 dB 100 mW Dimensions: Lamp Life: (MAIN OUT, MONITOR OUT, EFX SEND) Maximum Input Level High (shelving) < 0.02% 7 band ±12 dB GENERAL Crosstalk (@ 1 kHz w/ 30 kHz LPF) Ch vs. Ch <20 Hz to 20 kHz 230 Vac • 50 Hz 5 Hz - 54 kHz Starter Fuse (Internal): Response Time: POWER AMP SECTION Dimensions: Mic to Main Lamp Life: 29.7 lbs. • 13.5 kg MIXER/PREAMP SECTION MDR8 Frequency Response (Trim @ Min, unity gain ± 3 dB) Lamp/Starter: Max. Clamping Voltage (@ 50 A): Total harmonic distortion: High (shelving) Power Consumption Weight: TM500 Mic Input (Mono Ch) Phantom Power 5.5″ (h) x 19.35″ (w) x 13.75″ (d) 139 mm (h) x 349 mm (w) x 491 mm (d) 100 mW Maximum Input Level (1 kHz, ± 3dB) Meters Dimensions: 5 dB Weight: Number of Outlets 230 Vac • 50 Hz 75 dB 8 switched, 1 unswitched <.05% 150 watts Pro7 15 Amps/Pro9 10 Amps >100 dB Aux Send Ch vs. Ch Dimensions: 44 (h) x 482 mm (w) x 190 (d) 150 W per channel into 4 Ω Main Crosstalk (@ 1 kHz w/ 30 kHz LPF) Tweeter: 6 switched, 1 unswitched 104 Joules AC Inlet: Frequency Response Driver: Max. Spike Energy: Noise Attenuation: Total harmonic distortion: Distortion THD: 4,500 Amps (8 x 20 ms pulse) MIXER/PREAMP SECTION Frequency response (± 1 dB): 3200-50K 3.8 lbs. • (1.72 Kg) Max. Surge Current: TM300 MDR6 40hz-3200 High amp: and Neutral to Ground Response Time: S•Convert Frequency Response: Frequency response: Pro7: 75 watts @1K into 4ohms 30 watts @ 10K into 4ohms Low amp: Number of Outlets 2.7″ (h) x 6.4″ (w) x 9″ (d) High frequency amp: 44.45 mm (h) x 482.6 mm (w) x 76.2 (d) PowerBrite Pro7/Pro9 ±15 dB 4-channel Headphone Amp Specifications TBD .004% Low frequency amp: Power consumption: High (12 kHz): Dimensions: S•Amp Weight 48 10 Hz to 54 kHz EQUALIZATION Battery operation: Specifications TBD 48 Channel, fully Balanced patchbay MDR 16 Total harmonic distortion (with 30 kHz LPF): S•Monitor Rated Output Power S Patch Plus 24-48 VDC 9 Volt Resolv 65a Power Distribution & Rack Gear Specifications TBD Crossover Frequency LF Driver Resolv 50a 250 Watts Program; 400 Watts Max. Peak 60 Hz – 15 kHz 97 dB SPL @ 1W/1m 2.3 kHz (24 dB Per Octave) 12″ heavy-duty driver 2.5″ voice coil (Kapton Former) 50 oz. barium ferrite magnet HF Driver 1″ compression driver Mounting Integral 1 3/8″ Pole Mount Receptacle, Fly Points Dimensions 21 1/4″ (h) x 14 5/8″. (w) x 17 3/8″ (d) 539 mm (h) x 371 mm (w) x 441 mm (d) Weight 28.5 lbs • 12.9 kg XP200 Power Rating: Frequency Response Sensitivity Crossover Frequency Construction: Finish: 3/4" plywood, carpet covered Black carpet 1″ compression driver Mounting Integral 1 3/8″ Pole Mount Receptacle, Fly Points Dimensions 21 1/4″ (h) x 14 5/8″. (w) x 17 3/8″ (d) 539 mm (h) x 371 mm (w) x 441 mm (d) Weight 42.0 lbs • 19.0 kg Three Inch Heavy Duty Sensitivity: Integral 1 3/8" (35mm) Pole Mount Max. SPL: Receptacle, Dimensions: 20” (h) x 24” (w) x 22.75” (d) 508 mm (h) x 610 mm (w) x 578 mm (d) Weight: 71 lbs. • 32.25 kg Power Rating: Frequency Response Sensitivity Crossover Frequency 60 Hz – 15 kHz 97 dB SPL @ 1W/1m 2.3 kHz (12 dB Per Octave Linkwitz-Riley Constant Phase) LF Driver 1″ compression driver Stereo Mixer Section Inputs 2 Mic/Line XLR/TRS 1 Stereo Line w/Mic TRS/RCA/XLR Polar pattern: 40~18000 HZ Connector: Hyper- SPL Power supply voltage: Weight Dimensions 3 microns -33 dB/Pa 136 dB phantom power 36V - 52V Dimensions Weight 21 1/4″ (h) x 14 5/8″. (w) x 17 3/8″ (d) 7" (h) x 2.125" (w) x 2.125" (d) Polar pattern: Sensitivity Crossover Frequency LF Driver 2.5 lbs.(1.15 Kg) 2.3 kHz (24 dB Per Octave) 15″ heavy-duty driver 50 oz. barium ferrite magnet Mounting Integral 1 3/8″ Pole Mount Receptacle 15º wedge monitor position, 30º wedge monitor position, Ten Fly Points 30″ (h) x 19″ (w) x 17″ (d) 762 mm (h) x 483 mm (w) x 432 mm (d) 53.4 lbs • 24.2 kg dB500a Sensitivity Crossover Frequency LF Driver 60 Hz – 15 kHz ± 3 dB 97 dB SPL @ 1W/1m 2.3 kHz (24 dB Per Octave) Connector: Switchable cardioid, omni, Max. Input Level (1 kHz): 2 lbs. (30.9 kg) 7" (h) x 2.125" (w) x 2.125" (d) 2.5 lbs.(1.15 Kg) TBD 30″ (h) x 19″ (w) x 17″ (d) 762 mm (h) x 483 mm (w) x 432 mm (d) tbd Element type Type: Polar pattern: Frequency Response: Sensitivity: Connector: Power Requirements: Dimensions: Weight: Frequency Response: Sensitivity: Max.SPL: Output Impedance (@ 1 kHz): Connector: Dimensions: Condenser Type: 30Hz- 300Hz+/-3 dB Polar Pattern: Frequency Response: Balanced Sensitivity: XLR - FEMALE Max. SPL: Balanced, high-passed tracking low frequency crossover point Crossover Frequency: Switch Functions XLR - MALE Variable 30Hz – 200Hz Output Impedance (@ 1 kHz): High Pass Range: Attenuation Range: Connector: Dimensions: Adjustable headband and gooseneck Sensitivity QV: 70 mV @ 114 dB SPL QE: 80 mV @ 114 dB SPL Weight: 145 dB 1.92 oz. • 54.4 grams PM4 (For use with QE/QV Headset Mics) Output: Operating Voltage: Dynamic TA3M Switchcraft XLR male 12 Vdc through 48 Vdc Dimensions Diameter: Weight: 3.7″ • 93.75mm 0.86″ • 22mm 3 oz. • 85 grams Cardioid 3-pin gold-plated balanced XLR male Headphones RH600 Dynamic Driver Unit: Hypercardioid 60 Hz – 18 kHz -75 dB ±3 dB 130 dB SPL 400 ohm (Lo Z) 8.8 oz. • 250 g Cardioid 50 Hz – 20 kHz 80 Hz - 12 kHz Cardioid Magnet Frequency Unit: Impedance: Sensitivity: Input Connector: -68dB ±3dB Rated at 500Ω 150 Ω Gold-Plated Mini Stereo Plug and 1 ⁄ 4″ RH300 40mm Diaphragm Drivers with Neodymium Frequency Unit: Impedance: Sensitivity: Input Connector: 20-22,000 Hz 32ohm ± 10% 106dB SPL at 1kHz ± 3dB Gold-Plated Mini Stereo Plug and 1 ⁄ 4″ Phone Adapter RH100 4.56 in. / 115.88 mm 6.85 in. / 169.8 mm 7 oz. / 217 g 142 dB 3-pin gold-plated balanced XLR male 40ohm ± 10% 115dB SPL at 1kHz ± 3dB 3-pin gold plated balanced XLR male Main unit length Weight 20-22,000 Hz Phone Adapter -53 dBV/pa (1.8 mv/pa) 2.125 in. / 53.97 mm Total length 40mm Diaphragm Drivers with Neodymium Magnet Dynamic Driver Unit: R21S 40mm Diaphragm Drivers with Neodymium Magnet Frequency Unit: Impedance: Sensitivity: Input Connector: 20-22,000 Hz 64ohm ± 10% 106dB SPL at 1kHz ± 3dB Gold-Plated Mini Stereo Plug and 1 ⁄ 4″ Phone Adapter Same as above, with on/off switch Supply Voltage (Phantom) 11 to 52 Vdc 7″ • 176 mm overall 8.5 oz • 240 g HM40 Type: Connector: PH60 Condenser 3-pin mini-XLR 20 Hz – 18.5 kHz -47 dBV @ 94 dB SPL 137 dB 150 Ω 3-pin gold-plated balanced XLR male 6.75″ • 172 mm overall 8.7 oz. • 250 g S11 Type: Polar pattern: Frequency response: Sensitivity: Max. input level (1 kHz): Sensitivity: Dynamic Input Connector: Unidirectional cardioid -74 dB ±3 dB 130 dB SPL Output impedance (@ 1 kHz): 600 Ω ±30% 3-pin XLR male Cardioid Type: 50 Hz – 15 kHz -71 dB ±3 dB 137 dB 600 Ω (Lo Z) -12 dB/octave (HP switch ON) -10 dB/average (ATT switch ON) 3-pin gold-plated balanced XLR male 6″ • 152mm overall Polar Pattern: Frequency Response: Sensitivity: Max. Input Level (1 kHz): 6.75″ • 172 mm overall 8.7 oz. • 250 g CH700 Driver Unit: Impedance: Sensitivity: 1 ⁄ 4″ Closed back design 40mm Diaphragm Drivers with Neodymium 20 Hz–20 kHz 64ohms 108 dB S.P.L. @ 1 kHz ±3dB Gold-Plated Mini Stereo Plug and 1 ⁄ 4″ Phone Adapter Dynamic Hypercardioid 60 Hz – 18 kHz CH700 Driver Unit: -70 dB ±3 dB 130 dB SPL 600 Ω ±30% Impedance: 3-pin XLR male Sensitivity: 6.75″ • 172 mm overall 8.7 oz. • 250 g Closed back design 40mm Diaphragm Drivers with Neodymium Magnet Frequency Unit: Output Impedance (@ 1 kHz): Weight: Nickel-Plated Mini Stereo Plug and Magnet Frequency Unit: Connector: Dimensions: 32ohm ± 10% 101dB SPL at 1kHz ± 3dB Phone Adapter Input Connector: S12 20-18,000 Hz 60 Hz – 18 kHz Connector: Dynamic 34mm Mylar Drivers with An-isotropic Ferrite Magnet Frequency Unit: Impedance: Dynamic Hypercardioid Driver Unit: Cardioid Q2 94dB SPL @ 1 W/1m Connector: 3-pin gold-plated balanced XLR male Head length Weight: Sensitivity: Output Sensitivity Dimensions: 500 Watts RMS Hypercardioid Bi-directional noise cancelling, pressure gradient type Mounting system: Input: Dimensions 15″ Heavy Duty Driver, 3″ voice coil, aluminum former Frequency response Connector: Polar Pattern Polar pattern: Polar pattern: Back electret cardioid condenser Cardioid 3-pin gold-plated balanced XLR male 6.85″ • 174 mm overall Weight: Connector EX500 Input Dynamic Dimensions: Output Impedance condenser Q1 Weight: High-efficiency tracking converter QE (water-resistant): Max.SPL: 3-pin XLR male (pin 2 hot) Frequency Response condenser- cardioid Type: 30º wedge monitor position, Ten Fly Points Power Rating: 13 oz. • 368 g Connector: Type 50 oz. barium ferrite magnet 15º wedge monitor position, Amplifier: Output Impedance (@ 1 kHz): Frequency Response QMIC Integral 1 3/8″ Pole Mount Receptacle Generating Element: Driver Unit: 2.5″ voice coil (Kapton Former) Mounting Transducer: Sensitivity: R21 Polar pattern: 25′ • 7.62 m 8.5 lbs. • 3.85 kg condenser 15″ heavy-duty driver 1.75" titanium compression driver Weight Polar pattern: C05 Output Impedance (@ 1 kHz): 400 Watts LF, 100 Watts HF HF Driver Dimensions condenser- Frequency Response: Max.SPL: Frequency Response 7″ • 177 mm overall 60 Hz – 15 kHz ± 3 dB 97 dB SPL @ 1W/1m XLR-Low Noise High Performance QE and QV Cardioid 3-pin gold-plated balanced XLR male Cardioid TBD Shipping Weight Shipping Weight: Length: 180 mm (h) x 54 mm (w) x 54 mm (d) 1.75" titanium compression driver Active Power: Dynamic Polar pattern: Polar Pattern: Weight HF Driver Weight 15.1 oz. • 431g Dynamic Frequency Response 45.0 lbs • 20.4 kg 2.5″ voice coil (Kapton Former) Dimensions 7″ • 178 mm overall Type: Type: figure-8 Type Length 3-pin gold-plated balanced XLR male R11 Polar pattern: Mic Cable Connectors C03 dB500 Frequency Response -10 dB/average (ATT switch ON) Q Tom Type: 539 mm (h) x 371 mm (w) x 441 mm (d) 500 Watts Program Connector: TBD Dimensions Power Rating: -12 dB/octave (HP switch ON) 2 lbs. (30.9 kg) 70 dB @ 1 kHz Integral 1 3/8″ Pole Mount Receptacle, Fly Points Polar pattern: Q Kick Element type Mounting Type: Frequency Response 10 Hz - 50 kHz DSP Reverb with 6 Presets 137 dB 600 Ω (Lo Z) Q Snare Connector: Frequency Response Effects Mic Clip with Euro Adapter C02 cardioid 100 Hz (Low), 10 kHz (High) Over-sized Rubber Feet -71 dB ±3 dB Back condenser type 180 mm (h) x 54 mm (w) x 54 mm (d) Shipping Weight Dimensions: Weight: cardioid Sensitivity Non-slip Easy Grab Clutch 50 Hz – 15 kHz QV: Frequency Response Polar pattern: Heavy-duty Die Cast and Steel Polar Pattern Type: +4 Balanced XLR Equalization Frequencies Connector: Tripod Mic Stand Hypercardioid Q7 Outputs Crosstalk Attenuation Range: Dimensions: 50 oz. barium ferrite magnet HF Driver High Pass Range: C01 12″ heavy-duty driver 2.5″ voice coil (Kapton Former) Output Impedance (@ 1 kHz): Dynamic Microphones Diaphragm thickness 160 Watts LF; 40 Watts HF Frequency Response: Weight: Element type XP300 Polar Pattern: Casters: 50 oz. barium ferrite magnet HF Driver R21 Microphone same as above Type: Steel 12″ heavy-duty driver 2.5″ voice coil (Kapton Former) 10.5 oz. • 300g VP1 Corners: 97 dB SPL @ 1W/1m 2.3 kHz (12 dB Per Octave Linkwitz-Riley Constant Weight: Q3 Enclosure Mounting: 60 Hz – 15 kHz Selects stereo or mono low frequency operation 160 Watts LF; 40 Watts HF Phase) LF Driver Stereo /Mono: Input Connector: 20 Hz–20 kHz 32ohms 103 dB S.P.L. @ 1 kHz ±3dB Gold-Plated Mini Stereo Plug and 1 ⁄ 4″ Phone Adapter
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File Type : PDF File Type Extension : pdf MIME Type : application/pdf PDF Version : 1.2 Linearized : No Create Date : 2003:03:17 11:44:20-05:00 Modify Date : 2003:03:17 11:44:20-05:00 Page Count : 18 Creation Date : 2003:03:17 16:44:20Z Mod Date : 2003:03:17 16:44:20Z Producer : Acrobat Distiller 5.0.5 for Macintosh Author : Samson Metadata Date : 2003:03:17 16:44:20Z Creator : Samson Title : Audio Brochure 6.1EXIF Metadata provided by EXIF.tools