Samson Power Amplifiers Users Manual Audio Brochure 6.1

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2015-02-02

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Samson Technologies
575 Underhill Blvd.
Syosset, NY 11791-9031

www.samsontech.com

CAT FLA v6.1

©2003 Samson

Winter/Spring 2003

Power Amplifiers

Servo 120 Power Amplifier

For over a decade
Samson has been
building innovative
audio products that
sound great and
perform reliably day
after day, night after
night. It starts with
innovation: new ideas,
rethinking the obvious.
It’s R&D: Finding
better ways to build
products to enhance
quality and reliability.
Just about everyone at
Samson is a musician.
From the CEO, to the
engineers, to the
customer service reps,
to the sales and
marketing people.
We use these products.
That’s why our gear
delivers what music
professionals need.

Samson
Audio.
Precision
audio
tools for
the jobs
that
matter.

Power Amplifiers

Servo 260 Power Amplifier

Ideal for powering near-field monitors or for use as a headphone amplifier, the Servo 120 provides
reference-class audio performance and reliability in a compact package.
• Single rack space Servo-controlled stereo power amplifier
• 60 watts into 4 ohms, 50 watts into 8 ohms (stereo) and 120 watts into 8 ohms (bridged mono)
• Wide, flat frequency response of less than 10 Hz to plus 100 kHz (-3 dB) for reference-quality audio
• Front panel headphone jack with speaker-disable switch
• Independent left/right level controls with 5-segment, 3-color LED meters
• Relay-controlled power-on circuitry prevents speaker “thumps”
• Balanced 1/4” TRS inputs and gold-plated unbalanced RCA inputs
• Push-spring terminal outputs
• Convection-cooled design eliminates fan noise and maintenance problems
• Bipolar design and toroidal transformer power supply
• Overheating and over-current protection circuitry

Servo 170 Power Amplifier

A versatile performer in a compact package, our popular Servo 170 is excellent for near field monitoring,
stereo midrange/high frequency bi-amping applications and low power distribution systems.
• Dual rack space Servo-controlled stereo power amplifier
• 85 watts into 4 ohms, 60 watts into 8 ohms stereo
• Wide, linear 20 Hz to 50 kHz frequency response
• Independent left/right input level controls with 41 detents
• Front-panel clip and idle LEDs for both channels
• Relay-controlled power-on circuitry prevents speaker “thumps”
• Balanced 1/4” TRS inputs and gold-plated unbalanced RCA inputs
• 1/4”and push-spring terminal outputs
• Convection-cooled design eliminates fan noise and maintenance problems
• Bipolar design
• Overheating and over-current protection circuitry

A mainstay of our Servo line, the 260 is great for near-field monitor set-ups, headphone distribution systems,
and smaller live sound applications.
• Dual rack space Servo-controlled stereo power amplifier
• 130 watts into 4 ohms, 90 watts into 8 ohms stereo
• Extended 20 Hz To 50 kHz frequency response
• Independent left/right input level controls with 41 detents
• Front-panel clip and idle LEDs on both channels
• Relay-controlled power-on circuitry avoids speaker “thumps”
• Balanced 1/4” TRS inputs and gold-plated unbalanced RCA inputs
• 1/4” and push-spring terminal outputs
• Convection-cooled design eliminates fan noise and maintenance problems
• Bipolar design
• Overheating and over-current protection circuitry

Servo 550 Power Amplifier

Using the Servo 550 in the bridged mono mode is a great way to power a separate subwoofer system as an
enhancement to your overall sound.
• Three rack space Servo-controlled stereo power amplifier
• 275 watts into 4 ohms, 190 watts into 8 ohms (stereo) and 550 watts into 8 ohms (bridged mono)
• Wide, linear 20 Hz to 50 kHz frequency response
• Independent left and right input level controls with 41 detents
• Front-panel clip, idle, protection and power LEDs
• Relay-controlled power-on circuitry prevents speaker “thumps”
• Balanced 1/4” TRS inputs and gold-plated unbalanced RCA inputs
• 1/4” and binding post outputs
• Convection-cooled design eliminates fan noise and maintenance problems
• Bipolar design
• Overheating and over-current protection circuitry

After the music,
power is
everything.
Samson amps
provide clean,
reliable power
for every
application.
Samson offers
three lines:
our precision
Servo Series,
with ultra-low
distortion, our
muscular S-Series
amps for live
applications and
our pure-power
F Series.
Samson amps
include all the
features and
connectivity that
audio professionals
want, at truly
affordable prices.

Power Amplifiers

S500 Power Amplifier

Power Amplifiers

S1500 Power Amplifier

New to the S Series, the sturdy and reliable S500 is perfect for live sound or fixed installations
where 500 watts is the right amount of power.
• Heavy-duty dual rack space stereo power amplifier
• 250 watts per channel into 4 ohms, 150 watts into 8 ohms (stereo) and 500 watts into 8 ohms (bridged mono)
• Temperature-sensitive, speed-controlled fan
• Independent front panel input level controls with 41 detents and 3-segment output LED meters
• Overheating and over-current protection circuitry with LED monitoring
• XLR and locking TRS inputs, banana jack outputs and Speakon™ connectors
• Parallel inputs allow several amps to be linked together

S700 Power Amplifier

Efficient and highly reliable, the S1500 stereo amp provides plenty of power on the road,
in commercial installations and for PA use.
• Heavy-duty three rack space stereo power amplifier
• 750 watts into 4 ohms, 500 watts into 8 ohms (stereo) and 1,500 watts into 8 ohms (bridged mono)
• Dual temperature-sensitive, speed-controlled fans
• Independent front panel input level controls with 41 detents and 3-segment output LED meters
• Overheating and over-current protection circuitry with LED monitoring
• XLR inputs and locking TRS inputs, banana jack outputs and Speakon™ connectors
• Parallel intputs allow several amps to be linked together
• AC mains: IEC and Neutrik® Powercon connector included

S2000 Power Amplifier

4

5

Exceptionally rugged and reliable, the S700 is a powerful, multi-purpose amplifier.
• Heavy-duty dual rack space stereo power amplifier
• 350 watts into 4 ohms, 220 watts into 8 ohms (stereo) and 700 watts into 8 ohms (bridged mono)
• Dual temperature-sensitive, speed-controlled fans
• Independent front panel input level controls with 41 detents and 3-segment output LED meters
• Overheating and over-current protection circuitry with LED monitoring
• Stable bipolar design
• XLR and locking TRS inputs, banana jack outputs and Speakon™ connectors
• Parallel inputs allow several amps to be linked together

S1000 Power Amplifier

Serious power for all kinds of live sound projects, commercial installations and PA systems.
• Heavy-duty dual rack space stereo power amplifier
• 500 watts into 4 ohms,330 watts into 8 ohms (stereo) and 1,000 watts into 8 ohms (bridged mono)
• Dual temperature-sensitive, speed-controlled fans
• Independent front panel input level controls with 41 detents and 3-segment output LED meters
• Overheating and over-current protection circuitry with LED monitoring
• Dual protection LEDs and relay-controlled outputs linked to protection LEDs
• XLR inputs and locking TRS inputs, Banana jack outputs with Speakon™ connectors
• Parallel intputs allow several amps to be linked together

The rugged S2000 stereo amp from Samson delivers awesome power, reliability
and protection for live sound situations, commercial installations and PA applications.
• Heavy-duty three rack space stereo power amplifier
• 1,000 watts into 4 ohms, 650 watts into 8 ohms (stereo) and 2,000 watts into 8 ohms (bridged mono)
• Dual temperature-sensitive, speed-controlled fans
• Independent front panel input level controls with 41 detents and 3-segment output LED meters
• Overheating and over-current protection circuitry with LED monitoring
• XLR inputs and locking TRS inputs, banana jack outputs and Speakon™ connectors
• Parallel intputs allow several amps to be linked together
• AC mains: IEC and Neutrik® Powercon connector included

Power Amplifiers

F800 Power Amplifier

Graphic Equalizers

S•Curve 215 - 2X 15 band EQ

A great, multi-purpose EQ, with all the features and easy-to-read lighted display.

For applications that require reliable power, but don’t require front panel controls.
Perfect for DJs, and others who need simple, pure power.
• Heavy-duty three rack space stereo power amplifier
• 400 watts into 4 ohms, 250 watts into 8 ohms (stereo) and 800 watts into 8 ohms (bridged mono)
• Bipolar design
• Dual temperature-sensitive, speed-controlled fans
• Balanced 1/4” and RCA input connectors
• Binding post output connectors
• Protection, power and bridging LEDs
• Resettable in-line fuse on rear panel

• 2/3 octave 15 band stereo graphic equalizer
• Constant Q circuitry
• Balanced XLR & TRS inputs and outputs
• Low cut filter
• LED faders and LED bar VU meters
• Bypass switch
• Single rack space chassis, aluminum extrusion face plate

S•Curve 131 - 31 band EQ

F1200 Power Amplifier
For professionals looking for a full 31 band EQ.

6

• 1/3 octave 31 band graphic equalizer
• Constant Q circuitry
• LED faders
• Switchable 6 or 12 dB filters
• Cut Only mode
• Variable low cut filter
• Single rack space chassis, aluminum extrusion face plate
With its high power and simple, reliable design the F1200 is the ultimate DJ amplifier. It’s also perfect for any application
that requires pure power—and lots of it.
• Heavy-duty three rack space stereo power amplifier
• 600 watts into 4 ohms, 400 watts into 8 ohms (stereo) and 1,200 watts into 8 ohms (bridged mono)
• Bipolar design
• Dual temperature-sensitive, speed-controlled fans
• Balanced 1/4” and RCA input connectors
• Binding post output connectors
• Protection, power and bridging LEDs
• Resettable in-line fuse on rear panel

S•Curve 231 - 2X 31 band EQ

A totally comprehensive, feature-rich dual 31-band EQ for the most demanding applications.
• Dual 31 band graphic equalizer
• Constant Q circuitry
• LED faders
• Low cut/Sub Freuqency Crossover with Subwoofer output
• Balanced XLR & TRS inputs and outputs
• Boost/cut, and Cut Only modes
• Switchable 6 or 12 dB filters
• Variable high cut filter
• Double rack space chassis, aluminum extrusion face plate

Designed and
built for
professionals,
S•Curve EQs
feature easy-toread LED displays
and the extra
features
professionals need.
S•Curve EQs are
also exceptionally
quiet, in fact up
to 15dB lower
than comparable
equalizers.

Signal Processing

S•Com stereo compressor

Signal Processing

S•3-way crossover

The Stereo/Mono S•3-Way is a versatile 2-way, 3-way and 4-way crossover.

Samson Audio
signal processors
are made with an
attention to detail
you can see, hear
and feel.
Not only do we
include all the
tools professionals
are looking for,
our engineers
routinely create
features never
seen before.

The all-purpose Stereo Compressor/Limiter every studio needs.
• Compressor section includes variable threshold, ratio, attack, release and output
• Expander/Gate section includes variable threshold level, release time
• SKD (Smart Knee Detector) dynamically adjusts the compression curve
• AEG (Auto Envelope Generator) dynamically adjusts attack and release
• EFR (Enhanced Frequency Recovery) restores high frequencies lost with heavy compression
• Expander/gate, compressor/limiter and enhancer on both channels
• A key input and key listen provide for external triggering, or EQ
• Balanced Inputs and Outputs

S•Com plus Compressor/limiter

• Extensive sweeping frequency control options
• 2-way, 3-way stereo or 4-way mono operation
• Low, mid and high frequency outputs with ±6dB of gain control
• Mute and phase switch for each output, delay control for LF output
• Variable threshold limiter, a CD function (for constant directivity horns)

S•gate 4 Gate/ducker

This four channel Gate/Ducker can be operated as four discrete gates or linked into stereo pairs.
• Ducker for automatic lowering of signal for a channel or stereo pair
• Key input and key listen for inserting an external source
• Each channel has high and low pass filters, threshold, attack, hold, release and range control
• 8-segment gain reduction LED monitor
• Front panel ducker, link, in/out, filter and key listen switches

This Stereo Compressor/Limiter adds features like De-essing for added control.
• Compressor section includes variable threshold, ratio, attack and release
• Expander/gate section includes variable threshold level, release time
• SKD (Smart Knee Detector) dynamically adjusts the compression curve
• AEG (Auto Envelope Generator) dynamically adjusts attack and release
• EFR (Enhanced Frequency Recovery) restores high frequencies lost with heavy compression
• Built-in de-esser circuitry reduces sibilance
• Metering of input/output, gain reduction, de-esser level, gate open/close and limit
• Key inputs and outputs for externally processing control voltage
• Individual channel bypass, stereo link mode
• Balanced inputs and outputs

S•Com 4 gate/compressor

S•vox voice channel/input mixer

The S•vox is a sophisticated Stereo Voice Channel/Input Mixer. It provides a host of tools for
cleaning up vocal tracks before they go tape.
• Superior microphone pre-amps and direct inputs for instruments
• Phase Reversal switch, volume and pan controls
• 3-band EQ with sweepable mids and an in/out switch
• Built-in optical compressor with selectable threshold
• LED input/output meters, 48-Volt phantom power
• S/PDIF inputs and outputs, 1/4” TRS balanced mixer outputs

S•Phone headphone amp

The S•com 4 provides four channels of high quality dynamics processing with an
Expander/Gate and Compressor/Limiter on each channel.
• Channels operate independently or in stereo pairs
• Multi-segment LED metering for input/output and gain reduction
• Expander/gate section Includes variable threshold, and a switch for fast/slow release time
• Compressor/limiter section includes variable threshold, ratio and output
• EFR (Enhanced Frequency Recovery) restores high frequencies lost with heavy compression

This Four Channel Headphone Amplifier is loaded with advanced features that provide
tremendous flexibility for monitor and cue mixing.
• Master Input features an input level and LED meter
• Each of the four channels has three headphone outputs with volume control and level meters
• Stereo Aux input on each channel with balance control for “More Me” mixing
• 2-band equalizer on each of the four channels

S Class Processing
represents a new
perspective on
professional-level
audio processing.
Elegant and
powerful,
S Class processors
combine proven
circuitry,
innovative
features and
ease-of-use in
beautifully
crafted cabinets.

Signal Processing

Signal Processing

C•ValVe Tube Preamp
Introducing an
all-new concept in
studio signal
processing.
C Class delivers
high-end
processing tools to
desktop recordists
in a friendly,
innovative
package.
Designed to
complement each
other, they also
work great
individually.

S•Direct
As a regular feature of a club sound system or as a durable
road piece the S•Direct is the only direct box you’ll ever need.

Adds the warmth of analog tubes to digital recordings.
A true tube pre-amp that provides pure signal and silky
sound. It features variable gain and variable tube process
saturation for adding harmonics. Regardless of which mic
you use, it will maintain detail and transparency. 48-Volt
phantom power, phase and peak limiter round out the
control set. A large analog VU output meter and a 6-segment LED input meter make it easy to
adjust the gain. Use its insert points along with a C Class Compressor for a direct path to a
gorgeous front end sound. The C•valve provides a digital output as well.

C•Com 16 compressor

• Perfect for stage and studio
• Switchable input level handles instrument and speaker levels
• 48 Volt phantom power or 9 volt operation with auto battery shut off
• Switchable ground lift
• 1/4” link output

S•Monitor

A compact, full-featured compressor for the desktop.

An elegant solution for personal monitoring either on stage or
in the studio.

A full-featured Stereo Compressor/Limiter with 16
settings. There are fifteen presets and a manual mode for
more critical adjustments when required. The C•com 16’s
controls include variable threshold, ratio, attack, decay,
release and output level. An enhancer provides the added character that is lost under heavy
compression. Key output/input for outboard triggering or external filtering of the key signal. A
6-segment LED gain reduction meter and a 6-segment LED input/output meter provides visual
monitoring of the circuit’s affect.

C•Com opti optical compressor

• XLR microphone input
• XLR microphone Thru, microphone output to send to main mixer
• 1/4” stereo mix input
• 1/4” stereo mix Thru for daisy chaining additional units
• Microphone volume control
• Mix volume control
• Two headphone outputs
• 18 Volt AC adapter included

S•Mix

Adds the magic of optical compression to recordings.
A miniature 5-channel mixer packed with high-end features.

A perfect complement to the computer’s hygienically
clean sound. The C•com opti’s adjustable threshold, ratio,
attack, release and output controls are calibrated to generate a distinctive soft, rich character while providing magnificent control over dynamics. An enhancer provides the
added character lost under heavy compression. Key output/input for outboard triggering or
external filtering of the key signal. Large analog VU meter for output level or gain reduction.

• 5-channel mini mixer
• XLR balanced microphone input with volume control
• RCA stereo inputs with volume control
• 1/4” stereo inputs with volume control
• RCA stereo outputs
• 1/4” stereo outputs
• 18 Volt AC adapter included

c•control studio matrix
Provides a control room matrix previously
available only on consoles costing thousands.

S•Amp
A 4-channel headphone amplifier ideal for home recording.

A unique solution for studios with multiple monitors, headphone mixes and tape or digital sources.
Provides easy, heretofore impossible to achieve,
instant monitor mixes or dubs. Select from three
pairs of speakers with dim and mute. Use the talkback mic to give instructions to the musicians
in the headphone mix. Push-to-talk also records slates. Includes a headphone amp with level
control. Three sets of stereo ins and outs are included, with dubbing capability to three outputs.

• 4-channel headphone amplifier
• Four 1/4” stereo headphone outputs
• Individual volume control for each headphone output
• Stereo 1/4 “ input
• 18 Volt AC adapter included

c•que 8 headphone amp
The perfect compact headphone amp.
Further enhancing your control in the studio is this
Four Channel Headphone Amplifier with eight outputs. Independent volume on each channel makes
this a truly versatile headphone amplifier. A 6-segment LED indicator shows the output for each channel.There’s a main volume for overall level adjustment. An EQ shape circuit offers tone control of
each channel and listeners can manage their own personalized mixes. Link outputs allow more
than one C•que 8 to be used when needed.

S•Convert
A “bump-box”, S•Convert is a problem solver for interfacing and
level matching consumer and professional audio equipment.
• +4 to –10 audio level converters
• RCA –10 inputs with level control, RCA –10 outputs
• XLR +4 outputs
• XLR +4 inputs with level control
• 18 Volt AC adapter included

S Class Mini
Processors offer
advanced signal
processing in
incredibly durable,
portable enclosures.
Perfect for home,
on the road,
or a quick fix to
a house
sound system.

Mixers

Mixers

MDR 6 Mixer

Samson Mixers
give music
professionals
what they need
for every
situation.
From rehearsal
room, to studio,
to live
applications—
Samson makes
a mixer that will
do the job.

MDR 10 Mixer

The compact MDR 6 is a six input stereo mic/line tabletop mixer in a portable and rugged package. Perfect
for a small studio, the MDR 6 features Hard Disc Record mode for recording with a PC.

The MDR 10 stereo mixer packs a lot of professional features into a compact package.
High quality mic preamps, 60mm faders, pan control and our great-sounding 24-bit DSP processor.

• Six input stereo mixer
• Low noise op-amps
• Low impedance circuit design
• 60mm faders on each channel and mains
• 3-band EQ on each channel
• Hard Disc Mode
• Four XLR inputs with mic preamps
• Mono out with level control
• Dual 5-segment LEDs
• Aux send with effects return
• Headphone out with level control
• Phantom power
• In-line power supply

• 10 channel stereo mixer with 2 + 2 bussing
• Pre amps on each channel
• Low noise op-amps
• Low impedance circuit design
• 24-bit DSP effects
• 60mm faders on each channel and mains
• 3-band EQ with sweepable mids and a low cut filter on
channels 1 thru 6
• 10 XLR inputs with mic preamps
• Mono out with level control
• Dual 12-segment LEDs
• 2 Aux sends with 2 effects returns
• Headphone out with level control
• Phantom power
• 2-track in and out connectors
with send to mix switch

MDR 8 Mixer

MDR 16 Mixer

The Samson MDR 8 is an eight channel professional stereo mixer with built-in 24-bit DSP. It can handle up
to either eight line ins, four mics and two stereo line ins or six mics all with high quality mic preamps.

The flagship of the series, the MDR 16 is a true 4-bus stereo mixer. Each of the 16 channels feature a high quality
mic preamp, gain control, solo, bus 1-2 and bus 3-4 switches.

• Eight input stereo mixer
• Low noise op-amps
• Low impedance circuit design
• 24-bit DSP effects
• 60mm faders on each channel and mains
• 3-band EQ on each channel
• Hard Disc Mode
• Six XLR inputs with mic preamps
• Mono out with level control
• Dual 6-segment LEDs
• 2 Aux sends with 2 effects returns
• Headphone out with level control
• Phantom power
• In-line power supply

• 16 channel stereo 4-bus mixer
• Pre amps on each channel
• Low noise op-amps
• Low impedance circuit design
• 24-bit DSP effects
• 60mm faders on channels, busses and mains
• 3-band EQ with sweepable mids and a low cut filter on channels 1 thru 8
• 16 XLR inputs with mic preamps
• Mono out with level control
• Dual 12-segment LEDs
• 2 Aux sends with 2 effects returns
• Headphone out with level control
• Phantom power
• 2-track in and out connectors with
send to mix switches

Transparent
sound, low noise
and high quality
mic preamps
were the criteria
when developing
the new MDR
(Maximum
Dynamic Range)
series of mixers.
MDR mixers have
features found no
where else, like
our exclusive
Hard Disc Mode
(HDM), found on
the MDR 6 and 8,
that eliminates
delay between
instrument and
monitor mix
when recording
to hard disc.
The larger MDRs
feature great
sounding 24-Bit
DSP effects.

Mixers

Mixpad 4 portable mixer
From its high headroom (+27 dBu output) design to its durable extruded aluminum chassis,
the AC or battery-powered Mixpad 4 is a natural choice for field recording.
• Ultra-compact 4-channel audio mixer
• 2 mic/line inputs and 1 stereo input (4 channels total)
• Battery operation (three 9V) and external AC power supply included
• Shoulder strap included
• 1 aux send (post fader)
• 1 stereo effects return
• Independent 3-band EQ on each channel with up to 15 dB of boost or cut
• Adjustable mic input trims
• Peak overload LEDs on left and right main output
• Constant-level pan controls (mono channels) and balance control
(stereo channel)
• Balanced stereo output
• Switchable phantom-powered XLR mic input connectors
• 12-hour battery life

Mixers

tm500 stereo powered mixer
The TM500 powered mixer is an all-in-one package designed for small clubs, theater and other applications.
• 10 channel table-top/rack-mountable powered mixer
• 2 stereo channels, 8 mono mic/line channels
• Stereo power amp produces 250 watts per side into 4 ohms
• Dual 7-band graphic EQ on main
• 3-band EQ on mono channels, 2-band EQ on stereo channels
• Built-in DSP section with up to 256 effect variations
• 2 Aux sends per channel
• 2 Aux returns
• Fan-cooled bipolar amp design
• Phantom power

14
15

tm300 stereo powered mixer

PA324 powered mixer

Offering remarkable versatility for the price, the TM300 powered mixer is ideal for all kinds of live sound reinforcement jobs.

Rugged and ready to go, the PA324 dual amp powered mixer with 24-bit DSP handles up to six mic/line inputs
with power to spare.

• 6 channel table-top/rack-mountable powered mixer
• 6 mono mic/line channels
• Stereo power amp produces 150 watts per side into 4 ohms
• Dual 7-band graphic EQ on main output
• 3-band EQ on each channel
• 2-band EQ for stereo channels
• 3 preset DSP effects
• 2 Aux sends per channel
• 2 Aux returns
• Fan-cooled bipolar amp design
• Phantom power

• 6 channel powered mixer with 6 XLR inputs with mic preamps
• Power amp produces 150 watts per side (stereo) 300 watts (bridged)
• 3-band EQ on each channel , 7-band graphic EQ on mains
• 24-bit DSP effects
• Effects and monitor sends on each channel
• Mono out with level control
• Dual 7-segment LEDs
• Phantom power
• Carpeted wood cabinet complete with corners and handle

Rack Accessories

S•Patch Plus Patch Bay

The ultimate patch bay. Fully balanced and extremely durable, our 48-point patch bay makes all your connections easy.
• Rack mount 3-way front panel mode switches
• Normal, half-normal and through mode operation
• 1/4”TRS connectors

Resolv Studio Monitors

Resolv 50a Active Reference Monitors
Powerful and compact, Resolv 50a monitors sound rich
and accurate, and are ideal for tight spots.
• Dual power amp (50 watts low and 25 watts high)
• 5.25” polypropylene butyl surround woofer
• 1” ferro-fluid filled titanium tweeter
• Active crossover
• 1/4” and RCA inputs
• Ported, tuned cabinet
• Wall mountable (with optional bracket)

Powerbrite™ Pro power distribution
Resolv 65a Active Reference Monitors
The ultimate rack accessory. Provides power distribution, metering and lighting.
• Front panel voltmeter and current meter to accurately monitor power conditions
• Adjustable pull-out tray with silent fluorescent lamp, rear panel connection for supplied goose neck lamp
• Pro7 (U.S.) features 6 rear panel AC outlets, Pro9 (E.U.) features 8 rear panel IEC outlets
• Unswitched front panel outlet for constant power applications
• 15 amp circuit breaker
• Accepts AC power brick adapters

16

Powerbrite rack power distributioN

Powerful and accurate, it’s like having four different sets of monitors
in your studio thanks to the adjustable midrange control.
• Dual power amp (75 watts low and 25 watts high)
• Four-position midrange contour control
• 6.5” polypropylene butyl surround woofer
• 1” ferro-fluid filled titanium tweeter
• Active crossover
• XLR, 1/4” and RCA inputs
• Ported, tuned cabinet
Also available in a passive version, the Resolv 65,
featuring a custom-designed passive crossover.

Resolv 80a Active Reference Monitors
The PowerBrite is a highly practical add-on for live, studio and fixed installations.
• Adjustable pull-out tray with silent fluorescent light
• PB9 (U.S.) features 8 rear panel outlets, PB11 (E.U.) has 10 rear panel IEC outlets
• Unswitched front panel outlet for constant power applications
• 15 amp circuit breaker
• Accepts AC power brick adapters

Ideal for mid- to large-sized control rooms where high
volume and serious bass response are required.
• Dual power amp (75 watts low and 25 watts high)
• Four-position midrange contour control
• 8” copolymer butyl surround woofer
• 1” ferro-fluid filled titanium tweeter
• Active crossover
• XLR, 1/4” and RCA inputs
• Ported, tuned cabinet

PowerSTRIP rack power distributioN
Resolv 120a SUBWOOFER

PowerStrip supplies eight switched AC outlets on the rear panel along with special noise filters and surge/spike protection.
• PB9 (U.S.) features 8 rear panel outlets, PB11 (E.U.) has 10 rear panel IEC outlets
• Unswitched front panel outlet
• AC noise filtering
• Surge/spike protection
• 15 amp circuit breaker
• Accepts AC power brick adapters

By taking advantage of the mute switch, you can a/b your mix with
or without a powered subwoofer.
• 120 watt amplifier
• Heavy-duty 10” driver
• 40–180 Hz.
• Active crossover
• Phase switch
• Auto sleep mode
• Mute switch jack

Resolv monitoring
systems for studio
applications offer
incredible sound
quality as well as
flexibility.
Resolv 65a and 80a
powered monitors
offer a unique four
position curve
control that allow
the user to listen to
a mix four different ways, each
emulating a different EQ curve.
It’s like having four
sets of monitors in
your studio. Add
the 120a for even
more monitoring
options.

Public Address Systems

Public Address Systems

Expedition Pro XP100

Expedition Express

Passive 2-Way Speaker

Expedition Express
from Samson.
Two speakers,
one with a builtin power amp and
mixer,
a microphone and
all the cables. Plus
one important
detail otherportable
PA systems leave
out: Sound quality.
Perfect for any
traveling music or
P.A. application;
ideal for
education and
business
environments.
The Expedition
Express even
works out-of-doors
using the RB2030
rechargeable
battery.
Other optional
accessories
include a wireless
mic system and
cassette deck.

• Custom 12” Celestion driver
• 1”Titanium compression driver
• Scuff resistant textured finish
• Heavy duty steel grill
• Convenient built-in wheels and telescoping handle
• Compact and light weight (28.5 lbs)
• 250W/400W peak power rating

Expedition Pro XP200
Powered 2-Way Speaker System

All-inclusive Powered Speaker System
• 250 watt amplifier
• 12" heavy-duty driver
• 1" titanium compression driver with elliptical wave-guide horn
• Built-in mixer with DSP reverb and echo
• Samson microphone, cables and mic clip
• Lightweight, yet heavy-duty, molded resin cabinets
• Built-in handle and wheels

• Custom 12” Celestion driver
• 1”Titanium compression driver
• Built-in Bi-amplification totaling 200 watts
• Speaker overload protection circuitry
• Heavy duty cabinet and steel grill
• Convenient built-in wheels and telescoping handle
• Compact and light weight (42 lbs)

Expedition Pro XP300
Powered 2-Way Speaker with 4-Channel mixer and DSP Effects
It takes only minutes to
set up,
break down,
and hit the road.

The two speaker cabinets lock easily together,
and all the accessories fit in the back.

• Professional level public address, monitor or
music playback system
• Custom 12” Celestion driver
• 1”Titanium compression driver
• Built-in Bi-amplification totaling 200 Watts
• Built-in 4 channel mixer with 3 mic/4 line inputs
• High-quality digital reverb
• Stereo line out allows for daisy-chaining additional speakers
• Optional cassette deck, wireless mic system and battery available
• Heavy duty cabinet and steel grill
• Convenient built-in wheels and telescoping handle
• Compact and light weight (46 lbs)

Samson’s all-new
Expedition Pro
speakers sound
incredible thanks
to custom designed
Celestion drivers,
new electronics
and new Titanium
high frequency
drivers.
Great speakers for
public address,
music playback or
floor monitoring.
The portable
XP300 features
200 watts of
built-in power,
a 4-channel mixer
and DSP effects.
Expedition Pro
speakers are
available in both
passive and active
models.

Public Address Systems

Public Address Systems

dB500

dB500a
dB500a and dB500
Unquestionably
the finest
sounding large
format PA speaker
available today.
The dB500a
powered speaker,
and its passive
counterpart the
dB500 represent
one of the most
extensive R&D
projects ever
taken on by
Samson.

The dB500a powered loudspeaker

dB500 Passive Loud Speaker

Inside our rigid custom designed cabinet is a 15” driver
designed exclusively for this project. It’s matched with a new
1.75” titanium high frequency driver, aimed through a
1” diameter horn. The dB500a features 500 watts of Class H
power (400 watts low frequency/100 watts high frequency)
and has a crossover designed for high SPL. Our exclusive
Optimax™ signal processing circuitry provides total speaker
protection but won’t cut the low end at high volumes, as
similar speakers with sliding filters do.

The passive dB500 has many of the same features as the dB500a, including the same rugged
enclosure and advanced drivers. A natural sounding fixed crossover is built-in, and the back
panel features 1/4" and XLR connectors.

21

Both dB500 and dB500a speaker cabinets feature an array of mounting options.
Designed with floor monitoring in mind, they are also easily stacked or permanently installed.
A 1 3/8" pole receptacle is built in, and 10 reinforced fly points are available.

The back panel has a built-in mixer-like preamp section with mic
and line inputs, XLR connectors and level controls. Controls for the
selectable low pass filter and Optimax processing are also included.

Ex500 Active Subwoofer
An excellent sub for serious sound reinforcement, and
the perfect match for the dB500a.

Far Field

The EX500 provides 500 Watts of power driving a
custom, heavy-duty 15" low frequency driver. It is the
ideal complement to the dB500/dB500a, or our
Expedition Pro speakers.The built-in stereo crossover
lets you use the EX500 in mono or as a common
subwoofer in a stereo system. It also features a steel grill
and rigid corners for durability, as well as an integral
pole mount for conveniently mounting Expedition
cabinets above.

SO

N

Near Field

SA

M

S

A

M

S

O

N

30°
15°

STAGE MONITOR POSITIONS
dB500 and dB500a speakers are also designed to work as floor monitors. The cabinet is designed to provide
two different monitor angles, depending on the application and size of the stage.

Microphones

Microphones

C01 condenser mic
Samson microphones
combine quality
mic capsules and
elegant
electronics inside
rugged, great
looking cases.
For the road or
the studio: for the
stage or the
conference room:
Samson has a
microphone
solution at a
great price.

Q1 condenser mic

Now there is a high-quality studio condenser mic for everyone. The C01 is accurate and detailed, and adds warmth
and richness to acoustic guitar and vocals. The C01 also
excels as an overhead drum or room mic.
• Cardioid pickup pattern
• Large 19mm diaphragm
• Heavy gauge mesh grill
• Gold plated XLR connector
• LED indicates 48V phantom power
• Smooth, flat frequency response
• Swivel stand mount
• Optional SP01 shock mount available

The Q1 condenser microphone brings a high level of accuracy and audio performance to vocal micing applications.
• Ideal for live performance vocals, public speaking, project studio vocals
• Accurate, full range audio performance
• Tight cardioid pattern reduces feedback
• Shock mounted element minimizes handling noise
• Phantom power required
• Withstands high SPLs
• Linear frequency response

SP01 shock mount

Qmic hypercardioid vocal mic
Fast, highly precise and designed for today’s live sound reinforcement and PA situations.

C02 Pencil Condenser Mic
A beautifully crafted pencil-style condenser for use with acoustic instruments, cymbals, percussion, piano and
overhead micing applications. Sold as a stereo pair.
• Highly-focused cardioid condenser pickup pattern
• Gold-plated XLR connectors
• Carry case and two shock-mount mic clips included

• Perfect for live performance and public speaking
• Special midrange “peak” at 2 kHz for better vocal reproduction
• Advanced Neodymium element delivers high output
• Hypercardioid pattern allows maximum gain before feedback
• Aluminum humbucking voice coil provides hum rejection
• Multi-axis shock-mount minimizes handling noise
• Gold-plated XLR connector, die-cast zinc casing and anti-dent ring

23

Q2 cardioid mic
An effective choice for micing vocals, amplifiers and instruments, and as a multi-purpose mic for project recording.

C03 Multipattern condenser mic
An incredibly flexible and great sounding studio condenser
microphone. Perfect for recording multiple vocals at once,
acoustic instruments room micing and more.
• Switchable cardioid, omni and figure-8 pick up patterns
• Dual 19mm capsule design
• Switchable high-pass filter
• Switchable10 dB pad
• Gold plated XLR connector
• LED indicates 48V phantom power
• Carry case and swivel stand mount included
• Optional SP01 shock mount available

• Advanced Neodymium element delivers high output
• Cardioid polar pattern reduces feedback
• Transformerless design provides extended low frequency reproduction
• Aluminum humbucking voice coil provides hum rejection
• Switchable 10 dB pad for use with high SPL sources
• Switchable 12 dB per octave high pass filter helps eliminate rumble
• Multi-axis shock-mount mic reduces handling noise
• Gold-plated XLR connector, die-cast zinc casing and anti-dent ring

Q3 hypercardioid instrument mic
Designed to excel in kick drum and instrument miking applications, the Q3 provides consistent
output with unmatched sound in high SPL situations.

C05 Hand-Held Condenser Mic
The new C05 condeser mic offers Samson condenser technology
in a comfortable to use hand held design.
• Cardioid pickup pattern
• Smooth, flat frequency response
• Multi-axis shock-mounted element
• Gold-plated XLR connectors
• Carry case and mic clip included

• Advanced Neodymium element delivers high output
• Hypercardioid pattern reduces feedback
• Mic rotates 90° for easy positioning
• Transformerless design provides extended low frequency reproduction
• Aluminum humbucking voice coil provides hum rejection
• Switchable 10 dB pad facilitates use with high sound pressure level sources such as bass drums
• Switchable 12 dB per octave high pass filter helps eliminate rumble
• Triple-plated multi-stage windscreen allows close proximity use with minimal noise
• Multi-axis shock-mount mic element enables quiet performance
• Gold-plated XLR connector, die-cast zinc casing and anti-dent ring
• Foam-lined carry case, mic clip and “Euro-metric” mic stand adapter included

Microphones

Microphones

Q7 Cardioid Dynamic Mic
Samson’s all-new
Q Series dynamic
drum microphones are built
to
last. Designed for
high SPL, each of
these dynamic
mics will provide
clean, clear drum
tones in the studio or on the
road.

3KIT 3-piece Tom Mic set

The finest Neodymium hand-held dynamic microphone we make. The ultimate all-around microphone.
• Outstanding vocal mic for stage and studio
• High output, low impedance design
• Neodymium dynamic mic element
• Cardioid pickup pattern
• Multi-axis shock-mounted element
• Carry case and mic clip included

Q Snare Dynamic Drum Mic
Designed for high SPL and durability,
the Q Snare is the right choice for stage and studio.
• High SPL dynamic mic in a rugged casing
• Cardioid polar pattern reduces feedback
• Smooth, flat frequency response
• Voiced particularly for snare drum
• Gold-plated XLR connector
• Rigid rim-mount mic clip with cable management included
• Carry case included

A three pack of our great-sounding rugged tom mics in a sturdy road case.
• Includes three of our rugged Q Tom dynamic drum mics
• High SPL dynamic mic in a rugged casing
• Carry case and three rim mic clips included

5KIT 5-piece Drum Mic Set
A comprehensive drum mic set up in a sturdy road case.
• Five piece drum mic kit
• One Q Kick kick drum mic with mic stand swivel mount
• One Q Snare snare mic with rim clip
• Three Q Tom tom mics with rim clips
• Road case included

25

Q Tom Dynamic Drum Mic
Sold in a three pack, the Q Tom is the perfect complement to the Q Snare.
• High SPL dynamic mic in a rugged casing
• Cardioid polar pattern reduces feedback
• Smooth, flat frequency response
• Voiced particularly for toms
• Gold-plated XLR connector
• Rigid rim-mount mic clip with cable management included
• 3KIT Carry case included

Q Kick Dynamic Drum Mic
An incredibly well-made kick drum mic. Rigid, and featuring a huge diaphragm element, the Q Kick sounds better than mics costing hundreds more.
• Large diphragm dynamic element
• Cardioid polar pattern reduces feedback
• Gold-plated XLR connector
• Mic stand swivel mount included
• Carry case included

7KIT 7-piece Drum Mic Set
Everything you could want for micing drums. A complete set of our dynamic drum mics and a pair of C02 pencil
condenser mics for overheads or close-micing cymbals.
• Seven piece drum mic kit
• One Q Kick kick drum mic with mic stand swivel mount
• One Q Snare snare mic with rim clip
• Three Q Tom tom mics with rim clips
• Two C02 pencil condenser mics with shock-mount clips
• Road case included

Microphones

Microphones

R11 Hypercardioid MIc

S11 Cardioid dynamic mic

Offered in a convenient three-pack, the versatile R11 gives you output and reliable performance for any kind of application.
• Hypercardioid polar pattern
• Neodymium mic element for increased output in high SPL situations
• Transformerless design provides extended low frequency reproduction
• External on/off switch
• Rugged metal die-cast case and steel mesh windscreen

A durable multi-purpose mic suitable for recording, live sound and PA use.
• Cardioid pickup pattern reduces feedback
• Low impedance output
• Heavy gauge mesh grill with anti-dent ring
• Die-cast zinc casing
• Carry case and mic clip included

R21 cardioid dynamic Mic
The R21 features a tight cardioid pickup pattern for maximum gain before feedback.
The R21 is sold in 3-pack.
• High output dynamic element
• Unidirectional cardioid polar pattern for maximum gain before feedback
• Withstands high sound pressure levels
• Dual stage windscreen
• Excellent for live performance and recording
• Rugged road-proof design
• Gold plated XLR connector

R21S cardioid dynamic Mic
26

S12 HyperCardioid dynamic mic
A Neodymium mic element and a Hypercardioid pattern allow for maximum gain before feedback.
• Advanced Neodymium element delivers high output
• Hypercardioid pattern reduces feedback
• Internal shock mount element reduces handling noise
• Heavy gauge mesh grill with anti-dent ring
• Die-cast zinc casing
• Gold-plated XLR connector
• Mic clip and carry case included

The R21S has all the features of the R21, with the addition of an on/off switch. The R21S is sold individually.

27
• High output dynamic element
• Unidirectional cardioid polar pattern for maximum gain before
feedback
• Withstands high sound pressure levels
• Dual stage windscreen
• Excellent for live performance and recording
• Rugged road-proof design
• Gold plated XLR connector

HM40 Horn Condenser Mic
This mini condenser is designed for horns, rich and clear, focused, with the abilty to handle serious SPL.
• High output miniature condenser mic element
• Surdy clip and flexible goose neck
• Excellent for live performance and recording
• P-3 three-pin mini XLR connector
• PM5 phantom power adapter (P-3 to standard XLR)
• Rugged road case included

VP1 microphone package
A complete microphone solution, the VP1 combines an R21 dynamic mic and all the
accessories.
• R21 dynamic mic
• Heavy-duty die cast and steel construction tripod mic stand with non-slip easy grab
clutch
• Mic clip with euro adapter
• Low noise high performance 25’ mic cable

Microphones

QE Exercise Headset Mic
QE headset mic is light, comfortable and specifically designed for aerobics and fitness training.
• Advanced moisture-resistant condenser mic element
• Hypercardioid pattern to reduce feedback
• 50 Hz to 18 kHz frequency response for clear, articulate sound
• Lightweight and comfortable
• Special adjustable headband for closer fit
• Adjustable metal gooseneck for easy mic positioning
• Locking detachable P3 connector reduces cable/connection problems
• PM4 phantom power adapter included

Headphones

RH600 Headphones
Top-of-the-line drivers and sophisticated circuitry to provide true “reference quality” audio.
• 40mm drivers with Neodymium magnets and ultra thin mylar diaphragms
• Frequency response from 20Hz to 22kHz
• Open-back design
• Heavy-duty cable with a gold mini phone plug and 1/4” gold adapter included
• Self-adjusting head band for comfortable fit

RH300 Headphones
An open-back design with acoustic mesh fabric provide an enhanced ambient listening experience.
• High performance drivers with Neodymium magnets
• Open-back design
• Wide dynamic range and flat frequency response of 20Hz to 22kHz
• Heavy-duty cable with a gold mini phone plug and 1/4” gold adapter included

Qv Vocal Headset Mic

28

RH100 Headphones

The QV headset mic allows drummers, keyboardists and other musicians to perform “hands free” vocals without
affecting their playing technique.

Great for studio and/or home, the RH100 combines professional specs, exceptional comfort and high
quality audio.

• Sophisticated condenser mic element
• Hypercardioid pattern helps eliminate feedback
• 50 Hz to 18 kHz frequency response for a balanced, full-range sound
• Withstands high sound pressure levels
• Lightweight and comfortable design
• Adjustable metal gooseneck for easy mic positioning
• Locking detachable P3 connector reduces cable/connection problems
• PM4 phantom power adapter included

• High performance transducers with Neodymium magnets
• Open-back design
• Heavy-duty cable with a gold mini phone plug and 1/4” gold adapter included

CH700 Headphones
Professional level closed-back model with oversized ear pieces for greater low frequency performance.
• Oversized earpieces further extend low frequency response
• 40mm drivers with Neodymium magnets and ultra thin Mylar diaphragms
• Frequency response from 20Hz to 22kHz
• Adjustable headband and lightweight design

PM4 Phantom Power Adapter
The PM4 provides a phantom power interface between a mixer and condenser lavalier or headset mics.
• Special interface enables a mixer to provide phantom power to condenser microphones
• Lockable mini-XLR input
• Transformer balanced XLR output
• Durable metal housing
• Belt clip

CH70 Headphones
An excellent all-purpose headphone for situations that require a closed-back design for isolation.
• 40mm drivers with Neodymium magnets and ultra thin Mylar diaphragms
• Frequency response from 20Hz to 22kHz
• Adjustable headband and lightweight design

PH60 Mobile Headphones
Designed to offer great sound in a lightweight,“see-through blue” design for personal stereo listening.
• 34mm Mylar drivers with isotropic ferrite magnets
• Frequency response from 20Hz to 18kHz
• Nickel-plated mini phone plug and 1/4” adapter included

29

Power Amplifiers
Frequency Response (-3 dB):

Servo 120
Rated Output Power (1KHz):

Crosstalk (adj. channels):
Distortion THD:

< .04%

Frequency response (unity)

Dynamic Range:

103 dB

Distortion THD

Voltage Gain (4 ohm, 1 kHz):

35.2 dB

Low Cut Switch and Frequency knob

< 10 Hz to 100 kHz
80 dB 1 kHz @ rated output
<.05%
+4 dBu
240 mW at 8 Ω (1 kHz)

DC Offset Voltage
Damping Factor
Dimensions:

1.75″ (h) x 17.5″ (w) x 11.5″ (d)

Crosstalk (adj. channels):
Distortion THD:
Input Sensitivity (level control at maximum):
Power Consumption:

Weight:

Level Meter

8-segment LED

Dimensions

1.75″ (h) x 19″ (w) x 10.75″ (d)

36 lb • 16.33 kg

Distortion THD:
Input Sensitivity (level control at maximum):
Power Consumption:

Rated Output Power (1 kHz):

S•Curve 231
780 W into 4 Ω per channel

Channel Separation:

82 dB, (4 ohm, 125 W, 1 kHz)

Distortion THD:
Input Sensitivity (level control at maximum):
Power Consumption:
Dimensions:

Distortion THD:

60 W into 8 Ω per channel

Dynamic Range:

101 dB

Distortion THD

Voltage Gain (4 ohm, 1 kHz):

37.3 dB

High Cut Switch and Frequency knob

<20 Hz to 50 kHz
85 dB 1kHz @ rated output

DC Offset Voltage

<.01%

Damping Factor

0 dBm

Dimensions:

330 W (115 Vac)
Weight:

< .021%

0 ± 200 mV
More than 200
5.25″ (h) x 19″ (w) x 16.75″ (d)

13.7 lbs. • 6.2 kg

Channel Separation (4 ohm, 125 W, 1 kHz)
Frequency Response (0 dB, +0, -.5 dB)
Distortion THD

Low Cut/Sub Frequency Crossover
Sub Controls
Noise (with 20 kHz LPF, all faders flat)

133 mm (h) x 482 mm (w) x 425 mm (d)

Level Meter

31 lb • 14.06 kg

Dimensions

S2000
Rated Output Power (1 kHz):

Weight

130 W into 4 Ω per channel
20 Hz to 50 kHz
85 dB 1 kHz @ rated output

Frequency Response (-3 dB):
Channel Separation:
Distortion THD:
Dynamic Range:

<.03%

Voltage Gain (4 ohm, 1 kHz):

0 dBm

DC Offset Voltage

490 W (115 Vac)

Damping Factor
Dimensions:

10 Hz to 50 kHz
85 dB, (4 ohm, 125 W, 1 kHz)
< .016%

More than 200
5.25″ (h) x 19″ (w) x 16.75″ (d)

Weight:

36 lb • 16.33 kg

425 W into 4 Ω per channel

275 W into 4 Ω per channel

260 W into 8 Ω per channel

235 W into 8 Ω per channel

830 W into 8 Ω bridged

<.06%

Frequency Response (+0dB, -1dB):
Channel Separation:
Distortion THD:

10 Hz to 60 kHz

105 dB

Shipping Weight

Dimensions:

0 ± 100 mV
More than 100
5.25″ (h) x 19″ (w) x 11.5″ (d)

Weight:

S•Com Plus
Frequency Response

Rated Output Power (1 kHz):

5.7 lb. • 2.6 kg

1244 W into 8 Ω bridged
Frequency Response (+0dB, -1dB):
Channel Separation:
Distortion THD:

10 Hz to 60 kHz
80 dB, (4 ohm, 125 W, 1 kHz)
< .04%

0 ± 100 mV
More than 200
5.25 (h) x 19 in (w) x 9.75 (d)

DC Offset Voltage
Damping Factor
Dimensions:

25.7 lb • 11.66 kg

0 ± 100 mV

133 mm (h) x 482 mm (w) x 292 mm (d)
Weight:

40.5 lb • 18.4 kg

116dBu, un-weighted, 22Hz to 22kHz
0.008 % typ. @ +4 dBu, 1kHz effect out,
>95dB, 22Hz to 22kHz
Selectable +4dBu / -10dBV
+21dBu, balanced
Min 40dB, >50dB @ 1kHz
+21dBu Balanced
1 3/4″ (44.5mm) x 19″ (482.6mm)

THD
Crosstalk
Operating Level
Max. Input Level

Dimensions

7.5 lb (3.4kgs)
Stereo Compressor/Limiter
<10Hz to 20kHz +0 / -0.1dB effect out,

10 Hz to 20 kHz
80 dB, (4 ohm, 125 W, 1 kHz)

Variable range

Dual 15-band graphic EQ

116dB, un-weighted, 22Hz to 22kHz

Shipping Weight

105 dB

Distortopn THD

Less than 0.01%

High pass filter

80 Hz (18 dB/ oct)

3.5″ (h) x 19″ (w) x 16.75″ (d)

Dimensions

31 lb • 14.06 kg

S•Curve 131

S1000
545 W into 4 Ω per channel

<10 Hz to 90 kHz

Center frequencies (Hz)

Frequency Response

Selectable +4dBu / -10dBV
+21dBu, balanced
Min. 40dB, >50dB @ 1kHz
+21dBu, balanced
1 3/4″ (44.5mm) x 19″ (482.6mm)
5 lb (2.3kg)
7.5 lb (3.4kg)

18Hz to 400Hz / 4 Way Low Mode
Crossover 1 Channel 2

35Hz to 800Hz
350Hz to 8kHz / with 10X multiplier

Crossover 2 Channel 1

350Hz to 8kHz
175Hz to 4kHz / 4 Way Low Mode

Crossover 2 Channel 2

350Hz to 8kHz
700Hz to 8kHz / 4 Way Low Mode

High Pass Filter

-3dB @ 15Hz 3 pole, 18dB / Octave

Dimensions

1.3/4″ (44.5 mm) x 19″ (482.6 mm)
6.6 lb (3kg)
9.4 lb (4.3kg)

S•phone
Input
Max. input level
CMRR:
Frequency response
Noise
THD
Max. output level
Impedance minimum
Dimension

4 Channel Headphone Mixer/Amp
2 TRS Balanced 1/4″ (Left-Right) or (Left mono)
+26dBu balanced
Min 40dB, >55dB @ 1 kHz
10Hz to 32kHz, +0 / -3dB
> 90dB, unweighted, 22Hz to 22kHz
0.008 % typ. @ +4dBu, 1kHz
140mW at 32ohms, 385mW at 66ohms.
8Ohms
1 3/4″ (44.5mm) x 19″ (482.6mm)
x 8 1/2″ (217mm)

Net Weight
Shipping Weight

5.5 lb (2.5kg)
8 lb (3.8kg)

S•gate 4
Impedance
Max. Input Level
Output
Max. Output Level
Fuse

4 Channel Gate/Ducker
XLR and 1/4" TRS jack
20k Ohm balanced, 10k Ohm unbalanced
+21 dBu, balanced and unbalanced
XLR and 1/4" jack
+21 dBu, balanced and unbalanced
100-120 V AC; 250 mA (slow-blow)
200-240 V AC: 125 mA (slow-blow)

Power Consumption

5 Watts
Standard IEC receptacle/with fuse
1 3/4" (h) x 19" (w) x 7 3/4"
44.5 mm (h) x 482.6 mm (d) x 196.9 mm (d)

Net Weight
Shipping Weight
S•vox

5.25 lbs.• 2.4 kgs
7.5 lbs.• 3.4 kgs
Stereo Voice Channel/Input Mixer

Specifications TBD
C•Valve

Tube Preamp

Specifications TBD
Compressor

4 Channel Compressor/Gate
<10Hz to 20kHz +0 / -0.1dB effect out,

-2dB @ >100kHz
Dynamic range
THD

6-segment LED
1.75″ (h) x 19″ (w) x 10.75″ (d)
5.7 lb. • 2.6 kg
31-band graphic EQ
20, 25, 31.5, 40, 50, 63, 80, 100, 125,

Crosstalk
Operating Level
Max. Output Level
Max. Input Level
CMRR
Dimensions

C•Com Opti

Optical Compressor

Specifications TBD
C•Control

Studio Matrix

Specifications TBD

100dBu, un-weighted, 22Hz to 22kHz
0.0008 % typ. @ +4dBu, 1kHz effect out,
0.014% effect in

-85 dB

44 mm (h) x 482 mm (w) x 273 mm (d)
Weight

35Hz to 800Hz
350Hz to 8kHz / with 10X multiplier

Dimensions

<10Hz to 20kHz +0 / -0.1dB effect in,

33.5 dB

88 mm (h) x 482 mm (w) x 425 mm (d)

Linkwitz-Riley, 24dB / Octave

Crossover 1 Channel 1

C•Com 16

±6 dB, ±12 dB, -12 dB, -24 dB

Voltage Gain (4 ohm, 1 kHz):

Level Meter

Crossover Type

0.016% effect in

1 k, 1.6 k, 2.5 k, 4 k, 6.3 k, 10 k, 16 k

Dynamic Range:

More than 200

all outs >100dB muted.

>100dB, 22Hz to 22kHz

-0.4dB @ 100kHz,

Frequency response (unity)

Noise (with 20 kHz LPF, all faders flat)

(Ref +4dBu), 22Hz to 22kHz, unweighted

Min. 50dB, >55dB @ 1 kHz

Power inlet

25, 40, 63, 100, 160, 250, 400, 630,

< .04%

0 ± 100 mV

+26dBu
<10Hz to >90kHz, +0 / -3dB

CMRR

0.008 % typ. @ +4dBu, 1kHz effect out,

x 7 3/4″ (197mm)
Net Weight

S•com 4
Center frequencies (Hz)

+26dBu balanced
Male Balanced XLR

Specifications TBD

360 W into 4 Ω per channel
720 W into 8 Ω bridged

Female Balanced XLR

4.8 lb (2.2kg)

Equalizers
S•Curve 215

Stereo/Mono Crossover

Stereo Compressor
<10Hz to 20kHz +0 / -0.1dB effect out,

-3dB @ >100kHz

More than 100
5.25″ (h) x 19″ (w) x 11.5″ (d)

7.5 lb (3.4kg)

90dB high out, mid 90dB, low 94dB,

Net Weight

<10Hz to 20kHz +0 / -0.1dB effect in,
Dynamic range

840 W into 4 Ω per channel
430 W into 8 Ω per channel

230 W into 8 Ω per channel

Rated Output Power (1 kHz):

3.5″ (h) x 19″ (w) x 10.375″ (d)

-0.4dB @ 100kHz,

30.5 lb • 13.8 kg

500 W into 8 Ω bridged

S700

Weight:

Signal to Noise

Input

133 mm (h) x 482 mm (w) x 292 mm (d)

133 (h) x 482 mm (w) x 247 (d)

Dimensions:

-85 dB
8-segment LED

x 7 3/4″ (197mm)

33.5 dB

150W into 8 Ω per channel

0.04%

Dimensions

80 dB, (4 ohm, 125 W, 1 kHz)

F1200

80 dB

Max. Output Level

Voltage Gain (4 ohm, 1 kHz):
Damping Factor

10 Hz - 20 kHz

CMRR

Dynamic Range:

395 W (220 Vac)

250 W into 4 Ω per channel

Max. Input Level

Net Weight

DC Offset Voltage

32.4 lb • 14.7 kg

Crosstalk

Max. Output Level

Damping Factor

Variable Internal 2-way

0.016% effect in

< .04%

360 W (120 Vac)
5.2″ (h) x 19″ (w) x 9.2″ (d)

THD

Operating Level
Rated Output Power (1 kHz):

+4 dBu

Dynamic range

103 dB

DC Offset Voltage

Frequency Response

Gain, Frequency, Sub Mono Switch

-3dB @ >100kHz

35.2 dB

Distortion THD:

Max. Output Level

18 dB/ oct swept @ 5kHz to 25kHz

<10Hz to 20kHz +0 / -0.1dB effect in,

38.25 dB
0 ± 100 mV

Voltage Gain (4 ohm, 1 kHz):

Channel Separation:

Less than 0.01%

-0.4dB @ 100kHz,

98 dB

17.6 lbs. • 8 kg

-74 dB, 1 kHz @ rated output

Frequency Response

133 mm (h) x 482 mm (w) x 425 mm (d)

3.5″ (h) x 19″ (w) x 9.5″ (d)

< 10 Hz to 85 kHz

S•com

Dynamic Range:

Frequency Response (-3 dB):

Outputs

Shipping Weight

105 dB

Rated Output Power (1 kHz):

Max. Input level

5.25 lb (2.4kg)

x 8.1/2″ (217 mm)

33.5 dB

Weight:

<10 Hz to 90 kHz

Processors

Voltage Gain (4 ohm, 1 kHz)

Dimensions

Inputs

1020 W into 4 Ω per channel

Dynamic Range

Damping Factor

S•3-Way

±6 dB, ±12 dB, -12 dB, -24 dB

88.9 mm (h) x 482 mm (w) x 263 mm (d)

CMRR

DC Offset Voltage

20, 25, 31.5, 40, 50, 63, 80, 100, 125,

2025 W into 8 Ω bridged

S500
Rated Output Power, per channel

Frequency response (unity)

3.5″ (h) x 19″ (w) x 9.5″ (d)

132mm (h) x 482mm (w) x 234mm (d)
Weight:

Variable range

85 W into 4 Ω per channel

550 W into 8 Ω bridged
Crosstalk (adj. channels):

Center frequencies (Hz)

5 k, 6.3 k, 8 k, 10 k, 12.5 k, 16 k, 20 k

F800

Frequency Response (-3 dB):

Shipping Weight

Dual 31-band graphic EQ

9 Hz to 42 kHz

Servo 550
Rated Output Power (1 kHz):

5.7 lb. • 2.6 kg

1 k, 1.25 k, 1.6 k, 2 k, 2.5 k, 3.15 k, 4 k,

88 mm (h) x 482 mm (w) x 240 mm (d)
Weight:

Weight

160, 200, 250, 315, 400, 500, 630, 800,

490 W (230/240 Vac)
Dimensions:

44 mm (h) x 482 mm (w) x 273 mm (d)

1550 W into 8 Ω bridged

90 W into 8 Ω per channel
Crosstalk (adj. channels):

-85 dB

More than 200

S1500

Servo 260

Frequency Response (-3 dB):

18 dB/ oct swept @ 15Hz to 400 Hz

3.5″ (h) x 19″ (w) x 16.75″ (d)

685 W into 8 Ω per channel
Rated Output Power (1 kHz):

Less than 0.01%

550 W into 8 Ω per channel

88 mm (h) x 482 mm (w) x 240 mm (d)
Weight:

<10 Hz to 90 kHz

15.6 lb • 7 kg

330 W (230/240 Vac)
Dimensions:

Noise (with 20 kHz LPF, all faders flat)

±6 dB, ±12 dB, -12 dB, -24 dB

44 mm (h) x 444 mm (w) x 292 mm (d)

Servo 170

Frequency Response (-3dB):

0 ± 100 mV

Variable range

88 mm (h) x 482 mm (w) x 425 mm (d)

Frequency Response (-3 dB):
Rated Output Power (1 kHz):

80 dB, (4 ohm, 125 W, 1 kHz)

Net Weight

240 W @ 120 V/60 Hz
270 W @ 220 V/50 Hz

Weight:

5 k, 6.3 k, 8 k, 10 k, 12.5 k, 16 k, 20 k

Distortion THD:

Input Sensitivity (level control at maximum):

Dimensions:

10 Hz to 20 kHz

Channel Separation:

< .05%

Headphone Output Level:

1 k, 1.25 k, 1.6 k, 2 k, 2.5 k, 3.15 k, 4 k,

60 W into 4 Ω per channel

Distortion at rated power:

Power Consumption:

160, 200, 250, 315, 400, 500, 630, 800,

1090 W into 8 Ω bridged

52 W into 8 Ω per channel
120 W into 8 Ω bridged
Frequency Response (-3 dB):

340 W into 8 Ω per channel

95dB, 22Hz to 22kHz
Selectable +4dBu / -10dBV
+21dBu, balanced
+21dBu, balanced
Min 40dB, >50dB @ 1kHz
1 3/4″ (44.5mm) x 19″ (482.6mm)
x 7 3/4″ (216mm)

C•Cue 8
Frequency Response
Dynamic range
THD
Crosstalk
Operating Level
Max. Input Level
CMRR
Max. Output Level
INPUT

Headphone Amp
<10Hz to 20kHz
116dBu, un-weighted, 22 Hz to 22 kHz
0.008 %
>95dB, 22 Hz to 22 kHz
Selectable +4dBu / -10 dBV
+21dBu, balanced
Min 40dB, >50dB @ 1kHz
+21dBu Balanced
XLR and 1/4" TRS jack

OUTPUT

XLR and 1/4" jack

Mid (peaking)

2.5 kHz ± 15 dB

Key Input Connector

1/4" jack

Low (shelving)

80 Hz ±15 dB

Key Output Connector

1/4" jack

Meters

Dimensions

1.5/8" (h) x 8.5/8" (w) 7 1/4" (d)
41.5 mm (h) x 215 mm (w) x 184 mm (d)

Net Weight
Shipping Weight

6 POINT LED METERS (-20, -12, -6, 0, +6dB and

Frequency Response
Noise Level (22-22kHz, Input Shorted)
THD + N (10 Hz -22 kHz)
Input Impedance

Crosstalk 1KHz

PEAK)
Internal DSP Effects

24 BIT -8 presets: 1 - Large Hall; 2 Medium Hall,
3 - Large Room; 4 - Vocal Room 1; 5 - Vocal

MID

8lbs., (3.6 kg)

Room 2; 6 - Chorus + Reverb; 7 - Chorus +

LOW

Direct Box
5-35 kHz, -3 dB
-104 dBu

Phantom Power
Power Consumption
Dimensions (W x D x H)

(GTR) 1 Meg. Ohm

Weight

Low frequency amp:

70dB adjacent input, 70dB input to output

High frequency amp:
Frequency Response:
Low amp:

tbd

2.5KHz peaking (± 12dB Maximum)

High amp:

tbd

80Hz shelving (± 15dB Maximum)

Distortion THD:

7 POINT LED METERS (-20, -10, -7, -4, 0, +3, +6dB)

Power consumption:

+48V

Graphic Equalizer

7 bands (63, 160, 400, 1K, 2.5K, 6.4K, 16KHz)

Frequency response:

300W 1/8 power, 540W full

Internal DSP Effects

24 BIT - 8

3 1/2≤ (h) x 11 1/2≤ (w) x 11 3/4≤ (d)

Dimensions

6.5 lbs. • (3 Kg)

19.25″ (w) x 11.25″ (h x 11.4″ (d)
489mm (w) x 286mm (h) x 289mm (d)

Weight

50 watts @1K into 4ohms
25 watts @ 10K into 4ohms

12KHz shelving (± 15dB Maximum)

Meters

89 mm (h) x 292mm (w) x 299mm (d)

0.013% typ. @ 1 VRMS,1 kHz.

Rated Output Power

mum all channel level controls at minimum
Input Channel Equalization
HIGH

5.5lbs., (2.5 kg)

Delay; 8 - Stairwell
S•Direct

-79dB (EFX OUT) Master level control at maxi

32.3 lbs.•14.7Kg

Driver:
Tweeter:

tbd
75 watts
tbd
5.25" Woofer Shielded
1″ Dome Shielded

Dimensions:

tbd

Weight:

tbd

(SPK) 10 k Ohm
Max. Input Level (1% THD)

+8.1 dBu ( 9v. Batt.)
+11.3 dBu (48v. Phantom)

GTR/SPK Input

1/4″ Phone Jack, unbalanced

OUTPUT/LINK

1/4″ Phone Jack, unbalanced

BALANCED OUTPUT
Phantom Power
Battery
Dimensions
Weight

XLR Connector, balanced

MDR 10

Channel

Specifications TBD

Switchable configuration modes

Normal, Half-normal and Thru

Dimensions

1 3/4″ (h) x 19″ (w) x 3″ (d)

Mixpad 4

2″ (h) x 5.6″ (w) x 4″ (d)

Mic EIN:

-128 dBu

50.8mm (h) 142mm (w) x 101.6mm (d)

Line EIN:

-111 dBu

15 oz. • .43 Kg
Personal Monitor

Specifications TBD
S•Mix

5-channel Mixer

Frequency response:

Mid (2.5 kHz):

±12 dB

Pro9:

Low (80 Hz):

±15 dB

Max. Current:

Three 9V alkaline

Input Voltage (RMS):
Spike Protection Mode:

69 mm x (h) 163 mm (w) x 228 mm (d)
Weight:

1.85 lbs. • .839 kg.

+4 to -10dB/-10 to +4dB Converter

Powered Mixers

Specifications TBD

Mixers

Max. Clamping Voltage (@ 50 A):

Graphic Equalizer:

Mic to Main

5 Hz - 54 kHz

Phantom power

Line to Main

5 Hz - 54 kHz

POWER AMP SECTION

Aux Return to Main

5 Hz - 98 kHz

Maximum output power (1 kHz):

Line to Aux Send

5 Hz - 57 kHz

Total harmonic distortion:

T.H.D.

0.02%

Signal-to-noise ratio:
Frequency response (± 3 dB):

Residual Noise (30 kHz LPF, all control Min)

<20 Hz to 20 kHz
< 0.02%
7 band ±12 dB
+48 V

< 0.2%
<12 Hz to 20 kHz

-89 dBu

GENERAL

-86 dBu

Power consumption:

780 w

Power requirements:

115 Vac • 50/60 Hz

Input vs. Output
Peak LED Sensitivity (before clipping)
CLIP Indicators
Headphone output (600 ohm load)

87.5 dB
Turn on: THD> 0.1%

10.5 dBu

Line Input (Stereo Ch)

7.6 dBu

Input Channel Equalizer (± 2dB)
12 kHz ±15 dB

Mid (peaking)

2.5 kHz ± 15 dB

Low (shelving)

80 Hz ±15 dB

Dimensions (W x D x H)

6 point LED meter (-20, -12, -6, 0, +6dB and PEAK)
+48V
300W 1/8 power, 540W full
2.7≤ (h) x 6.4≤ (w) x 9≤ (d)
69 mm (h) x 163 mm (d) x 228 mm (w)

Weight

4.5 lbs • 2.04 Kg

Frequency response (± 1 dB):
Graphic Equalizer:
Phantom power

Line to Main

5 Hz - 54 kHz

Aux Return to Main

5 Hz - 98 kHz

Line to Aux Send

5 Hz - 57 kHz

T.H.D.

0.02%

Residual Noise (30 kHz LPF, all control Min)
Main

-89 dBu

Aux Send

-86 dBu

Maximum output power (1 kHz):
Total harmonic distortion:
Signal-to-noise ratio:
Frequency response (± 3 dB):

Input vs. Output
Peak LED Sensitivity (before clipping)
CLIP Indicators
Headphone output (600 ohm load)

+48 V

75 dB

250 W per channel into 4 Ω
< 0.2%
<12 Hz to 20 kHz
1100 w
115 Vac • 50/60 Hz
5.5″ (h) x 19.35″ (w) x 13.75″ (d)
139 mm (h) x 349 mm (w) x 491 mm (d)

Weight:

36 lbs. • 16.4 kg

PA324
150W/4Ω@0.5% THD at 1KHz per amplifier

Frequency response

20Hz~20KHz±0.5dB@1W Output into 8Ω (AMP
OUT)
20 Hz~20KHz ±0.5@+4dB Output into 10Ω

10.5 dBu

Line Input (Stereo Ch)

7.6 dBu

Input Channel Equalizer

(± 2dB)
12 kHz ±15 dB

< 0.1%@20Hz~20KHz, 75W output into4Ω
(AMP OUT)
Less than 0.1%@20 Hz~20KHz+14dB output into

PB9:
PB11:
Max. Current:

(Average, RS+150Ω)

> 20 dB, 1.5 MHz to 200 MHz

-121dB equivalent input noise
-100dB residual output noise (MAIN OUT, MONI-79dB (MAIN OUT, MONITOR OUT) Master level

Frequency response:
Driver:
Tweeter:
Dimensions:
Weight:

Fluorescent F45CW condenser type FS2
3000 hours 95 Lumens
500 ma T type
1.75″ (h) x 19″ (w) x 7.5″ (d)
7 lbs. • 3.2 kg
UL/CUL/CE/LVD

Low frequency amp:
High frequency amp:

1″ Dome Shielded
13 5/8"(H) x 8 1/2" (W) x 9 7/8" (D)
13.4 lbs. • 6.1 kg

10 switched, 1 unswitched

75 watts @1K into 4ohms
25 watts @ 10K into 4ohms
tbd

High amp:

tbd

Driver:
Tweeter:

tbd
100 watts
tbd
8" Woofer Shielded
1″ Dome Shielded

PB9 15 Amps/PB11 10 Amps

700 Vac
1 nanosecond
4,500 Amps (8 x 20 ms pulse)

Max. Spike Energy:

104 Joules
> 20 dB, 1.5 MHz to 200 MHz

Frequency Response:
Distortion THD:
Power consumption:
Driver:
Dimensions:
Weight:

120watts into 4ohms
30hz-150
<.05%
210 watts
10″ long stroke
14 1/2″ (H) x 14 1/2″ (W) x 17.5″ (D)
39 lbs. • 17.75 kg

PS9 North America/PS11 IEC
Fluorescent F45CW condenser type FS2
3000 hours 95 Lumens
500 ma T type
1.75″ (h) x 19″ (w) x 7.5″ (d)
44 (h) x 482 mm (w) x 190 (d)

Weight:

6 1/2″ Woofer Shielded

Low amp:

Frequency response:
8 switched, 1 unswitched

Max. Surge Current:

Dimensions:

8 ohm
40 Hz to 20 kHz

Frequency Response:

Amp:

Starter Fuse (Internal):

75 watts

Rated Output Power

Power consumption:

and Neutral to Ground

Lamp/Starter:

18 lbs. • 8.2 kg

Resolv 80a

Resolv Sub 120

AC Inlet:

1″ Dome Shielded
13 5/8"(H) x 8 1/2" (W) x 9 7/8" (D)

PS9 North America/PS11 IEC

PB9 130 Vac/PB11 245 Vac

7 lbs. • 3.2 kg

Expedition Express
Power Rating: (@ 8Ω):
Frequency Response:
Sensitivity:
Crossover Frequency:
LF Driver:

UL/CUL/CE/LVD

250 Watts Program
60 Hz – 15 kHz ± 3 dB
97 dB SPL @ 1W/1m
2.3 kHz (12 dB Per Octave)
12≤ heavy-duty driver ,
2.5≤ voice coil (Kapton Former),
50 oz. barium ferrite magnet

PowerStrip PS9/PS11

HF Driver:

PS9:
PS11:
Max. Current:

8 switched, 1 unswitched

Response Time:

Inputs

PS9 15 Amps/PS11 10 Amps
PS9 130 Vac/PS11 245 Vac
Hot to Neutral, Hot to Ground,
700 Vac
1 nanosecond

2 Mic/Line XLR/TRS,
1 Stereo Line w/Mic XLR

10 switched, 1 unswitched

and Neutral to Ground
Max. Clamping Voltage (@ 50 A):

1≤ titanium compression driver

Stereo Mixer Section:

Number of Outlets

Frequency Response
Crosstalk
Equalization Frequencies
Effects
Mounting:
Dimensions: EX250m and EX250e

10 Hz - 50 kHz
70 dB @ 1 kHz
100 Hz (Low), 10 kHz (High)
DSP Reverb with 6 Presets
Integral 1 3/8≤ Pole Mount Receptacle, Fly Points
21 1/4 (h) x 14 5/8 in. (w) x 17 3/8 (d)
539 mm (h) x 371 mm (w) x 441 (d)

Max. Surge Current:

4,500 Amps (8 x 20 ms pulse)

Max. Spike Energy:

104 Joules

Weight:

> 20 dB, 1.5 MHz to 200 MHz

EX250e

28.5 lbs • 12.9 kg

AC Inlet:

PS9 North America/PS11 IEC

EX250m

45.0 lbs • 20.4 kg

Dimensions:

1.75″ (h) x 19″ (w) x 7.5″ (d)

Noise Attenuation:

44 (h) x 482 mm (w) x 190 (d)
Weight:
Conforms:

7 lbs. • 3.2 kg
UL/CUL/CE/LVD

XP100
Power Rating:
Frequency Response
Sensitivity

Audio Equipment

control at maximum all channel level control at
minimum.

Impedance:

Hot to Neutral, Hot to Ground,

TOR OUT, EFX OUT)
(with 20Hz~20KHz BPF)

1 nanosecond

Power Rating:

Spike Protection Mode:

Noise Attenuation:

40 Hz to 20 kHz
6 1/2" Woofer Shielded

Resolv 65

Input Voltage (RMS):

10KΩ (MAIN OUT, MON OUT, EFX SEND)
Hum & Noise

700 Vac

PowerBrite PB9/PB11

Spike Protection Mode:

Rated Output power

Total Harmonic Distortion

Pro7 130 Vac/Pro9 245 Vac
Hot to Neutral, Hot to Ground,

Distortion THD:

Input Voltage (RMS):

Turn on: THD> 0.1%

Mic Input (Mono Ch)

Conforms:

Conforms:

Power requirements:

5 dB

(1 kHz, ± 3dB)

Weight:

>100 dB

Power consumption:

87.5 dB

100 mW

Dimensions:

Lamp Life:

(MAIN OUT, MONITOR OUT, EFX SEND)

Maximum Input Level

High (shelving)

< 0.02%
7 band ±12 dB

GENERAL

Crosstalk (@ 1 kHz w/ 30 kHz LPF)
Ch vs. Ch

<20 Hz to 20 kHz

230 Vac • 50 Hz
5 Hz - 54 kHz

Starter Fuse (Internal):

Response Time:

POWER AMP SECTION

Dimensions:

Mic to Main

Lamp Life:

29.7 lbs. • 13.5 kg

MIXER/PREAMP SECTION

MDR8
Frequency Response (Trim @ Min, unity gain ± 3 dB)

Lamp/Starter:

Max. Clamping Voltage (@ 50 A):

Total harmonic distortion:

High (shelving)

Power Consumption

Weight:
TM500

Mic Input (Mono Ch)

Phantom Power

5.5″ (h) x 19.35″ (w) x 13.75″ (d)
139 mm (h) x 349 mm (w) x 491 mm (d)

100 mW

Maximum Input Level (1 kHz, ± 3dB)

Meters

Dimensions:

5 dB

Weight:

Number of Outlets

230 Vac • 50 Hz

75 dB

8 switched, 1 unswitched

<.05%
150 watts

Pro7 15 Amps/Pro9 10 Amps

>100 dB

Aux Send
Ch vs. Ch

Dimensions:

44 (h) x 482 mm (w) x 190 (d)
150 W per channel into 4 Ω

Main
Crosstalk (@ 1 kHz w/ 30 kHz LPF)

Tweeter:
6 switched, 1 unswitched

104 Joules

AC Inlet:

Frequency Response

Driver:

Max. Spike Energy:
Noise Attenuation:

Total harmonic distortion:

Distortion THD:

4,500 Amps (8 x 20 ms pulse)

MIXER/PREAMP SECTION
Frequency response (± 1 dB):

3200-50K

3.8 lbs. • (1.72 Kg)

Max. Surge Current:

TM300

MDR6

40hz-3200

High amp:

and Neutral to Ground
Response Time:

S•Convert

Frequency Response:

Frequency response:

Pro7:

75 watts @1K into 4ohms
30 watts @ 10K into 4ohms

Low amp:

Number of Outlets

2.7″ (h) x 6.4″ (w) x 9″ (d)

High frequency amp:

44.45 mm (h) x 482.6 mm (w) x 76.2 (d)

PowerBrite Pro7/Pro9

±15 dB

4-channel Headphone Amp

Specifications TBD

.004%

Low frequency amp:

Power consumption:

High (12 kHz):

Dimensions:
S•Amp

Weight

48

10 Hz to 54 kHz

EQUALIZATION

Battery operation:

Specifications TBD

48 Channel, fully Balanced patchbay

MDR 16

Total harmonic distortion (with 30 kHz LPF):
S•Monitor

Rated Output Power
S Patch Plus

24-48 VDC
9 Volt

Resolv 65a

Power Distribution & Rack Gear

Specifications TBD

Crossover Frequency
LF Driver

Resolv 50a

250 Watts Program; 400 Watts Max. Peak
60 Hz – 15 kHz
97 dB SPL @ 1W/1m
2.3 kHz (24 dB Per Octave)
12″ heavy-duty driver
2.5″ voice coil (Kapton Former)

50 oz. barium ferrite magnet
HF Driver

1″ compression driver

Mounting

Integral 1 3/8″ Pole Mount Receptacle, Fly Points

Dimensions

21 1/4″ (h) x 14 5/8″. (w) x 17 3/8″ (d)
539 mm (h) x 371 mm (w) x 441 mm (d)

Weight

28.5 lbs • 12.9 kg

XP200
Power Rating:
Frequency Response
Sensitivity
Crossover Frequency

Construction:
Finish:

3/4" plywood, carpet covered
Black carpet

1″ compression driver

Mounting

Integral 1 3/8″ Pole Mount Receptacle, Fly Points

Dimensions

21 1/4″ (h) x 14 5/8″. (w) x 17 3/8″ (d)
539 mm (h) x 371 mm (w) x 441 mm (d)

Weight

42.0 lbs • 19.0 kg

Three Inch Heavy Duty

Sensitivity:

Integral 1 3/8" (35mm) Pole Mount

Max. SPL:

Receptacle,
Dimensions:

20” (h) x 24” (w) x 22.75” (d)
508 mm (h) x 610 mm (w) x 578 mm (d)

Weight:

71 lbs. •

32.25 kg

Power Rating:
Frequency Response
Sensitivity
Crossover Frequency

60 Hz – 15 kHz
97 dB SPL @ 1W/1m
2.3 kHz (12 dB Per Octave Linkwitz-Riley Constant
Phase)

LF Driver

1″ compression driver

Stereo Mixer Section
Inputs

2 Mic/Line XLR/TRS
1 Stereo Line w/Mic TRS/RCA/XLR

Polar pattern:

40~18000 HZ

Connector:
Hyper-

SPL
Power supply voltage:
Weight
Dimensions

3 microns
-33 dB/Pa
136 dB
phantom power 36V - 52V

Dimensions
Weight

21 1/4″ (h) x 14 5/8″. (w) x 17 3/8″ (d)

7" (h) x 2.125" (w) x 2.125" (d)

Polar pattern:

Sensitivity
Crossover Frequency
LF Driver

2.5 lbs.(1.15 Kg)

2.3 kHz (24 dB Per Octave)
15″ heavy-duty driver
50 oz. barium ferrite magnet

Mounting

Integral 1 3/8″ Pole Mount Receptacle
15º wedge monitor position,
30º wedge monitor position, Ten Fly Points
30″ (h) x 19″ (w) x 17″ (d)
762 mm (h) x 483 mm (w) x 432 mm (d)
53.4 lbs • 24.2 kg

dB500a

Sensitivity
Crossover Frequency
LF Driver

60 Hz – 15 kHz ± 3 dB
97 dB SPL @ 1W/1m
2.3 kHz (24 dB Per Octave)

Connector:

Switchable cardioid, omni,

Max. Input Level (1 kHz):
2 lbs. (30.9 kg)
7" (h) x 2.125" (w) x 2.125" (d)
2.5 lbs.(1.15 Kg)

TBD

30″ (h) x 19″ (w) x 17″ (d)
762 mm (h) x 483 mm (w) x 432 mm (d)
tbd

Element type

Type:
Polar pattern:
Frequency Response:
Sensitivity:

Connector:
Power Requirements:
Dimensions:
Weight:

Frequency Response:
Sensitivity:
Max.SPL:
Output Impedance (@ 1 kHz):
Connector:
Dimensions:

Condenser

Type:

30Hz- 300Hz+/-3 dB

Polar Pattern:
Frequency Response:

Balanced

Sensitivity:

XLR - FEMALE

Max. SPL:

Balanced, high-passed tracking low frequency
crossover point

Crossover Frequency:
Switch Functions

XLR - MALE
Variable 30Hz – 200Hz

Output Impedance (@ 1 kHz):
High Pass Range:
Attenuation Range:
Connector:
Dimensions:

Adjustable headband and gooseneck

Sensitivity
QV:

70 mV @ 114 dB SPL

QE:

80 mV @ 114 dB SPL

Weight:

145 dB
1.92 oz. • 54.4 grams

PM4 (For use with QE/QV Headset Mics)

Output:
Operating Voltage:

Dynamic

TA3M Switchcraft
XLR male
12 Vdc through 48 Vdc

Dimensions
Diameter:
Weight:

3.7″ • 93.75mm
0.86″ • 22mm
3 oz. • 85 grams

Cardioid
3-pin gold-plated balanced XLR male

Headphones
RH600

Dynamic

Driver Unit:

Hypercardioid
60 Hz – 18 kHz
-75 dB ±3 dB
130 dB SPL
400 ohm (Lo Z)

8.8 oz. • 250 g

Cardioid
50 Hz – 20 kHz

80 Hz - 12 kHz
Cardioid

Magnet
Frequency Unit:
Impedance:
Sensitivity:
Input Connector:

-68dB ±3dB

Rated at 500Ω

150 Ω

Gold-Plated Mini Stereo Plug and

1
⁄ 4″

RH300
40mm Diaphragm Drivers with Neodymium

Frequency Unit:
Impedance:
Sensitivity:
Input Connector:

20-22,000 Hz
32ohm ± 10%
106dB SPL at 1kHz ± 3dB
Gold-Plated Mini Stereo Plug and

1
⁄ 4″

Phone Adapter
RH100

4.56 in. / 115.88 mm
6.85 in. / 169.8 mm
7 oz. / 217 g

142 dB
3-pin gold-plated balanced XLR male

40ohm ± 10%
115dB SPL at 1kHz ± 3dB

3-pin gold plated balanced XLR male

Main unit length
Weight

20-22,000 Hz

Phone Adapter

-53 dBV/pa (1.8 mv/pa)

2.125 in. / 53.97 mm

Total length

40mm Diaphragm Drivers with Neodymium

Magnet
Dynamic

Driver Unit:

R21S

40mm Diaphragm Drivers with Neodymium
Magnet

Frequency Unit:
Impedance:
Sensitivity:
Input Connector:

20-22,000 Hz
64ohm ± 10%
106dB SPL at 1kHz ± 3dB
Gold-Plated Mini Stereo Plug and

1
⁄ 4″

Phone Adapter

Same as above, with on/off switch

Supply Voltage (Phantom) 11 to 52 Vdc
7″ • 176 mm overall
8.5 oz • 240 g

HM40
Type:
Connector:

PH60
Condenser
3-pin mini-XLR

20 Hz – 18.5 kHz
-47 dBV @ 94 dB SPL
137 dB
150 Ω
3-pin gold-plated balanced XLR male
6.75″ • 172 mm overall
8.7 oz. • 250 g

S11
Type:
Polar pattern:
Frequency response:
Sensitivity:
Max. input level (1 kHz):

Sensitivity:
Dynamic

Input Connector:

Unidirectional cardioid
-74 dB ±3 dB
130 dB SPL

Output impedance (@ 1 kHz):

600 Ω ±30%
3-pin XLR male

Cardioid

Type:

50 Hz – 15 kHz
-71 dB ±3 dB
137 dB
600 Ω (Lo Z)
-12 dB/octave (HP switch ON)
-10 dB/average (ATT switch ON)
3-pin gold-plated balanced XLR male
6″ • 152mm overall

Polar Pattern:
Frequency Response:
Sensitivity:
Max. Input Level (1 kHz):

6.75″ • 172 mm overall
8.7 oz. • 250 g

CH700
Driver Unit:

Impedance:
Sensitivity:

1
⁄ 4″

Closed back design
40mm Diaphragm Drivers with Neodymium
20 Hz–20 kHz
64ohms
108 dB S.P.L. @ 1 kHz ±3dB
Gold-Plated Mini Stereo Plug and

1
⁄ 4″

Phone Adapter
Dynamic
Hypercardioid
60 Hz – 18 kHz

CH700
Driver Unit:

-70 dB ±3 dB
130 dB SPL
600 Ω ±30%

Impedance:

3-pin XLR male

Sensitivity:

6.75″ • 172 mm overall
8.7 oz. • 250 g

Closed back design
40mm Diaphragm Drivers with Neodymium
Magnet

Frequency Unit:

Output Impedance (@ 1 kHz):

Weight:

Nickel-Plated Mini Stereo Plug and

Magnet
Frequency Unit:

Connector:
Dimensions:

32ohm ± 10%
101dB SPL at 1kHz ± 3dB
Phone Adapter

Input Connector:
S12

20-18,000 Hz

60 Hz – 18 kHz

Connector:

Dynamic

34mm Mylar Drivers with An-isotropic Ferrite
Magnet

Frequency Unit:
Impedance:

Dynamic
Hypercardioid

Driver Unit:

Cardioid

Q2

94dB SPL @ 1 W/1m

Connector:

3-pin gold-plated balanced XLR male

Head length

Weight:

Sensitivity:

Output

Sensitivity

Dimensions:

500 Watts RMS

Hypercardioid
Bi-directional noise cancelling,
pressure gradient type

Mounting system:

Input:

Dimensions

15″ Heavy Duty Driver, 3″ voice coil, aluminum former

Frequency response

Connector:

Polar Pattern

Polar pattern:

Polar pattern:

Back electret cardioid condenser

Cardioid
3-pin gold-plated balanced XLR male

6.85″ • 174 mm overall

Weight:

Connector

EX500

Input

Dynamic

Dimensions:

Output Impedance
condenser

Q1

Weight:

High-efficiency tracking converter

QE (water-resistant):

Max.SPL:

3-pin XLR male (pin 2 hot)

Frequency Response
condenser-

cardioid

Type:

30º wedge monitor position, Ten Fly Points

Power Rating:

13 oz. • 368 g

Connector:

Type

50 oz. barium ferrite magnet

15º wedge monitor position,

Amplifier:

Output Impedance (@ 1 kHz):

Frequency Response

QMIC

Integral 1 3/8″ Pole Mount Receptacle

Generating Element:

Driver Unit:

2.5″ voice coil (Kapton Former)

Mounting

Transducer:

Sensitivity:

R21

Polar pattern:

25′ • 7.62 m
8.5 lbs. • 3.85 kg

condenser

15″ heavy-duty driver

1.75" titanium compression driver

Weight

Polar pattern:

C05

Output Impedance (@ 1 kHz):
400 Watts LF, 100 Watts HF

HF Driver

Dimensions

condenser-

Frequency Response:

Max.SPL:

Frequency Response

7″ • 177 mm overall

60 Hz – 15 kHz ± 3 dB
97 dB SPL @ 1W/1m

XLR-Low Noise High Performance

QE and QV

Cardioid
3-pin gold-plated balanced XLR male

Cardioid

TBD

Shipping Weight

Shipping Weight:

Length:

180 mm (h) x 54 mm (w) x 54 mm (d)

1.75" titanium compression driver

Active Power:

Dynamic

Polar pattern:

Polar Pattern:

Weight

HF Driver

Weight

15.1 oz. • 431g

Dynamic

Frequency Response

45.0 lbs • 20.4 kg

2.5″ voice coil (Kapton Former)

Dimensions

7″ • 178 mm overall

Type:

Type:

figure-8

Type
Length

3-pin gold-plated balanced XLR male

R11

Polar pattern:

Mic Cable

Connectors

C03

dB500
Frequency Response

-10 dB/average (ATT switch ON)

Q Tom

Type:

539 mm (h) x 371 mm (w) x 441 mm (d)

500 Watts Program

Connector:

TBD

Dimensions
Power Rating:

-12 dB/octave (HP switch ON)

2 lbs. (30.9 kg)

70 dB @ 1 kHz

Integral 1 3/8″ Pole Mount Receptacle, Fly Points

Polar pattern:

Q Kick

Element type

Mounting

Type:

Frequency Response

10 Hz - 50 kHz

DSP Reverb with 6 Presets

137 dB
600 Ω (Lo Z)

Q Snare

Connector:

Frequency Response

Effects

Mic Clip with Euro Adapter

C02

cardioid

100 Hz (Low), 10 kHz (High)

Over-sized Rubber Feet

-71 dB ±3 dB

Back condenser type

180 mm (h) x 54 mm (w) x 54 mm (d)
Shipping Weight

Dimensions:
Weight:

cardioid

Sensitivity

Non-slip Easy Grab Clutch

50 Hz – 15 kHz

QV:

Frequency Response
Polar pattern:

Heavy-duty Die Cast and Steel

Polar Pattern
Type:

+4 Balanced XLR

Equalization Frequencies

Connector:

Tripod Mic Stand

Hypercardioid

Q7

Outputs
Crosstalk

Attenuation Range:
Dimensions:

50 oz. barium ferrite magnet
HF Driver

High Pass Range:

C01

12″ heavy-duty driver
2.5″ voice coil (Kapton Former)

Output Impedance (@ 1 kHz):

Dynamic

Microphones

Diaphragm thickness
160 Watts LF; 40 Watts HF

Frequency Response:

Weight:

Element type
XP300

Polar Pattern:

Casters:

50 oz. barium ferrite magnet
HF Driver

R21 Microphone same as above

Type:

Steel

12″ heavy-duty driver
2.5″ voice coil (Kapton Former)

10.5 oz. • 300g
VP1

Corners:

97 dB SPL @ 1W/1m
2.3 kHz (12 dB Per Octave Linkwitz-Riley Constant

Weight:
Q3

Enclosure

Mounting:
60 Hz – 15 kHz

Selects stereo or mono low frequency operation

160 Watts LF; 40 Watts HF

Phase)
LF Driver

Stereo /Mono:

Input Connector:

20 Hz–20 kHz
32ohms
103 dB S.P.L. @ 1 kHz ±3dB
Gold-Plated Mini Stereo Plug and

1
⁄ 4″

Phone Adapter



Source Exif Data:
File Type                       : PDF
File Type Extension             : pdf
MIME Type                       : application/pdf
PDF Version                     : 1.2
Linearized                      : No
Create Date                     : 2003:03:17 11:44:20-05:00
Modify Date                     : 2003:03:17 11:44:20-05:00
Page Count                      : 18
Creation Date                   : 2003:03:17 16:44:20Z
Mod Date                        : 2003:03:17 16:44:20Z
Producer                        : Acrobat Distiller 5.0.5 for Macintosh
Author                          : Samson
Metadata Date                   : 2003:03:17 16:44:20Z
Creator                         : Samson
Title                           : Audio Brochure 6.1
EXIF Metadata provided by EXIF.tools

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