Shure orporated P10TB Personal monitor system dual-channel transmitter User Manual Exhibit D Users Manual per 2 1033 c3
Shure Incorporated Personal monitor system dual-channel transmitter Exhibit D Users Manual per 2 1033 c3
Contents
- 1. Exhibit D Users Manual per 2 1033 c3
- 2. Exhibit D Users Manual per 2 1033 b3
Exhibit D Users Manual per 2 1033 c3
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| Document ID | 1434522 |
| Application ID | ZO9l9k0ZlVnjDTq5bTPPhw== |
| Document Description | Exhibit D Users Manual per 2 1033 c3 |
| Short Term Confidential | No |
| Permanent Confidential | No |
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| Document Type | User Manual |
| Display Format | Adobe Acrobat PDF - pdf |
| Filesize | 236.59kB (2957361 bits) |
| Date Submitted | 2011-03-21 00:00:00 |
| Date Available | 2011-03-21 00:00:00 |
| Creation Date | 2011-02-18 09:55:15 |
| Producing Software | Adobe PDF Library 9.0 |
| Document Lastmod | 2011-02-21 08:22:32 |
| Document Title | Exhibit D Users Manual per 2 1033 c3 |
| Document Creator | Adobe InDesign CS4 (6.0) |
PSM®1000 For Placement Only Personal Monitor Wireless System Guide de l’utilisation du système de retour personnel Personal Monitor System Bedienungsanleitung Guía del usuario del sistema de monitoreo personal Guida all’uso del sistema di monitoraggio personale Manual do Usuário do Sistema de Monitoração Pessoal Система личного монитора беспроволочная © 2010 Shure Incorporated Printed in U.S.A. 27A14811 (Rev. 1) 1. 2. 3. 4. 5. 6. 7. IMPORTANT SAFETY INSTRUCTIONS READ these instructions. KEEP these instructions. HEED all warnings. FOLLOW all instructions. DO NOT use this apparatus near water. CLEAN ONLY with dry cloth. DO NOT block any ventilation openings. Install in accordance with the manufacturer’s instructions. 8. DO NOT install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. 9. DO NOT defeat the safety purpose of the polarized or groundingtype plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wider blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. 10. PROTECT the power cord from being walked on or pinched, particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. 11. ONLY USE attachments/accessories specified by the manufacturer. 12. USE only with a cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over. 13. UNPLUG this apparatus during lightning storms or when unused for long periods of time. 14. REFER all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. 15. DO NOT expose the apparatus to dripping and splashing. DO NOT put objects filled with liquids, such as vases, on the apparatus. 16. The MAINS plug or an appliance coupler shall remain readily operable. 17. The airborne noise of the Apparatus does not exceed 70dB (A). 18. Apparatus with CLASS I construction shall be connected to a MAINS socket outlet with a protective earthing connection. 19. To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture. 20. Do not attempt to modify this product. Doing so could result in personal injury and/or product failure. This symbol indicates that dangerous voltage constituting a risk of electric shock is present within this unit. This symbol indicates that there are important operating and maintenance instructions in the literature accompanying this unit. ACHTUNG! WARNING! MÖGLICHST GERINGE LAUTSTÄRKEPEGEL VERWENDEN. Längerfristiges Hören bei übermäßigen Schallpegeln kann zu Hörschäden und zu permanentem, durch Lärm verursachten Gehörverlust führen. Bitte orientieren Sie sich an den folgenden von der Occupational Safety Health Administration (OSHA; USArbeitsschutzbehörde) erstellten Richtlinien für die maximale zeitliche Belastung durch Schalldruckpegel, bevor es zu Hörschäden kommt. LISTENING TO AUDIO AT EXCESSIVE VOLUMES CAN CAUSE PERMANENT HEARING DAMAGE. USE AS LOW A VOLUME AS POSSIBLE. Over exposure to excessive sound levels can damage your ears resulting in permanent noiseinduced hearing loss (NIHL). Please use the following guidelines established by the Occupational Safety Health Administration (OSHA) on maximum time exposure to sound pressure levels before hearing damage occurs. 90 dB SPL at 8 hours 95 dB SPL at 4 hours 110 dB SPL at ½ hour 115 dB SPL at 15 minutes 100 dB SPL at 2 hours 105 dB SPL at 1 hour 120 dB SPL Avoid or damage may occur SAFETY PRECAUTIONS CAUTION: Ignoring these cautions may cause moderate injury or property damage as a result of incorrect operation. WARNING ACHTUNG • Falls Wasser oder andere Fremdstoffe/-körper in das Gerät gelangen, kann es zu Bränden oder Stromschlägen kommen. WARNING: This product contains a chemical known to the State of California to cause cancer and birth defects or other reproductive harm • Nicht versuchen, dieses Produkt zu modifizieren. Ansonsten könnte es zu Verletzungen und/oder zum Produktausfall kommen. CAUTION VORSICHT • Never disassemble or modify the device, as failures may result. • Das Gerät nie auseinanderbauen oder modifizieren, da dies zu Ausfällen führen kann. • Do not subject to extreme force and do not pull on the cable or failures may result. • Keinen extremen Kräften aussetzen und nicht am Kabel ziehen, da dies zu Ausfällen führen kann. • Keep the microphone dry and avoid exposure to extreme temperatures and humidity. • Das Mikrofon trocken halten und keinen extremen Temperaturen oder extremer Luftfeuchtigkeit aussetzen. ADVERTENCIA AVERTISSEMENT ! EL ESCUCHAR REPRODUCCIONES DE AUDIO A NIVELES EXCESIVOS DE VOLUMEN PUEDE CAUSAR DAÑOS PERMANENTES AL OIDO. USE EL VOLUMEN MAS BAJO POSIBLE. La exposición prolongada a niveles sonoros excesivamente intensos puede dañar los oídos y causar una pérdida permanente del oído causada por ruidos. Respete los lineamientos dados a continuación, los cuales fueron establecidos por la Administración de Salud y Seguridad Ocupacional (OSHA) de los EE.UU. e indican el tiempo máximo que puede escucharse un nivel determinado de presión sonora (SPL) antes de producirse daños al oído. 115 dB SPL por 15 minutos 120 dB Schalldruckpegel vermeiden; ansonsten können Schäden auftreten VORSICHT: Die Nichtbeachtung dieser Vorsichtshinweise kann mittelschwere Verletzungen oder Sachschäden infolge des fehlerhaften Gebrauchs verursachen. • Do not attempt to modify this product. Doing so could result in personal injury and/or product failure. 110 dB SPL por 1/2 hora bei 115 dB Schalldruckpegel max. 15 Minuten bei 105 dB Schalldruckpegel max. 1 Stunde ACHTUNG: Die Nichtbeachtung dieser Warnhinweise kann schwere oder tödliche Verletzungen infolge des fehlerhaften Gebrauchs verursachen. • If water or other foreign objects enter the inside of the device, fire or electric shock may result. 100 dB SPL por 2 horas bei 110 dB Schalldruckpegel max. ½ Stunde bei 100 dB Schalldruckpegel max. 2 Stunden Die möglichen Folgen des fehlerhaften Gebrauchs, die durch eines der beiden Symbole - „ACHTUNG“ und „VORSICHT“ - markiert sind, hängen von der Unmittelbarkeit der bevorstehenden Gefahr und des Schweregrads der Beschädigung ab. WARNING: Ignoring these warnings may cause severe injury or death as a result of incorrect operation. 95 dB SPL por 4 horas bei 95 dB Schalldruckpegel max. 4 Stunden SICHERHEITSVORKEHRUNGEN The possible results of incorrect use are marked by one of the two symbols - “WARNING” AND “CAUTION” - depending on the imminence of the danger and the severity of the damage. 90 dB SPL por 8 horas bei 90 dB Schalldruckpegel max. 8 Stunden L'ÉCOUTE AUDIO À UN VOLUME SONORE EXCESSIF PEUT CAUSER DES LÉSIONS AUDITIVES PERMANENTES. RÉGLER LE VOLUME LE PLUS BAS POSSIBLE. Une surexposition à des volumes sonores excessifs peut causer des lésions aux oreilles entraînant une perte auditive permanente due au bruit. Se conformer aux directives ci-dessous, établies par l'Occupational Safety Health Administration (OSHA) pour les limites de durée d'exposition aux pressions acoustiques (SPL) avant de risquer des lésions auditives. SPL de 90 dB pendant 8 heures 105 dB SPL por 1 hora SPL de 110 dB pendant 1/2 heure 120 dB SPL Evítese por completo, puesto que puede causar daños inmediatos SPL de 95 dB pendant 4 heures SPL de 115 dB pendant 15 minutes SPL de 100 dB pendant 2 heures SPL de 105 dB pendant 1 heure SPL de 120 dB À éviter : risque de lésions auditives PRÉCAUTIONS DE SÉCURITÉ PRECAUCIONES DE SEGURIDAD Les résultats possibles d'une utilisation incorrecte sont signalés par l'un des deux symboles - AVERTISSEMENT et ATTENTION - selon l'imminence du danger et la sévérité des dommages. Los posibles resultados del uso incorrecto de este producto se denotan por medio de uno de dos símbolos - “ADVERTENCIA” y “PRECAUCION” - según la inminencia del peligro y el grado de severidad de los daños. AVERTISSEMENT : L'ignorance de ces avertissements peut causer des blessures graves ou la mort suite à une utilisation incorrecte. ADVERTENCIA: Si se pasan por alto estas advertencias se podría causar lesiones graves o mortales como resultado del uso incorrecto. ATTENTION: L'ignorance de ces mises en garde peut causer des blessures modérées ou des dégâts matériels suite à une utilisation incorrecte. PRECAUCION: Si se pasan por alto estas precauciones se podría causar lesiones moderadas y daños a la propiedad como resultado del uso incorrecto. AVERTISSEMENT • Si de l'eau ou autres matériaux étrangers pénètrent dans l'appareil, il y a risque d'incendie ou de choc électrique. ADVERTENCIA • Si el agua u otros objetos extraños penetran el dispositivo, se podría causar un incendio o sacudidas eléctricas. • Ne pas essayer de modifier ce produit. Une telle opération est susceptible d'entraîner des blessures ou la défaillance du produit. • No intente modificar este producto. Hacerlo podría causar lesiones personales y/o la falla del producto. ATTENTION • Ne jamais désassembler ou modifier cet appareil sous peine de provoquer des défaillances. PRECAUCION • Nunca desarme ni modifique el dispositivo, ya que esto podría causar fallas. • Ne pas soumettre le câble à des forces extrêmes et ne pas tirer dessus sous peine de provoquer des défaillances. • No someta el aparato a fuerzas extremas ni tire de su cable, ya que esto podría causar fallas. • Maintenir le microphone sec et éviter de l'exposer à des températures extrêmes et à l'humidité. • Mantenga el micrófono seco y evite exponer el aparato a niveles extremos de temperatura y humedad. iii AVVERTENZA ВНИМАНИЕ: L'ASCOLTO A VOLUME ECCESSIVAMENTE ELEVATO PUÒ DANNEGGIARE L'UDITO IN MODO PERMANENTE. MANTENETE IL VOLUME AL PIÙ BASSO LIVELLO POSSIBILE. La sovraesposizione a livelli sonori eccessivi può danneggiare l'udito provocando una perdita di udito permanente causata dal rumore. Si consiglia di attenersi alle seguenti direttive stabilite dalla OSHA (Occupational Safety Health Administration) sul tempo massimo di esposizione a vari livelli di pressione sonora (SPL), oltre il quale si rischia di causare lesioni all'apparato uditivo. 90 dB di SPL per 8 ore 95 dB di SPL per 4 ore 110 dB di SPL per mezz'ora 115 dB di SPL per 15 minuti 100 dB SPL per 2 ore ПРОСЛУШИВАНИЕ ЗВУКА ПРИ ЧРЕЗМЕРНО ВЫСОКОЙ ГРОМКОСТИ МОЖЕТ ПРИВЕСТИ К НЕОБРАТИМОМУ ПОВРЕЖДЕНИЮ СЛУХА.ИСПОЛЬЗУЙТЕ КАК МОЖНО БОЛЕЕ НИЗКУЮ ГРОМКОСТЬ. Длительное воздействие звука чрезмерно высокого уровня может причинить вам вред, вызвав необратимую потерю слуха из-за шума. Во избежание потери слуха руководствуйтесь следующими правилами, установленными Управлением 105 dB di SPL per 1 ora охраны труда (OSHA) в отношении максимального времени воздействия различных уровней звукового давления (УЗД). 120 dB di SPL Evitate l'esposizione per non rischiare di danneggiare l'udito PRECAUZIONI DI SICUREZZA I possibili effetti di un uso errato sono contrassegnati da uno dei due simboli - “AVVERTIMENTO” E “ATTENZIONE” — a seconda dell'incombenza del pericolo e della gravità del danno. AVVERTIMENTO: come conseguenza di un funzionamento errato, ignorare questi messaggi può comportare lesioni personali gravi o mortali. ATTENZIONE: come conseguenza di un funzionamento errato, ignorare questi messaggi può comportare lesioni personali di media gravità o danni alla cose. ВНИМАНИЕ • Если в устройство попадет вода или иные посторонние предметы, это может привести к возгоранию или поражению электрическим током. • Не пытайтесь модифицировать это изделие. Это может привести к личной травме и (или) поломке изделия. ОСТОРОЖНО ATENÇÃO! • Ни в коем случае не разбирайте и не модифицируйте это устройство, поскольку это может привести к поломке. OUVIR O SOM COM VOLUME MUITO ALTO PODE CAUSAR DANOS PERMANENTES À AUDIÇÃO. USE O VOLUME MAIS BAIXO POSSÍVEL. A exposição a sons excessivamente altos pode danificar os ouvidos e resultar em perda • Не подвергайте сильным нагрузкам и не тяните за кабель - это может привести к поломке. permanente da audição devido ao ruído. Siga as recomendações estipuladas pela • Содержите микрофон сухим и не подвергайте его воздействию очень высоких или низких температур и влажности. Administração de Saúde e Segurança do Trabalho dos E.U.A. (U.S. Occupational Safety Health Administration-OSHA) sobre o máximo tempo de exposição a determinados níveis de pressão sonora (SPL) a fim de evitar danos à audição. 110 dB SPL por ½ hora 115 dB SPL por 15 minutos 100 dB SPL por 2 horas 105 dB SPL por 1 hora 120 dB SPL Evite ou poderá ocorrer dano MEDIDAS DE SEGURANÇA Os possíveis resultados do uso incorreto são marcados por um de dois símbolos - “ATENÇÃO” e “CUIDADO” - dependendo da iminência do perigo e da severidade do dano. TENÇÃO: Não seguir esses avisos de atenção pode causar lesão grave ou morte em conseqüência da operação incorreta. CUIDADO: Não seguir esses avisos de cuidado pode causar lesão moderada ou danos à propriedade em conseqüência da operação incorreta. • • • • • УЗД 120 дБ Недопустимо — ведет к повреждению слуха ОСТОРОЖНО: Игнорирование этих предупреждений может привести к незначительной травме или повреждению имущества в результате неправильной эксплуатации. non tiratelo. Mantenete il prodotto asciutto e non esponetelo a temperature estreme ed all'umidità. 95 dB SPL por 4 horas УЗД 115 дБ 15 минут УЗД 105 дБ 1 час ВНИМАНИЕ: Игнорирование этих предупреждений может привести к серьезной травме или смерти в результате неправильной эксплуатации. Non tentate di modificare il prodotto. Tale operazione può causare infortuni e/o il guasto del prodotto stesso. 90 dB SPL por 8 horas УЗД 110 дБ 1/2 часа УЗД 100 дБ 2 часа Возможные результаты неправильного использования отмечены одним из двух знаков - «ВНИМАНИЕ» и «ОСТОРОЖНО» - в зависимости от неизбежности опасности и серьезности повреждений. ATTENZIONE • Per evitare di provocare possibili danni, non smontate nè modificate il dispositivo. • Per evitare di provocare possibili danni, non applicate una forza estrema sul cavo e • УЗД 95 дБ 4 часа УКАЗАНИЯ ПО ТЕХНИКЕ БЕЗОПАСНОСТИ AVVERTIMENTO: • L'eventuale introduzione di acqua o di altri corpi estranei nel dispositivo può dare luogo allo sviluppo di incendi o a folgorazione. • УЗД 90 дБ 8 часов ATENÇÃO Incêndio ou choque elétrico pode ocorrer caso água ou objetos estranhos entrem no dispositivo Não tente modificar este produto. pois pode resultar em lesão pessoal e/ou falha do produto. CUIDADO Não desmonte ou modifique o dispositivo uma vez que pode resultar em falhas. Não sujeite à força demasiada e não puxe o cabo pois pode resultar em falhas. Mantenha o microfone seco e evite expor a temperaturas extremas e umidade. iv PSM1000 The PSM1000 Personal Monitor System from Shure brings personal monitoring to its most advanced level yet. The full-rack, dual-channel, networked transmitter is ideally suited for the demands of elite-level professional touring and installation applications, and the diversity bodypack receiver delivers pristine RF signal and audio quality. Networkability over Ethernet connection enables remote control of transmitter functions and comprehensive frequency coordination via Wireless Workbench software. Features Advanced Setup and Operation Touring-Grade Performance • Visual display of scan plotting in a rich graphical environment • Full rack, dual channel transmitter in a rugged, professional chassis • Remote control of transmitter settings RF mute enable/disable RF output power adjustments Aux/line level Audio input level Channel/device name edit • Directly update firmware with WWB through software update • Twin-antenna diversity bodypack virtually eliminates drop-outs from interference • Precision front-end RF filtering reduces RF interference for a cleaner, stronger RF signal, fewer dropouts, and less audible artifacts. • CueMode allows monitoring of different stage mixes and storing of up to 20 separate channels on one bodypack for quick and easy reference. • Internal power supply with IEC in/out ports enables easy power chaining in the rack • Backwards compatibility with PSM900 receivers for simplified inventory management Components P10T: Rack mount Transmitter P10R: Bodypack Receiver Two 1/2 Wave Antennas AA Batteries (2) Two Antenna Cables IEC Power Cable and IEC Extension Cable Ethernet Network Cable Wireless Workbench Software Zippered Bag Rack mount supplies 2 antenna hole plugs 4 rack mount screws with washers Quickstart Instructions Rack mount Transmitter 1. Connect to a power outlet using the supplied power cable. 2. Attach the supplied antennas to the ANTENNA OUT BNC connectors. 3. Connect the audio source, such as the output of a mixer, to the audio inputs. You can use both input jacks or choose either one for a mono source. 4. Switch off RF and power on. 5. For mono (one input), access the AUDIO menu and select MONO. 6. Set the input sensitivity to match the source by selecting AUDIO > INPUT from the LCD configuration menu: AUX–10dBV or LINE+4dBu. 7. Adjust the audio source level so that, for the average input signal level, the top two yellow LEDs flicker and the lower LEDs are solid. If the red clip LED illuminates and a warning appears on the LCD, the inputs are overdriven. Decrease the level by entering the AUDIO menu and using the control wheel to change the input sensitivity to +4 dBu. If the signal level is too low, change the input sensitivity to –10 dBV. Bodypack Pay no attention to these, they are placeholders...new illustrations to follow... fix polarity of battery Open by pressing the latches on both sides and pulling. Insert the batteries or battery pack and attach antennas. Turn on using the volume knob. The battery light illuminates. Home Screen on Bpack.. Scan and Sync 1. On the bodypack, press the scan button. The display flashes SYNC NOW.... 2. Align the IR windows on the bodypack and rack unit, and press the sync button on the transmitter. The IR window on the transmitter illuminates. Press the sync button again. The rack unit level LEDs flash, and it displays SYNC SUCCESS. AA 3. Turn the RF switch on. The blue RF LED illuminates on the bodypack to indicate that it is detecting the transmitter. The bodypack also displays the RF signal strength (RF). 4. IMPORTANT: Turn bodypack volume down before plugging in earphones. 5. Insert the earphones and slowly turn up the volume. new illustration to follow P10T Rack Mount Transmitter Front Panel Controls Rear Panel Connectors ② RF Switch Mutes RF output. For setting up multiple systems or adjusting settings without transmitting unwanted RF or audio signals. ⑧ Power AC mains power input, IEC Connector 100-240 Vac. ③ Audio Indicators Use the control wheel to adjust the audio so that, for the average input signal level, the top two yellow LEDs flicker and the lower LEDs are solid. Press the enter button to save the value, exit to cancel. The red clip LED indicates the inputs are over driven. Reduce the level at the audio source or change the input sensitivity of the rack unit from the AUDIO>INPUT menu. ⑩ Antenna (BNC) port Attach supplied antennas. If you are rack mounting, use a front panel or remote mounting kit from Shure. ① Sync Window Align bodypack IR window with sync window on TX. ④ Status Display and Controls Use the navigation buttons to access the configuration menu. Push the control wheel to move the cursor to the next item. Turn the control wheel to change a parameter—the enter button flashes. Press it to save the value. Press the exit button to cancel changes and return to the previous menu. ⑦ Primary Side Switch Primary power switch, only front power switch can be locked from utilities menu. ⑨ AC mains power pass-through Use with an IEC extension cable to supply AC power to another device. Unswitched. ⑪ LOOP OUT Sends audio signal going into the transmitter to another device. See LOOP Applications. ⑫ Audio Inputs Connect to balanced or unbalanced outputs. Use either connector for mono input. Accepts XLR or 6.35 mm (1/4”) TRS ⑬ Ethernet Jack Accepts an RJ-45 jack for Ethernet network interface. Two port Ethernet switch for networking multiple units. ⑤ Headphone Monitoring The monitor control adjusts signal output to the 3.5 mm headphone jack. Push button to toggle between transmitters. Monitor clip LED indicates headphone audio is clipping. ⑥ Power Switch Turns the unit on and off. Power switch and front panel can be locked from the utilities menu. photos for placement only new illustrations to come... Menu Structure and Navigation The home menu screen displays a summary of transmitter parameters and available menu choices. Depending on configuration, the home screen will display the following information: ➍ ➊ ➎ Transmitter Parameters ❷ ➓ ➌ ❻ ❼ ➑ ➐ New illustration to come... ①- Audio channel name ⑦ - Audio Level ② - Frequency setting ⑧ - Mix -mono or stereo ③ - Group and Channel ⑨ - Aux/Line in ④ - Network Icon ⑩ - Submenus ⑤ -Lock Icon ⑪ - TV Channel ⑥ - RF Power Level Menu Navigation Radio - RF Settings RADIO CH 888.888MHz RF POWER Custom Load Clear Next AUDIO INPUT Line Aux MODE stereo/mix mono LEVEL PTP RADIO - Displays RF settings G - Sets the group number - a set of compatible frequency channels CH - Sets the channel number - within the group 888.888MHz - Frequency selection; adjustable in increments of 1MHz or kHz RF POWER - Select from 10, 50, or 100 mW (varies by region) Custom - For creating custom frequency groups Load - Searches network for custom groups and loads devices found Clear - Clears custom groups Next - Displays channel and frequency of groups Audio Settings INPUT - Sets nominal input level LINE +4 dBu - line level AUX –10dBV - aux level MODE - Selects monitor mode STEREO/MX - Transmits both channels MONO - Transmits a mono signal to bodypack POINT TO POINT - Set up P10T for point to point wireless audio (see Point to Point section of guide) LEVEL - Adjusts output level UTIL Utility Settings CHANNEL NAME - Changes the name on the LCD display (this name is uploaded to the bodypack with sync) Use control wheel to change letters. DISPLAY - Changes the display format Brightness - Adjusts brightness to high, medium or low Disp. Invert - Inverts display Contrast - Changes the display contrast CHANNEL NAME DISPLAY Brightness LOCK Power Switch NETWORK DEVICE Med High Low Disp. Invert Contrast LOCK - Locks power switch and front panel controls. Front Panel and Power Switch - Turn control wheel to select off or locked. NETWORK - Network set-up displays all networked and linked devices Front Panel SETUP Mode Automatic Reset Manual IP SUB MAC Find All Flash All MORE Product ID Serial Number SYNC Flash Reset All Restores all values to factory defaults Show Info Back FW Update Updates Firmware of Receiver DEVICE - Turn control wheel to change device ID name SETUP - MODE - Set TX to manual or automatic Automatic - Automatic - press flashing Enter button Manual - Manually adjust IP, Subnet, MAC - view only Reset - Resets all devices to factory default and deletes all previous settings FIND ALL - Displays all devices on network Show - Flashes LEDS of all devices on network Info - Displays TX information Back - Returns to previous screen MORE - Displays product ID, resets and current firmware Product ID - Displays Product serial number Reset All - Restores all values on all devices on the network to factory default settings FW Update - Sends updated firmware to receiver Sync Settings Lock V Lim Spectrum Lim Val Hi Boost Mode Bal Mx Sync Scan Sync Deploy Retry Cursor OK Zoom Bal St RX SETUP - These settings are sent to the bodypack during a sync (when the sync direction is from the transmitter). The default NO CHANGE parameter will not change the bodypack settings. Use control knob and exit/ enter buttons to change these settings. LOCK - Lock bodypack V LIMIT - Volume limit on/off LIM VAL - Volume limit value HIBOOST - High frequency boost MODE - Stereo (ST) or MixMode (MX) BAL MX - CH. 1 (L) and CH. 2 (R) mix for MixMode BAL ST - Left (L) and right (R) balance for stereo mode Spectrum After running a full spectrum scan on the RX, the RF data can be viewed in Sync Scan and deployed from the TX. Deploy - Sends open frequencies to available TX Cursor - Control cursor with control wheel to select open frequencies Zoom - Turn control wheel to zoom into graphic Retry - Retry at a different time OK - Successful sync of TX and RX P10R Bodypack Receiver Audio Settings AUDIO MODE HIBOOST V Limit Gain Selects monitor mode STEREO Stereo MIXMODE MixMode High-frequency EQ boost OFF flat 4 dB +4 dB @ 10 kHz 2 dB +2 dB @ 10 kHz ON Limits volume level Value 3–9: analogous to volume knob position (for example, 5 is equal to the 5th dot on the volume knob) HI/Standard Hi mode increases gain by 10 dB Utilities and Display Settings UTILITIES Bodypack Receiver ① Power Switch and Volume Control Turns the bodypack on and off and adjusts earphone volume. ② 3.5 mm Earphone Jack Insert earphones here. ③ Scan Button Press the scan button to find an available frequency. Press and hold for two seconds to find the group with the most available channels. ④ IR Window For transmitting settings between bodypack and rack unit. ⑤ Battery Compartment Requires 2 AA batteries or rechargeable battery. Open by pressing the latches on both sides and pulling. ⑥ Menu buttons Use in conjunction with the ▼▲ buttons to access the configuration menus. ⑦ ▼▲ Buttons Use to adjust the audio mix (in MixMode only), or in conjunction with the menu buttons to change settings. ⑧ LCD Screen Displays current settings and menus. ⑨ Tri-Color Battery LED illuminates green, amber, or red to indicate battery power. When red, change batteries immediately. ⑩ Blue RF LED Indicates the bodypack is receiving a signal from the transmitter. ⑪ Detachable Antennas SMA Connector ⑫ *Removable AA Adapter P10R is shipped with an adapter which can be removed to accommodate a Shure rechargeable battery pack. *Note: to remove adapter, open door and slide adapter out. To replace, place adapter in place and press, there will be an audible click when seated. Enters CueMode (to exit, press enter and select EXIT CUEMODE) DISPLAY Changes the display format CONTRAST Changes the display contrast LOCK PANEL Locks all controls except power and volume. To unlock, press exit, select OFF, and press enter. BATTERY Displays the following: Minutes Left, Temperature, Status, Cycle Count, and Health RESTORE Returns receiver to factory default settings. Battery Life* Battery Indicator Tri-Color Battery LED Approximate Hours Remaining Alkaline Volume Level 4 Alkaline Volume Level 6 Alkaline Volume Level 8 LiION Green 5–7 2½-3 1½ 7-8 Green 3½–4 2½–2 1¼ 6-7 Green 3–3½ 1½–2 4-6 Green 2–2½ 1½–1 ¾ 2-4 Amber ½–1 1-¾ ½ 1-2 *Test specs using Energizer brand AA Alkaline batteries: Receiver (RX) Settings: RF Settings RADIO CUEMODE Sets the group number CH Sets the channel number 888.888MHz Manual frequency selection Squelch Adjust squelch setting Full SCAN Performs spectrum scan and displays open frequencies in a graphical interface RF Pad Attenuates antenna signals in 3 dB increments Output driving Shure SE425 earphones Corresponding SPL @ Ear: ~115 dB SPL Note: SPL at ear will vary with fit and earphones HIBOOST - OFF V. LIMIT - OFF Transmitter (TX) Settings: Audio Input: pink noise* @ +8.7 dBV Transmitter Input mode: LINE Transmitter Input level: -9 dB *Pink Noise is a signal with a frequency spectrum such that the power spectral density is inversely proportional to the frequency. In pink noise, each octave carries an equal amount of noise power. Note: Using lower-impedance earphones, different battery types and higher gain settings in a PSM system may cause the receiver battery life to be different than specified. Multiple System Setup When setting up multiple systems, designate a single bodypack to scan for available frequencies and download them to all the rack units. The bodypack must be from the same frequency band as all the transmitters. 1. Power on all the rack units. Turn off the RF. (This prevents them from interfering with the frequency scan.) Note: Turn on all other wireless or digital devices as they would be during the performance or presentation (so the scan will detect and avoid any interferance they generate). 2. Use the bodypack to scan for a group by pressing and holding the scan button for two seconds. The bodypack displays the group and the number of available channels, and flashes SYNC NOW.... Important: Note the number of available channels. If you have more rack units than available channels, eliminate potential sources of interference and try again, or call Shure Applications for assistance. 3. Sync the bodypack with the first rack unit by aligning the IR windows and pressing sync. 4. Press scan again on the bodypack to find the next available frequency. 5. Sync the bodypack with the next rack unit. 6. Repeat with all the rack units. 7. Sync each performer’s bodypack to its respective rack unit by aligning the IR windows and pressing snyc. DO NOT press scan on the bodypacks. Auditioning Mixes 1. Enter CueMode from the UTILITIES menu. 2. Use the ▼▲ buttons to scroll through your CueMode list to hear the mixes. Exiting CueMode Exit CueMode by pressing enter and selecting EXIT CUEMODE. Managing CueMode Mixes While in Cue Mode, you can access the following menu by pressing enter: REPLACE MIX Select and press sync on a rack unit to upload new data for the current mix (for example, if you have changed the transmitter frequency). DELETE MIX Removes the selected mix. DELETE ALL Removes all mixes. EXIT CUEMODE Exits CueMode and returns the bodypack to the previous frequency setting. 8. Turn on the RF on all rack units. The systems are ready to use. Frequency Scan MixMode for Multiple Systems The scan feature analyzes the RF environment for interference to identify available frequencies. The PSM1000 has three frequency scan modes: Configure each system for MixMode. From the mixing console, send a mix of the whole band to input 2 of the first transmitter. Connect the LOOP OUT R output to the CH. 2 IN input of the next transmitter. Continue the chain with all the transmitters. Next, create solo mixes for each performer. Send each mix to input 1 of the transmitter for that performer. CueMode CueMode allows you to upload the name and frequency settings from multiple rack units and store them as a list on a single bodypack. You can then, at any time, scroll through that list to hear the audio mix from each transmitter, just as each performer does during a show. CueMode lists are retained even if CueMode is exited, the bodypack is turned off, or batteries are removed. Note: Set the channel frequency and assign display names for each transmitter before creating your CueMode list. Adding Transmitters to the CueMode List Note: The transmitter must be from the same frequency band as the bodypack. 1. Open the battery door and press the enter button. 2. From the main menu, scroll to UTILITIES and press enter. Select CueMode and press enter again. • Channel Scan Press the scan button on the bodypack. Finds the first available channel. • Group Scan Press and hold the scan button for two seconds. Finds the group with the greatest number of available channels. (Each group contains a set of frequencies that are compatible when operating multiple systems in the same environment.) • Full Scan From the bodypack menu select, Radio>Full Scan. Press Scan to initiate a full scan. Press Spectrum Scan to view full results in a graphical display. Note: follow these steps when doing a full scan: 1.)Turn on all TX's 2.) Turn off all wireless microphone transmitters 3.) Never do a scan near a transmitter in the same frequency band Sync The PSM1000 transfers settings in either direction: from the bodypack to the rack unit, or from the rack unit to the bodypack. • Downloading settings from the bodypack: First press the scan button on the bodypack. Then align the IR windows and press the sync button on the rack unit while the bodypack display is flashing “SYNC NOW...”. The level LEDs flash on the rack unit. • Sending settings to the bodypack: Align the IR windows and press the sync button on the rack unit. The blue LED on the bodypack flashes. Press sync again to transfer settings. • Note: When properly aligned the IR window on the transmitter illuminates 3. Align IR windows and press sync on the rack unit. The LCD displays SYNC SUCCESS after frequency and name data are uploaded to the CueMode list. It also displays the CueMode number for that transmitter and the total number of transmitters. 4. Repeat the above step for each transmitter. Note: Syncing while in CueMode does not change any of the settings on the bodypack. Custom Groups Squelch This feature allows you to create your own groups of frequencies. Squelch mutes audio output from the bodypack when the RF signal become noisy. While squelch is activated, the blue LED on the bodypack turns off. Creating new groups... Menu: Radio > Custom 1. 2. 3. 4. 5. 6. Turn the Control wheel to select a custom group number (U1, U2, U3, etc.) Push the Control wheel to move to the Channel parameter and turn it to select a channel (01, 02, 03, etc.) Push the Control wheel to move to the Freq parameter and select a frequency for that channel. For most installations, squelch does not need adjustment, and it keeps the performer from hearing hiss or noise bursts if the RF signal becomes compromised. However, in congested RF environments or in close proximity to sources of RF interference (such as large LED video panels), the squelch may need to be lowered to prevent excessive audio dropouts. With lower squelch settings, the performer may hear more noise or hiss, but will experience fewer audio dropouts. Push the NEXT menu key to select a frequency for the next channel in that group. Note: Before lowering squelch, first try to eliminate the problem by finding the best set of frequencies for your installation and removing potential sources of interference. Clear deletes all custom groups. Caution: Turning off or lowering the squelch setting can increase the noise level and cause discomfort to the performer: Load deploys groups over network MixMode Some performers need to hear more of their own voice or instrument, while others want to hear more of the band. With MixMode, the performer creates their own mix using the balance control (▼▲ buttons) on the bodypack. To use MixMode, send a solo mix of the performer to the CH. 1 IN input on the transmitter, and send a band mix to the CH. 2 IN input. Set the performer’s bodypack for MixMode. The bodypack combines the two signals and sends them to both earphones, while the balance control on the bodypack adjusts the relative levels for each. LOOP Applications Use LOOP OUT L (left) and R (right) outputs to send a copy of the audio signal going into the transmitter to other devices. Following are a few of the many applications for these outputs. • Do not lower the squelch setting unless absolutely necessary. • Turn earphone volume to the lowest setting before adjusting squelch. • Do not change the squelch setting during a performance. • Turn up the transmitter setting to make noise or hiss less noticeable. Squelch Settings HIGH (NORMAL) Default factory setting. MID Moderately decreases the signal-to-noise ratio required to squelch the receiver. LOW Greatly decreases the noise squelch threshold. PILOT ONLY Turns off noise squelch leaving only pilot squelch on. Symbol appears in display window NO SQUELCH Turns off noise and pilot tone squelch. (Sometimes used as a debugging tool by monitor engineers or RF coordinators to “listen” to the RF environment.) Note: The input level control and the input pad do not affect the LOOP OUT signals. Symbol appears in display window Stereo for Multiple Systems Send one stereo signal from the mixing console to the inputs on the first transmitter, then connect the LOOP outputs to the inputs on the next transmitter. Repeat for all transmitters to form a chain. Floor Monitors Send the audio from the LOOP outputs to on stage loudspeakers. The bodypack and the on stage monitors receive the same audio signals. Recording Devices Point-to-Point Wireless Audio PTP mode can be used to allow a P10T to transmit to a UHFR receiver. This allows a transmitter and receiver set-up where both units are racked and powered by AC. To record a performance, connect the LOOP outputs to the inputs of a recording device. RF UR4S Wireless Receiver with Audio Reference Conpanding sync Audio XX YYY-ZZZ MHz Navigate Control Monitor POWER OFF ENTER OL push Monitor Clip EXIT push For more information visit: www.shure.com/americas/products/personal-monitor-systems Ethernet Connection Networking Transmitters Basic Network Each transmitter has an RJ-45 port on the back for connecting to other transmitters over an Ethernet network. Networking transmitters allows you to automatically set channels for all the transmitters with a single group scan command. ❶ Router with DHCP Computer ❶ Connect transmitter to an Ethernet router with DHCP service. ❷ Use Ethernet switches to extend the network for larger installations. ❸Use the transmitter’s default network setting (Util > Network > Mode = Automatic). ❷ Router with DHCP and switches Computer Accessing the Network with a Computer You can also control and monitor all networked units through the Shure Wireless Workbench software. Switch If you want to use the Wireless Workbench software, connect your computer to the network and install the software from the CD that came with the transmitter. Make sure your computer is configured for DHCP (from Control Panel, click Network Connections. Double-click on Local Area Connection. Select Internet Protocol (TCP/IP) and click Properties. Select Obtain IP address automatically and Obtain DNS server address automatically and click OK). Switch NOTE: Some security software or firewall settings on your computer can prevent you from connecting to the transmitter. If using firewall software, allow connections on port 2201. Static IP Addressing The transmitter also supports static IP addressing. Assign your own IP addresses ( Util > Network > Mode = Manual). NOTE: Dual transmitters use a single IP address, which may be set through either LCD interface. ❸ Transmitter’s default network setting P10T P10T P10T Network Parameters NOTE: • The transmitter reboots after you press ENTER to accept network parameter changes • These settings affect both transmitters (the dual transmitter is treated as a single network device). Set the Transmitter Network Mode Menu: Util > Network 1. Push the Control wheel to move the cursor to the Mode parameter. 2. Turn the Control wheel to set the transmitter to one of the following values: • • Automatic: use this setting when connecting the transmitter to a DHCP server. Manual: allows you to set the transmitter to a specific IP address or subnet. IP Address and Subnet Device ID Assists in identifying transmitters through the Wireless Workbench Software (has no effect on network identification). Menu: Util > Network 1. Push the Control wheel to move the cursor to the DevID parameter. 2. Turn the Control wheel to set the transmitter to change the value. Shure Wireless Workbench Software Shure Wireless Workbench software includes a variety of useful tools for installing and managing multiple wireless systems. Instructions on using the Wireless Workbench software are available in the online help files after you install the software. Menu: Util > Network NOTE: To change these settings, the network mode must be set to Manual. 1. Push the Control wheel to move the cursor to any of the following parameters: • • IP (IP address) Sub (Subnet mask) 2. Turn the Control wheel to change the value. Automatic Frequency Selection Follow these steps to use the channel scan and group scan features on the transmitter. Before you begin Use this feature to scan the full RF spectrum for potential sources of interference and deploy open frequencies to all transmitters on the network. A graphical representation of the scan data may be viewed on both the transmitter and receiver. This allows you to scroll through the graph to reveal details about the frequency and strength of the interfering signals. • Turn all RF off. • Mute all inputs on mixing devices connected to the transmitter. Scanning and Deploying Frequencies Turn on potential sources of interference such as other wireless systems or devices, computers, CD players, large LED panels, effects processors, and digital rack equipment so they are operating as they would be during the presentation or performance. 2. The receiver displays SPECTRUM SCAN and scans the full spectrum. • • • Install the transmitters and power them on. Turn off the RF transmission on the transmitters for the systems you are setting up. Individual Transmitter 1. On receiver, select Scan to find an open channel. 2. Sync receiver to transmitter by aligning it with IR port and pressing sync button. Networked Transmitters With networked transmitters, you can take advantage of the group scan feature to set group and channel settings for all the transmitters at the same time. Perform a group scan from any receiver 1. Press and hold scan button for 2 seconds to initiate scan. 2. Sync scan results to any transmitter on the network via the IR port. 3. Follow the transmitter instructions to deploy frequencies to all networked transmitters 4. Sync receivers with the transmitters carrying the desired mix. NOTE: The group scan feature only works for transmitters in the same frequency band. For example, if you did a group scan on a “G10” band transmitter, all “G10” band transmitters would be set up, but not “J8” band transmitters. Multiple Transmitters—Not Networked If your transmitters are not networked (or in different bands), the group scan cannot automatically set their group and channel settings. However, you can still take advantage of the group scan feature to find the group with the most open channels and the channel scan feature to find open channels in that group. Find the group with the most open channels Perform a group scan following the steps from the Multiple System Setup section in the user guide for setting up multiple transmitters which are not networked. NOTE: Transmitters in different bands (G10, J8, etc.) do not need to be set to the same group. 10 Spectrum Scan 1. Turn off RF on all transmitters. Collect the scan data. From the bodypack receiver MAIN MENU, select RADIO > FULL SCAN > RUN SCAN 3. Load the scan data from the bodypack receiver to the rack transmitter. Align the IR windows and press Sync > Spectrum > SyncScan 4. The transmitter displays the scan data as a graph and gives options for viewing and deploying. Search network for devices. From the rack transmitter Sync > Spectrum menu, press Deploy. The rack transmitter searches the network for all available transmitters. 5. Choose a group. Use the control wheel to select from the available groups. The number of open frequencies for each group is displayed next to Open Frequencies: 6. Deploy frequencies. Press the flashing enter button to deploy frequencies to all channels. The LEDs flash on all affected channels. Viewing Spectrum Data From the Bodypack Receiver MAIN MENU > RADIO > FULL SCAN > SPECTRUM • Adjust the cursor position using the ▼▲ keys. • Press enter to zoom in at the cursor position. Press exit to zoom out. • Press scan to display frequency and power of signal at the cursor position. From the Rack Transmitter Sync > Spectrum • Adjust the cursor position by pressing Cursor and using the control wheel. • Frequency and power of signal at the cursor position is displayed at the top of the screen. • Press Zoom and use the control wheel to zoom in and out. Connecting the PSM1000 via Ethernet to an AMX or Crestron system. Message Types • Each message ends with a space followed by an “>”. The Control system can send two (2) types of command messages, as follows: SET - The SET command is sent from the control system to the Shure device to change the value of a parameter. This is used to SET the parameter to a specific value. Once a SET command is sent, the Shure device will send back a REPORT string with the current resultant setting. GET - The GET command gets the current value of a parameter. Once a GET command is sent, the Shure device will send back a REPORT string with the current setting. The Shure device can send a response with one (1) type of response message, as follows: • Each message is terminated by a carriage return and line feed (CRLF). The control system may need to enter the hex value of this, which is equivalent to 0x0D0A. Please see the control system user guide for specific information on how to enter this. • If the message is a channel parameter, the parameter string must be preceded by the number of the channel. • If the message is a box parameter, there should be no channel number in the string. Example Messages This section contains example messages. REPORT - The REPORT string reports the current value for a parameter. The REPORT string is sent from the Shure device to the Control system in response to a SET or GET command. The REPORT string is also sent when the value of the parameter is changed on the Shure device. Example Messages for Channel Parameters • All messages sent and received are ASCII characters. < SET DEVICE_NAME Shure >/0d/0a • Each message begins with a “<” followed by a space. < GET 1 FREQUENCY >/0d/0a < REPORT 1 FREQUENCY 578000 >/0d/0a Example Messages for Box Parameters < REPORT DEVICE_NAME Shure >/0d/0a Command Response Set Channel Name < SET x CHAN_NAME vvvvvvvv >/0d/0a < REPORT x CHAN _NAME vvvvvvvv >/0d/0a Get Channel Name < GET x CHAN_NAME >/0d/0a < REPORT CHAN _NAME vvvvvvvv >/0d/0a Set Audio Level < SET x AUDIO_IN_LVL vvvv >/0d/0a < REPORT x AUDIO_IN_LVL vvvv >/0d/0a View Audio Level < GET x AUDIO_IN_LVL >/0d/0a < REPORT x AUDIO_IN_LVL vvvv >/0d/0a < SET x GROUP_CHAN gg,cc >/0d/0a < REPORT x FREQUENCY vvvvvvvvvvv >/0d/0a < REPORT x GROUP_CHAN gg,ccvvv >/0d/0a < GET x GROUP_CHAN >/0d/0a < REPORT x GROUP_CHAN gg,cc >/0d/0a < SET x FREQUENCY vvvvvvvvvvv >/0d/0a < REPORT x FREQUENCY vvvvvvvvvvv >/0d/0a < REPORT x GROUP_CHAN --,--vvv >/0d/0a View Transmitter Frequency < GET x FREQUENCY >/0d/0a < REPORT x FREQUENCY vvvvvvvvvvv >/0d/0a Set RF Tx Level < SET x RF_TX_LVL vvvvvv >/0d/0a < REPORT x RF_TX_LVL vvvvvv >/0d/0a View RF Tx Level < GET x RF_TX_LVL >/0d/0a < REPORT x RF_TX_LVL vvvvvv >/0d/0a Set RF Mute < SET x RF_MUTE vvvv >/0d/0a 1 = mute, 0 = unmute < REPORT x RF_MUTE vvvv >/0d/0a 1 = mute, 0 = unmute View RF Mute < GET x RF_MUTE >/0d/0a 1 = mute, 0 = unmute < REPORT x RF_MUTE vvvv >/0d/0a 1 = mute, 0 = unmute Set Audio Tx Mode < SET x AUDIO_TX_MODE vvvv >/0d/0a 1 = mono, 2 = point to point, 3 = stereo < REPORT x AUDIO_TX_MODE vvvv >/0d/0a 1 = mono, 2 = point to point, 3 = stereo < GET x AUDIO_TX_MODE >/0d/0a < REPORT x AUDIO_TX_MODE vvvv >/0d/0a 1 = mono, 2 = point to point, 3 = stereo < SET x AUDIO_IN_LINE_LVL vvvv >/0d/0a 0 = off (Aux), 1 = on (Line) < REPORT x AUDIO_IN_LINE_LVL vvvv >/0d/0a 0 = off (Aux), 1 = on (Line) < GET x AUDIO_IN_LINE_LVL >/0d/0a < REPORT x AUDIO_IN_LINE_LVL vvvv >/0d/0a 0 = off (Aux), 1 = on (Line) < SET x METER_RATE vvvvvvvvvvv >/0d/0a 0 = off, value in milliseconds < REPORT x METER_RATE vvvvvvvvvvv >/0d/0a 0 = off, value in milliseconds < GET x METER_RATE >/0d/0a < REPORT x METER_RATE vvvvvvvvvvv >/0d/0a 0 = off, value in milliseconds N/A < REPORT x AUDIO_IN_LVL_L vvvvvvvvvvv >/0d/0a View Transmitter Name Set Transmitter Group & Channel View Transmitter Group & Channel Set Transmitter Frequency View Audio Tx Mode Set Audio Input Line Level View Audio Input Line Level Set Metering Rate View Metering Rate Audio Meter Level < GET DEVICE_NAME >/0d/0a < REPORT DEVICE_NAME vvvvvvvv >/0d/0a < REPORT x AUDIO_IN_LVL_R vvvvvvvvvvv >/0d/0a 11 SPECIFICATIONS PSM1000 P10R P10T RF Carrier Range 470–952 MHz Tri-Band Filtering –3 dB at 30.5 MHz from the center frequency of each band Active RF Gain Control 31 dB RF Output Power Selectable: 10, 50, 100 mW (+20 dBm) Note: varies by region Compatible Frequencies Per band: 49 Tuning Bandwidth US: 72–80 MHz varies by region Operating Range (environment dependent) 90 m (300 ft) Audio Frequency Response 35 Hz–15 kHz Signal-To-Noise Ratio (A-Weighted) 90 dB (typical) Total Harmonic Distortion (ref. ±34 kHz deviation @1 kHz) <0.5% (typical) Companding Patented Shure Audio Reference Companding Spurious Rejection (ref. 12dB SINAD) >80 dB (typical) Frequency Stability ±2.5 ppm MPX Pilot Tone 19 kHz (±0.3 kHz) Modulation FM*, MPX Stereo * ±34 kHz deviation (nominal) Operating Temperature -18°C–+57°C Adjusts RF sensitivity to provide more RF dynamic range RF Sensitivity (at 20 dB SINAD) 2.2 µV Image Rejection >90 dB Adjacent Channel Rejection >70 dB Squelch Threshold 22 dB SINAD (±3 dB) (default setting) Intermodulation Attenuation >70 dB Blocking >80 dB Audio Output Power (1kHz @ <1% distortion, peak power, @32Ω) 100 mW per output Minimum Load Impedance 9.5 Ω High Boost Selectable: +2 dB , +4 dB @ 10 kHz Volume Limiter Selectable: 3–9 Limits volume adjustment knob. Selected value analogous to volume knob increment. Net Weight 186 g (with batteries) Dimensions 99 mm X 66 mm X 23 mm Battery Life 4–6 hours (continuous use) AA Batteries varies by region RF Output Impedance 50 Ω (typical) Net Weight 850 g Dimensions 483 mm X 343 mm X 44 mm Power Requirement Input: 100-240V AC, 50/60 Hz, 0.5A max (5.5 max outlet loaded) Output: 100-240V AC, 5A max, unswitched Audio Input Connector Type Combination XLR and 6.35 mm (1/4”) TRS Polarity XLR: Non-inverting (pin 2 positive with respect to pin 3) 6.35 mm (1/4”) TRS: Tip positive with respect to ring Configuration Electronically balanced Impedance 70.2 kΩ (actual) Nominal Input Level switchable switchable: +4 dBu, –10 dBV Maximum Input Level +4 dBu: +29.2 dBu –10 dBV: +12.2 dBu Pin Assignments XLR: 1=ground, 2=hot, 3=cold 6.35 mm (1/4”) TRS: Tip=hot, Ring=cold, Sleeve=ground Phantom Power Protection up to 60 V DC Audio Output Connector Type 6.35 mm (1/4”) TRS Configuration Electronically balanced Impedance Connected directly to inputs 12 BAND G10 G10E H8Z J8 J8E K10E L8 L8E RANGE 470-542 518-582 554-626 596-668 626-698 COUNTRY Output Power (mW) US, IA 10/50/100 UK, EU, Peru 10/50 NZ, Korea 10/50 US, IA 10/50/100 EMEA 10/50 UK, EU, Australia 10/50 US, IA, Aus 10/50/100 Emea 10/50 Shure Rechargeable SB900 The SB900 is a rechargeable Lithium-ion battery with a capacity of 1450 mAh. Dimensions 17.5mm (.67 in.) 50.4mm (1.98 in.) L9E 670-742 China 10/50 L10 670-742 HK 10/20 P8 710-790 EU 10/50 Q21 710-787 China 10/50 Q22E 750-822 EU 10/50 Q23 750-806 HK 10/20 R26 794-806 Taiwan 6/10 R27 794-806 Thailand/EMEA 10/50 Note: Place battery into charger, slotted side down with Shure logo facing down, warnings facing up. A24 “779-788 797-806” Japan 6/10 CAUTION: Danger of explosion if battery incorrectly replaced. X1 944-952 US 10/50/100 NOTE: This Radio equipment is intended for use in musical professional entertainment and similar applications. This Radio apparatus may be capable of operating on some frequencies not authorized in your region. Please contact your national authority to obtain information on authorized frequencies and RF power levels for wireless microphone products. 31.8mm (1.25 in.) Replace only with the same or equivalent type WARNING: Battery packs shall not be exposed to excessive heat such as Sunshine, fire or the like. • Battery Packs may explode or release toxic materials • Never put batteries in mouth. If swallowed, contact your physician or local poison control center. • Do not short circuit; may cause burns or catch fire • Do not charge or use battery packs with other than specified Shure products • Dispose of battery packs properly. Check with local vendor for proper disposal of used battery packs. • Use this battery charger only with the Shure Model PS50 series power supply. This equipment is intended to be used in professional audio applications EMC conformance is based on the use of supplied and recommended cable types. The use of other cable types may degrade EMC performance. Use this battery charger only with the Shure charging modules and battery packs for which it is designed. Use with other than the specified modules and battery packs may increase the risk of fire or explosion. Changes or modifications not expressly approved by Shure Incorporated could void your authority to operate this equipment. Specifications Charge Temperature: 0°C to 45°C (recommended) Constant Charge Voltage: 4.2V +/-0.05V Constant Charge Current: 750 mAh Nominal Voltage: 3.7V Rated Capacity: 1450 mAh For more information on batteries and chargers visit: www.shure.com 13 ACCESSORIES AND PARTS CERTIFICATION Furnished Accessories P10T, P10R P10R Antenna 470–530 MHz UA700 540–626 MHz UA710 596–692 MHz UA720 670–830 MHz UA730 830–952 MHz UA740 P10T Antenna 470–542 MHz UA820G10 554-626 MHz UA820J8 596-668 MHz UA820K1 626-698 MHz UA820L8 670-742 MHz UA820LCH 710-790 MHz UA820P8 750-822 MHz UA820Q2 944-952 MHz UA820X 518-582 MHz UA820H8 Front Mount Antenna Cable 95A9023 Zipper Bag 95A2313 Rack mount Bracket, Long 53A8612 Rack mount Bracket, Short 53A8611 Link Bar Hardware Kit (Rack mounting Screws) Bumper Kit P10T Certified under FCC Parts 74. (FCC ID: DD4P10TA, DD4P10TB, DD4P10TC, DD4P10TD, DD4P10TJ). Certified by IC in Canada under RSS-123 and RSS-102. (IC: 616A-P10TA, 616A-P10TB, 616A-P10TC, 616A-P10TD). Meets essential requirements of European R&TTE Directive 99/5/EC, eligible to bear the CE mark. Meets UL 60065 and CSA C22.2 No. 60065 PA421SWB Passive Directional Antenna PA805SWB HA-8089 UA860SWB Coaxial Cable, BNC-BNC, RG58C/U type, 50 Ohm, 2 ft length (0.6 m) UA802 Coaxial Cable, BNC-BNC, RG58C/U type, 50 Ohm, 6 ft length (2 m) UA806 Coaxial Cable, BNC-BNC, RG8X/U type, 50 Ohm, 25 ft length (7.5 m) UA825 Coaxial Cable, BNC-BNC, RG8X/U type, 50 Ohm, 50 ft length (15 m) UA850 UA8100 Approved under the Declaration of Conformity (DoC) provision of FCC Part 15. Certified in Canada by IC to RSS-123. (IC: 616A-P10RA, 616A-P10RB, 616A-P10RC, 616A-P10RD). Operation of this device is subject to the following two conditions: (1) this device may not cause interference, and (2) this device must accept any interference, including interference that may cause undesired operation of the device. The CE Declaration of Conformity can be obtained from Shure Incorporated or any of its European representatives. For contact information please visit www.shure.com The CE Declaration of Conformity can be obtained from: Authorized European representative: Shure Europe GmbH Headquarters Europe, Middle East & Africa Department: EMEA Approval Wannenacker Str. 28 D-74078 Heilbronn, Germany Phone: +49 7131 72 14 0 Fax: +49 7131 72 14 14 Email: EMEAsupport@shure.de LICENSING INFORMATION Licensing: A ministerial license to operate this equipment may be required in certain areas. Consult your national authority for possible requirements. Changes or modifications not expressly approved by Shure Incorporated could void your authority to operate the equipment. Licensing of Shure wireless microphone equipment is the user’s responsibility, and licensability depends on the user’s classification and application, and on the selected frequency. Shure strongly urges the user to contact the appropriate telecommunications authority concerning proper licensing, and before choosing and ordering frequencies. 14 • Relocate the receiving antenna. • Increase the separation between the equipment and receiver. • Consult the dealer. P10R 4-to-1 antenna combiner with power distribution to 4 transmitters (better RF performance and eliminates need for external power supply) This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: • Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. 90B8977 PA821SWB Coaxial Cable, BNC-BNC, RG213/U Type, 50 Ohm, 100 ft length (30 m) Meets requirements of EMC standards EN 300 422 Parts 1 and 2 and EN 301 489 Parts 1 and 9. 53B8443 8-to-1 antenna combiner for better RF performance Passive Omnidirectional Antenna Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada. 90AR8100 Optional Accessories Helical Antenna This Class B digital apparatus complies with Canadian ICES-003. INFORMATION TO USER Note: EMC conformance testing is based on the use of supplied and recommended cable types. The use of other cable types may degrade EMC performance. Changes or modifications not expressly approved by the manufacturer could void the user’s authority to operate the equipment. Declaration of Conformity EU Declaration of Conformity is available at: www.shure.com i
Source Exif Data:
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2010:07:06 11:44:56-05:00, 2010:07:06 11:44:56-05:00, 2010:07:06 11:47:25-05:00, 2010:12:17 14:05:01-06:00 History Software Agent : Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe InDesign 6.0, Adobe 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ReferenceStream, ReferenceStream, ReferenceStream, ReferenceStream, ReferenceStream, ReferenceStream, ReferenceStream, ReferenceStream, ReferenceStream, ReferenceStream, ReferenceStream, ReferenceStream, ReferenceStream, ReferenceStream, ReferenceStream Manifest Placed X Resolution : 72.00, 144.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00 Manifest Placed Y Resolution : 72.00, 144.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00, 72.00 Manifest Placed Resolution Unit : Inches, Inches, Inches, Inches, Inches, Inches, Inches, Inches, Inches, Inches, Inches, Inches, Inches, Inches, Inches, Inches, Inches, Inches, Inches, Inches, Inches, Inches, Inches, Inches, Inches, Inches, Inches, Inches, Inches, Inches Manifest Reference Instance ID : uuid:bac2c85a-3da6-4dc5-8d72-15b9eda69f70, xmp.iid:D2206FCF4C6FDF11A3A7B48E5D27BC33, uuid:c80041ba-5080-426f-86bc-9e4e1381f114, uuid:c80041ba-5080-426f-86bc-9e4e1381f114, uuid:c80041ba-5080-426f-86bc-9e4e1381f114, uuid:c80041ba-5080-426f-86bc-9e4e1381f114, uuid:c80041ba-5080-426f-86bc-9e4e1381f114, uuid:c80041ba-5080-426f-86bc-9e4e1381f114, uuid:c80041ba-5080-426f-86bc-9e4e1381f114, uuid:a7bce1ec-a122-465e-9540-ab3d1e7c9bcf, uuid:6f0a50ed-6c65-4a4f-9447-a654343a9424, uuid:326ff453-05f4-41bf-8aab-b54da332a87e, uuid:a7bce1ec-a122-465e-9540-ab3d1e7c9bcf, uuid:a224138d-02fe-4a30-a007-a4db93772dc0, uuid:dc6a0171-60b4-4dfb-b27f-54b98fa1aec8, uuid:ca4ffebc-d319-48fc-9c2b-426e6ea0dc70, uuid:7898c87b-a24a-415e-ad11-ba0cf201824c, uuid:a40eb320-63df-4587-8543-3c3ee6ea4c74, uuid:0d2635a9-95d2-4410-9f8c-30639a97d70f, uuid:2ffc8fca-0d88-47dd-98f9-fe3ddb80d032, uuid:5978cb06-454a-43b6-ab23-a8567292a31d, uuid:2a873f14-2023-4b0c-ae12-bd6f5edb61b0, 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