Uvi Vectorpro Manual Vector Pro | Soundbank User

2017-08-25

User Manual: Uvi Vectorpro Manual vectorpro_manual SC37-VectorPro uvi 3:

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Soundbank Manual
Software Version 1.4
EN 160307

End-User License Agreement (EULA)
Do not use this product until the following license agreement is understood and accepted.
By using this product, or allowing anyone else to do so, you are accepting this agreement.

This End-User License Agreement (EULA) represents the contractual conditions
between you, the Licensee, and UVI, located 159 rue Amelot, 75011 Paris - France
for the use of software, documentation and other materials created by UVI.
You should not register, install or use UVI Products until the
following license agreement is understood and accepted.
By using UVI Products, or allowing anyone else to do
so, you are accepting this agreement.
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©2017 UVI. All rights reserved.
All trademarks are the property of their respective owners.

2

Table of Contents
Introduction......................................................................................................................................................4
Vector Pro VS
Edit Page......................................................................................................................................................5
Mod Page....................................................................................................................................................7
Preset List...................................................................................................................................................8
Vector Pro VX
Edit Page......................................................................................................................................................9
Mod Page....................................................................................................................................................11
Arp Page......................................................................................................................................................12
Preset List...................................................................................................................................................13
Vector Pro 22
Edit Page......................................................................................................................................................14
Preset List...................................................................................................................................................15
Links.....................................................................................................................................................................16
Credits and Thanks........................................................................................................................................17

3

Introduction

In the summer of 1986 a renowned American synth manufacturer
released a machine with a remarkable new method of constructing
sound. That machine was the Sequential Prophet VS and the method
was vector synthesis. A ground-breaking instrument in its time and
still a sought-after collectible to this day, the Prophet VS was ill-fated
in the market for a number of reasons and its failure signaled the
end of Sequential’s distinguished legacy. Needless to say the tonal
range and sheer flexibility of the Prophet VS was brilliant. The new
digital vector synthesis engine was placed in front of an all-analog
signal path with renowned Curtis amps and filters giving it incredible
warmth and an unmistakable character. The palette of sounds that
were possible with the VS was immense. Not only did it offer a world
of never-before heard sounds but it could closely imitate both the
analog classics and its modern digital peers alike. Another first, the
Prophet VS saw great emphasis placed on expressive control over a
stereo sound stage allowing for great depth and dimension, leading
in large part to it capturing the imagination of an entire generation of
film composers including the seminal Vangelis and John Carpenter.
Vector Pro begins with one of these rare treasures, a fully serviced
Sequential Prophet VS. Sound designers in our studio poured over
and through this machine to create a multitude of patches, from
textbook classics to the wild and experimental, resulting in a true
exposition of the machines capabilities. These patches were then
multi-sampled through a world-class system at high-resolution,
capturing every detail. While no sample-based instrument can ever
be definitive in a true sense, Vector Pro offers a staggeringly thorough
depiction of the Prophet VS with a 30gb library of sample data.
Filtering, modulation, expression and effects are all realized with the
capable UVI Engine, offering near-limitless customization options.
Two basic architectures are provided in Vector Pro, VS and VX. Vector

Pro VS offers an efficient and flexible single oscillator system which
expresses quite unmistakably the qualities of the Prophet VS. Vector
Pro VX takes things a step further with a dual-layer system built
on a library of raw multi-sampled waveforms. This system allows
for the exploration of completely new sounds with independent
control of each layers amp, filter, stereo and effects sections, a
built-in LFO, step modulator and two versatile arpeggiators. User
interfaces for both recall the classic design of the Prophet VS and
sport a full array of programmable controls that should be both
immediate and intuitive to anyone with synthesizer experience.
As a bonus we’ve included Vector Pro 22. Made in the same depth
and fashion as Vector Pro VS, Vector Pro 22 details the classic
Yamaha SY22 vector synthesizer. The SY22 was designed by
former Sequential engineers after Yamaha purchased the group
and is loosely based on the Prophet VS architecture. Offering
its own unique character and modulation opportunities, the
SY22’s sound makes a perfect compliment to the VS library.
Vector Pro offers a huge range of sounds of both impeccable
quality and distinct character. A great sounding instrument
sure to please sound designers, producers, composers
or anyone else looking for sonic inspiration.

Minimum System Requirements
• UVI Workstation 2.5.10+ or Falcon 1.0+
• 18GB of disk space
For more information on the installation process, please refer to
the document: Soundbank Installation Guide

4

VS - Edit Page

Globals + Page

1

Noise

6

Effects

5

Amp

3

Filter

2

Modwheel

4

The UI is divided into two pages; [Edit] and [Mod]. Primary controls such as amp, filter, stereo, pitch and effects are available on the [Edit] page. Clicking
the [Mod] button at the top of the interface reveals the second page of controls containing the LFO and Step Modulator. Presets are accessible directly
through the browser in UVI Workstation/Falcon.

1
»

Globals + Page
Mono
Disables polyphony if active

»

Arp

Filter cutoff frequency
»

Filter resonance amount
»

Edit
Sets the UI to the Edit page

»

Mod
Sets the UI to the Mod page

2
»

Filter

»

Vel Sens

»
»

»

Cutoff Freq

5

Amp
ADSR
Velocity

»

Phaser
Delay
Adjust effect mix amount

»

Reverb
Adjust effect mix amount

Vel > Atk
Remaps Attack to Note Velocity

6
»

4

Effects
Adjust effect mix amount

»

Adjust the amp velocity sensistivity

Modwheel
This section provides a quick way to
map common controls to your MIDI

Depth
Depth of the filters EG

Filter
Cutoff frequency of the Filter

Typical envelope controls for the amp

Adjust the filter velocity sensitivity
»

»

»

3

ADSR
Typical envelope controls for the filter

Speed of the tremolo (sync)

Filter Type
(LP), band-pass (BP), or high-pass [HP]

[additional controls available in UVIWS/
»

Tremolo

Multimode filter can be set to low-pass

Toggle built-in arpeggiator on/off
Falcon arp page]

»

Resonance

Noise
Amount
Adjust noise mix amount

»

White/Pink
Select white or pink noise types

keyboards modwheel
»

Vibrato
Speed of the vibrato (free)

5

VS - Edit Page

7
»

Drive

9

Pitch

8

Stereo

7

[continued]

Stereo
Color
Utilizes neighboring samples from the

8
»

Sets the stereo mode to ALT; stereo

library to a unique effect
»

modes only)
»

position alternates L/R every note, width

Spread
Sets the stereo width (in ALT and UNI

»

multiple samples and augments them for
increased stereo presence, modify with

only)
Sets the stereo mode to OFF
(monophonic)

Mode - Uni
Sets the stereo mode to UNI; layers

Detune

Mode - Off

»

[COLOR] and [DETUNE]
»

Depth
Sets the depth of portamento [Poly]

»

Time
Sets the glide time for both modes

controlled by [SPREAD]

Detunes the unison layers (UNI mode
»

Mode - Alt

Pitch

9
»

Drive
Amount
Sets the drive amount

»

On/Off Switch

Mode - Chorus
Activates hardware Chorus layer

6

VS - Mod Page

1
»
»
»

LFO

1

Step Modulator

2

LFO
Sync

2
»

1. Click the [Multimode] button in the

mouse, double-click to enter explicit

main toolbar

Set the LFO speed

values)

2. Click the [Wrench] icon

EG Depth

»

Attack
Decay
Shape
Triangle or Sample & Hold (random)

»
»
»
»

> Pitch
> Drive
> Volume
Set the volume modulation amount

»

Falcon

Steps

1. Click the [Wrench] icon and save as a

Set the number of steps to playback

Multi (all parts) or as a Program [single]

Delay
Set the initial delay time

Settings for both UVI Workstation and

Rise

Falcon will be saved automatically with

Set the time to activate smooth

your project if you’re working within a

Smooth

DAW.

smooth modulation
»

Set the drive modulation amount
»

3. Select ‘Save Multi’
»

Interpolates sub-step values for a

Set the pitch modulation amount
»

Grid
Set the step speed/resolution

Select the LFO waveform: Sine, Square,
»

UVI Workstation

Speed

Set the LFO envelope decay time
»

»

Set the per-step value (draw with

Set the LFO envelope attack time
»

Step Value

Saving Presets

Toggle LFO sync to host tempo

Set the depth of the LFO envelope
»

Step Modulator

> Volume
Set the volume modulation amount

»

> Filter
Set the filter modulation amount

> Filter
Set the filter modulation amount

7

Preset List - VS
Arpeggios-Steps:
Analog Tanger
Mayhem of Steps
New World Order
Orbital Wheel
Parasitiac
Playing Land
RinoceChord
Space Transmission
Step Dirty
The Discover
Vectorification
Wheel Delay
Bass:
Anabass
Diplodobass
DNA VS Wheel
Glasswheel
Jarstice
Mati Bass
Mog Bass
Shaft VS
Slapotron
Square Wheel
Vector Bass
Vector Slap
Video Games
VSub Bass
Yeti Foot
Zebroid
Bells-Mallet:
Classic VS
Digi Mallet
Digital Bellstation
Evolubells
Fairlight B
Florin Bells
GIK Digital
Little Bell
Numericabel
Pluck Wood
PPG Like
Prophet Bells
Soft Orgabells
Space Carillon
Steely Drums
Sunlight
Synth Tiny Bells
That VS Bell
Tubular
Vector Bello
Wolf Band
Woody VS
Zanga Bella
Brassy:
Cold Brass
Kevin Brass
OB Stew Fly
Synth Brass
Vector Hybrass

Keyboards:
Almost Grand
Clavi Phase
Digital Road
Fender Bells
Funky Soft
HarpVSichord
Little Piano
Metalicia K
More than FM
Morphed Keys
NumeriClav
OrgAfrica
Pro Dyno
Prophet Road
ReggAttack
Rootsrgan
Soft Harpsy
Soft Organ
Space Keys
Spacial Keys
Tramp Super
Vector Road
VectorGan
VS Rlitzer
VS Tines
Leads:
Analead
Bob Corn
Eleadstic
Ethiopian Lead
Fivotron
Funky Beach
God Given
Harvard Square
Leadotron
Long Beach
Mad Justice
Mog Lead
Poly Age
Shaft Lead
Smoothy
Solage
Solivox
Solo Nono
Vanilla Lead
Pads:
Cold and Calm
Dark Pador
Detuned Voices
Evolution
Harry Zone A
Hybridizer
Islandia
Larger Voices
Mellocoton
PaDyno
Panichoirs
Phasy Holly
PolaVocaroid
Polymorphe

Pomade
Rain Forest
SFX Bell Pad
Soft Choir
Soft Tines
Sorin Pad
Step Padder
Vocal Ensemble
Vox Digitali
VP Choirs Like
Yes You Are
Polysynth:
Anafunk
Big Stack
Clintonix
Complex City
Digital Stack
Funky Smooth
Hybrid Poly
Metal Poly
Moving Tune
Nueva Poly
Organ Funky Stab
Panicota
PoLead
Poly Back Feed
Polypad
Raw Square
Resophonic
Softy Brassy Poly
Squarly
Stack Anovist
Table Top
Thriller Droid
Ze Cycle
Strings:
Analog STR
Eminent
Hybrid Baroque
Ominous VS
Phaser Strings
String Machine
Vector Fast Strings
Vector Slow Strings
VoxChestra
Sweeps:
Bottle Sweep
Equinox
Fast Sync
Invert Jarre
Multi Sweep
Poly Sweep
Soft Sweep
Square Sweep Step
Sweepy Martinez
UVI Filter Sweep
Wheel Glassweep

Xtra Waveforms
Bells:
Bass Bell
Bell Partials 1
Bell Partials 2
Bells 01
Bells 02
Bells 03
Bells 04
Bells 05
Bells 06
Bells 07
Bells 08
Bells 09
Bells 10
Bells 11
Bells 12
Bells 13
Bells 14
Brutal:
1-Heavy Seventh
Brutal 01
Brutal 02
Brutal 03
Brutal 04
Brutal 05
Brutal 06
Brutal 07
Brutal 08
Brutal 09
Brutal 10
Brutal 11
Brutal 12
Brutal 13
Brutal 14
Brutal 15
Brutal 16
Chip Tune:
Chip Tune 01
Chip Tune 02
Chip Tune 03
Chip Tune 04
Chip Tune 05
Chip Tune 06
Chip Tune 07
Chip Tune 08
Chip Tune 09
Chip Tune 10
Chip Tune 11
Chip Tune 12
Chip Tune 13
Chip Tune 14
Chip Tune 15
Digital:
3rd and 5th
Digital 01
Digital 02
Digital 03
Digital 04
Digital 05

Digital 06
Digital 07
Digital 08
Digital 09
Digital 10
Digital 11
Digital 12
Digital 13
Vocal
Organ:
Organ 01
Organ 02
Organ 03
Organ 04
Organ 05
Organ 06
Organ 07
Organ 08
Organ 09
Organ 10
Organ 11
Organ 12
Organ 13
Organ 14
Organ 15
Organ 16
Organ 17
Organ 18

Waves:
01-Sine
02-Saw
03-Square
04-Pulse 1
05-Pulse 2
06-Saw 3rd and 5th
07-Sine 5th
08-Sine 2-Oct
09-Sine 4-Oct
10-Saw 5th
11-Saw 2-Oct
12-Square 5th
13-Square Oct and 5th
14-Square 2-Oct

Pure:
Pure 01
Pure 02
Pure 03
Pure 04
Pure 05
Pure 06
Pure 07
Pure 08
Pure 09
Pure 10
Pure 11
Pure 12
Pure 13
Pure 14
Pure 15
Vocal
Thin:
Thin 01
Thin 02
Thin 03
Thin 04
Thin 05
Thin 06
Thin 07
Thin 08
Thin 09
Thin 10
Thin 11
Thin 12
Thin 13
Thin 14

8

VX - Edit Page

Presets

1

Layer Globals

3

Edit

5

Pitch

6

2

Pages

4

Master Gain

7

Amplitude

8

Drive

The UI is divided into three pages; [Edit], [Mod] and [Arp]. Primary controls such as amp, filter, stereo, pitch and effects are available on the [Edit] page.
Clicking the [Mod] button at the top of the interface reveals the second page of controls containing the LFO and Step Modulator. The final [Arp] page
presents an independent arpeggiator for each layer.

Main

Basic Controls

1

5

Presets
Select a global preset from the pull-

»

down menu or browse them with the

simultaneously
»

Pages

»

Layer Globals
On/Off Toggle
Turn layers 1 and 2 on or off

»

Depth
Adjust the Portamento depth

»

Pan
Adjust the Pan of each layer

incoming note velocity. Low velocities
result in long attacks; high velocities

Mono
Toggle between Mono and Poly voicing

»

result in short attacks.
»

No Velocity
Sets all incoming notes to max velocity

Tune
Adjust the pitch in Semitones/Cents

»

Volume
Adjust the Volume of each layer

»

»

Pitch

Velocity > Attack
Modulates attack amount based on

row and the wave in the second

6

ADSR
envelope for the Amplitude section

»

Wave Menu

one of the 3 options; Edit, Mod or Arp

Amplitude
Attack / Decay / Sustain / Release

Choose the wave category in the first

Change the current page by selecting

3

»

Edit 1 | Edit 2 | Edit All
Choose to edit layers 1 or 2 seperately or

Prev/Next arrows

2

Layer Edit

7

8

Drive

»

On/Off Switch

»

Amount
Sets the amount of drive

Octave
Adjust the pitch in Octaves

4

Master Gain
Set the Output Gain for the instrument

»

Time
Set the Glide time

9

VX - Edit Page

Modwheel

12

Stereo

9

[continued]

Basic Controls (continued)

10
»

9
»

Stereo
Mode
Off / Alternate Pan / Unison

»

Color
Shifts color based on adjacent samples

»

11
»

Filter

11

Effects

Effects
Power/Amount

Attack / Decay / Sustain / Release

Choose from Phaser, Delay, Reverb and

envelope for the Filter section

Chorus (additional controls available in

Cutoff

the Effects page of UVIWS and Falcon)

Filter cutoff frequency
»

Spread
»

Resonance

12

Adjust the resonance (Q) of the Filter

»

Modwheel
Power/Amount

EG Depth

Easily route your controllers Modwheel

Detune

Modifies the amount of ADSR envelope

to control common parameters such as

UNI Mode Only: setunes layers

to be applied to the Filter

Vibrato, Tremolo and Filter Depth

Change the stereo width
»

»

Filter
ADSR

10

»

Velocity
Adjust the Velocity > Filter sensistivity

»

Type
Choose Filter mode; High Pass, Band
Pass, or Low Pass

10

VX - Mod Page

Sync

Step Sequencer

5

4

Mod Routing
Control the amounts of LFO modulation

Sync

to be applied to various parameters

Enable/Disable LFO sync to Host Tempo

2

Waveforms
Choose LFO waveform; Sine, Triangle,
Square or Sample & Hold

3
»

Step Modulator

to be applied to the LFO
Attack
Attack time for the Speed envelope
»

Mod Routing

3

LFO Controls

7

Mod Routing

6

Params

Decay
Decay time for the Speed envelope

Delay
Delay time to activate first step

»

Rise
Time to activate step with a smooth
transition

»

Smooth
Interpolates values between adjacent

Step Sequencer

for a custom LFO effect

Interactive editor for programming
sequenced modulations; bar height

Speed

Adjusts the amount of Attack and Decay
»

4

steps to smooth parameter modulation

5

LFO Controls

EG Depth

»

including; Pitch, Drive, Volume and Filter

equals mod amount

Change the LFO Speed
»

Waveforms

1

LFO
1

2

7

Mod Routing
Control the amounts of modulation to be
applied to various parameters including;

6
»

Params

Volume and Filter

Grid
Change the sequencers step length

»

Steps
Change the amount of steps for the
sequencer to play

11

VX - Arp Page

1

Step Indicator

1

5

Arp On/Off

Step Editor

2

6

Grid

Tie

3

7

Arp Mode

4

Layer 1 > Layer 2

9

Steps

8

Gate

10

Octave

Step Indicator

5

LED lights up when step is triggered

Arp On/Off
Toggle the Arpeggiator On/Off

10

Octave
Set the pitch range of the Arpeggiator
in Octaves

2

Step Editor

6

16-step sequencer; affects Velocity

3

Tie

Grid
Change the step length

7

When active, step inherets Velocity from

Arp Mode
Select Up, Down, or Up and Down

the previous step

8
4

Layer 1 > Layer 2

Gate
Change the step length (knob value

When active, Arpeggiator 1 affects

ranges from zero to the tracks

both layer 1 and layer 2 (whereas

Resolution setting)

when disabled each Arp modifies its
corresponding layer only)

9

Steps
Sets the Arpeggiators step length

12

Preset List - VX
00-Init
Arpeggios:
AR-Cosmo Wheel
AR-Diode Power
AR-Hernani
AR-Kitch Pop Corn
AR-Lake O Neil
AR-Liquid Emo
AR-T Show
AR-The Phoenix
AR-Vector Hugo
AR-Very Wheel
AR-Zenitude

Bass:
BS-Dub Punk
BS-Fusion Wheel
BS-God Given
BS-Hurry Fashion
BS-Jack in The Bass
BS-Rage Analog
BS-So Phat
BS-Sub Culture
BS-Super Wet
BS-Wheel Take Us
BS-X Seq Mania
BS-You and Bass
BS-Zebra Wheel
Bells:
BL-Analog Bell 1
BL-Belly Bello
BL-Broken Bells
BL-DigiBell One
BL-DigiBell Two
BL-Dulce De Leche
BL-Ego Bells
BL-Monster Mos
BL-Osphore Bells
BL-Ring My Bell
BL-Solarium
BL-Square Bells
BL-Unity
BL-Vibrations
BL-Wheel Bell
BL-Wheel Mutan

Brass:
BR-Abrasic
BR-Coach O New
BR-Old Movie
BR-Simple Funk Brass
BR-Slow Motion
Chords:
CH-Activation
CH-Aliens Wheel
CH-Arp Chordix
CH-Bi Cephale
CH-Big Beauty
CH-Mother Guez
CH-Multisonic
CH-Windax Boxer
CH-Yes you Can
CH-Zebuloid
CH-Zoologic
FX:
FX-Cochon in Space
FX-Mansion
FX-Neptoms
Keyboards:
KB-ClaVector
KB-CP Impressions
KB-Dyno VS
KB-Harpsonic Castle
KB-Keys VS Seq
KB-Lunar Organ
KB-Organix
KB-Prophet Tines
KB-Synth Cheezy
KB-The VX Doors
KB-Vintage Vibes

LD-Solo Poly Wheel
LD-Vintage Lead
LD-Vocal Theremin
Pads:
PD-ARP Ominous
PD-Beautypad
PD-Captain Cousteau
PD-Cold Waves
PD-Creative Wheel
PD-Dancer in the Dark
PD-Dual And Lua
PD-Filter Sweep
PD-Morpho
PD-Network Reso
PD-Nineties
PD-Noise Beat
PD-Padamento
PD-Sol Air One
PD-Sweepy Morales
PD-Tanger Wear
PD-Vocal Gliding
Plucks:
PL-Busy Times
PL-Digital Wheel
PL-Glass Lounge
PL-Numericharp
PL-Polymentos
PL-Polyson
PL-Soly Polo
PL-Sugar Man

Leads:
LD-Duck Dance
LD-Entrance
LD-FeedbacKing
LD-Giga Bass Lead
LD-Nasaloide
LD-Overwheeling
LD-Screamer
LD-Seq BAF
LD-So Digital

13

22 - Edit Page

1

Stereo

2

Mono/Poly

1

Amplitude

3

Bit Crusher

7

Drive

6

Pitch

5

Mono/Poly
Switch between mono and poly modes

2

Mode - Off (mono)

»

Mode - Alt
Stereo position alternates L/R every
note, width controlled by [SPREAD]
Mode - Uni
Layers multiple samples and augments
them for increased stereo presence

»

Color
Utilizes neighboring samples from the
library to a unique effect

»

Tune
Detunes the unison layers (UNI mode)

3
»

Amplitude

»

ADSR
Typical envelope controls for the amp

»

Velocity
Adjust the amp velocity sensistivity

Filter Type
(LP), band-pass (BP), or high-pass [HP]

»

ADSR
Typical envelope controls for the filter

»

VEL
Adjust the filter velocity sensitivity

»

7
»

Filter resonance amount
»

ENV
Depth of the filters EG

5
»

Pitch
Depth
Time
Sets the glide time for both modes

6

Drive

»

On/Off Switch

»

Amount

Effects

9

Modwheel

Bit Crusher
Bit Crusher On/Off
Bit
Frequency
Set the Bit Crusher sample rate

»

Drive
Adjust the overdrive amount of the
Bit Crusher effect

8
»

Effects
Phaser
Adjust effect mix amount

»

Delay
Adjust effect mix amount

»

Reverb
Adjust effect mix amount

Sets the depth of portamento [Poly]
»

8

Set the bit reduction
»

CUT
RES

Filter

Enable/Disable the Bit Crusher effect
»

Filter cutoff frequency
»

Vel > Atk
Remaps Attack to Note Velocity

Filter
Multimode filter can be set to low-pass

Spread
Sets the stereo width

»

»

Stereo

»

»

4

4

9
»

Modwheel
Power/Amount
Easily route your controllers Modwheel
to control common parameters such as
Vibrato, Tremolo and Filter Depth

Sets the drive amount

14

Preset List - 22
Bass:
Agressynth
Back in the days
Bassy Dub
Danger in Boots
Dead or a Bass
Eighties Bass
Funkitch Slap
Jazz Acoustic
Just Ice Bass
Keetchew Bass
Music Man
No Fret
Obese Vector
Square Bass
Switch
Toy Bass
Vectorgelis
Welcome Zapp
Bells:
Airy Bells
Asian Bells
Blow Bells
Chandel Bells
Children Box
Digital Bells
Dream my Bell
Farfibells
Glock and Spiel
Metal Licks
Mixed Bells
Origami
Pure Bells
Vector Bells
Brass:
Analog Brass
Cheezy Brass
Cheezy Trumpet
Crawl Brass
FM Band
Frenchies One
Hooks Machine
Horn Section
Large Horns
OBrass
Poly Brassy Endy

Poly Brassy
Synth Brass
Guitars:
Distortion Poly
Distortion Solo
Distortion
Harmonics
Harpybrid
Muted
Tiny Electric
Twelve Strings
Ultra Short
Keys:
AcoustHybrid
Arial Keys
Chandel Dyno
Clavector
Concert Pad
Crystal Space
Digital Keys
ETines
Farfitoys
FM History
Gospel Tines
Grand Pad
Grand Twenty Two
Hard Psychord
Hybrid Keys
Keyvolution
Pianissimo
Pop Organ
Smooth Jazz
Think Clav
Toy Piano
Vector Keys
Vectorgan
WurlEctor
Leads:
Digital Pan Flute
Harmo 22
MalleadT
Noise Lead
OsciVector
Quincy Pan
Rasp Berries

Square El
Switch Lead
Vangelead
VectOboer
Vector Sync
Misc:
Barbabian Flute
Barbabian
Cheezy Sax
DrumStation
Ethnicity
Hybrid Mallet
Incarnation
Melloflutron
NepToms
Scratch Hall
Synth Pan Flute
Vector Marimba
Woody Vector
Orchestral:
Baroque Strings
Classical Horns
Complete Section
Dark Strings
Full Church
Harp Edge
Large Vectorch
Low Ensemble
MajestHit
OrchestrOrgan
Pizzicator
Rainbows
Simple Harp
Solino
Tutti Vector
VectHollywood
Vector Hits
Victory GO

Icono Blast
OBminous
Old Field
One Again Beast
Pad Problem
Padlywood
Slow Heaven
Warm Session
Vector Synth:
Beauty Full
Citrix Acid
Detuned
Ethereal Drops
German Dream
Motion Synth
Moving Waves
Multi Pad
Night Sensation
Poly Vector
Soft Funk
Square Pluck
Vector Punch
Wobbling
Voices:
Boys Ensemble
Destructuration
Detail Evil
Focal Choirs
Mind Blowing
Obee Choirs
Raining Choirs
Short Vox
Slow Boys

Pads:
Atonal
Cirque Evolution
D Fifty
Feeric
Full Pad
GrandOminous

15

Links
UVI
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Soundbank Installation Guide .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . installing_uvi_soundbanks_en.pdf
UVI Workstation User Guide . .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  .  . uviworkstation_user_guide_en.pdf
Your Registered Product Serial Numbers and Download Links .  .  .  .  .  .  .  .  . uvi.net/my-products
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16

Credits and Thanks
Produced by UVI
Recording / Editing / Sound Design
Damien Vallet
Kevin Guilhaumou
Alain J Etchart
Nathaniel Reeves
Kenneth @ Maskinrum Studio

Software + Scripting
Olivier Tristan
Remy Muller

GUI

Nathaniel Reeves

Documents

Nathaniel Reeves
Kai Tomita

Special Thanks

Michael Garçon
Richard @ RL Music
Manu @ Master Waves
Kenneth @ Maskinrum Studio



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