Universal Global Scientific WMBNBM26A 802.11b/g/n + BT Wireless LAN Module User Manual 00 LX43 OM 200 EN 01 indb

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Before You Begin
Parts of the Camera
Before You Begin
A Dial lock release .................................................5 Q Metering dial ................................................... 79
B Shutter speed dial
R Front command dial .............................. 7, 196
.................................................. 5, 56, 58, 62, 63 S ON/OFF switch ................................................. 37
C Microphone ............................................50, 146 T Shutter button................................................. 46
D Hot shoe ...................................................92, 228 U Fn1 button......................................................216
d (exposure compensation) button...... 80
E Diopter adjustment control ...........................8
F Sensitivity dial ....................................5, 77, 128 V Secondary LCD monitor ............................... 19
G Drive dial..............................................................6 W Secondary monitor backlight button ...... 19
H Strap anchor .................................................... 26 X Hot shoe cover........................................92, 228
I Sync terminal ................................................227 Y Body cap ........................................................... 28
J Tilt lock release ...................................................9 Z Microphone jack (⌀ 3.5 mm)...................... 51
K Connector cover.....................31, 61, 242, 247 a Micro USB (Micro-B) USB 3.0/
USB 2.0 connector ........................ 31, 61, 247
L Focus mode selector ...................................... 65
M Lens signal contacts
b HDMI Micro connector (Type D) ..............242
N Lens release button ........................................ 28 c Remote release connector (⌀ 2.5 mm) .... 61
O Fn2 button......................................................216
P AF-assist illuminator ..........................116, 150
Self-timer lamp .............................................125
Parts of the Camera
Before You Begin
d b (delete) button .......................................... 48
e a (playback) button................................... 47
f Eye cup .............................................................. 15
g Electronic viewnder (EVF)................. 8, 10, 14
h VIEW MODE button......................................... 14
i AE-L (exposure lock) button ...............82, 216
j AF-ON button ..........................................82, 216
k Rear command dial....................... 7, 155, 196
l Q (quick menu) button ...............................213
m Indicator lamp ......................................... 8, 150
n Memory card slot cover ................................ 34
o Focus stick (focus lever) ...................4, 69, 192
p Memory card slot cover latch ..................... 34
q Selector buttons....................................... 4, 196
r MENU/OK button ............................................ 20
s DISP (display)/BACK button ...............15, 153
t Speaker.....................................................53, 183
u Battery-chamber cover latch...................... 32
v Battery-chamber cover ................................ 32
w Tripod mount
x Vertical power-booster grip
connector cover ..........................................235
y LCD monitor .............................................9, 12, 14
Touch screen.....................................21, 121, 201
z Eye sensor ......................................................... 14
0 Memory card slot 1 ........................................ 34
1 Memory card slot 2 ........................................ 34
2 Battery latch .................................................... 33
3 Battery chamber ............................................ 32
The Serial Number Plate
Do not remove the serial number plate,
which provides the FCC ID, KC mark, serial number, and other important information.
Before You Begin
Serial number plate
The Selector
Press the selector up (e), right (h),
down (f), or left (g) to highlight items.
The up, right, down, and left buttons also
double as function buttons Fn3 through
Fn6 (P 216).
The Focus Stick
Tilt or press the focus stick to select the focus area. The focus stick can also be used
to navigate the menus.
Parts of the Camera
The Shutter Speed and Sensitivity Dials
Press the dial lock release to release the
dial before rotating it to the desired setting. Press the release again to lock the
dial in place.
Shutter speed
Before You Begin
Sensitivity
The Metering Dial
Rotate the dial to choose the metering
mode.
The Drive Dial
Rotate the dial to choose from the following the drive modes.
Before You Begin
BKT
CH
CM
CL
Mode
Movie
Bracketing
High-speed burst
Mid-speed burst
Low-speed burst
Mode
S Single frame
50
83 ADV. Advanced lter
u Panorama
85
44
87
89
Parts of the Camera
The Command Dials
Rotate or press the command dials to:
Front command dial
Rear command dial
Rotate
• Select
menu tabs or page
through menus
• Adjust aperture 1, 2,2 3
• Adjust sensitivity
• View other pictures during
playback
• Switch back and forth between
Press
aperture and sensitivity 2, 3
• Press and hold to choose the op-
tion selected for D BUTTON/
DIAL SETTING > COMMAND
DIAL SETTING in the D (setup) menu
of shutter speed and aperture
(program shift)
• Choose a shutter speed 2
• Adjust exposure compensation
by pressing the d button and
rotating the dial
• Adjust settings in the quick menu
• Choose the size of the focus frame
• Zoom in or out in full frame or
multi-frame playback
• Perform the function assigned to
the DIAL function button.
• Zoom in on the active focus point 4
• Press and hold to choose the4
manual focus mode focus display
• Zoom in on the active focus point
during playback
1 Aperture set to A (auto) and lens equipped with aperture ring or COMMAND selected for
D BUTTON/DIAL SETTING > APERTURE RING SETTING (A).
2 Can be changed using D BUTTON/DIAL SETTING > COMMAND DIAL SETTING.
3 ISO dial set to A and COMMAND selected for D BUTTON/DIAL SETTING > ISO DIAL
SETTING (A).
4 Available only if FOCUS CHECK is assigned to a function button.
Before You Begin
• Highlight menu items
• Choose the desired combination
The Indicator Lamp
When the viewfinder is not in use, camera status is shown by the indicator lamp.
Before You Begin
Indicator lamp
Glows green
Blinks green
Blinks green and
orange
Glows orange
Blinks orange
Blinks red
Camera status
Focus locked.
Focus or slow shutter speed warning. Pictures can be taken.
• Camera on: Recording pictures. Additional pictures can be
taken.
• Camera off and pictures selected for upload: Uploading pictures to a smartphone or tablet.
Recording pictures. No additional pictures can be taken at
this time.
Flash charging; flash will not fire when picture is taken.
Lens or memory error.
N Warnings may also appear in the display. The D MOVIE SETTING >
TALLY LIGHT option can be used to choose the lamp (indicator or
AF-assist) that lights during movie recording and whether the lamp
blinks or remains steady.
Focusing the Viewfinder
The camera is equipped with diopter
adjustment in the range −4 to +2 m–1 to
accommodate individual differences in
vision. Rotate the diopter adjustment
control until the viewfinder display is in
sharp focus.
Parts of the Camera
The LCD Monitor
The LCD monitor can be tilted for easier viewing, but be careful not to touch
the wires or trap fingers or other objects
behind the monitor. Touching the wires
could cause camera malfunction.
• Touch photography (P 22)
• Focus area selection (P 21)
• Function selection (P 23)
• Muting camera controls during movie recording (P 23)
• Full-frame playback (P 24)
“Tall” (Portrait) Orientation
The display can also be tilted to take pictures from high or low angles when
the camera is rotated to take pictures in “tall” (portrait) orientation. Press the
tilt lock release and tilt the display as shown in Figure 1. To take high-angle
shots, hold the camera in the orientation shown in Figure 2.
Figure 1
Figure 2
Before You Begin
N The LCD monitor also functions as a touch screen that can be used for:
Camera Displays
This section lists the indicators that may be displayed
during shooting.
O For illustrative purposes, displays are shown with all indicators lit.
The Electronic Viewfinder
Before You Begin
10
Camera Displays
* Shows “9999” if there is space for over 9999 frames.
† In-focus (
) or manual focus (j) indicator may also be displayed.
11
Before You Begin
A IS mode ...........................................................129 V Histogram......................................................... 18
B Flash (TTL) mode ..................................94, 228 W Battery level ..................................................... 38
Flash compensation....................................228 X Sensitivity.......................................................... 77
C Self-timer indicator......................................125 Y Exposure compensation .............................. 80
D Continuous mode .......................................... 85 Z Aperture ...............................................57, 62, 63
E Shutter type....................................................127 a Shutter speed......................................57, 58, 63
F AF+MF indicator ..........................................118 b AE lock ......................................................82, 199
TTL lock ........................................ 135, 195, 219
G Bluetooth ON/OFF .......................................206
H White balance ...............................................102 c Metering............................................................ 79
I Film simulation .............................................100 d Shooting mode ............................................... 56
J F-Log recording.............................................141 e Focus mode †.................................................... 65
K Dynamic range .............................................101 f AF lock ......................................................82, 199
L D-range priority ............................................102 g Distance indicator.......................................... 75
M Movie mode ............................................50, 137 h Recording level ..............................................146
N Full HD high-speed recording ...................138 i Time code .......................................................148
O Time remaining .............................................. 50 j Exposure indicator .................................. 63, 80
P Card slot options ...................................35, 204 k Virtual horizon ................................................ 18
Q Number of available frames *....................282 l Focus frame .............................................. 69, 81
R Image quality and size .......................... 98, 99 m Image transfer status ..................................244
S Date and time ................................. 39, 41, 179 n Location data download status ..............210
T Temperature warning .................................281 o Depth-of-eld preview .......................... 62, 75
U Boost mode ...........................................202, 238 p Focus check .............................................76, 119
The LCD Monitor
Before You Begin
12
Camera Displays
W Boost mode ...........................................202, 238
X Histogram......................................................... 18
Y Distance indicator.......................................... 75
Z Battery level ..................................................... 38
a Sensitivity.......................................................... 77
b Exposure compensation .............................. 80
c Aperture ...............................................57, 62, 63
d Shutter speed......................................57, 58, 63
e AE lock ......................................................82, 199
TTL lock ........................................ 135, 195, 219
Metering............................................................ 79
Shooting mode ............................................... 56
Focus mode †.................................................... 65
AF lock ......................................................82, 199
Recording level ..............................................146
AF+MF indicator ..........................................118
Shutter type....................................................127
Continuous mode .......................................... 85
Exposure indicator .................................. 63, 80
Flash (TTL) mode ..................................94, 228
Flash compensation....................................228
* Shows “9999” if there is space for over 9999 frames.
† In-focus (
) or manual focus (j) indicator may also be displayed.
Display Rotation
When ON is selected for D SCREEN SET-UP > AUTOROTATE
DISPLAYS, the indicators in the viewfinder and LCD monitor automatically rotate to match camera orientation.
13
Before You Begin
A IS mode ...........................................................129
B Focus check .............................................76, 119
C Depth-of-eld preview .......................... 62, 75
D Location data download status ..............210
E Self-timer indicator......................................125
F Time code .......................................................148
G Bluetooth ON/OFF .......................................206
H Image transfer status ..................................244
I Movie mode ............................................50, 137
J Full HD high-speed recording ...................138
K Time remaining .............................................. 50
L Card slot options ...................................35, 204
M Number of available frames *....................282
N Image quality and size .......................... 98, 99
O Date and time ................................. 39, 41, 179
P White balance ...............................................102
Q Film simulation .............................................100
R F-Log recording.............................................141
S Dynamic range .............................................101
T D-range priority ............................................102
U Temperature warning .................................281
V Focus frame .............................................. 69, 81
1
Before You Begin
Choosing a Display Mode
Press the VIEW MODE button to cycle
through the following display modes:
• E EYE SENSOR: Putting your eye to the
viewfinder turns the viewfinder on and
the LCD monitor off ; taking your eye
away turns the viewfinder off and LCD
monitor on.
• EVF ONLY: Viewfinder on, LCD monitor off.
• LCD ONLY: LCD monitor on, viewfinder off.
• EVF ONLY + E: Putting your eye to the viewfinder turns the viewfinder on; taking it away turns the viewfinder off. The LCD monitor remains off.
• E EYE SENSOR + LCD IMAGE DISP.: Putting your eye to the viewfinder
during shooting turns the viewfinder on, but the LCD monitor is
used for the display of images once you remove your eye from
the viewfinder after shooting.
The Eye Sensor
The eye sensor may respond to objects other
than your eye or to light shining directly on the
sensor. The eye sensor is disabled while the LCD
monitor is tilted.
Eye sensor
Adjusting Display Brightness
The brightness and hue of the viewfinder and LCD monitor can
be adjusted using the items in the D SCREEN SET-UP menu.
Choose EVF BRIGHTNESS or EVF COLOR to adjust viewfinder
brightness or hue, LCD BRIGHTNESS or LCD COLOR to do the
same for the LCD monitor.
14
Camera Displays
The Eye Cup
To remove the eye cup, press the bottom
in with both thumbs and slide eye cup
up.
Before You Begin
The DISP/BACK Button
The DISP/BACK button controls the display
of indicators in the viewfinder and LCD
monitor.
N Indicators for the EVF and LCD must be
selected separately. To choose the EVF display, place your eye to the viewfinder while
using the DISP/BACK button.
Viewfinder
Full screen
Standard
Dual display (manual focus mode only)
15
LCD Monitor
Standard
Information off
Dual display
(manual focus mode only)
Info display
Before You Begin
The Dual Display
The dual display consists of a large full-frame window and a
smaller close-up of the focus area.
N The content of the large and small windows in the display can be
switched using D SCREEN SET-UP > DUAL DISPLAY SETTING.
16
Camera Displays
Customizing the Standard Display
To choose the items shown in the standard indicator display:
Display standard indicators.
Use the DISP/BACK button to display standard indicators.
Select DISP. CUSTOM SETTING.
Select D SCREEN SET-UP > DISP. CUSTOM SETTING in the
setup menu.
Choose items.
Highlight items and press MENU/OK to select or deselect.
• FRAMING GUIDELINE
• ELECTRONIC LEVEL
• FOCUS FRAME
• AF DISTANCE INDICATOR
• MF DISTANCE INDICATOR
• HISTOGRAM
• LIVE VIEW HIGHLIGHT ALERT
• SHOOTING MODE
• APERTURE/S-SPEED/ISO
• INFORMATION BACKGROUND
• Expo. Comp. (Digit)
• Expo. Comp. (Scale)
• FOCUS MODE
• PHOTOMETRY
• SHUTTER TYPE
• FLASH
• CONTINUOUS MODE
• DUAL IS MODE
• TOUCH SCREEN MODE
• WHITE BALANCE
• FILM SIMULATION
• DYNAMIC RANGE
• BOOST MODE
• FRAMES REMAINING
• IMAGE SIZE/QUALITY
• MOVIE MODE & REC. TIME
• IMAGE TRANSFER ORDER
• MIC LEVEL
• BATTERY LEVEL
• FRAMING OUTLINE
Save changes.
Press DISP/BACK to save changes.
Exit the menus.
Press DISP/BACK as needed to exit the menus and return to the
shooting display.
17
Before You Begin
1
Before You Begin
Virtual Horizon
Selecting ELECTRONIC LEVEL displays a virtual horizon. The camera is level when the two
lines overlap. Note that the virtual horizon may
not be displayed if the camera lens is pointed
up or down. For a 3D display (shown), press the
function button to which ELECTRONIC LEVEL
Pitch
Roll
is assigned (P 194, 218)
Framing Outline
Enable FRAMING OUTLINE to make the borders of the frame easier to see
against dark backgrounds.
Histograms
Histograms show the distribution of tones in the image. Brightness is
shown by the horizontal axis, the number of pixels by the vertical axis.
Number of pixels
Shadows
Highlights
Pixel brightness
• Optimal exposure: Pixels are distributed in an even curve
throughout the tone range.
• Overexposed: Pixels are clustered on the right side of
the graph.
• Underexposed: Pixels are clustered on the left side of
the graph.w
To view separate RGB histograms and a display showing areas of the frame that will be
overexposed at current settings superimposed
on the view through the lens, press the function button to which HISTOGRAM is assigned
(P 194, 218).
A Overexposed areas blink
B RGB histograms
18
Camera Displays
At default settings, the secondary LCD shows the following:
• Text: A SHUTTER SPEED, B APERTURE, C EXPO. COMP., D ISO
• Icons:* E FILM SIMULATION, F WHITE BALANCE, G IMAGE
SIZE , H SHOOTING MODE
The following options are also available:
• Text: MOVIE MODE, FRAMES REM. , REC. TIME, NONE
• Icons: PHOTOMETRY, DRIVE MODE , FOCUS MODE,
IMAGE
QUALITY , BATTERY LEVEL, CARD SLOT OPTIONS, SHUTTER
TYPE *, DYNAMIC RANGE *, MOVIE MODE *, NONE
The Secondary Monitor Backlight
To turn on the secondary monitor backlight
when you find the secondary LCD monitor too
dark to read, press the secondary monitor backlight button. Press the button again to turn the
backlight off.
Background Color
The background color (black or white) for the secondary monitor can be
selected using the D SCREEN SET-UP > SUB MONITOR BACKGROUND
COLOR option in the D (setup) menu. Note that the background is displayed in white whenever the secondary monitor backlight is on.
19
Before You Begin
The Secondary LCD Monitor
The secondary LCD monitor shows eight
camera settings, four as text (items A to
D) and four as icons (items E to H).
Use D SCREEN SET-UP > SUB MONITOR
SETTING to choose the items displayed.
Items for display when you are taking
photographs can be selected separately
from those shown in movie mode; in the
lists that follow, items not available in movie mode are indicated
by asterisks (“*”).
Using the Menus
To display the menus, press MENU/OK.
Shooting
Playback
IMAGE QUALITY SETTING
PLAY BACK MENU
Before You Begin
SWITCH SLOT
RAW CONVERSION
ERASE
SIMULTANEOUS DELETE(RAW SLOT1/JPG SLOT2)
CROP
RESIZE
PROTECT
IMAGE ROTATE
IMAGE SIZE
IMAGE QUALITY
RAW RECORDING
FILM SIMULATION
GRAIN EFFECT
DYNAMIC RANGE
D RANGE PRIORITY
WHITE BALANCE
EXIT
EXIT
To navigate the menus:
Press MENU/OK to display the menus.
IMAGE QUALITY SETTING
IMAGE SIZE
IMAGE QUALITY
RAW RECORDING
FILM SIMULATION
GRAIN EFFECT
DYNAMIC RANGE
D RANGE PRIORITY
WHITE BALANCE
EXIT
Press the selector left to highlight the
tab for the current menu.
IMAGE QUALITY SETTING
IMAGE SIZE
IMAGE QUALITY
RAW RECORDING
FILM SIMULATION
GRAIN EFFECT
DYNAMIC RANGE
D RANGE PRIORITY
WHITE BALANCE
EXIT
Tab
Press the selector up or down to highlight the tab (H, G, A,
F, B, E, C or D) containing the desired item.
Press the selector right to place the cursor in the menu.
N Use the front command dial to select menu tabs or page through
menus and the rear command dial to highlight menu items.
20
Touch Screen Mode
The LCD monitor also functions as a touch screen.
Shooting Touch Controls
TOUCH SCREEN SETTING
ON
TOUCH SCREEN ON/OFF
EVF TOUCH SCREENOFF
AREA SETTINGS
21
Before You Begin
Touch Controls and the EVF
If ON is selected for D BUTTON/DIAL
SETTING > TOUCH SCREEN SETTING >
TOUCH SCREEN ON/OFF, the LCD monitor
can be used to select the focus area while
pictures are being framed in the electronic
viewfinder (EVF). Use EVF TOUCH SCREEN
AREA SETTINGS to choose the area of the
monitor employed for touch controls.
1
Before You Begin
LCD Monitor Touch Controls
Touch controls can be used for such
operations as choosing the focus area
and taking photographs. The operation
performed can be selected by tapping
the touch-screen mode indicator in the
display to cycle through the following
options:
Mode


Description
TOUCH Tap your subject in the display to focus and release the shutSHOOTING ter.
Tap to select a focus point. In focus mode S (AF-S), focus will lock,
while in focus mode C (AF-C), the camera will continually adjust
AF
focus in response to changes in the distance to the subject.
AREA
Tap to select a point for focus or zoom. The focus frame will move
to the selected point.
OFF
Touch focus and shooting disabled.
N Touch control settings can be adjusted using G AF/MF SETTING >
TOUCH SCREEN MODE (P 121). To disable touch controls and
hide the touch screen mode indicator, select OFF for D BUTTON/
DIAL SETTING > TOUCH SCREEN SETTING > TOUCH SCREEN ON/
OFF.
22
Touch Screen Mode
dial controls.
Touch Function
Functions can be assigned to the following flick gestures in much the same way
as function buttons (P 216):
• Flick up: T-Fn1
• Flick left: T-Fn2
• Flick right: T-Fn3
• Flick down: T-Fn4
N In some cases, touch-function flick ges-
tures display a menu; tap to select the desired option.
INTERNAL MIC LEVEL ADJUSTMENT
25.5
SET
CANCEL
23
Before You Begin
Muting Movie Controls
Movie settings can be adjusted using
touch-screen controls, preventing the
sounds made by camera controls being
recorded with the movie. When ON is selected for B MOVIE SETTING > MOVIE
SILENT CONTROL in the shooting menu,
F SET icon
a F SET icon will be displayed in the LCD
monitor; tap the icon to access the following controls:
• SHUTTER SPEED
• WIND FILTER
• APERTURE
• HEADPHONES VOLUME
• EXPOSURE COMPENSATION • FILM SIMULATION (MOVIE)
• ISO
• WHITE BALANCE (MOVIE)
• INTERNAL MIC LEVEL
ADJUSTMENT/EXTERNAL MIC
LEVEL ADJUSTMENT
* Selecting ON for B MOVIE SETTING > MOVIE SILENT CONTROL disables
Touch Screen Mode
Playback Touch Controls
When ON is selected for D BUTTON/DIAL SETTING > TOUCH
SCREEN SETTING > TOUCH SCREEN ON/OFF, touch controls can
be used for the following playback operations:
• Swipe: Swipe a finger across the display
to view other images.
Before You Begin
• Pinch-out: Place two fingers on the display and spread them apart to zoom in.
• Pinch-in: Place two fingers on the display
and slide them together to zoom out.
N Pictures can be zoomed out until the entire image is visible but no
further.
• Double-tap: Tap the display twice to zoom
in on the focus point.
• Drag:
View other areas of the image
during playback zoom.
24
First Steps
25
Attaching the Strap
Attach the strap clips to the camera and then attach the
strap.
Attach a protective cover.
Place a protective cover over the eyelet as shown, with the black side of
the cover toward the camera.
Open a strap clip.
Use the clip attaching tool (A) to open
a strap clip (B), making sure that the
tool and clip are in the orientations
shown.
First Steps
26
Slide the clip onto the tool.
Slide the clip onto the tool so that it
hooks over the projection.
Protective cover
(A)
(B)
Attaching the Strap
Place the strap clip on an eyelet.
Hook the strap eyelet in the clip
opening. Remove the tool, using the
other hand to keep the clip in place.
O Keep the tool in a safe place, as you
will need it to open the strap clips
when removing the strap.
Pass the clip through the eyelet.
Rotate the clip fully through the eyelet until it clicks closed.
Fasten the strap.
Insert the strap through a protective
cover and strap clip and fasten the
buckle as shown.
First Steps
O To
avoid dropping the camera, be
sure the strap is correctly secured.
Strap clip
Buckle
Repeat the above steps for the second eyelet.
27
Attaching a Lens
The camera can be used with lenses for the FUJIFILM
X-mount.
Remove the body cap from the camera
and the rear cap from the lens. Place the
lens on mount, keeping the marks on the
lens and camera aligned (A), and then
rotate the lens until it clicks into place
(B).
First Steps
O When attaching lenses, ensure that dust or other foreign matter does
not enter the camera and be careful not to touch the camera’s internal
parts. Do not press the lens release button while attaching the lens
and be sure the latch has securely clicked into place.
Removing Lenses
To remove the lens, turn the camera off, then
press the lens release button (A) and rotate the
lens as shown (B).
O To prevent dust accumulating on the lens
or inside the camera, replace the lens caps
and camera body cap when the lens is not
attached.
Lenses and Other Optional Accessories
The camera can be used with lenses and accessories for the FUJIFILM
X-mount.
O Before attaching or removing (exchanging) lenses, attach the lens caps
and check that the lenses are free of dust and other foreign matter.
Do not change lenses in direct sunlight or under another bright light
source, as light focused into the interior of the camera could cause it
to malfunction. See the manual provided with the lens for information
on use.
28
Charging the Battery
The battery is not charged at shipment. Before use, charge
the battery in the supplied battery charger.
O An
NP-W126S rechargeable battery is supplied with the camera.
Charging takes about 150 minutes.
CHARGE
Place the battery in the charger.
Place the battery in the supplied battery charger as shown.
First Steps
Plug the charger in.
Plug the charger into an indoor power outlet. The charging indicator will
light.
Charge the battery.
Remove the battery when charging is complete.
29
The Charging Indicator
The charging indicator shows battery charge status as follows:
On
Battery status
Battery not inserted.
Battery fully charged.
Battery charging.
Blinks
Battery fault.
Charging indicator
Off
Action
Insert the battery.
Remove the battery.
—
Unplug the charger and
remove the battery.
First Steps
O The supplied AC cord is for use exclusively with the supplied battery
charger. Do not use the supplied charger with other cords or the supplied cord with other devices.
Do not affix labels or other objects to the battery. Failure to observe
this precaution could make it impossible to remove the battery from
the camera.
Do not short the battery terminals. The battery could overheat.
Read the cautions in “The Battery and Power Supply”.
Use only battery chargers designated for use with the battery. Failure
to observe this precaution could result in product malfunction.
Do not remove the labels from the battery or attempt to split or peel
the outer casing.
The battery gradually loses its charge when not in use. Charge the
battery one or two days before use. If the battery fails to hold a charge,
it has reached the end of its charging life and must be replaced.
Unplug the charger when it is not in use.
Remove dirt from the battery terminals with a clean, dry cloth. Failure
to observe this precaution could prevent the battery from charging.
Note that charging times increase at low or high temperatures.
30
Charging the Battery
Charging via Computer
The battery also charges if the camera is connected to a computer. Turn the
camera off, insert the battery, and connect a USB cable as shown, making
sure the connectors are fully inserted. The charging time is not affected by
the type of cable used.
Micro USB (Micro-B)
USB 2.0
First Steps
Micro USB (Micro-B)
USB 3.0
Battery status is shown by the indicator lamp.
Indicator lamp
Battery status
On
Battery charging
Off
Charging complete
Blinks
Battery fault
Connect the camera directly to the computer; do not use a USB hub or
keyboard. Charging stops if the computer enters sleep mode; to resume
charging, activate the computer and disconnect and reconnect the USB
cable. Charging may not be supported depending on the model of computer, computer settings, and the computer’s current state.
31
Inserting the Battery
After charging the battery, insert the battery in the camera
as described below.
Open the battery-chamber cover.
Slide the battery-chamber latch as
shown and open the battery-chamber cover.
O Do
not open the battery-chamber
cover when the camera is on. Failure to observe this precaution could
damage image files or memory cards.
First Steps
Do not use excessive force when handling the battery-chamber cover.
Insert the battery.
Using the battery to keep the battery
latch pressed to one side, insert the
battery contacts first in the direction
shown by the arrow. Confirm that
the battery is securely latched.
O Insert the battery in the orientation
shown. Do not use force or attempt
to insert the battery upside down or
backwards. The battery will slide in
easily in the correct orientation.
32
Inserting the Battery
Close the battery-chamber cover.
Close and latch the cover.
O If the cover does not close, check that
the battery is in the correct orientation. Do not attempt to force the cover shut.
Removing the Battery
Before removing the battery, turn the camera off and open the battery-chamber cover.
First Steps
To remove the battery, press the battery latch to
the side, and slide the battery out of the camera
as shown.
O The battery may become hot when used in high-temperature environments. Observe caution when removing the battery.
33
Inserting Memory Cards
Pictures are stored on memory cards (sold separately).
N The camera can be used with two cards, one in each of its two slots.
Open the memory card slot cover.
Unlatch and open the cover.
First Steps
O Do not open the memory card-slot cover when the camera is on.
Failure to observe this precaution could damage image files or
memory cards.
Insert the memory card.
Holding the card in the orientation
shown, slide it in until it clicks into
place at the back of the slot. Close
and latch the memory card slot cover.
O Be sure card is in the correct orientation; do not insert at an angle
or use force.
Format the memory card (P 178).
O Format memory cards before first use, and be sure to reformat all
memory cards after using them in a computer or other device.
34
Inserting Memory Cards
Removing Memory Cards
Before removing memory cards, turn the camera off and open the memory
card slot cover.
Press and release the card to eject it part way (to
prevent the card falling from the slot, press the
center of the card and release it slowly, without
removing your finger from the card). The card
can then be removed by hand.
Option
Description
Display
The card in the second slot is used only when the card in
the rst slot is full. If the second slot is selected for D SAVE
SEQUENTIAL
DATA SET-UP > SELECT SLOT(xSEQUENTIAL), re(default)
cording will start on the card in the second slot and switch
to the rst slot when the card in the second slot is full.
BACKUP
Each picture is recorded twice, once to each card.
RAW / JPEG
As for SEQUENTIAL, except that the RAW copy of pictures
taken with FINE+RAW or NORMAL+RAW selected for
H IMAGE QUALITY SETTING > IMAGE QUALITY will
be saved to the card in the rst slot and the JPEG copy to
the card in the second slot.
The card used to store movies can be selected using D SAVE
DATA SET-UP > SELECT SLOT(FSEQUENTIAL).
35
First Steps
Using Two Cards
The camera can be used with two cards, one in each of its two
slots. At default settings, photos are saved to the card in the second slot only when the card in the first slot is full. This can be
changed using D SAVE DATA SET-UP > CARD SLOT SETTING
(STILL IMAGE).
Inserting Memory Cards
Compatible Memory Cards
FUJIFILM and SanDisk SD, SDHC, and SDXC memory cards have
been approved for use in the camera; UHS-II cards can be used
in both slots, while cards with a UHS speed class of 3 or better are recommended for movies. A complete list of approved
memory cards is available at http://www.fujifilm.com/support/
digital_cameras/compatibility/. Operation is not guaranteed with
other cards. The camera cannot be used with xD-Picture Cards or
MultiMediaCard (MMC) devices.
First Steps
O Do not turn the camera off or remove the memory card while the memory
card is being formatted or data are being recorded to or deleted from the
card. Failure to observe this precaution could damage the card.
Memory cards can be locked, making it impossible to format the card or to record or
delete images. Before inserting a memory
card, slide the write-protect switch to the
unlocked position.
Memory cards are small and can be swallowed; keep out of reach of children.
If a child swallows a memory card, seek medical assistance immediately.
miniSD or microSD adapters that are larger or smaller than memory
cards may not eject normally; if the card does not eject, take the camera
to an authorized service representative. Do not forcibly remove the card.
Do not affix labels or other objects to memory cards. Peeling labels
can cause camera malfunction.
Movie recording may be interrupted with some types of memory card.
Formatting a memory card in the camera creates a folder in which pictures are stored. Do not rename or delete this folder or use a computer
or other device to edit, delete, or rename image files. Always use the
camera to delete pictures; before editing or renaming files, copy them
to a computer and edit or rename the copies, not the originals. Renaming the files on the camera can cause problems during playback.
36
Turning the Camera On and Off
Use the ON/OFF switch to turn the camera on and off.
Rotate the switch to ON to turn the camera on, or to OFF to turn the camera off.
O Fingerprints and other marks on the lens or viewfinder can affect picN Press the a button to start playback. Press the shutter button halfway
to return to shooting mode.
The camera will turn off automatically if no operations are performed
for the length of time selected for D POWER MANAGEMENT > AUTO
POWER OFF. To reactivate the camera after it has turned off automatically, press the shutter button halfway or turn the ON/OFF switch to OFF
and then back to ON.
37
First Steps
tures or the view through the viewfinder. Keep the lens and viewfinder clean.
Checking the Battery Level
After turning the camera on, check the battery level in the
display.
Battery level is shown as follows:
First Steps
Indicator
(red)
(blinks red)
38
Description
Battery partially discharged.
Battery about 80% full.
Battery about 60% full.
Battery about 40% full.
Battery about 20% full.
Low battery. Charge as soon as possible.
Battery exhausted. Turn camera off
and recharge battery.
Basic Setup
When you turn the camera on for the first time, you can
choose a language and set the camera clock. At default
settings, you can also pair the camera with a smartphone
or tablet so that you can later synchronize the clocks or
download pictures. Follow the steps below when turning
the camera on for the first time.
N If you intend to pair the camera with a smartphone or tablet, install
Turn the camera on.
A language-selection dialog will be
displayed.
Choose a language.
Highlight a language and press
MENU/OK.
Pair the camera with the smartphone or tablet.
Press MENU/OK to pair the camera with
a smartphone or tablet running the
FUJIFILM Camera Remote app.
PAIRING REGISTRATION
PAIR WITH SMARTPHONE?
N To skip pairing, press DISP/BACK.
IMAGES CAN BE EASILY TRANSFERRED
TO SMARTPHONE BY PAIRING
SCAN QR CODE OR SEARCH FOR "FUJIFILM
Camera Remote" APP ON THE WEB
SET
SKIP
HELP
39
First Steps
and launch the latest version of the FUJIFILM Camera Remote App on
the smart device before proceeding. For more information, visit:
http://app.fujifilm-dsc.com/en/camera_remote/
4
Check the time.
When pairing is complete, you will be
prompted to set the camera clock to
the time reported by the smartphone
or tablet. Check that the time is correct.
PAIRING REGISTRATION
PAIRING COMPLETE
1/ 1/2018 12:00 PM
SET DATE/TIME FROM SMARTPHONE?
SET
CANCEL
To set the clock manually, press DISP/BACK (P 41).
First Steps
Set the clock.
Press MENU/OK to set the camera clock to the time reported by
the smartphone or tablet and exit to shooting mode.
N If the battery is removed for an extended period, the camera clock will
be reset and the language-selection dialog will be displayed when the
camera is turned on.
Skipping the Current Step
Press DISP/BACK to skip the current step. A confirmation dialog will be displayed; select NO to avoid repeating any steps you skipped the next time
the camera is turned on.
40
Basic Setup
Choosing a Different Language
To change the language:
Display language options.
Select D USER SETTING > a.
Choose a language.
Highlight the desired option and press MENU/OK.
Changing the Time and Date
To set the camera clock:
First Steps
Display DATE/TIME options.
Select D USER SETTING > DATE/TIME.
Set the clock.
Press the selector left or right to highlight the year, month,
day, hour, or minute and press up or down to change. Press
MENU/OK to set the clock.
41
MEMO
42
Basic Photography and
Playback
43
Taking Photographs (Mode P)
This section describes how to take pictures using program
AE (mode P). See pages 56–63 for information on S, A,
and M modes.
Adjust settings for program AE.
Basic Photography and Playback
A Shutter speed (P 56): Select A (auto).
B Sensitivity (P 77): Select A (auto).
C Drive mode (P 6): Select S (single frame).
D Focus mode (P 65): Select S (single AF).
E Aperture (P 56): Select A (auto).
F Metering (P 79): Select o (multi).
N To use the shutter speed and sensitivity dials, press the dial lock
release and rotate the dial to the desired setting.
Check the shooting mode.
Confirm that P appears in the display.

44



Taking Photographs (Mode P)
Ready the camera.
Hold the camera steady with both
hands and brace your elbows against
your sides. Shaking or unsteady
hands can blur your shots.
To prevent pictures that are out of
focus or too dark (underexposed),
keep your fingers and other objects
away from the lens and AF-assist
illuminator.
Basic Photography and Playback
Frame the picture.
Lenses with Zoom Rings
Use the zoom ring to frame the picture in
the display. Rotate the ring left to zoom
out, right to zoom in.
45
Taking Photographs (Mode P)
Focus.
Press the shutter button halfway to
focus.
N If the subject is poorly lit, the AF-assist
illuminator may light.




Focus indicator
Focus frame
If the camera is able to focus, it will beep twice and focus area and
focus indicator will glow green. Focus and exposure will lock
while the shutter button is pressed halfway.
Basic Photography and Playback
If the camera is unable to focus, the focus frame will turn red, s
will be displayed, and the focus indicator will blink white.
46
Shoot.
Smoothly press the shutter button the rest of the way down
to take the picture.
a Viewing Pictures
Pictures can be viewed in the viewfinder or LCD monitor.
To view pictures full frame, press a.
100-0001
N Pictures taken using other cameras are marked with a m (“gift image”)
icon to warn that they may not display correctly and that playback
zoom may not be available.
Two Memory Cards
If two memory cards are inserted, you can press and hold the a button
to choose a card for playback. You can also select a card using the C PLAY
BACK MENU > SWITCH SLOT option.
47
Basic Photography and Playback
Additional pictures can be viewed by pressing the selector left
or right or rotating the front command dial. Press the selector or
rotate the dial right to view pictures in the order recorded, left to
view pictures in reverse order. Keep the selector pressed to scroll
rapidly to the desired frame.
b Deleting Pictures
Use the b button to delete pictures.
O Deleted pictures cannot be recovered. Copy important pictures to a
computer or other storage device before proceeding.
With a picture displayed full frame, press the b button and
select FRAME.
ERASE
FRAME
SELECTED FRAMES
ALL FRAMES
Basic Photography and Playback
Press the selector left or right to scroll through pictures and
press MENU/OK to delete (a confirmation dialog is not displayed). Repeat to delete additional pictures.
N Protected pictures cannot be deleted. Remove protection from any
pictures you wish to delete (P 164).
Pictures can also be deleted from the menus using the C PLAY BACK
MENU > ERASE option (P 160).
48
Movie Recording and
Playback
49
F Recording Movies
This section describes how to film movies in auto mode.
Rotate the drive dial to F.
Adjust settings for program AE.
Movie Recording and Playback
A Shutter speed (P 56): Select A (auto).
B Sensitivity (P 77): Select A (auto).
C Focus mode (P 65): Select S (single AF).
D Aperture (P 56): Select A (auto).
E Metering (P 79): Select o (multi).
N To use the shutter speed and sensitivity dials, press the dial lock
release and rotate the dial to the desired setting.
50
Recording Movies
Press the shutter button to start recording. A recording indicator (V)
and the time remaining are displayed
while recording is in progress.
Press the button again to end recording. Recording ends
automatically when the maximum length is reached or the
memory card is full.
Using an External Microphone
Sound can be recorded with external microphones that connect using jacks 3.5 mm in diameter; microphones that require plug-in power cannot be used. See the microphone manual
for details.
microphone. Do not cover the microphone during recording. Note
that the microphone may pick up lens noise and other sounds made
by the camera during recording.
Vertical or horizontal streaks may appear in movies containing very
bright subjects. This is normal and does not indicate a malfunction.
51
Movie Recording and Playback
O Sound is recorded via the built-in microphone or an optional external
Recording Movies
Adjusting Movie Settings
Movie settings can be adjusted using the
B MOVIE SETTING option in the shooting menu (P 137).
MOVIE SETTING
MOVIE MODE
FULL HD HIGH SPEED REC
FILM SIMULATION (MOVIE)
DYNAMIC RANGE (MOVIE)
WHITE BALANCE (MOVIE)
HIGHLIGHT TONE (MOVIE)
SHADOW TONE (MOVIE)
COLOR (MOVIE)
EXIT
Depth of Field
Choose low f-numbers to soften background details.
N The indicator lamp lights while recording is in progress (the B MOVIE
SETTING > TALLY LIGHT option can be used to choose the lamp—indicator or AF-assist—that lights during movie recording and whether
the lamp blinks or remains steady). During recording, you can change
exposure compensation by up to Âą2 EV and adjust zoom using the
zoom ring on the lens (if available).
Movie Recording and Playback
If the lens is equipped with an aperture mode switch, select the aperture mode before beginning recording. If an option other than A is
selected, shutter speed and aperture can be adjusted while recording
is in progress.
While recording is in progress, you can:
• Adjust sensitivity
• Use the VIEW MODE button and the eye sensor to switch between the
EVF and LCD monitor displays
• Refocus using touch-screen controls, by pressing the shutter button
halfway, or by pressing the AF-ON button
• Display a histogram or artificial horizon by pressing the button to
which HISTOGRAM or ELECTRONIC LEVEL has been assigned
Recording may be unavailable at some settings, while in other cases
settings may not apply during recording.
The slot to which movies are recorded can be selected using the
D SAVE DATA SET-UP > SELECT SLOT (F SEQUENTIAL) option in
the D (setup) menu. To choose the focus area for movie recording,
select B MOVIE SETTING > FOCUS AREA (MOVIE) and use the focus
stick (focus lever) and rear command dial (P 69).
52
a Viewing Movies
View movies on the camera.
In full-frame playback, movies are identified by a W icon. Press the selector down
to start movie playback.
12/31/2050 10:00 AM
PLAY
Âą0
The following operations can be performed while a movie is displayed:
Full-frame playback
—
Start playback
gh
View other pictures
Playback in
Playback
progress ((x
x)
paused (y
(y)
End playback
Pause playback
Start/resume playback
Single frame rewind/
Adjust speed
advance
Progress is shown in the display during
playback.
29m59s
O Do not cover the speaker during playback.
STOP
PAUSE
N Press MENU/OK to pause playback and display volume controls. Press
the selector up or down to adjust the volume; press MENU/OK again
to resume playback. Volume can also be adjusted using D SOUND
SET-UP > PLAYBACK VOLUME.
53
Movie Recording and Playback
Selector
Viewing Movies
Playback Speed
Press the selector left or right to adjust playback speed during playback. Speed is shown
by the number of arrows (M or N).
STOP
Arrows
Movie Recording and Playback
54
PAUSE
Taking Photographs
55
P, S, A, and M Modes
P, S, A, and M modes give you varying degrees of control
over shutter speed and aperture.
Mode P: Program AE
Let the camera choose shutter speed and aperture for optimal
exposure. Other values that produce the same exposure can be
selected with program shift.
Taking Photographs
Adjust settings as follows:
A Shutter speed: A (auto)
B Aperture: A (auto)
Confirm that P appears in the display.




O If the subject is outside the metering range of the camera, the shutter
speed and aperture displays will show “– – –”.
N To use the shutter speed dial, press the dial lock release and rotate the
dial to the desired setting.
56
P, S, A, and M Modes
Program Shift
If desired, you can rotate the rear command dial
to select other combinations of shutter speed
and aperture without altering exposure (program shift).




Aperture
Shutter speed
O Program shift is not available in movie mode or if the flash supports
TTL auto or an auto option is selected for H IMAGE QUALITY SETTING > DYNAMIC RANGE.
N To cancel program shift, turn the camera off.
Taking Photographs
57
Mode S: Shutter-Priority AE
Choose a shutter speed and let the camera adjust aperture for
optimal exposure.
Adjust settings as follows:
A Shutter speed: Choose a shutter speed
B Aperture: A (auto)
Confirm that S appears in the display.
Taking Photographs




O If the correct exposure cannot be achieved at the selected shutter
speed, aperture will be displayed in red. If the subject is outside the
metering range of the camera, the aperture display will show “– – –”.
N To use the shutter speed dial, press the dial lock release and rotate the
dial to the desired setting (the dial can be used even while the shutter
button is pressed halfway). Shutter speed can also be adjusted in increments of 1⁄3 EV by rotating the rear command dial.
58
P, S, A, and M Modes
Time (T)
Rotate the shutter speed dial to T (time) to choose slow shutter
speeds for long time-exposures. Use of a tripod is recommended
to prevent the camera moving during the exposure.
Rotate the shutter speed dial to T.
Rotate the rear command dial to
choose a shutter speed.
Press the shutter button all the way down to take a picture
at the selected shutter speed. At speeds of 1 s or slower, a
count-down timer will be displayed while the exposure is in
progress.
N To reduce “noise” (mottling) in long time-exposures, select ON for
H IMAGE QUALITY SETTING > LONG EXPOSURE NR. Note that this
may increase the time needed to record images after shooting.
59
Taking Photographs
Bulb (B)
Select a shutter speed of B (bulb) for long time-exposures in
which you open and close the shutter manually. Use of a tripod
is recommended to prevent the camera moving during the exposure.
Rotate the shutter speed dial to B.
Press the shutter button all the way down. The shutter will
remain open for up to 60 minutes while the shutter button
is pressed; the display shows the time elapsed since the exposure started.
Taking Photographs
N Selecting an aperture of A fixes shutter speed at 30 s.
To reduce “noise” (mottling) in long time-exposures, select ON for
H IMAGE QUALITY SETTING > LONG EXPOSURE NR. Note that this
may increase the time needed to record images after shooting.
60
P, S, A, and M Modes
Using a Remote Release
An optional RR-90 remote release can be used
for long time-exposures. The RR-90 connects
via the Micro USB (Micro-B) USB 2.0 connector.
Alternatively, electronic releases from third-party suppliers can be connected via the remote
release connector (⌀2.5 mm 3-pole mini jack).
Taking Photographs
61
Mode A: Aperture-Priority AE
Choose an aperture and let the camera adjust shutter speed for
optimal exposure.
Adjust settings as follows:
A Shutter speed: A (auto)
B Aperture: Select Z and rotate the lens aperture ring to adjust
aperture
Confirm that A appears in the display.
Taking Photographs




O If the correct exposure cannot be achieved at the selected aperture,
shutter speed will be displayed in red. If the subject is outside the metering range of the camera, the shutter speed display will show “– – –”.
N To use the shutter speed dial, press the dial lock release and rotate the
dial to the desired setting.
Aperture can be adjusted even while the shutter button is pressed
halfway.
Previewing Depth of Field
When PREVIEW DEPTH OF FIELD is assigned
to a function button, pressing the button displays a L icon and stops aperture down to the
selected setting, allowing depth of field to be previewed in the display.
62
P, S, A, and M Modes
Mode M: Manual Exposure
Alter exposure from that selected by the camera.
Adjust settings as follows:
A Shutter speed: Choose a shutter speed
B Aperture: Select Z and rotate the lens aperture ring to adjust
aperture
㹋




N To use the shutter speed dial, press the dial lock release and rotate the
dial to the desired setting. Shutter speed can be adjusted in increments of 1⁄3 EV by rotating the rear command dial.
Exposure Preview
To preview exposure in the LCD monitor, select an option other than OFF
for D SCREEN SET-UP > PREVIEW EXP./WB IN MANUAL MODE. Select
OFF when using the flash or on other occasions on which exposure may
change when the picture is taken.
63
Taking Photographs
Confirm that M appears in the display.
The amount the picture would be underor over-exposed at current settings is
shown by the exposure indicator; adjust
shutter speed and aperture until the desired exposure is reached.
Autofocus
Take pictures using autofocus.
Rotate the focus mode selector to S
or C (P 65).
Use G AF/MF SETTING > AF MODE to choose an AF mode
(P 67).
Choose the position and size of the
focus frame (P 69).
Take pictures.
Taking Photographs
N For information on the autofocus system, visit:
http://fujifilm-x.com/af/en/index.html
64
Autofocus
Focus Mode
Use the focus mode selector to choose
how the camera focuses.
Choose from the following options:
Mode
(AF-S)
(AF-C)
(manual)
Description
Single AF: Focus locks while the shutter button is pressed halfway.
Choose for stationary subjects.
Continuous AF: Focus is continually adjusted to reflect changes in the
distance to the subject while the shutter button is pressed halfway.
Use for subjects that are in motion. Eye-detection AF is not available.
Manual: Focus manually using the lens focus ring. Choose for manual
control of focus or in situations in which the camera is unable to focus
using autofocus (P 73).
lens is in manual focus mode.
If ON is selected for G AF/MF SETTING > PRE-AF, focus will be adjusted continuously in modes S and C even when the shutter button
is not pressed.
65
Taking Photographs
N Regardless of the option selected, manual focus will be used when the
The Focus Indicator
The focus indicator turns green when the subject is in focus and blinks white when the camera is unable to focus. Brackets (“( )”) indicate
that the camera is focusing and are displayed
continuously in mode C. j is displayed in
manual focus mode.


Focus indicator
Taking Photographs
66


Autofocus
Autofocus Options (AF Mode)
Choose how the camera focuses in modes S and C.
Press MENU/OK and go to the shooting menu.
Select G AF/MF SETTING > AF MODE.
Choose an AF mode.
N This feature can also be accessed via shortcuts (P 212).
How the camera focuses depends on the focus mode.
Focus Mode S (AF-S)
Option
Description
Sample image
Camera focuses on subject in
selected focus point. Use for pinSINGLE POINT
point focus on selected subject.
WIDE
ALL
Taking Photographs
ZONE
Camera focuses on subject in selected focus zone. Focus zones include multiple focus points, making it easier to focus on subjects in
motion.
Camera focuses automatically on
high-contrast subjects; display
shows areas in focus.
Rotate the rear command dial in the focus-point selection display (P 69, 70) to cycle through AF modes in the following order: r SINGLE POINT, y ZONE, and z WIDE.
67
Focus Mode C (AF-C)
Option
Description
Sample image
Focus tracks subject at selected focus point. Use for subjects moving
SINGLE POINT
toward or away from camera.
ZONE
TRACKING
Taking Photographs
ALL
68
Focus tracks subject in selected focus zone. Use for subjects that are
moving fairly predictably.
Focus tracks subjects moving
through wide area of frame.
Rotate the rear command dial in the focus-point selection display (P 69, 70) to cycle through AF modes in the following order: r SINGLE POINT, y ZONE, and z TRACKING.
Autofocus
Focus-Point Selection
Choose a focus point for autofocus.
Viewing the Focus-Point Display
Press MENU/OK and go to the shooting menu.
Select G AF/MF SETTING > FOCUS AREA to view the focus-point display.
Use the focus stick (focus lever) and rear command dial to
choose a focus area.
N The focus point can also be selected using touch controls (P 21).
Selecting a Focus Point
Use the focus stick (focus lever) to choose
the focus point and the rear command
dial to choose the size of the focus frame.
The procedure varies with the option selected for AF mode.
Taking Photographs
Focus stick
Rear command dial
AF mode
Tilt
Press
Select focus
point
Select center
focus point
Rotate
Press
Choose from 6
frame sizes
Restore original
size
Choose from 3
frame sizes
—
69
N Manual focus-point selection is not available when z WIDE/TRACKING
is selected in focus mode S.
If j ALL is selected for AF mode, you can rotate the rear command
dial in the focus-point selection display to cycle through AF modes
in the following order: r SINGLE POINT (6 frame sizes), y ZONE (3
frame sizes), and either z WIDE (focus mode S) or z TRACKING (focus mode C).
The Focus-Point Display
The focus-point display varies with the option selected for AF
mode.
N Focus frames are shown by small squares (), focus zones by the large
squares.
r SINGLE POINT
AF mode
y ZONE
z WIDE/TRACKING
Taking Photographs
Number of
able can be
G AF/MF
NUMBER
POINTS.
70
points avail- Choose from zones with Position focus frame over
selected using 7 × 7, 5 × 5, or 3 × 3 focus subject and press MENU/OK.
SETTING > points.
OF FOCUS
Autofocus
Available Focus Points
TTL contrast-detect AF offers more focus points
(A) than intelligent hybrid AF (B), which combines phase-detection with TTL contrast-detect
AF.
Burst Mode Focus-Frame Selection
When continuous high-speed (CH) is selected for drive mode, the number
of focus frames available in focus mode C drops.
Single point
Zone
Tracking
71
Taking Photographs
Autofocu
Although the camera boasts a high-precision autofocus system, it may be
unable to focus on the subjects listed below.
• Very shiny subjects such as mirrors or car bodies.
• Subjects photographed through a window or other reflective object.
• Dark subjects and subjects that absorb rather than reflect light, such as
hair or fur.
• Insubstantial subjects, such as smoke or flame.
• Subjects that show little contrast with the background.
• Subjects positioned in front of or behind a high-contrast object that is
also in the focus frame (for example, a subject photographed against a
backdrop of highly contrasting elements).
Autofocus
Checking Focus
To zoom in on the current focus area for precise
focus, press the center of the rear command
dial. Use the focus stick (focus lever) to choose
another focus area, or press the center of the
rear command dial again to cancel zoom.
㹋
Normal display
Focus zoom
N In focus mode S, zoom can be adjusted by rotating the rear command
dial when STANDARD or FOCUS PEAK HIGHLIGHT is selected for
G AF/MF SETTING > MF ASSIST (P 119). Focus zoom is not available in focus mode C or when G AF/MF SETTING > PRE-AF is on or
an option other than r SINGLE POINT is selected for AF MODE.
Taking Photographs
Use D BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING to
change the function performed by the center of the rear command
dial or assign its default function to other controls (P 218).
72
Manual Focus
Adjust focus manually.
Rotate the focus mode selector to M.
j will appear in the display.
㹋




Focus manually using the lens focus
ring. Rotate the ring left to reduce
the focus distance, right to increase.
Take pictures.
N Use D BUTTON/DIAL SETTING > FOCUS RING to reverse the direction of rotation of the focus ring.
Regardless of the option selected, manual focus will be used when the
lens is in manual focus mode.
73
Taking Photographs
Quick Focus
To use autofocus to focus on the subject in the selected focus area, press
the button to which focus lock or AF-ON has been assigned (the size of the
focus area can be chosen with the rear command dial). In manual focus
mode, you can use this feature to quickly focus on a chosen subject using
either single or continuous AF according to the option chosen for G AF/
MF SETTING > INSTANT AF SETTING.
Taking Photographs
74
Manual Focus
Checking Focus
A variety of options are available for checking focus in manual
focus mode.
The Manual Focus Indicator
The manual focus indicator indicates
how closely the focus distance matches
the distance to the subject in the focus
brackets. The white line indicates the
distance to the subject in the focus area
(in meters or feet according to the option
selected for D SCREEN SET-UP > FOCUS
SCALE UNITS in the setup menu), the
blue bar the depth of field, or in other
words the distance in front of and behind
the subject that appears to be in focus.




Focus distance
(white line)


Depth of field
If both AF DISTANCE INDICATOR and MF DISTANCE INDICATOR are
selected in the D SCREEN SET-UP > DISP. CUSTOM SETTING list, the
manual focus indicator can also be viewed using the depth-of-field indicator in the standard display. Use the DISP/BACK button to display standard indicators.
Use the G AF/MF SETTING > DEPTH-OF-FIELD SCALE option to
choose how depth of field is displayed. Choose FILM FORMAT BASIS
to help you make practical assessments of depth of field for pictures
that will be viewed as prints and the like, PIXEL BASIS to help you
assess depth of field for pictures that will be viewed at high resolutions
on computers or other electronic displays.
75
Taking Photographs
㹋
Manual Focus
Focus Zoom
If ON is selected for G AF/MF SETTING > FOCUS CHECK, the
camera will automatically zoom in on the selected focus area
when the focus ring is rotated. Use the focus stick (focus lever)
to choose another focus area, or press the center of the rear command dial to exit zoom.
N If STANDARD or FOCUS PEAK HIGHLIGHT is selected for G AF/MF
SETTING > MF ASSIST, zoom can be adjusted by rotating the rear
command dial.
MF Assist
The G AF/MF SETTING > MF ASSIST option can be used to check
focus when pictures are framed in the LCD monitor or electronic
viewfinder in manual focus mode.
N The MF ASSIST menu can be displayed by pressing and holding the
center of the rear command dial.
Taking Photographs
The following options are available:
• FOCUS PEAK HIGHLIGHT: Highlights high-contrast outlines. Rotate the focus ring until
the subject is highlighted.
• DIGITAL SPLIT IMAGE: Displays a split image
in the center of the frame. Frame the
subject in the split-image area and rotate the focus ring until the four parts
of the split image are correctly aligned.
76
N Sensitivity
Adjust the camera’s sensitivity to light.
Press the sensitivity dial lock release, rotate the dial to the desired setting, and
press the release again to lock the dial in
place.
Option
Description
Sensitivity is automatically adjusted in response to shooting
conditions according to option chosen for A SHOOTING
A (auto)
SETTING > ISO AUTO SETTING. Choose from AUTO1,
AUTO2, and AUTO3.
12800–200
Adjust sensitivity manually. Selected value is shown in display.
H (25600/51200), Choose for special situations. Note that mottling may appear in
L (100/125/160) pictures taken at H, while L reduces dynamic range.
Use D BUTTON/DIAL SETTING > ISO DIAL SETTING (L) to choose
the sensitivity assigned to the L position.
If COMMAND is selected for D BUTTON/DIAL SETTING > ISO DIAL
SETTING (A), sensitivity can also be adjusted by setting sensitivity to A
and rotating the front command dial.
Adjusting Sensitivity
High values can be used to reduce blur when lighting is poor, while lower
values allow slower shutter speeds or wider apertures in bright light; note,
however, that mottling may appear in pictures taken at high sensitivities.
77
Taking Photographs
Use D BUTTON/DIAL SETTING > ISO DIAL SETTING (H) to choose
the sensitivity assigned to the H position.
Sensitivity
Auto Sensitivity (A)
Use A SHOOTING SETTING > ISO AUTO SETTING to choose
the base sensitivity, maximum sensitivity, and minimum shutter speed for the A position on the sensitivity dial. Settings for
AUTO1, AUTO2, and AUTO3 can be stored separately; the defaults are shown below.
Item
DEFAULT SENSITIVITY
MAX. SENSITIVITY
MIN. SHUTTER SPEED
Options
12800–200
12800–400
⁄–¼ SEC, AUTO
AUTO1
800
Default
AUTO2
200
1600
AUTO
AUTO3
3200
The camera automatically chooses a sensitivity between the default and maximum values; sensitivity is only raised above the
default value if the shutter speed required for optimal exposure
would be slower than the value selected for MIN. SHUTTER SPEED.
Taking Photographs
N If the value selected for DEFAULT SENSITIVITY is higher than that se-
lected for MAX. SENSITIVITY, DEFAULT SENSITIVITY will be set to
the value selected for MAX. SENSITIVITY.
The camera may select shutter speeds slower than MIN. SHUTTER
SPEED if pictures would still be underexposed at the value selected
for MAX. SENSITIVITY. If AUTO is selected for MIN. SHUTTER SPEED,
the camera will automatically choose a minimum shutter speed approximately equal to the inverse of the lens’ focal length, in seconds
(for example, if the lens has a focal length of 50 mm, the camera will
choose a minimum shutter speed in the neighborhood of 1⁄50 s). The
minimum shutter speed is not affected by the option selected for image stabilization.
78
C Metering
Choose how the camera meters exposure.
Rotate the metering dial to select from
the options below.
O The selected option will only take effect when G AF/MF SETTING >
FACE/EYE DETECTION SETTING is FACE OFF/EYE OFF.
Mode
(spot)
(multi)
(average)
The camera meters the entire frame but assigns the greatest weight
to the area at the center.
The camera instantly determines exposure based on an analysis of
composition, color, and brightness distribution. Recommended in
most situations.
Exposure is set to the average for the entire frame. Provides consistent exposure across multiple shots with the same lighting, and is
particularly effective for landscapes and portraits of subjects dressed
in black or white.
79
Taking Photographs
(centerweighted)
Description
The camera meters lighting conditions in an area at the center of the
frame equivalent to 2% of the total. Recommended with backlit subjects and in other cases in which the background is much brighter or
darker than the main subject.
d Exposure Compensation
Adjust exposure.
Hold the d button and rotate the rear
command dial until the desired value is
displayed in the viewfinder or LCD monitor.
O The amount of compensation available varies with the shooting mode.
Exposure compensation can be previewed in the shooting display, although the display may not accurately reflect its effects if:
• the exposure compensation amount exceeds ±3 EV,
• W 200% or X 400% is selected for DYNAMIC RANGE, or
• STRONG or WEAK is selected for D RANGE PRIORITY.
Exposure compensation can still be previewed in the viewfinder or
LCD monitor by pressing the shutter button halfway.
Taking Photographs
In movie mode, the display may not accurately reflect the effects of
exposure compensation when W 200% or X 400% is selected for
DYNAMIC RANGE (MOVIE) or ON is selected for F-Log RECORDING.
An accurate preview can be obtained by selecting mode M and adjusting exposure directly.
The d Button
If ON/OFF SWITCH is selected for D BUTTON/DIAL SETTING > EXPO.
COMP. BUTTON SETTING, exposure compensation can be set by pressing
the d button once, rotating the rear command dial, and then pressing the
d button again. Exposure compensation can be assigned to other controls using D BUTTON/DIAL SETTING > FUNCTION (Fn) SETTING.
80
Focus/Exposure Lock
Compose photographs with off-center subjects.
Focus: Position the subject in the focus frame and press the shutter button halfway to lock focus and exposure. Focus and exposure will remain
locked while the shutter button is
pressed halfway (AF/AE lock).
Recompose: Keep the shutter button
pressed halfway.
Shoot: Press the button all the way down.
lected for D BUTTON/DIAL SETTING > SHUTTER AF, SHUTTER AE.
81
Taking Photographs
N Focus lock using the shutter button is only available when ON is se-
Focus/Exposure Lock
Other Controls
At default settings, you can use the AE-L
button to lock exposure without locking
focus. If the AF-ON button is assigned AF
LOCK ONLY (P 194, 216), it can similarly be used to lock focus without locking exposure.
AE-L AF-ON
The controls used for AE LOCK ONLY, AF LOCK ONLY, and AE/
AF LOCK can be chosen using D BUTTON/DIAL SETTING >
FUNCTION (Fn) SETTING (P 194, 216). While the assigned
control is pressed, pressing the shutter button halfway will not
end the lock. If AE&AF ON/OFF SWITCH is selected for D BUTTON/DIAL SETTING > AE/AF-LOCK MODE, the lock can only be
ended by pressing the control a second time.
Taking Photographs
82
BKT Bracketing
Automatically vary settings over a series of pictures.
Rotate the drive dial to BKT.
Navigate to DRIVE SETTING > BKT SETTING in the A SHOOTING SETTING menu and select O AE BKT, W ISO BKT, X FILM
SIMULATION BKT, H WHITE BALANCE BKT, or Y DYNAMIC
RANGE BKT.
N This feature can also be accessed via shortcuts (P 212).
Take photographs.
O AE BKT
Use A SHOOTING SETTING > DRIVE SETTING > BKT SETTING > AE
BKT to choose the number of shots in the bracketing sequence,
the amount exposure is varied with each shot, the order in which
the shots are taken, and whether the shots are taken one at a
time or in a single burst.
N Regardless of the bracketing amount, exposure will not exceed the
limits of the exposure metering system.
83
Taking Photographs
Bracketing
W ISO BKT
Select a bracketing amount (±1⁄3, ±2⁄3, or ±1). Each time the shutter is released, the camera will take a picture at the current sensitivity and process it to create two additional copies, one with
sensitivity raised and the other with sensitivity lowered by the
selected amount.
X FILM SIMULATION BKT
Each time the shutter is released, the camera takes one shot and
processes it to create copies with different film simulation settings.
V WHITE BALANCE BKT
Taking Photographs
Select a bracketing amount (Âą1, Âą2, or Âą3). Each time the shutter
is released, the camera takes one shot and processes it to create
three copies: one at the current white balanced setting, one with
fine-tuning increased by the selected amount, and another with
fine-tuning decreased by the selected amount.
Y DYNAMIC RANGE BKT
Each time the shutter button is pressed, the camera takes three
shots with different dynamic ranges: 100% for the first, 200% for
the second, and 400% for the third.
N While dynamic range bracketing is in effect, sensitivity will be restrict-
ed to a minimum of ISO 800 (or to a minimum of ISO 200 to 800 when
an auto option is selected for sensitivity); the sensitivity previously in
effect is restored when bracketing ends.
BKT SETTING
Settings for exposure, sensitivity, film simulation, and white balance bracketing can be adjusted using A SHOOTING SETTING > DRIVE SETTING >
BKT SETTING.
84
I Continuous Shooting (Burst Mode)
Capture motion in a series of pictures.
Rotate the drive dial to select the
overall frame advance rate from
CH (high), CM (medium), and CL (low).
In CH and CL modes, the camera
takes pictures at the rate selected
in A SHOOTING SETTING > DRIVE
SETTING, while in CM mode the camera shoots at about 6 fps.
N This feature can also be accessed via shortcuts (P 212).
Take photographs. The camera will take pictures while the
shutter button is pressed; shooting ends when the shutter
button is released or the memory card is full.
ing pictures will be recorded to a new folder.
Burst shooting may not begin if the space available on the memory
card is insufficient.
Frame rate varies with the subject, shutter speed, sensitivity, and focus
mode. Frame rates may slow and recording times increase as more
shots are taken. The flash may or may not fire, depending on shooting
conditions.
85
Taking Photographs
O If file numbering reaches 999 before shooting is complete, the remain-
Continuous Shooting (Burst Mode)
Focus and Exposure
Select focus mode C to vary focus with shot; to vary exposure with each
shot, select OFF for D BUTTON/DIAL SETTING > SHUTTER AE.
N Selecting CH in focus mode C restricts the choice of focus frames.
Exposure and focus tracking performance may vary with such factors
as aperture, sensitivity, and exposure compensation.
Taking Photographs
86
ADV. Advanced Filters
Take photos with filter effects.
Rotate the drive dial to ADV..
Navigate to DRIVE SETTING > ADV. FILTER SETTING in the
A SHOOTING SETTING menu and choose a filter effect.
N This feature can also be accessed via shortcuts (P 212).
Take photographs.
Taking Photographs
87
Advanced Filters
Advanced Filter Options
Choose from the following filters:
Filter
G TOY CAMERA
H MINIATURE
I POP COLOR
J HIGH-KEY
Z LOW-KEY
K DYNAMIC TONE
X SOFT FOCUS
Description
Choose for a retro toy camera effect.
The tops and bottoms of pictures are blurred for a
diorama effect.
Create high-contrast images with saturated colors.
Create bright, low-contrast images.
Create uniformly dark tones with few areas of emphasized highlights.
Dynamic tone expression is used for a fantasy effect.
Create a look that is evenly soft throughout the
whole image.
Taking Photographs
u PARTIAL COLOR (RED)
v PARTIAL COLOR (ORANGE)
Areas of the image that are the selected color are
w PARTIAL COLOR (YELLOW)
recorded in that color. All other areas of the image
x PARTIAL COLOR (GREEN)
are recorded in black-and-white.
y PARTIAL COLOR (BLUE)
z PARTIAL COLOR (PURPLE)
N Depending on the subject and camera settings, images may in some
cases be grainy or vary in brightness or hue.
88
u Panoramas
Follow an on-screen guide to create a panorama.
Rotate the drive dial to u.
To select the size of the angle through which you will pan the
camera while shooting, press the selector left. Highlight a
size and press MENU/OK.
Press the selector right to view a choice of pan directions.
Highlight a pan direction and press MENU/OK.
Press the shutter button all the way down to start recording.
There is no need to keep the shutter button pressed during
recording.
Pan the camera in the direction
shown by the arrow. Shooting ends
automatically when the camera is
panned to the end of the guides and
the panorama is complete.
Sweep camera along yellow
line in direction of y
ANGLE
DIRECTION
89
Taking Photographs
For Best Results
For best results, use a lens with a focal length of 35 mm or less (50 mm or
less in 35 mm format). Prop your elbows against your sides and move the
camera slowly in a small circle at a steady speed, keeping the camera parallel or at right angles to the horizon and being careful only to pan in the
direction shown by the guides. Use a tripod for best results. If the desired
results are not achieved, try panning at a different speed.
O If the shutter button is pressed all the way down before the panorama
is complete, shooting will end and no panorama may be recorded.
Shooting may also be interrupted if the camera is panned too quickly or too slowly. Panning the camera in a direction other than that
shown cancels shooting.
Panoramas are created from multiple frames; if ON is selected for
D BUTTON/DIAL SETTING > SHUTTER AE, exposure for the entire
panorama is determined by the first frame. The camera may in some
cases record an greater or lesser angle than selected or be unable to
stitch the frames together perfectly. The last part of the panorama
may not be recorded if shooting ends before the panorama is complete.
Taking Photographs
The desired results may not be achieved with moving subjects, subjects close to the camera, unvarying subjects such as the sky or a field
of grass, subjects that are in constant motion, such as waves and waterfalls, or subjects that undergo marked changes in brightness. Panoramas may be blurred if the subject is poorly lit.
90
Panoramas
Viewing Panoramas
In full-frame playback, you can use the rear command dial to zoom panoramas in or out. Alternatively, you can play the panorama back using the
selector.
PLAY
STOP
PAUSE
Press the selector down to start playback and press again to pause. Press
the selector left or right to choose the pan direction while playback is in
progress or to scroll the panorama manually while playback is paused; vertical panoramas will scroll vertically, horizontal panoramas horizontally. To
exit to full-frame playback, press the selector up. To view other images, exit
to full-frame playback and press the selector left or right.
Taking Photographs
91
Flash Photography
Use the supplied EF-X8 shoe-mounted flash unit for additional lighting at night or indoors under low light.
Remove the hot shoe cover and slide
the flash onto the hot shoe as shown,
stopping when it clicks into place.
Raise the flash.
Select FLASH FUNCTION SETTING in
the F FLASH SETTING menu.
Taking Photographs
FLASH SETTING
FLASH FUNCTION SETTING
RED EYE REMOVAL
TTL-LOCK MODE
LED LIGHT SETTING
MASTER SETTING
CH SETTING
EXIT
If the flash is not raised, settings will be adjusted for units connected via the sync terminal (P 227).
N This feature can also be accessed via shortcuts (P 212).
Highlight items using the selector
and rotate the rear command dial
to change the highlighted setting
(P 94).
MODE
SUPPLIED FLASH
ADJUST
92
END
Flash Photography
Press DISP/BACK to put the changes into effect.
O Depending on the distance to the subject, some lenses may cast
shadows in photos taken with the flash.
The flash will not fire at some settings, for example in panorama mode
or when the electronic shutter is used.
Choose shutter speeds slower than 250X when using the flash in exposure mode S (shutter-priority AE) or manual (M).
N In TTL mode, the flash may fire several times with each shot. Do not
move the camera until shooting is complete.
Taking Photographs
93
Flash Settings
The following settings are available when the supplied EF-X8
shoe-mounted flash unit is attached.
MODE
SUPPLIED FLASH
ADJUST
Setting
END
Taking Photographs
Description
Choose from the following options:
• TTL: TTL mode. Adjust flash compensation (B) and choose
a flash mode (C).
• M: The flash fires at the selected output (B) regardless of
subject brightness or camera settings. Output is expressed
in fractions of full power, from ⁄ to ⁄. The desired results
may not be achieved at low values if they exceed the limits
of the flash control system; take a test shot and check the
A Flash control mode results.
• C (COMMANDER): Choose if the flash is being used to control remote synced flash units, for example as part of a studio flash system.
• D (OFF): The EF-X8 does not fire. Flash units connected
via the sync terminal will still fire when the shutter is released, but can be disabled by lowering the EF-X8 and turning the units off in the flash settings menu.
94
Flash Photography
Setting
Description
B Flash compensation/ Adjust flash level. The options available vary with the flash
control mode (A).
output
C Flash mode (TTL)
95
Taking Photographs
D Sync
Choose a flash mode for TTL flash control. The options available vary with the shooting mode (P, S, A, or M) selected.
• E (FLASH AUTO): The flash fires only as required; flash level is adjusted according to subject brightness. A p icon
displayed when the shutter button is pressed halfway indicates that the flash will fire when the photo is taken.
• F (STANDARD): The flash fires with every shot if possible;
flash level is adjusted according to subject brightness. The
flash will not fire if not fully charged when the shutter is
released.
• G (SLOW SYNC.): Combine the flash with slow shutter
speeds when photographing portrait subjects against a
backdrop of night scenery. The flash will not fire if not fully
charged when the shutter is released.
Choose whether the flash is timed to fire immediately after
the shutter opens (H/1ST CURTAIN) or immediately before
it closes (I/2ND CURTAIN). 1ST CURTAIN is recommended in
most circumstances.
Flash Photography
Red-Eye Removal
Red-eye removal is available when an option other than OFF is selected
for F FLASH SETTING > RED EYE REMOVAL and G AF/MF SETTING >
FACE/EYE DETECTION SETTING is ON. Red-eye removal minimizes “redeye” caused when light from the flash is reflected from the subject’s retinas.
Flash Sync Speed
The flash will synchronize with the shutter at shutter speeds of ½50 s or
slower.
Optional Flash Units from FUJIFILM
The camera can be used with optional FUJIFILM shoe-mounted flash units.
Third-Party Flash Units
Do not use third-party flash units that apply over 300 V to the camera hot
shoe.
Taking Photographs
96
The Shooting Menus
97
H IMAGE QUALITY SETTING
Adjust image quality settings.
To display image quality settings, press
MENU/OK in the shooting display and select the H (IMAGE QUALITY SETTING)
tab.
IMAGE QUALITY SETTING
IMAGE SIZE
IMAGE QUALITY
RAW RECORDING
FILM SIMULATION
GRAIN EFFECT
DYNAMIC RANGE
D RANGE PRIORITY
WHITE BALANCE
EXIT
The options available vary with the shooting mode selected.
IMAGE SIZE
Choose the size and aspect ratio at which still pictures are recorded.
Option
O3:2
P3:2
Q3:2
Image size
6000 × 4000
4240 × 2832
3008 × 2000
Option
O 16 : 9
P 16 : 9
Q 16 : 9
Image size
6000 × 3376
4240 × 2384
3008 × 1688
Option
O1:1
P1:1
Q1:1
Image size
4000 × 4000
2832 × 2832
2000 × 2000
N IMAGE SIZE is not reset when the camera is turned off or another
shooting mode is selected.
The Shooting Menus
Aspect Ratio
Pictures with an aspect ratio of 3∜2 have the same proportions as a frame of
35 mm film, while an aspect ratio of 16∜9 is suited to display on High Definition (HD) devices. Pictures with an aspect ratio of 1∜1 are square.
98
IMAGE QUALITY SETTING
IMAGE QUALITY
Choose a file format and compression ratio. Select FINE or NORMAL to record JPEG images, RAW to record RAW images, or
FINE+RAW or NORMAL+RAW to record both JPEG and RAW images. FINE and FINE+RAW use lower JPEG compression ratios for
higher-quality JPEG images, while NORMAL and NORMAL+RAW
use higher JPEG compression ratios to increase the number of
images that can be stored.
The Function Buttons
To toggle RAW image quality on or off for a single shot, assign RAW to a
function button (P 218). If a JPEG option is currently selected for image
quality, pressing the button temporarily selects the equivalent JPEG+RAW
option. If a JPEG+RAW option is currently selected, pressing the button
temporarily selects the equivalent JPEG option, while if RAW is selected,
pressing the button temporarily selects FINE. Taking a picture or pressing
the button again restores the previous setting.
RAW RECORDING
Choose whether to compress RAW images.
Description
RAW images are not compressed.
RAW images are compressed using a reversible algorithm
that reduces le size with no loss of image data. The images
LOSSLESS COMPRESSED can be viewed in RAW FILE CONVERTER EX 2.0 (P 258),
FUJIFILM X RAW STUDIO (P 259), or other software that
supports “lossless” RAW compression.
99
The Shooting Menus
Option
UNCOMPRESSED
FILM SIMULATION
Simulate the effects of different kinds of film, including blackand-white (with or without color filters). Choose a palette according to your subject and creative intent.
Option
The Shooting Menus
Description
Standard color reproduction. Suited to a wide range of
c PROVIA/STANDARD subjects, from portraits to landscapes.
A high-contrast palette of saturated colors, suited to nad Velvia/VIVID
ture photos.
Enhances the range of hues available for skin tones in portraits while preserving the bright blues of daylight skies.
e ASTIA/SOFT
Recommended for outdoor portrait photography.
i CLASSIC CHROME Soft color and enhanced shadow contrast for a calm look.
Offers slightly more contrast than h PRO Neg. Std.
g PRO Neg. Hi
Recommended for outdoor portrait photography.
A soft-toned palette. The range of hues available for skin
tones is enhanced, making this a good choice for studio
h PRO Neg. Std
portrait photography.
Film movies using a palette that features subdued colors
X ETERNA/CINEMA
and deep shadows.
Take black-and-white photos with rich gradation and out*
a ACROS
standing sharpness.
b MONOCHROME * Take pictures in standard black and white.
Take pictures in sepia.
f SEPIA
* Available with yellow (Ye), red (R), and green (G) lters, which deepen shades of
gray corresponding to hues complementary to the selected color. The yellow (Ye)
lter deepens purples and blues and the red (R) lter blues and greens. The green
(G) lter deepens reds and browns, including skin tones, making it a good choice
for portraits.
N Film simulation options can be combined with tone and sharpness
settings.
Film simulation settings can also be accessed via shortcuts (P 212).
For more information, visit: http://fujifilm-x.com/en/x-stories/the-world-offilm-simulation-episode-1/
100
IMAGE QUALITY SETTING
GRAIN EFFECT
Add a film grain effect. Select an amount (STRONG or WEAK) or
choose OFF to turn film grain off.
Options
WEAK
STRONG
OFF
DYNAMIC RANGE
Control contrast. Choose lower values to increase contrast when
shooting indoors or under overcast skies, higher values to reduce
loss of detail in highlights when photographing high-contrast
scenes. Higher values are recommended for scenes that include
both sunlight and deep shade, for such high-contrast subjects as
sunlight on water, brightly-lit autumn leaves, and portraits taken against a blue sky, and for white objects or people wearing
white; note, however, that mottling may appear in pictures taken
at higher values.
Options
AUTO
V 100%
W 200%
X 400%
AUTO is selected, the camera will automatically choose either
V 100% or W 200% according to the subject and shooting conditions. Shutter speed and aperture will be displayed when the shutter
button is pressed halfway.
W 200% is available at sensitivities of from ISO 400 to ISO 12800,
X 400% at sensitivities of from ISO 800 to 12800.
101
The Shooting Menus
N If
D RANGE PRIORITY
Reduce loss of detail in highlights and shadows for natural-looking results when photographing high-contrast scenes.
Option
AUTO
STRONG
WEAK
OFF
Description
Contrast is adjusted automatically in response to lighting conditions.
Adjust dynamic range by a large amount for very high-contrast
scenes.
Adjust dynamic range by a smaller amount for moderately
high-contrast scenes.
Contrast reduction off.
N WEAK
is available at sensitivities of from ISO 400 to ISO 12800,
STRONG at sensitivities of from ISO 800 to 12800. When an option
other than OFF is selected, HIGHLIGHT TONE, SHADOW TONE, and
DYNAMIC RANGE will be adjusted automatically; if you wish to adjust
these settings manually, choose OFF.
The Shooting Menus
WHITE BALANCE
For natural colors, choose a white balance option that matches
the light source.
Option
AUTO
k/l/m
102
Description
White balance is adjusted automatically.
Measure a value for white balance.
Choose a color temperature.
For subjects in direct sunlight.
For subjects in the shade.
Use under “daylight” fluorescent lights.
Use under “warm white” fluorescent lights.
Use under “cool white” fluorescent lights.
Use under incandescent lighting.
Reduces the blue cast typically associated with underwater lighting.
IMAGE QUALITY SETTING
N Results vary with shooting conditions. Play pictures back after shooting to check colors.
White balance is adjusted for flash lighting only in AUTO and g
modes. Turn the flash off using other white balance options.
White balance options can also be accessed via shortcuts (P 212).
Fine-Tuning White Balance
Pressing MENU/OK after selecting a white
balance option displays the dialog shown
at right; use the selector to fine-tune white
balance or press DISP/BACK to exit without
fine-tuning.
WB SHIFT
SET
The Shooting Menus
103
Custom White Balance
Choose k, l, or m to adjust white
CUSTOM 1
balance for unusual lighting conditions.
White balance measurement options will
be displayed; frame a white object so that
it fills the display and press the shutter
SHUTTER : NEW WB
SHIFT
NOT CHANGE
button all the way down to measure white
balance (to select the most recent custom value and exit without
measuring white balance, press DISP/BACK, or press MENU/OK to select the most recent value and display the fine-tuning dialog).
• If “COMPLETED !” is displayed, press MENU/OK to set white balance to
the measured value.
• If “UNDER” is displayed, raise exposure compensation and try again.
• If “OVER” is displayed, lower exposure compensation and try again.
The Shooting Menus
104
IMAGE QUALITY SETTING
k: Color Temperature
Selecting k in the white balance menu
displays a list of color temperatures;
highlight a color temperature and press
MENU/OK to select the highlighted option
and display the fine-tuning dialog.
WHITE BALANCE
COLOR TEMPERATURE
R:0 B:0
SET
SHIFT
10000K
9100K
8300K
7700K
7100K
Color Temperature
Color temperature is an objective measure of the color of a light source,
expressed in Kelvin (K). Light sources with a color temperature close to that
of direct sunlight appear white; light sources with a lower color temperature have a yellow or red cast, while those with a higher color temperature
are tinged with blue. You can match color temperature to the light source,
or choose options that differ sharply from the color of the light source to
make pictures “warmer” or “colder.”
The Shooting Menus
105
HIGHLIGHT TONE
Adjust the appearance of highlights. Choose from seven options
between +4 and −2.
+4
+3
+2
Options
+1
−1
−2
SHADOW TONE
Adjust the appearance of shadows. Choose from seven options
between +4 and −2.
+4
+3
+2
Options
+1
−1
−2
COLOR
Adjust color density. Choose from nine options between +4 and
−4.
+4
+3
+2
+1
Options
−1
−2
−3
−4
The Shooting Menus
SHARPNESS
Sharpen or soften outlines. Choose from nine options between
+4 and −4.
+4
106
+3
+2
+1
Options
−1
−2
−3
−4
IMAGE QUALITY SETTING
NOISE REDUCTION
Reduce noise in pictures taken at high sensitivities. Choose from
nine options between +4 and −4.
+4
+3
+2
+1
Options
−1
−2
−3
−4
LONG EXPOSURE NR
Select ON to reduce mottling in long time-exposures.
Options
ON
OFF
LENS MODULATION OPTIMIZER
Select ON to improve definition by adjusting for diffraction and
the slight loss of focus at the periphery of the lens.
Options
ON
OFF
Option
sRGB
Adobe RGB
Description
Recommended in most situations.
For commercial printing.
107
The Shooting Menus
COLOR SPACE
Choose the gamut of colors available for color reproduction.
PIXEL MAPPING
Use this option if you notice bright spots in your pictures.
Press MENU/OK in the shooting display and select the H IMAGE
QUALITY SETTING tab.
Highlight PIXEL MAPPING and press MENU/OK to perform pixel mapping. Processing may take a few seconds.
O Results are not guaranteed.
Be sure the battery is fully charged before beginning pixel mapping.
Pixel mapping is not available when the camera temperature is elevated.
SELECT CUSTOM SETTING
Recall settings saved with EDIT/SAVE CUSTOM SETTING. Settings can be recalled from any of the seven custom settings
banks.
Banks
CUSTOM 1
CUSTOM 2
The Shooting Menus
CUSTOM 5
108
CUSTOM 3
CUSTOM 6
CUSTOM 4
CUSTOM 7
IMAGE QUALITY SETTING
EDIT/SAVE CUSTOM SETTING
Save up to 7 sets of custom camera settings for commonly-encountered situations. Saved settings can be recalled using
H IMAGE QUALITY SETTING > SELECT CUSTOM SETTING.
Press MENU/OK in shooting mode to display the shooting
menu. Select the H IMAGE QUALITY SETTING tab, then
highlight EDIT/SAVE CUSTOM SETTING and press MENU/OK.
Highlight a custom settings bank and
press MENU/OK to select.
• DYNAMIC RANGE
• D RANGE PRIORITY
• FILM SIMULATION
• GRAIN EFFECT
• WHITE BALANCE
• HIGHLIGHT TONE
• SHADOW TONE
• COLOR
• SHARPNESS
• NOISE REDUCTION
Press DISP/BACK. A confirmation dialog will be displayed; highlight OK
and press MENU/OK.
CUSTOM 3
CUSTOM 4
CUSTOM 5
CUSTOM 6
CUSTOM 7
CUSTOM 1
SAVE CURRENT SETTINGS
DYNAMIC RANGE
D RANGE PRIORITY
FILM SIMULATION
GRAIN EFFECT
WHITE BALANCE
HIGHLIGHT TONE
SHADOW TONE
EXIT
SAVE CUSTOM SETTING
CUSTOM 1 SET OK?
OK
CANCEL
N To store current camera settings in the selected bank, highlight SAVE
CURRENT SETTINGS in Step 3 and press MENU/OK. Banks can be renamed using EDIT CUSTOM NAME.
To restore default settings for the current bank, select RESET.
109
The Shooting Menus
Adjust the following as desired:
IMAGE QUALITY SETTING
CUSTOM 1
SELECT CUSTOM SETTING
EDIT/SAVE CUSTOMCUSTOM
SETTING2
G AF/MF SETTING
Adjust focus settings.
To display focus settings, press MENU/OK
in the shooting display and select the G
(AF/MF SETTING) tab.
AF/MF SETTING
FOCUS AREA
AF MODE
AF-C CUSTOM SETTINGS
STORE AF MODE BY ORIENTATION
AF POINT DISPLAY
NUMBER OF FOCUS POINTS
PRE-AF
AF ILLUMINATOR
EXIT
The options available vary with the shooting mode selected.
FOCUS AREA
Choose the focus area for autofocus, manual focus, and focus
zoom.
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110
AF/MF SETTING
AF MODE
Choose the AF mode for focus modes S and C.
Option
Description
The camera focuses on the subject in the selected focus point. The
number of focus points available can be selected using G AF/MF
SINGLE POINT SETTING > NUMBER OF FOCUS POINTS. Use for pin-point
focus on a selected subject.
The camera focuses on the subject in the selected focus zone.
Focus zones include multiple focus points, making it easier to
ZONE
focus on subjects that are in motion.
In focus mode C, the camera tracks focus on the subject in the
selected focus point while the shutter button is pressed halfway.
In focus mode S, the camera automatically focuses on high-conz
WIDE/TRACKING trast subjects; the areas in focus are shown in the display. The
camera may be unable to focus on small objects or subjects that
are moving rapidly.
Rotate the rear command dial in the focus-point selection display (P 69, 70) to cycle through AF modes in the folj
ALL
lowing order: r SINGLE POINT, y ZONE, and z WIDE/
TRACKING.
The Shooting Menus
111
AF-C CUSTOM SETTINGS
Select focus-tracking options for focus
mode C. Choose from Sets 1–5 according
to your subject or select Set 6 for custom
focus-tracking options.
AF-C CUSTOM SETTINGS
SET 1 MULTI PURPOSE
TRACKING SENSITIVITY
SPEED TRACKING SENSITIVITY
ZONE AREA SWITCHING
AUTO
OK
Option
The Shooting Menus
Description
A standard tracking option that works well with the typical
SET 1 MULTI PURPOSE
range of moving subjects.
The focus system attempts to track the chosen subject.
SET 2 IGNORE OBSTACLES & Choose with subjects that are hard to keep in the focus
CONTINUE TO TRACK SUBJECT area or if other objects are likely to enter the focus area
with the subject.
The focus system attempts to compensate for subject acSET 3 FOR ACCELERATING/
celeration or deceleration. Choose for subjects prone to
DECELERATING SUBJECT
rapid changes in velocity.
The focus system attempts to focus quickly on subjects
SET 4 FOR SUDDENLY APPEARING
entering the focus area. Choose for subjects that appear
SUBJECT
abruptly or when rapidly switching subjects.
Choose for hard-to-track subjects prone not only to sudden
SET 5 FOR ERRATICALLY MOVING
changes in velocity but also to large movements front to
& ACCEL./DECEL. SUBJECT
back and left to right.
Adjust TRACKING SENSITIVITY, SPEED TRACKING SENSITIVITY, and ZONE AREA SWITCHING to
SET 6 CUSTOM
suit your preferences based on the values for Sets 1–5
(P 113, 115).
112
AF/MF SETTING
Focus Tracking Options
The individual parameters that are part of a focus tracking set are
described below.
TRACKING SENSITIVITY
This parameter determines how long the
camera waits to switch focus when an
object enters the focus area behind or in
front of the current subject. The higher
the value, the longer the camera will wait.
TRACKING SENSITIVITY
QUICK
LOCKED ON
SETS THE TRACKING
SENSITIVITY ON THE SUBJECT
ADJUST
Options
SWITCH
O The higher the value, the longer it takes the camera to refocus when
you attempt to switch subjects. The lower the value, the more likely
the camera is to switch focus from your subject to other objects in the
focus area.
Options
SPEED TRACKING SENSITIVITY
STEADY
ACCEL./DECEL.
SETS THE SPEED TRACKING
SENSITIVITY FOR MOVING SUBJECT
ADJUST
SWITCH
O The higher the value, the more difficulty the camera will have focusing
in situations in which autofocus does not perform well, such as when
the subject is highly reflective or low in contrast.
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The Shooting Menus
SPEED TRACKING SENSITIVITY
This parameter determines how sensitive the tracking system is to changes in
subject velocity. The higher the value,
the greater the precision with which the
system attempts to respond to sudden
movement.
ZONE AREA SWITCHING
This parameter determines the focus
area given priority in zone AF.
ZONE AREA SWITCHING
CENTER AUTO
FRONT
SETS THE SWITCHING SENSITIVITY
OF FOCUS FRAME IN ZONE AREA
ADJUST
Option
CENTER
AUTO
FRONT
SWITCH
Description
Zone AF assigns priority to subjects in the center of the zone.
The camera locks focus on the subject at the center of the
zone and then switches focus areas as necessary to track it.
Zone AF assigns priority to the subjects closest to the camera.
O This option takes effect only when y ZONE is selected for AF mode.
The Shooting Menus
Set Values
Parameter values for the different sets are listed below.
TRACKING
SPEED TRACKING
SENSITIVITY
SENSITIVITY
SET 1
SET 2
SET 3
SET 4
SET 5
114
ZONE AREA
SWITCHING
AUTO
CENTER
AUTO
FRONT
AUTO
AF/MF SETTING
Custom Focus Tracking Options
Follow the steps below to adjust settings for Set 6.
Select AF-C CUSTOM SETTINGS >
SET 6 CUSTOM.
AF-C CUSTOM SETTINGS
SET 6 CUSTOM
TRACKING SENSITIVITY
SPEED TRACKING SENSITIVITY
ZONE AREA SWITCHING
ADJUST
AUTO
SET DETAIL
RESET
Press the selector up or down to highlight items and rotate
the front command dial to change. To reset settings to their
original values, press b.
Press DISP/BACK when settings are complete.
STORE AF MODE BY ORIENTATION
Choose whether the focus mode and focus area used when the
camera is in portrait orientation are stored separately from those
used when the camera is in landscape orientation.
AF POINT DISPLAYyz
Choose whether individual focus frames are displayed when
ZONE or WIDE/TRACKING is selected for G AF/MF SETTING >
AF MODE.
Options
ON
OFF
115
The Shooting Menus
Option
Description
OFF
The same settings are used in both orientations.
FOCUS AREA ONLY The focus area for each orientation can be selected separately.
ON
The focus mode and focus area can be selected separately.
NUMBER OF FOCUS POINTS
Choose the number of focus points available for focus-point selection in manual focus mode or when SINGLE POINT is selected
for AF MODE.
Option
91 POINTS
(7 × 13)
325 POINTS
(13 × 25)
Description
Choose from 91 focus points arranged in a 7- by 13-point grid.
Choose from 325 focus points arranged in a 13- by 25-point grid.
PRE-AF
If ON is selected, the camera will continue to adjust focus even
when the shutter button is not pressed halfway. Note that this
increases the drain on the battery.
Options
ON
OFF
The Shooting Menus
AF ILLUMINATOR
If ON is selected, the AF-assist illuminator will light to assist
autofocus.
Options
ON
OFF
O The camera may be unable to focus using the AF-assist illuminator in
some cases. If the camera is unable to focus, try increasing the distance to the subject.
Avoid shining the AF-assist illuminator directly into your subject’s eyes.
116
AF/MF SETTING
FACE/EYE DETECTION SETTING
Intelligent Face Detection sets focus and
exposure for human faces anywhere in
the frame, preventing the camera from
focusing on the background in group
portraits. Choose for shots that emphasize portrait subjects. Faces can be detected with the camera in vertical or horizontal orientation; if a
face is detected, it will be indicated by a green border. If there is
more than one face in the frame, the camera will select the face
closest to the center; other faces are indicated by white borders.
You can also choose whether the camera detects and focuses on
eyes when Intelligent Face Detection is on. Choose from the following options:
Option
FACE ON/EYE OFF
O In some modes, the camera may set exposure for the frame as a whole
rather than the portrait subject.
If the subject moves as the shutter button is pressed, the face may not
be in the area indicated by the green border when the picture is taken.
N If the camera is unable to detect the subject’s eyes because they are
hidden by hair, glasses, or other objects, the camera will instead focus
on faces.
Face/eye detection options can also be accessed via shortcuts
(P 212).
117
The Shooting Menus
Description
Intelligent Face Detection only.
The camera automatically chooses which eye to focus
FACE ON/EYE AUTO
on when a face is detected.
The camera focuses on the right eye of subjects deFACE ON/RIGHT EYE PRIORITY
tected using Intelligent Face Detection.
The camera focuses on the left eye of subjects detectFACE ON/LEFT EYE PRIORITY
ed using Intelligent Face Detection.
FACE OFF/EYE OFF
Intelligent Face Detection and eye priority off.
AF+MF
If ON is selected in focus mode S, focus can be adjusted manually by rotating the focus ring while the shutter button is pressed
halfway. Standard and focus peaking MF assist options are supported.
Options
ON
OFF
O Lenses with a focus distance indicator must be set to manual focus
mode (MF) before this option can be used. Selecting MF disables the
focus distance indicator. Set the focus ring to the center of the focus
distance indicator, as the camera may fail to focus if the ring is set to
infinity or the minimum focus distance.
AF + MF Focus Zoom
When ON is selected for G AF/MF SETTING > FOCUS CHECK and SINGLE
POINT selected for AF MODE, focus zoom can be used to zoom in on the
selected focus area. The zoom ratio (2.5× or 6×) can be selected using the
rear command dial.
The Shooting Menus
118
AF/MF SETTING
MF ASSIST
Choose how focus is displayed in manual focus mode.
Option
Description
Focus is displayed normally (focus peaking and digital split image
STANDARD
are not available).
Displays a black-and-white (MONOCHROME) or color (COLOR)
DIGITAL SPLIT split image in the center of the frame. Frame the subject in the
IMAGE
split-image area and rotate the focus ring until the three parts of
the split image are correctly aligned.
FOCUS PEAK The camera heightens high-contrast outlines. Choose a color and
HIGHLIGHT peaking level.
N You can also choose MF assist options by holding the center of the
rear command dial.
FOCUS CHECK
If ON is selected, the display will automatically zoom in on the
selected focus area when the focus ring is rotated in single AF or
manual focus mode.
Options
OFF
O Pressing the center of the rear command dial cancels focus zoom.
119
The Shooting Menus
ON
INTERLOCK SPOT AE & FOCUS AREA
Select ON to meter the current focus frame when SINGLE POINT
is selected for AF MODE and SPOT is selected for PHOTOMETRY.
Options
ON
OFF
INSTANT AF SETTING
Choose whether the camera focuses using single AF (AF-S) or
continuous AF (AF-C) when the button to which focus lock is
assigned is pressed in manual focus mode.
Options
AF-S
AF-C
The Shooting Menus
DEPTH-OF-FIELD SCALE
Choose FILM FORMAT BASIS to help you make practical assessments of depth of field for pictures that will be viewed as prints
and the like, PIXEL BASIS to help you assess depth of field for
pictures that will be viewed at high resolutions on computers or
other electronic displays.
Options
PIXEL BASIS
FILM FORMAT BASIS
RELEASE/FOCUS PRIORITY
Choose how the camera focuses in focus mode AF-S or AF-C.
Option
RELEASE
FOCUS
120
Description
Shutter response is prioritized over focus. Pictures can be taken
when the camera is not in focus.
Focus is prioritized over shutter response. Pictures can be only
taken when the camera is in focus.
AF/MF SETTING
TOUCH SCREEN MODE
Choose the shooting operations performed using touch controls.
Still Photography
Mode
Description
Tap your subject in the display to focus and release the shutter.
TOUCH
In burst mode, pictures will be taken while you keep your nger
SHOOTING on the display.
Tap to select a focus point. In focus mode S (AF-S), focus will
lock, while in focus mode C (AF-C), the camera will continually
adjust focus in response to changes in the distance to the subAF
ject. Focus lock and continuous focus can be ended by tapping
the AF OFF icon.
Tap to select a point for focus or zoom. The focus frame will
AREA
move to the selected point.
OFF
Touch focus and shooting disabled.
Movie Recording
shooting menu B (MOVIE SETTING) tab before recording movies
using touch controls (in some movie modes, AREA will be selected
automatically).
Mode
Description
Tap your subject in the display to focus and start recording. In
focus mode C (AF-C), the camera will continually adjust focus in
response to changes in the distance to the subject; to refocus in
TOUCH
SHOOTING focus mode S (AF-S) or to focus on a new subject in focus mode
C, tap the subject in the monitor. To end recording, press the
shutter button.
121
The Shooting Menus
N We recommend that you select AREA for MOVIE AF MODE in the
AF/MF SETTING
Mode
AF
AREA
OFF
Description
Tap your subject in the display to focus and press the shutter
button to start or end recording. In focus mode C (AF-C), the
camera will continually adjust focus in response to changes in
the distance to the subject; to refocus in focus mode S (AF-S) or
to focus on a new subject in focus mode C, tap the subject in
the monitor.
Tap to select a focus point and press the shutter button to
start or end recording. In focus mode C (AF-C), the camera
will continually adjust focus in response to changes in the distance to the subject in the selected focus point. In focus mode S
(AF-S), you can move the focus point by tapping the display, but
can only refocus using the AF-ON button (P 216).
Touch focus and shooting disabled.
N To disable touch controls and hide the touch screen mode indicator, select OFF for D BUTTON/DIAL SETTING > TOUCH SCREEN SETTING >
TOUCH SCREEN ON/OFF.
The Shooting Menus
122
A SHOOTING SETTING
Adjust shooting options.
To display shooting options, press
MENU/OK in the shooting display and select the A (SHOOTING SETTING) tab.
SHOOTING SETTING
DRIVE SETTING
SELF-TIMER
INTERVAL TIMER SHOOTING
SHUTTER TYPE
FLICKER REDUCTION
ISO AUTO SETTING
IS MODE
MOUNT ADAPTER SETTING
EXIT
The options available vary with the shooting mode selected.
DRIVE SETTING
Adjust settings for the various drive modes.
Option
123
The Shooting Menus
Description
Choose the settings used when the drive dial is rotated to
BKT SETTING
BKT (P 124).
Select the frame rate used when the drive dial is rotated to CH
(continuous high speed): 14, 11, or 8 fps. Note that 14 fps
CH HIGH SPEED BURST
is available only with the electronic shutter and 11 fps only
with the electronic shutter or a power-booster grip.
Select the frame rate used when the drive dial is rotated to
CL LOW SPEED BURST
CL (continuous low speed): 5, 4, or 3 fps.
Choose the lter used when the drive dial is rotated to ADV.
ADV. FILTER SETTING
(P 88).
BKT SETTING
Use BKT SELECT to choose a bracketing type and the AE BKT,
ISO BKT, FILM SIMULATION BKT, and WHITE BALANCE BKT options to choose the bracketing amount for each type.
Option
The Shooting Menus
Description
Choose from O AE BKT, W ISO BKT, X FILM
SIMULATION BKT, H WHITE BALANCE BKT, and
BKT SELECT
Y DYNAMIC RANGE BKT.
Adjust exposure bracketing settings.
• FRAMES/STEP SETTING: Choose the number of shots in the
bracketing sequence (FRAMES) and the amount exposure is varied with each shot (STEP).
AE BKT
• 1 FRAME/CONTINUOUS: Choose whether the shots in the
bracketing sequence are taken one at a time (1 FRAME)
or in a single burst (CONTINUOUS).
• SEQUENCE SETTING: Choose the order in which the shots are
taken.
ISO BKT
Choose from ±1⁄3, ±2⁄3, and ±1.
Choose the three lm simulation types used for lm simulaFILM SIMULATION BKT
tion bracketing (P 100).
WHITE BALANCE BKT Choose from Âą1, Âą2, and Âą3.
124
SHOOTING SETTING
SELF-TIMER
Choose a shutter release delay.
Option
Description
The shutter is released two seconds after the shutter button is pressed.
Use to reduce blur caused by the camera moving when the shutter
R 2 SEC
button is pressed. The self-timer lamp blinks as the timer counts
down.
The shutter is released ten seconds after the shutter button is pressed.
S 10 SEC Use for photographs in which you wish to appear yourself. The
self-timer lamp blinks immediately before the picture is taken.
OFF
Self-timer off.
If an option other than OFF is selected, the timer will start when the shutter
button is pressed all the way down. The
display shows the number of seconds remaining until the shutter is released. To
stop the timer before the picture is taken,
press DISP/BACK.
front of the lens can interfere with focus and exposure.
The self-timer turns off automatically when the camera is turned off.
125
The Shooting Menus
O Stand behind the camera when using the shutter button. Standing in
INTERVAL TIMER SHOOTING
Configure the camera to take photos automatically at a preset
interval.
Highlight INTERVAL TIMER SHOOTING
in the A (SHOOTING SETTING) tab
and press MENU/OK.
Use the selector to choose the interval and number of shots. Press
MENU/OK to proceed.
INTERVAL/NUMBER OF TIMES
INTERVAL
NUMBER OF TIMES
END
CANCEL
START WAITING TIME
LATER
ESTIMATED START TIME 11 : 00 PM
START
CANCEL
Use the selector to choose the starting time and then press MENU/OK.
Shooting will start automatically.
The Shooting Menus
CANCEL
O Interval timer photography cannot be used at a shutter speed of B
(bulb) or with multiple exposure photography. In burst mode, only
one picture will be taken each time the shutter is released.
N Use of a tripod is recommended.
Check the battery level before starting. We recommend using the
AC-9VS AC power adapter supplied with the VPB-XH1 vertical power-booster grip.
The display turns off between shots and lights a few seconds before
the next shot is taken. The display can be activated at any time by
pressing the shutter button.
To continue shooting until the memory card is full, set the number of
shots to ∞.
126
SHOOTING SETTING
SHUTTER TYPE
Choose the shutter type. Choose the electronic shutter to mute
the shutter sound.
Option
Description
t MECHANICAL SHUTTER Take pictures with the mechanical shutter.
s ELECTRONIC SHUTTER Take pictures with the electronic shutter.
Reduces the lag between the shutter button being
t E-FRONT CURTAIN
pressed and the start of the exposure. The mechanical
SHUTTER
shutter is used at high shutter speeds.
u MECHANICAL +
The camera chooses the mechanical or electronic
ELECTRONIC
shutter according to shooting conditions.
v E-FRONT +
The camera chooses the mechanical or electronic
MECHANICAL
front curtain shutter according to shooting conditions.
The camera chooses the mechanical, electronic, or
w E-FRONT +
electronic front curtain shutter according to shooting
MECHANICAL + ELECTRONIC
conditions.
O A tripod is recommended for shots taken using the electronic shutter.
Distortion may be visible in shots of moving subjects and in hand-held
shots taken at high shutter speeds, while banding and fog may occur
in shots taken under fluorescent lights or other flickering or erratic illumination. In the case of the electronic front-curtain shutter, faster
shutter speeds are more likely to result in uneven exposure and loss
of resolution in out-of-focus areas of the frame. When taking pictures
with the shutter muted, respect your subjects’ image rights and right
to privacy.
N When the electronic shutter is used, the flash is disabled, sensitivity is
restricted to values of ISO 12800–200, and long exposure noise reduction has no effect.
127
The Shooting Menus
If s ELECTRONIC SHUTTER, u MECHANICAL + ELECTRONIC,
or w E-FRONT + MECHANICAL + ELECTRONIC is selected, shutter speeds faster than 1⁄8000 s can be chosen by rotating the shutter speed dial to 8000 and then rotating the rear command dial
(P 284).
FLICKER REDUCTION
Select ON to reduce flicker in pictures and the display when shooting under fluorescent lighting and other similar light sources.
Options
ON
OFF
O Enabling flicker reduction disables the electronic shutter and increases
the time needed to record pictures.
ISO AUTO SETTING
Choose the base sensitivity, maximum sensitivity, and minimum
shutter speed for the A position on the sensitivity dial. Settings
for AUTO1, AUTO2, and AUTO3 can be stored separately; the defaults are shown below.
Item
DEFAULT SENSITIVITY
MAX. SENSITIVITY
MIN. SHUTTER SPEED
Options
12800–200
12800–400
⁄–¼ SEC, AUTO
AUTO1
800
Default
AUTO2
200
1600
AUTO
AUTO3
3200
The Shooting Menus
The camera automatically chooses a sensitivity between the default and maximum values; sensitivity is only raised above the
default value if the shutter speed required for optimal exposure
would be slower than the value selected for MIN. SHUTTER SPEED.
N If the value selected for DEFAULT SENSITIVITY is higher than that se-
lected for MAX. SENSITIVITY, DEFAULT SENSITIVITY will be set to
the value selected for MAX. SENSITIVITY.
The camera may select shutter speeds slower than MIN. SHUTTER SPEED
if pictures would still be underexposed at the value selected for MAX.
SENSITIVITY. If AUTO is selected for MIN. SHUTTER SPEED, the camera
will automatically choose a minimum shutter speed approximately equal
to the inverse of the lens’ focal length, in seconds (for example, if the lens
has a focal length of 50 mm, the camera will choose a minimum shutter
speed in the neighborhood of 1⁄50 s). The minimum shutter speed is not
affected by the option selected for image stabilization.
128
SHOOTING SETTING
IS MODE
Reduce blur.
Option
CONTINUOUS
SHOOTING ONLY
OFF
Description
Image stabilization on.
Image stabilization enabled only when the shutter button
is pressed halfway (focus mode C) or the shutter is released.
Image stabilization off ; x appears in the display. Choose
when the camera is mounted on a tripod or otherwise
xed in place.
N The setting selected with the lens image stabilization switch, if any, takes
priority over the setting chosen with IS MODE. Note that vibration or
camera sounds may be noticeable as image stabilization takes effect.
MOUNT ADAPTER SETTING
Adjust settings for M-mount lenses connected using an optional
FUJIFILM M MOUNT ADAPTER.
Choosing a Focal Length
LENS REGISTRATION
LENS 1
LENS 2
LENS 3
LENS 4
LENS 5
LENS 6
The Shooting Menus
If the lens has a focal length of 21, 24, 28,
or 35 mm, choose a matching option in
the MOUNT ADAPTER SETTING menu.
SET
For other lenses, select option 5 or 6 and
use the selector to enter the focal length.
LENS 5
INPUT FOCAL LENGTH
SET
CANCEL
129
Distortion Correction
Choose from STRONG, MEDIUM, or WEAK
options to correct BARREL or PINCUSHION
distortion.
LENS5 DISTORTION CORRECTION
BARREL STRONG
BARREL MEDIUM
BARREL WEAK
OFF
PINCUSHION WEAK
PINCUSHION MEDIUM
PINCUSHION STRONG
Color Shading Correction
Color (shading) variations between the
center and edges of the frame can be adjusted separately for each corner.
To use color shading correction, follow the
steps below.
NEXT
SET
The Shooting Menus
Rotate the rear command dial to choose a corner. The selected corner is indicated by a triangle.
Use the selector to adjust shading until there is no visible difference in color between the selected corner and the center
of the image. Press the selector left or right to adjust colors
on the cyan–red axis. Press the selector up or down to adjust
colors on the blue–yellow axis.
N To determine the amount required, adjust color shading correction
while taking photos of blue sky or a sheet of gray paper.
130
SHOOTING SETTING
Peripheral Illumination Correction
Choose from values between –5 and
+5. Choosing positive values increases
peripheral illumination, while choosing
negative values reduces peripheral illumination. Positive values are recomSET
CANCEL
mended for vintage lenses, negative values to create the effect of images taken with an antique lens or a
pinhole camera.
N To determine the amount required, adjust peripheral illumination correction while taking photos of blue sky or a sheet of gray paper.
The Shooting Menus
131
MULTI EXPOSURE
Create a photograph that combines two exposures.
After rotating the drive dial to S, select ON for MULTI
EXPOSURE in the A (SHOOTING SETTING) tab and press
MENU/OK.
Take the first shot.
Press MENU/OK. The first shot will be
shown superimposed on the view
through the lens and you will be
prompted to take the second shot.
N To return to Step 2 and retake the first
The Shooting Menus
shot, press the selector left. To save
the first shot and exit without creating
a multiple exposure, press DISP/BACK.
NEXT
RETRY
EXIT
Take the second shot, using the first
frame as a guide.
EXIT
30
2.0
Press MENU/OK to create the multiple
exposure, or press the selector left to
return to Step 4 and retake the second shot.
N To end multiple exposure photography,
select OFF for MULTI EXPOSURE.
RETRY
EXIT
O Multiple exposures cannot be recorded via tethered shooting (P 209).
132
SHOOTING SETTING
WIRELESS COMMUNICATION
Connect to smartphones running the latest version of the FUJIFILM
Camera Remote app. The smartphone can be used to browse the
images on the camera, download selected images, control the
camera remotely, or upload location data to the camera.
N For downloads and other information, visit:
http://app.fujifilm-dsc.com/en/camera_remote/
The Shooting Menus
133
F FLASH SETTING
Adjust flash-related settings.
To display flash-related settings, press
MENU/OK in the shooting display and select the F (FLASH SETTING) tab.
N The options available vary with the shoot-
FLASH SETTING
FLASH FUNCTION SETTING
RED EYE REMOVAL
TTL-LOCK MODE
LED LIGHT SETTING
MASTER SETTING
CH SETTING
ing mode selected.
FLASH FUNCTION SETTING
Choose a flash control mode, flash mode,
or sync mode or adjust the flash level.
The options available vary with the flash.
EXIT
MODE
SUPPLIED FLASH
N See page 224 for more information.
ADJUST
END
RED EYE REMOVAL
Remove red-eye effects caused by the flash.
Option
The Shooting Menus
Description
A red-eye reduction pre-flash is combined with digital red-eye
FLASH+REMOVAL
removal.
FLASH
Flash red-eye reduction only.
REMOVAL
Digital red-eye removal only.
OFF
Flash red-eye reduction and digital red-eye removal off.
N Flash red-eye reduction can be used in TTL flash control mode. Digital
red-eye removal is performed only when a face is detected and is not
available with RAW images.
134
FLASH SETTING
TTL-LOCK MODE
Instead of adjusting flash level with each shot, TTL flash control
can be locked for consistent results across a series of photographs.
Option
Description
Flash output is locked at the value metered for the most
LOCK WITH LAST FLASH recent photo. An error message will be displayed if no
previously metered value exists.
LOCK WITH METERING The camera emits a series of pre-flashes and locks flash
FLASH
output at the metered value.
N To use TTL lock, assign TTL-LOCK to a camera control and then use
the control to enable or disable TTL lock (P 218).
Flash compensation can be adjusted while TTL lock is in effect.
LED LIGHT SETTING
Choose whether to use the flash unit’s LED video light (if available) as a catchlight or AF-assist illuminator when taking photos.
Role of LED video light in still photography
Catchlight
AF-assist illuminator
AF-assist illuminator and catchlight
None
N This option can also be accessed via the FLASH FUNCTION SETTING
menu.
135
The Shooting Menus
Option
CATCHLIGHT
AF ASSIST
AF ASSIST+CATCHLIGHT
OFF
FLASH SETTING
MASTER SETTING
Choose a flash group (A, B, or C) for the flash mounted on the
camera hot shoe when it functions as a master flash controlling
remote flash units via FUJIFILM wireless optical flash control, or
choose OFF to limit master flash output to a level that does not
affect the final picture.
Options
Gr A
Gr B
Gr C
OFF
N This option can also be accessed via the FLASH FUNCTION SETTING
menu.
CH SETTING
Choose the channel used for communication between the master flash and remote flash units when using FUJIFILM optical
wireless flash control. Separate channels can be used for different flash systems or to prevent interference when multiple systems are operating in close proximity.
Options
The Shooting Menus
CH1
136
CH2
CH3
CH4
B MOVIE SETTING
Adjust movie-recording options.
To display options for movie recording,
press MENU/OK in the shooting display and
select the B (MOVIE SETTING) tab.
MOVIE SETTING
MOVIE MODE
FULL HD HIGH SPEED REC
FILM SIMULATION (MOVIE)
DYNAMIC RANGE (MOVIE)
WHITE BALANCE (MOVIE)
HIGHLIGHT TONE (MOVIE)
SHADOW TONE (MOVIE)
COLOR (MOVIE)
EXIT
The options available vary with the shooting mode selected.
MOVIE MODE
Before shooting movies, choose the
frame rate, bit rate, and frame size and
aspect ratio.
MOVIE MODE
16:9
In the shooting menu, select B MOVIE SETTING, then highlight MOVIE MODE and press MENU/OK.
Press the selector up or down to highlight the desired frame
size and aspect ratio (A) and press the selector right. Choose
from V16 : 9 (4K, aspect ratio 16 : 9), V17 : 9 (4K, aspect ratio 17 : 9), W16 : 9 (Full HD, aspect ratio 16 : 9), W17 : 9 (Full
HD, aspect ratio 17 : 9), and q16 : 9 (HD, aspect ratio 16 : 9).
The Shooting Menus
Press the selector up or down to highlight a frame rate (B)
and press the selector right.
59.94P
50P
Options
29.97P
25P
24P
23.98P
Press the selector up or down to highlight a bit rate (C) and
press MENU/OK.
200Mbps
Options
100Mbps
50Mbps
137
FULL HD HIGH SPEED REC
Record high-frame-rate Full HD movies that play back in slow
motion, giving you time to view fast-moving subjects or details
too fleeting for the naked eye: a batter’s swing, darting insects, or
swiftly-flowing waters.
Option
2x a59.94P
F120P
2x a50P
F100P
4x a29.97P
F120P
4x a25P
F100P
5x a24P
F120P
5x a23.98P
F120P
OFF
Description
Record up to 6 minutes of Full HD footage at 2×, 4×, or 5× speed
and frame rates of 120 or 100 fps. The movies play back at ½, Ÿ,
or ⁄ speed.
High-speed recording off.
The Shooting Menus
N High-speed movies are recorded with no sound.
138
MOVIE SETTING
FILM SIMULATION (MOVIE)
Choose a film simulation effect for movie recording.
Option
c PROVIA/STANDARD
d Velvia/VIVID
e ASTIA/SOFT
i CLASSIC CHROME
g PRO Neg. Hi
h PRO Neg. Std
Description
See “FILM SIMULATION” (P 100).
X ETERNA/CINEMA
a ACROS
b MONOCHROME
f SEPIA
DYNAMIC RANGE (MOVIE)
Choose a dynamic range for movie recording.
Description
See “DYNAMIC RANGE” (P 101).
N The B MOVIE SETTING > DYNAMIC RANGE (MOVIE) option is
available when OFF is selected for B MOVIE SETTING > F-Log
RECORDING. W200% is available at sensitivities of from ISO 400 to
ISO 12800, X400% at sensitivities of from ISO 800 to 12800. Auto
dynamic range adjustment (AUTO) is not supported.
139
The Shooting Menus
Option
V100%
W200%
X400%
WHITE BALANCE (MOVIE)
Adjust white balance for movie recording.
Option
Description
AUTO
k/l/m
See “WHITE BALANCE” (P 102).
HIGHLIGHT TONE (MOVIE)
Choose how the camera records highlights when shooting
movies.
+4
+3
+2
Options
+1
−1
−2
The Shooting Menus
SHADOW TONE (MOVIE)
Choose how the camera records shadows when shooting
movies.
+4
140
+3
+2
Options
+1
−1
−2
MOVIE SETTING
COLOR (MOVIE)
Adjust color density for movie recording.
+4
+3
+2
+1
Options
−1
−2
−3
−4
−1
−2
−3
−4
−3
−4
SHARPNESS (MOVIE)
Sharpen or soften outlines in movies.
+4
+3
+2
+1
Options
NOISE REDUCTION (MOVIE)
Reduce noise in movies shot at high sensitivities.
+4
+3
+2
+1
Options
−1
−2
141
The Shooting Menus
F-Log RECORDING
Select ON to record movies using a soft gamma curve with a
wide gamut suitable for further processing post-production. The
minimum value for sensitivity is set to ISO 800.
PERIPHERAL LIGHT CORRECTION (MOVIE)
Select ON to enable peripheral illumination correction during
movie recording.
N Select OFF if you notice banding in movies recorded using this op-
tion. If ON is selected when a lens that does not transmit data to the
camera is attached using a FUJIFILM M MOUNT ADAPTER (available
separately), peripheral illumination will be adjusted according to the
option selected for A SHOOTING SETTING > MOUNT ADAPTER
SETTING > PERIPHERAL ILLUMINATION CORRECTION in the shooting menu (P 131).
FOCUS AREA (MOVIE)
Choose the focus area for movies shot using autofocus or manual
focus.
MOVIE AF MODE
Choose how the camera selects the focus point for movie recording.
Option
MULTI
AREA
The Shooting Menus
142
Description
Automatic focus-point selection.
The camera focuses on the subject in the selected focus area.
MOVIE SETTING
AF-C CUSTOM SETTING (MOVIE)
Select focus-tracking options when recording movies in focus
mode C.
TRACKING SENSITIVITY
Choose how long the camera waits to switch focus when an object enters the focus area behind or in front of the current subject. See “TRACKING SENSITIVITY” (P 113).
Options
AF SPEED
Adjust the autofocus response speed.
-5
-4
-3
-2
-1
Options
+1
+2
+3
+4
+5
Options
ON
OFF
143
The Shooting Menus
PRE-AF (MOVIE)
If ON is selected, the camera will continue to adjust focus even
when the shutter button is not pressed halfway. Note that this
increases the drain on the battery.
FACE/EYE DETECTION SETTING (MOVIE)
Enable or disable Intelligent Face Detection (P 117) when recording movies.
Option
Description
FACE ON/EYE OFF
FACE ON/EYE AUTO
FACE ON/RIGHT EYE PRIORITY See “FACE/EYE DETECTION” (P 117).
FACE ON/LEFT EYE PRIORITY
FACE OFF/EYE OFF
O When Intelligent Face Detection is enabled, the camera will focus
using continuous AF even when single AF (S) is chosen with the
focus selector. Intelligent Face Detection is not available in manual
focus mode.
MF ASSIST (MOVIE)
Choose how focus is displayed in manual focus mode.
The Shooting Menus
Option
STANDARD
DIGITAL SPLIT IMAGE
FOCUS PEAK HIGHLIGHT
Description
See “MF ASSIST” (P 119).
FOCUS CHECK (MOVIE)
If ON is selected, the display will automatically zoom in on the
selected focus area when the focus ring is rotated in single AF or
manual focus mode.
Options
ON
144
OFF
MOVIE SETTING
HDMI OUTPUT INFO DISPLAY
If ON is selected, HDMI devices to which the camera is connected
will mirror the information in the camera display.
Options
ON
OFF
4K MOVIE OUTPUT
Choose the destination for 4K movies shot while the camera is
connected to an HDMI recorder or other device that supports 4K.
Option
b 4K Y FHD
b FHD Y 4K
b − Y 4K
Description
4K movies are recorded to a camera memory card in 4K and
output to the HDMI device in Full HD.
4K movies are output to the HDMI device in 4K and recorded
to the camera memory card in Full HD.
4K movies are output to the HDMI device in 4K. The camera
does not record 4K movies to a memory card.
N This option is only available when V 16 : 9 or V 17 : 9 is selected for
B MOVIE SETTING > MOVIE MODE in the shooting menu.
Option
b FHD Y FHD
b − Y FHD
Description
Full HD movies are output to the HDMI device and recorded to
the camera memory card.
Full HD movies are not recorded to the camera memory card
but are output to the HDMI device.
N This option is only available when W 16 : 9 or W 17 : 9 is selected for
B MOVIE SETTING > MOVIE MODE in the shooting menu.
145
The Shooting Menus
FULL HD MOVIE OUTPUT
Choose the destination for Full HD movies shot while the camera
is connected to an HDMI device.
4K HDMI STANDBY QUALITY
Choose whether output to connected HDMI devices switches
from 4K to Full HD during standby.
Option
Description
Output to HDMI devices continues at 4K during standby.
Output to HDMI devices switches to Full HD during standby,
reducing the drain on the battery.
HDMI REC CONTROL
Choose whether the camera sends movie start and stop signals
to the HDMI device when the shutter button is pressed to start
and stop movie recording.
Options
ON
OFF
AUDIO SETTING
Adjust audio-related settings for movie recording.
The Shooting Menus
INTERNAL MIC LEVEL ADJUSTMENT
Adjust the recording level for the built-in
microphone.
INTERNAL MIC LEVEL ADJUSTMENT
25.5
SET
Option
AUTO
MANUAL
OFF
146
CANCEL
Description
The camera adjusts the recording level automatically.
Adjust the recording level manually. Press the selector right to
choose from 25 recording levels.
Turn the built-in microphone off.
MOVIE SETTING
EXTERNAL MIC LEVEL ADJUSTMENT
Adjust the recording level for external microphones.
Option
AUTO
MANUAL
OFF
Description
The camera adjusts the recording level automatically.
Adjust the recording level manually. Press the selector right to
choose from 25 recording levels.
Disable recording using external microphones.
MIC LEVEL LIMITER
Reduces distortion caused by input that exceeds the limits of the
microphone’s audio circuits.
Options
ON
OFF
WIND FILTER
Choose whether to enable wind noise reduction during movie
recording.
Options
ON
OFF
Options
ON
OFF
HEADPHONES VOLUME
Adjust the volume of audio output to headphones connected to
the VPB-XH1 vertical power-booster grip.
Option
10—1
Description
Choose a volume of from 1 to 10.
Mute output to the headphones.
147
The Shooting Menus
LOW CUT FILTER
Choose whether to enable the low-cut filter, reducing low-frequency noise during movie recording.
TIME CODE SETTING
Adjust time code (hour, minute, second, and frame number) display settings for movie recording.
TIME CODE DISPLAY
Select ON to display time codes during movie recording and
playback.
Options
ON
OFF
START TIME SETTING
Choose the time code starting time.
Option
MANUAL INPUT
CURRENT TIME
RESET
Description
Highlight this option and press the selector right to choose a
start time manually.
Set the start time to the current time.
Set the start time to 00:00:00.
The Shooting Menus
COUNT UP SETTING
Choose whether time is clocked continuously or only during
movie recording.
Option
REC RUN
FREE RUN
148
Description
Time is clocked only during movie recording.
Time is clocked continuously.
MOVIE SETTING
DROP FRAME
At frame rates of 59.94P, and 29.97P, a discrepancy will gradually develop between the time code (measured in seconds) and
the actual recording time (measured in fractions of a second).
Choose whether the camera drops frames as necessary to match
the recording time to the time code. Selecting a frame rate of
23.98P disables frame drop.
Option
ON
OFF
Description
The camera drops frames as necessary to maintain a strict
match between the time code and the actual recording time.
Frames are not dropped.
N The time code display varies with the option selected.
12/31/2050 10:00 AM
ON
OFF
The Shooting Menus
HDMI TIME CODE OUTPUT
Choose whether time codes are output to HDMI devices.
Options
ON
OFF
149
MOVIE SETTING
TALLY LIGHT
Choose the lamp (indicator or AF-assist) that lights during movie
recording and whether the lamp blinks or remains steady.
Indicator lamp
The Shooting Menus
Option
FRONT OFF
REAR z
FRONT OFF
REAR y
FRONT z
REAR z
FRONT z
REAR OFF
FRONT y
REAR y
FRONT y
REAR OFF
FRONT OFF
REAR OFF
AF-assist illuminator
Description
The indicator lamp lights during movie recording.
The indicator lamp blinks during movie recording.
The indicator and AF-assist lamps light during movie recording.
The AF-assist lamp lights during movie recording.
The indicator and AF-assist lamps blink during movie recording.
The AF-assist lamp blinks during movie recording.
The indicator and AF-assist lamps remain off during movie recording.
MOVIE SILENT CONTROL
Select ON to disable camera dials and adjust movie settings using touch-screen controls, preventing the sounds made by camera controls being recorded with the movie (P 23).
Options
ON
150
OFF

---

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