Wharfedale Diamond 10 Series 1 Users Manual D Manual3
10.3 to the manual 2419c3ec-e379-4bc5-b33a-a064e4c4fa81
2015-02-02
: Wharfedale Wharfedale-Diamond-10-Series-10-1-Users-Manual-454505 wharfedale-diamond-10-series-10-1-users-manual-454505 wharfedale pdf
Open the PDF directly: View PDF .
Page Count: 10
Download | |
Open PDF In Browser | View PDF |
Warning: To reduce the risk of fire or electrical shock,do not expose this product to rain or moisture. The product must not be exposed to dripping and splashing and no object filled with liquids-such as a vase of flowersshould be placed on the product. Contents Specifications Cautions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Good Practice Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3 Unpacking the Equipment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Fitting the Spikes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Cables and Connectors . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Crossovers. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5 Positioning the Front Loudspeakers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Positioning the Centre Loudspeaker . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Positioning and attaching Surround Loudspeakers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7 Loudspeakers Connecting the Front Loudspeakers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Parameter 10.0 10.1 10.2 10.3 10.4 10.5 Connecting the Centre and Surround Loudspeakers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Diamond 10 Subwoofers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Format Stand mount Stand mount Stand mount Floorspeaker Floorspeaker Floorspeaker – – – – 125mm 165mm Bass/mid driver 100mm 125mm 165mm 125mm 125mm – Midrange Driver – – – – – 50mm Dome 25mm 25mm 25mm 25mm 25mm 25mm Setting Up a Home Theatre System . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Amplifier power (rec.) 15 - 75 w 20 - 100 w 20 - 100 w 20 - 100 w 20 - 120w 20 - 120w Troubleshooting . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Impedance (Nominal) 6Ώ 6Ώ 6Ώ 6Ώ 6Ώ 6Ώ Care, Service and Warranty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 A/V shielded yes yes yes no no no 86 dB 86 dB 86 dB 86 dB 88 dB 86 dB 55 - 24 kHz 48 - 24 kHz 40 - 24 kHz 40 - 24 kHz 38 - 24 kHz 35 - 24 kHz 44 kHz 44 kHz 44 kHz 44 kHz 44 kHz 44 kHz 55 Hz 50 Hz 42 Hz 42 Hz 40 Hz 40 Hz Good Practice Guide Before connecting and using your loudspeakers, please bear the following points in mind: Bass Driver Tweeter Sensitivity (1W@1M) Nominal Frequency Range HF Limit (-10dB) Freq. Fb Crossover Frequency 2.5 kHz 1.6 kHz 1.8 kHz 1.6 kHz 140hz / 3.8k 0.6 kHz / 3.8 kHz Dimensions (HxWxD) (mm) 236 x 145 x 165 296 x 194 x 278 364 x 223 x 301 800 x 194 x 278 850 x 194 x 278 850 x 223 x 301 Height on feet/spikes (mm)) – – – 855 905 880 * 10.0, 10.1, 10.2 models shown with optional floor stands Connecting your Subwoofer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Operating your Subwoofer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 Fine Tuning your Subwoofer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18-19 Switch off the amplifier and all sources before making connections to your sound system. When you switch on the system or change sources, set the volume control to minimum and turn up the level gradually. The position of your Volume Control is NOT a reliable guide as to the maximum capabilities of your sound system. Playing the system with extreme settings of volume and tone controls may damage the amplifier and loudspeakers. Do not connect loudspeaker terminals to the mains supply. Ensure that your loudspeakers are correctly wired and are in phase. Do not subject your loudspeakers to excessive cold, heat or sunlight. Subwoofers Parameter Bass Driver A/V shielded Amplifier power Line Input Sensitivity Avg. Max output at 1 metre Boundary response Crossover Range 10.SX-SUB 10.MX-SUB 10.GX-SUB 1 x 200mm SUB 1 x 250mm SUB 1 x 250mm SUB no no no 100 W 150 W 250 W 200mv for 75W 200mv for 75W 325mv for 150W 107db 110db 113 db 40 - 110 Hz 35 - 110 Hz 30 - 100 Hz 35 - 85Hz (6x10dB steps) 35 - 85Hz (6x10dB steps) 35 - 85Hz (6x10dB steps) Dimensions (HxWxD) (mm) 290 x 290 x 320 330 x 330 x 370 420 x 420 x 375 Height on feet/spikes (mm) 333 360 478 If you are shelf mounting your loudspeakers, make sure they are not placed on the same shelf as your source components. Do not place heavy objects on top of loudspeaker cabinets. If you play the loudspeakers with the grilles removed be careful to protect the drive units from children and pets. Do not use makeshift stands. Always fit a manufacturer's approved stand using the instructions and the fixings provided. Your dealer will advise you. Do not attempt to dismantle the loudspeaker. There are no user serviceable parts inside and you will invalidate the warranty. Some Front and all Centre loudspeakers are magnetically screened.You should site front loudspeakers at least 0.5 m away from TV sets and magnetic storage media. All Wharfedale centre loudspeakers may be sited close to a TV screen with no adverse effects.The specifications on Pages 20 and 21 have AV shielding details for your loudspeakers. When connecting your loudspeakers, do not run cable across areas of open floor where they may be a source of danger. Run them safely, around room boundaries if necessary. Specifications liable to change without notice. E&OE 18 3 Page 1 Preliminaries Looking After Your Loudspeaker Your Loudspeakers use a specially sealed finish. They should not be waxed or treated with spray polishes which will smear and dim the finish. Occasionally polish them with a dry or barely moist cloth to remove dust and finger marks, etc. Unpacking Your Loudspeakers Diamond 10 loudspeakers come in many shapes and sizes. If you are unpacking the larger loudspeakers or a subwoofer, please remember that these units are heavy. We suggest that you have someone to assist you. Lift the loudspeaker carefully out of the packing. Do NOT try and lift the loudspeaker using the protective bag. If you play the speakers with the grilles off exercise great care. NEVER operate speakers with the grilles off if there are children or pets in the house. Unpack any accessories carefully. Occasionally, remove the loudspeaker grilles and brush them gently with a soft brush before replacing them. If there is any sign of damage or if the contents are incomplete, report this to your dealer as soon as possible. NEVER use a vacuum cleaner to clean loudspeaker grilles. Retain the packing for future safe transport of the product. If you dispose of the packing, do so with respect to any recycling provisions in your area. NEVER stand objects on your loudspeakers. In particular do not stand flowers etc on them - they are not jardinieres! Avoid getting any liquid behind the grille. If you accidentally spill liquid on your loudspeakers, take them to your dealer for attention before using them again. Attaching the Spikes to Floorstanding Models - 10.3, 10.4,10.5, 10.6 and 10.7 Do not open the speakers; there are no user serviceable parts inside. Make sure you have plenty of unobstructed working space. Never touch the drive units either with an object or your hands. Place a soft cloth on the floor to protect the loudspeaker. Invert the loudspeaker onto the cloth. Quality Assurance Thread a locknut onto each spike and loosely run it up the thread Your loudspeakers have been constructed to the highest standards. From the top grade furniture construction and Thread the spikes onto the spike inserts. Tighten them finger tight. finish to the carefully designed and selected acoustic components our speakers are built to provide a lifetime of Invert the loudspeaker. Be careful not to damage the floor with the spikes. sonic pleasure. We hope you will derive many years of good service from our products. Servicing Levelling the Loudspeakers When the speaker is upright: You will probably find that the speaker will wobble with one spike not contacting the floor. Adjust this spike until all four spikes are on the floor. With the aid of a spirit level move each spike in and out until the loudspeaker is level and sitting squarely on all four spikes with no rocking. Now tighten each locknut securely against the collar in the plinth to secure the spike Screw in rubber feet are provided for use on wood or stone floors etc. and should be attached in the same manner as the spikes. Nut In the unlikely even that your unit develops a fault you should return it to your Wharfedale dealer using the original packing to ensure safe shipping. The terms of your guarantee may vary in different countries but in all cases the guarantee excludes: Liability for damage or loss occurring in transit to or from the purchaser. All damage caused through accident, misuse, wear and tear, neglect, incorrect installation, adjustment or repair by unauthorised personnel. Liability for damage or loss occurring in transit to or from the purchaser. Wharfedale will not be liable for any consequential damage, loss or injury, arising from or in conjunction with this equipment. Collar (In Plinth) Spike Stands and Brackets The 10.1 and 10.2 louderspeakers are intended primarily for stand mounting, though they can be mounted on wall brackets or even on sturdy shelves. The quality of louderspeaker stands greatly influences the performance of your loudspeakers so do not use flimsy products. The 10.0 may be stand or wall mounted.The rear panel has a threaded insert for attaching a pair of suitable wall brackets. Centre Channel Loudspeakers Service Addresses For technical support, servicing or product queries and information please contact either your local retailer or the offices below. UK Asia IAG Service Dept. IAG Unit 4 Room 2310 - 2311 Press Building, St Margaret’s Way Shennan Road C, Stukeley Meadows Industrial Estate Shenzhen, Huntingdon China Cambs Tel: +86-755-82091200 PE29 6EB Fax: +86-755-82091205 England Tel:+44 (0)1480 452561 Each centre channel loudspeaker is supplied with two sets of mounting feet. By using a combination ofl arge and small feet the loudspeaker may be angled to point directly at the listening position. This will be found useful when the centre speaker is positioned under theTV screen. Fax: +44 (0)1480 413403 For information on other authorised service centres worldwide contact Wharfedale International in the U.K. A worldwide distributor list is available on the Wharfedale website: www.wharfedale.co.uk Surround Loudspeakers These speakers are designed primarily for wall mounting, though they may be stand or shelf mounted if required. Please see Page 7. 4 Page 3 17 Cables and Connectors Delay and LFE Settings The purpose of delay is to enable surround and dialogue information to arrive at the listener’s ears at the same time as the Front channels, even when the listening seat is in a non-ideal position. Rear Delay: If the listening position is equidistant from the Front and Rear speakers, a low delay setting should be set. The closer the listener is to the Rear speakers the higher should be the delay setting used. Centre Delay: If the Centre speaker is level with (or slightly behind) the Front speakers, set the delay to zero. If the Centre speaker is forward of the Front speakers, increase the delay. LFE: In domestic systems the LFE channel typically feeds into the subwoofer. Where no subwoofer is used, the LFE signal is combined with Front Channel information. When you set the LFE level at your AV processor, use care as the powerful low frequencies can overload domestic loudspeakers. If you hear popping or thumping noises coming from the front loudspeakers or subwoofer, immediately turn the AV Processor's volume level down and then back off the LFE level. This should cure the problem. If it does not, back off the volume level at the subwoofer (if you are using one) until the problem disappears. Please read the relevant sections of your AV amplifier manual and familiarise yourself with the various issues. If you are unsure, consult your dealer for help. Choosing Loudspeaker Cable Specialist audio cable usually offers better performance than general purpose ‘bell’ or ‘zip’ wire. Choose a cable of suitable diameter – cable that is too thin will limit the dynamics of the sound and may impair the bass response. Audio cable is polarised, with two cores of different colours, or often a raised rib or coloured tracer in the case of twin cable. Before you purchase your cable, give careful thought to the positioning of your loudspeakers. This is especially the case if you are bi-wiring your loudspeakers. Cable lengths to loudspeaker pairs should be the same for left and right channels in order to equalise the signal transmission. Allow some slack in your speaker cables so you can alter their position to best advantage. Preparing Loudspeaker Cable 10mm Split the twin cores to a depth of about 40mm. Carefully strip the insulation from each end, leaving about 10mm of bare wire. If the cable is stranded, lightly twist to gather any loose strands. 40mm Connecting Screw Terminals All the loudspeakers use screw terminals. Troubleshooting Unscrew the terminal. Insert the bare end of the cable into the hole in the base of the terminal. Tighten securely. If your system is not working properly please work through this checklist before returning a unit to your dealer. Before investigating a problem, always switch off the system at the mains. No Sound: The system is not switched on. Speaker cables are shorting terminals out. The wrong source is selected. The sound lacks bass content: Bass reproduction indistinct: The front loudspeakers are out of phase. The subwoofer is not switched on. The subwoofer phase is incorrectly set. The subwoofer crossover control is set too low. Excessive bass distortion at low volumes: The subwoofer level is set too high. The LFE level is set too high. The subwoofer is incorrectly wired. Excessive or distorted bass at high levels: The system level is set too high. The bass control is set too high. The speakers are too close to room corners. Distorted or rattling sounds at high levels: System level too high. Objects on speakers/subwoofer. Objects too close to subwoofer. Popping or thumping from the subwoofer: The system level is set too high. The subwoofer level is set too high. The LFE level is set too high. Indistinct sound: Poor localisation of effects. Poor localisation of dialogue. One or more loudspeakers is out of phase. (Read the manual for correct connection procedure). Television picture colour is distorted: (Conventional CRT screens only) When connecting terminals make sure you leave no strands of bare wire that can short across to adjacent terminals. As an alternative to bare wire you can use specialist spade connectors. Your Wharfedale dealer will be pleased to advise you. Crossover Networks Bi-Wireable Networks H F + Most speakers in the Diamond 10 series use a special bi-wireable crossover panel with four terminal binding posts. Please follow the drawing carefully to see the correct orientation of the loudspeaker terminals. The upper terminals connect to the treble unit, the lower pair to the bass unit. As supplied, the treble terminal pair is connected to the bass terminal pair via removable metal straps. These should be left in place for standard installations. B A S S + H F B A S S - Why Bi-Wire? Using separate cables for treble and bass units in a Bi-Wiring configuration reduces intermodulation effects and improves headroom and clarity. To bi-wire, you will need to install two lengths of twin core cable between the amplifier and each loudspeaker. The subwoofer is too close to the TV. (Switch off the system and TV. Move the units apart. Switch on after 15 min.). Standard Networks D10.SR The D10.0 compact monitor, the D10.CC compact Centre Channel speaker and the D10.SR use similar circular section two terminal crossover panels. The D10.DFS uses a crossover network panel built into the speaker’s rear wall. This is illustrated on Page 7. None of the above loudspeakers are bi-wireable. 16 5 D10.0 & D10.CC Positioning the Front Loudspeakers Setting Up a Home Theatre System The 10.3, 10.4,10.5, 10.6 and 10.7 models are designed to be floor standing. We suggest that they are positioned at least 200 mm from the rear walls and 700 mm from the side walls, facing slightly inwards. The 10.1, and 10.2 models should be stand or wall mounted though they may be placed on a rigid shelf. The 10.0 model can be stand or wall mounted. The bass extension will improve if the small speakers are operated closer to the rear wall. Some of this chapter may appear to repeat the content of the Subwoofer pages - the context however is different. If the loudspeakers are placed too close to the walls the bass will increase but may be boomy and indistinct. If the loudspeakers are placed away from the walls, the inward angle may be increased by up to 40%, although this may restrict the width of the optimum listening position. A useful rule of thumb is that the listener should be as far from the loudspeakers as they are from each other. The speakers should ideally be positioned so that the treble units are roughly at ear level to a seated listener. As personal taste plays a large role, experiment with different configurations and play a wide range of programmes before finalising the position of your speakers. 2 - 4 metres Front And Effects Channels: The front loudspeakers are placed on either side of the television screen, 2 to 3 metres apart. The speakers should be angled slightly so they are aimed towards the listeners. We recommend placing the rear effects speakers in a high position, behind the listener’s head. If the rear or side walls are a long way from the listening seat, consider stand mounting the loudspeakers. If the centre loudspeaker is very high or low, angle it towards the listener's ear level. The front faces of the centre and surround loudspeakers should also be in line as far as possible. Subwoofer: As the ear is unable to detect the direction from which deep bass originates, you have freedom to position the unit. Varying the distance from the wall alters the bass. Placing the subwoofer across a corner boosts the bass but may impair clarity. The performance of Home Theatre systems is enhanced by using two subwoofers. 6.1 and 7.1 System Placement 40 º >0.7metre Placement 10.0 - 10.2 >50 mm 15 - 10.3 - 10.7 >200 mm Dolby Labs, DTS and THX offer 6.1 and 7.1 formats. Although the precise configuration of these systems will depend on the capabilities of your processor and you should be guided by those instructions, we would make some observations. For 6.1 and 7.1 formats the listening seat should not be too close to the rear wall. Optimising the time delay so that information from all speakers arrives at the listening seat coherently is critical if the benefits of these systems are to be fully realised. Dolby Labs Recommended Placement for Multichannel Home Theatre Systems Centre Left Front LFE 22º Right Front 30º Positioning the Centre Loudspeaker The Centre channel loudspeaker should be positioned centrally between the loudspeakers, close to the television and mounted above or below the screen. The loudspeaker should be located on a stable flat surface to avoid any cabinet movement at high sound levels. If you mount the unit above the television, move it forward so that the front grille sits slightly in front of the screen. This will reduce sound reflections from the screen and the top of the cabinet. Centre channel speakers are supplied with a set of four self adhesive mounting feet and two extra feet. Remove the protective backing from four feet. Place the feet at the bottom of the cabinet. Attach each foot 10 mm in from the sides of the cabinet and place them so that the cabinet is supported in a horizontal position with the curve of the cabinet clear of the shelf. The extra feet enable you to tilt the cabinet up or down so that the speaker points directly at the listening position. This facility is particularly useful if the speaker is mounted under the screen. A custom stand is available for the D10 CM which allows the loudspeaker to be positioned under a wall mounted monitor and has an adjustable vertical tilt for optimal dispersion. 6 90º Left Surround Right Surround 110º 135º 150º Left Back Right Back (Single Back channel for 6.1 Setting Loudspeaker Sizes and Levels If you are not using a subwoofer: Set the Front Speakers to ‘Large’. Set the ‘Subwoofer’ option on the processor to 'Off' or ‘No'. The Front channels will now receive all the system bass. If you are using a subwoofer: When set to ‘Small’ all the system bass will go into the subwoofer. If you choose ‘Large’ the Front channel bass will be reproduced from the Front speakers. Follow the instructions on the previous page for suitable size and crossover settings. Once the loudspeaker settings have been finalised, put the AV amplifier into its “Test” mode and adjust the level of each channel until all channels are reproduced at equal loudness. You may need to adjust the subwoofer output level. Avoid setting too high a level or you will swamp the sound with bass which be tiring to listen to and may limit the subwoofer’s ability to respond to large bass transients. Set a sensible level going into the subwoofer. The subwoofer volume control should be between 12 o’clock and 3 o’clock 15 Fine Tuning Procedures Positioning Surround Loudspeakers Set up the subwoofer with all tone controls and filters on your amplifier or processor set ‘flat’. D10 DFS Surround Loudspeakers Listening rooms are not ideal. Because of room geometry and construction there will be areas with severe peaks at some frequencies and severe troughs at others. If you site loudspeakers in such areas the response will be highly non-flat. It is easier to treat high frequency irregularities by the use of drapes, soft furnishings etc., but very hard to do the same at bass frequencies due to the very long wavelengths. To help locate standing waves in your listening room, one idea is to sit in the listening seat and recruit a friend with a deep voice to speak as he moves around the area where you propose to site your subwoofer - you will soon find out where not to site it! Where the voice sounds most natural is a good place to start. Although the subwoofer's bass output is enhanced by walls or corners, so often is coloration. The floor will influence the sound. The surface under the subwoofer should be stable and unobstructed. If the carpet is very thick, consider placing the subwoofer on a solid surface such as a marble slab. If you place the subwoofer where it amplifies the irregularities of the room or the main speakers the result will be bloated, coloured bass. If acoustic guitar and male voice sounds coloured when the subwoofer is operating at normal level and less coloured if the subwoofer volume is reduced, you need to address the positioning first before adjusting any controls. Loudspeaker Phasing: Make sure that all loudspeakers are connected in phase. If there is a doubt about the way the loudspeakers are connected, check their phasing by playing a mono source - the sound should appear from a point midway between the front loudspeakers. If this position is indefinite, reverse the connections to one speaker. Correctly connected loudspeakers give a definite centre sound source with fuller bodied tenor and bass registers. 220 mm The speakers should ideally be sited 600 mm-1.5 metres above the listening position and 2.5-3.5 metres apart, central to the listener and behind the listening position, preferably on a rear wall. If the listening position is some distance from a rear wall, the speakers may be mounted on opposite side walls but always behind the listening position. Ensure that the wall is sound and can support the product. Drill two 5mm holes in the wall 220mm apart. Fix a suitable No 8 round head screw firmly into each hole using appropriate wall plugs. Leave a stub of 5mm protruding from the wall. Connect the loudspeakers. Align the holes in the mounting brackets over the screw and carefully lower the unit onto the screws. The speaker should now be securely attached with the spacers resting against the wall. Now connect the speakers to the amplifier. X2 Note: As an alternative, the D10 DFS can be shelf or stand mounted. The badge on the D10 DFS can be rotated to match the orientation of the loudspeaker. Alternative 5.1 System Layouts with D10 DFS Surrounds CENTRE FRONT LEFT SUB WOOFER CENTRE FRONT RIGHT FRONT LEFT SUB WOOFER FRONT RIGHT Setting the Phase of the Subwoofer: Phase at very low frequencies is not straightforward to detect. Initially we suggest you temporarily set the low pass filter to highest setting and the phase to 0º and play some bass heavy music in Stereo through the main speakers and the subwoofer. From the listening position, switch the phase between 0º and 180º. The setting which appears to give the greater bass output is correct. Now follow the instructions below for setting the Crossover filter. Setting Loudspeaker Sizes: Most digital AV Processors ask you to specify the size of speakers in the various channels. These are usually ‘Large’ or ‘Small’. This sets the bass management for the system. Front Loudspeakers: The larger loor standing loudspeakers (10.4,10.5, 10.6 and 10.7) can be set to 'Large'. Smaller loudspeakers (including stand mounted units) should be set to 'Small' The 10.3 should be set to small. If the bass is excessive, then set the loudspeaker to ‘Large’. Centre and Surround channels: The D10. CM centre channel speaker should be set to ‘LARGE’. The other centre channel speakers and the surround channel speakers should be set to ‘SMALL’ so that bass from these channels will be directed to the subwoofer. Set the ‘Subwoofer’ option on the processor to 'On’ or 'Yes'. Crossover Control: If you are using a digital AV processor the initial subwoofer setting should be 85Hz as the processor will have its own bass management system. After experimenting with various sources you may need to adjust the Subwoofer Crossover settings. Try to ensure the subwoofer blends into the sound stage - the more invisible the subwoofer component of the sound field is, the better. Setting levels: Once the loudspeaker settings have been finalised, put the AV amplifier into its “Test” mode (see instructions supplied with your processor.) Adjust the levels until all channels are reproduced at equal loudness. When adjusting the subwoofer output level avoid setting too high a level or you will swamp the sound with bass which be tiring to listen to and may limit the subwoofer’s ability to respond to large bass transients. Set a sensible level going intothe subwoofer from the processor. SURROUND RIGHT SURROUND LEFT SURROUND RIGHT SURROUND LEFT D10 SR Surround Loudspeakers Before mounting the loudspeakers, establish the location using the same criteria as for the D10. DFS. The D10 SR is supplied with four mounting feet for shelf or stand mounting. The terminal panel has a built in mounting slot for wall fixing. Wall mounting the D10 SR: Ensure the wall is sound and can easily support the weight of the loudspeakers. Drill and fix a No. 8 screw and suitable wall plug at each chosen location. The screw should protrude about 5mm from the wall. Connect the cable to the speaker. Align the keyhole slot over the screw. Pull gently down to secure the speaker. Alternative 5.1 System Layouts with D10 SR Surrounds CENTRE FRONT LEFT SURROUND LEFT SUB WOOFER CENTRE FRONT RIGHT FRONT LEFT FRONT RIGHT SURROUND RIGHT SURROUND RIGHT SURROUND LEFT 14 SUB WOOFER 7 Connecting the Front Loudspeakers Operating Your Subwoofer HF+ H F + Standard Connection HF- B A S S + H F - AMPLIFIER R.SPKR L.SPKR B LF+ Choose a suitable length of twin core speaker cable for each channel, and prepare the ends. Unscrew each terminal a few turns. Connect the red, positive (+) terminal of the Left loudspeaker to the corresponding red, positive (+) amplifier terminal. Connect the black, negative (-) terminals similarly. Tighten the terminals securely. Repeat this procedure for the Right Channel. STANDARD CONNECTION D10 SERIES EXCEPT D10.0 HF+ H F + Initial Settings HFB H F - A S S + LF+BA A S S - LF- Check that all connections to the subwoofer have been properly made and that the main volume control is at minimum. Plug the supplied power cord into the mains socket on the rear panel. S S - LF- Volume Control: Set the subwoofer volume control to the mid position (12 o'clock) before proceeding. Crossover Control: This control should initially be set to 45 or 55 Hz when the subwoofer is used with small bookshelf speakers and to 35 or 40 Hz when used with large floor standing speakers. Phase Switch: The Phase switch should be initially set to 0°. Switching On RIGHT SPEAKER LEFT SPEAKER CONNECTION - D10.0 AMPLIFIER R.SPKR Plug in the mains plug and switch the power on. Now switch the subwoofer on with the rest of your system. The subwoofer ON/OFF switch has a rocker action; press “I” to switch the equipment on and “O” to switch it off. When switched on the light beside the power switch and the light on the front of the subwoofer will glow and the subwoofer will be operational. L.SPKR Basic Tuning RIGHT SPEAKER LEFT SPEAKER BI-WIRED CONNECTION Bi-Wiring Using separate cables for treble and bass units in a Bi-Wiring configuration reduces intermodulation effects and improves headroom and clarity. To bi-wire, you will need to install two equal lengths of twin core cable between the amplifier and each loudspeaker. HF- AMPLIFIER R.SPKR Unscrew each terminal a few turns and remove the metal straps. Connect the cables between the amplifier and the loudspeakers as indicated above and re-tighten all the terminals securely. L.SPKR LF+ HF- LF+ LF- By connecting each loudspeaker drive unit to its own dedicated amplifier the advantages of Bi-Wiring can be extended. R.SPKR L.SPKR HF+ HF- If you own two identical stereo power amplifiers, your speakers may be Bi-Amped. For further details please consult your dealer. LF+ AMPLIFIER L.SPKR LFBASS 8 When the system is not in use for extended periods, we suggest you switch off the subwoofer to protect it from switching noises caused by domestic appliances, etc. The best practice is to switch the complete system on and off from a central point. Bear in mind that if you play the system with the subwoofer switched off you will get no bass! Autopower Switch. (Diamond 10. SX-SUB, 10.MX-SUB). If the subwoofer is left permanently on this may result in low level hum or noise from the subwoofer when the rest of the system is switched off. Setting the AUTO switch to ON will automatically turn the subwoofer on when a signal is detected at any of the inputs and turn it off (Standby Mode) after a period of inactivity. We recommend that the AUTO switch be set to ON for normal operation. HF+ TREBLE R.SPKR RIGHT SPEAKER Mains Operation LEFT SPEAKER AMPLIFIER Crossover Adjustment. This adjusts the blend between the subwoofer and the main speakers. and enables the system to be set up for optimum bass performance. The higher settings are for use with small bookshelf loudspeakers, the lower settings for large floorstanding models. If you choose too low a setting with small speakers, there will be a ‘hole’ in the bass response; too high a setting with large speakers will result in the upper bass becoming bloated. See the next section for further details. Again the subwoofer should be an extension of the main loudspeakers. LF- RIGHT SPEAKER Bi-Ampifying (Bi-Amping) Phase Switch: If the bass is indistinct or lacks depth, the Phase switch may need adjustment. Set the switch to 0º and listen carefully to some music with extended bass. If there is insufficient bass output from the sub-woofer set the Phase switch to 180º. Select the position which produces the most natural, extended bass. HF+ HF+ Volume Setting: Play a programme with extended bass and set the system volume to a reasonable level. Adjust the subwoofer volume control to produce the desired level of bass. The bass should be even and an extension of the main loudspeakers. Do not set the control too high or you will swamp the sound with too much bass and clarity and definition will suffer. HF- In AUTO mode, when the subwoofer is switched on, the subwoofer will become active. If there is no audio input present the subwoofer will go immediately into Standby. As soon as an audio input is detected the subwoofer will then switch on. LF+ When the system is not in use for extended periods, we suggest you switch off the subwoofer to protect it from switching noises caused by domestic appliances, etc. LF- Always turn the main volume control to minimum when you switch the system on or off. LEFT SPEAKER 13 Connecting Centre and Surround Loudspeakers Connecting Your Subwoofer - 2 Connecting to a Digital AV Processor Connect these speakers as shown below. The Centre channel speaker may be connected as shown, or bi-wired. A-V AMPLIFIER LEFT LEFT REAR RIGHT CENTRE B A S S + RIGHT RIGHT LEFT FRONT INPUT Subwoofer Out (Line Level) HF- OUTPUT LF- A-V AMPLIFIER HF+ LF+ LINE LEVEL H F - B A S S - Alternatively, you may use a split mono lead from the processor to both inputs of the subwoofer. In this case the input level at the subwoofer will be slightly higher. D10 CC D10 CS; D10 CM H F + If your AV processor has a line level or LFE subwoofer output you should use this connection. You will need to purchase a single screened RCA phono lead from your dealer. Connect this lead to the Left line input of the Subwoofer as shown. LINE LEVEL LEFT RIGHT LEFT REAR RIGHT CENTRE RIGHT LEFT FRONT INPUT Subwoofer Out (Line Level) Stereo Line Level Connections LINE LEVEL A-V AMPLIFIER/STEREO AMPLIFIER If your amplifier has a spare preamplifier output or a stereo sub-woofer output, connect the sub-woofer as shown. OUTPUT LEFT REAR LEFT You will need a stereo screened RCA phono cable. Connect a stereo RCA phono cable from the line output of the preamp to the Subwoofer line inputs. RIGHT CENTRE RIGHT SUB WOOFER LEFT FRONT RIGHT LEFT REAR CENTRE RIGHT LEFT FRONT SUB WOOFER RIGHT RIGHT LEFT REAR RIGHT CENTRE LEFT INPUT FRONT OUTPUT Subwoofer or Pre Out (Line Level) Pre Out - Main In Connections RIGHT If you use a separate stereo pre and power amplifier, or an amplifier where the pre and main amplifier can be separated, connect the sub-woofer as shown. There are two alternative methods. Using a Y Adaptor You will need two screened RCA ‘Y’ adaptors and two single RCA phono cables. Remove the Pre-Main links on your amplifier. Connect the socket (common) of an RCA ‘Y’ adaptor to one of the mono cables. Connect one leg of the ‘Y’ adaptor to the Left Channel Pre Out socket on the amplifier and the other leg to the Left Channel Main In socket. Connect the remaining plug on this combination to the Left Channel Line Level Input on the sub-woofer. Repeat this for the Right Channel. LEFT LEFT RIGHT Multichannel 5.1 System Connections PRE MAIN OUT IN LINE LEVEL AMPLIFIER L LEFT R LEFT RIGHT PRE OUT MAIN IN LINE LEVEL AMPLIFIER L OUTPUT H F + INPUT B A S S + Placing the Subwoofer in the System Loop LEFT B A S S - R CENTRE RIGHT RIGHT LEFT H F - Connect a Stereo cable from the Line Level Inputs of the sub-woofer to the Pre Out sockets of the amplifier. Now connect a second Stereo cable from the Line Level Outputs of the sub-woofer to the Main In sockets of the amplifier. Make sure that the Right and Left Channels are not mixed up! The sub-woofer is now inserted within the system loop. D10 SR SURROUNDS (x2) RIGHT You will need two stereo (or four single) screened RCA cables. D10 DFS SURROUNDS INPUT OUTPUT High Level (loudspeaker) Connections You will need two additional lengths of Loudspeaker cable. AMPLIFIER Ensure the Front loudspeakers are correctly connected. Connect the Left Speaker Terminals on the sub bass unit to the Front Left speaker terminals on the amplifier. Connect the Red (+) speaker terminal on the amplifier to the Red (+) terminal on the subwoofer. Connect the Black (-) speaker terminal on the amplifier to the Black ()Terminal on the subwoofer. FRONT RIGHT RIGHT LEFT REAR CENTRE RIGHT LEFT FRONT SUB WOOFER LEFT SPEAKER LEVEL INPUTS H F + B A S S + Now connect the Right Speaker terminals on the subwoofer to the Front Right speaker terminals on the amplifier. B A S S + H F B A S S - FRONT RIGHT 12 LEFT FRONT H F B A S S - LEFT NOTE: High level connection should be used ONLY when line level connections are not feasible. RIGHT FRONT H F + RIGHT D10 DFS SURROUNDS RIGHT FRONT LEFT 9 LEFT Diamond 10 Subwoofers Connecting Your Subwoofer - 1 Introduction DIAMOND 10. GX-SUB REAR PANEL Wharfedale subwoofers are intended for use with high quality domestic sound systems. They are equally effective in Stereo and Home Cinema applications. Your subwoofer will probably be used in conjunction with Wharfedale loudspeakers though they will partner any audiophile or top-quality home cinema amplification and loudspeakers. b c d e f g h i j Unpacking your Subwoofer Open the carton and remove all the top packing pieces. Lift the subwoofer out taking care not to damage the cabinet. When lifting the unit from the carton support it from the bottom. DO NOT attempt to lift the subwoofer out of the carton using the protective bag. The unit is heavy; if you cannot manage it easily, get someone to assist you. Preparing the Subwoofer Diamond 10. SX-SUB and 10. MX-SUB: No further preparation is necessary. Diamond 10. GX-SUB: You should attach the spikes or protective rubber feet to the subwoofer. LINE LEVEL 55Hz 65Hz 45Hz LEFT Phase Control IEC Mains Input Socket Mains Power Fuse Mains Power Switch Speaker Level Inputs Line Level Inputs Line Level Outputs PHASE 85Hz 180° RIGHT Screw Foot 0 INPUT OUTPUT 10 CROSSOVER FREQUENCY VOLUME SPEAKER LEVEL INPUTS DIAMOND.10 GX-SUB WHARFEDALE INTERNATIONAL LTD,HUNTINGDON, UNITED KINGDOM N21090 Screw the threaded washer over each foot as shown. Screw Threaded Washer a foot part-way into the threaded hole at the bottom of each leg of the subwoofer and hand-tighten the washer. When all four screw feet have been fitted, stand the subwoofer upright and remove the bag. ON OFF LEFT RIGHT POWER SERIAL No: AC 220-240V~50Hz 400W FUSE T4AL250V DIAMOND 10. MX-SUB REAR PANEL DIAMOND 10. SX-SUB REAR PANEL With the aid of a spirit level, screw each foot in and out until the subwoofer is level (side to side and front to back) and firmly supported on all four feet. Tighten the washer with a wrench to lock the assembly in position. Note: When using spiked feet take care not to drag the subwoofer and be careful not to pierce objects or cables which may be hidden under carpets, etc. Spikes are not suitable for use with stone floors and can cause damage to wood floors, so consider carefully before deciding which feet to use. Positioning the Subwoofer Although the unit may be placed almost anywhere in the room, we recommend that it be placed in front of the listener and as central to the listening position as possible. There should be a mains outlet within easy reach. The subwoofer should not be operated within 450mm of a television set as the drive unit magnet may distort the picture. The bass unit is mounted underneath the subwoofer and moves a lot of air at high volume, so make sure the floor is sound. Do not place the subwoofer with the bass port near surfaces or objects that may rattle. We suggest you initially position the subwoofer about 20cm (8 inches) from the wall. Placing the unit close to the wall will enhance the bass; placing it across the corner of the room will increase the bass further, possibly at the expense of clarity. Experiment with locations and sources before making a final decision. LINE LEVEL INPUT OUTPUT 55 RIGHT 75 0° 180° ON OFF 85 AUTO POWER (Hz) SPEAKER LEVEL INPUTS b c d e f g h i j 1) 1! Subwoofer Volume Control LEFT RIGHT Phase Switch Auto Power Switch Crossover Frequency Control Mains Power Switch IEC Mains Input Socket SUB-WOOFER AMPLIFIER Mains Power Fuse N 21090 MODEL: DIAMOND.10 SX-SUB WHARFEDALE INTERNATIONAL LTD,HUNTINGDON,UNITED KINGDOM SERIAL NO.: Speaker Level Inputs WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRICAL SHOCK, DO NOT EXPOSE THIS PRODUCT TO RAIN OR MOISTURE Line Level Inputs CAUTION: DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE, REPLACE ONLY WITH SAME TYPE FUSE AND RATING ATTENTION: Line Level Outputs DEBRANCHER AVANT DE REPLACER LE FUSIBLE, UTILISER UN FUSIBLE DE RECHANGE DE MEME TYPE ET CALIBRE USB Power Supply Port* * Diamond 10. MX Sub only AC INPUT FUSE 10 PHASE 65 45 35 T2A L250V Switch off your amplifier and all connected source units at the mains. Unplug the power cords if necessary. Make sure the subwoofer is disconnected from the mains and that the ON/OFF switch is OFF. Before re-connecting your system to the AC power supply, check that all the connections are properly made. Signal cables should be properly terminated and fully screened to minimise hum. If you connect your subwoofer via the low level signal inputs, the cable between your control unit or processor and the subwoofer could be quite long so screening is particularly important. Consult your dealer if in doubt. CROSSOVER FREQUENCY VOLUME LEFT Before Connecting the Subwoofer # # # # Crossover Frequency Control 75Hz 35Hz 0° Carefully invert the subwoofer. Protect the top by placing it on a soft surface such as a towel. Open the protective bag and slide it part-way down the cabinet. Two sets of adjustable screw feet are provided - regular and spiked. Choose one set only - do not use a mixture of spiked and regular feet. Subwoofer Volume Control AC220-240V 50Hz 110W POWER OFF ON MANUFACTURE DATE: All three subwoofers feature the same connectivity. The 10. MX-Sub has one additional feature - a USB power supply 1! for charging the internal battery of an optional wireless receiver. This receiver enables a Subwoofer to receive signals from a suitably equipped AV amplifier or processor without the need for a signal input interconnect. Consult your Wharfedale dealer for details. 11
Source Exif Data:
File Type : PDF File Type Extension : pdf MIME Type : application/pdf PDF Version : 1.5 Linearized : Yes XMP Toolkit : 3.1-701 Producer : Acrobat Distiller 7.0.5 (Windows) Creator Tool : Adobe Illustrator CS2 Modify Date : 2011:06:27 11:57:24+08:00 Create Date : 2008:10:07 14:14:47+02:00 Metadata Date : 2011:06:27 11:57:24+08:00 Thumbnail Width : 256 Thumbnail Height : 180 Thumbnail Format : JPEG Thumbnail Image : (Binary data 15288 bytes, use -b option to extract) Format : application/pdf Title : D 10 manual3.cdr Creator : GH Document ID : uuid:0eb8999c-7060-4219-8531-5a4ab0a9cf05 Instance ID : uuid:f09c35c5-2c17-426d-bf86-6971a150e6d7 Has XFA : No Page Count : 10 Author : GHEXIF Metadata provided by EXIF.tools