Sony G90 Users Manual

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2015-01-23

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$5.95 US • $7.95 CANSony G90Size D o e s M a t t e r !New Products From Runco, Revel, NAD, Pioneer, Linn & Lexiconwww.theperfectvision.com
Editor-in-Chief . . . . . . . . . . . . . . . . . . .Harry PearsonExecutive Editor  . . . . . . . . . . . . . . . .Sallie ReynoldsSenior Editors . . . . . . . . . . . . . . .Greg Rogers, VideoThomas O. Miiller, AudioGreg Sandow, Music & Multimedia  Technical Editor,Audio  . . . . . . . . . . . .Robert HarleyAssistant Editor  . . . . . . . . . . . . . . . . . .Bob GendronTechnical Consultant,Audio  . . . . . . .Richard MarshContributing Writers . . . . . . . .Alice Artzt, Bill Cruce, Thom Duffy, Neil Gader, Bob Gendron,Robert Harley, Alen Koebel, Bruce Lawton, Tom Martin, Andrew Quint, Barry Rawlinson, Paul Seydor,Jonathan Valin, Heidi WalesonArt Director . . . . .Nancy Josephson for Design FarmProofreader  . . . . . . . . . . . . . . . . . . . . .Aubin ParrishArtists  . . . . . . . . . . . . . . . . .Gary Oliver, IllustrationsDavid Omer, Cover PhotographySteve Friedman, Benigni PhotosAbsolute Multimedia, Inc.Chair man and CEO . . . . . . .Thomas B. Martin, Jr.Publisher  . . . . . . . . . . . . . . . . . . . . .Mark FisherFinance & Adminst ration  . . . . . . . . . .Trish KunzAccoun ting  . . . . . . . . . . . . . . . . . . . .Scott PettitAdvertising Represen t ati ves  . . . . . . .Anne Hart,Mike GrellmanCirculation Manager  . . . . . . . . . .Steven Wa y n e rLegal  . . . . . . . . . . . . . . . . . . . . . . .Jim RobinsonAdvisors . . . . . . . . . . . . .Vito Colaprico (printing), Richard Sabella (HP’s business), Howard Arber (HP’s legal affairs)www.theperfectvision.comSUBSCRIPTION, RENEWALS, CHANGES OF ADDRESS  Phone (888) 475-5991 (USA) or (973) 627-5162 (outside USA).  T h ePerfect Vi s i o n Subscription Services, Box 3000, Denville, New Jer-sey 07834.  Six issues: In the USA, $32, Canada $36 (GST includ-ed); outside North America, $65 (includes airmail). Payments mustbe by credit card (Visa, MasterCard, American Express) or USAfunds drawn on a USA bank, with checks payable to AbsoluteMultimedia, Inc.EDITORIAL MATTERS  Address letter to: The Editor, The Perfect Vision, Box 235, Sea Cliff,New York 11579, or by e-mail to hp@theperfectvision.com. Addressall other editorial matters to: The Executive Editor, The PerfectVision, Box 141, Cool, California 95614, fax (530) 823-0156, email:sreynolds@theperfectvision.com.DISPLAY ADVERTISING  Contact Anne Hart at the address below or e-mail: ahart@theper-fectvision.com. or contact Mike Grellman at (925) 327-1304, fax (925)327-1429 or e-mail: mgrellman@earthlink.net.CLASSIFIED ADVERTISING  Please use the form in the back of the issue.NEWSSTAND DISTRIBUTION AND LOCAL DEALERS  Contact Eastern News Distributors, Inc., at 250 West 55th Street,New York, New York 10019, phone (800) 221-3148.PUBLISHING MATTERS  Contact Mark Fisher at the address below or e-mail: mfisher@thep-erfectvision.com.COPYRIGHT Absolute Multimedia, Inc., Issue 26, September/October 1999. The Perfect Vision (ISSN #0895-4143) is published bi-monthly, $32 per year for US. residents, AbsoluteMultimedia, Inc., 7035 Bee Caves Road, Suite 203, Austin, Texas 78746. Application to mail at Periodi-cal Postage rates is pending at Austin, Texas, and additional mailing offices. POSTMASTER: Sendaddress changes to The Perfect Vision, Subscription Services, Box 3000, Denville, New Jersey 07834.Printed in the USA.Absolute Multimedia, Inc. · 7035 Bee Caves Road, Suite 203 · Austin, Texas 78746(512) 306-8780 · Fax (512) 328-7528 · absolute_multimedia@msn.comThis was a hard issue. Our third time out and maybe three’s a jinx, maybewe got a little cocky. In any case, nothing jelled for the longest time. Then,because TPV has Twinkle-Dust Factor, something finally clicked, and thetopic rose to the surface: We were questing for the Mythical Beast. The elu-sive, the magical and mysterious. The thing you want – It – ever and teas-ingly just beyond reach. The experience of “art” is a mystery, after all, and requires that willing suspensionof disbelief. Furthermore, we want this shimmering thing in our homes – so quotidian,the antithesis of the magic carpet. If It can ever happen at home at all, the processrequires an extraordinary blend of multi-sensual cues with true artistic vision – morethan ever we needed in strange, dark caves.Paul Seydor tells you how film editors strive for It. Alen Koebel haunted INFO-COMM looking for It. Alice Artzt says she found It in Roberto Benigni. For Tom Miiller,It turned his “perfect” room into a Ti g e r. Greg Rogers says you might be able to findperfect color – but not without real know-how. Greg Sandow digs at the very heart ofthe experience before he finds a little of It.HP points out that while Special Editions are supposed to have It, suppositions bynature create unassuageable desires. Jonathan Valin takes on the vision of the greatImago himself, Ingmar Bergman, in the hope that some spells work forever. W h y, you say, I might have It in my hands right this minute! But drat, you can’t getthe system to work – you keep punching buttons and get picture but no sound, soundbut no video. Where are those simple, hunky knobs of yore that clicked so cleanlyfrom off to on and let you know when you’d got there? For some of us, It might just besound and vision at the same time – every time.  Still, we have good, solid stuff here: Controllers (maybe they’re that great old knobin new skin, if we can figure out how to use them). DVDs. Projectors, line doublers.Even whole systems (Part 1, of course. This is still a q u e s t. And we are yet ourselves.)Highlights: Sandow in Cuba at the Buena Vista Social Club; Seydor on the CuttingRoom Floor; Rogers on Color; Rogers on Runco & Sony; Miiller in the War Room withRevel; Rawlinson with the Alchemist of Linn. Valin with Queen Elizabeth (he’d ratherbe with Mrs. Brown). And HP with Kubrick and the Space Monsters.                         S RIN THIS ISSUEI s s u e   2 6 ,   S e p t e m b e r /O c t o b e r   19 9 9

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