Shure orporated P2T Wireless Personal Monitor Transmitter User Manual psm200 Master

Shure Incorporated Wireless Personal Monitor Transmitter psm200 Master

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Manual

PSM® 200

Personal Monitor System User Guide

Guide de l’utilisateur du système de retour personnel

Bedienungsanleitung für das In–Ear–Abhörsystem

Guía del usuario del sistema de monitoreo personal

Guida all'uso del sistema di monitoraggio personale

Manual do Usuário do Sistema de Monitoração Pessoal

>>E2 >>P2R >>P2T

27a8792 (BA) Printed in U.S.A.

Model PSM 200 User Guide

Declaration of Conformity

We of

Shure Incorporated

222 Hartrey Ave.

Evanston IL 60202–3696 U.S.A.

847–866–2200

declare under our sole responsibility that the following products,

Model: P2R Name: P2R Receiver

were tested and found to comply with Part 15 of the FCC rules.

Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any

interference received, including interference that may cause undesired operation.

Testing was completed by the following NVLAP or A2LA accredited laboratory:

L. S. Compliance, Inc.

W66 N220 Commerce Ct.

Cedarburg, Wisconsin 53012 U.S.A.

At the test location of

L. S. Compliance, Inc.

W66 N220 Commerce Ct.

Cedarburg, Wisconsin 53012, U.S.A.

Shure Incorporated., Manufacturer.

Signed: Date: March 04, 2002

Name, Title: Craig Kozokar, EMC Project Engineer

Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of FCC Rules.

These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment gen-

erates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harm-

ful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this

equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and

on, the user is encouraged to try to correct the interference by one or more of the following measures:

SReorient or relocate the receiving antenna.

SIncrease the separation between the equipment and the receiver.

SConnect the equipment into an outlet on a circuit different from that to which the receiver is connected.

SConsult the dealer or an experienced radio/TV technician for help.

ENGLISH

WARNING!

USING THIS SYSTEM AT EXCESSIVE VOLUMES CAN CAUSE

PERMANENT HEARING DAMAGE. USE AS LOW A VOLUME AS POSSIBLE.

In order to use this system safely, avoid prolonged listening at excessive sound pressure levels. Please use the fol-

lowing guidelines established by the Occupational Safety Health Administration (OSHA) on maximum time exposure

to sound pressure levels before hearing damage occurs.

90 dB SPL at 8 hours

95 dB SPL at 4 hours

100 dB SPL at 2 hours

105 dB SPL at 1 hour

110 dB SPL at 1/2 hour

115 dB SPL at 15 minutes

120 dB SPL — avoid or hearing damage may occur

It is difficult to measure the exact Sound Pressure Levels (SPL) present at the eardrum in live applications. In addition to

the volume setting on the PSM, the SPL in the ear is affected by ambient sound from floor wedges or other devices. The

isolation provided by the fit of quality earphones is also an important factor in determining the SPL in the ear.

Here are some general tips to follow in the use of this product to protect your ears from damage:

1. Turn up the volume control only far enough to hear properly.

2. Ringing in the ears may indicate that the gain levels are too high. Try lowering the gain levels.

3. Have your ears checked by an audiologist on a regular basis. If you experience wax buildup in your ears, stop

using the system until an audiologist has examined your ears.

4. Wipe the earphones with an antiseptic before and after use to avoid infections. Stop using the earphones if

they are causing great discomfort or infection.

This symbol indicates important operating and

maintenance instructions in the literature accompanying this unit.

FCC Statement. The P2R receiver complies with part 15 of the FCC Rules. Operation is subject to the following two condi-

tions: (1) this device does not cause harmful interference, and (2) this device must accept any interference received, in-

cluding interference that may cause undesired operation.

LICENSING INFORMATION

Changes or modifications not expressly approved by Shure Incorporated could void your authority to operate the equipment. Licensing of

Shure wireless microphone equipment is the user’s responsibility, and licensability depends on the user’s classification and application, and

on the selected frequency. Shure strongly urges the user to contact the appropriate telecommunications authority concerning proper licens-

ing, and before choosing and ordering frequencies.

IMPORTANT!

THIS RADIO EQUIPMENT IS INTENDED FOR USE IN PROFESSIONAL ENTERTAINMENT (CLASS I) AND SIMILAR APPLICA-

TIONS.

NOTE: THIS EQUIPMENT MAY BE CAPABLE OF OPERATING ON SOME FREQUENCIES NOT AUTHORIZED IN YOUR REGION.

PLEASE CONTACT YOUR NATIONAL AUTHORITY TO OBTAIN INFORMATION ON AUTHORIZED FREQUENCIES FOR WIRE-

LESS MICROPHONE PRODUCTS IN YOUR REGION

Licensing: Note that a ministerial license to operate this equipment may be required in certain areas. Consult your national authority

for possible requirements.

ENGLISH

TABLE OF CONTENTS

QUICK SET-UP GUIDES 5. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

PSM200 Wireless System 5. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

P2R Receiver Quick Set-Up Guide: 6. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

INTRODUCTION 7. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

The PSM200 Personal Monitor System 7. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Features 7. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

THE P2T TRANSMIXER 8. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Controls and Features 8. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Audio Inputs and Outputs 8. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Phantom Power 8. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Selecting a Frequency Channel 8. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

P2R RECEIVER 9. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Controls and Features 9. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Battery Installation 9. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Cable Management Groove 9. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Wireless Mode 10. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Wired Mode 10. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

CHANNEL LED 10. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

MIX IN Jack 10. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

LIM LED 10. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

SET-UP 11. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Wireless System Set-Up 11. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

Hybrid Wired/Wireless System Set-Up 11. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

P2R Stand-Alone Wired Set-Up 11. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

SYSTEM APPLICATIONS 12. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

APPLICATION ONE: Wireless Set-Up for a Vocalist 12. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

APPLICATION TWO: Combination Wired and Wireless Set-Up for a Drummer 12. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

APPLICATION THREE: Two PSM200 Wireless Systems Used Simultaneously 13. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

RACK MOUNTING THE P2T 13. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

TROUBLESHOOTING 14. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

ACCESSORIES 14. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

SPECIFICATIONS 14. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

System Specifications 14. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

P2T TransMixer Specifications 15. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

P2R Receiver Specifications 15. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

PSM200 Channel Frequencies 15. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

CERTIFICATIONS 16. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

APPENDIX 16. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

P2R Receiver MIX IN Jack Wiring Diagrams 16. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

ENGLISH

QUICK SET-UP GUIDES

PSMR200 Wireless System

The following set-up illustration is for the complete PSM200 Wireless System, which includes the P2T TransMixer,

the P2R Receiver, and the E2 Earphones. If you have purchased the P2R as a stand-alone wired personal monitor,

see page 6.

CHANNEL SELECT

PSM200 TransMixer

MIC/LINE1 MIC/LINE2 1INPUTS 2

1. Plug in the power supply and connect it to the DC

input on the rear panel of the P2T TransMixer. 2. Insert a 9 Volt battery into the P2R Receiver,

observing proper polarity.

3. Connect audio sources to the MIC/LINE INPUTS on the front

panel of the TransMixer.

4. Turn the Receiver volume knob clockwise past the click (ON).

Keep the volume at a low setting.

5. Set the TransMixer and Receiver to the same frequency chan-

nel. See the Selecting a Frequency Channel section on page 8.

6. Check the RF LED on the top of the Receiver to

confirm that it is receiving signal from the TransMixer.

7. Plug the Earphones into the earphone jack on the

Receiver. Insert the Earphones into your ears.

8. Increase Receiver volume until the knob is turned to

approximately 11 o’clock.

9. On the front panel of the TransMixer, adjust the signal level of each audio input with the INPUT knobs.

10. Check the INPUT LED’s on the TransMixer to verify that signal is present, but not clipping. See the Audio Inputs

and Outputs section on page 8 for details.

11. Slowly adjust the Receiver volume to a comfortable level.

CHANNEL SELECT

PSM200 TransMixer

MIC/LINE1 MIC/LINE2 1 INPUTS 2

Mixing Console

ENGLISH

P2R Receiver Quick Set-Up Guide:

When Used as a Wired Stand-Alone Personal Monitor

1. Insert a 9 Volt battery into the P2R Receiver,

observing proper polarity.

6. Attach the P2R onto your belt, waistband, or another

location and slide the cable into the cable management

groove on the back side of the unit.

Mixing Console

3. Turn the P2R volume knob on (past the click).

Keep the volume at a low setting.

2. Connect an audio source to the 1/4-inch MIX IN jack

on the side of the P2R.

4. Set the CHANNEL to “A” with the SELECT Button.

See the Wired Mode section on page 10 for details.

5. Set the GAIN switch to LOW initially and set

your source volume to a moderate level.

7. Plug Earphones into the earphone jack on the P2R.

Insert the Earphones into your ears.

8. Slowly adjust the volume to a comfortable level. Set

the GAIN switch to HIGH if the signal level is too low.

Mixing Console

ENGLISH

INTRODUCTION

Thank you for buying the PSM200. Like all Shure PSM personal monitoring products, the PSM200 provides the many advantages of

in-ear monitoring including:

Improved Sound Quality —high fidelity without the risk of feedback,

Increased Mobility —your mix moves with you,

Personal Control —create a personal mix, and control your own levels.

For information on this and other Shure products, visit www.shure.com on the World Wide Web.

The PSM200 Personal Monitor System

The PSM200 is a frequency-agile, in-ear monitor system for

use in a wide variety of applications. Its many features help

overcome the difficulties associated with stage monitoring.

The P2R Receiver is the world’s first bodypack receiver to

function as a wired receiver, a wireless receiver, or both at

the same time. This and other unique features, along with

excellent sound quality, make the P2R an exceptional value.

The P2T TransMixer is another breakthrough design for

in-ear monitoring. It allows the user to connect two line-level

or mic–level inputs directly into the transmitter. The two sig-

nals can then be mixed independently. You can connect mi-

crophones or instruments directly to the inputs, use line out-

puts from a mixing console, or connect it to Shure’s Aux-

Pander. In short, no matter what the output device, you

can probably plug it into the TransMixer.

The complete PSM200 System includes the E2 Earphones,

which feature a dynamic driver that produces crisp, full-spec-

trum sound. They include a variety of sleeve options to provide

the best fit and isolation for your ears. The E2, like all Shure

earphones, work well with CD players, MP3 players, and any-

thing else with a 1/8-inch (3.5mm) stereo output.

Features

PSM200 System

8 selectable UHF frequencies

Includes E2 dynamic-driver earphones

Mono mix

Up to 4 systems can be operated simultaneously

P2T TransMixer

2 mic/line XLR/1/

4-inch combo inputs

XLR SPLIT OUT connectors

Input level controls

Tri–color LED input level indicators

P2R Receiver

Combination wired/wireless compatibility

Gain switch for setting line input sensitivity

1/4-inch line-level input jack to connect monitor mix, click

tracks, effects, or condenser microphones.

Integrated cable management groove secures cables con-

nected to the bodypack.

ENGLISH

THE P2T TRANSMIXER

Controls and Features

FRONT PANEL:

BACK PANEL:

1. MIC/LINE INPUT Jacks: Electronically balanced inputs

that accommodate both XLR and 1/4-inch connectors at

mic or line levels.

2. Signal/Clip LEDs: Color indicates the signal status of the

corresponding MIC/LINE input, as explained in the Audio

Inputs and Outputs section below.

3. INPUT Knobs: Control the level of their corresponding

inputs.

4. CHANNEL LED Indicator: Displays the frequency chan-

nel that is being transmitted (1–8).

5. SELECT Button: Press to select a frequency channel.

6. Antenna: Permanently mounted, break–resistent anten-

na transmits the mix to the P2R Receiver.

7. Power Cord Strain Relief: Thread the power cable

through these slots to secure the DC connection.

8. DC IN: Plug the power supply into this connector. The unit

remains powered on until you unplug it.

9. SPLIT OUTs: Each male XLR output jack duplicates the

signal of the corresponding mic/line input. Front panel set-

tings have no effect on split output level.

Audio Inputs and Outputs

The INPUT knobs control both MIC and LINE level signals. As a general guide-

line, set the knob to the left of twelve o’clock for line level signals, and to the right

of twelve o’clock for microphone levels.

Observe the signal/clip LEDs. If they are consistently red, decrease the level

with the corresponding INPUT knob.

NOTE: If the level is decreased all the way and the LED

remains red, the level of the input from the previous device

in the audio chain (mixer, click track, digital sequencer, etc.)

is too high and should be decreased.

To pass audio signal directly through the TransMixer, use the corresponding SPLIT OUT on the rear panel of the device. Input settings

do not affect the level of the signal at the SPLIT OUT connectors.

* The P2T inputs have limiting circuitry that activates automatically when the input level is too high.

Line

Level

Microphone

Level

INPUT Knob

INPUT LED

RED

YELLOW

GREEN

Limited Signal*

Nominal Level

Signal Present

—

Phantom Power

Although the TransMixer itself does not provide phantom power for condenser microphones, the SPLIT OUT connectors pass phantom pow-

er from a phantom power supply to a microphone connected to the corresponding input jack. You can connect equipment that supplies phan-

tom power to the TransMixer without harming the unit.

Selecting a Frequency Channel

1. Press and hold the SELECT button until the CHANNEL LED indicator begins to flash.

2. When the LED indicator is flashing, press the SELECT button to scroll to the desired frequency channel.

3. Release the button. After 4 seconds the display will stop flashing and the P2T will automatically switch to the

specified channel.

IMPORTANT:

Never set more than ONE TransMixer to the same frequency channel, or interference will occur.

ENGLISH

P2R RECEIVER

Controls and Features

1234

789 10

1. POWER LED: Lights to indicate the unit is powered on

and blinks to indicate low battery. When this LED starts

blinking, you have approximately 15 minutes of battery

time remaining.

2. On/Off/Volume Knob: Turn clockwise past click to

power on. Continue to turn clockwise to increase vol-

ume, counterclockwise to decrease volume.

3. LIM LED: Lights only when limiter is activated. See the

LIM LED section on page 10 for details.

4. RF LED: Lights when the unit is receiving radio frequency

(RF) signal from the P2T TransMixer.

5. Antenna: An attached, flexible whip antenna receives RF

signal from the TransMixer.

6. CHANNEL LED Indicator: Displays the number of the

current frequency channel (1-8), or the letter “A” for

wired mode. See the CHANNEL LED Indicator section

on page 10 for details.

7. SELECT Button: Press to increment the frequency

channel or set to “A” for wired mode.

8. MIX IN Jack: Connect a 1/4-inch line-level input to this

jack. Use alone, or in combination with wireless recep-

tion from the P2T Transmixer. See the MIX IN Jack

section on page 10 for details.

9. GAIN Switch: Slide to HI or LO position to set the sensi-

tivity of the MIX IN input.

10. Earphone Output Jack: Connect E1, E2, or E5 ear-

phones to this 1/8-inch (3.5mm) jack.

11. Cable Management Groove: For a secure connection,

guide the cable connected to the MIX IN Jack or the

earphone cord into this groove.

12. Belt Clip: Securely attaches the unit to a belt, guitar

strap or waist band.

13. Battery Compartment Door: See the Battery Installa-

tion section below.

Battery Installation 1. Unlock the battery compartment door by pressing down

on the side of the battery compartment door marked

“OPEN” and sliding it in the direction of the arrow.

2. Flip open the door and insert a fresh 9V alkaline battery,

observing proper polarity.

3. Flip the battery compartment door closed, then press

and slide the compartment door until it snaps shut.

Note: If the battery compartment door will not close

completely, the battery is not correctly inserted.

Cable Management Groove

1. Connect an audio source to the 1/4-inch MIX IN jack on the side of the P2R.

2. Attach the P2R to your belt, waist band, or another location.

3. Slide the audio cable or earphone cord up into the groove, as illustrated.

4. The belt clip will hold them securely in place.

ENGLISH

Wireless Mode

When you are using the P2R as a wireless receiver, or as a combination wired and wireless receiver, use the SELECT button on

the side of the P2R Receiver to set the frequency channel (1–8).

To Set the P2R to Wired Mode:

1. Press and hold the SELECT button until the CHANNEL LED indicator begins to flash.

2. When the LED indicator is flashing, press the SELECT button to scroll past channel 8 until the letter “A” appears in

the display.

3. Release the button. After 4 seconds the display will stop flashing and the P2R will automatically switch to wired mode.

NOTE: Setting the P2R receiver to wired mode disables its wireless capability.

To Select a Frequency Channnel:

1. Press and hold the SELECT button until the CHANNEL LED indicator begins to flash.

2. When the LED indicator is flashing, press the SELECT button to scroll to the desired

frequency channel.

3. Release the button. After 4 seconds the display will stop flashing and the P2R

will automatically switch to the specified channel.

NOTE: Set the P2R to the same channel as the P2T TransMixer.

Wired Mode

When you are using the P2R Receiver as a stand-alone wired monitor, you can set the unit

to wired mode. This de-activates the RF circuitry and extends the battery life.

CHANNEL LED Indicator

The CHANNEL LED indicator shuts itself off after 10 seconds to conserve battery life. To view the frequency channel when

the LED indicator is off, simply press and release the SELECT button.

To disable the battery saving feature:

1. Turn off the P2R.

2. Press and hold the SELECT button and turn the unit back on while holding down the button.

3. The LED indicator now displays the current frequency channel until you turn off the P2R and turn it back on.

MIX IN Jack

When you are using the P2R Receiver as a stand-alone personal monitor, the 1/4-inch MIX IN jack

serves as the primary audio input. In addition, the MIX IN jack allows the P2R to function as a hybrid

wired and wireless receiver. When you are using the P2R in its wireless mode, you can add a second

audio source via the MIX IN jack, such as.

Click Tracks

Pre-Amp Outputs from Guitar or Bass

Effects Processors

Condenser Microphones

Next to the jack is a two-position GAIN switch that gives you a choice between LO and HI gain settings

for the input. For specific information on how the MIX IN jack functions, refer to the wiring diagrams

on page 16.

LIM LED

The P2R Receiver has a non–defeatable (constantly active) limiter that automatically activates

if the receiver output level exceeds a certain volume, which is calibrated specifically for the

Shure E2 earphones. The LIM LED on the top of the unit lights up when the limiter is on. If the

LIM LED blinks occasionally, turn down the volume of the receiver.* If the LED is on and you

haven’t reached a high enough listening level, try re-inserting the earphones for a better seal,

or adjust the mix that is being sent to the receiver to include only the most essential inputs.**

* When the LED is on, the volume will not increase. ** The limiter is designed to work best with the Shure E2 earphones.

Using the P2R with Shure E1 or E5, or earphones made by other

manufacturers, can result in higher limited volume levels.

ENGLISH

SET-UP

Wireless System Set-Up

To configure the P2T TransMixer and P2R Receiver for wireless operation:

1. Plug the power supply into the DC INPUT connector on the

rear panel of the P2T, then plug it into a power outlet.

2. Connect audio sources to the combo XLR/1/4-inch jacks on

the front panel.

3. Select a frequency channel (1–8). See the Selecting a Fre-

quency Channel section on page 8 for details.

IMPORTANT: Never set more than ONE

TransMixer to the same frequency channel, or

interference will occur.

4. Observe the signal/clip LEDs. If they are consistently

red, decrease the level with the corresponding INPUT

level knob.

5. To pass audio signal directly through the TransMixer, use

the corresponding SPLIT OUT connector on the rear panel

of the device.

6. Turn the On/Off/Volume knob on the P2R clockwise past click

(On). Leave the volume setting low.

7. Set the P2R to the same frequency channel as the P2T.

8. Check the RF LED on the P2R to confirm that transmission

is being received.

9. Plug earphones into the earphone output jack. Insert the

earphones into your ears as instructed in the earphone

user’s guide.

10. Slowly increase the P2R volume to a comfortable level.

CHANNEL SELECT

PSM200 TransMixer

MIC/LINE1 MIC/LINE2 1INPUTS 2

Mixing Console

Hybrid Wired/Wireless System Set-Up

To configure the P2T TransMixer and P2R Receiver for hybrid wired/wireless operation:

1. Follow steps 1–9 of the Wireless System Set-Up section.

2. Connect an audio source to the 1/4-inch MIX IN jack on

the side of the P2R.

3. Set the GAIN switch to LOW initially and set the source

volume to a moderate level.

4. Attach the P2R onto your belt, waistband, or another location.

5. Slide the audio cable or earphone cord into the cable man-

agement groove.

6. Slowly increase the P2R volume to a comfortable level. Set

the GAIN switch to HIGH if you need more level.

P2R Stand-Alone Wired Set-Up*

To configure the P2R Receiver as a stand-alone personal monitor:

1. Turn the On/Off/Volume knob clockwise past click (On).

Leave the volume setting low.

2. Set the CHANNEL to “A” with the SELECT Button. See the

Wired Mode section on page 10 for details.

3. Connect an audio source to the 1/4-inch MIX IN jack on

the side of the P2R.

4. Set the GAIN switch to LOW initially and set the source

volume to a moderate level.

5. Attach the P2R onto your belt, waistband, or another

location.

6. Slide the audio cable or earphone cord into the cable

management groove.

7. Plug the earphones into the earphone output jack. Insert

the earphones into your ears as instructed in the ear-

phone user’s guide.

8. Slowly increase the P2R volume to a comfortable level.

Set the GAIN switch to HIGH if you need more level.

Mixing Console

NOTE: Setting the P2R receiver to “A” disables its wireless capability and extends the battery life.

* If you have purchased the P2R as a stand-alone personal monitor, you can go wireless by simply purchasing a

P2T TransMixer.

ENGLISH

SYSTEM APPLICATIONS

This section presents three typical applications for the PSM200. For more ideas, visit Shure’s website at www.shure.com.

APPLICATION ONE: Wireless Set-Up for a Vocalist

This is the basic wireless configuration of the PSM200 system for a single user, either instrumental or vocal:

1. Connect the vocal mic to INPUT 1 of the P2T TransMixer.

2. Connect SPLIT OUT 1 from the P2T to the Mixing Console.

3. Connect the instrumental mix line out to INPUT 2 of the P2T.

4. Set the P2T and P2R to the same frequency channel.

5. Insert the E2 earphones into your ears and adjust the mix of INPUT 1 and INPUT 2 on the TransMixer.

Wireless

Transmission

Vocal Mic Signal

SPLIT OUT

from TransMixer Band Mix

Vocal Mic

Mixing Console

APPLICATION TWO: Combination Wired and Wireless Set-Up for a Drummer

The following application uses the P2R as a combination wired/wireless Receiver. The MIX IN jack of the P2R is connected

to a click track for the drummer:

1. Connect the drum mix out of the Mixing Console to INPUT 1 of the P2T TransMixer.

2. Connect the band mix out of the Mixing Console to INPUT 2 of the P2T.

3. Set the P2T and the P2R to the same frequency channel.

4. Insert the E2 earphones into your ears and adjust the mix of INPUT 1 and INPUT 2 on the TransMixer.

5. Set the P2R Receiver to a comfortable level.

6. Set the GAIN switch on the P2R to LOW.

7. Connect the Click Output to the MIX IN 1/4-inch jack of the P2R and adjust your levels.

Mixing Console

Click

Track

Drum Mix

Band Mix

ENGLISH

APPLICATION THREE: Two PSM200 Wireless Systems Used Simultaneously*

The following configuration uses two PSM200 systems simultaneously, and utilizes the SPLIT OUT feature of the TransMixer. In this exam-

ple, the musicians keep the TranMixers on stage with them, in order to control their personal mixes independent of the house engineer.

1. Connect the vocal mic to INPUT 1 of the Vocal Mix TransMixer and connect SPLIT OUT 1 (the vocals) to the

Mixing Console.

2. Connect the total band mix from the Mixing Console to INPUT 2 of the Vocal Mix TransMixer.

NOTE: In this example, the band mix includes vocals. This allows the guitar mix to include vocals,

and allows the vocalist to independently control more of the vocal level in his/her personal mix.

3. Set the Vocal Mix P2T and P2R Receiver to the same frequency channel.

4. Connect SPLIT OUT 2 of the Vocal Mix TransMixer (the band mix) to INPUT 1 of the Guitar Mix TransMixer.

5. Connect the guitar amp simulator to INPUT 2 of the Guitar Mix P2T TransMixer.

6. Connect the SPLIT OUT 2 of the Guitar Mix TransMixer (the guitar amp simulator) to the Mixing Console.

7. Set the Guitar Mix P2T TransMixer and P2R Receiver to a frequency channel that’s different from the channel you

set for the Vocal Mix system in step 3.

* Up to four systems can be used at the same time.

Mixing Console

Vocal Mix

Guitar Mix

Vocal Mic

SPLIT OUT

from

TransMixer

Band Mix

SPLIT OUT

from

TransMixer

Guitar Amp

Simulator

SPLIT OUT

from

TransMixer

Band Mix

Vocal

Mix Guitar

Mix

Guitar Amp

Simulator

Vocal

Mic

RACK MOUNTING THE P2T

The P2T features a standard 1/2–rack space design, and includes a rack mounting kit.

Install Rack Ears

Mount in an Equipment Rack

Single Unit Dual–Mounting Two Units

CHANNEL

SELECT

PSM200TransMixer

MIC/LINE1 MIC/LINE2 1 INPUTS

CHANNEL

SELECT

PSM200TransMixer

MIC/LINE1 MIC/LINE2 1 INPUTS2

CHANNELSELECT

PSM200TransMixer

MIC/LINE1 MIC/LINE2 1 INPUTS2

NOTE: Be sure to use both straddle bars when installing dual units.

CHANNELSELECT

PSM200TransMixer

MIC/LINE1 MIC/LINE2 1 INPUTS 2 CHANNEL

SELECT

PSM200TransMixer

MIC/LINE1 MIC/LINE2 1INPUTS 2

CHANNEL

SELECT

PSM200TransMixer

MIC/LINE1 MIC/LINE2 1 INPUTS 2

WARNING: Do not torque the screws too tightly, or the chassis may be damaged.

ENGLISH

TROUBLESHOOTING

PROBLEM SOLUTION

No sound at the receiver Check the power cord on the TransMixer and make sure it is

powered on.

Make sure both the TransMixer and the P2R Receiver are set to

the same frequency channel.

Make sure the earphones are plugged in to the receiver and the

volume is up.

Make sure the Receiver is on and the battery is good.

Check the incoming audio connections on the TransMixer.

Low receiver range Try to maintain line-of-sight between the TransMixer and Receiver

antennas.

Try another frequency in case interference is limiting the range.

Check for television channel interference. More information is

available at www.shure.com.

Receiver sounds fuzzy or distorted Make sure no other TransMixers or wireless transmitters are oper-

ating on your frequency.

Make sure the TransMixer input level is lighting yellow LEDs for

optimum performance.

Make sure you are using a fresh battery in the P2R.

Low audio output at the receiver Make sure the TransMixer input level is lighting yellow LEDs for

optimum performance.

Make sure the P2R Receiver’s volume knob is up.

ACCESSORIES

Furnished Accessories

P2T TransMixer

AC Adaptor PS20, PS20E, PS20UK. . . . . . . . . . . . . . . .

Rack Mount Kit 53B8484. . . . . . . . . . . . . . . . . . . . . . . . . .

P2R Receiver

1/4–inch mono 20 foot cable 90B4677. . . . . . . . . . . . . .

Optional Equipment

AuxPander:

The Shure AuxPander auxiliary expander extends the capabili-

ties of a standard mixing console by providing eight additional

auxiliary sends. It is designed ideally for use with multiple per-

sonal monitoring systems.

P4M:

The P4M is a highly versatile four–channel, two–bus stereo

mic/line mixer designed to optimize personal (in–ear) monitor

systems in live performance applications.

AP200:

You can use the AP200 adaptor to connect a lavalier micro-

phone to the MIX IN jack on the P2R Receiver. The AP200

includes a Shure WL93 omnidirectional microphone that al-

lows you to combine your wireless mix with ambient sound

from your surroundings.

SPECIFICATIONS

PSM200 System

RF Carrier Frequency Range

518–865 MHz (country dependent)

Operating Range

100 m (300 ft.) under optimal conditions

Audio Frequency Response

30 Hz to 12 kHz (+/–3 dB); earphone dependent

Total Harmonic Distortion (1 KHz)

<1% typical (Ref. ±35 kHz deviation)

Modulation

FM ±35 kHz Deviation (Nominal)

Signal-to-Noise Ratio

80 dB typical (A-weighted)

Operating Temperature

–7° C to +49° C

(+20° F to +120° F)

ENGLISH

P2T TransMixer

RF Output Power

30 mW (+15 dBm) typical conducted (country dependent)

Modulation Limiter

Internal peak limiter (>10:1 hard knee compression)

Antenna

1/4 Wavelength, semi-rigid, PCB Mount

Current

170 mA maximum

Dimensions

220 mm x 140 mm x 40 mm (8.6 in. x 5.6 in. x 1.7 in.)

Net Weight

370 g (13 oz.)

P2T Audio Input

Connector Type: XLR/1/4-inch combo

Configuration: electronically balanced

Actual Impedance: 1 kΩ

Nominal Input Level: –25 dBu @ 1/2 volume

(12 o’clock)

Maximum Input Level: –5 dBu @ 1/2 volume

(12 o’clock)

Pin Assignments: XLR: 2=hot; 3=cold, 1=ground

1/4: Tip = hot, Ring = cold,

Sleeve=ground

Phantom Power Protection? Yes: Up to 52 VDC

P2T Audio Outputs

Passive connection parallel with input.

Connector Type: XLR

Configuration: electronically balanced

Pin Assignments: 2 = hot ; 3 = cold, 1 = ground

Phantom Power Protection? Yes: Up to 52 Vdc

Power Requirements

Operating voltage 12–18 Vdc

Supplied with one of the following external power supplies:

Model PS20: 120 VAC, 60 Hz input, UL and cUL

approvals.

Model PS20E, Model PS20UK: 230 VAC, 50/60 Hz input,

TUV approval with European CE marking, conforms to

European Low Voltage Directive 72/23/EEC.

P2R Receiver

RF Sensitivity

–109 dBm typical

Squelch Threshold

–102 dBm typical

Antenna

Attached Whip

Audio Input Connector

Connector Type: 1/4-inch Mono

Impedance: 1 MΩ

Maximum Input Level: LOW = +0 dBu

HIGH = –10 dBu

Power Requirements

9 V alkaline battery, Duracell type MN1604 recommended

Battery Life

Volume Dependent

Wired (RF Off): 6 hours

Wireless (RF On): 4 hours

Audio Output Connector

1/8 inch (3.5 mm)

Minimum Load Impedance

8 Ω

Net Weight

100 g (3.52 oz.), less battery

Overall Dimensions

122 mm x 73 mm x 32 mm

(4.809 in. x 2.875 in. x 1.251 in.)

PSM200 Channel Frequencies

The PSM200 is available in four frequency groups, each coordinated to work in a specific geographic region. You can find the frequency

group for your system printed on the rear panel of the P2T TransMixer. For more information on which frequencies can be used in your area,

call our Applications Group at 847–866–2525, or visit the Technical Support section at www.shure.com.

CHANNEL

(518–554)MHz

North America,

Europe

(800–814)MHz

Europe

(748–784)MHz

France, Australia

(842–865)MHz

England

1518.750 801.100 749.100 855.275

2524.875 802.325 754.025 856.175

3525.625 805.050 756.000 857.625

4534.375 808.600 765.900 858.200

5536.875 810.550 772.000 863.075

6538.500 811.600 775.000 863.625

7551.000 813.300 778.775 864.425

8553.250 813.800 781.900 864.850

Channel A (P2R Only) Wired Mode (RF Disabled)

ENGLISH

Certifications

P2T: Certified to FCC Part 74 (FCC ID No. DD4P2T). Certified in Can-

ada by IC to RSS–123 and RSS–102 (Certification No. 616A–P2T).

This class B digital apparatus complies with Canadian ICES–003.

EP2T/UKP2T: Meets essential requirements of European R&TTE Di-

rective 99/5/EC, eligible to bear the CE mark: O682 . Type ap-

proved to EN 300 422 Parts 1 and 2. Meets requirements of EMC Stan-

dard EN 301 489 Parts 1 and 9.

P2R: Approved under the Declaration of Conformity (DoC) provision of

FCC Part 15. Certified in Canada by IC to RSS-123 (Certification No.

616A–P2R). This class B digital apparatus complies with Canadian

ICES–003. Meets essential requirements of European Union R&TTE

Directive 99/5/EC, eligible to bear mark. Meets requirements of

EMC standards EN 300 422 Parts 1 and 2 and EN 301 489 Parts 1

and 9.

PS20: Conforms to Safety Standards UL1310 and Canada/CSA22.2,

No. 223

PS20E: Conforms to Safety Standard EN 60065.

PS20UK: Conforms to Safety Standard EN 60065 and BS 7002.

SHURE P2R

Tested To Comply

With FCC Standards

FOR HOME OR OFFICE USE

LIMITED ONE-YEAR WARRANTY

Shure Incorporated (“Shure”) hereby warrants that this product

will be free from defects in materials and workmanship for a pe-

riod of one year from the date of purchase for all cartridge and

housing assembly parts and for a period of one year from the

date of purchase for all transmitter parts. At its option Shure will

repair or replace the defective product and promptly return it to

you, or refund the purchase price. You should retain proof of

purchase to validate the purchase date and return it with any

warranty claim.

If you believe this product is defective within the warranty peri-

od, carefully repack the unit, insure it, and return it postage pre-

paid to:

Shure Incorporated

Attention: Service Department

222 Hartrey Avenue

Evanston, Illinois 60202-3696 U.S.A.

Outside the United States, return the product to your dealer or

Authorized Service Center.

This warranty does not apply in cases of abuse or misuse of the

product, use contrary to Shure’s instruction, or unauthorized re-

pair. All implied WARRANTIES OF MERCHANTABILITY or

FITNESS FOR A PARTICULAR PURPOSE are hereby dis-

claimed and Shure hereby disclaims liability for incidental, spe-

cial, or consequential damages resulting from the use or un-

availability of this product.

Some states do not allow limitations on how long an implied

warranty lasts, or the exclusion or limitation of incidental or con-

sequential damages, so the above limitation may not apply to

you. This warranty gives you specific legal rights, and you may

have other rights which vary from state to state.

THIS WARRANTY SUPERSEDES ALL WARRANTIES THAT

ARE INCLUDED WITH THIS PRODUCT

APPENDIX

P2R Receiver MIX IN Jack Wiring Diagrams

PRE–AMP

1 MEG OHM

TIP

SLEEVE RING

5 V BIAS

PRE–AMP

1 MEG OHM

Mono Line Input

The MIX–IN jack accepts line-level signals, such

as click tracks, effects processors, pre-amp out-

puts from guitar or bass amps, or line outputs from

mixing consoles. When used with a mono connec-

tor, the ring of the MIX IN jack is grounded. This

doesn’t harm the P2R.

Condensor Mic TRS Input

By connecting a condensor microphone to the MIX

IN jack, you can include sounds from your immedi-

ate surroundings in your personal mix. When the

MIX IN Jack is used with a TRS connector, such as

the Shure AP200 adaptor, the P2R supplies a 5 volt

bias on the ring signal. This enables the MIX IN jack

to power a condensor microphone. The AP200

works with any Shure microphone that has a mini

4-pin connector.

TIP

SLEEVE RING

SHURE Incorporated Web Address: http://www.shure.com

222 Hartrey Avenue, Evanston, IL 60202-3696, U.S.A.

Phone: 847-866-2200 Fax: 847-866-2279

In Europe, Phone: 49-7131-72140 Fax: 49-7131-721414

In Asia, Phone: 852-2893-4290 Fax: 852-2893-4055

Elsewhere, Phone: 847-866-2200 Fax: 847-866-2585

SHURE Incorporated Web Address: http://www.shure.com

222 Hartrey Avenue, Evanston, IL 60202-3696, U.S.A.

Phone: 847-866-2200 Fax: 847-866-2279

In Europe, Phone: 49-7131-72140 Fax: 49-7131-721414

In Asia, Phone: 852-2893-4290 Fax: 852-2893-4055

Elsewhere, Phone: 847-866-2200 Fax: 847-866-2585

Shure orporated P2T Wireless Personal Monitor Transmitter User Manual psm200 Master

Shure Incorporated Wireless Personal Monitor Transmitter psm200 Master

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