Yamaha CVP 202 Data List CVP202G2

User Manual: Yamaha CVP-202 Data List

Open the PDF directly: View PDF .
Page Count: 39

Cover
Table of Contents
Voice List
Demo Songs
Drum/key Assignment List
Style List
Parameter Chart
Fingering Chart
MIDI Data Format
MIDI Implementation Chart
Assembly
Specifications

Data List

Daten-Liste

Liste des données

Lista de datos

Table of Contents (English)

Voice List ..............................................................................3

Demo Songs .........................................................................7

Drum/key Assignment List ....................................................8

Style List .............................................................................10

Parameter Chart .................................................................11

Fingering Chart ...................................................................12

MIDI Data Format ...............................................................13

Effect Type List ...................................................................24

Effect Parameter List ..........................................................25

Effect Data Assign Table ....................................................29

MIDI Implementation Chart ................................................ 30

Assembly ............................................................................32

Specifications .....................................................................38

Inhalt (Deutsch)

Stimmenverzeichnis ............................................................. 3

Demo-Songs ........................................................................7

Verzeichnis der Schlagzeugklänge ...................................... 8

Style-Verzeichnis ................................................................10

Parameterübersicht ............................................................ 11

Akkordliste ..........................................................................12

MIDI-Datenformat ...............................................................13

Liste der Effekttypen ...........................................................24

Liste der Effektparameter ................................................... 25

Effektdaten-Zuordnungstabelle .......................................... 29

MIDI-Implementierungstabelle ............................................ 30

Zusammenbau .................................................................... 32

Technische Daten .............................................................. 38

Table des matières (Français)

Liste des voix ........................................................................3

Morceaux de démo ...............................................................7

Liste d’assignation instrument de batterie/touche

du clavier ........................................................................ 8

Liste des styles ...................................................................10

Tableau des paramètres..................................................... 11

Tablature ............................................................................12

Format des données MIDI ..................................................13

Liste des types d’effet .........................................................24

Liste des paramètres d’effets ............................................. 25

Tableau d’assignation des données d’effets ...................... 29

Feuille d’implantation MIDI ................................................. 30

Montage .............................................................................32

Spécifications ..................................................................... 38

Índice (Español)

Lista de voces ...................................................................... 3

Canciones de demostración ................................................. 7

Lista de asignaciones de teclas/batería ............................... 8

Lista de estilos ....................................................................10

Gráfica de parámetros ........................................................11

Gráfica de digitado ............................................................. 12

Formato de datos MIDI .......................................................13

Lista de tipos de efecto ...................................................... 24

Lista de parámetros de efectos .......................................... 25

Tabla de asignación de datos para efectos ........................29

Gráfico de puesta en práctica de MIDI ............................... 30

Montaje ...............................................................................32

Especificationes .................................................................. 38

CVP-202

CVP-202 3

Voice #

Voice Group Voice Name MSB # LSB #

Voice #

Voice Group Voice Name MSB # LSB #

Piano & Harpsi. GrandPiano 1 0 122 0

GrandPiano 2 0 112 0

BrightPiano1 0 112 1

Harpsichord1 0 122 6

GrandHarpsi1 0 123 6

Honky Tonk 0 112 3

Rock Piano 0 114 2

Midi Grand 0 112 2

CP 80 0 113 2

Oct. Piano 1 0 113 3

Oct. Piano 2 0 114 3

GrandPiano 3 0 116 0

GrandPiano 4 0 115 0

BrightPiano2 0 116 1

BrightPiano3 0 115 1

Harpsichord2 0 112 6

GrandHarpsi2 0 113 6

E.Piano Galaxy EP 0 114 4

Polaris EP 0 115 4

Hyper Tines 0 113 5

New Tines 0 116 5

Funk EP 0 112 4

DX Modern 0 112 5

Modern EP 0 115 5

Tremolo EP 0 113 4

Super DX 0 117 5

Clavi 0 112 7

Suitcase EP 0 118 4

Venus EP 0 114 5

Wah Clavi 0 113 7

Organ & Church Organ 0 123 19

Accordion Pipe Organ 0 112 19

ChapelOrgan1 0 113 19

ChapelOrgan2 0 114 19

ChapelOrgan3 0 115 19

Rock Organ 1 0 112 18

Dance Organ 0 113 17

Gospel Organ 0 119 16

Purple Organ 0 114 18

Jazz Organ 1 0 112 16

Rock Organ 2 0 113 18

Elec. Organ 0 118 17

DrawbarOrgan 0 115 16

Click Organ 0 112 17

Mellow Draw 0 115 17

Jazz Organ 2 0 113 16

Bright Draw 0 116 16

60’s Organ 0 116 17

Jazz Organ 3 0 120 16

Blues Organ 0 117 17

16'+1' Organ 0 121 16

16'+2' Organ 0 122 16

16'+4' Organ 0 123 16

TheatreOrgn1 0 114 16

TheatreOrgn2 0 114 17

Musette 0 112 21

Tutti Accord 0 113 21

Accordion 0 115 21

Tango Accord 0 112 23

Bandoneon 0 113 23

Soft Accord 0 114 21

Blues Harp 0 114 22

Harmonica 0 112 22

Reed Organ 0 112 20

Percussion Vibraphone 0 112 11

Jazz Vibes 0 113 11

Marimba 0 112 12

Xylophone 0 112 13

Steel Drums 0 112 114

Celesta 0 112 8

Glocken 0 112 9

Music Box 0 112 10

Tubular Bell 0 112 14

Kalimba 0 112 108

Dulcimer 0 112 15

Timpani 0 112 47

StandardKit1 127 0 0

StandardKit2 127 0 1

Room Kit 127 0 8

Rock Kit 127 0 16

Electro Kit 127 0 24

Analog Kit 127 0 25

Dance Kit 127 0 27

Jazz Kit 127 0 32

Brush Kit 127 0 40

Symphony Kit 127 0 48

StyStd. Kit 127 0 80

StyBrush Kit 127 0 82

SFX Kit 1 126 0 0

SFX Kit 2 126 0 1

Guitar Spanish Gtr. 0 113 24

Cool E.Gtr. 0 114 28

12Str.Guitar 0 113 25

Solid Guitar 0 118 27

Vintage Amp 0 115 29

Pedal Steel 0 125 27

FeedbackGtr. 0 113 29

Funk Guitar 0 113 28

60’s Clean 0 117 27

Vintage Open 0 123 27

Vintage Mute 0 115 28

Folk Guitar 0 112 25

ChorusGuitar 0 124 27

Vintage Trem 0 120 27

OctaveGuitar 0 113 26

Deep Chorus 0 114 27

CampfireGtr. 0 115 25

Smooth Nylon 0 114 24

Tremolo Gtr. 0 113 27

HawaiianGtr. 0 114 26

Bright Clean 0 116 27

Wah Guitar 0 122 27

Classic Gtr. 0 112 24

Distortion 0 112 30

Elec. 12Str. 0 119 27

Mandolin 0 114 25

Clean Guitar 0 112 27

Muted Guitar 0 112 28

FolkGw_pick1 0 116 25

FolkGw_pick2 0 117 25

FolkGw_pick3 0 118 25

Jazz Guitar 0 112 26

Overdrive 0 112 29

Bass Finger Bass 0 112 33

UprightBass 0 113 32

Pick Bass 0 112 34

SuperFretles 0 113 35

Slap Bass 0 112 36

Analog Bass 0 112 39

Hi Q Bass 0 113 38

Funk Bass 0 112 37

Aco. Bass 0 112 32

Voice List

Stimmenverzeichnis

Liste des voix

Lista de voces

Program

Change #

(0-127)

Program

Change #

(0-127)

CVP-202

Voice List / Stimmenverzeichnis /Liste des voix / Lista de voces

Fretless 0 112 35

Bass&Cymbal 0 114 32

Fusion Bass 0 113 36

Rave Bass 0 114 38

Dance Bass 0 113 39

Synth Bass 0 112 38

Brass SweetTrumpet 0 115 56

Trombone 0 112 57

MutedTrumpet 0 112 59

Flugel Horn 0 113 56

Soft Trumpet 0 114 56

BrassSection 0 112 61

Mellow Brass 0 116 61

BigBandBrass 0 113 61

Pop Brass 0 118 61

Brass Combo 0 115 66

Solo Trumpet 0 112 56

Mellow Tromb 0 114 57

Trb. Section 0 113 57

French Horn 0 112 60

Mellow Horns 0 119 61

Bright Brass 0 120 61

Full Horns 0 114 61

High Brass 0 115 61

Ballroom Brs 0 113 59

Small Brass 0 117 61

80’s Brass 0 113 62

Analog Brass 0 112 63

Techno Brass 0 114 62

Synth Brass 0 112 62

Brass Hit 0 126 61

Tuba 0 112 58

WoodWind Sweet Tenor 0 117 66

Breathy Alto 0 113 65

Soprano Sax 0 112 64

Clarinet 0 112 71

Sweet Flute 0 114 73

Tenor Sax 0 112 66

Pan Flute 0 113 73

Oboe 0 112 68

English Horn 0 112 69

Baritone Sax 0 112 67

Breath Tenor 0 114 66

Alto Sax 0 112 65

MelClarinet 0 113 71

Bassoon 0 112 70

ClassicFlute 0 115 73

Piccolo 0 112 72

Ethnic Flute 0 112 75

Flute 0 112 73

Shakuhachi 0 112 77

Whistle 0 112 78

Recorder 0 112 74

Ocarina 0 112 79

WoodwindEns. 0 113 66

Sax Section 0 116 66

Bagpipe 0 112 109

Strings Orch.Strings 0 113 48

Symphon.Strs 0 114 48

Strings 0 112 48

Slow Strings 0 113 49

Chamber Strs 0 112 49

SynthStrings 0 112 50

ConcertoStrs 0 115 48

Orch. Brass 0 118 49

Orch. Flute 0 119 49

Orch. Oboe 0 121 49

Solo Violin 0 112 40

Soft Violin 0 113 40

Fiddle 0 112 110

Viola 0 112 41

Cello 0 112 42

Contrabass 0 112 43

Str. Quartet 0 114 49

Bow Strings 0 116 48

Marcato Strs 0 115 49

Tremolo Strs 0 112 44

Pizz.Strings 0 112 45

Analog Strs 0 112 51

Tech Strings 0 113 50

Harp 0 112 46

Hackbrett 0 113 46

Banjo 0 112 105

Sitar 0 112 104

Koto 0 112 107

Shamisen 0 112 106

Orch. Hit 0 112 55

Choir & Pad Gothic Vox 0 113 53

Vocal Ens. 0 113 52

Vox Humana 0 112 53

Choir 0 112 52

Air Choir 0 112 54

Cyber Pad 0 113 99

Fantasia 0 112 88

Insomnia 0 113 94

Wave 2001 0 112 95

Atmosphere 0 112 99

Xenon Pad 0 112 91

Equinox 0 112 94

DX Pad 0 112 92

Symbiont 0 113 88

Stargate 0 114 88

Area 51 0 112 89

Dark Moon 0 113 89

Ionosphere 0 115 94

Golden Age 0 115 88

Solaris 0 114 94

Millennium 0 117 88

Transform 0 113 95

Synth. Square Lead 0 112 80

Saw. Lead 0 112 81

Fire Wire 0 116 81

Analogon 0 115 81

Fargo 0 119 81

Blaster 0 114 81

Big Lead 0 113 81

Warp 0 117 81

Tiny Lead 0 118 80

Stardust 0 112 98

Aero Lead 0 112 83

Mini Lead 0 114 80

Sub Aqua 0 118 81

Sun Bell 0 113 98

Hi Bias 0 116 80

Viny lead 0 115 80

Voice #

Voice Group Voice Name MSB # LSB #

Voice #

Voice Group Voice Name MSB # LSB #

Program

Change #

(0-127)

Program

Change #

(0-127)

CVP-202 5

Voice List / Stimmenverzeichnis /Liste des voix / Lista de voces

Voice #

Voice Name MSB # LSB #

GrandPno 0 0 0

GrndPnoK 0 1 0

MelloGrP 0 18 0

PianoStr 0 40 0

Dream 0 41 0

BritePno 0 0 1

BritPnoK 0 1 1

El.Grand 0 0 2

ElGrPnoK 0 1 2

Det.CP80 0 32 2

LayerCP1 0 40 2

LayerCP2 0 41 2

HnkyTonk 0 0 3

HnkyTnkK 0 1 3

E.Piano1 0 0 4

El.Pno1K 0 1 4

MelloEP1 0 18 4

Chor.EP1 0 32 4

HardEl.P 0 40 4

VX El.P1 0 45 4

60sEl.P1 0 64 4

E.Piano2 0 0 5

El.Pno2K 0 1 5

Chor.EP2 0 32 5

DX Hard 0 33 5

DXLegend 0 34 5

DX Phase 0 40 5

DX+Analg 0 41 5

DXKotoEP 0 42 5

VX El.P2 0 45 5

Harpsi. 0 0 6

Harpsi.K 0 1 6

Harpsi.2 0 25 6

Harpsi.3 0 35 6

Clavi 0 0 7

Clavi K 0 1 7

ClaviWah 0 27 7

PulseClv 0 64 7

PierceCl 0 65 7

Celesta 0 0 8

Glocken 0 0 9

MusicBox 0 0 10

Orgel 0 64 10

Vibes 0 0 11

Vibes K 0 1 11

HardVibe 0 45 11

Marimba 0 0 12

MarimbaK 0 1 12

SineMrmb 0 64 12

Balimba 0 97 12

Log Drum 0 98 12

Xylophon 0 0 13

TubulBel 0 0 14

ChrchBel 0 96 14

Carillon 0 97 14

Dulcimer 0 0 15

Dulcimr2 0 35 15

Cimbalom 0 96 15

Santur 0 97 15

DrawOrgn 0 0 16

Voice #

Voice Name MSB # LSB #

Voice #

Voice Name MSB # LSB #

DetDrwOr 0 32 16

60sDrOr1 0 33 16

60sDrOr2 0 34 16

70sDrOr1 0 35 16

DrawOrg2 0 36 16

60sDrOr3 0 37 16

EvenBar 0 38 16

16+2’2/3 0 40 16

Organ Ba 0 64 16

70sDrOr2 0 65 16

CheezOrg 0 66 16

DrawOrg3 0 67 16

PercOrgn 0 0 17

70sPcOr1 0 24 17

DetPrcOr 0 32 17

Lite Org 0 33 17

PercOrg2 0 37 17

RockOrgn 0 0 18

RotaryOr 0 64 18

SloRotar 0 65 18

FstRotar 0 66 18

ChrchOrg 0 0 19

ChurOrg3 0 32 19

ChurOrg2 0 35 19

NotreDam 0 40 19

OrgFlute 0 64 19

TrmOrgFl 0 65 19

ReedOrgn 0 0 20

Puff Org 0 40 20

Acordion 0 0 21

AccordIt 0 32 21

Harmnica 0 0 22

Harmo. 2 0 32 22

TangoAcd 0 0 23

TngoAcd2 0 64 23

NylonGtr 0 0 24

NylonGt2 0 16 24

NylonGt3 0 25 24

VelGtHrm 0 43 24

Ukulele 0 96 24

SteelGtr 0 0 25

SteelGt2 0 16 25

12StrGtr 0 35 25

Nyln&Stl 0 40 25

Stl&Body 0 41 25

Mandolin 0 96 25

Jazz Gtr 0 0 26

MelloGtr 0 18 26

Jazz Amp 0 32 26

CleanGtr 0 0 27

ChorusGt 0 32 27

Mute Gtr 0 0 28

FunkGtr1 0 40 28

MuteStlG 0 41 28

FunkGtr2 0 43 28

Jazz Man 0 45 28

Ovrdrive 0 0 29

Gt.Pinch 0 43 29

Dist.Gtr 0 0 30

FeedbkGt 0 40 30

FeedbGt2 0 41 30

GtrHarmo 0 0 31

GtFeedbk 0 65 31

GtrHrmo2 0 66 31

Aco.Bass 0 0 32

JazzRthm 0 40 32

VXUprght 0 45 32

FngrBass 0 0 33

FingrDrk 0 18 33

FlangeBa 0 27 33

Ba&DstEG 0 40 33

FngrSlap 0 43 33

FngBass2 0 45 33

Mod.Bass 0 65 33

PickBass 0 0 34

MutePkBa 0 28 34

Fretless 0 0 35

Fretles2 0 32 35

Fretles3 0 33 35

Fretles4 0 34 35

SynFretl 0 96 35

SmthFrt1 0 97 35

SlapBas1 0 0 36

ResoSlap 0 27 36

PunchThm 0 32 36

SlapBas2 0 0 37

VeloSlap 0 43 37

SynBass1 0 0 38

SynBa1Dk 0 18 38

FastResB 0 20 38

AcidBass 0 24 38

Clv Bass 0 35 38

TechnoBa 0 40 38

Orbiter 0 64 38

Sqr.Bass 0 65 38

RubberBa 0 66 38

Hammer 0 96 38

SynBass2 0 0 39

MelloSBa 0 6 39

Seq Bass 0 12 39

ClkSynBa 0 18 39

SynBa2Dk 0 19 39

SmthSynB 0 32 39

ModulrBa 0 40 39

DX Bass 0 41 39

X WireBa 0 64 39

Violin 0 0 40

Slow Vln 0 8 40

Viola 0 0 41

Cello 0 0 42

Contrabs 0 0 43

Trem.Str 0 0 44

SlwTrStr 0 8 44

Susp.Str 0 40 44

Pizz.Str 0 0 45

Harp 0 0 46

YangChin 0 40 46

Timpani 0 0 47

Strings1 0 0 48

S.Strngs 0 3 48

Program

Change #

(0-127)

Program

Change #

(0-127)

Program

Change #

(0-127)

CVP-202

Voice List / Stimmenverzeichnis /Liste des voix / Lista de voces

Slow Str 0 8 48

Arco Str 0 24 48

60sStrng 0 35 48

Orchestr 0 40 48

Orchstr2 0 41 48

TremOrch 0 42 48

Velo.Str 0 45 48

Strings2 0 0 49

S.SlwStr 0 3 49

LegatoSt 0 8 49

Warm Str 0 40 49

Kingdom 0 41 49

70s Str 0 64 49

Strings3 0 65 49

Syn Str1 0 0 50

Reso Str 0 27 50

Syn Str4 0 64 50

Syn Str5 0 65 50

Syn Str2 0 0 51

ChoirAah 0 0 52

S.Choir 0 3 52

Ch.Aahs2 0 16 52

MelChoir 0 32 52

ChoirStr 0 40 52

VoiceOoh 0 0 53

SynVoice 0 0 54

SyVoice2 0 40 54

Choral 0 41 54

AnaVoice 0 64 54

Orch.Hit 0 0 55

OrchHit2 0 35 55

Impact 0 64 55

Trumpet 0 0 56

Trumpet2 0 16 56

BriteTrp 0 17 56

Warm Trp 0 32 56

Trombone 0 0 57

Trmbone2 0 18 57

Tuba 0 0 58

Tuba 2 0 16 58

Mute Trp 0 0 59

Fr.Horn 0 0 60

FrHrSolo 0 6 60

FrHorn 2 0 32 60

HornOrch 0 37 60

BrssSect 0 0 61

Tp&TbSec 0 35 61

BrssSec2 0 40 61

HiBrass 0 41 61

MelloBrs 0 42 61

SynBrss1 0 0 62

Quack Br 0 12 62

RezSynBr 0 20 62

PolyBrss 0 24 62

SynBrss3 0 27 62

JumpBrss 0 32 62

AnVelBr1 0 45 62

AnVelBr2 0 64 62

SynBrss2 0 0 63

Soft Brs 0 18 63

SynBrss4 0 40 63

Voice #

Voice Name MSB # LSB #

Voice #

Voice Name MSB # LSB #

Voice #

Voice Name MSB # LSB #

ChoirBrs 0 41 63

VelBrss2 0 45 63

AnaBrss2 0 64 63

SprnoSax 0 0 64

Alto Sax 0 0 65

Sax Sect 0 40 65

HyprAlto 0 43 65

TenorSax 0 0 66

BrthTnSx 0 40 66

SoftTenr 0 41 66

TnrSax 2 0 64 66

Bari.Sax 0 0 67

Oboe 0 0 68

Eng.Horn 0 0 69

Bassoon 0 0 70

Clarinet 0 0 71

Piccolo 0 0 72

Flute 0 0 73

Recorder 0 0 74

PanFlute 0 0 75

Bottle 0 0 76

Shakhchi 0 0 77

Whistle 0 0 78

Ocarina 0 0 79

SquareLd 0 0 80

SquarLd2 0 6 80

LMSquare 0 8 80

Hollow 0 18 80

Shroud 0 19 80

Mellow 0 64 80

SoloSine 0 65 80

SineLead 0 66 80

Saw Lead 0 0 81

Saw Ld 2 0 6 81

ThickSaw 0 8 81

Dyna Saw 0 18 81

Digi Saw 0 19 81

Big Lead 0 20 81

HeavySyn 0 24 81

WaspySyn 0 25 81

PulseSaw 0 40 81

Dr. Lead 0 41 81

VeloLead 0 45 81

Seq Ana. 0 96 81

CaliopLd 0 0 82

PureLead 0 65 82

Chiff Ld 0 0 83

Rubby 0 64 83

CharanLd 0 0 84

DistLead 0 64 84

WireLead 0 65 84

Voice Ld 0 0 85

SynthAah 0 24 85

Vox Lead 0 64 85

Fifth Ld 0 0 86

Big Five 0 35 86

Bass&Ld 0 0 87

Big&Low 0 16 87

Fat&Prky 0 64 87

Soft Wrl 0 65 87

NewAgePd 0 0 88

Fantasy 0 64 88

Warm Pad 0 0 89

ThickPad 0 16 89

Soft Pad 0 17 89

Sine Pad 0 18 89

Horn Pad 0 64 89

RotarStr 0 65 89

PolySyPd 0 0 90

PolyPd80 0 64 90

ClickPad 0 65 90

Ana. Pad 0 66 90

SquarPad 0 67 90

ChoirPad 0 0 91

Heaven 0 64 91

Itopia 0 66 91

CC Pad 0 67 91

BowedPad 0 0 92

Glacier 0 64 92

GlassPad 0 65 92

MetalPad 0 0 93

Tine Pad 0 64 93

Pan Pad 0 65 93

Halo Pad 0 0 94

SweepPad 0 0 95

Shwimmer 0 20 95

Converge 0 27 95

PolarPad 0 64 95

Celstial 0 66 95

Rain 0 0 96

ClaviPad 0 45 96

HrmoRain 0 64 96

AfrcnWnd 0 65 96

Carib 0 66 96

SoundTrk 0 0 97

Prologue 0 27 97

Ancestrl 0 64 97

Crystal 0 0 98

SynDrCmp 0 12 98

Popcorn 0 14 98

TinyBell 0 18 98

RndGlock 0 35 98

GlockChi 0 40 98

ClearBel 0 41 98

ChorBell 0 42 98

SynMalet 0 64 98

SftCryst 0 65 98

LoudGlok 0 66 98

ChrstBel 0 67 98

VibeBell 0 68 98

DigiBell 0 69 98

AirBells 0 70 98

BellHarp 0 71 98

Gamelmba 0 72 98

Atmosphr 0 0 99

WarmAtms 0 18 99

HollwRls 0 19 99

Nylon EP 0 40 99

NylnHarp 0 64 99

Harp Vox 0 65 99

AtmosPad 0 66 99

Planet 0 67 99

Program

Change #

(0-127)

Program

Change #

(0-127)

Program

Change #

(0-127)

CVP-202 7

Voice #

Voice Name MSB # LSB #

Voice #

Voice Name MSB # LSB #

Bright 0 0 100

FantaBel 0 64 100

Smokey 0 96 100

Goblins 0 0 101

GobSynth 0 64 101

Creeper 0 65 101

Ring Pad 0 66 101

Ritual 0 67 101

ToHeaven 0 68 101

Night 0 70 101

Glisten 0 71 101

BelChoir 0 96 101

Echoes 0 0 102

Echoes 2 0 8 102

Echo Pan 0 14 102

EchoBell 0 64 102

Big Pan 0 65 102

SynPiano 0 66 102

Creation 0 67 102

StarDust 0 68 102

Reso&Pan 0 69 102

Sci-Fi 0 0 103

Starz 0 64 103

Sitar 0 0 104

DetSitar 0 32 104

Sitar 2 0 35 104

Tambra 0 96 104

Tamboura 0 97 104

Banjo 0 0 105

MuteBnjo 0 28 105

Rabab 0 96 105

Gopichnt 0 97 105

Oud 0 98 105

Shamisen 0 0 106

Koto 0 0 107

Taisho-k 0 96 107

Kanoon 0 97 107

Kalimba 0 0 108

Bagpipe 0 0 109

Fiddle 0 0 110

Shanai 0 0 111

Shanai 2 0 64 111

Pungi 0 96 111

Hichriki 0 97 111

TnklBell 0 0 112

Bonang 0 96 112

Altair 0 97 112

Gamelan 0 98 112

S.Gamlan 0 99 112

Rama Cym 0 100 112

AsianBel 0 101 112

Agogo 0 0 113

SteelDrm 0 0 114

GlasPerc 0 97 114

ThaiBell 0 98 114

WoodBlok 0 0 115

Castanet 0 96 115

TaikoDrm 0 0 116

Gr.Cassa 0 96 116

MelodTom 0 0 117

Mel Tom2 0 64 117

Real Tom 0 65 117

Rock Tom 0 66 117

Syn Drum 0 0 118

Ana Tom 0 64 118

ElecPerc 0 65 118

RevCymbl 0 0 119

FretNoiz 0 0 120

BrthNoiz 0 0 121

Seashore 0 0 122

Tweet 0 0 123

Telphone 0 0 124

Helicptr 0 0 125

Applause 0 0 126

Gunshot 0 0 127

CuttngNz 64 0 0

CttngNz2 64 0 1

Str Slap 64 0 3

SONG DEMO

Title Composer

Song 1 Andante Spianato and Grand

Polonaise Brillante Op.22 F. Chopin

Song 3 Beautiful Dreamer S.C. Foster

Song 4 Annie Laurie Traditional

Voice #

Voice Name MSB # LSB #

Demo Songs / Demo-Songs /

Morceaux de démo / Canciones de demostración

• Some of the demonstration pieces listed above are specially-arranged excerpts from the original compositions listed above.

• Bei manchen der oben aufgelisteten Demostücke handelt es sich um Auszüge aus den Originalkompositionen mit speziel-

• Certains des morceaux de démonstration énumérés ci-dessus sont de courts extraits des compositions originales.

• Alguna de las piezas de demostración arriba listadas son exceptos especialmente preparados de las composiciones

VOICE DEMO

Voice Group Title Composer

Piano&Harpsi. Consolation No.3 F. Chopin

Gavotte J.S. Bach

Fl.KClik 64 0 16

Shower 64 0 32

Thunder 64 0 33

Wind 64 0 34

Stream 64 0 35

Bubble 64 0 36

Feed 64 0 37

Dog 64 0 48

Horse 64 0 49

Tweet 2 64 0 50

Ghost 64 0 54

Maou 64 0 55

Tel.Dial 64 0 64

DoorSqek 64 0 65

DoorSlam 64 0 66

ScratchC 64 0 67

ScratchS 64 0 68

WindChim 64 0 69

Telphon2 64 0 70

CarEIgnt 64 0 80

CarTSqel 64 0 81

Car Pass 64 0 82

CarCrash 64 0 83

Siren 64 0 84

Train 64 0 85

JetPlane 64 0 86

Starship 64 0 87

Burst 64 0 88

Coaster 64 0 89

Submarin 64 0 90

Laugh 64 0 96

Scream 64 0 97

Punch 64 0 98

Heart 64 0 99

Footstep 64 0 100

MchinGun 64 0 112

LaserGun 64 0 113

Xplosion 64 0 114

Firework 64 0 115

Program

Change #

(0-127)

Program

Change #

(0-127)

Program

Change #

(0-127)

CVP-202

Drum/key Assignment List / Verzeichnis der

Liste d’assignation instrument de batterie/

Lista de asignaciones de teclas/batería

Bank Select MSB 127 127 127 127 127 127 127

Bank Select LSB 0 0 00000

Program Change (0-127) 0 1 8 16 24 25 27

Keyboard MIDI Key Alternate Standard Kit 1 Standard Kit 2 Room Kit Rock Kit Electro Kit Analog Kit Dance Kit

Note Note # Note off assign

C#113C#-1 3 Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute

D 1 14 D -1 3 Surdo Open Surdo Open Surdo Open Surdo Open Surdo Open Surdo Open Surdo Open

D#115D#-1 Hi Q Hi Q Hi Q Hi Q Hi Q Hi Q Hi Q

E 1 16 E -1 Whip Slap Whip Slap Whip Slap Whip Slap Whip Slap Whip Slap Whip Slap

F 1 17 F -1 4 Scratch H Scratch H Scratch H Scratch H Scratch H Scratch H Scratch H

F#118F#-1 4 Scratch L Scratch L Scratch L Scratch L Scratch L Scratch L Scratch L

G 1 19 G -1 Finger Snap Finger Snap Finger Snap Finger Snap Finger Snap Finger Snap Finger Snap

G#120G#-1 Click Noise Click Noise Click Noise Click Noise Click Noise Click Noise Click Noise

A 1 21 A -1 Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click

A#122A#-1 Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell

B 1 23 B -1 Seq Click L Seq Click L Seq Click L Seq Click L Seq Click L Seq Click L Seq Click L

C 2 24 C 0 Seq Click H Seq Click H Seq Click H Seq Click H Seq Click H Seq Click H Seq Click H

C#225C#0 Brush Tap Brush Tap Brush Tap Brush Tap Brush Tap Brush Tap Brush Tap

D2 26 D0

Brush Swirl Brush Swirl Brush Swirl Brush Swirl Brush Swirl Brush Swirl Brush Swirl

D#227D#0 Brush Slap Brush Slap Brush Slap Brush Slap Brush Slap Brush Slap Brush Slap

E2 28 E0

BrushTapSwrl BrushTapSwrl BrushTapSwrl BrushTapSwrl ReversCymbal ReversCymbal ReversCymbal

F2 29 F0

Snare Roll Snare Roll 2 Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll

F#230F#0 Castanet Castanet Castanet Castanet Hi Q 2 Hi Q 2 Hi Q 2

G 2 31 G 0 Snare Soft Snare Soft 2 Snare Soft Snare Noisy SnrSnpyElctr SnareNoisy 4 SnareTechno3

G#232G#0 Sticks Sticks Sticks Sticks Sticks Sticks Sticks

A 2 33 A 0 Kick Soft Kick Soft Kick Soft Kick Tight 2 Kick 3 Kick Tight 2 KickTechno Q

A#234A#0 OpenRimShot RimShotHShrt OpenRimShot OpenRimShot OpenRimShot OpenRimShot Rim Gate

B 2 35 B 0 Kick Tight KickTghtShrt Kick Tight Kick 2 Kick Gate KickAnlgShrt KickTechno L

C 3 36 C 1 Kick Kick Short Kick Kick Gate KckGateHeavy Kick Analog KickTechno 2

C#337C#1 Side Stick Side Stick Side Stick Side Stick Side Stick SideStickAn SideStickAn

D 3 38 D 1 Snare Snare Short Snare Snappy Snare Rock SnareNoisy 2 SnareAnalog Snare Clap

D#339D#1 Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap

E 3 40 E 1 Snare Tight SnareTight H SnrTightSnpy SnareRockRim SnareNoisy 3 SnareAnalog2 Snare Dry 2

F 3 41 F 1 Floor Tom L Floor Tom L Tom Room 1 Tom Rock 1 TomElectro 1 Tom Analog 1 Tom Analog 1

F#342F#1 1 Hi-HatClosed Hi-HatClosed Hi-HatClosed Hi-HatClosed Hi-HatClosed HatCloseAnlg HiHatClose 3

G 3 43 G 1 Floor Tom H Floor Tom H Tom Room 2 Tom Rock 2 TomElectro 2 Tom Analog 2 Tom Analog 2

G#344G#1 1 Hi-Hat Pedal Hi-Hat Pedal Hi-Hat Pedal Hi-Hat Pedal Hi-Hat Pedal HatCloseAn 2 HatCloseAn 2

A 3 45 A 1 Low Tom Low Tom Tom Room 3 Tom Rock 3 TomElectro 3 Tom Analog 3 Tom Analog 3

A#346A#1 1 Hi-Hat Open Hi-Hat Open Hi-Hat Open Hi-Hat Open Hi-Hat Open HatOpen Anlg HiHat Open 3

B 3 47 B 1 Mid Tom L Mid Tom L Tom Room 4 Tom Rock 4 TomElectro 4 Tom Analog 4 Tom Analog 4

C 4 48 C 2 Mid Tom H Mid Tom H Tom Room 5 Tom Rock 5 TomElectro 5 Tom Analog 5 Tom Analog 5

C#449C#2 CrashCymbal1 CrashCymbal1 CrashCymbal1 CrashCymbal1 CrashCymbal1 Crash Analog Crash Analog

D 4 50 D 2 High Tom High Tom Tom Room 6 Tom Rock 6 TomElectro 6 Tom Analog 6 Tom Analog 6

D#451D#2 RideCymbal 1 RideCymbal 1 RideCymbal 1 RideCymbal 1 RideCymbal 1 RideCymbal 1 RideCymbal 1

E 4 52 E 2 Chinese Cym Chinese Cym Chinese Cym Chinese Cym Chinese Cym Chinese Cym Chinese Cym

F 4 53 F 2 Ride Cym Cup Ride Cym Cup Ride Cym Cup Ride Cym Cup Ride Cym Cup Ride Cym Cup Ride Cym Cup

F#454F#2 Tambourine Tambourine Tambourine Tambourine Tambourine Tambourine Tambourine

G 4 55 G 2 SplashCymbal SplashCymbal SplashCymbal SplashCymbal SplashCymbal SplashCymbal SplashCymbal

G#456G#2 Cowbell Cowbell Cowbell Cowbell Cowbell Cowbell Anlg Cowbell Anlg

A 4 57 A 2 CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2 CrashCymbal2

A#458A#2 Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap

B 4 59 B 2 RideCymbal 2 RideCymbal 2 RideCymbal 2 RideCymbal 2 RideCymbal 2 RideCymbal 2 RideCymbal 2

C 5 60 C 3 Bongo H Bongo H Bongo H Bongo H Bongo H Bongo H Bongo H

C#561C#3 Bongo L Bongo L Bongo L Bongo L Bongo L Bongo L Bongo L

D 5 62 D 3 Conga H Mute Conga H Mute Conga H Mute Conga H Mute Conga H Mute Conga Anlg H Conga Anlg H

D#563D#3 Conga H Open Conga H Open Conga H Open Conga H Open Conga H Open Conga Anlg M Conga Anlg M

E 5 64 E 3 Conga L Conga L Conga L Conga L Conga L Conga Anlg L Conga Anlg L

F 5 65 F 3 Timbale H Timbale H Timbale H Timbale H Timbale H Timbale H Timbale H

F#566F#3 Timbale L Timbale L Timbale L Timbale L Timbale L Timbale L Timbale L

G 5 67 G 3 Agogo H Agogo H Agogo H Agogo H Agogo H Agogo H Agogo H

G#568G#3 Agogo L Agogo L Agogo L Agogo L Agogo L Agogo L Agogo L

A 5 69 A 3 Cabasa Cabasa Cabasa Cabasa Cabasa Cabasa Cabasa

A#570A#3 Maracas Maracas Maracas Maracas Maracas Maracas 2 Maracas 2

B5 71 B3

SambaWhistlH SambaWhistlH SambaWhistlH SambaWhistlH SambaWhistlH SambaWhistlH SambaWhistlH

C6 72 C4

SambaWhistlL SambaWhistlL SambaWhistlL SambaWhistlL SambaWhistlL SambaWhistlL SambaWhistlL

C#673C#4 Guiro Short Guiro Short Guiro Short Guiro Short Guiro Short Guiro Short Guiro Short

D6 74 D4

Guiro Long Guiro Long Guiro Long Guiro Long Guiro Long Guiro Long Guiro Long

D#675D#4 Claves Claves Claves Claves Claves Claves 2 Claves 2

E 6 76 E 4 Wood Block H Wood Block H Wood Block H Wood Block H Wood Block H Wood Block H Wood Block H

F 6 77 F 4 Wood Block L Wood Block L Wood Block L Wood Block L Wood Block L Wood Block L Wood Block L

F#678F#4 Cuica Mute Cuica Mute Cuica Mute Cuica Mute Scratch H 2 Scratch H 2 Scratch H 2

G 6 79 G 4 Cuica Open Cuica Open Cuica Open Cuica Open Scratch L 2 Scratch L 3 Scratch L 3

G#680G#4 2 TriangleMute TriangleMute TriangleMute TriangleMute TriangleMute TriangleMute TriangleMute

A 6 81 A 4 2 TriangleOpen TriangleOpen TriangleOpen TriangleOpen TriangleOpen TriangleOpen TriangleOpen

A#682A#4 Shaker Shaker Shaker Shaker Shaker Shaker Shaker

B 6 83 B 4 Jingle Bells Jingle Bells Jingle Bells Jingle Bells Jingle Bells Jingle Bells Jingle Bells

C 7 84 C 5 Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree

– 85 C#5

– 86 D 5

– 87 D#5

– 88 E 5

– 89 F 5

– 90 F#5

– 91 G 5

• Key Off: Keys marked “

” stop sounding the instant they are released.

• Alternate Assign: Playing any instrument within a numbered group will imme-

diately stop the sound of any other instrument in the same group of the same

number.

• Key Off: Durch “

” gekennzeichnete Klänge verstummen beim Loslassen

der Taste.

• Alternate Assign: Mit derselben Nummer gekennzeichnete Klänge werden

von demselben Instrument erzeugt und können daher nicht gleichzeitig

produziert werden. Spielt einer dieser Klänge gerade, wird er beim

Anschlagen einer anderen Taste mit derselben “Alternate Assign”-Nummer

stummgeschaltet.

CVP-202 9

Schlagzeugklänge /

touche du clavier /

Bank Select MSB 127 127 127 127 127 126 126

Bank Select LSB 0000000

Program Change (0-127) 32 40 48 80 82 0 1

Keyboard MIDI Key Alternate Jazz Kit Brush Kit Symphony Kit Sty Std.Kit Sty BrushKit SFX Kit 1 SFX Kit 2

Note Note # Note off assign

C#113C#-1 3 Surdo Mute Surdo Mute Surdo Mute Surdo Mute Surdo Mute

D 1 14 D -1 3 Surdo Open Surdo Open Surdo Open Surdo Open Surdo Open

D#115D#-1 Hi Q Hi Q Hi Q Hi Q Hi Q

E 1 16 E -1 Whip Slap Whip Slap Whip Slap Whip Slap Whip Slap

F 1 17 F -1 4 Scratch H Scratch H Scratch H Scratch H Scratch H

F#118F#-1 4 Scratch L Scratch L Scratch L Scratch L Scratch L

G 1 19 G -1 Finger Snap Finger Snap Finger Snap Finger Snap Finger Snap

G#120G#-1 Click Noise Click Noise Click Noise Click Noise Click Noise

A 1 21 A -1 Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click Mtrnm Click

A#122A#-1 Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell Mtrnm Bell

B 1 23 B -1 Seq Click L Seq Click L Seq Click L Seq Click L Seq Click L

C 2 24 C 0 Seq Click H Seq Click H Seq Click H Seq Click H Seq Click H

C#225C#0 Brush Tap Brush Tap Brush Tap BrshTpStyStd BrshTpStBrsh

D2 26 D0

Brush Swirl Brush Swirl Brush Swirl BrshSwStyStd BrshSwStBrsh

D#227D#0 Brush Slap Brush Slap Brush Slap BrshSlStyStd BrshSlStBrsh

E2 28 E0

BrushTapSwrl BrushTapSwrl BrushTapSwrl BrshTSStyStd BrshTSStBrsh

F2 29 F0

Snare Roll Snare Roll Snare Roll Snare Roll Snare Roll

F#230F#0 Castanet Castanet Castanet Castanet Castanet

G 2 31 G 0 Snare Soft Brush Slap 2 Brush Slap 2 SnrSftStyStd SnrSftStBrsh

G#232G#0 Sticks Sticks Sticks Sticks Sticks

A 2 33 A 0 Kick Soft Kick Soft Kick Soft 2 KckSftStyStd KckSftStBrsh

A#234A#0 OpenRimShot OpenRimShot OpenRimShot RimShtStyStd RimShtStBrsh

B 2 35 B 0 Kick Tight Kick Tight Gran Cassa KickT StyStd KickT StBrsh

C 3 36 C 1 Kick Jazz Kick Small GranCassa Mu Kick StyStd Kick StBrsh CuttingNoiz Phone Call

C#337C#1 Side Stick Side Stick Side Stick S StckStyStd S StckStBrsh CuttingNoiz2 Door Squeak

D 3 38 D 1 Snare Brush Slap 3 Band Snare Snare StyStd Snare StBrsh Door Slam

D#339D#1 Hand Clap Hand Clap Hand Clap Hand Clap Hand Clap String Slap Scratch Cut

E 3 40 E 1 Snare Tight Brush Tap 2 Band Snare 2 Snr T StyStd Snr T StBrsh Scratch H 3

F 3 41 F 1 Tom Jazz 1 Tom Brush 1 Tom Jazz 1 FlrTmLStyStd FlrTmLStBrsh Wind Chime

F#342F#1 1 Hi-HatClosed Hi-HatClosed Hi-HatClosed HHCls StyStd HHCls StBrsh Telephone 2

G 3 43 G 1 Tom Jazz 2 Tom Brush 2 Tom Jazz 2 FlrTmHStyStd FlrTmHStBrsh

G#344G#1 1 Hi-Hat Pedal Hi-Hat Pedal Hi-Hat Pedal HHPdl StyStd HHPdl StBrsh

A 3 45 A 1 Tom Jazz 3 Tom Brush 3 Tom Jazz 3 LoTmStyStd LoTmStBrsh

A#346A#1 1 Hi-Hat Open Hi-Hat Open Hi-Hat Open HHOpn StyStd HHOpn StBrsh

B 3 47 B 1 Tom Jazz 4 Tom Brush 4 Tom Jazz 4 MidTmLStyStd MidTmLStBrsh

C 4 48 C 2 Tom Jazz 5 Tom Brush 5 Tom Jazz 5 MidTmHStyStd MidTmHStBrsh

C#449C#2 CrashCymbal1 CrashCymbal1 Hand Cymbal Crash1StyStd Crash1StBrsh

D 4 50 D 2 Tom Jazz 6 Tom Brush 6 Tom Jazz 6 HiTom StyStd HiTom StBrsh

D#451D#2 RideCymbal 1 RideCymbal 1 HandCymShort Ride1 StyStd Ride1 StBrsh

E 4 52 E 2 Chinese Cym Chinese Cym Chinese Cym ChiCymStyStd ChiCymStBrsh Fl.Key Click Ignition

F 4 53 F 2 Ride Cym Cup Ride Cym Cup Ride Cym Cup R Cup StyStd R Cup StBrsh Squeal

F#454F#2 Tambourine Tambourine Tambourine Tambourine Tambourine Exhaust

G 4 55 G 2 SplashCymbal SplashCymbal SplashCymbal SplashStyStd SplashStBrsh Crash

G#456G#2 Cowbell Cowbell Cowbell Cowbell Cowbell Siren

A 4 57 A 2 CrashCymbal2 CrashCymbal2 HandCymbal 2 Crash2StyStd Crash2StBrsh Train

A#458A#2 Vibraslap Vibraslap Vibraslap Vibraslap Vibraslap Jet Plane

B 4 59 B 2 RideCymbal 2 RideCymbal 2 HandCym2Shrt Ride 2StyStd Ride 2StBrsh Starship

C 5 60 C 3 Bongo H Bongo H Bongo H Bongo H Bongo H Burst

C#561C#3 Bongo L Bongo L Bongo L Bongo L Bongo L Coaster

D 5 62 D 3 Conga H Mute Conga H Mute Conga H Mute Conga H Mute Conga H Mute Submarine

D#563D#3 Conga H Open Conga H Open Conga H Open Conga H Open Conga H Open

E 5 64 E 3 Conga L Conga L Conga L Conga L Conga L

F 5 65 F 3 Timbale H Timbale H Timbale H Timbale H Timbale H

F#566F#3 Timbale L Timbale L Timbale L Timbale L Timbale L

G 5 67 G 3 Agogo H Agogo H Agogo H Agogo H Agogo H

G#568G#3 Agogo L Agogo L Agogo L Agogo L Agogo L Shower Laugh

A 5 69 A 3 Cabasa Cabasa Cabasa Cabasa Cabasa Thunder Scream

A#570A#3 Maracas Maracas Maracas Maracas Maracas Wind Punch

B5 71 B3

SambaWhistlH SambaWhistlH SambaWhistlH SambaWhistlH SambaWhistlH Stream Heartbeat

C6 72 C4

SambaWhistlL SambaWhistlL SambaWhistlL SambaWhistlL SambaWhistlL Bubble Footsteps

C#673C#4 Guiro Short Guiro Short Guiro Short Guiro Short Guiro Short Feed

D6 74 D4

Guiro Long Guiro Long Guiro Long Guiro Long Guiro Long

D#675D#4 Claves Claves Claves Claves Claves

E 6 76 E 4 Wood Block H Wood Block H Wood Block H Wood Block H Wood Block H

F 6 77 F 4 Wood Block L Wood Block L Wood Block L Wood Block L Wood Block L

F#678F#4 Cuica Mute Cuica Mute Cuica Mute Cuica Mute Cuica Mute

G 6 79 G 4 Cuica Open Cuica Open Cuica Open Cuica Open Cuica Open

G#680G#4 2 TriangleMute TriangleMute TriangleMute TriangleMute TriangleMute

A 6 81 A 4 2 TriangleOpen TriangleOpen TriangleOpen TriangleOpen TriangleOpen

A#682A#4 Shaker Shaker Shaker Shaker Shaker

B 6 83 B 4 Jingle Bells Jingle Bells Jingle Bells Jingle Bells Jingle Bells

C 7 84 C 5 Bell Tree Bell Tree Bell Tree Bell Tree Bell Tree Dog Machine Gun

– 85 C#5Horse Laser Gun

– 86 D 5 Bird Tweet 2 Explosion

– 87 D#5Firework

– 88 E 5

– 89 F 5

– 90 F#5Ghost

– 91 G 5 Maou

• Key off : Le son produit par les touches marquées “

” cesse à l’instant où la

touche est relâchée.

• Alternate Assign : Le fait de jouer un instrument appartenant à un groupe

ayant un numéro arrête immédiatement le son de tout autre instrument

appartenant à un groupe ayant le même numéro.

• Key Off: Las teclas marcadas con “

” dejan de sonar en el momento en

que se sueltan.

• Alternate Assign: Al tocar algún instrumento con un grupo numerado

detendrá inmediatamente el sonido de cualquier otro instrumento del mismo

grupo con el mismo número.

CVP-202

Style List

Style-Verzeichnis

Liste des styles

Lista de estilos

POP&ROCK 60’sGtrPop

60’s8Beat

8Beat1

OffBeat

60’sRock

RockShuffle

8BeatRock

PopShuffle1

PopShuffle2

GuitarPop

16BtUptempo

KoolShuffle

JazzRock

POPBALLADS

8BeatModern

MovieBallad

SecretServce

OrganBallad

Unplugged

8BeatAdria

PianoBallad

RomanticBld

LoveSong

6/8ModernEP

6/8SlowRock1

6/8SlowRock2

16Beat

PopBallad

16BeatBalad1

16BeatBalad2

RockBallad

DANCE EuroTrance

Ibiza

HouseMusik

SwingHouse

Clubdance

ClubLatin

Garage

TechnoParty

UKPop

HipHopGroove

HipHopLight

HipHopPop

70’sDisco1

70’sDisco2

LatinDisco

SaturdyNight

DiscoHands

SWING& BigBandFast1

JAZZ BigBandMed1

40’sBigBand

BigBandFast2

BigBandMed2

BigBandBalad

BigBandShufl

JazzClub

Swing1

Swing2

Five/Four

JazzPiano

Bebop

JazzBallad1

GypsySwing

ElectricJazz

Charleston

Dixieland

Ragtime

R&B Soul

DetroitPop

60’sRock&Rol

SwingBoogie

Gospel Bros

6/8Soul

CrocoTwist

Rock&Roll

SoulBeat

SoulShuffle

6/8Blues

BluesPiano

Amaz.Gospel

ComboBoogie

COUNTRY Country8Beat

CountryPop

CountryRock

CountrySwing

CountryWaltz

CntryBallad

Country2/4

CowboyBoogie

CntryShuffle

Hoedown

Style Group Style Name

LATIN Brazil Samba

BossaNova

PopBossa

BigBandMambo

BigBandSalsa

Tijuana

DiscoLatin

RockChaCha

Beguine

Mambo

Salsa

GypsyRumba

HappyReggae

MARCH& USMarch

WORLD 6/8March

GermanMarch

Showtune

PolkaPop

OberPolka

ScottishReel

Hawaiian

Tarantella

HullyGully

Enka

PopEnka

X’masWaltz

X’masSwing

WALTZ Gtr Serenade

SwingWaltz

JazzWaltz1

JazzWaltz2

OberWalzer

Musette

BALLROOM VienneseWltz

EnglishWaltz

Slowfox

Foxtrot

Quickstep

Tango

Pasodoble

Samba

ChaChaCha

Rumba

Jive

PIANIST Stride1

Stride2

PianoSwing1

PianoSwing2

PianoSwing3

PianoRag1

PianoRag2

Arpeggio1

Arpeggio2

Arpeggio3

PianoOrchBld

Musical

Traditional1

Traditional2

Traditional3

PianoBoogie

PnoRock&Roll

SlowRock

2BeatSwing

JazzBallad2

8Beat2

8BeatBallad1

8BeatBallad2

4Stroke

Nocturne

PianoMarch1

PianoMarch2

6/8PnoMarch

Waltz

JazzWaltz3

PianoBossa

PianoSamba

PianoChaCha

PianoBeguine

PianoRumba

SlowWaltz

Style Group Style Name Style Group Style Name Style Group Style Name

CVP-202 11

Parameter Chart

Parameterübersicht

Tableau des paramètres

Gráfica de parámetros

One Touch

Setting

Music

Database

Set Up

Memory

Registration Freeze

Group

All Set Up Backup Group Recall Group

OOOVOICE SETTING OVOICE SETTING VOICE SETTING

O O O VOICE SETTING OVOICE SETTING VOICE SETTING

OOOVOICE SETTING OVOICE SETTING VOICE SETTING

O O O VOICE SETTING OVOICE SETTING VOICE SETTING

——— — OVOICE SETTING VOICE SETTING

O O O VOICE SETTING OVOICE SETTING VOICE SETTING

OOOVOICE SETTING OVOICE SETTING VOICE SETTING

O O O VOICE SETTING OVOICE SETTING VOICE SETTING

OOOVOICE SETTING OVOICE SETTING VOICE SETTING

O O O VOICE SETTING OVOICE SETTING VOICE SETTING

OOOVOICE SETTING OVOICE SETTING VOICE SETTING

O O O VOICE SETTING OVOICE SETTING VOICE SETTING

OOOVOICE SETTING OVOICE SETTING VOICE SETTING

O O O VOICE SETTING OVOICE SETTING VOICE SETTING

OOOVOICE SETTING OVOICE SETTING VOICE SETTING

—O O VOICE SETTING OVOICE SETTING VOICE SETTING

—OOVOICE SETTING OVOICE SETTING VOICE SETTING

—O O VOICE SETTING OVOICE SETTING VOICE SETTING

—— OVOICE SETTING OVOICE SETTING VOICE SETTING

—O O VOICE SETTING OVOICE SETTING VOICE SETTING

—OOVOICE SETTING OVOICE SETTING VOICE SETTING

— — OPEDAL OPEDAL PEDAL

OOOREV/CHO/EFF OREV/CHO/EFF REV/CHO/EFF

—O O REV/CHO/EFF OREV/CHO/EFF REV/CHO/EFF

—OOREV/CHO/EFF OREV/CHO/EFF REV/CHO/EFF

—O O REV/CHO/EFF OREV/CHO/EFF REV/CHO/EFF

OOOREV/CHO/EFF OREV/CHO/EFF REV/CHO/EFF

O O O REV/CHO/EFF OREV/CHO/EFF REV/CHO/EFF

OOOREV/CHO/EFF OREV/CHO/EFF REV/CHO/EFF

REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF

OOOREV/CHO/EFF O

OOO O

REV/CHO/EFF REV/CHO/EFF

—OOREV/CHO/EFF OREV/CHO/EFF REV/CHO/EFF

REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF

Group Contents Default

VOICE RIGHT1 VOICE Grand Piano 1

RIGHT1 OCTAVE SHIFT 0

RIGHT1 PAN Center

RIGHT1 VOLUME 127

Selected voice in each VOICE SELECT page Top voice

HARMONY ON/OFF OFF

HARMONY TYPE Depends on voice selection.

HARMONY VOLUME Depends on voice selection.

HARMONY SPEED Depends on voice selection.

DUAL DUAL ON/OFF OFF

RIGHT2 VOICE SlowStrs.

RIGHT2 OCTAVE SHIFT 0

DUAL DETUNE DEPTH 5

RIGHT2 PAN Center

RIGHT2 VOLUME 127

SPLIT SPLIT ON/OFF OFF

LEFT VOICE Aco.Bass

LEFT OCTAVE SHIFT +1

SPLIT POINT F#2

LEFT PAN Center

LEFT VOLUME 127

PEDAL RANGE RIGHT

REVERB REVERB ON/OFF Depends on voice selection.

REVERB TYPE Depends on style (voice)

selection.

REVERB TOTAL DEPTH 64

REVERB PART DEPTH (RHYTHM, ACMP) 64

REVERB PART DEPTH (LEFT, RIGHT1, RIGHT2) Depends on voice selection.

EFFECT EFFECT ON/OFF Depends on voice selection.

EFFECT TYPE (RIGHT1, RIGHT2, LEFT) Depends on voice selection.

EFFECT DEPTH Depends on voice selection.

EFFECT VARIATION Depends on voice selection.

CHORUS CHORUS TYPE Depends on style selection.

CHORUS DEPTH (RIGHT1, RIGHT2, LEFT) Depends on voice selection.

REGISTRATION REGISTRATION FREEZE ON/OFF OFF — — — — — REGISTRATION REGISTRATION

FREEZE CATEGORY ON/OFF (VOICE SETTING),

REVERB/EFFECT, TUNE, PEDAL, ACMP.SETTING

ACMP. SETTING: ON

Others: OFF

— — — — — REGISTRATION REGISTRATION

ALL REGISTRATION Memory Data (20) Factory preset data — — —

—

—OREGISTRATION REGISTRATION

MIXER MIXER PART VOLUME (RHYTHM, BASS, CHORD,

PAD, PHRASE)

110 — OACMP. SETTING OACMP SETTING ACMP SETTING

KEYBOARD VOLUME 127 —O O VOICE SETTING OVOICE SETTING VOICE SETTING

ACCOMPANIMENT STYLE 60’sGtrPop — O— ACMP. SETTING OACMP SETTING ACMP SETTING

Selected style in each STYLE SELECT page Top style — — — — OACMP SETTING ACMP SETTING

MAIN A/B/C/D MAIN C — O— ACMP. SETTING OACMP SETTING ACMP SETTING

ACMP. ON/OFF OFF ON ON — ACMP. SETTING OACMP SETTING ACMP SETTING

ACCOMPANIMENT MODE MULTI FINGER — — — ACMP. SETTING OACMP SETTING ACMP SETTING

TEMPO1Depends on style selection. —O—ACMP. SETTING OACMP SETTING ACMP SETTING

INTRO/FILL IN/ENDING OFF — — — ACMP. SETTING O——

METRONOME METRONOME TYPE NORMAL — — — — OACMP SETTING ACMP SETTING

METRONOME VOLUME 64 — — — — OACMP SETTING ACMP SETTING

SONG GUIDE MODE NORMAL — — — —

SOUND REPEAT AUTO — — — — OSONG SETTING SONG SETTING

PIANO ROLL DISPLAY AUTO — — — — OSONG SETTING SONG SETTING

GUIDE LAMP ON/OFF ON — — — — OSONG SETTING SONG SETTING

LYRICS ON/OFF ON — — —

—— —

—OSONG SETTING SONG SETTING

SONG VOLUME [ACMP/SONG VOLUME]

slider value

— — SONG SETTING

HELP LANGUAGE ENGLISH — — — — OAlways backed up. —

—

FUNCTION TUNE 440.0Hz (A3) — — — — OTUNE TUNE

TRANSPOSE (ALL) 0 — — — VOICE SETTING OVOICE SETTING VOICE SETTING

TRANSPOSE (SONG) 0 — — — — OVOICE SETTING VOICE SETTING

VOICE SETTING AUTO — — — — OVOICE SETTING VOICE SETTING

KEY TOUCH NORMAL — — — VOICE SETTING OVOICE SETTING VOICE SETTING

FIXED VELOCITY 76 — — — VOICE SETTING OVOICE SETTING VOICE SETTING

LEFT PEDAL FUNCTION SOFT —O O PEDAL OPEDAL PEDAL

LEFT PART MIDI SEND Ch. 3 — — — — OMIDI SETTING MIDI SETTING

RIGHT 1 PART MIDI SEND Ch. 1 — — — — OMIDI SETTING MIDI SETTING

RIGHT 2 PART MIDI SEND Ch. 2 — — — — OMIDI SETTING MIDI SETTING

LOCAL CONTROL ON/OFF ON — — — — OMIDI SETTING MIDI SETTING

SYNC. CLOCK INT. — — — — OMIDI SETTING MIDI SETTING

PROGRAM CHANGE SEND/RECEIVE ON/OFF TX&RX (ON) — — — — OMIDI SETTING MIDI SETTING

CONTROL CHANGE SEND/RECEIVE ON/OFF TX&RX (ON) — — — — OMIDI SETTING MIDI SETTING

SYSTEM EXCLUSIVE SEND/RECEIVE ON/OFF TX&RX (ON) — — — — OMIDI SETTING MIDI SETTING

START/STOP SEND/RECEIVE ON/OFF OFF — — — — OMIDI SETTING MIDI SETTING

MIDI FILTER ON/OFF (all channels) ON — — — — OMIDI SETTING MIDI SETTING

MIDI TRANSPOSE RECEIVE ON/OFF ON — — — — OMIDI SETTING MIDI SETTING

ACMP & RHY SEND ON/OFF OFF — — — — OMIDI SETTING MIDI SETTING

HARMONY SEND ON/OFF OFF — — — — OMIDI SETTING MIDI SETTING

SEQUENCER SEND ON/OFF OFF — — — — OMIDI SETTING MIDI SETTING

REMOTE KEYBOARD OFF — — — — OMIDI SETTING MIDI SETTING

MICRO TUNING ON/OFF OFF — — — — OTUNE TUNE

MICRO TUNE. SETTING 0 — — — — OTUNE TUNE

SCALE TUNING SELECT PRESET — — — TUNE OTUNE TUNE

PRESET SCALE SELECT EQUAL — — — TUNE OTUNE TUNE

PRESET SCALE KEY C — — — TUNE OTUNE TUNE

USER SCALE SETTING 0 — — — TUNE OTUNE TUNE

BACKUP ON/OFF Set separately for each

group.2

Always backed up.

—— —

1 When a Music Database setup or registration is recalled during Auto Accompaniment

playback, the style thereby selected will begin playing immediately if it is the same as

the style that is currently playing, or from the top of the next measure if it is a different

style.

2 REGISTRATION: ON; Others: OFF

1 Bei Wiederaufruf eines Musikdatenbank-Setup oder einer Registrierung während des

Auto Accompaniment-Backup (Backup von Autom. Begleitung) wird der dabei gewählte

Style sofort abgespielt, sofern dieser derselbe ist wie der aktuell abgespielte Style, oder

ab der obersten Stelle des nächsten Taktes, falls es sich um einen anderen Style

handelt.

2 REGISTRATION: ON; Andere: OFF

1 Si une configuration de Music Database ou une registration est rappelée au cours de

l’accompagnement automatique, le style ainsi sélectionné sera joué immédiatement s’il

est identique au style en cours de lecture, ou au début de la mesure suivante s’il s’agit

d’un style différent.

2 REGISTRATION : ON ; Autres : OFF

1 Cuando un registro o los ajustes Music Database están llamados durante una

reproducción Auto Accompaniment, el estilo seleccionado reproducirá inmediatamente

si es el mismo que el estilo que se está reproduciendo o desde el principio del compás

siguiente si es un estilo diferente.

2 REGISTRATION: ON; Otros: OFF

CVP-202

Fingering Chart / Akkordliste /

Tablature / Gráfica de digitado

* All fingerings shown are simple root-position types.

* Die hier gezeigten Akkorde sind jeweils die Grundakkorde.

* Tous les doigtés indiqués sont du type à position fondamentale simple.

* Todos los digitados se muestran como tipos de posición de raíz sencilla.

Example for “C” chords

Beispiele für “C”-Akkorde

Exemples d’accords en “C”

Ejemplo de acordes “C”

( )

(

11)

Cadd

9(9)

( )

(9)

(

Caug

(

( )

Cm Cm

(

( )

(9)

CmM

Cmadd

( )

(11)

( )

(

CmM

Cdim

( )

CmM

7(9) 77

C sus

( )

(9)

11)

( )

(

( )

(13)

(

( )

(

13)

Csus

(

( )

CVP-202 13

(2) RECEIVE FLOW

MIDI → KEY OFF 8nH

KEY ON/OFF 9nH

CONTROL CHANGE

BANK SELECT MSB BnH,00H

BANK SELECT LSB BnH,20H

MODULATION BnH,01H

PORTAMENTO TIME BnH,05H

DATA ENTRY MSB BnH,06H

DATA ENTRY LSB BnH,26H

MAIN VOLUME BnH,07H

PANPOT BnH,0AH

EXPRESSION BnH,0BH

SUSTAIN BnH,40H

PORTAMENTO BnH,41H

SOSTENUTO BnH,42H

SOFT PEDAL BnH,43H

HARMONIC CONTENT BnH,47H

RELEASE TIME BnH,48H

ATTACK TIME BnH,49H

BRIGHTNESS BnH,4AH

PORTAMENTO CONTROL BnH,54H

REVERB SEND LEVEL BnH,5BH

CHORUS SEND LEVEL BnH,5DH

VARIATION SEND LEVEL BnH,5EH

DATA INCREMENT BnH,60H

DATA DECREMENT BnH,61H

NRPN LSB BnH,62H

NRPN MSB BnH,63H

VIBRATO RATE BnH,63H,01H,62H,08H,06H,mmH

VIBRATO DEPTH BnH,63H,01H,62H,09H,06H,mmH

VIBRATO DELAY BnH,63H,01H,62H,0AH,06H,mmH

FILTER CUTOFF FREQ. BnH,63H,01H,62H,20H,06H,mmH

FILTER RESONANCE BnH,63H,01H,62H,21H,06H,mmH

EG ATTACK TIME BnH,63H,01H,62H,63H,06H,mmH

EG DECAY TIME BnH,63H,01H,62H,64H,06H,mmH

EG RELEASE BnH,63H,01H,62H,66H,06H,mmH

DRUM INST *1

CUTOFF FREQ. BnH,63H,14H,62H,rrH,06H,mmH

FILTER RESONANCE BnH,63H,15H,62H,rrH,06H,mmH

EG ATTACK RATE BnH,63H,16H,62H,rrH,06H,mmH

EG DECAY RATE BnH,63H,17H,62H,rrH,06H,mmH

PITCH COARSE BnH,63H,18H,62H,rrH,06H,mmH

Decimal Hexadecimal Binary Decimal Hexadecimal Binary

0 0 0 0000 0000

1 0 1 0000 0001

2 0 2 0000 0010

3 0 3 0000 0011

4 0 4 0000 0100

5 0 5 0000 0101

6 0 6 0000 0110

7 0 7 0000 0111

8 0 8 0000 1000

9 0 9 0000 1001

10 0A 0000 1010

11 0B 0000 1011

12 0C 0000 1100

13 0D 0000 1101

14 0E 0000 1110

15 0F 0000 1111

16 10 0001 0000

17 11 0001 0001

18 12 0001 0010

19 13 0001 0011

20 14 0001 0100

21 15 0001 0101

22 16 0001 0110

23 17 0001 0111

24 18 0001 1000

25 19 0001 1001

26 1A 0001 1010

27 1B 0001 1011

28 1C 0001 1100

29 1D 0001 1101

30 1E 0001 1110

31 1F 0001 1111

32 20 0010 0000

33 21 0010 0001

34 22 0010 0010

35 23 0010 0011

36 24 0010 0100

37 25 0010 0101

38 26 0010 0110

39 27 0010 0111

40 28 0010 1000

41 29 0010 1001

42 2A 0010 1010

43 2B 0010 1011

44 2C 0010 1100

45 2D 0010 1101

46 2E 0010 1110

47 2F 0010 1111

48 30 0011 0000

49 31 0011 0001

50 32 0011 0010

51 33 0011 0011

52 34 0011 0100

53 35 0011 0101

54 36 0011 0110

55 37 0011 0111

56 38 0011 1000

57 39 0011 1001

58 3A 0011 1010

59 3B 0011 1011

60 3C 0011 1100

61 3D 0011 1101

62 3E 0011 1110

63 3F 0011 1111

64 40 0100 0000

65 41 0100 0001

66 42 0100 0010

67 43 0100 0011

68 44 0100 0100

69 45 0100 0101

70 46 0100 0110

71 47 0100 0111

72 48 0100 1000

73 49 0100 1001

74 4A 0100 1010

75 4B 0100 1011

76 4C 0100 1100

77 4D 0100 1101

78 4E 0100 1110

79 4F 0100 1111

80 50 0101 0000

81 51 0101 0001

82 52 0101 0010

83 53 0101 0011

84 54 0101 0100

85 55 0101 0101

86 56 0101 0110

87 57 0101 0111

88 58 0101 1000

89 59 0101 1001

90 5A 0101 1010

91 5B 0101 1011

92 5C 0101 1100

93 5D 0101 1101

94 5E 0101 1110

95 5F 0101 1111

96 60 0110 0000

97 61 0110 0001

98 62 0110 0010

99 63 0110 0011

100 6 4 0110 0100

101 6 5 0110 0101

102 6 6 0110 0110

103 6 7 0110 0111

104 6 8 0110 1000

105 6 9 0110 1001

106 6A 0110 1010

107 6B 0110 1011

108 6C 0110 1100

109 6D 0110 1101

110 6E 0110 1110

111 6F 0110 1111

112 7 0 0111 0000

113 7 1 0111 0001

114 7 2 0111 0010

115 7 3 0111 0011

116 7 4 0111 0100

117 7 5 0111 0101

118 7 6 0111 0110

119 7 7 0111 0111

120 7 8 0111 1000

121 7 9 0111 1001

122 7A 0111 1010

123 7B 0111 1011

124 7C 0111 1100

125 7D 0111 1101

126 7E 0111 1110

127 7F 0111 1111

Many MIDI messages listed in the MIDI Data Format are expressed in decimal

numbers, binary numbers and hexadecimal numbers. Hexadecimal numbers

may include the letter “H” as a suffix. Also, “n” can freely be defined as any

whole number.

To enter data/values, refer to the table below.

• Except the table above, for example 144-159(decimal)/9nH/1001 0000-1001

1111(binary) displays the Note On Message for each channel (1-16). 176-191/

BnH/1011 0000-1011 1111 displays the Control Change Message for each

channel (1-16). 192-207/CnH/1100 0000-1100 1111 displays the Program

Change Message for each channel (1-16). 240/F0H/1111 0000 denotes the

start of a System Exclusive Message. 247/F7H/1111 0111 denotes the end of

a System Exclusive Message.

•aaH (hexidecimal)/0aaaaaaa (binary) denotes the data address. The address

contains High, Mid, and Low.

•bbH/0bbbbbbb denotes the byte count.

•ccH/0ccccccc denotes the check sum.

•ddH/0ddddddd denotes the data/value.

(1) TRANSMIT FLOW

MIDI←KEY OFF 8nH

OUT KEY ON/OFF 9nH

CONTROL CHANGE BnH

BANK SELECT MSB BnH,00H

BANK SELECT LSB BnH,20H

DATA ENTRY MSB BnH,06H

DATA ENTRY LSB BnH,26H

MAIN VOLUME BnH,07H

PANPOT BnH,0AH

EXPRESSION BnH,0BH

SUSTAIN BnH,40H

SOSTENUTE BnH,42H

SOFT PEDAL BnH,43H

PORTAMENTO CONTROL BnH,54H

REVERB SEND LEVEL BnH,5BH

CHORUS SEND LEVEL BnH,5DH

VARIATION SEND LEVEL BnH,5EH

RPN LSB BnH,64H

RPN MSB BnH,65H

PITCH BEND SENS. BnH,65H,00H,64H,00H,06H,mmH

PROGRAM CHANGE CnH

SYSTEM EXCLUSIVE MESSAGE

UNIVERSAL NON-REALTIME F0H 7EH.....F7H

XG PARAMETER CHANGE

F0H 43H 1nH 4CH aaH aaH aaH ddH

.....ddH F7H

XG BULK DUMP

F0H 43H 0nH 4CH bbH bbH aaH aaH

aaH ddH.....ddH ccH F7H

SYSTEM REALTIME MESSAGE

MIDI CLOCK F8H

START FAH

STOP FCH

ACTIVE SENSING FEH

MIDI Data Format

MIDI-Datenformat

Format des données MIDI

Formato de datos MIDI

CVP-202

PITCH FINE BnH,63H,19H,62H,rrH,06H,mmH

LEVEL BnH,63H,1AH,62H,rrH,06H,mmH

PANPOT BnH,63H,1CH,62H,rrH,06H,mmH

REVERB SEND BnH,63H,1DH,62H,rrH,06H,mmH

CHORUS SEND BnH,63H,1EH,62H,rrH,06H,mmH

VARIATION SEND BnH,63H,1FH,62H,rrH,06H,mmH

RPN LSB BnH,64H

RPN MSB BnH,65H

PITCH BEND SENS. BnH,65H,00H,64H,00H,06H,mmH

FINE TUNING BnH,65H,00H,64H,01H,06H,mmH,

26H,llH

COARSE TUNING BnH,65H,00H,64H,02H,06H,mmH

NULL BnH,65H,7FH,64H,7FH

ALL SOUND OFF BnH,78H,00H

RESET ALL CONTROLLERS BnH,79H,00H

LOCAL CONTROL BnH,7AH

ALL NOTES OFF BnH,7BH,00H

OMNI OFF BnH,7CH,00H

OMNI ON BnH,7DH,00H

MONO BnH,7EH

POLY BnH,7FH

PROGRAM CHANGE CnH

CHANNEL AFTER TOUCH DnH

PITCH BEND CHANGE EnH

SYSTEM EXCLUSIVE MESSAGE

UNIVERSAL REALTIME F0H 7FH.....F7H

UNIVERSAL NON-REALTIME F0H 7EH.....F7H

XG PARAMETER CHANGE

F0H 43H 1nH 4CH aaH aaH aaH ddH

.....ddH F7H

XG BULK DUMP

F0H 43H 0nH 4CH bbH bbH aaH aaH

aaH ddH.....ddH ccH F7H

PARAMETER REQUEST

F0H 43H 3nH 4CH aaH aaH aaH F7H

DUMP REQUEST

F0H 43H 2nH 4CH aaH aaH aaH F7H

SYSTEM REALTIME MESSAGE

MIDI CLOCK F8H

START FAH

STOP FCH

ACTIVE SENSING FEH

When DRUM VOICE is selected and program change data for a different DRUM VOICE is

received, the currently selected Drum Setup data will be replaced with the new DRUM

VOICE DATA.

(3-1-4) CHANNEL AFTER TOUCH (Receive only)

STATUS 1101nnnn(DnH) n = 0 - 15 VOICE CHANNEL NUMBER

VALUE 0vvvvvvv v = 0 - 127 AFTER TOUCH VALUE

(3-1-5) PITCH BEND CHANGE

STATUS 1110nnnn(EnH) n = 0 - 15 VOICE CHANNEL NUMBER

LSB 0vvvvvvv PITCH BEND CHANGE LSB

MSB 0vvvvvvv PITCH BEND CHANGE MSB

(3-1-6) CONTROL CHANGE

STATUS 1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER

CONTROL NUMBER 0ccccccc

CONTROL VALUE 0vvvvvvv

* Transmit CONTROL NUMBER.

c = 0 BANK SELECT MSB ; v = 0:XG NORMAL,

64:SFX NORMAL,

126:XG SFX KIT,

127:XG DRUM

c = 32 BANK SELECT LSB ; v = 0 - 127

c = 6 DATA ENTRY MSB ; v = 0 - 127 *1

c = 38 DATA ENTRY LSB ; v = 0 - 127 *1

c = 7 MAIN VOLUME ; v = 0 - 127

c = 10 PANPOT ; v = 0 - 127

c = 11 EXPRESSION ; v = 0 - 127

c = 64 SUSTAIN ; v = 0-63:OFF , 64-127:ON *2

c = 66 SOSTENUTO ; v = 0-63:OFF , 64-127:ON *2

c = 67 SOFT PEDAL ; v = 0-63:OFF , 64-127:ON *2

c = 84 PORTAMENTO CONTROL ; v = 0 - 127

c = 91 REVERB SEND LEVEL ; v = 0 - 127

c = 93 CHORUS SEND LEVEL ; v = 0 - 127

c = 94

VARIATION SEND LEVEL

; v = 0 - 127

(When only Connection = 1[System])

c = 100 RPN LSB ; v = 0 - 127

c = 101 RPN MSB ; v = 0 - 127

* Receive CONTROL NUMBER.

c = 0 BANK SELECT MSB ; v = 0:XG NORMAL,

64:SFX NORMAL,

126:XG SFX KIT,

127:XG DRUM

c = 32 BANK SELECT LSB ; v = 0 - 127

c = 1 MODULATION ; v = 0 - 127 *2

c = 5 PORTAMENTO TIME ; v = 0 - 127 *2

c = 6 DATA ENTRY MSB ; v = 0 - 127 *1

c = 38 DATA ENTRY LSB ; v = 0 - 127 *1

c = 7 MAIN VOLUME ; v = 0 - 127

c = 10 PANPOT ; v = 0 - 127

c = 11 EXPRESSION ; v = 0 - 127

c = 64 SUSTAIN ; v = 0-63:OFF , 64-127:ON *2

c = 65 PORTAMENTO ; v = 0-63:OFF , 64-127:ON *2

c = 66 SOSTENUTO ; v = 0-63:OFF , 64-127:ON *2

c = 67 SOFT PEDAL ; v = 0-63:OFF , 64-127:ON *2

c = 71 HARMONIC CONTENT ;

v = 0:-64 - 64:0 - 127:+63 *2

c = 72 RELEASE TIME ;

v = 0:-64 - 64:0 - 127:+63 *2

c = 73 ATTACK TIME ;

v = 0:-64 - 64:0 - 127:+63 *2

c = 74 BRIGHTNESS ;

v = 0:-64 - 64:0 - 127:+63 *2

c = 84 PORTAMENT CONTROL ; v = 0 - 127 *2

c = 91 REVERB SEND LEVEL ; v = 0 - 127

c = 93 CHORUS SEND LEVEL ; v = 0 - 127

c = 94

VARIATION SEND LEVEL

; v = 0 - 127

(When only Connection = 1[System])

c = 96 DATA INCREMENT ; v = 0 - 127 *1

c = 97 DATA DECREMENT ; v = 0 - 127 *1

RPN MSB/LSB, NRPN MSB/LSB

*1 Only when setting the appointed parameter with RPN, NRPN.

*2 Does not effect Rhythm Voice.

• Until a PROGRAM CHANGE message is received, the BANK SELECT

operation will be suspended. When a Voice, including VOICE BANK, is

changed, set the BANK SELECT and Program Change Message, and

transmit in the following order, BANK SELECT MSB, LSB, PROGRAM

CHANGE.

• MODULATION controls the Vibrato Depth.

• PORTAMENTO TIME controls the Pitch Change Speed when the

Portamento Switch = ON. 0 being the shortest time, and 127 being the

longest.

• PANPOT changes the value for the melody voice and rhythm voice in

relation to the preset value.

(3) TRANSMIT/RECEIVE DATA

(3-1) CHANNEL VOICE MESSAGES

(3-1-1) KEY OFF

STATUS 1000nnnn(8nH) n = 0 - 15 VOICE CHANNEL NUMBER

NOTE NUMBER 0kkkkkkk k = 0 (C-2) - 127 (G8)

VELOCITY 0vvvvvvv v: ignored

(3-1-2) KEY ON/OFF

STATUS 1001nnnn(9nH) n = 0 - 15 VOICE CHANNEL NUMBER

NOTE NUMBER 0kkkkkkk k = 0 (C-2) - 127 (G8)

VELOCITY 0vvvvvvv (v ≠ 0) NOTE ON

00000000 (v = 0) NOTE OFF

(3-1-3) PROGRAM CHANGE

STATUS 1100nnnn(CnH) n = 0 - 15 VOICE CHANNEL NUMBER

PROGRAM NUMBER 0ppppppp p = 0 - 127

* PROGRAM NUMBER: XG DRUM VOICE number correspondence

P = 0 Standard Kit

P = 1 Standard2 Kit

P = 8 Room Kit

P = 16 Rock Kit

P = 24 Electro Kit

P = 25 Analog Kit

P = 27 Dance Kit

P = 32 Jazz Kit

P = 40 Brush Kit

P = 48 Classic Kit

* PROGRAM NUMBER: XG SFX KIT number correspondence

P = 0 SFX1 Kit

P = 1 SFX2 Kit

MIDI Data Format

MIDI-Datenformat

Format des données MIDI

Formato de datos MIDI

CVP-202 15

• Portamento time is fixed to 0 when the PORTAMENTO CONTROL is

used.

• HARMONIC CONTENT applies adjustment to the resonance value that

is set by the voice. This parameter specifies relative change with the

value of 64 producing 0 adjustment. As values get higher the sound

becomes increasingly eccentric. Note that for some voices the effective

parameter range is narrower than the legal parameter range.

• RELEASE TIME applies adjustment to the envelope release time set by

the voice. This parameter specifies relative change with the value of 64

producing 0 adjustment.

• ATTACK TIME applies adjustment to the envelope attack time set by the

voice. This parameter specifies relative change with the value of 64

producing 0 adjustment.

• BRIGHTNESS applies adjustment to the cut-off frequency set by the

voice. This parameter specifies relative change with the value of 64

producing 0 adjustment. Lower voices produce a softer sound. For some

voices the effective parameter range is narrower than the legal

parameter range.

(3-2) CHANNEL MODE MESSAGES

STATUS 1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER

CONTROL NUMBER 0ccccccc c = CONTROL NUMBER

CONTROL VALUE 0vvvvvvv v = DATA VALUE

(3-2-1) ALL SOUND OFF (Receive only)

(CONTROL NUMBER = 78H , DATA VALUE = 0)

Switches off all sound from the channel. Reset Note On and Hold On conditions established

by Channel Messages.

(3-2-2) RESET ALL CONTROLLERS (Receive only)

(CONTROL NUMBER = 79H , DATA VALUE = 0)

Resets controllers as follows.

PITCH BEND CHANGE 0 (Center)

AFTER TOUCH 0 (min.)

MODULATION 0 (min.)

EXPRESSION 127 (max.)

SUSTAIN 0 (off)

SOSTENUTO 0 (off)

SOFT PEDAL 0 (off)

NRPN Sets number to null. (Internal data remains unchanged)

RPN Sets number to null. (Internal data remains unchanged)

PORTAMENT CONTROL Resets portamento source note number

PORTAMENTO 0 (off)

(3-2-3) LOCAL CONTROL (Receive only)

(CONTROL NUMBER = 7AH , DATA VALUE = 0/7FH)

When the DATA VALUE = 7FH, LOCAL ON is activated where playing the keys on the

keyboard will produce sound.

When the DATA VALUE = 0, LOCAL OFF is activated where playing the keys on the

keyboard will not produce any sound.

(3-2-4) ALL NOTES OFF (Receive only)

(CONTROL NUMBER = 7BH , DATA VALUE = 0)

Switches off all of the channel’s “on” notes. However, any notes being held by SUSTAIN or

SOSTENUTO continue to sound until SUSTAIN/SOSTENUTO goes off.

(3-2-5)

OMNI OFF (Receive only) (CONTROL NUMBER = 7CH , DATA VALUE = 0)

Same processing as for All Notes Off.

(3-2-6) OMNI ON (Receive only)

(CONTROL NUMBER = 7DH , DATA VALUE = 0)

Same processing as for All Notes Off. Omni On is not executed.

(3-2-7) MONO (Receive only)

(CONTROL NUMBER = 7EH , DATA VALUE = 0)

Same processing as for All Notes Off. If the 3rd byte is in a range of 0-16 the corresponding

channel will be changed to Mode 4 (m=1).

(3-2-8) POLY (Receive only) (CONTROL NUMBER = 7FH , DATA VALUE = 0)

Same processing as for All Sounds Off and the corresponding channel will be changed to

Mode 3.

(3-3) REGISTERED PARAMETER NUMBER(RPN)

STATUS 1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER

RPN LSB 01100100(64H)

RPN LSB NUMBER 0ppppppp p = RPN LSB (refer to the list below)

RPN MSB 01100101(65H)

RPN MSB NUMBER 0qqqqqqq q = RPN MSB (refer to the list below)

DATA ENTRY MSB 00000110(06H)

DATA VALUE 0mmmmmmm m = Data Value

DATA ENTRY LSB 00100110(26H)

DATA VALUE 0lllllll l = Data Value

First appoints the parameter for RPN MSB/LSB, then sets the parameter value for data entry

MSB/LSB.

RPN D.ENTRY

LSB MSB MSB LSB PARAMETER NAME DATA RANGE

00H 00H mmH —

PITCH BEND SENSITIVITY

00H-18H (0 - 24 semitones)

01H 00H mmH llH FINE TUNE

{mmH,llH} = {00H,00H}-{40H,00H}-{7FH,7FH}

(-8192*100/8192) - 0 - (+8192*100/8192)

02H 00H mmH — COARSE TUNE

28H - 40H - 58H (-24 - 0 - +24 semitones)

7FH 7FH — — NULL Clears the current RPN number setting.

Does not change the internal parameter settings.

(3-4) NON-REGISTERED PARAMETER NUMBER(NRPN) (Receive only)

STATUS 1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER

NRPN LSB 01100010(62H)

NRPN LSB NUMBER 0ppppppp p = NRPN LSB (refer to the list below)

NRPN MSB 01100011(63H)

NRPN MSB NUMBER 0qqqqqqq q = NRPN MSB (refer to the list below)

DATA ENTRY MSB 00000110(06H)

DATA VALUE 0mmmmmmm m = Data Value

First appoints the parameter for NRPN MSB/LSB, then sets the parameter value for data entry

MSB/LSB.

NRPN D.ENTRY

MSB LSB MSB LSB PARAMETER NAMEDATA RANGE

01H 08H mmH — VIBRATO RATE

00H - 40H - 7FH (-64 - 0 - +63)

01H 09H mmH — VIBRATO DEPTH

00H - 40H - 7FH (-64 - 0 - +63)

01H 0AH mmH — VIBRATO DELAY

00H - 40H - 7FH (-64 - 0 - +63)

01H 20H mmH —

FILTER CUTOFF FREQUENCY

00H - 40H - 7FH (-64 - 0 - +63)

01H 21H mmH — FILTER RESONANCE

00H - 40H - 7FH (-64 - 0 - +63)

01H 63H mmH — EG ATTACK TIME

00H - 40H - 7FH (-64 - 0 - +63)

01H 64H mmH — EG DECAY TIME

00H - 40H - 7FH (-64 - 0 - +63)

01H 66H mmH — EG RELEASE

00H - 40H - 7FH (-64 - 0 - +63)

14H rrH mmH —

DRUM FILTER CUTOFF FREQ. 00H - 40H - 7FH (-64 - 0 - +63)

15H rrH mmH —

DRUM FILTER RESONANCE

00H - 40H - 7FH (-64 - 0 - +63)

16H rrH mmH — DRUM AEG ATTACK RATE

00H - 40H - 7FH (-64 - 0 - +63)

17H rrH mmH — DRUM AEG DECAY RATE

00H - 40H - 7FH (-64 - 0 - +63)

18H rrH mmH — DRUM PITCH COARSE

00H - 40H - 7FH (-64 - 0 - +63)

19H rrH mmH — DRUM PITCH FINE

00H - 40H - 7FH (-64 - 0 - +63)

1AH rrH mmH — DRUM LEVEL

00H - 7FH (0 - max.)

1CH rrH mmH — DRUM PANPOT

00H ,01H - 40H - 7FH

(random,left - center - right)

1DH rrH mmH —

DRUM REVERB SEND LEVEL

00H - 7FH (0 - max.)

1EH rrH mmH —

DRUM CHORUS SEND LEVEL

00H - 7FH (0 - max.)

1FH rrH mmH —

DRUM VARIATION SEND LEVEL 00H - 7FH (0 - max.)

The MSB 14H-1FH (for drums) message is received when multi-part parameters PART

MODE = DRUMS1...2.

rrH : drum instrument note number

(3-5) SYSTEM REALTIME MESSAGES

(3-5-1) MIDI CLOCK

STATUS 11111000 (F8H)

Transmission: 96 clocks per measure are transmitted.

Reception: If the instrument’s clock is set to external, after FAH is received from the external

device the instrument’s clock will sync with the 96 beats per measure received from the external

device.

Decides whether the internal clock, or Timing Clocks received via the MIDI IN will be used.

(3-5-2) START

STATUS 11111010 (FAH)

Transmission: Transmitted when instrument’s Rhythm or Song playback is started.

Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will start.

(3-5-3) STOP

STATUS 11111100 (FCH)

Transmission: Transmitted when instrument’s Rhythm or Song playback is stopped.

Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will stop.

CVP-202

(3-5-4) ACTIVE SENSING

STATUS 11111110 (FEH)

Transmission: Transmitted approximately once every 200msec.

Reception: Sensing is started once this Code is received. If Status or Data is not received

within 400ms, the MIDI Receive Buffer will be cleared, and all notes, including those being

sustained, will be cut OFF. Also, all control values will be reset to their factory defaults.

(3-6) SYSTEM EXCLUSIVE MESSAGE

(3-6-1) YAMAHA MIDI FORMAT

(3-6-1-1) SECTION CONTROL

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

01111110 7E Style

00000000 00

0sssssss SS Switch No.

00H : INTRO A

01H : INTRO B

02H : INTRO C/D

03H~07H : INTRO C/D

08H : MAIN A

09H : MAIN B

0AH : MAIN C

0BH~0FH : MAIN D

10H : FILL IN A

11H : FILL IN B

12H : FILL IN C

13H~17H : FILL IN D

18H : BREAK FILL

19H : BREAK FILL

1AH : BREAK FILL

1BH~1FH : BREAK FILL

20H : ENDING A

21H : ENDING B

22H : ENDING C/D

23H~27H : ENDING C/D

0ddddddd DD Switch On/Off: 00H(Off),7FH(On)

11110111 F7 End of Exclusive

When an ON code is received, the appointed section will be changed.

(3-6-1-2) TEMPO CONTROL

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

01111110 7E Style

00000000 01

0ttttttt TT Tempo4

0ttttttt TT Tempo3

0ttttttt TT Tempo2

0ttttttt TT Tempo1

11110111 F7 End of Exclusive

The internal clock will be set to the received Tempo value.

Tempo Meta Event is a large data block (24-bit), it is divided into 4 groups with 7-bits going

into each of the Tempos 1-4 (4 receives the remaining 3 bits).

(3-6-1-3) CHORD CONTROL type1

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

01111110 7E Style

00000010 02 type 1

0ddddddd dd chord root(cr)

0ddddddd dd chord type(ct)

0ddddddd dd bass note(bn)

0ddddddd dd bass type(bt)

11111110 F7 End of Exclusive

Chord transmit: Transmitted using type 1 format.

cr Chord Root 0kkknnnn (kkk:Change symbol, nnnn:Note)

Binary Hex Change symbol Binary Hex Note

0000nnnn 0n bbb(3 flats) 0kkk0000 k0 reserved

0001nnnn 1n bb (2 flats) 0kkk0001 k1 C

0010nnnn 2n b (1 flat) 0kkk0010 k2 D

0011nnnn 3n natural 0kkk0011 k3 E

0100nnnn 4n # (1 sharp) 0kkk0100 k4 F

0101nnnn 5n ## (2 sharps) 0kkk0101 k5 G

0110nnnn 6n ###(3 sharps) 0kkk0110 k6 A

0kkk0111 k7 B

ct Chord Type 0 - 34,127

Binary Hex Dec Chord type Binary Hex Dec Chord type

00000000 00 0 Maj 00010010 12 18 dim7

00000001 01 1 Maj6 00010011 13 19 7th

00000010 02 2 Maj7 00010100 14 20 7sus4

00000011 03 3 Maj7(#11) 00010101 15 21 7b5

00000100 04 4 Maj(9) 00010110 16 22 7(9)

00000101 05 5 Maj7(9) 00010111 17 23 7(#11)

00000110 06 6 Maj6(9) 00011000 18 24 7(13)

00000111 07 7 aug 00011001 19 25 7(b9)

00001000 08 8 min 00011010 1A 26 7(b13)

00001001 09 9 min6 00011011 1B 27 7(#9)

00001010 0A 10 min7 00011100 1C 28 Maj7aug

00001011 0B 11 min7b5 00011101 1D 29 7aug

00001100 0C 12 min(9) 00011110 1E 30 1+8

00001101 0D 13 min7(9) 00011111 1F 31 1+5

00001110 0E 14 min7(11) 00100000 20 32 sus4

00001111 0F 15 minMaj7 00100001 21 33 1+2+5

00010000 10 16 minMaj7(9) 00100010 22 34 cc

00010001 11 17 dim

bn On Bass Note Same as Chord root,

127:No bass chord

bt Bass Chord Same as Chord type

127:No bass chord

(3-6-2) UNIVERSAL SYSTEM EXCLUSIVE

(3-6-2-1) UNIVERSAL REALTIME MESSAGE

(3-6-2-1-1) MIDI MASTER VOLUME (Receive only)

binary hexadecimal

11110000 F0 Exclusive status

01111110 7F Universal Realtime

01111111 7F ID of target Device

00001001 04 Sub-ID #1=Device Control Message

00000001 01 Sub-ID #2=Master Volume

0sssssss SS Volume LSB

0ttttttt TT Volume MSB

11110111 F7 End of Exclusive

11110000 F0 Exclusive status

01111110 7F Universal Realtime

0xxxnnnn XN

When N is received N=0-F, whichever is received.

When N is transmitted N always=0.

X = don’t care

00001001 04 Sub-ID #1=Device Control Message

00000001 01 Sub-ID #2=Master Volume

0sssssss SS Volume LSB

0ttttttt TT Volume MSB

11110111 F7 End of Exclusive

The volume for all channels will be changed simultaneously.

The TT value is used as the MIDI Master Volume value. (the SS value is ignored.)

MIDI Data Format

MIDI-Datenformat

Format des données MIDI

Formato de datos MIDI

CVP-202 17

(3-6-2-2) UNIVERSAL NON REALTIME MESSAGE

(3-6-2-2-1) GENERAL MIDI SYSTEM ON

binary hexadecimal

11110000 F0 Exclusive status

01111110 7E Universal Non-Realtime

01111111 7F ID of target Device

00001001 09 Sub-ID #1=General MIDI Message

00000001 01 Sub-ID #2=General MIDI On

11110111 F7 End of Exclusive

11110000 F0 Exclusive status

01111110 7E Universal Non-Realtime

0xxxnnnn XN

When N is received N=0-F, whichever is received.

When N is transmitted N always=0.

X = don’t care

00001001 09 Sub-ID #1=General MIDI Message

00000001 01 Sub-ID #2=General MIDI On

11110111 F7 End of Exclusive

Depending upon the received ON message, the System Mode will be changed to XG.

Except MIDI Master Tuning, all control data be reset to default values.

This message requires approximately 50ms to execute, so sufficient time should be allowed

before the next message is sent.

After the GM System ON message is received, message reception of the following will be

limited.

• Bank Select MSB-LSB in channel 10 will be ignored and the drum voice will be fixed.

• Bank Select MSB-LSB except in channel 10 will be ignored except 127/0.

• NRPN is not received.

When XG SYSTEM ON is received, these restrictions will be cancelled.

(3-6-3) XG STANDARD

(3-6-3-1) XG PARAMETER CHANGE

(3-6-3-1-1) XG SYSTEM ON

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

0001nnnn 1N Device Number

01001100 4C Model ID

00000000 00 Address High

00000000 00 Address Mid

01111110 7E Address Low

00000000 00 Data

11110111 F7 End of Exclusive

Depending upon the received ON message, the SYSTEM MODE will be changed to

XG.Controllers will be reset, all values of Multi Part and Effect, and All System values

denoted by “XG” data within All System will be reset to default values in the table.

This message requires approximately 50ms to execute, so sufficient time should be allowed

before the next message is sent.

(3-6-3-1-2) XG PARMETER CHANGE

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

0001nnnn 1N Device Number

01001100 4C Model ID

0aaaaaaa AA Address High

0aaaaaaa AA Address Mid

0aaaaaaa AA Address Low

0ddddddd DD Data

11110111 F7 End of Exclusive

For parameters with data size of 2 or 4, transmit the appropriate number of data bytes.

For more information on Address and Parameters, refer to < Table 1-2 > (page 20) and

< Table 1-4 > ~ < Table 1-6 > (pages 20-23).

The following Parameter Changes are handled.

XG System Data

Multi Effect 1 Data

Multi Part Data

Drums Setup Data

(3-6-3-2) XG BULK DUMP

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

0000nnnn 0N Device Number

01001100 4C Model ID

0bbbbbbb BB ByteCount

0aaaaaaa AA Address High

0aaaaaaa AA Address Mid

0aaaaaaa AA Address Low

0ddddddd DD Data

0ccccccc CC Check sum

11110111 F7 End of Exclusive

For more information on Address and Byte Count, refer to < Table 1-2 > ~ < Table 1-6 >

(pages 20-23).

The Check Sum value is set such that the sum of Byte Count, Address, Data, and Check Sum

has value zero in its seven least significant bits.

If the top of the block is appointed to the Address the XG Bulk Dump, Bulk Request will be

received.

The Block is a unit that consists of the data, arranged in the list, as the Total Size.

The following Bulk Dumps are handled.

XG System Data

Multi Effect 1 Data(Individual effect unit)

Multi Part Data(Individual part unit)

Drums Setup Data(Individual note unit)

System Information(Transmit only)

(3-6-3-3) XG PARAMETER REQUEST (Receive only)

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

0011nnnn 3n Device Number

01001100 4C Model ID

0aaaaaaa AA Address High

0aaaaaaa AA Address Mid

0aaaaaaa AA Address Low

11110111 F7 End of Exclusive

For more information on Address and Byte Count refer to < Table 1-2 > (page 20) and

< Table 1-4 > ~ < Table 1-6 > (pages 20-23).

The following Parameter Requests are handled.

XG System Data

Multi Effect 1 Data

Multi Part Data

Drums Setup Data

(3-6-3-4) XG DUMP REQUEST (Receive only)

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

0010nnnn 2n Device Number

01001100 4C Model ID

0aaaaaaa AA Address High

0aaaaaaa AA Address Mid

0aaaaaaa AA Address Low

11110111 F7 End of Exclusive

For more information on Address and Byte Count refer to

< Table 1-2 > ~ < Table 1-6 >

(pages 20-23).

The following Dump Requests are handled.

XG System Data

Multi Effect 1 Data(Individual module unit)

Multi Part Data(Individual part unit)

Drums Setup Data(Individual note unit)

System Information

(3-6-4) CLAVINOVA MIDI COMPLIANCE

(3-6-4-1) INTERNAL CLOCK / EXTERNAL CLOCK (Receive only)

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

01110011 73 Clavinova ID

00000001 01 Clavinova common ID

0000001n 0N

N: 2(Internal Clock),3(External Clock)

11110111 F7 End of Exclusive

CVP-202

(3-6-4-2) DOC MULTI TIMBRE ON / OFF (Receive only)

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

01110011 73 Clavinova ID

00000001 01 Clavinova commmon ID

00000110 1N

N:3(DOC Multi Timbre Off),4(DOC Multi Timbre On)

11110111 F7 End of Exclusive

(3-6-4-3) PANEL LED ON / OFF (Receive only)

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

01110011 73 Clavinova ID

00000001 01 Clavinova commmon ID

00011010 1A PANEL LED On/Off

0mmmmmmm MM

MM:00H(LED Off),01H(LED On),02H(The LED flashes)

03H (LED All off),

04H (Panel LED returns to normal operation)

00000000 00

0nnnnnnn NN LED No.

11110111 F7 End of Exclusive

Remotely switches the Panel LED On/Off.

(3-6-4-4) PANEL VOICE SETTING (Receive only)

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

01110011 73 Clavinova ID

01000101 01 Clavinova common ID

00100010 22 Piano Live Exclusive Substatus

00000000 00 Panel Voice Setting Substatus

0000nnnn 0n Panel Part No.

00H (RIGHT 1)

01H (RIGHT 2)

02H (LEFT)

0mmmmmmm mm Bank Select MSB

0lllllll ll Bank Select LSB

0ppppppp pp Program Change

11110111 F7 End of Exclusive

(3-6-4-5) PANEL VOICE VOLUME SETTING (Receive only)

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

01110011 73 Clavinova ID

01000101 01 Clavinova common ID

00100010 22 Piano Live Exclusive Substatus

00000001 01 Panel Voice Volume Setting Substatus

0000nnnn 0n Panel Part No.

00H (RIGHT 1)

01H (RIGHT 2)

02H (LEFT)

0vvvvvvv vv Value (0 - 7FH)

11110111 F7 End of Exclusive

(3-6-4-6) PANEL VOICE REVERB DEPTH SETTING (Receive only)

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

01110011 73 Clavinova ID

01000101 01 Clavinova common ID

00100010 22 Piano Live Exclusive Substatus

00000010 02

Panel Voice Reverb Depth Setting Substatus

0000nnnn 0n Panel Part No.

00H (RIGHT 1)

01H (RIGHT 2)

02H (LEFT)

0vvvvvvv vv Value (0 - 7FH)

11110111 F7 End of Exclusive

(3-6-4-7) PANEL VOICE EFFECT DEPTH SETTING (Receive only)

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

01110011 73 Clavinova ID

01000101 01 Clavinova common ID

00100010 22 Piano Live Exclusive Substatus

00000011 03

Panel Voice Effect Depth Setting Substatus

0000nnnn 0n Panel Part No.

00H (RIGHT 1)

01H (RIGHT 2)

02H (LEFT)

0vvvvvvv vv Value (0 - 7FH)

11110111 F7 End of Exclusive

(3-6-4-8) MIDI FA CANCEL (Receive only)

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

01110011 73 Clavinova ID

01000101 01 Clavinova common ID

01100001 61 MIDI FA Cancel

11110111 F7 End of Exclusive

If this message is received, even if FAH is received the Rhythm will not start.

(3-6-5) SPECIAL OPERATORS

(3-6-5-1) SPLIT POINT

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

01110011 73 Clavinova ID

01000101 01 Clavinova common ID

00010001 11 Sub ID

00000000 00

00010100 14 Split Point

0ddddddd DD Split Key No.

11110111 F7 End of Exclusive

(3-6-5-2) STYLE NUMBER

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

01110011 73 Clavinova ID

01011010 35 CVP-202 ID

00010001 11 Sub ID

00000000 00 Channel No. (always 00)

00010110 16 Style No. Control No.

0mmmmmmm mm Style No. MSB

0lllllll ll Style No. LSB

11110111 F7 End of Exclusive

(3-6-5-3) FINGERING

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

01110011 73 Clavinova ID

01000101 01 Clavinova common ID

00010001 11 Sub ID

00000000 00

01000000 40 Fingering

0000dddd 0D 0D: 00H(Off),01H(Single Finger),

02H(Fingered 1),03H(Fingered 2),

04H(Full Keyboard),07H(Multi Finger)

11110111 F7 End of Exclusive

(3-6-5-4) ACCOMP VOLUME

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

01110011 73 Clavinova ID

01000101 01 Clavinova common ID

00010001 11 Sub ID

0000nnnn 0N

Part: 00H(All Part),05H(Rhythm),0AH(Bass),

06H(Chord),0DH(Pad),07H(Phrase)

01000000 42 Accomp Volume

0ddddddd DD Volume Data: 00H~7FH

11110111 F7 End of Exclusive

(3-6-5-5) CHANNEL DETUNE

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

01110011 73 Clavinova ID

01000101 01 Clavinova common ID

00010001 11 Sub ID

0000nnnn 0N N = MIDI Channel

01000011 43 Dual Detune

0vvvvvvv VV

Value VV: 00H - 40H - 7FH (-64 - 0 - +63)

11110111 F7 End of Exclusive

The Channel Detune message only affects the specified channel.

MIDI Data Format

MIDI-Datenformat

Format des données MIDI

Formato de datos MIDI

CVP-202 19

(3-6-5-6) VOLUME ,EXPRESSION AND PAN REALTIME CONTROL OFF

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

01110011 73 Clavinova ID

01000101 01 Clavinova common ID

00010001 11 Sub ID

0000nnnn 0N N = MIDI Channel

01001001 45

Volume and Expression Realtime Control Off

0vvvvvvv VV Value VV: off=7FH, on=00H

11110111 F7 End of Exclusive

When “On” is received, subsequent volume, expression, and PAN changes are only valid

after the reception of the next key on. Normal operation resumes when “Off” is received.

(3-6-5-7) MIDI KEY LED MODE ON / OFF (Receive only)

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

01110011 73 Clavinova ID

01000101 01 Clavinova common ID

00010001 11 Sub ID

0000nnnn 0N N = MIDI Channel

01000111 47 MIDI Key LED Mode On / Off

0ddddddd DD DD: 00H(Key LED Mode Off),

01H(Key LED Mode On + no tone),

02H(Key LED Mode On + tone)

11110111 F7 End of Exclusive

(3-6-6) Others

(3-6-6-1) MIDI MASTER TUNING (Receive only)

binary hexadecimal

11110000 F0 Exclusive status

01000011 43 YAMAHA ID

0001nnnn 1N When N is received N=0-F,

whichever is received.

00100111 27 Model ID

00110000 30 Sub ID

00000000 00

0mmmmmmm MM Master Tune MSB

0lllllll LL Master Tune LSB

0ccccccc CC don’t care

11110111 F7 End of Exclusive

Changes tuning of all channels.

MM, LL values are used to define the MIDI Master Tuning value.

T = M – 128

T: Tuning value (-99 cents to +99 cents)

M: A single byte value (28–228) that consists of bits 0–3 of MM as MSB, bits 0–3 of LL as LSB.

This setting is not reset when the GM System or XG System is turned on.

CVP-202

< Table 1-1>

Parameter Basic Address

Parameter Change

Address

(H)(M) (L) Description

SYSTEM 00 00 00 System

00 00 7D Drum Setup Reset

00 00 7E XG System On

00 00 7F All Parameter Reset

INFORMATION 01 00 00 System Information

EFFECT 1 02 01 00 Effect1(Reverb,Chorus,Variation )

MULTI PART 08 00 00 Multi Part 1

08 0F 00 Multi Part 16

DRUM 30 0D 00 Drum Setup 1 → Address Parameter

31 0D 00 Drum Setup 2

3n 0D 00 note number 13

3n 0E 00 note number 14

3n 5B 00 note number 91

< Table 1-2 >

MIDI Parameter Change table ( SYSTEM )

Address Size Data Parameter Name Description Default

(H) (H) (H) Value(H)

00 00 00 4 0000 Master Tune -102.4..+102.3[cent] 00 04 00 00

01 ..07FF 1st bit3-0 -> bit15-12 (0400)

02 2nd bit3-0 -> bit11-8

03 3rd bit3-0 -> bit7-4

4th bit3-0 -> bit3-0

04 1 00..7F Master Volume 0..127 7F

05 1 Not Used

06 1 28..58 Transpose -24..+24[semitones] 40

7D n Drum Setup Reset n=Drum Setup Number

7E 00 XG System On 00=XG Sytem on

7F 00 All Parameter Reset 00=on (receive only)

TOTAL SIZE 6

< Table 1-3 >

MIDI Parameter table ( System information )

Address Size Data Parameter Name Description

(H) (H) (H)

01 00 00 E 20..7F Model Name 32..127(ASCII)

0E 1 00

0F 1 01

TOTAL SIZE 10

(Transmitted by Dump Request. Not received. Bulk Dump Only)

< Table 1-4 >

MIDI Parameter Change table ( EFFECT 1)

Address Size Data Parameter Name Description Default

(H) (H) (H) Value(H)

02 01 00 2 00..7F Reverb Type MSB Refer to the Effect Type List 01(=HALL1)

00..7F Reverb Type LSB 00 : basic type 00

02 1 00..7F Reverb Parameter 1 Refer to the Ef. Parameter List Depend on Reverb type

03 1 00..7F Reverb Parameter 2 Refer to the Ef. Parameter List Depend on Reverb type

04 1 00..7F Reverb Parameter 3 Refer to the Ef. Parameter List Depend on Reverb type

05 1 00..7F Reverb Parameter 4 Refer to the Ef. Parameter List Depend on Reverb type

06 1 00..7F Reverb Parameter 5 Refer to the Ef. Parameter List Depend on Reverb type

07 1 00..7F Reverb Parameter 6 Refer to the Ef. Parameter List Depend on Reverb type

08 1 00..7F Reverb Parameter 7 Refer to the Ef. Parameter List Depend on Reverb type

09 1 00..7F Reverb Parameter 8 Refer to the Ef. Parameter List Depend on Reverb type

0A 1 00..7F Reverb Parameter 9 Refer to the Ef. Parameter List Depend on Reverb type

0B 1 00..7F Reverb Parameter 10 Refer to the Ef. Parameter List Depend on Reverb type

0C 1 00..7F Reverb Return -∞..0..+6dB(0..96..127) 40

0D 1 01..7F Reverb Pan L63..C..R63(1..64..127) 40

TOTAL SIZE 0E

MIDI Data Format

MIDI-Datenformat

Format des données MIDI

Formato de datos MIDI

CVP-202 21

02 01 10 1 00..7F Reverb Parameter 11 Refer to the Ef. Parameter List Depend on Reverb type

11 1 00..7F Reverb Parameter 12 Refer to the Ef. Parameter List Depend on Reverb type

12 1 00..7F Reverb Parameter 13 Refer to the Ef. Parameter List Depend on Reverb type

13 1 00..7F Reverb Parameter 14 Refer to the Ef. Parameter List Depend on Reverb type

14 1 00..7F Reverb Parameter 15 Refer to the Ef. Parameter List Depend on Reverb type

15 1 00..7F Reverb Parameter 16 Refer to the Ef. Parameter List Depend on Reverb type

TOTAL SIZE 6

02 01 20 2 00..7F Chorus Type MSB Refer to the Effect Type List 41(=Chorus1)

00..7F Chorus Type LSB 00 : basic type 00

22 1 00..7F Chorus Parameter 1 Refer to the Ef. Parameter List Depend on Chorus Type

23 1 00..7F Chorus Parameter 2 Refer to the Ef. Parameter List Depend on Chorus Type

24 1 00..7F Chorus Parameter 3 Refer to the Ef. Parameter List Depend on Chorus Type

25 1 00..7F Chorus Parameter 4 Refer to the Ef. Parameter List Depend on Chorus Type

26 1 00..7F Chorus Parameter 5 Refer to the Ef. Parameter List Depend on Chorus Type

27 1 00..7F Chorus Parameter 6 Refer to the Ef. Parameter List Depend on Chorus Type

28 1 00..7F Chorus Parameter 7 Refer to the Ef. Parameter List Depend on Chorus Type

29 1 00..7F Chorus Parameter 8 Refer to the Ef. Parameter List Depend on Chorus Type

2A 1 00..7F Chorus Parameter 9 Refer to the Ef. Parameter List Depend on Chorus Type

2B 1 00..7F Chorus Parameter 10 Refer to the Ef. Parameter List Depend on Chorus Type

2C 1 00..7F Chorus Return -∞..0..+6dB(0..96..127) 40

2D 1 01..7F Chorus Pan L63..C..R63(1..64..127) 40

2E 1 00..7F Send Chorus To Reverb -∞..0..+6dB(0..96..127) 00

TOTAL SIZE 0F

02 01 30 1 00..7F Chorus Parameter 11 Refer to the Ef. Parameter List Depend on Chorus Type

31 1 00..7F Chorus Parameter 12 Refer to the Ef. Parameter List Depend on Chorus Type

32 1 00..7F Chorus Parameter 13 Refer to the Ef. Parameter List Depend on Chorus Type

33 1 00..7F Chorus Parameter 14 Refer to the Ef. Parameter List Depend on Chorus Type

34 1 00..7F Chorus Parameter 15 Refer to the Ef. Parameter List Depend on Chorus Type

35 1 00..7F Chorus Parameter 16 Refer to the Ef. Parameter List Depend on Chorus Type

TOTAL SIZE 6

02 01 40 2 00..7F Variation Type MSB Refer to the Effect Type List “05(=DELAY L,C,R)”

00..7F Variation Type LSB 00 : basic type 00

42 2 00..7F Vari. Param. 1 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 1 LSB Refer to the Ef. Parameter List Depend on Vari. Type

44 2 00..7F Vari. Param. 2 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 2 LSB Refer to the Ef. Parameter List Depend on Vari. Type

46 2 00..7F Vari. Param. 3 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 3 LSB Refer to the Ef. Parameter List Depend on Vari. Type

48 2 00..7F Vari. Param. 4 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 4 LSB Refer to the Ef. Parameter List Depend on Vari. Type

4A 2 00..7F Vari. Param. 5 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 5 LSB Refer to the Ef. Parameter List Depend on Vari. Type

4C 2 00..7F Vari. Param. 6 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 6 LSB Refer to the Ef. Parameter List Depend on Vari. Type

4E 2 00..7F Vari. Param. 7 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 7 LSB Refer to the Ef. Parameter List Depend on Vari. Type

50 2 00..7F Vari. Param. 8 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 8 LSB Refer to the Ef. Parameter List Depend on Vari. Type

52 2 00..7F Vari. Param. 9 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 9 LSB Refer to the Ef. Parameter List Depend on Vari. Type

54 2 00..7F Vari. Param. 10 MSB Refer to the Ef. Parameter List Depend on Vari. Type

00..7F Vari. Param. 10 LSB Refer to the Ef. Parameter List Depend on Vari. Type

56 1 00..7F Variation Return -∞..0..+6dB(0..96..127) 40

57 1 01..7F Variation Pan L63..C..R63(1..64..127) 40

58 1 00..7F Send Vari. To Reverb -∞..0..+6dB(0..96..127) 00

59 1 00..7F Send Vari. To Chorus -∞..0..+6dB(0..96..127) 00

5A 1 00..01 Variation Connection 0:insertion,1:system 00

5B 1 00..1F Variation Part part1..32(0..31),off(127) 7F

5C 1 01..7F MW Vari. Ctrl Depth -63..+63 40

5D 1 01..7F PB Vari. Ctrl Depth -63..+63 40

5E 1 01..7F CAT Vari. Ctrl Depth -63..+63 40

5F 1 01..7F Not Used

60 1 01..7F Not Used

TOTAL SIZE 21

02 01 70 1 00..7F Variation Parameter 11 option Parameter Depend on Variation Type

71 1 00..7F Variation Parameter 12 option Parameter Depend on Variation Type

72 1 00..7F Variation Parameter 13 option Parameter Depend on Variation Type

73 1 00..7F Variation Parameter 14 option Parameter Depend on Variation Type

74 1 00..7F Variation Parameter 15 option Parameter Depend on Variation Type

75 1 00..7F Variation Parameter 16 option Parameter Depend on Variation Type

TOTAL SIZE 6

CVP-202

< Table 1-5 >

MIDI Parameter Change table ( MULTI PART )

Address Size Data Parameter Name Description Default

(H) (H) (H) Value(H)

08 nn 00 1 00..20 Element Reserve 0..32 0(Part10),2(Others)

nn 01 1 00..7F Bank Select MSB 0..127 7F(Part10),00(Others)

nn 02 1 00..7F Bank Select LSB 0..127 00

nn 03 1 00..7F Program Number 1..128 00

nn 04 1 00..0F, Rcv Channel 0..16;1..16,127;off Part No.

nn 05 1 00..01 Mono/Poly Mode 0:mono,1:poly 01

nn 06 1 00..02 Same Note Number 0:single 01

Key On Assign 1:multi

2:inst (for DRUM)

nn 07 1 00..02 Part Mode 0:normal 00 (Except Part10)

1..3:drum thru,drum1..2 02 (Part10)

nn 08 1 28..58 Note Shift -24..+24[semitones] 40

nn 09 2 00..FF Detune -12.8..+12.7[Hz] 08 00

nn 0A 1st bit3..0 -> bit7..4 (80)

2nd bit3..0 -> bit3..0

nn 0B 1 00..7F Volume 0..127 64

nn 0C 1 00..7F Velocity Sense Depth 0..127 40

nn 0D 1 00..7F Velocity Sense Offset 0..127 40

nn 0E 1 00..7F Pan 0:random 40

L63..C..R63(1..64..127)

nn 0F 1 00..7F Note Limit Low C-2..G8 00

nn 10 1 00..7F Note Limit High C-2..G8 7F

nn 11 1 00..7F Dry Level 0..127 7F

nn 12 1 00..7F Chorus Send 0..127 00

nn 13 1 00..7F Reverb Send 0..127 28

nn 14 1 00..7F Variation Send 0..127 00

nn 15 1 00..7F Vibrato Rate -64..+63 40

nn 16 1 00..7F Vibrato Depth -64..+63 40

nn 17 1 00..7F Vibrato Delay -64..+63 40

nn 18 1 00..7F Filter Cutoff Freq. -64..+63 40

nn 19 1 00..7F Filter Resonance -64..+63 40

nn 1A 1 00..7F EG Attack Time -64..+63 40

nn 1B 1 00..7F EG Decay Time -64..+63 40

nn 1C 1 00..7F EG Release Time -64..+63 40

nn 1D 1 28..58 MW Pitch Control -24..+24[semitones] 40

nn 1E 1 00..7F MW Filter Control -9600..+9450[cent] 40

nn 1F 1 00..7F MW Amp. Control -100..+100[%] 40

nn 20 1 00..7F MW LFO PMod Depth 0..127 0A

nn 21 1 00..7F MW LFO FMod Depth 0..127 00

nn 22 1 00..7F MW LFO AMod Depth 0..127 00

nn 23 1 28..58 Bend Pitch Control -24..+24[semitones] 42

nn 24 1 00..7F Bend Filter Control -9600..+9450[cent] 40

nn 25 1 00..7F Bend Amp. Control -100..+100[%] 40

nn 26 1 00..7F Bend LFO PMod Depth 0..127 00

nn 27 1 00..7F Bend LFO FMod Depth 0..127 00

nn 28 1 00..7F Bend LFO AMod Depth 0..127 00

TOTAL SIZE 29

nn 30 1 Not Used

: : :

nn 40 1 Not Used

nn 41 1 00..7F Scale Tuning C -64..+63[cent] 40

nn 42 1 00..7F Scale Tuning C# -64..+63[cent] 40

nn 43 1 00..7F Scale Tuning D -64..+63[cent] 40

nn 44 1 00..7F Scale Tuning D# -64..+63[cent] 40

nn 45 1 00..7F Scale Tuning E -64..+63[cent] 40

nn 46 1 00..7F Scale Tuning F -64..+63[cent] 40

nn 47 1 00..7F Scale Tuning F# -64..+63[cent] 40

nn 48 1 00..7F Scale Tuning G -64..+63[cent] 40

nn 49 1 00..7F Scale Tuning G# -64..+63[cent] 40

nn 4A 1 00..7F Scale Tuning A -64..+63[cent] 40

nn 4B 1 00..7F Scale Tuning A# -64..+63[cent] 40

nn 4C 1 00..7F Scale Tuning B -64..+63[cent] 40

nn 4D 1 28..58 CAT Pitch Control -24..+24[semitones] 40

nn 4E 1 00..7F CAT Filter Control -9600..+9450[cent] 40

nn 4F 1 00..7F CAT Amplitude Control -100..+100[%] 40

nn 50 1 00..7F CAT LFO PMod Depth 0..127 00

MIDI Data Format

MIDI-Datenformat

Format des données MIDI

Formato de datos MIDI

CVP-202 23

nn 51 1 00..7F CAT LFO FMod Depth 0..127 00

nn 52 1 00..7F CAT LFO AMod Depth 0..127 00

nn 53 Not Used

66 Not Used

nn 67 1 00..01 Portamento Switch off/on 00

nn 68 1 00..7F Portamento Time 0..127 00

nn 69 Not Used

6E Not Used

TOTAL SIZE 3F

08 nn 70 1 Not Used Don’t care

nn 71 1 Not Used Don’t care

nn 72 1 Not Used Don’t care

nn 73 1 Not Used Don’t care

TOTAL SIZE 04

08 nn 74 1 Not Used Don’t care

75 1 Not Used Don’t care

76 1 Not Used Don’t care

77 1 Not Used Don’t care

78 1 Not Used Don’t care

79 1 Not Used Don’t care

7A 1 Not Used Don’t care

7B 1 Not Used Don’t care

7C 1 Not Used Don’t care

7D 1 Not Used Don’t care

7E 1 Not Used Don’t care

7F 1 Not Used Don’t care

TOTAL SIZE 0C

nn = PartNumber

If there is a Drum Voice assigned to the Part, the following parameters are ineffective.

• Bank Select LSB

• Pitch EG

• Portamento

• Soft Pedal

• Mono/Poly

• Scale Tuning

MIDI Parameter Change table ( DRUM SETUP )

Address Size Data Parameter Name Description Default

(H) (H) (H) Value(H)

3n rr 00 1 00..7F Pitch Coarse -64..+63 40

3n rr 01 1 00..7F Pitch Fine -64..+63[cent] 40

3n rr 02 1 00..7F Level 0..127 Depend on the Note

3n rr 03 1 00..7F Alternate Group 0:off,1..127 Depend on the Note

3n rr 04 1 00..7F Pan 0:random Depend on the Note

L63..C..R63(1..64..127)

3n rr 05 1 00..7F Reverb Send Level 0..127 Depend on the Note

3n rr 06 1 00..7F Chorus Send Level 0..127 Depend on the Note

3n rr 07 1 00..7F Variation Send Level 0..127 7F

3n rr 08 1 00..01 Key Assign 0:single,1:multi 00

3n rr 09 1 00..01 Rcv Note Off off/on Depend on the Note

3n rr 0A 1 00..01 Rcv Note On off/on 01

3n rr 0B 1 00..7F Filter Cutoff Freq. -64..63 40

3n rr 0C 1 00..7F Filter Resonance -64..63 40

3n rr 0D 1 00..7F EG Attack Rate -64..63 40

3n rr 0E 1 00..7F EG Decay1 Rate -64..63 40

3n rr 0F 1 00..7F EG Decay2 Rate -64..63 40

TOTAL SIZE 10

n:Drum Setup Number(0 - 1)

rr:note number(0DH - 5BH)

If XG SYSTEM ON and/or GM SYSTEM ON message is received, all Drum Setup Parameter will be reset to default values.

According to the Drum Setup Reset message, individual Drum Setup Parameters can be reset to default values.

CVP-202

Reverb Type List

Type MSB # LSB #

Chorus Type List

CHORUS1 66 17

CHORUS2 66 8

CHORUS3 66 16

CHORUS4 66 1

CHORUS5 65 2

CHORUS6 65 0

CHORUS7 65 1

CHORUS8 65 8

CELESTE1 66 0

CELESTE2 66 2

FLANGER1 67 8

FLANGER2 67 16

FLANGER3 67 17

FLANGER4 67 1

FLANGER5 67 0

Type MSB # LSB #

HALL1 1 0

HALL2 1 16

HALL3 1 17

HALL4 1 18

HALL5 1 1

ROOM1 2 16

ROOM2 2 17

ROOM3 2 18

ROOM4 2 19

ROOM5 2 0

ROOM6 2 1

ROOM7 2 2

STAGE1 3 16

STAGE2 3 17

STAGE3 3 0

STAGE4 3 1

PLATE1 4 16

PLATE2 4 17

PLATE3 4 0

WHITE ROOM 16 0

TUNNEL 17 0

CANYON 18 0

BASEMENT 19 0

Type MSB # LSB #

HALL1 1 0

HALL2 1 16

HALL3 1 17

HALL4 1 18

HALL5 1 1

ROOM1 2 16

ROOM2 2 17

ROOM3 2 18

ROOM4 2 19

ROOM5 2 0

ROOM6 2 1

ROOM7 2 2

STAGE1 3 16

STAGE2 3 17

STAGE3 3 0

STAGE4 3 1

PLATE1 4 16

PLATE2 4 17

PLATE3 4 0

ER1 9 0

ER2 9 1

GATE REVERB 10 0

REVERS GATE 11 0

KARAOKE1 20 0

KARAOKE2 20 1

KARAOKE3 20 2

CHORUS1 66 17

CHORUS2 66 8

CHORUS3 66 16

CHORUS4 66 1

CHORUS5 65 2

CHORUS6 65 0

CHORUS7 65 1

CHORUS8 65 8

CELESTE1 66 0

CELESTE2 66 2

FLANGER1 67 8

FLANGER2 67 16

FLANGER3 67 17

FLANGER4 67 1

FLANGER5 67 0

SYMPHONIC1 68 16

SYMPHONIC2 68 0

PHASER1 72 0

PHASER2 72 8

EP PHASER1 72 17

EP PHASER2 72 16

Type MSB # LSB #

Effect Type List

Effect Type List /

Liste der Effekttypen

Liste des types d’effet

Lista de tipos de efecto

ROTARY SP1 69 16

ROTARY SP2 71 17

ROTARY SP3 71 18

ROTARY SP4 70 17

ROTARY SP5 66 18

ROTARY SP6 69 0

ROTARY SP7 71 22

ROTARY SP8 69 17

ROTARY SP9 66 19

ROTARY SP10 71 25

TREMOLO1 70 16

TREMOLO2 71 19

TREMOLO3 70 0

TREMOLO4 70 20

GT TREMOLO1 71 20

EP TREMOLO 70 18

EP TREMOLO2 70 21

AUTO PAN1 71 16

AUTO PAN2 71 0

AUTO PAN3 71 23

EP AUTOPAN 71 21

EP AUTOPAN2 71 24

AUTO WAH1 78 16

AUTO WAH2 78 0

AUTO WAH3 78 19

AUTO WAH4 78 20

DELAY LCR1 5 16

DELAY LCR2 5 0

DELAY LR 6 0

ECHO 7 0

CROSS DELAY 8 0

DIST HARD 75 16

(

DISTORTION HARD

)

DIST HARD2 75 22

DIST HARD3 75 25

DIST SOFT 75 17

(

DISTORTION SOFT

)

DIST SOFT2 75 23

DIST HEAVY 73 0

OVERDRIVE 74 0

AMP SIM 75 0

(AMP SIMULATOR)

ST AMP2 75 21

ST AMP3 75 24

EQ DISCO 76 16

EQ TEL 76 17

2BAND EQ 77 0

3BAND EQ 76 0

CVP-202 25

If a table has no LSB number specified, the table applies for any LSB numbers.

Parameters marked with a ● in the Control column can be controlled from an AC1 (assignable controller 1) etc. However, this is valid only for a Variation effect (when selected for Insertion).

MSB = 1

MSB = 2

MSB = 3

MSB = 4

MSB = 5

MSB = 6

MSB = 7

MSB = 8

MSB = 9

No. Parameter Display Value See Table Control

Reverb Time 0.3 – 30.0s 0 – 69 table#4

2 Diffusion 0 – 10 0 – 10

3 Initial Delay 0.1mS – 99.3mS 0 – 63 table#5

4 HPF Cutoff Thru – 8.0kHz 0 – 52 table#3

5 LPF Cutoff 1.0k – Thru 34 – 60 table#3

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127 ●

11 Rev Delay 0.1mS – 99.3mS 0 – 63 table#5

12 Density 0 – 4 (rev, var) 0 – 4

13 Er/Rev Balance E63>R – E=R – E<R63 1 – 127

15 Feedback Level -63 – +63 1 – 127

No. Parameter Display Value See Table Control

1 Lch Delay 0.1 – 715.0ms 1 – 7150

2 Rch Delay 0.1 – 715.0ms 1 – 7150

3 Cch Delay 0.1 – 715.0ms 1 – 7150

4 Feedback Delay 0.1 – 715.0ms 1 – 7150

5 Feedback Level -63 – +63 1 – 127

6 Cch Level 0 – 127 0 – 127

7 High Damp 0.1 – 1.0 1 – 10

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127 ●

13 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3

14 EQ Low Gain -12 – +12dB 52 – 76

15 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3

16 EQ High Gain -12 – +12dB 52 – 76

No. Parameter Display Value See Table Control

1 Lch Delay 0.1 – 715.0ms 1 – 7150

2 Rch Delay 0.1 – 715.0ms 1 – 7150

3 Feedback Delay 1 0.1 – 715.0ms 1 – 7150

4 Feedback Delay 2 0.1 – 715.0ms 1 – 7150

5 Feedback Level -63 – +63 1 – 127

6 High Damp 0.1 – 1.0 1 – 10

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127 ●

13 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3

14 EQ Low Gain -12 – +12dB 52 – 76

15 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3

16 EQ High Gain -12 – +12dB 52 – 76

No. Parameter Display Value See Table Control

1 Lch Delay1 0.1 – 355.0ms 1 – 3550

2 Lch Feedback Level -63 – +63 1 – 127

3 Rch Delay1 0.1 – 355.0ms 1 – 3550

4 Rch Feedback Level -63 – +63 1 – 127

5 High Damp 0.1 – 1.0 1 – 10

6 Lch Delay2 0.1 – 355.0ms 1 – 3550

7 Rch Delay2 0.1 – 355.0ms 1 – 3550

8 Delay2 Level 0 – 127 0 – 127

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127 ●

13 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3

14 EQ Low Gain -12 – +12dB 52 – 76

15 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3

16 EQ High Gain -12 – +12dB 52 – 76

No. Parameter Display Value See Table Control

→

R Delay 0.1 – 355.0ms 1 – 3550

→

L Delay 0.1 – 355.0ms 1 – 3550

3 Feedback Level -63 – +63 1 – 127

4 Input Select L, R, L&R 0 – 2

5 High Damp 0.1 – 1.0 1 – 10

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127 ●

13 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3

14 EQ Low Gain -12 – +12dB 52 – 76

15 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3

16 EQ High Gain -12 – +12dB 52 – 76

No. Parameter Display Value See Table Control

1 Type S-H, L-H, Rdm, Rvs, Plt, Spr 0 – 5

2 Room Size 0.1 – 7.0 0 – 44 table#6

3 Diffusion 0 – 10 0 – 10

4 Initial Delay 0.1mS – 200.0mS 0 – 127 table#5

5 Feedback Level -63 – +63 1 – 127

6 HPF Cutoff Thru – 8.0kHz 0 – 52 table#3

7 LPF Cutoff 1.0k – Thru 34 – 60 table#3

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127 ●

11 Liveness 0 – 10 0 – 10

12 Density 0 – 30 – 3

13 High Damp 0.1 – 1.0 1 – 10

Effect Parameter List

Liste der Effektparameter

Liste

des paramètres d’effets

Lista de parámetros de efectos

CVP-202

Effect Parameter List

Liste der Effektparameter

Liste des paramètres d’effets

MSB = 65

MSB = 66

MSB = 67

MSB = 68

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz – 39.7Hz 0 – 127 table#1

2 LFO Depth 0 – 127 0 – 127

3 Feedback Level -63 – +63 1 – 127

4 Delay Offset 0.0mS – 50mS 0 – 127 table#2

6 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3

7 EQ Low Gain -12 – +12dB 52 – 76

8 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3

9 EQ High Gain -12 – +12dB 52 – 76

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127 ●

11 EQ Mid Frequency (*5) 100Hz – 10.0kHz 14 – 54 table#3

12 EQ Mid Gain (*5) -12 – +12dB 52 – 76

13 EQ Mid Width (*5) 1.0 – 12.0 10 – 120

15 Input Mode mono/stereo 0 – 1

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz – 39.7Hz 0 – 127 table#1

2 LFO Depth 0 – 127 0 – 127

3 Feedback Level -63 – +63 1 – 127

4 Delay Offset 0.0mS – 50mS 0 – 127 table#2

6 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3

7 EQ Low Gain -12 – +12dB 52 – 76

8 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3

9 EQ High Gain -12 – +12dB 52 – 76

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127 ●

14 LFO Phase Difference -180 – +180deg (resolution=3deg.) 4 – 124

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz – 39.7Hz 0 – 127 table#1

2 LFO Depth 0 – 127 0 – 127

3 Delay Offset 0.0mS – 50mS 0 – 127 table#2

6 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3

7 EQ Low Gain -12 – +12dB 52 – 76

8 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3

9 EQ High Gain -12 – +12dB 52 – 76

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127 ●

MSB = 10

MSB = 11

MSB = 16

MSB = 17

MSB = 18

MSB = 19

MSB = 20

No. Parameter Display Value See Table Control

1 Type TypeA, TypeB 0 – 1

2 Room Size 0.1 – 7.0 0 – 44 table#6

3 Diffusion 0 – 10 0 – 10

4 Initial Delay 0.1mS – 200.0mS 0 – 127 table#5

5 Feedback Level -63 – +63 1 – 127

6 HPF Cutoff Thru – 8.0kHz 0 – 52 table#3

7 LPF Cutoff 1.0k – Thru 34 – 60 table#3

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127 ●

11 Liveness 0 – 10 0 – 10

12 Density 0 – 30 – 3

13 High Damp 0.1 – 1.0 1 – 10

No. Parameter Display Value See Table Control

1 Reverb Time 0.3 – 30.0s 0 – 69 table#4

2 Diffusion 0 – 10 0 – 10

3 Initial Delay 0.1mS – 99.3mS 0 – 63 table#5

4 HPF Cutoff Thru – 8.0kHz 0 – 52 table#3

5 LPF Cutoff 1.0k – Thru 34 – 60 table#3

6 Width 0.5 – 10.2m 0 – 37 table#8

7 Heigt 0.5 – 20.2m 0 – 73 table#8

8 Depth 0.5 – 30.2m 0 – 104 table#8

9 Wall Vary 0 – 30 0 – 30

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127 ●

11 Rev Delay 0.1mS – 99.3mS 0 – 63 table#5

No. Parameter Display Value See Table Control

1 Delay Time 0.1mS – 400.0mS 0 – 127 table#7

2 Feedback Level -63 – +63 1 – 127

3 HPF Cutoff Thru – 8.0kHz 0 – 52 table#3

4 LPF Cutoff 1.0k – Thru 34 – 60 table#3

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127 ●

CVP-202 27

MSB = 69, LSB = 0, 16, 17

MSB = 70

MSB = 71

MSB = 72, LSB = 0, 16, 17, 18

MSB = 72, LSB = 8

MSB = 73, LSB = 0

MSB = 74

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz – 39.7Hz 0 – 127 table#1 ●

2 LFO Depth 0 – 127 0 – 127

6 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3

7 EQ Low Gain -12 – +12dB 52 – 76

8 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3

9 EQ High Gain -12 – +12dB 52 – 76

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz – 39.7Hz 0 – 127 table#1 ●

2 AM Depth 0 – 127 0 – 127

3 PM Depth 0 – 127 0 – 127

6 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3

7 EQ Low Gain -12 – +12dB 52 – 76

8 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3

9 EQ High Gain -12 – +12dB 52 – 76

14 LFO Phase Difference -180 – +180deg (resolution=3deg.) 4 – 124

15 Input Mode mono/stereo 0 – 1

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz – 39.7Hz 0 – 127 table#1 ●

2 L/R Depth 0 – 127 0 – 127

3 F/R Depth 0 – 127 0 – 127

4 PAN Direction L R, L R, L R, Lturn, Rturn, L/R 0 – 5

6 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3

7 EQ Low Gain -12 – +12dB 52 – 76

8 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3

9 EQ High Gain -12 – +12dB 52 – 76

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz – 39.7Hz 0 – 127 table#1

2 LFO Depth 0 – 127 0 – 127

3 Phase Shift Offset 0 – 127 0 – 127

4 Feedback Level -63 – +63 1 – 127

6 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3

7 EQ Low Gain -12 – +12dB 52 – 76

8 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3

9 EQ High Gain -12 – +12dB 52 – 76

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127 ●

11 Stage 6, 7, 8, 9, 10 6 – 10

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz – 39.7Hz 0 – 127 table#1

2 LFO Depth 0 – 127 0 – 127

3 Phase Shift Offset 0 – 127 0 – 127

4 Feedback Level -63 – +63 1 – 127

6 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3

7 EQ Low Gain -12 – +12dB 52 – 76

8 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3

9 EQ High Gain -12 – +12dB 52 – 76

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127 ●

11 Stage 3, 4, 5 3 – 5

13 LFO Phase Difference -180deg – +180deg (resolution=3deg.) 4 – 124

No. Parameter Display Value See Table Control

1 Drive 0 – 127 0 – 127 ●

2 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3

3 EQ Low Gain -12 – +12dB 52 – 76

4 LPF Cutoff 1.0k – Thru 34 – 60 table#3

5 Output Level 0 – 127 0 – 127

7 EQ Mid Frequency 100Hz – 10.0kHz 14 – 54 table#3

8 EQ Mid Gain -12 – +12dB 52 – 76

9 EQ Mid Width 1.0 – 12.0 10 – 120

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127

11 Edge (Clip Curve) 0 (mild) – 127 (sharp) 0 – 127

Lista de parámetros de efectos

CVP-202

MSB = 76

MSB = 77

MSB = 78, LSB = 0, 16, 19, 20

MSB = 64

Parameter 10 Dry/Wet Balance only affects insertion type effects.

No. Parameter Display Value See Table Control

1 EQ Low Gain -12 – +12dB 52 – 76

2 EQ Mid Frequency 100Hz – 10.0kHz 14 – 54 table#3

3 EQ Mid Gain -12 – +12dB 52 – 76

4 EQ Mid Width 1.0 – 12.0 10 – 120

5 EQ High Gain -12 – +12dB 52 – 76

6 EQ Low Frequency 50Hz – 2.0kHz 8 – 40 table#3

7 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3

15 Input Mode mono/stereo 0 – 1

No. Parameter Display Value See Table Control

1 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3

2 EQ Low Gain -12 – +12dB 52 – 76

3 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3

4 EQ High Gain -12 – +12dB 52 – 76

No. Parameter Display Value See Table Control

1 LFO Frequency 0.00Hz – 39.7Hz 0 – 127 table#1

2 LFO Depth 0 – 127 0 – 127

3 Cutoff Frequency Offset 0 – 127 0 – 127 ●

4 Resonance 1.0 – 12.0 10 – 120

6 EQ Low Frequency 32Hz – 2.0kHz 4 – 40 table#3

7 EQ Low Gain -12 – +12dB 52 – 76

8 EQ High Frequency 500Hz – 16.0kHz 28 – 58 table#3

9 EQ High Gain -12 – +12dB 52 – 76

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127

No. Parameter Display Value See Table Control

MSB = 75

No. Parameter Display Value See Table Control

1 Drive 0 – 127 0 – 127 ●

2 AMP Type Off, Stack, Combo, Tube 0 – 3

3 LPF Cutoff 1.0k – Thru 34 – 60 table#3

4 Output Level 0 – 127 0 – 127

10 Dry/Wet Balance D63>W – D=W – D<W63 1 – 127

11 Edge (Clip Curve) 0 (mild) – 127 (sharp) 0 – 127

Effect Parameter List

Liste der Effektparameter

Liste

des paramètres d’effets

Lista de parámetros de efectos

CVP-202 29

Table#1

LFO Frequency

Table#2

Modulation Delay Offset

Data Value Data Value Data Value Data Value

0 0.00 32 1.35 64 2.69 96 8.41

1 0.04 33 1.39 65 2.78 97 8.75

2 0.08 34 1.43 66 2.86 98 9.08

3 0.13 35 1.47 67 2.94 99 9.42

4 0.17 36 1.51 68 3.03 100 9.76

5 0.21 37 1.56 69 3.11 101 10.1

6 0.25 38 1.60 70 3.20 102 10.8

7 0.29 39 1.64 71 3.28 103 11.4

8 0.34 40 1.68 72 3.37 104 12.1

9 0.38 41 1.72 73 3.45 105 12.8

10 0.42 42 1.77 74 3.53 106 13.5

11 0.46 43 1.81 75 3.62 107 14.1

12 0.51 44 1.85 76 3.70 108 14.8

13 0.55 45 1.89 77 3.87 109 15.5

14 0.59 46 1.94 78 4.04 110 16.2

15 0.63 47 1.98 79 4.21 111 16.8

16 0.67 48 2.02 80 4.37 112 17.5

17 0.72 49 2.06 81 4.54 113 18.2

18 0.76 50 2.10 82 4.71 114 19.5

19 0.80 51 2.15 83 4.88 115 20.9

20 0.84 52 2.19 84 5.05 116 22.2

21 0.88 53 2.23 85 5.22 117 23.6

22 0.93 54 2.27 86 5.38 118 24.9

23 0.97 55 2.31 87 5.55 119 26.2

24 1.01 56 2.36 88 5.72 120 27.6

25 1.05 57 2.40 89 6.06 121 28.9

26 1.09 58 2.44 90 6.39 122 30.3

27 1.14 59 2.48 91 6.73 123 31.6

28 1.18 60 2.52 92 7.07 124 33.0

29 1.22 61 2.57 93 7.40 125 34.3

30 1.26 62 2.61 94 7.74 126 37.0

31 1.30 63 2.65 95 8.08 127 39.7

Data Value Data Value Data Value Data Value

0 0.0 32 3.2 64 6.4 96 9.6

1 0.1 33 3.3 65 6.5 97 9.7

2 0.2 34 3.4 66 6.6 98 9.8

3 0.3 35 3.5 67 6.7 99 9.9

4 0.4 36 3.6 68 6.8 100 10.0

5 0.5 37 3.7 69 6.9 101 11.1

6 0.6 38 3.8 70 7.0 102 12.2

7 0.7 39 3.9 71 7.1 103 13.3

8 0.8 40 4.0 72 7.2 104 14.4

9 0.9 41 4.1 73 7.3 105 15.5

10 1.0 42 4.2 74 7.4 106 17.1

11 1.1 43 4.3 75 7.5 107 18.6

12 1.2 44 4.4 76 7.6 108 20.2

13 1.3 45 4.5 77 7.7 109 21.8

14 1.4 46 4.6 78 7.8 110 23.3

15 1.5 47 4.7 79 7.9 111 24.9

16 1.6 48 4.8 80 8.0 112 26.5

17 1.7 49 4.9 81 8.1 113 28.0

18 1.8 50 5.0 82 8.2 114 29.6

19 1.9 51 5.1 83 8.3 115 31.2

20 2.0 52 5.2 84 8.4 116 32.8

21 2.1 53 5.3 85 8.5 117 34.3

22 2.2 54 5.4 86 8.6 118 35.9

23 2.3 55 5.5 87 8.7 119 37.5

24 2.4 56 5.6 88 8.8 120 39.0

25 2.5 57 5.7 89 8.9 121 40.6

26 2.6 58 5.8 90 9.0 122 42.2

27 2.7 59 5.9 91 9.1 123 43.7

28 2.8 60 6.0 92 9.2 124 45.3

29 2.9 61 6.1 93 9.3 125 46.9

30 3.0 62 6.2 94 9.4 126 48.4

31 3.1 63 6.3 95 9.5 127 50.0

Table#3

EQ Frequency

Table#4

Reverb Time

Data Value Data Value

0 THRU(0) 32 800

12233900

2 25 34 1.0k

3 28 35 1.1k

4 32 36 1.2k

5 36 37 1.4k

6 40 38 1.6k

7 45 39 1.8k

8 50 40 2.0k

9 56 41 2.2k

10 63 42 2.5k

11 70 43 2.8k

12 80 44 3.2k

13 90 45 3.6k

14 100 46 4.0k

15 110 47 4.5k

16 125 48 5.0k

17 140 49 5.6k

18 160 50 6.3k

19 180 51 7.0k

20 200 52 8.0k

21 225 53 9.0k

22 250 54 10.0k

23 280 55 11.0k

24 315 56 12.0k

25 355 57 14.0k

26 400 58 16.0k

27 450 59 18.0k

28 500 60

THRU(20.0k)

29 560

30 630

31 700

Data Value Data Value Data Value

0 0.3 32 3.5 64 17.0

1 0.4 33 3.6 65 18.0

2 0.5 34 3.7 66 19.0

3 0.6 35 3.8 67 20.0

4 0.7 36 3.9 68 25.0

5 0.8 37 4.0 69 30.0

6 0.9 38 4.1

7 1.0 39 4.2

8 1.1 40 4.3

9 1.2 41 4.4

10 1.3 42 4.5

11 1.4 43 4.6

12 1.5 44 4.7

13 1.6 45 4.8

14 1.7 46 4.9

15 1.8 47 5.0

16 1.9 48 5.5

17 2.0 49 6.0

18 2.1 50 6.5

19 2.2 51 7.0

20 2.3 52 7.5

21 2.4 53 8.0

22 2.5 54 8.5

23 2.6 55 9.0

24 2.7 56 9.5

25 2.8 57 10.0

26 2.9 58 11.0

27 3.0 59 12.0

28 3.1 60 13.0

29 3.2 61 14.0

30 3.3 62 15.0

31 3.4 63 16.0

Table#5

Delay Time (200.0ms)

Table#6

Room Size

Data Value Data Value Data Value Data Value

0 0.1 32 50.5 64 100.8 96 151.2

1 1.7 33 52.0 65 102.4 97 152.8

2 3.2 34 53.6 66 104.0 98 154.4

3 4.8 35 55.2 67 105.6 99 155.9

4 6.4 36 56.8 68 107.1 100 157.5

5 8.0 37 58.3 69 108.7 101 159.1

6 9.5 38 59.9 70 110.3 102 160.6

7 11.1 39 61.5 71 111.9 103 162.2

8 12.7 40 63.1 72 113.4 104 163.8

9 14.3 41 64.6 73 115.0 105 165.4

10 15.8 42 66.2 74 116.6 106 166.9

11 17.4 43 67.8 75 118.2 107 168.5

12 19.0 44 69.4 76 119.7 108 170.1

13 20.6 45 70.9 77 121.3 109 171.7

14 22.1 46 72.5 78 122.9 110 173.2

15 23.7 47 74.1 79 124.4 111 174.8

16 25.3 48 75.7 80 126.0 112 176.4

17 26.9 49 77.2 81 127.6 113 178.0

18 28.4 50 78.8 82 129.2 114 179.5

19 30.0 51 80.4 83 130.7 115 181.1

20 31.6 52 81.9 84 132.3 116 182.7

21 33.2 53 83.5 85 133.9 117 184.3

22 34.7 54 85.1 86 135.5 118 185.8

23 36.3 55 86.7 87 137.0 119 187.4

24 37.9 56 88.2 88 138.6 120 189.0

25 39.5 57 89.8 89 140.2 121 190.6

26 41.0 58 91.4 90 141.8 122 192.1

27 42.6 59 93.0 91 143.3 123 193.7

28 44.2 60 94.5 92 144.9 124 195.3

29 45.7 61 96.1 93 146.5 125 196.9

30 47.3 62 97.7 94 148.1 126 198.4

31 48.9 63 99.3 95 149.6 127 200.0

Data Value Data Value Data Value Data Value

0 0.1 32 5.1 64 10.1 96 15.1

1 0.3 33 5.3 65 10.3 97 15.3

2 0.4 34 5.4 66 10.4 98 15.5

3 0.6 35 5.6 67 10.6 99 15.6

4 0.7 36 5.7 68 10.8 100 15.8

5 0.9 37 5.9 69 10.9 101 15.9

6 1.0 38 6.1 70 11.1 102 16.1

7 1.2 39 6.2 71 11.2 103 16.2

8 1.4 40 6.4 72 11.4 104 16.4

9 1.5 41 6.5 73 11.5 105 16.6

10 1.7 42 6.7 74 11.7 106 16.7

11 1.8 43 6.8 75 11.9 107 16.9

12 2.0 44 7.0 76 12.0 108 17.0

13 2.1 45 7.2 77 12.2 109 17.2

14 2.3 46 7.3 78 12.3 110 17.3

15 2.5 47 7.5 79 12.5 111 17.5

16 2.6 48 7.6 80 12.6 112 17.6

17 2.8 49 7.8 81 12.8 113 17.8

18 2.9 50 7.9 82 12.9 114 18.0

19 3.1 51 8.1 83 13.1 115 18.1

20 3.2 52 8.2 84 13.3 116 18.3

21 3.4 53 8.4 85 13.4 117 18.4

22 3.5 54 8.6 86 13.6 118 18.6

23 3.7 55 8.7 87 13.7 119 18.7

24 3.9 56 8.9 88 13.9 120 18.9

25 4.0 57 9.0 89 14.0 121 19.1

26 4.2 58 9.2 90 14.2 122 19.2

27 4.3 59 9.3 91 14.4 123 19.4

28 4.5 60 9.5 92 14.5 124 19.5

29 4.6 61 9.7 93 14.7 125 19.7

30 4.8 62 9.8 94 14.8 126 19.8

31 5.0 63 10.0 95 15.0 127 20.0

Table#7

Delay Time (400.0ms)

Table#8

Reverb Width; Depth; Height

Data Value Data Value Data Value Data Value

0 0.1 32 100.9 64 201.6 96 302.4

1 3.2 33 104.0 65 204.8 97 305.5

2 6.4 34 107.2 66 207.9 98 308.7

3 9.5 35 110.3 67 211.1 99 311.8

4 12.7 36 113.5 68 214.2 100 315.0

5 15.8 37 116.6 69 217.4 101 318.1

6 19.0 38 119.8 70 220.5 102 321.3

7 22.1 39 122.9 71 223.7 103 324.4

8 25.3 40 126.1 72 226.8 104 327.6

9 28.4 41 129.2 73 230.0 105 330.7

10 31.6 42 132.4 74 233.1 106 333.9

11 34.7 43 135.5 75 236.3 107 337.0

12 37.9 44 138.6 76 239.4 108 340.2

13 41.0 45 141.8 77 242.6 109 343.3

14 44.2 46 144.9 78 245.7 110 346.5

15 47.3 47 148.1 79 248.9 111 349.6

16 50.5 48 151.2 80 252.0 112 352.8

17 53.6 49 154.4 81 255.2 113 355.9

18 56.8 50 157.5 82 258.3 114 359.1

19 59.9 51 160.7 83 261.5 115 362.2

20 63.1 52 163.8 84 264.6 116 365.4

21 66.2 53 167.0 85 267.7 117 368.5

22 69.4 54 170.1 86 270.9 118 371.7

23 72.5 55 173.3 87 274.0 119 374.8

24 75.7 56 176.4 88 277.2 120 378.0

25 78.8 57 179.6 89 280.3 121 381.1

26 82.0 58 182.7 90 283.5 122 384.3

27 85.1 59 185.9 91 286.6 123 387.4

28 88.3 60 189.0 92 289.8 124 390.6

29 91.4 61 192.2 93 292.9 125 393.7

30 94.6 62 195.3 94 296.1 126 396.9

31 97.7 63 198.5 95 299.2 127 400.0

Data Value Data Value Data Value Data Value

0 0.5 32 8.8 64 17.6 96 27.5

1 0.8 33 9.1 65 17.9 97 27.8

2 1.0 34 9.4 66 18.2 98 28.1

3 1.3 35 9.6 67 18.5 99 28.5

4 1.5 36 9.9 68 18.8 100 28.8

5 1.8 37 10.2 69 19.1 101 29.2

6 2.0 38 10.4 70 19.4 102 29.5

7 2.3 39 10.7 71 19.7 103 29.9

8 2.6 40 11.0 72 20.0 104 30.2

9 2.8 41 11.2 73 20.2

10 3.1 42 11.5 74 20.5

11 3.3 43 11.8 75 20.8

12 3.6 44 12.1 76 21.1

13 3.9 45 12.3 77 21.4

14 4.1 46 12.6 78 21.7

15 4.4 47 12.9 79 22.0

16 4.6 48 13.1 80 22.4

17 4.9 49 13.4 81 22.7

18 5.2 50 13.7 82 23.0

19 5.4 51 14.0 83 23.3

20 5.7 52 14.2 84 23.6

21 5.9 53 14.5 85 23.9

22 6.2 54 14.8 86 24.2

23 6.5 55 15.1 87 24.5

24 6.7 56 15.4 88 24.9

25 7.0 57 15.6 89 25.2

26 7.2 58 15.9 90 25.5

27 7.5 59 16.2 91 25.8

28 7.8 60 16.5 92 26.1

29 8.0 61 16.8 93 26.5

30 8.3 62 17.1 94 26.8

31 8.6 63 17.3 95 27.1

Effect Data Assign Table

Effektdaten-Zuordnungstabelle

Tableau d’assignation des données d’effets

Tabla de

asignación de datos para efectos

CVP-202

Transmitted Recognized Remarks

Function ...

Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes

Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No

Aux :

All Sound Off

x o(120,126,127)

Reset All Cntrls

x o(121)

Local ON/OFF

x o(122)

All Notes OFF

x o(123-125)

Mes- :

Active Sense

sages:

Reset

System :Clock o o

Real Time :Commands o o

: Song Pos. x x

Common : Song Sel. x x

: Tune x x

System Exclusive o o

Notes:

Prog o 0 - 127 o 0 - 127

Change : True # **************

0,32 o o Bank Select

1 x *4 o Modulation

5 x o

Portamento Time

7,10,11 o o

Control 6,38 o o Data Entry

64,66,67 o o

change 65 x o Portamento

71-74 x *4 o

Sound Controller

84 o o

Portamento Cntrl

91,93,94 o o Effect Depth

96,97 x o RPN Inc,Dec

98,99 x *4 o NRPN LSB,MSB

100,101 o o RPN LSB,MSB

Pitch Bend o o 0-24 semi

After Key's x x

Touch Ch's x o

Velocity Note ON o 9nH,v=1-127 o 9nH,v=1-127

Note OFF x 9nH,v=0 x

Note 0 - 127 0 - 127

Number : True voice ************** 0 - 127

Default 3 3

Mode Messages x 3,4 (m=1) *3

Altered ************** x

Basic Default 1 - 16 1 - 16 Memorized

Channel Changed 1 - 16 *1 1 - 16 *2

YAMAHA [ Clavinova ] Date:01-NOV-2002

Model

CVP-202

MIDI Implementation Chart

Version : 1.00

CVP-202 31

Notes:

*1: The send channel for the RIGHT1, RIGHT2, and LEFT parts can be set

using the Send Channel (Keyboard) function. The transmission of

accompaniment, harmony, and song data can be turned on or off using

the Send Channel (Accompaniment/Harmony) and Song Transmission

functions.

*2: Messages received on the channel set by the Remote Keyboard func-

tion are handled as operations performed directly on the keyboard or

panel. Only the following messages are received on this channel:

• Note On/Off (A-1...C7)

• Control Changes

Bank Select MSB/LSB (RIGHT1 part)

Modulation

Data Entry MSB (when PITCH BEND SENS. is set by RPN LSB/

MSB)

Volume

Expression

Sustain

Sostenuto

Soft Pedal

Data Increment/Decrement (when PITCH BEND SENS. is set by

RPN LSB/MSB)

RPN LSB/MSB (PITCH BEND SENS. only)

All Note Off

• Program Change (RIGHT1 part)

• Pitch Bend

*3: “m” is always treated as “1” regardless of its value.

*4: Transmitted when ACMP&RHY or HARMONY setting of Send Channel

(Accompaniment/Harmony) function is on.

Hinweise:

*1: Der Sendekanal für die Parts RIGHT1, RIGHT2 und LEFT läßt sich

über die Funktion Sendekanal (Keyboard) einstellen. Die Übertragung

von Begleitungs-, Harmonie- und Songdaten kann mit den Funktionen

Sendekanal (Begleitung/Harmonie) und Song-Übertragung ein- bzw.

ausgeschaltet werden.

*2: Meldungen, die an dem Kanal empfangen werden, der von der Remote

Keyboard-Funktion eingestellt wurde, werden als direkt auf dem Key-

board oder Steuerpult ausgeführte Bedienoperationen angesehen. Nur

die nachfolgend genannten Meldungen werden auf diesem Kanal

empfangen:

• Noten Ein/Aus (A-1...C7)

• Steuerungsänderungs-

Bank. Wählen Sie MSB/LSB (Part RIGHT1)

Modulation

Dateneintrag MSB (sofern die Option PITCH BEND SENS.

(Tonlagenabtastung) von RPN LSB/MSB) eingestellt wurde

VOLUME (LAUTSTÄRKE)

Expression (Ausdruck)

Sustain

Sostenuto

Soft Pedal

Datenerhöhung/-erniedrigung (sofern die Option PITCH BEND

SENS. (Tonlagenabtastung) von RPN LSB/MSB eingestellt

wurde)

RPN LSB/MSB (nur PITCH BEND SENS.,

TONLAGENABTASTUNG)

Alle Noten ausgeschaltet

• Programmänderung (Part RIGHT1)

• Pitch Bend (Tonlage)

*3: “m” wird stets als “1” behandelt, unabhängig von dessen Wert.

*4: Wird übertragen, wenn die ACMP&RHY- oder HARMONIE-Einstellung

der Funktion Sendekanal (Begleitung/Harmonie) aktiviert ist.

Remarques :

*1 : Le canal d’émission pour les parties RIGHT1, RIGHT2, et LEFT peut

être configuré à l’aide de la fonction Send Channel (Keyboard). La

transmission des données d’accompagnement, d’harmonie et de

morceau peut être activée ou désactivée à l’aide des fonctions Send

Channel (Accompaniment/Harmony) et Song Transmission.

*2 : Les messages reçus sur le canal configuré à l’aide de la fonction Re-

mote Keyboard sont traités comme des opérations réalisées

directement sur le clavier ou le panneau. Seuls les messages suivants

sont reçus sur ce canal :

• Note On/Off (A-1...C7)

• Control Changes

Bank Select MSB/LSB (partie RIGHT1)

Modulation

Data Entry MSB (si PITCH BEND SENS. est défini à l’aide de

RPN LSB/MSB)

Volume

Expression

Sustain

Sostenuto

Soft Pedal

Data Increment/Decrement (si PITCH BEND SENS. est défini à

l’aide de RPN LSB/MSB)

RPN LSB/MSB (PITCH BEND SENS. uniquement)

All Note Off

• Program Change (partie RIGHT1)

• Pitch Bend

*3 : “m” équivaut toujours à “1” quelle que soit sa valeur.

*4 : Transmis(e) si le paramètre ACMP&RHY ou HARMONY de la fonction

Send Channel (Accompaniment/Harmony) est activé.

Notas:

*1: El canal de envío para las partes RIGHT1, RIGHT2 y LEFT puede

ajustarse utilizando la función Send Channel (teclado). La transmisión

del acompañamiento de la armonía y de los datos de canción se

pueden activar o desactivar utilizando las funciones Send Channel

(Accompaniment/Harmony) y Song Transmission.

*2: Los mensajes recibidos en el canal ajustado por la función Remote

Keyboard se consideran como operaciones realizadas directamente en

el teclado o el panel. Sólo los mensajes siguientes se reciben en este

canal:

• Note On/Off (A-1...C7)

• Control Changes

Bank Select MSB/LSB (parte RIGHT1)

Modulation

Data Entry MSB (cuando PITCH BEND SENS. se ajusta con

RPN LSB/

MSB)

Volume

Expression

Sustain

Sostenuto

Soft Pedal

Data Increment/Decrement (cuando PITCH BEND SENS. se

ajusta con

RPN LSB/MSB)

RPN LSB/MSB (sólo PITCH BEND SENS.)

All Note Off

• Program Change (parte RIGHT1)

• Pitch Bend

*3: “m” siempre se considera como “1” independientemente de su valor.

*4: Transmitido cuando los ajustes ACMP&RHY o HARMONY de la

función Send Channel (Accompaniment/Harmony) está activada.

CVP-202

Zusammenbau

VORSICHT

• Achten Sie darauf, die Teile nicht zu verwechseln, und installieren

Sie alle Teile in der richtigen Ausrichtung. Gehen Sie beim

Zusammenbau bitte in der angegebenen Reihenfolge vor.

• Die Montage sollte von mindestens zwei Personen vorgenommen

werden.

• Achten Sie darauf, die richtige Schraubengröße zu verwenden, wie

es oben gezeigt ist. Die Verwendung der falschen Schrauben kann

zu Schäden führen.

• Achten Sie während der Montage darauf, bei jedem Arbeitsgang

alle Schrauben festzuziehen.

• Für die Demontage muß die angegebene Reihenfolge umgekehrt

befolgt werden.

ZÖffnen Sie den Karton und nehmen Sie alle

Teile heraus.

Vergewissern Sie sich, daß alle in der obigen Abbildung

aufgeführten Teile vollzählig vorhanden sind.

XBefestigen Sie die Seitenwände (D) am

Pedalkasten (C).

Bevor Sie den Pedalkasten montieren, nehmen Sie zu-

nächst das gebündelte Kabel aus dem Pedalkasten, entfer-

nen den Kabelbinder und ziehen das Kabel dann gerade

aus. Werfen Sie den Kabelbinder nicht wg, er wird in

Schritt B wieder gebraucht.

Setzen Sie den Pedalkasten auf die Winkelbleche der

beiden Seitenwänden (D), und schrauben Sie ihn dann mit

den vier Halbrundschrauben (6 x 20 mm) 1 fest (jeweils

zwei Schrauben links und rechts). Achten Sie dabei dar-

auf, daß die Pedale in dieselbe Richtung weisen wie die

vorspringenden Teile der Füße.

Assembly

CAUTION

• Be careful not to confuse parts, and be sure to install all parts in the

correct direction. Please assemble in accordance with the se-

quence given below.

• Assembly should be carried out by at least two persons.

• Be sure to use the correct screw size, as indicated above. Use of

incorrect screws can cause damage.

• Be sure to tighten up all screws upon completing assembly of each

unit.

• To disassemble, reverse the assembly sequence given below.

ZOpen the box and remove all the parts.

Remove all parts from the box. Confirm that all parts

shown in the illustration above are provided.

XAttach the side panels (D) to the pedal box

(C).

Before installing the pedal box, untie and straighten out

the bundled cord attached to the bottom of the pedal box.

Don’t discard the vinyl tie, you’ll need it later in step B.

Place the pedal box on top of the brackets attached to the

side panels (D), and attach using the four 6 x 20

millimeter round-head screws 1 — two screws on each

side. Make sure the pedals extend in the same direction as

the side panel feet.

• Bundled pedal cord inside

• Gebündeltes Pedalkabel

• Cordon de pédalier enroulé à l’intérieur

• Cable de pedales enrollado en el interior

• AC power cord

• Netzkabel

• Cordon d’alimentation

• Cable de alimentación de CA

• Cord holders x 2

• Kabelhalter x 2

• Serre-câble x 2

• Soportes de cable x 2

CVP-202 33

• 6 x 20 mm round-head screws 1

• 6 x 20 mm Halbrundschrauben 1

• Vis à tête ronde de 6 x 20 mm 1

• Tornillos de cabeza redonda de 6 x

20 mm 1

Montage

PRECAUTION

• Veiller à ne pas mélanger les pièces et à les installer dans le sens

correct. Veuillez assembler l’instrument dans l’ordre indiqué ci-

dessous.

• La présence de deux personnes minimum est nécessaire pour

procéder au montage.

• Toujours utiliser des vis aux dimensions correctes, comme indiqué

cidessus. I’utilisation de vis aux dimensions incorrectes pourrait en

effet endommager l’instrument.

• Resserrer convenablement toutes les vis après le montage de

chaque élément.

• Pour démonter le Clavinova, inverser l’ordre des indications don-

nées ci-dessous.

ZOuvrez le carton et retirez toutes les pièces

Videz le carton de son contenu. Vérifiez que toutes les

pièces indiquées sur l’illustration sont bien fournies.

XFixez les panneaux latéraux (D) au pédalier

(C)

Avant de poser le pédalier, détacher le cordon de la partie

inférieure du pédalier et le dérouler. Ne jetez pas l’attache

en vinyle, vous la réutiliserez ultérieurement à l’étape B.

Placez le pédalier sur les ferrures fixées aux panneaux

latéraux (D) et fixez-le à l’aide des quatre vis à tête ronde

de 6 x 20 millimètres 1: deux vis de chaque côté.

Veillez à ce que les pédales soient dirigées dans le même

sens que les supports inférieurs.

Montaje

CUIDADO

• Observe cuidado para no confundir las piezas, y asegúrese de

montar todas ellas en el sentido correcto. Proceda al montaje en el

orden indicado a continuación.

• El montaje deberá realizarse al menos por dos personas.

• Procure utilizar los tornillos del tamaño adecuado, según se indica

arriba. El empleo de tornillos inadecuados puede ocasionar daños

en el instrumento.

• Asegúrese de apretar bien todos los tornillos después de montar

cada unidad.

• Para desmontar las unidades, invierta la secuencia de montaje

facilitada a continuación.

ZAbra la caja y extraiga todas las partes.

Extraiga todas las partes de la caja. Confirme que no falte

ninguna de las partes mostradas en la ilustración.

XAcople los paneles laterales (D) en la caja

de pedales (C).

Antes de instalar la caja de pedales, desate y enderezca el

cable plegado unido a la parte inferior de la caja de peda-

les. No tire la abrazadera de vinilo, porque la necesitará

en el paso B de más adelante.

Ponga la caja de pedales en la parte superior de las

ménsulas acopladas a los paneles laterales (D), y acople

empleando los cuatro tornillos de cabeza redonda de 6 x

20 mm 1; dos tornillos en cada lado. Asegúrese de que

el pedal se extiende en la misma dirección que la pata.

• 6 x 20 mm round-head screws x 4 1

• 6 x 20 mm Halbrundschrauben x 4 1

• Vis à tête ronde de 6 x 20 mm x 4 1

• Tornillos de cabeza redonda

de 6 x 20 mm x 4 1

• 4 x 12 mm round-head screws x 2 2

• 4 x 12 mm Halbrundschrauben x 2 2

• Vis à tête ronde de 4 x 12 mm x 2 2

• Tornillos de cabeza redonda

de 4 x 12 mm x 2 2

• 4 x 20 mm tapping screws x 4 3

• 4 x 20 mm Schneidschrauben x 4 3

• Vis auto-taraudeuses 4 x 20 mm x 4 3

• Tornillos de autoenrosque

de 4 x 20 mm x 4 3

• 6 x 16 mm flat-head screws x 4 4

• 6 x 16 mm Senkschrauben x 4 4

• Vis à tête plate de 6 x 16 mm x 4 4

• Tornillos de cabeza plana

de 6 x 16 mm x 4 4

CVP-202

CAttach the rear panel (B).

With the rear panel slightly angled as shown in the illus-

tration, lower it onto the feet’s protruding edge at the rear

of the pedal box. Then, while eliminating any gaps be-

tween the rear and side panels, secure the top of the rear

panel to the side panel brackets using two 4 x 12 mm

round-head screws 2. Finally, secure the bottom of the

rear panel to the pedal box using four 4 x 20 mm tapping

screws 3.

VInstall the main unit (A).

Place the main unit (A) on the side panels (D) with the

screws on its bottom panel (toward the rear of the main

unit) just behind the grooves in the brackets located at the

top of the side panels. Then slide the main unit forward

until it stops. WATCH YOUR FINGERS WHEN DO-

ING THIS!!

Align the holes on the bottom panel of the main unit with

the holes in the brackets on the side panels (also center

the main unit to produce equal clearance on the left and

right sides, as shown in the illustration), then screw in and

securely tighten the four 6 x 16 millimeter flat-head

screws 4.

CAUTION

• Do not hold the keyboard in any position other than the position

shown in the above illustration.

• Fingers can become pinched between the main unit and the rear or

side panels, be extra careful so as not to drop the main unit.

BConnect the pedal cord.

The pedal cord from the pedal box must be plugged into

the PEDAL connector on the rear of the main unit. Once

connected, attach the cord holders to the rear panel as

shown, then clip the cord into the holders.

• 4 x 20 mm tapping screws 3

• 4 x 20 mm Schneidschrauben 3

• Vis auto-taraudeuses 4 x 20 mm 3

• Tornillos de autoenrosque de 4 x 20 mm 3

CMontieren Sie die Rückwand (B).

Setzen Sie die Rückwand leicht abgewinkelt, wie in der

Abbildung gezeigt, hinter dem Pedalkasten auf die her-

vorspringenden Teile der Füße auf. Schrauben Sie dann

die Rückwand oben mit zwei 4 x 12 mm Halbrund-

schrauben 2 so an den Seitenwänden fest, daß kein Spiel

zwischen Rückwand und Seitenwänden verbleibt. Schrau-

ben Sie die Rückwand abschließend noch mit vier 4 x 20

mm Schneidschrauben 3 an den Pedalkasten.

VMontieren Sie die Tastatureinheit (A).

Setzen Sie die Tastatureinheit (A) so auf den fertigen

Ständer, daß die beiden Schrauben an ihrer Unterseite

hinter den Winkelblechen mit Führungsschlitz an der

Hinterseite des Ständers zu liegen kommen. Schieben Sie

die Tastatureinheit dann bis zum Anschlag in die Schlitze.

KLEMMEN SIE IHRE FINGER DABEI NICHT

EIN!!

Richten Sie die Schraubenbohrungen an der Unterseite

der Tastatureinheit mit den Bohrungen der Winkelbleche

aus (achten Sie auch darauf, daß sie mittig auf dem Stän-

der steht, wie in der Abbildung gezeigt). Schrauben Sie

die Tastatureinheit dann mit den vier 6 x 16 mm Senk-

schrauben 4 am Ständer fest.

VORSICHT

• Halten Sie die Tastatureinheit nur wie in der obigen Abbildung!

• Achten Sie darauf, daß Sie Ihre Finger nicht zwischen Tastatur-

einheit und den Seitenwänden bzw. der Rückwand einklemmen —

die Tastatureinheit könnte dadurch zu Fall kommen!

BSchließen Sie das Pedalkabel an.

Das vom Pedalkasten kommende Kabel muß in die

PEDAL-Buchse an der Rückwand der Haupteinheit

gesteckt werden. Befestigen Sie dann die Kabelhalter an

der Rückwand wie in der Abbildung gezeigt, und

klemmen Sie das Kabel in diese Halter.

• 4 x 12 mm round-head screws 2

• 4 x 12 mm Halbrundschrauben 2

• Vis à tête ronde de 4 x 12 mm 2

• Tornillos de cabeza redonda de 4 x 12 mm 2

• Be sure to place your hands

at least 15 centimeters from

either end of the main unit when

positioning it.

• Mindestens 15 cm innen unter die

Tastatureinheit greifen.

• Placez bien vos mains à 15 cm au moins des extrémités du

clavier, lors de sa mise en place.

• Asegúrese de colocar las manos por lo menos a 15 centímetros

desde los extremos de la unidad principal cuando la sitúe.

15 cm

CVP-202 35

• Use the vinyl tie that was removed from the bundled pedal

cord in step X to tie up any slack in the pedal cord.

• Nehmen Sie überlanges Kabel mit dem in Schritt X entfern-

ten Kabelbinder auf.

• Utilisez l’attache en vinyle qui a été enlevée du cordon de

pédalier à l’étape X pour attacher le fil excédentaire du

cordon de pédalier.

• Emplee la abrazadera de vinilo que se sacó del cale plegado

de los pedales en el paso X para fijar el cable de pedales

sobrante.

CFixez le panneau arrière (B)

En inclinant légèrement en angle le panneau arrière,

comme mentionné sur l’illustration, abaissez-le sur le

rebord des pieds, à l’arrière du pédalier. Puis, tout en éli-

minant les espaces entre les panneaux arrière et latéraux,

fixez le haut du panneau arrière sur les supports des pan-

neaux latéraux à l’aide de deux vis à tête ronde 4 x 12 mm

2. Et finalement, fixez le bas du panneau arrière au pé-

dalier avec quatre vis auto-taraudeuses 4 x 20 mm 3.

VPosez le clavier (A)

Placez le clavier sur les panneaux latéraux (D), avec les

vis de son panneau inférieur (situées vers l’arrière du

clavier) placées immédiatement derrière les rainures des

ferrures situées à la partie supérieure des panneaux laté-

raux (D), puis faites glisser le clavier vers l’avant jusqu’à

ce qu’il vienne en butée. FAITES ATTENTION A VOS

DOIGTS EN EXECUTANT CETTE OPERATION!!

Alignez les trous du panneau inférieur du clavier sur les

trous des ferrures des panneaux latéraux (centrez égale-

ment le clavier de manière à avoir un jeu identique de

chaque côté) puis posez et serrez à fond les quatre vis à

tête plate de 6 x 16 millimètres 4.

PRECAUTION

• Ne tenez pas le clavier d’une autre manière que celle indiquée sur

l’illustration ci-dessus.

• Attention car vous risquez de vous faire pincer les doigts entre le

clavier et les panneaux arrière ou latéraux de sorte que vous devez

veiller à ne pas faire tomber le clavier.

BRaccordez le cordon du pédalier

Le câble qui sort du pédalier doit être branché sur le

connecteur PEDAL (PEDALE) à l’arrière du clavier. Une

fois raccordé, fixez les serre-fils sur le panneau arrière,

comme indiqué, puis faites passer le câble dans les serre-

fils.

CMonte el panel trasero (B).

Con el panel trasero un poco inclinado en ángulo como se

muestra en la ilustración, bájelo al borde saliente de las

patas de la parte posterior de la caja de pedales. Enton-

ces, mientras elimina los huelgos entre los paneles trasero

y lateral, fije la parte superior del panel trasero a las

ménsulas de panel lateral usando dos tornillos de cabeza

redonda de 4 x 12 mm 2. Finalmente, fije la parte infe-

rior del panel trasero a la caja de pedales usando cuatro

tornillos de autoenrosque de 4 x 20 mm 3.

VInstale la unidad principal (A).

Coloque la unidad principal en los paneles laterales (D)

con los tornillos de su panel inferior (hacia la parte poste-

rior de la unidad principal) justo detrás de las ranuras de

la ménsula ubicada en la parte superior de los paneles

laterales (D), después deslice el teclado hacia adelante

hasta que se pare. ¡TENGA CUIDADO CON SUS DE-

DOS MIENTRAS LO HACE!

Alinee los orificios del panel inferior de la unidad princi-

pal con los orificios de las ménsulas de los paneles latera-

les (también centre la unidad principal para producir una

holgura igual en los lados derecho e izquierdo, como se

muestra en la ilustración), después enrosque y apriete bien

los cuatro tornillos de cabeza plana de 6 x 16 mm 4.

CUIDADO

• No sostenga el teclado en ninguna posición que no sea la posición

mostrada en la ilustración de arriba.

• Podría pillarse los dedos ente la unidad principal y los paneles

traseros o laterales, por lo que deberá tener mucho cuidado que no

se caiga la unidad principal.

BConecte el cable de los pedales.

El cable de los pedales procedente de la caja de pedales

debe conectarse al conector PEDAL (pedales) situado en

la parte posterior de la unidad principal. Una vez

conectado, coloque los soportes de cable en el panel

trasero de la manera mostrada en la figura y enganche el

cable en los soportes.

• 6 x 16 mm flat-head screws 4

• 6 x 16 mm Senkschrauben 4

• Vis à tête plate de 6 x 16 mm 4

• Tornillos de cabeza plana de 6 x 16

mm 4

• Cord holder

• Kabelhalter

• Serre-câble

• Soporte del cable

CVP-202

NVoltage Selector

Before connecting the AC power cord, check the setting

of the voltage selector which is provided in some areas.

To set the selector for 110V, 127V, 220V or 240V main

voltages, use a “minus” screwdriver to rotate the selector

dial so that the correct voltage for your region appears

next to the pointer on the panel. The voltage selector is set

at 240V when the unit is initially shipped.

After the proper voltage has been selected, slide the AC

power cord over the rear panel and connect the cord to the

AC INLET, then connect the other end of the cord to an

AC wall outlet. A plug adaptor may be also provided in

some areas to match the pin configuration of the AC wall

outlets in your area.

CAUTION

• An improper voltage setting can cause serious damage to the CVP-

202 or result in improper operation.

MSet the adjuster.

For stability, an adjuster is provided on the bottom of the

pedal box (C). Rotate the adjuster until it comes in firm

contact with the floor surface. The adjuster ensures stable

pedal operation and facilitates pedal effect control. If the

adjuster is not in firm contact with the floor surface, dis-

torted sound may result.

■After completing the assembly, please

check the following.

• Are there any parts left over?

➔Review the assembly procedure and correct any errors.

• Is the Clavinova clear of doors and other movable fixtures?

➔Move the Clavinova to an appropriate location.

• Does the Clavinova make a rattling noise when you shake it?

➔Tighten all screws.

• Does the pedal box rattle or give way when you step on the ped-

als?

➔Turn the adjuster so that it is set firmly against the floor.

• Are the pedal and power cords inserted securely into the sockets?

➔Check the connection.

• If the main unit creaks or is otherwise unsteady when you play on

the keyboard, refer to the assembly diagrams and retighten all

screws.

• A voltage selector is provided in some areas.

• Spannungswähler (nur in bestimmten Verkaufsgebieten)

• Un sélecteur de tension est prévu pour certaines régions

• El selector de tensión está provisto para ciertos destinos.

6 7

NDen Spannungswähler einstellen.

Bevor Sie nun das Netzkabel anschließen, müssen Sie den

Spannungswähler (falls vorhanden) auf die örtliche Netz-

spannung einstellen. Zum Verstellen drehen Sie den

Spannungswähler mit einem Schlitzschraubendreher, bis der

richtige Spannungswert (110, 127, 220 oder 240) an der

Pfeilmarkierung steht. Bei der Auslieferung werden alle

Instrumente mit Spannungswähler auf “240” voreingestellt.

Wenn Sie die geeignete Spannung ausgewählt haben, führen

Sie das Netzkabel über die Rückwand und stecken ein Ende

des Netzkabels in die Gerätebuchse AC INLET

(Wechselstrom-Anschluß) und das andere Ende in eine

Wandsteckdose.

Einigen Geräten ist ein Adapter zum Anschließen an

Wandsteckdosen mit einer anderen Anschlußbelegung

beigepackt.

VORSICHT

• Ein falsch eingestellter Spannungswähler kann zur Beschädigung

des CVP-202 führen oder zu einem unsachgemäßen Betrieb.

MJustieren Sie schließlich noch den Höhen-

versteller.

Zur Stabilisierung ist an der Unterseite des Pedalkastens (C)

ein Höhenversteller vorgesehen. Schrauben Sie den Höhen-

versteller heraus, bis er fest auf dem Fußboden steht. Der

Höhenversteller sorgt für stabile Pedalbetätigung und ermög-

licht eine präzise Regelung des Betätigungshubs. Wenn er

nicht fest auf dem Boden steht, können beim Treten der Pe-

dale Klangverzerrungen auftreten.

■Wenn der Zusammenbau beendet ist, prüfen

Sie bitte folgende Dinge:

• Sind Teile übrig geblieben?

➔Gehen Sie den Vorgang des Zusammenbaus noch einmal

durch und korrigieren Sie eventuelle Fehler.

• Befindet sich das Clavinova weit genug von Türen und anderen

beweglichen Vorrichtungen entfernt?

➔Bewegen Sie das Clavinova an einen entsprechend sicheren

Ort.

• Macht das Clavinova Klappergeräusche, wenn Sie es schütteln?

➔Ziehen Sie alle Schrauben fest.

• Klappert der Pedalkasten oder gibt er nach, wenn Sie das Pedal

treten?

➔Drehen Sie den Höhenversteller, bis er fest auf dem Fußbo-

den steht.

• Sind Pedal-und Netzkabel richtig an den Buchsen angeschlossen?

➔Prüfen Sie die Verbindung.

• Wenn die Tastatureinheit knarrt oder beim Spielen wackelt, be-

trachten Sie die Abbildungen und ziehen Sie alle Schrauben noch

einmal nach.

240

127

110

220

CVP-202 37

CAUTION

•When moving the instrument after assembly, always hold the

lower surface of the main unit, NEVER the top portion or

keyboard cover. Improper handling can result in damage to the

instrument or personal injury.

VORSICHT

•Fassen Sie zum Umstellen des Instruments nach dem

Zusammenbau stets unter das Gehäuse; heben Sie es

NIEMALS am oberen Teil oder an der Tastaturabdeckung. Bei

Nichtbeachtung dieses Punkts kann das Instrument beschädigt

und im Extremfall eine Verletzung hervorgerufen werden.

PRECAUTION

•Pour déplacer l’instrument après le montage, toujours tenir

l’instrument par la surface inférieure, JAMAIS par le dessus ou

le couvercle. Une mauvaise manipulation peut provoquer des

dommages ou des blessures.

CUIDADO

•Cuando mueva el instrumento después del montaje, sujete

siempre la unidad principal por su superficie inferior, NUNCA

por la parte superior ni por la cubierta del teclado. La

manipulación indebida puede causar daños al instrumento o

lesiones al usuario.

NSélecteur de tension

Avant de connecter le cordon d’alimentation, vérifiez le

réglage du sélecteur de tension qui est prévu pour certaines

régions. Pour régler le sélecteur sur 110 V, 127 V, 220 V ou

240 V, utilisez un tournevis à lame plate pour tourner le ca-

dran du sélecteur afin de mettre l’indication correspondant à

la tension de votre région vis à vis du repère triangulaire

situé sur le panneau. Le sélecteur de tension est réglé sur

240 V au départ d’usine.

Après avoir sélectionné la tension qui convient, faites glisser

le câble d’alimentation de CA par dessus le panneau arrière

et branchez-le dans l’AC INLET (prise de CA), puis bran-

chez l’autre extrémité dans une prise murale de CA. Vous

pouvez également dans certains cas avoir recours à un adap-

tateur de prise en fonction de la configuration des prises

murales de CA de votre pays.

PRECAUTION

•Un mauvais réglage de la tension peut gravement endommager le

CVP-202 ou entraîner des dysfonctionnements.

N’oubliez pas de régler la hauteur du pédalier

Pour assurer la stabilité du pédalier (C), un dispositif de

réglage a été prévu à sa partie inférieure. Tournez ce disposi-

tif jusqu’à ce qu’il soit en contact ferme avec la surface du

sol. Ce dispositif assure la stabilité du pédalier lors de son

utilisation et facilite la commande au pied des effets. Si ce

dispositif n’est pas en contact ferme avec le sol, il pourra se

produire une distorsion du son.

■Lorsque le montage est terminé, veuillez

mener à bien les vérifications suivantes.

• Reste-t-il des pièces non utilisées?

➔Passer en revue la procédure de montage et corriger toute

erreur éventuelle.

• Le Clavinova est-il placé à l’écart des portes et de toute autre

structure mobile?

➔Déplacer le Clavinova vers un emplacement approprié.

• Lorsque vous secouez quelque peu le Clavinova, entendez-vous un

cliquetis?

➔Serrer convenablement toutes les vis.

• Le pédalier fait-il du bruit ou s’écarte-t-il lorsque vous appuyez sur

les pédales?

➔Tourner le stabilisateur de sorte que le Clavinova repose

fermement sur le sol.

• Les cordons des pédales et d’alimentation sont-ils bien enfoncés

dans les prises?

➔Vérifier toutes les connexions.

• Si la partie principale de l’appareil craque ou est instable lorsque

vous jouez sur le clavier, consulter les diagrammes de montage et

resserrer toutes les vis.

NSelector de tensión

Antes de conectar el cable de alimentación de CA, comprue-

be el ajuste del selector de tensión que se incorpora para

ciertos destinos. Para ajustar el selector a 110V, 127V, 220V

ó 240V de la red de alimentación, emplee un destornillador

de cabeza recta “-” para girar el selector de modo que la

tensión correcta de su zona aparezca al lado del indicador del

panel. El selector de tensión se ajusta a 240V cuando la

unidad sale de fábrica.

Cuando haya seleccionado la tensión correcta, deslice el

cable de alimentación por encima del panel trasero y

conéctelo a la toma AC INLET (entrada de CA); a

continuación, conecte el otro extremo del cable a una toma

de corriente. En algunos países también podrá suministrarse

un adaptador de clavija para permitir su conexión a las tomas

de corriente locales.

CUIDADO

•Un ajuste incorrecto de la tensión podrá ocasionar daños graves al

instrumento CVP-202 o provocar un funcionamiento defectuoso.

MAsegúrese de ajustar el ajustador.

Para la estabilidad del aparato, se proporciona un ajustador

en la parte inferior de la caja de pedales (C). Gire el

ajustador hasta que contacte firmemente con el suelo. El

ajustador asegura una operación estable de los pedales y

facilita el control del efecto de los pedales. Si el ajustador no

contacta firmemente con el suelo, puede resultar en sonido

distorsionado.

■Cuando haya concluido el montaje, com-

pruebe los siguientes puntos:

• ¿Ha quedado alguna pieza sin instalar?

➔Revise el procedimiento de montaje y corrija cualquier error

que se haya podido cometer.

• ¿Está el Clavinova alejado del recorrido de puertas y muebles?

➔Traslade el Clavinova a una posición adecuada.

• ¿Suena algún ruido de holgura cuando se mueve el Clavinova?

➔Apriete con firmeza todos los tornillos.

• ¿Vibra o cede la caja de pedales cuando se pisan los pedales?

➔Gire el estabilizador hasta que apoye firmemente sobre el

suelo.

• ¿Están perfectamente insertados los cables de pedal y alimenta-

ción en los conectores?

➔Revise las conexiones.

• Si la unidad principal cruje o presenta algún signo de inestabilidad

cuando se toca el teclado, consulte los esquemas de montajee y

vuelva a apretar todos los tornillos.

CVP-202

KEYBOARD 88 keys (A–1 — C7)

TONE GENERATOR AWM (Advanced Wave Memory)

MAXIMUM SIMULTANEOUS 64

POLYPHONY

VOICES Clavinova voices: 243

XG voices: 480 Drum Kits: 14 sets

Voice Groups: PIANO&HARPSI., E.PIANO, ORGAN&ACCORDION, PERCUSSION, GUITAR, BASS, BRASS, WOOD

WIND, STRINGS, CHOIR&PAD, SYNTH., XG

Dual, Split

EFFECTS Reverb: 23 types Chorus: 15 types

Effect: 92 types

ACCOMPANIMENT STYLES Rhythm Styles: 134 Pianist Styles: 36

Custom Styles: 4

Style Groups: POP&ROCK, POPBALLADS, DANCE, SWING&JAZZ, R&B, COUNTRY, LATIN, MARCH&WORLD, WALTZ,

BALLROOM, PIANIST, DISK/CUSTOM

Controls: Intro, Main A, Main B ,Main C, Main D, Auto-fill, Ending, Fade in/out, Synchro, Start/Stop, Tap,

Metronome, Tempo –/+

AUTO ACCOMPANIMENT Music Database: 463

Single Finger, Multi Finger, Fingered1, Fingered2, Full Keyboard,

Harmony, One Touch Setting, Chord Assist, Synchro Stop,

Individual Part Volume Control (Mixer)

REGISTRATION Bank A – E x 4 memory locations (20), Freeze

SONG PLAY MODE Song Playback, Repeat, Volume control of individual Parts (Mixer)

Controls: Song, Play/Stop, Rewind, Fast forward, Pause

Guide Control: Easy Play, Next Note, Sound Repeat

Lyric Display, Piano Roll Display, Keyboard Guide Lamps

SONG RECORD MODE Quick Recording, Track Recording, Chord Sequence, Song Name, Track Edit, Initial Edit, Setup Memory

LCD/CONTROLS 240 x 64 dot liquid crystal display, Contrast dial, Beat lamp, Function button, Mixer button,

Page < > buttons, Direct Access button, LCD buttons, data dial, –/+ buttons, Exit button

VOLUME CONTROLS Master volume, Acmp/Song volume

DEMO/HELP 50 Demo Songs; 5 help languages (English, Japanese, German, French, Spanish)

DISK DRIVE 3.5-inch micro floppy disk drive

PEDAL RIGHT Damper

CONTROLS CENTER Sostenuto

LEFT Soft, Start/Stop, Harmony, Registration, Registration Freeze, Ending/rit, Break, Break Fill,

Bass Hold, Fade In/Out, Effect Variation, Glide

JACKS AND TERMINALS PHONES jacks x 2, AUX OUT jacks (L/L+R, R), AUX IN jacks (L/L+R, R), TO HOST terminal, MIDI terminals (IN, OUT,

THRU)

INPUT/OUTPUT AUX OUT: Output Impedance: 600 Ω

SPECIFICATIONS AUX IN: Input Impedance: 10 kΩ; Input Sensitivity: –10 dBm

MAIN AMPLIFIERS 80W (40W x 2)

SPEAKERS 16cm x 2, 5cm x 2

DIMENSIONS (W x D x H) Music rest down: 1394mm x 561mm x 845mm (54-7/8" x 22-1/16" x 33-1/4")

Music rest up: 1394mm x 561mm x 1017mm (54-7/8" x 22-1/16" x 40-1/16")

WEIGHT 56.0kg (123lbs., 7oz.)

Specifications / Technische Daten /

Spécifications / Especificationes

•Specifications and descriptions in this owner’s manual are for information purposes only.

Yamaha Corp. reserves the right to change or modify products or specifications at any time

without prior notice. Since specifications, equipment or options may not be the same in

every locale, please check with your Yamaha dealer.

•Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der

Information. Yamaha Corp. behält sich das Recht vor, Produkte oder deren technische

Daten jederzeit ohne vorherige Ankündigung zu verändern oder zu modifizieren. Da die

technischen Daten, das Gerät selbst oder Sonderzubehör nicht in jedem Land gleich sind,

setzen Sie sich im Zweifel bitte mit Ihrem Yamaha-Händler in Verbindung.

•Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que

pour information. Yamaha Corp. se réserve le droit de changer ou modifier les produits et

leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que les

caractéristiques techniques, les équipements et les options peuvent différer d’un pays à

l’autre, adressez-vous au distributeur Yamaha le plus proche.

•Las especificaciones y descripciones de este manual del propietario tienen sólo el propósito

de servir como información. Yamaha Corp. se reserva el derecho a efectuar cambios o

modificaciones en los productos o especificaciones en cualquier momento sin previo aviso.

Puesto que las especificaciones, equipos u opciones pueden no ser las mismas en todos

los mercados, solicite información a su distribuidor Yamaha.

M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation

WA54890 3??PO???.?-01A0 Printed in Indonesia

Clavinova Web site (English only)

http://www.yamahaclavinova.com/

Yamaha Manual Library

http://www2.yamaha.co.jp/manual/english/

Yamaha CVP 202 Data List CVP202G2

Navigation menu

Versions of this User Manual:

Views

Navigation