Wharfedale Diamond 10 Series 1 Users Manual D Manual3

10.3 to the manual 2419c3ec-e379-4bc5-b33a-a064e4c4fa81

2015-02-02

: Wharfedale Wharfedale-Diamond-10-Series-10-1-Users-Manual-454505 wharfedale-diamond-10-series-10-1-users-manual-454505 wharfedale pdf

Open the PDF directly: View PDF PDF.
Page Count: 10

DownloadWharfedale Wharfedale-Diamond-10-Series-10-1-Users-Manual- D 10 Manual3  Wharfedale-diamond-10-series-10-1-users-manual
Open PDF In BrowserView PDF
Warning: To reduce the risk of fire or electrical shock,do not expose this
product to rain or moisture. The product must not be exposed to dripping
and splashing and no object filled with liquids-such as a vase of flowersshould be placed on the product.

Contents

Specifications

Cautions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2
Good Practice Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
Unpacking the Equipment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Fitting the Spikes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Cables and Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Crossovers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Positioning the Front Loudspeakers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Positioning the Centre Loudspeaker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6
Positioning and attaching Surround Loudspeakers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7

Loudspeakers

Connecting the Front Loudspeakers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Parameter

10.0

10.1

10.2

10.3

10.4

10.5

Connecting the Centre and Surround Loudspeakers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Diamond 10 Subwoofers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10

Format

Stand mount

Stand mount

Stand mount

Floorspeaker

Floorspeaker

Floorspeaker

–

–

–

–

125mm

165mm

Bass/mid driver

100mm

125mm

165mm

125mm

125mm

–

Midrange Driver

–

–

–

–

–

50mm Dome

25mm

25mm

25mm

25mm

25mm

25mm

Setting Up a Home Theatre System . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

Amplifier power (rec.)

15 - 75 w

20 - 100 w

20 - 100 w

20 - 100 w

20 - 120w

20 - 120w

Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16

Impedance (Nominal)

6Ώ

6Ώ

6Ώ

6Ώ

6Ώ

6Ώ

Care, Service and Warranty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17

A/V shielded

yes

yes

yes

no

no

no

86 dB

86 dB

86 dB

86 dB

88 dB

86 dB

55 - 24 kHz

48 - 24 kHz

40 - 24 kHz

40 - 24 kHz

38 - 24 kHz

35 - 24 kHz

44 kHz

44 kHz

44 kHz

44 kHz

44 kHz

44 kHz

55 Hz

50 Hz

42 Hz

42 Hz

40 Hz

40 Hz

Good Practice Guide
Before connecting and using your loudspeakers, please bear the following points in mind:

Bass Driver

Tweeter

Sensitivity (1W@1M)
Nominal Frequency Range
HF Limit (-10dB)
Freq. Fb
Crossover Frequency

2.5 kHz

1.6 kHz

1.8 kHz

1.6 kHz

140hz / 3.8k

0.6 kHz / 3.8 kHz

Dimensions (HxWxD) (mm)

236 x 145 x 165

296 x 194 x 278

364 x 223 x 301

800 x 194 x 278

850 x 194 x 278

850 x 223 x 301

Height on feet/spikes (mm))

–

–

–

855

905

880

* 10.0, 10.1, 10.2 models shown with optional floor stands

Connecting your Subwoofer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11
Operating your Subwoofer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Fine Tuning your Subwoofer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14

Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18-19

Switch off the amplifier and all sources before making connections to your sound system. When you switch on the
system or change sources, set the volume control to minimum and turn up the level gradually.
The position of your Volume Control is NOT a reliable guide as to the maximum capabilities of your sound system. Playing
the system with extreme settings of volume and tone controls may damage the amplifier and loudspeakers.
Do not connect loudspeaker terminals to the mains supply.
Ensure that your loudspeakers are correctly wired and are in phase.
Do not subject your loudspeakers to excessive cold, heat or sunlight.

Subwoofers
Parameter
Bass Driver
A/V shielded
Amplifier power
Line Input Sensitivity
Avg. Max output at 1 metre
Boundary response
Crossover Range

10.SX-SUB

10.MX-SUB

10.GX-SUB

1 x 200mm SUB

1 x 250mm SUB

1 x 250mm SUB

no

no

no

100 W

150 W

250 W

200mv for 75W

200mv for 75W

325mv for 150W

107db

110db

113 db

40 - 110 Hz

35 - 110 Hz

30 - 100 Hz

35 - 85Hz (6x10dB steps)

35 - 85Hz (6x10dB steps)

35 - 85Hz (6x10dB steps)

Dimensions (HxWxD) (mm)

290 x 290 x 320

330 x 330 x 370

420 x 420 x 375

Height on feet/spikes (mm)

333

360

478

If you are shelf mounting your loudspeakers, make sure they are not placed on the same shelf as your source components.
Do not place heavy objects on top of loudspeaker cabinets. If you play the loudspeakers with the grilles removed be
careful to protect the drive units from children and pets.
Do not use makeshift stands. Always fit a manufacturer's approved stand using the instructions and the fixings provided.
Your dealer will advise you.
Do not attempt to dismantle the loudspeaker. There are no user serviceable parts inside and you will invalidate the
warranty.
Some Front and all Centre loudspeakers are magnetically screened.You should site front loudspeakers at least 0.5 m away
from TV sets and magnetic storage media. All Wharfedale centre loudspeakers may be sited close to a TV screen with no
adverse effects.The specifications on Pages 20 and 21 have AV shielding details for your loudspeakers.
When connecting your loudspeakers, do not run cable across areas of open floor where they may be a source of danger.
Run them safely, around room boundaries if necessary.

Specifications liable to change without notice. E&OE

18

3

Page 1

Preliminaries

Looking After Your Loudspeaker
Your Loudspeakers use a specially sealed finish. They should not be waxed or treated with spray polishes which
will smear and dim the finish. Occasionally polish them with a dry or barely moist cloth to remove dust and
finger marks, etc.

Unpacking Your Loudspeakers
Diamond 10 loudspeakers come in many shapes and sizes. If you are unpacking the larger loudspeakers or a
subwoofer, please remember that these units are heavy. We suggest that you have someone to assist you.
Lift the loudspeaker carefully out of the packing. Do NOT try and lift the loudspeaker using the protective bag.

If you play the speakers with the grilles off exercise great care. NEVER operate speakers with the grilles off if there
are children or pets in the house.

Unpack any accessories carefully.

Occasionally, remove the loudspeaker grilles and brush them gently with a soft brush before replacing them.

If there is any sign of damage or if the contents are incomplete, report this to your dealer as soon as possible.

NEVER use a vacuum cleaner to clean loudspeaker grilles.

Retain the packing for future safe transport of the product. If you dispose of the packing, do so with respect to any
recycling provisions in your area.

NEVER stand objects on your loudspeakers. In particular do not stand flowers etc on them - they are not
jardinieres!
Avoid getting any liquid behind the grille. If you accidentally spill liquid on your loudspeakers, take them to your
dealer for attention before using them again.

Attaching the Spikes to Floorstanding Models - 10.3, 10.4,10.5, 10.6 and 10.7

Do not open the speakers; there are no user serviceable parts inside.

Make sure you have plenty of unobstructed working space.

Never touch the drive units either with an object or your hands.

Place a soft cloth on the floor to protect the loudspeaker.
Invert the loudspeaker onto the cloth.

Quality Assurance

Thread a locknut onto each spike and loosely run it up the thread

Your loudspeakers have been constructed to the highest standards. From the top grade furniture construction and

Thread the spikes onto the spike inserts. Tighten them finger tight.

finish to the carefully designed and selected acoustic components our speakers are built to provide a lifetime of

Invert the loudspeaker. Be careful not to damage the floor with the
spikes.

sonic pleasure. We hope you will derive many years of good service from our products.

Servicing

Levelling the Loudspeakers
When the speaker is upright: You
will probably find that the speaker
will wobble with one spike not contacting the floor. Adjust this spike
until all four spikes are on the floor.
With the aid of a spirit level move each spike in and out until the loudspeaker is
level and sitting squarely on all four spikes with no rocking.
Now tighten each locknut securely against the collar in the plinth
to secure the spike
Screw in rubber feet are provided for use on wood or stone floors
etc. and should be attached in the same manner as the spikes.
Nut

In the unlikely even that your unit develops a fault you should return it to your Wharfedale dealer using the original
packing to ensure safe shipping.
The terms of your guarantee may vary in different countries but in all cases the guarantee excludes:
Liability for damage or loss occurring in transit to or from the purchaser.
All damage caused through accident, misuse, wear and tear, neglect, incorrect installation, adjustment or repair
by unauthorised personnel.
Liability for damage or loss occurring in transit to or from the purchaser.
Wharfedale will not be liable for any consequential damage, loss or injury, arising from or in conjunction with this
equipment.
Collar
(In Plinth)
Spike

Stands and Brackets
The 10.1 and 10.2 louderspeakers are intended primarily for stand mounting, though they can be mounted on wall
brackets or even on sturdy shelves. The quality of louderspeaker stands greatly influences the performance of your
loudspeakers so do not use flimsy products.
The 10.0 may be stand or wall mounted.The rear panel has a threaded insert for attaching a pair of suitable wall brackets.

Centre Channel Loudspeakers

Service Addresses
For technical support, servicing or product queries and information please contact either your local retailer or the
offices below.

UK

Asia

IAG Service Dept.

IAG

Unit 4

Room 2310 - 2311 Press Building,

St Margaret’s Way

Shennan Road C,

Stukeley Meadows Industrial Estate

Shenzhen,

Huntingdon

China

Cambs

Tel: +86-755-82091200

PE29 6EB

Fax: +86-755-82091205

England
Tel:+44 (0)1480 452561

Each centre channel loudspeaker is supplied with two sets of mounting feet. By using a combination ofl arge and small
feet the loudspeaker may be angled to point directly at the listening position. This will be found useful when the centre
speaker is positioned under theTV screen.

Fax: +44 (0)1480 413403

For information on other authorised service centres worldwide contact Wharfedale International in the U.K.
A worldwide distributor list is available on the Wharfedale website: www.wharfedale.co.uk

Surround Loudspeakers
These speakers are designed primarily for wall mounting, though they may be stand or shelf mounted if required. Please
see Page 7.

4

Page 3

17

Cables and Connectors

Delay and LFE Settings
The purpose of delay is to enable surround and dialogue information to arrive at the listener’s ears at the same time
as the Front channels, even when the listening seat is in a non-ideal position.
Rear Delay: If the listening position is equidistant from the Front and Rear speakers, a low delay setting should be
set. The closer the listener is to the Rear speakers the higher should be the delay setting used.
Centre Delay: If the Centre speaker is level with (or slightly behind) the Front speakers, set the delay to zero. If the
Centre speaker is forward of the Front speakers, increase the delay.
LFE: In domestic systems the LFE channel typically feeds into the subwoofer. Where no subwoofer is used, the LFE
signal is combined with Front Channel information. When you set the LFE level at your AV processor, use care as the
powerful low frequencies can overload domestic loudspeakers. If you hear popping or thumping noises coming
from the front loudspeakers or subwoofer, immediately turn the AV Processor's volume level down and then back off
the LFE level. This should cure the problem. If it does not, back off the volume level at the subwoofer (if you are using
one) until the problem disappears.
Please read the relevant sections of your AV amplifier manual and familiarise yourself with the various issues. If you
are unsure, consult your dealer for help.

Choosing Loudspeaker Cable
Specialist audio cable usually offers better performance than general purpose ‘bell’ or ‘zip’ wire.
Choose a cable of suitable diameter – cable that is too thin will limit the dynamics of the sound and may impair the
bass response. Audio cable is polarised, with two cores of different colours, or often a raised rib or coloured tracer in
the case of twin cable. Before you purchase your cable, give careful thought to the positioning of your loudspeakers.
This is especially the case if you are bi-wiring your loudspeakers.
Cable lengths to loudspeaker pairs should be the same for left and right channels in order to equalise the signal
transmission. Allow some slack in your speaker cables so you can alter their position to best advantage.

Preparing Loudspeaker Cable

10mm

Split the twin cores to a depth of about 40mm. Carefully strip the insulation from each
end, leaving about 10mm of bare wire. If the cable is stranded, lightly twist to gather
any loose strands.

40mm

Connecting Screw Terminals
All the loudspeakers use screw terminals.

Troubleshooting

Unscrew the terminal. Insert the bare end of the cable into the hole in the base of the
terminal. Tighten securely.

If your system is not working properly please work through this checklist before returning a unit to your dealer.
Before investigating a problem, always switch off the system at the mains.

No Sound:
The system is not switched on. Speaker cables are shorting terminals out. The wrong source is selected.

The sound lacks bass content: Bass reproduction indistinct:
The front loudspeakers are out of phase. The subwoofer is not switched on.
The subwoofer phase is incorrectly set. The subwoofer crossover control is set too low.

Excessive bass distortion at low volumes:
The subwoofer level is set too high. The LFE level is set too high. The subwoofer is incorrectly wired.

Excessive or distorted bass at high levels:
The system level is set too high. The bass control is set too high. The speakers are too close to room corners.

Distorted or rattling sounds at high levels:
System level too high. Objects on speakers/subwoofer. Objects too close to subwoofer.

Popping or thumping from the subwoofer:
The system level is set too high. The subwoofer level is set too high. The LFE level is set too high.

Indistinct sound: Poor localisation of effects. Poor localisation of dialogue.
One or more loudspeakers is out of phase. (Read the manual for correct connection procedure).

Television picture colour is distorted: (Conventional CRT screens only)

When connecting terminals make sure you leave no strands of bare wire that can
short across to adjacent terminals.
As an alternative to bare wire you can use specialist spade connectors. Your
Wharfedale dealer will be pleased to advise you.

Crossover Networks
Bi-Wireable Networks

H
F
+

Most speakers in the Diamond 10 series use a special bi-wireable crossover panel
with four terminal binding posts. Please follow the drawing carefully to see the
correct orientation of the loudspeaker terminals. The upper terminals connect to
the treble unit, the lower pair to the bass unit. As supplied, the treble terminal pair
is connected to the bass terminal pair via removable metal straps. These should be
left in place for standard installations.

B
A
S
S
+

H
F
B
A
S
S
-

Why Bi-Wire?
Using separate cables for treble and bass units in a Bi-Wiring configuration reduces intermodulation effects and
improves headroom and clarity. To bi-wire, you will need to install two lengths of twin core cable between the
amplifier and each loudspeaker.

The subwoofer is too close to the TV. (Switch off the system and TV. Move the units apart. Switch on after 15 min.).

Standard Networks

D10.SR

The D10.0 compact monitor, the D10.CC compact
Centre Channel speaker and the D10.SR use similar
circular section two terminal crossover panels.
The D10.DFS uses a crossover network panel built
into the speaker’s rear wall. This is illustrated on
Page 7.
None of the above loudspeakers are bi-wireable.

16

5

D10.0 & D10.CC

Positioning the Front Loudspeakers

Setting Up a Home Theatre System

The 10.3, 10.4,10.5, 10.6 and 10.7 models are designed to be floor standing. We suggest that they are positioned at least 200
mm from the rear walls and 700 mm from the side walls, facing slightly inwards. The 10.1, and 10.2 models should be stand
or wall mounted though they may be placed on a rigid shelf. The 10.0 model can be stand or wall mounted. The bass
extension will improve if the small speakers are operated closer to the rear wall.

Some of this chapter may appear to repeat the content of the Subwoofer pages - the context however is different.

If the loudspeakers are placed too close to the walls the bass will increase but may be boomy and indistinct. If the
loudspeakers are placed away from the walls, the inward angle may be increased by up to 40%, although this may
restrict the width of the optimum listening position.
A useful rule of thumb is that the listener should be as far from the loudspeakers as they are from each other. The
speakers should ideally be positioned so that the treble units are roughly at ear level to a seated listener. As personal
taste plays a large role, experiment with different configurations and play a wide range of programmes before
finalising the position of your speakers.

2 - 4 metres

Front And Effects Channels: The front loudspeakers are placed on either side of the television screen, 2 to 3 metres
apart. The speakers should be angled slightly so they are aimed towards the listeners.
We recommend placing the rear effects speakers in a high position, behind the listener’s head. If the rear or side
walls are a long way from the listening seat, consider stand mounting the loudspeakers. If the centre loudspeaker is
very high or low, angle it towards the listener's ear level. The front faces of the centre and surround loudspeakers
should also be in line as far as possible.
Subwoofer: As the ear is unable to detect the direction from which deep bass originates, you have freedom to
position the unit. Varying the distance from the wall alters the bass. Placing the subwoofer across a corner boosts
the bass but may impair clarity. The performance of Home Theatre systems is enhanced by using two subwoofers.

6.1 and 7.1 System Placement

40
º

>0.7metre

Placement

10.0 - 10.2
>50 mm

15 -

10.3 - 10.7
>200 mm

Dolby Labs, DTS and THX offer 6.1 and 7.1 formats. Although the precise configuration of these systems will depend
on the capabilities of your processor and you should be guided by those instructions, we would make some
observations.
For 6.1 and 7.1 formats the listening seat should not be too close to the rear wall.
Optimising the time delay so that information from all speakers arrives at the listening seat coherently is critical if
the benefits of these systems are to be fully realised.
Dolby Labs Recommended Placement for Multichannel Home Theatre Systems
Centre

Left Front

LFE
22º

Right Front
30º

Positioning the Centre Loudspeaker
The Centre channel loudspeaker should be positioned centrally between the loudspeakers, close to the television
and mounted above or below the screen.
The loudspeaker should be located on a stable flat surface to avoid
any cabinet movement at high sound levels. If you mount the unit
above the television, move it forward so that the front grille sits
slightly in front of the screen. This will reduce sound reflections
from the screen and the top of the cabinet.
Centre channel speakers are supplied with a set of four self
adhesive mounting feet and two extra feet. Remove the protective
backing from four feet. Place the feet at the bottom of the cabinet.
Attach each foot 10 mm in from the sides of the cabinet and place
them so that the cabinet is supported in a horizontal position with
the curve of the cabinet clear of the shelf. The extra feet enable
you to tilt the cabinet up or down so that the speaker points
directly at the listening position. This facility is particularly useful if
the speaker is mounted under the screen.
A custom stand is available for the D10 CM which allows the
loudspeaker to be positioned under a wall mounted monitor and
has an adjustable vertical tilt for optimal dispersion.

6

90º

Left Surround

Right Surround

110º
135º
150º

Left Back

Right Back
(Single Back channel for 6.1

Setting Loudspeaker Sizes and Levels
If you are not using a subwoofer: Set the Front Speakers to ‘Large’. Set the ‘Subwoofer’ option on the processor to
'Off' or ‘No'. The Front channels will now receive all the system bass.
If you are using a subwoofer: When set to ‘Small’ all the system bass will go into the subwoofer. If you choose
‘Large’ the Front channel bass will be reproduced from the Front speakers. Follow the instructions on the previous
page for suitable size and crossover settings.
Once the loudspeaker settings have been finalised, put the AV amplifier into its “Test” mode and adjust the level of
each channel until all channels are reproduced at equal loudness. You may need to adjust the subwoofer output
level. Avoid setting too high a level or you will swamp the sound with bass which be tiring to listen to and may limit
the subwoofer’s ability to respond to large bass transients. Set a sensible level going into the subwoofer. The
subwoofer volume control should be between 12 o’clock and 3 o’clock
15

Fine Tuning Procedures

Positioning Surround Loudspeakers

Set up the subwoofer with all tone controls and filters on your amplifier or processor set ‘flat’.

D10 DFS Surround Loudspeakers

Listening rooms are not ideal. Because of room geometry and construction there will be areas with severe peaks at
some frequencies and severe troughs at others. If you site loudspeakers in such areas the response will be highly
non-flat. It is easier to treat high frequency irregularities by the use of drapes, soft furnishings etc., but very hard to
do the same at bass frequencies due to the very long wavelengths.
To help locate standing waves in your listening room, one idea is to sit in the listening seat and recruit a friend with a
deep voice to speak as he moves around the area where you propose to site your subwoofer - you will soon find out
where not to site it! Where the voice sounds most natural is a good place to start.
Although the subwoofer's bass output is enhanced by walls or corners, so often is coloration. The floor will influence
the sound. The surface under the subwoofer should be stable and unobstructed. If the carpet is very thick, consider
placing the subwoofer on a solid surface such as a marble slab. If you place the subwoofer where it amplifies the
irregularities of the room or the main speakers the result will be bloated, coloured bass. If acoustic guitar and male
voice sounds coloured when the subwoofer is operating at normal level and less coloured if the subwoofer volume
is reduced, you need to address the positioning first before adjusting any controls.
Loudspeaker Phasing: Make sure that all loudspeakers are connected in phase. If there is a doubt about the way
the loudspeakers are connected, check their phasing by playing a mono source - the sound should appear from a
point midway between the front loudspeakers. If this position is indefinite, reverse the connections to one speaker.
Correctly connected loudspeakers give a definite centre sound source with fuller bodied tenor and bass registers.

220 mm

The speakers should ideally be sited 600 mm-1.5 metres above the listening position and 2.5-3.5
metres apart, central to the listener and behind the listening position, preferably on a rear wall. If
the listening position is some distance from a rear wall, the speakers may be mounted on opposite
side walls but always behind the listening position.
Ensure that the wall is sound and can support the product. Drill two 5mm holes in the wall 220mm
apart. Fix a suitable No 8 round head screw firmly into each hole using appropriate wall plugs.
Leave a stub of 5mm protruding from the wall.
Connect the loudspeakers. Align the holes in the mounting brackets over the screw and carefully
lower the unit onto the screws. The speaker should now be securely attached with the spacers
resting against the wall. Now connect the speakers to the amplifier.

X2

Note: As an alternative, the D10 DFS can be shelf or stand mounted. The badge on the D10 DFS
can be rotated to match the orientation of the loudspeaker.

Alternative 5.1 System Layouts with D10 DFS Surrounds
CENTRE

FRONT
LEFT

SUB
WOOFER

CENTRE

FRONT
RIGHT

FRONT
LEFT

SUB
WOOFER

FRONT
RIGHT

Setting the Phase of the Subwoofer: Phase at very low frequencies is not straightforward to detect. Initially we
suggest you temporarily set the low pass filter to highest setting and the phase to 0º and play some bass heavy music in Stereo
through the main speakers and the subwoofer. From the listening position, switch the phase between 0º and 180º. The
setting which appears to give the greater bass output is correct. Now follow the instructions below for setting the
Crossover filter.
Setting Loudspeaker Sizes: Most digital AV Processors ask you to specify the size of speakers in the various
channels. These are usually ‘Large’ or ‘Small’. This sets the bass management for the system.
Front Loudspeakers: The larger loor standing loudspeakers (10.4,10.5, 10.6 and 10.7) can be set to 'Large'. Smaller
loudspeakers (including stand mounted units) should be set to 'Small' The 10.3 should be set to small. If the bass is
excessive, then set the loudspeaker to ‘Large’.
Centre and Surround channels: The D10. CM centre channel speaker should be set to ‘LARGE’. The other centre
channel speakers and the surround channel speakers should be set to ‘SMALL’ so that bass from these channels will
be directed to the subwoofer. Set the ‘Subwoofer’ option on the processor to 'On’ or 'Yes'.
Crossover Control: If you are using a digital AV processor the initial subwoofer setting should be 85Hz as the
processor will have its own bass management system. After experimenting with various sources you may need to
adjust the Subwoofer Crossover settings. Try to ensure the subwoofer blends into the sound stage - the more
invisible the subwoofer component of the sound field is, the better.
Setting levels: Once the loudspeaker settings have been finalised, put the AV amplifier into its “Test” mode (see
instructions supplied with your processor.) Adjust the levels until all channels are reproduced at equal loudness.
When adjusting the subwoofer output level avoid setting too high a level or you will swamp the sound with bass
which be tiring to listen to and may limit the subwoofer’s ability to respond to large bass transients. Set a sensible
level going intothe subwoofer from the processor.

SURROUND
RIGHT

SURROUND
LEFT

SURROUND
RIGHT

SURROUND
LEFT

D10 SR Surround Loudspeakers
Before mounting the loudspeakers, establish the location using the same criteria as for the D10. DFS.
The D10 SR is supplied with four mounting feet for shelf or stand mounting.
The terminal panel has a built in mounting slot for wall fixing.
Wall mounting the D10 SR:
Ensure the wall is sound and can easily support the weight of the loudspeakers. Drill and fix a No. 8
screw and suitable wall plug at each chosen location. The screw should protrude about 5mm from the
wall. Connect the cable to the speaker. Align the keyhole slot over the screw. Pull gently down to secure
the speaker.

Alternative 5.1 System Layouts with D10 SR Surrounds
CENTRE

FRONT
LEFT

SURROUND
LEFT

SUB
WOOFER

CENTRE

FRONT
RIGHT

FRONT
LEFT

FRONT
RIGHT

SURROUND
RIGHT
SURROUND
RIGHT

SURROUND
LEFT

14

SUB
WOOFER

7

Connecting the Front Loudspeakers

Operating Your Subwoofer
HF+

H
F
+

Standard Connection

HF-

B
A
S
S
+

H
F
-

AMPLIFIER
R.SPKR

L.SPKR

B
LF+

Choose a suitable length of twin core speaker cable for
each channel, and prepare the ends. Unscrew each
terminal a few turns.
Connect the red, positive (+) terminal of the Left
loudspeaker to the corresponding red, positive (+)
amplifier terminal. Connect the black, negative (-) terminals
similarly. Tighten the terminals securely. Repeat this
procedure for the Right Channel.

STANDARD CONNECTION
D10 SERIES EXCEPT D10.0
HF+

H
F
+

Initial Settings

HFB

H
F
-

A
S
S
+

LF+BA

A
S
S
-

LF-

Check that all connections to the subwoofer have been properly made and that the main volume control is at
minimum. Plug the supplied power cord into the mains socket on the rear panel.

S
S
-

LF-

Volume Control: Set the subwoofer volume control to the mid position (12 o'clock) before proceeding.
Crossover Control: This control should initially be set to 45 or 55 Hz when the subwoofer is used with small
bookshelf speakers and to 35 or 40 Hz when used with large floor standing speakers.
Phase Switch: The Phase switch should be initially set to 0°.

Switching On
RIGHT SPEAKER

LEFT SPEAKER

CONNECTION - D10.0
AMPLIFIER
R.SPKR

Plug in the mains plug and switch the power on. Now switch the subwoofer on with the rest of your system.
The subwoofer ON/OFF switch has a rocker action; press “I” to switch the equipment on and “O” to switch it off.
When switched on the light beside the power switch and the light on the front of the subwoofer will glow and the
subwoofer will be operational.

L.SPKR

Basic Tuning
RIGHT SPEAKER

LEFT SPEAKER

BI-WIRED CONNECTION

Bi-Wiring
Using separate cables for treble and bass units in a Bi-Wiring
configuration reduces intermodulation effects and improves
headroom and clarity. To bi-wire, you will need to install two
equal lengths of twin core cable between the amplifier and
each loudspeaker.

HF-

AMPLIFIER
R.SPKR

Unscrew each terminal a few turns and remove the metal
straps. Connect the cables between the amplifier and the
loudspeakers as indicated above and re-tighten all the
terminals securely.

L.SPKR

LF+

HF-

LF+

LF-

By connecting each loudspeaker drive unit to its own
dedicated amplifier the advantages of Bi-Wiring can be
extended.

R.SPKR

L.SPKR

HF+
HF-

If you own two identical stereo power amplifiers, your
speakers may be Bi-Amped. For further details please consult
your dealer.

LF+

AMPLIFIER
L.SPKR

LFBASS

8

When the system is not in use for extended periods, we suggest you switch off the subwoofer to protect it from
switching noises caused by domestic appliances, etc. The best practice is to switch the complete system on and off
from a central point. Bear in mind that if you play the system with the subwoofer switched off you will get no bass!
Autopower Switch. (Diamond 10. SX-SUB, 10.MX-SUB). If the subwoofer is left permanently on this may result in
low level hum or noise from the subwoofer when the rest of the system is switched off. Setting the AUTO switch to
ON will automatically turn the subwoofer on when a signal is detected at any of the inputs and turn it off (Standby
Mode) after a period of inactivity. We recommend that the AUTO switch be set to ON for normal operation.

HF+

TREBLE

R.SPKR

RIGHT SPEAKER

Mains Operation
LEFT SPEAKER

AMPLIFIER

Crossover Adjustment. This adjusts the blend between the subwoofer and the main speakers. and enables the
system to be set up for optimum bass performance. The higher settings are for use with small bookshelf
loudspeakers, the lower settings for large floorstanding models. If you choose too low a setting with small speakers,
there will be a ‘hole’ in the bass response; too high a setting with large speakers will result in the upper bass
becoming bloated. See the next section for further details.
Again the subwoofer should be an extension of the main loudspeakers.

LF-

RIGHT SPEAKER

Bi-Ampifying (Bi-Amping)

Phase Switch: If the bass is indistinct or lacks depth, the Phase switch may need adjustment. Set the switch to 0º
and listen carefully to some music with extended bass. If there is insufficient bass output from the sub-woofer set the
Phase switch to 180º. Select the position which produces the most natural, extended bass.

HF+

HF+

Volume Setting: Play a programme with extended bass and set the system volume to a reasonable level. Adjust the
subwoofer volume control to produce the desired level of bass. The bass should be even and an extension of the
main loudspeakers. Do not set the control too high or you will swamp the sound with too much bass and clarity and
definition will suffer.

HF-

In AUTO mode, when the subwoofer is switched on, the subwoofer will become active. If there is no audio input
present the subwoofer will go immediately into Standby. As soon as an audio input is detected the subwoofer will
then switch on.

LF+

When the system is not in use for extended periods, we suggest you switch off the subwoofer to protect it from
switching noises caused by domestic appliances, etc.

LF-

Always turn the main volume control to minimum when you switch the system on or off.

LEFT SPEAKER
13

Connecting Centre and Surround Loudspeakers

Connecting Your Subwoofer - 2
Connecting to a Digital AV Processor

Connect these speakers as shown below. The Centre channel speaker may be connected as shown, or bi-wired.

A-V AMPLIFIER
LEFT

LEFT

REAR

RIGHT

CENTRE

B
A
S
S
+

RIGHT

RIGHT

LEFT

FRONT

INPUT

Subwoofer Out (Line Level)

HF-

OUTPUT

LF-

A-V AMPLIFIER

HF+

LF+

LINE LEVEL

H
F
-

B
A
S
S
-

Alternatively, you may use a split mono lead from the processor to
both inputs of the subwoofer. In this case the input level at the
subwoofer will be slightly higher.

D10 CC

D10 CS; D10 CM
H
F
+

If your AV processor has a line level or LFE subwoofer output you
should use this connection. You will need to purchase a single
screened RCA phono lead from your dealer. Connect this lead to the
Left line input of the Subwoofer as shown.

LINE LEVEL

LEFT

RIGHT

LEFT

REAR

RIGHT

CENTRE

RIGHT

LEFT

FRONT

INPUT

Subwoofer Out (Line Level)

Stereo Line Level Connections

LINE LEVEL

A-V AMPLIFIER/STEREO AMPLIFIER

If your amplifier has a spare preamplifier output or a stereo sub-woofer
output, connect the sub-woofer as shown.

OUTPUT

LEFT

REAR

LEFT

You will need a stereo screened RCA phono cable.
Connect a stereo RCA phono cable from the line output of the preamp
to the Subwoofer line inputs.

RIGHT

CENTRE

RIGHT

SUB
WOOFER

LEFT

FRONT

RIGHT

LEFT

REAR

CENTRE

RIGHT

LEFT

FRONT

SUB
WOOFER

RIGHT

RIGHT

LEFT

REAR

RIGHT

CENTRE

LEFT

INPUT

FRONT

OUTPUT

Subwoofer or Pre Out (Line Level)

Pre Out - Main In Connections
RIGHT

If you use a separate stereo pre and power amplifier, or an amplifier where the pre and main amplifier can be separated, connect
the sub-woofer as shown. There are two alternative methods.

Using a Y Adaptor
You will need two screened RCA ‘Y’ adaptors and two single RCA phono
cables. Remove the Pre-Main links on your amplifier. Connect the
socket (common) of an RCA ‘Y’ adaptor to one of the mono cables.
Connect one leg of the ‘Y’ adaptor to the Left Channel Pre Out socket
on the amplifier and the other leg to the Left Channel Main In socket.
Connect the remaining plug on this combination to the Left Channel
Line Level Input on the sub-woofer. Repeat this for the Right Channel.

LEFT
LEFT

RIGHT

Multichannel 5.1 System Connections

PRE MAIN
OUT
IN

LINE LEVEL

AMPLIFIER

L

LEFT

R
LEFT

RIGHT

PRE
OUT

MAIN
IN

LINE LEVEL

AMPLIFIER

L

OUTPUT

H
F
+

INPUT

B
A
S
S
+

Placing the Subwoofer in the System Loop

LEFT

B
A
S
S
-

R

CENTRE

RIGHT

RIGHT

LEFT

H
F
-

Connect a Stereo cable from the Line Level Inputs of the sub-woofer to
the Pre Out sockets of the amplifier. Now connect a second Stereo
cable from the Line Level Outputs of the sub-woofer to the Main In
sockets of the amplifier. Make sure that the Right and Left Channels are
not mixed up! The sub-woofer is now inserted within the system loop.

D10 SR
SURROUNDS

(x2)

RIGHT

You will need two stereo (or four single) screened RCA cables.

D10 DFS
SURROUNDS

INPUT

OUTPUT

High Level (loudspeaker) Connections
You will need two additional lengths of Loudspeaker cable.

AMPLIFIER

Ensure the Front loudspeakers are correctly connected.
Connect the Left Speaker Terminals on the sub bass unit to the Front
Left speaker terminals on the amplifier. Connect the Red (+) speaker
terminal on the amplifier to the Red (+) terminal on the subwoofer.
Connect the Black (-) speaker terminal on the amplifier to the Black ()Terminal on the subwoofer.

FRONT
RIGHT

RIGHT

LEFT

REAR

CENTRE

RIGHT

LEFT

FRONT

SUB
WOOFER

LEFT

SPEAKER LEVEL INPUTS
H
F
+
B
A
S
S
+

Now connect the Right Speaker terminals on the subwoofer to the
Front Right speaker terminals on the amplifier.

B
A
S
S
+

H
F
B
A
S
S
-

FRONT RIGHT
12

LEFT FRONT

H
F
B
A
S
S
-

LEFT

NOTE: High level connection should be used ONLY when line level
connections are not feasible.

RIGHT FRONT

H
F
+

RIGHT

D10 DFS
SURROUNDS

RIGHT

FRONT LEFT
9

LEFT

Diamond 10 Subwoofers

Connecting Your Subwoofer - 1

Introduction

DIAMOND 10. GX-SUB REAR PANEL

Wharfedale subwoofers are intended for use with high quality domestic sound systems. They are equally effective in
Stereo and Home Cinema applications. Your subwoofer will probably be used in conjunction with Wharfedale
loudspeakers though they will partner any audiophile or top-quality home cinema amplification and loudspeakers.

b
c
d
e
f
g
h
i
j

Unpacking your Subwoofer
Open the carton and remove all the top packing pieces. Lift the subwoofer out taking care not to damage the
cabinet. When lifting the unit from the carton support it from the bottom. DO NOT attempt to lift the subwoofer out
of the carton using the protective bag. The unit is heavy; if you cannot manage it easily, get someone to assist you.

Preparing the Subwoofer
Diamond 10. SX-SUB and 10. MX-SUB: No further preparation is necessary.
Diamond 10. GX-SUB: You should attach the spikes or protective rubber feet to the subwoofer.

LINE LEVEL

55Hz

65Hz

45Hz

LEFT

Phase Control
IEC Mains Input Socket
Mains Power Fuse
Mains Power Switch
Speaker Level Inputs
Line Level Inputs
Line Level Outputs

PHASE

85Hz

180°

RIGHT

Screw
Foot

0
INPUT

OUTPUT

10

CROSSOVER
FREQUENCY

VOLUME

SPEAKER LEVEL INPUTS

DIAMOND.10 GX-SUB
WHARFEDALE INTERNATIONAL LTD,HUNTINGDON, UNITED KINGDOM

N21090

Screw the threaded washer over each foot as shown. Screw
Threaded
Washer
a foot part-way into the threaded hole at the bottom of
each leg of the subwoofer and hand-tighten the washer.
When all four screw feet have been fitted, stand the subwoofer upright and remove the bag.

ON

OFF
LEFT

RIGHT
POWER

SERIAL No:

AC 220-240V~50Hz 400W
FUSE T4AL250V

DIAMOND 10. MX-SUB REAR PANEL

DIAMOND 10. SX-SUB REAR PANEL

With the aid of a spirit level, screw each foot in and out until the subwoofer is
level (side to side and front to back) and firmly supported on all four feet. Tighten
the washer with a wrench to lock the assembly in position.
Note: When using spiked feet take care not to drag the subwoofer and be careful
not to pierce objects or cables which may be hidden under carpets, etc. Spikes
are not suitable for use with stone floors and can cause damage to wood floors,
so consider carefully before deciding which feet to use.

Positioning the Subwoofer
Although the unit may be placed almost anywhere in the room, we recommend that it be placed in front of the
listener and as central to the listening position as possible. There should be a mains outlet within easy reach. The
subwoofer should not be operated within 450mm of a television set as the drive unit magnet may distort the picture.
The bass unit is mounted underneath the subwoofer and moves a lot of air at high volume, so make sure the floor is
sound. Do not place the subwoofer with the bass port near surfaces or objects that may rattle.
We suggest you initially position the subwoofer about 20cm (8 inches) from the wall. Placing the unit close to the
wall will enhance the bass; placing it across the corner of the room will increase the bass further, possibly at the
expense of clarity.
Experiment with locations and sources before making a final decision.

LINE LEVEL
INPUT

OUTPUT

55

RIGHT

75

0°

180°

ON

OFF

85

AUTO
POWER

(Hz)

SPEAKER LEVEL INPUTS

b
c
d
e
f
g
h
i
j
1)
1!

Subwoofer Volume Control
LEFT

RIGHT

Phase Switch
Auto Power Switch
Crossover Frequency Control
Mains Power Switch
IEC Mains Input Socket
SUB-WOOFER AMPLIFIER

Mains Power Fuse

N 21090

MODEL: DIAMOND.10 SX-SUB
WHARFEDALE INTERNATIONAL LTD,HUNTINGDON,UNITED KINGDOM

SERIAL NO.:

Speaker Level Inputs

WARNING:

TO REDUCE THE RISK OF FIRE OR ELECTRICAL SHOCK,
DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE

Line Level Inputs

CAUTION:

DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE,
REPLACE ONLY WITH SAME TYPE FUSE AND RATING

ATTENTION:

Line Level Outputs

DEBRANCHER AVANT DE REPLACER LE FUSIBLE,
UTILISER UN FUSIBLE DE RECHANGE
DE MEME TYPE ET CALIBRE

USB Power Supply Port*
* Diamond 10. MX Sub only

AC INPUT

FUSE

10

PHASE

65

45
35

T2A L250V

Switch off your amplifier and all connected source units at the mains. Unplug the power cords if necessary.
Make sure the subwoofer is disconnected from the mains and that the ON/OFF switch is OFF.
Before re-connecting your system to the AC power supply, check that all the connections are properly made.
Signal cables should be properly terminated and fully screened to minimise hum. If you connect your subwoofer
via the low level signal inputs, the cable between your control unit or processor and the subwoofer could be
quite long so screening is particularly important. Consult your dealer if in doubt.

CROSSOVER
FREQUENCY

VOLUME

LEFT

Before Connecting the Subwoofer
#
#
#
#

Crossover Frequency Control

75Hz

35Hz

0°

Carefully invert the subwoofer. Protect the top by placing it
on a soft surface such as a towel. Open the protective bag
and slide it part-way down the cabinet. Two sets of
adjustable screw feet are provided - regular and spiked.
Choose one set only - do not use a mixture of spiked and
regular feet.

Subwoofer Volume Control

AC220-240V 50Hz 110W

POWER

OFF

ON

MANUFACTURE DATE:

All three subwoofers feature the same connectivity.
The 10. MX-Sub has one additional feature - a USB power supply 1! for charging the internal battery of an
optional wireless receiver. This receiver enables a Subwoofer to receive signals from a suitably equipped AV
amplifier or processor without the need for a signal input interconnect. Consult your Wharfedale dealer for details.

11



Source Exif Data:
File Type                       : PDF
File Type Extension             : pdf
MIME Type                       : application/pdf
PDF Version                     : 1.5
Linearized                      : Yes
XMP Toolkit                     : 3.1-701
Producer                        : Acrobat Distiller 7.0.5 (Windows)
Creator Tool                    : Adobe Illustrator CS2
Modify Date                     : 2011:06:27 11:57:24+08:00
Create Date                     : 2008:10:07 14:14:47+02:00
Metadata Date                   : 2011:06:27 11:57:24+08:00
Thumbnail Width                 : 256
Thumbnail Height                : 180
Thumbnail Format                : JPEG
Thumbnail Image                 : (Binary data 15288 bytes, use -b option to extract)
Format                          : application/pdf
Title                           : D 10 manual3.cdr
Creator                         : GH
Document ID                     : uuid:0eb8999c-7060-4219-8531-5a4ab0a9cf05
Instance ID                     : uuid:f09c35c5-2c17-426d-bf86-6971a150e6d7
Has XFA                         : No
Page Count                      : 10
Author                          : GH
EXIF Metadata provided by EXIF.tools

Navigation menu