Shure orporated P7T Wireless Personal Stereo Monitor System User Manual psm7 cov prn

Shure Incorporated Wireless Personal Stereo Monitor System psm7 cov prn

Users Manual

Shure PSM700 Personal Stereo Monitor SystemShure Brothers Incorporated222 Hartrey AvenueEvanston IL 60202-3696 U.S.A.27A???? (QJ)E1998, Shure Brothers Inc. Printed in U.S.A.PSM 700Wireless Personal Stereo Monitor SystemUser GuideSystème de retour stéréo personnel sans filGuide de l’utilisateurDrahtloses individuelles StereomonitorsystemBedienungsanleitungSistema inalámbrico de monitor estereofónico personalGuía del usuarioSistema di controllo stereo personale senza filiGuida d’usoR
1English –WARNING!USING THIS SYSTEM AT EXCESSIVE VOLUMES CAN CAUSE PERMANENT HEARING DAMAGE.USE AS LOW A VOLUME AS POSSIBLE.In order to use this system safely, avoid prolonged listening at excessive sound pressure levels. Please use the followingguidelines established by the Occupational Safety Health Administration (OSHA) on maximum time exposure to soundpressure levels before hearing damage occurs.90 dB SPL at 8 hours95 dB SPL at 4 hours100 dB SPL at 2 hours105 dB SPL at 1 hour110 dB SPL at 1/2 hour115 dB SPL at 15 minutes120 dB SPL — avoid or damage may occurIt is difficult to measure the exact Sound Pressure Levels (SPL) present at the eardrum in live applications. In additionto the volume setting on the PSM, the SPL in the ear is affected by ambient sound from floor wedges or other devices.The isolation provided by the fit of quality earpieces is also an important factor in determining the SPL in the ear.Here are some general tips to follow in the use of this product to protect your ears from damage:1. Turn up the volume control only far enough to hear properly.2. Ringing in the ears may indicate that the gain levels are too high. Try lowering the gain levels.3. Have your ears checked by an audiologist on a regular basis. If you experience wax buildup in your ears, stop usingthe system until an audiologist has examined your ears.4. Wipe the ear molds with an antiseptic before and after use to avoid infections. Stop using the ear molds if they arecausing great discomfort or infection.This symbol indicates that dangerous voltage constituting a risk of electric shock is present within this unit.This symbol indicates that there are important operating and maintenance instructions in the literature accompanyingthis unit.FCC Statement. The P7R Receiver complies with part 15 of the FCC rules. Operation issubject to the condition that this device does not cause harmful interference.Licensing Statement. Changes or modifications not expressly approved by ShureBrothers Inc. could void your authority to operate the equipment. Licensing of Shure wirelessequipment is the user’s responsibility, and licensability depends on the user’s classificationand application. Shure strongly urges the user to contact the appropriate authority concerningproper licensing.
2English –TABLE OF CONTENTSGetting Started with the PSM700 3. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Introduction 4. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Description 4. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Components 4. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Features 4. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Overview 5. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P7T Transmitter 5. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Front Panel 5. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Back Panel 5. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . P7R Receiver 6. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Controls and Connectors 6. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . DIP Switches 6. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Installation and Applications 7. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Operating Modes 7. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Stereo Control 7. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . MixMode Control 8. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Mono Control 8. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Monitoring the Performers’ Mixes 8. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Loop Applications 9. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Running Multiple PSM700 Wireless Systems under Stereo Control 9. . . . . . . . . . . . . . . . . . . . . . . . . . . . Running Floor Monitors through a P7T Transmitter 9. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Running Multiple PSM700 Systems under MixMode Control 10. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Running a Recording Device through a P7T Transmitter 10. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Accessories 11. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Troubleshooting 12. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Appendix A. Specifications 12. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Custom Earpieces 14. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Voltage Selection 14. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Appendix B. Rack Mounting Options 15. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Rack Mounting the P7T Transmitter 15. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Front Mounting the Antenna 16. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
1. 2.3.4.5.6. 7.8.10.13.14.17.11. & 12.C84015.9.3English –GETTING STARTED WITH THE PSM700 SYSTEMThank you for purchasing the PSM700 Personal Stereo Monitor System. The PSM700is a revolutionary new product family designed to meet the diverse audio monitoring needs ofmusicians, engineers, and stage performers.The following are step-by-step instructions showing how to connect your PSM700wireless system to an audio source while introducing you to some of its features.P7T Transmitter Setup1. Plug the power cord to the power connector. Connect the other end to a power supply.2. Attach the antenna to the ANTENNA OUT BNC connector.3. Plug the cable(s) from the audio source (mixer, audio output, CD player) into the LEFT/RIGHT audio inputs. For a stereo send, use both inputs. For mono send, use either the LEFT or RIGHT input.NOTE: All inputs are phantom power protected up to 60 VDC.4. Put the PAD switch in the +4 dB position if the input signal is +4 dB, or the –10 dB position if the input signal is –10 dB.5. Turn on the P7T Transmitter.6. Set the SOURCE switch to match the audio send (stereo/mono).7. Set the GROUP switch in the UP position to frequency GROUP #1.8. Set the CHANNEL dial to the desired frequency.IMPORTANT: Never set more than ONE transmitter to the same operatingfrequency.9. Power on the audio source and adjust the level control so the LEDs are in the –3 dBto +3 dB range.P7R Receiver Setup10. Attach the bodypack antenna to the ANTENNA connector by aligning the red dot and threading the shell until it is tight.11. Open the battery door and insert a 9V alkaline battery.12. Set the DIP switches according to the illustration.#1: UP – Group #1#2: DOWN – Stereo control#3: UP – High frequency boost#4: UP – Limiter on13. Set the frequency dial to the desired frequency.14. Set the balance control to the center detent position.15. Insert the plug of the earpieces into the headphone connector on the top panel.16. Insert the earpieces into your ears.17. Turn on the receiver by rotating the volume knob clockwise past the click, then slowlyraise the volume to a comfortable listening level.Now you know the basic setup for your new PSM700 Personal Stereo Monitor System. Ifany troubles occur, please refer to the Troubleshooting section of this manual. The rest of themanual goes into greater detail on features and applications — including MixModet control,which enables you to customize your own mixes. Please read the rest of the manual to helpyou make the most of your PSM700 System.
4English –INTRODUCTION DescriptionThe Shure PSM700 Personal Stereo Monitor System is a frequency-agile, UHFwireless, two-channel stereo, monitor system designed for onstage applications. The PSMhas several advantages over onstage loudspeaker monitors: it is less visible, has bettersound, allows freedom of movement, and reduces the chances of feedback. It is a versatilesystem, designed for use in many different sound reinforcement applications: publicaddress, live music, theater, and electronic news gathering (ENG). The wireless system isfrequency compatible with other Shure UHF and VHF wireless systems.ComponentsP7T WIRELESS TRANSMITTERP7R WIRELESS RECEIVERE-SERIES EARPIECEPA715 ANTENNAP7T Wireless Transmitter with rack-mounting hardware and one antennaP7R Wireless Body-Pack Receiver with antennaOne E1 or E5 Earpiece with foam ear insertsFeaturesSUHF operation.SStereo or MixModet control for custom monitormixes.S32 user-selectable frequencies per system.SUp to 16 compatible frequencies for 16 separatemixes.SFrequency compatible with all Shure Wirelesssystems (country dependent).SMPX Stereo audio transmission.SSwitchable high-frequency boost on P7R.S+4 dBu/–10 dBV input level select switch on P7T.SElectronically balanced, combined 1/4-in./XLRconnectors on P7T can be used with balanced orunbalanced connections.SVolume and Balance dials on the P7R Receiver foreasy user access.SInternal linear power supply on P7T, switchablebetween 120 VAC and 230 VAC.SPeak transmitter modulation limiter with fixedthreshold and modulation limit indicators.SLoop out connectors on P7T for multiple mixsetups and easy installation.STone-Key squelch.SHalf-rack chassis on P7T complete with mountinghardware.SAll metal construction on P7T and P7RSHeadphone monitor on P7T for local listening.
5English –OVERVIEWP7T TransmitterFront Panel INPUT Control. This controls the signal level to thetransmitter modulator. For optimum sound, the inputlevel should be set in the –3 dB to +3 dB range.Stereo INPUT Meters. Each channel has an eightLED meter which indicates the modulation level ofthe radio signal. Important: When the LIM (limit)LEDs illuminate, the system is overdriven. Reducethe input knob to keep the input level LEDs at around–3 dB to +3 dB.SOURCE Switch. Set to MONO when only oneinput is needed. Set to STEREO/MixMode whenboth inputs are needed.PHONES Volume Control. This controls the signallevel to the headphone output. This does not affectthe input level.Headphone Connectors — 1/4-in. phone and 3.5mm (1/8-in) mini. Each connector is configured asleft=tip, right=ring, ground=sleeve. Please note thatonly one of these outputs can be used at a time.CHANNEL Select Control. This dial determinesthe frequency which the P7T transmits. There aretwo groups of sixteen frequencies available,corresponding with those on the P7R receiver. Tochange the frequency, use the supplied screwdriver.GROUP Switch. This selects the channel group, 1or 2.Power Switch. Press this button to turn the unit on.Rear Panel Power Connector and Fuse. Connects to a powersupply. The fuse is located in the bottom drawer.LOOP OUT Connectors — 1/4-in. phone,balanced. Additional connectors internally wired tothe respective LEFT/RIGHT input connectors.INPUT PAD Switch. Selects the input signal levelfor –10 dBV or +4 dBu operation. See thespecifications for the audio equipment to beconnected for the proper signal level.LEFT/CH. 1 and RIGHT/CH. 2 Input Connectors— Combined 1/4-in. phone and XLR (female),balanced. Electronically balanced inputs can beused with either balanced or unbalanced outputs.Either connector can be used for mono control.Antenna Connector — 50 Ω, BNC type. Thisconnects to the antenna to transmit UHF signals tothe receiver.
6English –P7R ReceiverControls and Connectors Balance Control. In stereo mixes, this controls theleft/right balance. In MixModet, this controls themix level of two transmitter inputs.Headphone Connector. 3.5 mm (1/8-in.) phonejack connects to the E1 earpieces. Left=tip,right=ring, ground=sleeve.LOW BATT Indicator. This LED illuminates redwhen the battery has approximately 45 minutes ofoperating time remaining, depending on the volume.Power LED. This green LED illuminates when thepower is ON and the battery is good.ON/OFF and Volume Control. Fullcounter-clockwise turns the P7R OFF. Turn the dialclockwise past the click to turn the P7R ON. OnceON, turn the dial clockwise to raise the volume, andcounter-clockwise to lower the volume in theearpieces.Antenna and Connector. An easily removableantenna connects to the P7R to receive RF signalsfrom the P7T Transmitter.RF LED. Illuminates when the P7R is receiving asignal from the transmitter.Battery Compartment. Accepts one 9-volt battery(Duracell recommended). Open the door bypressing the latches on both sides and pulling.DIP Switches. Using the DIP Switches, you cancustomize the operation of the receiver. See DIPSwitches.CHANNEL Select Control. This dial determinesthe frequency which the P7R receives. There aretwo groups of sixteen frequencies available,corresponding with those on the P7T transmitter. Tochange the frequency, use the supplied screwdriver.Use DIP switch 1 to select the frequency group.Belt Clip.
7English –DIP SwitchesDIPSWITCH FUNCTION UP DOWN1GROUP Select Frequency Channel Group 1 Frequency Channel Group 22Stereo/MixMode Select MixMode control stereo control3Equalization (Flat/High Boost) Gives a 6 dB boost at 10 kHzfor a better high-end response normal response4Limiter defeat Limiter on Limiter offIMPORTANT: The Limiter is designed to respond to and limit the loudness of unexpectedlyhigh signals. It is not designed to prevent long term exposure to high SPL levels. It isdesigned for use with the E-Series earpieces, so the maximum limited SPL may bedifferent with other earpieces. We recommend that you always use the built-in limiterprovided with this system. However, a limiter defeat switch has been provided for those whowould prefer to use an external limiter product.Selecting FrequenciesThe Shure PSM700 Personal Stereo Monitor System is frequency-agile, with twogroups of 16 channels for a total of 32 different possibe operating frequencies. The P7Ttransmitter and the P7R receiver each has a switch for selecting between the two groups,and a rotary dial for selecting the channel. Use the supplied screwdriver for adjusting therotary dial. C840GROUPCHANNEL120C841. Set the GROUP switch on the P7T transmitter to the desired group (group 1 or 2).Set DIP switch 1 on the P7R receiver to the same group.2. Set the CHANNEL select control on the P7T transmitter to the desired frequencychannel. Set the CHANNEL select control on the P7R receiver to the samefrequency channel.
8English –INSTALLATION AND APPLICATIONSThe flexible design of the PSM700 Personal Stereo Monitor System makes configuring amonitor mix very simple. In addition, the unique MixMode circuitry enables you to customizeyour own individual mix in a multiple mix environment. To help you install the PSM700 intoyour sound system, the tables and diagrams in this section describe three distinct modes ofoperating the system. Although the examples show only single system setups, you canconfigure multiple wireless systems in a setup. Some multiple mix setups are detailed in theLOOP Applications section of this chapter.Operating ModesFor optimum performance, The P7T requires a LINE level input signal.Stereo Control Used for conventional Stereo monitor mixes.TransmitterStereo/MixMode settingReceiverStereo settingBalance DialVaries stereo left/right imageMixMode Control Used for creating an individual mix between two distinct moni-tor sends.TransmitterStereo/MixMode settingReceiverMixMode settingBalance DialVaries levels between mixesMono Control Used when only one (mono) monitor mix is available.TransmitterMono settingReceiverStereo settingBalance DialVaries the right/left volume controlNOTE: For the best results, the input signal must be a LINE level signal. Forconsistency throughout the following diagrams, a mixing console is shown as the sourcesupplying the audio signal to the P7T transmitter. However, any balanced or unbalancedsend that outputs a LINE level should drive the P7T. Some devices that would work are CDplayers, DAT machines, direct injection boxes, and microphone preamplifiers.Stereo ControlThis diagram shows how to connect the PSM700 system with a stereo monitor mix.C840P7TP7RMIXERGROUPCHANNEL120C84C840GROUP 1GROUP 21. Connect the stereo mixer outputs to the L/CH1. and R/CH2. INPUTs on the P7Ttransmitter2. Set the SOURCE switch on the P7T front panel to STEREO.3. Set DIP switch 2 of the P7R Receiver to STEREO.4. Set the P7T transmitter and the P7R receiver to the same frequency.5. Use the balance control on the P7R Receiver to adjust the balance of the Right andLeft channel volume.
9English –MixMode ControlThis diagram shows how to connect the PSM700 system with two monitor mixescombined at the receiver. This allows you to vary the level between the two mixes to create acustom mix.C840FULL RIGHTVOICE MIX LOUDERFULL LEFTBAND MIX LOUDERVOICE MIXBAND MIXP7TP7RMIXERCH. 2CH. 1 CH. 2CH. 1C840GROUPCHANNEL120C84GROUP 1GROUP 21. Connect the monitor mix 1 and monitor mix 2 mixer outputs of the mixer to the L/CH.1 and R/CH. 2 audio inputs of the P7T transmitter.2. Set the SOURCE switch on the P7T transmitter to STEREO.3. Set DIP switch 2 on the P7R receiver to MixModet.4. Set the P7T transmitter and the P7R receiver to the same frequency.5. Use the balance control on the P7R to adjust the relative levels between the twomonitor mixes.Mono ControlThis diagram shows how to connect the PSM700 system with a mono monitor mix.C840P7TP7RMIXERGROUPCHANNEL120C84C840GROUP 1GROUP 21. Connect the mono monitor output of the mixer to either the Left or Right audio inputsof the P7T.2. Set the SOURCE switch on the front panel to MONO.3. Set DIP switch 2 of the P7R to STEREO.4. Set the P7T transmitter and the P7R receiver to the same frequency.Monitoring the Performers’ MixesWith the frequency select controls, you can soundcheck the different mixes in a multipletransmitter setup. Using one P7R receiver, set that P7R to same frequency as each successiveP7T to make sure the you hear the transmission. If necssary, twist the balance dial to check forproper left/right stereo balance or MixMode operation.
10English –LOOP ApplicationsThe LOOP OUT L (left) and R (right) outputs allow the signal going through the P7T to berun to other devices. The LOOP feature of the P7T can be used for any number ofapplications. Shown here are only a few examples of how it can be used.NOTE: The LOOP connectors act as either inputs or outputs. They can beused as outputs when the LEFT and RIGHT INPUT connectors are used forinput. However, LOOP connectors can also act as inputs when connecteddirectly to the outputs of a mixer. When the LOOP connectors are used asinputs, the LEFT and RIGHT INPUT connectors act as outputs. Thesediagrams show the LOOP connectors being used as outputs. Also, theinput pad does not affect the level of the LOOP signals.Running Multiple PSM Wireless Systems Under Stereo ControlThe LOOP OUT connectors can be used to send the same monitor stereo signals tomultiple P7T wireless transmitters. This will free up busses on the mixing console, allowingyou more freedom with your audio system. Simply connect a P7T to the mixing console asdescribed in Stereo Control, then run 1/4-in to 1/4-in from the L/R LOOP connectors of the firstunit to the LEFT/RIGHT Input connectors of the next unit. Connect subsequent unit in thesame way.P7R #1P7T #1MIXERP7T #2P7T #3P7R #2P7R #3Running Floor Monitors Through a P7T TransmitterThe monitor audio signal can be sent through the LOOP connectors to another amplifier,such as an amplifier for an onstage monitor system. When setup this way, the P7R and theonstage monitors will have the same audio.P7TP7RMIXERFLOOR MONITOR AMPLIFIER
11English –Running Multiple PSM Wireless Systems Under MixMode ControlA main mono monitor mix can be sent to multiple P7T transmitters, then independentmonitor mixes can be sent to the second channel of each. This will allow an entire band tohear the same monitor mix, while giving each individual player a separate mix of their own.Each player can then use the balance control to adjust the levels between their own mix andthe main mono monitor mix.P7R #1P7T #1MIXERP7T #2P7T #3P7R #2P7R #3BAND MIXBAND MIXBAND MIXSOLO MIX 1SOLO MIX 2SOLO MIX 3SOLO MIX 1SOLO MIX 2SOLO MIX 3BAND MIX/SOLO MIX 1 BAND MIX/SOLO MIX 2 BAND MIX/SOLO MIX 3Running a Recording Device Through a P7T TransmitterIf you would like to make a recording of a performance, the LOOP outputs can beconnected to the inputs of a tape deck, DAT, or other recording device.AUX 2OUTAUX 1OUTP7TP7RMIXER CASSETTE RECORDER
12English –TROUBLESHOOTINGPROBLEMSOLUTIONNo sound at the Receiver nCheck the power cord on the Transmitter and makesure it is powered on.nMake sure both the transmitter and the receiver areset to the same frequency.nMake sure the earpiece is plugged in to the receiver.nMake sure receiver is on and the battery is good.nMake sure both antennas are correctly attached.nListen to the headphone monitor on the transmitterto check audio feed.Low Receiver Range nMake sure all antennas are fully inserted and se-cured on to jacks.nTry to maintain line-of-sight between transmitter andreceiver.nTry the other frequencies in case interference is limit-ing the range.nCheck for television channel interference.nMake sure the PA715 antenna is not remotemounted.Receiver sounds fuzzy or distortednMake sure no other transmitters are operating onyour frequency.nMake sure transmitter input level is 0 dB ±3 dB foroptimum performance.nListen to the headphone monitor on the transmitterto check audio feed.nTry and maintain a minimum of 10 ft. between trans-mitter antennas and receiver when using multipletransmitters.Low audio output at the receiver headphonesnMake sure transmitter input level is 0 dB ±3 dB foroptimum performance.nSwitch the transmitter pad to –10 dBV position if theinput is too low.
13English –APPENDIX A. TECHNICAL SPECIFICATIONSSYSTEMrf Carrier Frequency Range722 to 862 MHz (country dependent)Operating Range 300 ft. (environment dependent)Audio Frequency Response 50 to 15k Hz (+0, –3 dB re 1KHz); earpiece dependentImage Rejection???????? dB typicalSpurious Rejection60 dB typicalTotal Harmonic Distortion 0.8% typical (Ref. ±35 KHz deviation)Modulation FM ±35 kHz Deviation (Nominal), MPX StereoChannel Separation 35 dB typicalSignal-to-Noise Ratio ????????? dB typical (A-weighted)Operating Temperature –7° C to +49° C (+20° F to 120° F)Battery Life4–6 hours, volume dependentPolarity P7T audio inputs to P7R audio outputs: Non-invertingXLR: pin 2 positive with respect to pin 31/4-in. TRS: Tip positive with respect to ringP7T TRANSMITTERRF Output Power 100 mW (+20 dBm) typical conducted (country dependent)Modulation Limiter Internal peak limiter (>10:1 compression)Antenna External whip, 50 Ω BNC connectorPower RequirementsP7T: 120 Vac, 50/60 HzEP7T: 230 Vac, 50/60 HzNOTE: This product is not disconnected from the mainspower supply when the power switch is in the OFFposition.Current115 mAac maximum at 120 Vac55 mAac maximum at 230 VacFuseP7T: 120 Vac, 160 mA/250 V (SLO-BLOR)EP7T: 230 Vac, 80 mA/250 V time delayFUSEDimensions44.5 mm X 197.4 mm X 238.1 mm (1 3/4 in. X 7 3/4 in. X 91/2 in.)Net Weight3.30 kg (3 lbs., 4.8 oz.)P7R RECEIVERrf Sensitivity1.2 µV typicalSquelch Threshold4 µV typicalAntenna Input Impedance50 Ω typicalAntennaExternal, threaded connectorPower Requirements9 V batteryAudio Output Connector3.5 mm Stereo (Left = tip, Right = ring, Ground = sleeve)Minimum Load Impedance16 ΩNet Weight0.52 lbs.Overall Dimensions27.18 mm X 64.52 mm X 85.09 mm (1.070 in. X 2.540 in. X 3.350 in.)CertificationP7T: Type Accepted under FCC Parts 74 and 90.Certified by IC in Canada under TRC–78. UL and cULListed.EP7T: Conforms to European Union Directives, eligible tobear CE marking. Type Certifiedto BZT 17 TR 2019, andBAPT 122 R 1. EMC Immunity Certified to ETS 300 445.VDE GS Certified to EN 60 065P7R: Approved under the Notification provision of FCC Part15. Certified by IC in Canada under TRC-78. Conforms toEuropean Union Directives, eligible to bear CE marking.Type Certified to BZT 17 TR 2019, and BAPT 122 R 1. EMCImmunity Certified to ETS 300 445.FURNISHED ACCESSORIESBody-Pack Antenna PA710. . . . . . . . . . . . . . . . . . . . . . . . . Transmitter Antenna PA715. . . . . . . . . . . . . . . . . . . . . . . . . Rack Mount Kit PA745. . . . . . . . . . . . . . . . . . . . . . . . . . . . . Bag of 10 Foam Ear Inserts PA750. . . . . . . . . . . . . . . . . . . 60 cm (2 ft) Coaxial Cable (RG-58/U) UA802. . . . . . . . . . OPTIONAL ACCESSORIESAntenna Combiner PA770 (120 VAC). . . . . . . . . . . . . . . . PA765E (240 VAC)Unidirectional Antenna PA705. . . . . . . . . . . . . . . . . . . . . . . 10 ft Coaxial Antenna Cable (BNC connector) PA725. . . Triple-Flange Ear Inserts (2) PA755. . . . . . . . . . . . . . . . . .
14English –ConnectorsP7T Audio Inputs (LEFT/CH.1 and RIGHT/CH.2)Connector:(XLR and1/4-inchcombined) XLR (female) 1/4-inchphone jack(female)Configuration: electronically balanced electronicallybalancedActualImpedance: 20 kΩ20 kΩNominalInput Level: +4 dBu (+4 input level)–10 dBV (–10 input level)+4 dBu (+4 input level)–10 dBV(–10 input level)MaximumInput Level: +25 dBu(+4 input level)+13 dBu(–10 input level)+25 dBu(+4 input level)+13 dBu(–10 input level)PinAssignments: Pin 1 = groundPin 2 = hotPin 3 = coldTip = hotring = coldsleeve = groundPhantom PowerProtection? YesUp to 60 VDC YesUp to 60 VDCP7T L/R LOOP Outputs (IN and OUT)Connector:(XLR and 1/4-inch combined)1/4-inchjack (female)Configuration: electronicallybalancedActualImpedance: 20 kΩNominalInput Level: +4 dBu (+4 input level)–10 dBV(–10 input level)MaximumInput Level: +25 dBu(+4 input level)+13 dBu(–10 input level)PinAssignments: Tip = hotring = coldsleeve = groundPhantom PowerProtection? YesUp to 60 VDCVoltage SelectionP7T and EP7T transmitters can be internally modified tooperate at either 120 Vac or 230 Vac.WARNINGVoltages in this equipment are hazardous to life.No user-serviceable parts inside. Refer allservicing to qualified service personnel.The safety certifications of the P7T do not applywhen the operating voltage is changed from thefactory setting.To change the operating voltage, follow these steps.1. Disconnect the P7T from the ac power source.2. Remove the eight Phillips head screws securing the topcover.3. Locate Voltage Selector switch SW4 adjacent to powertransformer T1 and, using a screwdriver, turn the centerrotor to the desired position:For 120 V operation, turn it to the 115 V position.For 230 V operation, turn it to the 230 V position.4. Locate fuse and remove it. Replace it with the proper fuse:For 120 V operation, use a 160 mA, 250 V, slow-blow fuse. For 230 V operation, use a 80 mA, 250 V, time delay fuse.Fuse part numbers are:Fuse Type Shure Part No. Part No.80 mA, 250 Vtime delay 80H380 Schurter .034.3106160 mA, 250 VSLO-BLO 80K258 LittelfuseR218.1605. Replace the power cord with the proper power cord:For 120 V operation, use an IEC appliance connector onthe equipment end and a mains connector suitable for 115V operation on the other.* (Shure part #95A8389.)For 230 V operation, use an IEC appliance connector onthe equipment end and a CEE 7/7 (“Schuko”) mainsconnector on the other.* (Shure part #95A8247.)*For systems requiring other mains connectors, obtain a power cord with anIEC 320 type mating connector for connection to the P7T, and an appropriateplug on the other end for connection to the mains. The supplied cord usesHarmonized IEC Cordage with color coding as follows: Brown = Line, Blue =Neutral, Green/Yellow = Ground.

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