Sony Dxc D35H D35Ph Users Manual D35K.GB

2015-01-23

: Sony Sony-Dxc-D35H-D35Ph-Users-Manual-286372 sony-dxc-d35h-d35ph-users-manual-286372 sony pdf

Open the PDF directly: View PDF .
Page Count: 108 [warning: Documents this large are best viewed by clicking the View PDF Link!]

 2000 by Sony Corporation

Operating Instructions

Before operating the unit, please read this manual

thoroughly and retain it for future reference.

3-203-895-13(1)

Color Video Camera

DXC-D35K/D35PK

DXC-D35L/D35PL

DXC-D35WSL/D35WSPL

DXC-D35H/D35PH

WARNING

Battery may explode if mistreated.

Do not recharge, disassemble or dispose of in fire.

Note

Keep the lithium battery out of the reach of children.

Should the battery be swallowed, consult a doctor

immediately.

ADVARSEL!

Lithiumbatteri - Eksplosionsfare ved fejlagtig håndtering.

Udskiftning må kun ske med batteri af samme fabrikat og

type.

Levér det brugte batteri tilbage til laverandøren.

ADVARSEL

Lithiumbatteri - Eksplosjonsfare.

Ved utskifting benyttes kun batteri som anbefalt av

apparatfabrikanten.

Brukt batteri returneres apparatleverandøren.

VARNING

Explosionsfara vid felaktigt batteribyte.

Använd samma batterityp eller en likvärdig typ som

rekommenderas av apparattillverkaren.

Kassera använt batteri enligt gällande föreskrifter.

VAROITUS

Paristo voi räjähtää jos se on virheellisesti asennettu.

Vaihda paristo ainoastaan laitevalmistajan suosittelemaan

tyyppiin.

Hävitä käytetty paristo valmistajan ohjeiden mukaisesti.

For the customers in the USA and Canada

RECYCLING NICKEL-CADMIUM BATTERIES

Nickel Cadmium batteries are recyclable.

You can help preserve our environment by

returning your unwanted batteries to your

nearest point for collection, recycling or

proper disposal.

Note: In some areas the disposal of nickel

cadmium batteries in household or

business trash may be prohibited.

RBRC (Rechargeable Battery Recycling Corporation)

advises you about spent battery collection by the following

phone number.

Call toll free number: 1-800-822-8837 (United States and

Canada only)

Caution: Do not handle damaged or leaking nickel-cadmium

batteries.

For safety reasons, be sure to discharge the battery

before discarding it.

WARNING

To prevent fire or shock hazard, do not

expose the unit to rain or moisture.

To avoid electrical shock, do not open

the cabinet. Refer servicing to qualified

personnel only.

This symbol is intended to alert the user to

the presence of uninsulated “dangerous

voltage” within the product’s enclosure that

may be of sufficient magnitude to

constitute a risk of electric shock to

persons.

This symbol is intended to alert the user to

the presence of important operating and

maintenance (servicing) instructions in the

literature accompanying the appliance.

Owner’s Record

The model and serial numbers are located on the top.

Record these numbers in the spaces provided below. Refer

to them whenever you call upon your Sony dealer regarding

this product.

Model No. Serial No.

LITHIUM BATTERY

Replace the battery with a Sony CR2032 lithium battery. Use

of another battery may present a risk of fire or explosion.

For customers in the USA (for DXC-D35K/D35L/D35WSL/

D35H)

This equipment has been tested and found to comply with the

limits for a Class A digital device, pursuant to Part 15 of the

FCC Rules. These limits are designed to provide reasonable

protection against harmful interference when the equipment

is operated in a commercial environment. This equipment

generates, uses, and can radiate radio frequency energy

and, if not installed and used in accordance with the

instruction manual, may cause harmful interference to radio

communications. Operation of this equipment in a residential

area is likely to cause harmful interference in which case the

user will be required to correct the interference at his own

expense.

You are cautioned that any changes or modifications not

expressly approved in this manual could void your authority

to operate this equipment.

The shielded interface cable recommended in this manual

must be used with this equipment in order to comply with the

limits for a digital device pursuant to Subpart B of Part 15 of

FCC Rules.

For the customers in Europe (for DXC-D35PK/D35PL/

D35WSPL/D35PH)

This product with the CE marking complies with the EMC

Directive (89/336/EEC) issued by the Commission of the

European Community.

Compliance with this directive implies conformity to the

following European standards:

• EN55103-1: Electromagnetic Interference (Emission)

• EN55103-2: Electromagnetic Susceptibility (Immunity)

This product is intended for use in the following

Electromagnetic Environment(s):

E1 (residential), E2 (commercial and light industrial), E3

(urban outdoors) and E4 (controlled EMC environment, ex.

TV studio).

4Table of Contents

Table of Contents

Chapter 2

Fitting and

Connection

Chapter 1

Overview

Table of Contents

Product Configurations ....................................................7

Features .............................................................................9

Features on the DXC-D35/D35P/D35WSL/D35WSPL ..... 9

Features on the DXC-D35WSL/D35WSPL...................... 12

Location and function of Parts ......................................13

Camera Head ..................................................................... 13

VCL-918BY Zoom Lens................................................... 19

DXF-801/801CE Viewfinder............................................. 21

Replacing the Lithium Battery .......................................23

Fitting a VTR ....................................................................25

Using the Camcorder Grip ................................................ 27

Fitting the Lens ...............................................................30

Using Accessories ..........................................................32

Using the Viewfinder ......................................................... 32

Using an Optional Microphone ......................................... 33

Fitting to a Tripod.............................................................. 34

Using the Optional CAC-4 Chest Pad ............................... 34

Using the Carrying Case ................................................... 35

Connections ....................................................................36

Connecting a Portable VTR............................................... 36

Connecting a Number of Cameras (Using a Camera

Control Unit) ................................................................ 37

Connecting a Number of Cameras (Without Using

a Camera Control Unit) ................................................ 39

Power Supply...................................................................40

Using Battery Packs .......................................................... 40

Camera Adaptor Power Supply ......................................... 41

Table of Contents 5

Chapter 4

Viewfinder Screen

Indications and

Menus

Table of Contents

Basic Procedure for Shooting........................................43

Using the DynaLatitude Function ..................................... 45

Shooting with the DSR-1/1P ...........................................46

Using the ClipLink Function ............................................. 46

Using the Edit Search Function While Back Space

Editing .......................................................................... 48

Using the Freeze Mix Function ......................................... 49

Viewfinder Screen Indications .......................................51

Changing the Viewfinder Display ..................................... 51

Viewfinder Normal Indications.......................................54

Status Indications .............................................................. 57

Viewfinder Basic Menu ...................................................58

Basic Menu Operations ..................................................... 58

Contents and Settings of Each Page .................................. 58

Viewfinder Advanced Menu............................................64

Advanced Menu Operations .............................................. 64

Contents and Settings of Each Page .................................. 64

Video Output and Viewfinder Picture

(For DXC-D35WSL/D35WSPL)................................. 70

Setup Files .......................................................................71

Calling up a Setup File ...................................................... 71

Changing File Settings ...................................................... 73

Saving File Settings........................................................... 73

Using SetupNavi and SetupLog with the DSR-1/1P .....76

Setting up the Camera Using Data Recorded on Tape ...... 76

Recording the Menu Settings onto a Tape......................... 77

Viewing SetupLog Data .................................................... 78

Chapter 3

Shooting

6Table of Contents

Table of Contents

Appendix

Chapter 5

Adjustments and

Settings

White Balance Adjustment .............................................79

Saving an Appropriate White Balance Value

in Memory .................................................................... 79

Using the Preset White Balance Settings .......................... 81

Light Sources and Color Temperatures ............................. 81

Using the ATW (Auto Tracing White Balance)

Function........................................................................ 81

Black Balance Adjustment .............................................83

Shutter Settings ..............................................................84

Setting the Clock and Timestamping Recordings........ 86

Viewfinder Screen Adjustments ....................................88

Adjusting the Lens ..........................................................89

Flange Focal Length Adjustment ...................................... 89

Iris Adjustments................................................................. 90

Adjusting the Iris Sensitivity ............................................. 91

Macrophotography ............................................................ 91

Settings for Special Cases .............................................92

Skin Detail Correction....................................................... 93

Adjusting Color in the Specified Area .............................. 93

Important Notes on Operation .......................................95

Characteristics of CCD Sensors ........................................ 96

Warning Indications ........................................................97

Specifications..................................................................98

Related Products................................................................ 99

Chart of Optional Components and Accessories ......101

What Is ClipLink? ..........................................................102

How ClipLink Changes Video Production Techniques ... 102

ClipLink Operation Flow ...............................................103

Example System Configuration....................................... 103

Data Generated When Shooting ...................................... 104

Chapter 1 Overview 7

Chapter1

Overview

Product Configurations

The eight models, DXC-D35K, DXC-D35L/D35WSL,

DXC-D35H, DXC-D35PK, DXC-D35PL/D35WSPL,

and DXC-D35PH, comprise both NTSC and PAL

versions and the components as shown in the figure on

next page. The operation of the basic camera unit is

the same in all cases.

Chapter 1 Overview

8Chapter 1 Overview

VCT-U14 Tripod

Adaptor

Microphone

DXF-801/801CE Viewfinder

DXC-D35H/D35PH

Test chart for flange

focal length

adjustment

DXC-D35/D35P/D35WSa)/

D35WSP a) Camera Headb) VCL-918BY

Zoom Lens

DXC-D35K/D35PK

DXC-D35L/D35PL

RM-LG1 Remote Control Unit

a) DXC-D35WSL/D35WSPL only

b) Illustration: DXC-D35WS/D35WSP

Camera adaptor

The product kit does not include a camera adaptor: to

use a camera adaptor, you will need to purchase a

model CA-537/537P or CA-327/327P.

Product Configurations

Chapter 1 Overview

Chapter 1 Overview 9

Features

Features on the DXC-D35/D35P/

D35WSL/D35WSPL

The DXC-D35WSL/S35WSPL is a 16:9 wide-screen

type (4:3-16:9 switchable) digital video camera while

the DXC-D35/D35P is a 4:3 standard-screen type

digital video camera. Common features on both types

are described in this section. See also “Features on the

DXC-D35WSL/D35WSPL” (page 12) for using the

DXC-D35WSL/S35WSPL.

2/3-inch IT type Power HAD (WS) CCD

The DXC-D35/D35P Color Video Camera uses 2/3-

inch IT type Power HAD CCDs. (For the DXC-

D35WSL/D35WSPL, Power HAD WS CCDs are

used. ) It outperforms most of the exiting FIT type

CCD cameras for high-end use, in both picture quality

and sensitivity.

• Smear: –125 dB (DXC-D35/D35P) or –120 dB

(DXC-D35WSL/D35WSPL)

• Sensitivity: F11.0 (at 3200 K, 2000 lux)

• S/N: 63 dB (DXC-D35/D35WSL) or 61 dB (DXC-

D35P/D35WSPL)

Sophisticated image processing

TruEye™ processing makes possible the following

performance features. This new digital signal

processing has brought reproduction of natural colors

to the level achieved by the human eye.

DynaLatitude™

Enables detailed adjustment of contrast control in each

pixel in accordance with a histogram of luminance

signal levels (see page 45).

DCC+ (dynamic contrast control plus)

Prevents white breakup when shooting a high intensity

subject, and also prevents color faults in high intensity

subject.

Black stretch and compress

Enables control of luminance signal levels in black

areas without changing the hue.

Variety of detail corrections

• Skin detail function: this function gives a slightly

softer appearance to the subject’s face. The target

skin color can be automatically set.

• Black halo correction

• Red/green vertical detail correction: this function

performs vertical detail compensation for both red

and green signals.

• Horizontal detail frequency control

Recording and managing setup data

In addition to the setup menu that is displayed in the

viewfinder screen, the DXC-D35/D35P/D35WSL/

D35WSPL is equipped with the following functions to

facilitate camera head setup.

Setup file system

You can use setup files when making adjustments or

settings. The DXC-D35/D35P/D35WSL/D35WSPL

comes with factory preset files that contain shipped

settings and you can freely create user files as well.

Automatic recording of setup data (when

using DSR-1/1P)

When the DXC-D35/D35P/D35WSL/D35WSPL is

connected to the DSR-1/1P VTR, two types of setup

data can be recorded.

SetupLog™: Shooting-related environment settings

are recorded onto the tape at intervals of a few

seconds. This recorded data can then be used to

reproduce the same shooting conditions in

subsequent shots. It also makes it easier to

identify the causes of problems in previous shots.

SetupNavi™: The setup conditions selected with the

setup menu and setup files are recorded onto the

tape. The recorded setup data can be copied to

other camera heads so that the same setup can be

shared among several camera heads.

Chapter 1 Overview

10 Chapter 1 Overview

ClipLink™ Function (when using DSR-

1/1P)

The ClipLink function can be used at every step from

acquisition to editing. Information necessary for

editing is recorded when shooting to ensure fast and

efficient editing operations.

When you set a recording start (Rec IN) point or when

you press the TAKE button to set a Mark IN point, the

video image at that point is recorded on the tape in

compressed form as an Index Picture. In addition, the

time codes for such editing points (Mark IN/Mark

OUT points or cue points) are recorded along with

other editing point data (such as the cassette number

and scene number) into cassette memory (as ClipLink

log data). Unsuccessful scenes containing faults can

also be marked in cassette memory as “NG”, so that

only the good scenes are taken up from cassette

memory when editing.

Dockable with various types of VTRs

The DXC-D35/D35P/D35WSL/D35WSPL docks with

the DSR-1/1P DVCAM VTR to configure a digital

camcorder. It also docks with the PVV-3/3P Betacam

SP VTR to configure a Betacam SP camcorder. In

addition, the DXC-D35/D35P/D35WSL/D35WSPL

docks with the EVV-9000/9000P Hi-8 VTR. Using an

adaptor (not supplied), it is also able to dock with a

variety of existing S-VHS VTRs.

New Functions boost operability

EZ (easy) mode function

When there isn’t time to check the camera head

settings, simply press the EZ mode button to start the

auto adjustment function using standard settings.

There is no need to lose a shot for lack of setup time.

EZ (easy) focus

Press the EZ focus button before shooting to ensure a

quick and accurate focus.

..........................................................................................................................................................................................................

1) DPR = Dual Pixel Readout

Programmable gain

The amount of gain relative to the GAIN switch

setting (H, M, or L) can be programmed as –3 dB, 0

dB, 3 dB, 6 dB, 9 dB, 12 dB, 18 dB, 18 dB+DPR1), 24

dB,

24 dB+DPR and hyper gain.

Hyper gain

Hyper gain (36 dB or 42dB, i.e. about 60 times or 120

times greater than

0 dB) can be easily set via one switch setting. This

can also be done from remote equipment.

Auto tracing white balance

This function automatically traces the white balance,

which constantly changes as lighting conditions

change. Auto tracing white balance is especially

useful when there is no time to manually adjust the

white balance or when shooting moves between indoor

and outdoor locations.

Total level control system (TLCS)

Even if the incoming light exceeds the range in which

the standard auto iris can control exposure, the auto

gain control (AGC) or auto exposure (AE) backs up to

ensure proper exposure.

Dual pixel readout (DPR)

When the gain is set to either 18 dB or 24 dB, the gain

setting can be doubled (6 dB up) without increasing

the noise level.

Recording time display

Recording time can be displayed in either of the

following modes.

• Total recording time for all cuts

• Total recording time for current cut

Viewfinder super detail

Video signals for the viewfinder are mixed with DTL

signals to make focusing easier.

Features

Chapter 1 Overview

Chapter 1 Overview 11

Dual zebra pattern display

Two types of zebra patterns, zebra 1 and zebra 2 can

be displayed simultaneously or independently. The

zebra 1 can be set to the levels ranging from 70 to 90

IRE on the DXC-D35/D35WSL (or from 70 to 90% on

the DXC-D35P/D35WSPL) and the zebra 2 indicates

the levels of 100 IRE for the DXC-D35/D35WSL or

more (or the levels of 100% or more for the DXC-

D35P/D35WSPL).

Color temperature display

When reading the white balance, the color temperature

is displayed on the viewfinder screen.

Switching the color temperatures for the

preset white balance

You can select the preset white balance at 3200 K

(default) or 5600 K (default) by setting the FILTER

control. The preset white balance can be changed to

other value through menu setting (see page 59).

Video monitor output with text

The video signal with text superimposed that is shown

in the viewfinder can also be output to an external

video monitor.

Camera head microphone output indicator

An indication 9 appears in the viewfinder whenever a

signal is being output from the camera head’s

microphone.

1-kHz reference signal output

Along with a color bar, a 1-kHz reference signal can

also be output.

Freeze mix function (when using DSR-1/1P)

The freeze mix function superimposes any previously

recorded still picture on the viewfinder screen to

facilitate framing the subject when reshooting the

scene.

Edit Search Function (when using DSR-1/1P)

When using the DXC-D35/D35P/D35WSL/D35WSPL

with the DSR-1/1P, pressing the EDIT SEARCH

buttons allow the tape to play back in search mode.

Set either of two playback speeds.

Designed for ease of operation

Dynafit Pad

Thanks to the Dynafit Pad which fits well to the

shoulder, the camera is stable on the shoulder.

Slide cover

The slide cover can hide the switches and buttons that

are seldom used during shooting. The cover can be

locked so as not to open during shooting.

High-performance viewfinder (DXF-801/

801CE)

• High resolution (600 TV lines of horizontal

resolution)

• Large-diameter eye cup for easier viewing and

focusing

• PEAKING potentiometer for vertical and horizontal

detail control

• Two indicators can be used as TALLY indicators.

• Tough die-cast aluminum body

• DISPLAY switch that can turn the character display

on and off

• Light that can light the lens control elements

• Switching the aspect ratio automatically between

16:9 (wide screen) and 4:3 (standard screen) when

used with the DXC-D35WSL/D35WSPL

VTR data display

When connected to a VTR, the DXC-D35/D35P/

D35WSL/D35WSPL is able to display the following

data on the viewfinder screen.

• Time values (counter, time code, or user bit vales)

• VTR audio levels

• Remaining tape time

• VTR operation mode

• Remaining battery capacity (when using an Anton

Bauer Intelligent Battery System)

• ClipLink information (when using the DSR-1/1P)

Chapter 1 Overview

12 Chapter 1 Overview

Features on the DXC-D35WSL/

D35WSPL

Features only on the DXC-D35WSL/S35WSPL is

described in this section. See “Features on the DXC-

D35/D35P/D35WSL/D35WSPL” (page 9) for

common features on a 4:3 standard-screen type digital

video camera and 16:9 wide-screen type digital video

camera.

Switchable between 16:9 and 4:3 aspect

ratios

A simple menu operation provides instant switching

between the 16:9 and 4:3 aspect ratios. In 4:3 mode, a

screen equivalent to a 4:3 screen is obtained through

digital processing of the 16:9 video signals produced

by the WS CCD. (See page 68.)

Wide-aspect ID signals

A menu setting is available to add wide-aspect ID

signals1) to 16:9-mode video signals.2) (See page 68.)

Selection of the safety zone size in 16:9

mode

When the aspect ratio is 16:9, you can change the

safety zone size through menu setting (see page 65.)

1) ID signals complying with EIAJ CPR-1204 (DXC-

D35WSL) or complying with ETS WSS (DXC-

D35WSPL).

2) Video signals refer to the following:

• Video signals output from the VIDEO OUT connector

and MONITOR OUT connector.

• The Y component of Y/C separate signals and the Y

component of component signals output from the VTR

connector.

Features

Chapter 1 Overview

Chapter 1 Overview 13

Location and Function of Parts

Camera Head

Right side view

TTL

DUR

OFF

TTL RESET SET

REC TIME SKIN DTL

OFF

FILE

STD

OFF

ZEBRA HYPER

GAIN SETUP

DOWN/OFF UP/ON

qf REC TIME switch

qg TTL RESET button

qh SKIN DTL switch

qj SKIN DTL SET button

qk SET UP switch

ql HYPER GAIN switch

w; ZEBRA switch

wa UP/ON button

ws DOWN/OFF button

1 EZ MODE button and indicator

2 EZ FOCUS button

3 EDIT SEARCH buttons

4 Slide cover lock

5 A.IRIS MODE switch and indicator

6 ATW button and indicator

7 POWER switch

8 MENU/STATUS switch

9 W. BAL switch

q; OUTPUT/DL/DCC+ switch

qa GAIN switch

qs NG button

qd Breaker switch

Illustration: DXC-D35WS/D35WSP

Chapter 1 Overview

14 Chapter 1 Overview

1 EZ (“easy”) MODE button and indicator

Depress this button (EZ mode on) when you want to

be able to shoot immediately, with automatic

adjustment of the camera settings to standard values.

(See page 68.) When this function is used, the iris and

the white balance are adjusted automatically. (The

total level control system functions.) Press this button

again to return the camera to the previous settings (EZ

mode off).

Note

When connecting the CCU-M5/M7 (or CCU-M5P/

M7P) Camera Control Unit or the RM-M7G Remote

Control Unit, the “easy mode” function is disabled.

2 EZ FOCUS button

Press this button to turn the “easy focus” function on.

This opens the iris, to make it easier to focus before

beginning shooting. The indication “EZ FOCUS”

appears in the viewfinder while the function is on; to

turn it off, press the EZ FOCUS button again. If left

on, the function automatically turns off after about ten

seconds.

Note

If the “easy focus” function is still on when you press

the VTR button, it turns off automatically and

recording starts about one second later.

3 EDIT SEARCH buttons (for operation with

DSR-1/1P)

When using the DSR-1/1P to record, you can see the

search playback while pressing either of these buttons

at recording pause mode to quickly find the next

recording start point. Two playback speeds are

available, and press either of the buttons to the inner

position to increase the speed.

4 Slide cover lock

This lock keeps the slide cover closed.

5 A.IRIS (auto iris) MODE switch and indicator

When you use the auto iris function (by setting the iris

selector on the lens to A), set this switch to suit the

shooting conditions. Selecting BACK L gives more

light to back-lit subjects, and selecting SPOT L adjusts

for high contrast in spot-lit subjects. For normal

shooting, set this switch to STD.

6 ATW (auto tracing white balance) button and

indicator

Press this button, turning the indicator on, when you

want the white balance to be adjusted automatically to

follow changes in lighting conditions. (See page 81.)

7 POWER switch

This powers the camera on and off. There are two

different ON settings as follows.

ON STBY: This puts the VTR on standby. In this

state, pressing the VTR button on the camera

head, the lens or a camera adaptor starts recording

immediately.

ON SAVE: This puts the VTR in the power-saving

state, with the video head drum stationary. In this

state, it takes a few seconds to start recording after

pressing the VTR button.

Note

The VTR state when this switch is in the ON STBY or

ON SAVE position may depend on the VTR model.

8 MENU/STATUS switch

When you press this switch to the MENU position, the

basic menu is displayed. Keep pressing it to the

MENU position to cycle through the various menu

displays. When you press the switch to the STATUS

position, the DXC-D35/D35P/D35WSL/D35WSPL’s

status (of current settings) is displayed.

9 W. BAL (white balance) switch

This selects the white balance setting from the preset

value, the value in memory A or the value in memory

B. (See page 79.)

0 OUTPUT/DL/DCC+ (DynaLatitude/dynamic

contrast control plus) switch

Use this switch to select the DCC+ function, the

DynaLatitude function, or color bar output.

Select the CAM/DCC+ position in most cases.

CAM/DCC+: This activates the DCC+ function.

This prevents color faults when shooting high-

intensity subjects.

LOCK FREE LOCK FREE

EDIT SEARCH EDIT SEARCH

Unlocked position Locked position

Pull the upper panel forward and then lift it up.

Location and Function of Parts

Chapter 1 Overview

Chapter 1 Overview 15

CAM/DL: This setting uses the DynaLatitude

function, which finely adjusts the contrast of each

pixel according to a histogram of luminance signal

levels. Access advanced menu page 2 to set the

DynaLatitude function ON or OFF. The

DynaLatitude effect can be set to any of three

levels, Low, STD (standard), and High with basic

menu page 2.

BARS: This setting displays color bars.

For details of menu operation, see Chapter 4 “Viewfinder

Screen Displays and Menus” (page 51).

qa GAIN switch

This selects one of the three gain settings, high,

medium or low. You can choose the gain values

assigned to the H, M and L settings from values from

–3 dB to 24 dB + DPR and HYPER GAIN. (See page

64.) The factory default selections are 18 dB (H), 9 dB

(M) and 0 dB (L).

Note

When the HYPER GAIN switch ql is in the ON

position, the GAIN switch has no effect.

qs NG button

When using the ClipLink function during shooting,

you can designate a particular scene as “NG” (No

Good) by pressing this button before shooting the next

scene. Press the button again to cancel the NG setting.

qd Breaker switch

If there is a fault in the camera power supply, the

breaker trips, and the camera power supply is

disconnected. Correct the fault in the power supply,

then press this switch.

qf REC (recording) TIME switch

This selects the recording time indication in the

viewfinder.

TTL: Displays the total recording time.

The total recording time is not reset even when

you stop the VTR and power off the camera, for

example, to replace the battery pack.

DUR: Displays the recording time of the current cut.

OFF/TC: Switches off the recording time display.

If, however, a PVV-3/3P is connected, and in the

advanced menus you set the time code display

item (TC IND) to ON (see page 67), then the VTR

time data (time code, CTL count, or user bit

value) is displayed.

Note

The recording time displayed when this switch is set

to the TTL or DUR position is obtained by counting

the duration of the internal reference signal input to

the camera.

The value may not agree exactly with the value

derived from the time code values. Furthermore, the

value displayed may not be correct when another

manufacturer’s VTR is connected to the camera.

qg TTL (total) RESET button

Pressing this button resets the total recording time

(TTL selection) to zero.

qh SKIN DTL (skin detail) switch

Set this switch to ON to use the skin detail correction

function.

For details, see “Skin Detail Correction” (page 93).

qj SKIN DTL (skin detail set) SET button

Press this button with the SKIN DTL button qh to

display the area detect cursor on the viewfinder screen.

Place the cursor on the target and press this button to

perform skin detail correction.

For details, see “Skin Detail Correction” (page 93).

qk SET UP switch

Use this switch to select the camera head setup

method.

STD: Set up using the setup menu. Setup file data is

not displayed.

FILE: Set up using setup files and the setup menu.

ql HYPER GAIN switch

Setting this switch to the ON position increases the

gain by a factor of about 60 or 120 with respect to 0

dB (a 30 or 36 dB increase by electronic amplification

and a 6 dB increase for DPR, bringing about a total

gain increase of 36 or 42 dB).

When this switch is in the ON position, the indication

“HYPER” appears in the viewfinder, and the GAIN

UP indicator in the viewfinder also lights.

When finished shooting, return this switch to the OFF

position. The “HYPER” indication disappears and the

GAIN UP indicator goes out.

Note

Increasing the gain with this switch reduces the

horizontal resolution by 50%.

Chapter 1 Overview

16 Chapter 1 Overview

wa UP/ON button

Use this button to open displays and to make “ON”

settings. When using the advanced menus, use this

button to change menu pages or to switch to the

ordinary screen display.

ws DOWN/OFF button

Use this button to close displays and to make “OFF”

settings. You can also use this button to change menu

pages when using the advanced menus.

Location and Function of Parts

w; ZEBRA switch

Set this switch to the ON position to display a zebra

pattern (diagonal stripes) in the viewfinder.

Depending on the zebra setting in advanced menu page

4 (page 65), the zebra 1 for video levels between 70 to

90 IRE (or 70 to 90%) and the zebra 2 for video levels

100 IRE or more (or 100% or more) can be displayed

independently or simultaneously.

Front view

1 MIC IN +48 V connector

2 VF connector

3 MIC LOW CUT switch

4 FILTER control

5 Lens mount

6 SHUTTER switch

7 TAKE button

8 AUDIO LEVEL knob

9 WHT/BLK switch

0 VTR button

1 MIC (microphone) IN +48 V connector (XLR 3-

pin, female)

Connect the supplied microphone or an optional

microphone (operable with a 48 V supply).

2 VF (viewfinder) connector (20-pin)

This is the connector for the DXF-801/801CE

viewfinder.

Note

When using this connector, do not connect a DXF-41/

51 viewfinder to the VF connector on the left side.

3 MIC LOW CUT switch

Set this switch to the ON position to insert a high-pass

filter in the microphone circuit, reducing wind noise.

Normally leave the switch in the OFF position.

4 FILTER control

Select the color temperature conversion filter

appropriate to the lighting conditions. (See page 43.)

5 Lens mount

Attach the zoom lens here.

Illustration: DXC-D35WS/D35WSP

Chapter 1 Overview

Chapter 1 Overview 17

6 SHUTTER switch

Use this switch to set the shutter speed, CLS (clear

scan), or EVS setting (see page 84). Usually, set this

switch to OFF.

7 TAKE button

Press this button to specify an editing point (Mark IN/

OUT or cue point) at the current tape position during

shooting.

8 AUDIO LEVEL knob

When the DSR-1/1P is attached, you can use this knob

to manually adjust the channel 1 audio recording level.

9 WHT/BLK (white/black) switch

This switch is used for automatic adjustment of the

white balance and black balance. (See pages 79 to 83.)

0 VTR button

Pressing this button starts and stops recording on the

VTR.

Left and upper view

1 Fitting for optional microphone holder

You can fit an optional CAC-12 Microphone Holder

here. (See page 33.)

2 Accessory fitting shoe and screw hole

Attach optional video lights or other accessories here.

3 Shoulder strap fixture

To use the supplied shoulder strap, fix one end here

and the other end to the VTR.

4 Viewfinder fitting shoe

Fix the DXF-801/801CE Viewfinder here.

5 Viewfinder left-to-right position fixing ring

Loosen this ring to adjust the left-to-right position of

the viewfinder. (See page 32.)

6 Viewfinder front-to-back position locking catch

Release this catch to adjust the front-to-back position

of the viewfinder. (See page 32.)

1 Fitting for optional microphone holder

2 Accessory fitting shoe and screw hole

3 Shoulder strap fitting

4 Viewfinder fitting shoe

5 Viewfinder left-to-right positioning ring

6 Viewfinder front-to-back position locking lever

7 REMOTE connector 1

8 MONITOR OUT connector

9 VIDEO OUT connector

0 REMOTE connector 2

qa LENS connector

qs VF connector

qd VTR connector

Chapter 1 Overview

18 Chapter 1 Overview

7 REMOTE connector 1 (mini-jack)

Connect the RM-LG1 Remote Control Unit to enable

remote operation of the ClipLink function.

8 MONITOR OUT connector (BNC)

Outputs both the camera video and the character

information as displayed on the viewfinder screen.

You can connect an optional LCD color monitor to this

connector.

9 VIDEO OUT connector (BNC)

This outputs the video signal captured by the camera.

0 REMOTE connector 2 (10-pin)

Connect the optional RM-M7G Remote Control Unit

to this connector. Set the CAMERA HEAD SELECT

switch on the bottom of RM-M7G to 1.

Note

When using the RM-M7G, note the following points.

• When operating the camera head from the camera

control unit, connect the RM-M7G to the camera

control unit.

• EZ mode cannot be used if the RM-M7G is

connected to the camera head.

Location and Function of Parts

qa LENS connector (12-pin, for 2/3-inch lens)

Connect the lens connector.

qs VF (viewfinder) connector (8-pin)

This is the connector for the DXF-41/51 viewfinder.

Note

When using this connector, do not connect a DXF-801/

801CE viewfinder to the VF connector on the front of

the camera head.

qd VTR connectors (PRO 76-pin DIGITAL and

PRO 50-pin)

Connect a dockable VTR. A PRO 76-pin DIGITAL

connector is for the DSR-1/1P and a PRO 50-pin

connector is for the PVV-3/3P or a camera adaptor.

Chapter 1 Overview

Chapter 1 Overview 19

VCL-918BY Zoom Lens

1 Iris ring 4 M button

5 F.B adjustment ring

and F.B fixing screw

6 MACRO ring

7 ZOOM selector

8 Zoom remote control

connector

9 Lens connector

qa VTR button

0 RET button

2 Zoom ring

Lens hood

3 Focus ring

qd IRIS selector

qf Motorized zoom lever

qs Instant automatic iris adjustment

button

Chapter 1 Overview

20 Chapter 1 Overview

Location and Function of Parts

1 Iris ring

For manual iris control, set the IRIS selector qd to the

“M” position, and turn this ring.

2 Zoom ring

For direct manual zoom control, set the ZOOM

selector 7to the “MANU.” position, and turn this

ring.

3 Focus ring

Turn this ring to focus the lens on the subject.

4 M (close-up) button

For close-up work, turn the MACRO ring 6while

holding this button down. (See page 91.)

5 F.B (flange focal length) adjustment ring and

F.B fixing knob

F.B adjustment ring : To adjust the flange focal

length, loosen the F.B fixing knob, then turn the

ring. (See page 89.)

F.B fixing knob: Fixes the F.B adjustment ring.

6 MACRO (close-up) ring

For close-up, turn this ring while holding the M

button 4 down. (See page 91.)

7 ZOOM selector

This selects the mode of zoom operation.

SERVO: power zoom

MANU. (manual): manual zoom

8 Zoom remote control connector (8-pin)

Connect the optional LO-26 lens remote control unit

for remote control of zooming.

9 Lens connector (12-pin)

Connect to the LENS connector (qa on page 18) of the

Camera Head.

0 RET (return) button

This allows you to check the video signal as follows.

When operating with a portable VTR connected

via other equipment: when the VTR is in

recording, pressing this button connects the E-E

video signal1) from the VTR to the viewfinder.

When operating with a DSR-1/1P or PVV-3/3P

mounted on the camera head: when the VTR is in

recording pause mode, press this button to review

the last few seconds of the recording in the

viewfinder (recording review).

When operating with a CCU-M5/M5P/M7/M7P

Camera Control Unit connected: pressing this

button connects the return video signal from the

camera control unit to the viewfinder.

When this button is not pressed, the viewfinder

displays the video signal captured by the camera.

qa VTR button

When operating with a VTR: this button starts and

stops recording, and once more to stop.

When operating with a CCU-M5/M5P/M7/M7P

Camera Control Unit connected: pressing this

button connects the return video signal from the

camera control unit to the viewfinder.

(Starting and stopping recording is controlled on

the VTR.)

qs Instant automatic iris adjustment button

While using manual iris control, press this button to

switch temporarily to the automatic iris control setting.

The automatic setting is maintained as long as you

hold the button down.

qd IRIS selector

This selects the mode of iris operation. (See page 14.)

A (automatic): automatic iris

M (manual): manual iris

qf Motorized zoom lever

Use this to carry out a power zoom. Pressing the lever

harder increases the zoom speed.

W end: zoom toward wide angle

T end: zoom toward telephoto

1) E-E video signal: “electric-to-electric” video signal.

This is the input video signal which has passed through

internal electrical circuits, but has not been converted to

a magnetic signal.

Chapter 1 Overview

Chapter 1 Overview 21

DXF-801/801CE Viewfinder

SHUTTER GAIN UP

TAKE BATTREC

TALLY

HIGH LOW OFF

LIGHT

3LIGHT switch and light

4 TAKE/TALLY indicator

5 BATT indicator

6 REC/TALLY indicators

7 GAIN UP indicator

8 SHUTTER indicator

9 PEAKING control

0 CONTRAST control

qa Tally lamp

qs BRIGHT control

qd Eyepiece release catch

qf TALLY switch

qg DISPLAY switch

qh Viewfinder connector

Eye cup

1 Eyepiece focusing knob

2 Stopper

Microphone holding screw

Microphone holder

1 Eyepiece focusing knob

Turn this to adjust the viewfinder focus to match your

eyesight. (See page 88.)

2 Stopper

Lift up when detaching the viewfinder (See page 32).

3 LIGHT switch and light

The light lights the lens and the switch controls the

light as follows.

HIGH/LOW: Turn the light on and control the

brightness.

OFF: Turns the lights off.

4 TAKE/TALLY indicator (orange)

When using the ClipLink function while shooting, this

indicator lights when the TAKE button (7 on page

17) has been pressed to set a Mark IN point and goes

out when a Mark OUT point is set.

5 BATT (battery) indicator (red)

This lights when the battery capacity is low.

Note

When using a camera control unit, this indicator

flashes when

you operate the controls, but this is not a malfunction.

You can switch the scan size of the DXF-801/801CE

in accordance with the aspect ratio selected on the

camera or camcorder.

Microphone

Chapter 1 Overview

22 Chapter 1 Overview

Location and Function of Parts

6 REC/TALLY (recording/tally) indicators (red)

• This flashes from the time when you press the VTR

button (0 on page 17 and qa on page 20) on the lens

or camcorder until recording starts, then stays on

continuously during recording.

• When using a camera control unit, this lights when

the video from the camera is selected.

• This is also used to indicate a fault. (See page 97.)

• The lower indicator can be disabled by menu setting.

(See page 66.)

7 GAIN UP indicator (orange)

This lights when the gain is 3 dB or more.

8 SHUTTER indicator (red)

This lights when the SHUTTER switch (6 on page

17) is in the ON position. (If the EVS is selected, the

indicator will not light.)

9 PEAKING control

This adjusts the outline intensity of the viewfinder

image. (See page 88.)

0 CONTRAST control

This adjusts the contrast of the viewfinder image. (See

page 88.)

qa Tally lamp

When the TALLY switch qf is in the ON position, this

operates in the same way as the REC/TALLY

indicators 6.

qs BRIGHT (brightness) control

This adjusts the brightness of the viewfinder image.

(See page 88.)

qd Eyepiece release catch

To view the viewfinder screen directly, press this

catch, and hinge up the eyepiece.

qf TALLY switch

Set this switch to the ON position to use the tally lamp

qa.

qg DISPLAY switch

Set this switch to OFF when you want to remove the

character data from the viewfinder and the monitor

connected to the MONITOR OUT connector.

However, items which are set to OFF in advanced

menu page 5 and page 6 are not displayed even when

this switch is set to ON.

qh Viewfinder connector (20-pin)

Connect this to the VF connector (2 on page 16).

Chapter 2 Fitting and Connections 23

Chapter2

Fitting and

Connections

Replacing the Lithium Battery

The camera head uses a lithium battery (CR2032) to

retain date and time data.

When the lithium battery’s voltage falls, the clock

indication dose not appear. Replace the lithium

battery and set the clock (see page 86).

Notes

• Carefully read the instructions for replacing the

lithium battery. Lithium batteries may explode if

misused.

• Use only CR2032-type lithium batteries. Other types

of lithium batteries may come loose when the

camcorder is moved. If you have difficulty finding

CR2032-type lithium batteries, contact your Sony

dealer.

Chapter 2 Fitting and Connections

24 Chapter 2 Fitting and Connections

Press down and pull out toward you.

Rear of the

camera head

Battery cover

1Pull the upper part of the

battery cover (on the rear of

the camera head) forward and

turn the cover clockwise.

For detaching the VTR or camera

adaptor, see “Fitting a VTR” next

page.

2Take out the lithium battery.

3Reverse step 2 to insert a

replacement lithium battery.

Make sure that the + symbol

on the battery is facing you.

4Close the battery cover.

Replacing the Lithium Battery

Chapter 2 Fitting and Connections

Chapter 2 Fitting and Connections 25

Fitting a VTR

1Set the PRO 76-pin DIGITAL

connector on the DSR-1/1P.

(The camera connector on the

PVV-3/3P is PRO 50-pin.)

For details, see the operating

instructions for the DSR-1/1P.

2Loosen the two screws and

remove the shoulder pad.

3Align the projection on the

bottom of the DSR-1/1P with

the slot on the camera head.

This section explains how to attach the DSR-1/1P to

the camera head. The method for attaching a PVV-3/

3P is similar.

When replacing the camera head grip with a camcorder

grip, see “Using the Camcorder Grip” (page 27).

Camera connector

(PRO 76-pin DIGITAL)

DSR-1/1P

Projection

Camera head

Slot

Groove

(continued)

Screws

Chapter 2 Fitting and Connections

26 Chapter 2 Fitting and Connections

4Slide the DSR-1/1P and the

camera head together in the

groove as far as possible.

5Tighten the two screws in the

grip connector and the two

screws in the shoulder pad

section.

Screws

6Attach the shoulder pad.

To remove the VTR

Reverse the fitting procedure. To fit a camera adaptor

Follow the same procedure as when fitting a VTR.

Fitting a VTR

Chapter 2 Fitting and Connections

Chapter 2 Fitting and Connections 27

Using the Camcorder Grip

When using the camera head with a VTR as a

camcorder, you can replace the camera head’s grip

with a camcorder grip (not supplied). The type of

camcorder grip and the method for attaching it differ

slightly depending on the type of VTR.

Attaching a camcorder grip to the DSR-1/1P

1 If the viewfinder is attached,

adjust the viewfinder to the

full-forward position.

For details, see “Adjusting the

viewfinder position” on page 32.

2Remove the camera head

grip’s three screws, then pull

up the grip to remove it.

3Remove the VTR connection

plate.

4Remove the DSR-1/1P’s

shoulder strap fitting and the

camera head connection plate.

VTR connection

plate

Camera head

connection plate

Shoulder strap

fitting

(continued)

Chapter 2 Fitting and Connections

28 Chapter 2 Fitting and Connections

5Perform the first three steps in

“Fitting a VTR”.

6Screw the connection plate

(supplied with the grip for the

DVCAM camcorder) which

straddles the connection

between the camera head and

the DSR-1/1P. Also, tighten

the two screws in the shoulder

pad section. (See step

page 26.)

7Screw the grip for the

DVCAM camcorder. Grip for the DVCAM camcorder

Connection

plate

Attaching a camcorder grip to the PVV-3/3P

1Perform steps 2 to 4 in “Fitting

a VTR”.

2If the viewfinder is attached,

adjust the viewfinder to the

full-forward position.

For details, see “Adjusting the

viewfinder position” on page 32.

Fitting a VTR

Chapter 2 Fitting and Connections

Chapter 2 Fitting and Connections 29

Shoulder strap

fitting

Grip for the Betacam

camcorder

3Remove the grip’s three

screws, then pull up the grip to

remove it.

4Remove the PVV-3/3P’s

shoulder strap fitting.

5Screw the grip for the Betacam

camcorder.

Chapter 2 Fitting and Connections

30 Chapter 2 Fitting and Connections

Fitting the Lens

In the case of the DXC-D35K/D35PK model, the lens

is already fitted. In other cases, use the following

procedure to fit the lens.

1 Remove the retaining rubber

which prevents the lens mount

from coming loose, then raise

the lens fixing lever, and

remove the lens mount cap.

2 With the lens fixing lever

turned fully counterclockwise,

push in the lens, aligning the

projection on the lens with the

cutout on the camera.

3Supporting the lens, turn the

lens fixing lever fully

clockwise. Replace the

retaining rubber on the lens

mount.

Retaining rubber

Lens mount cap Lens fixing lever

Align and push in.

Chapter 2 Fitting and Connections

Chapter 2 Fitting and Connections 31

4Using the triangular mark as a

guide, push the lens connector

into the LENS connector on

the camera head, until it clicks

into place. Fasten the cable

with the clamps.

LENS connector

Triangular

mark

Fitting optional filters

Remove lens hood

Lens hood fixing screw

Filter (optional)

Loosen the lens hood fixing screw to remove the lens

hood, then attach the filter.

Chapter 2 Fitting and Connections

32 Chapter 2 Fitting and Connections

Using the Viewfinder

Removing the Viewfinder

Remove any microphone from the viewfinder before

beginning.

1Pull the viewfinder connector

out of the VF connector on the

front of the camera head.

2Loosen the viewfinder left-to-

right position fixing ring, then

pulling up the retaining catch,

slide the viewfinder out.

VF connector

Retaining catch

To fit the viewfinder

Reverse the removal procedure. Adjusting the viewfinder position

To adjust the viewfinder left-to-right position, loosen

the left-to-right fixing ring, and to adjust the front-to-

back position loosen the front-to-back position locking

catch.

Viewfinger front-to-back

position locking catch

Using Accessories

Viewfinder left-to-right

position fixing ring

Viewfinder left-to-right

position fixing ring

Chapter 2 Fitting and Connections

Chapter 2 Fitting and Connections 33

Left eye adaptor

By fitting a left eye adaptor, you can use the camera

with your left eye to the viewfinder.

Screws removed

from the camera

CAC-12

Fitting an optional microphone

Use the following procedure to attach an optional

ECM-670 Microphone.

1Loosen the screw of the CAC-

12 Microphone Holder, then

open the holder and replace the

microphone adaptor with the

one supplied with the ECM-

670 Microphone.

2Insert the microphone in the

microphone holder, close the

holder, and tighten the screw.

Connect the microphone cable

to the MIC IN +48 V

connector.

Microphone adaptor

MIC IN +48 V

connector

Mark

Note

You cannot stow the camera attached with a left eye

adaptor in the LC-421 Carrying Case.

For details, consult your Sony dealer.

Using an Optional Microphone

To use a long microphone such as the optional ECM-

670/672, fit an optional CAC-12 Microphone Holder

to the camera, then mount the microphone in this

holder.

Fitting the optional CAC-12 Microphone

Holder

Remove the two retaining screws (M3 × 8) for the

optional microphone holder, then use these screws to

attach the CAC-12 Microphone Holder.

Chapter 2 Fitting and Connections

34 Chapter 2 Fitting and Connections

Fitting optional microphones (operable with a

48 V supply) other than the ECM-670

Use the same fitting procedure as for the ECM-670,

but note the following differences with respect to the

microphone adaptor.

ECM-672: no microphone adaptor required.

Slender microphones (19 mm (3/4 inch) diameter):

use the microphone adaptor supplied with the

CAC-12.

Fitting to a Tripod

First fit the VCT-U14 Tripod Adaptor to the tripod,

then mount the camera on the tripod adaptor.

Removal

VCT-U14 Tripod Adaptor

Side the camera forward

along the slot, until it clicks

firmly into place.

Tripod

Hold down the red button

and pull the lever in the

direction of the arrow.

Note

After removing the camera, if the tripod adaptor pin

has not returned to its original position, hold down the

red button and move the lever in the direction of the

arrow to return the pin to its original position. It is not

possible to mount a camera with the pin left out.

Using the Optional CAC-4 Chest

Pad

When using the camera on your shoulder, attaching the

optional CAC-4 Chest Pad reduces the load on your

right hand supporting the zoom lens, and makes

operation easier.

For details see the instructions provided with the CAC-4.

Using Accessories

Chapter 2 Fitting and Connections

Chapter 2 Fitting and Connections 35

Using the Carrying Case

Stowing the camera

Align the camera with the base of the case, and slide

the camera in forward.

Checking that the pin at the rear engages correctly,

push forward until it locks into place.

Notes

• Bring the viewfinder into the horizontal position,

slide it fully rearward and to the left, then fix before

stowing.

• When an optional microphone (ECM-670/672, C-74,

etc.) is attached, loosen the microphone fixing

screws, move the microphone to the lowest position,

and fix before stowing.

Example of fully-stowed carrying case

Align the camera with the base of the

carrying case.

Lever Base

VCT-U14 Tripod Adaptor

Fasten straps.

LC-421 Carrying

Case

NP-1A/1B Battery Packs

(maximum two) - Fasten straps.

DXC-D35/D35P/D35WS/D35WSP Color

Video Camera

This can be stored with the following system

component fitted.

• CA-537/537P/327/327P/325A/325AP/325B

Camera Adaptor or DSR-1/1P, PVV-3/3P or

EVV-9000/9000P

• DXF-801/801CE Viewfinder

• ECM-670/ECM-672/C-74 Microphone

• Zoom lens (VCL-918BYetc.)

(Largest lens which can be stowed is

Canon J18 X 8.5BI-B.)

• CAC-12 Microphone Holder

• CAC-4 Chest Pad

Cassettes, camera cables, etc.

Chapter 2 Fitting and Connections

36 Chapter 2 Fitting and Connections

Connections

Connecting a Portable VTR

Using the optional CA-537/537P or CA-327/327P

Camera Adaptor and a camera cable, you can connect

a portable VTR. Set the VTR selector switch on the

camera adaptor according to the VTR connected.

If using a VTR from another manufacturer, consult your

Sony dealer.

Checks before making connections

Check first that the video camera, camera adaptor,

VTR, and other devices are all powered off.

Making connections

Using a camera cable, connect the VTR/CCU/CMA

connector on the camera adaptor to the camera input

connector of the VTR.

Camera cable

• Select a camera cable to fit the camera input

connector on the VTR you are using.

• The maximum camera cable extent is 10 m (33 ft).

For details, consult your Sony dealer.

Video monitor

• If using an S-VHS VTR, using a video monitor with

an S-video input connector and connecting it to the S-

video connector of the VTR will allow you to

monitor a clear picture, with no flecking.

• The output video signal from the VIDEO OUT

connector of this unit is a composite video signal.

Connect the VIDEO OUT connector of this unit to a

composite video signal input connector of the

monitor.

Setting the VTR selector switch on the

camera adaptor

When using the camera with a CA-537/537P/327/327P

Camera Adaptor, it is essential to correctly set the

VTR selector switch on the camera adaptor according

to the VTR connected. This switch determines the

type of video signal output from the VTR/CCU/CMA

connector and the audio output signal level.

Example: Connecting a BVW-50/50P Portable VTR to a CA-537/

537P Camera Adaptor

26-pin connector

VTR/CCU/CMA DXC-D35/D35P/

D35WS/D35WSP

CCZ-A Camera Cable

26-pin connector

CAMERA IN

BVW-50/50P Portable VTR

CA-537/537P Camera

Adaptor

Example: When using a CA-537/537P

VTR SELECT switch

Chapter 2 Fitting and Connections

Chapter 2 Fitting and Connections 37

VTR selector settings on the CA-537/537P

a) Set the audio input level on the VO-6800/6800PS to –60

dB.

b) When the BVV-5/5PS is used as a portable VTR, a VA-

5/5P VTR Composite/Component Adaptor is required.

c) Set the input selector switch on the AG-7400 to Y/C.

VTR selector settings on the CA-327/327P

a) Set the audio input level on the VO-6800/6800PS to –60

dB.

b) Set the input selector switch on the AG-7400 to Y/C.

Connected VTR VTR

selector

switch

setting

Video output

signal Audio

output

signal

level

Sony broadcast and

professional VTRs:

BVU-150/150P and

VO-6800/6800PSa)

1 Composite –60 dB

Sony professional

VTRs: VO-8800/8800P

and EVV-9000/9000P

3 Y/C –60 dB

Panasonic AG-6400

VHS VTR

Connected VTR VTR

selector

switch

setting

Video output

signal Audio

output

signal

level

Sony broadcast and

professional VTRs:

BVU-150/150P, VO-

6800/6800PSa), BVW-

50/50P and BVV-5/

5PSb)

1 Composite

(BVU-150/

150P and VO-

6800/6800PS)

or component

(BVW-50/50P

and BVV-5/

5PS)

–60 dB

Sony professional

VTRs: VO-8800/

8800P and EVV-9000/

9000P

3 Y/C –60 dB

2 Composite –20 dB

Panasonic AG-7400 S-

VHS VTRc) and JVC

BR-S405 S-VHS VTR

3 Y/C –20 dB

Connecting a Number of Cameras (Using a Camera Control Unit)

When using a number of cameras in the studio, it may

be necessary to use a CCU-M5/M5P/M7/M7P Camera

Control Unit to provide video and color sync between

cameras, and special effects and other devices to allow

switching, wipes and so forth.

In the studio it may also be convenient to use a DXF-

41/51 Viewfinder.

The figure in the next page shows an example studio

configuration.

For details, consult your Sony dealer.

Notes

• When using a camera control unit, put the camera

head into the EZ mode off state beforehand (see page

14). (Otherwise, it is impossible to access the

advanced menu.)

• With the DXC-D35/D35P/D35WSL/D35WSPL,

color matrix switching on the CCU-M5/M5P is

invalid.

• When the DL in advanced menu page 2 is set to ON

(see page 64) and the OUTPUT/DL/DCC+ switch is

set to DL, knee adjustment does not function on the

CCU-M7/M7P.

Panasonic AG-6400

VHS VTR 2 Composite –20 dB

Panasonic AG-7400 S-

VHS VTRb) 4 Y/C –20 dB

Chapter 2 Fitting and Connections

38 Chapter 2 Fitting and Connections

INTERCOM

VIDEO IN

PGM OUT

TALLY/INTERCOM

PGM OUT

VBS OUT

RETURN VIDEO IN

GEN LOCK IN

TALLY/INTERCOM

VIDEO IN

GEN LOCK OUT

RETURN VIDEO OUT

VBS OUT

CAMERA

TALLY/INTERCOMVBS OUT

GEN LOCK IN RETURN VIDEO IN

TALLY/INTERCOM

DXC-D35/D35P/D35WS/D35WSP

CA-537/537P

Headset

VTR

Switcher, special

efects unit, etc.

75Ω termination switch to ON

CA-537/537P

DXF-41

or DXF-51

Headset

INTERCOM

(on the front)

INTERCOM

(on the front)

CCU-M5/M5P

Camera Control

Unit

CCU-M5/M5P

Camera Control

Unit

To AC power supply

DXC-D35/D35P/D35WS/

D35WSP

To AC power

supply

Cables used

1Power cord (supplied)

2CCZ-A Camera Cable

3BNC cable

4DIN 4-way cable

DXF-41 or DXF-51

75Ω

termination

switch to OFF

Connections

Chapter 2 Fitting and Connections

Chapter 2 Fitting and Connections 39

Connecting a Number of Cameras (Without Using a Camera Control

Unit)

When using two or more synchronized cameras

without a camera control unit, connect an external sync

signal to the GEN LOCK IN connector on the camera

adaptor (CA-537/537P etc.), supplying a VBS or BS

signal. The camera will then operate synchronized to

this signal.

You can adjust the synchronization using the basic

menus. (See page 59.)

VTR/CCU/CMA VIDEO OUT VIDEO OUT

GEN LOCK IN

VIDEO OUT

GEN LOCK IN

VIDEO OUT

GEN LOCK IN

Example 1: Camera 2 synchronized to the signal from camera 1

CA-537/537P

Camera 1 DXC-D35/D35P/

D35WS/D35WSP

CCZ-A Camera Cable BNC cable

Portable VTR

To camera

connector To video input

connector

CA-537/537P

Camera 2 DXC-D35/D35P/

D35WS/D35WSP

Example 2: Cameras 1 and 2 synchronized to the signal from a special effects unit or similar

Special effects

unit or similar

Video input connector BNC cable

Sync signal output

connector

CA-537/537P DXC-D35/D35P/D35WS/

D35WSP

BNC cable

Video input connector BNC cable

CA-537/537P

Camera 2

Camera 1

DXC-D35/D35P/D35WS/

D35WSP

Sync signal output

connector BNC cable

BNC cable

Chapter 2 Fitting and Connections

40 Chapter 2 Fitting and Connections

Power Supply

This unit operates on either a battery pack or an AC

supply (using the optional CMA-8A/8ACE AC

Adaptor).

For details of the power supplies which can be used, refer to

the documentation supplied with the VTR connected to this

unit or the camera adaptor.

Using an Anton Bauer Intelligent Battery

System and Ultralight System

Fitting the special battery mount made by Anton Bauer

Corporation to this unit allows you to use their

Intelligent Battery System and Ultralight System.

For details, consult your Anton Bauer products supplier or

Sony dealer.

Using Battery Packs

Always fully charge a battery pack before using it.

Notes

• Be careful that other metal objects do not come in

contact with the metal parts of the battery pack, as

this could cause a short.

• Do not leave the battery pack in the camera if it is not

going to be used for a long time.

• If the battery pack is recharged after use while still

hot, it may not be possible to obtain a full charge.

Battery pack operating times

The following table shows approximate continuous

operating times, when operating the camera and 1.5-

type viewfinder at normal temperatures, with a camera

adaptor and the DSR-1/1P or PVV-3/3P connected.

Approximate operating times with

a fully-charged battery pack

With DSR-1/1P

With PVV-3/3P

a) Requires the special-purpose DC-L1 Battery Case.

b) Requires the special-purpose DC-500 Battery Case.

Battery low indications

When the voltage of the supply to the camera head

lowers to or below 11.0 V, the battery voltage

indication appears in the viewfinder. At this time, the

BATT indicator in the viewfinder flashes when

operating with the DSR-1/1P or PVV-3/3P.

If you continue using the camera head, the BATT

indicator lights up.

When the battery pack is low, replace it with a fully-

charged battery pack.

Battery pack

NP-1Ba)

BP-90Ab)

BP-L40

PB-L60A

DXC-D35

/D35P

60 minutes

130 minutes

75 minutes

150 minutes

DXC-D35WSL/

D35WSPL

50 minutes

105 minutes

65 minutes

130 minutes

Battery pack

NP-1Ba)

BP-90Ab)

DXC-D35

/D35P

60 minutes

130 minutes

DXC-D35WSL/

D35WSPL

50 minutes

105 minutes

Chapter 2 Fitting and Connections

Chapter 2 Fitting and Connections 41

Battery pack charging

Before using a battery pack, charge it as shown in the

following table.

For details of battery charger operation, refer to the

instructions provided with the battery charger to be used.

Notes

• A warm battery pack may not be able to be fully

recharged.

• Even when fully charged, battery packs gradually

lose their charge naturally. Use the battery packs as

soon as possible after recharging.

• To prolong the life of battery packs, store them in a

cool place (about 20°C (68°F)), and charge in a place

with an ambient temperature between 10°C and 30°C

(50°F and 86°F).

• At low temperatures, the usable time of battery packs

decreases. When the ambient temperature is 0°C

(32°F), usable time decreases by about 10%. The

usable time of battery packs increases if they are

warmed to the room temperature (about 20°C (68°F))

before use at low temperatures.

• Compared to the BP-L40, the BP-L60A offers better

performance at low temperature. The BP-L60A is

recommended for use at low temperature.

• Carrying a spare battery pack is recommended.

The BP-L40/L60A is free from memory effect.

There is no need to discharge it fully before

recharging.

Battery pack

NP-1B

BP-90A

BP-L40

PB-L60A

Battery charger

BC-1WD/1WDCE, BC-410/410CE

BC-410/410CE

BC-L50/L100/L100CE

Camera Adaptor Power Supply

The camera adaptor automatically operates on power

supplied to the VTR/CCU/CMA connector from the

portable VTR, CCU-M5A/M5AP Camera Control

Unit, CMA-8A/8ACE AC Adaptor or other connected

device.

Note

Before use, check that the device connected to the

VTR/CCU/CMA connector is able to provide the

power required by the camera.

If it is not able to provide the necessary power, or

when it is necessary to prolong the operating time, use

the camera with a separate power supply.

Chapter 3 Shooting 43

Chapter3

Shooting

Basic Procedure for Shooting

FILTER control

Focusing ring

RET button

VTR button

ZEBRA switch

POWER switch

1Attach the VTR or camera adaptor to the camera

head, then turn each device’s power on. 2Set the FILTER control appropriately for the

lighting conditions.

(continued)

44 Chapter 3 Shooting

Chapter 3 Shooting

1) Hunting: This occurs if the automatic iris function is not

able to reach a stable state, and as a result the image

brightness keeps changing, alternately lighter and darker.

2) Depth of field: This is the range over which the subject

is sharply in focus.

Filter setting Lighting conditions

1 (3200K) Studio halogen lighting (incandescent),

sunrise and sunset.

2 (5600K + 1/8

ND) Sunlight.

This setting includes a 1/8 neutral density

filter (reducing the exposure by the

equivalent of three stops). Use it to prevent

hunting1) or to reduce the depth of field2).

3 (5600K) Cloudy or rainy outdoor shooting, and

fluorescent lighting.

4 (5600K +

1/64ND) Sunlight.

This setting includes a 1/64 neutral density

filter (reducing the exposure by the

equivalent of six stops). Use it to prevent

hunting1) or to reduce the depth of field2).

3Check the switch settings on the camera head.

(See pages 13 to 18.)

If there is not sufficient time to check the camera

settings, you can use “easy mode” by setting the

EZ MODE switch to the ON position. The camera

is automatically adjusted to standard settings, and

the iris and the white balance are adjusted

automatically. (See page 68.)

4Check the settings in the basic menu (page 58) and

advanced menu (page 64).

5Check the lens settings (pages 30 and 31) and

flange focal length adjustment (page 89).

6Adjust the eyepiece focus, and the contrast and

brightness of the viewfinder image (page 88).

7Check the sound system settings.

• Microphone connections

• Settings on the VTR (refer to the VTR

instructions)

8If required, switch on the center marker and/or

safety zone (basic menu page 5 and advanced

menu page 4) and zebra pattern (ZEBRA switch)

in the viewfinder image.

9Adjust the white balance (page 79) and black

balance (page 83).

10Turn the focusing ring so that the subject is

sharply in focus. It may be convenient to use the

EZ FOCUS button for the “easy focus” function

(see page 14).

11Set up the VTR according to your shooting

objectives, then start recording.

If a camera control unit is not connected: Press

the VTR button on the camera head or on the

lens.

If a camera control unit is connected: Press the

VTR’s record button to begin recording.

For details of VTR setup and operations, see your

VTR’s operating instructions.

• During recording, the REC/TALLY indicator(s)

in the viewfinder light(s), and “REC” appears on

the viewfinder screen.

• Depending on the setting of the REC TIME

switch (See page 15), you can display the total

recording time or the length of the camera cut on

the viewfinder screen.

• When recording on the DSR-1/1P, you can use

the AUDIO LEVEL knob on the front of the

camera head to manually adjust the channel 1

audio level. To do this, you must first set up the

DSR-1/1P to enable manual adjustment of the

audio recording level.

For details of this operation, see the operating

instructions for the DSR-1/1P.

12To pause recording, press the VTR button again.

Basic Procedure for Shooting

Chapter 3 Shooting 45

Chapter 3 Shooting

Reviewing the recording

It is possible to review the last few seconds of the

recording on the tape (recording review).

Press the VTR button to pause recording, then press

the RET button on the lens.

Depending on how long the button is pressed, the tape

is automatically rewound over the last two to ten

seconds from the paused position, and then this part is

played back in the viewfinder. If the RET button is

kept pressing, about ten seconds of the recording

review is possible.

The VTR then returns to the paused state.

Note

This function may not be provided by some VTRs.

Refer to the instructions for the VTR.

Using the DynaLatitude Function

This function detects the bright and dark parts of the

subject and automatically adjusts for the appropriate

contrast. The DynaLatitude function enables fine-

grained contrast adjustment according to the

luminance level of each pixel. It is effective when

shooting scenes with mixed light and dark parts.

However, the brightness of the subject on the screen

may change if the subject moves during shooting.

Also, for some subjects, there may be increased noise

in dark sections of the picture.

For information on turning this function on and off, see

page 64. For information on setting effect levels, see page

59.

DL OFF DL ON

46 Chapter 3 Shooting

Chapter 3 Shooting

Shooting with the DSR-1/1P

The DXC-D35/D35P/D35WS/D35WSP docks with

the DSR-1/1P to configure a DVCAM Camcorder.

The following describes how to shoot using a

DVCAM camcorder.

Using the ClipLink Function

The ClipLink function can be used at all stages from

shooting to editing. This function makes editing

operations more efficient by automatically recording

index pictures (Mark IN point images) that provide a

searchable index of recorded scenes, along with other

data such as time code and scene numbers.

For concept of the ClipLink function, see the section “What

Is ClipLink”(page 102).

1Dock the DSR-1/1P to the camera head and turn on

the power, then perform steps 2 to 10 from “Basic

Procedure for Shooting” (page 43).

2Insert a cassette into the DSR-1/1P and set

ClipLink mode to ON by menu setting.

For details of this operation, see the operating

instructions for the DSR-1/1P.

The following display appears on the viewfinder

screen.



TCG 12:34:56:00



W:A



CLIPM

198

F5.6



56ND

99 04 01

10:10

AM



a) For details, see “Basic menu page 6” (page 60).

To record the cassette name/number

Access basic menu page 6 to specify a name or

number for the inserted cassette.

For details, see “Basic menu page 6” (page 60).

ClipLink mode indication:

CLIP M or Ca)

Clip remaining:

Indicates the number of

available Index pictures

(198 max.)

3Press the VTR button on the camera head or the

lens.

The DSR-1/1P starts recording, and the REC/

TALLY indicator lights in the viewfinder.

Meanwhile, the time code at the recording start

point (Rec IN) is recorded (HH:MM:SS) in the

DSR-1/1P’s internal memory.

4When a shooting of the scene completes, press the

VTR button on the camera head or the lens.

This pauses recording.

To continue recording the next scene, repeat steps

3 and 4. The scene number will be automatically

incremented.

To set/clear NG (No Good)

If you press the NG button before you start

shooting the next scene, the previous scene will be

designated as “NG” (the “NG” display appears in

the viewfinder).

Once NG has been set, you can cancel it by

pressing the NG button again before you start

shooting the next scene (the “NG” display in the

viewfinder disappears, which means that the

previous scene has been re-designated as “OK”).

Each time you press the NG button before starting

shooting the next scene, the status of the previous

scene toggles between “NG” and “OK”. It is

always the last selected status that will take effect

and be stored in the cassette memory.

5To finish recording, press the STOP button on the

DSR-1/1P.

This stops recording.

Note

When using the ClipLink function while shooting, if

you continue shooting after stopping or if you change

the tape’s recording position, your subsequent shots

may overwrite and erase the previously recorded

ClipLink log data (time codes, scene number, etc.) or

index pictures.

To avoid this problem, press the DSR-1/1P’s ClipLink

CONTINUE button before restart of shooting.

For details, see the operating instructions for the DSR-1/1P.

Chapter 3 Shooting 47

Chapter 3 Shooting

Setting Mark IN/OUT points as you shoot

Instead of continuing shots from scene to scene, you

can specify Mark IN and Mark OUT points as you

shoot and set scene numbers (ranging from 001 to

198).

1Perform steps 1 and 2 from “Using the ClipLink

Function” (page 46).

2Access basic menu page 6 and perform the

following operations.

1) Set MARK/CUE to MARK.

The ClipLink mode indication “CLIP M”

appears on the viewfinder screen.

2) Set the cassette name or number if necessary.

For details of menu operations, see “Basic Menu

Operations” (page 58).

3Press the VTR button on the camera head or the

lens.

The DSR-1/1P starts recording, and the REC/

TALLY indicator(s) light(s) in the viewfinder.

4Press the TAKE button when you find a shot

where you would like to set a Mark IN point.

The TAKE/TALLY indicator (orange) lights in the

viewfinder and “TAKE” appears on the screen.

5Press the TAKE button when you find a shot

where you would like to set a Mark OUT point.

The TAKE/TALLY indicator (orange) goes out in

the viewfinder and the “TAKE” disappears from

the screen.

At this time, the time code (HH:MM:SS) at the

Mark IN/OUT point for scene 001 is recorded to

the DSR-1/1P’s internal memory, and then

recorded to the cassette memory.

To set/clear NG

If you press the NG button before you set the next

Mark IN point, the previous scene will be

designated as “NG” (the “NG” display appears in

the viewfinder).

Once NG has been set, you can cancel it by

pressing the NG button again before you set the

next Mark IN point (the “NG” display in the

viewfinder disappears).

6Repeat steps 4 and 5 as needed to record (to

cassette memory) time codes at Mark IN/OUT

points, scene numbers, and NG designations to the

cassette memory.

The scene number is automatically incremented

each time you specify a Mark OUT point.

7To finish shooting, press the VTR button on the

camera head or the lens, then press the DSR-1/1P’s

STOP button.

This stops the recording operation.

The index pictures of each Mark IN point are

recorded onto the tape.

TAKE button

48 Chapter 3 Shooting

Chapter 3 Shooting

Setting cue points as you shoot

You can make edit search operations easier by

specifying cue points to highlight scenes.

1Perform steps 1 and 2 in “Using the ClipLink

Function” (page 46).

2 Access basic menu page 6 and perform the

following operations.

1) Set MARK/CUE to CUE.

The ClipLink mode indication “CLIP C”

appears on the viewfinder screen.

2) Set the cassette name or number if necessary.

For details of menu operations, see “Basic Menu

Operations” (page 58).

3 Press the VTR button on the camera head or the

lens.

The DSR-1/1P starts recording, and the REC/

TALLY indicator lights in the viewfinder.

Meanwhile, the recording start point (Rec IN) is

recorded in the DSR-1/1P’s internal memory.

4Press the TAKE button when you find a shot

where you would like to set a cue point.

The “CUE” indication appears (for about 1 second)

on the viewfinder screen. At this point, the time

code (HH:MM:SS:frame) at the cue point is

recorded into the cassette memory.

5 Repeat step 4 to specify more cue points.

6To finish shooting, press the VTR button on the

camera head or the lens, then press the

DSR-1/1P’s STOP button.

This stops recording operation.

Time codes (HH:MM:SS) and scene number

(scene 001) are recorded to the cassette memory

and the index picture of the Rec IN point is

recorded onto the tape.

Shooting with the DSR-1/1P

Using the Edit Search Function

While Back Space Editing

While the DSR-1/1P is in recording pause mode, press

and hold the EDIT SEARCH buttons to activate the

search playback function for as long as you hold down

the button. You can use the edit search function to

find the desired tape location after a recording stop

during back space editing or when continuing to record

from any other location on the tape.

1Dock the DSR-1/1P to the camera head and turn on

the power, then insert a cassette into the DSR-1/1P.

2Perform steps 2 to 12 in “Basic Procedure for

Shooting” (page 43).

3Press and hold either of the EDIT SEARCH

buttons (REV or FWD)

The tape is moved in reverse or forward search

mode for as long as you hold down the REV or

FWD button, and the image is shown in the

viewfinder.

To change the playback speed

Press the REV or FWD button down firmly into

the inner position to make the tape move at the

faster speed. Press the button down lightly to

make the tape move at the slower speed.

Note

Do not shut off the camera head’s power while

using the edit search function. The DSR-1/1P may

not be able to find the continue point.

REV button

FWD button

Chapter 3 Shooting 49

Chapter 3 Shooting

4Release the REV or FWD button when you find

the tape location where you wish to continue

shooting.

The DSR-1/1P enters recording pause mode.

5Press the VTR button on the camera head or the

lens.

The DSR-1/1P starts recording.

Using the Freeze Mix Function

The freeze mix function superimposes a freeze-frame

image of a previously recorded shot on the shooting

image displayed on the viewfinder screen.

You can use this function to easily frame a subject

within the same framework from a previous shot.

Note

When the camera head is in EZ mode, the freeze mix

function is disabled. Release the EZ mode beforehand.

(See page 14.)

1Dock the DSR-1/1P to the camera head and

connect a color monitor to the MONITOR OUT

connector.

2Perform steps 2 to 10 from “Basic Procedure for

Shooting” (page 43).

3Play back the tape on which the image to be used

for framework alignment has been recorded.

For playback operation, refer to the operating

instructions for the DSR-1/1P.

4Press the MENU/STATUS switch down.

The following indication appears on the screen.

PLAY



FREEZE MIX(ON

v)



EXIT MENU (YES

5Press the UP/ON button when you see the image

you want to freeze.

The frozen playback image is displayed, mixed

with the shooting image, in monochrome. The

indication “FREEZE MIX ON” appears on the

screen.



FREEZE MIX ON



MIX OFF (YES

To release the freeze mix mode, press the UP/ON

button again.

To change the freeze-frame image

Press the DSR-1/1P’s PLAY button.

This returns to the screen shown in step 3 above,

and color playback mode begins.

Use the DSR-1/1P’s tape transport buttons to find

the desired image and then perform steps 4 and 5

again.

6Once you have framed your subject, press the UP/

ON button to cancel the freeze function.

7Find the recording start point or insert a new

cassette for recording, then begin recording.

Note

If you use the DSR-1/1P’s tape transport buttons

during back space editing, the back space editing mode

will be stopped. When you were using the ClipLink

function when shooting, If you simply restart the

recording you will lose any ClipLink data that was

recorded. To avoid this, press the DSR-1/1P’s

ClipLink CONTINUE button before restarting

recording.

For details, see the operating instructions for the DSR-1/1P.

Chapter 4 Viewfinder Screen Indications and Menus 51

Chapter4

Viewfinder Screen

Indications and Menus

Viewfinder Screen Indications

There are four types of indication screen which appear

in the viewfinder, as follows.

•Normal indications

These show the operating state of the camera and

connected VTR. (See page 54.)

•Status indications

Pressing the MENU/STATUS switch up while the

normal indications are present calls a display of

current settings. (See page 57.)

•Basic menu

These provide settings for the lens iris, shutter speed

and so forth, and also a titling screen. (See the

section “Viewfinder Basic Menu” page 58.)

•Advanced menu

These provide settings for the center marker, zebra

pattern, viewfinder screen indications, and so forth.

(See the section “Viewfinder Advanced Menu” page

64.)

Changing the Viewfinder Display

Use the buttons and switches shown in the following

figure to switch the viewfinder display among the

normal indications, basic menu pages and advanced

menu pages.

Displaying the normal indications and

switching to the basic menu

To display the normal indications, move the POWER

switch to the ON position.

To switch to and from the basic menu, use the MENU/

STATUS switch.

STATUS

DOWN/OFF button

UP/ON button

MENU/STATUS switch

POWER switch

52 Chapter 4 Viewfinder Screen Indications and Menus

Chapter 4 Viewfinder Screen Indications and Menus

Displaying the advanced menu and

switching to the normal indications

Use the following procedure to display the advanced

menu.

1Move the POWER switch to the ON position while

holding down the UP/ON button to display the

advanced menu selection screen.

2To display advanced menu page 2

immediately, move the cursor to the menu

number and then press the DOWN/OFF button.

To reinitialize all settings in the advanced

menu to their factory defaults

1Align the cursor to ALL RESET and press the UP/

ON button.

(The indication changes to “ALL RESET

SURE?”.)

2Press the UP/ON button again. (The indication

changes to “ALL RESET OK” and reinitialization

completes.)

To cancel the reinitialization, move the cursor

instead of pressing the UP/ON button.

Display by moving the

POWER switch to the

ON position.

Normal indications

Page 1

Page 2

Page 8a)

Switch by pressing the

MENU/STATUS switch up.

Switch by pressing

the MENU/STATUS

switch down.

Basic menu

Display by holding the

MENU/STATUS switch up

while the normal

indications are present.

a) The menu configuration differs according to the camera

head’s switch settings, the connected VTR, and the type of

input signal. An eight-page configuration results when all of

the basic menu pages are displayed.



TITLE IND?

(YEScv)



A.IRIS : ± 0

DTL LEV: ± 0

M.BLACK: ± 0

STRETCH: ± 0

SHUTTER: OFF



SKIN DTL: OFF

DL LEV : STD

PRE.WHT : 3200

REC

TAKE

TCG 12:34:56:00



W:A

NG

CLIPM



198

F5.6

0dB

56ND

:LOW LIGHT 99 04 01

SS :1/100 10:00



WHITE : AUTO/A

A.IRIS: STD

FILE : STD

DCC+ : OFF



SS :OFF

BATT:13.0V

Status indications

Viewfinder Screen Indications

Chapter 4 Viewfinder Screen Indications and Menus 53

Chapter 4 Viewfinder Screen Indications and Menus



cPAGE 1(NEXTcVPREVcv)



ALL RESET

(YEScv) 



EXIT MENU (YEScv)



PAGE 1(NEXTcV PREVcv)



cALL RESET SURE?



(YEScv)



EXIT MENU (YEScv)



cPAGE15(NEXTcV PREVcv)



SETUP NAVI

CAMERAcTAPE

STORE DATA

(YEScv)



EXIT MENU (YEScv)



cPAGE2 (NEXTcV PREVcv)



GAIN

HIGH: 18dB 

MID : 9dB 

LOW : OdB



DL : ON



EXIT MENU (YEScv)



cPAGE3 (NEXTcV PREVcv)



AWB MEM : 2

TONE : OFF 

BARS : SMPTE 

REMOTE1 : REC

REMOTE2 : MARK

BAUD RATE: 9600



EXIT MENU (YEScv)



PAGE1 (NEXTcV PREVcv)



cALL RESET OK!



EXIT MENU (YEScv)



TCG 12:34:56:00



W:A



CLIPM



198

F5.6

0dB

3200

99 04 01

SS :1/100 10:00

a) Set the cursor to the page number and press the UP/ON or

DOWN/OFF button.

b) The menu configuration differs according the camera head’s

switch settings, the connected VTR, and the type of input

signal. A 15-page configuration results when all of the

advanced menu pages are displayed.

c) Set the cursor to EXIT MENU and press the UP/ON button.

Move the POWER switch to the

ON position with the UP/ON

button held down

UP/ON buttona)

Align the cursor to ALL

RESET and press the

UP/ON button.

Confirmation

screen

DOWN/OFF buttona)

UP/ON

buttonc)

Normal indications

UP/ON

buttonc)

UP/ON or DOWN/

OFF buttona) page 3

page 2

page 15b)

UP/ON buttonc)

DOWN/OFF buttona)

UP/ON or DOWN/

OFF buttona)

Advanced menu

page 1

UP/ON

buttona)

Press the UP/

ON button.

Move the cursor.

54 Chapter 4 Viewfinder Screen Indications and Menus

Chapter 4 Viewfinder Screen Indications and Menus

Viewfinder Normal Indications

During normal operation, the following items can be

indicated in the viewfinder.

The significance of each of the indications shown in

the figure is as follows.

1 VTR operation status indication

This indicates the VTR’s current operation status

(REC, PLAY, etc.).

2 TAKE/CUE indication

This displays a TAKE or CUE indicator when using

the ClipLink function and recording with the DSR-1/

1P.

TAKE: When recording in Mark mode, this

indication appears when a Mark IN point is set

and disappears when the next Mark OUT point is

set.

CUE: When recording in Cue mode, this indication

appears for about 1 second when a cue point is set.

3 Recording time or time data indication

This shows the following values.

• When the REC TIME switch on the camera is in the

TTL position: The total recording time

• When the REC TIME switch on the camera is in the

DUR position: The duration of the current recording

cut

• With a VTR connected, when the REC TIME switch

on the camera head is in the OFF position and the

item TC IND in advanced menu page 6 is set to

“ON”: A time data value from the VTR depending on

the DISPLAY switch settings on the VTR as shown

in the following table

When using the DSR-1/1P, time data values appear

during playback, fast forward, rewind, or recording

review.

4 NG indication

An “NG” (No Good) indicator appears if you

designate a recorded scene as “NG” when using the

ClipLink function and recording with the DSR-1/1P.

REC TAPE NEAR END 

TAKE

TCG 12:34:56:00 



W:A

NG AUTO BLACK

SKIN

CLIPM

-OK-

EVS

198

F5.6

DRP 18dB

EZ FOCUS

56ND

:LOW LIGHT 99 04 01

SS :1/100 10:00

AM

30-25 BATT:14.4V

a) Displayed only when a DSR-1/1P is connected.

b) Displayed only when a PVV-3/3P is connected.

c) Whether or not to display can be selected by menu setting.

d) This is recorded over the picture being shot.

qd VTR warning indication a), b)

qh EVS indication

qj Lens f-stop indication c)

qk Gain indication c)

ql Filter setting indication c)

w; Clock indication a), b), c), d)

wa Voltage/error indication

ws Shutter setting indication c)

qf White balance indication c)

qg SK/N DTL indication c)

1 VTR operation status indication a), b)

2 TAKE/CUE indication a)

3 Recording time or time data

indication a), b), c)

4 NG indication a)

5 Clip mode indication a)

6 Clip remaining

indication a)

7 Status display area

8 EZ FOCUS indication

9 LOW LIGHT indication c)

0 Camera microphone output

indication c)

qa Audio recording level indicators a), b), c)

qs Tape remaining indication a), b), c)

DISPLAY switch

setting Time data displayed

COUNTER CNT: Tape transport time

TC TCG: a time code from the time code

generator

TCR: a time code from the time code

reader

UBG: a user bit value from the user

bit generator

U-BIT

Chapter 4 Viewfinder Screen Indications and Menus 55

Chapter 4 Viewfinder Screen Indications and Menus

5 Clip mode indication

A “CLIP M” or “CLIP C” indication appears when

you use the ClipLink function and record using the

DSR-1/1P.

CLIP M: Indicates shooting in Mark mode

CLIP C: Indicates shooting in Cue mode

6 Clip remaining indication

The number of available index pictures remaining is

displayed when you use the ClipLink function with the

DSR-1/1P.

7 Status display area

One of the following values or messages is displayed

to indicate the camera head’s current status or its

operation status.

• New values when changing camera head’s settings

• Messages indicating progress or results of

adjustments

• The camera head’s current settings

• SetupLog data recorded to tape during shooting (see

page 78)

Note

The status indication is not shown while the EZ

FOCUS indication 8 appears.

8 EZ FOCUS indication

This appears when the EZ FOCUS button is pressed,

enabling the “easy focus” function.

9 LOW LIGHT indication

This warning appears if the lighting level is

inadequate.

0 Camera microphone output indication

This appears when there is an input from the camera

microphone.

Note

This indication serves as a check on whether the

camera microphone is operating correctly, but it does

not provide confirmation that the VTR is recording

sound. Check that the audio recording levels on the

VTR are set correctly.

qa Audio recording level indicators

These show the recording levels of audio channels 1

and 2 on the VTR.

qs Tape remaining indication

This shows the tape remaining in the VTR as follows.

qd VTR warning indication

This shows warning indications about operation or

status of the connected VTR.

When connecting the DSR-1/1P or PVV-3/3P

Channel 1

Channel 2

–20 dB

– ∞+3 dB

0 dB

–2 dB

PVV-3/3P

DSR-1/1P

Indication Tape remaining

F-30 At least 30 minutes

30-25 25 - 30 minutes

25-20 20 - 25 minutes

20-15 15 - 20 minutes

15-10 10 - 15 minutes

10-5 5 - 10 minutes

5-0 2 - 5 minutes

5-0 (flashing) 0 - 2 minutes

Indication Meaning

NO TAPE There is no tape loaded.

REC INHIBIT The tape is in the recording inhibited

state.

LOW BATT. The battery is almost exhausted.

BATT. END The battery is exhausted.

TAPE NEAR END The tape is near the end.

TAPE END The tape is at the end.

CHECK REMOTE

(PVV-3/3P only) A device other than a remote control

unit (e.g. headphones) is connected to

the REMOTE connector.

SERVO The servo lock has been lost.

HUMID

SLACK

OXIDE TAPE

(PVV-3/3P only) An oxide tape has been loaded. (The

tape is automatically ejected.)

There is condensation.

The video heads are clogged, or there

is some other fault in the recording

system.

The tape is not wound properly.

56 Chapter 4 Viewfinder Screen Indications and Menus

Chapter 4 Viewfinder Screen Indications and Menus

Only when connecting the DSR-1/1P

qf White balance indication

The following indications appear.

qg SKIN DTL indication

This appears when the skin detail function is activated

(The SKIN DTL switch is set ON.)

qh EVS indication

This appears when the EVS (Enhanced Vertical

definition System) function is enabled. (See page 84.)

qj Lens f-stop indication

This shows the f-stop of the lens.

Note

Depending on the lens being used, this indication may

differ slightly from the actual f-stop on the lens.

qk Gain indication

This shows the gain value, and the settings of the

HYPER GAIN switch and the DPR (Dual Pixel

Readout) function (see page 64) as shown in the

following table.

ql Filter setting indication

This shows the setting of the FILTER control.

w; Clock indication

The clock indication is shown in one of the following

ways (according to the CLOCK IND setting of CAM,

BARS, or OFF in advanced menu page 8).

CAM: Always displayed.

BARS: Displayed whenever color bars are

displayed.

OFF: Not displayed.

If the clock indication is displayed during recording, it

is recorded onto the image.

Indication Meaning

50P CONNECT Connection with the PRO 50-pin

connector on the DSR-1/1P.

(Freeze mix function is disabled.)

MP TAPE An incorrect type of cassette has

been loaded. (The cassette is

automatically ejected and the

indication disappears in about two

seconds.)

CLIP DATA ERR Abnormality of the cassette memory

data.

AUDIO 48kHz?

(4 flashes/s) At back space editing, audio

recording mode has changed from

32 kHz mode (4-channel mode) to

48 kHz mode (2-channel mode).

AUDIO 32kHz?

(4 flashes/s) At back space editing, audio

recording mode has changed from

48 kHz mode (2-channel mode) to

32 kHz mode (4-channel mode).

ERROR:91-13F Failure in loading or saving the

cassette memory data.

When other error indication

appears, refer to the operating

instructions for the DSR-1/1P.

CLIP CONT? Asking whether you will continue

shooting in ClipLink mode or not

when the cassette contains ClipLink

data. (The indication disappears

when you press the ClipLink

CONTINUE button on the DSR-1/

1P or start the next shooting without

pressing it.)

CLIP NEAR END

CLIP END Impossible to record any more clip

shots.

At back space editing in ClipLink

mode, capacity for only 1 to 3 index

pictures remains.

Indication Meaning

EZ Operating in EZ mode (The ATW function is

selected.)

ATW The ATW function is selected. (The ATW

button was pressed and the indicator is lit.)

W:A White balance memory A is selected.

W:B White balance memory B is selected.

W:P Preset white balance is selected.

W:M Manual adjustment is performed remotely.

Example indication Meaning

18dB Gain setting is 18 dB.

DPR 18dB The DPR function is enabled.

In this case the DPR function

approximately doubles the gain (an

increase of 6 dB) over the current

gain setting (in this case 18 dB).

HYPER The HYPER GAIN switch is in the

ON position.

In this case the hyper gain function

increases the gain by a factor of

about 60 or 120 with respect to 0

dB regardless of the current gain

setting (that is, increased to 36 or

42 dB).

Indication Filter setting

3200 1 (3200K)

56ND 2 (5600K + 1/8ND)

5600 3 (5600K)

56ND 4 (5600K + 1/64ND)

Viewfinder Normal Indications

Chapter 4 Viewfinder Screen Indications and Menus 57

Chapter 4 Viewfinder Screen Indications and Menus

wa Voltage/error indication

The current voltage is displayed whenever the camera

head’s power supply voltage dips below 11.0 V DC.

However, you can also display the current voltage at

any time by pressing and holding the MENU/STATUS

switch in the upward position (the display is shown for

as long as you hold the switch upward).

An error message is displayed when an abnormality

has been detected by the auto diagnostic function

(page 62).

If an error message appears, contact your Sony dealer.

If using a VTR and an Anton Bauer Intelligent

Battery System

The remaining battery capacity is shown as a

percentage.

ws Shutter setting indication

When the SHUTTER switch has been set to ON, the

shutter speed, CLS frequency or EVS set in basic

menu page 1 is displayed here.

Status Indications

If you set the MENU/STATUS switch to STATUS

while a menu is being displayed, the camera head’s

current setting status will be shown in this display

area.

a) When both the DCC+ and DynaLatitude

functions are set to OFF

Display Description

WHITE White balance adjustment method

selection (PRE/A/B) and color

temperature during auto white

balance adjustment

A.IRIS

FILE STD (when not using the setup files),

or a selected file name (when using

the setup files) (see page 71).

Iris adjustment method selection

(STD/SPOT L/BACK L)

For DCC+ indication: ON with the

OUTPUT/DL/DCC+ switch set to

CAM/DCC+ (DCC+ON), and OFF with

the switch set to CAM/DL and DL in

advanced menu page 2 (page 64) set

to OFF (both DCC+ and DynaLatitude

OFF).

For DL indication: When setting the

OUTPUT/DL/DCC+ switch to DL and

DL in advanced menu page 2 to OFF

(DynaLatitude OFF), LOW, STD or

HIGH is displayed according to DL

LEV setting in basic menu page 2

(page 59).

DCC+ or DL

58 Chapter 4 Viewfinder Screen Indications and Menus

Chapter 4 Viewfinder Screen Indications and Menus

Viewfinder Basic Menu

To display the basic menu pages, press the MENU/

STATUS switch downward while the normal

indications are being shown in the viewfinder. The

basic menu configuration can include up to eight pages

(the configuration depends on the switch settings and

the type of connected VTR).

Basic Menu Operations

The common operations on all basic menu pages are

described below.

To change the page or item

The cursor is moved downward each time you press

the MENU/STATUS switch down. Once the cursor

has reached the last item on a page, press down the

MENU/STATUS switch to go to the next page. When

the last page is being displayed, pressing down the

MENU/STATUS switch returns the display to the

normal indications.

The cursor is moved upward each time you press up

the MENU/STATUS switch. Once the cursor has

reached the first item on a page, pressing up the

MENU/STATUS switch returns the display to the

normal indications.

To change settings

After using the MENU/STATUS switch to move the

cursor to the item on which you will change the

setting, press either the UP/ON button or the DOWN/

OFF button to select the desired value.

To reset any item to its shipped settings, press the UP/

ON button and the DOWN/OFF button at the same

time.

Contents and Settings of Each

Page

Each page’s contents and settings are described below.

On the DXC-D35WSL/D35WSPL, when the MENU

MODE is set to 2 in advanced menu page 9, a page for

aspect ratio settings (16:9/4:3) is added before basic

menu page 1.

Basic menu page 1

Item Settings

A. IRIS

Sets a base value

for auto adjustment

of lens iris.

–1.0, –0.5, ±0 (normal value), +0.5,

+1.0

Negative adjustment values set a

narrower lens iris and positive values

set a wider lens iris.

DTL LEV

Sets the detail

(edge) emphasis.

–99 to ±0 (normal value) to +99

Negative adjustment values soften the

image’s edges and positive values

sharpen them.

M. BLACK

Sets the master

pedestal level.

–99 to ±0 (normal value) to +99

Negative adjustment values make

dark areas of the picture darker and

increase the contrast. Positive

adjustment values dark areas of the

picture lighter and reduce the

contrast.

DXC-D35/D35WSL: 1/100 (normal

value), 1/250, 1/500, 1/1000, 1/

2000, EVS, CLS (60.4 Hz to 200.3

Hz)

DXC-D35P/D35WSPL: 1/60 (normal

value), 1/250, 1/500, 1/1000, 1/

2000, EVS, CLS (50.3 Hz to 201.4

Hz)

This selects either the shutter speed

or the scan frequency or EVS for the

clear scan function.

STRETCH

Sets black stretch/

compress value.

–16 to ±0 (normal value) to +15

This function adjusts the intensity of

dark areas of the screen. Negative

values make these areas darker

(black compress) and positive values

make these areas brighter (black

stretch).

SHUTTER

Sets shutter speed

or CLS/EVS setting

(see page 84)

Chapter 4 Viewfinder Screen Indications and Menus 59

Chapter 4 Viewfinder Screen Indications and Menus

Basic menu page 2

Basic menu page 3

This is displayed when the SET UP switch has been

set to FILE.

For details of this operation, see “Setup Files” (page 71).

Basic menu page 4

This menu is displayed only when an external sync

signal is input to the camera adaptor or VTR connected

to the camera head.

a) This applies when using an external sync signal to

synchronize operation of several cameras (see page

39).

Basic menu page 5

Item Settings

SKIN DTL

Sets the amount of

skin detail

correction.

0.0 (normal value) to 1.0

Smaller values set a softer skin detail.

LOW, STD (normal value), HIGH

Set the amount of DynaLatitude

effects as high level, standard level

(STD), or low level.

DL LEV

Sets the

DynaLatitude level.

PRE.WHT

Sets the color

temperature of the

preset white

balance.

When the FILTER control is set to 1

(3200K): 2200 to 3200 (normal value)

to 4300

When the FILTER control is set to 2

(5600K + 1/8 ND), 3 (5600K) or 4

(5600K + 1/64 ND): 4600 to 5600

(normal value) to 12000

Item Settings

SC PHASE

Sub carrier phase

adjustment for

when camera is

genlocked.a)

000 (normal value) to 999

H PHASE

Horizontal phase

adjustment for

when camera is

genlocked.a)

000 to 135 (normal value) to 199

60 Chapter 4 Viewfinder Screen Indications and Menus

Chapter 4 Viewfinder Screen Indications and Menus

Setting the recording time in seconds

Move the cursor to DUR TIME, then press the UP/ON

button or DOWN/OFF button.

A value of seconds is displayed under “SS”.

Basic menu page 6

The following display is shown when the DSR-1/1P is

connected.

To set the cassette name/number (when using

DSR-1/1P)

1Connect the DSR-1/1P and load a cassette.

2Press the MENU/STATUS switch to move the

cursor to CHG REEL NO, then press the UP/ON

button.

The cursor (→) changes to the text entry arrow (↓)

and the current cassette name/number is displayed.

(“NO TAPE” is displayed if you neglected to load

a cassette.)

Item Settings

MARKER

Sets MARKER display ON/OFF. ON (normal value), OFF

MARKER is displayed

when this setting is ON

and is not displayed

when it is OFF.

When the setting is ON,

go to Advanced Menu 4

to select the type of

marker

(see page 65)

DUR TIME

Sets the recording time

Setting the recoriding time

before shooting helps you with

making scenes of equal

duration.

When shooting with displaying

the recording time of the current

cut in the viewfinder (with the

REC TIME switch set to DUR),

the recording time indication

flashes to remind you that the

recording time has passed.

00:00 to 59:59 (minute

to second)

See “Setting the

recording time in

seconds” below.

Item Settings

MARK/CUE

Selects MARK

mode or CUE mode

MARK (normal value), CUE

See “Using the ClipLink Function”

(page 46).

CHG REEL NO

Sets the cassette

name/number

See “To set the cassette name/

number” below.

Current cassette

name/number

Viewfinder Basic Menu

Chapter 4 Viewfinder Screen Indications and Menus 61

Chapter 4 Viewfinder Screen Indications and Menus

3Press the MENU/STATUS switch to move the text

entry arrow.

Press the MENU/STATUS switch upward to move

the cursor to the right or downward to move it to

the left.

The character cycles through the following

sequence.

ABCDEFGHIJKLMNOPQRSTUVWXYZ?;x/0123456789

:-

4Press the UP/ON button or DOWN/OFF button to

enter the desired characters.

The displayed character changes each time the UP/

ON button is pressed. It changes in reverse order

each time the DOWN/OFF button is pressed.

5Return to step 2 and repeat the text entry

procedure.

6After completing text entry, move the text entry

cursor to the parenthesis position.

The display changes as follows.

7Check your cassette name/number setting, and

press the UP/ON button if no more changes are

required. (To make changes or to abort the

procedure for this setting, return to step 2.)

This writes the new cassette name/number to the

cassette memory, after which the display changes

as follows.

Basic menu pages 7 and 8

You can create a title of up to four lines, each of

twelve alphanumeric or punctuation characters, and

then save it. It is then possible to record the title over

the picture while shooting.

Entering the title (page 7)

1Press the MENU/STATUS switch as necessary to

display basic menu page 7 (title setting display) in

the viewfinder.

If a title is already present, it appears on this

screen. To delete the displayed title, press the UP/

ON and DOWN/OFF buttons simultaneously.

2Press the UP/ON button.

This brings up the cursor on the screen (flashing),

and switches to title editing mode.

3Press the DOWN/OFF button to move the cursor to

the position where you wish to insert a character.

To move the cursor back

With the DOWN/OFF button held down, press the

UP/ON button.

Initial cursor position

(continued)

(Space)

62 Chapter 4 Viewfinder Screen Indications and Menus

Chapter 4 Viewfinder Screen Indications and Menus

4Press the UP/ON button to select the required

character.

Each time you press the UP/ON button, the

character cycles through the following sequence.

ABCDEFGHIJKLMNOPQRSTUVWXYZ?;x/0123456789

:-

To reverse the character sequence

With the UP/ON button held down, press the

DOWN/OFF button.

5Press the DOWN/OFF button to confirm the

character selection.

The cursor advances to the next character position.

To change a character after confirming it

Return to step 3, and input the character again.

6Repeat steps 4 and 5 until the title is complete.

7When the title is complete, press the MENU/

STATUS switch as necessary to return to the

normal viewfinder indications.

The title created is retained, even when you power

the camera off.

To record a title (page 8)

1Press the MENU/STATUS switch as necessary to

access basic menu page 8 (title display).

2Press the UP/ON button once.

The title is superimposed to the picture displayed

on the viewfinder screen.

3Start shooting.

4To stop the title recording, press the MENU/

STATUS switch to clear the title display.

Note on using the CCU-M5/M5P Camera Control Unit

When the CCU-M5/M5P has a function switch setting

of “TITLE ON”, the title display takes precedence, and

the status display (see page 57) do not appear in the

normal incidations. However, when you press the

MENU/STATUS switch up, for as long as you hold it

up the status indications appear in place of the title.

When “CHECK DIAG” is displayed

The “CHECK DIAG” indication appears in the status

display area whenever the camcorder’s automatic self

diagnostic function detects an abnormality. Access

this page and perform error checking. (This page is

displayed as basic menu page 1.)

“CHECK DIAG” will also be displayed if there is a

problem on the sync signal input to the GEN LOCK

IN connector. Input a proper sync signal and then

perform error checking.

To perform error checking

Press the UP/ON button.

The error checking performs on the digital signal

processing (DSP) and memory circuits and the results

are displayed.

When no error is detected, “OK” appears.

Viewfinder Basic Menu

(Space)

Chapter 4 Viewfinder Screen Indications and Menus 63

Chapter 4 Viewfinder Screen Indications and Menus

Example: If an abnormality is detected in the DSP

circuit.



DIAGNOSIS 

DSP : ERROR

MEMORY: OK



DIAG ERROR

The error message “DIAG ERROR” appears when the

normal indications are displayed. If this message

appears, contact your Sony dealer.

64 Chapter 4 Viewfinder Screen Indications and Menus

Chapter 4 Viewfinder Screen Indications and Menus

Viewfinder Advanced Menu

Bring up the advanced menu pages by setting the

POWER switch to ON while pressing the UP/ON

button up (see page 52).

There are up to 15 advanced menu pages (the number

displayed depends on the switch settings and the type

of connected VTR).

Note on EZ mode

When the camera is in EZ mode, the advanced menu

does not appear. Release the EZ mode beforehand.

(See page 14.)

Advanced Menu Operations

To change the page

Move the cursor to the menu number, then press the

UP/ON button or the DOWN/OFF button.

Pressing the UP/ON button displays the previous page

and pressing the DOWN/OFF button displays the next

page. Pressing the DOWN/OFF button when the last

page is being displayed returns the display to the first

page.

To select items in a page

Press the MENU/STATUS switch to move the cursor

among the menu items.

To change settings

This operation is the same as for the basic menus.

For a description of basic menu operations, see page 58.

To return to the normal indications

Move the cursor to EXIT MENU, then press the UP/

ON button.

Contents and Settings of Each

Page

Each page’s contents and settings are described below.

Advanced menu page 1

Use this page to return all advanced menu settings to

their factory preset values.

For details of this operation, see “Displaying the advanced

menu and switching to the normal indications” (page 52).

Advanced menu page 2

Item Settings

GAIN

This sets gain values for the positions of the GAIN switch.

The HIGH, MID, and LOW values must be set so that LOW

< MID < HIGH.

MID

Sets the M position. 0 dB, 3 dB, 6 dB, 9 dB

(normal value), 12 dB, 18

dB, 18 dB + DPR, 24 dB, 24

dB + DPR

LOW

Sets the L position. –3 dB, 0 dB (normal

value), 3 dB, 6 dB, 9 dB, 12

dB, 18 dB, 18 dB + DPR, 24

HIGH

Sets the H position. 3 dB, 6 dB, 9 dB, 12 dB, 18

dB (normal value), 18 dB +

DPR, 24 dB, 24 dB + DPR,

HYPER GAIN

HYPER

Sets gain value when the

HYPER GAIN is selected.

36 dB (normal value), 42

Sets DynaLatitude function

ON/OFF.

This setting is valid only

when the OUTPUT/DL/

DCC+ switch has been set to

DL.

ON (normal value), OFF

When set to ON, the amount

of DynaLatitude effects is

set in basic menu page 3

(see page 59).

Chapter 4 Viewfinder Screen Indications and Menus 65

Chapter 4 Viewfinder Screen Indications and Menus

Advanced menu page 3

a) For DXC-D35P/D35WSPL: EBU75

Item

AWB MEM

Selects whether or not to

make the FILTER knob

settings (1 to 4) correspond

to separate white balance

adjustment values stored in

memory.

2 (normal value): No

correspondence with FILTER

knob settings. Only two

adjustment values (A and B)

are stored in memory.

2 × 4FL: Correspondence

with FILTER knob settings.

Each of the four knob

settings can be used to set A

and B adjustment values, for

a total of eight settings.

TONE

Selects whether or not to

output a 1-kHz audio signal

with the color bars when the

OUTPUT/DL/DCC+ has

been set to BARS.

ON (normal value): Output

audio signal.

OFF: Do not output audio

signal.

BARS

Selects normal width or

narrower width for color

bars.

SMPTE (normal value for

DXC-D35/D35WSL):

Normal width

EBU75 (normal value for

DXC-D35P/D35WSPL): EBU

75%

EBU100 (for DXC-D35P/

D35WSPL): EBU 100%

SPLIT (for DXC-D35P/

D35WSPL): Not for normal

operation

SNG: Narrower than normal

(used for satellite

communications, etc.)

REMOTE1

Sets a function for position 1

of a switch connected to the

REMOTE1 connector.

REC (normal value):

Specifies recording start/stop

MARK: Specifies a Mark IN/

OUT point.

CUE: Specifies a cue point.

NG: Specifies NG/OK.

REMOTE2

Sets a function for position 2

of a switch connected to the

REMOTE1 connector.

9600, 38400 (normal value)

REC: Specifies recording

start/stop.

MARK (normal value):

Specifies a Mark IN/OUT

point.

CUE: Specifies a cue point

NG: Specifies NG/OK.

Settings

BAUD RATE

Sets a baud rate for a

computer connected to the

REMOTE connector 2 (to be

supported in future version).

Advanced menu page 4



PAGE4 (NEXT

)



MARKER : CENT/90%

LIMITS : OFF

ZEBRA : 1 

ZEBRA1 : 70IRE 

VF S DTL: ±0

VF TALLY:

2

VF PLAY : Y

LENS SEL: 1



EXIT MENU (YES



a) For DXC-D35P/D35WSPL: 70%

Item

MARKER

Selects ON/OFF setting for

center marker, size setting

(percentage of viewfinder

screen area), and display

ON/OFF setting.

CENT/90% (normal value):

Displays center marker and

safety zone marker at 90%

size.

CENT/80%: Displays center

marker and safety zone

marker at 80% size.

90%: Displays only safety

zone marker at 90% size.

80%: Displays only safety

zone marker at 80% size.

CENT: Displays only center

marker.

ZEBRA

Selects type of zebra pattern

display.

1 (normal value): Displays

the zebra pattern over parts

having a video level.

between 70 and 90 IRE (or

70 and 90%).

Use the next item (ZEBRA1)

to select the base level.

2: Displays the zebra pattern

over parts having video

levels of 100 IRE or above

( or 100% or above).

1/2: Dual display (both 1

and 2)

ZEBRA1

Sets base level for zebra

pattern 1.

70 IRE (normal value) to 90

IRE or 70% (normal value)

to 90%

Can be set for each IRE

step or 1% step.

VF S DTL

Sets the detail level of

images on the viewfinder

screen (displayed only when

a viewfinder other than the

DXF-701/701CE/701WS/

701WSCE/801/801CE is

attached).

–99 to ±0 (normal value) to

+99

Negative values set softer

edges and positive values

set sharper edges.

Settings

(continued)

LIMITS (For DXC-D35WSL/

D35WSPL)

Selects the safety zone size

when the scan size is 16:9.

OFF (normal

value):FDepends on the

scan size.

4:3, 13:9, 14:9, 15:9

a) a)

66 Chapter 4 Viewfinder Screen Indications and Menus

Chapter 4 Viewfinder Screen Indications and Menus

Item Settings

×1: Uses only the upper

REC/TALLY indicator.

×2 (normal value): Uses

two REC/TALLY indicators.

VF TALLY

Selects whether or not to use

more than one REC/TALLY

indicators in the viewfinder

(displayed only when the

DXF-701/701CE/701WS/

701WSCE/801/801CE

viewfinder is attached).

VF PLAY

Selects the video signal

displayed in the viewfinder

during playback of the DSR-

1/1P (displayed only when

the DSR-1/1P is connected)

Y (normal value): Y signal

VBS: Composite video

signal

LENS SEL

Selects the types of the lens. 1 (normal value), 2, 3, 4

For details, see “Designating

the lens” on page 90.

Advanced menu page 5

Item Settings

SS INDa)

Selects the mode for

showing the shutter setting

when displaying the normal

indications.

3SEC: Displays shutter

setting for three seconds only

when the setting has been

changed.

ALWAYS (normal value):

Displays the shutter setting at

all times.

LL INDa)

Selects whether or not to

show the LOW LIGHT

indication on the normal

indications when inadequate

lighting is detected.

ON (normal value):

Displays.

OFF: Not display.

MIC INDa)

Selects whether or not to

show the camera

microphone output

indication on the normal

indications.

ON (normal value):

Displays.

OFF: Not display.

IRIS INDa)

Selects whether or not to

show the lens’s F-stop value

(iris indication) on the

normal indications. The F-

stop value is always

displayed when in EZ mode.

ON (normal value):

Displays.

OFF: Not display.

a) When the viewfinder’s DISPLAY switch is set to OFF,

indications related to these items are not displayed even

when menu settings are set to ON.

GAIN INDa)

Selects whether or not to

always show the gain

setting indication on the

normal indications.

ON (normal value): Always

displays.

OFF: displays for two

seconds only when the

setting has been changed.

FILTER INDa)

Selects whether or not to

always show the FILTER

knob setting indication on

the normal indications.

The FILTER knob setting

indicator is always displayed

when in EZ mode.

ON (normal value): Always

displays.

OFF: Displays for two

seconds only when the

setting has been changed.

Item Settings

WHITE INDa)

Selects whether or not to

show the setting of the white

balance switch.

ON (normal value): Displays.

OFF: Not display.

SKIN INDa)

Selects whether or not to

show the setting for skin

detail correction.

ON (normal value): Displays.

OFF: Not display.

Advanced menu page 6

a) When the viewfinder’s DISPLAY switch is set to OFF,

indications related to these items are not displayed even

when menu settings are set to ON.

Item Settings

AUDIO INDa)

Selects whether or not to

show the audio level

indication on the normal

indications (valid only when

the DSR-1/1P or PVV-3/3P

is connected).

ON (normal value):

Displays.

OFF: Not display.

TAPE INDa)

Selects whether or not to

show the VTR’s remaining

tape indication on the normal

indications. (valid only when

the DSR-1/1P or PVV-3/3P

is connected).

ON (normal value):

Displays.

OFF: Not display.

Viewfinder Advanced Menu

Chapter 4 Viewfinder Screen Indications and Menus 67

Chapter 4 Viewfinder Screen Indications and Menus

a) When the viewfinder’s DISPLAY switch is set to OFF,

indications related to these items are not displayed even

when menu settings are set to ON.

To set the camera ID

1Press the MENU/STATUS switch to move the

cursor to ID SET.

The cursor (→) changes to the text entry arrow (↓).

2Press the MENU/STATUS switch to move the text

entry arrow.

Press the MENU/STATUS switch upward to move

the cursor to the right or downward to move it to

the left.

3Press the UP/ON button or DOWN/OFF button to

enter the desired characters.

The displayed character changes each time the UP/

ON button is pressed. It changes in reverse order

each time the DOWN/OFF button is pressed.

4Return to step 2 and repeat the text entry

procedure.

TC INDa)

Selects whether or not to

show the time data indication

on the normal indications

(valid only when the DSR-1/

1P or PVV-3/3P is

connected).

ON (normal value):

Displays.

OFF: Not display.

ID IND

Selects whether or not to

display the camera ID when

displaying color bars.

ON (normal value):

Displays.

OFF: Not display.

ID SET

Sets the camera ID (up to

eight characters, including

alphanumerics, symbols,

and spaces).

See “To set the camera ID”

below.

Item Settings

Current camera ID

5When you have finished entering the text, move

the cursor to the parenthesis position.

This clears the displayed menu and returns to the

normal indications.

Advanced menu page 7

a) At shipping, the EZ MODE is set to STD.

Item Settings

EZ MODE

When the EZ MODE button

has been set to EZ mode

ON, this selects whether or

not to change the settings of

other switches and menus to

the standard settings. (The

EZ mode function cannot be

used during remote

operation.)

STD (normal value):

Changes settings to

standard settings.

CUSTOM: Changes only

some settings to standard

settings.

For details of the settings

when STD or CUSTOM is

specified, see “EZ mode

settings” on next page.

A.IRIS-AGC

Selects auto iris adjustment

which sets an F-stop value

that can be switched to AGC

(displayed only when the EZ

MODE is set to CUSTOM).

F1.8, F 2.8 (normal value),

F4, F5.6

A.IRIS-AE

Selects auto iris adjustment

which sets an F-stop value

that can be switched to AE

(displayed only when the EZ

MODE is set to CUSTOM).

F5.6 , F8, F11, F16 (normal

value)

0 dB, 3 dB, 6 dB, 9 dB, 12

dB (normal value)

AGC LIMIT

Sets an upper limit value for

AGC adjustment (displayed

only when the EZ MODE is

set to CUSTOM).

68 Chapter 4 Viewfinder Screen Indications and Menus

Chapter 4 Viewfinder Screen Indications and Menus

EZ mode settings

The following settings are set for the camera head

when EZ mode has been selected.

Advanced menu page 8

Item Setting

STD CUSTOM

Setup file STD Selectable

Detail level ±0 Selectable

Master black ±0 Selectable

Black stretch ±0 Selectable

Skin detail OFF OFF

Shutter OFF (AE mode) OFF (AE mode)

ATW

Iris control method

Freeze mix OFF OFF

Gain AGC mode AGC mode

Hyper gain OFF OFF

Automatic Automatic

Auto iris control

mode STD STD

Iris override ±0 Selectable

Color bar output Not output Not output

AGC upper limit 12dB Selectable

AGC’s F stop value F2.8 Selectable

AE’s F stop value F16 Selectable

DynaLatitude OFF

DCC+

F-stop value

indication

OFF

ON ON

Filter indication

Clock indication

ON ON

OFF OFF

Advanced menu page 9



PAGE9 (NEXT

)



16:9/4:3 : 16:9

WIDE ID : ON 

VF SCAN : AUTO

MENU MODE: 1



EXIT MENU (YES

)

a) Compared to 16:9 mode, the 4:3 mode video appears as

if a zoom lens has been adjusted slightly toward the

telephoto end (see figure on page 70).

b) When the camera is in 16:9 mode, the viewfinder picture

appears stretched vertically (see figure on page 70).

Item Setting

CLOCK IND

Selects whether or not to

display the date/time on the

normal indications.

OFF (normal value): Not

display.

CAM: Displays.

BARS: Displays only when

color bars are displayed.

CLOCK SET

Sets date/time.

See “Setting the Clock and

Timestamping Recordings”

(page 86).

Item Settings

16:9/4:3

Selects whether to put

the camera in 16:9

mode or 4:3 mode.

16:9 (normal value)

4:3 a)

WIDE ID

Selects whether or not

to add a wide aspect ID

signal to video output

signals in 16:9 mode.

ON (normal value): Adds.

OFF: Does not add.

VF SCAN

Selects 16:9 or 4:3 as

the viewfinder scan size

when using the supplied

DXF-801/801CE

Viewfinder.

AUTO (normal value):

Automatically switch to 16:9 size

when the camera is in 16:9

mode, and automatically switch

to 4:3 size when the camera is in

4:3 mode.a)

FULL: Regardless of camera’s

mode (16:9 b) or 4:3), the

viewfinder picture completely fills

the display area.

MENU MODE

Selects whether or not

switch the mode (16:9/

4:3) on the basic menu.

1 (normal value): Selects the

16:9 or 4:3 mode only with the

advanced menu.

2: Selects the 16:9 or 4:3 mode

with both the basic and advanced

menus.

Viewfinder Advanced Menu

Chapter 4 Viewfinder Screen Indications and Menus 69

Chapter 4 Viewfinder Screen Indications and Menus

Advanced menu pages 10 to 13

These pages are displayed only when the SET UP

switch has been set to FILE.

For details of this operation, see “Setup Files” (page 71).

Advanced menu pages 14 and 15

These pages are displayed only when a DSR-1/1P has

been connected and the SET UP switch is set to FILE.

For details of this operation, see “Using SetupNavi and

SetupLog with the DSR-1/1P” (page 76).

70 Chapter 4 Viewfinder Screen Indications and Menus

Chapter 4 Viewfinder Screen Indications and Menus

Video Output and Viewfinder Picture (For DXC-D35WSL/D35WSPL)

Subject

2/3-inch optics

4:3 effective area

16:9 effective area

Item Settings

16:9/4:3 16:9

VF SCAN AUTO

The camera outputs 16:9 video.

The scan size of the viewfinder

picture is 16:9 size.

Viewfinder picture

Item Settings

16:9/4:3 16:9

VF SCAN FULL

The camera outputs 16:9 video.

The viewfinder picture is 16:9

video that has been stretched

vertically to completely fill the

display area.

Viewfinder picture

Item Settings

16:9/4:3 4:3

VF SCAN AUTO or FULL

The camera outputs 4:3 video that

has been electronically extracted

from the effective area of the 16:9

aspect ratio. Compared to 16:9

video, this video appears as if a

zoom lens has been adjusted

slightly toward the telephoto end.

The picture in the viewfinder is 4:3

video, which completely fills the

display area.

Viewfinder picture

Viewfinder Advanced Menu

The video output and viewfinder picture of this camera

vary as shown below according to the settings of the

16:9/4:3 item and the VF SCAN item of the advanced

menu page 9.

Chapter 4 Viewfinder Screen Indications and Menus 71

Chapter 4 Viewfinder Screen Indications and Menus

Setup Files

You can use setup files to reproduce a particular

configuration of settings. You can also revise the

contents of setup files.

There are eight types of setup files, of which five are

factory preset setup files and the other three are user

files.

Calling up a Setup File

This describes how to call up a setup file and use it to

replace the current menu settings.

1Set the SET UP switch to FILE.

The camera head is set according to the currently-

selected file data.

2Access basic menu page 3.

a)An asterisk (*) appears in front of any factory

preset file whose contents have been revised at

least once.

SET UP switch

Current file a)

Selected file

3Move the cursor to SELECT FILE and use the UP/

ON button or the DOWN/OFF button to select the

desired file.

Press the UP/ON button or DOWN/OFF button

repeatedly until the desired file name is displayed.

4Move the cursor to CHG FILE and press the UP/

ON button.

The display changes as shown below and the

selected file is called up.

You can also call up these files via a similar operation

in advanced menu page 10. In this page, a file

recorded onto a tape can also be called up (when using

the DSR-1/1P).

For details, see “To call up files recorded onto a tape (when

using the DSR-1/1P)” (page 72).

USER1 to USER3 User setup files (set to STD at

shipping)

File Description

STD Settings for shooting under

standard conditions

HI SAT Settings for making pictures

vivid

FL Settings for shooting under

fluorescent lighting

FILMLIKE Settings for making pictures like

ones shot by film camera

Settings to optimize camera

image for recording and

playback characteristics of S-

VHS, VHS, or Hi-8 tape

SVHS/VHS

72 Chapter 4 Viewfinder Screen Indications and Menus

Chapter 4 Viewfinder Screen Indications and Menus

To call up files recorded onto a tape (when

using the DSR-1/1P)

First, connect the DSR-1/1P to the camera head and

load the cassette that contains the recorded files.

1Set the SET UP switch to FILE.

2Access advanced menu page 10.

3Move the cursor to SELECT FILE and use the UP/

ON button or the DOWN/OFF button to select

TAPE.

4Move the cursor to CHG FILE and press the UP/

ON button.

The screen appears as shown below.

5Press the UP/ON button to call up the file. To

abort the call up operation, press the DOWN/OFF

button (the display returns to the one shown in step

3).

During the call up operation, the following display

appears.

When the call up operation ends, the display

changes as shown below.

The settings of the camera head are now replaced

by the settings in the called file.

Name of file

recorded onto

tape

Setup Files

Chapter 4 Viewfinder Screen Indications and Menus 73

Chapter 4 Viewfinder Screen Indications and Menus

Changing File Settings

When using advanced menu page 11 or 12, you can

change the settings about picture quality in setup files.

(In basic menu page 1, a part of items are changeable.)

The changes are accepted only until another file is

called up, after which the original settings are restored.

If you save the changes, store the modified file as one

of the user files or record it in a cassette. (See the

following section “Saving File Settings”.)

1Perform the steps described in “To call up files

recorded onto a tape (when using the DSR-1/1P)”

above to call up the selected file.

2Access advanced menu page 11 or 12.

a) An asterisk (*) appears in front of any factory preset

file whose contents have been revised at least once.

3Make the desired changes.

Page 11

See “Basic menu page 1”

(page 58).

Item Settings

M.BLACK, STRETCH and

DTL LEV

M.GAMMA

Adjusts the gamma curve.

V DTL LEV

Adjusts the vertical detail. –99 to ±0 (normal value) to

+99

DTL FREQ

Adjusts the central

frequency of the detail.

LL, L, M (normal value), H,

–99 to ±0 (normal value) to

+99

Currently selected

file a)

Currently selected

file a)

Page 12

Saving File Settings

Files whose settings have been changed for certain

shooting conditions can be saved as a user file or onto

a tape (when using the DSR-1/1P).

For details, see “To save setup files to a tape (when using

the DSR-1/1P)” (page 74).

1Set the SET UP switch to FILE.

2Call up a setup file whose settings approximate the

desired shooting conditions and then change some

of the settings.

For details of this operation, see “Calling up a Setup

File” (page 71), “Changing File Settings” (in the left

column on this page), “Basic Menu Operations” (page

58), and “Advanced Menu Operations” (page 64).

Item Settings

SAT

Adjusts the saturation of the

image.

–99 to ±0 (normal value) to

+99

Negative adjustment values

decrease the saturation and

positive adjustment values

increase the saturation.

HUE

Adjusts the hue of the

image.

–99 to ±0 (normal value) to

+99

SKIN SAT

Adjusts the saturation in the

specified area of the image.

–99 to ±0 (normal value) to

+99

Negative adjustment values

decrease the saturation and

positive adjustment values

increase the saturation.

SKIN HUE

Adjusts the hue in the

specified area of the image.

–99 to ±0 (normal value) to

+99

SET UP switch

(continued)

74 Chapter 4 Viewfinder Screen Indications and Menus

Chapter 4 Viewfinder Screen Indications and Menus

3Access advanced menu page 13.

a) An asterisk (*) appears in front of any factory

preset file whose contents have been revised

at least once.

4Move the cursor to DESTINATION FILE and

repeatedly press the UP/ON button or the DOWN/

OFF button to select USER1, USER2, or USER3.

5Press the UP/ON button to move the cursor to

STORE FILE?.

The display changes as shown below.

6Press the UP/ON button to store the file. To abort

the save operation, press the DOWN/OFF button

(the display returns to the one shown at step 4).

When the save operation is finished, the display

changes as shown below.

To save setup files to a tape (when using

the DSR-1/1P)

Connect the DSR-1/1P to the camera head and load the

tape onto which the file will be recorded.

1Perform steps 1 to 4 of “Saving File Settings” and

select TAPE as the file saving destination.

2Press the UP/ON button to move the cursor to

STORE FILE?.

The display changes as shown below.

Currently

selected file a)

File in which

current settings

are to be stored

Setup Files

Chapter 4 Viewfinder Screen Indications and Menus 75

Chapter 4 Viewfinder Screen Indications and Menus

3Press the UP/ON button to store the file. To abort

the save operation, press the DOWN/OFF button

(the screen returns to the screen shown in step 2).

The tape automatically rewinds and recording

starts.

The display changes as shown below. (“CAN

NOT WRITE” appears on the screen if no tape is

loaded or if the loaded tape is write-protected.)

After the settings are stored, the following display

appears.

76 Chapter 4 Viewfinder Screen Indications and Menus

Chapter 4 Viewfinder Screen Indications and Menus

Using SetupNavi and SetupLog with the DSR-1/1P

The SetupNavi function records the setup menu and

setup files onto a tape, so that the same settings can be

called up and used again or copied to another camera.

The SetupLog function records a camera settings every

few seconds at shooting and displays the recorded data

in the viewfinder during playback.

Note on using an RM-M7G Remote Control Unit

When an RM-M7G is connected to the camera head,

you cannot use the SetupNavi function.

To make it possible to use the function, power OFF the

camera head after disconnecting the RM-M7G, then

power ON the camera head again.

Setting up the Camera Using

Data Recorded on Tape

The procedure to replace camera’s menu settings with

settings recorded onto video tape is described here.

1Connect the DSR-1/1P and insert the cassette onto

which the data was recorded. Set the SETUP

switch to FILE, then set the POWER switch to ON

while holding down the UP/ON button.

Advanced menu page 1 appears.

2Repeatedly press down on the MENU/STATUS

switch until advanced menu 14 appears.

For details of menu operation, see “Advanced Menu

Operations” (page 64).

”NO TAPE” is displayed if you neglected to load a

cassette.

3Press the UP/ON button to call up the data

recorded on the tape. (Press the DOWN/OFF

button to cancel).

The display changes as follows and the call up

operation begins.

To abort the call up operation while in progress

Press the DOWN/OFF button.

The following display appears.

4Press the UP/ON button.

After the data has been read, the following display

appears.

The previous menu settings are overwritten by the

data recorded on the tape.

5Change the menu settings if necessary.

Name of data

being called up

Chapter 4 Viewfinder Screen Indications and Menus 77

Chapter 4 Viewfinder Screen Indications and Menus

The cursor (→) changes to the text entry cursor

(↓).

8Enter a name for the data.

Moving the text entry cursor: Press the MENU/

STATUS switch up to move the cursor to the

right, and press the MENU/STATUS switch

down to move the cursor to the left.

Selecting the character: Press the UP/ON or

DOWN/OFF button repeatedly until the desired

character appears.

9After completing text entry, move the cursor to the

parenthesis position.

The display changes as follows.

10Move the cursor to “SURE TO STORE?” and

press the UP/ON button to record the menu

settings onto the tape (press the MENU/STATUS

switch to cancel).

The display changes as follows and the data

recording begins.

Name of data

being recorded

Recording the Menu Settings

onto a Tape

1Connect the DSR-1/1P and load the tape onto

which the settings are to be recorded. Turn the

camera power on.

2Make your basic menu settings.

For details of this operation, see “Basic Menu

Operations” (page 58).

3Again, set the POWER switch to ON while

holding down the UP/ON button.

4Make your advanced menu settings.

For details of this operation, see “Advanced Menu

Operations” (page 64).

5Access advanced menu page 15.

“NO TAPE” appears if you neglected to load a

cassette.

6Press the UP/ON button.

The following display appears.

7Set the cursor to “NAME SET” and press the UP/

ON button to record the menu setting onto the tape.

(Press the MENU/STATUS switch to cancel.)

78 Chapter 4 Viewfinder Screen Indications and Menus

Chapter 4 Viewfinder Screen Indications and Menus

To abort the data recording while in progress

Press the DOWN/OFF button.

After the data has been recorded, the following display

appears.

Viewing SetupLog Data

1Connect the DSR-1/1P and load the tape that

contains the recording to be viewed. Turn the

camera power on.

2Play back the tape.

For details of playback operation, see the operating

instructions for the DSR-1/1P.

3Press the MENU/STATUS switch up to the

STATUS side.

The display changes to page 1 of the status display.

PLAY

TCR 12:34:56:00



SETUP LOG 1/3

W:A

WHITE : A 3200

A.IRIS : STD

FILE : STD

F5.6

DCC+ : ON

0dB



SKIN DTL : OFF

3200

Each time you press upward the MENU/STATUS

switch, the status display cycles through the status

pages and playback display in the order: page 2,

page 3, the playback display (containing the

current settings), and page 1.

Status display (page 2)

PLAY

TCR 12:34:56:00



SETUP LOG 2/3

W:A

A.IRIS : ± 0

DTL LEV : ± 0

M.BLACK : ± 0

F5.6

STRETCH : ± 0

0dB



SS :1/100

3200

Status display (page 3)

PLAY

TCR 12:34:56:00



SETUP LOG 3/3

W:A

M.GAMMA : ± 0

V DTL LEV: ± 0

DTL FREQ : M

F5.6

SKIN SAT : ± 0

0dB



SKIN HUE : ± 0

3200

SAT : ± 0

HUE : ± 0

Notes

• SetupLog data is not recorded while SetupNavi data

or a setup file is being recorded onto a tape. (If you

play back a tape containing SetupNavi data or a setup

file, the data displayed in the setup display is not the

SetupLog data of the playback picture.)

• In the following cases, changed settings that were not

recorded may appear as blank settings.

– SetupLog data is overwritten at intervals of a few

seconds during recording. If the settings are

changed frequently for certain items, it may not

always be recorded in time.

– If the recording time is very short, recording may

be ended before all of the data has been

overwritten.

Settings during

recording

Using SetupNavi and SetupLog with the DSR-1/1P

Chapter 5 Adjustments and Settings 79

Chapter 5

Adjustments and

Settings

1Make the following settings on the camera.

• POWER switch: ON SAVE

• OUTPUT/DL/DCC+ switch: one of the CAM

positions

• Lens iris selector: A (automatic)

• ATW button: off

2Set the FILTER control according to the lighting

conditions. (See page 43.)

3Set the W. BAL switch to A or B.

Adjusting the white balance ensures that as lighting

conditions change white objects remain white in the

image and tones remain natural.

The color of light emitted varies from one light source

to another, and as the lighting changes the apparent

color of an illuminated subject changes. It is therefore

necessary to adjust the white balance each time the

principal lighting source changes.

Saving an Appropriate White

Balance Value in Memory

You can save two white balance values in separate

memories, A and B. Unless changed, the saved values

are retained for approximately ten years, even when

the camera is powered off.

Once a value is saved, you can automatically restore

the adjustment by moving the W. BAL switch to the A

or B position. This makes shooting under alternating

lighting conditions easy.

Separate white balance values for each

FILTER control setting

In the default case, as described above, the same two A

and B white balance values apply to all four settings of

the FILTER control. It is possible, however, to change

the AWB MEM menu setting is advanced menu page 3

(see page 65) so that there are eight possibly different

values for the A and B positions and for the four

FILTER control settings.

White Balance Adjustment

121

513

(continued)

80 Chapter 5 Adjustments and Settings

Chapter 5 Adjustments and Settings

4Arrange a white subject (paper, cloth, etc.) under

the same lighting conditions as for shooting, and

zoom in on it so that as far as possible the whole

screen is white.

The minimum white area requirements for the

adjustment are shown in the following figure.

5Push the WHT/BLK switch in the WHT direction

and release.

The white balance adjustment is carried out.

During the adjustment the legend “AUTO WHITE

-OP-” appears in the viewfinder.

After a few seconds the adjustment is complete,

and the legend in the viewfinder changes to

“AUTO WHITE -OK-” plus a color temperature,

as shown in the following figure.

AUTO WHITE

-OK-

3200K

The adjustment value is automatically saved in

memory A or B as selected above.

To save the white balance adjustment for different

lighting conditions, repeat steps 2 to 4 above. You can

save two different values for the white balance, in

memories A and B.

Note

When using a camera control unit or remote control

unit, if the W/B BALANCE switch of the control unit

is set to PRESET or MANUAL, it is not possible to

carry out white balance adjustment on the camera.

To recall a white balance value from memory

Before beginning shooting, set the W. BAL switch to

the A or B position. This automatically sets the

camera to the white balance adjustment saved in the

corresponding memory.

If white balance adjustment cannot be

completed automatically

The warning message “AUTO WHITE -NG-” appears

in the viewfinder.

Make the necessary corrections, then carry out the

process again.

Warning messages for white balance adjustment

White Balance Adjustment

Center of the screen

Area of white within this

rectangle should be

equivalent to at least 10% of

the image area.

approximately

70% of the

height of the

image

approximately

70% of the

width of the

image

AUTO WHITE

-NG-

:C.TEMP.LOW

CHG.FILTER

TRY AGAIN

The color temperature is too low. Try

the following, in this order of

precedence.

(1) If the FILTER control is in position 2,

3 or 4, change it to position 1, then

retry the adjustment.

(2) Check that the subject is completely

white, then retry the adjustment.

(3) The color temperature may be

outside the range of the camera. Fit

an appropriate color temperature

conversion filter, then retry the

adjustment.

AUTO WHITE

-NG-

:C.TEMP.HI

CHG.FILTER

TRY AGAIN

The color temperature is too high. Try

the following, in this order of

precedence.

(1) If the FILTER control is in position 1,

change it to position 2, 3 or 4, then

retry the adjustment.

(2) Check that the subject is completely

white, then retry the adjustment.

(3) The color temperature may be

outside the range of the camera. Fit

an appropriate color temperature

conversion filter, then retry the

adjustment.

Message Meaning and corrections to be made

AUTO WHITE

-NG-

:LOW LIGHT

TRY AGAIN

Light level is too low.

• Increase the illumination level, open

the iris, or use the GAIN switch to

increase the video signal level.

• Check the setting of the FILTER

control.

• After these checks, retry the

adjustment.

AUTO WHITE

-NG-

: ??

TRY AGAIN

The subject is not white, or the lighting

level is too high.

• Use a white subject.

• Lower the illumination level, stop down

the iris, or use the GAIN switch to

decrease the video signal level.

• Check the setting of the FILTER

control.

• After these checks, retry the

adjustment.

Chapter 5 Adjustments and Settings 81

Chapter 5 Adjustments and Settings

Using the Preset White Balance

Settings

The camera provides two preset white balance settings,

for instant shooting with approximately the correct

adjustment. The preset white balance can be selected

between 2200 K and 4300 K when the FILTER control

is set to 1 and between 4600 K and 12000 K when the

FILTER control is set to 2, 3 or 4 (see page 59).

There are also particular shooting conditions under

which the preset values may give better results than the

human eye adjustment.

1Set the W. BAL switch to PRESET.

2Set the FILTER control.

The white balance is automatically adjusted for the

preset white balance selected in basic menu page 2

(see page 59).

Light Sources and Color

Temperature

Adjustment of the white balance to match the light

source is essential to ensure correct color rendering.

The color of a light source is indicated as a color

temperature in kelvins (K). It is higher for bluish light,

and lower for reddish light. When the camera is

shipped it is adjusted for use with video lights (halogen

lamps with a color temperature of 3200 K). For use

with other light sources, therefore, adjustment is

required.

First use the FILTER control to set the approximate

color temperature, then carry out white balance

adjustment.

The following table shows typical color temperature

values for different light sources.

WHITE:PRESET The W. BAL switch is in the PRESET

position.

Move the W. BAL switch to the A or B

position.

The camera is outputting a color bar

signal.

Move the OUTPUT/DL/DCC+ switch to

one of the CAM positions.

Message Meaning and corrections to be made

BARS

Light source

Natural Artificial

Color temperature (K)

Clear sky 10,000

Light cloud 8,000

Cloudy or rainy

skies Blue light 7,000

6,000

Fluorescent light

(daylight white) 5,000

Direct sunlight,

noon Mercury lighting

Fluorescent light

(white) White light

One hour after

sunrise or

before sunset Fluorescent light

(warm white) 4,000

3,500

Studio lighting 3,200

Halogen lamps

and video lights Yellow light 3,000

2,500

Thirty minutes

after sunrise or

before sunset

Incandescent

lighting

Sodium street-

lighting

Sunrise or

sunset Candlelight Red light 2,000

Color temperatures of different light sources

Using the ATW (Auto Tracing

White Balance) Function

The ATW function continuously adjusts the white

balance automatically to adapt to changes in lighting

conditions.

Note

Depending on the shooting conditions, automatic

adjustment may not necessarily give optimum results.

For the best possible results, use the W. BAL switch.

To use the ATW function

Press the ATW button turning the indicator on.

This activates the ATW function, and the ATW

indication appears in the viewfinder.

To disable the ATW function, press the ATW button

again, turning the indicator off.

82 Chapter 5 Adjustments and Settings

Chapter 5 Adjustments and Settings

If the ATW function does not operate correctly

A warning massage appears in the viewfinder as

shown in the table below.

Message Meaning and corrections to be made

If the FILTER control is in position 2, 3 or

4, change it to position 1, then retry the

ATW operation.

:C.TEMP.LOW

If the FILTER control is in position 1,

change it to position 2, 3 or 4, then retry

the ATW operation.

:C.TEMP.HIGH

White Balance Adjustment

Chapter 5 Adjustments and Settings 83

Chapter 5 Adjustments and Settings

Note

When using a camera control unit or remote control

unit, if the W/B BALANCE switch of the control unit

is set to MANUAL, it is not possible to carry out black

balance adjustment on the camera.

If black balance adjustment cannot be

completed automatically

The warning message “AUTO BLACK -NG-” appears

in the viewfinder.

Make the necessary corrections, then carry out the

process again.

Warning messages for black balance adjustment

Message Meaning and corrections to be made

AUTO BLACK

-NG-

: IRIS

NOT CLOSED

TRY AGAIN

The lens iris did not close fully.

Check whether the lens cable is

connected properly, and whether there is

a fault in the lens. If a second attempt to

carry out the adjustment fails, consult

your Sony dealer.

AUTO BLACK

-NG-

:??

TRY AGAIN

The iris opened during adjustment or

there is a hardware error.

Close the iris and try again. If this fails,

consult your Sony dealer.

Black Balance Adjustment

BARS The camera is outputting a color bar

signal.

Move the OUTPUT/DL/DCC+ switch to

one of the CAM positions.

Correct adjustment of the black balance is important

for optimum operation of a video camera. It is

necessary when using the camera for the first time or

after a significant period out of use, and also when

there has been a sudden change in temperature.

The adjustment value is saved in memory, and

readjustment is not normally necessary after powering

the camera off or simply when lighting conditions

change.

1Move the POWER switch to the ON SAVE

position, and check that the OUTPUT/DL/DCC+

switch is in one of the CAM positions.

2Push the WHT/BLK switch in the BLK direction

and release.

The lens iris closes, and black balance adjustment

is carried out.

During the adjustment the legend “AUTO BLACK

-OP-” appears in the viewfinder.

AUTO BLACK

-OP-

After a few seconds the adjustment is complete,

and the legend in the viewfinder changes to

“AUTO BLACK -OK-”.

84 Chapter 5 Adjustments and Settings

Chapter 5 Adjustments and Settings

1Set the SHUTTER switch to the ON position.

The SHUTTER indicator in the viewfinder comes

on, and it is now possible to change the shutter

speed or clear scan frequency setting and to set the

EVS function. (If the EVS is already selected, the

SHUTTER indicator will not light.)

2Operate the MENU/STATUS switch to align the

cursor with the item “SHUTTER” in basic menu

page 1.

3Press the UP/ON button or DOWN/OFF button to

select the required shutter speed, scan frequency or

EVS.

Each time you press the UP/ON button or DOWN/

OFF botton, the shutter speed or clear scan

frequency setting changes in the following order:

200.3Hz • • • 60.4Hz

1/100

EVS

1/60

1/250 1/500 1/1000 1/2000

DXC-D35/D35WSL

201.4Hz • • • 50.3Hz

DXC-D35P/D35WSPL

DXC-D35/D35WSL

DXC-D35P/D35WSPL

(Value when

shipped)

Shutter Settings

This section covers the settings for electronic shutter

speed, CLS (clear scan ) and EVS function.

The new value for the shutter speed or clear scan

frequency and EVS setting remains set until changed,

even when the camera is powered off.

Shutter speeds

There are five shutter speeds, from 1/100 s (DXC-D35/

D35WSL) or 1/60 s (DXC-D35P/D35WSPL) to 1/2000 s.

Increasing the shutter speed reduces blurring when

shooting a fast-moving subject. It is also possible to

reduce flicker when shooting under fluorescent

lighting by changing the shutter speed.

CLS (Clear Scan) function

When shooting a computer screen or projected image,

horizontal bands may appear in the camera image.

This is because the vertical scan frequency of the

computer-generated image is different from the

vertical scan frequency of the video system. The clear

scan function allows you to select a vertical scan

frequency to reduce this interference.

EVS (Enhanced Vertical Scan)

This function enhances the vertical scan resolution

from 400 to 450 lines (or 450 to 530 lines) to reduce

flicker. However, this increases the aliasing.

Setting the shutter speed, CLS and EVS

function

Notes on setting the shutter speed

• The faster you make the shutter speed, the darker the

image becomes. Check the brightness in the

viewfinder, and if necessary increase the lighting

level or adjust the iris.

• When the shutter speed is very fast, shooting a high

intensity subject may cause long vertical tails to

appear on the highlights (smear).

Note on setting the CLS function

The vertical scan frequencies of computer screens

vary, and it may not be possible to eliminate the

interference patterns entirely. Note also that the

vertical scan frequency may change depending on the

software being run.

21 3

Chapter 5 Adjustments and Settings 85

Chapter 5 Adjustments and Settings

When using the clear scan function

Watching the monitor screen, adjust the frequency

to give minimum interference.

If there is a black band in the monitor image,

reduce the frequency, and if there is a white band,

increase the frequency.

To return from the basic menu to the normal

indications

Press the MENU/STATUS switch as many times as

necessary until the normal indications appear. The

new setting of the shutter speed or clear scan

frequency appears in the normal screen display.

When shooting is finished

Set the SHUTTER switch to the OFF position.

The SHUTTER indicator in the viewfinder goes off.

86 Chapter 5 Adjustments and Settings

Chapter 5 Adjustments and Settings

Setting the Clock and Timestamping Recordings

Use advanced menu page 8 to set the camera head’s

internal clock and record the date and time.

Note

If the following date/time setting procedure for the

internal clock does not cause the date/time information

to be displayed in advanced menu page 8, it may be

due to a worn-out lithium battery in the camera head.

See page 23 and replace the lithium battery.

How to set the date and time

1Access advanced menu page 8.

For details of menu operations, see “Advanced

Menu Operations” (page 64).

2Move the cursor to CLOCK SET, then press the

UP/ON button.

The following display appears, in which the year

indication is flashing.

3Press the MENU/STATUS switch and the UP/ON

button to set the desired date and time.

1) Press the MENU/STATUS switch up or down

until the item to be changed starts flashing.

2) Press the UP/ON button to change the number.

Repeat 1) and 2) until you have completed your

date and time settings.

4Select whether to display a 12-hour clock (showing

AM and PM hours) or a 24-hour clock.

1) Press the MENU/STATUS switch up or down

to select the desired setting (12-hour clock

display or 24-hour clock display).

Example of 12-hour clock display: 6:49 PM

(“6” and “PM” are flashing)

Example of 24-hour clock display: 18:49 (“18”

is flashing)

2) Press the UP/ON button.

5Press the UP/ON button to select the date display

format.

Each press of the UP/ON button cycles through the

following options.

• Year-month-day: YY MM DD

99 10 27

• Month-day-year: MM DD YY

10 27 99

• Day-month-year: DD MM YY

27 10 99

6Press the MENU/STATUS switch down.

The cursor is shown at the CLOCK SET position.

7Press the UP/ON button (to a time signal).

The clock starts from 00 seconds. The clock

display can be viewed if CLOCK IND has been set

to ON.

Flashing

Chapter 5 Adjustments and Settings 87

Chapter 5 Adjustments and Settings

Timestamping recordings

You can timestamp recordings by superimposing the

current date and time.

1Before shooting, set the CLOCK IND to CAM in

advanced menu page 8.

The date and time appear in the viewfinder, and are

superimposed on the video signal output from the

camera.

2To stop superimposing the date and time, set the

CLOCK IND to OFF.

88 Chapter 5 Adjustments and Settings

Chapter 5 Adjustments and Settings

Viewfinder Screen Adjustments

The following adjustments are provided to improve the

visibility of the viewfinder screen.

Although these adjustment may make the viewfinder

image clearer, they have no effect on the output video

signal from the camera.

Adjusting the eyepiece focus

Depending on the eyesight of the camera operator —

whether longsighted or shortsighted — the optimal

position of the viewfinder image varies. Adjust the

eyepiece focus to get the clearest viewfinder image for

your eyesight. First focus the image with the lens,

then adjust the eyepiece focusing knob. The

adjustment range is from –3 to 0 diopters1) (default

when shipped is 0 diopters).

Using an optional part allows you to modify the

adjustment range to –2 to +1 diopters or –0.5 to +3

diopters.

For details, consult your Sony dealer.

Contrast and brightness adjustment

Carry out these adjustments with the color bars

displayed.

1Set the OUTPUT/DL/DCC+ switch to the BARS

position.

The color bars appear in the viewfinder.

2Watching the color bars, turn the CONTRAST and

BRIGHT controls to adjust the contrast and

brightness.

3Return the OUTPUT/DL/DCC+ switch to its

original position.

Outline emphasis adjustment

Turning the PEAKING control changes the degree of

outline emphasis in the viewfinder image, to make

focusing easier.

1) Diopter: A unit to indicate the degree of convergence or

divergence of a bundle of rays.

PEAKING control

CONTRAST control

BRIGHT control

Eyepiece focusing knob

OUTPUT/DL/

DCC+ switch

Chapter 5 Adjustments and Settings 89

Chapter 5 Adjustments and Settings

RET

IRIS

ZOOM

MANU.SERVO

4,11 2 1 3

86 57

Adjusting the Lens

Flange Focal Length Adjustment

It is necessary to adjust the flange focal length (the

distance from the lens flange to the plane of the image

along the optical axis) in the following cases.

• When a lens is fitted for the first time

• After changing lenses

• When during zoom operations the focus does not

match properly from telephoto to wide angle

1Set the iris selector to the M position.

2Turn the iris ring to f/1.8 (fully open).

3Place the supplied flange focal length adjustment

test chart at a range of about 3 meters (10 feet), and

adjust the lighting so that an appropriate video

output level is obtained with the iris at f/1.8.

4Loosen the F.B fixing screw.

5Set the ZOOM selector to the MANU. position.

6Move the manual zoom control to the telephoto

position.

7Turn the focusing ring so that the test chart is in

focus.

8Move the manual zoom control to the wide angle

position.

9Turn the F.B adjustment ring so that the test chart

is in focus. Do not move the focusing ring.

10Repeat steps 6 to 9 until the image stays in focus

from telephoto to wide angle.

11After adjustment, tighten the F.B fixing screw.

About 3 m (10 feet)

Flange focal length

adjustment test chart

90 Chapter 5 Adjustments and Settings

Chapter 5 Adjustments and Settings

There are three ways of adjusting the iris:

automatically, manually, and with the instant

automatic iris adjustment function.

Iris adjustment

To make the image lighter when shooting

against the light

In the automatic iris adjustment mode, set the A.IRIS

MODE switch to BACK L, turning the indicator on.

Iris Adjustments

RET

IRIS

Iris ring

Instant automatic

iris button

Iris selector

ZEBRA switch

A.IRIS MODE switch

To make the image clearer when shooting a

subject lit by a spotlight

In the automatic iris adjustment mode, set the A.IRIS

MODE switch to SPOT L, turning the indicator on.

Using the zebra pattern in manual

adjustment mode

To use the zebra pattern as a guideline for iris

adjustment in manual adjustment mode, set the

ZEBRA switch to the ON position.

Select the zebra pattern to be displayed in advenced

menu page 4 (see page 65).

•When the subject is a person

Adjust the iris manually so that the zebra pattern

appears on the highlights of the subject’s face.

•For other subjects

Adjust the iris manually so that the zebra pattern

appears on the most important parts of the subject.

Designating the lens

You have to designate the lens number according to

the types of your lens.

If the number is not designated properly, other colors

may appear on the upper and lower of the screen when

shooting a white subject.

Set the number in advanced menu page 4 (page 65)

according to the following table.

Adjustment method Operation

Automatic adjustment mode

The iris is adjusted automatically to

adapt to changes in the brightness of

the subject. This is the mode for

normal shooting.

Set the iris selector

to the A position.

Manual adjustment mode

Use this mode in the following cases:

• For special effects

• When filming a person with a very

bright sky background

• When shooting a subject with

extreme contrast

The zebra pattern can be used as a

guideline for iris adjustment.

Set the iris selector

to the M position

and turn the iris ring

as required.

With the iris selector

in the M position,

hold down the

instant automatic iris

button for as long as

necessary.

Instant automatic adjustment

function

While in manual adjustment mode,

this function makes a temporary

automatic adjustment.

Adjusting the Lens

Chapter 5 Adjustments and Settings 91

Chapter 5 Adjustments and Settings

Product

Fujinon: VCL-916BYA, A16X9 BRM,

A12X6.8 BRM

Canon: VCL-918BY, YJ18X9B KRS

Fujinon: A10X4.8 BEVM/BERD, A15X8

BERM/BERD, A16X9 BERM, A20X8

BEVM/BERD, A19X8.7 BERM, A19X8.7

BRM

Canon: J9aX5.2B IRS/IAS, J15aX8B IRS/

IAS

Canon: J21aX7.8B IRS/IAS, YJ18X9B

IRS

Set up the data with Sony dealer.

If you use the lens that is not mentioned above, set the

lens number as follows:

• When using a lens without an extender, set it to 1.

• When using a lens with an extender, set it to 2.

• When using a lens with a ratio converter, set it to 2.

You can also ask a Sony dealer more precise settings

according to your lens. In this case, set it to 4.

Adjusting the Iris Sensitivity

You usually need not adjust the iris sensitivity because

lenses are equipped with iris sensitivity adjustment

function.

In auto iris mode, if hunting or response delay

happens, adjust the iris sensitivity using the iris

sensitivity trimmer.

You can see the iris sensitivity trimmer when

removing the gum cap on the front of the lens driving

unit. Use a mini-screwdriver to turn the trimmer. If

you turn it clockwise, the sensitivity increases, and if

you turn it counterclockwise, the sensitivity decreases.

It is recommended that you confirm the iris sensitivity

after replacing the lens.

ZOOM

MANU.SERVO

IRIS

GAIN

Iris sensitivity trimmer (S

or IRIS GAIN is indicated.)

Lens number

For more information, refer to the operating instructions for

the lens (or consult the lens maker).

Macrophotography

Use the macro function when the subject is less than

about 90 cm (3 feet) (for the VCL-918BY) from the

front of the lens. It is possible to shoot close-ups down

to a range of 10 mm (wide angle, f = 9 mm).

1Bring the lens up to the subject so that the image is

the required size.

2Move the focusing ring to the closest focus

position.

3Slide the M button toward the rear of the camera,

and turn the MACRO ring fully in the direction

shown by the arrow.

4Move the ZOOM selector to the MANU. position,

and turn the manual zoom control to focus the

image.

Ending close-up shooting

Return the MACRO ring to its original position (turn

fully in the opposite direction to the arrow in the

figure).

Reducing the size of the image

After completing steps 1 to 4 above, if you wish to

reduce the size of the image, turn the MACRO ring

back slightly, then use the manual zoom control again

to focus the image.

92 Chapter 5 Adjustments and Settings

Chapter 5 Adjustments and Settings

Settings for special cases

The background is very bright, and the

subject is too dark.

Settings for Special Cases

Setting Effect

Set the A.IRIS MODE switch to BACK L,

turning the indicator on. This lightens the foreground.

The subject is under a spotlight. Set the A.IRIS MODE switch tp SPOT L,

turning the indicator on. This prevents white burn-out in highlights

of faces and clothes.

The subject is completely still (e.g. when

shooting documents, drawings, etc.). Enable the EVS (Enhanced Vertical

definition System) function.

(See page

84.)

Note

Enabling the EVS function tends to

increase the occurrence of aliasing

problems (moiré patterns). Therefore,

normally leave the function disabled.

This enhances the vertical resolution.

When you wish to give a lush effect, as

when shooting a wedding or similar

occasion.

Use the HI SAT file. (Access advanced

menu page 10 with the SET UP switch

set to FILE.)

This increases the saturation of primary

colors.

Shooting under fluorescent lighting. Use the FL file. (Access advanced menu

page 10 with the SET UP switch set to

FILE.)

This eliminates the blue-green cast, and

restores natural hues.

Shooting conditions

When shooting bright areas mixed with

dark areas (Example: A person indoors

looking through a window at a bright

landscape outdoors)

Set DL to ON in the advanced menu

page 2 and, then set the OUTPUT/DL/

DCC+ switch to CAM DL.

Prevents white breakup and color faults

in bright areas.

When adjusting for skin detail or tone

(Example: When shooting to hide skin

details)

See “Skin Detail Correction” or

“Adjusting Color in the Specified Area”

(page 93)

Adjusts the skin detail or tone to a

designated active area.

When you wish to give pictures a natural

taste created by film camera. Use the FILMLIKE file. (Access

advanced menu page 10 with the SET

UP switch set to FILE.)

The “filmlike” effect is added to the

picture.

To make focusing before shooting

easier. Press the EZ FOCUS button, turning the

“easy focus” function on. This opens the iris, to make it easier to

focus before beginning shooting.

To begin shooting immediately when

there is no time to make adjustments. Set the EZ MODE switch to the ON

position. This provides automatic adjustment to a

set of standard values, to allow

immediate shooting.

Chapter 5 Adjustments and Settings 93

Chapter 5 Adjustments and Settings

Skin Detail Correction

The DXC-D35/D35P/D35WSL/D35WSPL provides

an easy push-button function that designates an active

skin tone area.

1Set the SKIN DTL switch to ON.

The indication “SKIN AREA: ±0” appears in the

viewfinder.

2Press the SKIN DTL SET button.

This causes the area detect cursor to be shown in

the viewfinder (for 10 seconds).

3Place the area detect cursor on the target, then

press the SKIN DTL SET button.

This designates the correction area, which is

indicated by a zebra pattern, and the indication

“SKIN AREA: ±0” appears again. If the area

detect cursor disappears before designating the

area, press the SKIN DTL SET button again to

display the cursor. (Return to step 2.)

4Press the UP/ON or DOWN/OFF button to change

the SKIN AREA value (–99 to +99)so that the

zebra pattern may be displayed in the target area.

Use basic menu page 2 to set the correction level

(see page 59).

You can also change color in the designated area

(see the following section).

2,3

OFF

SET

SKIN DTL

Adjusting Color in the Specified

Area

You can adjust the specified color using setup files.

Perform the same procedure with the skin detail

correction to designate the target area .

1Turn the POWER switch on with holding down the

UP/ON button.

2Perform steps 1 and 2 in “Changing File Settings”

(page 73) and display advanced menu page 12 in

the most suitable file for shooting.

3Perform the procedure for the skin detail correction

to designate the area to which you apply color

adjustment.

While this procedure is being performed, the menu

is not displayed.

4When advanced menu page 12 appears, change the

value of the SKIN SAT or SKIN HUE to adjust

color in the area designated in step 3.

Note

Set the SKIN DTL to 1.0 in basic menu page 2 if the

skin detail correction is unnecessary.

Appendix 95

Appendix

Important Notes on Operation

Fitting the zoom lens

It is important to fit the lens correctly, as otherwise

damage may result. Be sure to refer to the section

“Fitting the Lens” (See page 30).

Do not cover the unit while operating

Putting a cloth, for example, over the unit can cause

excessive internal heat build-up.

Operation and storage

Avoid storing or operating the unit in the following

conditions.

• In excessive heat or cold (operating temperature

range: –10 °C to +45 °C (14 °F to 113 °F))

Remember that in summer in warm climates the

temperature inside a car with the windows closed can

easily exceed 50 °C (122 °F).

• In damp or dusty locations

• Locations where the unit may be exposed to rain

• Locations subject to violent vibration

• Close to radio or TV transmitters producing strong

electromagnetic fields.

Viewfinder

• Do not leave the camera with the eyepiece pointing

directly at the sun.

The eyepiece lens can concentrate the sun’s rays and

melt the interior of the viewfinder.

• Do not use the viewfinder close to strong magnetic

fields. This can cause picture distortion.

Shipping

Use the optional LC-421 Carrying Case for optimal

shipping.

If sending the camera by truck, ship, air or other

transportation service, first store it in the carrying case,

then pack the carrying case in the supplied carton (or

an equivalent).

Care of the unit

Remove dust and dirt from the surfaces of the lenses or

optical filters using a blower.

If the body of the camera is dirty, clean it with a soft,

dry cloth. In extreme cases, use a cloth steeped in a

little neutral detergent, then wipe dry. Do not use

organic solvents such as alcohol or thinners, as these

may cause discoloration or other damage to the finish

of the unit.

In the event of operating problems

If you should experience problems with the unit,

contact your supplier or Sony service representative.

96 Appendix

Appendix

Vertical tail on the image

Bright object

(electric light, sun,

etc.)

Monitor screen

Characteristics of CCD Sensors

The following effects may appear in the image. They

are characteristic of cameras using CCDs (charge-

coupled devices), and do not indicate a malfunction.

Vertical smear

When shooting a very bright object, such as a light, the

highlight tends to produce vertical tails. This effect is

much reduced in this camera.

White flecks

If the camera is operated at a high temperature, white

flecks may appear in the image.

Important Notes on Operation

Appendix 97

Appendix

Warning indications

Continuous Flashing once per second Flashing four times per second

Four beeps per second One beep per second Continuous

For the warnings appearing in the viewfinder when a VTR is connected, see the section “Viewfinder Normal Indications” (page

54).

Warning Indications

If a fault occurs during operation, a warning is given

by the REC/TALLY and BATT indicators in the

viewfinder and the tally lamp lighting or flashing, and

also by warning indications on the viewfinder screen.

When you are using a DSR-1/1P or PVV-3/3P, the

WARNING indicator on the VTR also lights or

flashes, and warning indications appear in the display

window. There is also a warning tone in the earphone.

Camera

REC/

TALLY

indicator

and tally

lamp

What to do

BATT

indicator Viewfinder

screen

indication

VTR

WARNING

indicator Display

window Warning tone

Fault VTR action

Carry out head cleaning,

referring to the instruction

manual for the VTR. If the

problem persists after cleaning

the heads, disconnect the

power and consult your Sony

dealer.

—— RF

(during

recording

only) (During

recording only)

The video

heads are

clogged, or

there is some

other fault in

the recording

system.

The VTR emits

a warning tone

when it detects

head clogging.

Disconnect the power and

consult your Sony dealer. (The

SERVO indication may flash

momentarily when the tape

transport starts, but this does

not indicate a problem.)

— — SERVO The servo

lock has

been lost.

Recording

continues, but

the recording

may not be

satisfactory.

Stop the tape transport. Wait

until the HUMID indication

does not appear when you

power the unit on.

— — HUMID There is

condensation.

Press the EJECT button to

eject the cassette. Close the

cassette compartment and

check that the top panel has

descended before powering

off. Then consult your Sony

dealer. (Do not attempt to

insert any cassette.)

SLACK——

— — TAPE

(flashing,

during

recording

only)

The tape is

near the end. Change the cassette if

necessary.

— — TAPE

(flashing) The tape is at

the end. Change the cassette.

BATT

11.0V BATT

(flashing) The battery is

almost

exhausted.

Change the battery when

possible.

Recording

continues, but

if the tape

sticks to the

drum,

recording

stops.

Playback,

rewind, or fast

forward stops.

The operation

stops. (Refer

to the service

manual or

maintenance

manual.)

Operation

continues.

Recording,

playback, and

fast forward all

stop.

Operation

continues.

(During

recording

only)

(During

recording)

BATT

10.5V BATT

(flashing) The battery is

exhausted. Change the battery.

Operation

continues.

The tape is

not wound

properly.

(During

recording)

(During

playback,

rewind, or fast

forward)

98 Appendix

Appendix

Specifications

DXC-D35/D35P/D35WS/D35WSP Camera

Head

Imaging element Three-chip interline transfer CCD

Pixel resolution DXC-D35: 768 (horizontal) × 494

(vertical)

DXC-D35P: 752 (horizontal) × 582

(vertical)

DXC-D35WS: 980 (horizontal) × 494

(vertical)

DXC-D35WSP: 980 (horizontal) × 582

(vertical) mm

Imaging area DXC-D35/D35P: 8.8 × 6.6 mm (2/3-

inch, 4:3 optical system)

DXC-D35WS/D35WSP: 9.6 × 5.4

mm (2/3-inch, 16:9 optical

system)

Built-in filter settings

1: 3200K

2: 5600K + 1/8ND

3: 5600K

4: 5600K + 1/64ND

Lens mount Bayonet mount

Signal standards EIA standard signal (NTSC color

system) (DXC-D35/D35WS)

CCIR standard signal (PAL color

system) (DXC-D35P/D35WSP)

Scanning system 525 lines, 2:1 interlace (DXC-D35/

D35WS)

625 lines, 2:1 interlace

(DXC-D35P/D35WSP)

Scanning frequencies

Horizontal:

15.734 kHz

(DXC-D35/D35WS)

15.625 kHz (DXC-D35P/

D35WSP)

Vertical: 59.94 Hz (DXC-D35/

D35WS)

50.00 Hz (DXC-D35P/

D35WSP)

Synchronization Internal sync

External sync, using signal input

(VBS or BS) to the GEN LOCK

IN connector of an optional

camera adaptor or input from

the GEN LOCK connector of a

camera control unit to the VTR/

CCU/CMA connector of an

optional camera adaptor.

Horizontal resolution (center)

DXC-D35/D35P: 880 TV lines

DXC-D35WS/D35WSP: 850 TV

lines (4:3 mode), 800 TV lines

(16:9 mode)

Minimum illumination

0.25 lux (at f/1.4, +42 dB)

0.4 lux (at f/1.8, +42 dB)

Sensitivity 2000 lux (f/11.0 standard, 3200 K)

Gain levels Selectable –3 dB, 0 dB, 3 dB, 6 dB,

9 dB, 12 dB, 18 dB, 18 dB +

DPR, 24 dB, 24 dB + DPR, hyper

gain (30 dB + DPR or 36 dB +

DPR)

Video output Composite signal

1.0 Vp-p, sync negative, 75 Ω,

unbalanced

Y/C separate signals

Y: 1.0 Vp-p, sync negative,

unbalanced

C: burst level 0.286 Vp-p, no

sync

Video S/N ratio 63 dB (typical) (DXC-D35/

D35WS)

61 dB (typical) (DXC-D35P/

D35WSP)

Registration 0.05% for all zones, without lens

Input/output connectors

VIDEO OUT connector: BNC,

75 Ω, unbalanced

LENS connector: 12-pin, for 2/3-

inch lens

VF connector (front): 20-pin

VF connector (left side): 8-pin

REMOTE connector 1: Stereo

mini-jack

REMOTE connector 2: 10-pin

MONITOR OUT connector: BNC,

75 Ω, unbalanced

Power supply 12 V DC

Power consumption

DXC-D35/D35P: 12 W (12.7 W

when the DSR1/1P is

connected)

DXC-D35WS/WSP: 14.9 W (15.3

W when the DSR-1/1P is

connected)

Operating temperature

–10 °C to +45 °C (14 °F to 113 °F)

Storage temperature

–20 °C to +60 °C (–4 °F to 140 °F)

Mass DXC-D35/D35P: 2.4 kg approx.

(5 lb 4 oz)

DXC-D35WS/D35WSP: 2.5 kg

approx. (5 lb 8 oz)

Appendix 99

Appendix

External dimensions in millimeters (inches)

VCL-918BY Zoom Lens

Focal length 9.0 to 162 mm

Zoom Manual or power, selectable; zoom

ratio: ×18

Maximum aperture1:1.8

Iris Manual or automatic, selectable; f/

1.4 to f/16 and C (closed)

Subject area (at 0.9 m (3 feet))

Wide angle: 789 × 592 mm

(311/8 × 233/8 inches)

Telephoto: 45 × 34 mm

(113/16 × 13/8 inches)

Focusing range Infinity to 0.9 m

Filter attachment threads

82 mm dia., 0.75 mm pitch

Mounting Sony 2/3-inch bayonet mount

Mass 1.3 kg approx. (2 lb 13 oz)

(excluding lens hood)

External dimensions

122 × 120 × 219.7 mm (47/8 × 43/4

× 83/4 inches) (with lens hood,

without lens grip)

3) When connecting a CA-512/512P, remove the blank

panel on the CA-512/512P.

DXF-801/801CE Viewfinder

Picture tube 1.5-inch monochrome

Indicators REC/TALLY (×2), BATT,

SHUTTER, GAIN UP

Resolution 600 TV lines

Power supply 12 V DC

Power consumption

2.1 W

Mass 620 g approx. (1 lb 5 oz)

Maximum external dimensions

241 (W) × 91 (H) × 203 (D) mm

(91/2 × 35/8 × 8 inches)

Scan size Switchable between 4:3 and 16:9

Supplied accessories

RM-LG1 Remote Control Unit 2) (1)

VCL-918BY Zoom Lens1) (1)

DXF-801/801CE Viewfinder2) (1)

Microphone2) (1)

Wind screen2) (1)

VCT-U14 Tripod Adaptor2) (1)

Lens mount cap (1)

Flange focal length adjustment test chart (1)

Operating Instructions (1)

Design and specifications are subject to change

without notice.

Sony Dxc D35H D35Ph Users Manual D35K.GB

Navigation menu

Versions of this User Manual:

Views

Navigation